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verobatto · 4 years ago

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Destiel Chronicles

Vol. LXXXIX

It was a love story from the very beginning

"You, me... And Sam."

Hello my friends!!! How are you? I feel much better now thanks to all your asks and your memes and your cracks, I adore them all!

Okay, putting that to a side, and still dreaming about how Jensen will give us the ending we all deserve, let's continue with this analysis, because is time to talk about the mixtape.

From butterflies in the stomach and Foreshadows of the new God

When the episode starts, there's a hint of what Jack's mission is. But coming out from Dagon's mouth, it became like a real bad future.

Dagon: Yeah. And he's not gonna stop there. Every sad, weak human, every tight-ass angel, every sniveling demon they'll all be consumed. So go ahead. Play your games. But whether you're healthy or sick, filthy or clean, He will be born. Good times.

Is almost the contrary to what Jack will actually do for the world. He will consume but it will be Chuck's powers until the last drop of it. And against Dagon's speech, he will save each demon and angel and restore everything.

Now, let's talk about CAS coming back to the bunker...

Gif credit @godshipsit

I think his face is saying everything here. The one entering in the bunker after go MIA, was Cas', so, Dean's face is scandalous.

Imagine that suddenly your disappeared crush enters through the door without previous announcement. Of cour we can read the bumping heart allnover Dean's cheek, his eyes went wide, in surprise. 'Is CAS!'

He was so worried this whole time, thinking the worst could happen to him, and now CAS is there, alive.

But his reaction to it will be completely different to Sam's reaction. This was settled to make us see the difference between how a friend would react and how a lover would react. Blatant.

Sam: Hey. You're all right. Um – Where have you been?

Sam is asking as a friend, but Dean, Dean doesn't...

Dean: Let me rephrase that for Sam. Where the hell have you been? And why have you ignored our phone calls?

Okay, let's just stop here, this is the way a wife will ask her husband. But because we are talking about Dean, we can see his shield. His shield is US/WE, his shield is SAM, because he wants to drag his brother into the feeling of being desperately worried. Because recognize that DEAN WAS THE ONLY ONE ALMOAT LOOSING HIS HEAD TRYING TO KNOW IF CAS WAS ALIVE OR WHWRE HE WAS IA SHOWING WEAKNESS, IS SHOWING HIS TRUE FEELINGS FOR THE ANGEL. So, the theme of the I/ME vs the WE/US is perfectly written all over this episode.

Castiel: Where I was, the – the reception was, uh, poor.

Dean: No bars? No bars. That's his excuse. Wow.

Castiel: I was in Heaven. I was working with the angels. When I saw Dagon had captured Kelly, I-I thought they could help.

Okay Castiel is proving he is lying by himself here, because he said first he had not signal, and now, he heard one of the so many voice mails Dean had left in his phone.

Sam: And?

Castiel: Nothing.

Sam: Well, at least you're back. We're glad you're back

And be prepared again for the difference between the friend and the JILTED lover.

Dean: Really? No, I'm sorry. Okay, 'cause while you were striking out in Heaven, we had a shot at Dagon, and we lost.

Maybe Dean was waiting Sam to second him in his anger. But it was only in Dean's heart, the deception, and the recalling of so many days be worried about CAS. Because that's what romantic love makes you be.

Castiel: I know. I received your messages.

This was like a bomb for Dean...

Dean: Oh, you did – you did receive the messages? Okay, that's good.

Sarcasm...

Castiel: Dean.

Gif credit @starlightcastiel

Dean can't handle the pain in his heart of being rejected and ignored by Castiel, so he searches for his shield again: We/Us/Sam and me.

Dean: So not only were you ditching us, but you were also ignoring us? That's great. 'Cause we really could've used the backup. But, uh, you were too busy with, um (Clicks tongue) What was it? Nothing?

Castiel: Dean, I –

Dean: What the hell is wrong with you, man? You know, whatever. That's (Chuckles) Yeah. Welcome back. (walks away)

Dean is so mad with CAS. And is blatant that his reaction is totally different to Sam's.

The Mixtape as a way to reciprocate Castiel's confession, and the desperate attempt to make CAS to stay by his side.

Okay, we are now in the scene. I'm sure this scene had been dissected by many meta writers. I won't say new things, but i will point a little to their body languages.

Okay, the scene starts with Castiel knocking at Dean's door to give him back the mixtape, so jus aknowledged there that Dean gave CAS a freaking mixtape, which doesn't have another meaning that ROMANTIC. But we can assume Castiel doesn't get this human's customaries, also, we can assume he does, because boop culture that Metatron out at once in his head... So...

After Dean, without looking at him, because he is mad and now he has to handle this angel lack of knowledge about WHAT GIFTING A MIXTAPE MEANS, he said "It's a gift, you keep those."

And Castiel gets nervous.

Gif credit @stardustcas

The swallow and the way he opens his mouth again to breathe and maybe to say something else, but he stopped himself. Castiel is nervous. I thought at first because he has to find the Colt, and he knew Dean kept it in his room. But we know now that it wasn't just that. He was flustered because the intimacy of the situation with the man he loves.

Castiel looks around before attempting to leave, maybe searching for the Colt, but then Dean starts talking:

Dean: Cas, you can't – With everything that's going on, you can't just go dark like that. We didn't know what happened to you. We were worried. That's not okay.

And in the middle of the intimate scene, awkward moment, Dean needs his shield more than never.

Castiel: Well, I didn't mean to add to your distress. I – Dean, I just keep failing. Again and again. When you were taken, I searched for months and I couldn't find you. And then Kelly escaped on my watch, and I couldn't find her. And I just wanted I needed to come back here with a win for you. For myself.

This speech is so important, because it shows how depressed Castiel felt, how uneasy. How unworthy. He needed to be useful. So he decided to start alone this dangerous journey that will end in his death. He also mentions the win. Because he didn't know he will be always Dean's win, as we will see in episode 13x06 when CAS comes back to Dean alive.

After they talk about Dragon, and Cas' asks if Sam and Dean are willing to kill an innocent, because that's dirty work, that's the mission CAS had taken in his own shoulders, Dean says this...

Dean: We will find a better way.

Castiel: You mean, we?

Gif set credit @deanwinchestrs

Cas points at Dean with the mixtape, because he wants to clarify if Dean is referring to them, to JUST CAS AND DEAN. YOU AND ME. THE TWO OF US. And Dean is now the flustered one. Look at Dean's face, being in just one spot, recognizing that the shield can be broken, that he is talking about CAS and him. Is too intimate. Too different. So his face is burning. And even so, the words are out. 'Yes, dumbass, we.'

What was this? This was an attempt coming from Castiel to get to know Dean's feelings. Pointing with the mixtape to just Dean and him. Not Sam here. Not shield. And Dean goes for it. Goes for that WE: YOU AND ME.

But then, Dean backtraks

Gif set credit @stardustcas

He starts explaining the WE, avoiding Castiel's gaze, he goes... 'You, me...' and then he tilts his head, and adds the shield back again: 'and Sam.'

The second gif is showing Dean backtracking, Because is too intimate, is too risky, he is standing on the edge between friendship and something else. He can't cross that line. Mostly because he is not sure about Castiel's feelings for him, and more now, after seeing how CAS ignored him for so long. Dean is like:

"What am I doing? Let's mention Sam here, and turn this into no homo conversation."

But the nervousness is all over the scene, i got nervous watching it because the awkward moment!

Gif set credit @stardustcas

More nervousness. Dean's flustered eyes. The swallowing. The attempt of staring into those blue eyes of the man he loves. (The butterflies in the stomach, the heart beating fast, the dry mouth) trying to make the conversation more normal, but their faces are loud.

Vas says he likes that and then Dean is more frustrated than never and his dry mouth is asking for a beer, or maybe he find a way out from the awkward moment, the gay moment. He needs to breathe. He almost let his guard down with this angel. And the desperate way to say STAY WITH ME. DON'T GO AWAY AGAIN. To his angel.

Castiel engages with a seductive look in the middle of the sexual tension

Sam: I mean, how did Cass even get the Colt out of the safe in the first place?

Dean drops his head. Sam raises an eyebrow

Sam Dean, you – you put the Colt back in the safe, right? Dean?

Dean: It was under my pillow. It – I like to keep it close. (Sighs) He came into my room and he played me.

Okay i can even explain the intimacy of this. Even if CAS didn't know about this and he just went searching all over Dean's room. Mention this after the huge scene full of romantic tension, has a meaning. Again: INTIMACY. And adding the "He played me" to all of this is another symbol way to show theme audience this was like that scene between the guy and his crush, in wich his crush takes advantage of it and plays him by stealing something from him. Yes.

Finally, when they find CAS... This scene...

Gif credit @stardustcas

Dean is mad, very mad at him. Because Castiel really played him. But... Look at the scene. Look at Castiel's gaze: PURE SEDUCTION. He maybe is aware of the effect he causes on Dean. And after the mixtape scene, he goes for it. Seduction as if they were in their first seasons together. And Dean is muted, and stares at him, then checks him out, and they're in their own sexual tension world, until Sam calls him. But he has to calls him twice because his brother is too embedded into Castiel's hot behavior.

But don't forget Dean is mad at him. So now, is Dean the one playing around with CAS. Throwing the keys at him and making him almost loose his stability to reach them.

Closing the circle

When Dean and Sam reach Castiel again in the middle of a battle with Dragon, Dean's desperation when Dagon is about to smite Castiel is high level.

But then Jack saves the day, not just showing CAS the future (the ending of season 15) but also, Jack gave him powers to finish Dagon.

Then, the scene in wich Castiel heals Dean is full of intimacy again. The lingerie touch, rubbing fingers. Because Dean is moving his hand slowly away from CAS touch but he ended by letting his hand to feel Castiel's rubbing his fingers. To let Castiel to heal him.

And then, CAS is gone again.

To Conclude:

12x19: The Future has Destiel all over it. Dean mad at him, reaching the level of a JILTED lover. Dean way to protect himself from another rejection using the WE/US/SAM shield. Just because he can't handle it. The doubts about Cas' feelings, and the way the angel always find to go MIA, makes his heart stutter.

The mixtape scene is one of the most emblematic. The nervousness is all over their faces, and Misha and Jensen transmite perfectly the romantic tension between the two characters and goes straight to our hearts, making us feel awkward and flustered too.

Hope you like this meta. See you in the next one!

Tagging @magnificent-winged-beast @emblue-sparks @weird-dorky-little-d @michyribeiro @whyjm @legendary-destiel @a-bit-of-influence @thatwitchydestielfan @misha-moose-dean-burger-lover @lykanyouko @evvvissticante @savannadarkbaby @dea-stiel @poorreputation @bre95611 @thewolfathedoor @charlottemanchmal @neii3n @deathswaywardson @followyourenergy @dean-is-bi-till-i-die @hekatelilith-blog @avidbkwrm @anarchiana @dickpuncher365 @vampyrosa @authorsararayne @mybonsai1976 @love-neve-dies @dustythewind @wayward-winchester67 @angelwithashotgunandtrenchcoat @trashblackrainbow @deeutdutdutdoh @destiel-shipper-11 @larrem88 @charmedbycastiel @ran-savant @little-crazy-misha-minion @samoosetheshipper

@shadows-and-padlocked-hearts @mishtho @dancingtuesdaymorning @nerditoutwithbooks @mikennacac73 @justmeand-myinsight @idontwantpeopletoknowmyname @teddybeardoctor @pepevons @helevetica @isthisdestiel @dizzypinwheel @jawnlockwinchester @horsez2 @qanelyytha

@destielle @agusvedder @spnsmile @shippsblog @robot-feels @superlock-in-the-tardis @superduckbatrebel @2musiclover2 @madronasky @anon-non2 @cea1996

If you want to be added or removed from this list, just let me know.

If you wanna read the previous metas from season 12, here you have the links:

Vol. LXXV, LXXVI, LXXVII, LXXVIII, LXXIX, LXXIX, LXXX, LXXXI, LXXXII, LXXXIII, LXXXIV, LXXXV, LXXXVI, LXXXVII, LXXXVIII.

Buenos Aires, November 24th 2020, 9:36 PM

#destiel #destiel chronicles #destiel meta #supernatural meta #season 12 meta #destiel mixtape #destiel is canon

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casmybelovedass · 4 years ago

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The Destiel Folder: Season 10

[Season 4; Season 5; Season 6; Season 7; Season 8; Season 9]

Episode 1:

Cas is slowly dying, practically naked, in a bed, and the first thing he says when talking about Dean is "I miss him" (6:35), with a soft smile. "Why would he just disappear?"

... I'm sorry but If Cas Were A Woman, this would look like a scene from a movie or something, where the wife talks to a friend over the phone about her missing husband. JUST SAYING

Crowley: "The girl seemed nice. Slightly damaged. I could see the old you falling for that." (9:29) uhm... who else is "nice and slightly" damaged? I don't know... CASTIEL??!!!

So... these two men (actors Todd Mann and Brad Mann) we see with the DemonGang, are real life twins (9:14).

At (27:18), Crowley states him and Dean did "extroardinary things to triplets" ... and, well, the only twins with a possible other sibling we see are... them

And this is not the first time we hear about Dean doing "things to triplets" with a buddy of his (15x07)... and the first time he was NOT a demon... so, there's that. And triplets don't necessarily mean "all females"

Cas, while talking about the good things that come with choices, mentions "hope, love, dreams" (39:06), and Hannah points out that "those are human things". Human things...

Cas is talking about his own personal experiences with creating chaos, so those are the things he felt after rebelling for... Dean... WOW. ICWAW, it would totally be read it as a reference to Dean. A romantic one. Fight me

Episode 2:

Cas is dying, just got back from a fight that left him wounded, doesn't have enough power to heal himself, is on a mission to restore Heaven, and once again he chooses to go save Dean (9:35), and the way rage builds in his eyes when learning Dean has become a demon. Look at this shit

I might be crazy, but this feels like a touching metaphor to me:

"I think you don't know what you want. Tell me, Dean. What are you? A demon? [...] Maybe you're human. [...] Why don't you do us all a great, big favor... and pick a bloody side!" (22:22)

METAPHOR

Episode 3:

We are reminded that, even tho in terrible conditions, on the verge of death, Cas is willing to risk it all to save Dean, and is devastated by the thought of Dean not making it (4:47 - 5:17)

This is so funny to me, I'm sorry, but Cas is so visibly uncomfortable with Hannah touching him, it's hilarious (15:58)

"I've been around humans for long enough to see how easily distractions occur. Emotions, feelings... They're dangerous temptations." (22:32) like rebelling against your own kind, destroying your home, falling... all for a human?

"I'm trying to keep our priorities clear." Moments earlier, Cas listed "Getting to Dean" (22:17) before anything else. In fact, Hannah says "I am very clear of my priorities... and yours." = Dean (23:00)

Cas is not sure whether the cure will kill Dean or not, and in any case, he wraps his arms around him, and softly says "It's over... Dean it's over." (35:40) as if hushing him to sleep, in what could have been their last moments together... wow. Think about this ICWAW

"Well, I can see his point. Only humans can feel real joy, but... also such profound pain. This is easier." (36:17) Look at the way Sam is looking at Cas looking at Dean

BITCH OKAY!!

SAM KNOWS

POSSIBILE future Empty reference "real joy"

Cas already stated he misses being human, but knows how fragile they are in both body and spirit:

Castiel really wants to be with Dean. For real. But maybe he thinks (see season 9) him being an angel is an obstacle to their feelings.

Only by being human he can truly be happy (MMMMMMHH SEASON 15), but isn't sure he could handle the pain that comes with it. A possible rejection, the thought of Dean dying, him leaving Dean... MMMMHHHHH

"You look terrible." [...] "Well, you, on the other hand, you... *checks out Cas* Looking good." (39:09) full homo right there. Also parallel with Ketch in 13x18 ("You don't look good." "Yeah, well, you're not my type, either.")

The way they are looking at each other here... man.

Cas is so happy to have Dean back, and Dean looks hurt about Cas leaving so soon.

"So... so, you're back?" "At least temporarily." (39:27) bitch, you know that's not what he ment.

In all of this, Cas is trying to make Dean feel better about the whole situation (DAT SMILE 40:18), and Dean replies with "I'm glad you're back, man.", basically no-homoing himself...

Cas starts walking out of the room, but stops and turns back [insert concerned husband here] (40:27), and Dean has that hopeful look in his eyes, like Cas is going to stay, and the hurtful look comes back as soon as Cas is gone

Episode 4:

"On your knees!" "Wow, I'm awfully flattered-" (34:33) SASSY BI DEAN IS THE DEAN WE DESERVE

Episode 5:

Fucking kill me NOW!!! Dean's reaction to Destiel is PRICELESS!! And even before he learns what that is, he just looks at the girls playing him and Cas and... freezes for a moment (13:18) And the eyebrow raise thingy at (13:34)... what's going on in your brain, Dean?

I'd like to point out that the Italian translation for "You can't spell 'subtext' without S-E-X" is, for once, AMAZING:

"It's just that... their bond is so strong it has subtext of a... sexual nature."

THANK YOU ITALIAN DUB! JUST THIS ONCE, THANK YOU! (13:43)

Also at (9:44) Dean immediately reacts to the implication of Wincest subtext, shutting it down and telling the girls to take a step back, but with Destiel he is like... alright

... this is so fucking cute, (25:54) Dean adjusts the girl playing Cas' tie so that it's messed up like the real Cas'. ADORABLE

SAM SHIPS IT (13:57) and is teasing the SHIT out of Dean, who reacts like someone being teased about their crush. Just saying (14:08 - 14:52) [AND THIS HAPPENS IN FRONT OF A PINK-BLUE WALL]

"I know I have expressed some differences of opinion regarding this version of Supernatural." (26:44) ... oookay meta? *turns to "Cas"* "And I want you to put as much sub into that text as you possibly can." ... oKAY?!

Episode 7:

Cas being extremely uncomfortable with women is too fucking funny to me (5:03 - 12:51)

Episode 9:

(15:13) Alright, so, this is a date... what now? Anyway, nice bi flannel, Dean. And the little sweet smiles you two are giving each other? So fucking precious (16:01)

"I ain't exactly a role model." "That's not true." (16:07) how Dean looks at Cas right after that? BABIES!

"How are you, Dean?" "Fine." "*I-call-bullshit look*" "I'm great!" "No, you're not." (16:18) #MARRIED

As Cas is choke-holding a guy, Dean, clearly amused (almost proudly), says "I'd do what he says." (22:17) Like that time with Raphael in 5x03, Dean likes it when Cas gets rough

Episode 10:

Shut the fuck up and marry each other already so you can finally actually BE the old married couple™️ you ALREADY ARE (22:17)

This is the "My husband is so FUCKING STUPID" look (22:30)

"I was hoping you might reach out to her." "... Me? I'm probably the last person she'd want to hear from." [...] "All I know... is she won't talk to me." (23:03) #MARRIED, PARENTS, PERIODT

Shut the fuck up. Cas is the dad trying to figure out technology (23:36) "I'll text you her number. I like texting. Emotions!" DAD

Cas worries about Dean like a wife would with an alcoholic husband

Of all the things Dean could be MAD about at Metateon... the first thing he can think of is him stealing Cas' grace (31:33) (okay, maybe he is going in chronological order but STILL)

Episode 11:

[I AM SO SO SO SORRY BUT DEAN USED THE ALIAS "PRESLEY" (18:55) I AM NOT OKAY]

Episode 14:

Have this deleted scene: Castiel and Crowley bitching over Dean, and Crowley calling Dean Cas' boyfriend

This is some hell of a goodbye-eye-love-making scene (26:57)

Cain compares himself to Dean... and CAS TO HIS WIFE COLLETTE [PARALLELS]

"You're living my life in reverse [...]

First you'd kill Crowley. You'd get it done, no remorse. (Cain had been killing his descendants, for whom he didn't care much)

And then you'd kill the angel, Castiel. Now, that one... that, I suspect, would hurt something awful. [And than Sam is Able, bla bla...]"

AM I WRONG?! YOU'RE GONNA LOOK AT ME AND TELL ME THAT I'M WRONG??!!!

Dean gives the First Blade to Cas... oKAY (37:10)

Worried brother-in-laws (41:27)

Episode 16:

This is such a good source of hidden meanings scene! Dean starts his "confession" as a scam. Everything he says at first is to attract the spirit.

He starts talking about seeing lots of women, not being able to control himself, and being sick of it. Then the real confession begins...

Dean feels he's going to die soon, and fears not death itself, but what he would be missing from his life.

"There's things... people, feelings that I... I would experience differently than I had before. Or even for the first time." (25:28) and the priest believes Dean is talking about love.

Well... "people, feelings"... who could he be referring to? Does Dean want love all of a sudden? People he wants to experience for the first time... uhmmmm... Is Dean opening up to his attraction to MEN??!! Or one angel in particular?

ICWAW we would guess Dean was talking about Cas

"Who mixes their blood and bones into paint? No woman has ever done that for me." (39:19) UHM- Dean, what about

6x20 "He has bled, died bla bla bla for us",

7x21 "I'm always happy to bleed for the Winchesters" or

9x22 "You just gave up an entire army for one guy"

ICWAW we would ALL roll our eyes at this statement and scream CAS

THE GUY BLED, LOST HIS HOME, REBELLED, DIED FOR YOU!! HE REBUILT YOU PIECE BY PIECE FROM HELL- SAVED YOU DOZENS OF TIMES!!!

Episode 17:

About saving Dean from the Mark: "We won't- (free Metatron)" "Yes, you will... because you're desperate." (9:44) Hannah knows. Let's remark that

"All I'm getting from you is... colours." (14:26) bitch he is a walking 🌈PRIDE FLAG🏳️‍🌈

Notice how, when we get a Sam-Cas centred episode, we don't get the same interactions with Dean-Cas? Why this?

Dean is always ready to call Cas a "brother", but the only one true bromance here is Sam and Cas'. There are no longing stares, no weird sexual filled dialogue nor tension, NO LONGING STARES

Facts, my people. Facts

Episode 18:

"You killed my friend." "Oh, pff, Dean is fine, mostly. Can't you get past that?" "Never." (12:39)

Charlie being excited about meeting Dean's famous boyfriend is WHOLESOME (37:34)

To have Cas back, 100%, safe and sound, is a win for Dean (38:58) and the face Cas makes after Dean hits him with another no-homo "It's good to have you back, pal." is "UHH not this again". Charlie already ships it

Episode 20:

A #MARRIED couple and their daughter. NO ARGUMENTS VALID (7:06)

Look at how they enter the motel (16:22)

OH MY GOOOOOD!!! #PARENTS coming back home from shopping!! THE HAND ON THE SHOULDER!!! Also

"Happy birthday. I got it at the Hot Topical" DAD

Dean: "Imma head back over there." Cas: "I'm coming with you." Claire: "I'm coming with you too." (17:24) #FAMILY

A fucking family comedy about a dad confronting the daughter's boyfriend and the other dad scolding him:

"What did you do to him?" "I didn't lay a hand on him!" "Dean, that isn't exactly true." "... Well, I didn't kill the guy." (17:14)

Surprisingly enough, this is not the first nor last time Dean acts like a dad to a lost child (AND TWO OF THESE TIMES THE KID IS SOMEHOW RELATED TO CAS) (21:54)

Episode 22:

C: "Claire, you are not going out there. [...] It's too dangerous. I can't let anything happen to you." D: "Claire, you're not going." C: "You're not either, Dean." D: "What?" (19:29)

#FAMILY DON'T TALK TO ME!

"No fighting. [...] Both of you." AAAAAA

This doesn't fucking matter, but Dean just said "... for the ladies. Or the fellas. I don't judge." (36:23)

Cas' speech to Dean... wow. "So if there's even a small chance that we can save you... I won't let you walk out of this room." (39:20)

I hate this scene. (40:11)

Dean is overwhelmed by Charlie's death, Sam and Cas' betrayal, the Mark changing him and all the other shit.

The Mark is taking over, and Dean can't (and won't) help it. Cas knows it. He doesn't want to hurt Dean. He is not even resisting. Doesn't put up a fight.

And just like Colette with Cain, Castiel only asks Dean one thing: "Stop." (40:38) [9x11]

Parallel to 8x07:

The only thing that stops Cas from killing Dean, is him begging, clutching onto his sleeve.

"Dean... please..." (41:08) Cas pleading Dean, clutching to his arm, makes him resist the urge to kill him.

Episode 23:

You can find gifs and the script of some deleted (destiel) scenes in this post by @charlie-minion

As the Mark eats Dean... he starts feeling guilt for the people he hurt... first on the list: Cas (14:54)

(This gif is not mine)

Well... what a season.

[Season 11>>]

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caranfindel · 6 years ago

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Recap/review 14.18: “Absence”

THEN: I am a Winchester! Which means I do awful and wonderful things! Like saving Sam (Saaaaaammmm!!!) and torturing Nick and doing Something Bad to Mary! And possibly losing my soul! Whoopsie!

NOW: Sam and Dean are just getting back to the bunker after the events of the previous episode. I assume they've given Donatello a ride home (which, as we've established, is x hours away), but maybe they stuck him in a cab like they did with Claire that one time. Maybe they found a car for him back at the abandoned warehouse. Sam drops his bag on the map table and they both start calling for Jack and Mary, but aren't too terribly concerned about them not being there. "They probably just stopped for a bite on the way back," Dean hypothesizes, when they settle in the library with a couple of beers. Um. Jack zapped them to Nick's cabin, didn't he? So what is on the "way back?" Are they going to zap to a McDonald's first? What is important is that Sam is still wearing that orange plaid shirt. And they're both pretty unperturbed, even for them, about what just happened.

Here's to another miraculous Sam Winchester survival. Gotta say, man, if Jack hadn't have healed you... you know, lately, it feels like we'd be up the creek without that kid. I mean, first he takes care of Michael, and then Nick...

I know, and he even got the blood out of my new orange plaid shirt, which means I can keep wearing it for this entire episode.

Yeah, I been meaning to talk to you about that. You've been adding a lot of orange to your wardrobe lately.

Just this shirt and that one jacket.

It's more orange than anyone needs. Sure, it fits you great, but so does that red and black plaid. Why don't you wear that shirt some more? Or that solid black shirt you have?

Sorry, but you know I'm a Texas fan. You're just going to have to put up with the orange.

At least I think that's how the conversation went. I could be remembering wrong.

I'm just saying. It's a lot of orange.

The point is, Dean appreciates Jack and recognizes everything he's done for them. Dean pulls out his phone to call her and they hear a buzzing, which is her phone, on the map table, right to Sam's bag. Sam, I know you're recently back from the dead (or near-dead) but it does seem like you would have noticed the phone there. (Also, how close is the library to war room? This makes it look like the map table is practically in the library.) Her keys are next to her her phone, and it's not until this very moment that I realize they didn't know she and Jack zapped to the cabin - they must have thought she and Jack drove there. Because obviously they didn't have a lot of conversation about it. Even though they had a long drive back and it does seem like Sam would have called his mother and asked how their end went.

Anyway. They're perturbed now. Sam tries to call Jack and we see him, staring, ignoring Sam's call.

Title card! (ha ha, I forgot we were still in the Now.)

The guys are making phone calls to all their contacts, and Sam reports Rowena has a spell that might be able to track Jack down. Oh, I love that Sam calls Rowena for help. LOVE IT. Dean gets a call from Cas and gives him the scoop. "Were they together?" Cas asks. “Alone?" Cas looks more Cassy than usual, and then tells Dean about the snake. "I don't think Jack is well, Dean," he says. Dean hangs up on him, which seems kind of rude, but neither he nor Sam act like the snake story is particularly significant. Then Sam gets the brilliant idea to track Jack's phone. (Sidebar: Should Cas be able to use his angelic powers to locate Mary and/or Jack? Discuss.)

Sam fires up the phone tracking website and expositions that they should be able to track him as long as his phone has power. (Listen, guys. You need Find My Friends. Best parent app EVER. It locates him in Nepal, but then he immediately appears in Peru. "Jack's flying," Sam says.

Eventually Jack tires of Paris and Lima and Madagascar and and flops to the ground back at the Cabin of Death, next to Nick's stolen truck. He pulls out his phone, revealing a low battery (so much for that plan, Sam) and several missed calls and messages from the rest of TFW 2.0. He has some flashbacks to happier times with Mary, and then in the background we notice someone standing on the porch of the cabin. They're wearing jeans, and their face is hidden in the darkness, and I'm open to the possibility that Jack actually zapped Mary somewhere instead of killing her (and according to the 14.17 poll, some of you are also open to this), so for a second I think it's going to be Mary standing there. But no.

On the TV:

Nick?

Hmm. Guess again. Hello, son.

At my house:

OH FUCK.

Sorry. I'm just really tired of him.

So, after Jack left to do more important things (Saaaaaaammmmmm!!!!), Lucifer made it back into the world? I mean, this is awful, but it would mean Lucifer is the Big Bad instead of Nick, so... not ALL awful? But it's not Lucifer either - "I'm your subconscious, or whatever," he says. Oh god, it's Hallucifer. Jack has his own version of Hallucifer, JUST LIKE HIS PRIMARY DAD. He's here to help, allegedly, though he doesn't seem all that helpful. "Buddy, you killed Mary Winchester. You cannot come back from that, and you know it." Well. I guess she's officially dead, then. Or is she? Where's the body? I mean, Hallucifer is just Jack's subconscious. So if Jack thinks he killed Mary, so does Hallucifer. That doesn't make it so. Jack tells Hallucifer that it was an accident, and he's all, sure, tell Sam and Dean that, I'm sure they'll understand. (It's funny because it's not true!)

Cut to the Winchesters, driving through the night. Sam expositions that Cas will meet them at the cabin (how do any of them even know where this cabin is?) and speculates that maybe Lucifer is behind whatever happened, not Jack. And maybe Jack thought he was being kind when he killed the snake. Because Sam is grasping for anything that exonerates his son (sob!). But Dean's not accepting it and doesn't want to talk about it. Then Sam's laptop or tablet or whatever he's using beeps with notification that Jack's signal has been lost. Uh oh. (So I guess that's how they found the cabin?) Oooh, yes, we actually get confirmation that it's in Longton "KA" (which doesn't exist and I suspect is supposed to be KS, SERIOUSLY, GUYS).

Longton KANSAS is 4.5 hours from Lebanon. In case anyone but me is curious.

When they get to the cabin, there's no sign of Jack or Mary or Hallucifer. Just the stolen truck. Sam goes inside and Dean looks outside and oh, who's going to be the one to find the body? First I'm sure it's going to be Sam, because there's a lumpy pile of blankets on the bed, but it must just be blankets, and Sam doesn't even look under them. He does find a body, but it's Nick, not Mary. And then I'm sure it's going to be Dean, because he comes across something disturbing outside and ignores Sam's calls. But what he found is... well, it's hard to see what it is in the dark. Apparently it's a blast zone. A big one.

Cas is sitting in his truck somewhere, having his own warm and fuzzy Mary flashback where she eats a candy bar after a hunt without washing her hands and refuses to let Cas heal her because she's still a little bit afraid of him. He tells her that, no matter what other things there are to deal with, Sam and Dean are glad she's here. "Finally they don't have to be so alone." Wow, that's a dumb thing to say. Mary agrees with me and says "Castiel, they were never alone. And if they were, me being here wouldn't fix that, since I'm always off doing other things." That's how I remember it, anyway. Reverie over, Cas gets out of the truck to face the music - he's at the Cabin of Death.

Inside, Sam is covering Nick's body. He and Dean have some concerned conversation about whether Nick deserved whatever Jack did to him and conclude that Jack must have made it as painful as possible or otherwise killed him in some inappropriate way. And there are very good, valid reasons for them to come to this conclusion. I mean, I can't think of them right now, after watching the episode twice and ruminating for several hours, but I'm sure something will come to me very soon. Let me just go check my Tumblr feed again. I bet they're there.

(Seriously. Nick looks like he was burned out by an angel. That's all.)

They're surprised when Cas walks in, because they didn't hear his giant truck or see his headlights in the dark Cabin of Death. They tell him they haven't found anything except the blast site that looks like something "angelic, but bigger." Dean theorizes that it could have been Lucifer, but Sam points out that Jack said he took care of Lucifer, and I'm not sure why they've reversed their positions. Because in the car, Sam was the one who thought it might have been Lucifer. Script mix-up? Someone brought Jensen the wrong pages? Anyway. Dean says "If he did something to her, if she is... then you're dead to me." Pointing as Cas, because Cas knew something was wrong with Jack. Well, that hardly seems fair. When he first told you the snake story, Dean, you didn't think it meant anything at all. But NOW, all of a sudden, it was some ironclad harbinger of doom?

"I was scared. I believed in Jack for so long. I believed that he was good. I knew that he would be good for the world. He was good for us. My faith in him, it never wavered, and then I saw what he did. It wasn't malice, it wasn't evil, it was like Jack saw a problem and he solved it, with that snake. What he did wasn't bad. It was the absence of good, and I saw that in him. But we were a family and I didn't want to lose that..."

And I'm going to stop here, because this is the most important part of Cas's speech. This is the core issue. Jack's not bad, he just might not be good either. He thought he was doing the right thing. And he's family. Is any of this familiar, Dean? Any of it at all? Cas also says that he wanted to "fix it" on his own, so he left and didn't tell anyone. Neither brother asks how he thought he was going to fix it, but I guess they'll get the story of the failed faux Samulet someday. Right now we just have Sam looking sad and guilty and Dean looking angry and guilty but mostly angry.

Sam's phone rings - it's Rowena. She says she was unable to scry Jack because "his energy is too unstable; it's like looking at the sun." And as for Mary? "I don't know what happened, or where she is, but I can tell you with certainty - Mary Winchester is no longer on this earth." At this point, I'm still ready to accept that she's been zapped to a different dimension. I mean, there's no body. But TFW accepts it as her being dead, and Dean starts throwing furniture and Sam is despondent and flinchy (and hoo boy, I love that combination.)

So what do we do?

What do we always do when we lose one of our own?

Bad things. Very bad things. He declares "we fight to bring them back." And they will call on Rowena, because "she's got the Book of the Damned; she's resurrected herself more times than we can count." (Not to quibble, but we've only seen her resurrected twice. You yourself have been resurrected more times than that, Dean.) He orders Cas to go to Heaven and find Mary, and orders Sam to tell Rowena they're on their way. Mmmm, angry bossy Dean. I like that combination too.

Another thing I like about this scene is that it's one of those times when Sam turns into the little brother. When he looks at Dean and asks "what do we do," because that's how this works.

So much to like.

We go to Rowena's place, and if you're wondering where she lives and how far it is from the Cabin of Death, you're not alone. She's working away on her spell, though it sounds like she says cumin so maybe it's actually a chili recipe, when someone bangs on her door. "That was fast," she says. But when she answers the door... oh god, it's Jack, and for the first time in this episode I actually feel some concern. DO NOT HURT HER, JACK. (Rowena, I apologize for not appreciating you when you first arrived on the scene. I adore you now and you must remain.)

She pretends she doesn't know what happened, asking if he's well and telling him 2/3 of his dads are looking for him. He admits he accidentally killed Mary by just thinking it for a second and oh, imagine how horrible that would be, if the awful things that popped into your mind for one second actually came to pass. Or maybe I have more intrusive thoughts than y'all do. Anyway. "I need to undo it," he says. "You need to help me undo it." She explains that the magic she normally uses has to be in place before you die, so he suggest the book (I adore the way she says book) and she tells him about the spell. It requires "enormous power" but simple ingredients that could probably be found in the bunker.

Someone bangs on the door again - it's Dean. Jack accuses her of stalling, but they only talked for like 90 seconds, so, okay. She asks him to talk to his "kin," but he grabs her arm. Sam kicks the door in (with hair in his face and yes it is hot) but it's too late - Jack has zapped her out.

Sadly, I have not found a gif yet, so this will have to do.

Cut to Cas at the Stairway to Heaven, calling for Naomi. No one responds.

Jack and Rowena appear in the bunker, and he pulls her along, but happens to notice some gouges in the floor. And now we get another flashback. Mary is trying to teach him how to handle a knife, and he keeps dropping it on the floor. She's all sweet and supportive and blah blah blah, and Jack says Dean will kill him for gouging the floor when they get him back, so this must be during the Michael!Dean period. Mary pulls the table over to cover the damaged floor, but who is that in the background? It's bearded Sam! Oh, long lost Beard of Despair! How I've missed you! (Is it fake? Is it real? Was this a deleted scene? Or did they plan for what was coming, and film this before he shaved it off? Does Jared just grow a beard that quickly? I DO NOT CARE.)

He feels bad for not being there for Jack while he was busy looking for Dean, and then he apologizes for complaining to her. But she's relieved not to be the only one with "parental guilt." Because they went through so much without her, and then things were "complicated" when she got back. "I'm just saying, parenting is always a struggle. You always feel like you're failing, but then you look at them, and somehow, they're amazing. Somehow, they're literally the bravest, kindest, most heroic men on the planet." Well, this is true. Very true. And I'm glad she's giving Sam the praise and validation he SO deserves but come on, Mary. What do you know about parenting? You did it for four years. When did you feel like you were failing six-month-old Sam?

YES, MARY, I WANT TO TOUCH IT TOO

Fade to Sam. Interesting that Jack's warm fuzzy flashback turned into Sam's. (It's because Sam is his primary dad! It is known!) They're still at Rowena's, and Dean is still ranting about Cas not telling them about the snake. EVEN THOUGH DEAN DIDN'T CARE ABOUT THE SNAKE WHEN CAS FIRST TOLD HIM.

Cas, Cas should have told us. As soon as he saw Jack going Dahmer on his stupid snake, he should have told us.

Dean, it wasn't just Cas. We knew Jack was dangerous. We always knew. Long before he killed Michael. You more than anyone. I mean, from the very beginning you knew. But, you know, we fell for him, because he had a good heart and a good soul. And then, he didn't. And that's on me, too, by the way. I mean, I'm the one that made the call to bring him back. He didn't ask for that. I decided for him. And you warned me.

Oooh. Sam. No. Because:

1) Dean didn't KNOW from the very beginning. He was, in fact, WRONG at the very beginning, when he thought Jack was evil. Jack was not evil, and you insisted on giving him a chance, and YOU WERE RIGHT. Jack becoming "evil" in the future (and he's not even EVIL, he's just naive and untrained and too powerful for his own good) wasn't anything Dean predicted.

b) Dean didn't exactly fight very hard to stop Sam from bringing Jack back. Seems like most of his concern was that it wouldn't work, not that it was a bad idea in and of itself.

Then Sam says "You know, after Maggie and the other hunters died, I just left. I just dumped Jack on Cas and left." Well, I'm not a big fan of "Maggie and the other hunters" (reminds me too much of "Sting and the Police" and I don't know why Maggie - or Sting - were so damn special that they deserved to be singled out as the only ones in the group with a name), but I also don't have any memory of Sam leaving after Michael killed the other hunters. And when he did, he wanted to take Jack, but Dean wouldn't let him. But Sam says he knew something was going to happen and he's wallowing in guilt. Dean admits that he also knew there was a risk, because of what Donatello told him about not being sure. Well, thank Chuck for that. I'm glad Dean's not letting Sam shoulder all the blame for something that wasn't his fault.

Angry Dean and sad Sam, two things I adore.

Back at the bunker, Rowena is gathering her cumin and other ingredients. Jack's getting impatient, and she tells him that she could have fought him, but she didn't. "Because you want the same thing the boys want. That I want." This is a beautiful, beautiful moment, with Rowena wanting what "the boys" want, but it's interrupted by Hallucifer, who doesn't even know why Jack is doing any of this. "To ease your guilt? But you don't have guilt any more, do you, Jack? Admit it. You don't feel anything any more." Well. Everything Hallucifer says comes from Jack's head, so what do we think about this? Does Jack really not feel anything any more? I disagree. If he didn't feel anything, if he didn't want Mary back, if he didn't care about forgiveness, why would he even bother? So I think our boy does feel something. Rowena is disturbed by Jack talking to his hallucination, but she carries on and finishes the spell. They have everything they need except the body. Oh.

Stairway to Heaven. Cas isn't going anywhere until Naomi talks to him. Someone finally shows up, but it's Duma.

Where's Naomi?

Well, I'd tell you it's none of your business, but you already know it's none of your business. Naomi just gets paid more than I do, and we've already got all the regular guest stars in this episode, so we had to cut some corners.

At least that's how I remember it. She tells him Mary is at peace in "a special Heaven" and "is complete" and he should just let her be.

Jack takes Rowena to the Cabin of Death, but Mary's body isn't there. He thinks she should be able to complete the spell anyway, but she says she can't. He wants to do it himself, but she says he's in no shape, and "disposition affects execution." She tells him that whatever he brings back won't be Mary, and refuses to help him and OH I'M CONCERNED FOR HER AND HE REACHES OUT AND PUSHES HER and she just ends up being shoved back into her apartment. WHEW. She calls Sam and tells him what Jack is doing, and that it won't work because there's no body, and Jack has snapped and they need to stop him." Necromancy is a delicate art, unpredictable under ideal circumstances. In his state, I fear your boy will bring back something terrible." WELL, THAT'S ENCOURAGING. (Also, Rowena is hilarious in this scene.)

Jack sits in the corpse-less blast zone and performs the ritual and a huge swirling purple cloud appears overhead and I'm thinking, is this our out? Is Jack going to summon something awful, something that can be the Big Bad so he doesn't have to? Please? He notices the Impala nearby, and uses his powers to stop it in its tracks. Luckily it's just right outside the cabin. Sam and Dean run toward him, and we see him looking down at whatever he has summoned, but he doesn't look happy about it. Neither do the Winchesters. "It didn't work," he says, before zapping out.

Oh, the thing he brought back is Mary. Well, Mary's corpse, apparently. Dean holds her and finds her still dead, and he's sad and we get his flashback, which is just Mary leaning on him, asleep in the car, and then Sam comes and holds Dean as he holds Mary and everybody's sad, we're all sad, so terribly terribly sad and we get a crane shot and it's a very lovely scene but I can't help thinking um, correct me if I'm wrong, but we do have that missing piece now, right?

Jack ends up at some industrial kind of place, where Hallucifer tells him there's no going back. "Cas, Sam, Dean, they're never going to trust you again. And you know what that means. You can never trust THEM." And oh, this is Jack's head telling him that. Poor baby.

Bunker. Sam has his box of treasures and he's looking at the few remaining family photos. He looks up, full of hope, when Cas comes in. But Cas tells him Mary is in Heaven and at peace. Dean shows up in time to hear this, and asks if he's just going to take Duma's word for it, because she's a known liar and also might possibly be that dude from The Empty. He says no, he actually saw Mary's Heaven, and we see her door with the dates 1954-1983 and 2016-2019 on it, which of course begs the question of what Sam and Dean's doors are going to look like.

He says he saw her with John (way to bury the lede, Cas), and they're full of joy. But was it really John? Haven't we established that most people are in their own individual Heavens, and if she has a John, it's just an avatar? I mean, John's name wasn't on the door. And I expect Dean, at least, to insist they try to bring her back anyway. But Sam says Rowena told him that what Jack brought back was just an empty replica, "incapable of holding life." (I mean, I feel like that sometimes.) "So what are we supposed to do now?" he asks. And again, Sam is looking to Dean to lead them through this, and yet he's got to know what they SHOULD do. He's got to be thinking of Mary, safe and happy in Heaven, and of ripping someone (anyone, no one in particular, right Sam?) away from that and forcing them to continue on Earth just because you can't be without them. He's got to be thinking of that.

"What we always do," Dean says. And the last time he said that, in this very episode, it meant we do something awful, we throw our own lives away or make some horrible bargain or damn the world in order to bring her back. But this time, it just means that we give her a hunter's funeral. And Sam doesn't look like he was ready for that after all.

So Mary gets a very dramatic pyre, and a montage? Did anyone else get a montage? Ellen, Jo, Bobby, Kevin, Crowley? JOHN? ANYONE? A FREAKING MONTAGE? NO. Grrr. Cas tries to get closer to Dean and Sam puts out a hand and stops him. Also, Sam burns a photo of her and I don't know why.

And finally, we cut to the library table where Sam and Dean carved their initials and we see they are joined by a M.W. Um. What about John? Didn't he get to carve his intials? (NO. Those are only for people who get a montage.)

Also, now that I'm going back to get screencaps, it doesn't look like her intials were there at the beginning of the episode. So she didn't carve them, one of the guys did. And not Dad's? Cold, boys.

You know, last week, like, five or ten minutes before the end of the episode, I thought if Jack hadn't cemented his place in Dean's heart already, he's certainly there now. Because he saved Sam. No matter what else Jack did or is doing or will do, he saved Sam. And I want someone to point that out. I want Sam to say "no, I'm not ready to give up on him, and you realize the only reason I'm here to argue with you is because Jack saved me, right? And if he is soulless, he lost it by saving our asses, right?" (Is this because I watched "Clip Show" a couple of days ago and watched Sam frantically try to soothe Sarah as she died from Crowley's handiwork, and I want Jack to get the same kind of second chance that Crowley got? Maybe.) Now, I realize killing Mary is more awful than anything Crowley (or any other enemy-turned-frenemy) has done to them. But it was an accident. And HE SAVED SAM'S LIFE. Come on. That counts for something.

(Sidebar: We also learned, in that scene back in season 8, that Crowley's mother was a witch. {blows a big wet kiss to the Continuity Fairy})

So, how do I feel about Mary being gone? Here's the deal. This show, at its heart, is about two (or three) men who have a giant bleeding Mary Winchester-sized hole in their lives. Filling that hole does not make for good television. And the Show tried to make her interesting and edgy by playing against what we thought we knew about her (she can't cook! she can't stay away from hunting! she sleeps with both Arthur Ketch and New Bobby!), it tried to make her both a source of conflict and a source of comfort, and ultimately (as far as I'm concerned) it just failed. She was so much more effective as that siren song of the impossible apple pie life. I said earlier and I'll repeat it here... the fact that they had to retcon all of these warm fuzzy flashbacks, instead of using actual clips, just shows how shallow these relationships were. There wasn't anything real to fall back on. And the way they spend these two episodes trying to make us care? It had the opposite effect on me. I'm glad to be shed of her.

But maybe that's just me. Maybe absence will make the heart grow fonder. We shall see. Come on and tell me what you think, and remember, no spoilers in the comments, please!

#spn #tv recaps #recap #14.18 #spoilers #beard of despair

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occult-castiel · 4 years ago

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Exactly. The whole core issue of their relationship being addressed is the corner the writers are backed into.

Dean doesnt say how he feels, Cas thinks hes an ends to a means, so he hides things or makes choices that separates them, and then it hurts Dean so he continues to not address his feelings.

He loves Cas so much it ruins him when hes gone. Brings out the worst. Cas is and always will be Dean's faith, and now that hes had it he cant do without. I'd say he can keep going as long as Sam's still there... But we saw that he couldnt the episode before Cas came back in 13. He wanted to die, actively tried to make it happen. The attempted suicide was criminally underplayed and seriously just not addressed like I wish it was.

Dean didnt open his mouth about Cas saying hes been brought back to fight because, when Cas says things like that, it reconfirmed for Dean that that's what Cas thinks is important. It isnt for Dean, it's for the fight and for duty. I dont think Dean thinks that Cas thinks he isn't wanted. And honestly? Both of them were raised, programmed, to think of themselves as soldiers. Ends to a mean. They both think of themselves that way, just not about each other

Like.... from the first time Cas chose Dean, theres no way he couldve ever thought he deserved it. The amount of self worth Dean had from the get go of their relationship wouldve ensured that Cas chosing him over Heaven would've physically hurt as much as it wouldve been an earth shattering relief. And yeah theyve been through a lot and havent always been on great terms, but that lingering self loathing that was there from the start you don't think you deserve to be saved never really let up. Too good to be true, so any sign that it indeed isnt is automatic confirmation bias.

And Cas? God, he was never supposed to be in this situation in the first place. Humans and Angel's dont mix like this, and somehow he managed together a taste of the purest version of humanity in creation. Fantatsic, fleeting, humanity. They change so much, are always here and gone quicker than what hes been able to register for all of creation. So of course he thinks this is all temporary. They'll outgrow him. Dean doenst need him, and I bet every time Dean has said he needs Cas, it twists a bit of a knife in him. Because in Cas' eyes, hes the one that needs Dean, some broken angel that doesnt fit in Heaven or earth. He isnt like his siblings, but he fails at humanity every time he tries. He wouldve went on for eternity being an angel with broken foundation and nothing to show for it if Dean hadn't shown him how to be something greater than his orders.

So Dean might say he needs him, but Dean doesnt need him like he needs Dean. And he says things like being a solider, and it isnt to see if Dean eoukf object, but he never does because it also reconfirmed his confirmation bias, so Cas never gets his assumption challenged.

And the kicker is they both know they care about each other. Both consider the other blood. So this lack of communication isnt about that kind of relationship miscommunication, not thinking that kind of bond isnt reciprocated. It's purely the "you actually complete me please let your face be the first and last thing I see every day, you utterly complete me and nothing else makes sense when you aren't here, god I love you" kinda bond.

Anyway destiel IS canon. And the empty deal will force all of this stuff to be addressed. It is the ultimate version of Cas thinking he isnt the center of Dean's world.

"You fought for this whole world" so dont fight for me

Cas, you are his whole world. And maybe him not knowing that right then will also make it clear to Dean hes been wrong too. Then he'd see Cas doesn't think he deserves to be saved either -- theyve had the same issue all along. Felt the same.

Anyway thank you for coming to my stream of consciousness Ted talk. I'm sure this is a mess and I refuse to reread it. Destiel is canon, they love each other, and their issue is literally that they arent married

This user is crying about the empty deal again

Cause like. Sam already made the choice to not put Dean in that future in The Trap when he saw taht Dean just lost himself again when Cas died.

I mean they also lost to the monsters in the end, but if that was it, if he didnt think they could find a way around the excess monsters after the fact, then I dont think he woudlve even postured to consider. But he did. So it was because Dean lost himself again in taht future, lost Cas.

And Cas is on the way out anyway

So when the empty deal does happen. God Sam is gunna be heartbroken too. Cause he already chose the future where they all stay together too. And he'll be properly heartbroken for Dean too

#i just have feeeeeelings #really derailing my own post here tbh #cause like.... idk i think Sam probably shoulev emntikned dean was a god damn wreck #but maybe he thought theyb work it put since dean was on cloud 9 immediatly after cas come back #and he was grieving mary #so its.... forgivable?#idk i didnt care for how they handled sams grieving #but i do like that it stressed taht him and dean were greiving aboit different things #but i think that they *didnt* have that conversation about how they were grieveing two different thing very textually conforntation style #then Sams grief arc didnt feel as complete as it could've been? i think?#i have weird feelings about it ive never tried to put aby words to #but something was missing #and nlw i have a tag talk ontop of the ted talk post #yikes my dudes #destiel #deancas #aaAAAAA #this was so much typing

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caranfindel · 6 years ago

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Recap/review 14.06: “Optimism”

THEN: Starts out pretty ominous, with clock-ticky music, Jack's grace getting sucked out, "this is the end of everything," and Jack considering himself useless. We're reminded that New Charlie exists (aw, Dean looked so pretty in AU Land) and Jack has "the mind of a hunter." Michael hurting people and Dean feels guilty (aw, Sam's Beard of Despair, how I miss you). Sounds like we're in for a real downer of an episode, friends.

NOW: Nebraska. Happy music. A cheerful librarian opens up shop, and she's cute as can be but I wore that blouse in the 80s and it needs to stay there (JUST SAY NO TO THE RUFFLED YOKE, LADIES). Her name is Harper, and she has a kind-of-date with a guy named Winston tonight, though she is clearly Not Into You, Winston. An (apparent) coworker named Miles hears her "scream" and comes to her aid, brandishing a stapler, and is reminded that he needs to mind his own business. Winston leaves, clearly walking on air, and then STAYIN' ALIVE STARTS PLAYING and we focus on Winston's feet just like the iconic opening scene of Saturday Night Fever (if you're too young to remember, watch this, IT'S IMPORTANT CULTURAL KNOWLEDGE and there WILL BE A QUIZ LATER) and y'all don't even know how much I love this song. YOU DON'T KNOW. I can't help it. My mom was a huge Bee Gees fan, partially because she was very into Barry Gibb.

Coincidence?

What can I say? I am my mother's child.

Now, where were we?

(Pretty much where we always are, so could you please just move this along?)

Sorry for the digression. Anyway. Now I suspect this isn't going to be a downer episode after all. (Turns out it was directed by Richard Speight, which would have been a clue if I'd known that earlier, bless him.) While I've been digressing, Winston has happily bopped down the street, only to have a hand cover his mouth and drag him off-screen. There's a record scratch and a squirt of dark goo and a scream, so I guess it did turn out to be a downer for Winston, but not for me.

Title card!

{Sidebar: I didn't realize Saturday Night Fever was directed by John Badham, who went on to direct several episodes of Supernatural.}

Jack's drinking coffee in the bunker. He takes a sip and then pours a huge amount of sugar into it, which immediately makes me think of this scene from The Fly when Jeff Goldblum, who does not yet realize that he is turning into a fly, does the same thing.

(Spoiler alert: Ahem.)

Dean walks in and asks what he's doing, and Jack explains that everything tastes different without his powers, and he can't get the coffee to taste the way he likes it. That's because coffee is nasty, Jack. (And also, thanks to the Continuity Fairy for remembering that food tasted different to Cas when he didn't have grace.) Dean asks if Jack has seen Sam, because that's what Dean does; he probably walked in the door and felt a disturbance in the Force and realized he didn't know where Sam was. From Jack, we learn that (1) Dean went on an overnight run to Mobby's love shack cabin and (b) Sam went on a hunt with Charlie without telling Dean. Is Dean okay with this? Are we gonna okay with this? Couldn't he have at least sent a text message? He's supposed to be setting an example!

"Explain to me again how you just let Sam LEAVE."

I guess Sam had to go himself, rather than send someone else, because this is one of those times when there's no random hunters in the bunker. (And where's Rowena? Did Charlie abandon her in the Southwest? Did they have a fight?) Jack imagines Sam and Charlie are doing something "really exciting."

Cut to Sam and Charlie sitting quietly in a truck outside Memphis, bored out of their minds. Hee! It's the kind of crappy old truck I always want Sam to drive, so I love it. They're staring at a bus stop with an ad for Pete the Pestinator, who seems to be an insect exterminator. (Spoiler alert: ahem again.) Sam confirms that "this is where all those people went missing," although if he's been sitting in that truck long enough to be bored, he really should have nailed that down by now. Charlie says "yep." More silent sitting.

Back to the bunker. Dean seems surprised that Sam left Jack there alone (where's Cas?) and Jack says "Sam wanted someone around when you came back. He's worried about you."

"Yeah, that sounds like him," Dean grumbles, and hello, kettle, the pot just called, and said you're black. Jack offers some encouragement, telling him no one blames him for Michael, and Dean says "Cool. Well, I blame me, so." His self-flagellation is interrupted by Jack's Cough of Great Concern. "Maybe I'm allergic to sitting around doing nothing," Jack snarks.

Dean sits down for a heart-to-heart, and Jack says he's been hunting with Cas and wants to do more. Dean says "No offense, Cas is an insurance policy on those hunts." Jack looks hurt. I don't understand this at all. Why wouldn't Jack already know that Cas is there to protect him? And why would this hurt his feelings? I'm so confused. But I immediately forget it, because Dean says "Sam's just trying to keep you safe, okay? He's a smart guy." AND THEN WE CUT TO THIS.

Bless you, Richard Speight, writer Steve Yockey, bless you both.

I literally did burst out laughing at Sam and his fidget spinner. Charlie is not amused, and Sam puts his toy away with some embarrassment.

Bunker. Jack's found a report on our dead friend Winston, who seemed to have human bitemarks taken out of his corpse. And others have gone missing in the area. We skip part of a conversation, but whatever it was, Dean says Sam won't like it. "Sam's not here," says Jack. Oh, no you don't, Jack. Don't you go ignoring the Chief's directives just because he's not here. Dean says he'll go check it out alone, but Jack suddenly remembers Sam's Law and reminds Dean about the Buddy System.

We can be hunting buddies!

Okay, uh, (a), don't call it that, and (b), YOU'RE gonna back ME up?

Oh, Dean. You didn't do the (1) and (b) thing that I love so much. Jack gets to be the one to bare a little bit of his soul now, telling Dean that he also feels guilty about Michael, because he could have killed him but he was "distracted and stupid." He doesn't want to sit around feeling guilty all day, he wants to hunt.

Looks like that was the right button to push, because we cut to Sam on the phone, clearly not a fan of the plan and telling Dean to be careful. I assume his reluctance is because he doesn't trust Jack to watch Dean's back. But Sam, if you can trust Maggie to hunt alone, you can trust Dean with a novice backup. (I know, I know, Dean is more important than Maggie.)

Sam asks again if Charlie is sure this is the right place, and she says it's where four people disappeared. And while she was scouting around, she found a mason jar full of goo. Is this the same goo we saw when Winston was killed? (Spoiler alert: no.) And now she's trying to figure out what they're hunting, so she's reading. I'd have done my reading before the stakeout, but that's just me. (I'd also have done some reading instead of sitting there glaring at Sam while he enjoyed his fidget spinner, but that's also just me.)

(I also might have thought of more interesting things to do while I was stuck in a car with Sam, but they would have interfered with the stakeout. And they aren't anything Charlie would have been interested in anyway.)

Cut to Dick's Red Rooster Diner (ha ha, I see you, Speight). According to Winston's obituary, he had breakfast here every morning. Jack agrees with me that it's an odd thing to put in an obituary, but Dean says that when someone dies young, you don't know what to put in those things. (Oh, think of 20-something Dean's obituary.) He introduces them to the waitress as Agents Berry and Charles, and the only thing I can think of is Chuck Berry, so if someone has a better idea, let me know. He asks for details about Winston, and the only detail she can provide is that he's dead. Jack dutifully writes that detail in his little notebook. (BLESS.)

This waitress is wonderfully snippy, knows her rights, and isn't the least bit interested in talking to these FBI agents, but when Dean hands her some cash she changes her mind. She says they should should be more interested in Harper, who Winston just started "courting," and Jack is confused.

What's courting?

It's what you do before you start dating.

Ah, and that's the thing you do before the sex.

Sometimes you just have the sex.

Okay, Dean's wrong, courting is what you do instead of dating, but this is still a wonderful exchange. And the next part is wonderful too, cutting between the waitress and some customers explaining that Harper was popular in high school, but her boyfriend ran off, and now all these men connected to her have died, and she's really into romance books, and ending on I've heard too much Dean and I'm confused Jack.

Love this.

Back at the stakeout, Sam's biting his nails, which I also love for some reason, and of course the only time we've ever seen him bite his nails was when he was worried about Dean. New Charlie picks right up on it. She tells him Dean will be fine, and comments that he's got other friends, right? Which I don't understand, because it doesn't matter what other friends he has, he's not hunting with them. He's hunting with Jack. "He used to have a pretty damn good wingman," Sam says, and I think no, Sam, what are you saying, he still has you. She says he should call "that guy" to check on him, and Sam says "that guy was you." Charlie gives him a look. "No, it wasn't." And she's right, Sam. SHE IS NOT YOUR CHARLIE. And also, was Charlie ever really Dean's wingman? I don't think so. Sam, of course. Cas, literal wingman. But not Charlie. Charlie was the little sister.

Sam apologizes, and then says "I'm just saying, I'm not surprised you survived the apocalypse." Which isn't what you were saying at all, Sam. Charlie is surprised she survived, because she was just a programmer at Richard Roman Enterprises (Dick Roman! I wonder what happened to your AU version), living with the love of her life, Cara. My heart skipped a beat because I was so ready, guys, for the love of Charlie's life to be Dr. Cara Roberts from Sex and Violence, but apparently not. {Sidebar fic prompt: Sam. Charlie. Dr. Cara. Three-way.) Charlie's Cara was a baker. Charlie tells a sad story about waiting for help that never came, and Cara eventually being killed by people, not angels. Society falls apart. (Or, as Dean once said, demons I get; people are crazy.) Sam insists society isn't falling apart here, and Charlie says "not yet."

Just like last week, we're getting some needed differentiation between the characters we lost and their AU counterparts, which I appreciate.

I also appreciate pretty, attentive, sympathetic Sam.

Diner. Dean calls Jack "Mighty Mouse," for some reason, and congratulations him on finding a case. He tries to teach him about the importance of pie, but Jack's more interested in courting. He's never been exposed to off-screen romance, unless Gabriel and Rowena counts (Dean assures him it doesn't, but how would Jack have been exposed to Gabriel/Rowena anyway, since it happened while he was in AU Land and Gabriel didn't make it back?) Dean promises he'll give him The Talk when they get back, but right now they need to concentrate on finding Harper. {Sidebar fic prompt: Dean's and Sam's versions of The Talk. Would Dean's be like Dean's speech from Rock and a Hard Place?} Jack speculates she might not be human, and Dean says they're going to find out, and it's going to work like a romance novel. Hmm!

Cut to the library, where Harper is working. Dean enters and identifies himself as FBI, with questions about Winston. She doesn't want to talk, and he pushes. Then Jack shows up, asking for a book about the area's history, and defends her against the big mean FBI guy. Dean says "why don't you back off, kid" and Jack responds "No, you back off, old man" and DEAN'S FACE. This was clearly NOT IN THE SCRIPT. I love it. Dean slinks off, dejected, to examine his gracefully-aging face in the rear-view mirror. {Sidebar: I honestly think Jensen is aging a lot better than Dean is. Dean looks tired a lot of the time, and I'd like to believe Show is doing that on purpose, but I don't think it's the case. Jensen always looks awesome.} Harper is delighted, and apparently smitten, judging by the music. Jack introduces himself as "Jack Smith" and she invites him to her apartment, where she has the perfect book.

Why does this library have those convenience store perp measurements at the door? Does it get robbed a lot? Also, how many episodes have signs in the background with the title of a different episode? Not very many, I'm guessing.

As they leave, Miles the Stapler Guy follows and asks where she's going. It must be close to closing time, because Harper says she'll come back and lock up. Miles, who's carrying a bag of trash, refuses to shake Jack's hand. As Jack and Harper go one way, he stomps off in the other direction. I'm suspicious, and so is Dean, who gets out of the car to follow him. As Miles puts the library's trash in an inappropriately small residential bin, he hears a noise. We then cut to Dean, who hears Miles scream but just keeps walking? But then a trash can is knocked over and that gets his attention. He finds Miles dead, and we get a monster POV shot watching him.

Stakeout. Charlie's still reading. Apparently she brought all the books. She says she hates hunting, which surprises Sam, because she's so good at it. She points out that she's good at it because the alternative was death. "I mean, no offense, but who wants to be a hunter? This job, just a lot of tears and death."

Sam says "you said something like that to me once, long ago, about hunting." He quickly apologizes for once again conflating her with Our Charlie. At first I was annoyed at him, but then I started thinking about how awful Our Charlie's death was for him, with the MoC, and the fear, and the worry, and the guilt, and his brother saying he should be the one on the funeral pyre instead, and you know what? I'm gonna cut him some slack for trying to forget all of that ever happened. A lot of slack, in fact.

Charlie casually drops that she's glad this is her last hunt. Did you give the Chief your two week's notice, Charlie? I DON'T THINK SO. She plans to get away from monsters and people, and "live on a mountaintop or something... as long as there's good wifi." I'm sure Sam can get you set up with his magical wifi, Charlie, if you stay on his good side.

Harper's apartment. She seems to be all about love, with a decorative "amore" sign in the kitchen and a big red heart hanging on the wall. She suddenly realizes it's weird that she brought him to her apartment, though she's thinking "putting the moves on you" weird and I'm thinking "inviting a potential serial killer into your home" weird. But maybe I listen to too much My Favorite Murder.

She leaves the room to get the book (odd that it's not on the stuffed bookshelves in her living room, but they're all full of romance novels). Jack asks why the FBI was "hassling" her, and she tells him about Winston's death as he surreptitiously puts a silver coin on the floor and splashes holy water all over his hands. A call comes from Dean, but he ignores it. When she comes back with the book, she notices the coin on the floor and picks it up. She touches his hand when she gives him the coin and notices that it's wet. I would have put the holy water on the coin, although a wet coin on the floor might be as weird as wet hands. He just laughs weirdly and then does a fake cough AND SAYS CHRISTO. SOMEONE FINALLY REMEMBERED CHRISTO. Oh, my heart. I've been waiting 13 years for this moment. She doesn't react to it, so she seems pretty human. He says he's nervous, so she sits on the couch and pats the seat next to her.

Stakeout. Charlie has found something in the books called a Musca. Sam already knows it's a man-fly hybrid (IT'S THE FLY; OUR MONSTER IS JEFF GOLDBLUM) and that no one's seen them, so if they do exist, they keep to themselves. She's impressed with his Sammy smarts. He says he's read all the books, but if he'd read this one, he'd know that every few hundred years a male Musca can't find a mate and he "abandons his community and starts using people's bodies to nest, binding them together with a viscous goo." Ew.

As they walk, in the background we see a figure approaching the two women who are sitting on the bus stop bench. It's clothed in black, carrying a black briefcase, and it has a giant head. At first I think it's literally a giant fly's head. But when Charlie notices it, we get a closer look, and it's a large black hood, like a beekeeper's outfit. It sits down and then casually scoots closer to the women, who scoot away, and it's hilarious.

Harper's apartment. She asks Jack where he's from, and he tells her he lives in Lebanon, Kansas. NO, JACK. DON'T TELL ANYONE WHERE YOU LIVE. Jack coughs some more and then notices a picture of Harper with her boyfriend, Vance. She says he left town after high school because he wanted to see the world, and Jack seems astonished that anyone would leave her. And that was when her bad luck started, but she tries to stay optimistic. "Me too," Jack says. "I had some not-so-great stuff happen in my past. Trying to be positive... it can be hard." Oh, Jack, sweetie. They gaze into each other's eyes and it looks like they're going to kiss. Jack's phone buzzes with a text from Dean that says CALL ME NOW.

Jack? Do you believe in love at first sight?

Do you... (music swells)... mind if I use the bathroom?

Ha!

Jack hides in the bathroom to call Dean. He tells him Harper isn't a monster, and he thinks she's in love with him. Although Dean's sure that's not the case, Jack says "but if she is, I need to know everything about sex. Go." Ha again! Dean tells him about Miles's death, which makes Jack wonder if she's cursed. Dean says it's more like all the guys around her are cursed. "Like me," Jack ponders, just before we get another monster POV shot and a strangled shout from Dean. The phone goes dead.

Jack comes back into the living room and Harper asks if he's okay and if he wants to go for coffee. Then the door bursts open and Dean comes in, and I wonder why she's freaking out until I remember that Dean is Bad FBI Guy to her. He quickly blocks the door and tell her they're here to save her from... whatever it is that's suddenly growling and banging on her door. "At first I thought it was a ghost," he says, "but then it punched me in the face." She's freaked out about a ghost, but Jack reassuringly (NOT!) tells her that he's saying it's NOT a ghost. Dean recognizes a photo and it turns out the monster is her old boyfriend Vance, who she didn't even realize was dead.

For some reason Dean isn't carrying a lot of weapons, but he has a silver knife and finds a silver letter opener on Harper's desk. Silver will slow it down, he tells them, but there's only one way to kill the undead boyfriend. Vance breaks the door down before we learn what that is. Dean starts fighting with the silver knife and tells Jack to get Harper out of there.

Stakeout. It's nighttime now. A lone man sits at the bus stop as Sam tries to convince Charlie that she can't drop out of society. She needs people, and also, it's hard to walk away from being a hunter. "I tried. Our Charlie tried." You know, for someone who did want out of hunting, and did try to get out of it, Sam spends a lot of time convincing others to do it, or at least enabling them. I mean, Dean was all "Patience, if you can live a normal life, do it," and Sam was all "well, Claire, if you're gonna hunt, I guess I should show you how to hack." Although that (and teaching Ghoul!Adam to shoot) was more about protecting someone determined/forced to be a hunter than recruiting. So maybe I don't know what I'm talking about. Anyway, if anyone recognized the futility of getting out of the life, it would be him.

Jeff Goldblum shows up again and sits by his next victim. Charlie wants to go for the kill, but Sam thinks they should wait for him to make his move, in case he's just into weird fashion. Look, Sam, if a guy likes wearing a black beekeeper's bonnet and sidling up to random strangers at bus stops, he deserves to be hunted, whether or not he's actually part bee. When the bus shows up, it blocks their view of the duo. When it leaves, the bench is empty. Which could mean they just got on the bus, but we see something disappearing behind the stop. Sam decides it's a go after all.

Let's stick with this story, rather than cutting back and forth between them like the show did.

Sam and Charlie find a door with a bunch of goo on the handle. Sam says Charlie found something in the books that theorized a brass nail dripped in sugar water would kill a musca. Because yes, of course sugar water, WHICH FLIES EAT, would kill a fly man. (Rolls my eyes at this otherwise delightful episode.) Charlie reminds him they have neither of those things. "So we get creative," Sam says. I'm expecting some kind of MacGuyvering involving a can of Coke, or Sam's sugary coffee. (Spoiler alert: I'm wrong.)

{Sidebar: Why are all the methods of killing monsters so weirdly specific? Chopping off the head should kill ANYTHING.}

They go through the door, which surprisingly leads them into an abandoned warehouse. It's full of flies (normal ones, not half-man flies) and smells like pine cleaner and rotting meat. Yum. Eventually Sam finds the briefcase, which is full of what looks like candy wrappers and also has a white cloth, which he sniffs to discover chloroform. Dude. Don't sniff the chloroform rag. Charlie finds the most recent victim, still alive, by a pile of bodies. Something grabs Charlie's hand. She pulls loose, but falls off a low platform (seriously, it's like two feet high) and... loses consciousness? Okay. Maybe he chloroformed her and I missed it. I'm old and decrepit and this would have barely bruised me. He must have chloroformed her.

Sam tries to wake her up, but is interrupted by the WORST MONSTER COSTUME EVER. Oh god, you guys, this fly man head is so bad. SO BAD.

{Sidebar: Did you know that you don't see much of the shark in Jaws because the model was so bad, Steven Spielberg decided he wanted to shoot it as little as possible? And it actually made the movie better because the unseen monster was so much scarier? Just saying, Speight.}

(Um, have you watched any movies that were made before 1980?)

Well, that was uncalled for.

Jeff Goldblum attacks Sam and gets goo on him, and if this were really a fly, wouldn't that goo be digesting him? Isn't that how flies eat? (Why yes, it is.) Charlie regains consciousness and stabs it with something, which gets it off Sam long enough for him to shoot it in the head. Creativity in action! So, I guess I got my wish. Interesting that, just like last week, the guys figured out that there are actions that will kill anything.

Aftermath! Charlie and Sam are driving, and Sam says he feels bad for the Musca, which could have been happy if it had stayed home with its people. Subtle, Sam. Charlie's all, yeah, okay, I'm like the bug, except not so much. As we see the Musca family coming to retrieve their brother's body, Sam asks Charlie not to leave. "If we help people, then maybe they'll help people, and all that, and that's worth it. Even with all the tears and death, it's worth it." Oh, Sammy. {sniff} She says she'll think about it.

Back to Jack and Harper. It was broad daylight when they got to her apartment, so I don't know why it's nighttime now. How long did he spend in the bathroom? No wonder she asked if he was okay. Cut to Dean gleefully fighting the zombie, who suddenly stops fighting and runs off.

Jack and Harper run to the library, where she struggles with the keys until Jack remembers she left without locking the door. They scurry inside and he locks it. As they hide behind the counter, they see Zombie Vance run by. Jack tells her not to worry, because he locked the door, and she asks if he flipped the switch under the lock? Obviously he didn't, and she goes to do it herself. As she stands, looking out the door, Vance shows up. She unlocks the door, which Jack obviously DID lock, and opens it. He hands her the history book - I guess Jack dropped it - and they kiss.

Um. whoops. Vance is actually still Harper's boyfriend. And he has to eat human flesh. Like, Jack's, for example. Vance lunges for Jack, who hides in the stacks as Harper gives him the villain dialogue over the library's PA system. She likes Jack, but he's obviously a hunter, and she comes from a long line of necromancers, so it would never work out between them. She killed Vance to keep him from leaving after high school, and killing every other guy in her sights is just a fun little romantic roleplay for them. We get a little scare when a hand appears on Jack's shoulder (been a lot of that going around lately), but it's Dean. He tells Jack they have to get Vance back into his grave and then drive a stake into his heart to keep him there. And they're going to convince him using another romance novel method.

Jack tells her he wants to do things Vance can't do - walk her down the aisle, raise a family. This draws Vance out, who lunges at him but finds himself facing Dean. Vance gets Dean against a wall, and Harper calls out to him. Dean thinks she's going to call him off, but she says "Baby, kill him!" and Dean's "huh" look is precious to me. Instead, Dean slaps a handcuff on his arm and cuffs him to a pole or something. Jack cuffs his other arm to a library cart, I think, which is mobile and therefore defeats the purpose of cuffing, but good try, Jack. The cuffs burn Vance, so they're silver or enchanted or something. Seems like a successful hunt, but when the guys look up, the door is open and Harper is gone.

Later we see Harper and her suitcase at a cafe, writing a letter to Jack. So she had time to go home and pack a suitcase, and Dean and Jack didn't go to her apartment and look for her? Guys. Come on. She's sorry she's going to have to kill Jack, but it means she can bring him back to life and they'll be together forever. See you soon, she writes, sealing the envelope addressed to Jack Smith, c/o the Lebanon, Kansas post office. I TOLD YOU NOT TO LET HER KNOW WHERE YOU LIVE, JACK. Is Harper going to be a Big Bad this season? Or maybe a Little Bad? I wouldn't mind seeing her again. She's a charming little villain.

Finally, Jack's drinking coffee again, probably with a lot of sugar, in the bunker. This scene, with them facing each other, is a nice callback to the beginning of the episode. Dean tells Jack he did good, and Jack pushes for more hunts, because he was right. It's not about being right, Dean tells him, it's about what you do after you're wrong, after you've made a mistake. And about not beating yourself up, Jack points out. Dean tells him he's pretty smart, and Jack smiles and coughs and Dean promises to talk about getting him on more hunts when Sam gets back (BECAUSE SAM IS THE ONE TO ASK, YOU BETTER BELIEVE IT) and Jack lies about being fine and then coughs some more and shows Dean his bloody palm and collapses on the floor with blood oozing from his mouth and nose and WELL. THAT ESCALATED QUICKLY.

And the episode ends, without Sam and Dean sharing a single scene. Has that happened before? It's unsettling. I like the ep, though. I liked the relationship focus - Sam bonding with New Charlie, Dean bonding with Jack. I liked the humor. I liked that Sam wasn't ignored, even though the brothers had separate storylines. I liked the continuation of things that have been happening this season, the gentle reminder (but not constant siren) of Dean's guilty feelings and Sam's leadership and Jack's issues. And, of course, CHRISTO!

And there was one weird thing I noticed on first watch, but it didn't jump out at me on rewatch so I don't remember when it happened... Dean said "Son of a B." This is the second episode where they said something weird instead of bitch. What's going on there? Is Dean never going to say "son of a bitch" again? Because that's not good.

What did you guys think? And please help me stay unspoiled; thanks!

#spn #14.06 #tv recaps #recap #spoilers

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