#and doing settlements of course

[nthflower]

Why can't I clean the settlements. Please I want to cleans that floors. I never wanted the clean dirt this much in my life. I hate cleaning but I need to clean my pixel settlements. Please

[novella-november]

Is this fanfic friendly? I feel like an outlier.

I guess this is my sign it's time to throw together a FAQ post to link to lol.

Yes, every event for this blog is fanfic friendly :D

Though as I mentioned on my Ominous October post, for events that include multiple short stories, I encourage everyone to flex their creativity and take one of their planned short story fanfics, and at least *attempt* to turn one of them into something entirely original; rebuilding a character and story from the ground up to stand on its own two legs is no easy feat, and that is what makes it so fun!

It really gets your creative gears turning, to make an "au of an existing material" to be something entirely original, and you can be pleasantly surprised about the things you come up with!

As a few people say, its not just a matter of "filing the serial numbers off" -- you have to add in just as much *or more* as what you take out when you are turning a fanfiction into something that is original and completely divorced from its original source material / inspiration, and that is a hard, but very rewarding challenge!

Obviously, this is not a requirement (there's no hard requirements for any of the challenges, other than no cheating, including no using AI),

but if you would like an extra challenge for the short story events and you're planning on doing entirely fan-fiction, I highly recommend trying it out at least once, and seeing where it leads you--

you may find yourself pleasantly surprised by what you find down that rabbit hole!

[hanzajesthanza]

yeah i tend to have apocalyptic nightmares but hey at least i can relate this one to witcher

(after many events; you know how dreams shift and change) my friends and i ended up in an airport after being attacked on the road by some demons, we barely made it inside. (i don’t know why the airport was the safe haven of humans, here, but maybe the space that could hold enough of them)

but the upper floors (?) of the airport itself were cursed, though. we tried to explore it but i lost several of my friends in what i can only describe as the backrooms, an endless maze of corridors. they said they were going right, but i lost them. when i tried to follow their tracks, they’d disappeared. i then ran into twin spirits, two young women, who then turned haglike and tried to devour my soul. i felt myself wither…

i don’t know what happened, but the next thing i remember was my remaining friend and i somehow made it out and went to the first floor, where there were people.

waiting and milling around, from terminal to terminal, i started to see more various ages of people, there were grandparents with strollers, the parents nowhere… lost? and suddenly it occurred to me that all of humanity was sequestered in this building; people were born, living, and dying here.

night fell, and we in our terror saw something moving outside the glass walls, two dark forms. i joked that it was just some teenagers playing pranks, but they immediately started to move, bound, and i realized as they moved there was no way they were human, and they were much larger than human. i felt a sense of protection behind the glass, a sense of relief—until they broke through and utter chaos ensued. the first one beheaded a man, and i saw its face, classic demon-like deer skull for a head, but with four eyes in the center, glowing, and the entire thing pitch black. it had talons and gnashing teeth. the second thing literally tore through the entire wall, and i had this sinking feeling that there were more things in the night coming to get us

anyways my immediate thought upon waking up was how utterly helpless we all were, writhing in misery… defenseless…

(against monsters… so eventually i connected the idea to the witcher…)

i like that finally i experience empathy for the humans in the witcher only because of a horrible nightmare where i was that human, shuttered in a settlement, at the mercy of whatever was lurking in the night

“well… i guess this was similar to the living in the human city in the year 1000… “ratuj, wiedźminie” … i wish anyone was coming to save us… we could have really used a witcher huh…”

[anachronisticparadigm]

i must admit that despite playing my time at portia first i knew next to nothing about the world's lore when i first started sandrock, mostly because i wanted to give the spanish translation the benefit of the doubt and it ended up being... not very well done (this was like four? five? years ago, so it may already been fixed), so this time i played the game in english, still expecting that i would be less into the story and more into the mechanics of the game that were the reason i even bought it in the first place despite mtap's being barely comprehensible to me... boy was i WRONG

[hatikarat]

Reminded about rachael corrie. Apparently her story is going viral because of some purported pancake day in her name. Not an actual holiday in israel but as far as i can tell, a cruel joke in 2013 by some settler militants and/or IDF soldiers. Imagine, even a white woman from the US gets linked with "palestinian militants" because she sympathized with palestinians. In 2003, she was called so many names, chief among it is "stupid". There was a claim that she was encouraged by her palestinian friends to lie down in front of the bulldozer while these friends run away. The victim blaming narrative is always used when it comes to palestinian suffering or suffering adjacent to palestinians. In rachael's case, it's her fault for putting herself in front of a bulldozer. Palestinians gets bombed? Their fault for not running away on short notice. Palestinians are starving? Their fault for not voting out a government elected in 2006 even though there hasn't been an election since.

[piduai]

is the dm anime worth watching? i love the manga but the anime seems kind of wobbly from what i can tell

i think it would be tedious to binge but is nice as an one episode per week deal. especially if you're like me & remember the general plot but not the fine details, it's not bad, though not particularly good either

[nathanialhowe]

the situation at my work is so insane right now man.

my coworkers and i tried to unionize all last year and went public with it in february; this resulted in a sex offender director being fired and it was pretty great.

in december my coworker (arjun) and i put a hole through one of the hallway walls while trying to joust on wheelie chairs. this isnt relevant now but it'll come back around.

our hours were recently slashed and people working full time went down to working 10-15 hrs a week. (we're contract based and are given the ultimatum, "sign or don't" each semester and we have no negotiation rights).

a group of my coworkers went to HR to complain about their treatment, as they were worried this would affect their PR status (which is an exorbitantly lengthy and expensive process in canada); HR told them to suck it up or quit, essentially

unprompted, our manager began firing everyone in our department, starting with the people who went to HR with their grievances about hours.

exam season starts soon and our contracts by default renew after that period. invigilating is such a time-consuming process that there'll be no time to schedule meetings with our department since we're all required to proctor.

arjun and i still havent been fired or had meetings scheduled with HR to be fired.

our manager has been sick all week and hasn't been working from home or coming to the office.

arjun and i might not be fired because of a technicality.

we live to put holes in walls another day.

[ahdor]

hey motherfuckers how do you prepare yourself for probably the most stressful 6 months of your life?

[purkinje-effect]

last post i'm spamming before bed but i just wanted to underscore two things with one pic

this is how big the mall exterior build is

if it's any indicator just how much bigger the toxic wasteland shelter is than other shelters, even though i've already built a satellite store in the corner and started building the flea market and drive-in theater, my build budget is still only at 50%

so yes @kharonion you are completely right that this is a huge project lol <33333 i'm very excited

[purpleleavesday]

Do like. Divorce lawyers exist in ace attorney or do you have to get Phoenix Wright to negotiate the terms of your divorce for you

[jewishvitya]

A pro-Palestine Jew on tiktok asked those of us who were raised pro-Israel, what got us to change our minds on Palestine. I made a video to answer (with my voice, not my face), and a few people watched it and found some value in it. I'm putting this here too. I communicate through text better than voice.

So I feel repetitive for saying this at this point, but I grew up in the West Bank settlements. I wrote this post to give an example of the extent to which Palestinians are dehumanized there.

Where I live now, I meet Palestinians in day to day life. Israeli Arab citizens living their lives. In the West Bank, it was nothing like that. Over there, I only saw them through the electric fence, and the hostility between us and Palestinians was tangible.

When you're a child being brought into the situation, you don't experience the context, you don't experience the history, you don't know why they're hostile to you. You just feel "these people hate me, they don't want me to exist." And that bubble was my reality. So when I was taught in school that everything we did was in self defense, that our military is special and uniquely ethical because it's the only defensive military in the world - that made sense to me. It slotted neatly into the reality I knew.

One of the first things to burst the bubble for me was when I spoke to an old Israeli man and he was talking about his trauma from battle. I don't remember what he said, but it hit me wrong. It conflicted with the history as I understood it. So I was a bit desperate to make it make sense again, and I said, "But everything we did was in self defense, right?"

He kinda looked at me, couldn't understand at all why I was upset, and he went, "We destroyed whole villages. Of course we did. It was war, that's what you do."

And that casual "of course" stuck with me. I had to look into it more.

I couldn't look at more accurate history, and not at accounts by Palestinians, I was too primed against these sources to trust them. The community I grew up in had an anti-intellectual element to it where scholars weren't trusted about things like this.

So what really solidified this for me, was seeing Palestinian culture.

Because part of the story that Israel tells us to justify everything, is that Palestinians are not a distinct group of people, they're just Arabs. They belong to the nations around us. They insist on being here because they want to deny us a homeland. The Palestinian identity exists to hurt us. This, because the idea of displacing them and taking over their lands doesn't sound like stealing, if this was never theirs and they're only pretending because they want to deprive us.

But then foods, dances, clothing, embroidery, the Palestinian dialect. These things are history. They don't pop into existence just because you hate Jews and they're trying to move here. How gorgeous is the Palestinian thobe? How stunning is tatreez in general? And when I saw specific patterns belonging to different regions of Palestine?

All of these painted for me a rich shared life of a group of people, and countered the narrative that the Palestininian identity was fabricated to hurt us. It taught me that, whatever we call them, whatever they call themselves, they have a history in this land, they have a right to it, they have a connection to it that we can't override with our own.

I started having conversations with leftist friends. Confronting the fact that the borders of the occupied territories are arbitrary and every Israeli city was taken from them. In one of those conversations, I was encouraged to rethink how I imagine peace.

This also goes back to schooling. Because they drilled into us, we're the ones who want peace, they're the ones who keep fighting, they're just so dedicated to death and killing and they won't leave us alone.

In high school, we had a stadium event with a speaker who was telling us about a person who defected from Hamas, converted to Christianity and became a Shin Bet agent. Pretty sure you can read this in the book "Son of Hamas." A lot of my friends read the book, I didn't read it, I only know what I was told in that lecture. I guess they couldn't risk us missing out on the indoctrination if we chose not to read it.

One of the things they told us was how he thought, we've been fighting with them for so long, Israelis must have a culture around the glorification of violence. And he looked for that in music. He looked for songs about war. And for a while he just couldn't find any, but when he did, he translated it more fully, and he found out the song was about an end to wars. And this, according to the story as I was told it, was one of the things that convinced him. If you know know the current trending Israeli "war anthem," you know this flimsy reasoning doesn't work.

Back then, my friend encouraged me to think more critically about how we as Israelis envision peace, as the absence of resistance. And how self-centered it is. They can be suffering under our occupation, but as long as it doesn't reach us, that's called peace. So of course we want it and they don't.

Unless we're willing to work to change the situation entirely, our calls for peace are just "please stop fighting back against the harm we cause you."

In this video, Shlomo Yitzchak shares how he changed his mind. His story is much more interesting than mine, and he's much more eloquent telling it. He mentions how he was taught to fear Palestinians. An automatic thought, "If I go with you, you'll kill me." I was taught this too. I was taught that, if I'm in a taxi, I should be looking at the driver's name. And if that name is Arab, I should watch the road and the route he's taking, to be prepared in case he wants to take me somewhere to kill me. Just a random person trying to work. For years it stayed a habit, I'd automatically look at the driver's name. Even after knowing that I want to align myself with liberation, justice, and equality. It was a process of unlearning.

On October, not long after the current escalation of violence, I had to take a taxi again. A Jewish driver stopped and told me he'll take me, "so an Arab doesn't get you." Israeli Jews are so comfortable saying things like this to each other. My neighbors discussed a Palestinian employee, with one saying "We should tell him not to come anymore, that we want to hire a Jew." The second answered, "No, he'll say it's discrimination," like it would be so ridiculous of him. And the first just shrugged, "So we don't have to tell him why." They didn't go through with it, but they were so casual about this conversation.

In the Torah, we're told to treat those who are foreign to us well, because we know what it's like to be the foreigner. Fighting back against oppression is the natural human thing to do. We know it because we lived it. And as soon as I looked at things from this angle, it wasn't really a choice of what to support.

[nthflower]

I don't trust bos simps who woobify danse to death while treating Preston like worst thing to ever exist. .

Like I like Danse as a character he is fun but why he is only treated as autism boy who did nothing wrong. Preston is more autism actually btw.

[tuulikki]

The thing is that the portrayal of Neanderthals as having been inherently grotesque and alien to H. sapiens is something we will never have proof of. But we do have proof that, in different locations and in different populations across time, we all found eachother desirable. We saw eachother and wanted to touch. And the offspring were held by their mothers and raised and had their own offspring in turn.

When you look for the first proof that H. sapiens found Neanderthals repulsive, you have to wait until the Victorian era, when the white masters of empires were busy portraying Neanderthals as stupid, brutish, and (of course) dark-skinned.

In more modern times, we’ve had people arguing that instead of seeing Neanderthals as Benighted Savages, they should instead be seen as Noble Savages, (allegedly) cruelly destroyed and driven from their lands by H. sapiens. Which one of their two you believe says more about your modern political views than it does about ancient H. sapiens.

And, whether we construct Neanderthals as Savage or Noble Savage, the fundamental assumption we project into the unfathomably distant past is still that H. sapiens saw Neanderthals as an Other, with the language we use being almost explicitly that of modern racial dynamics.

But we have no proof of any of that. We have no proof of hostilities. We know we co-existed and we had sex. That’s it.

Humans obviously have sex with some humans and kill others. We also know that, when small groups of humans occupy vast spaces with infrequent contact with others, unique cultures will always form, some more hospitable, some more neophobic/xenophobic. But many cultures of small settlements placed among huge unpeopled landscapes place supreme emphasis on hospitality to strangers. Plus, we fucking love other social animals, as evidenced by how we befriended wolves.

I’m a humourless weirdo and a wet blanket about popular constructions of Neanderthals as “monstrous”, and I freely admit it. But that’s because it’s tied up in legacies of imperialism. Not only that, but it also privileges one culture (yours, mine, modernity’s) as being most human by implicitly assuming we can project it onto people in the past. Since you don’t pretend that all global cultures share exact same values as you do, it doesn’t take more than a few moments’ reflection to realise you can’t do that to the past.

[sunderwight]

Bingqiu AU where Luo Binghe's the chosen village sacrifice to the evil deity who lives up the mountain.

Normally the village sends maidens, but they've more or less run out of expendable girls of the right age and, ahem, "virtues". So of course Luo Binghe's early life bad luck kicks in. In the wake of his mother's death there's no one to really care about what happens to him, he's fairly pretty, and the village leaders decide that if they dress him up like a girl the teenaged homeless kid should pass well enough. And hey, y'know, he's probably got a hard life ahead for him anyway -- dying in a brothel of some venereal disease or on the streets of exposure or starvation. At least as a sacrifice, everyone else gets to benefit from his loss! And the kid will get added to a shrine and be remembered as a hero! If anything, he should be happy about this!

Binghe is not happy about this.

But he's also a skinny underfed nobody who is easily overpowered, dressed up like a bride, and tied to a post. So. Not much he can do but wait for the evil deity to come and do whatever horrible thing he's gonna do to him.

Meanwhile, Shen Yuan is pretty sure he's been isekai'd into the over-powered hero of some kind of supernatural adventure story? He's not totally sure because he doesn't recognize the setting, but the signs are there. He's got a shrine-like base of operations (though it seems to have become corrupted/ruined, probably he has to restore it somehow), he has a very resilient and handsome new body with spiritual energy of some kind flowing through him, and a very clearly magical sword. Plus lots of neat starter powers! Though it feels like he has other abilities that have been blocked somehow? Probably he has to level up in order to access them.

When he treks out of his "base" and finds what seems to be a distressed maiden, he takes it for his beginner hero mission. The girl claims that she's been doomed to be sacrificed to an evil god. That sounds a little above Shen Yuan's pay grade for dealing with, so he unties her and decides that they had better just get out of the whole region altogether. He already packed up anything useful from his base, anticipating he might get caught up in an adventure once he left, so they follow the river away from the settlement until they reach another one.

While they travel, Luo Binghe tells Shen Yuan about the cursed deity, Shen Qingqiu, who was cast out of the heavens for slaughtering one of his brethren and has apparently being do-who-knows what to maidens from the local village in exchange for his "protection" ever since. Sounds like a real asshole! And also mid-level boss type bad guy at least. Shen Yuan hopes he doesn't have to fight him, but he probably will.

Thank goodness he found Binghe, though! Clearly the helpful little sister type! He's definitely going to require her assistance if he's going to figure out how to navigate this world and level up his skills enough to take on a god.

[joelmillerisapunk]

How quickly can you take your clothes off, pop quiz

Joel Miller x reader

Masterlist

Wordcount

Summary: The enemies to lovers/one bed/forced close proximity/light grumpy x sunshine/patrol partner fic no one asked for.

Warnings: 18+, unprotected p in v, grumpy joel, reader is called "the new kid", reader has breasts but no physical description. It's more tension filled fluffy bickering than smut, but I couldn't help adding a little drop of it in.

Notes: I've been so sick this weekend and was strictly supposed to read fic, but this idea came to me anyway, so I queued it up. I hope you like them as much as I loved writing this. Ty @saradika-graphics , what would we all do without you?

Evening, Day 1

As you fasten the straps of your worn-out boots, the reality of your first patrol with Joel Miller, the cornerstone of Jackson's defence, settles in. You've heard stories about his exploits, and you're determined to prove your worth, that you're more than just another mouth to feed.

The morning air is crisp as you meet Joel by the gate. He grunts a greeting, his eyes scanning the perimeter with practiced vigilance. You fall into step beside him, the weight of your rifle a comfort against your shoulder.

"So, where are we headed?" you ask, trying to break the ice.

Joel's response is terse as he nods in front of himself. "Out there."

You nod, swallowing your disappointment and try again. "So, Joel, I've been studying the maps, and I think if we—"

"Save your breath. We'll check the traps, clear any infected, and get back before dark. That's the plan."

You nod, a little deflated but still hopeful. "Got it.” You press your lips together, taking his words to heart. 

The rest of the patrol is silent, save for the crunch of leaves underfoot and the occasional direction from Joel. You're vigilant, alert, and when you spot a tripwire, you quickly signal to him, earning a curt nod of approval. But upon returning to Jackson, you go to sign out in the patrol book, and your brows furrow at the entry Joel has already made. 

Patrol Log - Jackson Settlement

Date: Indeterminate, Outbreak

Pair: Joel Miller/The New Kid

Entry Signout: All clear minus the constant chatterbox that seems to think their voice is a homing beacon for every clicker in a ten-mile radius. - J

You didn't even talk that much. You roll your eyes and close the book a little too hard.

Evening, Day 2

You meet Joel at the gate once more, you notice a flicker of surprise in his eyes when you simply nod in greeting, foregoing the usual stream of words. He grunts in response. You're determined to show him you're not just the “constant chatterbox" he'd written about. You've spent the day replaying his words in your head, using them as fuel to prove your mettle.

—

"Up ahead, there's a blind spot by that old truck. Cover me while I check it out." 

You nod, taking up position without hesitation. 

As he disappears behind the rusted vehicle, your heart pounds in your chest. Every sound is amplified in the stillness of the evening—the distant hoot of an owl, the rustle of leaves in the wind, and then a low growl that sends a chill down your spine. An infected emerges from the underbrush, its eyes locked onto Joel's last known location. Without missing a beat, you take aim and fire—a clean shot that drops it instantly. 

Joel reappears just as quickly as he vanished, his expression one of mild surprise at your swift action. "Nice shot," he grunts begrudgingly before moving on as if nothing happened.  A small victory for you; perhaps he's not entirely immune to your efforts after all. 

The adrenaline from the encounter with the infected is still coursing through your veins as you and Joel continue your patrol. His rare compliment echoes in your mind, fueling your determination to prove yourself further. 

As you make your way back to Jackson, you can't help but feel a sense of accomplishment. You've not only held your own but also protected Joel's back when it counted. 

Back at the settlement, you hurry to the patrol book before Joel can beat you to it.

Patrol with Grumpy McGrumpface complete. All infected cleared. Check back in a few days. And for the record, this chatterbox saved our asses tonight. Maybe next time, you'll  remember to check your blind spots—and your attitude.

You add a little smiley face next to your entry, a playful jab at his perpetual grumpiness.

As you walk away from the book, you glance back to see Joel reading your entry, a slight smirk tugging at the corner of his mouth. It's a small crack in his tough exterior, and it gives you hope that there's more to Joel Miller than he lets on.

Evening, Day 3

The air is tense as you approach the gate, the familiar silhouette of Joel Miller waiting for you. There's a certain expectation hanging between you two, a silent challenge that has been building since your last patrol. You greet him with a nod, the same flicker of surprise in his eyes, quickly replaced by his usual stoic expression.

As you set out, the landscape feels different, almost as if it's holding its breath. You're more attuned to the subtle shifts in the wind, the way the light filters through the trees, and the distant sounds that could signal danger. You move with a newfound confidence, your steps sure and quiet, your senses heightened.

We're going to sweep the old high school today," Joel says, breaking the silence. It's the most he's volunteered about the day's plan, and you take it as a sign of trust, however small.

You acknowledge his words with a simple, "Understood," and follow him towards the dilapidated building that looms in the distance. The structure has seen better days, its windows shattered, the playground overtaken by nature, a haunting reminder of a world that once was.

As you approach, you signal for Joel to hold position while you scout ahead. You move with caution, your eyes scanning for any signs of movement. The silence is broken only by the creaking of a swing, swaying gently in the breeze.

You clear the perimeter, finding no immediate threats, and signal Joel to advance. Together, you methodically clear the classrooms, the gymnasium, and the cafeteria. 

As the sun begins its descent, casting long shadows across the desolate high school, you and Joel finish securing the premises. The tension between you has simmered down to a low hum. It's eerie how the remnants of childhood laughter still linger among the abandoned desks and faded educational posters. You can't help but wonder what became of the students and teachers who once filled these halls with life.

"All clear," you report, as you finish sweeping the last room, your voice echoing through the empty halls.

Joel grunts in agreement, his eyes lingering on the swing set outside, its melancholic creaking a stark contrast to the silence that now fills the school. "Let's head back. It's getting dark."

You nod, but as you turn to leave, a sudden storm rolls in, the sky turning an ominous shade of grey. The wind howls through the broken windows, whipping up leaves and debris in a frenzied dance. Within moments, the heavens open up, unleashing a torrential downpour that shows no signs of letting up.

"Damn it," Joel mutters under his breath, his gaze fixed on the rapidly deteriorating weather outside. "We ain't makin it back to Jackson in this."

Your heart sinks at his words. The high school isn't equipped for an overnight stay—at least not comfortably—and sharing close quarters with Joel Miller is an entirely different kind of danger than what you've faced so far today. But there's no other choice; safety comes first. You follow him to the least damaged classroom and start gathering materials to make it through the night: some old mats from the gym for bedding; whatever dry wood helps you start a small fire, and some canned food from what remains of the cafeteria's supplies. 

As night falls and darkness envelops your makeshift shelter, you can feel Joel's unease mirroring your own—two predators forced into an uneasy truce by circumstance. You both know that despite your differences and his gruff exterior, survival often requires uncomfortable compromises... like sharing body heat when temperatures plummet during stormy nights like these... like sharing a “bed” when there's only one dry spot left in an abandoned high school turned refuge from infected monsters lurking outside.

—

The storm outside rages on, its fury unabated, as the match from your hand hisses out against the wet concrete floor. The darkness inside seems to thicken and you can feel the cold creeping in, the dampness seeping through the layers of your clothing, chilling you to the bone.

Joel's silhouette is barely visible across the room, his frustration palpable in the heavy silence that follows the failed attempt to reignite the fire. The tension that had momentarily subsided now returns with a vengeance, amplified by the primal need for warmth and the instinctual fear of the unknown dangers lurking in the darkness.

Joel rummages through his bag, the sound of items being shuffled around punctuating the silence. He pulls out a small waterproof match case, flipping it open to reveal just three matches left inside. His fingers, roughened by years of survival and hardship, gingerly pick up the first match. The strike against the side of the box is sharp and swift, but the wind howling through the broken windows extinguishes it before it can catch. A second attempt meets with the same fate, and Joel's jaw clenches in frustration. "Damn it," he mutters under his breath, his voice barely audible over the storm. He looks at the final match with a mix of resignation and determination. "You know, if you were more careful, we'd have more to work with," Joel grumbles.

"Oh, so now you're worried about being more careful?" you retort, unable to keep the sarcasm out of your voice. "A little too late for that now ain't it Miller?” 

Joel glares at you, his eyes narrowing in the dim light. "I've been careful," he growls. He strikes the last match, shielding it from the wind with his hand. But again it fails, leaving you with no heat. 

You can't help but feel a sense of satisfaction at seeing Joel struggle. "Yeah, well, maybe you should've thought about that before we ended up in this situation," you say.

Joel shakes his head. "You think this is fun for me?" he asks. "Stuck in this godforsaken place with someone who can't stop talkin?”

You glare at Joel, his silhouette a dark shadow in the dim light. "You think I wanted this?" you snap back, frustration seeping into your words. "I'm here because I have to be, just like you."

Joel grunts in response, his gaze fixed on the remnants of the failed fire. "We don't have time for this," he says gruffly, standing up and brushing off his pants. "We need to conserve body heat."

Reluctantly, you both make your way to the makeshift bed, nothing more than a pile of old gym mats and whatever dry fabric you could scavenge and a small emergency blanket meant for one person. The thought of sharing such close quarters with Joel is unsettling, but survival trumps discomfort every time.

You lie down first, turning your back to him as he settles in behind you. The awkwardness of the situation is not lost on either of you. You can feel the heat radiating off his body despite the layers between you. As minutes pass in silence, save for the howling wind and rain lashing out, Joel shifts slightly behind you. His arm drapes over your side as he tries to find a comfortable position—and then his hand accidentally brushes against your breast. You stiffen instantly; it's an intimate contact that neither of you expected nor wanted under these circumstances. 

"Whoa! Watch it!" you exclaim indignantly, trying to wriggle away from his touch while still maintaining contact for warmth's sake—a delicate balance indeed under these cramped conditions.

Joel recoils as if he's been stung by a wasp. The tension in the room spikes, and for a moment, neither of you moves. Joel's breath hitches, and you can feel his body tense up behind you. The accidental touch has set off a chain reaction of awkwardness, and you're both acutely aware of the other's presence. "Sorry," Joel mumbles, his voice rough with embarrassment. "I didn't mean to..." His sentence trails off, lost in the sound of the rain pounding against the roof.

You nod, acknowledging his apology, but the damage is done. The line between survival and intimacy has been blurred, and the close proximity is playing tricks on your mind. You can't ignore the warmth of his body, the steady rhythm of his breathing, or the fact that you're both very much alone in this abandoned high school.

Minutes tick by, and despite your best efforts to keep a respectful distance, the reality of your situation becomes increasingly apparent. The cold is seeping in, and the need for warmth can't be denied. Slowly, almost imperceptibly, you find yourself leaning back into Joel, seeking the heat that his body is so eager to provide. He stiffens at the contact, but he doesn't pull away. Instead, he cautiously wraps his arm back around you, pulling you closer. 

It's been a long time since either of you has felt the touch of another person, the comfort of human contact that goes beyond mere companionship.

Joel's breath is warm against your neck, and you can feel the evidence of his arousal pressing against you. It's a startling realization, but it's met with an unexpected surge of desire that you can't quite suppress. The knowledge that he's affected by your closeness is thrilling, and you can't help but wonder if he can sense the effect he's having on you as well.

The line between necessity and want is blurred, and in the end, it's the human need for connection that wins out. With the storm as your only witness, you turn to face Joel, your eyes meeting in the dim light. There's a silent question hanging between you, one that's answered with a soft, almost hesitant kiss. The kiss is an exploration, a rediscovery of a basic human need that has been long neglected. It's a slow burn, fueled by days of tension and the shared experiences that have brought you closer than either of you could have anticipated. Joel's hands find their way to your face, cradling it gently as he deepens the kiss, his tongue tracing the contours of your lips before slipping inside to meet yours in a dance that is both familiar and new.

The cold is forgotten as warmth spreads through your body, ignited by the friction between you. You find yourself pressing against him, seeking more contact, more heat. Your hands roam over his chest, feeling the firm muscles beneath the fabric of his shirt. The sensation sends shivers down your spine, and a soft moan escapes your lips as Joel's fingers deftly undo the buttons of your shirt, revealing skin that is hungry for his touch.

There's an urgency building between you now—a primal need that cannot be ignored or denied any longer. Clothes are shed hastily; each piece removed reveals another patch of warm skin eager for exploration and connection

As the last of your clothes fall away, the cool air of the high school classroom is a stark contrast to the heat that radiates between you and Joel. His hands trace a path down your sides, exploring the curves of your body. The rough pads of his fingers leave a trail of goosebumps in their wake, and you can't help but arch into his touch, seeking more.

Joel's gaze meets yours, and there's a vulnerability in his eyes that you've never seen before. It's as if the walls he's built around himself are crumbling down, brick by brick, revealing the man beneath the hardened survivor. You reach up to cup his face, feeling the stubble scratch against your palms, grounding you in this moment—a moment that feels both surreal and more real than anything you've experienced in a long time.

With a tenderness that surprises you both, Joel lowers his lips to yours once more, kissing you deeply as he positions himself between your legs. The anticipation is palpable; every nerve in your body is attuned to his presence. As he enters you, there's a brief moment of discomfort followed by an overwhelming sense of fullness—a completion that transcends physicality. You move together in rhythm; each thrust is punctuated by gasps and moans that echo off the walls of the abandoned classroom. The world outside has ceased to exist; all that matters is this connection—this desperate need for closeness in a world gone mad.

Joel's pace quickens; his breath comes in ragged gasps against your neck as he drives into you with an urgency born of months—if not years—of pent-up desire and longing. You meet him thrust for thrust, your fingers digging into the muscles of his back as waves of pleasure crash over you both.

The tension builds within you like a storm gathering strength—a tempest that threatens to sweep away everything in its path until there's nothing left but raw sensation and pure ecstasy coursing through every fiber of your being until finally - release washes over you both in a rush of heat and sensation that leaves you gasping for air. The world around you fades away, replaced by the pulsating rhythm of your shared climax. It's a moment of pure, unadulterated bliss.

As the aftershocks subside, you find yourselves entwined in each other's arms, your head resting on his chest and the steady beat of Joel's heart is a comforting sound against the backdrop of the relentless storm outside. The cold is kept at bay by the warmth generated by your bodies, and for the first time since this ordeal began, you feel truly at peace. 

Eventually Joel's breath evens out as he falls into a deep sleep, his body relaxed and sated in a way you've never seen before. You take a moment to study his face—the lines etched by years of hardship softened in slumber, revealing a hint of the man he might have been under different circumstances. With gentle care, you extricate yourself from his embrace and pull on your clothes, intending to keep watch over the sleeping giant beside you.

The hours pass slowly; dawn is still a distant promise when you hear it—the unmistakable sound of movement outside your refuge. Your senses immediately go on high alert; adrenaline courses through your veins as you cautiously approach one of the broken windows, rifle at the ready. The storm has lessened but not enough to obscure the shapes moving in the pre-dawn gloom. Infected? Or something worse?

You glance back at Joel, still lost in sleep, and make a split-second decision. You won't let whatever danger lurks outside reach him while he's vulnerable. Steeling yourself, you slip out into the storm-ravaged landscape. The rain pelts against your skin, a relentless barrage that does little to dampen your resolve. You move with purpose, your eyes scanning the darkness for any signs of movement.

The high school grounds are eerily quiet, save for the occasional clap of thunder echoing in the distance. You keep low, using the remnants of the playground equipment as cover as you make your way towards the source of the disturbance. The last thing you want is to lead any potential threats back to Joel.

As you approach the perimeter of the school, you catch sight of a small group of infected, their grotesque forms illuminated by the occasional flash of lightning. They seem disoriented, their movements erratic as they struggle against the wind and rain. It's clear they're not here for you; they're simply passing through, driven by some primal instinct to seek shelter from the storm.

You take a deep breath, steadying your aim as you prepare to engage. The first shot rings out, echoing through the deserted schoolyard. One of the infected drops to the ground, its body convulsing before falling still. The others turn towards the sound, their milky eyes searching for the source of the threat.

You fire again, and then again, each shot carefully placed to conserve ammunition. The infected fall one by one, their bodies piling up in the mud as you advance, keeping the upper hand through sheer determination and skill. But as the last one drops, you hear a new sound—a low growl that sends a chill down your spine.

You turn just in time to see another infected emerging from the shadows, its jaws snapping hungrily as it charges towards you. You raise your rifle, but the mud beneath your feet gives way, sending you sprawling to the ground. The infected is on you in an instant, its weight pinning you down as it tries to bite through your rain-soaked jacket.

With a surge of adrenaline, you manage to free one arm and reach for the knife strapped to your belt. You drive the blade upwards, aiming for the infected's exposed throat. The creature gurgles in pain, its grip loosening just enough for you to wriggle free and deliver the killing blow.

Panting heavily, you push the infected's lifeless body off of you and take a moment to assess the situation. The immediate threat has been neutralized, but you're acutely aware that more could be drawn by the sound of the struggle. With no time to lose, you make your way back to the school, your heart pounding in your chest.

You slip back inside and secure the door as best you can. You turn around and see Joel is already awake, his eyes scanning the room as he reaches for his weapon. The sight of you, unharmed, brings a look of relief to his face, quickly replaced by a scowl. "Where the hell were you?" he demands, his voice rough with sleep and worry.

"I heard something outside," you explain, keeping your tone even. "I went to check it out."

Joel's expression darkens. "You should've woken me up, you could have gotten killed out there," he grumbles, his concern for your safety masked by his usual gruff demeanor.

"I didn't and you needed the rest," you reply, meeting his gaze. "Besides, I can handle myself.”

Joel's jaw clenches, and for a moment, you think he's going to argue. But then he just nods, acknowledging your capability even as his protective instincts chafe at the thought of you facing danger alone. "Next time, wake me," he repeats, his tone leaving no room for argument.

You can't help but smirk at the gruff concern in Joel's voice. There's a part of you that enjoys getting under his skin, challenging the walls he's built around himself. "You know, Joel," you say, your voice light but your eyes serious, "I think you might actually care about what happens to me."

Joel's scowl deepens, but there's a flicker of something else in his eyes—something that looks a lot like vulnerability. "Don't get the wrong idea," he grumbles, looking away. "I just can't afford to break in a new partner."

You chuckle softly, shaking your head. "Sure, Miller. Keep telling yourself that." You walk over to where he's now sitting and nudge him playfully with your foot. "Admit it. You like having me around.”

Joel rolls his eyes, but the corners of his mouth twitch upwards in a reluctant smile. "You're alright," he concedes, his voice gruff. "But don't let it go to your head.”

You can't resist the urge to tease Joel a little more. "I think you protest too much, Joel Miller," you say with a playful grin. "I mean, first you can't stop complaining about my chatter, and now you're almost starting to sound... affectionate."

Joel's eyes narrow, but the ghost of a smile still lingers on his lips. "Don't push your luckp," he warns, his voice carrying a note of fondness that he's unable to fully conceal.

You lean in closer, lowering your voice to a conspiratorial whisper. "You know, for someone who pretends not to care, you sure were... attentive last night," you say with a sly grin, your eyes dancing with mischief.

A flush creeps up Joel's neck, and for a moment, you think you might have pushed him too far. But then he chuckles—a low, rumbling sound that you feel more than hear. "You're a pain in the ass, you know that?" he says, shaking his head in mock exasperation.

You beam at him, feeling a sense of triumph. "Maybe," you admit, "but you like me anyway.”

—

As the first light breaks through the retreating storm, you and Joel prepare to leave the high school behind. You gather your belongings, exchanging quiet glances with Joel as you both acknowledge the shift in your relationship.

The journey back to Jackson is uneventful, the aftermath of the storm leaving the world outside quiet. You walk side by side, your boots crunching on the wet gravel. Joel seems more at ease, his usual stoic demeanor softened.

Upon your return to the settlement, the familiar sight of the gates brings a sense of relief. The guards nod in recognition as you pass.

You make your way to the patrol book, your fingers brushing against the worn pages as you prepare to document the latest entry. Joel watches you, his expression unreadable, as you pick up the pen and begin to write.

Patrol Log - Jackson Settlement

Date: Indeterminate, Post-Outbreak

Pair: Joel Miller/The New Kid

Entry Signout: Patrol complete. High school secured. Infected cleared. Storm provided unexpected overnight stay. No serious injuries to report. 

You pause for a moment, considering your next words carefully. With a small smile, you add a final note

Casualties: Zero. Zilch. Nada. Unless you count the ego of a certain grumpy individual who may or may not have been out-shot by yours truly.

You cap the pen and step back, allowing Joel to read your entry. His eyes scan the page, and you see the ghost of a smile tug at the corner of his mouth as he reads your postscript. He doesn't say anything, but the look he gives you speaks volumes. 

As you turn to leave, Joel's hand catches yours, his grip firm yet gentle. 

Hey," Joel says as he pulls you closer. "I, uh... I don't know how to do this," he admits, his gaze dropping to where your hands are joined.

You give his hand a reassuring squeeze, offering him a small, encouraging smile. "Do what, Joel?" 

He takes a deep breath, his throat bobbing as he swallows hard. "This," he repeats, gesturing vaguely between the two of you. "The... talking about feelings stuff." 

You can't help but chuckle at his attempt to articulate his feelings, the corners of your mouth curling up into a smile. "Is this the part where you tell me that despite your better judgement, you've grown fond of me?" you tease, squeezing his hand in return.

Joel rolls his eyes, but there's a hint of amusement in his expression. "Somethin like that," he admits gruffly, releasing your hand to run a hand through his disheveled hair. "You've got guts, I'll give you that. And maybe... maybe I don't mind the chatter as much as I let on.”

Your heart skips a beat at his words, the gruff admission meaning more to you than any grand declaration of love ever could "Well then," you say, stepping closer to him, "I guess this means we're stuck with each other."

Joel's response is a low chuckle. "Yeah," he agrees, his hand finding its way to the small of your back in a gesture that feels both new and familiar all at once. "I suppose it does.”

[chrissturnsfav]

omg imagine missionary with chris and you ask him if he’s mad at you mid fuck 😭

𝐈𝐍𝐓𝐈𝐌𝐀𝐂𝐘 𝐈𝐍𝐓𝐄𝐑𝐑𝐔𝐏𝐓𝐄𝐃

you ask chris if he's still mad at you during apology sex over a silly argument.

ᰔᩚ smut, unprotected p in v (wrap it b4 you tap it), bf!chris, apology sex, slight angry sex, softdom!chris, fluff, pet names

ᰔᩚ w.c. 939

you and chris had gotten into a stupid ass argument not too long ago. it was dumb, over him making plans with his brothers without letting you know. he knew you felt comfortable when he told you his plans, but he failed to do that today.

so now, he's most definitely going to be late to dinner reservations with nick and matt. this wasn't anything unusual—you and chris almost always had sex after a fight.

but this argument was different because you both hadn't come to a settlement before the sex started. all the other times, you and chris made sure to apologize to each other before fucking.

that's why you were confused why chris impulsively just grabbed your face while you were in the middle of yelling at him, kissing you hard as his tongue delved into your mouth without asking for entry—but you reciprocated, of course.

and now, he's got you flat on your back against the silk bedsheets, thighs pushed up to your chest as his fingers dig into the flesh. your hands are flailing around helplessly as you pant, your eyes squeezed shut and lips parted.

but why is it so unenjoyable today?

with every tight and hard thrust he gives your weeping cunt, it feels off, different, almost wrong. it feels good—sure. but it's not the typical take-your-breath-away fuck that chris always provides.

and he can tell you're not feeling it. you're faking moans, you're trying to focus on the sensation of his cock filling you to the hilt, trying to tell yourself it feels fine—feels perfect as usual. but you know it doesn't.

chris groans from above you in annoyance, leaning his face down closer to yours, messy waves in front of his eyes as he tilts his head, studying your exaggerated expression of pleasure.

you can feel his minty breath fanning on your cheeks, making your heart pound as your hands find their place on his shoulders, fake whines leaving your kiss-swollen lips.

"fuck is up with you?" he breathes in a grunt, narrowing his eyes at you. there's a lingering annoyance in his voice—presumably from the argument you two had minutes ago.

"h-hm?" you squeak, your voice shaky. it's so obvious you aren't feeling this. he can read you like a book, and you know it, so the fact that you'd fake pleasure when you know he would find out annoyed him a little more.

chris rolls his eyes, scoffing as he completely stills his hips, loosening his bruising grip on your hips as he frustratedly runs a hand through his hair, "asked you a question," he says dryly, furrowing his brows at you in annoyance.

you chew your bottom lip nervously, crossing your arms over your chest as you avoid his gaze. you know exactly why it feels off tonight, but you think what's on your mind sounds stupid, and would sound even more dumb out loud.

chris huffs, prodding the inside of his cheek with his tongue, trying to contain his growing frustration, "why won't you look at me?" he asks, his tone dripping with annoyance—some leftover from your earlier argument, some from your feigned pleasure.

you swallow thickly, exhaling a deep breath before forcing your eyes on his icy blues that are swirling with curiosity and irritation. "i just..." you mutter, chewing the inside of your cheek now.

"c'mon," he mumbles, softening his tone a little to try and get the words out of you, but staying firm. he speaks, patting your cheek, "talk to me. can't help you if you won't tell me what's wrong, baby."

the softening of your tone provides a bit of reassurance, your body slightly loosening up as you speak with a tiny ounce of confidence, "are you still mad at me?" you mumble softly, nervous of his reaction.

but to your slight surprise, chris' face softens completely, his face dropping. he furrows his brows in confusion, shaking his head, "what?" he scoffs, placing a hand soothingly on your knee, the pad of his thumb rubbing over your smooth skin. "nah, why would i be?"

you feel a slight rush of relief, your body loosening up even more as you drop your crossed arms from your chest. "well...we didn't apologize...you know, before," you tell him quietly.

a slight soft smile tugs at the corners of chris' lips, his other hand coming up to gently cup your jaw as he shakes his head, "you think i'm still on that shit?" he chuckles, reassuringly stroking your cheek. "i'm not mad at you. at all."

you feel completely at ease now, exhaling a breath of relief you weren't even aware you were holding in, "oh," you chuckle awkwardly.

chris smirks, scoffing as he shakes his head again, "truth is, i probably should've told you about my plans. know you like knowing what i'm doing, since you're so obsessed with me," he snickers, teasing you to try and lighten the mood.

you roll your eyes, a slight heat rushing to your cheeks as a smirk tugs at your lips. you playfully shove his shoulder and shake your head, "shut up," you mumble.

chris laughs in amusement, "i'm just fucking with you. but no, i'm not mad, baby. way over that," he tells you softly, smiling reassuringly at you.

"okay," you sigh softly, relief washing over your body like a tidal wave as you smile up at him—which slowly turns into a suggestive smirk. "can you finish now?" you giggle coyly.

chris scoffs, rolling his eyes as he smirks, now gripping your thighs, "legs up," he says, pointing to his shoulders.

thank you for reading!! <3

tags 🏷️: @sturnobsessedwh0re , @idrk2292 , @mattsbrat , @ribbonlovergirl , @matthewsroses , @mattsdemi , @emely9274 , @frankoceanfanpage , @ifwdominicfike , @marrykisskilled , @strnilolover , @cayleeuhithinknott , @forgottxen , @sophand4n4 , @sturnsrecord , @purpledragon222 , @faiyaz555 , @jocelyncsblog , @freakiolos , @slut4chris888 , @chriss-slutt , @ilovedanielcaesar , @annsx03 , @snoopychris , @chrissweetheart , @slutformatt17 , @mattsturnii , @dominicfikeenthusiast , @mattsbratt333 , @ivysturnss , @mattysketchup

@chrissturnsfav ™