#and critiques them

[frosthetix]

some dudebros: tom hardy must be held at gunpoint to still be doing these sony venom movies

tom hardy: WRITES the movie, PRODUCES the movies, repeatedly states how much venom and eddie means to him, reads all the comics, #1 veddie shipper

[aediondraws]

tmagp comic bc I'm not normal about them!!

ep 12

[mofsblog]

"This is some gay shit" Good. Silly. Fair enough. Doesn't inherently invalidate other interpretations of the relationship. Honestly yeah, it is kind of gay regardless of their canonical relationship status

"There's literally no platonic explanation for th-" WRONG!! KILLING YOU WITH AMATANORMATIVITY KILLING LOBSTERS 🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞🦞

[maxx-the-queer]

The Siege at Weisshaupt is honestly one of the best missions of any Dragon Age game, let alone Veilguard.

The stakes are already high: kill an Archdemon and then kill Ghilan'nain.

Killing an Archdemon - the big bad at the end of Origins whose very presence means apocalypse and certain sacrifice - is just the first step to killing an even greater force.

Ghilan'nain - an Ancient Elven Goddess blighted beyond recognition, whose unchecked ambition unleashed great horrors upon the world - is the real threat to face or else the Darkspawn Army will be the least of Thedas' worries.

The leader of the Grey Wardens, the only mortal force who have thus far been able to protect Thedas from utter annihilation, categorically refuses to face reality. Rook only has a ragtag team of half a dozen guys from all over to face an entire Darkspawn army with.

It's exactly as terrifying and daunting as it sounds, and neither task is something anyone treats with any amount of levity. Everyone is confident in their abilities to perform their task and get Lucanis to the right place to finish this contract, but there's no playfulness or divine certainty about their success.

Rook, whose only game plan is "get in and win by any means necessary," is then immediately confronted with the reality of their situation as absolutely everything goes wrong.

The Eluvian isn't where they thought it would be, the Grey Wardens are overwhelmed by Ghilan'nain's forces, and just to add to the sheer horror - there's a young child running through this battlefield of Darkspawn in search of her father and she will not listen to your pleas for her to get to safety.

All of that happens in the first ten minutes of the mission, mind you. This isn't even including the fact that Ghilan'nain appears as a damn spectral cloud face - which Lucanis rightfully points out is who he has to kill and "how am I supposed to kill a damn cloud?!"

Rook runs through the fortress, makes it to the East Battlements and hears the sounding of a horn begging for reinforcements, only to realise that they're the only ones coming and everything is falling apart, but they have no choice but to keep going.

Retreats are called, everywhere Rook goes is the wrong way, the forces are overwhelming beyond measure, and this battle is no longer about killing but surviving, because they're cornered like prey by horrors beyond comprehension.

When all of a sudden, the world's bravest little girl rushes in like a hero and guides them through impossible odds to somewhere with some semblance of safety. She's the only reason they haven't succumbed to death already and despite the waves upon waves of Hurlocks, Spikers, and Ogres - she finds her father.

Thanks to Mila, there's a moment of reprieve. Rook gets a chance to breathe. The Veilguard regroups, replans their approach. Distract Ghilan'nain with the dagger, trap her Archdemon in a dragon trap, and kill it to render her mortal. With time to breathe comes time to doubt, to fear.

A Warden has to die to kill the Archdemon. Davrin knows this, and is ready to go. But is Rook? What if they can't do this? What if this is how they die? Can they even spare the time to think about it?

Regardless, they fight through to the dragon trap. The Archdemon approaches as Rook all but dangles the dagger within reach. She takes the bait and sends her Archdemon forth, it seems all too easy - like putting cheese out for the mice.

The Archdemon is trapped. Davrin says his goodbyes, but the First Warden surges forward insistently. He plans to end this according to tradition. He'll die with dignity, he's not asking for your permission to do what all wardens must. He steps forward. Sword in hand, ready to end the Blight.

Ghilan'nain will not be so easily beat. She will not play by the rules they're used to, and the First Warden does not get to die a hero. She seizes him in her grasp, sucks the life out of him to empower Razikale, and changes the game once more. Her Archdemon is unlike any seen in history, and there's no time to revel in it because it's do or die and Rook cannot afford to die yet.

Every blow brings it closer to death, and therefore Ghilan'nain herself as she becomes more and more desperate. One snakelike head becomes two, becomes three, with blight everywhere - the time is at hand.

Davrin is the only one left who can kill the Archdemon, his death is inevitable, and he's ready to go as he sinks his sword in for the final blow.

Except, if there's one thing this seige should have taught them all, it was this: the rules have changed. Davrin is still standing, and he doesn't have time to think about why, because Ghilan'nain is mortal and the time to strike is now.

Rook tosses the Lyrium Dagger to Lucanis. He surges up, wings of Spite propelling him up to kill a goddess like she's any other target, because it's all that he came here to do.

And then, he misses.

With everything at stake, and everything to lose... Lucanis Dellamorte misses.

They don't have time to try again. If they stay, everyone dies. And so, the Veilguard flees through the Eluvian and back into the Lighthouse. It was a victory, but at what cost?

Nothing is how it's supposed to be. Weisshaupt is fallen. The Wardens are scattered. Razikale is dead, Ghilan'nain is mortal. And yet...

It wasn't enough.

[ilynpilled]

it frankly pisses me off that what is essentially “rapists and abusers should be depicted as monstrous caricatures because humanizing them is inappropriate” is considered a very moral and enlightened position to have on art by so many people. a rapist can feel pain, have moments of vulnerability, be amiable and charming, express remorse and compassion at times, be a victim themselves, and so on in real life. they are capable of doing good things. they can have different sides to them and have individuals in their lives that they are kind to or have a decent relationship with. they will be a human being, and that fact encompasses a lot. conflating that with the claim that they are entitled to and deserve your forgiveness or absolution is an issue. nurturing a mindset that believes they need to be one note and uncomplicated to be a correct and tasteful depiction of a rapist inadvertently falls in line with the logic of “how could they have possibly raped you? they are so normal and kind to me. they did all these good things here and there.” ok that doesn’t change that they are a rapist.

[theotherbuckley]

incorrect tweets pt 17/?

[homeforclones]

The difference between Season 1 and Season 3 of the Bad Batch

Season 1: Omega: Crosshair, can I have a hug? Crosshair: The audacity??? Of this Child??? Nothing would revolt me more than to show any kind of weakness to sate your neediness. Season 3: Omega: Crosshair, you're getting a hug. Crosshair: The charity??? Of my Sister??? Nothing would give me more joy than to be hugged by the Literal Angel that you are, though I am a lowly worm.

[they-them-pussy]

new metric for media literacy for film bros is if they understand the barbie movie.

the kens are first presented as accessories to their barbies and it's pointed out loud that they don't even have places to stay in barbieland. one of the barbies straight up asks "wait, where do the kens stay?". they're just arm candy made to look pretty and cool while the barbies run their world.

but that's fucked up!!! the film presents it as fucked up! that's why ken screams "YOU FAILED ME!" and why he is insecure in the first place because he wanted to be respected and seen as a person, not someone who only exists in relation to someone else. should he have done what he did? no!!! that's why it's part of the conflict! the root of both of their breakdowns was in their society in that the barbies are supposed to be perfect and the kens exist in relation to them! it's barbie and ken. he was a footnote. that's why barbie apologizes to him in the end and tells him he can be himself. she doesn't have to exist by some set of rules and neither does he! it's barbie and it's ken! sure, the resolution to the whole barbieland issue wasn't perfect, BUT KEN'S WHOLE ARC IS ABOUT HOW THEIR WORLD FAILED MEN. WHAT DO YOU MEAN THIS MOVIE WAS 'WOMEN GOOD MAN BAD'. WHAT ABOUT THE NUANCE

[hallabun]

commentary on the inqusitor's anchor in trespasser from vivienne and dorian

commentary on the inquisitor's anchor killing him in trespasser from dorian

commentary on the inquisitor's well being in veilguard's finale from dorian

the inquisitor (especially when taking the stoic dialogue options) has always been someone who terminally "puts on a brave face", so the one (1) interaction we get with him and dorian in veilguard is like. so unbelievably in character.

dorian, who knows his amatus HAS pulled this bullshit in the past. the inquisitor, who has had character growth over the last eight years and now, like dorian, allows himself to be honest and vulnerable.

even the voice acting in veilguard sells it. dorian has noticeable worry in his voice. this is something that has lived in his mind for the past eight years, and is something he will desperately try to prevent from happening again. and the voice acting for the inquisitor too! in inquisition, any claims of being fine always felt forced or unconvincing. but here? yes, he is actually fine this time. no brave faces. he promises.

[yasmeensh]

A Master Study featuring Zelda II: The Adventure of Link. In which Link hangs out with the two Zeldas post-game (Who do you think became the Queen of Hyrule?)

This was a difficult piece, but I'm happy with it!

Based on 'The Chess Players' by Jacques-Clément Wagrez (1902)

Information on inspiration and process under the cut!

Original piece: "The Chess Players" by Jacques-Clément Wagrez (1846-1908).

The moment I saw this artwork I immediately thought of Zelda II. One of the women is wearing a medieval-esque red velvet dress, and she looks a lot like the design I made for the cursed princess Zelda!

I thought it would be very fitting to reimagine this artwork in a Zelda II context, so I went ahead with it! doubles as a master study and LoZ fanart.

I learnt a LOT from making this piece! Since I worked on it digitally, I got and made brushes that acted as close to traditional brushes, and I also worked on the entire piece in one layer. So whenever I made a mistake, I'd have to paint over. No return. But it was a big learning experience! Learnt more about rendering silk and velvet by observing how they are painted and blended in the original.

Here are some WIP shots! It took a long time to get to where it is now xD It was difficult to finally pen down the right proportions and placement. I probably should've done a grid copy, but I opted to just eyeing it out all the way through. It was... hard. (lesson learnt?)

I read that in a lot of older pieces, they are made in greyscale, then flat colours are overlaid on top. makes rendering much easier. and it truly has! I probably should’ve rendered the greyscale version even more. Since there were still a lot of mistakes that I had to rework and adjust while colouring.

Very fruitful experience overall, and I’m just happy to make a grand-scale Zelda II artwork xD I’ve never seen one so I made it!!!

[abyssal-ilk]

since i'm talking about bull today, i think its a bit of a mistep to say bull turning against the inquisitor in trespasser is an act of revenge for the death of the chargers. this isn't a result of the inquisitor betraying bull or hurting him. it is a result of the inquisitor reaffirming iron bull's place within the qun. it isn't something that the inquisitor "deserves" for killing a group of beloved soldiers. it is simply the consequence of choosing a political allegiance- the qun- and enforcing the idea that a small part can and should be sacraficed for the greater whole. the chargers can be sacrificed for the inquisiton, the inquisitor (and dorian, and vivienne, and sera, and anyone else bull befriended) can be sacrificed for the qun.

[uncanny-tranny]

One thing I have seen - even from other trans people! - is this specific implication that while it's inevitable that trans men pass, but trans women are essentially doomed if they want to pass.

I could talk for days about the intricacies of passing for trans people in general. I could talk for hours about why some trans people want to pass, and that it shouldn't be forced. I could talk about the intricacies for trans men and others when it comes to passing because the dynamics don't play out the way it does for cis men a lot of times. But what gets me is the idea that trans women could never pass, that those who do are essentially anomalies is... nasty. It's got nasty implications, and it's feels even nastier when trans people do it.

Trans women, trans men, trans people of all types shouldn't be required, pressured, or forced to pass. That is true. But to say that passing is nigh impossible for an entire subsect of trans people will never not read as evil.

[idolomantises]

i'll be real, i always hated it whenever media tries to "critique" Christianity while portraying all Christians as bigoted, misogynistic and irredeemable. its why it matters a lot to me that my own angels have some nuances to them.

Sera is very puritanical and obsessed with showing her devotion to God, but she's still a caring and well-meaning angel.

[burningcheese-merchant]

MERCHANT

🗣✊🎤How Golden Cheese feels about Burning Spice's Huge Gazoonkas

How do you think? Haha

She loves and worships those tig ol' biddies just like the rest of us

(Except she has it the best, because they belong to her and her alone 😎)

[pallidprincess]

performative monsterfucking radicalism is so funny to me. yeah man this thing

is conventionally attractive because it's shaped like a buff dude. you're much cooler for being attracted to the moon worm from star wars or whatever

[hauntstrat]

I want Star Wars to bring back romance.

For a franchise that has its main movies focus so heavily on romance in Anakin/Padme, Han/Leia, and arguably Rey/Ben, they don’t seem to want to put it in any of their shows anymore. Obviously, they aren’t romance movies, and not every story needs a romantic plotline, but it’s so odd to me.

Romance is so absent from recent Star Wars media now. Even when it’s there, it just about never ends well, and as much as I like it when Star Wars is realistic and reflects the real world, people do have happy endings sometimes. People fall in love and get married. Sometimes that means settling down, and sometimes it doesn’t change anything. Especially for a series that loves parenthood so much, you’d expect them to be more open to the idea of people getting together and having children, but it so rarely happens. 

I just want romance in Star Wars.