#and companies tend to not want to do that since those videos make them money

[awkward-teabag]

It's old but here's a video from 8 years ago about one factor of it.

Some numbers from it:

The internet used 2% of the world's electricity in 2011

The internet used 91 billion kilowatt-hours in 2013 just in the US.

The internet data transfer rate was 28,000 gigabytes a second in 2013.

And those are numbers from over 10 years ago. I couldn't find any exact number but I see online advertising specifically uses the same amount of electricity as a small country these days.

And here's a study from 2018 about it if you want something long and crunchy.

From the highlight:

Online advertising consumed between 20.38 to 282.75 TWh of energy and 11.53 ��� 159.93 million tons of CO2e was emitted to produce the electricity consumed.

Of course there's no exact number as it's not recorded and, if it is, it's guarded (hence the wide range) but it's safe to say it uses a lot of electricity.

At least with TV commercials, they gave actors, directors, and screen writers a way into the film and TV industry and also employed a crew. There were even dedicated crews/houses for specific types of ads. They also had to be interesting or entertaining enough to draw attention given how many people used commercial breaks as bathroom/snack breaks and stopped paying attention to ads.

Sure they were trying to sell you something but at least there were others who were getting a paycheque and building up a resume from them. The more successful or viral an ad went (and going viral before the internet was a big thing), the better it was for the cast and crew and more than a few celebs got their start from a commercial or three.

Not so much now, especially when the whole ad is just CGI. They aren't interesting or entertaining and the production value is low to keep the costs down on that end. If an ad is more than lukewarm, odds are it was designed for TV first because internet advertising is all about quantity over quality.

honestly advertising is so fukcing wasteful not even just in the convincing you to buy shit you never actually wanted but like

how much electricity is wasted displaying ads that could've gone to keeping houses warm. How much paper is produced just to be turned into pamphlets and ads that will just be thrown away. how much internet bandwith is wasted just on the amount of ads that are on the internet nowadays. How many hours worth of labor went into producing ads that are going directly into my adblocker or my waste bin that could've been time spent doing literally ANYTHING useful?

[thefloatingstone]

Do you think anime today are made with too many safety nets? Like gone are the days where something experimental or risky (risky in terms of something not seen before)

Yes but I think it's also a ratio thing.

In the entirety of the 80s, 256 were released. In 2022 ALONE 106 anime were released. There is a VAST amount more anime released today, and as a result, a good majority of it is extremely "safe" from a business point of view.

However I think the biggest culprit for this is simply one of money. 1980s Japan was going through an INSANE economic boom. On top of this, the "Straight to VHS" market hit the scene in 1983, which enabled anime to be able to show things which were technically illegal for Japanese broadcasting. Because straight to video anime were not technically broadcasted. This is why OVA from this time period tend to be as hyper-violent and sexual as they are. It was the first time anime actually had the medium in which it could show those things and this new freedom had many anime studios go to an extreme just to explore these new possibilities.

These days, anime animators are paid less than what's considered the legal minimum wage in Japan. But because anime is such a huge profit for Japan, the Japanese government overlooks the breaking of worker's rights. Animators in japan have not had a wage increase since the late 90s, and many of the artists who work on animation make about $400 to $500 a month. While also being expected to live in Tokyo (one of the most expensive cities in the world to live in) and essentially work 24/7 to make deadline. It's reaching a point where, because the people funding anime do NOT want to spend more money but their animators are actively dying from being overworked, have started outsourcing the animation part of anime to overseas studios like the Philippines because they don't have to pay as much. Or their NEW fun little tactic which is to hire amatuer animators off twitter from young kids who REALLY want to work in anime as their dream who are easier to exploit and misuse because they are young, inexperienced, passionate and naive. WATCH OUT FOR THIS. It's becoming more common.

Most larger anime shows also know their main money won't come from broadcast or even blu-ray sales (although Blu-ray sales are EXTREMELY important as far as an anime's success goes) the REAL money comes from merchandise sales or a push of sales in gacha games that are tied to the anime in question. Basically the way Pokemon works at this point. Where the games only exist to justify the existence of merchandise.

So the producers of anime want shows that they know will translate well into merchandise sales. The big merchandise target which these companies like tend to be men aged 18 - 25 who don't yet have families of their own. Because they tend to have a lot more disposable income. However, as things have changed and shows like Sailor Moon have proven, women are also willing to spend large amounts of money on merch. But due to the social structure of Japan, statistically women are less likely to spend the same amount of money because society pressures them more to work towards starting families and focusing their money on building households. (something Japan itself puts extreme pressure on especially with their declining birthrate but even before this just through their traditional family values).

This is why if you compare the amount of shoujo and Josei anime that come out per year versus the amount of Shounen and Seinen anime, it's not even CLOSE in numbers. And what shows MIGHT appeal to women just as men tend to still have cute girls in them to push figurine sales.

It's created an extremely hostile environment where artists simply do not have the means to actually be creative because they are being bled dry for no money.

BUT, because of the sheer number of anime that release per year, it IS more likely to have hidden gems come out made by people who genuinely have a great passion for what they make. It's just that before these would be the anime that outshines everybody else, but because there is just SO MUCH shovelware anime, it can be a little harder to see in the crowd of 5000 isekai and gacha anime.

The industry is not in a great place right now in terms of a creative environment. But it doesn't mean quality isn't there. It's just the quality anime won't be the "biggest" anime of the season or the most talked about or the one you see the most merch for.

Except for Mob Psycho 100. MP100 is GENUINELY one of the best anime to come out in the last 10 years. It uses experimental mixed media in its animation, the animation itself is top tier, and its story and characters are extremely unique for the anime medium.

ALSO! there is an anime coming out for one of my favourite current running manga "Kaiju No. 8". Monster Number 8 is part of a new breed of manga that's part of a branch of Shounen Jump called "Jump+". Shounen Jump has for DECADES demanded its manga writers provide a chapter PER WEEK for publishing. Similarly to anime, this bleeds manga artists dry and leaves them often with debilitating health conditions due to overwork (I have a manga by Satoshi Kon where he talks about getting Jaundice while making the comic due to overwork).

Jump+ on the otherhand works differently. The manga do NOT update per week but have larger gaps between updates with short breaks sometimes by the artists.

AND GUESS WHAT???

IT MEANS THE QUALITY OF THE MANGA HAVE GONE UP!

WHAT A SHOCK!

Anyway apparently Kaiju No. 8 is getting an anime adaptation and I am extremely excited.

(He's upset because he pissed through his nipples on the street)

Seriously tho. Kaiju No. 8 is about a 30 something year old dude who works as "monster clean up" which is basically the guys who have to mop up the guts of whatever Kaiju the heroes blew up that week.

until he accidentally becomes exposed to something which gives him the ability to shapeshift into a monster. He reapplies to the Kaiju-fighting division being one year under the cut-off age, an entrance exam he has failed multiple times in the past, but gets in this time (but barely iirc. It's been a while since I read the beginning. (of course if the defense division ever sees him in his monster form they will kill him which is probably not the smartest career move but I mean WHAT ELSE IS HE SUPPOSED TO DO?)

AND THEN THE POWER OF FRIENDSHIP HAPPENS.

Where his hero buddies who find out he is also a kaiju have to help him BOTH fight the monsters attacking the city while ALSO keeping his powers a secret from the OTHER officers in the division. Specifically his best friend who then pushes himself to be BETTER at the defense thing specifically so his friend (who's named Kafka by the way because of course) won't transform to protect him and potentially get himself killed by the defense division.

It's so good. Please... I am weak for power of friendship stories....

Everybody protects each other and care about each other so much...

I just hope the anime can get something good out, because already from the sneak peaks we've seen, the quality seems to be the same level of mid most major anime have these days. But hey. At least it's not CG.

[iamonlyhereforthefood]

Few things make me roll my eyes more than youtubers who I otherwise agree with and who seem to be well-researched in the topics they primarily cover, like LGBTQ+ issues, TV adaptations, etc., who for some reason tend to pepper their videos with comments like "because we live in capitalistic hell", "latter-stage capitalism", or my very favorite "as a marxist ...".

Like, cool that you live in the time and place where you don't have to fear about stating your opinions. But, can we acknowledge that the only reason you are able to make a living out of making these videos is actually because of capitalism where you can make a living doing basically anything as long as there's a demand for it and you're good at it?

"The 40-hour work week wasn't for me...", "I burned out at my job", "I have ADHD, this works much better for me than office work". Good for you. What do you think your life would be like under socialism? (I expect that is your alternative to capitalism, but if you would prefer a return to feudalism, I have bad news for you too.)

Do you think the state would be ok with you being self-employed, doing useless work? Because that is what it would be seen as, unless you were including government-approved propaganda in your videos. Do you think you would be left alone if you took time being unemployed to figure things out? Nope, unemployment would not be an option, if you could not find a job, you would be given a job and it would likely not be something you wanted to do. Do you think anyone would care about your work conditions, or your sensory issues? Do you think you would be able to study something fancy, like gender studies? Depending on your family profile, you might be lucky to even get into university, no matter how smart you are or how well you did in high school. And then you would be choosing from programs that are opening that year, based on the plan of future jobs that the government has - anything useless (most of the topics that youtubers tend to cover would fall into that category) would just not open.

And I'm not even getting into expressing individualism and what being openly LGBTQ+ would be like. Men used to be harassed by police for simply having long hair under socialism. Anything that makes you stick out from a crowd was a no-go. You wouldn't even have discourse about whether companies just want your money when they offer pride merch because there would be no merch.

It would be nice if people who like to cheer for socialism/communism/marxism actually listened to those who have any experience with it, especially since many of them love to talk about uplifting voices, listening to authentic experiences and other nice-sounding phrases, but God forbid anyone actually listens when it doesn't suit their political views.

[goombasa]

How Open is Too Open?

So, ever since the whole Kindle and Amazon Ebook gold rush, Amazon's Ebook store, and to a lesser extent their Audible shop, has been inundated with low-effort, low-quality, and poorly researched books.

This isn't news. It's basically been a problem since the day the doors were flung open for anyone to publish whatever they want, and Amazon has an impressively high tolerance for low-effort spam. Don't get me wrong, I love the fact that fantasy romance porn is easy enough to find, but I could do without all the ‘mindfulness’ and crypto mining BS that gets shuffled out onto the store.

Amazon is far from the only place where this is a problem, of course, but it is probably the biggest example. Steam is another good example, as after paying the fee for a developer's account, you can go as far as just uploading a game with a missing executable and it will still be up on the storefront for a while until someone complains enough about it.

So my question, given this situation with platforms allowing anyone and everyone who can type out a username and password to upload something for sale on what is, ostensibly, a professional storefront, is are these platforms too open.

I like the fact that they're open. I like the fact that artists who otherwise wouldn't have been able to get their creations in front of a large audience now have that ability. We're living in a world where indie games are more prevalant than ever. Some would even say that indie games are thriving far more than the AAA space is at this moment in time. Independent authors like Chuck Tingle have managed to make a living writing the sort of stuff they want to write, that certainly would not have managed to land in a traditional publishing space, where a company is essentially taking a massive risk by publishing something, and wants a guaranteed return on their investment. It's inspiring to hear stories about a struggling artist finally getting their due, seeing the successful launch of a project they might have been years into.

But for every good and heartfelt story, there are plenty of talented folks who fall by the wayside, because their voice gets drowned out in a sea of spam and low-quality products meant to glut the market and brute force a profit. After all, if you publish 100 games on steam at fifty cents each using only free or store-bought assets, its only a matter of time before SOMEONE starts buying them, right?

I'm not really sure what sort of answer there is for this. It's an incredibly thin bridge to walk. Quality control on an open ecosystem is very difficult, especially on open ecosystems that are basically the only games in town. Yes, there are other self-publishing and self-printing companies out there, but even the ones that aren't strictly vanity presses are not going to reach as wide an audience as being on the amazon storefront. and Itchio is an excellent indie game site, both for video games and tabletop experiences, but again, it's not really a direct competitor for Steam. At the same time, a lack of quality control on these bigger sites mean that quality products are often drowned out before those large audiences get a chance to even see them.

Unless, of course, you have the scratch to pay for promotion, which is another service that these bigger marketplaces offer, and of course there are plenty of outside companies that want to help sell your stuff, for a price. Because of this, people who already have money to spare tend to be the ones who rise to the top of the constant, churning whirlpool of these markets, creating an extreme imbalance. You're always going to see what these markets want you to see.

I am glad for things like the Cozy Games directs and Guerrilla Collective showcase we get every year because I'm willing to bet that almost all of those games would slip through the cracks if there wasn't a means of getting them in front of a wider audience. But not everyone gets that chance. Space and time are limited, even if there aren't any restrictions on posting. Getting eyes on what you create is tough. Human curation is all but impossible, considering that said curation would inevitably err on the side of bias that would see the more quality experimental stories or games pushed to the side and would no doubt slow down the process of things making it to the storefront.

Now don't get me wrong, there ARE standards that have to be met, but most of them are mechanical in nature, basic stuff that anyone would probably already be doing; making sure that your book is properly formatted and in the right document type, making sure you game actually has its executable, making sure that your audiobook meets the proper compression requirements and mic quality. That last one in particular at least requires you to have a semi-decent microphone if you plan on actually narrating books, but the text can come from anywhere on the kindle store.

I'd like to know what you all think. Do you think that places like the kindle store and steam are too accepting with their open door policies and do you think there's a happy medium that they should be striving to hit? Because again, I love the fact that they're open, I love that anyone can push their art out into the world and potentially make at least a little bit back for the time spent creating it. But when something I'm publishing is swirling around in a slurry of spam, I wonder if it's even worth it.

Bottom line, everyone should make their own website to host their stuff again. Y'all should check out Neocities, it's really cool.

Okay, bye!

[jenakuns]

Some thoughts on Relativity

So I've been observing the company of Relativity Space for a good while now. What originally got me in I think were the plumes + some cool numbers and I've stayed in since then. Main line of interest in space for new people is SpaceX, but if you are naturally a contrarian or feel some degree of dislike towards Musk, it can push elsewhere. There's a generic mindset in the community where people have a desire to feel neurodiverse so they obsess over one particular company or vehicle in space. I've seen it with Firefly, ABL, Rocket Lab, Astra, Blue Origin, ULA and Relativity among others (personally I want to be deep on Varda, but can't believe it over the competition (Delian don't let me down)). Of course launch is the most common because of their visibility + the interesting activity being condensed over a couple minutes instead of months/years*. I wouldn't count Virgin Galactic as those tend to be more stock types with a financial attachment rather than a social one.

*Capstone I know you think you're cool doing half a million flips in space and saving it, but I mean Astra once did a powerslide so you're never gunna compare.

Anyways, yes Relativity. See this would never work in any other format. Just me ranting. I couldn't make a youtube video or any reasonable discussion on a social media platform. But for you nutters on tumblr who will never read this because it's likely adjacent to your interest areas, it's just right. Maybe livestreaming, but I'm not quick witted enough for that.

So uh how do I feel about the company. It's hard to say because I'm so close and feel so removed. Is 3d printing worth it? Shit maybe idk. The whole mass increase + the massive effort it's taken to get them working in the first place just makes it seems like it was not worth the money. ABL was founded a year after Relativity and achieved launch before Relativity at a much more efficient capital burn. As is now with >1000 employees, Relativity is burning hundreds of mil and isn't making any significant revenue right now. They will need to do another capital raise in like the next year or 2. The thing I come back to is the ability to move onto brighter pastures with the printer. Terran R is what is needed to make the company work and not burn money like it was going out of style. So anything to make the move to Terran R easier is justified.

I believed large scale work on Aeon R began in ~2020, maybe a bit into 2019. So a clean sheet 1.1 MN methane GG engine being on test stand in 3 years is pretty good, although TQ-12 context*. Prometheus began in 2015 and got an engine on stand in 2022. And that's the first engine, we'll probably see >10 Aeon R doing things by years end compared to like 2 or 3 Prometheus. That was enabled by Terran 1 heritage. Will the same principle go for the rest of Terran R. The big question is inevitably the structures because that's where Relativity is doing their new thing. So how long till we see large actual real Terran R Stargate hardware. They wanted to do like 1 engine/week by June 2023. That would be like 30 engines by years end. If they manage that, then maybe a shot. Maybe Gustavo man was on the money.

*Tianque 12 is a 660kN methane GG engine that started in August 2017 and had an engine on test stand in November 2019.

I always feel like I'm moving the goal posts. 'The current product is alright, but this next one coming soon tm will be the real deal' and it's always the next one. Which I suppose is the point of iteration right, but I can't help but feel uncomfortable. Keep in mind I don't actually make these points to people, I mostly think through these arguments with myself and see where I end up. But if you can do tank structure prints on Stargate 4 sooner rather than later, first half this year, it's good. Tim Ellis has hinted that there will be reveals after the first launch. It's always weird, cuz they want like a dozen Stargate 4.0s by years end, each of which is capable of printing 4 Terran R's in a year. But then we look at hardware produced and it's feels nowhere near that.

And then we look at Rocket Lab who have the nice good mass margins with composite and the low pressure ORSC engines which will presumably be very reusable. Granted the last time a company tried the tack of we'll run ORSC methane engine but at lower pressures so we have plenty of margin on the reusable engine it didn't work out too well for them. But talent wise the industry is in a much better spot. If Rocket Lab are producing 1/2 mass tanks relative to Relativity, while not risking the entire company because they don't have crazy cash burn because of existing revenue because good company. Wouldn't that make Neutron just better/more attractive on technical level, and production rate doesn't really matter for reusable rockets. So why Oneweb go with Terran? Bigger? If Terran R isn't on pad before Neutron then Relativity have failed. Everything is set up for this dev program. Anyone with a rocket on pad right now is happy because launch is selling like hot cakes.

How will it do in this market? Maybe it's big enough. I feel like the commercial market projections are a meme and that there's going to be a bunch of satellite company failures and scalebacks that puts the launch back in place. Is Relativity able to survive the crunch. What is the schedule? Sadly it's the most irrational hater wins normally, but that indicates bankruptcy does it not. Because Relativity will not have money for like 2027.

November 2024 is the window for the Mars mission. Can they do it? No. But I wants to believe mister. But the irrationals shall have their domain. But what if... no. :(

Give me the organic prints Relativity and show me the journey was worthwhile. A dome with poor finish and features that are only necessary cuz it's being printed is not that. I want to see bones.

I like FTL soundtrack for writing these posts. Very soothing. I need to get a more diverse set though.

[thefloofartist]

Hey, sorry to bugger you again. Now first things first. I get that you have an obsession with those RWBY fans, but your misinformation tends to lead the wrong way.

An NFT is at the end of the day, a URL or Website. Fanart or fan animations or fancomics? Those are things shared readily to all. Therefore, they do not qualify as NFT.

Now I looked over not only Baron, but also another commission who is doing Flynt Coal commissions. Both spend thousands on their commissions. These commissions apparently can go up to $500.

So they have $ to spare. But according to you? Seeker does not have cash to spare. You are saying that he/she/them is somehow starving themselves. And yet you offer no proof of that. I've checked on the other RWDE members statements and apparently this individual cooks and has a budget. So in other words?

You're basically trying to lie about this dude and claim they're poor, when they're anything but...because you don't want them to commission anything...Isn't that right?

I've seen your videos on your channel? "RWBY is broken"...Show seems to be going pretty well with Japan taking such an interest and video game companies also interested.

What's strange is how the people who claim RWBY is "dying" are the same people demanding harassment of those defending a show.

Is RWBY a flawed show? Oh yeah. Is that an excuse for you to go after anybody defending the show or enjoying a hobby of commissioning fanart?

Guess what they say about you in the different discord channels are true....you did harass the writers and VAs.

Seeker is in credit card debt.

Seeker also regularly starves himself just to have enough money for these commissions. He cannot afford to spent 1k at a drop of a hat (proof he doesn't earn enough money because otherwise he'd just spend it all at once, right?), so he has to parcel it out in monthly chunks.

Why would I lie about Seeker? I have nothing to gain from engaging or speaking about him. Why? Because he just unleashes a plethora of alt accounts to harass myself and others just for calling him out. Not just that, even posting about him on Tumblr gets total strangers to harass me over things that Seeker and Lilith Fairen blew up out of proportion to try to make me sound like some grotesque Reddit incel. Seeker is such a massive time sink that I would much rather spend my waking hours and energy drawing and working on the things I love.

You may have missed my initial post on Seeker, so I will reiterate what I said there - Seeker invaded my friend's space, and by extension, invaded my space, to cause problems. That post was at least two months ago and he hasn't stopped since. I sorely wish him an IP ban one of these days, but he just keeps circumventing any kind of blocks just to continue his antics. He even keeps a list of people just so he always has someone to harass or lie about. Very normal behavior.

I won't be addressing what you've said about me specifically, because I know whatever I say will be disregarded. My point is Seeker is unstable and incapable of taking care of himself, and his behavior towards others is unacceptable.

[rubberduckyrye]

What's tower of fantasy?

(you don't need to answer if you don't want too)

Ho boy, buckle up. You've activated my Rant Card.

Tower of Fantasy is a Chinese MMORPG Open world game created by Perfect World CO (I think, don't 100% quote me on that) that's been in development for some time now that was recently released to the global servers. This game was advertised to be a "Genshin Killer" and a lot of Genshin Haters/Antis latched onto the idea of toppling over the empire that Genshin has created for itself, ala where my personal disdain comes from (To those of you unaware, I have a.... personality quirk that if a piece of media is used to hate on something I actively enjoy, I start to hate that media, and can and will nitpick it apart which is why I tend to avoid media that falls in this category for me. Ala why I still have not read (and probably never will read) I'll Trade My Life For Yours.)

The game itself is a buggy, janky mess that looks like it's still in alpha/beta phases of development. The art style is inconsistent between the over world and characters (Some areas look fine but others look way out of place), the physics for some hair styles makes me want to gag, and the animations can vary wildly in quality. This is a company with a huge monopoly in China (from the research I've done at least) so these quality issues are inexcusable. At this point, they may never fix it either, as they've released their game to the globe and now will focus primarily on making money and updates than fixing past areas and bugs. The only major bug they fixed was an infinite pulls bug where if you disconnected your wifi, you could get an item but keep your pulls. When they sent out compensation with free pulls, the bug was present there and people have used that to infinitely pull on characters and get everything decked out, leaving people who where honest and didn't use the glitch in the dust.

The reason why I suspect the animations vary so much in quality is because a good chunk of their assets were originally plagiarized. ToF used a Honkai Impact 3rd Asset (A sword) in one of their Promotional videos (though the sword has since been removed and they've deleted the original PV for obvious reasons, but here is a screenshot of it here) and apparently an asset (Described here), stole an insignia from Rainbow Six (I cannot read chinese but here is a link comparing the two icons/insignias) and plagiarizing/heavily referencing an animator's work here, discussed in chinese here, (though the videos shown should be proof enough, and this is a small time animator against a big corporation mind you) and have used animations from Genshin Impact for their character animations, though these animations do have some differences and I can't tell if they were just, heavily referenced or flat out stolen, so keep that in mind.

They've also, for some god forsaken reason, just. Flat out used Venti in one of their ads. I reverse image searched the Venti drawing because I knew it didn't look like official art, and it looks like the Ad came from this youtube channel. Since the screen shot shows that it's an Ad rather than like, them mistakenly thinking they were watching an ad but actually watching his videos, they either: A, took his review of ToF and used it as an Ad with permission, or B: Stole his review of ToF to use as an ad. Either way, the use of this Venti icon makes me think it was the latter, because ToF has been trying to get the words "Genshin Impact" out of people's mouths in favor of their own game. If they had asked for permission, I'd assume they would have asked the YTer to send them a copy of the video without this Venti icon in the corner.

Regardless, I've just left a comment on the YTer's video in question asking if they had been aware of this Ad, but I'll update this post on the situation concerning this youtuber later on if/when he does respond.

They also botted their app reviews to make the game look good by stealing Genshin reviews and changing the names around. The reviews in the screenshot in the thread are translated, and the English translation is a bit funky, but I think maybe Yomiya's name seems to translate to "Night Palace", which is backed up by this Behindthename page on the name. Since that is consistent, I think the translator in the Reddit thread can be at least somewhat trusted on this front.

Another point of contention, though this is probably just a thing all developers of products do, is that Tower of Fantasy Sponsorships seem to be strangely targeted at Genshin Impact Content Creators. I've seen a TON of Tower of Fantasy Sponsorship reviews, and of course, there is no mention of Genshin or glaring negative aspects that the game devs are surely making the CCs hide with their contract.

Most horrifyingly, however, is the supposed selling/distribution of IDs of dead or missing individuals to allow global players access to the game to spread global hype.

For clarification, in China, in order to play a game like Genshin Impact or Tower of Fantasy, a majority of people need to use their ID, which is like... the equivalent of a Social Security Number here in the States. You cannot access Genshin or ToF's Chinese servers without these IDs (though apparently you can technically access the mobile port via a bilibili account, but I'm not sure how that works)

So naturally, it's apparently an unfortunately common thing for non-chinese users to buy these fake/dead/missing person's IDs to access the games early. However, what is concerning is the claims that the ToF devs were actively selling this information/the IDs or just, freely giving them out to global players. Here's another video from December of 2021 discussing this, and it's really telling that Tower of Fantasy stated that they had "No plans for a Global Server" and yet here we are, with a global server. Perhaps they changed their minds after the fact, but there's a lot of other damning evidence on the subject to prove that they were involved with the distribution of these fake IDs.

This is some speculation drifting about that there may be a racist element to things as well, and while you can customize your personal protagonist to be of any skin tone you desire, it seems that so far none of the pre-established characters are of color--and, in fact, there are enemies that ARE black and white with dreadlocks (a signature style of bi/poc). I'm not going to discuss this issue further as I have no verification of this and I am as pale as snow, but I thought it would be worth mentioning this testimony. I have not played the game myself, mind you, so this is a testimonial account and I cannot confirm or deny as I have not played the game myself. If there is actual evidence of this claim I will edit this post and put it here.

Another thing I want to point out is that the game has only been described to me, personally, as a "Genshin Killer." This is something to note, though as it is my personal experience to take with a grain of salt, that there isn't much to promote about the game that makes it stand out. The character creator is cool, but that's the only thing I've heard that ToF is bringing to the table and there are plenty of games who let you customize your character as it is.

Regardless of if you choose to play the game for yourselves or not, I urge you to do your own research and come to your own conclusions, and move forward with the game at your own comfort.

SMALL EDIT: I’ve seen people try to excuse Tower of Fantasy’s Plagiarism by insisting Genshin did it first--I’m assuming with BOTW--and I wanted to talk about that here.

1. It doesn’t make it right to copy the action if the action is poor. Someone stealing art and assets is never okay, no matter if someone else did it first. Tower of Fantasy doesn’t get a pass just because “Genshin did it first.”

2. If you are referring to Genshin Impact’s development team being heavily inspired by Breath of the Wild, I’m sorry but inspiration is not the same thing as blatant asset theft. They’ve also stated that Breath of the Wild was one of their main sources of inspirations for Genshin Impact, so it’s no secret the game was based off of BOTW + Nintendo, who is typically viciously protective of their IP, is allowing Genshin to get a Switch Port (Or at least it was presented on the table at some point, which I don’t think Nintendo would like if it was direct competition to their IP without some compensation), unlike ToF who is trying to push the plagiarism claims onto other companies they supposedly outsourced to.

I’m sure Hoyoverse has done some awful, terrible things themselves (Companies are not your friends, they are not gentle or kind) but that does not excuse some other company for doing it as well.

[zhanyes]

19 days pandemic version / living together headcannons

I just want to imagine the boys living together because let’s be honest it’s going to be so chaotic but they deserve each other’s company

P.s. I know nothing about how China dealt with the pandemic so this is purely self-indulgent

- When the lockdown happened they were all at He Tian’s for a sleepover so they were forced to stay there for a few weeks until everything settled

- Mo guanshan kicked up a fuss over it but was actually just worried about his mom being left alone at home

Mo guanshan, already taking note of what to put in the pantry: “THE FUCK YOU MEAN WE’RE STAYING HERE?! NO!”

- Zheng xi is surprisingly okay with staying at He Tian’s for the time being, Jian yi says it’s because He tian has a ps5 (He’s not wrong)

-Mo Guanshan lost all respect for Zhengxi when he said “It could be fun.”

- Both Zhengxi and Guanshan’s parents agreed that they should stay for a bit just to be safe

- Jian yi is a panic buyer and with He Tian’s money they bought enough food to feed an army

- He forgot to buy necessities and Guanshan wacked his ass

Mo guanshan looking at the 9 full plastic bags of groceries: “You’re telling me OUT OF ALL OF THIS, you didn’t buy a single toothbrush?”

Jian yi, a dumbass: “I didn’t know we were having toothbrush for dinner?”

Mo guanshan brandishing a knife out of thin air: “Come ‘ere I’ll show you what's for dinner.”

- He tian is a menace in the grocery store, he’s bought about 4 pots, 2 pans, a new dish set AND knives set, 6 new mugs of different colors (Yellow for jian yi, blue for zhengxi, red for guanshan and black for him; the other two just looked nice) and a dozen of scented candles

Zheng xi, trying to keep Guanshan from committing murder in a grocery: “Why did you do this?”

He tian: “They were in sale! Buy one-take-one!”

Mo guanshan: “WHY WOULD YOU BUY 4 POTS OF THE SAME SIZE?!”

- They make it out of the store and Guanshan vows to never let jian yi and he tian do groceries

- Guanshan mostly cooks for everyone and Zhengxi helps out but jian yi is surprisingly a decent cook???

- He needs to be supervised tho because his attention span is limited to 5 seconds and he’ll forget he was boiling water

- He tian canonically can not cook. He is BANNED from the kitchen after he put sake in a pan thinking it was water

- He tian has 2 guestrooms in his apartment but he locks the other one and assigned Zhan Zhengxi and Jian yi to the other room

- Mo guanshan forces his way into Zhanyi’s room and He tian follows. That’s how all of them ended up sleeping in a single guestroom on the floor with mattresses stacked and pushed together

- Zhengxi introduces them to anime and Jian yi’s favorite genre is surprisingly action with a lot of fighting scenes and Mo guanshan (and He tian) likes slice-of-life

- He tian and Jian yi strays away from animes and movies related to the mafia and Zhengxi and Guanshan never asks, it’s an unspoken rule that those types of stuff are banned

- They have game nights because Jian yi thinks bonding is key to make their friendship last longer (and to avoid having anyone murdered)

- Every board game turns into a disaster. There’s no exception.

The boys playing monopoly:

Jian yi: “THAT WAS MINE YOU DICK! I WAS SAVING UP MONEY TO BUY IT!”

He tian: “Have you tried not being poor? No? Well that’s too bad.”

Zhengxi, is safe in jail and has the most land: “Lmao losers.”

The boys playing uno:

Mo guanshan: “Don’t do it…”

He Tian: “I’m sorry Mo this is the only way”

Mo guanshan: “No please you can find another way…”

He tian: “Goodbye, my love *puts a plus 4 down* Uno.”

Mo guanshan: *unintelligible noises of a loser* 

Playing scrabble:

Jian yi: “The fuck you mean gorjeus isn’t a word? That’s what I am.”

He tian: “You’re right, that's what you are. An absolute idiot.”

Chess:

Mo Guanshan to He tian: “You might be smart and winning but I have the power of violence and nothing is stopping me from flipping this table over.”

Word guessing game:

Jian yi: “It’s loud, annoying, depended and cries a lot.”

Zhengxi, guessing the word baby: “Is this you?”

Jian yi: “I- okay yeah that’s valid.”

- Zhengxi is very observant, he knows Jian yi well enough to know when he’s having anxieties about the pandemic, he knows when Guanshan needs some time alone, and when He tian is getting too lost in negative thoughts. He does what he can to help

- His bonding moments with Guanshan consists of listening to pop music and staying quiet

- The apartment is almost always alive and noisy, whether it’s Jian yi suggesting another game or Guanshan screaming about something, He tian takes joy in the fact that he’s with people he cares about

- He’s thankful for the noise after living in silence all alone for a long time. Jian yi knows the feeling of going home to an empty apartment and vows to visit more often with Zhengxi once this is all over (and drag Guanshan along assuming he’s not here already)

- Over time He tian smiles and laughs become a lot more genuine. Once, He tian laughed loudly at something Mo guanshan did and the only thing he can think of is, “Oh shit, happiness looks good on him.”

- Queue gay panic to Jian yi

Mo guanshan: “WHAT IS THIS?!”

Jian yi, remembering He tian doing the same thing yesterday: “Natural selection.”

- Jian yi loves all of them, really, but sometimes he feels claustrophobic from being kept inside for so long

- Zhan Zhengxi always notices, and he would sneak Jian yi up to the rooftop and they would stay there for a while so they can look at the stars, the city lights and Jian yi can breathe easier

- During those times, He tian relishes the alone time he gets with Guanshan, sometimes they talk and banter, but sometimes they just stay quiet and secretly enjoy each other’s presence (they steal glances at each other when they think the other isn’t looking)

- They grew so used to living with each other that they developed a shower schedule and Zhengxi wakes up the same time as Guanshan to help prepare breakfast

- He tian and Jian yi tends to wake up a little later and Jian yi gravitates closer for warmth so they end up cuddling until they’re forced to get up and eat

- Zhengxi takes a picture of them and sends it to their group chat

- He tian has hundreds of pictures of him and Mo, just Mo, the group, Zhengxi and Jian yi, and a lot more stolen shots that he keeps in a separate album in his phone

- He prints out his favorites, hangs them around the bedroom and frames some of them to put it in the living room. None of the other boys have the heart to take them down after seeing how happy He tian looks every time he sees the pictures

- Jian yi asks He tian to share the pictures to him too, he doesn’t print it out but he uses one of the pictures of all of them together as his lockscreen (his wallpaper is a stolen picture of him and Zhengxi He tian took when they were stargazing on the rooftop)

- When everything settles down enough for them to go home, they’re actually reluctant to go

- Still, Mo Guanshan and Zhengxi go home to their families. Jian yi stays with He tian since he knew his mom wasn’t at home anyway, at least this way they’ll both have company

- Guanshan claims (loudly) that he’s glad to get away from them but still video calls with them everyday anyway

Mo Guanshan, in the videocall for the nth time: “I’m SO GLAD. Those were the WORST weeks of my life.”

The others, hearing the same lie for the nth time: “Mhm. Whatever you say, Mo.”

- They have discord sleepovers because they all miss sleeping in the same room with each other (they never mention it but everyone knows)

- Mo Guanshan cooks meals for more than him and his mom and have it delivered to He tian’s and Zhan Zhengxi’s. When asked he claims it’s just leftovers

- Zhan Zhengxi’s body clock is fucked, he grew too used to waking up early so he just went with it and helps his mom prepare breakfast

- They all silently agree that they wouldn’t mind living with each other again in the future (again none of them ever mentions it but everyone is aware)

[peridot-dreams]

beautiful people | shawn mendes

Shawn sees a familiar face at the awards show, and learns the value of realness.

The setting sun leaves the Hollywood sky pink and full of possibilities. Shawn finds himself looking out the window at it, still in a daze after the events that had unfolded that day. He’d won several awards for a song he was proud of. He thinks of the look on his parents’ faces in the audience when his name was announced and smiles. That’s who I do this all for, he thinks to himself.

His limousine rolls up the venue. It’s already teeming with people, Lamborghinis, and cameras. Shawn is used to such commotion, but the second he opens the car door, he’s bombarded with excessive noise - noise so loud that he can barely hear himself think.

He’s still riding his post-awards high when he walks in, still dressed in the same red carpet outfit as before. He has a girl on his arm, but not by choice - rather, an unfortunate PR stunt planned terribly and executed even worse. He greets his celebrity friends as he passes by, offering a small smile and a thank you when they congratulate him on his win.

He’s just about to ask the girl on his arm if she’d like to come with him to the drink bar when he sees a flash of silver in the corner of his eye. Shawn realizes who had just walked past him; he feels his heart began to pound in his chest and his breathing gets shallow. “Sorry, can I go to the bathroom?” he tells the girl on his arm, not bothering to wait for a response. He detaches himself and follows the silver blur, around a corner and into a dark hallway.

The silver blur is standing in the dark, scrolling aimlessly on her phone. Shawn sighs and takes in the sight: the silver dress on her is absolutely stunning. Her hair and her makeup is perfect; he feels lost in her presence, stunned by her beauty. He’s never seen her like this, and it only adds to the pain of it all. His mother had once said that losing a best friend is worse than a break up and right now he completely understands what his mother meant.

“Y/N,” he breathes. When she looks up, he feels like running away - she’s looking at him as if he’s the dirt under her silver heels. He wishes she would stop, that she would run to him and hug him and make everything alright between them again. She’s standing right in front of him but he misses her, misses everything about their friendship and support for each other.

“What do you want, Mendes?” she mutters under her breath. She turns her attention back to her phone, tapping her toe incessantly. Shawn can’t stand the sound of her heel hitting the ground because he remembers that she tends to fidget when she’s upset; the clacking sound is only a reminder of their friendship that had crashed and burned for reasons Shawn still fails to understand.

“Why do you hate me so much?” Shawn blurts out. “I don’t get it, Y/N. We used to be best friends, and one day you just started hating me and I still don’t understand why.”

“Because,” Y/N spits, shoving her phone into her bag. “Because you’re like them now.”

“Who’s ‘them’?”

“All those fake people out there!” Y/N exclaims, her eyes glancing over to the party-goers with a disgusted look plastered on her face. Shawn feels her gaze coming back to him, judging and critical. He feels like he could wither under her stare like a plant in a drought. “Shawn, you’ve changed. You used to be so down to earth, so genuine, but now you’re caught up in the money and fame and corporate bullshit.”

“Am not!” Shawn crosses his arms as he unconsciously clenches his teeth. “That’s such bull-”

“Shawn, you’re the epitome of fake. You’re in a fucking PR relationship.”

“W-What-”

“Don’t even try to argue. It’s so obvious and even your fans know what’s going on.”

Shawn closes his eyes. He wishes that he could argue with her, but arguing in the dark hallway outside of an after party wasn’t the ideal setting to do so. From the outside looking in, he knows it looks like he’s changed but he needs her to know that it’s not true. He needs his best friend back in his life again.

“Look,” Shawn speaks, taking a deep breath. “Let’s ditch this party. I know you don’t like these kinds of events anyway, so I don’t even know why you’re here…”

“My manager made me come.”

“Right. Whatever, let’s just sneak out. Let’s hang out like we used to, okay? I’ve missed you.”

“Don’t you need to get back to fake-dating your ‘girlfriend’?” Y/N snaps, giving Shawn the most sarcastic air quotes she can muster.

“No, fuck that,” he says. Against his better judgment, he takes her hand in his. He’s relieved when she doesn’t try to yank her hand back. “Let’s just go.”

✧*:･ﾟ✧*:･ﾟ✧

Thirty minutes later, Shawn finds himself sitting across from Y/N at a dingy old diner on the other side of Hollywood. He watches as she twirls the straw in her chocolate milkshake. She hasn’t said more than three words to him since they left the party, and Shawn feels like trying to salvage their friendship is pointless at this point. Shawn knew from their now-dead friendship that Y/N was a champion at holding grudges - he just never expected to find himself at the other end of one.

“So how’ve you been?” Shawn asks softly. He wants to kick himself for how awkward and nervous he sounds, but he hopes that Y/N will take his nerves as a sign of his genuine interest in rekindling their friendship.

“Fine,” she mumbles. She takes a tiny sip of her chocolate shake. “Slow year.”

Shawn knows that isn’t true. He Googles her name every few weeks and watches every single interview she appears in on YouTube. Y/N’s acting career had taken off in the past few years, and she’d been getting tons of lead roles in TV shows and movies lately. He always gets a pang of jealousy in the pit of his stomach when he sees pictures of her with friends on Instagram, because he knows full well that it could have been him travelling the world with her, experiencing new things with her.

He doesn’t tell her that he’s been keeping tabs on her. “Yeah,” Shawn mutters. “Okay.”

The tension in the air could be cut with a knife. It doesn’t help that the diner is completely empty, save for the old man who owns it and is busy complaining about how “millenials are killing the restaurant business” under his breath. Shawn tries to focus on the owner’s mutterings, desperately wanting to think about something other than the fact that Y/N is totally not into him or the conversation that he’s been trying to keep going.

“I don’t hate you, by the way.”

Shawn’s head snaps up to look at her, eyes wide with shock. “Well, you stopped talking to me out of the blue, so I just assumed you did.”

“Well, I don’t.” She stops twirling her milkshake straw and drops her hands into her lap. She meets his gaze, eyes still hard and lips pressed together in a straight line. “You’ve just...changed.”

“I think we’ve both changed.”

“No.” She shakes her head, letting out an indignant laugh. Shawn winces at the sharpness of her tone. “You’re the one who started doing brand deals, ripping off fans with overpriced tickets and merch, signing PR contracts and betraying your fans…”

“Y/N.” Shawn’s hands are starting to shake; he rubs his thighs over his jeans in an attempt to calm himself down. Her words are cutting deeper than a knife; he can barely stand it.

“You’ve completely betrayed your fans, Shawn. You’ve sold them out to every company that has approached you, taken advantage of their trust. Damn it Shawn, you’re even endorsing overpriced water now, like how stupid is-”

“That wasn’t fucking me!” Shawn slams his hand on the table. The old man stops mumbling about millenials and looks in fear at the angry boy. Y/N is barely fazed, her hard glare still targeting Shawn.

“Oh really?” She narrows her eyes at him. “‘Cause your ass is everywhere these days, every time I turn on the TV-”

“Do you remember how my career started?”

Y/N stops for a second, but rolls her eyes immediately after. “Yeah, at some overpriced convention marketed towards prepubescent teenagers.”

“Before MAGCON,” Shawn interrupts. His eyes plead with her to understand, to see where he’s coming from. “I was just a kid, sitting in my room with a guitar. Singing cover songs and making six second videos even though no one was listening. Because I felt like it. Because it made me happy.”

“Yeah. I remember.”

“Yeah. That’s the happiest I’ve ever been in my life.” A sigh leaves Shawn’s mouth; his eyes drop to his lap as he tries to calm his shaking hands and voice. He’s never felt so heated in his life, like every emotion is about to burst out of his chest. “And then everything just took off and suddenly I was signing with a record label and being thrust into the public eye. I was just a small town kid from Canada, but suddenly people were starting to expect things from me.”

“Shawn-”

“No, please. Hear me out.” The suit on his body was tailored to be comfortable, but in the heat of his rant it feels like it’s suffocating him. “It all went so fast. It was just one song after another and interviews and TV shows and concerts and tours. Everything was just going by so fast and every day, I lost a piece of myself. I was on autopilot, and my team was just signing me up for everything and I would let myself be led by them. Even now, I just sign contracts without thinking and allow myself to be molded by people who only care about money.”

“Shawn, why didn’t you tell me any of this before?” Y/N’s eyes are soft now. She suddenly notices how tired he looks under the makeup that he was forced to wear to the awards event: his sunken eyes, the dark bags under them, the lines that furrowed into his skin between his eyebrows. He looks like he’s barely hanging on to life, like the walls are caving in and he’s been trying to hold them up. She wishes she would have noticed earlier how lifeless he looks. “We were best friends, you could have told me about this.”

“Because,” Shawn starts, holding back the sob forcing itself up his throat. “I can’t ever tell anyone because I don’t want to sound ungrateful. I’m grateful, I really am...I’m lucky to have my passion be my career. But I’m so tired, Y/N. I just want to go back to being that kid in his bedroom, playing guitar because he feels like it, not because he signed a contract or because someone else wants him to.” He closes his eyes, sighing, letting his head fall back slightly. He reminds himself to relax his shoulders and take deep breaths. “When I’m on stage, I get to go back to being happy for just a moment. I get to forget about everyone’s expectations, about contracts and brand deals and PR and all the bullshit. I get to be me. Completely free.”

She’s stunned and he knows it. He’s just unloaded all of the burdens he’s been carrying; Shawn doesn’t know how Y/N is going to react, but he feels lighter, he feels better. He just hopes, so desperately, that she’ll understand his brokenness and the wreckage that has been left in his mind as a result of the stress and anxiety of the last few years. He hopes that she’ll understand him for what he is, not what he appears to be.

“So I haven’t changed, Y/N. I’m not like them; I’m like you. Money and fame, it’s just not who we are.”

“Shawn, I’m so sorry.” Her tear-filled eyes move in a frenzy as she realizes the falsity of her words and accusations. “I should have realized that you felt this way and that you were struggling. I’m so sorry for severing our friendship and for not knowing what was going on.”

“No, it’s not your fault. I just…”

Shawn groans as he sees the group of people that have congregated outside the windows of the diner. They both gaze into the parking lot, bombarded by bright flashes and deafened by the sound of cameras shuttering.

“Fuck. It’s the paps.” Shawn groans again, head rolling back in frustration. “How did they find us?”

“They were following your famous ass,” Y/N says, laughing. Shawn smiles; he resists the urge to point out that she’s famous too, and has more followers than him on Instagram.

“Should we leave?” Shawn asks.

“Hell no. They want pics, let’s give them pics.” Shawn watches in awe as Y/N stands up on her seat despite the loud protesting of the owner. She starts waving at them crazily, her peace signs occasionally replaced by a middle finger.

“Fuck you!” she yells in between her laughs. Shawn grins; he finds himself copying her and standing on his own seat. He starts waving at the cameras, reveling in the flashes and dancing like an idiot to the music inside his head.

“Fuck you!” he yells. He’s never felt so liberated in his entire life. He starts posing with her, each pose more ridiculous than the prior. They pretend to tango on the table, screaming when they nearly topple over the edges. He twirls her around, smile growing bigger and bigger with each giggle that leaves her mouth. “It’s been two years and you still suck at dancing,” he cackles. She pretends to gasp, then sticks her tongue out at him and at the paps outside.

Before he realizes what he’s doing, his lips are on hers. She doesn’t kiss back at first, shocked, but when Shawn is about to pull away he feels her hands on the back of his head pulling him closer. Suddenly, there’s nothing else in the entire world besides her; they’re not standing on top of a diner table anymore. It’s like they’re floating and Shawn’s body is leaning into hers and he’s never felt so complete before. The smell of her conditioner makes him forget his own name and he realizes that her lips taste like chocolate and friends aren’t supposed to know how each other taste but he doesn’t care because it’s her and it’s always been her.

When they finally pull away, Shawn’s gasping for breath and Y/N’s eyes are as wide as saucers as she realizes what has just happened. “S-Shawn. Your PR contract…”

“Fuck the PR contract. Let’s give the world something real.” And their lips connect again, for the paparazzi cameras and the whole world to see.

[kkyujikoo]

These are my... 2...? Maybe 50, cents about the whole "freejk" thing. I'm gonna be extremely petty and at some points a whole lot sarcastic and it's gonna be long but I had to say it. As soon as I get my computer I'm gonna make it under read more, but the app does whatever it wants, as we know.

Listen, this ain't my first fan rodeo, and not even the first fan rodeo where I've been directly or indirectly accused of being some sort of pervert or delulu. I've been in fandom spaces since I was a teen, I was shipping mlm couples when queerbaiting in TV shows was still something that was seen as the norm rather than some cheap disgusting trick. I was there when fanfic spaces saw "slash" fics as something "different" and to be tagged with a more mature rating even when they just looked at each other.

I was in BBC's Sherlock's fandom and I shipped Johnlock during the hiatus between S3 and S4, at this point I'm not even feeling it when people call me delulu or a weirdo.

So, yeah, take this with a grain of salt: as a person who has seen thousands of times fandom drama unfolding and has lived too much of it... This whole situation is so ridiculous it makes me laugh. Like, yeah, it's maddening how people will blame anyone and everyone because they don't even see their own bias and homophobia, granted, but like... It also makes me laugh for the sheer dumbassery of the reasoning behind it all?

Like... Y'all are getting mad and for what? Because it sure as hell isn't the invasion of privacy, since y'all are watching the same content we're all watching and you're paying to see it the same way everyone else is. If you don't want to "invade their privacy", you should just... Stop watching content that isn't their music videos, RUN episodes or interviews. Memories and any kind of dvd/video that shows what they're doing behind the scenes shouldn't be part of their job as musicians, and therefore we're intruding in their privacy... Or aren't we?

Or maybe it's more nuanced than that: maybe the content they release on dvd/on their official channels is part of their job as entertainers, and it's been approved, and it's a small window THEY are granting us.

You know what's the REAL invasion of privacy and what REALLY invalidates someone autonomy? When you, who maybe aren't even paying to see that content (which is something I understand, like, dude, I'm not covered in money either), DEMAND what kind of behind the scenes content you want when I swear ABSOLUTELY NO ONE has asked you. Once again: you don't like it? You think it's some huge invasion of privacy? Don't buy it. Don't interact with it. Convince your friends to do the same. For all I care, just go and petition to boycott this kind of content. I know you won't do it, because... That's the thing, isn't it? It's not the invasion of privacy that bothers these people.

Y'all aren't mad because we get into their business or else you would have gotten real mad when we were privy to REAL private moments like people crying their hearts out.

No, no. Y'all are mad because it's "shipping content" and "fanservice" which apparently bothers you because it lacks authenticity.

Pick a side, lovelies: either you DON'T want to invade their privacy, and thus all the content they release should be focused on what fans want to see, or you WANT to know how they interact TRULY in private.

And here's the catch: "shipping content" can be anything. Shipping existed WAAAAAYYY before the word for it was invented, same way with fanfictions. Shipping means, literally, "seeing two (or more) people interact and thinking they would make a good romantic pair". That's it. That's quite literally it. Everything else is just some nuance of the concept of shipping, but at its core, it's nearly impossible to ban all shipping content when it's a group of seven people, because they should for real go in social distancing mode to do so. Most people who have parasocial relationships tend to have "ships" whether they know it or not, because we've all, at least once, looked at a dynamic from the outside and thought "oh man they look cute together". So, even if, o dear ones, your wishes were granted... What the hell do you mean by "shipping" content? Should they just film solo clips, avoiding talking about the other members? But wouldn't that be fanservice, since it's focused on pleasing the fans? (Which, ultimately, is what fanservice MEANS, and I hate to break it to y'all but the whole concept behind entertainment and thus all the content BTS releases it's... For the fans. Like, they're not going out of their way to just meet our expectations but they're certainly doing fanservice by the mere act of releasing bonus content.)

But it's not even quite that, is it? Because no one bats an eye if it's Tae kissing Nj's cheek. I've seen no hashtag against everyone - and I mean literally every one of them - wolf whistling at Nj. It's okay to show intimacy... Because they're bandmates and it's okay to be close to someone who you see basically 24/7, I hear you. And it's also okay when people see that and gush over that closeness, because it's such a nice thing to see.

Soooooo... We've got to free JK from whom exactly? From what?

Are y'all mad cause people pointed out there's very little way a bruise that stayed for a whole ass night could be a quick bite? Because that doesn't harm jk, at most makes fun of him and jimin and their poor excuses (seriously, guys, next time consider using mosquitoes or "I was doing stuff". It'll be equally embarrassing but at least the meme will be funny), and it's literally... A fair observation. Like. It's a hickey, people are gonna make jokes about seeing a hickey and poor excuses of covering it up in the exact same way they're gonna make jokes over jimin falling out of chairs. And yeah, a hickey is AT LEAST something that happens in a sensual context. Like, I could understand "people who are extremely familiar with each other will have different body language/touch in areas where usually you wouldn't see friends touching each other", but that's not. Not a hand on the thigh. It's a hickey on the neck. I don't even know a more stereotypical placing for a hickey. But once again, are y'all mad because someone is pointing it out? Because that's not being delulu or even being a shipper, really, it's just commenting on something that was approved to be shown and discussed in something that was released BY THEM.

Are y'all mad at hybe for showing something that literally fell onto their hands? Cause like, unless someone (I'm counting on Jimin, since as we know Jungkook was busy spinning him round and round and had both his hands busy) called at hybe headquarters to say "yo bang pd substitute, is it okay if I give my friend jk here a hickey? Cause he's being really annoying rn and he has to pay", I highly doubt anyone expected Jungkook to come to rehearsal all neatly marked up. Or idk, maybe someone at hybe asked them "we need Jungkook to come in with a hickey but refuse to say it's a hickey, so that fans will feel reeeeally served." That sounds perfectly plausible too. Or a good marketing strategy.

Now, if you're a big company and your objective is to have some footage of the rehearsals for a concert, and the fandom is too good at noticing stuff for their own good, and one of your artists comes in with a very visible mark, and he and his bff bropal4lyfe come n with a story about how they were playing and a bite happened, you've got three choices: 1. Cut the artist out of aaaaalll the footage. Someone would have noticed the "bite mark" anyway, you best believe that. If you don't want anyone to notice it, you gotta cut him in most of the footage where it's visible. 2. Keep the hickey, discard the explanations. You could do that, but also it would feel a lot more unfaithful to everyone involved. Also they clearly worked their ass off to invent an explanation, come on! They truly tried to do their best inventing something that was not "it's a mosquito bite", they should get some credit! 3. Keep the bite, keep the explanation.

Notice how none of these solutions include the biting never happening because... They couldn't prevent it? The only thing they have any control over is how they're framing each "accident". And that's not an easy job.

I applaud you, people on the editing team.

So... On whom should we cast the blame now? Ah, yes, I think it's finally time for the ultimate scapegoat of this fandom: Jimin. Which is funny, cause... You know... If this were really about privacy, or being "victims" of shipping... This should be about freeing him too, you know? But obviously Jimin does it for attention, while Jungkook, poor angel that he is, doesn't even know what shipping is.

Furthermore, don't we all know how much Jimin imposes himself in Jungkook's life? To the point where he, multimillionaire man feels compelled to share a car with Jimin even if they're both late in the process. And can't you see how uncomfortable he is, draping himself over Jimin, making Jimin drap himself over him?

Oh lordy, truly such an awful eight years Jungkook spent, choosing to have vacations with someone who made him uncomfortable, spending free time with him, even having to suck his ear in public to the point you can see his saliva just because Jimin was sad :( truly an all-around bad time for Jungkook, as evidenced by alllll those times when he said Jimin was pretty, cute, and all-around knowing every little thing about Jimin. I absolutely concur, the dude would be so much more happy if jimin was not in his life.

Did that sound weird and absolutely ridiculous and a really absurd joke? Because that's what y'all sound like to me. Like. Jungkook is out there living his best life, getting hickeys and showered in affection and y'all paint him as a fucking martyr??? I'm sure he's really truly desperate that Jimin holds him in such high regards 😭😭😭 I can see him suffering whenever he starts doing his own serendipity rendition 😭😭 and when he claimed you are me, I am you as his and Jimin's only 😭😭😭 I cannot believe this poor baby 😭😭😭

I've reached a point where every time I hear this stuff I laugh because the levels of twisting reality when it comes to jikook are extraordinary, Jungkook will have a literally blissed out face and people will cry in outrage.

But coming back to my point: let's pretend you're not mad at Jimin and the possibility that jikook are dating: are y'all mad... At the hickey? Because at this point it seems like the only feasible solution. And if you are, do not worry: I'm sure Jungkook's skin was throughly healed by his boo. A kiss soothes even the worst pain, doesn't it?

[theolsentimes]

Mary-Kate Olsen's Singular Style

She came to fame as a twin, but the actress's cultish look is entirely her own. Here, with Lauren Hutton, she pays homage to another fashion inspiration, Grey Gardens. Written by Laura Brown, with photography by Peter Lindbergh (Harper's Bazaar, 2007)

VIEW GALLERY

Mary-Kate Olsen may be the only young actress who breezes into her local Starbucks wearing towering, fashion-fierce Balenciaga boots, who arrives at her latest premiere (in Mary-Kate's case, for the new season of Showtime's Weeds, in which she plays a devout Christian with a pot fetish) sporting an oversize cross, and whose favorite band is Led Zeppelin. She may, in fact, be the only young actress who knows who Led Zeppelin is. MK, as she is known to her friends and family, is also a punctual and professional sort. She arrives for a poolside tea in Los Angeles 10 minutes early, ordering a hot chocolate while explaining her fetish for all things sweet — "I'm a candy girl, like Tootsie Rolls and Swedish Fish" — and objecting when the waiter tries to take the sugar bowl away. She is wearing a nautical striped T-shirt (her mom's, from the '70s), tucked into two black Wolford slips rolled down and turned into a tight, Robert-Palmer-video-style mini, and multicolored sparkly Christian Louboutin stilettos. She's just had her hair colored, returning to a sunnier shade after some experiments with both peroxide ("I woke up one morning and was like, I want white-trash hair today") and the dark side (an auburn-haired near-Goth moment last year). She's carrying a large black fringed leather Prada tote — she doesn't do small bags — and her fingers are covered with rings, most notably two vintage coiled gold snakes stacked on top of each other. ("They remind me of twins, sort of double headed.") Altogether, the effect is less her famed "bag-lady chic" than an edgy, body-conscious, and, yes, sexy silhouette. If she weren't 21, she could be 40. And French.

Few people need reminding that Mary-Kate — with her twin sister, Ashley — literally crawled into celebrity aged nine months (courtesy of Full House) and has not been out of the spotlight ever since. She has been a celebrity for more than two decades. Perhaps that's one reason she seems as if she came out of the womb worldly, the textbook old soul. "Yeah," she says with a small shrug. "I get that a lot." With all of that attention and all of the money (her and Ashley's company, Dualstar, has famously become a "billion-dollar business"), Mary-Kate could easily have ended up the type who wears pink terry cloth and carries a variety of small dogs. "Could you imagine?" she says with the politest version of a snort. "No way." She credits her exceptionally close-knit family (she has five siblings) and, interestingly, early stardom with helping her keep her perspective. "I think it helped that I started in front of the camera, so it didn't come as a shock. If I was a teenager and was thrown into the spotlight, I don't know how I would react, to be honest." Though the tabloids are all too keen to brand her a skinny, nervous deer in the headlights, in person Mary-Kate is easy in her skin, confident and surprisingly tactile, curling up in her seat and touching you on the arm to make a point. She laments the generic style of most actresses and cites only men as style inspirations: "Heath Ledger, Johnny Depp. Men, they just dress the way they want, and they don't think about Who Wore It Best." She doesn't much care for Who Wore It Best, noting she avoids those pages by "wearing vintage so often. I just dress the way I feel instead of looking for what's the new handbag." If Mary-Kate and Ashley have their way, more people will be wearing clothes and carrying bags the way they do. They have just shown the fifth collection of their ready-to-wear line, the Row, and recently launched a contemporary label, Elizabeth and James, named after a sister and a brother. The Row's holiday collection (in stores next month) is a slick mix of skinny leather pants, razor-cut blazers, butter-soft, slouchy tees, and a destined-to-be-cultish pullover fur. Lauren Hutton, who stars in the Row's Spring '08 look book, says, "The clothes are extraordinary. A man I was with just loved them. The pieces are just so genius, soft like a baby's skin. Simple minimalist stuff, but really spectacular." Mary-Kate, designer, faces an interesting challenge. She has to marry Dualstar — which has made its fortune selling tween-tastic DVDs and pastel Mary-Kate and Ashley T-shirts at Wal-Mart — with her increasingly edgy and subversive taste. Dualstar executives, some of whom have worked with her since she was a child, often nag her, mom-style, about pulling her hair back "or wearing a color," she says with a laugh. "I had this event recently, and I was like, They're going to be so happy that I'm wearing ... purple. I actually have to think about those things, though, you know, so I don't get trashed." Get trashed sometimes she does. Hutton says, "Once in a while, she'll wear something and I'll think, Oh, baby doll, take another look. But to have the bravery, to take the chance to do that, is pretty wonderful. She is making her own way, which is hardly ever done in Hollywood." Of Mary-Kate's penchant for gigantic Balenciaga heels, Jenji Kohan, the creator of Weeds, says, laughing, "I'd be like, 'It's Tuesday. Do you really want to be wearing those shoes?' But she pulls it off." Designer Giambattista Valli, a friend, says, "She likes to take risks, but because she has such strong personal style, she always manages to make it work. Even if she had nothing on, she'd have style." And MK chic is spreading. "Sometimes I'll look at people or at a magazine and I'll do a double take because I'm like, Oh, my God, that's my outfit, but that's not me," Mary-Kate says. Playing with her wire-rimmed aviators, she jokes wryly that she should have bought shares in Ray-Ban. (She and Chloë Sevigny pretty much brought back white '80s Wayfarers.) She tends to fall in love with a look, then wear it until she's done. "If I put together a good outfit, I'll wear it for three days and then switch it up with a blazer," she says. "I still love my vintage jeans, my tights, and my pants, though." She didn't start wearing heels, in fact, until a couple of years ago: "I kept watching Ashley walk around in them so gracefully, and I'm such a klutz. But I ended up loving heels, and I don't usually take them off." She wears precisely one pair of flat shoes: Chanel's knee-high patent-leather gladiator sandals. This season, it's Balenciaga's fall collection — all of it — that has Mary-Kate obsessed. She is close to designer Nicolas Ghesquière and says, "He is so talented, but he's the nicest, most down-to-earth guy, and that makes everything he does more brilliant. I bought everything, but I haven't got anything yet," she says like a girl impatiently waiting for Christmas. Will she wear the new pieces with her infamous clodhopper boots? "Uh-huh. Wore them the other day, actually." Mary-Kate always goes with her gut, even if some people (back to those tabloids) don't quite get it. "The tabloids say things about me? What do they say?" she asks archly. "People are going to write what they want, and everyone's going to have their own idea of who I am. But I'm not trying to be friends with the people who are reading them, really." After a rough couple of years filled with near-forensic scrutiny of her weight, she'll have you know that she does eat. "This is not going to sound good," she laughs, "but I like making crispy tofu sticks with peanut sauce. I love my sashimi and my salmon and my vegetables." She observes, "Stress plays a big role in how I look day-to-day. I've always been very active — Pilates, yoga. I grew up horseback riding every day for hours. I love dancing. I usually last longer than anyone on the dance floor." A common image of Mary-Kate has her emerging from a coffee joint with an oversize cup. "I always get creamed for having my Starbucks cup," she says, sighing. "But the only time people get photos of me is when I'm getting coffee, when I can't sneak away from the camera." She also resents the pictorial implication that she and Ashley are dilettantes. "They take photos of us going into our offices, and it's 'Mary-Kate and Ashley shopping again.' But I'm going to work for eight hours, and we're working so hard. ..." She trails off. "It just shows how people want to think of you." Mary-Kate is not above celeb watching herself, however. Newly obsessed with Victoria Beckham, she notes she avidly watched Beckham's Coming to America documentary: "She's running around in a bikini and heels, and I'm like, Oh, my God! I do that, too!" How positively Grey Gardens. "I run around my house naked with heels all the time. It's so funny. All my friends will tell you I love running around in kimonos and jewelry or naked with jewelry." More people will be watching Mary-Kate soon, thanks to her role in the Emmy-nominated Weeds. "I am a very good Christian girl," she says with a wink. "She has her moral beliefs — and she happens to smoke pot." Of her newest cast member, Kohan adds, "Mary-Kate is complicated. She's a big celebrity, a huge media icon, but you have to separate the media images from someone who has the same issues, the same desires, as anyone else." Of course, Mary-Kate's image, in all its incarnations — from high fashion to small screen — is her strongest asset. And she has yet to settle on one. "I feel like I've lived 10 different lives already and I'm only 21," she says, almost as a reminder to herself. "But I also feel like I'm entering a new chapter." One thing on which she is clear, though: She doesn't need to be looked at all the time. What would she do for a day if she were invisible? "I would probably go to a restaurant with my friends, who would be able to see me, of course," she adds pragmatically, "and I would sit outside and enjoy a nice lunch with them. Then I would walk down the street." The old soul takes a sip of her little-girl-sweet hot chocolate. "That's what I would do."

[felassan]

Some more snippets of general insight from Mark Darrah, from his recent Old Game Dev Advice Q&A video

Cut for length

[source and watchlink]

Q. "I've always wondered why games tend to stay away from long hairstyles. Modders are able to make it work so why not try to add them to games with custom characters? Is it solely because of clipping issues or something else?"

A. "Yes, it's mainly about clipping issues, because modders are making things that only need to look good with a specific subset of hats and helmets, and they can clip as much as they want. Games don't really have that option. You are starting to see longer hairstyles in games these days because they can actually make the collisions be less of a problem because you can just throw more processing power at it. But that is the reason, is because handling clipping, handling interaction with other objects isn't really practical for the gamemakers whereas modders can largely ignore those issues."

Q. "What timespan can be considered as healthy for AAA games?"

A. "If the question is about dev time I think that is just radically dependent on the genre and the studio. Ubisoft releases an Assassin's Creed every 12 months, or at least they used to, granted they were staggered studios, but still, they were doing that in 24 months. Bethesda, on the other extreme, we are now up to 10 years since Skyrim came out. That's a very long time."

Q. "What do you think about longer and longer dev times?"

A. "BioWare is really bad at making true sequels [he means this from a dev perspective, a game which is built on the foundations of the game that came before it], a lot of other studios have gotten really bad at making true sequels. I think that there is an opportunity not to go full-on Ubisoft, and make a game in a series every 12 months, but to maybe think about games more like sets of trilogies. So you make a game, you make two relatively quick sequels, say 18-24 months apart, then you take 4, 5, 6 years to make the next trilogy. I think that would let you do more with the technology you're investing in, but it still wouldn't wear out your welcome by spending way too much time on one title. Will that happen? I don't know."

Q. "How is it determined how long a game gets given to be made, is it basically as long as it takes?"

A. "There are a bunch of answers to that. Often the launch date is kind of set on the very first day, which is super stupid, but it's basically what happens, because there's this long-term kind of release planning happening. And yeah there are re-negotiations happening there as well. At other places, some places are as long as it takes, but I would say that yeah it is basically, 'we want something about here, you then scope to about there', and then you're negotiating. As you get closer and closer though with a public company, that negotiation gets harder and harder, because they're booking that money in the quarters."

Q. "Was there ever a serious discussion on making DA into an MMO?"

A. "I feel like we talked about Dragon Age as an MMO in the, before Dragon Age even existed, because I feel like in the early days of Dragon Age, everybody was talking about making an MMO, because on paper, MMOs look like they are the best monetary consideration ever - 'oh, I just need to get a couple hundred thousand people playing every month giving me $15, we'll make so much money!' As Star Wars: The Old Republic went on, and the cost of making an MMO became more and more clear to BioWare, I don't think BioWare would ever consider making another MMO, just because the cost involved is so big. In terms of, how would we have made it [a DA MMO] stand out, we never got far enough to be able to answer that question."

Q. [similar to previous question] "Have there ever been any actual plans for a Mass Effect or Dragon Age MMO game?"

A. "Basically no. There was a conversation on Dragon Age in the very first seconds of the game, but not really."

Q. "I'm curious how devs filter out fanbase feedback and how fan reactions/feedback factor in when it comes to decision making."

A. "They definitely factor in. You are listening to the fanbase all the time. Should we listen as much as we do? I'm not always convinced of that, because sometimes you're listening to a subset of what people actually want. You're just listening to your most engaged fans, and sometimes what they want is at odds with what the larger audience wants. Often not, so it's still worth listening, but you do have to think about whether or not they are representative of what the actual potential playerbase as a whole wants."

Q. [on remasters and remakes]

A. "I think for a game like Dragon Age: Origins, it's hard to imagine a remaster because of, just, the technology that's under the hood there, but a remake would also be a huge undertaking. So I do think that beyond a certain time threshold I think a remaster becomes impractical and a remake is the only way you can go."

Q. "If a BioWare game were to receive a remake, which one would be the most likely or best to remake?"

A. "I assume in this case we mean remake as in ground up. Honestly, if any one was to receive a remake my guess would be that it would be Dragon Age: Origins, only because I think that a remaster would be so difficult for that one that it might end up having to be a remake."

Q. "Why did Dragon Age push more towards an elven-focused story?"

A. "I don't know that it really did. But there's been a path that it's been going on. BioWare largely tries to keep as many threads in Dragon Age open as possible, and then sort of pulls on the threads that they find interesting. So there's no particular goal there that I'm aware of at least." 

Q. [on game engines]

A. "I'm gonna be frank, I think that every engine is hard to make the game you're making it with. I assume you're talking about Frostbite here. I think you look at Mass Effect 1, built on Unreal, they had more challenges making that game than Dragon Age: Inquisition had using Frostbite. But the big difference was, Dragon Age: Inquisition went into that knowing that it had to respect the engine. That's the big thing, respect the engine, understand what it can do, understand what it can't do. You're gonna be building new tools. Every experience is about learning what's new and what's different from what you're used to. It's weird because I would argue that BioWare had such a bad record of making true sequels that even when it's made a sequel built on the same engine, it's changed so much that this has been the experience every single time." 

Q. [also on game engines]

A. "I did a video about choosing a game engine and I would say that they [Frostbite and Unreal] are different because of course they are, but ultimately I think that the gaming public has been misled to some degree - they're not that different from each other, I mean they are but... Unreal has a lot more devs on it and so therefore has a much smoother pipeline than Frostbite, that's the major advantage."

Q. [on tools]

A. "BioWare used to be toolmakers before everything else, I think it's lost that a little bit. That used to be, I would say, its biggest competitive advantage, building entire games around the pipelines, as opposed to building around anything else. [...] In RPGs, you're so absolutely content-heavy that tools are super-important."

Q. "How easy or hard is it to pitch a new game IP to the studio heads, or is it a formalized process?"

A. "The short answer is you don't get to pitch a new IP to the studio heads, unless you're basically Casey Hudson, and even then, it's not a formalized process because it happens so infrequently, but you're basically making a pitch to each person above you til you get to the CEO, and every single person above you probably has an 80% chance to say no, so it's incredibly difficult to do."

Q. "If the Exalted March DLC for Dragon Age 2 would have launched, how do you think it would've changed the story of Dragon Age: Inquisition?"

A. "I have no idea. There's a lot of stuff that was planned for Exalted March that ended up into Dragon Age: Inquisition, so that is such a quantum question that it is basically unanswerable. Possibly the game would have moved further north, because it would've maybe leapfrogged the stuff around the Exalted March and kind of been up in that area as opposed to back down in Orlais and Ferelden, but, I have no idea."

Q. "What would you have done differently on the Anthem project?"

A. "I'll definitely be doing a memories and retrospective on Anthem when I get to it, but to answer the question for today I would say that the number one mistake that I made is assuming that the signals and interactions that I had developed with the leadership team on the Dragon Age series would translate directly over to the Anthem team. So at the end of the day I was misreading the signals that I was getting thinking that we were finishing faster than they were. I was pushing the stick down and what I was used to was having that stick basically pushed back up by the leadership team, but instead what was happening was they were actually pulling it down faster, and we ended up landing too fast."

Q. "What do you think about Andromeda?"

A. "I will talk about Andromeda as well at a later date. I wish the conversation we were having about Andromeda was, they had an opportunity to tell a refugee story or a colonialism story and somehow thread the needle between those two more interesting stories, but instead we aren't. I do think that it missed something really. A few bugs slipped through that were introduced very late, that hurt it, so I think it got punished both for its stumble and because of the review-scape that it released into. It's a better game today than it was at launch, how about that."

Q. [on awards and award-bait games]

A. "I don't know that there are games that are award-bait, though arguably EA might keep BioWare around as award-bait."

Q. "Was there an appetite at EA or BioWare to have another studio make a [spin-off] game with the Mass Effect or Dragon Age IPs?"

A. "Not really, we did look, I mean I would love to see a tactics game for Dragon Age. I don't think EA actually has much interest in that really, they really like basically owning most of their production."

Q. "Do you think the change in art style from Dragon Age: Origins to Dragon Age 2 was too drastic?"

A. "What I can say is that you can look at a screenshot from Dragon Age 2 and know that it's Dragon Age. You can't say that about Dragon Age: Origins. So was it too much, maybe, but it definitely got us to ownable, which we needed."

Q. [on multiplayer]

A. "With Mass Effect 3, that team made a big deal out of how much their multiplayer was able to help them improve the quality of the combat for the singleplayer as well. So one of the early goals with Dragon Age multiplayer was to do the same thing. That didn't happen because even though it's using the same rule systems, the singleplayer game is assuming that there's party control and the multiplayer assumes no party control, and there's no pause, and there's just a whole bunch of reasons why it didn't really gel and have that same effect as it did in Mass Effect.”

Q. "Is it a good idea to bring Shepard back for ME5 or should BioWare let Shepard and their story rest?

A. [personal perspective] "I feel like the Shepard story is finished. I guess, I mean there are ways you could bring it back, but it feels like it's going to be a lot more awkward to try to figure out how to collapse that quantum space in a way that includes the main character. I think collapsing it in just a general kind of galaxy way will be a lot easier, but I don't actually know what they're planning to do or if they plan to have Shepard in there or not."

Q. "Wasn't there a rumor about a Dragon Age Netflix show, what are your thoughts on that?"

A. "I think that would have great potential."

Q. "Following the planned ideas for a modern Jade Empire, have there ever been any other out there, unexpected sequel ideas that you came up with?"

A. "When I was on handheld I had a pitch for a base-building game called Valley of the Sprightly Stones for Jade Empire. I also had a pitch for a game that was basically designed to use as many of our assets as possible where you would play, I think, a character maybe from Revolver, but you would basically wander around and interact with characters from all of BioWare's games. I thought it would actually be kind of hilarious to build parties entirely out of characters played by the same voice actor, so like Vega and Iron Bull and just get them all together at once and have the actor acting against themselves. That's pretty out there.”

Q. [on release dates industry, generally speaking]

A. "There is a growing understanding that setting your release date before you've even entered production is kind of silly. I don't know if that will, if ultimately there will be a change there, but, maybe."

Q. [on mods]

A. "I really like mods. I know we haven't been super supportive in recent days. They're very important, they actually increase the longevity of a game immensely."

Q. [on DAI as a traditional RPG]

A. "I would argue that the definition of what an RPG is has evolved immensely. I do support that change, you have to be aware of the audience you are building for."

Q. "Phylacteries are blood magic. Once a blood mage always a blood mage. Have Vivienne, Fiona and Irving ever created one during their time as First Enchanters?"

A. "I feel like this question has been asked a bunch of times on Twitter and stuff and largely been ignored by the Dragon Age team, and I think I ignored it as well, but I'm gonna answer it sort've now - maybe not the answer they're hoping for - and I will say that 'yes that probably makes sense' but 'maybe not', because that is definitely for the Dragon Age team to decide and if they haven't specified it as of yet there may be a reason that they haven't. So it makes sense that they would have, but maybe not."

Q. "Why did the Mass Effect iPhone game get removed from the store."

A. "I don't know but my guess is that it probably had some sort of legal problem."

[source and watchlink]

[shtern-and-art]

In The Dark – a cryptid AU about Bad and Skeppy – part 1.

All text is captioned under the cut!

BACKGROUND

Story is set somewhere in the 90s – neon colors and the brink of major improvements in lgbtq+ status at least in US.

The place we’re in is a small nameless town near the forest, and let’s say it’s the US, but in my mind it has an old European country feel to it too. At least in the small old towns like this. With old buildings, and paved roads, and steep roofs, and everything.

The forest is very dense and not much light gets in the deeper parts of it, so it’s called The Dark Forest which may sound quite unoriginal. But no one really calls it that. With how many weird things happen in that forest, among the locals, it is mostly referred to as “bad forest”. To the point that it’s basically the common name for it now.

SKEPPY

Skeppy is a Thing. A supernatural thing. The sort of thing that, unlike most spn things, hangs out around humans a lot. Socialized thing. Because, due to his spn nature, he has a compulsion/tendency (and desire) to create small mayhem and chaos around himself, disrupt communities. And also because he’s a changeling and initially was brought up by people.

But the way he is, he can’t stay living in one place/town for too long, always having to bounce before people clock him, or stuff gets too intense.

He’s name is still Zak, it’s the one his human parents gave him. However, he officially changed it to something different in all records after leaving home at 18, cuz names are important for creatures, and having his real one out there might be dangerous.

Generally, he still goes by Skeppy.

Skeppy can consciously do minor mimicry and illusions (by light bending)/cause light dissociation/confusion in people and creatures around him/do other minor mind tricking fae stuff.

He is drawn to nature and shiny things, although nature can be just a potted plant, and a shiny thing – anything from a gemstone to pieces of broken glass. Skeppy doesn’t know this yet, but I’m pretty sure he can find more valuable gems and metals by pure instinct. But he never explored it properly, and he just thinks that he likes collecting pretty rocks. Skeppy has at least 3 of them on himself at any time.

Evidently, he is not fully aware of everything about himself, and he didn’t have much contact with other creatures like him.

He is just. Living his life. Going from city to city, trying to have a good time.

THE STORY

Skeppy comes to a new little town near the forest. Forests are good for him, even if he still prefers to be around people.

And he’s just chilling, trying to settle in and shake things up a bit, roaming the woods to kick up old local rumors about a werewolf.

Speaking of, the town has a LOT of old rumors with the fleur of a little-town-near-the-woods creepiness to them. Like a werewolf, yeah, and crazy cults, and people making sacrifices in the woods, all that jazz.

But it’s all alright, all quiet now. All those things are always told by an uncle of a cousin of a grandpa’s friend, and, you know. Older people. Not a lot of townsfolk believe in these stories nowadays.

So Skeppy freely roams for a while: both the town, and the woods.

BACKGROUND

Local tree logging business is starting up again – twice removed cousin of the old owners brother’s son inherited the company. He’s fresh out of college, and came to bring Industry and Movement back to the little town he visited couple summers as a kid.

Some decades ago the wood export was what kept the town moving and bustling. It chipped away at the forest for many decades, bringing jobs and new people and everything.

But something happened back then, some shady business: perhaps money laundering gone wrong, or some out-of-town mafia dealings that came with the trades. That’s what the papers said at least. For a while, there were complaints of not safe work environment, and lawsuits flying, and rabid animal attacks happening on the outskirts of town (that’s where the werewolf rumors started).

But it’s been quite some time since then. It’s all settled now, old news, and the new generation doesn’t care much, and the twice removed cousin of the old owners brother’s son can start everything anew.

There’s hope and change in the air and the factories are getting upgraded.

THE STORY

So yeah, Skeppy roams the woods, and townspeople nowadays are starting to roam deeper in the woods too! Both because the woods came closer to the town again, and because people tend to… forget. Some young people, at least, who have nothing to remember or fear in the first place. Having all their hormones to fly, and baseball bats to swing, and beer cans to shoot.

The deeper woods are dark, there are a lot of good old trees in their prime time for logging, that make a lot of dark shadows to lurk in. And those are very nice for Skeppy, who can easily fuck with packs of teenagers and with elderly berry pickers. He can make them see things, and believe things, and prop up some fake cultist memorabilia on clearings and wolf fur in the bushes near the pass. And then he’d chat up the middle-aged workers at evenings, and watch it all unfold slowly, rumors spreading across town, giving Skeppy that little, small glow of joy, which that freaky, but harmless trickery always brings him.

It’s all going well and good, even better than expected! Even with that weird forest spirit Skeppy always felt lurking deeper in the woods. That thing was alright. Just there, watching. And Skeppy didn’t do anything too bad or disrespectful, he was pretty sure.

So, when the watching becomes following, and following becomes stalking and threatening, it… doesn’t feel right. Deep in the woods, deers and rabbits keep watching Skeppy’s back, and the trees are so tall it feels like the forest floor is the bottom of the ocean.

When stags stroll through the dark to you, carrying dead animals’ bodies on their antlers, that’s a pretty bad sign, right? Almost as bad as when the shadowy figure, that kept clop-clopping around you for the last couple of weeks, starts chasing you through the trees. And Skeppy just started setting up another “pagan ritual” site near the old berry picking trail!

Turns out, the forest spirit is a dang forest demon or something! And is also an asshole, who doesn’t want Skeppy (with his little True Detective stick figures and mayhem) on his territory.

(This is pretty much where the comic happens! And, yes, Skeppy also being a creature doesn’t mean much. Because Skeppy is too annoying, and too human-like to take seriously.)

So yeah, the Asshole In The Woods chases Skeppy out of them, but Skeppy doesn’t skip towns after that, oh no. He is a stubborn bitch, and he’s already settled, and he even found a small job… and unsettling and leaving is incredibly easy, yeah, but he DIDN’T DO ANYTHING WRONG. The Asshole In The Woods will see, he’ll understand. Skeppy is good at trick- well, talking himself out of trouble. Almost as good as he is at getting in it.

So, obviously, Skeppy keeps coming back to the woods whenever he can. And if the shadow demon asshole doesn’t come out to run him off immediately, he busts out his fake werewolf furs, props occult stick figures around, puts up tents like people were camping nearby, insults the trees, and duct tapes leaflets from local businesses on the them… Because irritating other creatures is just as fun as fucking shit up for people.

And this little turf-war settling is the most fun Skeppy had in a long, long while (possible death aside).

They meet up pretty regularly, getting various irritation and scare levels from each other. And the asshole shadow forest demon is creepy and all, but despite the big bad wolf attitude he never actually tries to kill or maim Skeppy. Or so it seems. So, it’s all going well. Yeah. Just better to lay off all the occult trolling, since it seems to make the forest asshole guy especially mad and uncomfortable.

(Basically this is the early trolling period, with Skeppy being annoying and pushing the boundaries, very close to how their videos of the time went).

And, again, Skeppy didn’t meet a lot of other cryptids, and the ones he found didn’t stick around for long. Because Skeppy is too much of a little shit, and “a low-tier human bootlicker”, anyway. So yeah, maybe Skeppy IS a little bit lonely. Been lonely for a while, now, hitchhiking around the country, never staying anywhere long enough to let people get that something is wrong in the air around him, or form any kind of lasting relationship. So what.

At least this asshole will not rat him out to anyone, or run away into the night with all Skeppy’s money. Probably.

So what’s the harm if sometimes they just argue instead of trying to one-up each other in magic trickery?.. Nothing bad will happen if, from time to time, they’ll just talk instead of shouting about who’s right and who should leave. It’s alright. It doesn’t even matter. No one in the town or spn world knows or cares about any of that. About both of them.

So they hang out more often. And if each time the forest asshole looks a little less scary, and more often takes his human-like shape, well. Maybe it’s just for convenience? Anyway, it’s easier to roll your eyes and turn your back on a fuming person, than a pissed off all-encompassing shadow, so Skeppy isn’t complaining. Especially if the person-shape is so nice to look at, too.

And Skeppy doesn’t know who exactly the forest asshole is, but in the town it’s always “bad forest this” and “bad forest that”. So, in Skeppy’s head, it becomes “Bad’s forest” – because he’s “the Bad in the Forest, heheh, get it, get it?”

Bad does get it. He isn’t as impressed as he should be by Skeppy’s genius puns and naming abilities though.

Speaking of Bad. He seems to be not really aware of what’s been going on in the town for the last couple decades. He tends to mostly hang out in the minds of forest animals, help them out a bit. Or nap. Nap a lot – days, weeks, years at a time, dissolved in the shadows. Unless someone (like can shooting teenagers, tree logging companies, or Skeppy) come around to bother his peaceful, dissociated, and at times even thoughtless existence.

Bad doesn’t mind though. Or so he says. The sleeping, that is. The people, them he really minds, people from the town especially. He really wants to be left alone by them. Discovering that Skeppy wasn’t from these parts of the country was one of the reasons Bad started to warm up to him.

The other major warm up was the first time Skeppy helped Bad scare off the messy annoying kids that were littering in the woods. But he convinced Bad to do it in a long winded, silly and fun (for them, not the kids :D) way. And after a while, teamed up like this, spooking and chasing people off, stopped being an irritating chore, and instead became something Bad looked forward to. Maybe even, put off his shadowy slumber for.

It’s been a long, long time since Bad actually wanted to stay awake like that. Wanted to do something, consciously, to talk to someone. That’s why he’s a “little rusty with all this communication thing”, he admits to Skeppy.

Bad never tells him how horribly bitter, and sad, and alone he was for years and years, huddled in the shadows. How he hid from that sadness, and from the people and their voices, and from the sound of their footsteps on the leaves. He ran away from them – in the soft, inhuman minds of the animals, and restless dreams, where his mind and sense of self stretched, and scattered across the forest, forgetting itself, and just living with all the living things. Of course, Bad doesn’t tell Skeppy about that. He always had his animals, and the secret springs, and little kids tying wishing charms on the branches of the old trees… Bad is fine. He just wants to be left alone.

Or at least wanted to. Because now, after staying awake for so long, it seems that he wants other things too. To troll snotty stuck up teens and kids. To learn more about new technology. To play with the shadows on the edges of clearings, and listen to the music player left behind by one of the kids he and Skeppy chased off.

And one day. One day sunbeams are dancing around the edge of the clearing deep in the woods, and Skeppy is lounging lazily in the grass, playing with his pretty glass shards, making light refract and reform through them, sending dozens of sun bunnies crawls and jump between the peaceful trees. That day Bad feels like his skin is warm, not cooled down by the shadows. And with that warmth – on his face, and in his chest – Bad finds that he can talk about it. That he can say it.

Bad tells Skeppy that back in the day, some decades ago (time is difficult for him to take note of)… that back then. He was a human. But he isn’t now, not anymore. Now he is part of the Forest. Kind of.

Because, see, something bad, really bad happened back then, and Bad got possessed by the, well. The spirit of the forest.

And he was living like this ever since.

Masterpost / first meeting /part 1 / part 2 / part 3

[symphonicmetal101]

Brother Bonding(?) HCs

^^

Lucifer

Mammon

He and Mammon have a bit of a complicated relationship, in that Mammon is always getting into trouble, and Lucifer always has to get him out of it, and then takes it upon himself to scold him for getting them into trouble. However, there are times when Lucifer helps Mammon pull pranks on the other brothers, under the condition that Mammon doesn't tell anyone, otherwise he loses Goldie permanently. The pranks are well executed, and often the blame is but on Belphie or Satan instead.

Levi

We know that Lucifer is responsible for Levi's obsession with Ruri-chan and anime as a whole. Lucifer is often concerned for Levi, as he is familiar with self-doubt, and sympathizes with Levi's constant stream of it. He tries to set aside at least one day a month where he will rewatch old anime with Levi, listen to his spiels, and leave him an allowance to use however he would like. If Lucifer is too busy with paperwork, he'll invite Levi to his office and ask him about the latest games and mangas, even if he isn't listening the entire time.

Satan

Ah, this is a little more complicated. Truthfully, they don't spend much time together. However, if Satan happens to mention a book he wanted, even offhandedly, Lucifer will make sure it ends up in Satan's possession somehow, even if it's through MC. Satan notices this, and as much as he wants to hate Lucifer, those days he makes an extra effort to try and not tease or humiliate Lucifer. It's almost like a silent truce.

Asmo

Yeah, yeah, Asmo paints everyone's nails. But Asmo also knows massage and aromatherapy. When Lucifer is particularly stressed, he'll take it upon himself to try and help him relax. If he has the patience, Lucifer will listen to Asmo explain the science between different scents and how they help the mind and body. Sometimes Asmo isn't sure if Lucifer is actually listens, but within three days of their chats, he finds a small package on his bed with different oils, and a note that says, "I look forward to learning what these oils can do." - Lucifer

Beel

Beel likes to cook, bake, etc. Because Lucifer is always on the go, Beel tries to come up with meals that are easy to walk around with. Lucifer is always the one Beel asks to taste test, (if Beel manages to resist eating the entire thing himself), because Lucifer will give him an honest opinion. It's rare that Lucifer has anything but praise for Beel, but on the off chance he doesn't, he'll walk him through a couple of ideas he could do to improve it, and Beel will deliver.

Note: this is also how Beel found out that Lucifer has the lowest spice tolerance out of the brothers, and he is not to mention it to anyone.

Belphie

Another relationship that serves to be more complex. Lucifer often finds himself wanting to reconcile with Belphie, almost to restore the kind of relationship they had when they were angels. But when you lock someone in an attic against their will, (even if it was to protect them), they tend to hold a grudge. Again, they don't really spend time together unless Beel is present, but Lucifer tries to help Belphie in little ways, like switching his linens weekly, fluffing his pillows, making sure he actually makes it to a bed when he goes to sleep. Belphie just assumes it's Beel doing these things though, and Lucifer lets him. He hopes one day Belphie will realize how much he really does care for him.

Mammon

Levi

They usually don't get along, mostly because of financial issues between them. However, when they are able to put that aside, they can actually enjoy each others company. Mammon has a lot of energy, and Levi likes video games. As a compromise, they regularly play games such as DDR or Just Dance. The whole time, they will insult each other, but lovingly.

Satan

Satan will actively look for books on finance, budgeting, business, etc. To help Mammon. He pitches it as ways to help him get rich, and they will spend hours together trying to form a business plan. While Mammon doesn't usually have the patience, for the sake of spending time with his little brother, he pushes through. Satan usually does this only after one of Mammon's bigger schemes fell through, or when Lucifer tells Mammon to stop.

Asmo

These guys both model. Mammon will set aside some money and time to go spend with Asmo on clothes, accessories, etc. Mammon is just as skilled behind the camera as he is in front of it, so whenever Asmo wants to model, doesn't matter where, Mammon is ready. Sometimes when they've planned their outing with enough notice, Mammon will have saved enough money to buy something for Asmo.

Beel

Whenever Beel is cooking for himself, he usually adds a lot seasonings. Sometimes, it's in hopes that spice will slow him down. Other times it's because he really likes the food, but has almost become desensitized to the taste😥 however, when he makes these batches of food, he'll sometimes invite Mammon to join him. Mammon has an ungodly high tolerance for spice, at least when he's eating. (His stomach may or may not suffer later). Mammon sometimes foolishly challenges Beel to a speed eating contest. Beel tries to decline; he just wants to eat, and he does not want to watch Mammon give himself indigestion or heartburn, but Mammon, persistent as ever, will try and eat as many servings of Beel's food as quickly as possible. This is one of the few times Beel doesn't get mad, he just watches with mild amusemeny and concern.

Belphie

Belphie and Mammon are surprisingly close, despite being complete foils of eacb other. Mammon has lots of energy, Belphie has none. Mammon likes to go out, Belphie likes to stay in. However, building forts? Hell yes, Belphie has enough energy for that. They usually build pillow and blanket forts in the observatory. Belphie will direct Mammon in how to build it for the most amount of comfort. Usually they'll just end up plugging in their headphones and listening to their own music in each other's company until they fall asleep and/or Beel joins them.

Levi

Satan

Levi introduced Satan to VR, and their relationship has taken a turn for the better since then. Satan is more interested in medical simulators and animal simulation games. Levi once made the mistake of playing Mario Kart with Satan, and his room was left in shambles, so now they only do sims to avoid the competition with other players. Satan also likes to play Among Us, as it gives him a chance to flex his detective skills. His self-control is much better with this, for whatever reason.

Asmo

Levi and Asmo are constantly at odds. Not like Mammon, but Asmo cringes every time he sees the way Levi is sitting, every time he hears Levi has ruined his sleep schedule, and every time he sees him sleeping in tje goddamn bathtub. Yes, it has lots of pillows, but none of them are really good for support. He is constantly trying to get Levi to at least stretch or do yoga every once in a while, as well as sit properly in his chair. These stretching session are also when Levi starts to talk about the next cosplay he's working on, which Asmo will undoubtedly want to help with.

(Ik that its implied that Levi taught Asmo how to sew and stuff, but that hc is everywhere, otherwise I would elaborate. It's really cute though.)

Beel

Although Levi spends a lot of his time in his room, he is still the Grand Admiral of Hell's Navy. He does dedicate some time to working out, and when he does, he does it with Beel, because he knows Beel will help keep him on track. Beel is also Levi's biggest source of encouragment. Levi thanks Beel in mass quantities of food from Akuzon later, sometimes in hopes of winning something from a draw, other times as a genuine thank you.

Belphie

Introvert buddies! Belphie doesn't really care for video games, Levi doesn't have the same speed as Mammon for building a pillow fort, but sometimes Belphie will ask to come into Levi's room to look at his aquarium. He finds it relaxing. They don't really talk to each other, they just enjoy each other's company. If Belphie is feeling curious or notices Levi is kind of upset, he'll start asking Levi about the different fish in his aquarium, which quickly cheers Levi up. Belphie's favourite thing about Levi though, is that he is usually awake the same time he is, helping him feel a little less lonely.

Satan

Asmo

I've mentioned this before in my random hcs post, but Asmo and Satan like to study astrology together. They find it fascinating in how accurate it can be, especially since they only get to see the *real* stars, moon, sun, and planets when they're in the human realm. Asmo actually introduced it to Satan, as he used to study it in the Celestial Realm as well.

Beel

Beel is constantly coming up with new recipes, so Satan documents them all for him. He'll be a scribe, while Beel tells him exactly what he's doing the whole time. The other brothers don't know, (Beel asked to keep t a secret), but Satan has helped Beel publish 3 cookbooks already.

Satan also attends Beel's games whenever possible, and Beel has attended Satan's debate team or sometimes book club meetings whenever possible. Because Satan and Belphie are close, so are Satan and Beel.

Belphie

>:)

They are constantly coming up with ways to inconvenience Lucifer, which is their main form of bonding. However, Belphie also taught Satan the constellations when they were younger, so now they will often go stargazing together. Satan doesn't remember, but he used to make up stories about the constellations, and Belphie has a written record of all of them. Sometimes, Belphie will retell the stories from memory to see if Satan recognizes it, but to no avail. Instead Satan will tell another story he has read about the stars. They tell each other stories and stargaze until they fall asleep.

Asmo

Beel

Beel will do warm ups with Asmo; basic stretches, a jog, etc. They will sometimes do yoga together. However, Beel works out a lot, and sometimes his muscles get sore, so Asmo gets to work. Being around Asmo brings out the gossip girl in Beel, so while Asmo is giving him a massage, he's also getting all the tea from all the clubs that Beel is a part of. Beel is very careful with his delivery, but he trusts Asmo to never spin his words the wrong way and to use the new info for good.

Belphie

Asmo has his own fashion line. He often asks Belphie to rate the comfort of his clothes, as he wants them to be fashionable, functional, and comfortable. Belphie never pulls his punches, and Asmo is grateful for the honest criticism. However, sometimes it does get on his nerves, but Belphie makes up for it later by getting Asmo new linens, often silk, because Belphie knows Asmo's preferences. Asmo always asks him where he finds it, but Belphie never answers.

Beel + Belphie

These two can bond almost over anything. However, one of their favorite things to do together is make Quetzalcoatl brain soup. Belphie stays awake long enough to remind Beel to leave some for him.

(My brain just left me here to rot apparently, I'm sorry.)

Oof

Masterlist

[elitegymnastics]

Q: What is this?

A: It’s a flyer for a virtual fundraiser on June 4th that Elite Gymnastics is playing. You can access the show at quietyear.com

Q: Hasn’t Elite Gymnastics been inactive for like, ten years?

A: Yes. This is the first Elite Gymnastics performance of any kind since November 30th 2012, at the Horn Gallery at Kenyon College in Gambier, Ohio. 

Q: Why did Elite Gymnastics stop playing shows?

A: Elite Gymnastics started out as me (Jaime) and a bunch of my friends agreeing to help me play my songs live back in 2009. I made a lot of weird demos in GarageBand and my friend Dominique Davis from the band Dearling Physique got tired of watching me sit on them. So, he booked me to play at a show he was curating as part of a small local music and arts festival called Clapperclaw. For several months that’s mainly what EG was. At some point the focus shifted to making recordings rather than playing shows, to participate in the emergent culture of new music distributed via MP3 file-sharing. The lineup winnowed to just me and Josh Clancy, who began creating digital EPs that we posted on this Tumblr page as ZIP files full of MP3s accompanied by a PDF of artwork. This is the incarnation of the group that most people are familiar with.

This was before Patreon existed. If Bandcamp was around, we’d never heard of it. Though MP3 file-sharing culture and file transfer sites like MediaFire and MegaUpload allowed anyone to distribute music freely across the world via the internet, it was still pretty difficult to get people to pay you for it. I think it was for this reason that a lot of internet music back then featured a lot of sampling. A lot of artists’ first forays into the world of DAWs and production took the form of mash-ups, bootleg remixes, and DJ mixes. Artists like Animal Collective, MIA, Kanye West, and Daft Punk for whom sampling was a pillar of their creative process were extremely influential. Elite Gymnastics was no exception - the first song of ours to gain traction online was “Is This On Me?” which made no attempt to hide the fact that it heavily sampled Faye Wong’s “Eyes On Me.” The fact that it was so difficult to make money off MP3s pushed people to make different creative decisions than they would have otherwise. It was sort of a free-for-all.

Eventually, all of this started to change. The major labels started getting a lot more aggressive about trying to destroy MP3 file-sharing culture. Platforms like MegaUpload were raided and taken offline. The replacements that sprung up to replace them were increasingly infested with ads and malware. Corporate platforms like YouTube and SoundCloud adopted Content ID filters to prevent the proliferation of copyrighted music there. Blogs and private torrent trackers being taken down meant thousands of hours of labor were wiped out in an instant. Some of the best archives of the history of recorded music ever created were destroyed without hesitation. Even the most devoted participants lost the will to keep repairing and re-making the stuff that cops and record companies kept obliterating.

Josh and I both dreamed of being able to make a living as musicians. We still do. Back then, we were willing to accept a lot of changes in order to make that possible, which seemed necessary. A lot of the stuff that we were great at just didn’t make any money. Once, we were asked to do a remix of a song called “Sa Sa Samoa” by the band Korallreven. I did the remix by myself, which was normal for us, and Josh was so inspired by it that he spent a week working non-stop to create a video for it. People loved it - the day the video dropped, Pitchfork designated the song as a “Best New Track” and New York Magazine wrote about it in their “Approval Matrix.” The video led to a ton of exposure, but from a financial perspective, it just did not make sense to put that much effort into promoting a remix of someone else’s song. The stuff we were personally excited by just seemed to have less and less to do with what actually makes money.

A lot of internet bands during this era began to palpably shapeshift in an effort to succeed in music as a career. Artists who’d first attracted notice for sample-based bangers they made on a laptop started posing with vintage hardware in their press photos and trading in their laptops for live bands and recording studios. It became harder to distribute DJ mixes or mash-ups that contained copyrighted music in them. Influential bloggers either closed up shop or were absorbed into the traditional music industry in some way. Feeds that once touted bizarre songs by laptop-toting weirdos with no industry connections started to become populated mostly by artists with labels and publicists. The bottom rungs of festival lineups started to consist mostly of new major label signings who have lots of money to spend on stage production but not much in the way of grassroots fan enthusiasm or media buzz. 

Internet music and what people tend to refer to as “indie music” split off into two separate streams. Today, there’s a pretty intense firewall between internet culture and whatever you want to call the culture of vinyl records, mid-sized indie labels with publicists, and positive reviews from the few remaining websites that still pay people to write about music. I call it “publicist indie,” “lifestyle techno,” or “prestige electronica” depending on whether or not the music features guitars and/or vocals. The recent online kerfuffle about NFTs really emphasized this split. The worlds of digital illustration and game development campaigned aggressively against mass adoption of cryptocurrency - if you saw any Medium posts explaining crypto’s environmental issues, chances are they were written by someone from those fields. Every new announcement by an artist that they had minted an NFT was met with a swift and vocal backlash from fans. Though I’ve never really been much of an Aphex Twin fan, it was still pretty startling to look at the replies under his NFT announcement tweet and see hundreds of furious people announcing that he was now dead to them. That’s an artist who has seemed more or less unimpeachable for most of my life up until this point! All of that seemed to change in an instant.

There is a massive disconnect between the insular world of the industry establishment and the cutting edge of online counterculture. We saw this again a couple of weeks ago with the online response to the crisis in Gaza. We saw passionate advocacy for Palestinians from games journalists and developers much more often than we saw it from musicians. This is a very serious problem for music! I do not believe it is possible to please both sides - that is to say, I do not believe it is possible to be part of internet counterculture and the industry establishment simultaneously. The music industry is too conservative, too compromised, too corrupt. If it weren’t for the ocean of valuable copyrights that labels are sitting on, most of them would be bankrupt within a year. If the industry was forced to live or die based on how they handle what’s happening right now in the present, it would most assuredly die. The only people who don’t realize this are those who are being paid to stay ignorant. 

Josh and I did not know this back then. From where we were standing, it looked like internet culture and established media industries were on track to converge. A career in the arts seemed genuinely, tantalizingly possible, right up until the moment that it no longer did. 

In my case, I had really been struggling up until that point. My life had been this ongoing sequence of evictions and hospitalizations, and it seemed to be getting worse, not better. I donated plasma twice a week to pay for groceries and while I was sitting there with a giant needle stuck in my left arm for an hour I would see my picture in The Fader or my songs being recommended by one of the Kings of Leon on Twitter or whatever. Music seemed like the only thing the world thought I was any good at. It felt like my only chance at a peaceful, happy life was somewhere out there in a world I could only perceive through a laptop screen. 

Gender, for me, was a big factor in all of this. The more invested in the craft of songwriting I became, the harder it was to repress or ignore my gender stuff. At that time I’m not sure I even knew what the word “transgender” meant - I just knew that when I showed up at a venue wearing a skirt, no one would talk to me or look me in the eye, and that reading about people like Anohni or Terre Thaemlitz or on the internet made me feel like if I could get out of Minneapolis maybe I could find a place where people would accept me. The internet was like, a pretty toxic place for someone in my position. When I tried to find people to talk to about what I was feeling, nobody tried to tell me to read Judith Butler or ask me what pronouns I preferred. The internet was just like, overrun with predators who just wanted to fetishize me and exploit me. Music seemed like the only way I’d ever have an actual life as myself. I was desperate for that. I was well and truly desperate.

Between all the big changes that were happening to us individually and the music industry moving farther and farther away of the anarchic free-for-all of MP3 file-sharing culture, the strain on us just got to be too much. We stopped trusting each other. We became the unstoppable force and the immovable object, crashing haphazardly against one another’s resolve in a dazzling display of youthful futility. Our partnership ended, and after finishing out the remaining live shows on the calendar by myself, I retired the name “Elite Gymnastics” and started making music on my own under other names. That was that.

Q: Why is Elite Gymnastics coming back now, then?

A: Over the years, Josh and I eventually started talking again. Though there was a lot we did agree on, and potential future projects were discussed, nothing truly felt right. We haven’t been in the same room since Summer 2012, and we’ve both changed a lot since then. We both have other projects and we’ve both developed other ways of working since we stopped working together. It’s a pretty big commitment to put all of that aside in order to join your fortunes together with someone you haven’t seen in a decade.

Recently, Josh decided to leave Elite Gymnastics. His reasons are his own, and I was very surprised by his decision, but after having had time to adjust, I’m really grateful to him. I had kept these songs at a distance for many years, because it seemed foolish to allow myself to get too attached to songs I didn’t feel like I was allowed to think of as mine, if that makes any sense. The songs felt like casualties of a conflict that I had to bury in the ground and try to forget about. Being able to embrace them again felt like re-growing a severed limb or having a loved one come back to life, almost. Feeling like it was safe to love these songs again made me feel whole in a way I didn’t expect to. I became really excited by the prospect of revisiting them, so that’s what I decided to do.

Q: Does this mean you’re going to put RUIN back on Spotify?

A: No. Taking the record off Spotify was the right thing to do. That record was only ever intended to exist during the era of MP3 piracy. I never envisioned a world where the music industry would be so aggressive about policing the way that copyrighted music is allowed to exist online. If we hadn’t opted to take the record down when we did, someone would inevitably have forced us to. If you want to hear those specific recordings again, you’re going to have to do it the way we originally intended: by downloading MP3 files from the internet. Try SoulSeek.

Q: What’s next for Elite Gymnastics, then?

A: Here’s the situation currently. There is no Elite Gymnastics music available to stream or purchase in an official capacity anywhere on the internet. It wouldn’t really be possible for me to put the old stuff on Spotify or Bandcamp now because of all the samples. Like I said before, it was a different time. Those records were created to thrive on a past version of the internet that no longer exists. They weren’t designed to be compatible with the 2021 internet.

Technically, Elite Gymnastics didn’t ever release a debut album. We had EPs, a compilation, and a remix collection. We didn’t make an album, a record that existed as the distillation of all that experimentation that contained all of the songs that fans of the EPs would want to hear, all in one place. It’s like we did Good Fridays but stopped before we made My Beautiful Dark Twisted Fantasy.

So, I am currently working on the first Elite Gymnastics album. If you were following my stuff as Default Genders, you may have noticed me posting demos on my SoundCloud page from 2015-2018 that were all eventually reworked into the album Main Pop Girl 2019. The album I am making is taking that approach to all the old EG songs, including some unreleased stuff. I’m collaborating with others on some songs and I honestly feel like it has resulted in some of the best and most exciting music I have ever been involved with. It is a drastic reinvention, but iteration and reinvention have always been a big part of what I do. I want to make something that feels like the culmination of everything that came before, and so far, I think I’m succeeding.

Q: When will I be able to hear this new music?

At a virtual fundraiser on June 4th, 2021, where there is a suggested donation of $10. You can access it at quietyear.com

[goldencuffs]

fake dating au

“— I promise to love and respect you always.”

“Hmm?” Laurent turned from the view of the lake and saw that Torveld was down on one knee, with a velvet box in his hand. There was a ring in it — a ghastly one, with only one diamond. Honestly. Laurent frowned. “I’m sorry, I wasn’t paying attention. What the fuck are you doing?”

“Er —” Torveld seemed to have trouble balancing himself. He was also getting very red. “I’m proposing?”

“You don’t sound so sure.”

“I’m proposing,” Torveld repeated firmly. To his credit, he did sound much more confident. Unfortunately, it was undermined by the sweat on his forehead and his shifting eyes.

“Oh,” Laurent said. He paused. “Why?”

“Why?” Torveld repeated, incredulous. “Because — For all the reasons I just said! Love and respect and — and status!”

Laurent stared down at him. “This is the third time we’ve spoken. And I don’t think the first time counts since you threw up in the middle of our conversation.”

“I told you I had a stomach bug,” Torveld hissed. He looked mortified, and in the distance, Laurent could see Jord and Lazar muffling their laughter.

Laurent grimaced in an attempt to mask his own unbidden smile. The memory of that first encounter haunted him, but it was undeniably hilarious — objectively, of course.

Torveld watched his face and wilted. “You’re not going to say yes, are you?”

Laurent tried to look a little compassionate. It only made Torveld frown, so Laurent suspected he had failed horribly. “I’m afraid not,” he said.

Torveld stood up and pocketed the box. He looked very put out.

“I’m sorry,” Laurent said, because it seemed like the right thing to say. Then he ruined it by asking: “How much did my father pay you?”

Torveld went very still. “Um.”

“Come on,” Laurent chided. “You’re the sixth person to propose to me this month. I know what Al is like.”

Torveld cleared his throat, then muttered a figure under his breath.

Laurent’s eyebrows rose and his stomach dropped; it seemed the King really was serious about marrying Laurent off as soon as he turned twenty one.

And really, Laurent wasn’t opposed to the idea of marriage, not at all. In fact, getting married to a man with a large cock and an even larger fortune was one of his top ten dreams. But that didn’t mean he wanted to do it now. He liked having freedom; most of his days were spent reading, gathering gossip on various Lords. and getting fucked by foreign, dashing men. And if Vere was short on foreign, dashing men, then Laurent had his guardsmen to keep him company in bed. There was a reason Lazar had extended his contract for another five years, after all.

It just infuriated Laurent that Al was doing this behind his back: setting him up on frivolous excursions with men who were low enough in rank to be appeased with marrying a second son.

It also made Laurent feel more unwanted than usual — but that thought was going to stay firmly lodged into his brain until his death.

Looking at Torveld now, Laurent realised that Al would not stop here. No doubt he had more men lined up for Laurent to meet. Perhaps he was waiting until Laurent got so tired of it, he would say yes to the next man who walked into the Palace.

Like hell that was going to happen.

Laurent knew he had to do something to stop it right now. He assessed Torveld, trying to think. He knew the man was a notorious gossiper — to the point where his own brother, the Crown Prince, had barred him from Council meetings because he ended up spilling everything to anyone who would listen.

So, Laurent said the one, plausible thing he could think of. “I’m sure you know why I had to say no, of course.” He kept his tone coy.

Torveld immediately piqued, curious. “No, why?”

Laurent bit his lip, pretending to survey the area around them for any potential eavesdroppers. He leaned in close. “I’m seeing someone. It’s very serious, but we’ve had to keep it lowkey in case Al tries to break us up.”

Torveld’s eyebrows rose. “Really? Is he —” He lowered his voice. “A commoner?”

Laurent’s nose scrunched. Ha! As if he’d succumb himself to that. No, obviously, Laurent’s imaginary lover would be amazing, respected by all, tall, hot as fuck, powerful, in touch with all the latest trends, and fantastic in bed. Someone so admirable and high in rank, that even Al would be impressed.

Laurent said the first name that sprung to his mind. “It’s Damianos.”

Granted, the only reason Laurent had even thought of him was because Al had mentioned him during breakfast. Something about how high Akielon taxes were and blah blah blah — as if Laurent cared. But, a man like Damianos did fit a majority of the aforementioned traits. Although, Laurent had no way of knowing whether being fantastic in bed was one of them.

Torveld looked suitably shocked. “The King of Akielos?”

Laurent smiled, smug. “The very same.”

Torveld was awed by the news. Then, he frowned. “But why would your father want to break you up? I thought he wanted a formal, political relationship with Akielos. A marriage seems like a good alliance.”

“Uh,” Laurent paused. He didn’t even know Al wanted that. Was that why he was always going to Akielos? He tried to search for an answer, and when he couldn’t find one, said, “Oh no, excuse me, I forgot I had an appointment with —” He hurried away before he had to think of something.

*

Al came into his room later that evening, after a substantial amount of knocking. He always knocked now — sometimes more times than what was strictly necessary; the last time he had barged into Laurent's room, unannounced, Laurent had been on all fours, in between two very well endowed brothers, noblemen from Vask.

Al hadn’t spoken to Laurent for four months after that. It was only when Auguste came back from college and made Laurent apologise to their father did he finally ease up.

As soon as he was inside, Al said, “Torveld tells me you rejected his proposal because you’re in a relationship with the King of Akielos.”

Laurent put his book down, face up, and swung his legs over the bed. “Good god, he really can’t keep a secret, can he?”

Al ignored him, as he tended to do most of the time. “Well?”

Laurent said, “Yes, it’s true.”

“When did this start?”

“When did what start?”

Al glared. “This very serious relationship, as Torveld put it.”

They were still talking about that? Laurent made up a number. “Three years.” Oh no; that was too high of a number. “No! I mean, we’ve been talking for three years but uh — one year. We’ve been together for one year.”

“How did this even happen?” Al said. “Damianos has not visited Vere since you were thirteen.”

Laurent remembered that trip; his first kiss had happened during one of the many balls they had hosted, with a girl from Akielos. Afterwards, Laurent had said, “Oh, I’m definitely gay.”, and she had spilled juice all over his lap.

It had been a fun night.

Laurent said, “We started talking online.” That was plausible; and mentioning anything to do with technology would no doubt bore Al.

He was right; Al already looked like he was trying to wrap this up as fast as possible. “And he’s committed to you completely?”

“Sure, I guess.”

Al looked thoughtful. “I assume he’s the one that’s been spending all that money on those ridiculous gifts that have been delivered to you over the last few months.”

“Of course!” Laurent said quickly. “As if I’d be irresponsible enough to buy myself a 1954 Ferrari! That was definitely Damianos.”

Laurent was seeing more and more perks to this plan. Maybe he could finally buy himself a retro Mercedes and blame it on Damianos, too.

Al’s face did something strange. Laurent sprung to his feet, concerned. “What is it? Are you having a heart attack?”

Al’s face morphed into a scowl, which was much more familiar. “I was smiling,” he said, sharply.

“Oh.” Laurent said. How the heck was he supposed to know that? Al never smiled at him.

There was a small pause. Al said, “Is he open to the idea of marriage?”

Laurent almost rolled his eyes. He said, “I think so. But, he’s so busy running a country and what not, it’s never really come up.” He took a deep breath. “I suspect in a few years, we will be married.”

He waited. And waited.

Finally, Al nodded. “See to it if you can convince him to get married sooner.”

“I will,” Laurent said. “In the meantime… you’ll stop setting me up all those Lords and noblemen?”

Al watched him for a few beats. “Yes, I suppose so.”

Laurent grinned; this was better than anything he could have hoped for.

“Don’t make that face,” Al snapped.

Laurent frowned.

Al stood in his room for a moment. He looked like he wanted to say something, but then he just nodded once and left.

Laurent immediately called Jord and Lazar into his room to celebrate.

*

Pretending to be in a relationship with the King of Akielos made Laurent’s life so much richer, it was a wonder why he hadn’t thought to do it sooner.

It was easy, too; all he had to do was occasionally smile dreamily into his phone, as though he had received the most thoughtful, wonderful love letter, and stare out the window. He also began leaving notes with the gifts he bought himself; Al didn’t say anything when a blue Mercedes showed up, because Damianos had given it, of course.

Laurent could stay up all night playing video games and when he’d fall asleep during Council meetings the next morning, all he had to do was moan about the time difference between Akielos and Vere to be forgiven.

People listened to him more, especially when Laurent began sentences with, “Well, Damianos said…” It was how Laurent convinced Al that he needed a new crown, one with more rubies this time.

Laurent’s sex life also became much wilder; it seemed men became very turned on when they thought they were fucking the boyfriend of a King. One of them had even asked Laurent to call him ‘Your Majesty’ in bed, which Laurent liked well enough.

The best part of it was the fact that Al finally left him alone. He stopped pestering Laurent about his princely duties and stopped saying things like, What would your mother think of you? each time another man crept out of his room. In fact, sometimes Al even asked him about his day. It was truly bizarre stuff.

It should have been Laurent’s first clue that things would come crashing down, sooner rather than later.

After three months of living indulgently, Al said over breakfast one day, “I thought you would be jumping for joy today.”

“Why’s that?” Laurent muttered into his toast. He had a horrid hangover, and his ass was sore.

Al frowned at him. “Sit straight,” he snapped.

Laurent said, “I can only sit gay.” When that joke fell flat, he sat up, with great effort. Al was still staring at him, so he said, “What?” a little sharper than he intended to.

Al’s mouth thinned. “I sincerely hope you don’t misbehave like this around your beau. I shudder to think what the delegates would say.”

“My beau?” Laurent said, face twisted. “Ugh, what century are you from?”

Al was silent; a very bad sign. Laurent continued to butter his toast, hoping to be forgotten about for the rest of the day.

That was not the case. Al decided to punish Laurent in the cruellest way; he was forced to attend four separate meetings with his father, and then attend a small, private dinner at Heston’s estate.

Halfway through the meal, Herode, one of the only people on the Council who could stand him said, “You must be very excited today, Your Highness.”

Laurent paused. “Why does everyone keep saying that?” After his father, three other Lords had approached him with the same words; Laurent had only smiled and nodded.

Now, he had a feeling that his father must have said it for a reason.

Herode smiled kindly; Laurent imagined it was a fatherly kind of smile, except he didn’t quite know, did he? “The Akielon King is going to be visiting Vere for the first time in eight years.” Herode’s expression grew sly. “I’m sure we can all guess as to why he’s suddenly interested in visiting.”

Laurent dropped his knife. It made several heads turn; Laurent flushed and ducked his head. To Herode he said, “The Akielon — Damianos is coming? When?”

Herode’s eyebrows met together in the middle. “You weren’t aware, Your Highness? It was confirmed last night; he should be here within a week.”

A week! Laurent’s eyes widened. Had someone told Damianos about what Laurent was doing? Was that why he was suddenly coming to Vere — to beat him up? Oh god, his father was going to kill him.

Thankfully, the panic on Laurent’s face was mistaken for something else. Herode said, “Oh! Did the King want to surprise you?”

“Yes, he probably did,” Laurent said weakly. “He’s always doing that… surprising me.” He let out a weak chuckle.

“I think that’s wonderful,” said Herode, and god, he really was the sweetest man ever. Why hadn’t he given birth to Laurent?

“Yes, wonderful,” Laurent agreed, stomaching sinking. He was so utterly fucked — and not in the good way.