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triptuckers · 5 months ago

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drunk in love - remy lebeau

Request: nope Pairing: remy lebeau x reader Summary: remy is comes home drunk, so you take care of him Warnings: mentions of alcohol, language, mentions of sexual themes/making out but not actually the real thing dont worry, remy being a whiny lovesick puppy, one mention of throwing up but no actual throwing up Word count: 1.7K A/N: currently binge watching x men 97 PLEASE give me more gambit content pls marvel I'm willing to beg you on my knees. based on a screenshot I saw of a comic page. enjoy!

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you're sitting on the couch, reading your book. it's dark outside, and the clock on the wall tells you it's way too late for you to be awake. you weren't a night owl, but this book was just too good. every time you want to put it away, a chapter ends in a cliffhanger. you couldn't bring yourself to close it without finding out what happened next.

the story is so good and you're so focused on it, you nearly jump out of your skin when you hear the door knob rattle.

it was late and remy wasn't home. he went out drinking with some of the other x-men. it wasn't often they were all free and in the same city, so you knew if it did happen, remy would usually stay out til late. not coming home til long after you'd gone to bed already.

you weren't expecting him to come home this early, so you're immediately on guard. slowly, you put your book down and creep closer to the front door. you grab the closest thing you can find to use as a weapon. you don't know how much damage a tissue box could do, but at the very least you could throw it at the intruder and run away.

remy had tried to teach you some self defence tricks in case something happened and he wasn't home, but he was nearly always right there with you, so you never really learned it.

you wish you had paid him more attention now.

as you get closer to the front door, you see a shadow silhouetted against the glass. and then you hear a voice, cursing while trying to open the door.

'merde... why won't this fucking key fit... fuck off...'

you unlock the door and open it. maybe a little too quickly, because remy all but stumbles into you. you barely manage to catch him.

when he looks up at you, he gives you a dazzling smile with his eyes half closed. 'hello, mon amour.' he says.

you laugh softly and roll your eyes as you shake your head. of course he'd stumble home drunk. you already know your evening is far from over when he's like this.

'come on.' you say. 'let's get you inside.'

remy does a spectacularly bad job at getting up. and he's heavy.

'remy.' you say, holding on to him. 'work with me here.'

you manage to get him inside and lock the door again. remy is looking at you with a smile on his face.

'I hadn't expected you back yet.' you say, walking into the kitchen.

remy follows you and grabs one of your hands with both of his.

'I missed you, chéri.' he says, pulling you close and nuzzling his face in your neck.

'we live together, remy. I saw you this afternoon.' you say.

you feel his lips press against the side of your neck. you briefly close your eyes and allow yourself to revel in the feeling. then you gently push him away.

you hear remy whine and turn to see him pout at you.

'you don't love me anymore?' he says.

'of course I do, my love.' you say. 'but you're drunk. you need to drink some water and go to bed.'

you grab a clean glass and walk over to the sink. as you're filling it up with water, you can sense remy's presence behind you. seconds later, you feel his hands on your hips and his chin on your shoulder.

you mange to turn around in his arms and hand him the glass of water.

'drink up.'

'can I get a kiss afterwards?'

you roll your eyes. you don't want to admit you think it's adorable when he's this handsy and affectionate. you would only encourage him and you really meant it: you wouldn't do anything when he's drunk. he'd do the same if the roles were reversed.

'sure, love, you can get a kiss afterwards.'

you have to hold back your laughter as remy's eyes light up and he downs the glass in one go. you smirk and blow him a kiss before he can lean in.

'hey, what the fuck! no fair!' he exclaims, frowning.

'come on.' you say, holding out your hand to him. 'let's go to bed.'

he all but stumbles over his feet in his haste to grab your hand and follow you.

'yeah, let's go to bed.' you hear remy say behind you. you can tell by the tone in his voice you two have different ideas about 'going to bed'.

'to sleep, remy.' you clarify.

he sighs so loudly you can feel his breath on the back of your neck. you smile to yourself, amused at how fast his moods change when he's drunk. and about the fact he's such a love sick puppy when he's had a few. that is, more of a love sick puppy than he normally is. god, he really loves you.

when you get to your bedroom, you motion for remy to sit down on the bed. you kneel down to untie his boots.

'loving this view, mon amour.' comes remy's voice from above you. 'you know I love it when you get on your knees for me.'

'I'm just taking off your boots.'

'sure you are.'

'I am, remy.'

'are you sure?'

'yes, I am sure.'

remy sighs dramatically and lets himself fall back onto the bed. you glance up at him and see how tight his pants are. of course he'd not only be overly affectionate, but also turned on.

you tug off his boots and socks, raising to your feet.

'stand up for me, please.' you say.

remy opens his eyes and smirks at you from his position on the bed.

'now this view, I like.'

'it's literally so late remy, come on, I want to go to bed.'

he takes a hold of the hand you offer him and lets you pull him to his feet. you reach out to undo his belt.

'wow, chéri, buy me dinner first.' remy mumbles above you. you can tell by his quiet voice he's ready to go to sleep but fighting to stay awake. you wonder how much of this he'll remember tomorrow.

after undoing his belt and helping him out of his pants, you tell him to put his arms up so you can pull his shirt over his head. he does what you ask and doesn't even make a flirty comment about it. that tells you his tiredness is really kicking in.

you briefly step away to get a pair of sweatpants and a shirt out of the closet. as you hand them to him, you allow remy to rest his hand on your shoulder as he puts on the pants you've given him. you let your eyes linger on his muscular chest as he puts on the shirt. you really did get lucky with him, even if he can't keep his hands off of you when he's drunk.

you gently guide him to the bed and help him lay down. you get into the bed next to him and feel how remy pulls you closer, burying his face in your neck.

'you will kiss me tomorrow, right?' he mumbles against your skin.

you run your hands lazily through his hair. 'if you aren't hungover as fuck, which I think you will be, then yes, I'll kiss you, my love.' you say.

'oh fuck yes.' he says, making you chuckle softly.

'goodnight, remy.' you say.

'sweet dreams, mon amour.' he says.

just as you expected, remy falls asleep within seconds. you lay there for a while, absently running your fingers through his hair and thinking about how much you love him, before you eventually fall asleep as well.

when you wake up in the morning, your chest feels heavy. you open your eyes to see remy has somehow put his entire body on yours during the night.

you stay like that for a while, until you can no longer deny you really want breakfast.

with some effort, you push remy off of you so you can get up. he's still asleep as you lean in and press a kiss to his cheek.

as you make breakfast, you're softly humming to yourself while you're in the kitchen.

your morning is quiet. you decide to let remy sleep for as long as he wants, maybe it would make his hangover less extreme.

just as you're making your lunch, you hear remy coming down the stairs. he stumbles into the kitchen, grumbling something in thick accented cajun you can't understand.

then he all but leans his entire body weight on you as he's standing behind you.

'why does the world hate me?' he says.

you laugh. 'good afternoon to you too, my love.'

'morning.' he mumbles. 'your voice is so loud, chéri.'

'this is the thanks I get for taking care of your drunk ass last night?'

'sorry. was I being an asshole?'

'no, just the usual. you couldn't keep your hands off of me.'

'you're used to that.'

'I am.'

you turn around. remy wraps his arms around you and drops his forehead to your shoulder.

'is this what dying feels like?' he mumbles.

'no, my love, this is what being extremely hungover feels like.' you say. 'you want coffee?'

'dear god no, the thought of it makes me want to throw up. I'll just lay on the couch.'

'you're so dramatic.' you say, gently taking a hold of his face and holding it in front of you.

remy closes his eyes and leans into your touch. 'this is making me feel better already.'

you lean in and press a kiss to the tip of his nose. when you pull back, he opens his eyes and smiles briefly at you. then he sways a bit on his feet and sucks in a sharp breath.

'still want to kiss me like you said yesterday?'

'oh, mon amour, I think if I stand really still and you don't move, the world stops spinning.'

you laugh at him as he groans, pressing one hand to his forehead. you decide to take it easy for the rest of the day. the two of you alternate between taking naps and you reading your book out loud to him. as the day passes, you can't help but to think that maybe a hungover remy isn't so bad. you secretly love how he refuses to leave your side when he's hungover.

A/N:If you want to request something, make sure to read my house rulesHere’s the list of characters I write for. Everything that I have written can be found on my masterlist. Please don’t repost, steal or translate my work, as I spend much time and effort on it!! Thank you for reading! Much love, Marit

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calder · 1 year ago

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Released in 2010, Obsidian Entertainment's Fallout: New Vegas actively concerns itself with the realities of gay existence, and is widely recognized as a noteworthy work of queer science fiction. New Vegas extensively examines social attitudes towards homosexuality among the game's major factions, and primarily conveys this lore through gay and bisexual characters describing their own experiences. It also allowed the player to mechanically set the Courier's sexual orientation. By taking both available perks, the player character can be bisexual. By choosing neither, the player can opt out of seeing flirtatious dialogue options.

Uniquely, Fallout: New Vegas explores homosexuality in the context of wasteland societies, and touches upon related issues. The core theme of New Vegas is that the desire to recreate the past is driven by irrational nostalgia, and any endeavor to manifest past glory is dangerous and doomed. The social issue of homophobia is used as a demonstrative example. The resurrection of corporate and military power structures presents new avenues for Old World problems such as institutional homophobia to reemerge. One of the many issues that divide the New California Republic and Caesar's Legion is the latter's open persecution of gay people. The NCR is described as tolerant and even accepting of same-sex relationships, though acceptance tends to fall off the further one moves away from the developed, urbanized core of New California. In recent years, the Republic's rapid economic transformation has led to an unforeseen erosion of the humanitarian ideals which it was founded to serve. In practice, to recreate America was to take on its shortcomings and its sins. As subsistence scavenging has dried up, the people of the NCR increasingly turn to wage labor, entrepreneurial venture, or military enlistment to keep their families fed. Meanwhile, their government enacts morally corrosive imperialism (narrative verbiage), their dominion expanding indefinitely as their infrastructure crumbles from within. This has led to a profit-based imperial monoculture which must conquer, consume, and coerce to perpetuate. As personal politics and service labor grow in importance, people find themselves more inclined to present as "normal" in the interest of financial stability and political expedience. A loading screen visualizes this culture of artificial social normalcy: the portrait of President Aradesh on the NCR 5$ bill neglects to depict his unibrow, earring, and facial scarification, overall portraying the once-chieftain so cleanly-cut as to be unrecognizable at first glance. He also appears to be wearing a collared shirt or suit as opposed to the robe he wore in Fallout.

In the Legion, Caesar has mandated that every legionnaire take a wife and produce children, citing high infant mortality rates and the constant need for soldiers, and going as far as instituting child quotas. He treats human beings as a resource to be exploited for war. Ostensibly in this aim homosexuality has been declared a capital offense punishable by death. Historically, routine demonstrations of violence towards women and gay people are a deliberate feature of fascist societies, the only logical cultural conclusion of a government devoted entirely to war and control. In Forlorn Hope letter 9, an NCR soldier wrote wrote the following to his boyfriend:

Dearest Andrew, Writing this seems pretty morbid, but tomorrow we march into the no man's land between our camp and Nelson, which is crawling with Legion. The Major insisted I write this damn "if you get this, I'm dead" letter so here it is. What a crock. I have the luck of the devil and your love on my side, so I'll be home soon. Keep the porch light on for me. We'll party in New Vegas when I get back. I love you. —Devin

Devin believed he would prevail over the Legion because his love would keep him safe. He was found dying or dead on the battlefield, the letter was found on his body. In a post-release patch, the injured soldiers were removed from the battlefield for performance reasons, and never re-implemented. Driven largely in reaction to the Legion's hyper-masculine posturing and misogyny, rumors persist across the Mojave that gay male relationships are not only common within the Legion, but condoned. These rumors are repeated commonly in NCR society. A closeted NCR Major mentions that the Legion is "a little more... forgiving" about close male "friendships," speaking in a hushed tone to avoid suspicion. At the same outpost, the player can encounter Cass, a bisexual civilian woman. She may flirt with a male Courier, who may imply they are gay, prompting her to imply gay men are more common in the Legion. Even as gay men fight and die in the name of love under his command, NCR General Oliver may remark to Courier Six at the Second Battle of Hoover Dam: "If you think after all that's happened, I'm going to grab my ankles and take it like the Legion..."

This writing pertains to institutionalized homophobia which manifests in practice though power structures and social interactions without being written into law. Simply put, in his derogatory remark, the general expresses to his army that military surrender is gay, much like their gay enemy. From the brevity and bluntness of this remark, it's clear that this sentiment is already well understood among his ranks. Logically, to project strength in the eyes of such a leader, one might also project homophobia by scrutinizing and harassing one's peers and subordinates. In this atmosphere, the expression of homophobia is not only normalized, but materially incentivized. For the ambitious, it becomes a tool, and a way of casting shame upon rivals. For the closeted, homophobia becomes a survival tactic, hoping to throw scrutiny off oneself. This is why Major Knight is immediately frightened when a male Courier flirts with him. He is so profoundly alienated that he romanticizes life as a gay man under the Legion. The Legion punish homosexuality with death, and yet Knight characterizes them as more "forgiving" than the NCR. Through these apparently disparate events, the audience can trace how a distorted perception of gay people emerges among insecure men in a military environment, and subsequently becomes ingrained in the corresponding civilian culture. At the 188 Trading Post, a lesbian from the Brotherhood of Steel named Veronica also wryly remarks that she believes legionaries have gay sex about as often as straight sex. She also notes that this only applies to men, as women have no rights whatsoever in Legion society. In this aside, she conveys a pre-existing frustration with lesbophobic social norms. Veronica also mentions that the people of her bunker would rather she remain on the surface. The Mojave Brotherhood of Steel has no official policy prohibiting homosexuality, but an implicit attitude among its dominant members that their limited numbers require everyone to have children to avoid extinction. Numerically, this may seem logical on the surface, given their reluctance to recruit outsiders. However, given their tiny population, this is an ineffective countermeasure, as they do not have nearly enough members to maintain genetic diversity for more than a few generations. This approach is not universally supported by all family units within the Brotherhood, but every individual is ultimately at the mercy of the elder. Veronica was in a lesbian relationship, but they were quietly separated by Elder Elijah, due to the dominant culture of enforcing heterosexual pairing among their population.

Caesar's law has not ended homosexuality within his domain. Despite the obvious risks, some legionaries have continued to pursue relationships behind closed doors, especially given their access to slaves. So long as members complete their societal obligations and fulfill the child quotas, they are able to pursue romance with other men in secret. Homosexual relationships in the faction are noted as being relatively equal compared to the average Legion husband and wife, in a "Don't Ask, Don't Tell" sort of open secret policy. Gay legionaries must always make sure to keep their activities hidden. A centurion was once almost caught fraternizing with the teenage boy he had chosen to tend his tent. Despite previous "romantic" intentions, he quickly resolved to dispose of the slave to dispel suspicion. Had they been caught together, the centurion would have been charged with homosexuality and sentenced to death. This story is only known because the enslaved young man, Jimmy, managed to escape execution. Further illustrating the cruelty intrinsic to Legion governance, it's stated that homosexuality was the crime, and not the rape of a young slave; in fact, it seems Jimmy was forced to contribute to the child quota despite being a gay teenager, and the experience left him traumatized. He has resolved to never have sex with another woman, as the very notion triggers memories which fill him with disgust, and (in his own words) makes him feel like a slave all over again. The Strip is indifferent to gay people, viewing them as another opportunity to make caps. Both the Gomorrah and the Atomic Wrangler are interested in maximizing profits, and their prostitution services cater to clients regardless of their orientation. The openly gay Jimmy works at nearby Casa Madrid, but there is some tension among his peers due to his co-worker Maude's blatant homophobia. She supposes he's "okay, for one of those," and if propositioned by a female Courier, Maude will direct them to Sweetie for such "perverted" services. Pretty Sarah must regularly intervene to keep the peace among her staff.

The Followers of the Apocalypse, well-read punks who seek to embody healing through anarchistic values, are not concerned with gender. Most are openly and casually sexually active. Upon meeting Courier Six, Arcade Gannon offhandedly makes his gayness known, unprompted. The audience must face the fact that Arcade's apprehension of the Legion is far from abstract; under Legion law, he would be put to death. One possible ending gives further insight into Caesar's hypocrisy: should the player sell Arcade into slavery and leave Caesar alive, he will keep Arcade as a personal physician and philosophical advisor. They intellectually spar at length, and Caesar grows singularly fond of him. Accordingly, Arcade imitates the historic suicide of Cato the Younger by disemboweling himself. The Legion's remaining medics attempted to save his life, but none were Arcade's equal. Caesar understood his doctor's final gesture of contempt, and mourned him for months.

New Vegas ventures further into themes of healing from the trauma of sexual violence, from the perspective of a lesbian character. Corporal Betsy, an NCR sharpshooter, is a rape survivor, and suffers with PTSD from the incident. Her unprocessed trauma has manifested as a maladaptive tendency to aggressively and explicitly proposition the women she encounters, in an effort to reassert a sense of control. This defensive hypersexual impulse has negatively impacted her ability to connect with other women. A male superior officer notes that her behavior is inappropriate for anyone of her stature, but abstains from disciplining her out of sincere concern for her mental health. The Courier can help her begin to recognize these problems, and convince her to seek treatment from Doctor Usanagi at the New Vegas medical clinic, which proves helpful to her as she processes and heals from her trauma.

In Old World Blues, the Think Tank are five floating brains in jars who express themselves by waving robotic arms bearing screens depicting facial features. Before the War, they were federal scientists who committed crimes against humanity in the name of weapons development. Each is stuck in some sort of neuro-bionic feedback loop which prevents them from moving forward with their projects, mentally binding them to their central laboratory. Walking through their homes at Higgs Village, it's clear each was deeply neurotic before they were transformed into floating brains. Now without bodies, they attempt to maintain the illusion that they are exempt from sexuality as purely mental beings, but each displays obvious interest in the human form. They have codified this shaming with the term "formography." Most of the men are obsessively defensive over their complete disinterest in penises, which they talk about constantly. However, the shameless Dr. Dala shows overwhelming interest in observing and recording any and all human functions. Already androgynous in her pre-War life, Dala has taken to self-identifying as a "gender neutral entity" (though she is not known to use they/them pronouns). Regardless of the Courier's gender, they may coquettishly scratch themselves, clear their throat, and stretch in front of Dala until her biomed gel decoagulates. Dr. 8 also responds positively to graphic masturbation advice from Couriers of either gender. The X-8 research facility is ostensibly a massive immersive shrine to Doctor Borous's hatred of Richie "Ball-Lover" Marcus, a long-dead child who bullied Borous centuries ago. He also clings to his resentment of one Betsy Bright, who refused to attend a dance with him, supposedly so she could "go smoke with RICHIE MARCUS." Clearly arrested in development, Borous has literally built a temple to the fantasy of torturing his adolescent romantic rival and feeding him to dogs. His frozen, static characterization of the jock Richie Marcus as a "pinko-commie" who "likes balls" reflects the shallowness, pettiness, and overall misanthropy underlying his patriotic identity. It remains apparent throughout Old World Blues that the Think Tank are all chronically sexually repressed, which is inseparable from the values of the violent and judgmental pre-War culture which created them. With time and isolation, this ingrained repression has manifested as various intense and deranged psychosexual behaviors, including rage-fueled homophobia, voyeurism, and the obsessive performance of puritanical pretense.

____

“Although I’ve been out for a very long time, I made a conscious effort to be out with relation to this project, as I wanted to be visible as a lesbian in the game industry. New Vegas itself is, I think, one of (if not the) best games out there in how we treat homosexuality – and all of that is very intentional.”

“If my work on FNV, if my being out has helped even one gay person, then I have succeeded.” — Tess “Obsidian’s Gay Cowgirl” Treadwell

____

written (with help from other editors) for fallout.fandom.com/wiki/LGBT_representation_in_the_Fallout_series criticism welcome

#fnv

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these-posts-arent-real · 8 months ago

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Oh StarClan... your dash has turned into warrior cats again.

#sorry <3 #this one has parts that are based off of that #one post rhats like "if there were cat-people #do you think calico tboys would try to dye over their patches"

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🔁 🍲 ex-thundrclan-kipper Follow reblogged

🍲 ex-thundrclan-kipper Follow

Me & Night (my mate)!!!

🏞 trouttail-prefers-bass Follow

:O Kip's mate has finally been revealed!!! And his name is Night? Cooool.

🍲 ex-thundrclan-kipper Follow

Yeah haha. Technically his full name is Night Hunter, Bringer of Darkness, but it feels so weirdly formal calling him that, so I usually stick to just Night.

#life #kittypet #collar tw #cw collars #id in alt text

8,504 notes

🛤 carnation-stem-02 Follow

I find it really funny when I see cats on here vaguepost about big blogs. Like cmon mouse-brain everyone here knows who you're talking about. Just say their name.

#this is about that one mommy blogger shitting on kipper the kittypet #btw #in case some of you couldnt tell #would be funny if it wasnt so stupid

12 notes

🔁 🐍xviper-the-fagx reblogged

🥬 rxttencatmint Follow

Hahaaaaa.... my mother found out ive been slowly dyeing my ginger patches black...

🪺 robbbinpaw Follow

Why would you do that??? Being a tortie is so cool, I wish I had ginger patches! They're so pretty, why do you want to get rid of them???

🥬 rxttencatmint Follow

Uhm. Gender dysphoria??

Like. I know cis male tortoiseshells exist but they're so rare that most cats take one look at me and go "oh, tortie, must be a girl" and that hurts.

🪺 robbbinpaw Follow

OH STARCLAN im so sorry Rot i wasnt even thinking about you being trans, I probably sounded really insensitive... I do understand what you're saying now.

Didn't even ask, how did your mom take it? Does she know why?

🥬 rxttencatmint Follow

You're fine <3 I get it. And no, she uh.. has no clue why I did it, she thinks I'm in my "emo phase" or something.

🐍 xviper-the-fagx

Uhh unrelated but what do you use to dye your fur?? Asking for... science...

#"science" meaning i am also a tortie tboy #well technically i'm calico but ykwim

46 notes

🔁 🦋 lalala-bluegaze Follow reblogged

🦢 gentlesong-momof17 Follow

I can't be the only one here who thinks it's unfair to allow kittypets on this site. Posting pictures of themselves and their mates inside of the twolegplace, influencing the young kits on this site to abandon their Clans... surely everyone else sees the problem with this as well.

This is Clanblr, not "Kittypetblr". This was specifically made as a space for Clan cats to connect, not for kittypets to push their lifestyle on us.

They're going to convince our kits to abandon their home and their belief in StarClan just for a more secure life.

#EXACTLY #I only recently found out ex-tc Kipper was a kittypet #it was so upsetting to me because i've always loved his wood-scratch art #to find out he's a clan-abandoner was so saddening

2,447 notes

🔁 🐍xviper-the-fagx reblogged

🌻 l1llyst3m Follow

The recent drama surrounding Kipper the Kittypet is sad and I hate that he's being bashed just for existing, but it's also incredibly stupid. I believe the cat who wrote the original post said something like, "it's CLANblr, not KITTYPETblr," and then something about belief in StarClan and I just... do you even realize how many Clanblr mods are non-Clan and/or don't believe in StarClan?

To name a few, @s-t-a-r-burning is former WindClan now rogue & openly an atheist, @theshadowhaseyes has been a kittypet his whole life, and @ssuunnrraayy-p has made zir entire blog about how ze travels from one Clan to another & doesnt consider zimself a Clan cat. Those are all mods. "It's clanblr no-" shut up. Just shut up.

245 notes

🧷 name-lists-by-theme

Theme: Water

as always, these work as either part of your name, but they are intended as the first part!

-Abyss

-Bay

-Bog

-Cove

-Creek

-Current

-Dew

-Fog

-Lagoon

-Lake

-Marsh

-Mist

-Pond

-Pool

-Puddle

-Rain

-Shallow

-Sleet

-Spray

-Splash

-Storm

-Stream

-Torrent

Keep reading

383 notes

🐱 berrrrry-o Follow

I think a lot of cats put way too much emphasis on the parts of the warrior code that dont matter, and forget the parts that do, like "feed elders and kits first" and "never neglect a kit in pain or danger"... I feel like those are significantly more important than "a warrior rejects the soft life of a kittypet," but maybe that's just me.

#berry yaps #I'm irritated by the kittypet drama going on on this site

16 notes

🔁 🛤 carnation-stem-02 Follow reblogged

🔲 sag3-chas3s-squirr3ls-deactivated

I feel like we don't talk enough about how SkyClan got chased out of their own territory during a time of crisis rather than all of the Clans trying to make room for everyone...

I mean, seriously. I know it's taught to all SkyClan apprentices, but I've talked to some of my friends from other Clans and they just. Didn't know that. They were never taught that the other Clans allowed SkyClan to be chased out due to territory loss.

🔲 sstep-xoxo-deactivated

:/ im pretty sure the whole thing about skclan being kicked out of their territory is just a conspiracy theory

🔲 sag3-chas3s-squirr3ls-deactivated

Imagine trying to tell a cat that they don't know their own Clan's history 💀

#ohh i finally found it again #that 1 fucker trying to say that skyclan's history is a "conspiracy theory"

20,056 notes

🌱 dirtdigger-23 Follow

:/ I do not like being stuck on the wrong site.

#fakeposting #fake dash #fake dashboard #warrior cats #warriors #warriors dashboard simulator #warriors dashboard sim #dash sim #warrior cats dashboard #cat dashboard simulator #dashboard simulator #dash simulator #unreality #clanblr

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elodieunderglass · 2 months ago

Note

I'm not as familiar with LOTR as you are, so I wondered if you could tell me if my wild theory is completely off-base.

No one knows where the Hobbits came from, except that at some point they diverged from the line of men. No one knows much about the Entwives' appearance, but we do know that they fucked off a long time ago.

Could the Entwives have been dryad-ish and hooked up with the hobbits' ancestors and so be the foremothers of the hobbits?

Ah I think I saw that post! The concept has a lot of charm, and when the Tolkien estate loses its corpse-grip on the property in 2050 or so, I think you should write it and sell it 😤 I’ve definitely read some good takes on entwives in fanfiction that both leaned into canon and moved away, and I think that sounds like good fun to explore. A common theme in the fandom is playing with Yavanna, the Green Lady, being the mother or patron of hobbits. This isn’t canonical, but she’s a “green goddess” archetype and is married to Mahal/Aulë, the father of dwarves, which shippers often leverage to their advantage. You could do something quite charming there with Yavanna if you wanted to. We also know that Entwives loved gardens and orchards rather than forests.

Some things I would explore with this include:

what is going on with all these consistent ideas of people, races, women disappearing. We know that a lot of it is how Tolkien processed an almost OCD-like Catholic framing of “the fallen world is getting worse and can never be repaired”, war experiences, romanticism and other stuff stewing in his old man head. What are some ways you could show what’s stewing in your head? What does “people disappearing” mean to you? and why is it especially healing that they disappeared in order to make new families?

I think “they disappeared from their old kin and made new kin” is an interesting and weird thing worth wondering about!

- this would possibly make hobbits a more recent race than is implied. What does that mean to you?

- why are hobbits teeny tiny?

A very good starting point, that Terry Pratchett used a lot, is taking some grand statement in fantasy fiction, and making it reflect a different political reality. “Most dwarves are girls actually.�� “Wizards parody academia, but, like, FOR REAL.”

I personally have a different take because of my own political feelings and framings! I have a lot of complex feelings about Tolkien chickening out of hobbits. For various political reasons I personally have to take the stance that they are fully human, fully indigenous, and have their own native language. and that their disappearance is less “teehee we lost them” or “O, the Catholic guilt of the Fallen World, how far we have fallen from the light of the two trees God’s sinless light” and a lot more “oh yeah I’ve seen THAT pattern before.”

If you have a political sort of lens on, someone telling you “yeah… hobbits came from nowhere 🤭 and then disappeared 🤷‍♀️ sad!” is a story that can also invite the response of “OHhhhh you wanted their LAND real bad, huh.” Like, we know what that means, right.

It’s a political stance for me. Hobbits have to be close enough to us to touch, and we have to be able to face that, and the fact that 5,000 media properties will chew on tolkienelves and sell them to you before even admitting to the 🤭 just makes it even more of a 🤨. To me.

…But I have literally just been elbow deep in my own demented fanfic thing that involves inventing a language just to swear in, to enable my standing on a box shouting HOBBITS OUGHT TO RESIST GOING EXTINCT ACTUALLY, based entirely on, I think, spite. Why do multiple authors publish orc football games (Terry Pratchett) and orc coffeeshops (Legends and Lattes guy) and do every damned thing with every bit of Tolkien’s corpse but refuse to look directly at hobbits. I am feral over this and wrote 59k words so far to damage and harm my friends

In conclusion I see a great story shape there about kindred and I think you should explore it and it should be about evolutionary biology and women and divorce and nobody being wrong.

And if anyone argues you with some podcast boy “well actually”, just bite them and do more character work and sit on their heads

#I can’t possibly be the 1st to feel there is a huge land justice element to how hobbits are framed #i’m sure somewhere in the thousands of papers of Tolkien academia #and meta fandom #some other clever person has written about this right #right

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dceasesd · 7 months ago

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why juni ba’s the boy wonder has my favorite jason characterization of any contemporary comic run: a needlessly in-depth analysis (pt.3)

go check out part 1 and part 2 if you'd like! this is a long one, sorry guys.

if you haven't already i'd recommend you check out pt. 1 & pt. 2 (linked above), but if you haven't checked them out i've been going over some of the main things people have been criticizing ba's characterization for: 1. the typical boiling down of jason's character to "the angry one" 2. his lack of strategy going into the fight with the demon is out-of-character 3. the neighbor's kid interaction

alright, so this last point is purely based off of one page of the entire comic: the one where the child of one of jason's neighbors is dragged inside his home when his mother see's jason coming.

first off, i love this page. it might be my favorite page in the entire issue. everything about it is great. just thought i needed to say that.

anyway, there's some people who are seeing this page and reading it as "jason protects kids! that's one of his big things! why are they scared of him?"

here's the thing, though: the kid isn't scared of jason, the mom is. the kid is literally playing dress up as the red hood-- he's not scared of jason, if anything he's trying to replicate him. little kids dress up as their heroes all the time; why is this kid any different? it doesn't really make sense for the kid to dress up of something he's scared of (not everyone is as weird bruce wayne), especially a real person that could be a real threat rather than a concept. i doubt you see many kids in gotham dressing up as the joker or something, because that's just asking for trouble.

the dress-up honestly seems like a ploy for attention to me. the kid clearly knows that red hood lives in his building (which is honestly so funny. take off the mask jason you're giving you're position away (actually this is a really good instance for analysis but i'm determined to not go on a tangent)). if the kid knows red hood lives in his building, what better way to get his attention that dressing up as him and playing pretend? if the kid was scared of him, he wouldn't want to draw that sort of attention to himself. if he had a sort of hero-worshippy thing going on like i suspect, then he would want to get jason's attention. to sum it up,

it's the mom who pulls him away when jason nears, because she either a) perceives him as a threat, b) doesn't want her kid to try and replicate him even more, or, the most likely option, both! the kid isn't scared of him, but the mother believes they should be.

once again, we come back to the whole perception vs. reality theme i talked about in part one! we've come full circle, everyone!

when looking at the neighborhood's perspective of the red hood, ba gives us a few contradictory examples. there's the kid and the mother, obviously, but there's also a slew of other citizens who interact with him at the beginning of the issue, both in fear and camaraderie.

the unhoused man and the people outside of his building clearly have a familiarity and are comfortable with him, while the shopkeeper is terrified and literally has a banned poster on his wall featuring jason (i am so curious what he did to deserve that, if he even did anything at all). from this, it appears that jason's reputation teeters between fearful and familiar-- a sentiment that also colors jason's relationship with his family.

furthermore, this concept underscores just how lonely jason is-- one of the only good relationships he had in his current life was his fucking landlord, for gods sake, and he's dead.

i think it's important to note that jason doesn't respond to the friendly greetings from the men-- he could attempt to build camaraderie, the roots are there, but he chooses not to. he could work to try and show the mother that her son is safe with him, but he chooses not to. why? jason is obviously lonely (as ba states in the panel below) and he caves pretty easily when damian asks him for help (both of them are so desperate for human interaction its tragic). so why does he distant himself from the community?

obviously it is in part due to the vigilante lifestyle, but it is also jason's perception of himself and how he believes others perceive him, especially in regards to his family (ba is literally hitting readers in the head with that theme baseball bat).

he doesn't see that the kid with the mask looks up to him, all he sees is the mother pulling him away. he sees the banned poster in the store. and, as ba narrates, "he was sure he'd been forgotten about" by his family. utrh is jason's twisted way of attempting to reach out and connect with bruce, and obviously that doesn't work-- so he chooses loneliness over rejection.

like in part one, though, damian refutes this idea by describing bruce's perspective, showing how what jason believes differs from actuality. bruce hasn't forgotten about him and doesn't hate him, as he suspected, but instead harbors guilt over the situation and desires to make it better, which jason must come to understand to be able to open the locked door and begin to move past his trauma.

so, that's what the little kid in the red hood outfit looks like to me. i actually have a lot more i'd like to say about the boy wonder, especially in regards to the whole "door to my past life" thing and what ba does with lighting and blocking in his artwork, so i may do a little post on that as well! i was gonna try and shove it into this one, but i've run out of room! i hope you guys liked my analysis, if you'd like to chat about the boy wonder or any other comics, my dms, asks, and reblogs are happily open! thanks for reading! :)) <3

pt. 1 / pt. 2

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therobotmonster · 4 days ago

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What does the Comic tell us About the Brute Force Toyline that Never Was?

Brute Force was Marvel's failed attempt at joining in the toy-cartoon-comic fun back in 1990.

What isn't often talked about (if ever) is how much effort Jose Delbo (and whoever else was doing character design work in pre-production) put into planning for the realities of toy design, because it's not hard to suss out what was intended from the art alone.

Parts Reuse Was Planned From the Start:

The metal production molds are the most expensive part of toy production, so any time you can reuse parts across multiple figures is a savings. Each side has two unique members (Hip-Hop and Lionheart for Brute Force, Armory and Ramrod for Heavy Metal) three that share obvious parts with an opposing figure.

Uproar and Wreckless appear to use the same upper arms, upper legs, pelvis and probably chest. Uproar's bullets were likely planned as an accessory.

Surfstreak and Bloodbath appear to just have different heads, maybe tails, and either different accessories and limbs or just different accessories depending on execution.

Soar/Slipstream and Tailgunner appear to have unique add-on armor for the wings, heads, and legs. The wings might also been different, but I'd guess that when time came to mold plastic they'd have used the same ones.

Size Classes are Easy to Guess:

The "charge into battle" shot gives you every indication of what size everyone was going to be sold at. My guess, based on the art and the action features later shown off, is it would break down like this:

Small - Soar, Surfstream, Bloodbath, Tailgunner

Medium - Lionheart, HIp-Hop, Ramrod, Uproar.

Large - Wreckless, Armory, the toxic mutant (if they planned on making the off-theme guys)

Super Large - Heroic and Evil Transports

It's harder to place Heavy Metal since they don't seem to have add-on vehicles, but the art represents Armory as being huge and a major threat...

And uproar seems to have mass equal to Lionheart on his cycle, though he might have been packed in with the villain's large transport or had another add-on vehicle planned later.

It's likely that the vehicle-attached figures would have gotten solo releases, likely with different decos. As was the style at the time.

They Planned for Action Features, and I think I know what they were.

Furman and Delbo knew how to make a toy-comic, and everyone gets to show off their action feature in a toy-comic. Brute Force leaves some solid clues for what those features would have been. Now, there would probably have been launchers (Wreckless's Bearzooka), water-shooters (Surfstream almost certainly had one), etc, but I'm talking more about the showcase feature.

Surfstream and Bloodbath Were Low-Effort Transformers-

-or else they were biting MOTU Dragstor's style. Surfstream and Bloodbath clearly had both swimming/rolling configurations and upright figure configurations.

Soar (and likely Tailgunner) Had Blast-Away Armor

You don't do this trick twice in 4 issues if it's not your gimmick.

Wreckless and Uproar loved Hugs

My guess is there was at least some thought put into the possibility of Wreckless and Uproar having a "bear hug" feature that could work as general limb-swinging and chest pounding. In addition to the grabs Wreckless does a lot of right hooks and, oddly Uproar mainly fights with his mace for a character with bullet bandoleers. This one's harder to nail down because the actions are very obvious for bear/ape characters, but either a weapon-swing or a grab/bear hug seems really likely.

Wreckless's gun is the kind that you could mount on a figure's shoulder without them needing to hold it in-hand, so the arms might have been free for the action feature if my guess is right.

This Octopus Bastard Spins

You can't tell me Armory doesn't spin. perfectly radially symmetrical middle section designed in such a way the central body could spin while the legs and head stay stationary. arms that grip weapons or other figures, he's huge and clearly meant to be Heavy Metal's mega-weapon. He spins.

Hop-To Heroes

Now, if there's one thing the Brute Force characters do, it's leap. But the characters with the larger lock-on vehicle armor all leap out of the vehicle to attack a foe at least once.

I have to wonder if the vehicle figures were intended to be ejected from the vehicle as a leaping attack. (this would seem thematically in line with the armor-shed gimmick from Soar) This would be in addition to some general reconfiguration between low-riding "speed" modes and upright battle modes.

Ramrod would have had a headbutt gimmick.

It's literally all he does in the comic. I don't think he even has a gun.

Conclusions

Brute Force was intended into be a not just an action figure line, but a feature-heavy character driven line. The play patterns imagined were ambitious. I see Starriors, Transformers and Centurions DNA in there, and it would have been a lot more fun than Captain Planet for an eco-themed franchise.

The Marvel crew clearly learned a lot from the toy industry from working with Hasbro, Kenner, Mattel, Mego and numerous others through the years, and it shows. This concept started with toy ideas, it's just a pity no one was incentivized to make them.

#Brute Force #marvel comics #heavy metal #talking animals #adverttoons #toyetic #toy design #character design #1990s #80s nostalgia #90s nostalgia #deadpool

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leidensygdom · 10 months ago

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The ways in which being asexual feels isolating

I've been pondering whether to post this or not, but I figured out I wanted to explain a bit of this experience.

So, I could go on a very long tangent on how being asexual is usually a lonely experience, and how much I've been otherized here and there- Specially in real life. How the same people that claimed to be queer (or allies) had been much weirder about my asexuality than they were about me being bi/pan or whatever.

But I think I wanna talk about how something like that bleeds in every aspect of socializing, even down to something like fandom. I stay away from fandom usually- I like to look at cool fanart and that's about it. I hate discourse, I hate drama, I hate reading people getting worked up because they're treating fanon as canon. But there's one thing I've noticed, over and over, that just sends me off my rails.

And it's how fandom tends to treat asexuality (or aromanticism). So, you get a character in some piece of media that explicitly, unequivocally, states they're either ace, aro, or both. "I do not have interest in a partner", "I don't desire to have sex nor do I enjoy the topic", whatever. And as an ace person, I do appreciate being able to see myself in media- There isn't many chases where something is established that bluntly.

Now, you decide you want to check some fanart for that. Fandoms have this tendency to make absolutely everything about shipping, even when the media they're basing it in does not revolve about that (and it's annoying, because a lot of times people aren't interested in the actual themes- It's all reduced to shipping). Suddenly, you notice people treating the aforementioned character as anything but aro or ace. It's all about shipping. "This person interacted with this other person in a way two friends would, but we gotta make this their entire personality now". Some people may instead go for "well, maybe the character is not having sex, but they're probably an absolute freak about it, studies it extensively, has encyclopedic knowledge about it-"

Now, there's of course sex-favourable aces, and that's completely valid, but it's already straying from what, canonically, the character had mentioned. Asexual or aromantic characters aren't really allowed to exist as themselves. People often see them as a blank slate to fill, to change, to fix. I could talk forever about how people react to real life aces like that. I've had people asking me incredibly invasive questions because they saw my lack of sexual attraction as something broken, something they could fix.

And I hate that! I think I'm allowed to say that I hate that! It's hard and unusual for media to cement an aro/ace character, because they're defined by the lack of interest for something, which is often hard to show. But when it does- No one seems to care. It's all shipping, it's all "well, he's gay in denial", "well, she's probably super repressed". If you took a canonically gay character and made them straight on a fanfic, you'd get angry people. Which is bound to happen when you erase representation that people identify with. But aro/ace characters are NOT even seen as queer, they're not even seen as "representation" by most people. You can erase that bit of it, put some god awful shipping on top, and people will applaud you. And it sucks!

I wish people would see being aro or ace as an identity worth respecting, not an identity that needs overwriting. It feels a bit too close to how people often treat aro/aces irl, and it sucks. It reeks of this sort of exclusionism, where "aro/aces are technically queer but it's queer lite at best, it's less interesting than being gay, and we kinda don't want them near us anyhow". Again, I've had far worse experiences about being ace than I have about not being straight.

Sorry if the post got long, but I hope this experience may at least resonate with other people who have been struggling with this, too. It has always felt just kind of lonely to be ace, and see how little people do even consider it an identity, even when it comes down to something like fandom.

#lgbt #lgbtq #asexual #asexuality #aromantism #aro #ace #aroace #aromanticism #queer #long post

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moonsaver · 3 months ago

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hesperus

The evening star calls home. Ruin is your saving grace.

Tw/Cw; Suggestive/explicit scene, gender neutral reader, implications of religious themes (not great), dubious morals(?), reader is a COUGARRRR (implied), Sunday loves older authority figures (guilty), just guess at this point. Also reader is implied to be like a parental figure to Firefly. OOC because i love making canon characters my own ocs.

Pairings: Stellaron Hunter!Reader x Sunday (romantic), (hinted) Firefly x tb, (platonic) Firefly x reader.

A/n: 5.8k words, i hate this fic, enjoy whatever whatever.

——

“Will you be okay?”

The small girl looks up at you - trepidation and concern visible in her eyes.

“I should be asking you that, lovely.” You smile, gently tugging a strand of hair behind her ear. Her hair was beautiful, in your opinion. You often verbalized how beautiful it looked, mentioning it as silver under a blue moon.

Firefly still had concern in her eyes, dampened by your words, her hand clasped over the middle of her collarbone.

“I'll make it.. I think.” Her determination made way through uncertainty. You hum, smiling at her.

“You will, as shall I. If you ever need, I will be there.”

You wink, making the young girl smile a bit. The small, almost sad smile, still breaks through her worry.

“I've heard they've been on the lookout for us. I'm..”

She didn't have to continue. You already knew. Your hand comes up and pats her head, gently.

“We'll be fine. Go on, my sweet.”

You smile, softly. It seems to melt away the rest of her trepidation.

She takes a moment. Then nods. Worry and uncertainty now embers as determination fires through her eyes.

You wave her off, as she makes her way.

You are being watched. But you are aware.

–———

You hum, swirling the champagne glass in your fingers, watching the bubbles rise to the top, and stick to the edges in clusters.

“Interrupting your break, am I?”

The man beside you laughs, softly. Almost forced. He doesn't respond further.

“I'm guessing your weekends are spent tending to your white coat.”

You tilt your head, looking at him, a small smile playing on your lips. He doesn't bother acknowledging you.

“I give it to the dry cleaners, actually.”

“Ah, busy man. I suppose I should leave you be.”

“..I have an inkling you won't.”

His wings bristle slightly. His halo shines beautifully – a sort of warning that hangs over his head. Sharp edges, blinding gold. Angels crafted to deter the evil.

But you aren't phased. Perhaps it is the alcohol.

“There was a story, I remember. If you're up for it, of course. It's quite old.”

“Ah, an anecdote from your life?”

“I'm not an ancient tablet.”

“I wasn't aware.”

You chuckle, setting your glass down, the glass base clinking as you do.

You take a brief moment; simply to compose and immerse into the present moment. You look over at the man, allowing yourself to shamelessly scan him despite the unreturned glancing or staring.

“Owls and Ravens were once friends. And both had snow-like feathers. As pristine as white clouds on the expanse of a sky.”

His hair is soft, blue and hazy under the warm light of the bar, shimmering the slightest bit. He shifts in his seat, perhaps to get more comfortable.

“They decided, then, to paint each other, since nothing else was there to do. The Raven painted the Owl diligently, in patterns and dots. And the Owl sat patiently through the process.”

His eyes are piercing, golden, yet they rest, conserved and distant.

The alcohol hazed your vision, smoothing out the edges like a loving artist's strokes against the canvas of his visage.

Your fingers circle the rim of your glass, returning your gaze, watching the bubbles clear.

“But when the Raven's turn came, it never sat still. And as the Owl painted, it painted over the Raven entirely, marring it's feathers as black as obsidian.”

“What a shame.”

Your foot playfully taps the side of his, making his leg stop jittering up and down.

“Indeed.”

He hums, his gaze temporarily flitting from your foot to your hand, placed on your knee. He almost acknowledges you.

The background is a warm blur against your view of him, almost as though he's the sole performer on a podium – the light seemed to belong to him, and him only.

“You have a daughter, am I correct to assume?”

His fingers tap, rhythmically, like patters of rain.

“No, just.. a friend. But I consider her as such.”

“She left in quite a hurry.”

“She did, didn't she?”

“has the dream not been to her liking? In the case something has gone awry, The Family hopes–”

“Oh, you know, kids these days. They see someone they like and skitter like a fool.”

He doesn't seem to take your words in stride. But you smile.

“I see.”

You stretch, spinning in the small loveseat, planting your feet down as you rise,

“See someone you like?”

“Already got a view.”

Sunday finally acknowledges you - his eyes trailing your form as you walk away.

——–

“I love you!”

The voice crackles from the plush toy's broken voice box, as Sunday peers down at it. He doesn't move – idly looking at it, and yet not bothering to pick it up.

He stares, for a few more moments, noting the grime and the tears at the seams. The small stains of probably candy or something sweet sticking to its “paws”. The bear had worn down inexplicably from love. The very love it spoke at every press. And from abandonment. He found himself wondering at the fleeting childhood passing by like a reeling ribbon from a child's hands, as if the bear had been dropped unwillingly, and had not been allowed to reunite with it's owner again. A strange dilemma – not alive, yet full of the most humanly feeling. So full, infact, the cotton burst at the seams, and it's button nose was dull.

With careful movements, Sunday picks it up, by its collar behind its “neck” [if you could even say it had one]. His hand holds it at a bit of a distance.

“A fan of soft toys, Mr. Dreammaster?’

Your voice teases him. You watch his arm slightly falter, imagining a plethora of emotions on his face you'd love to pull at like strings of a tapestry falling apart.

“..I am the Head, of The Family. The Dreammaster would be–”

“It's alright. I was joking.”

“I wasn't.”

His voice is still, flat. There is no semblance of emotion.

“Feisty, today. Was your toy missing for a long time? Sour about how it looks, hm?”

Sunday breathes out; an amicable replacement for a drawn out sigh. He turns to you, still holding the bear at a distance, staying quiet.

“Now, that is no way to hold a gentleman.”

You walk forward, and gently grasp the bear in both of your hands. Sunday's eyes flicker to your gloved hands, as though in his own curiosity of your lack of concern in terms of hygiene.

“There. Better. You ought to be respectful to your elders.”

“Ah, yes. My apologies. I should have bowed when you spoke to me.”

He bows slightly in jest, his hand on his heart,

“Hm, that's right.”

Sunday smiles, looking up at you from his bowed state. You seem to pay more mind to the bear in your hands, an array of similar thoughts in your head as you process it's appearance.

“Do you want to take it with you? Who knows, you might come to like it.”

“Please, that's no way to ask someone to get rid of it.”

You eye his non-faltering, feigned innocent smile. He simply closes his eyes and continues smiling.

“Well, turns out it has a nametag. It won't hurt to stitch it up a bit and return it back.”

He hums, watching you fix the bear's little dishevelled bowtie.

And then he clears his throat, catching your attention.

You tilt your head, curiously looking at him.

“Yes?”

Sunday points to his own tie, slightly miffed. You chuckle,

“Well, now. Whoever shall fix that?”

“Perhaps an elder. They know better than I.”

You roll your eyes, setting the bear down gently onto the side, removing your gloves and fixing his tie.

———

“Cozy, cozy.”

Kafka purrs into the phone, the rasp of her voice not blurred by the digital medium, as you stare in the distance at the blue-haired halovian.

“Kafka, I'm gonna have to call you back soon.”

“Just when things were about to get interesting..”

You roll your eyes – she can't see it, but she chuckles, knowing what your silence meant.

“Alright, goodluck. Looks like you'll need it.”

You hang up before she has anything else to say, pulling out a compact mirror, and adjusting your appearance. Just as you snap it shut, a small creak of the loveseat beside you indicates his occasional arrival.

“You're late. And I hoped a man of your stature was more punctual than that.”

You tease, watching his eyes never meet yours. Only this time – you catch it. He swallows, rather thickly, watching his adam's apple bob as he does.

“I don't recall having scheduled any meetings with you.”

“Oh?”

His reply is curt, almost condescending if you weren't the type to brush it off.

“Seems my last story hasn't melted the ice yet.”

“Not an inch.”

“D'aw, alright. Wanna hear more, lovely?”

His wings – not his ears – twitch slightly at the pet name. You notice the faint rush of blood to the tip of his ears.

He doesn't answer, choosing to be chaste in silence. You huff out a chuckle,

“Alright, drink's on me then. I'll tell you something interesting.”

——

In your travels as a stellaron hunter, you've assorted many into repulsions and desires that draw you in.

To fast thrills, versus the indignancy of a dragging present. You find yourself drawn to the bright lights of a night bar, versus the blinding array of a scorching sun. To shallow connections in lieu of heavy and complex relationships. Attachment would be your downfall. Ruin is your saving grace.

However, you find yourself looking for your repulsions.

The grey haired girl stands in front of you once again, shuffling from foot to foot, her eyes low and shy as her hands fiddle with a stray lock of her own hair. You eye her for a moment, before humming, and gently coax her to face you by placing an index finger under her chin and raising it up.

“Little bug, what's on your mind?”

“Um..”

“Script not to your liking?”

You watch her mumble under her breath, her face slightly tilting down as she resists the urge to tuck it away again. As she does, you gaze from over the top of her head; a familiar blue haired man walking into the distance, followed by panicked coworkers. It seems he will be amiss once again, for today.

“I couldn't.. tell them.”

“The trailblazer?”

She hums, nodding.

You huff out a chuckle, patting her head.

“You have your chances, do you not? Rest easy, your time will come.”

She visibly relaxes, her shoulders slightly dropping, and her hands leaving the lock of hair to return to her sides. Her eyes are still low, as though scanning the pavement under your feet, as she contemplates. You watch her bite the inside of her cheek before she raises her face again and nod.

There is a fire in her eyes.

It is almost like the Sun.

You are almost afraid of it.

“I'll do it. As many times as I need to.”

You smile, leaning back onto the cold wall behind you.

“We should go shopping after your next attempt.”

You find your jaw clenching after the words slip from your mouth. Your repulsions are your weakness. Yet you still seem to subconsciously seek them out. It's a testament to your human nature.

She nods, smiling at you. She stays in her place for a moment, before she speaks again,

“I could.. ask Kafka to go with you if I don't make it.”

You turn and glance back at your usual spot at the open bar‐empty without you and the man you've been missing lately. Your smile only widens at her perception. Clever girl.

“No need. I'd like some silence anyways.”

She seems a bit unconvinced, as she continues to gaze at you for a brief moment more, scanning you for any deception. Out of worry than any ulterior motives, unlike the woman she mentioned a while ago.

Truthfully, you were lonely. This is what your ruin does to you, regardless of how it saves you. A few conversations lure you into a false sense of companionship, regardless of however brief it must have been, even encouraging you to divulge more than necessary if desperate enough. You find your eyes flitting at anything the colour of pale blue. At anything that glows gold under a light.

You chuckle and wave,

“I'll be fine, honeybee. Go, be on your way, now.”

She nods, smiling at the pet name.

You find your repulsions carry you elsewhere, the bar fading into the background as you walk the opposite direction, once all spying eyes have cleared. You find your eyes flitting to find him. However, no matter how blessed your vision may be, the absence left behind can only be described, not pointed to. Ultimately, it is your mind that hinges on the assessment of what you have lost, or gained.

But it seems this time your heart has taken the hit – a burrowing feeling between the slats and the depths of your ribs as though an animal had sprung from it, and left it behind as a husk of what it once was.

–——

Sunday tuts, his fingers taking a bold graze of your hair, sliding and gently tugging out a lock.

“You ought to take better care of your hair.”

You stay silent for a brief moment, and it's apparent to him aswell that you hadn't expected him to do something so.. casual, considering his formalities. He takes his time to address it in your period of silence.

“I simply noticed and commented on it, no need to look like a deer caught in headlights.”

His eyes flicker to yours for a moment, and avert immediately. You watch his hand fall to his side, his fingers slightly shaking. You can't tease him on it – it would be hypocritical. A slight, excited sort of feeling sparks in your stomach.

You lick your lips, and take a sip of your beverage, feeling your senses dry up a bit. The liquid instead burns at the dryness of your throat.

“You're into haircare, hm?”

You reply, ignoring the brief silence and the tension it carried.

“Often. It comes with taking care of my wings.”

“Ah, I see.”

Silence once again. Unlike the pleasant one you two usually shared, this felt different; it felt electric. Thick, a bit suffocating.

“I like your piercings.”

His hand, previously resting on the counter, subconsciously raises up to fiddle with his earring,

“Thank you.”

You stay silent again, almost inviting in the tension that causes him to graze his teeth against the inside of his cheek, a step away from chewing on the sides of it.

You break the ice first.

“Do you prefer gold or silver?”

“Silver.”

He stays silent for a moment. He's often found his mind wandering when it comes to you – wondering how various adornments would suit you.

“Really? Didn't take you as a silver type.’

“Ah, about me?”

“Who else?”

He felt silver suited you; more than your complexion, he simply felt.. drawn to it. Like the faint glimmering of a moon's reflection on a lake. You were someone who's depths were mysterious, almost alluring to him.

You stay silent, too. The question hangs in the air for a brief moment.

You watch his shaky fingers rub slightly at his nose. You've noticed a lot of things about him. The tips of his nose and ears that turns red a bit too easily. The faint fluttering of his ghostly blue lashes. The twinkle of gold – not just of his halo, but the various imprints of it on him; jewellery, and the woven golden threads of his pristine suit.

His eyes follow to your hand, on the bar's countertop, swallowing thickly again.

It seems despite everything, he's still a fool in the grasp of his shame.

He looks away,

“I prefer gold.”

——

Sentience is a curse, he thinks.

His fingers tap and circle the perimeter of the frail glass, a clink accompanying each one. Waves form on the surface of the shimmery liquid from the small force.

Morality is a cruel beast. Because it is unrecognisable. And it knows you.

It follows you, through your ages. A small, ghastly and putrid thing, akin to a shameful, big animal. Hunched over, following you like a chore. Like a lost, stubborn child. It grows with you. It becomes bolder. It becomes aware. It has your voice. Soon, the mind caves and buckles into the grasp of the dastardly beast, that grows like uncontrolled weed on a substrate. It grows and envelops. And it tells you – can you truly allow yourself to do this? And the answer is never yes. Morality is a curse. A big ugly thing, unafraid to show it's face. It fills the room when silence staves arguments in the form of chastened tension.

Yet he finds himself, almost seeking it out. Searching the cruel shackle of his morality, almost wanting it to shame him into hiding.

Your place is empty. He notes. He closes his eyes for a brief moment, fluttering lashes coming to a halt. He envisions the faint waft of your perfume, the dainty clicking of your fingers over the rim of the glass, the cheeky tap against his agitated foot. Sunday would find himself already ashamed, if he'd outright admitted he'd actually been staring at you, from his periphery. You overshadow the ugly beast, drawing out a sort of soft, beautiful serenity with a hollow voice, and an elusive persona.

Angels are, by design, made to stave evil. Somehow, however, it seems he has attracted one. A devil in the form of you. And yet, like a man yet to feel the cold relief of forgiveness on his lips, he wanders aimlessly in his mind, as though in search of you. Sin is unbeknownst, ignorance is plaguing, and yet he revels in it. Even for a moment.

He huffs out a laugh. A novel turn of events. Its his turn to wait for you, isn't it?

Yet it seems easy to do, simply imagining your form beside him once again, telling him another strange tale, either for your own amusement or to reel him in. He disregards the source. His weary face finds an ache, a pleasant one, as it pulls into a faint smile.

As sentience drives a being to deviate from instinct, his awareness has driven him to exhaustion. Yet you are a double edged sword – a balm for his exhaustion yet endlessly pushing him to caution.

——

“You've been gone too long, haven't you?”

You croon, a cheeky smile on your face, Sunday bashfully keeping his eyes locked to his drink. Despite everything, he cannot meet your eyes.

“I have.”

For the first time, the pastor is of the guilty. The devil has come to exorcise him. But exorcism does not mean erasure of sins, neither does it mean cleanly cutting off the strings that attach one to them. You may as well weave more of these strings, and craftily ground him to you.

“How will you make it up to me?’

You drawl, leaning on the palm of your hand, speech slightly slurred from the alcohol.

“..How would you like me to?”

His gaze is trained on his hand – gripping the fragile neck of the glass with a bit too much force.

You hum, twirling your own glass, watching the liquid rush and bubble at the edges.

“Tell me a secret.”

He swallows.

A secret?

“Is that.. truly what you desire?”

“Mhm.”

You take a sip of your beverage. Sunday is relieved, yet almost disappointed.

“..very well.”

He breathes in, and takes a moment to compose himself. His eyes flit to you, a small flicker of boldness somehow making him hover over a line he dares not cross. His gaze wanders to your lips, the slight crinkle beside your eyes, the squish of your cheek against your palm. He eyes your clothing.

A stellaron hunter.

It was as though he was placing himself as the bait in a trap. As though he was the one caught in the trap. What else could he complain about? Except for that of which he can't admit – his unbecoming is his fault.

His fault for unreeling like a ribbon under your daft fingers. He finds himself wanting to spill like an ink bottle, the surface tension of the liquid keeping it from just flowing over the thick, glass borders.

And he breathes in your perfume. He breathes in the expanse of the night's air. And he spills. He spills so cautiously, so quietly, as though he is afraid of staining his own lips with the tenacity of his words.

He has many secrets. Most of which were handed to him, more akin to an heirloom than an actual personal matter. More akin to a treacherous contract than whispered confessions. How he wishes this was a confession to you, than an unveiling over his disgusting innards.

But you listen, unwavering. A lazy smile still gracing your lips, stained with grapes and understanding. It is as though you were stained in so many ways, his words are unflinchingly simple to you. It becomes a confession, rather than a revelation at the altar of the cartilage shell of your ear.

And you keep it. You keep it like a lost prayer. Like a silent vow.

“..want me to whisper it to you?”

You return the sentiment, offering a request. It seems you are no guiltier than he innocent.

———

“Can't convince you, can I?”

“Not at all.” Please don't try, anyway. He lets those words die on his tongue.

You huff out a laugh, a bit forceful, as you look away from him, folding your arms.

“Shit, you don't pull any punches, huh?”

A pang of guilt hits him at the slight hurt in your forced laugh. But he can't be deterred.

Not that you were going to, considering Elio's script. It's on you, really. But you didn't expect it to actually hurt.

You watch the empty audience seats, his back turned to it.

“It's a pity. I wish I could have seen this theatre when it was filled to the brim with people.”

“..it would have been an extraordinary view. It always is.”

“You look forward to it?”

…

“Not anymore.”

You hum, your teeth nipping at the skin of your lips. The quietness of the theatre is exemplified at the rustle of your clothes, as you turn to look at his back. The light of the podium makes him look beautiful. His halo is almost blinding. He looks like the Sun. You'll be lead to your death, at this rate. Wasn't Ruin supposed to be your saving grace? Here you are – disguised as both Icarus and the blinding Sun.

Sunday stands still, a cleancut form, unable to face you. You can stare at his back all day. But the pain resounding in your chest from your heart hurting strings you back into the present. You breathe deeply, and sigh,

“Alright. Goodluck, then.”

With one step forward, you disappear as quietly as you came. It's a trick familiar to your group; as Sunday knows. But even then, he braces himself to greet the empty space you leave behind, his heart sinking further at the loss of your presence.

———

Sunday finds the shackles of punishment more liberating than death on his knees.

He learns this in isolation. He learns many things in isolation.

He learns how to miss you.

Phantoms and taunts of your words echoing the empty expanse of his empty mind, wafting through the many whispers of the stellaron that plagued his mind.

His finger twitches upwards, when his lifeless eyes imagine the faint illusion of your affection, grazing fingertips over his knuckles. You hadn't actually ever gotten so physically close to him, but he indulges himself. He imagine the soft sensations of your lips on his jaw, trailing up to ghost the shell of his.

“Miss me, Mr. Dreammaster?”

He shivers at the illusion. Your voice is close yet far; reverberating in the hollow wasteland of his mind like a single thread of gold.

A lot. He wants to say. He swallows the words, and for the second time, the fruit lodges in his throat. To admit is to acknowledge the sin.

“Make it up to me, Mr. Dreammaster?"

A knock. Your phantom, agonisingly so, vanishes like a mist casted away by a gush of wind. But the interruption is far from divine.

Jade, from the IPC.

——

Like gently settling fog, rumours stagnate over a crowd. The whispers and the hushed words are not elusive to your ears.

Your phone buzzes, but you ignore it. Firefly is accompanied by Silver wolf, you wouldn't have to worry.

As much as your thrills lure you to the lavish party to celebrate the Nameless, your repulsions seem stronger.

You sip your beverage, tipping the glass up, but your eyes stay on your phonescreen. You hadn't ever texted Sunday, and neither had he texted you. You two hadn't even called. There was no history. It would be as though you could keep your phone open for hours and no one would bat an eye. Even for the most prestigious of those in stature would have to occasionally practise patience when it came to him. Who would you be? The vague, elusive stellaron hunter who's suspected of causing trouble wherever they go? Like a stray piece of pebble that's easy to disregard and kick away, who is he to ever glance at you?

And so you stare, measuring in silence, the strange stirring of feelings in your stomach. You could blame it on your beverage, but you hadn't drank enough really, mainly because you couldn't even bother keeping it down.

Buzz

You blink, watching a notification pop up, and promptly retreat as you click on Sunday's contact again.

He messaged you?

No, it couldn't be. It must be one of The Family's members.

You push yourself off of the wall you'd been warming with your back, and take a small step forward in contemplation, your eyebrows knitted as you stared.

Why would they send you to his office's location?

——

Sunday breathes in, the cool, familiar air of his office hitting the back of his throat as he does.

There is a certain pleasure in ordinary things.

The patience of a ceramic cup that stays warm with coffee. The smooth crafting of the surface of a wooden desk. The ambience of the air conditioner accompanying the steady scribbling of a pointed tip on paper. The comfort in reclining back in a cushioned office chair. Things he may as well soon never come across again.

He swallows, his eyelids doing little to shield the overhead lighting of his office, but still keeping them closed to simply savor the feeling.

A shadow emerges, obscuring the light from his eyes, casting a shade on his face. It's soon accompanied by the faint wafting of perfume.

“Miss me, Mr. Sunday?”

This wasn't Ena's dream. But for a moment, he could have considered it.

You're leaned over from behind him, watching down at his face as he opens his eyes. He opens his mouth, but decides to stay silent.

Your hand comes up to gently cup the side of his face, your palm pressing beside his eye, fingers reaching the bottom of his chin. Your thumb lingers around the edge of his mouth. You both stare at each other, simply noticing the dilation of each other's pupils.

“It's just Sunday.”

He tells you. There is no animosity, no hostility in his voice. It's almost a whisper, as though he's unsure if you are real. His own hand reaches up, and cautiously, his fingers graze the side of your face.

Your skin is warm. Your relaxed smile widens as he does so. He shivers.

“Savouring your final moments?”

He smiles.

“I am.”

You stay that way for a moment, before slowly leaning back and standing up straight. Sunday gets up from his chair and moves to stand across you.

“Couldn't let me know where you were a little earlier?”

You tease him, but he can sense the slight irk in your voice.

“My deepest apologies. How can I make it up to you?”

You hum, spinning on your heel and walking around his office, fingers grazing the edge of his desk as you walk beside it, and to the front. You turn, leaning on it, your back facing him.

“A secret won't be enough this time, y'know?”

He watches your hand fiddle with a few trinkets on his desk, your other hand supporting you. He makes his way to you again, rounding the desk, and stands in front of you,

“What may help?”

You hum again, but he knows better. You're feigning your contemplation.

You smile, still leaned back against his desk.

“I wouldn't know. Something special before we depart?”

“Hm.. is that so?”

He steps closer, his hands placing themselves right beside your waist on the desk behind you, caging you in. His eyes never leave yours.

“Mhm.”

You smile, looking at him.

He leans in, eyes falling lower, on your lips, as he asks,

“Now, what shall I do?”

His warm breath fans over the lower half of your face, and the small exposed bits of your collarbone.

“Perhaps do as your seniors advise you.”

“Hm? Who?”

You grab him by the collar of his shirt, push off of the table and swerve him, pushing him against the desk as you lean in,

“You can listen, can't you?”

He breathes in, slightly winded at the switched positions.

“I might need guidance.”

You huff out a laugh,

“I'll guide you, so listen well.”

You lean in, your lips almost brushing his, but pull away when you sense he might lean in, his lips stay slightly parted as he watches you.

“You need to be patient, okay?”

He almost doesn't hear you, swallowing as he eyes your lips, his abdomen constricting, feeling something tighten and coil.

“I will.”

You smile. And lean in, testing his resolve,

“Do as I say, alright?”

His lips twitch, and his breath hitches. He waits, agonisingly, as your lips brush against his, but don't press. He whispers out,

“I will.”

“Good.”

You finally press your lips against his, and it's as though a river rushes through his veins, as he eagerly kisses you back. His breathing is heavy, his hands unsure as they hold onto your waist, but you're made aware of his desperation as his nails unconsciously dig into your flesh, through the thin fabric of your shirt. You suck in a breath at the feeling, and he almost moans, his wings bristling and tensing as he desperately tries to deepen the kiss, almost panting into it as your tongue brushes against his lower lip, eagerly parting them open.

Sunday can taste the alcohol mixed with your sweet saliva, causing his head to spin a bit, but instead he presses further, his tongue eagerly lapping at every inch of your mouth. You pull away for a moment, but his mouth follows close, kissing the side of your mouth and trailing them down the column of your throat. You breathe in, shivering as you close your eyes for a moment, each wet kiss electrifying and going straight down to your core.

He mumbles your name against your skin, his tongue laving at a spot before his teeth nip at it, causing you to gasp. Your hands crawl up to the base of his head, one pushing into his fluffy hair and fingers entangling within the strands.

“It's okay.”

You breathe out, but he shakes his head slightly.

His tongue presses against the base of your throat, and drags up all the way to the corner of your mouth, before his lips envelop yours again in a heated kiss. He parts, panting,

“I wanted to see you. Every second I spent there..”

His hands run up and down your sides, feverish at the contact they'd been restrained from,

“I know.” You say, looking at his dishevelled state, your hands coming to rest on his chest.

"I wanted to return to you."

You feel his hands slide down and rest on your hips, his knee nudging between yours, before he slides up further and pushes his thigh at your core, making you jolt for a moment at the contact. His hands stay firm on your hips, almost pressing you down onto his thigh. Your hands clench at the fabric of his shirt as the contact shoots up your spine, making you arch slightly into him.

He breathes in, leaning down, his lips graze the shell of your ear, hot breath coming out in puffs as he whispers,

“I'm yours, aren't I? So go ahead and prove it.”

You smile.

“Alright, then.”

–——

“[Name]!”

Firefly's voice calls out to you, and you smile, looking over her winded appearance.

But you weren't in the state to complain. You looked similar, if not even worse. Your shirt was slightly wrinkly, tie askew, your hair patted down in a rush. You hope no one noticed you wobble.

“are you okay?”

Firefly would be more worried instead of confused if not for the wide smile you've donned. She glances over her shoulder at the bustling crowd, her eyes almost searching for someone, before returning to you.

“I'm alright. Your hair.. seems exciting.”

You comment, and Firefly blushes, patting down her own hair.

“I'll tell you what happened later, but.. we should leave now.”

You nod,

“Silverwolf?”

Her hologram appears without a second's delay, her annoyed resting face almost lovingly familiar to you.

“Yeah, yeah, I heard.”

You both chuckle slightly at her.

The party ends on a positive note.

———

“Quite a pleasant surprise.”

“Greetings, to you too.”

You smile, your virtual form glitching slightly. Although Himeko doesn't disregard you as she does Kafka, she's still wary of you, as are the rest of the crew.

“Settling in well, chicken boy?”

Himeko cuts in,

“What do the Stellaron hunters need now?”

You chuckle, softly,

“Miss Himeko, it's been a while, hasn't it? Regardless, I sincerely apologise, but these questions are solely for Mr. Sunday here.”

Her face shifts, almost unnoticeable, clearly displeased by your words. She sighs, and glances back at the new recruit. The rest of the crew follow her suit.

Mr. Yang's voice flows in,

“Perhaps there remains any unfinished business with the stellaron hunters? It would be wise to address it sooner than later.”

“None of the sort, Mr. Yang.” You reassure, hands neatly folded, as you smile,

“Just a few, simple questions. Think of it as a.. survey, of sorts.”

“A survey?”

Sunday steps forward, facing your hologram directly. You would have blushed if it wasn't virtual.

“3 questions. That is all.”

“..alright.”

You sense his hesitation, slowly melding into trust as his thoughts process. Although relationships between your factors are complex and messy, it is you that's asking him.

“What is your name?”

“..I am Sunday.”

“Where are you stationed?”

“The Astral Express.”

“Are you happy?”

The question makes him hesitate, words stuck in his throat like a grape seed for only a moment.

“..yes. i am.”

You smile. Sunday faintly returns the expression. After a brief moment, you turn to Himeko,

“Kafka will speak to you shortly, Ms. Himeko.”

And you vanish. Just as mysteriously as you'd come into his life.

189 notes · View notes

xxkissesforchanniexx · 9 months ago

Text

𝐑𝐢𝐩𝐭𝐢𝐝𝐞

𝐏𝐭 𝟐

Pairing: Merman!Hyunjin x Human!fem!reader Genre: Angst kinda, Fluff🥰💖, Smut🔥❤️ Word Count: 4.7k Warnings: Blood, Chan is lowkey a dick, MURDER kinda, sex, p in v, cumming inside (use a protection >.>), possessive themes breeding kink, implied pregnancy it doesn't get a part tho i think thats it tell me if i missed anything.

A/N: Based on this TikTok someone save me from my imagination-

"The humans killed our ancestors, the pushed us far from the shores, our people died because of them."

"But why?" One of the merboys asked.

The class looked at him, small bubbles jetting behind the teacher from seashell horns on the coral wall. "Because they fear the unknown Hyunjin."

It was a while after classes he was moving on the current among the schools of fish, he saw the floaty. He moved for it confused. Why was a floaty this far from the shore. On the bobbing swan was a girl, she stared at him with wide eyes and he stared back. Her hands weren't webbed, she didn't have the fin like appendages jutting out behind her ears... but mostly, she didn't have a tail.

A HUMAN!? Hyunjin swam back slightly, fear prickling through him, the human tried paddling to the shore frantically, also afraid. His brows furrowed. Hesitantly, cautiously, he came above the water and tried forming the syllables he'd learned in class. "You swim no??"

The human girl looked at him. "You speak.."

Hyunjin made a face.

"Sorry. No, I can't swim." She laughed slightly. "What are you?"

Hyunjin tried to think of a word. "You caught... riptide." He pointed to the beach.

The human nodded.

"Catch current." He said, grabbing the floaty and pushing it rather quickly to the upcoming wave heading for the shore.

"Wait." The girl looked at him, her e/c eyes meeting luminescent sea green ones. "I'm y/n. What's your name?"

"Hyunjin." He said, pushing the floaty to the current.

The human grabbed his hand, he froze in fear. But she put something in his hand as the current swept her off. Looking down at it, he smiled slightly at a little moon charm.

Minho was poking Hyunjin's head in class. "Hey bubble maker. I'm bored."

"Class isn't over yet." Hyunjin sighed, fiddling with the moon shaped charm that floated around his neck.

"Sneak out with me." The merman behind him poked him again.

Hyunjin turned to Minho. "What do you take me for?"

"Come on." Minho smiled, the fin appendages behind his ears shifting, the scales that lined them shimmering a deep blue color in the light. "Chan and Yongbok must have already left class too. We can get the others."

"FINE" Hyunjin gave an exasperated huff, swishing his glittery green tail, pushing at the sand floor, startling a small squid.

Minho smiled, asking the instructor if he could use the restroom, a few minutes later Hyunjin asked to also go, and the two didn't return.

Meeting up with their friends, Chan, Changbin, Jisung, Yongbok, Seungmin, and Jeongin, the group swam out of the coral area and surfaced looking around. The sun was setting and sparkled against the water, lapping gently around them.

"Woah..." Jeongin, the youngest marveled, eyes glued to the shore. "How do humans build things like that?" He pointed past the sand to the tall structures.

Chan shrugged, "Last time I was on land, someone said there's a lot of math involved."

Changbin sucked in a sharp breath.

The rest looked at him, he was pointing frantically at something. A boat, not just any, but a boat with nets coming from it.

Hyunjin grit his teeth, "Isn't illegal to fish here?"

"It is." Jisung's eyes narrowed.

Chan looked at Changbin nodding. Before the rest could say something, both mermen swam full speed for the boat, slashing the nets and emerging from the water. Hyunjin watched as the people on the boat fell back into the water in fear. Chan dove again and even if it was far away, the scent of human blood reached Hyunjin's nostrils as he watched Changbin flip the boat.

"Disgusting scum." Yongbok spat, before swimming under.

Jisung pursed his lips before diving under as well, the others followed. As Hyunjin watched the boat capsizing he turned to the shore and his eyes widened at the sight of a human dressed similar to the others swimming and flailing frantically.

Chan came next to him, "Don't let him get far."

Hyunjin's ear appendages flared. He swam quickly, claws emerging from his webbed fingers as he closed in on the screaming human. The metallic scent filled his nose as he slashed the human's throat and let the current float the body to the beach.

You cringed as your boss slapped folder on your desk. "Another?"

"This one was a bit better than the last 4." The man huffed. "Guy we found on shore got out easy. Whoever or whatever killed him did it quick."

You made a face, squeezing the sun charm that hung around your neck. "I'll look into it, might have to stake out."

He nodded. "I could assign you a squad."

"If whatever or whoever did this sees a squad of men, it surely won't act."

"It's for your safety."

You rolled your eyes. "Fine."

Your boss smiled and patted the report. "Get to it."

You flipped through the report, looking at the images and the boat, the claw like marks on the fishermen's chests. You huffed, deciding to go to the forensics lab see what they had to say. When you saw the bodies all the forensic analyst and pathologist could say was that the wounds were ridged as if the blade used was jagged, not uniformly.

"Though, y/n." The forensic analyst pulled you aside to two microscopes. "Have you ever seen something like this?"

You looked into the microscope, there was a keratin like material under the first, similar to human hair but glittering.

"What is it?" you asked.

"A fraction of a scale from something...?" The forensic analyst sighed. "But look at this." She motioned to the other microscope.

Looking through it you saw a cell. "What about it?"

She grabbed you and shook you. "It's blue."

You shrugged.

"Y/N.. I didn't stain that sample."

Your eyes widened and you looked at the skin cell again. It was blue...

"I'm going on a stake out tonight." You said determined.

The pathologist and the forensic analyst looked at you a little scared.

"But-" the pathologist started.

"No!" You crossed your arms. "I'm going to figure this out."

You left the room before they could stop you.

Hyunjin probably shouldn't have but the moonlight looked so alluring through the water. The merman swam to the surface and hummed softly as he took in the moon, full and bright, the sky clear, his right ear fin twitched and he sucked in a breath. Boat...

His eyes narrowed as he tried to identify what type of boat. The nets flew and Hyunjin's gills flared, humans didn't ever learn. He dove under and swam toward the ship, claws out.

"There's something out there!" A man shouted.

Hyunjin burst from the water to slash at the man but his eyes widened as he saw a pair of eyes he hadn't seen in years. He pushed against the boat and dove again, swimming away as fast as he could.. He grabbed the moon charm around his neck and remembered, the human girl who got swept away by the riptide. She... He cursed at himself for not flipping the boat and getting it over with.

"I'm not crazy!" You shouted. "I saw a merman!"

"You've been saying that for the past two months." Your fellow investigator sighed. "Sure more fishermen have died but there's nothing to prove that you saw merpeople."

"Just go home and rest, Y/N, you look crazy." the receptionist quipped.

"Listen kid. You're barely out of high school trying to play investigator." The captain of your department patted your head. "Go home and rest. Let the professionals do their jobs."

You groaned in exasperation and walked to your office, sitting in the spinning chair, you knew you'd seen it, you'd seen it before. It- no.. he had your moon charm, you put your head in your hands and stared at the case report. Could there be others? You noticed it as you scanned the victims, the boats.. You grabbed the phone and dialed the natural resource reserve department.

"Hello. Natural resource reserve department this is Kady speaking."

"Hi I'd like to know if Sta Beach and the surrounding area is protected from fishing for commercial and personal use." You said to the woman on the other end of the line.

"Sta Beach?"

"Yes, ma'am."

There was a long pause on the other end of the line before you heard rapid typing. "Yes it is illegal to fish for any reason in that area."

You nodded. "Thank you." Hanging up the phone you stared at the pictures again. The fishermen were fishing illegally.. so...

You remembered how that blonde haired merman flew out of the water, claws out but froze as he saw you. THE MERPEOPLE KILL PEOPLE WHO HURT THE FISH! You stood and slapped the case folder closed. You grabbed your phone and carkey, dialing your boss's number as you left the station.

"Why are you calling me at 2 in the morning-"

"I know what's going on. I'm going to fix it myself."

"L/N-"

"It was a pleasure working with you chief."

"L/N IF YOU GO OUT THERE! I SWEAR I'LL-"

You hung up the phone and got into your car, staring the engine and driving to the beach again, as you came to the parking, you put your car into park awkwardly across three spaces and ran for the shore.

You watched as gentle waves crashed against the rocks and sand, removing your shoes, you ran to the water. The moon reflecting off it, stars glittering. You stared out for a moment, noticing a ripple in the water, a head surfaced, fin like appendages behind its ears, it shook its dark hair as another head emerged, then another. You held your breath as five more heads appeared and scanned the water, the first turned and locked eyes with you. Your eyes widened as it dove under the surface, the other heads turned.

You saw those sea green eyes again and you knew.. "Hyunjin..."

Hyunjin shouted, "Chan WAIT!" before diving after the first.

Your eyes widened as the first merman, Chan you assumed, burst out of the water claws bared. You scrambled back deeper into land and it landed, tail dissipating into two legs. You shrieked as he jumped for you. Someone caught him and dragged him to the sand. Hyunjin.

"She saw us!" Chan snapped, easily slamming Hyunjin into the sand.

"She's seen me before!" Hyunjin grabbed Chan's hands. "She won't say anything!"

Chan stared at you. The other mermen came to the shore and changed, they looked human, only their eyes having unnatural luminescence.

One of the men, hair purple and eyes pale white stared intensely at your chest.

You bristled, "It's rude to stare at a woman's chest y'know." You said.

"I wasn't staring at that." he walked forward and Hyunjin jumped off Chan but the purple haired man was faster, grabbing your sun charm and pulling close for inspection. "Hyunjin." he turned to the green eyed man. "Is this here you got that from?" he pointed to Hyunjin's necklace.

Chan stood, eyes narrowed. "She's the human?" He rubbed his face, claws retreating. "Why are you here?"

"I'm investigating why the fishermen died. I guess.." You looked at the men. "I have my answer."

Hyunjin looked at you. "You should go back."

"Why-" You started, but the sound of a siren made you turn.

A few of the men dove back into the water when they heard it, the purple haired man looked at Chan. "What if she says something?"

Chan looked at Hyunjin.

The lights from the police cruisers came closer and one pulled around the corner, a head sticking out the passenger window, gun drawn. Before you could react, Chan grabbed you and threw you into the water, you almost screamed, flailing around since you couldn't swim but Hyunjin grabbed your face, forcing your mouth open as he pushed you deeper beneath the surface. You choked as water invaded your mouth but he put something on your tongue and closed it. To save yourself from choking of the sea water you swallowed and covered your mouth.

The purple haired man tilted his head at you. "Speak."

"Huh-" You grabbed your throat, realizing you were breathing. You looked at them, Hyunjin's legs had become a green tail, Chan's a dark blue one and the purple haired merman now had a funny purple and green tail.

Hyunjin smiled and Chan still gave you an incredulous look. "Minho. Make sure they don't get away."

The purple haired man, Minho, nodded, shooting up to the surface.

"She can't stay." Chan huffed, swimming past Hyunjin and you.

Hyunjin looked at you.

"I thought I was crazy." You said.

"When I send you back you'll have to act crazy." he sighed.

"You can't send me back, they saw you guys drag me under-"

"Minho has it handled, you can return and say it was some kind of sea animal." Hyunjin looked at you. "Chan is right, you can't stay here."

"Says who!?" You snap.

"Do you realize I should've killed you when we met? You and I aren't supposed to even know each other! It's forbidden!" The appendages behind his ears flared angrily.

"Why is it forbidden? Ariel makes it work!"

Hyunjin made a face. "This isn't a fairytale. When human and merperson come together. People die. Why do you think we hide from your kind?" He shook his head. "When the sun rises, you're going back."

You stared at him. "Fine."

He swam after Chan, leaving you there.

If Hyunjin had ever eaten his words it would be years later. Blend in. Act human. Get the artifact and go.

So there Hyunjin was almost four years later, walking around a museum on land, dressed in a suit, carrying a "cellphone". He found the artifact relatively quickly, and admired the craftsmanship of his ancestors.

"Something peak your interest sir?"

He turned to the voice, eyes widening. You looked a little different from before, and if the human world was anything like under the sea, an investigator didn't often change carriers to a museum worker.

You looked up at him and bristled. Taking a step back and shaking your head. "Enjoy the exhibit."

Hyunjin opened his mouth to speak but you had already turned on your heel to walk away. He reached for you but a hand on his shoulder stopped him. He looked at Jisung who shook his head.

"Remember why we're here." he said.

Another museum worker came up to him and Jisung, she smiled and motioned the artifact. "According to native legend, almost 500 years ago this blade belonged to a merman, he fell for a human woman on the surface, and when they wedded in secret, the villagers took him for a monster who bewitched her and they took him away. The human woman told the other merpeople what had happened and hey came to get him back, the result was almost the deaths of nearly all the merpeople who lived on the coast, and when they did, the human woman killed herself with this blade. After the merman found out, he too killed himself."

Hyunjin hummed. It wasn't legend, it was fact. He looked at Jisung. "What an interesting story."

The woman nodded, "The museum is closing soon, please make your way out soon."

Jisung smiled, "Of course."

The men left the museum and Hyunjin grabbed the moon around his neck and breathed deeply. He did it for the best, so the past wouldn't repeat itself... he sent you home. But..

"Did you figure out anything?" Jeongin asked.

Hyunjin snapped out of his thoughts looking at him. "The museum is closing in an hour, we can get it then."

Minho nodded. "Kill the least amount of people as we can."

He nodded, thinking about how they would even get out of the city after they got the artifact.

When it was time to get the artifact, the lights in the museum were out, he could see just fine, sneaking in with Yongbok through a window at the back and making their way to the place he'd seen the artifact. Yongbok grabbed the glass and lifted it just enough for Hyunjin to reach his hand in and grab the handle of the dagger.

"How the hell did I know you'd come back here?"

Yongbok looked claws ready but his brows furrowed when he saw you. "Hyunjin?"

Hyunjin looked at you. "Let us pass."

"No." You huffed.

"Yongbok." Hyunjin handed him the dagger. "Get out of here."

"But-"

"Go."

The blonde haired man ran for it.

Hyunjin looked at you. "Why do you have to be everywhere?"

"I work here!" You snapped. "You're everywhere! Stealing that thing!"

"I'm following orders!" he shouted.

"Oh! Are you?! Kill me then! We can't know each other!" You bared your neck at him.

Hyunjin stared down at you. "No."

"Then what orders are you following Hyunjin?" You shoved him. "You let me live time and time again! What orders are you following?!"

"I can't kill you!"

"Why cant you?!"

"What reason do I have to kill you?!"

"Chan said it himself; I know your kind exists! I shouldn't be allowed to live!"

"You say that like you want me to kill you!"

"Maybe I do! I really thought we were friends! From that moment you pushed me back on the current when we were kids, I thought you were my friend Hyunjin!"

He looked away. "I can't."

"But you'll keep me alive." You gave a dry laugh.

"Of course I will!" He whipped around. "What type of moral code do you think I have?"

"You killed those fishermen no problem."

"They were hurting the fish."

You glared at him. "Take your artifact and go." You pulled off your sun charm and threw it at him. "If you see me, you don't know me."

You turned to leave but he grabbed you, pulling you back against his chest, his hair draping over your shoulder. "I just wish you'd understand.."

"I do." You said quietly, trying to pull away, but he held you there.

"No, you don't." He muttered.

"Make me understand." You reached up and touched his head gently, patting his hair.

He pulled away and turned you to face him. His luminescent sea green eyes locked on yours, and hesitantly, he leaned in, his plush, full lips centimeters from yours. And he kissed you gently, nose bumping yours before he turned your head, tongue prodding at your lips for entry. Your lips parted and he sighed softly at your taste, relishing in the feeling of being so close to you.

Then he pulled away, forehead pressed against yours. "I'll be back, I swear it..." He put the sun charm around your neck again and pressed a kiss to your forehead. "Wait for me."

You'd gone back to school, deciding to major in marine biology, it had been almost a year since you'd seen Hyunjin. Still illegal fishermen and the occasional oil dumping people in boats were killed, it was on the news and in the paper. More likely than not it was the work of Hyunjin's friends.

You sat in your apartment bedroom, flipping through your assignment. Your roommate was out for tonight, so it was just you. You tapped your desk as you read through the textbook looking for an answer to a question. You bit the plastic cap of your pen out of frustration.

"Maybe humans want the turtles eating plastic because they're no better." A voice said. That voice was familiar. A voice that was nothing but hostile to you. Now it sounded so calm.

You jumped slightly in fear, turning to your bedroom door.

"Woah woah woah!" Chan laughed. "I didn't mean to scare you. Just thought you might want to see your special guest."

You practically flew from your chair. "Guest? Chan how did you get into my apartment- What guest?" You pushed past the dark haired man and your eyes widened at the sight of Hyunjin and the others, who fiddled with your toaster.

"OW!" A short, well built man jumped, blowing on his finger.

"Changbin!" A thin blonde haired man grabbed his hand and went to the sink. "This is why Chan never sent you to human world before."

The group hadn't noticed you yet.

"Uh-" A young man poked Hyunjin.

"What, Jeongin?" Hyunjin turned to him.

The young man, Jeongin, pointed at you.

Hyunjin looked, his lips parting slightly as he saw you.

"GUYS!" Chan shouted.

The other boys looked at him.

"Let's leave them..." He ushered them out of your apartment.

Changbin was still staring at his finger.

"Oh wait.." You grabbed a paper towel and got an ice cube before handing it to Changbin. "Hold it to your finger. Toaster burns are so scary" You teased.

The other men laughed as Chan finally got them out of your apartment.

You turned to look at Hyunjin.

He smiled at you. "You live alone?"

You shook your head no.

"Where's your roommate?" He asked, fiddling with the ice dispenser.

"She's not coming back until tomorrow evening.." You said.

Hyunjin nodded and hummed softly. "I guess I owe you an explanation."

"Chan needed the artifact to find the old merpeople palace. If he found it then... we could come to the surface when we wanted." He opened your fridge and took out a Tupperware of something, examining it before putting it back. "I didn't think we'd find it.. But we did... it looked so old. It was destroyed."

You stared at him. "We destroyed it all that time ago... Humans right?" You moved and sat on your couch.

He nodded, sitting beside you. "It was destroyed because a merman and a human woman were in love."

You looked at your hands. "Is that why Chan hated me?"

Hyunjin nodded. "He was scared the past would repeat itself."

Silence spanned for a moment and then he hugged to his chest.

"I missed you." He said softly.

"You don't even know that much about me.." you muttered.

"I'm here for a while." he said rubbing your shoulder. "I'll learn."

You huffed a small laugh. Looking up at him, you smiled slightly.

He smiled down at you and leaned down to kiss your forehead gently.

You sat up and leaned in, kissing him gently.

The tips of his ears turned turned red. You giggled at his flustered expression but he grabbed you, kissing you again. He hesitantly reached his arm around you, pulling you closer. His tongue pressed its way between your lips and you smiled, allowing him entry. He groaned softly and pulled you onto his lap.

You put your hands on his shoulders and bit your lip looking into his eyes. He smirked and kissed your neck, his hand splaying on the small of your back. He sucked a dark mark beside your jaw and you moaned softly, he hummed and moved lower, his hands moved under you shirt and lifted it over your head. He tossed it haphazardly, his lips meeting yours again as you tugged at his shirt.

"You could've just asked sweet girl." He pulled his short off and kissed you again, his hands moving behind you unclipping your bra, he tugged it off gently before his hands grabbed for your chest. You moaned and arched into him. He groaned softly as you began grinding against him.

He tugged at your pants and you lifted off his lap, he tugged it down as far as he could before he turned your legs in way where he could pull your pants and underwear off all at once. He smirked at you flustered expression.

You grabbed his crotch and he whined. "Not so cocky now huh?"

He rolled his eyes and kissed you again, fondling your breasts as you fumbled to get his pants undone. When you finally got the zipper down, you pulled his pants and boxers just low enough to get out his cock. You stared at it for a moment.

"Y'know if I remember correctly, you said it was rude to stare a while back." Hyunjin teased.

You rolled your eyes and kissed him gently. "You're so dumb."

He laughed lightly and pulled you against him, rubbing his tip between your folds. "Are you ready?"

You looked into his beautiful eyes and nodded. He pulled you down and you moaned as your walls split around his manhood. He groaned when you throbbed around him, kissing your cheeks gently when you were fully sat on him. You rested your head on his shoulder, trying to adjust to him.

He kissed your head gently and muttered. "Take your time."

You made a face and rocked against him gently.

Hyunjin gasped. You smiled. "Take your time." You mocked.

His eyes narrowed and his hands settled on your hips. "I guess you're good to go."

"Hyunjin-"

He lifted you slightly and brought you down on his cock hard. You squealed and he groaned. He repeated the motion again and again, "Why am I doing all the work here?" He moaned in your ear.

You huffed and pressed your hands against his chest for balance as you began riding him, one of his hands moved to hold your back while the other played with your right nipple as he sucked the left.

You moaned and gasped, "Hyunjin.."

"Huh?" He looked at you, his eyes half lidded, pupils blown wide. he huffed a small laugh. "Let me help you pretty girl." He flipped you over and pushed you into the couch, gripping your thighs as he fucked into you. "Fill you with my babies..."

Your pussy clenched.

"Oh you like that?" He moaned. "I'll fuck you full of my kids. This pussy is mine."

Your eyes rolled back in your head as he hit the spongey area deep inside you. Hyunjin smirked and caged you in pushing your legs almost beside your head, pushing as deep into you as possible. You moaned loudly, loud enough you were scared you'd get a noise complaint from your neighbors. But you couldn't stop yourself as Hyunjin filled you again and again, reaching places you didn't even know was possible.

"Are you going to cum for me?" He asked, grunting softly.

You were too dazed to form a sentence but he grabbed your face and made you look straight at him.

"Answer me honey." He said lowly.

You nodded. "I'm going t-to cum."

He groaned and pressed his lips to yours, "Cum for me, sweet girl."

He rubbed your clit and you fell over the edge, your eyes rolling back in your head as your pussy clenched and spasmed around Hyunjin's cock. He let out a strained moan, following close behind. he gripped your thighs tightly definitely leaving bruises before he finally relaxed.

Your eyes went wide as you heard the door to your apartment unlocking. "Girl, I'm back early, but you will not believe, I saw the finest guy ever downstairs, he said his name was Cha-" Your roommate came around the corner and froze. "There's no way I sit on that fucking couch, BURN IT. GET A ROOM DAMNIT Y/N!"

"Do you understand what you've done Hyunjin?" Chan turned to him, eyes worried. "You could be killed for for this.. Y/n COULD BE KILLED FOR THIS! This is a massive mistake."

Hyunjin looked at Chan for a moment, "It's not a mistake I'll regret in this life or the next."

Chan groaned and facepalmed.

You were driving to the beach, it'd been a bit since you'd gone to see him, most of the time he came to you.

"Mommy."

"Huh?" You looked at the child in the back of the car using the rearview mirror.

"What's Daddy like?"

Your eyes met the child's sea green ones and you smiled. "You'll love him."

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thollandneedy · 2 months ago

Text

Masked- Peter Parker

A/N: Since y'all enjoyed so much the Ned's sister prompt... (last halloween themed fic btw)

Summary: Peter hooks up with someone on a Halloween party, but he didn't know that it was Ned's sister

Warnings: Language, teasing, mentions of alcohol, sexual content (p in v; fem!receiving, and praise kink)

Don’t forget to share, like, comment and leave your ideas here

Bellah’s Masterlist 🪻

The sound of classic Halloween songs blared from the speakers scattered around Ned's house, while the wind blew the orange leaves into his yard. The boy in the Zorro costume cursed to himself every time he saw the leaves falling, as it would be another chore to do the next morning, since his parents were out of the house. With hurried steps, he ran to the door to open it for the guests of his not-so-secret party (since his younger sister had told the whole school that there would be a party at her house on the thirty-first).

Unlike Ned, Y/n was considered popular in Midtown because of her charisma and, above all, her beauty. Like her brother, she had inherited good genes and had a mental capacity to envy. The girl was only a year younger than Ned, and yet he made a point of treating her like a child. After many fights and discussions to find a theme that met his sister's “aesthetic pinterest” requirements, Ned agreed to have a masquerade costume party where everyone had to wear personalized masks for their characters to “encourage creativity” in his words.

Although it wasn't much talked about, everyone knew that Ned and his family were well-off, and that consequently their house was big enough to easily house more than 100 people without them all bumping into each other. Ned looks back one more time before opening the door, already leaving a jar of sweets at the entrance for the guests to pick up as soon as they arrive at the house. The dark-haired man opens the door, only to find Peter standing there, while other cars are already parking so as not to have any problems, but late in the day with a lack of space on the street.

“What's up, man?” Ned smiles when he finds his best friend, Peter Parker, dressed as the Phantom of the Opera. “I liked the costume, but I thought you'd come as Zorro with me.”

Peter wasn't one to talk about liking musicals, but one of the few ones he really admired was “The Phantom of the Opera”, which became one of his secret passions after his aunt took him to see it on Broadway a few years ago. Parker didn't have his face completely hidden as it should have been, but it was what he had for that day, and he was going to use that to his advantage rather than spend more time making an artwork that would probably look terrible.

“That one was on sale.” The student says quietly, then laughs and enters the house as soon as the door closes behind him.

The house was decorated with mainly purple and blue neon lights, while the windows bore handprints smeared with fake blood. On some walls you could see some mystical beings pasted on, while some projected ghosts were flying over the kitchen ceiling. Cobwebs were used on furniture, themed food was displayed on the kitchen worktop, and the rest of the decoration was based on cushions, candles and decorative utensils.

“Let me think about who did all the decorating.” Peter looks around, admiring Ned's sister's creativity.

“Don't even tell me about it.” Ned rolls his eyes. “I told Y/n to keep it simple, but you know how she is about parties. It always has to be her way, or she'll freak out.” Ned comments, taking a seat among the decorative pumpkin cushions in the living room.

The sound of the doorbell ringing catches the boys' attention, while Leeds spares no effort to call out his sister's name so that she can welcome the guests. The girl doesn't answer, causing her older brother to curse to himself and shout once more:

“Y/N. COME DOWN HERE AND WELCOME THE GUESTS ALREADY.”

“I'M FINISHING MY HAIR, YOU SELFISH PRICK. I DON'T HURRY YOU WHEN YOU'RE TAKING TOO LONG TO GET READY TO GO OUT WITH BETTY” The girl shouts, opening the door to her room and then slamming it shut.

“Son of a bitch.” Ned puts one of his hands to his face, getting up from the sofa to greet his sister's guests, while Peter reacts with a low laugh. “Make yourself at home, Pete. My sister will be down soon, and you talk to her.”

(...)

The sound of the conversations seemed to overpower the loud music, and apparently Y/n's idea was working. The girl had the masks in mind so that there would be no differentiation between groups of friends, allowing everyone to express themselves as they saw fit, and to be able to talk to people outside their group of friends without feeling threatened. Y/n was sitting at the kitchen table, her two hands resting on the side of her body as she chatted with some friends. Her white dress hugged her hips, while her loose hair only enhanced her beauty.

From afar, it was possible to see the house full. Some were in the living room playing “Just Dance”, while others were in the kitchen drinking and some in the games room using the pool table for their drinks bets. Fortunately, it wasn't as rowdy as university parties, but Ned was certainly a lot more worried about someone using his motel room. The student was sitting in the living room, watching his colleagues from the robotics class sweating in their costumes as they danced to 'Timber', and doing extremely badly. Peter, on the other hand, was chatting to some girls in his class.

Peter Parker never stopped being a nerd, but he also never stopped being extremely attractive. Many girls liked Peter, while the boys didn't know whether to try to befriend Parker in order to benefit from the girls, or just swear at him so that he would lose their confidence.

“I didn't know you were in a couple.” One of the girls dressed as Doroty commented to the brunette.

“I'm not.” Peter commented, grimacing and looking around in search of a twin of his costume.

“That girl is wearing the Christine Daaé costume,” another girl pointed out, causing the brunette to turn quickly to face her.

She was beautiful, delicate and her eyes were mesmerizing. Her legs were exposed, while her feet wore low heels in the same pearly color as her dress. The girl also had little sparkly star-shaped clips in her curly babylined hair. Her mask was white with lace around it, making her eyes stand out even more

It was sexy, tempting, intriguing.

“Do you know who it is? Her mask doesn't let me identify who it is.” The brunette commented, still watching the girl who was laughing at other people's conversations with her apparent friends.

“Go and ask.” The other girl dressed as Glinda comments, watching as Peter says goodbye and heads in the direction of his character's romantic partner.

Peter approaches with slow steps, adjusting his mask and cape, trying not to look strange as he approaches her, but before he can say anything, the girl calls out to him with a smile on her face, waving one of her hands at him.

“Hi, Peter.” The girl calls out.

“Hi.” He replies awkwardly. “I like your costume.” He points to the white dress, along with the corset that makes her breasts look higher.

“And I like yours.” She replied, realizing that he hadn't recognized her.

Y/n was no different from her classmates, and the other girls in the other classes. Y/n would never tell her brother about the little crush she had on her brother's best friend, but she always watched from afar. Taking advantage of the fact that she was wearing a mask, she thought she could use this to her advantage. Because if he didn't recognize her, maybe she could try something more like the way she daydreamed when she had her imaginary scenarios before bed. She was his best friend's sister, and if he knew that, he would never try anything.

“Are you friends with Ned's sister?” The girl asked, getting off the workbench and approaching the brunette, who came closer to her ear so she could speak.

“I know her, but I don't talk to her that much. Whenever I come here to study with Ned or play video games, she's doing something. Or at school in the drama club, or book club, or at the mall with her friends, or even sleeping in her four-poster. Anyway, it's very difficult for us to meet other than at school.” The boy says loudly into the girl's ear, who agrees with a smile on her face as she feels him close to her.

“Have you and Ned been friends for a long time?” The girl stands on her tiptoes to comment in the costume designer's ear.

“We have been for quite a while, actually. Since they were 12, and you? Are you friends with his sister?” Peter asks, leaving Y/n against the wall at his question.

She didn't want to lie to Peter, because if he found out about this little lie, he might look at her with different eyes. The girl just nodded, turning quickly to the side, where some drinks were positioned on the counter decorated with cobwebs and toy spiders. The girl faced the table, picked up a red cup, and looked at Peter as if to ask if he wanted a drink. Peter doesn't usually drink, but he would, just to be able to keep up with the mysterious girl.

“What do you recommend?” He moves closer, standing with his shoulders side by side with hers.

“What do you like?” The girl asks, opening the clear bottle of vodka.

“Girls dressed as Christine Daaé.” He tucks a piece of Y/n's loose hair behind her ear, causing the girl to let out a low laugh and nod. “And you?”

Y/n stares at him, making a point of penetrating him with her eyes, as if he could be restrained alive by intention alone. The younger girl approaches, raising her head to answer him as he narrows his gaze:

“Boys with attitude… and tequila sunrise” Y/n comments, drawing a silly laugh from Peter.

At that moment, not even the people passing by could make the tension disappear from the air, and only those who could feel the heat of desire take over their bodies were attracted. Peter wasn't the type to do things quickly, as he liked to pay attention to detail, but it was a party and not a play for him to declare himself. The girl looked at the table with several bottles on it, stared at them for a few seconds, and then turned her gaze to Peter once more, waiting for him to do something other than talk. Fortunately, the brunette slid one of his fingers down the younger girl's exposed arm, reaching her free hand and saying:

“Do you want to go somewhere else?”

(...)

The music and side conversations were no longer loud, and there was a certain peace wherever they were going. Y/n had her hands intertwined with Peter's, guiding him into a room that was being used as an office. It was large, with dark wooden shelves and a glass table in the center behind a large window that mirrored the moonlight. Y/n and Ned's parents were realtors in New York, but the bad part was that they also owned an agency, which meant that every month they had to travel out of state to resolve or improve an issue in the company.

Y/n closed the white door behind her, allowing Peter to step away from her and look at the books on the shelves, and some paintings too. Y/n was easily charmed by Peter's knowledge, as he was good at everything he did and knew a bit about everything. The brunette gently touched the base of the books, pulling them out to read their titles. The girl didn't hurry, she just followed him, putting her hands on his shoulders and kissing his neck without pulling him away, but Peter wasn't there to look at books.

The boy turned to the clean, innocent image that Y/n was passing by, putting his hands on her waist and finally pressing his lips to hers. The kiss began slowly, increasing in intensity as their tongues caught fire and their hands roamed their bodies. Parker moaned softly against the younger girl's lips, holding onto her waist tighter and tighter, waiting for the slightest sign that he could lose himself completely in the mysterious girl's body. Y/n, for his part, ran his nails down the buttons of his white shirt, slowly unbuttoning them.

And that was the last straw

“Can I touch you?” Peter asked breathlessly.

“Please.” Y/n asked in a low grunt, causing the boy to hold her in his lap, placing her on the glass table.

Peter put his weight on Y/n, lifting the rest of the dress that fell down her legs, to finally reach her smooth thighs. The girl tilted her head back, as if asking him to go deeper. Peter could feel his pants getting tighter and tighter, while his fingers seemed to search for a treasure in the middle of Y/n's legs, leaving him completely kneeling for her. He quickly removed his mask, throwing it on the floor and enjoying the wet core that was already waiting for him. Peter held Y/n's thighs tightly, pulling her closer to his mouth, which couldn't seem to take the pleasure. His tongue slid between her clitoris and her entrance, painting her orgasm in an explosion of guarded feelings. The girl held tightly to Parker's hair, which was now messy.

“Fuck, you taste amazing,” Peter said against her wet pussy.

“Keep going, please.” The girl pleaded desperately, having her request granted as soon as she felt the student's tongue enter her pussy. “That's fucking it!”

Peter stood up, noticing that Y/n's legs already seemed to be shaking. In a moment of anguish and desire, he held her from behind, allowing her to taste him. They both moaned in satisfaction, allowing the younger girl to touch Peter's penis, which marked his pants. Y/n bent down, trying to unbutton Peter's pants, quickly unzipping them and placing the black fabric on the floor. When the girl tried to put her feet on the carpet and kneel down, Peter stopped her with a kiss and denied her with his head, saying:

“I want you.” He said with swollen lips. “Do you want me?”

Y/n doesn't respond, but his body does. His hair stood on end, and his legs spread wider so that he could fit in. Quickly taking off his underpants and throwing them to a forgotten side of the room, Peter pumped his penis a few times, and you could see the glow that his tip exuded from his over-excitement. The brunette kept his hands strong, biting his lip to control the loud moans that begged to come out. Y/n just watched, putting her hands behind her corset to untie her belly, which was compressed by the garment. They both stared at each other for a moment, appreciating their bodies from top to bottom, exuding their desire through their sin-subdued gazes.

“Shit. The condom is in my wallet pocket that was left in the car.” Peter remembers, cursing under his breath for having forgotten the fact.

“I take birth control. It's fine.” She says, knowing that Peter would be trustworthy enough to use the privilege of using a contraceptive.

“Really?” Parker questions her to make sure of what she was saying.

“Yes.” She shakes her head energetically.

Peter moves closer to Y/n, already feeling that his legs would collapse just from her touch. Y/n bites her lower lip at the image of the boy entering her sensitive spot, absorbing all of her thickness to the point where the girl in the white dress puts her own hand over her mouth to cover the loud moan that escapes her pink lips. Peter holds her by the waist, while the girl's body is practically leaning over the table, giving the brunette room to reach the bottom of the woman's pussy. They can both feel their sweaty skins coming into contact, and the sound of them slapping together as the movement increases.

“Peter.” The girl moans.

“Do you like it? Tell me how you like it.” The brunette asked, furrowing his brows as he moaned lowly, waiting for an answer.

“I've wanted you for so long. You have no idea.” Y/n moans louder, feeling the tip of Peter's penis hit her G-spot.

“We should have done this before then, princess. You fit me so well.” He grunts, increasing his speed and feeling his legs tremble with each thrust.

“You wouldn't notice me.” She comments impatiently and slyly.

“It's impossible for me not to notice someone like you, angel.” He stretches his hand out to one of the woman's breasts, making her place one of her hands on top of his, indirectly asking him to squeeze them. “I'm going to come like this, princess.”

“Me too. Please don't stop.”

Y/n moved her hips, searching for more pleasure, following the movements of the older man who, in a few seconds, hugged her tightly, putting his member in much deeper than before, ejaculating his hot liquid at the same time as his partner dug her pink nails into his shirt, screaming into his shoulder with her legs wrapped around his hips. Their legs tremble and their mouths return to a calm, wet kiss, catching their breath and slowly pulling their faces apart until their eyes penetrate each other once more, even interpreted in such a dirty way that it could be considered a crime.

“Are you all right?” Peter asks, running one of his hands through Y/n's messy hair.

“Yeah, and you?“ Y/n asks.”Shit, my friends must be looking for me.”

“Sure, mine too.” Peter agrees, slowly withdrawing his member from Y/n's vagina, and looking for the rest of her clothes while the girl re-ties her corset. “I still don't know your name.” Peter comments.

“And would it be important to know?” Y/n smiles softly, watching him only in the moonlight.

“Not really.” Peter comments, finishing putting on his pants, which were lying on the floor. “I wasn't surprised you chose Phantom of the Opera, by the way.” Peter commented, pointing with his chin at the girl's outfit that had come down from the table.

“And why not?” Y/n fixes her hair, tilting her head to one side as soon as Peter asks.

“Because I was the one who left the flowers in your dressing room after you finished your performance, Y/n. By the way, great idea to reuse the costume. You look hot in it.” Peter buttons up his white blouse.

Y/n stops for a second, realizing that she wasn't as cunning as she thought she was. The girl opens her mouth to try to say something, but realizes it was all a game. Peter walks over to her, finishing buttoning his last button. The brunette bends down to pick up his mask and then puts it on, still watching Y/n's perplexed face.

“Why didn't you tell me you knew who I was?”

“Isn't that what masks were for?” Peter gives a sideways smile, kissing the top of Y/n's head gently.

The boy turns around, opening the door and leaving the room.

“ Motherfucker” Y/n curses him, smiling at his incredulity.

#tom holland #tom holland x fem #peter parker x fem!reader #peter parker oneshot #mcu peter parker #peter parker fluff #peter parker imagine #peter parker x reader #peter parker smut #mcu!peter x reader #peter parker fanfiction

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luna-loveboop · 5 months ago

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@kikker-oma

Happy Fan Joy July, Oma!!!

Oma, thank you so so much for making Fan Joy July and sharing it with us! Our fandom, our artists, writers, readers, etc have loved seeing or taking part in this crazy challenge.

This is our gift to thank you- from artists all around who were affected by, or got gifts from, or took part in Fan Joy July. We all love you so much- so we made letters/art for this (Zelda themed!). Many said that they had already wanted to make/write you something, and this gave an opportunity.

One of the things I've loved about this month is how community/interaction centered you made it. The challenge was for yourself to make art each day (you absolute maniac /affectionate)- but then others joined. This July we saw or made art or fics with recommendations. Every day you made art for a writer with a scene from one of their fics, and inspired others to do the same, and writers even wrote every day for an artist based off an art piece they made! This led to a month of gift giving- everyone interacting and getting love for creating.

You truly led to a month of Joy for a lot of loz/lu fans- making the name "Fan Joy July" quite accurate

Thank you, Oma

Thank you for the gifts you gave all of us and the way you inspire others

Additional ramblings and art credits below the cut :P

I'm so grateful to all my artists who stepped up so we could do this when I asked- almost 36 hours and 19 artists. The art is like patchwork, with all these different styles, both traditional and digital put together. But that's exactly what happened- we all got drawn together, just like the other month-long challenges. It's so cool how art always connects people.

The artists who participated are @zolanort @la-sera @nancyheart11 @galenfeadraws @shade-pup-cub @arecaceae175 @isasan347 @ghosthoard @smilesrobotlover @unexpectedstormy @skyloftian-nutcase @knight-of-aether @uniquevoidflowers @jinxedruby @windwakingwhale @skyward-floored @xaeorian @blarefordaglare and me Thank you to all of you- You are all so cool and I'm glad! If I accidentally missed tagging or listing someone please let me know I'm so scared of if that happened djskdjdkd

There are letters based off of the colours/theme of each of the Lu boys- it's mainly Zelda and linkeduniverse themed... but we couldn't not have frogs for Oma! I did a frog, his name is Froggy and I'm very proud.

Here's a picture with a list of who did what-

Normally I would apologise for my handwriting, but you guys would just tell me it looks good anyways and honestly it does look good. :D Sorry for the ink splotches tho, and I hope you can read it.

We did this for you, Oma, because... well you are awesome /gen. You gave us the opportunity for a great month and we wanted to say thank you for all the joy you brought us so... thank you :)

Art :D

As for everyone who said they wanted to talk to Oma or other Fan Joy July artists who they loved sharing this month with... feel free to tag and share in the reblogs. Share the joy I guess- there's enough to go around :D

Happy Fan Joy July, Oma :))

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ohisms · 2 months ago

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✱˚｡⋆ ↪ 𝐏𝐀𝐍𝐈𝐂 𝐀𝐓𝐓𝐀𝐂𝐊𝐒 𝐈𝐍 𝐏𝐀𝐑𝐀𝐃𝐈𝐒𝐄 . ( a collection of lyric prompts based on various works by ashnikko . adjust phrasing as necessary , mature themes and language are present . )

attitude and the booze won't save you .

you fuck my life up then you say "my bad" .

you don't seem to see what a cliche you are .

repeat after me , "i'm over it" .

you don't ever cross my mind , what's a sheep to a tiger ?

i'm no prey , but i am pursued .

my best friend thinks that i'm a dumbass .

the world is burning and i laugh at the blaze .

on your horse so high , i swear to god i'm higher .

heard a rumor that you said you made me who i am .

i'm too healthy , wealthy , well fed .

i don't have the time to pretend you're funny .

self - made , self - paid , how dare you speak my name ?

i hate you so much right now .

you're not special , it's not cute .

hi , it's me , back again . here to remind you he's not worth it .

i slip up , i text you , i forget that you were so disrespectful .

they told me to be nice and i told them to bite me .

you don't want to see me bratty .

i put that teddy bear you gave me in a blender .

whiskey in my hip flask , nothing fruity .

i can see the desperation , i've got you right where i want you .

you can't stand to see me shine .

so lame that i'm your only claim to fame .

i like how you look when you really beg .

i need a new toy just to cleanse my palate .

it's gonna hurt , it'll sting .

only one strike , then you get the boot .

the only thing you seem to give me is sex .

you think you're the man , bitch please .

we both know it wasn't love , it was a big bad habit .

i only trust a fella for some light amusement .

unfortunately , you made the mistake of underestimating me .

you wish you could sway my attention .

tell me what you need .

there was potential in you .

i wanna make a couple bad decisions .

i'm no cinderella , but i like the shoes .

i do well for myself , nothing you do is extraordinary .

my dumb ass should be a little more cautious .

fuck a princess , i'm a king .

i say i won't do it , then i do it and i make myself sick .

you think you're worth all the fuss ?

to tell the truth , role models weren't around me much .

why am i such a sucker for a fuckboy's freckles ?

i say it's a no - brainer , now .

i'm crazy , but you like that . i bite back .

you already know i'm not shy .

what we did was childish , can we put this behind us ?

nothing was nice , but i loved every minute .

i don't give a fuck , i have more fun on my ones .

i've been predisposed to trauma since i was eleven .

you can keep the image of my butt as a souvenir .

being a bitch is my kink .

you're still taught the same shit .

i think she really likes me .

hide your back , she likes to stab them .

i hate that i'm so self depricating , more comfortable in bad situations .

i'm a little faded , you look like a fuckin' painting .

when i'm with you i have amnesia , got me without a mind .

i don't let a fucker on the internet tell me nothing .

this is all because you want to say you've done it .

i'm fresh out of patience .

you wish i missed you . back the fuck up .

i'm a sucker for a little devastation .

coulda , shoulda , woulda , but you did it .

i swear i'm not crying , the sun's just bright .

tell me why i need you over the next .

i'm eager to hurt more .

i swear my blue vibrator brings me more joy .

i gave your girlfriend cunnilingus on my couch .

you better stock up on tissues , jacking off to all my pictures .

fake it to the top .

typical of me to go and ruin the party .

i'm having the best time of my life .

i'm having the worst time of my life .

you look dumb now that i've come to my senses .

what do you really mean when you're calling me nice ?

you wanna hold a gun but they made you a pinup .

i forget that you're still so disrespectful .

your love is not impressive .

tell it to my manager , he'll tell you "pay a fee" .

now that i can think rationally , i feel so stupid .

everybody says they love me but i'm still brokenhearted .

it's like i need a babysitter , someone to come get me .

god made me pretty , you made me mean .

say you want my body , let me give it to you .

i'm not in your circle , baby .

i just wanna push you to the edge now .

your sad life is never getting better .

what are you mad at me for , huh ?

i was living good until your locusts and your plague hit .

forgive me for the nasty things i say when i'm wounded .

so you're scared of me now , huh ?

women hold the weight of the world .

there's something to be said for a bitch who can top me .

if nothing matters , then i'll be fine .

you hate me cause you hate yourself .

dust yourself off , girl , keep your chin up .

he says i'm a lost cause and he might be right .

i'm that "fuck up your life" girl .

i would crawl through broken glass to get home .

i play my life like a video game .

i think you've gotta do way more if you wanna please me .

what's he doing ? i don't need a brave knight .

i deleted your number .

i'm not shy , i'll say it . i've been picturing you naked .

legs getting tired , can we switch positions ?

you put a knife in my back but you'll never be the death of me .

i could squash you like a little rotten fruit .

you could never , 'cause you're not clever enough .

we were good while it lasted .

my baby calls me bossy .

i don't really need a man , but sometimes i want one though .

i can't even wear my skin without them asking where i've been .

i can make you call remember me .

stupid boy thinks that i need him .

hate me 'cause i'm beautiful , bitch i don't like you either .

i think you know you can't replace me .

who do i have to kill to make everybody love me ?

i try to think , but it's no use .

maybe we can love until we're dead .

this is not an invitation .

how dare i have private desires ?

now you're crying and you're shaking ?

nothing about you is attractive to me , now .

am i fuckable enough for you ?

i don't want you and i don't want your homie .

please don't think that the sex is gonna cloud my view .

can't believe i let your hand inside my bloomers .

tell me how my ass tastes , little bottom feeder .

you don't know your way around a pussy .

i want it , i win it . call it ambition .

i don't need the dick - i need magic , i need money .

i know you think about me in the shower .

i've got several dummies that wanna get on me .

this is so small in the big simulation .

go find another bitch to hoover , count the days until you lose her .

i know you think about me with your hand down your trousers .

you don't know anyone else like me .

it's a therapist you need .

#rp meme #inbox prompts #inbox meme #rp inbox prompts #lyric prompts #ohisms

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ak319 · 2 months ago

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Lovesick Rich Gf x Fem gp reader

(Headcanon #2)

II Scenarios based, contains implied sexual themes and fluff II

"Where you off to, baby?" Roxi's voice rang out as she watched you shut the fridge door, a choco bar already halfway to your mouth. She eyed you suspiciously as you took a bite, clearly enjoying the sweet treat.

"Nothing, just Teddy called me, for a hangout," you mumbled around a mouthful of chocolate.

"And?" Her tone had an edge to it now, and you could feel her eyes boring into you.

You stopped chewing and flopped down beside her on the sofa, trying to seem casual. "And what?" You forced a grin, glancing past her at the perfect view of the beach outside the window, hoping to change the subject. Maybe she wouldn’t notice.

Roxi’s brows furrowed, and her expression turned from suspicious to outright annoyed. "Are you serious? We have a dinner with Mommy and Daddy."

Oh.

Shit.

You.

Had.

Forgotten.

"Um--"

"And they invited us a week ago!" Her voice grew louder, her frustration bubbling over as she leaned closer, her finger jabbing your chest lightly with each word.

You gulped, adjusting your hoodie as if that might shield you from the heat of her glare. "I know, I know. I just--forgot, alright?"

Roxi's eyes narrowed, her tone growing sharper and almost mocking. "Really? You are bullshitting right now. We talked about it yesterday!"

Right, after that long session when you were too tired to even reply. Of course, that's when she chose to bring up the most important stuff. Always.

You winced at the accusation, knowing she had a point. “Look, I swear, it just slipped my mind! Teddy called last minute, and I thought-”

She cut you off, her lips curling into a dangerously sweet smile as she leaned even closer, practically nose-to-nose with you now. “You thought what, exactly? That I wouldn’t notice if you ditched our dinner for some bro time?”

You tried to keep your cool, offering a weak smile. "Roxi, come on. You know I’d rather be with you. Look, I'm sorry, but I’ll be back before that. Like at 6. It's literally 2 right now."

She let out a sigh, a sure sign she was agreeing, but the hint of a pout on her lips told you she was still upset.

"C'mon, darling. Don’t be like that." You leaned in closer, flashing a playful smile. "Now be a good girl and send me off with a kiss."

She huffed and got up, moving toward the balcony. This was going to be tough.

You followed her, wrapping your arms around her from behind. This time, she spoke, but her words weren’t directed at you, they were for the life growing inside her.

"Your mom has clearly shown where her priorities lie."

"Roxi--how can you even say that?! Look at me." You spun her around, but she refused to meet your eyes.

"Roxi. I’m dead serious. Look. At. Me."

She met your gaze, her expression blank. "You know that’s not true. I work hard for you, for our future, and for our baby-"

"Work isn't the only way to show you care, y'know. There's attention, there's time, there's..." Her voice cracked as she started to sniffle, and your hold on her arms loosened.

"God, Roxi, I am---trying my best here...and I know sometimes I'm just not-"

She cut you off with a small nod. "No, I know. You’re doing so much, and of course, Daddy keeps you busy. I know it's tough and you know how he is but... I just sometimes miss the old you..."

She trailed off, her voice barely a whisper. She missed the time when you served only her before everything became so complicated. And deep down, you missed it too, your simple ass job. You felt like you were caught between two worlds, one where her father demanded the best from you, and one where you were her girlfriend. And now, the unexpected addition to your lives only made things more complicated.

It’s not like you regret any of it. You love her with all your heart, but sometimes you just need a break from all of this. Because she isn’t the only one who misses the way things used to be, you do too. Being rich and being with the rich is not as easy as it seems. There’s so much you have to be careful of, both professionally and personally. And then there’s your own family, who needs your time too. But spending time with her parents will always be a challenge to you, especially her father. God, he loved to give you a hard time.

"I love you, baby, I always will." You held her hand, pressing a kiss to the spot where the ring rested, letting your lips linger against her skin. She melted into you, immediately wrapping her arms around your neck, bringing her forehead to rest against yours.

"I love you too, my baby. Forever."

Without breaking the moment, you scooped her up in a bridal style and carried her over to the couch. The phone buzzed on the coffee table, Teddy’s name flashed on the screen. But right now, that didn't matter. You couldn't leave her like this, still in the haze of emotions from your conversation.

"Imma cuddle you to death for, I would say, 30 minutes, if that's alright, madame."

She let out a soft giggle as you laid her down on the spacious, cozy couch, settling beside her. "When has that ever been wrong?"

You grinned, nestling against her warmth. "By the way, Ava called, and she wants to meet up too, a couple’s date, y'know."

"Ava... as in Arlo's girlfriend?" Your eyes flickered with curiosity, and she nodded, knowing the memories those names stirred. Arlo and Ava are her old friends from high school. Arlo, now an F1 driver, and Ava, his lively partner, quickly took to you when you were introduced at Arlo's race.

"Yeah, yeah. Are you free next weekend?" she asked, her fingers tracing patterns on your chest. You considered it, then shrugged subtly.

"Maybe... I can't say for sure as of now, but-"

"No ifs or buts." She interrupted you, sliding herself closer, her lips just a breath away from yours. "Now you will be. Sunday’s cool." Her fingers brushed along the back of your neck, sending a shiver down your spine.

You felt a smirk tug at your lips as you leaned in, your voice low against her ear. "But what if I had other plans?"

Her gaze sharpened, and she arched a brow. "Cancel them. You can’t seriously think I’d let you spend your Sunday anywhere else when I’m right here." She punctuated her words with a teasing kiss on your jawline, her lips warm against your skin.

"Even if I had plans with Teddy?" You teased, watching the way her eyes narrowed slightly, her possessiveness slipping through.

She huffed, her hands sliding down your chest with just enough pressure to make your breath catch. "Oh, Teddy can wait. Tell him you’re busy... and I’m sure I can convince you to stay." Her lips grazed yours, teasingly slow, sending heat flooding through you.

You couldn't resist her--never could. Not when she was like this, a mix of playful and demanding, a glint of mischief in her eyes. And damn right, Roxi is well aware of this. With one swift movement, you reached over and silenced your phone, tossing it aside. "Teddy who?" you murmured against her lips, pulling her closer, your hands slipping under the hem of her shirt.

She laughed softly, her voice dropping to a whisper as her lips brushed yours again. "That’s what I thought, babe. Now, you’re all mine."

And as your mouth met hers, you both knew there was nowhere else you'd rather be.

・❥・

The evening starts with a romantic drive. You’ve convinced her that it’s just a regular date night, but as you drive her to your destination, she notices you’re taking a different route towards the beach. Roxi, ever curious, raises an eyebrow.

“Babe, where are we going?” she asks, looking out at the setting sun turning the sky shades of orange and pink.

You flash her a sly smile, keeping your gaze on the road. “You’ll see. Just trust me.”

You pull up to a secluded area by the beach, where the waves crash gently against the shore. Roxi steps out, and as she takes in the scene, she spots a path lined with lanterns and rose petals leading down to a private section of the beach. She glances back at you, her expression softening with a mix of curiosity and affection.

Guiding her by the hand, you lead her down the lit path. At the end, there’s a beautifully set-up picnic blanket, surrounded by flickering candles. It’s simple, yet filled with little details she loves, her favourite chocolate, the soft music of her favourite band playing from a hidden speaker, and a cosy setup with pillows to lounge on.

She sinks down onto the blanket, giggling as she sees her favourite flowers on display. “You really went all out, didn’t you?”

You sit beside her, your heart racing as you pour her a glass of a drink. “Only the best for you, Roxi.”

The two of you spend the next hour talking, laughing, and enjoying the sunset together, the conversation flowing effortlessly like always. But as twilight descends, your nerves kick in. You take a deep breath, glancing at her with a tender smile.

“I have one more surprise,” you say, your voice a little shaky. You stand up, and she tilts her head in confusion as you reach into your jacket pocket. Her eyes widen when she sees the small velvet box in your hand.

You drop to one knee, taking her hand in yours. For a moment, the world seems to slow, the sound of the ocean fading into the background.

“Roxi,” you begin, your voice steady but filled with emotion, “I’ve loved every single moment with you. From our lazy weekends to our spontaneous adventures, to those little fights about nothing that make us laugh five minutes later. You make every day better more beautiful, more vibrant, just like you are.”

Her eyes glisten, a soft smile playing at her lips, but she’s holding her breath, waiting for what’s next. What she had been dying to hear from you the moment she met you has finally come true!

“You’ve shown me what it means to love and be loved, and I want to spend the rest of my life making you as happy as you make me. And now, you’re giving me the greatest gift, our little one, a part of you and me, our little baby. I know in my heart that they’re going to be so lucky, so blessed, to have you as their mother. They’ll grow up with your strength, your warmth, and that beautiful heart of yours. And I can’t wait to see the way your eyes light up when you hold them, the same way they do whenever you look at me. I want to build this future with you, with our little family. Roxi, will you marry me?”

She’s already tearing up, her hand covering her mouth, and for a second, you feel the world hanging in the balance. Then she laughs a sweet, joyful sound and nods, her eyes sparkling.

“Yes! Yes, of course, I will!” she says, practically launching herself into your arms, almost knocking you over. You catch her, both of you falling into the sand as you hold each other tightly, her lips meeting yours in a deep, breathless kiss.

When you pull back, still holding her close, you slip the ring onto her finger. It glimmers in the candlelight, but not nearly as much as her smile as she admires it. “You did good, babe,” she whispers against your lips, giving you a teasing smile.

"Anything for you, darling."

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yvesdot · 3 months ago

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How To Get Roughly 50 Notes On An Original Writing Post And Possibly Net A Single Reader

I had someone ask today how I get people to click through and read my writing, and I'm realizing that I've never actually made a post all in one place of everything I do to get a new piece of short fiction off the ground... so here you go! How to get (some) eyes on your work, even if it is not published anywhere of interest and you don't have a marketing team behind you.

The #1 thing is presentation. You want to get people's attention, and once you have it, convince them to keep paying attention. Fortunately, people tend to be both reasonable and predictable, which means all you have to do is follow The Formula.

(original post link)

Here's the formula from the above post broken down:

[giant horizontal title card, preferably animated to catch the eye] OR [a few tasteful parallels, if you're good at parallel posts]

TITLE (linked to where you can read the piece) / wordcount

a quote that is representative of the tone, themes, prose style, and/or the "promise of the premise"

A longer pitch, featuring the overall subject of the piece (transsexual reality TV drama), any comp titles (Detransition, Baby), the main draw (in this case, watching trans people be awful to clueless cis people), major themes (performance), and any other promises you'd like to make (food romance and tigers). You can see that the quote I chose delivers on the promise of trans people intellectually outperforming cis people-- if I were a reader, I would be more likely to trust that the rest of the pitch was accurate based on that assurance.

If you have any positive reviews on your piece, say so. If it has won any awards or contests, say so. If your work has made people cry, Doja Cat - Say So. Always. Generally speaking, more personal and more detailed is better, but keep it to one or two people-- e.g. "when I gave this to my S/O to read he shot milk out of his nose so far I had to go clean under the couch" or "my favorite review of this piece is the reader who said they read it chapter-by-chapter under their covers because they wanted it all to themself." This should be one sentence.

Depending on where the story is published, what you usually promote, etc., it may be worthwhile saying the story is free. Use your judgment on whether the reader can tell.

I also like putting my links at the bottom so someone seeing this on a friend's dash can easily track me around the 'Net. They make me look more professional (I now include a link to my website) and they visually balance the post, in my opinion. This post also happened to have some additional links for bonus content.

This is not as high stakes as it seems. I'm not 100% happy with the pitch here, and I'm not 100% happy with the graphics I've used in other cases. These are some bones that help to sell the piece even when the details aren't as sharp.

REBLOGGING

When is the last time you read something the first time you saw it on your dash? I schedule reblogs of all important posts at least twice over the next 2-3 days, often three times so I can get the morning/afternoon/evening reblog. If your followers tend to be more active at certain times, go ahead and use those. In the past I've intentionally scheduled posts for times I knew more popular mutuals were active, and it has paid off!

I also schedule a reblog for a week and a month and sometimes even a full calendar year out, because I know there is going to be that person who tags the piece '#to read' and instantly forgets about it, only to get excited when they see it weeks later. I am very often that reader. The goal is to catch people when they're ready to read immediately, and this is a game of chance.

Every so often, I go through my entire #writing or #important writing updates or even just #popular tag(s) and queue two dozen posts before shuffling my queue to redistribute matters. This keeps my older work circulating, ensuring new readers get a chance to see older pieces and giving those older pieces another shot at dashboard space. (More on #popular later.) This sounds like a lot, which is why you have to space everything pretty far apart. Fortunately, this is the world's best site for cool things to reblog. I guarantee you that you can find something new you love to post in the meanwhile.

COPING WITH FAME

The post above is what I, a published author, consider "doing well" for a post about my writing on Tumblr. As of October 10th, 2024, over two years after its initial posting and over five years into my posting doggedly about my original fiction, it has 77 notes. More than half (43) are likes. Around half of the reblogs are me promoting my own work or the same very sweet person dutifully reblogging me every time I do so. Glancing through the reblogs now, I know of four people whom I can confirm have read it. Presumably, there are more who are completely silent and have never interacted with the post whatsoever. Genuinely: wahoo!! I am so grateful and happy for the attention and reception of my work.

This is the number one thing I suggest: focus on what you have, and not what you lack. Imagine your post from the perspective of an outsider: even one reblog means you convinced that one person to spread your art! How cool is that! This is also good advice because moping is simply not helpful; it will not get you more reads. (And no, neither will guilting others. Kill that vent post in your head!)

GETTING FOLLOWERS

I don't have that many followers. Of the followers I do have, people are very unpredictably active. When I hear about other people's follower counts I am consistently surprised, because people with half of mine will have fans and haters the likes of which I could not possibly dream of. I follow 500-follower folk who post "I ate a strawberry today" and get 6 asks ranging from "Wow I respect you so much for eating that strawberry" to "I'm going to come to your address at [REDACTED REDACTED REDACTED] and shove bananas down your throat for hating on my favorite fruit."

I point this out to establish three important things. 1) Be grateful for what you have (in my case, 0 anonymous hate asks about fruitpinions), 2) followers have far less impact on interaction than one might think, and 3) followers don't engage with the things you might like them to.

Think about yourself. Are you more likely to reblog a photo of a cat in a pumpkin (alright, here) or something advertising fifteen minutes' worth of writing, which could be, for all you know, bad? Or, for that matter, by a person you should not like to support? Reblogs on generically interesting things are 'safer' (unfortunately) than reblogs on art, and it makes perfect sense that people are skittish around the latter. People don't often reblog things they haven't read, and nobody can reblog every artpost on their dash. Having someone else put it there, however, is incredibly powerful—someone's vetted this post as Worth a Reblog, after all. Having more followers allows for much more of this.

(Followers don't guarantee any one sort of interaction, but having more of them is rarely bad. Rarely.)

Across my most popular posts, one theme becomes very obvious: people like things that apply to them or their blog. I try to post writing advice/opinions/memes every so often, because I know I have a loyal base of writerfolk who like to see that from me, and it's "easier" to reblog than my writing. This is simply the nature of the universe. I used to pretty frequently go into the #writeblr tag and check out what was recently popular so I could figure out how to serve the same base, and from time to time it worked.

You're welcome to examine the list of #writing posts that made it to 100 notes, because each tends to have a notable reason behind its success: a reblog with an exceptionally good review, a contest win, a wordcount that lends itself to pasting the whole thing in one go.

(Posts about my book's release are a notable exception, in part due to Blaze and in part due to my absolutely relentless flogging of their reblog buttons during the ~year of promotion. Also in large part to a dedicated circle of friends who passed the post around nonstop! Thank you so much!!)

A lot of people will tell you to attempt covert reciprocal promotion. You know—reblog a lot of stuff, in the hopes that people will reblog yours. If I could change one thing on Tumblr, it would be this: the culture that quietly encourages disingenously interacting with other people with a secret True Goal in mind. (On the autism website.)

Please, for the love of all that is good and holy, do not do this. If you comment on other people's work, do it because you're happy to do so. When I released Paper Tigress, I went through everybody else who responded to the same prompt and read their work, because I had the day off and I was curious. This has led to Paper Tigress having more comments on Reedsy than one of my contest winners, and even outranking the shortlisted story in the same prompt category. However, this would have been a waste of my time if I did not genuinely enjoy reading the other stories. I read 80+ stories, taking several hours, and gained 30 comments from the venture (half my comments are my responses).

Crucially, I do not promote other writers' work on Tumblr in the hopes of them reading or boosting mine. This is the #1 tip I see thrown around that I viscerally disagree with. While, again, I am grateful for engagement with my work regardless of the context, I do not want people suffering through my work in the hopes that I will promote them. I work a full-time job, and my reading calendar is perpetually overbooked, including with work by my absolute best of friends. Even if it wasn't, I think it would be quite insulting if I were posting works in the hopes that someone would choke it down like medicine. I post what I think is good so that people can read and enjoy it. If you are not enjoying it, I do not want you to feel as though you have to read it. My aim is to give to others what my favorite authors have given me, which is most certainly not A Bad Time Spent Being Dishonest In The Hopes Of Getting Something Back. You have better things to do with your time. Please be honest.

CONCLUSION

Realistically, the readers I have, I gained through being a published author for five years promoting my behind off on Tumblr, the least forgiving social media for promotion. People like it when you have a book they can buy, especially if it has Goodreads reviews that make it look like you have been vetted for them. Many people who follow me have read only Something's Not Right and nothing else. (Many people who follow me have read everything but Something's Not Right.) I have posted dozens of pieces on Tumblr and Wattpad (and AO3). I gained a small number of readers writing and posting fanfiction for the Locked Tomb Tri(?)logy, even though I marketed it absolutely terribly.

Just keep writing. Keep writing, keep posting, and keep making sure everyone who follows you knows you write. And keep writing because you want to. There's no better advice than that.

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