#and also. why make changes to make it worse

[possibly-evil]

I WAS SO MAD WHEN I FOUND OUT AHGHHHHH

they're literally just trying to milk the money out of musicals because the movie industry just found out that people pay money to watch people sing and dance. you would think that after they did a bad job with mean girls (and dare I even say the dear Evan Hansen movie) that they'd know better than trying to make it tolerable to people who don't like musicals. they're just trying to stretch Wicked over two movies so that they can make money. They should realize that what musical lovers really want is to give things the Hamilton treatment. record a show, put it on your streaming service. We don't want new plot, we want the shows that we love available to watch. That's why bootlegging is so popular (wicked reference).

my mom made a good point about this, saying that they want to make it appeal to a larger audience. they did this with mean girls by not advertising it as a musical movie. what they don't realize is that by trying to find a halfway point, you're making it worse for both parties. either make it a musical or don't. It's not that hard.

(also im still sour that they made mean girls more pop-music-y. We wanted a musical, not a Disney kids show. they also took out meet the plastics, which enraged me. It's such a good introduction to their characters, and they just dulled it down to regina's part.)

the movie to musical to movie pipeline is growing. I've heard that they're going to make a back to the future movie musical. I haven't even seen the new musical or even listened to the soundtrack, but I can confirm that they're going to make it so much worse than both the original and the musical. please stop trying to do this. you're not appealing to musical lovers, you're making them mad. let me say this again, we want MUSICALS, NOT MOIVES.

one of the best experiences I had with a 'movie' musical was when I went to see a recording of the waitress musical in theaters. this was a limited time event, were you could watch a recorded preformance at the cinema. it was perfect. This was target to musical fans and musical fans only, so they didn't try to change it. This is what we want.

holy crap didn't even realize that I went on a rant

sorry im mad today lol

Wicked Movie is going to make a trillion dollars its opening weekend and everyone will leave the theater the angriest they’ve ever been in their lives because no one except for me and my beloved mutuals knows that despite having runtime longer than the whole stage musical it is a Part One that only covers the first act

[jasvtsc]

beau arlen x innocent!reader.

warnings! mdni! smut. pillow riding. beau watching the reader. mutual masturbation. guided masturbation. age gap. fingering. fem!reader. innocent!reader. softdom!beau. slight corruption (not in the bad way tho). most likely grammar mistakes.

word count! 1.8k

dating the sheriff was definitely… exciting.

beau was older than you by A LOT, but it wasn’t one of your main concerns. he treated you right. he loved you to the moon and back…

and he was just so fucking hot.

the first time you saw him, your panties literally experienced their first flood.

sure, you had a few boyfriends, but it was never– that. his piercing emerald eyes, his broad shoulders, his handsome features and the way he carried himself. you were in awe and so much frustration, trying to figure out what was happening to you.

so when somehow you did end up dating him? yeah, it only got worse.

you had your own waterfall whenever your eyes landed on him. whether it was him trying to fix his truck with his sleeves rolled up, him manspreading and leaning back in his chair whenever you came to visit him in his office, or every time he was putting on his hat — you were a mess.

and the fact that you never had sex before only made it worse.

a few boyfriends? it never went past the phase of innocent kisses and holding hands shyly as if you were both carrying some kind of disease. growing up in a sheltered house definitely didn’t help. church every sunday, no boys allowed in the house after dinner, curfew and absolutely NO SEX BEFORE MARRIAGE!! it was one of the main rules in your home, and it stressed you out to the point where you weren’t even thinking about trying to at least pleasure yourself — you were scared that it’d be some kind of sin and your soul would be dragged to hell.

you were a good christian girl.

but that changed as soon as you started dating beau.

date someone your age, they said. nahh, you were in for the good ol’ cowboy with that strong drawl and a few silver streaks in his hair.

however, you couldn’t help but be scared. you literally knew nothing, and he already had so much experience. it was actually kind of intimidating for you. you were scared that maybe you wouldn’t be able to satisfy him enough or you’d do something wrong. that’s why you’ve been trying to avoid any intimacy at all cost.

and beau didn’t notice at first. he wasn’t with you for your body or physical pleasure. he was with you because you made his heart beat faster and charmed him with your cute little smile on your pinky lips with those sparkly eyes.

however, he did notice it at one point. well, more like he assumed it from the beginning. he knew you were innocent and that you’ve never really tried anything– you couldn’t keep anything from him even if you wanted to. also, you wanted to make sure he knew what he was in from the beginning. and fuck, was he going to hell for trying to make you lose some of that innocence. but he just wanted what was best for you– and that was helping ease some of your frustrations cause you were clearly a walking time bomb.

but how did he figure it out though?

well, after coming back from one of your dates, beau was driving you back to his place, his hand draped over your bare thigh because of how high your lavender sundress rolled up, giving it light squeezes from time to time. however, he decided to get more daring and slowly made his way up with his fingers. you didn’t seem to notice, too caught up reading something on your phone. but then, you widened your eyes and looked at beau, who had the same expression on his face as you. why? his fingers brushed against a damp spot on your panties.

it made his heartbeat falter, and he blinked a few times. so you did get excited around him. that’s why, as soon as you got to his place, he practically crashed his lips on yours, slamming your back against the wall and gripping your thighs tightly, lifting you and making you wrap your legs around him. he groaned and rubbed his already rock hard erection against your clothed core, making you gasp into the kiss.

fuck, that was getting serious.

“beau, i—“ you broke the kiss and looked at him with wide eyes like a deer caught in headlights. and just by that, he knew you were scared.

“i know, baby. i know,” he reassured, stroking your cheek with his knuckles, a soft smile on his lips. “we don’t have to do anything you don’t feel ready for, y’know?”

“but i want to. i just don’t want to do… that serious stuff yet,” you whispered and looked around as if someone would hear. beau chuckled lowly, then moved a strand of hair out of your face and cupped your cheek.

“then what do you want to do, darlin’? i’m all–“ but then he cut himself off and smirked as he got an idea. “you know what, actually, i know what we’ll do.”

with that, he carried you to his bedroom. he put you gently on his bed and gave you one of his pillows. you looked at him dumbfounded, tilting your head back, a faint pout on your plush lips that just made his cock strain against his jeans even more. fuck, he just wanted to know how it would feel if you were to su— not now, beau.

“we’ll try something new, ‘kay? something easy so you don’t freak out. do you trust me, baby?” he asked, stroking your hair. you nodded, looking at him like he was your everything, which made his heart warm up with even more love for you. he smiled and kissed your forehead. “good girl. now, get on that pillow and show me what a skilled little rider you are,” he patted your ass and then moved away from the bed, sitting down on an armchair nearby.

and once again, you were dumbfounded. “huh?” you asked, watching him manspread, his hand draped over his thigh and the massive bulge in his pants.

damn, you got even wetter.

this sight itself was enough to make you start moving your hips. slowly, you moved back and forth, trying to ease some of that feeling that pooled in your lower abdomen. and beau, seeing that, smiled widely, palming his crotch with his right hand, biting on the left one as it was formed in a fist.

“yeah. keep goin’. just like that, baby,” he praised, adjusting himself.

your mouth was practically watering because of that. you picked up your pace, grinding more fiercely against the pillow, enjoying the way your pussy was gliding on it, the fabric of your dampened panties only adding to the delicious friction.

soon, small gasps and pants started coming out of you. you moaned quietly and closed your eyes, your head tilting back. however, you were quickly reprimanded by beau and his stern voice.

“nuh-uh. eyes on me, baby. i want to see your pretty face when you ride that pillow,” he almost growled, the ache in his pants making him feral.

immediately, you obeyed, his dominance adding to your arousal. quickly, you tilted your head and looked at him. but when it was harder to keep up with your movements, you decided to shift. so you moved, and now, you were facing him while grinding your heat against his pillow.

beau groaned and palmed his dick harder. however, when that didn’t work, he huffed and unbuckled his belt. then, he unzipped his pants and lowered them down with his boxers, his massive cock freed from the refrains. you widened your eyes even more, letting out a whimper that made his erection twitch.

you bit your lower lip and observed him intensely as he stroked himself a few times, spreading the leaking precum and then pumping his cock to match the pace of your grinding.

“yeah. grind that little pussy on my pillow. imagine my face laying there after tonight, getting a good whiff of how desperate you were for someone to teach you how to pleasure yourself. i bet you’re gonna be humping your pillows more often now, am i right, baby? like a little puppy in heat,” he chuckled, licking his lips. then he spat on his hand and moved it back to his huge cock, pumping it even more aggressively.

“now, move your hand down, baby,” he instructed, watching as you obeyed his every word. “yeah, just like that. good girl. you’re so good f’me, baby, do y’know that?”

you whimpered, again.

“you make such pretty little sounds. jesus christ,” he panted and squeezed his dick harder. “now, move your hand under your panties— just like that, and rub your clit,” you were mindlessly listening to every word he was saying. as soon as your fingers landed on your swollen bud, slipping beneath the soaked fabric, and applying just a tiny bit of pleasure, your body jolted up and you gasped loudly.

beau grinned and increased the pace at which his hand was moving. “you’re doing so well. i’m so proud of you, baby. move your fingers faster.”

at this point, you weren’t grinding the pillow, but your hand as your fingers moved aggressively over your engorged clit. you were panting more frantically, your eyes wide and glazed from the pleasure.

and the sight of beau coming, only made it worse. his cum shot up on his shirt and hand, making him grunt lowly. he eased himself from his climax, seeing that you were struggling to get some relief. so he decided to take matters into his own hands.

he got up and kneeled on the bed, basically yanking you on your back. he tore your panties off and replaced your fingers with his, his calloused thumb rubbing your clit with experience. and then, you moaned loudly, arching into his hand as he snuck his fingers between your slick folds, propping your entrance. you almost screamed when he put his finger inside you, rubbing your velvety walls.

“fuck, you’re so soaked,” he groaned, feeling his cock get hard again. “yer gonna cum? f’me?” he asked with a smirk, adding a second finger.

and that was enough to make you come hard for the first time in your life. you moaned loudly, pressing your heat to his rough hand as your juices flooded his calloused palm. he kept whispering praises, helping you ride out your pleasure until you were spent, trying to catch your breath with the fucked out expression on your face.

beau smiled and moved his fingers out of you, making you whine in protest at how empty it suddenly felt. he licked his fingers clean and hummed in contentment.

“delicious. however, next time, you’re riding me.”

and to seal the deal, he grabbed his hat from the edge of the bed and with a playful smile, he dropped it on your head.

a/n: sooo yeah, my first smut ever💀 y’all better lmk what you think cause i have no idea if it’s good or not

༄♡tags: @beausling @titsout4nicholas @deanswidow @deansbite @aileenunfiltered @figthoughts @fitxgrld @a1ecmcdowell @hrtsoldierboy @10ava01 @angelicp0etry

[thydungeongal]

So there is a pretty clear shift in playstyle between TSR D&D and WotC D&D: for better and for worse, D&D 3e introduced the idea of encounter balance, de-emphasized mechanics that had previously encouraged the GM to think of the monsters as real living creatures (reaction rolls, morale, etc.), and it had the effect of making D&D a much more combat-focused game. D&D has always been a game that's opinionated about combat, it's basically the most expressive and detailed form of play regardless of edition, but combat in the TSR editions was not exactly zoomed in and tactical. The WotC editions purposefully made combat zoomed in, granular, and tactical.

And this has had an effect on playstyle: since combat is now the main form of player expression what players actually want is for their characters to get into combat. Because combat is the most fun part of the game. But the game has also changed from the largely amoral dungeon-crawling game into a game of fantasy heroics (even though a lot of the trappings of the amoral dungeon-crawling still remain, which contributes to the dissonance), so you can't just have the player characters going into combat for the sake of it. That would frame the player characters as kind of Fucked Up, and we can't have that in our supposedly heroic fantasy.

What you end up with is a variety of contrivances like "they're bandits," "they're cultists," or, my all-time favorite, "they attacked first" to make the action seem morally justifiable, even though gameplay is still motivated by a desire to fight. The monsters fight to the death and, importantly, can often not be reasoned and negotiated with, partly because combat is supposed to be the fun, engaging part everyone is here to do, but also because if they actually acted like reasonable people it could cause dissonance with the whole "the player characters are the goodest heroes."

As my friend @tenleaguesbeneath once called it: what is actually going on is that the player characters are hunting people and monsters who have been programmed to fight to the death and never negotiate for sport, while justifying it as self-defence.

It's a simple power fantasy, and I don't think there's anything wrong with it. Sometimes you want to play a morally uncomplicated game about killing guys with cool magic swords. But I think it's also fun to think about what the specific types of monsters players end up fighting reveals about Society the invisible, unexamined ideology lying under the surface that the designers of even modern D&D have failed to examine. And to me it often reads like a frontier justice fantasy. None of that is to detract from anyone's joy of the game, and for me it's just fun to think about and post about this stuff while Still Enjoying the Game, but if someone expressing that opinion makes you feel uncomfortable, why? That's pretty silly imo.

[forgot-my-line]

By actively making posts that put people down and make a public space feel unsafe, unwelcoming or not open/accepting of someone, you are doing the exact same things they are. If it's bad when they do it, it's bad when you do it. It's not a one-way street. You are being just as bad as they are.

I completely agree that we don't owe them Respect. They didn't show us any. I do, though, wholeheartedly believe that there isn't a single person ever who doesn't deserve basic human decency. That includes feeling safe in spaces that are open to literally any and everyone. And yea sure, most aren't helping, but what about the ones who are at least trying? what about the trump voters who are donating to trans health donation centers? or the trump voters who didn't get a say (for personal safety or other reasons) or were spoonfed misinformation, who are trying to right things now? Do they not count for something?

I'm also not saying we have to coddle anyone. I'm saying if we could stop making public spaces unsafe for some people, regardless if you like, love, hate or despise them, that would be just peachy. These spaces are where some people go to escape other oppressive forces, don't add to the list of people they have to avoid. Actually, in fact, don't coddle them. That won't help. What won't help either though, is isolating them. If we isolate people, we do the same thing as the people you are so against. You are being just as bad as they are.

Not every person who voted againt Harris is a bad person. I apoligize if this fact is upsetting to you. Some trump voters, as touched on ealier, weren't in a position where they could vote how they wanted to. I am well aware that this is a very hard subject to come to terms with. Not everyone has to see things like abuse or manipulation first hand but that doesn't mean it isn't a real thing that actively affects choices and decisions. Sometimes the only thing they could do to avoid voting for Trump, was to withhold from voting or vote third party. They didn't get a choice so why make them feel worse about it.

It's been made more than clear that these are the consequences of what happened at the election. Not only has it been spelt out for everone, their dead grandma, and their pet fish, but it's been spoonfed to each and every one of them. Repeating the same things over and over and over again only make people sick of listening to you. They'll see and hear how upset you and everyone are regardless

As for standing up for what's important to me, Unity has to be pretty high on my list. Sorry if my standing behind that ideal upsets you. Change isn't gonna happen if you stand alone, acting as if the entire world is against you. Rome wasn't built by a single person, just as it wasn't built in a single day. You need to have people in your corner.

As you said, Change doesn't magically happen. People work for each and every change that has happened, big or small. Shaming and tearing people down doesn't have to be a part of that work. I'm not saying shaming people won't get the results you so desperately want, I'm saying that there are much better ways of getting people to realize they are wrong and/or need to change than making public spaces an unsafe space to be and to make people feel worse about themselves than they already do.

It wasn't just this particular post that was the issue, but the fact that no matter how many political opinions and posts I ignored completely and scrolled past, posts like these still showed up on my dash. My passion is my compassion and ability to care for everyone. I'd much rather live in a world where every single living thing feels safe, at least in my presence, than getting into silly arguments with random strangers on Tumblr dot com. Responses like these are not only condescending, they actively miss the entire point I was making.

[nuggetpool-hi]

Guess who watched X-Men origins again

OK SO I got THOUGHTS of this movie but specially Wade's fight style because it's really similar to our current Deadpool's fighting style... so yeah I wanna yap about that hi

WELL FIRST OF wanna talk a lil about Victor, Logan and Wade's different styles... from a mortal's view point I am no expert on this just insane about these movies and I need to write my thoughts or i'll explode

Starting with Victor!! the ultimate kittycat girlypop

I love his kitty self I'm sorry ANYWAY EXAMPLES

OKAY SO VICTOR. Victor's style is obviously very animalistic but also stylized, he makes the fight a show for himself! He likes to hunt and he tries to always give chase or play around a bit before the kill, just like a cat playing with his food!

AND IF you pay attention to the start of the movie, this game he's got with his target isn't initially how he fought, he kinda developed it as the years went by and the eviler he got the more he played with his food. The first few wars he goes to he's fighting like a human soldier, then you can see him slip up some animal jumps and uses his claws more until at the end he's full on predator chasing his prey (just like when he captures Scott, my god I love that scene he's terryfing)

AND A BIG DIFFERENCE BETWEEN HIM AND LOGAN (that I will also talk about later I guess) is that with this play thing Victor has going on it SHOWS that he THINKS about the stragety when fighting, he's aware of his surroundings and his target's strenghs and weaknesses, he's good at coming up with solutions on the spot (see his fight with John, he can predict where he's going to teleport and catch him) and how to give a good chase without losing WHILE LOGAN WELL, at least in this movie he seems very lost when fighting?? he mostly just launches at his target and attacks, if the target runs away he chases, very animalistic but in a feral-based on instincts way... prolly why he coulnt win agaisnt Victor at first, because he was being blinded by his rage while Victor was quite literally playing with him lmao

ANYWAY LOGAN our favorite traumatized babygirl

and boy does he suffer in this one aughh EXAMPLES

Now you must be wondering why did I put the bathroom scene, well I feel like it represents Logan's general situation pretty well! (and its silly let me be), hes confused destroying everything and just keeps making it worse every time he tries to fix it.

The thing about Logan in this movie is that he's honestly just- confused and angry from the moment he killed his father, he runs away over and over again from EVERYTHING and he's constantly being manipulated BY EVERYONE!! Poor man has no idea what to do with himself of who he can actually trust but damn he tries, his enviroment is contantly changing and he's trying his best to adapt but he does it in a messy way.

The way he fights and acts in general is animalistic, yes, but more of the "scared dog attacks" kind of way, he's always acting on his instinct that it's mostly led by anger. When he fights he just throws himself and tries to slash whatever he can, he runs he hides and then when he gets the chance to he attacks again.

He constantly has little to no control of the situtation WHICH IS SPECIALLY SEEN pre-adamantium where he keeps losing to Victor because unlike him- he has no plan, he's being manipulated and kept blind of everything ON PURPOUSE which obviouly puts him in a disadvantage so yeah.

AFTER he gets the adamantium you can see his skills strengen with his knowledge, the more he lears about his situation the more focused he is and his fighting it's cleaner, he still moslty just launches himself head first into fights BUT he's not running away, he's able to evaluate his situation and adapt (See his fight with Gambit, he looks at him when running away and then destroys the stair so Gambit can't run away OR with Deadpool where he decides to gain height as a way to create the space needed to evaluate his enemy?? that one might be a lil bit of a stretch tho)

WADE WILSON THE ULTIMATE CUTIE PRINCESS

let's ignore how dirty they did him ok...

OKAY SO SADLY- The bullet scene is pretty much the only scene where we see him fight and it's honestly not enough to tell how his normal style is BUT I WILL SAY his general style is fancy to look at and scarily effective (which is mostly seen with our current Wade but you can see a bit in origins deadpool) he makes a show for everyone to see, which is also his stragedy to make himself even better at combat! He uses a lot of fancy movements and acrobatics that help him AND takes his enemies off-guard, confusing them as where they should attack or what he's going to hit?? anyway-

Comparison time yippieee THIS IS WHAT THIS POST IS SUPPOSED TO BE ABOUT LMAO

I did not get side tracked idk what you mean.... and now seeing it over and over I'm realizing not that noticeable.... so it's just not that much to talk about oops

LOOK AT THIS WADE, LOOK AT THE MOVEMENTS HE DOES WITH HIS LEGS!! HIS HANDS??? THIS MAN IS SHOWING OFF he's using all kinds of acrobatics and fancy movements while fighting, he attacks with his hands and dodges using mostly his legs, he's using all he has!! and it's making Logan lose BECAUSE LOGAN CAN'T FOCUS!! specially since he's so "target locked will attack", Wade makes it SO HARD for him to focus on a pose long enough to actually stab him also Logan ain't too good at dodging, I'm guessing it could be because he heals? dunno

now what inmediately came to my mind upon rewatch was THIS scene (maybe because I saw it recently who knows)

THE SETTING IS SO SIMILAR!! Wade is using a lot of fancy movements to get up, dodge and attack all way too fast for Logan to process, once again Logan is looking everywhere confused about where to aim bc this silly red guy it's dancing on his face and he's struggling to keep up JUST LIKE IN ORIGINS except well he IS able to get a hit bahah

Dodges like crazy, jumps over Logan (he did in origins too) just moves a lot between every attack

Actually now that I think about it Wade feels a bit less effective in the car, like yes sure he's putting up a good fight but Logan still feels like he's leading it BECAUSE WADE IS MORE EFFECTIVE WHEN HE HAS MORE SPACE!! he likes to be able to move around and do gimnastics while Logan it's a lot better the closer he gets to his target so omg yeah... ALSO LIKE WADE STILL TRIES TO MOVE AROUND he shoves Logan away from him, he gets out of the car choking logan with a seatbelt and gets to the back, he tries to create space because that's where his speciality WHILE LOGAN keeps trying to get closer to have him in his power, which he gets to do since the car isn't allowing Wade to move as freely as he would want to...

AND YOU CAN SEE HIS FANCY MOVEMENTS WITH FRANCIS TOO he's constantly circuling him, dodging and spinning while Francis is just trying to get a hit, Wade keeps his enemies chasing him when he fight THAT'S the way he controls it and gets it wherever he wants aughh

ANYWAY YEAH I think that's it, don't really know how much sense any of this does since I've been writing it on-and off the whole day lmao it's so messy but yeah feel free to add onto it I'd love to see opinions on this wahoo

Might keep talking about stuff I find interesting in the movies bahah this has been funn

[irisbaggins]

This isn't going to be as in-depth as my other meta (I am too tired after Uni and thinking about different literary theories), but I've seen some folks point it out and wanted to add my own two cents:

From the way I view Evan's behaviour since the killing of Philtrum, I read it as him becoming defeatist towards his own nature. He truly believes he's a bad person, who doesn't deserve love nor happiness. He chafes against any assertion that he's loved or cherished, and he clashes with anyone attempting to assert that he's valuable and loved just the way he is. The only person who he doesn't outright clash with is Sam, and that is - I believe - only due to the fact he saw and experienced her emotions and feelings, and therefore cannot quite dispute them. With Jammer and K he can, because he doesn't have that insight into their true feelings. He can make assumptions, then, and run with that idea.

Why does this matter, then? Well, I've noticed how Evan pushes back against the three, and how it differs with each person. Because he does clash against all of them, just differently depending on the person. With Sam, he doesn't outright deny her claims, but it's clear he doesn't believe her fully. He just doesn't say it because it makes her sad and, after every kindness she's shown him, he doesn't think she deserves to feel like that. With Jammer, we've seen him either outright challenge him - how he's mentioned to Jammer's teammates and the lack of talking about his inherent magic - and we've seen him doubt and distrust Jammer's overt affection - not believing they're family, despite Jammer's insistence that they are. And with K, Evan has never truly believed himself worthy of love, but he doesn't quite understand that that's the issue K has with him, and therefore thinks K just wants to "change him" to fit their worldview (instead of being that K wants to "fix him" in terms of his self worth etc.).

Evan clashes with all of them, and I argue that it's because he doesn't see himself as worthy of their compassion. I would have to re-watch the first few episodes of the season to be sure, but I have the distinct feeling that Evan's refusal to believe in his friends' compassion started after killing B2, something he did without hesitation and without direct remorse. And I think that's the core issue, here. I believe that's why Evan is so adamant in his position, in his belief of his unworthiness, in his desire for power and control; he truly believes he became what he always feared, and he's both accepted this and is also denying it. He pretends everything's fine, yet he also cannot escape the feeling that he's doomed. He called himself heir to the evil house, something he's always denied. I think that alone is an insight into Evan's mindset; he thinks himself evil, which places him in direct opposition to his friends who he believes to be good.

I talked about K and control, and how they can - in their attempt to pretend - be hurtful in what they say. I argue the same is true with Evan, but instead of being directly self-sabotaging with his speech, he's doing it indirectly. He's placing himself as someone they shouldn't trust, and he himself might not be consciously aware of it. He's self-sabotaging, at least from the way I read his actions, especially in light of K's conversation with Tabby. He doesn't trust that the affection of others is genuine, and therefore will treat it as if it weren't. And he's only gotten worse, I think. Yes, he can throw out affection and "I love yous", but receiving them? He doesn't know how to handle that, and will either just go along with it quietly, or question it directly.

Evan's trapped within a negative feedback loop, and I think this is only heightened with his conflict with the Qohlye, and his conflict with him. Specifically, I'm thinking about the ways in which Evan refuses to actually understand why he was given the book, and why it's a horribly sad thing to happen to him. Not because the Qohlye thinks Evan is only meant for sadness, but because the Qohlye understands and knows that the book will only lead Evan to a darker place in a desperate attempt to keep control. The Qohlye is sad, I think, because he knows Evan will happily walk a path he himself doesn't want just to keep his friends close - something that will, in the end, only lead to great sadness. Just take his near sacrifice when saving K from death in the first season, or killing B2 in this season. Evan is a self-fulfilling prophecy, and the Qohlye sees this, and sees Evan refusing to attempt to understand it. That's the sad part, I think. That's where that grief comes from. It comes from seeing a bright and kind kid destroy themselves because of them believing themselves unworthy of love.

I could go on with this topic, but I think I'll end my rant for now by concluding with this: Evan hasn't acknowledged the demons directly since he discovered they had returned, and I am very worried with what's going to happen in the last two episodes. Especially with the references to "kill your dad" and all. Evan is such an interesting character to analyse, especially since he's such a flawed and complex character. Often, what I've noticed with him, is that it's what he doesn't say that leaves the most impact. And him not acknowledging his own emotions and his own fears regarding his nature is quite telling. Especially as he's positioned himself as a wizard killer. I'll probably write some more meta at a later date regarding him - as well as meta on K, Jammer, and Sam, as I find all of them so incredibly fascinating. But I shall end the post now before I fall asleep typing, because I am dead on my feet. So, if this post makes no sense, really sorry about that! Will probably refine it later when I'm dodging writing about my thesis.

Also, just wanted to add: If anyone has like, any points, disagreements, or just general thoughts about this post and my takes, I'm happy to hear them! I'm always up to hear what others think of my takes, especially if you disagree. It always fascinates me to hear what others think about characters and a story, so please do not hesitate to interact if you have your own two cents!

[mygayasslovesbluealiens]

Dad!swansea reaction to reader also being on the tulpar or wtv that thing is called??tysm i love your ficss

ʚDAD!SWANSEA X GN!READERɞ

SUMMARY : working with your dad for pony express.

WARNINGS : SPOILERS!!! Jimmy, mention of suicide, injuries, slight Daisuke x reader.

WORD COUNT : 916

A/n : tysm I'm glad you liked my fics!

Click "Keep reading" for more!ʚɞ☟

- Swansea did not expect you to be on that tulpar with him.

- he did hear you talking about applying for a job, he just didn't expect it to be that one.

- well, now you were with him again.

- you were a chef and he was greatful for that since you were good at cooking.

- it actually made him feel a lot better to have you around.

- you were the usual you, just cracking up jokes, making silly doodles and making paper swans for him.

- and to Swansea's absolute horror, you and Daisuke clicked.

- he actually doesn't mind you befriending Daisuke, he just finds it strange how Daisuke stares at you a little too hard when you're not looking.

- you're personality didn't change, just the charming, sometimes bubbly and happy person you were.

- it helped you get along with everyone on that ship (except for Jimmy) and it made Swansea happy to know that you're making friends.

- but he did notice how you and Daisuke were a little too close to each other...

- nevertheless he enjoyed your company with him at the tulpar.

- until the ship crashed...

- Curly did not end up well, he was in the worst state ever.

- seeing how Anya reacted to that, you took it upon yourself to help her take care of your captain.

- unlike Jimmy, you made sure as gentle as possible when it was time to give him painkillers.

- finding out about the food stash only lasting for a few months made you feel uneasy.

- with that, you started feeding yourself less and less, Swansea took notice of it.

- any time he eyed your plate he only found bits of pieces of food while the others had full plates.

- he also took notice when you stopped visiting Anya to get painkillers for your headaches.

- seeing how bad your state was getting, Swansea took it upon himself to confront you (your dad is worried :{) and that's when you broke down.

- you tried to justify why you fed yourself less, you were worried about your crewmates, so you made sure to put less food on your plate so that they can have more, same reasoning for the painkillers, Curly clearly needed them more.

- Swansea felt bad, you were too kind for your own good. If he knew that you were going on that ship with him, he would've stopped you.

- things took turn for the worse.

- you found out what Jimmy had Done to Anya, you started to resent him. Jimmy didn't take it very well.

- things just kept deteriorating, Anya locked herself inside the medical room, judging by her words, she wasn't feeling very well.

- Jimmy thought it was a good idea to get to Anya through the vent by going to the utility room, and to get there, he had to go through Swansea.

- to your absolute horror, you found your dad knocked out, shards of broken glass next to him on the ground. You immediately knew who's the cause of it.

- it was too late tho, Daisuke had already crawled inside the vent Swansea had warned him not too. Causing him to sustain painful injuries.

- you've had enough of Jimmy's bullshit.

- that's it, you snapped at him.

- he was the cause of Anya's suicide.

- he was the cause of Daisuke's painful injuries.

- your dad have had enough, he couldn't bear seeing Daisuke in pain anymore, so he ended his misery with a swing of his axe.

- Jimmy was irresponsible.

- you took the sharpest knife you could find, not bothering to hide it as you made your way to Jimmy.

- too bad for you, Jimmy had over powered you.

- now laying your back on the cold metal wall, pained huffs leaving your mouth, you put a hand on your sliced throat, the knife you've tried to kill Jimmy with now deep in your abdomen.

- the last thing you saw before dying was Swansea looking down at you, visibly furious as he held his axe, he wasn't letting this slide.

- too bad, Jimmy had the gun.

- now tied in a chair, Jimmy let the middle-aged man speak his last words before shooting two bullets in his brain.

- Curly was guilty.

- if he had taken action, none of this would've happened.

- if he had taken action, none of you would've died in those gruesome ways.

- this wasn't what he had expected.

- that wasn't what he had wished for.

- a bad ending.

- jk y'all.

- the tulpar was found not too long after.

- luckily, everyone had made it out alive, except for Jimmy.

- Anya was now in a better state, the hospital staff making sure to look after her.

- Daisuke managed to survive that painful swing, though, he understood Swansea's actions, but his eye sight was a bit foggy.

- Swansea survived both bullets, with one eye remaining, he was glad that you and the others were alive and well.

- speaking of which, you were doing fine, the wound in your stomach hurt and you had a bit of a problem when it came to speaking, thanks for the damaged vocal cords Jimmy.

- Curly was the one who was looked after the most, he was doing alright, he had gotten better treatment and was using a wheelchair for now.

- after the incident, you and the other hung out with each other often.

- Daisuke coming over to visit you and Swansea, he sometimes would spend time with you and your sisters, which brought you closer to each other.

- after all, you've gotten a good ending.

[fierceawakening]

Yes! That’s… less of a clear answer than I feel comfortable with to join a movement or admire its leaders, but it’s something.

I always get the sense in conversations like this that people are much more comfortable than I am just being like “who cares about the edge cases?”

I care about them, both because I’ve *been* the victim of things committed by people too deep in their mental illness for anyone who tried to convince them to stop, and because if we truly believe everyone is a person (which I see as a key tenet of leftist values and part of why I choose them over right wing values in the first place) then we believe some things are too cruel even for people who do horrific things.

So I don’t see it as an issue we can avoid.

Also like I’ve mentioned I work at a homeless shelter. The reason a lot of academically inclined leftists can talk about crime like it’s rare is because they don’t spend time in environments where people who’ve committed crimes are common. I don’t think they’re wrong that most people are basically good, but I think they can be naive about what it takes to convince someone crimes are not a great idea. If someone has a patten of criming, it’s because that’s what they believe works for them. Getting them to stop is about changing their outlook and habits, which is far from impossible but a lot slower and more bumpy than many people who never did much criming want to think.

Also I think a lot of people really don’t have an accurate picture in their heads of serious mental illness. I think very often people have an idea that even very acutely ill people are fairly rational, and you can usually help them deal with their anxiety, give them meds, whatever, and they improve a lot. Again, I don’t think this is fundamentally incorrect; disease isn’t destiny. But having interacted with a lot of people whose illness is particularly intractable, I think that people often have… the same kind of image in their mind, where they don’t really understand how incremental incremental can be.

There are many people, including one client I’m very morose about, who improve a little when treated well, but a little isn’t enough. My moroseness? That client has been banned for fighting, unless she appeals the decision and wins. I don’t *like* the thought that she’s going to lose her place here and that’s likely to only make things worse… but I don’t have the fundamental confidence to say that kicking people out for violence is too cruel, we can make sure it’s fine. Making sure it’s fine is very clearly above my pay grade, and while there are people with more experience and better degrees than me I don’t have the impression they’re less confused.

All of which says to me that deciding we’re ready to stop imprisoning people who do bad things is at the very least premature (and to their credit a lot of abolitionists do agree that prisons will be phased out over time.) I think it’s unrealistic not just in a way that paints a rosy picture of humanity (as a whole? My picture of humanity is also fairly rosy!) but also in a way that fundamentally ill prepares us to really help perpetrators in ways that matter.

[inotakumagf]

the beast at the heart of the world

✶ gojo satoru x gn!reader

word count ✺ 1.7K

summary ✺ you’ve had a shadow following you since you were a kid. one day, it tries to hurt you.

warning ✺ kind of creepy descriptions of a cursed spirit, but it’s not super gory or anything like that. also i never usually enjoy instant love, but reader and gojo are very touch-starved, so it kinda goes from 0 to 100 real fast oops. reblogs & comments r very appreciated <3

You started seeing the creature when you were seven years old.

He’s never spoken to you, but he’s always watching. At least, you think it’s a he. The creature has pale, rubbery skin with pointed ears and a towering figure. The way he stares at you reminds you of how your father does, and the comparison causes panic to burst against your seams. 

The first time you notice him, you’re playing with your dolls in your bedroom. You focus on the story you’re telling with your Barbies, trying to ignore the way your parents scream at each other in the kitchen. You have this suffocating desire to make them stop, even if that means hurting them. You don’t want to—you know you’d never—but you can’t shake the overwhelming anger brewing inside of you. 

When you finally look up, your heart drops at the sight of sharp, glistening teeth peeking out from your closet. The only thing visible in the shadows is the curling grin of a beast, and it feels like a twisted promise to rip you apart. You notice its red, beady eyes next, and you whimper when you realize it’s looking right at you. The creature’s grin widens.

You scream for your mother to save you, hands clamping over your eyes as you sob. At least your parents’ argument stops as your mother comes to see what’s wrong. When you point out the creature to your mother and explain the situation, she throws open your closet door, to your absolute horror. But her smile doesn’t change as she steps to the side and motions to the closet, the monster still staring at you with its full attention. You cry when you realize she can’t see the creature. Its gaze burns into you as she reassures you that there’s nothing to worry about, even as the creature drools over her shoulder. 

You learn two things that day: one, no one else besides you can see this creature. And two, it follows you. Everywhere. 

You don’t know why, but he never, ever takes his eyes off of you. And he never stops smiling. You have to ignore him every second of your life after that, pretending that he doesn’t tower over you and terrify you beyond comprehension. No matter how many years it’s been since you first saw him, your heart and body freeze every time you look over your shoulder and see the imposing figure of your monster. Truly, it could be worse. He’s never touched you before, he’s never put you or anyone else in physical danger. He just stands a short distance behind you, and he stares. But the anticipation is so overwhelming that it may kill you before he does. You often cry yourself to sleep, hoping that he will just go away. Why can’t he go away?

Sometimes, he stands so close that you think he’ll swallow you whole. You know he thinks of it, because his large mouth is wide open as he peers down at you, letting his saliva drip over you. After all these years, it’s still nearly impossible not to sob in fear or flinch away from him, especially when you’re in public. It's so debilitating, and it turns something as simple as ordering coffee at a cafe into a dreadful process. 

Like now, you try to order your drink, stumbling over your words as you do your best to ignore the creature standing beside you. Your voice cracks and you freeze as the monster drops its head onto your shoulder. You can feel its clammy skin against yours, and there’s a slight scratch as brittle hair brushes against you. A sob bubbles in your chest as the creature licks a trail up your face with its long tongue.

“I–can I…?” You can’t finish your sentence, too busy trying not to scrunch your eyes closed at the feeling of his slimy, purple tongue dragging all over you. He’s never touched you before, and you don’t know why he has now. Maybe his insatiable hunger has gotten the best of him. 

You make a strange noise in the back of your throat. The barista in front of you rolls his eyes at the state of you. You can’t really blame him, because you know how you must look.

“Are you gonna order?” He asks impatiently.

You clench your fists and try to at least breathe in and out. “I–”

The bell to the front door jingles as someone pushes the door open quickly. You and the barista turn to the man that has entered the cafe. He has snow white hair and a dark pair of glasses that he pushes up the bridge of his nose. You can see how his chest rises and falls quickly, as if he’d just run a marathon. He swipes his gaze across the room before meeting your eyes. Your eyes widen when he locks his eyes with yours. 

“Are you ordering or not?” The barista’s annoyed voice brings you back to reality.

An apology is on the tip of your tongue, but the man who’d just stepped inside comes over with a grin on his face. 

“Sweetheart! Sorry to make you wait, I couldn’t find my card.” He stands besides you, laying a careful hand on your shoulder. He pouts at the barista. “I didn’t mean to make you guys wait, we’ll order now. What was it that you said you wanted to try, honey?”

You startle when you realize he’s talking to you. You stumble through your order. The mystery man orders after you do, handing the barista his card to pay and making small talk. Your drinks are made fast, and you can’t blame the barista for wanting to be rid of you as soon as possible.

You don’t know what you’re expecting, but it’s not the stranger keeping an arm over your shoulder as you leave. He doesn’t let go after you walk out of the shop, or even when you’ve traveled a block away. Your heart stutters in fear as you try to think of a way to escape his grip. 

But then he whispers into your ear, “Do you want me to handle this thing for you? It’s awfully close, don’t you agree?”

It takes you too long to realize he’s talking about your monster. Your monster that no one should be able to see. “You can see it too? I thought I was crazy.”

He grins. “You still might be, that’s not for me to decide. This special grade curse looks like it’s been brewing for a while. You poor thing, you can’t get rid of it, can you?”

You blink. “What? Special grade what?”

He ignores you, rubbing his hand up and down your shoulder in comfort. “How long has it been bothering you?”

“Since I was seven.”

For the first time, he looks surprised. “That long, huh? Let me take care of it, sweet pea. You won’t have to suffer much longer.”

You feel a rush of wind at your side and the stranger’s warmth disappears. It feels like you blink, and the creature turns to dust. Just like that, almost twenty years’ worth of suffocation is gone. The constant, overwhelming pressure against your skin is gone. The man appears at your side once more. 

It’s such a relief, and it's almost embarrassing how quickly you deflate against this man. He holds you to his side gently, running his hand against your back as you sob into his neck. You should have more shame, but you can’t bring yourself to care at all. 

You mutter your gratitude into his skin, and you can feel him shudder against your lips.

He lets out a shaky breath before grinning at you. “How ‘bout I walk you home? So I can make sure none of these curses bother you anymore, sweetheart.”

You’re flustered, stumbling over your reply before giving him a, “O-okay. Thank you.”

He lets out something between a sigh and a laugh. “Of course, honey.”

You can’t handle it. This man is a stranger, but he’s so…friendly. Thanks to your monster—your curse—you’ve never allowed yourself to be close to anyone in fear that the creature would snap and have its way. And though it’s hard to break away from your habit of fear, this man’s presence calms your fast-paced heart. He makes you feel safe. 

Once you’ve arrived at your apartment, you feel disappointment brew in your chest. “This is my place,” you mumble. “Thank you for helping me. For the first time in my life I feel…light.”

He smiles at you. “Can I give you my number? In case a curse like this ever bothers you again. All you have to do is call and I’ll be there for you.”

You agree easily, because you want to see him again, even if it’s in a less than ideal circumstance. You pass your phone to him, peering over his shoulder as he types his name into your phone. He pauses his typing to smile over at you, and it makes you flustered enough to turn away.

He laughs. “Aw, sorry, sugarplum. Didn’t mean to embarrass you. Could I get a name to match that pretty face of yours?”

You tell him your name, only considering a moment later that you probably shouldn’t give your name out to a stranger so easily. But you feel comfortable around him, and you find yourself trusting—you glance down at the contact name he’d set for himself—Satoru. You trust Satoru.

You turn to go inside your apartment building, but Satoru calls your name and you turn back, a look of concern flickering over your face.

He rubs his hand against the back of his neck. He looks almost…shy? “You can use my number, uh, even if there’s no curse. Do whatever you want with it, actually. I’m always available to talk. If you have questions about all of this, of course.”

The furrow in your brow eases and you smile and thank him again. You wave your phone in the air briefly. “I’m sure I’ll find something useful to do with this.”

And before you head back inside your apartment, you glance behind you almost instinctively. But there’s no more monster to worry about. The only thing behind you is your strange savior. You promise yourself that you’ll take him up on his offer, as many times as he’ll have you.

[sweetkpopmusings]

miserable (you & me) | h. hyunjin <3

a/n: i have had these blurbs in my drafts FOREVER. "miserable (you & me)" is a song i've had on repeat since it dropped. i'm also a sucker for angst, so please enjoy these self-indulgent posts (they all have happy endings, i promise!) there will be one for each member, so stay tuned <3 pics not mine~

content: angst, happy ending | wc: 1k | warnings: none really! | pairing: hyunjin x gn!reader | requests:open

˚ʚ♡ɞ˚

난 가망이 없는 미래에 손을 뻗어 날 부었네 / “i stretched out my hand towards a hopeless future and poured myself out”

of course it would be raining right now. the day’s weather had been normal, a smattering of clouds above and an overcast glow hinting that the weather might take a turn for the worse, but nothing was set in stone. that turned out to be true in a more literal sense, hyunjin realized, while watching people mill about on the street below with freshly opened umbrellas. he scoffed. what did you think would happen? what did you think would change?

the answer was nothing. but i had no choice.

you and hyunjin met up for your usual weekend get-together, returning to a favorite drink spot of yours after a few weekends of schedules keeping you apart. he had missed you so dearly, something that became achingly clear when his whole body lit up from seeing your face peek through the entrance. you noticed the buzz in his body when he greeted you, a sweet laugh escaping your lips. hyunjin’s heart melted at the sound, collapsing even more into endearment when you said, “i missed you a ton, too.”

a moderate number of people took up the tables and seats in the building, so there was a comfortable hum of casual conversation surrounding you. hyunjin, as always, was so closely tuned into the sound of your voice, he would’ve believed you if you said the place was completely empty. it was clichéd for sure, but he was enraptured by every single thing you said. he loved listening to all your thoughts, stories, jokes, anecdotes; whatever you were willing to share with hyunjin, he’d accept with open and grateful hands. you both laughed as you finished telling him an embarrassing story your friend shared with you the other day, and, so you could take a sip of your drink, you asked hyunjin, “how are you?”

without skipping a beat, hyunjin answered, “i’ve liked you for the longest time.”

seeing as that was quite the unexpected answer to your question, you froze. your brain buffered, face showing barely any expression, except maybe shock or confusion. hyunjin, perhaps realizing what just occurred, reacted with wide eyes and frantic apologies. if his confession hadn’t stopped you so sharply in your tracks, the endless refrain of i’m so sorry! i don’t know why i did that. i’m so stupid! would have drowned out the words he spoke so naturally. you didn’t have time to process, but you tried to protest against hyunjin’s incessant apologies. this, it seemed, was fruitless.

hyunjin, with shaking legs and fumbling hands, gathered his things. 

“hyunjin, what’re you–”

“i should go, y/n,” he responded quickly, too quickly for him to mean it.

your heart broke at the way his voice cracked when he said your name, “no, just stay for a minute. please, i–”

his chest tightened when please fell from your lips, but he couldn’t bear the idea of you begging him to stay, only to tell him you didn’t feel the same. yes, it was immature, and, sure, it was probably selfish. yet all hyunjin could think to do was leave. so he did, his goodbye all staggered breaths and darting eyes.

you turned in your chair, barely catching his gaze as he raced to who knows where, “hyunjin?”

his eyes caught yours, and he ripped them away before he lost his foolish resolve. he hoped he offered you a soft smile, something to say i’m sorry for this. i just want you to be happy, and i guess this is me trying to make sure you stay that way. the adrenaline rush meant he couldn’t feel his face, though. he had no way of knowing what he looked like when he looked back at you. 

hyunjin’s whole trip home consisted of pleas for his legs to move faster. if his steps hit the ground hard enough, he could ignore all the scolding voices inside his head until he was safe in his room. if he were honest with himself, he was outrunning the look of shock on your face, and the way your voice fell when you asked him to stay. hyunjin, as he caught his breath in his room, realized that running away from you meant he ended up in front of his window, facing a future of heartbreak. a sardonic laugh broke free from his lips. maybe if you did it the right way, at the right moment, you’d be looking at them instead. maybe you’d be thinking of something other than angsty plotlines for the strangers passing by on the street below. 

“or maybe i could be hurt much worse,” he whispered to himself. 

that was the last sound that shared space with hyunjin in the room. he sat, mind racing and leg bouncing, completely silent. until someone knocked on the door.

hyunjin shuffled to the entryway, instinctively opening it at a familiar knock, only coming to when he saw you standing before him. of course, no matter how hard he tried, his body would always end up right in front of you.

ignoring the way his deflated figure twisted your chest up in all the worst ways, you chided, “you know it’s rude to confess to someone and leave immediately after, right? you didn’t give me a chance to respond.”

you huffed as you spoke. hyunjin couldn’t help the endeared smile that graced his face when he watched your frustrated, furrowed brow turn into a cute, unintentional pout. 

he thought, they are more precious to me than they’ll ever know, and he admitted, “you’re right. it was very rude of me. while i may not deserve to hear it after the way i acted, would you mind telling me what you were going to say?”

your shoulders relaxed as the familiar shine in hyunjin’s eyes returned. his beautiful smile came back too, as he watched your face light up with a reply he’d only ever dreamed of before.

“i like you too, hyunjin. i have for the longest time.”as though his hands weren’t shaking from anxiety a mere five minutes before this moment, hyunjin reached out to you, pulling you into his home and into his arms. when you accepted his invitation and melted into his embrace, hyunjin thought, i’ll pour my heart out to them again and again, if it means we’ll always end up right here, together.

˚ʚ♡ɞ˚

[cpvnksabm]

Please stop trying to "fix" RTC's disability rep without doing prior research, especially if you are able-bodied.

I'm not just saying this because, on principle, I think it's important to centre & uplift disabled voices in discussions of disability representation. I'm saying it because in practice, I've noticed that when people take the "canon sucked so I'm just going to change it" approach to Ricky's depiction in RTC, they frequently end up erasing the parts of canon's representation that were valuable and important to me, sometimes doing things that are worse than canon.

It's important for a fandom to be able to recognise canon's flaws, especially in its depictions of serious topics. But I often feel that the discussion of criticising RTC's disability rep is dominated by people who haven't done a lot of research or don't understand the issue.

I've found that most of the things I actually consider objective flaws in RTC's disability representation are incredibly underdiscussed. Instead, criticism tends to focus on a few specific points, most of which are things I don't agree with or things that are just objectively wrong. For example - it was not ableist to remove the scene where Ricky concedes the competition. At all. I could even argue that this was a positive change, but it gets lumped in with the more ableist script changes (the 2022 rewrites removing Ricky's disability) simply because both happened after the most popular proshot was released in 2016.

Another criticism I see frequently is the idea that canon should have named Ricky's specific disability and was bad rep for not doing so. I understand the idea behind this and somewhat agree with it, but I also think it's more complicated than most people give it credit for - Ricky specifically has a rare disease, meaning most of RTC's audience would not be familiar with it, and when the musical was written, the intended "official" watching experience was for people to see it live, in a dark room with their phone turned off. While the majority of the fandom (who got into RTC through bootlegs) would benefit from Ricky's condition having a known name that can be easily googled, I think it makes sense for the the writers to avoid using terms the average audience member wouldn't be familiar with, given they wouldn't be able to Google it unless they remembered it after the show.

This wouldn't be an issue, if not for the fact that fans frequently use "canon wasn't clear enough" as an excuse to erase the things that canon was clear about. There is a big difference between a character having some sort of "blank slate mystery disease", leaving it entirely up to the fandom to decide what disability he has, and a character who is explicitly said to have a rare degenerative disease with a clearly shown set of symptoms, without the exact name of the disease being mentioned.

I think part of the issue here is a lack of awareness. Many people don't understand how one disease would cause both Ricky's inability to speak and his need for mobility aids, and so they assume canon must have just chosen these symptoms at random. And since "choosing symptoms at random" isn't exactly a great approach to disability depiction, these fans then try to "fix" canon by coming up with separate plausible explanations for Ricky's symptoms.

But the fact is that Ricky's symptoms were not chosen at random - they are in line with symptoms that are caused by real-world neuromuscular disorders. This is heavily implied to be the type of disability Ricky has (I've made a post explaining why, check it out on my account if you want).

Seeing erasure of Ricky's disability is always upsetting, but it's even more upsetting when it comes from people who think they are "fixing" canon by removing "unrealistic" depictions of disability. A person being unable to talk and a mobility aid user due to neuromuscular disability is not unrealistic. Just because you aren't already aware of how something can exist, doesn't mean it is unrealistic.

And there are other issues too, such as whether the "feed him through a tube" meant anything with regard to ricky actually having a feeding tube or generally how well canon handled ocean's ableism, where I feel like people are too quick to jump to "I don't know why canon did that, must be bad representation, I'll fix it" without fully understanding the issue. And if you try to "fix" canon without understanding where it went wrong, you might just make it worse.

I just think it's time for everyone to step back a bit and remember that it's okay to not know everything. Ricky is a character with an underrepresented disability, and it makes sense that some things about him might not be things you've seen before or things you understand well. It's okay to be confused. It only becomes a problem when people make assumptions and then spread these assumptions without fact-checking.

It's very easy for misinformation to get spread online. One person makes a claim in a post, and other people just believe it without fact-checking, because they don't see why the OP would lie about it. And often OP isn't lying at all, but they may be misunderstanding something. A lot of the time, complex subjects like disability representation can be accidentally stripped of important nuance in a game of telephone, when a discussion aimed at one group of people gets taken out of context. And the 2017/2018 RTC scripts frequently get lumped in with the ableist post-2022 script, purely because they both come after the most popular version (the 2016 proshot bootleg).

So before you try to "fix" RTC's disability representation, I think it's important to take a step back and think about what you think RTC originally did wrong. What makes you think these parts were wrong? If it's simply because you don't understand it, or because other people have called it bad representation but you don't understand why, it's time to do some more research to figure out how to best fix it. Otherwise, you might do something that is also bad representation, or plain erasure - and you might do this in an attempt to "fix" one of the things that RTC actually did a good job of originally.

My asks are always open if you're interested in hearing one disabled person's perspective on how RTC handled a specific topic. Please do not assume you don't need to ask because you already know what my perspective will be, and please don't feel like you're bothering me by sending an ask. I am much less bothered by good-faith questions than by people speaking over me, even unintentionally, or taking it for granted that i'll agree with their views.

I think getting a disabled perspective is incredibly important if you're planning on changing any aspect of ricky's disabilty in fanworks - there is a fine line between genuinely improving on canon's flawed rep, and just erasing canon's rep (including the good parts) and excusing it with "well it was bad representation anyway". Remember, disability erasure isn't only when a disabled character is made completely abled - it is possible to erase an aspect of ricky's disability even if he is still disabled.

This is a little more blunt than my usual posts, but it is very important. Thank you so much for reading.

[bakafox]

Yeah, some of the factions really didn't get fleshed out, when it comes to interactions with Rook, and I admit that's one disappointment I have with the game as I do my usual 'make one of everything' altaholistic play.

Especially disappointing that the Veil Jumpers- the elves/Dalish heavy group was one that got the short stick considering how the further revelations about the past really impact them the hardest in a lot of ways.

The Crows clearly were a writer favorite, and I can't blame them, since they're the longest canonically existing group- although it also still is odd that they're so different than the House that trained Zevran via torture and even did blood magic iirc but there's no little tidbits I've found at least about why they changed or how some houses/families are far worse than others to be picked up by, whatever headcanons I make up about it.

Listen i'm a big fan of Veilguard. Feel like I gotta start with that.

But can I just say not all origins are created equal?

My first playthrough I did Veil Jumpers. It was cool but there was really no mention or connection to the other Veil Jumpers. You haven't been gone long and yet Bellara doesn't know you? And besides a few little lines theres no real mention of you interacting with the other Jumpers.

Compare that to Crow Rook. Teia missed you, Viago missed you. You hear from gossip with the other crows how Viago is worse when you aren't there. You have fun little conversations with Lucanis. You have a letter from Viago where he calls you Idiot. You matter and were important, only sent away because you had to be but people missed you.

Now i'm not too far in yet but Warden Rook gets fun bits with Davrin. The First Warden hates you even more. Antoine and Evka talk about how you fucked up but they still love you and know you did good.

I haven't done the other factions yet, so I don't know if its the same for them. But the fact that the Veil Jumpers are so lacking makes me sad. Its like you had no impact on that faction. Oh you lost an important map? Well shit. We aren’t going to mention it. Its dumb and I wish there was something for them.

[timkontheunsure]

A CBT look at Blitz's core beliefs

Boring explanationy bit

Ok first off a core belief is this how the world works sort of thought. It has a ton of evidence on it side, or some big life altering event. Acting within is designed to kept you safe. And everyone has good and bad ones.

Think of it as of a short bit of base code running in the background, helping you go with your gut. A quick a short cut, but one that's got a lot of logic and past facts behind it.

They're mostly set up in childhood. So if you have an abusive parent, or trauma, you can get ones that become unhelpful for you in other situations. Like with people that really care about you.

A distortion is a little different. They affect how you look at the wold based off your mood, and are always negative. They specifically don't have a lot of evidence on their side. Like a prism that makes things a little different than what's really there.

They are an action to do based on your mood: catastrophizing (when everybody I love leaves me next year)

Black & white thinking (yes there's all this evidence showing Stolas cares, but that doesn't count as it just sex).

Thought spiraling (this one goes to Moxxie heh)

Or snap judgments based only only how your mood is (Ghostfuckers is fun and sexy, so we should take the case when I know they don't exist).

Blitz's core beliefs

So 'all royals are assholes' and 'no royal will care about an imp' are a core beliefs. Because this is definitely true, the 1% don't give a fig. (Stolas and Ozzie are basically round errors from what we've seen).

"I'm going to die alone" is also one.

So is "I make everyone's lives worse"

But his good ones are: "we don't get rid of family",

Ok with these two good ones we're going to have to go into rules for life. Blitz core belief is about family sticks together and protects each other. That's his code that always wants to run.

But he's also got evidence that family will kick you out for not being good enough, and hurting/killing people on accident. When you get code clashing you get cognitive dissidence, which physically hurts.

So you do a patch to reduce that pain. A rule to live by. 'If X is right and Y is right, then the variable that off is me.'

'We don't get rid of family, but we do get rid of me = I'm the only one who we can get rid of'.

With Loona it's we get orphanage lady saying words that could have come straight out of Cash's mouth. (I want Blitz to get a song telling that git off so hard).

Those hit Blitz hard, so hard he changed his mind on adopting a small little child, to a older teenage. CBT says that when something hits that hard it's because it hit at least 1 core belief. He sees himself in Loona in that moment, and never want another kid to be gotten rid of.

And other one could be bad or good depending on what's around it. 'I will be of use to family/people I love'. Blitz needs to feel useful to the people he loves, especially with growing in a family business working from being a kid.

And the rule Blitz has made for himself between the "I'm going to die alone" + 'I will be of use to family' = 'But maybe if I'm useful they won't abandoned of me yet'

(Also how sad it is that Blitz feels he's only allowed help, and support if it's a tit for tat, favours for favours exchange).

So everyone has a mixed bag of these good and bad. The problem happened when trauma responses give you ones that don't help you in a new situation. Like say a demon prince falling head over heels for him.

The idea of CBT is that if your struggling to look at what's changed since the core beliefs were set up. And if it isn't keeping you safe anymore, then you try to replace the old one with a new one; that has new evidence that backs it up. A update.

Like how Millie shows Blitz concrete examples of him improving her life. Just telling him he hasn't wrecked her life wouldn't work.

(This is one of reasons why Stolas' confection doesn't stick with Blitz. Blitz needs to know reasons why someone like Stolas loves him. It why he asks him in apology tour. Stolas tell your boy why he's so amazing for flips' sake).

Millie shows how joining IMP positively improved her live. "He gave me so much...A career, a husband, a future. And now...He's my best friend."

And Blitz helping Millie through alot of her own negative self talk she had. That 'she's not good enough', 'she's only the muscle', 'that Pride's too fancy for imps', and 'no imp works for them selves'.

These we're all Millie's core beliefs before joining IMP, if she still had these Rolando's words would have hurt her. But through having the support and example of Blitz she's removed those old bits of code.

When see her mum it obvious where and why she has these ideas about herself. Lynn describes her full time job, being employed direct by a company; as "Freelance". Because Imps can't work for themselves. (Even if she is impressed by Blitz). It's like different between working for Uber, instead of taxi firm. No protections, and an unsafe unstable job.

She pulls up her daughter's valid explanation why she lost the fight as "Excuses!", because Millie was "'raised better than that' as the muscle of the team.

She's very against Moxxie for being too week, and not having the same melee skills as Millie.

It obvious that she wants her daughter to have a similar life as her, where she keeps her head down, and has a partner that is able to defend Millie. This because there's a level of safety in this crab bucket attitude. She'd very unlikely to come to the notice of higher-ups. Like how Stolas being very involved in IMP and with Blitz.

But Blitz talked Millie round, and also showed her that she doesn't have to pigeon hole herself like that. She has years of evidence that Blitz could do it, and him pointing out how good she is when she fell back into thinking of herself as just the muscle.

Rolando's trying to exploit vulnerability that she's updated against. (It's super ineffective).

Ok after that sight side tangent of with Millie's head, back to Blitz's.

The "your going to die alone" has become a self-fulfilling prophecy, tripping Blitz up alot. Because it comes twofold for his fear of hurting his loved ones, making their life worse, and his fear of abandonment. Because he was abandoned, that did happen.

Making him feel like he has it to push away the people he love for there own, and that they'll leave him eventually so might as well push them away now. He's got a lot of previous evidence tied to this.

It's going to take more then Fizz and Millie telling him he didn't ruin theirs, for him to start to be able to unpick this. Because he's still certain it's true. Even if he's improved the lives of most of the people he knows.

And even Fizz who were directly effected by the mistake Blitz still punishing himself for, has told him that being made disabled didn't ruin his life.

There's a whole debate in my head whether Barbie would have had such trouble with addiction; if she wasn't assuming/told that her brother started the fire on purpose, that killed their mum. I'm honestly not sure. But it does seem like her resentment over it has made it harder on her. And that all seems to stem from Cash abuse. (I'm sure Cash is the one to tell Blitz Fizz said he'd die alone).

Ok on to how the these are interacting/fucking up his relationship to Stolas. Blitz is definitely is afraid to love Stolas for a number of reasons. (You knew I'd get there at somepoint right 😛).

Cus a whole load are clashes together for him, making it really difficult for him because about see things from the outside. with the "royal demons don't give a shit about guys like us" one.

Making Blitz rationalize that it's gotta be about the sex, and being of use. Anything that shows this assumption is wrong has to be disregarded with distortion.

But when Stolas takes sex off the table, and still talking about feeling, and relationships; it makes Blitz's fear of abandonment go turbo. It's not rational but it's the only rule Blitz has that might make Stolas keep him.

He feels like that sex is all he has to give to a prince after all. And he wanted Stolas to stay for a long while now. It's not a grimoire his hallucinations put on a golden pedestal after all. And there a a lot of similarity to how Stolas and his Mama vanish.

(Debøra pør favør pointed out this emotion damage so now you have to suffer too 😭https://x.com/_Choco_torta/status/1859028103772955135)

"I'm going to die alone" and 'I must be of use' Blitz freaks out badly in queen Bee after Ozzie's. Blitz believed that he's be rejected by Stolas, he's been shoved back into the box of it just being about lust.

Because he wants more, but feels he's unworthy, it's got him hurt coming and going. He's got to shut down any attempt by Stolas to have something real. But he was also hurt constantly feeling sex is all that he's got to offer, and all Stolas would want.

"I make everyone's lives worse" and "We don't get get rid of family". Ok this is into theory level but think Master Mind and Sinsmas are going hit these last two harddddd. (We're one week from mastermind).

It looks likely that Stolas is going to lose Via, face punishment for the illegal deal, and be dragged for the affair. With Via swallowing a lot gaslighting about not being loved by Stolas (lines from the trailer).

Blitz will probably going assume it's another another life he's made worse, where he's caused them to lose their own family. Don't think this will play well with last guy he fell in love with he blow up.

It's going to make it much harder for him to remove the idea; that that him loving some will only hurt them.

Alot of the reasons Blitz thought it was ok to get close to Stolas are tied up in these beliefs. He assumes Stolas was powerful and immortal, so couldn't be hurt physically like Fizz or Mumma.

He assumed that a prince would never fall for an imp, so only he could get hurt emotionally. It couldn't end the same way as Verosika. Blitz thinking he's the only one to be able to be hurt, and get to be useful not just to Stolas, but provide a better life for his whole family. It would seem like a bargain. (And the self punishment aspect probably wasn't going be a off for him, cus Blitz thinks he deserves it).

This season seems slow be eroding that pedestal Blitz put Stolas on (and vice versa). It's hurts, and it's knocking the stuffing out of both of them; but it's bring Stolas to earth for Blitz. Making his more of a real person in his eyes.

Eh probably a lot way to go, but I'm here for it.

(was very loosely based on this post, because it got me thinking about distortions vs core beliefs. But then I went off on a whole thing, so thought it would be weird to put it as a reblog. Still loved @akirathedramaqueen analysis and would recommend giving it a read 😀)

[lycandrophile]

if you feel comfortable sharing, how do you identify now?

mostly, i just call myself a trans man now. i really haven’t spent too much time trying to find a word to replace transmasc in my vocabulary.

i haven’t really fully disidentified with transmasc either. when people talk about transmascs as a collective, i still consider myself part of the group they’re talking about. i still describe the process i’m going through as a transmasculine transition. and transmasculinity as a concept, as something lived and embodied, is still really important to me and my understanding of my gender. it’s less that i feel no connection to the word “transmasc” and more that just saying “i am transmasc” doesn’t really accurately describe the way i relate to the word anymore.

it’s partly because i just…don’t consider myself to be all that masculine. i’ve never been particularly feminine either, but even femininity is something i can at least put on for a little while; masculinity is a complete mystery to me in a lot of ways. i don’t know how to do it. and i’m not just talking about cisheteronormative masculinity either — i have so much admiration (and often envy) for the butches and bears and drag kings and other people who embody queer masculinity, but that doesn’t come naturally to me either. so it feels weird to identify myself using a word that puts so much emphasis on masculinity when i don’t see myself that way and i doubt anyone who knows me would either. i’ve played around with using transandrogynous instead for that reason, and i think that’s probably the most accurate alternative.

but i still mostly just find myself not really caring about defining myself on the basis of masculinity, femininity, androgyny, or any of those concepts because none of them are as important to me as the fact that i’m a man. whether my presentation would be best described as masculine, feminine, or androgynous can and does change from day to day, month to month, year to year. but regardless of which way i present myself, i’m always a man. that’s always what i want people to know about me. the underlying assumption of my manhood is what makes me comfortable exploring femininity and androgyny at all. so if i have to define myself, why not just say i’m a trans man?

it’s also partly because the way people define the word transmasc has shifted in the years since i first came out and started describing myself that way. when i first learned it, it was pretty much universally understood as an umbrella term that included (but also extended beyond) trans men. so when i started identifying as a man, transmasc remained a broader but still accurate identity. but now, i see more and more people defining trans men and transmascs as two distinct groups, and while there is still a general understanding that trans men can be and often are transmasc, there are also a lot more people who assume that if you describe yourself as one, you must implicitly be excluding yourself from the other. and because my identity as a man is so important to me, i’m not comfortable with saying “i’m transmasc” if people might assume me saying that means I’m not also a man.

and i think it’s partly because transmasc is a label i leaned on a lot when i was at a point where part of me recognized that i was a man, but i resisted calling myself a man because of all the baggage that came along with that. it was a compromise — a way to get “close enough” to what i actually felt, to get people to use the right words for me and get the right idea about me, without having to say “i am a man”. because back then, manhood was something inherently worse in my mind and the minds of the people i surrounded myself with than the nonbinary identity i’d been claiming until that point. but now, i don’t feel that way at all. i love manhood and men and being a man! so for me, letting go of transmasc as a label and giving myself permission to just say i’m a man has been an important part of accepting the fact that i am a man and learning that being a man isn’t a “bad” way to be trans.

basically, my identity hasn’t really changed at all, i just realized that saying “i’m transmasc” is a less accurate way of describing my gender than just saying “i’m a trans man”.

now, that’s not to say i don’t have other ways of describing my identity or that my understanding of my identity hasn’t changed a lot recently, but that’s a whole other can of worms and god knows this answer is long enough already. suffice to say, my gender is much more complicated than 100% Binary Man, Same Gender As A Cis Man, but i don’t worry about explaining that to every person i come across. if someone is so unfamiliar with me that they have to ask me to define my gender in the first place, then as far as they’re concerned, i’m just some fucking guy.

[nalyra-dreaming]

I keep thinking of the line 'to crush what you cannot own' and how it describes Armand's actions too - if he really did mean for Louis to die in Paris, which seems likely atp. Sacrificing Louis would punish Lestat and stabilize the coven ofc, but do you think it was also Armand ending the relationship on his own terms, once he'd realized Louis couldn't be controlled or 'owned'? Bc killing him was preferable to being abandoned? I know many think it was Loustat's love Madeleine felt in 2.06 (& it probably was!) but IMHO it wouldn't change much even if it was about Loumand. However much Louis theoretically loved Armand, he'd always love Lestat & Claudia more. Armand could never own him completely or be 100% assured of his loyalty & that was the issue. I keep seeing fans ask things like 'why did Armand do X if he loved Louis?' or 'why would they stay together if they weren't in love?' and tbh…I think some got too sucked in by Armand's 'beige pillow' persona lol. Because it's a fully calculated performance designed to disarm & control - there's a grain of truth to it, but it's still v strategic. IMHO 2.05 did a good job of peeling back the romantic facade, and the finale twist further compounded the truth, but maybe I'm off base there. Do you have any thoughts on this? (sorry if you've discussed this before, I can't keep track of the asks you get lol!)

(I don't blame you lol, it's a LOT of asks by now^^)

No, I have not talked about that aspect of it all :).

Sooooo, that "crushed" statement is rather interesting, but let me get to Armand first.

I think wrt Armand betraying Louis and Claudia there (and the show did frame it as the big betrayal, the Judas' Kiss), it has a lot to do with Armand being beyond bitter about Louis not loving him ... as he loved him.

Armand literally says that, in 2x05. Spells it out, when he talks about Claudia's love for Louis - and that it was not the same (level) as Lestat's - or his - love for Louis.

Interesting there is the tense, because it is past tense. "Loved".

I do think, (and that I said before^^), that Armand loved Louis, fell for Louis, in Paris.

Unfortunately though, Louis did not love him back the same way, and thus the betrayal happened (very simplified, but still) - and (Lestat's behavior and) Lestat saving Louis at the trial... changed the game again. Louis became something else to Armand, namely leverage, and a vessel. Something he could own and form, built on history with both Louis and Lestat.

Now the "crushed line".

THAT is a really interesting one. Because "crush" is used thrice in the show. First, when Daniel is served a dish in s1, imho rather unimportantly.

Second, when Santiago describes Louis' kill (the Dreamstat-kiss-kill) in the park:

"A mutilated body found in a park three nights ago. Crushed skull, puncture wounds on neck, chest and shoulder blade."

And third, when Lestat talks about what he did to Louis with the drop.

"I couldn't... persuade... him to return my affections. I couldn't force him to love me and so... I broke him. What is worse than that? Crushing what you cannot own?"

Now.... I always felt this monologue was a bit off, not because Lestat owns up there, or because of the words, but... "forcing Louis to love him"? I don't think it was about that between them. Given we know Armand influenced the tale, this... is one of those things that will be interesting to see IF they were influenced, but that just as a note, because yes - it describes Armand's actions, too. Sam said he left hints and crumbs, and maybe that is one, too.

The word "crush" connects Louis' desire and need for Lestat with Lestat's need and desire for Louis.

It is "crushing" for them both, a strength of emotion that almost cripples them, and makes them behave violently. This is no excuse(!) for any in-story actions, but the writers on this show are playwrights and you can be sure that they know what they're doing :))

There is a quote in the later books, which encapsulates this love for Louis (from that side at least) quite well:

"It was the love of Louis which had at times crippled Lestat, and enslaved Armand. Louis need have no consciousness of his own beauty, of his own obvious and natural charm."

I agree that Armand's beige pillow persona is parts a facade... but then again not, because Armand... is not the hurricane that is Lestat. Armand is old, and jaded, and disciplined. He lives by a strong ruleset, and that little "metronomic, my Rashid" that Louis throws at him in 1x05 makes its comeback in 2x05 when when he spells it out that he finds it boring that everything is so predictable.

Book canonically it is Daniel who changes Armand a bit (at least), who makes him break some rules and principles. And... given what we've seen so far? I think that will stay just the same. Or has already happened in parts^^.

[arcane-ish]

I think that is a really interesting speculation and it doesn't seem to me that unlikely, especially since Amanda loves Caitlyn and I presume she was heavily involved in the culmination of their relationship. I can easily picture her making time for that.

It would also make a lot of sense with the themes of the show, especially for those of us who see some visual parallels between Caitlyn and Silco this season and Silco was a character heavily shaped by trauma.

That said, irregardless of what happened between Jinx and Caitlyn, I doubt it will change the critique of people who critique her from the "systemic" POV. Who approach it as "everybody has trauma, but because Caitlyn is in such an exalted and oppressor position, she just has completely different levers to pull, ways to make other people suffer for it than Jinx or Vi have". Because Caitlyn can just terrorize an entire city without even having to put in much personal effort. (and just because the show might not be about political issues doesn't change that certain people will insist that it should be understood that way, regardless of whether the characters or the writers understand it like that. ie just because maybe the writers didn't mean a save the damsel or fridge the girlfriend story to be sexist doesn't mean that people will see it as being part of a larger sexist narrative)

I feel like in the end, the people who already sympathize with her will sympathize even more deeply with her and the ones who don't likely won't be impressed just because Caitlyn's trauma was slightly worse than just losing her mother.

(which in the end is maybe another parallel to Silco, having had genuine trauma in his past and genuinely loving Jinx doesn't magically make him not a bad person anymore, so why would it be different for Caitlyn if she had genuine trauma and genuinely loves Vi)

The more interesting aspect is probably the character level. If Vi hears about it and she loves Cait and she sympathizes, does that mean that Vi will never forgive Jinx or never feel comfortable around her again?

From a shippy point of view I just don't think that it can work for Caitlyn to tell her story and for Vi and stand up and make excuses for Jinx. So the only thing that could work would be if Caitlyn got to a point where she learned to sympathize with Jinx (ie no longer blame Jinx because she sees it as Jinx having a mental illness).

I just have a hard time picturing that on a show as violent as this they can really do much to "impress" people. I just think that there's a low chance that they would go for something like rape. I guess Caitlyn could reveal that she has scars on her body that are underneath her clothes (which certainly would be a good setup for CaitVi in my ways), though I personally that doesn't seem like Jinx's typical modus operandi? I guess there could have been something related to drowning (to parallel Silco) or gas (as this is something that has been done by several characters on the show by now). But just Jinx saying cruel things to her and dragging her around is not going to impress the Cait-dislikers.

Even if it's still going to be a powerful moment for Caitlyn and Vi, less for how what Jinx did was particularly awful, but for how Caitlyn kept it bottled up (with the timeskip at least a couple of weeks, maybe months) and is finally opening up about it to Vi. (could maybe fit nicely into Cait having issues being emotional with Vi/always pulling back, back in s2Act1)

Basically, I assume the emotional performance will be excellent and it's going to be serve as a great and satisfying explanation for Caitlyn x Vi shippers as to why Caitlyn broke up with Vi in Act 1 (and pacifiy the people whose main anger against Cait was that she hurt Vi). But it might not move the needle for people who think Caitlyn sucks for using The Grey on Zaunites.

In this interview Amanda said something that caught my attention. Do you think that in ep 8 Caitlyn will talk about what Jinx did to her when she kidnapped her? Bc Amanda said that in ep8 there's a Caitlyn line that will make us say "Oh so that's why"

Amanda means this line that Cait is going to say will let us know why she was so mad at Jinx in ep 3 and how Caitlyn went completely blind when she saw Jinx in her target and bc of her anger and also her fear and terror of Jinx, Cait has completely lost control of herself in this moment. (there is someone who made a post on this topic @loycos and talked about what happened to Cait in ep3 and how Cait didn't see Vi or Isha in front of her bc of her anger and her deeply terrified of Jinx) I mean look at her eyes and the expression on her face, yes she looks angry but she is also terrified.

This is a natural reaction. I mean for example, imagine that you see something that scares you so much. There are two reactions, either flight or fight, and these reactions always come without a person thinking. At this moment the person is only thinking about getting rid of the thing that scares him, and he does not focus on what is around him bc these strong feelings control him.

Anyway, what makes me sure that this scene might happen in ep 8 (Caitlyn talking about what happened to her when Jinx kidnapped her) is Reed Shannon (Ekko VA) comment when he saw the drawing and said "I thought this was a leak" Reed might be joking as usually, but why this particular drawing and why he chose this word "leak".

But honestly if this scene actually happened and we knew what happened to Caitlyn, it would make us understand more why she was so angry and scared of Jinx when she saw her in front of her and it would also explain why she literally went blind and didn't see anything around her at that moment, neither the child nor Vi, all Cait saw was Jinx, she just wants to bring down Jinx. I mean look at these pictures she is so terrified of her

Again Caitlyn's insistence on killing Jinx in the scene in ep 3 was not only motivated by revenge on Jinx, but also out of fear and terror of her.

And not like those idiots who say that Caitlyn wanted to kill the child on purpose to get to Jinx or even say that she wanted to kill Vi too, or bc she's a cop and the cops kill children and blah blah... That's really ridiculous and annoying!! Bc if we focus a little bit on the period that Caitlyn went through we will see that Cait didn't have time to process all these things that happened to her, from the torture that happened to her when Jinx kidnapped her, then the killing of her mother, then the attack on the memorial ceremony. (I know that Jinx is not the reason, but from Caitlyn's perspective she thinks that Jinx and the Silco followers are the reason)

And in the end I hope that no one comes who doesn't like the post bc I am defending Caitlyn's character. If you don't like this character I don't care, there is no need for you to write a stupid comments. Please don't tire your little fingers if you don't like my post block me this is better for you and me. I will not waste my time responding to you, I will delete your comment and block you immediately.

I am a student at the Faculty of Psychology, and when I talk about trauma and the interpretation of human behavior and reactions, I know well what I am talking about. Bc most of the characters' reactions in this show are very realistic and need to explanation, writers do not want to explain everything in the show, they want viewers to occupy their mind and explain the events themselves (And I still repeat the point that the show focuses on the development and complexity of the characters more than anything else, and does not focus on solving political issues, the show is not about politics, okay)

And btw some people ask me about my opinion of Jinx's character, I have no problem with her character at all, I like her and I understand her condition, when I criticize her actions, it doesn't mean I hate her.

One day I may do a post about her character development and her condition, but I see that there are many posts about her and her actions, and I feel like I won't say anything new about her. Unlike the rest of the characters like Vi and Caitlyn, there are not many people talking about them. And maybe I will make a Viktor post bc I really like the development of his character. When the show ends, maybe I will.