#and also i desire him carnally

[bunnysnared]

area woman sees greeting card at target and For Some Reason is overcome with complicated emotions regarding two call of duty characters, of all things ♡

anyways there is ghostsoap everywhere for those with the eyes to see

[spicyboelives]

He’s the Ghost with the Most —and I NEED HIM.

[autolycus-a-wolf-himself]

Zach Tinker

[fraternum-momentum]

llllll,,,,,,,,lllllllll,,,,lllaios,,,,,,,,,,,,,,,,,,,,,,,

[zoppzoop]

day 91 of drawing jrwi characters (occassionally) daily till riptide is back

he is stuck in my mind

ko-fi || commissions

[lovecolibri]

"I don't know what I did, but at some point, Sam looked at me and went, "This guy, I need to rattle his belief in doing your best." But I'm gonna tell you this right now, if the goal of the game is to be middle, I'm gonna lose so fuckin hard it's gonna blow your fuckin mind. Goose egg number two. "Yes or No" ain't got shit on me, baby. Here we go."

[luminique]

and when cheesetopia holds an open mic event and lighter gets confident to sing sappy country love songs in front of you and he gets shy after seeing YOU get shy because his singing voice with a hint of a southern drawl made your heart go crazy

lighter only does so after the girls convince him to (and many rounds of nitro-fuel). they knew that he wanted to sing for you but just never found the confidence to. so with some planning, kasa is able to hold cheesetopia’s first ever open mic.

as patron after patron sang, burnice hands the mic over to lighter. he didn’t know it was part of a big plan with the rest of the girls, he thought it was just burnice wanting to tease him. either way, nothing could be more embarrassing than some other customers’ questionable songs and singing abilities so he decided to give it a shot.

you arrived just in time for lighter’s turn, with caesar immediately pulling you by the hand to the best seat for the show. you weren’t too far away from him but it wasn’t directly in front of him. this didn’t matter however, as the moment he began singing, it was like he was a different person.

he was unaware of your presence in the beginning, singing his heart out and instead had his eyes closed behind his shades. he was imagining you, all the moments he had spent with you. right after he had sang the chorus, he opened his eyes and saw you straight in his line of sight. your cheeks were flushed and you were trying your best to hide your flustered smile.

that made his mind go blank for a second that he almost missed the entry for the next verse. just a few lines after, his voice cracked out of embarrassment but nobody seemed to care. everyone else seemed to be in their own little bubble, barely paying attention to him, but you seemed so entranced by his singing. swaying and softly clapping, while trying to hide how attractive his singing voice was.

even though he had messed up a little in the middle, he ended the song with his smooth voice. the song complimented his baritone vocals so perfectly that the original doesn’t even compare to his singing. once done, he made his way to you, completely dismissing the next person in line for the open mic. seeing your reaction, up close, the redness of your face, the ends of your lips turned up in a little smile as you praised him. his heart rate was increasing rapidly, maybe he had one too many drinks for the night.

once it had all ended, kasa and the girls deemed tonight a success. not just because they had made lots of profit from the event but also you and lighter were seen together long after most customers had left. maybe they should consider holding similar events more often in the future…

[mobius-m-mobius]

liking a male character like... (insp)

LOKI APPRECIATION WEEK 2023 | for @dailyloki Day 4 : Favorite Character or Variant : Mobius M. Mobius (ft. Don 😘)

[peachyspaceslvt]

he's so pathetic i want to kill him

[dalishthunder]

Me and the bae out for a romantic stroll in point pleasant wv

At the mothman museum and I love him so so so much

[aquickstart]

ok sure i'll talk about farleigh start. i'll talk about his tragedy of never being enough as it were and then having to deal with fucking oliver. sure. disclaimer: it's about class (and race) and the horrible reality of the rich. the horrible reality of living as farleigh.

another disclaimer: i'm white! and poc definitely pick up on everything i'm talking about here as it is, and better. i was and am specifically interested in farleigh vs. oliver but it's impossible to examine without considering race. definitely let me know if anything abt this sucks!

farleigh and oliver are similar. it's annoying because every intruder that is not himself is annoying, partly because felix's attention swaying from farleigh is dangerous; there is always a threat of being discarded, even if no precedent existed. the potential is terrifying.

but you'd think he's seen this before, every summer (if venetia is telling the truth) or at least often enough to learn to recognize it fast, so he should know this will pass. part of it is i think still the deep anxiety, and i think he hated every boy that was there before, and it is sort of routine.

but definitely a huge factor in farleigh's annoyance is the fact that he's a biracial (black for cattons, that's all they see) man in a white rich household. he's alert and exhausted all the time. of course he's angry at oliver, regardless of whether he's the first to crash at saltburn for the summer or the fifty-first.

but the important thing is this.

farleigh is very jealous of and angry and pissed at oliver because farleigh sees all the similarities between them. outsider, in financial trouble, whatever it is, in need of cattons; and yet oliver is preferred. and farleigh seems to be the only one to really consider it. felix does not pick up on the hint when farleigh brings up the birthday party vs. his mother. felix's clumsy "different or... anything like that" is as much about race as it is about class, of course. the "we've done all that we can" bit is felix absolving himself of guilt because surely they had, surely the mysterious collective cattons that he's not really part of had tried all they could do. to him, farleigh is different from oliver, because farleigh has been helped. felix is rich and white and twofold uncomfortable with farleigh, even if he's nice about it, even if he genuinely enjoys his company; he doesn't look too close at farleigh because he feels too guilty to come too close. and farleigh can't do anything about it. he can't nice himself into it. the fucking tragedy of him is that he's never enough in the world of the ultra-rich white, even if (especially because!) he's born into it.

farleigh is very pissed at oliver because farleigh also sees all the differences between them. you know who can be nice poor white enough to fit in? fucking oliver. felix says "just be yourself, they'll love you" when oliver first moves in. farleigh was also probably told the same thing, and felix also probably believed that farleigh could just be himself, but even if the cattons were magically not racist at all (impossible), it wouldn't make a difference to farleigh. he would still self-censor, keep in check, be in dangerous waters (because racism is not just about the individual, but about the system). we see that he'd won himself leeway by years of trial and error by the way he speaks to the family, but it's still within the boundaries of acceptable, built by the cattons. he's part of them because they allow it, and farleigh is very, very aware.

the annoying thing is oliver can be himself. like, truly, genuinely, he can just be. and farleigh can't help but envy that.

as a side note, oliver is obviously jealous of farleigh in the beginning as well, because regardless of the reality of farleigh's situation, he was born into it, and hence, at least in oliver's mind, has his position solidified. oliver's whole thing is unquenchable thirst and hunger for whatever and everything the cattons have (including themselves!). he wishes to have been a catton from birth. to oliver, at first, there's nothing farleigh can really do to lose it. and until he figures out the cattons completely, he can't help but envy that.

but i think farleigh senses something different about oliver early on. at least on the level of the text, we have "you're almost passing [for] a real, human boy", which is so important because farleigh is the first to point out oliver's weirdness. the next to do so is venetia in the bath scene calling him a freak, but it's too late. farleigh is too early.

and i like to think he clocks oliver too early because he sees the jagged edges that he recognizes in himself. i think that one other thing that farleigh envies is oliver's freedom to let go. freedom to let go is very similar to freedom to be, but not quite the same.

to be is about perception: farleigh knows he cannot fall out of line, but would like to, and oliver does not have to worry about it at all (i mean, he does, because oliver also performs for felix, but farleigh doesn't know that).

to let go is about the self: farleigh is too scared to even want what oliver eventually does, to even consider the possibility. oliver can let himself want. oliver can let himself act. oliver just can do things and want things. i'm not sure farleigh can.

and so in this scene, when oliver's wants and actions have landed him nowhere with farleigh, felix, venetia, the cattons, of course farleigh gloats. he can let himself do that, because if the cattons are slowly discarding him, farleigh can allow himself this one small victory. he's relieved because despite the dangerous similarities, oliver is, thankfully, not really the same as farleigh, right?

but like. this movie is a love letter to all things gothic. oliver is a white man. he prevails. the brief performance that oliver put on did eventually end up more effective than farleigh's lifetime of constraint. my heart fucking breaks for him to be honest.

the issue that remains is the fact of farleigh's survival. i like to think that oliver came to respect him. oliver is smart, but farleigh is clever. he picks up on everything oliver does (to refer back to the karaoke scene, farleigh immediately retaliates in the cleverest way, in the moment), and he's the only one to do so consistently (venetia, again, for example, comes close, but too late; oliver doesn't like that, there's nothing to work with). hence, stay with me for a little longer, the paradox: farleigh survives because he was never enough for the cattons, but he is very worthy of oliver's attention. in his own freaky way, oliver wants him. look at that.

so. farleigh. farleigh might come back. he always comes back. and i think oliver wants to try harder next time.

[ilovemesomevincentprice]

Vincent Price as Roderick Usher

The Fall of the House of Usher (1960) dir. Roger Corman

[lunar-bunn]

my girl A'Li (artfully draped in a towel, surrounded by roses) in a bath fantasizing about him while he's doing sword work in the pouring rain looking straight off the cover of a bodice ripping romance novel!

[armysethos]

fisker and masao studies because i realized i forgot how to draw their beasty forms 8'3

they're surprise tools the both of them can use for later :) and then nobody lives to tell the tale afterwards

[aelswiths]

Alfred (looking hot as fuck) in 2x05

Here's one for my fellow Alfred girlies

@thedarknone, @kingslionheart, @king-alfred, @hikaruchen, @volvaaslaug

[cielsosinfel]

I still think it's very funny that all the wanted posters for Daud in Knife of Dunwall are of a masked Whaler because apparently no one in the guard knows his face (despite various NPCs recognizing his unmasked face on sight), and yet there's still this giant portrait of him hanging in a random art dealer's pantry. (tbh I wonder if he has enough connections/infamy that no one wants to admit to knowing his face/have it strewn across town on wanted posters willy-nilly.) ( I still have not touched the DLC yet for this 10+-years-later replay so we'll see if I'm misremembering things)