#and actually... I'm so glad we are. LOOK AT THEM.

[floralscented]

WEDDING BELLS & 5-STAR HOTELS ─ dean winchester!

. . . or, the first time in a long time dean's stayed in a hotel room without mysterious stains in the carpet or on the sheets.

no warnings <3 just fluff! and newlywed cutesie shit!

dean was so fucking glad you talked him out of a vegas wedding.

the thought of being married by a guy masquerading as elvis presley still sounded funny as shit to him, but he did agree with the sentiment that you deserved this. the grand wedding arch, strung with flowers, the huge cake, every eye of every single one of your loved ones there for you.

you deserved to be spoiled. dean didn't need to be told it to know it, but it was hard for him, sometimes, to remind himself that he could slow down. appreciate things. you'd helped him a lot in that regard, but it was hard to untrain a soldier into being a man again.

"this bed is nice!" you call to him from the bedroom part of your suite, and he actually laughs a little at the sound of it, hearing the little bounce of the mattress springs punctuating your words.

he undoes the tie from around his neck, draping it across the back of the couch, before he circles around it to find you, exactly how he thought you'd be: jumping on the bed like a damn kid.

you looked downright beautiful, even now. especially now. hair released from it's earlier style, flowing dress replaced with a shorter, more manageable one for the after party, your heels strung across the room. you'd even put the veil back on, the end of it catching in the wind as you jumped.

dean leans in the doorframe, arms crossed over his chest, mouth tilted up in amusement. "are we having fun?"

"i'm having fun," you correct, the jumps stilling, your stance a little wobbly trying to balance on the springs, "you're watching me."

dean opens his mouth to say he's always watching you, but he didn't want to come off like a weirdo or anything. you knew you were marrying a weirdo, but, like, there were limits to how much weird a person could take in their partner.

your limit, apparently, was a supernatural hunter with dead parents and a talent at killing things. maybe, actually... you wouldn't have minded to hear about how often he just watched you.

watched you jump on every hotel or motel bed you'd both gotten. watched how your eyelashes fluttered in your sleep. watched as your eyebrows pinched together when you were cleaning the blood off of his face, or, for some godforsaken reason, doing his eyebrows. he was a much gentler, more lenient man since falling in love with the likes of you.

"stop staring at me like that," you laugh, having the audacity to sound sheepish, as if you weren't literally the prettiest person on the damn planet.

dean pushes off of the doorframe to cross the distance between the both of you. once he was close enough, your hands came up to rest on his cheeks, smushing them between your soft palms.

"like what?" he manages to mumble through it.

you lean down to kiss the tip of his nose. dean absolutely does not blush at that, either, shut up. "like you love me or something crazy like that."

"oh, can't love my wife now?" hard to speak through your light hold. easy to argue about loving you.

your hands fall to his, bending at the knee to try and haul his ass up onto the bed, too. "love me from up here." you somehow have even less balance, now, as you step backwards to make room for him on the king-sized bed, and his hand falls to your waist to steady you. "well, isn't this just the rom-com scene of the century."

dean snorts, taking your other hand into his to mimic the stance of your first dance, earlier that evening. "only you would have me dancin' on top of a bed." he pauses, shrugging lightly. "only you would have me dancin' at all."

your smile is wide and knowing. of course it is. he's not kept it a very good secret that you've got him going molten and soft, just for you.

there's no music. no sound at all beyond the hum of the air conditioner and the occasional traffic outside. even the sounds of the other hotel room doors opening and closing seems quieter here, in this moment with you. so he dances with you, keeps you upright on your feet, and doesn't seem to mind at all that this night doesn't seem to have an end in sight.

"told you the bed was nice," you say idly, just as he lowers you into a dip.

dean holds you there for a little bit of time, taking those few seconds to rake his eyes over the pristine white bedspread, and the mountain of pillows. pillows would be on the floor come morning time. sheets and blankets would be wrinkled to all hell. "not a single stain in sight," he agrees, lifting you back up to clutch you to his chest in an embrace, "wanna change that?"

"dean!" you try to scold but laugh instead, your palm flattening on his chest, curling into the white button-up's fabric. "shut up."

"what? it's a rite of passage for hotel sheets."

there's not a denial to follow, so dean breaks into a toothy, shit-eating grin.

"i think it's a great first thing to do, too, with these new wife and husband titles," he hums, mostly to himself, since you aren't arguing with him anymore.

you lift the veil off of your head and settle it on top of his, and dean really is a goddamn sucker now, because he even leans down to make it easier for you to reach. "okay," you sigh, as if you're resigning yourself to the inevitable, your mouth brushing his in a chaste kiss, "on one condition."

dean chases your mouth for a couple of more kisses, while he's got you so close. "and what's that, angel?"

you tug on the end of the veil on his head, now wearing a shit-eating grin of your own. "veil stays on during sex."

maybe he'd married a little weirdo, too.

notes. literally saw this gif on pinterest and immediately had to write something wedding related for my pookie wookie. <3

tags. @figthoughts @jasvtsc @titsout4jackles @deansbite @whisperingwillowxox @bombarda-babe @whyyouegg @bluemerakis @loverslantern @bitchykittenconnoisseur @jensenacklesantidote @keira-kaz2y5 @sthefferrete @depressionbarbie2023 @honeyryewhiskey @ultravi0lence14 @bleuatlas @minettacreekk @moonstruksandco @moodyquesadilla @severe-mental-illness @gibson-g1rl @deansbeer @bluestrd @mccartneyqp @im-bili @chevroletdean @angelblqde @lyarr24 @psyches-reid @momoewn @globetrotter28 @starzify @florchids @ryngzmn @aileenunfiltered @beausling @frosttbitessam @amberlthomas

[cod-indulgences]

Simon Riley x female!reader, drinking, no actual sex but talk of sex acts, reader is drunk, silly.

You are just....so drunk. Like silly drunk. Like swaying in your heels and clinging to your boyfriend's arm, giggling up at him while his eyes crinkle up in a smile over his plain black mask.

You're so glad all the boys came out to the bar together with you. This is so fun, this was the best idea, Simon is so big and warm and sexy. Just the cutest. Prettiest boy you ever met with his big dark eyes and his crooked nose and the notch in his smile, the way his cheeks crease up around his scars and his eyes get all soft and sweet looking at you. Biceps for fucking days, goddamn, and his thighs! He could crush you between them. Just big thick slabs of muscle and! You get to kiss them! Nibble and lick on him, all the softest skin and you're allowed to touch it!!

"fucking hell, baby let's get you some water. And keep your voice down!"

Ooh, what a sweetie. You want to suck his dick.

"baby, I swear to fucking Christ, keep your voice down!"

Boo, Simon. Spoilsport. Gonna suck it anyway later, so yummy, all fat and hard and twitching when you play with the head, lick the tip of your tongue into the slit. Getting him all worked up and sweating and sucking on his balls, rubbing his cock all over your face so he's leaving streaks of pre on your skin, marking you up, you love it when he comes in your mouth and over your face-

Simon didn't have to pick you up, you can walk, jeez. You wave goodbye to the guys at the bar, all of them laughing, and Simon is so cute when he's blushing. Precious. You're definitely sucking his dick. Maybe road head? Simon swearing and holding the wheel in one hand and your hair in the other, working you on his cock, keeping you in place as you swallow his come down your throat, so good, you're so wet for him.

"fuck! What the fuck was in those drinks? We are going home and I'm never taking you out again, fucking hell!"

Boo, Simon, that's mean. No dick sucking for you now.

"Good!"

You'll just ride him in bed instead, bouncing on his dick, getting all wet and creamy as he rubs your clit and turns you into his dumb little doll-

"I swear to God if you sober up and forget this-"

~

part 2 here

[mysteryanimator]

Breaking down "Even the Iron Still Fears the Rot" (almost) shot by shot!

The fan-animatic can be viewed here!

HEADS UP: This is a fan-made content. I am a fan. I just love Castlevania/animation a lot and I love storyboarding nuances and making people cry over character dynamics. Also apologises for any grammatical/spelling mistakes!

I wasn't planning to do another breakdown of my own work, simply due to imposter syndrome but I genuinely put so much love and care into this animatic! I want to talk about it! Also, people have been really open to hearing about my inspiration and notes, and why I take the directions I do for my work, even if it's fan-made, so here we go!

(Also the reciprocation of my animatics has been so kind and uplifting, and I'm really glad that there's a lot of love for them as much as I love doing them! I learn and grow with every single board I make, it's been really fun! I hope I get to shine this much passion in the future in actual work!)

Since this is also an adaptation of a fan one-shot by Aquila, (which you can read here!) I knew I wanted to evoke what they had written and interject some of my own nuances/personal readings to their story to elevate what they had! In turn, kind of created this monster (positive) of a fan creation haha. There are some changes/rearranging the placement of aspects of the one-shot to strengthen the existing tension going on!

With this out the way, let's begin!

(heads up, for any shots I completely skip over, it is because I'm reaching image limits here)

I wanted to evoke that strong halo light you see in a lot of media. Often than not, this visual is used to depict the character as a divine force of nature and/or when a character is bobbing in and out of death. It can also be a very very terrifying image, as, for example, s02e8, Mizrak is literally all dark with a brightly lit background. It is scary- BUT people will say hot because it's Mizrak but hey, look, all I can say is I fully understand haha. It all depends on your intentionality and what follows before and after to give context to your scene!

Mizrak is dead. Well, undead now. Olrox is the so-called angel giving him life and love and this halo of light gets repeated a few times!

By the end, not only do their literal positions switch, but their roles shift too so I hoped to convey that visually by also giving Mizrak that halo glow for the second last shot. At the start, Olrox consumes Mizrak’s love, and then it ends with Mizrak consuming Olrox’s love. Guh I love blood themes in vamprisim.

This shot honestly took me a bit to do, since I was going a lot cleaner than usual, the expression for Mizrak was super important for me to get right. I wanted him to look like he was about to die- yet still have an unwavering amount of life in him. (Also I hadn't warmed up drawing in this cleaned-up style so it definitely was me messing around). It was important for me for this to feel like a POV shot to contrast the first scene so we can get inside the mind of Olrox!

This too is where I only have sound effects since I can't have voice so I limit my SFX to the only most vital things to elevate things I personally find better elevate the scene with audio. It only happens TWICE. The heartbeat. His wrist is shown and from context clues from not only S01 of Nocturne with Tera's turning, but a whole bunch of other vampire media- the wrist is a place where the dead accept their new life of immortality!

Also, the pulse effect was definitely inspired by the transformation of Sekmet! I'm not sure personally if this went to a further stage I'd want to keep this since I'd personally want something more unique for vampire turning, more specifically for Olrox, HOWEVER, I think it still does a good job conveying the supernatural pull for the time being!

Wow who saw this coming HAHA

Immediately when I saw the line where Olrox said he went to straddle him immediately, my mind went to go and try to parallel this scene again! I don't have much to say about this shot rather than the feet are purposefully cut out for animation convenience's sake HAHA.

Jumpscare for sudden Olrox character layout (even though he's really off model and sketchy here HAHA)

I was again, wanting to depict Olrox BATHED in light and since this animatic is purely in greyscale (with accents of colour), I could really push for dramatic lighting when it called for it! This is also why some of the scenes just do not have backgrounds at all. I wanted to make some of the scenes as "heavenly" as possible and for Mizrak to be embraced by the light because Olrox is giving him a new a life.

If this were to ever be animated (I won't be since it would take too much of my time, but it's still a good thing to note when boarding anything... maybe I'll do cleaned screenshots since those are a breeze, or animate ONE scene from this animatic... we'll see what I have time for. I unfortunately don't have proper time to try and figure out the layout of s02e8 bgs and paint them. I did consider quickly doing a 3d mock-up but no haha), the light in the background can probably be lit with candles since it was already pre-established in s02e8! Also, the windows can reflect light into the room so there's that too since Mizrak was backlit in that episode too!

Fun fact, this entire scene was the first thing I ever thought up and why I started even making it. I thought about how cool of a visual it would be to have Mizrak's eye in the reflection.

I wanted to imbue the fact that Mizrak does not fear Olrox holding a blade, hell, he's not even looking at the blade. He's looking at Olrox. What is described as a relic from a terrifying past, Mizrak is not scared. Mizrak is not scared of Olrox.

This is where the heartbeat occurs AGAIN. This is mostly to signal to the audience what Olrox actually has planned. He's not feeding Mizrak from his wrist but from his actual chest, especially with how gently Olrox runs his hands over it.

I debated a lot on where the initial cut should go. The heart, for sentimentality, under the breast in the same way Christ had been pierced, etc etc- however I landed on just dead set in the middle so it could form a cross that would grow bigger and bigger as the animatic went on. (Fun fact, the blob of blood turns into a little heart as he squeezes his chest)

I wanted to put some weight to the repressed catholic guilt, so I thought a cool visual way to showcase that Mizrak has only known how to love is via worshipping God which has consumed his entire being and self. God has given him faith, a companion in the hardest of times when the world has abandoned him.

Now, once again, his world has abandoned him. The Hospitaller Order of Saint John of God is gone. In the face of death and fearing the devil will be waiting. Olrox has given him love, and he will be a companion in the hardest of times. He will not abandon Mizrak.

This aspect of the cross in the animatic gets expanded upon as time goes on. Both literally as the cross literally turns into a pool of blood more closely to the symbol Mizrak bares, but also it slowly expands upon Mizrak feeding off Olrox's love! I'll add some more of my personal notes when we get there!

Also by far one of my favourite scenes I've drawn. It's still rough but it decidedly made me go a lot cleaner with the rest of the storyboard!

This is supposed to be suddenly jarring because it cuts midway through Olrox in a midshot to a close-up of a hand! We need to see him actively halt Olrox for just a moment, but also to show that even when it's sudden- its not hostile, it's gentle.

This shot does a couple of things!

It showcases how gently Mizrak is reaching out to Olrox

It helps to continually establish Mizrak submission to vampirism. He is constantly placed on the bottom from the composition, or we as an audience, are always looking down at Mizrak! Seeing parts of Olrox here really cements this fact as Olrox towers over him to the point we don't even see him fully!

It helps to lead into the Fallen Angel reference!

This shot makes me sob because it is so gentle. Despite being placed constantly much higher in the composition in the animatic, therefore making him the most powerful in this dynamic- in no way Olrox is intentionally made out to be an intimidating figure. He is comfort. He is a companion. He will not abandon Mizrak. The act of turning Mizrak might be read as selfish. It may be read as cheating the natural cycle of life, it may be everything wrong and doomed as your mind makes it to be, however, it is done out of love. Morals, whether good or bad, no longer matters because Olrox is in love. Love has such a strong chokehold on this series, so I'm shoving as much love into these characters as I can. Both literally make these characters so sickly desiring love that it will be their doom and saving grace, but also me as an artist deeply putting love and thought into this board because care a lot about how to convey these complex emotions! Sure it is quite easy to churn out boards without care, but without putting care into your boards, your characters and stories lack life (in my personal opinion).

Immediately, this animatic shook me and told me to put in a reference to The Fallen Angel by Alexandre Cabnel!

Also, how does one portray the soul? EYES. Eyes are the window to the soul. Mizrak’s eyes are also considerably the most important/crucial part of his design. His eyes in both seasons ‘glow in the dark’ due to the highlights in his eyes. Mizrak is considerably really emotive too and that was important to me to emphasize. I wanted to capture his essence, his soul if you will, into this shot.

This is also why this shot is done really prettily if you will.

The reflection of Olrox's eye in Mizrak's is important here! Olrox is here to act to comfort Mizrak. Even when Olrox is not on the screen with us, he is majorly present here. He will not abandon Mizrak. Also, since it is coupled with this line, people can choose to infer what they wish with Olrox! It can symbolize Olrox does have a soul, it can symbolize how Olrox and Mizrak are now intertwined together, it can symbolize Mizrak reciprocating Olrox's love. The list can go on! I give that room for open interpretation (same as the rest of the animatic, the only reason I'm going through, breaking down almost shot by shot is that I deeply care about this sort of thing, and I know other people do too!)

This shot, is deceptively simple but it's here to actually initiate a bunch of scenes I wanted to happen after this!

Firstly, I needed a very nonchalant but easy way for Olrox to let go of Mizrak's hand without needing to overcomplicate. I needed something that gave it just enough importance for the hand kiss BUT not too much where it is the sole focus on the shot.

Secondly, I needed a way for Olrox to lean down to Mizrak and initiate him being way closer to him.

Thirdly, it acts to parallel another shot that happens with Mizrak where instead of going diagonally down, he goes diagonally up!

This is one of the points where I visually slightly deviate from the one-shot! I really REALLY wanted to emphasize Olrox's dialogue here so I chopped up and elongated the scene to make it that much more intense and tender. Which is why we get the next two close up shots!

Look it was very VERY important to me to have Olrox cup Mizrak's face and intentionally cut off his eyes. The important part I wanted to focus on solely was his hand and Mizrak looking up because genuinely, Mizrak's eyes are 'distracting' and it would remove the focus on the gesture! Also I am saving Mizrak's eyes for the next shot haha

After this shot too, you may notice the blood from his neck disappears for the rest of the animatic. This is because, after this, it began to take too much of a visual focus away from the blood on Olrox's chest since it is bright red against greys in the shot. We can chalk it up to Olrox wiping the blood off when he goes to cup him.

"The most beautiful soul a vampire can posses."

It was so important to me that we get a BEAUTIFUL shot of Mizrak. I needed the audience to see his entireeee face close up, unobscured by anything. Olrox is holding a beautiful soul in his hands. He's holding Mizrak. Actually makes me sob.

This shot by the way has been repeated 3 times with slight variations by this point. Yes, this is a very pretty shot so how could I not help but repeat it? HOWEVER, I was trying to make a reference to how Mizrak has said Olrox's name only 3 times in the show with a variation of what was said around it. After that, Olrox calls him my love, basically unlocking a new stage in their relationship.

So here, three times when he looks at Olrox, he's mentally calling out his name. After this, Olrox brings him to a new stage in the relationship.

Also in Catholicism, a lot of things are in 3s. One of the major ones is that three times, Christ fell over carrying the cross. On the third hour of that day, he died and on the third day, he was resurrected from the dead. The three sacraments that welcome someone into the Kingdom of God are Baptism, Communion, and Confirmation as they all build off one another! I could go on both those are the main points AND I feel you might get the gist now!

It was very important to me that when Olrox makes this promise, we HAVE to see his full face. This is why it's a close-up.

It lets for no shadow of a doubt that Olrox means what he says here. He's looking AT Mizrak. He's telling the truth to him.

This is a parallel to a much earlier shot of Olrox! He moves closer to Mizrak by going from top right to bottom left, while Mizrak moves closer to Olrox by going from bottom left to top right! You also both see them exit the screen too!

In this shot, we bring back that halo vibe but also this is a reference to S01E04 and S02E08! The curtain! It is BOTH their first-ever shots to establish a new scene, so I wanted to go “Hey this is establishing a new scene- a new life for Mizrak and Olrox.”

The camera is super purposefully cut just below the eyes. You can see them open then closed, but we will never ever get to see the look he had in his eyes, the single decision in his brain that let him indulge. That’s only for Olrox, and only Olrox will know.

From here on out, A LOT of the shots of Mizrak get segmented/have his face hidden for that reason too (except for one shot, also done intentionally).

When Mizrak actually closes his lips around the blood- it’s on the growling sound in the song. Mizrak has turned into the animal that he’s been calling vampires. In this new life, he is now given the choice to be freed from the man-made shackles of shame and guilt. To be untamed and unrestricted. A wild animal so to speak!

Honestly, I spent a lot of my time here (besides the pretty Olrox frames) because I was super particular about how I wanted to portray Mizrak giving into sucking the blood. The way he accepts vampirism is vital because it sets the tone and mood for how the rest of the board feel since his face gets hidden and you now have to infer from when you saw his face last.

If you have seen my analyses or my work before, you will know how much I enjoy having a frame within a frame. I loveeee my boxes! They're in the box! TOGETHER! THE CENTER TOO! There are no real divisions with the exception of Olrox's head which is important because it's not Mizrak we're focused on at this point in time, it's Olrox~

This is because the one-shot, even in third person, is mostly through Olrox's perspective!

Also, the camera is moving around in this shot, and the following subsequent shots! It hopefully gives off the "hand-held" feel, which often is associated with feeling as if you're right there in the moment with them.

Why pillows?

This is me shaking you to say how the blood-drinking is an allusion for sex if that wasn't already obvious enough. So showing pillows coupled with Olrox groaning really goes "Yes they are technically doing it."

Originally this shot (and the previous shot) was supposed to be way more pulled out, but I was saving it for the very last shot of the animatic so I went to pillows with the tinest hint of their body in the frame to make it seem super scandalous. Like what on earth could they be doing for me to cut them mostly out of the frame? Also also, the pillow was supposed to have an embroidery of a painting from 1790s or earlier BUT, for the life of me, I could not decide what I wanted and I did not want to keep reusing the same references I have had in past work. I didn't want to fuss about it for too long since its more of an easter egg rather than adding to the story. The main point is pillow = fucking HAHA.

Side tangent, you can get away with SO MUCH by having blood drinking be an allusion to sex. Like obviously when you have an age rating you must abide by, you must be creative with how you go about mature topics (my age rating is YouTube hahaha)! Not only is blood drinking in vampirism just inherently queer-coded, but the intimacy of it can convey so much more if it was just a regular ol' sex scene! I actually deeply enjoy conveying nsfw topics into art because you can discuss character dynamics at a much more vulnerable, raw state that literally bares them to just their essence and their current desires/needs. However I am getting off-topic, let's get back to it!

This shot was actually heavily inspired by the statue Adoration by Stephen Sinding!

While there are a lot of differences now simply because Mizrak is at Olrox's chest, I still hope that the vibe of that statue is still imbued. It also gives the sense of not only Olrox adoring Mizrak in this very moment, but Mizrak is too despite not seeing his face. Again quite intentional because it's only for Olrox to see.

Also, a lot of people have been telling me how Olrox is breastfeeding him, and in technicality, they're not wrong, he's feeding blood, from his chest. It is the funniest thing ever LOL

This shot was important to really focus in on his throat and how, much like in the one-shot, Mizrak is literally not taking breaths and is just continually consuming Olrox.

Wet sounds fill the room as his throat bobs with each steady gulp...He doesn’t stop, doesn’t take a moment to gasp for breath.

I also just wanted to make this scene feel very slow in order to contrast with a much more passion-filled desire that consumes Mizrak in this animatic! Also hopefully the descent of blood and the descent of the camera helps to strengthen the idea of Mizrak descending into vampirism!

It felt really cheesy to have this close-up shot of his eye HOWEVER at the time, I thought this was by far the clearest way to convey the immediate switch from gentle devotion to devouring devotion and how suddenly rapid it is. In my brain, the stylization for his eyes open would be textured and pulse in the same way Olrox's wrist did, which is why it's just outlined. I'm once again not 100% set on the pulse look and it probably needs some iterations if I ever came back to it again.

Also, the green hearts in his eyes only come through when he's actively consuming blood from his chest! The heart motif comes back later when Mizrak ends up throwing up the blood!

Here's the cross again, except it is growing bigger. This was very important to me that you see how "gentle" the blood-sucking is at first. A gentle devotion despite the "terrifying" shadow of Mizrak. Also, super an excuse to have kiss marks in my animatic, I love painting them in my art because it can say a lot with placement and how aggressively smudged they are!

Also, I thought it would be SO FUN to have Mizrak's turned self literally have his eyes overlay where Olrox's eyes are. It conveys how Mizrak and Olrox are now switching roles in this animatic! For the first half of this animatic, Olrox has been placed pretty high up in the shot composition, or where the camera looks up to put him in a high place of power! It makes him appear way more etheral and otherworldly, while Mizrak was placed lower in the composition, always looking up at him! Which I'm hoping invokes religious imagery of a God and his worshipper/follower!

When Mizrak's transformation is set, the dynamic switches up. For the rest of the animatic, Mizrak is now placed at a more supernatural/otherwordly position, while Olrox is just there passively, letting Mizrak BE in this position. He does not fight it, he embraces it, embraces how Mizrak reciprocates his love, his desire, and all his messy complications, much like how earlier in the animatic, Mizrak embraces vampirism.

Also if you slow it down enough you can see how I accidentally left my perspective grids in it HAHA, but it goes by fast enough it doesn't really matter! (I guess it's also kind of indicative of my natural style when it comes to digital painting too, I genuinely like having my sketch still peek through into the final painting!)

Wow even more shots to cement the new role switch AND how much much of the passionate need to consume is controlling his urges! Free to consume at his leisure, he is no longer bound by human nature (for now)!

This shot and his leg shot help to really strip Mizrak of his humanity. Faces in a shot really help to connect people to the characters because we see the emote, we see them breathe, we see them live. Especially for a character like Mizrak? He's super expressive face-wise and I'm purposefully not showing you the defining features of Mizrak. Here I am basically going "Mizrak is no longer human."

This is why in horror/thrillers with antagonist characters, we don't see their faces much and are saved for only key moments (usually, again your intentionality matters). It doesn't allow us to connect with the character on a much more human level. Think of Count Orlok from Nosferatu (2024). Purposefully a lot of his character is shrouded in darkness, focusing on his hands and other aspects, never his face, and even then it is really hard to make out because so much of him is obscured. It makes him that much of an imposing intimidating character! Otherworldly and something that we cannot fully understand.

This is a flipped version of Mizrak's close-up eye shot much earlier when he asked if his soul would remain. Again to hark on how Mizrak and Olrox are switching roles in this animatic! Olrox is looking at Mizrak's soul as we speak.

Despite us not seeing Mizrak's face, we as an audience noticing how unhuman Mizrak has suddenly become, Olrox looks quite gently at him and that was important to convey!

Woo! Lot's of horizontal lines here! While the camera is moving towards the left, Mizrak is moving right!

Originally this shot was going to have Mizrak's teeth sinking into Olrox like a very cool Olrox throwing his head back and Mizrak's fang reveal HOWEVER, I want to leave the "carnage" and bloodshed of the feeding out of the frame and only have it show up in very specific moments so I can have those moments actually have their proper impacts. I did not want to show any part of the front of his face at all since it would dampen the effect later on, so I opted for this instead. The legs give a sense of "something is happening but we don't know what, but it's to a point where Mizrak's entire body is moving oh jeez." Won't lie, this looks very sexual and I'm purposefully toying with that line again because blood drinking is an allusion to sex.

Also, I'm continuing the concept of having aspects of Mizrak's face only for Olrox's eyes. What does he look like when he's actively consuming him with such passion? Idk, Olrox you tell me.

This is everything I was building up for when I introduced the small crosses! The physical manifestation of how Mizrak reciprocates.

My thought process here was that Mizrak only knows how to love by fully devoting himself because that's all he's done for God. So he applies it here. He is reciprocating love, but it is FULL ON. It is intense. It is all-consuming.

The face once again is obscured for all the reasons I have mentioned before, but also it REALLY helps to really hard cut to Mizrak choking on the blood after because before it seemed like he was doing just fine. He is literally looking DOWN at Olrox, he takes up A LOT of the screen with just his back and head. He literally gets pulled into full focus while Olrox is blurred in the background. He appears like he is in control of the situation, however it could not be further from the truth.

Also, I was mostly inspired by the insane amount of bible verses talking about blood, so I'll drop some of those here!

John 6:53-56 ESV

So Jesus said to them, “Truly, truly, I say to you, unless you eat the flesh of the Son of Man and drink his blood, you have no life in you. Whoever feeds on my flesh and drinks my blood has eternal life, and I will raise him up on the last day. For my flesh is true food, and my blood is true drink. Whoever feeds on my flesh and drinks my blood abides in me, and I in him.

Ezekiel 16:6 ESV 

“And when I passed by you and saw you wallowing in your blood, I said to you in your blood, ‘Live!’ I said to you in your blood, ‘Live!’

Matthew 26:28 ESV

"For this is my [Christ's] blood of the covenant, which is poured out for many for the forgiveness of sins."

Absolute contrast to most of the other shots, not only because I decided to add way more character acting here, but it's because we actually see his FULL face. It's intentional because Mizrak realizes himself now so we need to see him have this reaction. I wanted to show that he is still a person. He still has a soul. He may not be human, but he does have a mind that can think and a heart that can love. He still retains human qualities.

He's choking on all the blood (a physical manifestation of love) and his body is rejecting it. He's not used to consuming this amount of love and he's not used to being self-indulgent. It's deeply overwhelming.

I wanted to say I LOVED drawing blood it is SO FUN, planning the camera movement, and how Mizrak coughs at specific moments was sooo fun. I wanted this to be MESSY AND INTENSE. I wanted the audience to feel the weight of Mizrak's sudden distraught. I wanted to throw him around and to really hark on this line from the one-shot.

What has he done? What has been done to him? What has he become?

It helps to deeply contrast with how still and gentle the next scene is!

Yes, that is right, Olrox's pupils are DILATED :)

Coupled with the fact that the blood splatters are hearts! They're outlined in cyan! Olrox has a massive heart-shaped blood splatter on his cheek while Mizrak has a few heart-shaped splatters BUT there are gaps in his bloodied mouth that create heart shapes as if Mizrak spewed out those hearts!

Firstly this is because Mizrak literally eats at his chest where the heart is. Secondly, I'm again pushing for Mizrak to consume and throw up his love due to how overwhelming it is. Not only is Olrox's love for him literally beyond his imagination, but Mizrak is trying to love back in with that same amount of passion and utter devotion. A lot is happening for this new-born vampire that is pushing and pulling at him. His emotional state is so overwhelming that it is manifested in physical form.

The green reflections are shown to visually communicate Olrox anchoring Mizrak back, as, throughout the animatic, it is one of the things that ease or calm him down. I could not portray it through voice BUT I can portray it via visual (guys walk with me here, imagine the insane combo of audio and visual, it would be so tasty). The sole reason why I did not have hearts in his eyes here is simply because I reserved the heart motif for when he's actively drinking out of Olrox's chest (so he's literally consuming his love) or when he's spitting out the blood!

Also, the reason why I cut to his eyes rather than pan to them is purely because I wanted the violence of his mouth to be suddenly jarring to the gentleness in his eyes. I didn't want the slow reveal, I wanted the "OMG the blood- aw Mizrak...."

"Lulled into a sense of hazy compliance by Olrox’s voice, the former monk carefully lowers himself and continues though not for long."

This final shot was soooo important to me to include. The “musty inn room” was mentioned much earlier during Mizrak’s transformation but there was a poeticism by having what is considerably the blossoming moment of their complicated relationship be the final shot. With the lyrics also ending with "Take me back to Eden" how could I not? Clearly, both the rooms between s01e4 and s02e8 are parallel to each other. The only difference is that s02e8 has the room be both red AND GREEN, while s01e4 is just earthy/green. Olrox has taken them both back to their earthly paradise. This is their Garden of Eden.

Woo ok and we're done! Also yes I do thumbnails for these, it's half the reason why I'm fast (this entire animatic, cleaned and everything, was done in 3 days good lord. Is that fast? I can't tell) I make the barest of bones chicken scratch of sketches to get a feel of pace/vibe, then I do my roughs/cleans and add/take away shots necessary for the story that needs to be told. I normally would not let this see the light of day because these are AWFUL BUT, this post is also half a documentation of my personal process so I'm going to close my eyes and share this HAHA

If you got this far, thank you for reading me geek out about this! I find a lot of joy in the visual storytelling medium. As much as I do enjoy animating, (wow could you guys tell in the name?) I have a deep love and passion for storyboarding personally and I get sit back, and enjoy crafting the entire picture! I still have a long way to go but I'm having fun and I'm pursuing my passions of storytelling!

I desperately want to make more animatics, dealing with different tones, pace etc, but I genuinely have to go prioritize other things for now that will help me build these skills hahaha. I say this but who knows, seeing my current track record haha, look I can do both. I follow wherever my creativity takes me. I may have missed a few things but I have to wrap this up now!

Thank you again! The final takeaway, go watch Castlevania again and go be inspired by animation <33333

[messrsrarchives]

last sunday i was feeling very melancholic and had spent the night on call with my nan for hourssss talking about my transition. she stayed up with me for hours, we spoke about everything from my childhood signs, to my discovery, to my exploration and starting hormones etc etc, we spoke about everything.

but really it felt a bit like a funeral, that's how she described it. she said it felt like a eulogy of what it could have been because that entire phone call started with me saying i need to Stop. she got a random message from me asking if she'd be by my side if i detransitioned, so she called me and we spoke about so many things i hadn't told her before - all of the harrassments, the comments, the friendships that ended that i've pretended haven't for years. literally everything from the stabbing attempt last year to the friend that blocked me when i posted about my first day on T.

literally my entire life in this one phone call and she ended it with "just give it one more day". there's a small dent in the wall from my phone now because,,, what an infuriating reply, right? one more day. one more day??? no, i need to make a choice now? i'm so tired of waiting for things to make sense, i did that for years and then it Did and then it all fell to pieces because even One More Day is one more than they want me to have.

and then the next afternoon i set off to go to my seminar, and i'm walking along listening to a voice note i recorded over and over and over. one to be sent to my friends so that i don't have to type it. one that said it will take a while until i look like "myself" again, and i know this makes no sense to them and i'm glad it doesn't, but that they need to stop calling me robyn. a voice note, because it's easier to say my deadname than to see it written down. i don't know, it feels more official in letters. like maybe if i hear it enough it will blend in with every other sound. and i'm listening to this over and over in the hopes that i can build up the courage to send it.

and i step onto the bridge towards class, not looking where i'm going and i walk straightttt into someone and i'm all apologetic and i'm crying from the voice note and i'm a wreck but i walked into someone else who was typing on their phone

and there's a lil trans sticker on the back of it. and i've never seen this person before ever but they adjusted my tote bag on my shoulder because i was still apologising profusely and i said "i'm sorry" and they said "me too"

and i know we were talking about the crash. i know it's not what they meant because that's not what we were talking about but. idk. it's dumb and there's probably something poetic about us stepping onto the bridge at the same time and managing to bump right into each other but all i know is that they had a trans flag sticker on their phone and they smiled and they said "me too" and,,, idk. rambling.

but sometimes it really is just one more day. that's all you need sometimes. and sometimes you have to tell yourself that everyday, and that's okay. because other times you'll literally and physically bump into another trans person and they'll say "me too" for something entirely unrelated, but it makes you feel a little less alone regardless.

anyway, i'm saved in their phone as Robyn now and i think that's pretty cool actually, we're getting lunch together soon

[genderqueerdykes]

I'm going to start throwing a tantrum if the popular leftist YouTubers keep saying Trans Women when talking about the effects of Trump's policies that very much can and do harm and kill trans men. Like I don't get it? What is the point of specifying trans Women every time they talk about broader trans issues? Do they even realize they're doing this?

this is a really good ask, thanks for taking the time to say it! that makes me really glad i don't watch anything even remotely political or related to queer topics on youtube. i'm not sure how other people can do it, it's entirely too stressful and it's way more common than not that people just end up getting sucked up into petty drama instead of talking about the queer experience or helping other queer people.

i have to be honest to god about this behavior: it's virtue signalling mixed with genuine trans(andro)phobia. the vast majority of it is straight up just virtue signalling and it's old as fuck. it is super obvious and i have no idea how people think they're doing anything good by behaving this way. this is a way for people to make Themselves feel better because they're patting themselves on the back for being sooooooooo progressive and sooooooo good to trans women. people want to look like a great ally to transfems without actually being one.

it's fucking annoying as hell and it's being done on purpose to show that that person doesn't give a singular shit about trans men or anyone else and is literally just sucking up to trans women in the hopes of gaining brownie points and looking more progressive. like it's glaringly apparent that people think that trans woman is the only way to be trans, can we call this bullshit for what it is? "trans person" does NOT mean "trans woman". if you want to specifically talk about trans women, just say that. don't do this weird thing where you're like "oh this is gonna affect trans people!" and then immediately say it as trans women.

trans women are not the only trans people. fucking stop this behavior. you are doing this on purpose. you are leaving out trans men on purpose for the sake of trying to look progressive and like you care about trans rights. all you're doing is proving that you are transphobic af and are only doing this to either suck up to trans women, or for trans women to intentionally erase trans men and completely leave them out of the conversation. like sometimes it IS trans women doing this and we HAVE to call it out. trans women can and do participate in transmasc erasure. we have to pretending that trans women can't hurt trans men, transmascs, nonbinary people, genderqueer people and all other kinds of trans people.

i 100% agree with you. if we're talking about trans issues in general why do people ONLY say trans women and that's it? i don't know how to say it any other way than transphobic legislature hurts every single trans person. every single one. masc, femme, both, something else altogether. all of us are affected. what about genderfluid people? what about bigender people? what about transfems who aren't women? what about agender people? what about transneutral people?

trans does not mean "Trans women and trans women only". stop this behavior. we GET it. you wanna LOOK like you care about trans women. we GET that you want to suck up to us for Progressive Brownie Points. like people really think we can't see this shit. people really think that we cannot tell that people are pandering to us just so they can pat themselves on the back for looking like they care about trans rights. we can fucking see that you're doing this to try to get the transfems in your life to think highly of you while you're not actually helping them at all.

i need people to understand that transfems and trans women are aware of how fucking phony this shit sounds, even when it's coming from other transfems and trans women. like we are nowhere near as dumb as y'all think we are. i honestly find it really fucking nasty that people think that trans women are too dumb to tell when people are just sucking up to us to try to make themselves look better. if you ask me, this behavior is just as transmisogynistic as it is transandrophobic, exorsexist and just transphobic in general.

you can't leave out every other single trans person for the sake of trying to gain rights for trans women. it's all of us, or none of us. leaving other trans people out of the discussion will not make trans womens' lives better or easier. we don't want this. stop it.

[slimepuparibaba]

I'm like trying to make a post about the relationships between the MCs and LIs in the Chaos in Linkon AU I made with some friends, which includes the friendships between all the guys

And then I realized it all boils down to "they pretend they hate each other, it's just in different fonts"

Like

Xavier: I don't know any of you (I actually do and appreciate your company, it's very nice)

Zayne: You all give me a headache (if you didn't, something is wrong and I'm instantly worried about you all)

Rafayel: I hate you guys, none of you talk to me (talking to you guys is nice actually, you're some of the few friends I cherish)

Sylus: All of you are threats to yourselves and humanity (it's interesting, and if you weren't here, it'd be a little more boring)

Caleb: Why do I even talk to any of you again? (I don't have any friends after everything that's happened, you guys are the only family I have)

They're a found family, they're just terrible at saying it verbally, but they all agree. Their girlfriends just watch from the sidelines like "d'awwww look at them getting along". They affirm each other when they need to, build each other up and go "I'm glad we met", they talk about their feelings and worries when they need to.

This is so OOC I don't care we love that for them

[pushspacetocontinue]

"I'll drink to that, buddy," Travis said, grinning at the kitten's meow for a minute, and then brought a bottle of Gatorade to his lips, "Me too, Rook. I'm hardly a designer.

"This is quite the fascinating little trip," Simon said, smiling, "You know, I'm glad Travis knows about this stuff and Russell got me involved. I can actually talk to two of my brothers about what I've seen without them thinking I'm completely nuts, and we sure could."

Simon then laughed a little.

"He might do," Travis said, grinning.

"Heh, who knows, maybe they have their own already. Some of these people can surprise you," Antonio said.

"I can do that too," Simon said, "Find out and then possibly have a little look at his search history..."

"This room, yes, whenever you like," Leofric said, "You're now employees rather than prisoners after all. The interrogator did mention a small job he wanted you to do when you're ready, but you'll need to ask him for details."

He was almost sure that they wouldn't try and escape, so he was confident in giving them some time alone again. With that thought, Leofric turned and walked out of the room, phasing through the door without opening it.

Even as Russell had come back in the room, he did find himself sneaking a small look at Lucien as the half fae posed himself, but then he quickly turned his head away.

What the hell am I doing?! Don't be gross, Russell...

Russell then nodded at Willow.

"Y-yeah, that's, that's fair. It'll be, it'll be good for them to, to see it for, for themselves," Russell agreed, before he smiled, "Oh, heh, you're, you're welcome. I uh, I just thought it, it would be useful."

He didn't mention the baseball; he honestly thought Willow was joking about that.

Leofric then made his way back to the main room too.

"I've told them they can leave the room whenever they want," Leofric said, "They're not enthused about their new position, but that's only to be expected."

Smokey mewed, for he was only a little ghost kitten and had no concept of responsibilities.

"I don't know much either. I just picked whatever I liked for my place." Rook replied, already in the process of setting up a base for Travis' phone with whatever clutter was within the reach of her magic. Lucien went to get the pool table ready in the meantime.

"I did most of the work for my apartment and my shop. We should make this place self sufficient." He turned to Rook as he sat on the pool table, "What is it now?"

"Simon isn't going to paint you like a french girl."

"Just set up the fucking camera."

Rook kept laughing as she stepped back into her pocket for a moment.

"It does fit. All you're missing now are matching keychains." Willow nodded in approval at her own efforts and placed her clean katana back in its sheath. "And that's going to be quite the expensive endeavor. I recommend looking into the owner's activities for anything that might persuade them into offering us a hefty discount."

They might have the finances for such a project, but that didn't mean they couldn't negotiate.

With the reassurance that they weren't about to lose themselves and that Leofric only apparently had the ability to sternly see through their sins, the Twins felt a little more willing to cooperate.

Of course, there was another moment of hesitation as both eyed the vials with suspicion. But they were able to win over their diffidence and reached out to take a vial each.

"So we're free-"

"-to leave?"

Well, to leave the room at least. They'd be happy moving to a place where Ratchet couldn't bother them without even being aware of their presence.

Willow was already back to work when Russell came back. "That's unlikely indeed. Though they might appreciate their first salary more if I returned their phones. They're in the left pocket of my coat."

There was nothing worthy of notice anyway, they could be returned.

"I must thank you again for your gift, Russell. My blades have never looked so nicely with so little effort." Willow added, "I'll gladly return yours as well now."

[twiggyofthesprawl]

Lucanis being a sweetheart should have been the exception.

I've seen people's reasons for the crows being the way they are in DATV, and I get it. But I still think it could have been handled better.

Imagine if the Crows ARE actually still cutthroat assassins whose morality has a price-tag, and the only reason they're breaking from that pattern is because they consider the Antaam occupation of Treviso as a direct insult to their home and culture.

Have it be an open secret the Mayor is corrupt, rather than a twist we all saw coming. But they can't do anything about it because it'll look like a coup AND give the Antaam an excuse to roll in in full force.

We get there to recruit Lucanis, only to find out he's missing, and Caterina informs us of how he disappeared. We go get him, and he's exactly who he is in the game we got.

What does this mean for his storyline? I'm glad you asked.

---

Instead of Illario deliberately betraying his brother to the Venatori as a power play / out of resentment, Illario saw Lucanis' gentle side as a weakness their enemies both within (the other Houses) and without (Venatori, Antaam, etc) could exploit. But Caterina was too soft on him to do anything about it. So Illario sets his brother up on a contract that is designed to fail.

Only to find out that he was manipulated, and the "guards" that capture his brother are Venatori agents. At which point the cult reveals to him his predicament. If he doesn't play nice with what they want, they reveal to his House what he did. He stands to lose everything.

So he does exactly what the Crows have taught him his whole life. He plays the hand he's dealt. In for a penny, in for a pound. And so he cuts a deal.

And then the Illario we meet, is one already down the rabbit hole of bad choices, stuck in a situation he lost control of a while ago.

It makes Lucanis choosing to "forgive" him a more believable option. He's sparing his brother because his actions were a product of the system that spat them both out, and he's all too aware that he could have turned out the same way.

[aesthetictarlos]

👀

🥟 for bucktommy please?

Thank you 💖 there you go, kitchen fluff!

Tommy knew he'd find his boyfriend in the kitchen once he got home. What he didn't know, was that Buck was busy making what looked like a complicated recipe if the amount of ingredients and utensils on the kitchen counter and the stove were anything to go by. 

“Hi, babe,” Tommy says, chuckling when Buck brings a hand to his chest and nearly jumps out of his own skin. 

“Oh my God, I didn't hear you come in!” He exclaims, a soft smile spreading on his lips as Tommy takes a step closer and kisses his temple. “Hey, I missed you.”

Tommy kisses his lips because he can't resist him, especially when he has flour on his cheek and between his hair. “Me too, I'm glad we have the next two days off together.”

“We’re celebrating them with a delicious homemade dinner,” Buck replies, gesturing towards the kitchen counter. “You always have perfect timing, I'm almost done with assembling the dumplings.” 

Tommy's taken aback. He loves dumplings but they don't seem easy to make and he melts because of course his boyfriend would go and spend the most part of his free afternoon in the kitchen to surprise him with one of his comfort foods. “Dumplings? You're making dumplings?”

“Yes, babe, I know you love them. It's actually my first time making them so maybe they'll end up inedible and we'll have to order take out.” 

“It's such a lovely gesture, Evan. Thank you, I love that cooking is one of your love languages and I feel so, so lucky to have you.”

“Me too, babe, we have dumpling really special.” 

“Oh, please, not your bad puns again?” Tommy groans, shaking his head.

“You love me. Bad puns and all.” 

“I really do.” 

[sovamurka]

Okay, I ordered my posterbook as a gift for all the suffering I went through this month! Now let's take a look at the promo photos 💙

Allies. A very nice-looking one. Makes me want to eat some cookies. I am so glad that Nika, Arthur and Jessica are spending time together! It's at least some semblance of their old team that we miss very much.

Plague Doctor. We've seen a part of this one already but it makes me happy to see the full picture. It feels like a fairytale where feelings are so magical and overwhelming they lift you off the ground. I'M IN LOVE WITH A FAIRYTAAAA-

Demonslayer x Realmwalkers. An old-time favourite (b)romance strikes again. I know that Danila and Andrei's relationship is very dear to the entirety of this publishing house. And it shows! However, I hope that it's not the only Demonslayer or Realmwalkers poster. Because they miss a perfect opportunity to reference the final chapter of Demonslayer that literally takes place during New Year's.

Mrak. That's actually the newest comic line published by Bubble Comics. Very gruesome and very scary to the point they literally consult publishing house's own lawyer if they can depict certain things. Dark, dark, dark, like a rainy night. But hey, it can't rain all the time! So now it's snowing :D

UPDATE. WE WILL ALSO HAVE THE GAYEST POSTER IMAGINABLE

yes, I learned it from one and only phobs' telegram, now we're officially dead

[wouldntyou-liketoknow]

AAAAYYYYE I'M GLAD YOU LIKED IT!

Yeah, since this is only the second time I've really written for Mad (so far this snippet has the most dialogue I've ever given him) I wanted to show something a little more unlikely for him. In the musicals, we've only seen all his bad, angry traits, and while those are still very prevalent here...well, emotions are already hard enough without having screws loose in your head.

I actually took a course on Criminology in college. Even before that, I was always intrigued by the psychological angle of investigative work. (Can't wait to eventually write about all the juicy, dark parts of it sooner or later...) Learning about the Bystander Effect was genuinely chilling for me. Especially since I often go out of my way to avoid confrontation. It can be both depressing and enlightening to compare that stuff to your own behavior.

Well, Casey literally just can't afford to buy Mad's claims. Even if he has a good read on how delusional he can be, there's just no coming back from all the shit Mad's done. As thoroughly performed and cool of a character Mad is, he's still completely irredeemable.

Of course I mentioned the pocket watch comic! You did such a great job with it! I'm excited to see what else you add to that part of the lore!

Yeeeaaah, no matter how clumsy he can be, Casey's got the skills and smarts! I really, really wanted to make it clear that I wasn't using him as comic relief or a helpless victim. Bro deserves better than that.

Lol, we've all seen Mad's ego. It can be pretty dangerous to set off, but it can also work as leverage against him.

Hey, listen, Azalea knows how to swallow her pride to get a job done, okay? She's efficient like that. (Also, since you bring it up: Caliban is one of very, very few people who are allowed to tease about her height, since she knows it's not out of malice. But if an enemy were to make short jokes around her...HOO BOY, it would NOT be pretty.P)

To clarify, Casey was hiding in the closet like that as a way to trick Mad. He knew he couldn't realistically get away if Mad was still in the house, so he planned to make Mad think he did. Then, after Mad rushed out to look for him, Casey would try to sneak out for real. Too bad that plan didn't really go anywhere, lmao.

(And as for Cal's little moment...keep that in mind. I may or may not try to write a little flashback scene of my own sometime in the future...😈 We hurt our characters because we love them, right??)

I really wanted to go for something that felt both childlike and unsettling. That's how irl criminals like Mad work a lot of the time; they make up stories about the people around them in their heads, and when those people inevitably don't still to said story, the aggressor thinks they have an excuse to flip out.

Sure, K.O. is shorter than Casey, but that doesn't change the fact that he's a defacto strong boi! His career is all about knowing how to throw a punch, after all...

HAHAHAHA YES MORE BADASS-PROTECTIVE MOMENTS FOR AZA!

Lmao that chair-attack was an EXACT reference to FNAF: TM! I think I re-watched that blooper like six times 🤣 Physics pale before MatPat's acting skills!

The tuna melt insult was actually inspired by that CHUCKY series from a few years ago (iykyk). I really liked it; it was one of the few times I got entertainment from someplace other than YouTube.

Don't worry; you will most certainly see more of both Phoenix and K.O. in the next snippet! Until then, I eagerly (but also patiently, because Self-Care is important. No rush at all, friendo) await your next comic!

You changed,

You haven’t

A follow up to our lovely collab with @wouldntyou-liketoknow, this is more of a flashback to kinda get into the relationship between Casey and Mad through Mad’s eyes. It may never erase what he’s done, but it may show a glimpse as to why he can’t seem to let Casey go.

Has always been, and always will be known as a monster, yet one soul decided to take a chance, to hold his hand and make him feel something more than just a monster. He was more in that person’s eyes, and he never wanted to let go of that feeling. The simple single touch of another who never views him as nothing more than a…

Shame he no longer can feel the touch.

@crazy-obsessed-enby @iswmperson @lexusinsannus @sammys-magical-au @wouldntyou-liketoknow @the-matpat-ever

He can only dream.

[thechibilitwick]

bored

[gummi-ships]

Kingdom Hearts Dream Drop Distance - Symphony of Sorcery

[plushie-lovey]

FINALLY!! At long last, I've gotten my hands on a Pumpkin Kitty, after a whole year of wanting and waiting.

Her name is Latte! (Short for Miss Pumpkin Spice Latte) You can also call her Miss Spice!

[genderqueerdykes]

Really appreciate this blog and what it shares. Got into an arguement with someone who was a transfem TIRF (didn’t realize that was even a thing at the time lmao) and it left me feeling really upset due to the both gross ways she’d talked about trans men and the fact that she got a lot of support in the notes. So coming here and seeing in fact most people love and care about us transmascs is nice.

Won’t argue again next time I see an account like that cuz it’s kinda obvious people in those circles are prolly not getting out but yeah.

i am so sorry you had that experience. i'm glad you're advocating for yourself and choosing to not argue with that person again.

i honestly refuse to socialize with a person when i see them be that openly hateful with no attempts to change. i stopped talking to one of my old roommates after he started saying all kinds of transandrophobic shit, shitting on transmascs bodies and calling them gross because he's "gay" and could never be into vaginas or breasts. my ex (trans)gf literally fucking yelled at me for not wanting to be his friend after this. like actually fucking yelled at me numerous times. i asked her if she would be comfortable staying his friend if he was transmisogynistic toward her and told her her body was disgusting, and she said yeah of course, as if somehow that wouldn't cause her pain. nobody gave a flying fuck about how transandrophobia affects transmascs, so i said fuck all of you and stopped being their friends.

there are so many people who have gladly jumped on the rad fem train and it's so sad. that's no way to live your life. that's such a hateful ideology. rad feminism is nothing but hate. it's hate for yourself for being a woman because you equate womanhood to suffering. it's hate for other women because they're not women "right" like you are. it's hate for transmascs and trans men. it's hate for nonbinary people. it's hate for genderfluid people. it's hate for trans, nonbinary, genderqueer, genderfluid, gnc, bi, & pan lesbians. it's hate for butches who are men. for TIRFs in specific, it's hate for other trans people because they're "trans wrong". rad feminism is hatred all the way down no matter how you look at it. rad feminism will never be productive or progressive. it's about wallowing in your misery, mining for sympathy and pity, and crying about how you're powerless and defenseless instead of doing something about it. it's admitting defeat.

as a fellow transmasc, i'm just over it. i'm not gonna stew in self hatred. i had a friend who WAS transmasc who basically forced me to hate myself for being a trans man. always going on and on about how they hated certain transmascs and trans men, how they were "Whiny and entitled"... yikes dude. you can keep hating yourself over there, but i genuinely love being transmasc & a trans man. coming out as a trans man literally saved my fucking life. i was a depressed mess that hated myself before i came out. i've never loved myself more. and if someone else can't love what i love about myself? they're not worth my damn time.

i'm not here to throw transmascs under the bus just to kiss up to transfems to try to look progressive for brownie points. that shit is underhanded and dirty. we can support all trans people at once. we aren't football teams. you don't have to pit random queer identities against one another. we're on the same side. none of us are enemies. none.

thanks for taking the time to stop by! take care of yourself, i'm glad that i could help in any way. i am just OVER people forcing transmascs and trans men to hate themselves and exist solely to talk about trans women and transfems and nothing else. i am just over people making men and mascs feel like shit. it's done. it's over. i'm not participating, and neither are you. pack that shit up into a box, and throw it in the garbage. we're working together whether or not you like it. the only way we get out of this is together. our fight for liberation is NOT a crab bucket- you do NOT have to pull someone else down when you see them rise up and advocate for themselves.

[fortes-fortuna-iogurtum]

very very tired of all the many many things :')