#and I'll rant about it again.

[enixamyram]

The Judd and Grace flashbacks are so freaking cute! I seriously love them!

[emloafs]

we may watch the same show but i watch it gayer

[quillthrillswriting]

i'm sorry, but the atla fandom is the only place where i've ever seen people unironically use a 12 year old telling his friend that killing someone out of grief is maybe a rash decision and not healthy to argue that that same 12 year old is being controlling and is an unhealthy partner

you guys know that murder is like....a bad thing....right? especially for a 14 year old? you guys know that revenge murder isn't a healthy strategy? you guys know that anyone who would encourage that is probably actually the unhealthy one in that scenario...right??

[14dayswithyou]

Hi, Howdy! Hey! I really love your novel!! I got a little confused by the 4 day, may maybe you help me please? who is it? why we got the bad end staying the night in Ren’s apartment and he disappear of the home screen? I can’t understand “unset memory” game, sorry if I wrote smth wrong or smth sounds rude, I swear that I didn’t mean it if happened, I’m really a fan of the novel, I’ve been playing the game since day 1 or 2 I guess, probably day 1, english isn’t my first language, but I tried lol

⌞♥⌝ I hope you don't mind me answering these as bullet points!! ^^

"It" will be revealed later in the game! So I won't reveal too much right now.

You can only get the Dead End in Day 4 by staying at Ren's apartment — the rest of your choices before that don't matter. I'd also pay closer attention to the black smoke and Ren's reaction towards it!

Ren disappears from the home screen because he promised to help the player out (and stop them from getting the Dead End again). Try replaying the game again from the beginning for a surprise!

"Unsent Memories" was another visual novel (initially being written by @10chimes / @unsentmemory, though the project has since been dropped and handed back to me /pos) and is set in the same universe as 14 Days With You. Its storyline and characters are completely separate from 14DWY, so you don't have to worry about them while playing 14DWY.

[rocketbirdie]

Weird thing that bothered me about Rebirth and I want to hear other people's thoughts.

Um... Why did they gentrify Gongaga? I can't be the only one who feels cheated by the chummy suburban development vibe in Rebirth.

OG Gongaga is an isolated village deep in a jungle. It's possible to completely miss the first chance to visit, because it's practically unheard of. All the young folks fled to the big city. A reactor blew up and killed most of the inhabitants, leaving the town in a state of decay. The houses are falling apart, the people are desperate, it's derelict and miserable.

An understated theme in the OG is how life is difficult without modern technology. Avalanche sets out to destroy these reactors without considering the consequences for their own futures, thinking "well it won't be easy but i'm sure it'll be fine." Gongaga is the story's way of showing you just how fine everything is going to be— despite being in a lush rainforest, long since violently cut off from Shinra's influence, these people still suffer immensely.

I wanted to see it in hd so bad honestly. The splintered rotting wood, the furskin rugs, the dirty brick walls. The unspoken yet unignorable trauma. The mournful purple twilight that quietly hangs over the whole village. I wanted to see the survivors' spiteful determination to make things work without mako.

Instead we got a squeaky clean Crisis Core rendition of Gongaga, with its down-to-earth upbeat stardew valley soundtrack and generic hard workin' country folk. The houses are like... twice the size i expected them to be. Neat and tidy, no holes in the roofs, no dishevelled interiors. No sign of struggle. Everybody is content at worst.

The reactor may as well have never exploded. Nobody talks about it. We hear some bullshit about Shinra trying to "make amends" or compensate people for the damages, and that's about it. Apparently everybody's just fine with this, because all of the original version's resentment and grief is gone.

Don't even get me started on the barker stationed at the town entrance. "Come experience nature's bounty!" Man... why are we treating it like a goddamn hippy tourist attraction. OG Gongaga would have had someone knock this kid's teeth out.

Idk I'm just sad. The melancholy is what made Gongaga so memorable despite its bump-in-the-road identity. I wish we could have gotten that instead of one big callback to CC.

[wistfulwatcher]

emily prentiss + leaving and coming back for her family

[lemonadehtwooh]

If I have to see One More fucking post that makes Alhaitham a "daddy dom" and Kaveh into a "soft uwu sub" I'm going to fucking kill someone

[biblically-accurate-dca]

moon n ballora

[dorothywonderland]

I started doodling greek gods, it's over for me. I have to accept that I'm officially addicted to epic the musical

[epiphainie]

i can't with all these "the show is highlighting tommy's jealousy, they're planting seeds that it will cause problems" takes like bffr. he mentioned being envious over the 118's dynamic twice, sure, but in what world (literally how?) would that cause a relationship problem? do yall expect him to be in cahoots with gerrard behind their back and murder buck to take over his life or something?? like even with the hyperbole aside, i genuinely cannot see how they can turn this into relationship drama without going against everything they showed us with tommy so far

[danwhobrowses]

I'm not sure how much good this vent will do, I'm not even sure I want to post this vent after my last one, but I'm writing it just so it's out of my head and into words because it seems once again fandom has chosen to send vitriol Ashton Greymoore's way.

What for? They talked to a 'specter' of the primordial titan within them, through their connection to the earth, the natural flow of creation and destruction. They ask what will happen to the world, it responds that it'll endure, they ask what of the people, it responds that the strong will survive and the weak will be remade into something stronger, to which Ashton replies they think they understand. To fandom this means that Ashton is becoming a fascist, that they have a 'Make Exandria Great Again' attitude for wanting the Primordials back, that they need to be beaten up or 'get what's coming to them' in order to change their mind, and I can only sit here and stew and wonder if this hate is really well-founded? Ashton is among my favourite characters in C3, I get frustrated by them at times too but if I think about it a big percentage of my frustrations is more towards people disliking them than me disliking things they do, or Matt setting up scenarios that doesn't do them any favours towards the fandom that hates them. Some of these are knee-jerk reactions of course, but for others it does feel like they have it out for Ashton, and I don't wanna engage with that, which makes it quite lonely when most of the fandom hones in on it.

For the most part I can understand how the whole 'the weak will be remade' bit can be taken badly; it's definitely iffy, but every other plan we have is also very iffy. The Release Predathos option literally involves unleashing an entity that wants to genocide the gods, the Maintain Status Quo option ('option' the status quo imo is impossible, in my mind the Gods can stay but the dynamic will still have to change) maintains a relationship where the gods pick and choose who they feel deserves help, using their power to covet more power, strongarm and demand loyalty, and overall choose fellow gods over mortals when the chips are down and not owning up to it. We should also remember that entities can speak in riddles, 'remade into something stronger' doesn't necessarily mean death; it could mean to adapt and grow, to become strong enough to bear and overcome it as many of the PCs of Critical Role have done with their hardships and trauma. It's worth reminding that the sad truth is that people will die whatever outcome happens - the aim is always to lessen the amount but if the Gods leave it's a power vacuum, if we linger too long it's a Calamity, and if the Gods stay it's a holy war on a more wild and less organized scale - and that Ashton isn't saying they approve of such death, merely that they think they understand. The commune doesn't tell Ashton which way to go; it only tells them that the world will endure, there will be change and it will change people, trees will still grow, the wind will still blow, the waves will still flow along the coasts of the sea, and people will survive. I know the interpretation can differ from people thanks to Matt's patented vague or riddle-mounted choices in phrase, but I also think if it was the Wildmother who told Orym or some other follower that 'nature is a cycle, everything must adapt to change or else it'll die - this world will change, but it will also survive' nobody would be calling Orym a fascist, people would accept it because the Wildmother's domain is nature, and nature is not always kind.

While we're mentioning Orym - and because this is gonna come off as critical I must preface that I like and enjoy All of the Hells, that's not changed - I also gotta call it out here because it does very much feel like the people who hate Ashton hate them for the reasons they love Orym. Both are stubborn, they're diligent in their personal code, they care deeply for their friends and would give their whole being just to keep them safe, they believe in the Hells' power and greatness more than each member does and more than they believe in their own, but Ashton gets the hate mainly because these fans agree more with Orym on the god stuff. What confuses me though is how these same haters can despise Ashton for being consistent but love Braius, the literal Devil Worshipper who secretly is on board with the Chase Away plan only so he can help the Devil rule the world, the compulsive liar. Where's Braius' scrutiny? A world under Asmodeus will be a far worse 'survival of the fittest' scenario, why does Braius get a pass in all this stuff huh? Because he's funny? Seems people ignore the whole morality talk when they're discussing Braius' dedication to Exandrian Satan.

I find it irksome too that even the group seem to criticize Ashton reaching out to Primordials too - as if that wasn't what we wanted them and Fearne to do anyway. They don't dislike the gods simply because they're a 'great entity', it's because they're a great entity that holds power and doesn't use it equally or fairly; they pick and choose who to help, a lot of the time in Ashton's experience for their own self-service, but they won't prioritize mortals over another god no matter who cruel or heinous the god is being, and the following of these gods are so intertwined with politics that most religious motivation also ends up being political. Ashton has no connection to the gods, they reached out and got nothing, an Angel looked at them and made them feel like nothing, but they do have a connection to the Primordials; from the Earth Golem to the Titan Empress they're literally a vessel of, they experienced something significant in their connection to the Earth, so I don't like how that they're almost mocked for having it. In addition, Ashton's behaviour during this commune differs because of that connection, but also because the titans are a natural flow; they don't demand or test or politic or prejudice, and despite being a Great Entity in its own right it never made sure Ashton felt small for their own satisfaction, they asked a question and got an answer, it's the same reason Ashton has disdain for most political leaders but likes and respects Keyleth, Allura, Kima, Pike, and (eventually) Percy despite also being people in power. To call on Orym and the Wildmother as an example again; Orym's an Air Ashari, the Ashari are guardians of the Elemental Planes - made from the Primordials - not tied to a god, but nobody criticizes his connection to the Wildmother despite both not being a follower and his culture being more tethered to Primordials and their descendants. I'm not saying it's all correct for Ashton to want things to go back to how Primordials ruled, but we must remind ourselves also that we only know a story written by victors when it comes to the Schism - a story which could very easily have been altered and edited to make it feel more justified for the Primes and mortals to actively genocide all the Primordials, the native species and creators of this world, and desecrate their remains to make weapons, soul anchors, and cities - the specter didn't say 'fuck em, all mortals should die' after all, if they believe mortals would survive then they must be at the least tolerant of mortal existence. Why is it okay for god followers to say they wanna keep the world with the gods they have a connection to (and I'm not saying they aren't) but Ashton is out of line for wanting to have a world which has something active that they also have a connection to? It seems rather unfair to allow one side to have and the other to have not, picking and choosing because our audience's bias has spent more time with the gods, Ashton wanting something they can connect to doesn't feel all wrong either, the Eidolons still exist with faint worship hiding away so they're not smited by the gods, why can't faith exist so they're not in hiding? I sincerely doubt the Punk Rock that is Ashton is asking for the Primordials to fill the Gods' roles the same way the Gods have been running things either, they want to break the throne remember? There needs to be a balance in ideals and practice of course, and in an ideal world there could even be a more fluid and all-inclusive Exandria where gods and Eidolons live harmoniously with mortals without hierarchy and class systems, I think Ashton could happily live with something like that, they did say the world needs 'a little chaos' to call back to Matt hinting that the current world doesn't have enough.

Which leads us to those wishing violence upon Ashton - and I really don't like that. People who say 'hitting them over the head is the only language they understand' seem to misinterpret Ashton as if everyone around them have been on their hands and knees begging Ashton to reconsider and them ignoring valid points and pulling a Leroy Jenkins. In reality, nobody is actually talking to Ashton about it, a lot of the frustration with Bells Hells right now is that they aren't talking to each other, even about the end goal! Ashton has valid reasons for their thinking, so being violent isn't gonna change their mind; undermining, dehumanizing and trying to effectively bully anyone let alone someone with chronic pain and low self worth will never truly convince them to your way of thinking. All people understand the language of violence, but that language is not used justly, those who truly wish violence upon Ashton don't want it in hopes it'll force Ashton to change their mind, they want it for their own satisfaction of seeing them in pain; so they can further push them away from the rest of the group and go 'that guy's not one of us', make it so the people Ashton calls family after a lifetime of loneliness, confusion and abandonment - the people they promised they won't abandon, and have kept true on that promise even at their lowest - make them feel small and worthless, and force them into box where they can't be themselves, and I hate that people would want to treat them that way. Ashton IS capable of listening; they've stepped back and trusted the other Hells to do their own thing even when it's ridiculous like staging a play where they pretend to be Ludinus to trick Unseelie emissaries into thinking that he attacked them, they listened to the gods even when they didn't have to like they promised they would and despite it being very personal they held themselves back for the benefit of the group, and if the group talked to them calmly where they were all allowed to healthily discuss the pros and cons, the ideals and compromises, and the risk and reward of all plans that have been proposed then they would listen, and they would try - you don't need to slice bread with a broadsword.

Will Ashton 'get what's coming to them'? Maybe, but what is that exactly? We only assume to know the full vision of what Ashton wants to act on. All of Bells Hells are gonna face the consequences of the choice they make on Ruidus - when they finally make one that is - in and out of the world they live in, so won't that apply to everyone? So what for Ashton? do people want Fractures 2.0? Does everything Ashton wants in life have to blow up violently in their face? Family, Closure, their best friend's safety, why does 'what's coming to them' have to be something aggressive and harmful? People change through positive reinforcement and good experiences too! Caduceus Clay would remind you that it's love that makes people. Don't mistake this rant as me wanting Ashton to be exactly as they are now, I too want to see growth from Ashton and we ARE seeing it happen; I see it in small instances where they think twice about rash actions and try not to fly off the handle, when they sit just to listen or understand or to defuse tension, and that when they're going somewhere or doing something they let the group know in advance, those who think Ashton hasn't changed since ep. 1 aren't paying close attention, but that doesn't mean that they don't still have more ground to cover. I believe that Ashton grows the most through kindness; when they're treated like a person and not a blunt instrument or a nuisance, and I hope what's 'coming' for Ashton isn't rejection, bitterness, and isolation, but acceptance, empathy, and for someone - if you know me you'd know who I'd want it to be - to convince them that they are worthy of living, that they're special not because of their powers or blood or because they have died and been put back together again (honestly, it does irk me a little that both Keyleth and Imogen chose that for titles and to brag to the Matron, I know it isn't intended this way but sometimes it feels like saying 'your best defining quality is that you've died a lot') but because while they have every reason to hate everything they still chose to be kind to those who deserve kindness, they have a good heart and they mean well. Are they perfect? No! They're in their 20s very few people irl have their lives together at even twice that age, but I want them to have good things in their life; things that help them feel happy and safe and like they can still feel comfortable in their own skin without having to appear more 'palatable' for people who've already decided that they don't like them. I want them to know that they've always deserved to live and they still deserve it now, I want that not just for Ashton but for all the Hells, and hopefully they'll all live to have it.

And most of all I want the people who hate them to be wrong about Ashton Greymoore, and I want Taliesin to prove them wrong.

[randomfoggytiger]

I started scrubbing through the Revival episodes, and I mean this from the bottom of my heart:

I hate it with every fiber of my being.

No hate to the people involved-- David Duchovny, Gillian Anderson, Chris Carter, or any other writer or producer or actor in the series-- but... so, so much wrath for the writing, the cinematography, the.... Everything.

HOWEVER. I know that my opinions will change once I adjust to the new "style" of the show. And I shall give this series a fair shot. Because.

But man. I've gotta figure out how to straddle the line between disgruntled entertainment and pure rage.

And don't worry, I WILL achieve that balance by the time I watch it. Because I don't want to stew in anger-- I want to have fun, even if the overall is sludge or garbage or okay, really, just sad that it had to unfold this way.

And a lot of people love it, or like it, or appreciate it enough; and I don't want to make them feel lesser for liking this series. Tastes are subjective, no?

At the end of the day, I'll get angry, then amused that I got angry, then turn the experience into something constructive-- then fun-- for everyone~.

[st4rstudent]

Everytime I see someone talk bad about toons I feel myself age by 40 years. My lifespan is shortening.

[anxietycheesecake]

There's something so "performative" about the finale, not sure how to articulate it. I mean, it's been like that for a while, but there were still sincere moments every now and then (probably from the cast putting all their actussy into it). It wanted to make a statement so bad, regardless of whether you think they were mocking us or not. "I'm not a normal sitcom, I'm a cool sitcom, like Seinfield. I don't fit in and I don't want to fit in. Have you ever seen my characters evolve? Oh... Oh... No, you haven't! I artificially took that back every single time! That's cool."

They wanted to remove the sense of a plot and a purpose that season 3 and partially season 4 gave it so hard it's like they couldn't think of anything else. It's funny because it's pointless and unsatisfying, even though we have managed to balance raunchy comedy and emotional scenes just fine before. It's easier this way and it get us Reddit praise. But here's the thing, it wasn't even that funny. Season 1 was just sitcom shenanigans and dark comedy and it was hilarious. Like, when was the last time you physically bent over in laughter while watching this show and are you sure it wasn't because the actors were making a funny voice or a funny face that absolutely wasn't scripted?

But I mean, all that aside, I think it's just cringe. It's giving "how you doing, fellow kids?" It's overdone and so eager to be disruptive it ends up being anticlimatic. "That's the point! We were trying to be anticlimatic!" Ok, bro, you're either a shit writer because you couldn't come up with an actual conclusion or because you genuinely thought that'd make good tv.

Comparing wwdits to Seinfield is like when wannabe great American novelist says he's writing the next Great Gatsby. No you're not. And I don't mean this as "wwdits isn't worth shit compared to actual high art sitcoms such as Seinfield" (I actually liked it better when it wasn't trying to become Seinfield); it's just... There's already a Seinfield. And there was already a wwdits that had found its footing and its voice and was doing a near perfect balancing act between comedy and drama, while keeping it humor-focused at all times. Your story is yours but when my book was starting to sound a lot like The Girls by Emma Cline minus the ABSOLUTE LITERATURE of it (arguably the best thing about The Girls), my mom was like "this not you, girl, what are you doing?" And that was MY MOM, not some random people on the Internet who are a small portion of the people who put food on my table (hopefully, heh -pay writers better, bitches >:(-). Like, dude, you're in your 40s, how can you be this petty?

At the end of the day, it was just petty. It read like fanfiction a troll would write. And they can try to gaslight us into buying it was actually such a smart move and amazing writing, but we know the truth. "We've thought about six possible endings for Guillermo's arc and haven't decided on one", "We kind of just come up with things that might be funny and work them into an episode"; things being said about a show one its fourth and fifth season. Absolutely valid, of course, but you can just admit you bit more than you could chew and wanted an easy way out. We get it, it's your job, do whatever you need to get that (far too small) paycheck, but don't put a "subversive" label on it and call it a perfect ending.

And if you're so willing to disrespect your fanbase or convince them they were watching a completely different show mere three years ago, for fuck's sake, commit to the bit and at least make it entertaining. Characters just spelling out things that are going to annoy the fans or prove to them it was silly to care about the shit and fart show for half and hour? THREE TIMES? Dude, you can be more subtle, media litecary's been dead for a while now. It's not unfunny in the sense that it's offensive; rather it was offensive how deeply unfunny it was. How can you manage to be this dishonest while doing everything in your power to make yourself seem even more dishonest??? smh

[14dayswithyou]

I can see you, saint... ^^

Is it okay to make fan comics and such about Ren and angel???

✦゜ANSWERED: aaaa of course!! Everyone is welcome to create any kind of content for 14DWY so long as it's not offensive or illegal. And thank you very much for considering making a fancomic for da game! I really appreciate it ;v;

Tagging me (either @14dayswithyou or @cutiesigh) will also give you a better chance of having me see + reblog it!! ^^ I also encourage everyone to look at and follow the #14DaysWithYou and #14DWY tags to see all the amazing content from people in the community!

[hyakunana]

The traditional seasonal visit to the Beyond to —report the news of this timeline— comfort your local involuntary time traveler