#and I think it fits the overall plot more

[dickpuncher420]

i just rewatched act 3 and i don’t think it’s a bad finale for the show at all. i do however think it’s a finale that would’ve been more fitting for a third season. overall i think the one thing this second season would’ve benefited from is just more time. the plotlines themselves aren’t bad, but they definitely feel rushed and aren’t given enough time to be properly developed. there were promising elements that were introduced and then seemingly dropped or glossed over in favour of the larger plot. the piltover vs. zaun conflict seems to completely disappear in the face of viktor’s larger threat. i think it would’ve made a lot more sense if this second season had spent more time focusing on piltover + zaun and vi + jinx, wrapping up the whole duality theme nicely in two seasons, and then in a Third season we introduced this larger threat that required everyone to work together to fight it. it was just disappointing that act 1 seemed to be kind of going in the direction that had been established in s1, and then acts 2 and 3 completely veered away from that into something entirely different.

[blueishyellowish]

im sorry but as much as I love yall in the arcane fandom, the jayvik shippers kinda irk me, mostly because this show wasn’t about them from the beginning.

This show from s1 was a small story about the conflict of two sisters. And in s2 these same sisters were shoved to the side for a half-asses ending that was rushed due to jayce and viktor taking the spotlight. I don’t care if the shippers got their moment. It is once again another case of female characters being shoved aside for male characters in a show that somehow went from a simple political conflict to humanity vs god.

The scale of the story is too large and does not fit s1, nor give a satisfactory conclusion.

The small scale conflict with Jinx and Vi is what made the story so endearing, and as much as I enjoyed the Viktor and Jayce story I don’t think it should’ve overshadowed Jinx and Vi.

It sucks coming here on tumblr to just see only Jayvik and no discourse on the show at hand.

But, their scenes were cool I have to admit, I was just more distracted that Jinx and Vi were just pawns in the plot device of Viktor’s Glorious Evolution.

I think thats a big takeaway from this season is that everything “looked cool,” and thats pretty much it. And I think it was lost in translation what Viktor’s true goal was, I understood it sure but it was just muddled with fancy words and hoo-hah as he explained his motives.

There definitely had to have been at least another act or season because this show was rushed and overall missed the mark for a good follow up to s1. They feel like two entire different shows.

I think episode 7 was the best from this act and it gave me high hopes for the rest but I was disappointed.

Episode 7 was very reminiscent of how episodes were in s1 which is why I liked it so much. Straight up cinema, needed more Ekko.

The rest of the act lowkey sucked and the creators were hyping up that they spent so long coming up with the ending for Vi and Jinx and that is what they came up with. A “fall off the cliff sacrifice letting go of the hand?” oh c’mon, I was shaking my head at the screen, I am tired of “letting go to sacrifice themself” trope.

And Jinx survived I guess, but that type of ending is so unsatisfying as her and Vi never really talk about anything (ever like this entire season). (It was really cool at the end I haven’t heard anyone talk about how they played her music she hummed at the end, very happy I caught that.)

Don’t get me started on Vi either, so upset that she kinda just moved with the plot. I always saw her at the main character in the show, but she was in many scenes but never really did much. And I needed more CatVi, like much more then Jayvik which isnt even a canonical ship. Like what??

Ok I’m done ranting. Im just upset at this dark stain on the legacy of arcane. I think it’s not horrible but it could have been so much better.

[nicoathogwarts]

The moon's light just managed to reach down deep enough to cast shadows through the glass and into the common room. Nico struggled to keep his eyes open, the gentle scratching of his friends quills on parchment lulling him to sleep.

A single thought kept him from falling into unconsciousness. “I need to get out of here.”

Draco looked up from the textbooks that were splayed around him. “It’s passed curfew, you’ll get detention again.”

“Not like that.” Mr. D called it trauma, Nico called it common sense. “I need to get out of the castle, go somewhere else for awhile."

"Why would you want to do that?"

Nico shrugged "being in one place for too long is boring." The longer he stayed the more monsters would find him, they were waiting outside of Hogwarts boundaries. One set too far into the forbidden forest and he'd be surrounded before he could blink.

Pansy snorted "that's what the Gryffindor's are for, free entertainment. You're the one stupid enough to be friends with them, you should know they have more death wishes then everyone else in the entire school combined."

"Having a death wish doesn't make you special, it barely makes you interesting. My cousin has had a death wish since he was twelve and he's not dead yet. No matter how many times I've tried to kill him." That got a singular snort, as was expected.

Nico's fucked up family tree wasn't all the surprising to the other Slytherins. Mention you've been trying to murder your cousin? Who hasn't tried to kill their cousin? Or who's cousin hadn't tried to kill them? There was still a lot he couldn't say, he was a half blood but not their kind of half blood, his dad was the god of the dead. Voldemort was his half brother and he was on a quest to strip him of his immorality. But he could be a little more truthful with them then with his other friends at Hogwarts.

[gingergari]

Ooh for Toad Peach AU how did the first meeting go with the officials of the Beanbean Kingdom? Ohh maybe more on Peach and Peasley's becoming friends. Does he help her feel a little more confident in her true form? Gimme all of the dynamics hehe

idk why i thought i dreamed this ask but i forgot you sent it 😭 here ya go!

the beanbean and mushroom kingdoms have an extremely close relationship that’s rather old, and as such the births of both heirs were highly celebrated by both families.

here, peasley is roughly 1 year older than peach, and the betrothal between the two was set up very early so the two do not remember their first meeting as they were infants at the time. but still, they visited peach many times before her debutante.

peach’s parents died in a horrific incident i still haven’t detailed when she was around 3-4, which did result in queen bean reaching out more often as peach grew older to offer additional guidance and support :]

but back to peasley and peach, they were thick as thieves and peasley introduced her to fencing! toadsworth wasn’t a fan at first but eventually relented (whatever endears her to peasley, plus any experience with a weapon could come in handy if the mushroom kingdom were to ever leave the peacful era). she’s quite adept in both forms, but prefers to fence in human form. it isn’t something she practices often in current day but it’s something she treasures the memories of alongside trying his bean pillow and learning about beanbean allies and his travels :]

though, as they got older, the two became more aware of their betrothal and what would follow, but things weren’t clicking so they decided to experiment a little (read: they kissed and neither of them liked it. sad!) but neither have brought up calling anything off as both are quite fine with something contractual if it came down to it (but peach would call it off if peasley asked)

at peach’s debutante, they danced together first as a show of the kingdom relationship, and when the first attack/kidnapping happens, the beanbean kingdom offered aid and refuge (little fungitown)

re: her appearance and peasley—she initially meets the beanbean family in toad form, but as she got older this became rarer as experience (and her self image) became priority. peasley makes sure to praise her toad form’s beauty when he sees it, and when mario does come into the picture is of the firm opinion alongside daisy that he does not deserve her if he doesn’t like her true form. on most days she agrees with him

as for superstar saga, he still arrives to the mushroom kingdom ahead of time and toadette volunteers to take peach’s place instead of birdo (the effect is later undone before peach arrives in the beanbean kingdom)

post superstar saga, the two meet (peach crownless) to discuss their love interests, and their betrothal is officially called off. consequent meetings with the beanbean kingdom are held in her toad form :]

[porto-rosso]

brother where is the charles appreciation

[nailtagyuri]

when i was 12 this was the coolest most mindblowing shit ever i was genuinely so obsessed with it I'd read it very day like the bible. I would die for a version of this with the post 3D world content over my country

[loverboybrightsideghost]

the more time passes since i first watched it, the more i like good omens season 2

[emblazons]

me waiting for people in this fandom to learn the difference between "a terrible writer" and "a writer who does not write the story the way I personally would have written it:"

[sanstropfremir]

(Alice in Borderland pt 2 spoilers) I think the task of transitioning from the manga to the adaptation aggravates the problem of pacing, firstly, because the second part of the manga is longer than what they put in the adaptation (I'm pretty sure it would've took another/half a season to get the same pacing and details) and secondly, because some of the games that we see with the main heroes in the adaptation are made with new characters in the manga (for example, in the 1st season, Arisu and Usagi win the bus game but in the manga, it's all new characters who participate, and only the wounded guy survives) It makes sense because having to focus on so many new characters and spending entire arcs without seeing your favorite one can be boring, but at the same time it can fuck up the flow of the story and motive/use of the characters.

i think they were right in reducing the amount of characters down for the show, because even though tv is technically a serialized format, prestige drama like this show is not actually serialized anymore. versus in a manga, where you do still have a serialized format and have a lot more time and space to introduce characters. you can't fit the equivalent amount of information that you can onto a page that you can into something filmed, because film is a time based medium. audiences can take as long as they want to read a book, but you are literally bound by time itself when working with performance mediums, so by nature you have to consolidate. that's just the way that it goes. tbh i think the pacing of the show overall was fine, and where they made the mistake imo with the second season was not the fact that they consolidated the second half down, but the fact that they weighted that consolidation weirdly. they spent MUCH too long on the king of clubs challenge that was much more focused on arisu's internal conflict, which stood directly in opposition to the fact that clubs challenges were supposed to be about teamwork. it just felt like the writers got bogged down by trying to hit specific expository beats instead of actually writing the micro conflict of two teams against each other. and then this made the back half of the season too oddly weighted with having to run through the rest of the plot beats in order to get to the final face cards before they ran out of runtime.

[meticulousfragments]

I don’t know if anyone else who follows me has both read the book and seen the movie Poor Things

But I read it this week and watched the movie last night and I feel like I need to talk about it with someone because it’s still rattling around in my head

[cynicalmusings]

wrote another 500 words today. it’s less than i’d hoped—it’s been quite slow these past few days—so i’m really hoping i can do a lot over the coming weekend to make up for it. i’m also considering rewriting/ making changes to some earlier chapters (the opening two, some of chapter eleven…), which is slightly annoying if i end up doing it, but that’s something for later.

still, the fic’s coming along, which is the main thing.

[a-b-riddle]

Part Three

Warning: If you don't like Taylor Swift, you're not gonna like this chapter that much, homie. But So Long, London is so fitting for this drabble series. (I guess a series since it's longer than a drabble at this point)

Can’t stop thinking about reader just trying to move on

You had to remind yourself several times not to check in with the guys. It had almost become second nature doing something big like this. But going to another country…

Not that they would care. You told yourself. It was for the best that way.

The expo went better than you expected. You didn’t believe that there would be a line out the door of eager readers wanting to read your book, but you got a decent amount. More than a few told you they couldn’t wait to read it. Several asking for photos and asking questions on any future books, a spin-off or even continuing the series.

When one a particular large group of girls your age asked for a group photo, you could have cried. They were had found each other in an online book club. You had given them your book several months ago. All copies signed with a note thanking them for taking the time to read what you had poured your heart into.

You had spent a large chunk of your free time talking to them. Bonding more so as women than over your book.

"Have you listened to Taylor's new album?"

It had only been out for two days and you had been able to avoid it like the plague. You didn't need to even listen to 'So Long, London' to know it would fucking gut you. So you would enjoy your time in the states. Save the listening experience for when you were packing up their stuff.

They had posted and tagged you before continuing on with the rest of the expo. You had reposted the photo to your own social media. Or at least one attached to the pen name you had crafted. You only had twelve thousand instagram followers, but it was something.

The first day was much like the second. You had attended several Q & A sessions with a panel of more experienced authors and managed to go to a few meet and greets. Before you knew it, it was time to pack up shop.

The agent the publishing house had assigned to you had stuck with you for most of the day. You were able to pick her brain a bit about new ideas for possible future plot lines and her thoughts. Overall, the trip was great.

Not only were you able to make great connections and take a lot back home with you to reference, but for a few days you forgot what waited for you back home. Or rather what wasn't waiting for you.

By the time your plane landed back in London you could barely hold yourself up. You left the expo, went straight to the hotel to shower, pack and head to the airport.

Your flight was delayed. Your luggage was taking forever to get onto the belt. It was only seven, but fuck if you weren’t ready to just call it a day. Tomorrow you would have to start again. Opening up the shop. Coming back to an empty flat. Maybe start gathering up the items the boys had left behind.

Should you give them in separate boxes or just one giant one and let them sort it out themselves? It was easy to discern whose sweatshirt and t-shirts belonged to who, but when it got to things like socks and chargers...

Yeah.

They could sort it themselves.

You could drop it off at Kyle's when you knew he would be at the gym. He was good at avoiding you anyway.

It wasn't until you stood in your apartment did it hit you.

You were alone.

For the first time in over a year you couldn't call one of them over to soothe that ache of loneliness.

For the first time in over a year, you had to relearn how to handle just being alone.

You usually showered at night. Washing away the grime of the day before settling into bed. But today was a new chapter. You woke up wanting to start it on a good note. Plus you went straight to bed after getting home so you still had a bit of airport funk on you.

It had been a week. One official since you had sent that text nailing the coffin shut. You had touched base with your friends who didn't bat an eye at you dating four men at once. They liked them, even if Simon scared them. You didn't give them the details of the breakup or the cause. You were pretty private in your problems and if you wanted relationship advice, you would seek an unbiased unopinion.

You had a good group of friends, but the moment you told them that you were well and truly heartbroken, they would insist the best way to get over someone is to get under someone else. Something you were nowhere near ready for.

So you needed to look like you had your shit together. You put on a dress that was feminine and, most importantly, comfy as fuck. An A-line floral frock paired with a light sweater and some white trainers. You knew a few of your friends would be stopping by for tea so you need to look like you were taking the separation well. Even if you were barely holding it together.

With makeup and perfume on, you started the early morning stroll to your shop.

You loved openings. Starting up the register and selecting the playlist for today. Picking out the essential oil to put in the diffuser even though you mostly stuck with a lavender and vanilla blend during the spring months.

For the morning you stuck with a Taylor Swift Instrumental playlist you had found initially for studying, but you liked the peaceful feeling it brought. Even when it covered the most gut wrenching songs.

You had started to collect the online orders that had accumulated over the last week. Sending out the e-mails alerting to your patrons that their orders were ready for pick up. Luckily you weren't set to receive a delivery until tomorrow.

It was eight and everything was set. Although not many people came to a bookstore at eight in the morning, it really didn't bother you opening up that early considering you were the only employee that was on the payroll. It gave you the possibility of making money, but mostly you spent the morning reading or writing.

You flipped the sign over from CLOSED to OPEN. Ready to start take on the day.

You had turned the kettle on in the back room when your friends had stopped by around lunch. You always said it was just tea, but you always had an array of snacks on standby for you all to munch on.

Meredith was complaining about what a dick the new client at the law firm was being. An absolute slime who had been married to his wife for almost twenty-five years before he decided to fuck his twenty-two year old assistant.

Tabitha didn't want to talk about work. To her, her career in tech was just a paycheck. She did what she needed to do and left when she was done.

You talked about the expo and how your book. Although neither of them really read, they had promised that they would read your book. You didn't hold your breath. They had reposted your posts as well as making ones of their owns in celebration of you. Words of praise about your dedication and hard work.

You realized that even though they couldn't give you the support you needed as readers, they supported you blindly. You could have written absolute garbage, but they would still support you.

You talked about how many people liked your book and wanted pictures and to sign their copies.

Then came the question you had been rehearsing since you had texted them a week ago. They both shared a look before Meredith finally asked.

"How are you holding up?" You gave a half-smile and a shrug. So perfectly rehearsed in your head you were ready to deliver your lies lines.

"I'm fine," you lied. "It was just fading so there isn't much of a difference, I guess." Not necessarily a lie. "We just wanted different things and were on different paths in life." Not a lie. "It's for the best." You weren't sure if that last one was a lie or not just yet.

They both shared a passing look before returning their gazes back to you. "You know you can come to us about this stuff." Tabitha's hand reached across the table, placing a hand on top of yours.

"It wasn't going to work out." You added. "Situations like that don't and I should have known better."

"A situation?" Meredith asked. "When have you ever called it a situation?"

"It always was one."

"I love you enough to call bullshit." She raised her eyebrow at you, crossing her arms over her chest. "You loved them and you need to stop pretending this is easy."

"You're a divorce lawyer, Mere," You reminded. "You see marriages fall apart every day."

"I do. I get to see from across the table how a woman is still willing to take her cheating arse of a husband back. So the fact that you went from on cloud nine with all of them to not even talking about the break up is concerning to say the least."

"Tabitha," you looked at your only ally left. "A little back up would be nice."

"I'm with her on this one." She confirmed. "You loved them. Not that I cared, but if you weren't talking about books or the shop, you were talking about them. What you did, where you went. How they fucked you."

"I think I'll miss that part the most." Mere sighed. "I lived vicariously through you."

"You know you could actually date people." Tabitha suggested.

"I'd rather live with chronic carpal tunnel than a man." You almost choked on your tea. If you were wearing pearls you would have used the comedic relief of clutching them to break the awkwardness of the current topic of conversation.

"That should be put on a t-shirt." You suggested

"I wouldn't mind it on a welcome mat to be honest." Tabitha added.

"But in all seriousness, cut this bullshit." Meredith gave you an sympathetic smile. "We're here. Good, bad and ugly."

You returned her smile. "I know."

You had closed up shop for the evening. Your lunch had gone longer than expected so now you were left doing the dishes and clean up during closing. You were setting the last cup on the drying rack when you heard the front door chime.

Shit.

You must have forgotten to lock the door when you turned the sign.

“I’m sorry!” You apologized, making your way out of the back break area and to the front of the store. “We’re-”

“Closed.” He said, locking the door behind him. “I saw the sign.”

[derinwrites]

Plotting a story -- inductive and deductive plotting

When it comes to plotting habits in writing fiction, there’s a scale. Most people label the ends of this scale ‘gardener’ and ‘architect’, although the terms ‘plotter’ and ‘pantser’ are also in use. If you’re a writer, you probably know this scale, but I’ll briefly explain for those who haven’t and then get into my model.

An architect, or plotter, is a writer who thrives with a lot of planning. Like an architect planning a house, they assess what story they’re telling in advance and what needs to happen to tell it. They assess the materials, plan and measure the acts (if they’re using an act structure), decide on the climax and how the characters will develop and map those onto the plan. Then, with a plan, they write.

A gardener, or pantser, by contrast, writes ‘by the seat of their pants’. Pantsers may or may not know where their story is going in broad terms, but they certainly don’t know in any detail beyond ‘this’ll be a cool scene if I can get it there’. To these people, writing is less like architecture and more like gardening – you can build your beds and plant your seeds, but a whole lot of what’s going to happen next depends on how the plants grow, and all you can do is keep an eye on them and prune or train them as necessary. You can dream about what your garden will look like in the spring, but you won’t know until you get there.

Plotters and pantsers are not two distinct categories of writers, but ends on a scale. The writer who ad libs sentence by sentence with no goal at all is extremely rare, as is the writer who starts from an overall view of the plot and cuts it down and down until they’re planning on the sentence level. Most writers tend towards one end of the scale to a greater or lesser degree, but very few write completely using one method and none of the other.

The plotter/pantser scale is one that many writers find incredibly useful to help them understand their own process. By knowing where you are on this scale, you can better understand how you write and better understand how the habits and advice of other writers may or may not be useful to you. (A pantser trying to meticulously plot their story in advance following some formula they found in a writing advice book is wasting their time.) However, this model has little utility beyond that, which is why I find it more useful to address the phenomenon not as a scale, but as the manifestation of two separate skills, that I like to call deductive and inductive plotting.

In logic, deductive reasoning is when you take broad rules or generalities and apply them to specific circumstances to predict things – you start big and go little. “Things fall when you drop them, therefore if I drop this rock it will fall” is deduction. Inductive reasoning is the opposite – you start with small observations and build them into a pattern to predict something bigger. “I dropped seventeen objects and they all fell; therefore, perhaps when you drop things, they fall” is induction. (There’s also abductive reasoning, but that doesn’t fit into our plotting skill metaphor.)

In my experience, these skills match to the habits of plotters and pantsers. Plotters, or architects, assemble a big picture of the story they want and then deduce their individual scenes and fill in the lines to map to their overall general picture. They are deductive plotters. If you ask a deductive plotter to start writing without an outline, they become lost and their output seems directionless and erratic – how can they know what to write if they don’t have an outline to break things down from? Deductive plotters tend to think of stories in terms of overall structures and themes that can be broken down into characters and events and put on the page.

Pantsers, or gardeners, are the opposite. They’re if-then writers, and build the plot upwards from the individual actions of their characters and create the story from the sum total of those interactions. They are inductive plotters. Brandon Sanderson often describes a pantser’s first draft as just a really thorough outline, and he’s not wrong; a pantser needs the scene-by-scene minutae to know what happens next. How are they supposed to build an outline if they don’t know what happens next? If you ask an inductive plotter to build and follow a thorough outline, their writing often comes out as wooden and arbitrary as they have to force the actions of the characters between the restrictive rails of predetermined plot. Inductive potters tend to think of stories in terms of characters and discrete events that build up into something bigger with a consistent mood or theme. Inductive plotters sometimes complain of their characters having a life of their own and defying the plot – this is the effect of their moment-by-moment if-then reasoning of the character’s next action not matching their initial predictions, and surprising them.

Again, the vast majority of writers have some rudimentary skill in both inductive and deductive plotting. A strong deductive plotter (architect) can usually sit down and infer line-by-line a scene that their outline lists as “the three characters meet in the coffee shop and share evidence, Rosemary sees Harold’s notes and realises where the gun went.” Similarly, a strong inductive plotter (gardener) usually has some idea of where their story is headed next even if they don’t know how long it’ll take to get there or what complications will pop up in the meantime. But I’ve never met a writer who is equally strong in both inductive and deductive plotting; most writers specialise heavily in one, and tend towards one end of the scale. I think this is because there’s such a huge overlap in utility; when we start learning to write, we start plotting in whatever way is easiest for us, and train that specific method over decades. There’s little reason to invest even more decades into getting just as good with the other method when your favoured method already achieves everything you want.

I find that viewing this scale as the result of two skills, inductive and deductive plotting, can be very helpful in understanding specifically how we write. Thinking of myself as a heavily inductive plotter with rudimentary deductive plotting skills has really helped me understand why some methods of writing work for me and others don’t, as well as help nail down specific weaknesses in my writing. I also find it useful to think of writing styles and strategies not as some unchangeable characteristic we were born with (as the plotter/pantser scale is frequently envisioned), but as skills that can be built. You don’t write the way you write because you happen to be a plotter or pantser – you write the way you write because that’s what you learned to do! And it was hard! And you did it! Be proud of your skill!

[mywitchyblog]

The Coolest Thing About Reality Shifting: DR Memories

What Are DR Memories ? :

One of the coolest things about reality shifting is that you can get DR memories—these are memories from your desired reality (DR). What’s really cool about these memories is that they fill in the blanks, like adding extra content to the story. But what makes it even better is that these memories often answer questions that the original show or movie never explained. It’s almost like having secret insider knowledge that makes the story and characters make more sense and feel more real. These memories can add extra background information, character motivations, or small details that clear up plot holes. It makes the universe of that show or movie feel more complete and satisfying. That’s why I think DR memories are one of the most interesting parts of reality shifting—they add a lot of depth and detail that you wouldn't get otherwise.

Claircognizance and DR Memories :

In case you didn't know, a DR memory is a type of claircognizance. Claircognizance is a psychic ability where you get knowledge or insights without any logical explanation—it's like the information just pops into your head. It’s not like remembering something you already know or imagining something new; instead, it feels like this information just appears in your mind without any effort.

I can tell the difference between a DR memory and a daydream because with daydreams, I actually create them myself, almost like I’m walking through the daydream and deciding what happens next. Daydreams are like a creative process, where I have control over what happens. With DR memories, it's the opposite—the memory just comes to me, almost like downloading information from somewhere unknown. It’s passive, and I feel like I’m just receiving it instead of making it happen. DR memories usually come with a strong sense of certainty that they’re real, which is very different from daydreams, which feel more like imagination.

How I Recognize DR Memories :

That's how I can tell the difference between the two. I'm currently working on developing my psychic abilities, and from what I've learned, claircognizance is the best way to describe what happens when shifters get DR memories. Claircognizance is like getting information from a place you can't see, almost like an invisible source of knowledge.

One reason I value these memories so much is that they make things suddenly make sense, like putting together puzzle pieces that finally fit. They don’t feel random—they come with a clarity and sense of completeness that I can't ignore. I knew it was a DR memory because it came with a strong sense of certainty, a conviction that I wouldn't normally have if I was just imagining things. It’s that feeling of knowing that tells me it’s not something I made up, but something real and meaningful, which makes the experience even more special.

Example: Teen Wolf Filming Locations :

Here's an example that really stood out to me. It's related to Teen Wolf, specifically where they filmed the show. In the first two seasons, they filmed in Atlanta, Georgia, which gave it that small-town vibe and charm. The setting made it feel like a real close-knit community, with overcast skies, thick woods, and an older, worn-out small-town look. But from season three onward, they moved filming to California, which totally changed things.

The new location made the show look different since the Californian landscapes had more sun, wider streets, new architecture, and brighter natural scenery. This change impacted the show's overall tone and feel. The new brightness made everything look cleaner and less gritty, which affected the mood and atmosphere. What always bugged me was that the show never explained in the story why the high school changed so much between seasons two and three. It felt like a sudden, unexplained shift, and it always stood out to me as something inconsistent when I watched the series again.

The DR Memory That Explained It All :

Then I had this DR memory, and it all made sense. Basically, in my DR memory, there was a big renovation. The old high school from seasons one and two was in an older, run-down part of town with outdated facilities and a dull look. The town council realized that the school was no longer meeting the needs of the community, and it couldn't keep up with modern education standards. So, they decided to build a brand new high school—one that was bigger, more modern, and way more functional, with updated technology and better facilities, like advanced science labs, new computer rooms, and bigger athletic fields.

The construction project took about two to three years, and it involved a lot of community effort, planning, and even some fundraising by the local residents. The town was really proud to build something that would be a central part of the community and give students a much better learning environment. By the time summer break was over (like the one at the very beginning of season 3A), the new high school was ready, with modern classrooms, great sports facilities, an upgraded library with digital resources, and a cool, sleek design. It was a huge improvement compared to the old school. So, by the time season three starts, the high school is completely new and very different from the old one.

Better Than Devenford Prep :

What I found pretty funny in the DR memory was that some of the new facilities at our high school ended up being even better than the ones at Devenford Prep, which is supposed to be this elite school with the best resources. The upgrades were so impressive that even some of the prep school students came over to use our facilities, especially things like the athletic spaces and the new multimedia studio (which is, in a way, canon since I think there are scenes of Brett Talbot training at the BHHS lacrosse field). The swimming pool and gym were way nicer than anything Devenford had, which was surprising because private schools are usually thought to have better stuff than public ones.

Finally, I had an explanation for why the high school changed so much between seasons two and three, which the show never actually explained. It was really satisfying to fill in that missing piece because it made the story feel more realistic, like everything fit together and made sense, almost as if it had always been part of the original story.

@shiftingwithmars i think you have a teen wolf DR ? So maybe this lil storty time of mine will make some sense to you.

[aemondwhoresworld]

JACAERYS VELARYON IDEAS RECCOMENDATION!

pairing: jacaerys velaryon x fem!tarlarys! reader x baela targaryen (*) | angst to fluff, happy ending, jace has 2 wifes (you can add more to it)

*MUST READ: reader is also have Valyrian blood and she also rides a dragon. the Tarlarys and Targaryen families are great-distant relatives, so in this plot, there is no incestuous relationship between Jacaerys and reader! lady Baela Targaryen is already pregnant in this idea/story.

mae: yea i know i made up the tarlarys noble house but you can change it to your own noble house name ⭐️ i wish my english is better, or maybe more about the vocab 🥲 literally wanted to write a fiction myself 😭 anyways most of my ideas are suitable for like a series/ multi-part kind of.

warning: this is just an ideas, not a full imagine/ fic/ one-shot so if any writers here want to write a fic base on this idea, all name can be change to fit your story, PLEASE FEEL FREE TO USE IT! 🤗✨| i wrote this idea based on this scence 👇

! A FEW SMALL NOTES :

rhaenyra being a kind mother-in-law

no hate relationship between baela and y/n

in this idea the friendship between y/n and baela is a good friendship, but in terms of closeness, it is only at the social level, helping each other when needed.

the way y/n treats jace and baela’s two children also comes from her love for children. maybe y/n often spend a lot of time embroidering for their kids. because she also wanted a child herself so that’s why

of course there will be intimate between both jace and y/n on the wedding night.

- 1 MONTH BEFORE THE BATTLE BETWEEN TEAM BLACK & GREEN HAPPEN

in this story Jace marries 2 wives, the first wife is Lady Baela Targaryen married out of love and the second wife is Lady Y/n Tarlarys out of duty.

at this time, Baela and Jace already had 2 daughters (both inherited all the beauty of both targaryen, strong features). Jace and Y/n still haven’t had children yet, of course Jace has no intention of giving his seed to his second ladywife.

talk more about y/n's personality, i potraits her as a strong women who does not show how her feeling outside, but is a bit humble and y/n also has a personality abit weird like Helaena, a bit strange, but overall she still has her own unique characteristics because she has pure Valyrian blood.

the story will begin when team black is negotiating (like the scene in the GIF), then y/n steps in, instead of the person riding on dragon's back to go into battle is Rhaenys, the one who volunteers to go into battle is Y/n. because she thinks she is an ‘not so important’ person in this family, but then also come from the pressure from her own family, the Tarlarys caused after a long time of marriage, Y/n still has no news anything about having Jace’s child in her womb, or Jace's heir. therefore, it led to an argument between Jace and Y/n about this issue, when Jace said harsh words to Y/n such as "You will never have a chance to get carry by heir, only Baela". that’s why she think the best that she disapear or maybe dead

i will go through the scene of the battle between the dragons, and in this situation Y/n did not die but was only slightly injured but not significantly. when Y/n returned to Dragonstone, she didn't want to meet Jace or anyone, perhaps in this moment when she spent all her time on herself, thinking for herself, she somehow decided to end this marriage and she also asked her father not to try to withdraw his alliance because of her respect for Queen Rhaenyra and also because of she think Rhaenyra is the rightful heir to the iron throne, not Aegon.

while waiting for a response from her father, there was a cold war between Jace and her as things gradually became more tense not a single word between them, but at the most devasted moment, Y/n finally found comfort when she became pregnant, when she learned about the babe, that the only person that Y/n told was Queen Rhaenyra, Y/n also told the truth about the absent marriage between her and Jace that only happened in 1 month like that with Rhaenyra.

maybe after their talk, Rhaenyra has told Jace about what Y/n has said and from there Jace realized her sacrifices for this family, although at this time Jace still saw her as redundant but because of her, being pregnant, Jace has gradually spent time with Y/n, although not too much, but still has time for her during the day or night. in addition, Jace also wrote a letter for the crow to send to the Tarlarys House with the hope that Y/n's father would not accept her request to annul this marriage, because Jace knew that if her father agreed and didn't know about her pregnant, when the child being born this child of his might be called 'Bastard' and of course Jace didn't want any of his children to be called that because he himself had been be like that before.

gradually, as Jace spent more and more time with Y/n, it was time for feelings to blossom, but when Y/n just felt the love from Jace, that small hope was turned off when Jace learned about Baela was also pregant with their third babe, from then on Jace seemed to disappear from Y/n's sight until Y/n went into labor and gave birth alone, after giving birth to the child. Rhaenyra came to meet Jace's first son with brown hair, slightly curly, holding the child, looking at the child with love and affection because when Rhaenyra looked at the child him she remembered her late son, Lucaerys. Jacaerys late younger brother (possibly naming the child Lucaerys Velaryon after Jace's late brother)

time passed when Lucaerys was now 3 years old, there were times when Jace would spend with Lucaerys, it could be said that for 3 years, the feelings between Y/n for Jace were always the same, always loyal towards Jace, and Jace gradually fell in love with Y/n but he never told Y/n, thus making Y/n misunderstand that Jace only cared about her because of Lucaerys. Maybe when one time while having dinner with the family, Lucaerys just ask Jace about why he don’t have any siblings, which make him feel bad so that’s when Y/n decided to sit down and talk clearly, about everything, everythings that had happen in the past 3 years, all about her loneliness and also to admitting her feelings for Jace, and maybe Jace also told her the truth. followed by days when Jace always tried to make up for Y/n about all the time that he treats her.

[yazthebookish]

Maybe I'll spoil you guys and talk about Gwynriel and ACOTAR5 and anything related to it overall. I recently finished my HOFAS reread and have some fresh thoughts. I'll let my thoughts guide me and some of these points I've already addressed in my insta stories yesterday. I just rather share a lengthy post here since I'll only tag under #gwynriel.

I often see arguments about how Gwyn and Azriel can't move the plot forward because the series is centered on the Archeron sisters.

First, that's not true because Sarah is following what she called "a traditional romance route". She's following the same patterns of Nalini Singh, Kresley Cole, and Lisa Kleypas where they publish multiple books in the same series following different couples.

This is fitting for a series like ACOTAR because it's romance-centered. And Sarah have already said that each couple is getting one book and there will likely be more books beyond ACOTAR6.

Saying that doesn't dismiss the importance of the sisters to the story, Feyre already has a trilogy centered on her. The spin-off just follows different characters including the sisters.

I won't try hard to convince people on this because I've already posted almost everything Sarah said about the spin-off series and what's it's about. So if the next book is not centered on an Archeron sister, that's for Sarah to bamboozle the fandom with.

One thing that stuck out to me is when I compared the ending of ACOSF with the scene of Bryce giving Nesta Gwydion and seeming like she left Nesta with a new quest.

First, this is what the text says, and this is Chapter 80, the very last chapter in ACOSF:

Succeeding in the Blood Rite didn't mean the training stopped. No, after she and her friends told Cassian and Azriel most of the details of their ordeal, the two commanders had compiled a long list of mistakes that the three of them had made that needed to be corrected, and the others wanted to learn from them, too. So they would keep training, until they were all well and truly Valkyries. Gwyn, despite the Rite, had returned to living in the library.

1. The Valkyries are not yet a unit.

2. SJM only and specifically highlighted that Gwyn, despite the Rite, returned to living in the library. It was like "hey, remember all the talk Gwyn did about wanting to leave the library after two years? Yeah that's on hold a bit but keep that in mind". She didnt even add Emerie or the other priestesses to that sentence.

With Nesta being left with Gwydion to find out why the 8-pointed star was tattooed on her, I don't think the next book will start with "hey Elain take this sword and deal with it". Who are Nesta's main companions now? Gwyn and Emerie.

I'll be back to the Valkyries but let's just talk about Azriel for a bit.

It is so painfully obvious to me that Azriel is being handed the Illyrian plot on a golden platter. How big or small of a plot it is depends on SJM, but it's important based on the fact that she fleshed out the Illyrian's origins and tied them to the crossover AND making Truth-teller the knife of Enalius.

That is a big deal for an Illyrian like Azriel.

And I quote my friend Lacie on this, it is very poetic for Azriel to be the owner of the knife that originally belonged to the person who freed his own people from the Daglan's clutches, perhaps because he saw his people are more than just slaves to the Daglan—how powerful would it be for Azriel, who loathes his own people, to parallel Enalius.

And for years some people were against Azriel dealing with this plot because he shouldn't make peace with his "abusers", its true his own family and some Illyrians failed him but he is condemning an entire population. Good people like Emerie and Balthazar. Even Rhys's mother, who had valid reasons to hate her people especially as a female, still made sure to make Rhysand connect with his Illyrian heritage and he even goes on to say that his mother didn't forget what they did to her but still loved her people.

If both Cassian and Rhysand (and by extension the author) continue to flag Azriel's hatred of the Illyrians as an issue—then it is a damn big issue for it to be addressed repeatedly.

Okay so to address my final point about Gwyn and Azriel and how they can move the plot forward.

Now I didn't detail out much about what the next book will deal with because that's another post (and I already have a post on that).

All of our theories and predictions are based on information that is available to us. Saying Azriel and Gwyn cannot move the plot forward does not make any sense because the central plot is tied to multiple characters, Archeron or not.

If SJM wants to make a character move the next book's plot forward, she can do it because she's in control of the story. She's in control of the narrative. She's in control of the characters.

The characters are puppets and this is an unfinished story. If some characters would add more value and make for a more interesting story before the others, she can decide on that. If she wants to make Eris the protagonist of the next book, she can easily do that whether the fandom wants it or not.

Let me give you an example of minor characters that pushed the plot forward and became main characters: Yrene Towers and the Hind. These kind of arguments could've been used for them in HOEAB or HOSAB and Pre-TOD. Before HOSAB/HOFAS and TOD, could we have predicted that they would have played a crucial role before those books? Not likely because they had minimal appearances and were not part of the main cast. This is what I'm talking about.

You can't know how a character will contribute to a story until you see how it all unfolds. We can make guesses on the information we have which is why I believe three characters are likely to join the main cast: Gwyn, Emerie, and Eris.

Why is it so easy to accept that Emerie might be sharing a book with an original character like Mor but it's hard to comprehend the fact that Gwyn could also share a book with Azriel? Because Emerie showed up in ACOFAS? To me that's not really a strong argument based on Sarah's writing and what we have in the books, she doesn't really pick based on who showed up the earliest. Here's a good example: Hypaxia, who showed up earlier, didn't even get her own chapters but the Hind did.

And there's one argument I recall about how I need to rely on Nesta to have a plot focused on Gwyn or the Valkyries in the next book. Nesta's arc is clearly not over based on HOFAS, but does that mean she's getting a POV? Not necessarily. I don't think she is. Gwyn is the perfect candidate for us to see what's going on with Nesta post-HOFAS and how they all deal with the Valkyries and whatever Sarah will set up with them.

There is this whole Valkyrie/Illyrian conflict that could be triggered as a result of the Blood Rite, with Ramiel definitely being an important location to explore in the next book, we also have the Pegasi and the Prison and the implications of the crossover. It makes sense to have an Illyrian and a Valkyrie POV to deal with some plots in the next book.

"Gwyn contributes to nothing" we can't know until the book is out. How sure are we that maybe SJM won't connect her to the crossover by making her mysterious father a Worldwalker? Or Prince of Hel? Or an Asteri? Maybe I'm right maybe I'm wrong.

"But Koschei! And the Human Queens!" Koschei will always be a background player pulling on the strings until the final book as it's obvious he is the big bad in the series, unless someone even worse is revealed. But no one is dismissing Koschei or the Human Queens messing around.

Literally what's the point of the story or the fun elements of surprises or plot twists if you need Sarah to list down everything that the next books will deal with. That's not how a story develops to me. I don't need to know everything in advance to just know how it will go. That's like knowing spoilers early on and checking off with each book what happened and what didn't happen. I feel like it's close to how a lot of readers were disappointed with not having enough ACOTAR in HOFAS, because Sarah implied half of the book would be set in Prythian. So by the time the book came out and it wasn't that, people were vocal about it.

In my opinion, SJM set a good foundation for Gwyn's arc to build up on in ACOSF and her arc is not over. We won't get mentions of her still carrying the guilt of her sister's death or not leaving the library after she said she's sick of being there for two years without us seeing resolution for that. She wouldn't be in Azriel's bonus chapter if she is not involved with him.

To conclude, my reread still affirms to me that the next book with an Azriel/Gwyn book. Azriel is clearly being set in the forefront.