#and I might edit later but I wanted it out

[our-ensemble]

haiii question,,,, sorry for being kinda dumb here but what would be the point of sending emails to hapiele? the story is written already and akatsuki redebuted (???) so what Will they do then? would they just take back the things that happened in the event? sorry again for the bother! i dont go to twt or social media that much so im lost,,,

Thank you for asking, and this isn't a dumb question at all. Of course, contacting HappyElements has been quite the undertaking, so it's only natural to want to know what we should expect. This is a bit lengthy since I wanted to put as much perspective as possible, and as always, I do not mind if others wish to add to this.

The most important thing to acknowledge is that this is an unprecedented scenario, so we're making estimates about how HappyElements will respond. At best, we hope that HappyElements complies with the requests made in the emails and nothing less, with these requests being a) the removal of Ibuki from AKATSUKI since this plays into the existing discrimination and Japanization of Ryukyuans and b) the careful consideration of how Indigenous characters are written going forward. Other additional goals may be added at individual discretion, but in relation to AKATSUKI and Ibuki, this is our main focus.

There is a chance that Enstars can edit or change the story. For example, in Izumi's event, "One Drop * A Specially Chosen Mad Party in UNDERLAND", fans raised concerns about how Izumi and Leo's backstory was mischaracterized in the story, and the line was later changed. However, when it comes to AKATSUKI and Ibuki, we should acknowledge that our concern is with the story as a whole, not a few lines, and so this is not likely. Should HappyElements decide to edit the story, they would likely be attempts to soften the blows that they dealt - but especially for a subject matter like this, it most certainly does not change the fact that the blow is still being dealt.

Another hope is that, even if it does not change AKATSUKI's event, it will push HappyElements to be more considerate in the future with regards to discrimination and characterization. We know that Enstars has been able to change its trajectory with how it approaches topics. For instance, Arashi's earliest stories contained both homophobic and transphobic stereotypes (specifically, she had many stereotypes associated with gay men, which is why the earliest translations of !-era stories tend to use he/him pronouns exclusively. At the time, her gender was not explained.) However, as years passed, the quality of her stories has noticeably improved, with a greater emphasis on her relationship with her gender. Hopefully, pressure from fans will encourage HappyElements to consider the racist, anti-Indigenous message that its pushing, and reevaluate how to approach Ibuki and other marginalized characters.

Some fans are also taking the angle of focusing on mischaracterization as a sort of "foot-in-the-door" technique. Again, as was the case with Izumi, if we can argue that certain things are out-of-character and that the continuous mischaracterization will be a threat to HappyElements' profits, then we might be able to use that momentum to target the racism in the story, since for AKATSUKI, the mischaracterization has been done to facilitate the discrimination that we see, and thus is not wholly separate from the issue. (Though on that note, fans have been asked to emphasize the treatment of Ibuki, since we must not treat occassional mischaracterization as comparable to active discrimination rooted in prejudices that continue to affect Ryukyuans in the present.)

At the same time, we must acknowledge that HappyElements has not made any efforts of note regarding other concerns raised by fans. Most relevantly, the event "Answer * Matrix of Stars Drawn Towards One Another" contains racist, anti-Indigenous sentiments in its depiction of the Amagi village. Instead of taking inspiration from Ainu culture as has been the case with the Amagis thus far, they made the Ainu village a sci-fi setting. Japanese imperialism has worked tirelessly to erase the culture of the Ainu in order to assimilate them. By making the Amagi village less culturally rooted and more fantastical, Enstars erases the presence of Ainu culture from their world - likely because it wasn't deemed interesting enough, since Enstars does value its shock factor - which is insensitive to the plight that the Ainu face to this day.

With all this in mind, we have to remind ourselves that this situation is still developing. The reaction to fans' emails has been mixed in the past, and the response to concerns of discrimination especially has been disappointing. Though, we also need to acknowledge that this is arguably the strongest, most concentrated reaction of the fans towards HappyElements, and we cannot allow them to intimidate us, nor can we allow them to forget that they are enabling dangerous anti-Ryukyuan sentiments that are not without real-life consequence.

Lastly, as I personally see it... even if "nothing" happens, I still ask that fans continue to pressure HappyElements. If HappyElements cannot treat marginalized people with respect, then at the minimum we should do the opposite and show marginalized fans that we stand with them. As I've mentioned time and time again, what we have seen in Enstars is reflective of real-life prejudices that are actively harming people. Even if HappyElements' mind does not change, other people observing the situation may reevaluate their own biases, and we can counteract whatever harms could occur as a result of HappyElements' lack of care.

[icannothink123]

Why den is both not purely an animal and can consent.

There alot of textual evidence but if that’s too long here some other form of offical evidence.

Mod statements

Ofifcal dev statements

Before you say “this is fake” or anything else here the link.

Now if you somehow still aren’t convince here the textual evidence and of course major spoilers below

Skeptic (aka lure) Den.

For this case it’s shows some of the clearest case of her humanity.

First of all to get the Tower out of the room the eyes.

If you say “oh it’s just the narrator interpretation” this is textually incorrect as shown below

You think narrator, the guy who literally calls her an animal moments later and is shown a constant horrible hatred of princesses. Would interpret her eyes as saying something so humanizing when that’s the exact opposite of what he wants you to see her as?

Even hero calls this out as shown below

Narrator reply is this

Which shows this isn’t just “just the narrator interpretation” it’s actual factual truth.

Now you may say “she kills you if you flinch! She’s an animals” she is a traumatized reactive woman. As seen in proto beast (stabbing her) how you killed her was by a sudden movement, another sudden moment like flinching might give her a trauma reaction and plus let’s not forget she’s starving and scared.

(Edit)

While you might say her acting on base instincts proves how much of an animal she is but it doesn’t. Often times when in dangerous situations, without much time to think people fall back into instincts behaving animistically, but this doesn’t make them animals.

But it’s states best by this user on discord.

i will add you can be sentient while also reacting to things instinctually. no one acts like the hunted isn't sentient because of his instincts. plus she is genuinely starving in this chapter. she is essentially feral in a lot of ways but in the same way humans can be feral. it's a very human response to extreme stress and trauma to lash out, become unable to speak, fall back on ingrained habits and patterns i.e. attacking someone because they've hurt you or you feel you need to hurt them, etc. she just gets more dangerous limbs to lash out with than a static human would. acting solely on instinct (even instincts that aren't typically human especially for literally not a human) when running on systems designed to force those instinctual reactions (fight or flight mode, trauma, etc) does not remove one's sentience, and you can literally have conversations with her, like if you both get trapped separately under the rubble and she asks if it's her fault you both ended up like this and fully comprehends your varying responses

- logical_leaf in BTG discord [routes and spoilers; The Den.]

Now for freeing her, when you get trapped for yourself what do you guess this ‘animal’ does?

Leave you to die?

No.

She returns for you.

Any animal would have taken the opportunity to leave you behind but she doesn’t. She in fact acutally frees you.

Stubborn (aka fight) Den.

Now you may think stubborn den where you fight her and even descend into madness would prove she is nothing more than an animal but this does the exact opposite.

First of all the shame.

In both cases where you either embrace instinct or take the opening she feels not fear but shame, and over what she have done specifically.

now before you go “well dogs and other animals can feel shame” no they cannot.

Shame is as stated by dictionary (.com) is

the painful feeling arising from the consciousness of something dishonorable, improper, ridiculous, etc., done by oneself or another:

Shame ususally in context comes from feeling you did something wrong and or morally dubious.

Animal have neither of these concepts when say a dog breaks something it’s not shame there feeling it’s fear your going to hurt them, they don’t have a concept morality right or wrong.

Plus even if hypothetically animals could feel shame, what is den feeling shame for?

“What have we done?”

This is stated after violently or repeatly violently murdering each other and even if animals could feel shame I highly doubt any animal would feel shame for… Acting on instinct/engaging in other animalistic behaviors like consumption and violence.

This stems from a point of humanity and if she truly lost her humanity at this point she wouldn’t feel any of that, at best she would probably be upset she didn’t win or wasn’t able to kill what she thought was easy prey.

Now to answer some common arguments against this.

“Well she looks like an animal! So she is an animal and you are a zoo for liking animals!”

Please share where are the giant winged lions are irl and where can I fine them?/J

But I’m underage so I’ll rather not even humor this

Abby straight up said everything in this game was made to be hot so take it up to her for giving a ‘lion’ a snatched waist.

“Well you could get your face bitten off!”

Let’s see what else can happen?

Cut into a trillion pieces

Beaten to death

Disemboweled and tortured for millions of years

crushed by vines

Tortured via chains

Forced to kill yoirself

And alot more

In the grand scheme of things beast/den are actually safer than most princesses when it comes to dating.

Plus people often times fine all of those hot, so what’s wrong with anyone else being attracted to the fact you could be murdered at any time and at her mercy?

And before you say anything please don’t assume I want to fuck beast or den, some others might but bringing it up makes me deeply uncomfortable.

That’s it guys byeeee!

[fandomtrashcan]

Robbie Reyes, poverty and being stuck in survival mode.

(Or why does he keep making questionable choices)

Edited. The core of this is that he's not dumb, he's not just desperate, he's also trapped in this perpetual state of fight or flight that stunts his ability to assess the consequences of his actions in the long term and damages his ability to relax and enjoy things in benefit of staying alert for immediate threats. And he's been in this state for so long that he's not even aware of it. Because poverty and violence are traumatizing, and there is plenty of that in Hillrock Heights. 

You can just read this first paragraph instead of the long ass essay I wrote because I was bored in a 3 hour flight. Also probably a plane is not the best place to redact things that make sense, so this is why this has been edited. Beware that I did not have internet connection so some of the wording and terms might be wrong because I was translating in my head to my best ability. More under the cut

The survival mode activates when you are in grave danger, allowing you to stay more alert of threats and react faster. It rushes you with cortisol and adrenaline, and activates your fight or flight instincts. It's supposed to last only while the threat is active, not stay on at all times. If it does, there are consequences.

It is hard to get out of the survival mode, because most of the time you are not even aware of it, but it's even harder if most people around you act the same way.

Having the survival state as default is what happens when humans stay in traumatic and stressful situations for too long. It affects your ability to priorize your well being in the long term, and analyze the lasting repercussions of your actions, focusing instead in immediate threats and rewards. After all, what's the point in focusing in long term goals if you don't survive long enough to reap the benefits? Robbie does have long term goals (getting out of Hillrock Heights, dating Lisa), but he is terrible at assessing the consequences of his choices in the long run.

Being stuck in survival mode also damages your ability to just relax and enjoy things, because if you chill too much you might miss the threats around you. Because your brain evolved to priorize making sure you stayed alive over making you happy.

Poverty on itself is already traumatizing. The stress of not knowing if you'll be able to pay rent, meds or grosseries takes a toll. But Hillrock Heights is actively dangerous. There is gang violence. Gunshots are a common thing. People, even young people like Robbie, die on the streets. With the rampant drug trafficking I'm 100% sure that at this point most people know or has heard of someone who has died of overdose. You gotta learn to be alert and pay attention to your surroundings, because you don't want to mess with the wrong people or be at the wrong place at the wrong time.

There is this collective trauma and shared desperation that gets ingrained in the culture of places like Hillrock Heights. There aren't a lot of opportunities there, so you learn to take what you can get. You keep your mind fast and your hands even faster, because if you don't take the chance somebody else will reach it before you do. You'll think about the details later because if you stop to think now, that  rare, shining opportunity might be gone forever. It's a ruthless, dog eat dog world.

So if you look at it that way, I think it makes perfect sense why Robbie joins that race. The prize is unusually high and there is a car in Canelo's that just happens to be good enough for him to actually give him a chance at winning. When is he gonna have an opportunity to get his hands in that amount of money ever again? So of course he "borrows" the drug dealers car to participate in the very probably drug dealer sponsored race. He'll think about the details later, once he has the money.

And then everything goes to hell.

Even his reaction to discovering that he's possessed makes sense. He has powers now. That gives him  an unique advantage over everybody else. Of course he's going to use it to try to improve his and Gabe's life, he's trying to climb from the bottom of the pit of the social ladder so they can have better chances at surviving.

I think this mentality explains Robbie's choices, but also some of Guero's and his friends. And it's not even a conscious thing, most of the time.

Other people have already pointed this out, but it seems that while Robbie takes pride in cooking for Gabe, he sees food more like fuel when it comes to himself. Relaxing and just enjoying things is hard for him and I think it also shows in his relationship with Lisa.

Speaking about that. He's, at this point, walking around the neighborhood beating the shit out of gang members. He transforms into a demon. He's possessed and his car is haunted. He knows now that the asshole that lives in his head cannot be trusted. 

Not the best grounds to start a relationship. It doesn't even seem like he's planning on ever opening up to her about that, to be honest, because when Lisa tries to reach him at his house and connect with him, he's emotionally unavailable. 

How are you even gonna make that work in the long-term, Robbie?

Well. He is not planning long-term. Not that he wouldn't want to be with her long-term, mind you. He is just way too focused on the immediate threats. Like Eli, pestering in his head. So he doesn't even get to relax and fully enjoy his time with her most of the time, because he's busy arguing with Eli, who won't shut up. 

I think that deep down he knows that his circumstances are not the best for a relationship. That's one of the reasons why he hasn't made a move, as she puts, even if he likes her and is starting to realize that she likes him too. But when she basically throws herself at him... Well, that's too good of a chance to say no. He really likes her, and maybe he can get to enjoy this tiny beacon of happiness in the middle of all the despair. He gets to "have something for himself". Maybe he can have this, just for once. 

He'll... figure out the details later.

So yeah, he's a traumatized young man, surrounded by traumatized people. Because poverty sucks.

[doctorho]

this one is for eveyone who needs some extra love around these times.

Viktor knows better than he'd like that life isn't always...pretty. Or simple, or easy, or fair. No matter how hard most of Piltover seemed to pretend that there was something magical in the midwinter turnpoint that made everyone suddenly forget the suffering and misery and the complexities of real-life situations, he knows that's not the case.

Which is why he doesn't ask stupid questions when you stay at the Academy over winter break. He doesn’t pry; he doesn’t need to. It's evident enough in the way you preoccupy yourself with work that it's something you'd rather not discuss. You're focusing harder than usual, and he's familiar enough with what that precarious, tight-knuckle grip on being okay.

And Viktor?

Well. Viktor's more than happy to be a distraction.

When he gets to the lab, mid-morning, you're already there. He's not exactly surprised; he'd anticipated this. Maybe even hoped for it. He'd worked with you for a while now and grown exponentially more attached to your company - not that he'd told you the extent of his affections. But he'd get to that. Hopefully.

He came prepared with two warm drinks and still-steaming pastries, and he silently starts unloading those to the common desk that had been designated as the makeshift kitchen of the room.

"Good morning," he says casually, "I brought breakfast." He thinks of adding if you want some, but upon reflection, doesn't. There's a fine line between respecting someone's free will and pushing them to make good choices, and he's currently erring hard to the side of I don't know if you've eaten anything yet today but you definitely should.

You only hum in response, not lifting your eyes off your current project.

In response to this, he hums back and tilts his head, studies the organized mess on your desk; circuit boards, either half-assembled or half-taken apart, he's not sure, stripped wires, a steaming soldering iron. Your hands, shaking a little.

He places the drink intended for you on your desk, just annoyingly out-of-reach, and waits for you to look up.

"When was the last time you ate something?" he asks, holding up the pastry now that he has your attention.

"Why does that matter?" you ask, reaching for the takeaway cup on the edge of your desk. Viktor leans the handle of his cane to block your reach, which makes you look up at him. Properly.

"Just trying to determine if I should make you take a lunch break while I'm bothering you, or if the pastry will suffice."

He lifts his eyebrows, waiting for you to answer.

You shift in your seat. He can hear your back crack in several places, and not in the pleasant type of way.

"Last night," you answer, leaning back with a sigh, then quietly add, "I think."

Viktor reaches over to turn off your soldering iron. "Lunchbreak it is, then. These can be dessert."

"I'm fine-" you start, and he lifts an eyebrow.

"I don't believe you," he says, completely casually, "I think you're pushing through low blood sugar to get this-" he gestures towards the desk, "finished, and I can tell you it's much easier to make mistakes when you aren't thinking clearly."

When you're quiet, he continues, picking up your coat and offering it to you. "You can trust me on this," he says, "I have more than enough experience."

You take a deep breath and sigh it out, feeling somewhat like a toddler.

"I promise you can go right back to poking at this later." He adds, and you slowly take the jacket from him.

"Good," he says, "I know a place."

It's a careful dance, and he knows this; he doesn’t want to push you. But he's been there, and he doesn’t want you to suffer more than absolutely necessary. And he really does know a place.

He re-packs the drinks and the pastries, and you follow him to a nearby cafe-and-drink-cart that's serving small steaming dishes outside. They're serving small steaming cups of - stew? Soup? And warm bread filled with different things, and you hadn't really noticed it before, but now that you were looking at - and smelling - the food, you were starving.

By the time you've registered the selection, he's already ordered for the both of you, and then the guy at the cart is offering you a brown paper bag and Viktor is moving again, and you take a few hurried steps to catch up with him.

"Where are we going?"

You can see him smile before he answers.

"Well," he says, "I was thinking we could take advantage of the great hall being empty, and eat there." He turns to look at you with an eyebrow raised, "I can only imagine how displeased the Academy Staff would be if we risked dirtying their marble floors with common food."

"Oh, really, you can only imagine?"

He shrugs, grinning. "Are you insinuating I have experience with matters such as these?"

"Yes," you answer, opening the paper bag to study its contents while you walked.

He hums in answer. "I am shocked by your accusations." He says, then, clearly fighting a smile, "I would never get caught breaking such a boring rule."

You smile now, too. "Right," you answer, "only the interesting ones."

The way he glances at you and smiles is more than enough of a response.

He stops at one of the long tables at the grand hall, and as he shrugs off his jacket and sits down, you place down the paper bag and do the same. He starts unpacking the contents of the bag, focused, placing down steaming bowls with a spicy scent to them, paper-covered wraps of something, utensils, and smaller bowls of... something colorful. Spices? Toppings?

Viktor opens the containers one by one, making the contents of the single takeaway bag look like a pretty impressive feast.

And you study him as he moves. Careful, confident in his movements, calm. While your insides felt like they were trying to hide, and had felt like that for... a good while now, he was calm like any other day. A rock-solid presence in the otherwise empty room.

"Are you not going to ask me?" you ask, "why I'm working through the winter break."

Viktor's only imminent reaction is the gentle lift of a single eyebrow.

"No," he answers, casually, and it sounds simple when he says it like that.

He meets your eyes, and that feels simple, too; because he is here, too.

It doesn't have to be any more complicated than that. He unwraps a folded paper napkin with careful fingers, and then places a steaming-soft bread in front of you.

You look at him for a moment, and then take a bite of the bread. It is soft and warm and heavenly, and when you taste the stew-soup-something, it's like it warms you down to your soul. You eat in silence; but it feels like there's a gentle bubble of understanding surrounding you.

You hold the warm bowl, and slowly, your hands shake less and less. The tension around your head gives away a little, too.

"Do you like the snow?" Viktor asks, and you follow his gaze out the window.

"I probably shouldn't," he continues, "the cold isn't exactly gentle on me. But it is pretty, I can't deny that."

You hum in answer. "Yeah," you agree with a small sigh, "it is beautiful."

His eyes meet yours, and he tilts his head.

"Do you want to break another rule?" he asks, something michievous curling at the end of his words.

You tilt your head in response. "A more interesting one?"

"Infinitely," he responds with a smile, and you're already on your feet.

And that's how you end up breaking into the roof of the Academy with him. Or, it's probably not technically breaking, since he has the keys, but you definitely aren't supposed to be in there, so that's what it feels like.

It also feels... breathless. And not just because it feels illegal, but it's... it's beautiful, and he holds your hand in the dark stairway and doesn't let go when he guides you to the expanse of the roof, and there's snow floating down all around you-

and for a moment, it feels like you're the only two people in the world, surrounded by a gentle blanket of snow and silence.

Or... not-silence. There is a song softly floating through the air, like it's being reflected in the snowflakes all around you.

And Viktor is offering you a hand.

You furrow your brows as your head catches up with your heart. "Are you asking me to dance?"

"Would you say yes if I was?"

And that was the question, wasn't it;

would you?

Your head tries to butt in with should you, but... something still-soft and light in your heart comes in way too solid with a yes.

Yes, you would.

So you take his hand, and meet him halfway to an embrace. He pulls you close to his chest, and the dance is as gentle as the snowfall around you; just a soft sway from side to side, breathing in sync with the music.

And Viktor isn't sure if this is a good idea, but... you look like you're further away from that edge now, no-longer shaking, and... he hated seeing you in your head that deep, and if he could do anything to help you find your way back to yourself, he'd do that.

It feels a little selfish, this dance, but... it was difficult to justify that when you were in his arms, breathing calm and even.

"I really am fine," you tell him quietly, and he runs a hand up your back slowly. You swallow. "Or I will be, at least."

"I know," he breathes out, and he means it.

You close your eyes, and believe it.

[daddyplasmius]

reread edited what currently exists of my DP Wolfwalkers AU fic. here are all my favourite lines in no particular order & lacking context

[cloudysarts]

this show would be good if literally everything about it was different

[mare-sanguis]

The queercoding in Sangcheol's and Jeongwoo's relationship

Let me preface this by saying: everyone is still allowed to see them as whatever they want (a work related relationship, best friends, close friends, soulmates, lovers, and and and) but I think most (if not all at least here on tumblr) can agree it would be ignorant if we completely overshadow just how much queerness there is.

This analysis is brough to you by this thread (why JW is snow white and why SC is the prince) and @thedevildeer latest post. Its not structured and really just a ramble so excuse me if it might sound a little confusing at some points.

Let's start by looking at it through a heteronormative kdrama lense below the cut 

How often do most kdrama fans watch a drama, see the lead man and the lead woman and think "woah, they would look so hot as a couple" even when the drama isn't a romance? Quite often, that's right. That's because most M/F leads are designed to be shipped even outside of the stereotypical romance genre. If it's a crime drama, thriller, mystery etc. Where the focus should solely lie on the plot they will still most likely try to create an M/F duo so most kdrama fans will have something to latch into. It has happened so many times that people dropped a non romance drama because it had no M/F couple, but people apparently want it so badly because how else can they enjoy a non romance drama, right? And kdrama directors/writers know this- they see and read the reviews and work with them; That's why in kdrama land M/F ships are still the norm, still seen as the most canon- even if there is a 2nd ML who has insane chemistry with the 1st ML (perhaps even more than the FL, cuz let's also face it in a lot of kdramas women are written flat)

When the ML is near the FL, everyone immediately interprets all kinds of thoughts into it, even worse when they go as far as to look at each other and hold eye contact, when they worry about each other, support each other, visit each other or are just having a work related conversation. They dont need to confess their love or kiss for the viewer to know they are in love*

Those are all valid points for shipping, that's obivously not the issue- The issue starts when they genuinely can't see the FL as her own character, when they can't seem to understand that men and women can be platonic friends, the issue continues when the 2nd ML appears whos got way more chemistry with the 1st ML or even takes the place of where the FL should be. Its then where the issue peaks- their relationship will automatically treated differently (2nd ML get potentially hated by the M/F shippers even) and it creates rift within the fandom, its shipping and arguments about queerness as a whole (discrediting that queerness is a large spectrum) by cishet fans

Suddenly, if it's M/M those actions I mentioned earlier dont seem romantic anymore, suddenly it's just a simple bromance (and while the term per se isnt homophobic, in these circumstances it sure sounds like it which is why I personally dont like it and rarely use it), best friends caring about each other because homies are homies. ("why can't men stay friends?" we all know that argument) *if they don't confess to each other outright, don't kiss each other, then they aren't i love (last part especially is targeted towards specific BL fans who only think a relationship is valed if they kiss and maje out)

So, this out the way let take a look at SC, JW, HS and BO approach (intentionally or not) on queercoding and the importance of a strong man-woman friendship.

First, let's look at tropes commonly (but not exclusively) found in queer media or media that tries to imply queerness and the similarities they share with SCJW:

Found family (the most common trope in queer media, especially the media that emphasises on realness, as found family serves as a safe space for queer characters when they arent accepted at home)

A strong opposite gender friendship or a friendship that defies traditional views

Color coding (mostly a warm and a cold colour, often times its blue and red)

Language coding (do the characters say they are queer, do they use specific terms, do they confess or declare their love for each other through something deeper; just what are they saying?)

The character design (this is not just about how they look but the desgin as a whole: background story, family, friendships, career, driving force, are they representing something (like a specific color, a flower); what was the creators thought process while creating them)

How do they express love around the person they ador (for example, men express love with touches while women often times use words and actions)

Broken friendships (because old friends dont accept)

Then of course we have common tropes found in all media highlighting love

Clothes sharing

Intense eye contact

Personal space

Lingering

Caring

Hurt/Comfort

Touches

And what do we have here? That's right. Black out s well as SC, JW and HS fit right into the common tropes and the queercoding tropes and yet we see some totally discrediting its validity to exist within the universe because god forbid both JW and SC are queer or viewed as such cuz they both were with women prior and they can't possibly be one of them queers... right?

HS is a really well written female character who's got nuances, a great backstory with a fair share of suffering and the additional nosiness which makes her so special. She is sweet and caring to everyone who seems nice in her eyes. She cares about JW's mother (prior to knowng he's JW's mother so thers no point in saying she does it cuz of JW), cares about Suoh and is genuinely interested in his hobbies. Her character takes care of everyone because she's a med student (you can take a med's job away, but you can never take the job out of a med). This is what her character is about- taking care, worrying. Her purpose in Mucheon was (as we know by ep.13) to find what shes looking for, to find her way back. She is by no means not connected to eithe JW and SC but her story is canonically detached from both JW's and SC's- it takes part in a different pace, in a different setting and through a different lense and most of it happens off screen or throug her observig the people. We rarely get any of her POV's, unless it's either around Suoh or Geonoh. The other times when we do get a POV of her is when SC and JW and in the same frame. Then she is postitioned as the onlooker, the one who observes. When she is alone with JW she gets almost no POV, even less that focuses on her feelings towards him. But the most important thing I said already: her story is detached from SCJW. She grows alone unlike SCJW who grow together. She is that friendship JW needed to show him a part of humanity that got lost with his fake friends. She is to represent and tell that you do not need a large group of friends to feel at home. 

Then there is JW. Beautifully written full of nuances, a tragic yet amazing written backstory- easily to read as a story of someone being queer. A big group of friends, a beautiful home with loving parents and then you got the catalysator which sets the whole plot moving. While for JW it's murder, abuse, gaslighting by friends and people he thought were family, prison and finding new hope in humanity through one person- how can one not look at this and think "yeah it's somewhat reminiscent of someone coming out in a conservative country with traditional family values"? Family and friends ditching before the person can even stand up for themselves, people spreading venomous lies, all the guilt trips, that person shutting themselfs off retreating into their own little world. JW was obviously never meant to be read as such and some even might find this part weird, but it's undeniable he has those classic queercoding tropes. He finds true meaning in humanity again through HS and SC at the same time, yes, but it is SC alone who stands by his side the whole time- every single day. JW feels the safest around SC, falls asleep in his home (therefore also in his presence) and gives in to being taken care of only when SC is around, he also laughs at his dumbs jokes and makes sure to catch his reactions when he is sassy (handing out flyers scene or the scene at the scrapyard). JW is meant to not grow alone but together with someone else- and that someone is SC. who he shares the exact same pain with. He sees the good in people- he sees the good in SC so he keeps on pursuing him even when he would reject him. Because he can see himself in him. Because he feels he's different- just like him. (And isnt it like: Queer people know someone is queer when they see one?). We cannot forget him being a metaphor for Snow White which imo solidifies the queercoding in him even more and how he steps in to save SC and then again to support him by beating up those debt collectors. (Also, just a random little side note: I think it's funny how he's either loved or hated, there was no inbetween. BM and MS hated him, they were eaten up by jealousy; BY, NG, DE and the twins loved him (also again, random side note to me any anyone who cares: it's so easy to read the feelings GO felt towards JW prior and post time skip as more than just friendship tbh which again, adds to the queerness layer))

And then there is SC, just as complex and full of nuances like JW. Having an almost identical tragic backstory to hm even- losing the love of his life. While hes story is way more difficult to decipher as queercoding, his character is most definitely not. He is portrayed as rude and rough towards any criminal and at the beginning of the story we genuienly dont know where we stand with him with this ever fluxuating personality. He is hurt, struggles, doesn't even seem to know himself very well, has seen a lot and he also doesnt trust anyone (as seen when he immediately clocks BM as suspicious when the review the CCTV footage) except JW. How come he trusts him more, even after he had accused him of the hit and run accident, but is side eying everyone the moment the incident with the mother happens? When he should have more trust in his own people then defending and caring for a guy whos accused him of causing the car accident. Even when he finds out JW apparently killed the girls, his actions towards him are differet than the actions we see him taking against the guy he chases after in the beginning. We see him falter and struggle even more in the manhole when he's threatening to shoot JW, we see it again when they are at the shed and JW is reinacting the murder scene- he is reluctant. Even when using violence against JW. Because, just like him, SC feels they are the same. And it doesn't even take much time for him to switch side- we can see him questioning everything onwards from from episode 4 during their first team dinner. And when he switches side he suddenly becomes so soft and caring- completely taking on the role of a possible love interest in both drama, romance and fairytale. Because he has seen the good in JW, saw the same suffering, this unfair treatment. He is a character not meant to grow alone but together and this togethes is only JW. JW still has HS by his side but in SC's world there was only JW who shows him all aspects of what it means to be a good human being. It's through him he grows. 

Their shared journey:

To quote Leo Buscaglia again "Too often we underestimate the power of a touch, a smile, a kind word, a listening ear, an honest compliment, or the smallest act of caring, all of which have the potential to turn a life around."

And isn't this what SC's and JW's shared bond is about? How they grow with and around each other- thanks to each other.

The little things SC does to make JW more comfortable, to show him love still exists? He takes him home without thinking twice because he's worried he might get sick when he could've taken him back to his house. He dresses him up in his clothes, let him sleep on his couch, in his blankets, gives him something warm to eat and drink (the glass of milk will never stop making me sob), showers him in touches and shows him warmth through them, always reaching after him because he's afraid something might happen to him, watches out for him, observes his reactions and waits for him. The little things JW does to SC- giving him a reality check that not everything is as it seems, graduately bringing back his old personality, stays by his side.

It's how SC brings JW's smile back and how JW brings SC's smile back. Its how SC not once but twice declares his worries, adoration and love towards JW: once when he's so worried sick JW might get hurt so he installs that app on his phone and the second time when they say their "goodbyes"- those words are so easy to read, so full of love. The "if you move" highlighting just how much he wants and hopes JW to stay in his life a little longer. It's longing and we can clearly hear it in his voice when he says "I'm sure you can" right after the monologue and then tilts his head. It's how JW doesn't know how to approach him after this, contemplating what to do and then goes on for the hug first. This is JW's way of showing his love. 

And yet, despite it all there are still people who only see it as a bromance. Those who think JW and HS will end up together because they are at the same uni, study the same. And are a man and a woman. If either SC or JW would be a woman, no one would even bat an eye to think they aren't in love- no one would even come up with the idea to even ship JW and HS. If one of them was a woman, every little gesture would be seen as romantic, betting on it the drama would perhaps even be a lot more popular as well as the ship. It's so disheartening to see how many deny an obvious queercoding between them just because they are men and for the sake of a straight, not well manouvred, ship because again apparenlty many kdrama fans don't dare to ship queer.

We know Black Out/Snow white must die is a fairytale because it very much is just one of many iterations of a snow white and exactly because is one of many nothing is impossible and queerness is allowed to exist within it.

[sarcasticratsims]

"...you still suck at lying." Roy wants to believe Sam wholeheartedly, but he can't just change his attitude towards someone who's done this much for them based on weak evidence...

|Seasick| | <- Previous : Next ->|

+++| Beginning : Latest |

[shadystranger]

this moment so fucked up💀

[sapphire-weapon]

Leon, in the intro to RE4make:

"September 30, 1998. It's a day I'll never forget. The cop inside me died that day."

---

Officer 1: So, tell me, Yanqui. Why did you come to this horrible place? As close to nowhere as I've ever seen.

Leon: Let's just say... looking for someone.

Officer 1: That someone must be very important, eh? The Chief gave the orders himself. "Help him," he said.

Leon: I'm sure you boys didn't come all the way out here to roast marshmallows.

Officers 1 & 2: (laugh)

Leon: (annoyed) Maybe you did.

Officer 1: You have a strange sense of humor. I'm gonna let you in on a little secret. Just between us. A lot of people have gone missing around here, and it's been that way for a while, now.

Leon: (still annoyed) Well, then. Should be just another day in the office, right?

Officer 1: Mmm... I mean, last week, there was a search for some missing hikers.

Leon: (sarcastically) I'm sure you'll do your best to help me.

Officer 1: (laughs)

[...]

Leon, much later in the scene: So much for helping me.

---

Leon, later in chapter 1:

(bitterly) "Gotta fix everything myself."

---

Leon tells Ada in RE2make that the reason why he went into law enforcement was to help people like Kendo and his daughter -- vulnerable people, good people, members of the community who are facing the worst moments of their life and need someone to help make it right.

And yet he says in the intro to RE4make that the cop inside him died that day. When we take that in context with what he told Ada about Kendo, what he means is that his desire to help people died that day. The belief that he could help people died that day.

His faith in humanity died that day.

Leon goes into his mission to save Ashley already expecting the two local officers that he's with to be completely fucking useless, and he gets immediately annoyed at the first hint that they are. His "So much for helping me" is said with a sense of "Why am I not surprised?"

He went into RE2make believing that people are generally good and that things will work themselves out.

He goes into RE4make believing that people are generally selfish and will take advantage of him, leaving him to work through any problem that arises on his own.

This is why he's so supremely pissed off at Ada when they meet back up again, and it's also why Ashley is so integral to his character arc. It's also why I've said in the past that Ada is a foil for Ashley in RE4make.

(NOTE: A foil is a character that is set up in the narrative to directly contrast with another one. Where one character is deficient, the foil character is strong, and vice versa. Where Ada is cold, Ashley is warm. Where Ada is physically capable, Ashley is defenseless. Where Ada is secretive, Ashley is honest. Where Ada is calculating, Ashley is impulsive. A foil does not necessarily exist to make one character seem better than the other; a foil exists to showcase two equals using a different approach and receiving different outcomes as a result.)

Ada is the genesis of Leon's cynicism. She's the reason why he expects less than nothing from people anymore -- the reason why he goes into every social interaction waiting to be screwed over. And she reinforces this throughout the narrative by trying to tear him down ("Leave the girl. She's lost no matter what.") or by keeping score ("Happy to help. Now you owe me.") -- which she takes even further in Separate Ways ("Don't worry, Leon. First time's free.").

In the six years since her initial betrayal, Leon has been forged into a weapon by the US government. The kind-hearted boy from RE2make who wanted to save the world now is more comfortable shoving a knife in the throat of an old woman than he is with carrying on small talk with people.

But weapons on their own are neither good nor bad. It's how they're used that determines that. Up until RE4make, Leon has been surrounded by extreme violence and senseless death (that's the point of changing Operation Javier btw), and he doesn't see a way in which his status as a weapon could possibly be used for good.

Until Ashley comes into his life.

If there was ever anyone who had a good reason to take Leon for granted and take advantage of him, it's Ashley -- but not only does she not do that, but she goes out of her way to make herself useful without expectation or strings attached. The only thing she ever asks for in return is a "thank you."

So, every time she gets that "thank you" -- every time she gets a real smile out of him -- she's returning pieces of his humanity to him. She's healing the hurts that Ada and the CIA inflicted on him so many years ago. She's showing him that there's still some good in this world, and it's worth fighting for. She's worth fighting for.

When Leon says: "This time, it has to be different..." he's not talking about his inability to save anyone in Raccoon City. That's a very surface-level interpretation. What he's referring to there is that Raccoon City destroyed his faith in humanity, ruined his image of himself, and poisoned his ability to create meaningful connections with people.

That's what has to be different this time. That's why the full line he says in the intro is: "If I could just forget what happened that night... the pain, even for a second... This time, it can be different. It has to."

RE2make took so much from him, but Ashley spent the entirety of RE4make giving so much of it back. But if she were to die in his arms in chapter 15, that hope and that healing would die with her. Her death would be a reaffirmation that everything that Leon wants or hopes for in this world isn't real, and that reality is nothing more than a series of random tragedies and chaos that results in suffering.

Ashley re-teaches him how to trust in people again, how to work as part of a team again, how to feel good about his own actions again. She teaches him how to hope again.

Ashley is the first person in six years to care about whether Leon gets or feels hurt by her actions. The most important line of dialogue spoken to Leon in the entire game is "Stay back! I might hurt you again..." as Ashley openly sobs over the mere thought of it.

Juxtapose that beside...

During the boat scene, Ada asks Leon in response to whether or not she's changed, after all of the damage she's already inflicted on him: "What do you think? Don't think too hard."

And so, in the ending, Leon answers: "I think we both know that this is where we go our separate ways."

Because, this time, things were different.

Because, this time, his partner was Ashley.

[keekity]

lovingly titled the "disaster girl" save

[bisaster-energy]

(you are the truth I...)

the truth, The Front Bottoms // a tribute to castiel's truth

happy belated november 5th

[kaiowut99]

Also, always a bit amused when 4K misses a spot while blanking things like this lol

[seraphic-sibyl]

I should have been born a frog. I should have been born a frog. I should have been born a frog. I should have been born a frog. I should have been born a frog. I should have been born a frog. I should have been

[sundial-bee-scribbles]

i thought their voices made for a pretty interesting combination, so i made a little test thing to show it off

ust by Zoë (@/half-a-head)

[thecalvinistkat]

I went to Transformers One just to get the Sonic Movie 3 poster but couldn’t stay for the movie because of my work schedule…

This is why the Sonic The Hedgehog fandom has a bad reputation lol