#and 3 have openly queer characters as leads

[greenfiend]

The Significance of Lover’s Lake and Byler (Theory) Part 2

Sequel to this post

(Warning: mentions of sex and drugs)

Okay so first of all, if you haven’t seen my previous post on my theory involving Lovers Lake and Byler, please read it first. I go over my theory and predictions for Byler and the heart shaped lake. This is a secondary post to it, outlining some VERY interesting details involving the owner of the lakeside house, the lakeside house itself, and all the romantic and sexual elements present. I’m saving the best for last here.

Let’s start with the owner of the lakeside house.

Reefer Rick

So I recently made a silly post arguing that the most queer coded character in Stranger Things is not Mike nor Will (nor Robin, Henry, Eddie etc), and I stand by this statement. The most queer coded character is: Reefer Rick. Now, I know we never see the guy, but literally all the information we have on him is either queer coding or drug references.

Synonyms of his name are literally f*g Dick, with a shared last name with the famous tea company founder who so happens to have been a homosexual: Lipton.

We know he doesn’t have a family, thus he’s a single man who occasionally has his buddy/fellow dealer Eddie stay over. Hm, not very heterosexual of him.

Then we have his movie list.

Now, as many of us know, the movie “Fast Times” is used within Stranger Things as a way to gage if someone is attracted to women or not. We have Steve, Dustin, Lucas, and Vickie all confirmed to have enjoyed this movie… specifically for that shot at 53 minutes and 5 seconds. Sure, Reefer Rick rented the film, but why is it the only movie he rented that was returned on time? For context, he’s the only character who had films listed as “late” returns. So, he obviously enjoyed Cheech & Chong a lot more. Two guys doing drugs is more interesting to him than a sexy lady. Okay, noted.

Now, how is he perceived by the people of Hawkins?

Oooof. Okay. He’s not well liked it seems. He apparently is causing some fear and anger amongst the Hawkins residents. Kind of similar of a reaction these people would have towards an openly gay man during the 1980s.

Also I have to include @/conflictofthemind ‘s excellent point that injectable drug use and unprotected sex (specifically between two men) were both commonly associated with HIV/AIDS… a major epidemic during the 80s and a major subtextual theme within the show.

Now, where’s this guy live while outside of jail?

I don’t blame the guy for “hiding” when the town is not too fond of him. Of course he is a drug dealer so there’s that as well. But interesting they used the word “hide”, which has been associated with queerness within the show already (plus this line was said by Robin (featured in the middle of the shot!!!) who is queer herself).

(Both of these screenshots are from 1x02 interestingly enough.)

Wouldn’t it make sense for these two “hiders” to hide out in “a perfect place to hide” together? Seeking refuge in a fellow gay man’s secluded house?

I will say it’s also worth noting that he does not have any women featured on the walls within his house. Also, he has a phallic shaped bong (we’ll get back to that soon).

Phew okay so that’s Reefer Rick. Are you still with me? Hopefully I didn’t bore any of you with this. I promise you this all leads back to Byler.

So, moving on to his house.

So as @/therainscene kindly pointed out, this poster with the smiley face can be related to rave culture and ecstasy in the 1980s. So a drug reference, in a drug dealer’s house… shocker I know. But I gotta say, ecstasy is also a term often related to sex. I also have to add this little tidbit from one of our favourite directors of Stranger Things, Shawn Levy. Keep in mind, he knows what’ll happen in the next season… and he’s directing episodes after 3 and 4…

Interesting word choice, no?

So, back to the symbolism within (and near) the house.

Let’s talk about the phallic symbolism that appears in pairs in these shots. It’s a choice, isn’t it? With two males in each shot. We know the Duffers love details and foreshadowing… I doubt it’s a coincidence. Also, anyone else notice that phone in the background? Just had to mention it, since our boys are frequently associated with phones and calls.

Then, of course, I gotta bring back this shot.

The bed. Blue meets yellow. You know it! We all heard it a thousand times by now. Let’s look at what else is in the shot. A closed closet. Another reference to our boys. To the right, you’ll see a toilet paper roll. Now, if you have a brother, you might see the same thing in his room. Sure it can be used as a tissue for your nose but let’s just say there’s usually another use for it. I’ll call it “self love”. So, basically, another sexual reference.

To sum up this house: lake/water, drugs, and ecstasy/smiley face. Now, let’s go back to a scene featuring our boys with all these elements in the background.

Makes you wonder doesn’t it?

I must also point out the “Paris” poster in the background. City of love, anyone? Plus the fireworks. They’re really trying to tell us something here.

Also, @/foodiewithdahoodie pointed out how Paris specifically was one of the first places to decriminalize sodomy.

You know, I also wouldn’t rule out every aspect of Murray’s prediction here.

Shout out to the Hylers out there!

Perhaps after a lot of stressful days of fighting interdimentional demons, these boys want to wind down and de-stress in their hiding spot. I can see Reefer Rick as a fellow Nintendo player, leaving his console behind, as well as his weed, for our boys to use. I also wouldn't be surprised if Eddie left a few of his beers behind. I mean… Murray has a pretty good track record for predictions. This would also really double down on the message that Mike and Will “aren’t kids anymore.”

Also, wouldn’t it be fun to look back at Murray’s predictions and realize that they’ve all come to be?

Okay, now let’s finally get to the romance elements!

First thing I want to start with is this shot:

So… they had to show us a mailbox, didn’t they? With that name “Lipton” which as I mentioned in my previous post… is associated with Thomas Lipton who had a lover named William Love.

1 point for #lettergate

And…

“Hope Our Love Lives/Lasts And Never Dies”

WWII solders used the acronym H.O.L.L.A.N.D. to convey a love message in a letter. The whole love letters association with Mike and Will never end, do they?

2 points for #lettergate!

As for the “2121”, I think it’s possible that it’s referencing multiple things… number references are tricky like that in my opinion. But I will say that @/thestrangestthing89 brought up the fact that “2121” could be a reference to “Twin Flames” which is yet another reference to romance.

Continuing on with the romance…

Let’s return back to the scene where Reefer Rick is first mentioned. After Max mentioned him, we are cut to Steve talking about a movie.

A movie filled with action and romance, you say?

So… Doctor Zhivago.

Basically a tale of two people in love during a difficult time (Russian Revolution) being separated, with other people, then finally reunited. Not completely unlike our boys. Notice how the “adult” sign is noticeable in the background. Not kids anymore.

He mentions action, which I’m sure there will be some of as well at the famous lake.

Okay enough with the silly details, let’s stop and look at the bigger picture.

Our beloved lake. Look how gorgeous it truly is. Plus the fact that it’s a literal heart? You can’t get more “on the nose” than that.

Now, who else is known as a heart? (Tough question I know…)

This boy is, without a doubt, narratively tied to the lake. He is “the heart”… he is THE LAKE (symbolically).

Thank you to @/everaster for bringing attention to the fact that after Mike was pushed to deliver that monologue to El by Will, Max “died”, then the gates opened WIDE. One of those gates, as we know, is located within Lover’s Lake… known was “watergate” (term coined by Dustin).

So, as of now in this story… Lover’s Lake is literally broken in two. A broken heart in need of mending.

Who better to accomplish that task than the boy who has known him for a decade and loves him completely and selflessly?

💌📬❤️‍🩹

Hope you enjoyed these posts as much as I enjoyed making them! It’s honestly so much fun looking for evidence and finding such interesting stuff. Some of it may be reaching, and that’s okay because it’s all in good fun! That’s what fandoms are all about.

The level of attention to detail in this show never ceases to amaze me! There’s so much depth and clues to look for and play around with. I hope to have sparked some inspiration and creativity for some people! 💛💙💚

As always, would love to know your thoughts!

[anoant-haikyuu-dump]

The hyperfixation demons are screeching at me to write a comprehensive list of all the reasons I like Fukutora, so today I present to you "Ant ignores their responsibilites and spends several paragraphs explaining why Fukutora is peak despite them having roughly 10 seconds of shared screen time"

1. Contrasting Personalities In general their personalities fit together really well— Fukunaga barely speaks while Tora exclusively shouts at max volume and can't stfu to save his life, Tora's overly-intense and takes everything way too seriously while Fukunaga's cracking jokes in the middle of important games, they're even literal opposites on the court as the two wing spikers. Their differences compliment each other perfectly and because of that I think they'd grow a lot being together, Fukunaga would learn to open up and Tora would mellow out. Another good contrast is how Tora's all about looking cool and standing out while Fukunaga tends to blend into the background, which leads into my next point...

2. MY ROMAN EMPIRE (aka chapter 309) I know it's only two pages out of a 33 chapter match but i dont care, this scene makes me feral. I read the manga after watching Dumpster Battle, so imagine my suprise when my two favorite losers had a moment THAT GOT CUT FROM THE FUCJIGN MOVIE (I'm still salty, it should've been a full season).

Anyways these pages rooted their way into my brain because they show that even though Fukunaga goes unnoticed by most people (both in-universe and by readers) Tora realizes how great he is, and not only respects his play style but views him as a rival on the same level as himself. One thing I appreciate about Tora is that despite him being the stereotypical "strong manly athlete" type he doesn't think his methods are the best or only way of doing things; Fukunaga scoring points without "big fanfare" is just as cool as the shit he and Tanaka pull off. The phrasing "that I hafta surpass" could even imply that Tora sees Fukunaga as more than an equal, as someone who's ahead of him since he doesn't need to be flashy or loud to do amazing stuff.

Look at his smile on page two, bro's just excited to have someone who motivates him to keep pushing himself. And as we've learned from Kagehina: what's gayer than a rivalry?? All in all I think it's sweet that Tora notcies his efforts and admires him when few others do. Side Note, I've seen a translation of these that call them "Nekoma's Wings" and I think that's a sick nickname.

3. Bi Tora and Internalized Homophobia I love a good internalized homophobia arc, and characters like Tora that center so much around girls and manliness are some of the most fun to explore them with imo. You could say he's one of the least likely characters in hq to be queer since he's THE woman-lover next to Tanaka and Noya (and Yachi) but that's what makes it interesting—his gay awakening would hit like a tsunami and send him into life-ruining bi panic for months, especially since he's already such a mess when it comes to romance. He gives me the vibes of someone who has no problem with other people being gay but struggles when it comes to himself since it clashes with his conception of what it means to "be a man" or whatever. My point is he'd have the most intense no homo phase to grace this earth and I think that's both super funny and compelling for his character.

Also as a bi person myself it's kind of frustrating how bisexuality is treated online sometimes. It's annoying when a person's queerness is negated the moment they show attraction for the opposite gender, so headcanoning a character like Tora as a bi while still being openly into women makes me happy.

4. The Stage Play They're so silly in the stageplay. Why is he dragging him around by the feet? Why are they screaming at Kenma? Why is he constantly bopping him on the head in the background? WHY IS HE SERVING FACE IN THE PROMO PICTURES? So silly.

(Ignore how blurry these are lol) 5. Ant's Little Sister Bias This is a me thing, I like ships where one party has an annoying little sister who bothers them, sue me. Its cute. Akane and Fukunaga could have the most adorable friendship if you believe.

6. They Match Each Others Energy My first post about them was me rambling about this so just read that, TDLR they're both energetic menaces who match each other's freak.

7. Kenma's Forced Third-Wheel Purgatory Putting Kenma in a situation where Kuroo's graduated and his closest remaining friends are dating and constantly forcing him to third-wheel is just about the evilest thing you could do to the guy. He may be one of my favorites but this is well-deserved punishment for his crimes.

8. Baffled x Baffling Another ship dynamic I like a lot is when one person is unabashedly weird and the other thinks they're a total freak... but likes them anyways. They don't know why they like them. They can't explain it to anyone. Whenever the person does more weird shit they're like "why tf do I like you." But even so they're whipped as hell. Anyways Tora barely understands a single thing Fukunaga does and I think that makes for a funny crush to have.

9. Fukunaga's "Current Concern" Don't have much to add here, it's just proof to me that they hang out idc. Like why are you concerned about what he wants?? Kinda gay dude. Big fan of Fukunaga whispering to him and Tora answering at full volume so other people hear a one-sided conversation.

10. These Fics Before I knew this ship was even a thing I stumbled on these fics while browsing the Fukunaga tag, that's what got the gears turning:

• My favorite one, third-year shenanigans • Peak, need to be signed in tho • College AU • This one is mostly gen Fukunaga but the few moments they have are perfect (also really fun Nekoma interactions overall)

11. Other Miscellaneous Thoughts • Both of them being public figures/lowkey famous in timeskip is cute, like imagine them being each others' biggest fan before they make it big.

• Chef x guy who eats a lot is peak fiction. In this case they both eat a lot. Their grocery bill is a horror story.

• I know it's because characters are usually grouped by year and Kenma ditches them to sit with Kuroo but they're always together in the stands, pretty gay if you ask me

• I hc Fukunaga as genderfluid so Tora still gets his chance to be a wife guy. Him and Tanaka ranting to each other while Kiyoko and Fukunaga drink tea in peaceful silence.

• I think Fukunaga's the type to enjoy people watching and Tora's always doing something dumb. Observing him like a little bug under a microscope

• They're both so silly looking, cartoony ahh designs. I just think they'd make a funny couple visually, they're so square and stick to me if that makes any sense lmaoo

If you got through this whole post you're a real one, thanks for reading to my brain dump. I think about them every day and need more people to understand the vision

[biocrafthero]

Some Queer Games and Devs to check out this Pride Month

Hello! I play a decent amount of video games, and like making posts about them. This year, I've been making a lot more posts analyzing and promoting games I particularly enjoy. I'm making this post as a way to share games that have queer developers and/or topics to celebrate this year's Pride Month.

All games' websites will be linked in their respective sections, and I urge you to check out any of the games that speak to you. There's a decent amount of variety on this list, so please give all of them a look!

Please note that all of these games are ones I have personally played--I am not including games I have not played yet for myself. If you were hoping for your favorite title to be on here, I am very sorry but chances are I just haven't heard of or played it yet.

ANATOMY (2016)

ANATOMY is a horror game released in 2016 by developer Kitty Horrorshow (she/her). While the game does not contain any queer themes, the dev is openly transgender.

The plot of the game coincides with the gameplay, which centers around walking through a nearly pitch-black house collecting tapes and putting them in a tape player. Despite its simplicity, the game has been commended by many for being "the scariest game they have ever played." The story of the house is uncovered as you listen to each of the tapes, and reentering each time the game shuts you out.

This game features themes surrounding body horror and psychological horror, and one moment that can be seen as a mild jumpscare if it is not expected.

A full playthrough takes about an hour, with multiple endings. However, all roads lead to the same destination.

ANATOMY is available for $3 USD on itch.io.

We Know The Devil (2015)

We Know The Devil is a visual novel developed by the team Worst Girls Games, which consists of Aevee Bee (she/her) and Max Schwartz (any). Music for the game is composed by Alec Lambert.

The plot of the game surrounds three teenagers who have been sent to a religious summer camp in the American midwest. With just one week left, they're all hoping for everything to be smooth sailing, but nothing is ever that simple. On this fateful night, they must face the devil; two will make it out, but one will be left behind.

The gameplay focuses on making decisions on who gets paired up together, and consequently who gets left out of the interaction. These choices determine what ending you get and there are never any wrong answers.

Queer rep in this game consists of polyamory, lesbianism, transgenderism, and transhumanism. There is also mentioned homosexuality regarding a male character that is only ever talked about in passing.

This game contains themes surrounding religion, internalized homophobia, along with general homophobia and transphobia. There are scenes that depict underage drinking, vomiting, body horror, and some moments that can be interpreted as self-harm. Some sound effects in the game can be jarring, along with the track "Incense (Smoke & Honey)" from the OST, a song that plays in three of the four endings.

A single playthrough can take about two hours depending on reading speed. There are four endings, meaning a minimum of four playthroughs.

We Know The Devil is available for $6.66 USD on Steam, Nintendo Switch, and itch.io.

There is also the demo for the game, which is free to download off of the game's itch.io page and baked into the Switch port.

Heaven Will Be Mine (2017)

Heaven Will Be Mine is a visual novel also developed by the team Worst Girls Games, with soundtrack once again composed by Alec Lambert.

The game's plot centers around three factions in the solar system. They have all been called back to Earth under threat of death; two factions want to stay in space, while one is choosing to return. At the start of the game, you can choose one out of three characters to follow the POV of, each belonging to one of the three factions.

Gameplay is similar to We Know The Devil, meaning that you make decisions throughout the story that determine what ending you get. There are no wrong choices, only ones that lean in the favor of one of the faction out of your options.

Queer rep in this game consists primarily of polyamory, lesbianism, transgenderism, and transhumanism. There may be more I am forgetting to mention.

This game contains scenes depicting violence, body horror, and discussions about sexuality, abuse, and trauma. This game is meant for a more mature audience than the others on this list. Some sound effects and music in the game can be jarring. There may be content warnings I am forgetting to put here.

The game has three major story routes and three endings, and each playthrough takes around four to five hours depending on reading speed. At minimum, you will need to play this game three times.

Heaven Will Be Mine is available for $15 USD on Steam, iOS, and itch.io. It should be noted that the price on iOS is different than on other platforms, being listed at $5 USD.

In Stars And Time (2023)

In Stars And Time is a turn-based RPG developed by insertdisc5 (she/they) and published by Armor Games Studios. Music for the game is composed by Studio Thumpy Puppy.

The story follows your typical RPG party, starting the day before the final dungeon and final boss. However, when you go in, you get caught in a trap and die. Time suddenly rewinds, and you find yourself at the day before your party entered the dungeon. You are caught in a time loop, and must find a way to stop the final boss and escape the loops.

Gameplay mostly consists of turn-based combat with enemies, and making the right dialogue choices when talking to NPCs and your party members. There are several puzzles throughout the game that encourage you to use the looping mechanic to solve them.

Queer rep in this game consists of transgenderism (transmasc and nonbinary explicitly, but there are some characters that can be interpreted as transfem, agender, and/or genderfluid), aromanticism, asexuality, lesbianism and homosexuality, and a plot thread that involves t4t romance. All six major characters have canonical pronoun sets. There may be more rep I am forgetting to include here in this list.

This game contains scenes of mild violence, self-hatred and other heavy mental heath topics, one scene of child endangerment, unreality, and optional scenes involving self-harm and suicide.

The average playtime for this game is 26 hours, which increases to 36 depending on how much optional content you engage with. There is technically one ending, but an optional plot thread can get you an alternate version of the ending screen. This plot thread is highly encouraged to be followed.

In Stars And Time is available for $20 USD on Steam, itch.io, Nintendo Switch, and PS4 and PS5.

There is also a previous title titled START AGAIN: a prologue, which is available on Steam and itch.io. This game does not need to be played to understand In Stars And Time, but is highly recommended nonetheless.

Some personal anecdotes regarding each of these games:

In Stars And Time is one of the few games where I saw a character (Siffrin in this case), pointed at them, and said "They're just like me!"

We Know The Devil and Heaven Will Be Mine both have themes of queer solidarity in the face of oppression and it fills me with rebellious rage (positive).

ANATOMY is one of my favorite games ever made, and is objectively the scariest game I have ever played.

Almost all of these games have made me almost cry, which is a very high bar for a game to reach. The only one that didn't is ANATOMY, mostly because it evokes more fear than it does tears for me.

We Know The Devil in particular evokes a very specific nostalgia for me, so the setting and characters hit differently for me than they may for others.

I played In Stars And Time shortly after a breakup and consequently developed the most horrific crush on the character Isabeau. It is frankly quite embarrassing.

[biblicalhorror]

Okayyyyy yeah also let's talk about Tammy. I didn't know how I felt about her for awhile because she did very much feel like the Disposable Black Girlfriend, but I'm seeing people saying she's an "abuser" or God forbid "just as bad as Kevin" and that's just. Not at all true.

Yes, Tammy is controlling. She doesn't seem to really like Patty for who she is, and kind of seems to want to change her into someone else instead. HOWEVER, I think we need to look at the whole character to understand WHY she's like that. I don't think she's controlling Patty for personal gain or for the sake of manipulating her. I think she's lonely and desperate for companionship, which leads to her ignoring/pushing past the obvious incompatibility in her relationship with Patty.

Here's what we know about Tammy:

1. She seems to be the only black person in the Worcester social circle. She also mentions frequently how she's surrounded entirely by white men at work.

2. She is also the only openly lgbt person in the area, other than Patty, who is still not exactly out and proud.

3. She describes her entire job as "making excuses for" and "cleaning up after" the men at her job, particularly her partner (whose name I am unfortunately forgetting, does anyone remember?), who even had her plant evidence for him on at least one occasion.

4. Despite being very competent and good at her job, the white men around her keep failing upwards (she mentions a few times that people beneath her keep getting promoted) while she remains stagnant in her career. There doesn't seem to be any explanation for this other than the fact that she is a black lesbian in an extremely white, conservative community.

Basically, Tammy seems like someone who has been taught (like many black women) that she will have to work much harder than everyone else to get ahead in any capacity. She is also likely very, very lonely. She doesn't seem to have any friends outside of work, which isn't surprising given the above. It seems like she doesn't exactly have a ton of prospects, dating-wise, other than Patty. In my opinion, it's really no wonder that she clung to Patty so desperately and immediately and tried to forcibly mold her into someone who could be compatible. She's tough, smart, organized, direct, manipulative, no-nonsense and controlling because, well, she had to be. And she ends up trying to "rein in" Patty because, in her mind, what's the other option? She ends up alone, surrounded by men who force her to cover for their antics and don't care if she lives or dies.

I'm not saying her behavior is healthy. But it comes from an entirely different place than Kevin's abuse, or Chuck's, or even Neil's. And it's also not uncommon. In real life, I know many queer women (specifically small-town lesbians) who end up in relationship dynamics just like that over and over again because they start dating someone who doesn't quite fit, and they compensate for it by trying to force a connection instead of accepting loneliness and isolation. I have a lot of sympathy for Tammy. And I wish the show had taken more care to establish the abuse she faced from her coworkers off-camera.

[kazisonline]

Hey you want another, better gay pirates show to watch because OFMD is officially dead???

Boy oh boy I have a show for you!!!!!!!

Black Sails, masterclass in straightbaiting and in storytelling

If you watch the new Percy Jackson, that's your Poseidon, Toby Stephens as the lead! And he DEVOURS his role as Captain Flint

We have: lead openly queer characters, canon polyamorous couple, disabled characters, amazing costumes, set that the One Piece guys used afterwards so you can say thank you for that, and such an amazing cast genuinely they're all breathtaking

There are lesbian activities, there are swords politics girlbosses pirates and a lot of good times. Also it's a finished story with a heartbreaking end. But it's so good

If you like queer rage and angst hurt no comfort this is your new must watch <3

[nokay08]

FULL OPINION ABOUT MOOMINVALLEY 4 SPOILERS FOR MOOMINVALLEY SEASON 4 ⚠️⚠️⚠️

THE CHARACTERS:

There were some new characters introduced (like Joxter and Aunt Jane) that I thought were really great, along with others we've seen shine this season (Snork and the Groke), which I’ve been very pleased about. I know some people have complained about Sniff, but I thought he was rather cute, even if a bit annoying.

I particularly loved seeing Moomintroll more mature compared to his season 1 arc, where he would cry to his mamma (lol) and instead actually take charge of "operations." Moominmamma was great as always, and Moominpappa was really funny this season. Snorkmaiden also seemed more mature than at the beginning.

Some characters were definitely more discreet (COUGHCOUGH Snufkin COUGH), but overall, each had their moments.

NEGATIVE POINTS:

As I mentioned, some characters were left out, like Snufkin. I think it's odd that he didn’t get any episodes focused on him, especially since (correct me if I’m wrong) it seems like most characters had their own episode in this final season. It feels like he was barely present, even at times when he could have easily been included (like the Midsummer bonfire).

Another point, which ties into my last, is the weird getting back together of Moomintroll and Snorkmaiden. While I love the pair, we’d already established in previous seasons that this couple was not working out. For example, in the episode where they have their own house, or in the last episode of season 3, where Moomintroll is said not to be Snorkmaiden's soulmate. I love seeing them together as platonic friends, but not as a couple—it feels weird and rushed that they’re back together in a single episode.

And this leads to the final, and maybe most problematic, issue: the Moomintroll and Snufkin dynamic. In previous seasons, their relationship seemed to be gradually leaning toward something more romantic, especially in season 3 with the "Lonely Mountains" arc. Even as someone skeptical of ships, I thought the show was hinting at a romantic pairing. So, for season 4, I had expectations, but we ended up getting less than nothing. While there were some sweet moments, the lack of Snufkin this season makes me feel like they were avoiding any development of that buildup.

I'm genuinely disappointed. Not because Moomin and Snorkmaiden got together—good for them, I guess! ✋😭✋ But it just feels like they completely disregarded the whole Snufmin relationship here. It really sucks that the representation ended up feeling fake, especially from a show with an openly queer creator.

Unfortunately, this isn't the first time (looking at you, BBC Sherlock 🫵😡), but it really can't keep happening. I wouldn’t have minded if Snufkin and Moomin weren't hinted at by the show itself, only to give false hope and, I guess, use those hopes for economic reasons.

CONCLUSION:

Okay ! It seems like there’s ton of negative points there but I swear I love that show 😭 It’s just that I feel like queerbaiting is not talked about enough and I hate that it keeps happening even in 2024!

but anyways, the show was great, and kudos to the animation crew for that great looking show 🙌💙

[bluesquirrel15]

A few things I’m reflecting on post 8x06:

911onABC Season 7 Season 8 cast/showrunner interviews

At the time the Hamster Wheel comments were made, there were also comments being made about Tommy being an introduction for Buck and teaching him, basically, about the queer community and navigating the dating field. Particularly coming from Oliver in one or two of those podcast interviews. Which was an ick even then.

Lou was only supposed to be in 3 episodes. The reaction to BiBuck and BuckTommy was so positive Lou was kept on and I thought that the queer sensei angle was scrapped. I was wrong.

In regards to #LetBuckFuck…they have the earliest Primetime time slot. Nobody is going to be fucking. Add that to the interviews from the spring - it seems Oliver has wanted Buck to play the field for a very long time.

LOU is the reason we know about the scrapped queer Eddie storyline. He spilled the beans and in so doing added fuel to a fire he didn’t know existed. Buddies should thank him for giving a big piece of legitimacy to their fanon.

For all the queer trope pitfalls Tim Minear wanted to avoid and Oliver being such a Bi rep warrior, it is so so so disappointing to have them write/approve/play an “I can’t date a baby queer” storyline. Especially for a bi character in his 30s. So many other options and they choose the most overdone. Ex: Grey’s has done it twice.

The slap in the face that were the interviews. Lou’s first interview essentially being with a blog on its way to being a news outlet. There being a media blast of Oliver, Oliver/Tim, Ryan, and Oliver/Ryan interviews post airing with established outlets. Honestly, I think it is leading to Buddie canon. The interviewers are mostly and very openly buddie supporters. They obviously aren’t told to not ask about buddie. The mains/show runner being proud and patting themselves on the back while acknowledging the terrible terrible fandom culture. Every single one of them having to set boundaries with fans or take breaks from socials due to fans and yet seemingly leaving Lou out in the cold. Disheartening.

The election: I don’t think the election has any impact on the storyline. For now.

[blackgirlsuperherorants]

Light spoilers for Deadpool & Wolverine below:

Here's the thing. Deadpool was really queer in this movie, in my opinion. Like, queer enough that it just felt like his regular, real personality, to me, rather than shoved in for laughs. But it does still play it for laughs, sometimes, and that does feel... like, you know, it's a shame. Because Marvel has a real chance, here, to just have an LGBTQ+ lead character and just let that be, but it feels like they're a little scared to actually lean in. I don't even get the impression that it's Ryan. I think Ryan would let Deadpool be fully queer, if either studio would have let him.

I think because I fall under the bi/pan umbrella and the way Deadpool is about his sexual orientation is kinda how I am, too (except I don't, like, openly hit on everything with legs because it can border on harassment), I didn't immediately clock how some in the community are finding this movie to be homophobic/biphobic. But I get it. A lot of the gay stuff is played for laughs and sometimes seems to be about the gay panic he's causing in the other men.

But also... in my opinion, Wade feels earnest in his flirtation. Like, when he thinks the TVA guys are strippers and talks about kissing them, and says "I'm not a natural bottom"... like, how is that just quipping? I think he's talking about his actual sex life, and is being for real. Like, he wants to have sex with them... he's not used to bottoming.

I think some stuff is a little disappointing. Like, the joke about being molested as a child by the scout master. I don't like jokes about rape/molestation, and I don't like the implications that his pansexuality is because he is an unhealed sexual assault survivor. There's a dangerous narrative that queer people are predators, right now, and that we want to "turn kids gay/trans", and stuff like that feeds into that narrative.

But also, people are angry that Wade is in love with Vanessa and only flirts with guys. But... he's pansexual. Not gay. And he's been in a relationship with Vanessa the whole time, until this movie. Bi and pan people can be in hetero-presenting relationships and still be actually bi/pan. Finding Wolverine attractive doesn't mean his feelings for Vanessa just disappear.

I'd also say that Wade literally reads a lot more queer in this movie. Like, even the way he talks and moves and stuff. There's nothing about him that reads "hetero guy who flirts with men because it's funny". He's so queer. His friend group is so queer. Like, he is a queer man, to me. And, for what it's worth, he makes stupid quips about everything in his life, everything around him, everything he loves, everything he hates... why would that be the case, but he not make any stupid queer quips? Who under the bi/pan umbrella doesn't? (I'm not speaking for all of us, sorry. Sorry, guys! If you feel differently, you're also correct and valid. This is just one queer girl's opinion.)

Anyway, I felt like he was the queerest in this movie out of the 3. I just hope that if/ when he appears again, Marvel allows him to actually do something queer on camera. A kiss or something.

[leikeliscomet]

No, Ncuti Gatwa's Casting Isn't Regressive

Chapter 1 - For Black Boys?

The general consensus of male companions is they don’t really stand out like their female peers. If I said ‘iconic male companion’ I doubt many people would think of Adric. However, some are still loved by certain parts of fandom regardless. Rory’s nerdiness turned bravery has gotten him a small stanbase. Captain Jack is loved by many especially as he was an openly bisexual character, being Nuwho’s earliest example of queer representation. Or Wilf, whose light-hearted personality and humour engaged so many (Rest in Peace Bernard Cribbins). Black male companions on the other hand didn’t really get those types of flowers, let alone reaching Clara Oswald or Rose Tyler levels of popularity. The amount of lead Black men in Who is little (3 to be exact) and from them, their stories didn’t reach the icon status of the other companions of the show. And the reasons why unfortunately weren’t that surprising.

The first Black male companion was Mickey Smith. Mickey played the role of the scared boyfriend of Rose Tyler, simping after her as she ran off with a mysterious Ninth Doctor. Nine’s best-of-the-best mentality meant there wasn’t a Mickey shape in the TARDIS to fill in. The two would constantly have nitpicky back and forths putting Rose in the position of having to ‘choose’ her man. But her mind was made up. Rose and Mickey split by the end of the season with Mickey revealing his fling with a Ms Trisha Delaney. It wasn’t a universe-defying breakup where the galaxies tried to separate them but instead a case of two people with different wants and needs calling it quits. That doesn't sound too bad on paper, right? But unfortunately, RTD gave Mickey Smith a pre-Martha Jones arc, where so much of his arc would be dedicated to his failure to live up to a Rose Tyler standard. Despite Rose’s contributions to the RoseMickey split and how both characters had cheated on the other, both RTD and the fandom had given Mickey most of the blame. Mickey’s relationship with NineRose would eventually warm up towards the end of series 1, agreeing with Nine that Rose travelling was what she wanted and her council estate days were over. Series 2 decided to flip this on its head however, having Ten and Mickey being a lot more hostile towards each other. From Rose’s eyerolls to Ten forgetting Mickey’s existence it was clear the TenRose TARDIS team only had room for two. After getting fed up with his Tin Dog treatment, Mickey decided to stay in Pete’s World a little longer. The last of his official arc would be his return in the series 2 finale, gun-slinging against Daleks and Cybermen. He wouldn’t return until series 4 for the 2008 Dalek Invasion and a cameo with Martha Jones announcing their offscreen marriage. Although creating a small Mickey Smith standom, Mickey’s time in RTD1 was rough. He was mainly reduced to a comic relief or punching bag for the main white characters, having little room for his own developments. And the ones he did have, such as his absentee father, dead grandma and random Martha marriage were brief moments and not really enough to fully flesh him out.

Moffat gave us another Black male lead in Danny Pink. Although not a companion, Danny would be the math teaching counterpart to Clara Oswald and his conflict with TwelveClara would actually serve a narrative purpose. Unlike RoseMickey, our main companion would choose her boyfriend over the moody Time Lord although it was only briefly. Danny’s soldier past would have him demonised both in show and fandom, from Twelve’s bias against soldiers to Clara’s uncertainty to many TwelveClaras keeping him at arm's length and even going as far as to call him abusive. Danny, like Mickey, wasn’t super popular Black male representation either. Just as Nine and Ten made it clear Mickey wasn’t welcome, Twelve’s issue with ‘PE’ made it clear the two weren’t besties either. Danny would have to prove to Twelve he was worthy of Clara’s love and this would be achieved through his cyber-self sacrifice in the series 8 finale. Obviously, a child murderer would not be a fan favourite overnight, especially from the POV of a former solder Time Lord who’d suffered the consequences of war himself. However, series 8 established Twelve’s arc of moral ambiguity and potential for change, where he’d go on to question the type of man he was; good, bad, both or neither. Yet, Danny Pink was irredeemable. Whether we personally believe Danny deserved a second chance or not, he wasn’t given one like his white counterparts. To the fandom, Twelve and Clara’s actions were the byproduct of context and factors, heart-wrenching decisions in situations they couldn’t control. But Danny Pink was irredeemable, evil and the worst character of Moffat Who. Twelve and Clara were compelling. Danny Pink was trash. In fact, Missy, who’d claimed more lives than Mr Pink ever did would be set up for her own moral ambiguity arc, taking the iconic Time Lord villain and questioning if they could ever become good in their first female incarnation. Against a narrative of growth and change, a white woman’s redemption would be set up for a greater arc that would end at the end of Moffat’s run itself, with most fans supporting her growth and potential, whilst a Black man’s was found in his death to protect the other white characters. Danny’s final appearance would be in Last Christmas where he and Clara shared their final goodbyes. TwelveClara’s arc would continue in series 9 and Danny’s name was never mentioned again.

Chibnall introduced us to the first Black male companion to travel full-time, Ryan Sinclair.  Despite this achievement, Ryan would somehow have even less visibility than Danny and Mickey. Ryan’s arc was simpler, focusing on his ability to ride a bike with his dyspraxia. He wouldn’t achieve this goal, not as a slight but as a small commentary on how disability wasn't something to be fixed and instead a part of people’s everyday lives. Ryan’s dyspraxia was heavily critiqued for being written inconsistently and so would many other aspects of his character. His missing YouTube channel post-series 11, his way of mentioning his dead nan each episode and his relationship (or lack thereof) with his dad were seen as many misses in the writing department. Even after losing his nan, most gun-wrenching heartfelt moments about her death were given to Graham instead. Along with this, there was and still is harsh criticism of Tosin Cole’s acting (which ironically hasn’t stopped him from securing lead roles in House Party and Supacell, making him a breakout star of the Chibnall era). Series 12 wouldn’t help Ryan’s case either as after the initial Tim Shaw storyline ended with Graham and Ryan finding a type of closure for Grace, Ryan would slip further back in the queue for priority characters. With the return and new incarnation of the Master, the Fugitive Doctor reveal, the Timeless Child, Ashad the Lone Cyberman and the hunt for the Cyberium, there wasn’t really room for a new companion arc for any of the fam, let alone Ryan specifically. At most, he got a small subplot involving shooting a basketball hoop, similar to his bike-riding storyline. This would only be relevant in two episodes; its introduction and a small scene of him teaming up with Ko Sharmus to take out some Cybermen. His dad whom we were introduced to in series 11 wouldn’t return in this series either, missing the opportunity for a follow-up from that storyline. Instead, we got Tibo, similar to Amy and Rory’s Mels, a companion’s alleged best friend who we never saw in the previous season. This friendship wouldn’t play a key role either and Tibo was reduced to irregular small appearances. Ryan would be ready to leave in Revolution of the Daleks with a wallet of psychic paper. No new YouTube video or completed mechanic NVQ in sight. The Chibnall era companions already faced a fair share of unpopularity and plenty of ‘cardboard cut-out’ allegations. In most companion polls, Ryan tends to sit at the bottom with his grandad Graham following close behind. 

This isn’t to say Mickey, Danny or Ryan are blips in Doctor Who’s universe and had no impact whatsoever but that they all suffered due to a lack of meaningful writing. Mickey and Danny mainly served to facilitate white characters and many of their scenes functioned as reminders of how much the Doctor hated them. Ryan on the other hand, despite having what was supposed to be his own arc as a full-time companion, had to share screentime with two others on top of Thirteen’s arc as well. Thirteen and Yaz’s narratives stretched across three series whilst he only got two, and those two were already packed with a lot of other narratives. In the same way the treatment of Martha and Bill reflects the show’s issues in representing Black women, the treatment of these characters shows the issue in the show’s representations of Black men. The vulnerabilities of Black manhood are rarely portrayed in mainstream media due to the stereotypes of Black men being tough, aggressive and hypermasculine (key examples being the Black Brute trope or Thug trope). Even though I wouldn’t argue Mickey, Danny or Ryan fit these tropes exactly, their treatment reflects the antiblackness Black men experience; the false idea of inevitable struggle that Black men are supposed to ‘handle’ because of their ‘inherent’ strength. Across genders, Black characters are made to feel like they have to ‘work’ and ‘earn’ their spot in the TARDIS or ‘work’ to be worthy of the Doctor’s attention, which can feel like a barrier when it comes to feeling represented by this show. The Fugitive Doctor was a step forward, moving beyond Black characters as the companions but an attempt at a Black doctor, a Black main character. But with the Fugitive reduced to cameo roles and the end of the Chibnall era, this never came through. The main options seem to be Tin Dog or three seconds of screen time. Gatwa’s casting can not only be an attempt to build from the sidelining of the Fugitive but also provide a form of Black male representation the show has never done before, building on the neglect of Mickey, Danny and Ryan. The only way to move when you’re stuck at the bottom is upwards.

<- Intro

Chapter 2 ->

[booasaur]

Not a surprise or a coincidence that two show with lesbian couple have been cancelled S19 and NCIS, almost in the same month and now on lesbian visibility week, they really hate us!

And another anon:

gahhh so sad ncis Hawaii was cancelled 😢 I really thought they had the green light for a fourth season. Feels really bleak for a show doing so well to be cancelled. Was it really just the wlw rep that killed it?

It really is upsetting. And I WAS surprised, anon! Not so much by S19, seven years is a long time and with 9-1-1 moving to ABC, it was a long shot they would keep both. But NCIS were supposed to be safe! All through the rest of the cancelations these last couple years, I'd think, well, at least NCIS Hawai'i will be fine. Look at the longevity of these series (cancelled in red):

It was a baby! It didn't even get a proper season 3, with the strike.

And to be replaced with what? The conservative safety of an origin story of the franchise's first main white guy and a show with also a long-running popular m/f couple, where one lead's a Mossad agent and the other's played by an abuser?

As with the BYG trend, it's not just the loss of representation that's so unsettling, it's the awareness that this is a bellwether for society at large. If there's no longer the same safety in writing us in as there's been in even these last few years, which hadn't reached any kind of parity, that's kind of worrying.

As for whether they hate us or if these were cancelled because of the wlw rep? While these last few years have given us an especially intimate look into the kind of openly terrible men in all kinds of powerful positions, from Elon to Zaslav, I think at this level this is mostly a business decision, which is almost worse? In the same way that a bunch of corporations decided it was good business to start marketing to us during Pride was, pulling back also indicates how they think things are going.

And how they think things are going is also pretty crucial here, because there are a lot of biases at play too. During the 2016 BYGs, it wasn't so much a matter of bad trends for us at large (at the time, lol, the bulk of them happened in spring and summer), it was more a culmination of a bunch of writers going "I have no use for this wlw character and can create drama from a death", more a disinterest than an actual hate. While I don't think networks are cancelling whole shows based on f/f ships not even involving leads, I think there are still some things to consider here:

First, it's simply more likely that significant wlw rep will be on a show that's more diverse in general. THAT might get a target on their back in this climate. It's not just queer rep but POC-led shows getting cancelled in high numbers too.

Secondly, that disinterest in queer rep means there's no real buy-in or championing of these shows, you know? Where an exec might have fought for another show, really believed in it, they're okay with letting this one go. Like, that's not where they see a big success.

There suddenly seem to be so few ongoing shows in general, I think any kind of course correction will have to take that into account, but hopefully it's sooner rather than later.

[nonbinaryhatboxghost]

Thoughts on the State of Trek

I would be less upset about Discovery ending if they had known going into season 5 that it would be their last. But that was not the case. The additional filming to give it an actual finale is good and I have no doubt that it will be as good a finale as they can do under the circumstances.

But recently I’ve been more observant of Trek fans online and there is a thing happening where I’ve seen far more immediate praise of Strange New Worlds and the current/final season of Picard than any other new Trek show has gotten.

Strange New Worlds is a good show! It is also specifically emulating the original series and has a straight white male captain as the lead. (yes, Pike rocks, that is not the point here)

The current/final season of Picard (which I do think is good!) has radically altered the tone of the show into a revival/sendoff for The Next Generation, as well as emulating and referencing Star Trek media of the ‘80s and ‘90s. And again, straight white male lead.

Both shows, particularly this season of Picard, have been pretty immediately praised by certain types of Trek viewers. Specifically longtime straight white male fans.

I’ve also noticed less diversity behind the camera of Strange New Worlds and Picard compared to Discovery. At least if one watches all the behind-the-scenes stuff for those shows (which I’ve been doing a lot lately). There’s not zero diversity, but Picard especially has been putting more emphasis on bringing back legacy crew members who are majorly, you guessed it, straight white males.

Contrasting that with how Discovery was met with skepticism from the get-go and is openly dismissed by certain older fans (one I talked to at work said something like “I guess I don’t get it because I’m not a millennial.”) makes me a bit angry because a lot of these same longtime fans watched and stuck through the first two seasons of The Next Generation. Those two seasons are some of the roughest television I’ve ever seen, and the handful of good episodes hidden throughout do not make up for it. But fans at the time stuck through those seasons anyway.

Why didn’t Discovery get the same treatment from those vocal longtime folks?

Why did The Next Generation, which is a very different type of show compared to the original series, ultimately become a beloved show? I’d like to believe it’s because people accepted the show for what it was once it found its footing.

But when I see comments like “Picard season 3 is the best Trek in 25 years”, I get mad. You gave Picard, a show that has two seasons with a mixed reception at best, a continued benefit of the doubt because of nostalgia for an older show, and because this season is essentially a Next Generation reunion. But you dismissed Discovery because it wasn’t “your” Star Trek show.

Literally part of the purpose of Star Trek is infinite diversity in infinite combinations. Discovery not only gave us an incredible lead character played by a Black woman, it gave us representation across the entire cast of both people of color and queer folks. As a nonbinary person, Adira’s quiet coming out scene had a profound impact on me, and later served as a helpful reference point for coming out as NB to my dad, who watches and enjoys Discovery.

Discovery spends an entire season depicting a debate between multiple characters/factions about how to handle a situation that threatens all Federation members. It does so with empathy for all points of view, and ultimately resolves this threat not with an action sequence, but a conversation. That season of Discovery (season 4) is Star Trek as fuck, and some of the best Trek ever.

Hell, Star Trek Beyond is so good that it manages to take the flashy action J.J. Abrams approach to Star Trek (which I have mixed feelings about because Trek ’09 is fun and despite his storytelling problems, Abrams is by all accounts a genuinely nice person so I won’t be shit-talking him here) and make it more properly Trek by introducing a villain who believes conflict is necessary for human evolution, which is the antithesis to Roddenberry’s whole vision for Trek of being a future where we work to resolve and avoid conflict rather than seek it.

Strange New Worlds and Picard (seasons 1 and, so far, 3) are both good and also contain great Trek. But they are also fundamentally more appealing to the nostalgia of middle-aged straight white male fans. And they are the shows that are getting more visible attention and praise.

Lower Decks is awesome and has a fantastic Black female lead in Tawny Newsome. But it meant something to have Sonequa Martin-Green and Newsome be the leads of two Star Trek shows airing at the same time.

And it means something for the live-action show with a Black woman as the lead to be cancelled while the animated show with a Black woman as the lead but a straight white male as the head writer is allowed to continue.

I don’t want Star Trek to become like Star Wars and turn into an endless cycle of fan service. Star Trek has had a huge impact on our planet over the 55+ years of its existence. Don’t make the mistake of turning it into another franchise that exists as a way for whiny white dudes to center themselves over the global majority.

(PS, Paramount, how the hell have you dragged your heels over Michelle Yeoh’s spinoff for this long? She has an Oscar now, what the hell is your excuse?)

[quietwingsinthesky]

hey bug,

what do you think of

Gayest Supernatural Character, Quarter-Finals

drama and who do you believe is the truest queerest character in supernatural?

i think all spn polls drama is nonsense. it's fun until people start being actual assholes about stuff, and a poll like 'gayest spn characters' does make the worst elements of the fandom get overly aggressive trying to prove their claim to the queerest blorbo. a lot of people here have attached an unhealthy amount of their own identity to their favorite characters (and specifically, to a very narrow perception of said favorite characters) that leads to them lashing out when they feel that character disrespected, as it feels like a slight against them, personally. deeply strange and uncomfortable behavior when we should all just be talking about how crowley kisses men on screen for fun.

anyway, 'truest queerest character of supernatural' is a bit of a mixed bag because there's two options here. which character is the queerest textually, as in, was allowed to be openly queer and express queer love the longest and most often. and which character's subtextual narrative was most reflective of queerness, which is what a lot of people are arguing about the most. because you can't really argue about the first one. like. the only queer character who got to be queer, openly and constantly and for multiple seasons, make out with multiple women on screen, and not be treated like her sexuality is a joke is charlie bradbury. and we can talk about how well or poorly she's written as a character, but in supernatural, she is like a fucking lesbian beacon. and she's still bare fucking minimum in a cast whose other notable queers consist of 1) joke characters we are meant to mock for the fact that they are queer, 2) one-off characters who either die or in the case of later seasons where killing off gay people instantly because slightly less okay, do not get to express a lot of their queerness on screen before being shunted off to never scare the largely cishet audience again, or 3) villains. just like. villains. i know we love this about them, i know we're all gay little freaks here on the lucifer stan blog who enjoy that he's Like That about sam. but the fact that a lot of the villains on supernatural are queer-coded if not just openly queer is. :/ not great, folks.

and now we get to what my answer is for number 2) most subtextually queer. because like. it isn't charlie. charlie's queerness is not a part of her journey in any way. which is, kind of refreshing? but also very evidently the result of the writers not actually knowing how to integrate a lesbian into their story other than like. let her kiss women. charlie is written about as deep as a puddle 90% of the time, and that's the real crime we should talk about with her at the end of the day. getting distracted. anyway. for subtextual queerness. i mean, for me, it's sam. quite obviously, it's sam. sam the othered, sam the defiled, sam the broken and never pure. sam in his struggles trying to connect to a religion and a god who rejects him. sam who is and always will be the devil himself even when he proves that he can overcome him. sam who cannot win, no matter how quiet he makes himself and how much he acquiesces to the demands of the patriarchal family structure he's been slotted into.

hm. sam who knows he's dying, and sam who refuses to take a chance at life if it means burying everything about himself he's tried to construct and rising again as someone new.

i don't think you can honestly argue that sam's story doesn't resonate queerly. and i know this because most of the arguments i've seen against it have been "well, but sam (or sometimes "jared") feels too straight to be queer in any way". to which the only response can be THEY'RE ALL STRAIGHT. ALL OF THEM. THERE ARE NO QUEER MAIN CHARACTERS ON SUPERNATURAL. and yes, i am intentionally including castiel in there, for the people who argue his status as a main character. no. i don't think a love confession -> death pipeline is particularly compelling as a queer narrative, least of all because his potential queerness has always been treated like a joke or a reason to emasculate him, and to actually explore what it means that castiel loves dean winchester would take a much better show than supernatural could ever be. and it still wouldn't be a show that makes people happy, if it was honest, because it'd be a show about the slow and steady decline of one broken man constantly proven right about his paranoia and his abuse and his control issues, and one broken angel who has set him up as a god because he never really learned what free will was, just learned that following dean winchester means he has it.

[mysterycharacterbracket]

Season 2, Round W3, Poll #3

Character 19: She’s a lesbian, a cannibal, a deadbeat dad, and the first openly queer woman of color to be elected New Jersey state senator. She has an evil alter ego that eats dirt and wants her to have an affair with her estranged butch ex. She’s the definition of girlfailure. She survived 18 months in the Canadian wilderness. She is haunted by visions. She’s surrounded by wolf and dog symbolism everywhere she goes. She helped her old best friend cover up a murder. She’s insanely ambitious but only because she’s trying to run away from her past and more importantly herself. She’s also a MILF if that helps.

Character 61: Everyone benefits from the kooky grandma! She has so many words of wisdom to share, even if it takes a bit of translation at times. This strange (endearing) woman has lived her life in the service of others and 100% deserves to roam around the community with her sweet tooth leading the way. And if anything happened to her, G-d Himself will punish the offenders.

[sequestered-song-skirmish]

Round 3 Poll 13

Use My Fkn Pronouns：　「I first met Allegra on the bus in 8th grade. I thought they were cool, but I didn't approach them for a couple months because I couldn't figure out if they were a boy or a girl. When I finally did talk to them, they told me they were nonbinary and explained what that meant. They asked me why knowing their gender was so important to me that I was afraid to talk to them, and that question spurred a series of epiphanies that lead me to who I am today.

The conversation moved on. We giggled about how mad their mom was that an *allergy medication* of all things used the same name just a couple years after she had her baby. They told me that they were a guitarist and that someday they were gonna be a rockstar. I said that when it happens, people will finally think of the musician first and not the medication, and we cheered.

Being openly gay and trans in a red state is fucking daunting now, but it was even moreso a decade ago. Allegra was *the* out queer kid in our class. Having the grit to withstand that kind of social abuse while remaining a goofy and deeply kind person speaks to their character. They used their music to carve out a precedent for the classes below us: showing them a queer person can be out and well-liked and successful while still having personal boundaries. Even here.

Next month they'll be onstage performing at the biggest music festival in the state. The song I submitted is the flagship single from their second album. It's about how tiring it gets to have to ask for simple respect all day every day. It's at about 3,600 some streams on spotify now, which puts it above the stream limit. (I submitted Windmill, a personal favorite of mine off the same album, as a backup.)

I think Use My Fkn Pronouns should be included in this bracket because it represents my friend standing on a stage and singing out to thousands of people, in the face of a government that is actively trying to erase them, that their life and experiences have value. They're gonna stand up there and BE the role model we needed when we were kids, and they're gonna fucking rock while they do it.

Even if it doesn't win, I want everyone to know that I am so, so proud to be their friend.」

Fang into Vein：　「okay listen.

Not only is this a chilling and beautiful song about vampires (the way he sings "it means nothing to me" the first time?! HOLY SHIT) it also is by someone so fantastic I don't have words for it.

So he is a Trans Elder TM, he is iconic for many reasons but most of all because he transitioned publicly in his mid 40s after having an established career and EXPLAINED THAT HE IS A CHANGELING, that a faerie had lived his life for him under a glamour while he the real boy had been kept in faerieland! It's the best metaphor of all time and he has stuck to it for 15 years no matter how much it baffles cis people. Also he is kind and thoughtful and if he were a spiritual leader I would follow him. Might be too popular for this bracket but this song only has 1.7k plays on youtube (I can't check spotify because I don't have a computer)... so, thank you for your consideration!」

[absolutebl]

This Week In BL - Strongberry Kisses!

Dec 2022 Wk 3

Being a highly subjective assessment of one tiny corner of the interwebs. Organized by which ones (in each category) I’m enjoying the most.

Ongoing Series - Thai

My School President (Fri YT) 4 of 10 - Gun gets flustered and then Gun gets flirty and comes over all spoiled prince, and poor Tinn loves it suffers. Thiw is the greatest wingman and it was the cutest date inspection: Tinn (confusedly carrying 2 ice creams ) just trailing behind a sunny excitable Gun. Yes, Gun is very extra. Yes, I skipped the singing. But oh my goodness do I love how much this is a traditional Thai high school BL. Thank you so much GMMTV. I missed this style of BL. 

Never Let Me Go (Tues YT) 2 of 12 - I have to say that I’m not entirely sure about Chimon’s casting in this role (he is one of my all time favorite GMMTV actors), but I love Perth. Perth has the hardest role, and he’s such a great nuanced actor with such an expressive face, only he could really pull it off and still feel sympathetic. Meanwhile ironically named Pond = yet another Thai actor made to swim who can’t. That said, PondPhuwin and the attack of the subtle flirtation = wonderful. Honestly? This is a much better role for Pond than FUTS. 

Between Us (Sun iQIYI) 7 of 12 - It’s still good, the leads are great, everything else is meh but at least I’m not bored? WATCH ALONG HERE.

609 Bedtime Story (Fri WeTV) 5 of 11 - So P’Mum is starting to figure out the science (do we call it science?) whatever. In other news, 3 years later, OhmFluke still give the softest sweetest most romantic kisses evah. P’Vee and Game are breaking my heart, honor the sides indeed. 

I Will Knock You (Fri Gaga) 6 of 12 - Noey has a very baby Dom thing to his bully behavior which is oddly cute. Or is that just me being warped? 

Remember Me (Sun Gaga) 11 of 14 - (it’s been extended 2 more episodes and into 2023, what joy is ours) We have switched to mostly focusing on Name and Em. I actually like the 2 actors, it’s just they keep getting stories I don’t enjoy. The JaFirst characters break up is not unexpected, presumably, they had to do some thing to honor the episode 11. After my bd reaction to The Yearbook I’m beginning to lose all faith in this production team. 

Ongoing Series - Not Thai

Choco Milk Shake (Korea Strongberry Tues YT) 11fin - I have to say it felt a little manipulating and there was a lot of dwelling in sad and then a time jump, and then resolution, which is very classic for a Korean drama, but Strongberry usually bucks trends. Still, all the kisses are really good and I do love how the animals w kept their personalities. I’m going with 8/10 RECOMMENDED more below 

My Tooth Your Love (Taiwan Fri Viki) 12fin - The parental abuse, and horseback riding thing was weird. ending with a marriage equality muscle flex and some domesticity was classic Taiwanese BL. I do love that and they were so cute! But ultimately this was oddly disappointing at the end, I think partly because as good as the leads were the crumbs were both excellent too and I wish they had more screen time. 8.5/10

The New Employee (Korea Weds Viki) AKA The New Recruit AKA Shinib Sawo - From WATCHA (Semantic Error) virginal Seung Hyun scores the office internship of his dreams but on his first day at work he gets into it with his cool reserved boss. As you do. Stars Moon Ji Yong (Once Again). Based on Moscareto's web novel of the same name, directed by openly gay & queer activist Kim Jho Gwang Soo (Just Friends?). Grumpy/sunshine, boss/emp, age gap. WAIT, he lives in the same neighborhood as the To My Star boys! And this show reminds me a little bit of that one, same kind of energy. Frankly this is what I wanted from this new crop of office set KBLs ALL ALONG. Fantastic. At last! 

Candy Color Paradox AKA Ameiro Paradox (Japan Fri Gaga) 2 of 8 - I’m not sure about this one, I am liking it OK but it is oddly mature while also being kookie, and also immature. Maybe it’s just Japan being its usual complex self. 

The Director Who Buys Me Dinner (Korea Thurs iQIYI) 3-4 of 10 - The premise of the show is so weird. But once the pink smoke appeared, and I decided we’re actually in a paranormal drama and not an office romance, I’m better about it. Also it’s really nice to see the lead pair start to actually like each other. 

Oh! My Assistant (Korea Thurs Viki) 7-8fin - There was a lot of me going awwww in ep 7. But in the finale, the triangle and jealousy seemed shoehorned in so that in the end, I was kind of torn. 7/10 More below. 

It’s Airing But I’m Not Watching It

Love Bill (Vietnam Sat YT) - Bah Vinh is back but I’m too distracted. Also there’s a lot of fund raising stuff going on. I’ll wait and binge.

The Star Always Follow You (Vietnam YT) - same Team RL peeps we have seen before (Sunshine, Stupid)

Till the World Ends (Thai YT) 10 eps - it seems to be good but I don’t know about the ending, so I’m waiting. 

Ended This Week

Choco Milk Shake (Korea YouTube) Stongberry gave us a full length BL on YouTube! It’s a BL miracle and an endless delight. It was wonderfully cute, unexpectedly hilarious but expectedly silly, a little too poignant, occasionally gut wrenching and with a somewhat expected weird (but happy-ish) ending. The actors playing the two pets must have had the best time. As, indeed, did I watching it. Jealous Milk made me cackle so hard it scared the actual cat on my lap, Choco was perfectly cast, and the chemistry was ultimately decent. In Strongberry I still trust. Thank you thank you, may we have another, sirs? 8/10 RECOMMENDED

My Tooth Your Love (Taiwan Viki) While, I really loved this show, it had a fun premise, and a solid lead pair with charming chemistry and delightful, domesticity, not to mention great communication, I wasn’t wild about some of the darker themes it explored, even though it did a good job with them. But while the crumbs and sides were v adorable they were chronically underused. If I gave half points this is a solid 8.5 but since I don't it’s gonna be an 8/10 MUCHLY RECOMMENDED 

Oh! My Assistant (Korea Viki) This is a very silly show that acts like it comes from a very silly yaoi. Reserved out gay younger assistant (we stan) pretending to be tsundere but is actually just v shy and smitten by his cheerful (seemingly straight) chaos bi himbo artist boss. I think the cross cutting in of old footage with the replacement actor after the re-cast did affect the chemistry with this pair. There was no way around it. Even KBL isn't usually this awkward and repressed. Although this show had the best bisexual awakening sequence ever put in a BL, and I really wanted to love it, I just didn't. 7/10 RECOMMENDED WITH RESERVATIONS

2 Moons 3 (Thai) finished it’s run this week. Rumor is it’s banal. I’m waiting to collect all the eps and then I will try to binge before I finish my 2022 wrap ups.

Why You... Y Me? (Thai YT) It's not primarily a BL, but another meta show about BL shipping, with side BLs. I await @heretherebedork ‘s report on whether to watch or not.

Gossip

Nutt Witsarut (Daisy in Secret Crush On You!) will play the role of Gyogung in 9Cats Studio's upcoming series Hot Bamee and Yummy Gyogung (y-novel adaptation).

PitchBank from Golden Blood (AKA Segus & Tenon) will be the side couple in new medical Thai BL Mystique in the Mirror. 

TutorYim (Cutie Pie) have a busy 2023, they’re starring in upcoming micro project Our Winter, possibly for Tik Tok distribution. They also took on JimmyTommy’s lead for Middleman’s Love and will have a cameo in KBL Jun & Jun (filming now). TutorYim will ALSO star in 2023 KBL (yes Korean) First Love's User Manual under A-Plan International’s Silkwood (Peach Of Time). 

In Case You Missed It

Check Out is being made into a movie that nobody asked for. Then again if they cut it down to 2 hours maybe it'll be tolerable? 

Singapore dropped short Summerdaze Christmas Together on YouTube. It’s ADORABLE and prompted me to talk about BL in Singapore and more. Def gave me Ingredients vibes. I really hope their series happens. 

Coffee Melody also gave us the Christmas special no one asked for. It’s basically a reunion romance, but mostly just domesticity. It cute, but dull. 

My Beautiful Man stars Yusei Yagi and Riku Hagiwara won several awards as a pair and individually at WEIBO Festival 2022.

Short Story Project's Coffee Shop (microfilm Youtube series in the same cafe setting with the same main character) ep 3 installment "ESPRESSO" is a BL. It stars BoyTod from Ghost Host, Ghost House and is a reunion romance. It’s quite cute. 

Moments Of Love (SmartJames AKA LeonPhob from Don't Say No) from Foremorfilm Production supposed to air Dec 24 directed by Golf Tanwarin (609 Bedtime Story and The Eclipse). 

I’ve started my end of year wrap ups, trends lists, and BL stats reported. Let me know in a comment if there is any specifically you want to know of have deep feels about.

Next Week Looks Like This:

Still coming:

Dec 28 - H5: Love in the Future from Taiwan (prob Gaga or Viki) - A cheerful and energetic student from 2000 travels to the future (2022), works as a deliveryman, and meets his first customer, an heir with a domineering personality. Directed by Nancy Chen (HIStory 4, Papa & Daddy).

Dec 28 - Midnight series starts on GMMTV’s TY,, one of which is Moonlight Chicken (EarthMix). Trailer. Maybe not really BL, adult issues, messy gays, cheating, soulmates? Mix plays an openly gay character in a relationship with First’s character. Earth portrays a chef who runs a restaurant while taking care of his nephew.

THIS WEEK’S BEST MOMENTS

Honestly what a great cast and thank you Strongberry for not betraying our trust. It was a predictably weird, but not traumatic ending. 

No shit. 

Tinn caught himself a live one. 

At least he knows it. (My School President) 

(last week)

[inevitably-johnlocked]

Hi! I saw that you were theorizing before about Sherlock so I really want two things let out of my chest since I saw the series and I am curious what you think.

First of all, I have always had this theory that Moffat and Gatiss wanted Johnlock as their end-goal. I studied Film and screenwriting which taught me a lot and there is NO WAY they made all those things suggesting that their relationship is keep building from colleague to friends to something else in the first two season just by share accident. There are so many ways they could have done it and I don't believe it that they wanted queer baiting just for the sake of it THIS much without a resolution. I especially not believe it since Gatiss is gay and he should know more. Not to mention that the interviews around the first two seasons were quite telling sometimes that they were not opposed to the idea. Then something happened. My theory is that either the BBC or whoever was charged of Doyle estate and Sherlcok Holmes right (which became free from this year), or maybe even both of them could see where this is going and let Mofftiss know that they can't do that. They are bringing the money and they can call the shots even though they are the creators so they needed to compromise. And you can see they clearly made a turn from Season 3. And I think you can tell about the interviews as well from that period. I believe that's (one of the) reason Martin had enough by the end probably and they just did the job they had to do. That's what I felt. Like they were acting but it didn't really have the....spice if you know what I mean. What do you think? I have always had this theory but since studying film and how film production work and the writing progress I am convinced that they thought it through and they had a clear intension, a long game but they need to stop. 2. This second one is not a theory but it always really bugged me. In the last episode, the Final problem when Sherlock had to call Molly to make her say I love you (let's not talk about the part how rubbish it was), why Molly looked so...pardon my language...shit? She looked so done, like she was crying for hours before and it was just super weird. What was the intention behind it? It was never really explained. Or did they want to suggest that she had a shitty day and she has no patience today for Sherlock or what? She was so completely different than normally. (And I try not to rage about the fact how they underminded her character but that's another story). What do you think about that one? Honestly it really bothered me when I saw that.

Sorry for the long post. This is something I have in me for years and I didn't really have anyone to share with. If anyone else wants to comment on it, go ahead. (And english is not my first language so sorry if there are grammar issues)

Hey Lovely!

Sorry for the delay in a reply, I always need to switch my brain into Meta Mode™ to answer these types of questions, and since I don't do that much anymore, I have to go back and see what I used to theorize, LOL. So, let's go:

ONE:

Your theory aligns mostly with my own: either the (at the time) Doyle estate got involved since they saw where the plot lines were leading to post-S3, OR – and this is the one I lean more heavier towards – BBC interference. I believe there was a turnover of higher-ups at BBC at the time, if I recall correctly, and perhaps their vision for the show differed from what the story was being told. I agree with you – there is NO WAY that they DIDN'T see what they were doing...

Which then leads me to the third (and, I fear, the actual answer) option – queerbaiting to bring in the numbers. Moffat has done projects in the past where he never follows through with the queer romance or they die / happens offscreen, and Gatiss has openly admitted to using homoeroticism to bring in an audience after the downfall of S4. So It's also likely that they got too full of themselves, and without a third writer to reign them in and make a cohesive narrative (at the VERY least make S4 make sense to the other previous episodes with or without Johnlock endgame), they wrote something no one liked at ALL (even though they LEGIT thought TFP was great enough to nominate for an Emmy, if I recall correctly, and backed down on that claim after it was critically panned), including the critics AND general audience, basically told everyone they were stupid, and picked up their ball and went home. And they refuse to say if Sherlock is done at this point because the Brand™ gets them money still.

None of the actors seemed very happy after S4, even though they worked SO hard to make the best with what they had been given. Martin was DONE in interviews, Ben is SO bad at faking it, but he tried, bless his heart, and I think at this point, with both Martin and Ben busy with their own careers and side projects, I don't think we're getting anything within the next 5 years. But I've been surprised before.

TWO:

Ah, yes, the Molly Thing in TFP™, one of the things that just... ruined her entire character, devolving her back to ASiP Molly. The running theory – or at least my theory – is that she is a placeholder character for John in John's coma nightmare. She is John's inner feelings, the ones John himself feels like he can't express to Sherlock because he fears the rejection from Sherlock. I PERSONALLY think that's how we're supposed to read that scene, because otherwise any other context is weird and demeaning to her character arc.

But then again, the entirety of S4 is one big FU the series without an S5 to clean it up.

-------

I hope I helped a bit with this response! Sorry if I missed anything, I'm exhausted and need some sleep LOL.

Feel free, friends, to add your own thoughts.