#analysis is fun

[autumnslance]

At the end of the day, the priority of art is its creation, not its analysis. -Managingway, Final Fantasy XIV: Endwalker, patch 6.3 Loporrit Tribe Quests

[griddleharkbrainrot]

I’m currently thinking about how John and Co. refused to call Alecto by her name. They named her fury and vengeance but could not acknowledge what made her thus. They call her Annie Laurie, reducing her to her looks, those so inhuman and frightening yet beautiful all the same. John gave her the name Annabel Lee, naming her existence as a tragedy in that she was his love lost. In both instances the literary references reduce the woman mentioned to nothing but set dressing for the man of the story and it truly betrays John’s thoughts on Alecto for as much as he claimed to love her, he sees her only as the stepping stone for his own story. “For John so loved her that he had made her she. For John had loved the world.” And that is the crux of the matter, John had loved the world but she is not the world, she is its fury. John wanted her to be calm beaches and lapping waves, he wanted a wife, sister, mother, and daughter all in one, but instead, he got 7 million silenced voices crying out in agony, furious at the injustice done to them. I think subconsciously he understood that when he named her Alecto, fury of wrath from Greek Mythology. But even if he had called her Gaia she would still be furious, for was it not Gaia who gave her children the scythe to kill her husband? Was it not Gaia who roared and shrieked to the depths of Tartarus when her children were torn from her arms? The first bearer of prophecy was forged from the grief and rage of an anguished mother; the earth has always been furious. John’s fatal flaw was that he could not comprehend that the rage was for him. He who promised love and safety but cut and stripped her soul stole her children and butchered her corpse. John could never truly comprehend that what he deemed his perfect creation could resent him the way she did. He took her away and reforged her into something she could never be. John denies the resentment Alecto feels for him and we can see this reflected in how he refers to her. John is the sort of man who thinks that if he sees a woman as nothing but her looks, he can make her lesser. To him, she is Annie Laurie of beautiful bust and a personality nonexistent; To him, she is Annabel Lee, a woman so pure and lovely that the angels stole her away from him. Subconsciously, the lyctors have adopted this as well, calling her these names out of fear and not realizing the implications of what they are doing. Even in writing, she is A.L. to them because somewhere deep down they know that to name her wrath is to invite it and invoke it. John believed that if he could compress the Earth into a beautiful shell then he could control it. The Earth has been around for far longer than he could ever truly comprehend, and she is furious.

For @commanderbabygirl thoughts?

I did not realize just how many opinions I had on this until I started typing

[dungeons-and-dictions]

Alastor despises Susan, and dislikes Vaggie.

So, he dresses Vaggie like Susan (but fancy) as a very discreet insult during his reprise sequence in the pilot. I just noticed this.

[mushyposts]

I saw a post talking abt how Zuko fought as the blue spirit in silence bc he couldn’t risk his voice being recognised, and how difficult it would’ve been for him to fight without yelling, which is very funny and also I agree, but I do have other thoughts on it!!!

I think this is a VERY VERY interesting theme to explore. Fire bending, as we know canonically, is all in the breath. Zuko, when bending, forces power into his breaths vocally. Azula and Iroh in comparison are very quiet when bending, exhibiting extreme breath control, and when Azula does start to lose control of both herself and her bending she becomes vocal. Screaming, grunting, yelling while bending.

Zuko fighting as the blue spirit both in silence and without his bending IMO is such a good way of highlighting where his strengths lie. He’s a good bender, of course, especially by the end of the show where he’s found a new source of strength, but he’s never been as proficient as other fire benders.

I think the blue spirit was such an easy role for him to slip into because while fighting, for once, he didn’t have to force his strength. He took time training with swords, hand to hand, etc because he knew he lacked in bending ability.

I like to think he found it easy to not yell while fighting as the blue spirit, because he felt confident. In his ability to fight, in the hidden identity aspect removing him from the role of the banished prince and the expectations that came with it. Putting a space between himself and the burn that has been used to identify and humiliate him many times.

I just think Zukos bending and fighting evolution is so neat….

[unicornpopcorn14]

Chuuya's reaction to Dazai getting hurt during the Lovecraft fight has always been so interesting to me...

Because it's the kind of worry you'd never expect from a character as gruff as Chuuya, who had displayed nothing but hostility towards Dazai so far. Usually, characters that are labelled as "angry" or "anger issues" (which Chuuya is much more complex than that but you get my point) act more as a tsundere type of way when the one they "don't care about" gets hurt. And show their care in very, very subtle ways (ex. their eyes widen, their mouth parts and closes again, etc) before putting up their front once more.

Chuuya, however, is open, and vocal about it. His worry is clear not only to us, but to Dazai himself, the one he shouldn't be displaying the concern to (as per the cliche). Shouldn't it be some sort of secret that Chuuya does care? Isn't that what skk's dynamic has been shaping up to be until now?

I'm telling you- the way my mind blanked when Chuuya just casually.... showed concern not once, but twice, was a sight to see.

Besides, the context makes it much more confusing, because Dazai isn't some rookie, and Chuuya knows that more than anybody. He was the youngest executive in Port Mafia's history, of course he can handle a hit or two. Of course he'd seen him handle a hit or two, sometimes without batting an eye.

Heck, Chuuya himself was hurling Dazai like a ragdoll in their reunion, which was their last meeting. And you could argue that he was going easy on him, but Dazai has mostly withstood the same damage (as far as I could see), and Chuuya was as bitter as ever.

So that kind of contradicts both what we knew of Chuuya so far, and how their dynamic was shaped to be. I mean, that just makes Chuuya a hypocrite, yeah? What makes him care now, all of a sudden? What makes him care at all?

Well, to me, this backasswards reaction implies one (or more) of the following:

- Dazai rarely got physically hurt during their partnership and thus this is an unexpected thing for him to see (during a mission).

- The four years of separation made Chuuya unsure of how much Dazai can withstand physically now. Also the fact that he isn't in the mafia anymore, aka fighting enemy organizations on the weekly, would naturally make Dazai lose his touch in a way, what prompts Chuuya's reaction.

- Dazai getting taken off guard took him off guard which led to panic. Especially since the situation was (momentarily) out of their depth. Seriously wtf even was Lovecraft?

- During the dungeon scene Dazai was an enemy, while in the Lovecraft fight he was as an ally. The difference might be significant to Chuuya.

- This has always been Chuuya's reaction to Dazai getting hurt regardless of the situation.

- "Only I can hurt him like that" ahh logic

- Asagiri was still experimenting with their dynamic and thus there are some inconsistencies.

This scenario didn't play out again (after their reunion) for me to exactly determine which one is more plausible, but it is 100% canon for Chuuya to shamelessly show his concern and run to Dazai to check on him before properly dealing with their opponent, which I find to be such an appealing layer to their dynamic, and a good spin on the type of character he gets stereotyped as.

Bonus: Dazai also becomes a softy when Chuuya's hurt, especially post corruption. Dead Apple alone displays that multiple times.

All in all, Skk are doing a terrible job at maintaining their 'hostile' and 'antagonistic' relationship post their reunion. Freaks.

[calmlb]

It’s been clear that the Tanizakis aren’t siblings from the very beginning

here’s some evidence now that it’s been confirmed canon…

everyone who’s read irl Tanizaki’s book knew that Junichiro & Naomi weren’t siblings as soon as they introduced themselves

BUT just because the Tanizakis aren’t siblings doesn’t mean you can’t feel uncomfortable about them. if you feel uncomfortable, GOOD. that’s exactly what they want

the Tanizakis, Mori— they all use these disturbing ruses to disarm or distract people in order to protect themselves, or to accomplish their goals. this is a writing device that asagiri commonly employs as a way to parallel the irl literature (it’s actually ingenious)

there are 4 main indicators that have always made it clear to me that Junichiro & Naomi are not siblings:

1. most obviously— their character designs. Harukawa is extremely intentional with character designs, & she very intentionally made Naomi & Junichiro look nothing alike

their eye shapes are purposely different

their color palettes are contrasting

even their differing styles of clothing have meaning

this was all done so that the audience could PLAINLY see that they’re not related— so that WE know that they’re lying when they say they ARE related

2. how the people around them respond to their act.

the general reaction is “don’t question it”— which is exactly what they want. “be distracted by how uncomfortable you feel so that you look away from what we’re hiding” (this is likely a protective measure)

3. most importantly, this is meant to parallel irl Tanizaki’s book “Naomi,” where the main character Joji picks up Naomi to raise her into his ideal woman, but since she's so young (& a minor) they call each other cousins (Joji makes no sexual advances on young Naomi btw)

however, his plan backfires because when Naomi gets older & they get married, she flips the script on him & manipulates HIM so that he's under her thumb (which is why bsd Tanizaki is at a domineering Naomi's mercy). Joji let her have her way because of his masochistic tendencies

4. lastly is the emphasis that Asagiri and the Tanizakis themselves put on calling each other siblings.

over & over, it’s “my brother this” & “my sister that”

like they’re desperately trying to convince us that it’s true (“don’t let your lying eyes deceive you”)

here are just a few of many examples from the light novels…

again, if you’ve read “Naomi” you knew that Junichiro & Naomi weren’t siblings as soon as they introduced themselves

just like if you’ve read irl Mori’s works, it’s clear that bsd Mori isn’t a pedophile

just like if you’ve read No Longer Human you know that Dazai’s an unreliable narrator. he makes you think he’s a bad person bc he believes he’s a bad person, but those around him see him differently (btw this doesn’t mean he’s never done anything “bad,” though bsd isn’t about morality— but that’s another discussion)

anyway, i’m so excited for the Tanizakis backstory to be revealed so that we can better understand why they use this defense!!

also let this be a reminder to READ THE LITERATURE if you’re able to!! even reading synopses & analyses of the coordinating books makes bsd make much more sense 🥹

reminder that this how you’re supposed to react while reading bsd:

also, if you’re interested in a post explaining how Mori isn’t a pedo, i wrote this analysis on twt. OR you can read this document that one of my moots sent me (remember: analyzing a character does NOT mean you condone any actions they may or may not commit!)

[zolanort]

I was re-reading enter/entrance and had an epiphany.

If you ignore almost every single detail, the location of the dungeon becomes clear: the chain is at the temple level from Super Smash Brothers.

1- The location of the boomerangs, just above the archways they entered through. Legend and Hyrule don’t know that they can double jump through the floors since they’ve never been invited to smash bros before so they are going to have to get creative with springs or something if they don’t figure it out. Legend definitely has items turned on so they should be ok probably.

2- Twilight and Sky are op heavy hitters so they will instinctually end up in this area, that’s just how it works. Dink will also probably show up here because he has practiced the angles and think’s he’s a really good edgelordguard. I hope he gets meteor smashed.

3- Time, Wind, and Four will be on task back there in that building somewhere actually completing the dungeon, you can tell because there’s a triangle shape and that resembles both the triforce and force gems. Time got to play in this level both as a child and an adult so he already knows his way around, and Wind (and arguably the colors) also have experience with the mechanics and can cheese their way through. Team Attack is turned on.

4- Wild and Wars end up here. Wars because he doesn’t know how smash bros OR dungeons work, and Wild because this is where he learned how to do bomb recoveries (nostalgia) and he also suspects Dink might show up down at #2 later on.

This is obviously the correct answer to the question “where are the bros rn?” which I have discovered myself through logic and astral projection into jojo’s top secret notes.

Art credit to jojo’s @/linkeduniverse and also Nintendo I guess.

[itsonlypolite]

This comic is a redraw of the first StP art I ever posted here! I always wanted to have more fun with that scene. The second half of this comic is also heavily inspired by @cymatile's tags on the original post, which I'll show under the cut!

[monstrousparalysis]

Hey y'all! Since it's Love Loses Wednesday for all who celebrate and I have plenty of thoughts about it, here's some of those thoughts I've had for my fellow enjoyers of Chip Bastard from the insanely powerful podcast Just Roll With It!

So.

Chip being so focused on family and friends, on finding Arlin and keeping his co-captains and crew safe, while the most he ever shows interest in romance is in brief, jokey flirting that's quickly brushed aside.

Chip buying a love potion, only for it to sit unused in his inventory for literal months until it unceremoniously drops into the mouth of the Electrodon.

Chip being unnerved or even downright scared when somebody shows a sign of being attracted to him (Amanda with the marriage, Jazz and his flirting, the frantic denial to Ollie that Gillion kissing him meant anything (which was then followed by barely any change in their relationship. A typically romantic act, done as an act of love between friends, and yet those friends never did start a romance. Curious))

Speaking of Amanda and the marriage: Chip waking up one day and suddenly being expected, even morally obligated, to be in a romantic relationship with somebody he doesn't even know, for reasons he doesn't even know. And even when he clarifies that he doesn't want this, that he won't give up being a pirate with his friends for it, he still can't leave behind the expectation fully, because Amanda, and thus this expectation, is literally chasing him. Sometimes it even comes from his own friends, because no matter how much he would prefer to just Not Be Married, there's no way for him to get out of it, especially not ones Gillion would likely accept, and therefore the expectation that eventually, he'll be in a romance, is inescapable.

And even more interesting, he's not opposed to the idea of getting married in general. He wasn't wholly against the notion of marrying Igneous just for the AC boost it would give them. Clearly, the problem he had wasn't with the marriage itself, but with the fact that he was expected to form a romantic partnership.

And lastly: Chip having his literal heart ripped out of him, and staying nearly the same. Making jokes about how his heart was stolen in a way that was literal instead of romantic. Writing to his wife that if death do them part, then now it has (and doesn't it even say something that the only way for him to escape the marriage, the expectations, was to die?)

He cares for his friends just the same. He cares for his crew just the same. He wants to find Arlin just as much as ever. And his avoidance of his wife, of the expectation that he perform romance, stays the same. But even if he's the exact same, he has an excuse for this now. Because clearly, somebody with no heart couldn't feel romance, and who cares that he didn't really seem to before he lost his heart either?

Chip being aromantic, on a textual, metaphorical, and thematic level.

[essycogany]

Rare But Not So Rare Sonic Moments

Sonic Swooning Over Amy

So, Sonic’s been kind of the driving force of Sonamy recently. Let’s analyze that.

I’ll show Sonic having feelings for Amy in almost every media aside from Fleetway and the two cartoons she isn’t in. I’ll also present the “whys” in more detail then just “Amy calmed down.” While that’s part of it, I’d like to add my own can of worms. And possible headcanons too. Bear in mind I never grew up with Sonic, so forgive my mixed opinions.

While I love Amy having a crush on Sonic like the energetic sugarplum she is, nowadays Sonic’s oddly been the drive of their dynamic. Any examples of it beforehand? Let’s look outside of the games first.

Sonic X

This Sonic takes more time to himself. He’s introverted, so his feelings for her isn’t displayed as obviously as the others. In fact, most people think he didn’t like her in this show because of how much he runs away. He even manipulated her by flirting in one episode. In my opinion this show has Sonic running away from Amy more often than not. Hot take: Sonic and Amy never had a real conversation either. They don’t…talk like they do now. Unless you count,

“Oh, Sonic I love you!” “Ah! C’mon, Amy. Knock it off!” No, it wasn’t constant but still common.

From my point of view, the conversations were short lived to none existent. It was the same in the earlier games too. Compared to how they talked to other characters or now, you might be able to notice. At least until Sonic And The Black Night were he talks to both The Lady Of The Lake and Amy. The two would also have visual gags of Sonic getting aggressively hugged by Amy. Or Amy falling on her face while trying. Aside from one moment in Sonic Riders where Sonic put Amy in danger, it wasn’t good or bad. Just cartoony for lack of a better term.

Maybe I’m just insane. You decided.

Anyhow, their dynamic in X is clearly built on actions. Like Amy giving Sonic a seashell bracelet and Sonic giving her a rose. Those little things. While I do prefer them being able to hold longer conversations, I don’t mind how X handles them. But let’s get to Sonic’s crush. I assume in Sonic X Sonic is conflicted. He’ll run away from Amy or try to pull from her on most occasions and others Sonic would constantly hold onto her when he doesn’t have to. For a long period on time no less. Amy’s the same way. One moment she’d be head over heels and other she’s bashful. Goes to show how young they were I guess. I have no clue as to why Sonic liked her back because there wasn’t much to go off of. Except the bracelet moment or her general kindness like feeding him one time. She was a bit much to him and most characters back then.

It’s possible Sonic just liked her and that was it, but I’d imagine due to all of the hand holding and small reciprocated gestures were enough to convey something was there. Straight forward and simple like the show itself. I headcanon this Sonamy being where the boyfriend gets dragged into a relationship and is fine with it. This version of Sonic’s attraction seems to be chaotic pink hedgehogs apparently.

Sonic Boom

Should I even explain it? Might as well because not only do I have something different to say, but these two haven’t been brought up much. Sonic and Amy’s romance mostly is played for laughs. Not saying their love for each other means less because of that, but the humor is the main reason they exist. Much like why in the main canon they started out the way they did. Regardless, I’ll dive deeper into Boom!Sonic’s affection for Amy to the best of my ability.

Boom!Sonic is egotistical, so whenever he thinks Amy’s crushing on someone else, it bothers him. Apparently he’s the only one she’s allowed to like. No “Radical Speedsters” or “Celebrities” can take her attention away from him. Like in Sonic X he tries to keep his crush to a minimum. Even though both him and Amy are terrible at it.

The moment in “Fortress Of Squalitude” a episode where everyone is a bit rude to Amy, close to the end Sonic says, “We may have a hard time saying it Amy. But…well you know.” Then she responds with, “Yeah, I know.” It’s such a sweet moment. Not as powerful as most moments with them but for Boom it’s very nice. Sonic and the others still value her as part of the team, but it’s Sonic who expresses it out loud. Goes to show how much he cares about her for even attempting to open up in this instance. Didn’t even have to finish the sentence. Amy understood perfectly. I also noticed how much he tries his best to impress her. When he needs to return her book back, finds her hammer in Archie, (Vector did it in the show and Sonic got jealous) shows off randomly or dreams about her, and stopped racing to get her some eggs in one episode.

The funny thing about this Sonic is how much of a people pleaser he can be. Especially since the towns people are very spoiled and ungrateful. He wants to be needed and that’s possibly why he goes out of his way to do special things for Amy like go out on picnics, implied dates, and comforts her. She’s very take charge in Boom and Sonic has no problem calling her out when he needs to. Much like Amy in the show and games. Sonic will even put effort into doing things he doesn’t feel like doing for her. How honorable of him. Sure, sometimes he tries to make her jealous and isn’t perfect, but he tries. I believe Sonic likes Amy because again like Sonic X Boom isn’t canon, so more outright reciprocated feelings are allowed in this case. Not to mention the dude likes being shipped with her in the show. Which is a win in my book.

Sonic enjoys bugging Amy much like a playful boyfriend. He probably admires her leadership, but I’m saying this by observation. It could be for anything. Maybe he thinks she’s cute when she’s mad and finds her temper amusing. It could also be for her stubbornness. Some people like each other because of how much they can relate to their partner and in Sonic Boom’s case they’re two cuts of the same cloth. Although still different, due to the show’s theme, they carry the same condescending, slightly self centered, hotheaded, stubborn, and humorous traits. But they’re still good hedgehogs with a heart of gold and usually makes reasonable decisions. Not to mention they’re both equally shy about their crushes. In Sonic Boom, Sonic and Amy is that married couple who doesn’t get along much, but when they do you’ll understand why they stay together.

Reboot Archie Sonic

I haven’t read the comics (unless you count watching a few dubs and internet reviews) but I’ll give my limited thoughts. Luckily there’s not much to say. Although most people believe it was unintentional, I don’t think it’s too much of a stretch that someone from Archie thought it was a fun idea to have Sonic crush on somone in this reboot. Maybe it’s unintentional but it doesn’t seem that way.

I’m basically using this part of the post to ramble about how Reboot Archie’s Sonic still manages to be a casanova. He’s like a mixture of his old self and how he is in the games. That’s also why he acts the way he does around Amy. Could it also possibly mean he’s meant to like her canonically too? Reboot Archie did have to follow a more accurate way of writing Sonic after all. Anyways, let’s run down the list of Game!Sonic if he was allowed to be down bad for Amy like they’re already dating. Which is how I view this continuity. It’s basically if Boom and X had a weird fusion and this version of Sonic’s crush was the result. Except here he manages to be more bold and upfront. He knows what he’s doing. Here’s a run down.

First of all, THIS. No joke, more of these interactions would send me to the moon. I would explain why but the panel speaks for itself.

Sonic says, “I was worried about you.” Which he hasn’t admitted to her before this to my knowledge. He states this by giving her a side hug. Along with other out of nowhere physical affection and flirting. Not to single out Sonally fans. Sonic and Sally clearly have a close connection people appreciate and I respect that. In any case, Sonic and Amy in Reboot Archie also matches energies so much. They’re both clearly running off the same brain cell. You’d think they were together. They’d be a chaotic couple that’ll do the most outlandish things and somehow manage to survive them. After willfully risking their lives they’d do it again because being normal and safe is boring. I promise you, this version of Sonamy would be a huge force to be reckoned with.

-I’d also like to mention my friend Salty showed an example of Sonic being jealous of Knuckles coming with Amy on a mission and it’s brilliant. Dude gets all bratty about it too. Archie!Sonic does not play around. The post in question.

Sonic Prime

Already talked about this in another post, but I want to mention it again. Prime!Sonic is the most sensitive version of the character, so it’s no surprise he displays his admiration for Amy freely and out loud.

This moment says enough on its own. Sonic’s like this throughout the entirety of Prime and even changes the tone of his voice when speaking to or about her. It’s so authentic and adorable and makes him stand out against other variants.

Amy’s crush on Sonic in Prime is up to interpretation, but I don’t think she likes him in that way personally. Like other characters, Amy tends to be done with Sonic’s childishness. Guess she thinks he’s probably too immature to be boyfriend material whether she has feelings or not. Sonic on the other hand, acts how you wouldn’t expect. I personally see him as his own interpretation, so I’m fine with it. If he wants to have goo-goo eyes for Amy in Prime, it’s cool.

Prime!Sonic has it bad and I wouldn’t be shocked if he’d be the one wanting to go out on dates. Maybe he’d cook dinner for her sense he cooks in the show. I’d imagine Amy declining at first, but does it after his constant begging. They’d be swapped version of most emotional to least emotional. Prime!Amy would be a girlfriend who feels more like a parent than a partner.

Unleashed/Black Night

No one can bring up Sonic Unleashed without the lovely Amy meeting the Werehog scene. I love how Sonic didn’t like Amy hugging him, but right after she left he solemnly mopes around for probably the first and last time. He’s never in any game slowly moped around disappointedly before. Proving he only has certain reactions when it comes to Amy Rose. At least in some continuities. Unleashed gives you a choice to go on a date with Amy or not. Then the next game Sonic Team followed through with it, but ended up having Amy mad at Sonic for missing it. At least Sonic tried. Not to mention his reaction to The Lady Of The Lake and him flirting is fun to watch.

See how Sonic still likes her back but it isn’t because she’s “calmed down?” She’s still the same excitable love strucked Amy. There must be something more to it. Other than the obvious answer with Sonic Team wanting to do something with the pear. I have no idea why but having multiple hints even in the past must’ve been done for the fun of it. “We created this love interest but then railed back to Sonic not reciprocating her feeling. But we still want to market them as a couple in some way.” This franchise never cease to confuse me.

Amy encouraging Sonic in one of the cutscenes could’ve been where he started liking her back. Not in the way he does now, but he admired her none stop compassion and might’ve wanted to return the favor. “Eh, she’s sweet. Maybe a date won’t be so bad.” The fact he went out of his way to get her a chilidog and flirted with a different version of her should tell you enough. Of course it would take a while before anything else happened. 

IDW/Sonic Frontiers

Yeah, after issue 2, Sonic’s never felt the need to run from Amy. From the comics to Sonic Frontiers there’s a lot of moments of Sonic being somewhat emotionally candid. Not by much, but close. I believe Amy’s the reason for that in a way. Sonic’s not afraid to hang out with her anymore. He even hugs her back on some occasions. “Ames” was a nickname from fanfics and Boom which became canon over time and he occasionally calls her that.

Sonic wishes to share an umbrella and spend more time with her. He also gets excited to see her more often. It’s like Reboot Archie but slightly toned down. At least up until the hard to trigger lines from Sonic Frontiers. The same game where he outright admits to being worried about Amy and smiles back at her with a Coco looking between the two. Then he supports Amy’s decision to leave etc. We all know where we are now.

Crazy how the more you look into this franchise the more tiny details you notice. It’s also crazy how much Sonic’s been into the love interest he originally was already supposed to love. To me, Sonic had a crush on Amy in Unleashed but fell in love with her in IDW. What makes Sonamy gripping though is how unique it is compared to most romantic relationships. Leaves it to be more entertaining whenever something unexpected happenes. It keeps you engaged.

Why Sonic Crushes On Amy?

1. Amy doesn’t want to slow him down. Obviously because of IDW issue 2’s love confession with Amy saying “I can’t change you. I don’t want to change you.” Amy joins Sonic and he includes her more often because of that. His speed is no match for her persistence anyways.

2. She shows compassion and love for those around her. Not just to Sonic, but everyone. She’s the definition of soft hearted. Even for people Sonic and his friends would be weary about. Think about now in the recent comics and games where Sonic’s trying it out. I do think it should be more of Amy’s thing then Sonic’s but it just goes to show how much she probably inspired him. Who knows? Even in the past he had respect Amy for her tenderheartedness.

3. Amy’s energy matches Sonic’s. Though sometimes she can be overly enthusiastic compared to him. Even before now, Amy’s always been adventurous and that’s probably something Sonic liked from the start. Not in a romantic way, but in a respectful way. If he were to have a partner he’d need someone to keep him grounded and be on the same level. No exceptions.

4. Her loyalty. No matter what Sonic does (including times she disagrees) she’s one of Sonic’s most loyalist companions. Obviously other characters are too, but Amy has her being a long time childhood friend/Sonic 06 and Unleashed going for her. 06 for trusting Sonic over Silver and Unleashed for still loving Sonic despite his transformation. Heck, before she knew who the Werehog was she wasn’t disgusted. Amy’s commendable for that.

From all these points here physical attraction isn’t included. What I like about both characters is their crushes don’t stem to how they look. Though it is worth mentioning Sonic has called Amy “Radiant” in TMOSTH, but that’s probably the closest we’ll ever get to an outright physical compliment. From Sonic at least.

- Side note thanks to @saltynsassy31 again, Sonic and Amy’s dynamic can be summed up as not a relationship but rather a situationship. Yes, it’s a real word. What does it mean? Basically two friends who has crushes on each other but doesn’t do anything about it. Just a fun detail for you guys.

Why Did Sonic Run From Amy In The Past?

I’ll make this quick, but the reason Sonic ran from Amy wasn’t because he didn’t like her. On the contrary. Sonic always could’ve ran at his normal speed to get away from her. Sonic’s the fastest thing alive. Why would he let someone he “didn’t like” catch up to him? I personally think he enjoyed the thrill of the chase. It’s why I believe he misses it nowadays. Though I do understand Sonic didn’t often treat Amy like a friend. Not in a way I can understand at least. Not that I think their relationship was bad, but from what I’ve seen, it was more told then shown due to Sonic and the gang not including her on missions. Amy normally had to catch up with them which was a running gag. Especially in SA2. It might be why some prefere her in stuff like Reboot Archie, Boom, IDW, and Frontiers. Because Amy’s friends includes her on adventures now. At least in my opinion. Correct me if I missed anything.

Final Headcanon

Since Sonic in the games has been the one to push the Sonic side of Sonamy much more then Amy does for herself, I’d like to think in most cases (especially as their dynamic grows) Sonic would start carrying other versions of him traits like trying to mess with her.

He’d want to get her to chase him more often and Amy would probably ask once or twice, “What’s going on and why are you acting weird?” He’d definitely play it off as him fooling around. Sonic doesn’t know much about romance, but he does know what Amy likes. Maybe he’d ask her out or go on a bunch of traveling missions. Anything to get her to pay attention to him again. After all, there’s been examples of the guy feeling ignored by her in and out of canon. It’s possible.

-There’s also a consistent detail where Sonic’s finally ready to open up but has to deal with Amy doing her own thing. Or when he’s face with different variants of her, he’s flirtatious with them. For the fastest thing alive, he has terrible timing when it comes to making his mind up.

Conclusion

Welp, there you have it, darlings. Examples of Sonic crushing on Amy more than some would think. It’s a Sonic character analysis and Sonamy post all in one. I know there’s more, but I think this gathers examples from the actual content.

Stay Creative! 💜

[minart-was-taken]

As a wise man once said...

[madbard]

I just played through Slay the Princess for the first time, and… I cannot stop thinking about the Cage.

To be profoundly and finally severed from the illusion of your autonomy. To look on, from a prison of your own making, as your body acts out a legacy of violence against the body of the only other person who can or will come near you. To see their body perform that same violent dance. To be bound to this person, and in your limited state not to understand why. In that moment, as the silhouettes in the shadows act out the story of the princess and the slayer, to share a moment of peace with the one sent to kill you.

Intertwined. Diminished. Reductive, mutually destructive. Trapped in an infinite dance.

Beautiful.

To have been so determined you never had free will, never could have found another way. To realize you may have been wrong. To be trapped in a pattern, but unaware of what that pattern truly is.

Still, for that finite and watchful moment, not to be alone.

(Mild gore under cut.)

(Also this art from the game haunts me.)

[tinkerbitch69]

My favourite part of dot and bubble (besides ncuti’s performance in the last scene my god!!!) is that the episode kinda misleads you into thinking Lindy is so dismissive of the doctor and the disappearance of others because of the social media echo chamber she has isolated herself in. That she is scared to leave it and that she could be a better more empathetic person if given the chance to leave.

But then the final scene happens!

All of her actions, from putting Ricky in the firing line before her to lying about it to refusing the help of the doctor because of her thinly veiled racist beliefs, reveal that this refusal to acknowledge the reality around her to the point of putting people in danger and inevitably allowing the problem to become worse was a choice. She was not some innocent victim of media manipulation but had complete agency in her denial of the danger others were and just didn’t care about them.

The reveal is an important part of the episodes critique of social media echo chambers, I think. Their danger isn’t that they obscure information that challenges the users but that they allow people to choose not to be confronted with information that challenges their worldview or their behaviour. Which is an experience vital to developing critical thinking skills and being a compassionate, empathetic human being. But by removing the agency of people who choose not to break from their bubble, we also enable the insularity of these echo chambers!

God I love this episode so much <3_<3

[blacktabbygames]

In the Happily Ever After chapter, The Narrator describes the "cabin's" first corridor as having multiple colors via the stained glass windows. Can He see in color and TLQ can't, or was he just being fanciful with his descriptions? Or... am I reading too much into it and don't need to worry about it?

we're very intentional about our use of color

[beargregor]

wait i'm curious, what makes you say that gregor doesn't like everyone else (if i read that post right)? just curious since i've never seen anyone else say that

i don't necessarily think gregor dislikes everyone else at lcb but i do think that gregor is an incredibly petty person that isn't nearly as close to the rest of the sinners and even outright dislikes some of them cough cough rodya cough cough which a lot of people just Refuse to see because he's as much of a doormat as he is. there's several examples i could get into to try and prove my point however i'll just focus on what i personally think to be the biggest ones.

additionally, this is going to be kind of long, so i'm adding a read more. read more! read it. sorry for being so wordy. i have several diseases.

Pt1. gregor is the type to try and get along at least decently with everyone, especially if he gets a good first impression from them.

this is less a point in favor of gregor's distance w/ the rest of the sinners and more just a contributing factor to it. once again there's several examples i could point to here but i think the most in your face one happened in canto I with yuri, as several people have pointed out. even before gregor comes clean about growing attached to her as quickly as he did because she reminds him of his sister, we get this interaction.

i'll go ahead and make the disclaimer now that i don't necessarily think gregor is the most reliable of narrators, especially when it comes to his feelings and interactions with most people, but from the way he acts when the topic of yuri comes up (and the way we still see him act even all the way up to c7, nearly a whole year after yuri's death) i don't see reason to question his sentiment here. gregor immediately got that aya and yuri were close, potentially even taking note of their traded belts, and went out of his way to get something nice for yuri despite hardly knowing her.

i feel like a lot of people have forgotten as much, especially since it's been so long since c1, but gregor actually spent a good bit of season 1 doing the exact same thing with the other sinners! gregor reads a connection between him and ishmael pretty quickly despite getting off to a rocky start

mostly because gregor can tell that ishmael is pretty sardonic in a very similar way to him. there's been multiple instances where ishmael and gregor have essentially expressed the same sentiment at different moments, most notably gregor's little argument after ishmael got shot with a decay ampule in c4

and ishmael's response to pilot talking about self-sacrifice in c5

i could go ahead and pull up more examples, but in general pm has gone out of their way to show us that gregor and ishmael are pretty similar, so it makes sense for gregor to assume that they're friends, right?

this will be pushpin 1. keep note of this for Later.

ishmael's only the first sinner we see gregor trying to do this with in s1, we also see him try it out with heathcliff, sinclair, and ryoushuu

he's tried to get along with charon, being one of very few sinners that we've seen actually try to establish a connection with her at all

even rodya, despite my insistence that gregor doesn't like her nearly as much as the fandom thinks he does

all of these seem pretty fine and dandy, right? sure it frequently leans towards self-degradation, micromanaging, and commiseration, but gregor can at least be pretty chummy with most of the sinners, can't he?

Pt2. hell's chicken was more than just comic relief guys please

i'm fully aware that this is quite the hot take, but i think hell's chicken deserves a lot more credit for character writing than the fandom gives it. hell's chicken gave us foreshadowing for several events, such as the donqui bloodfiend reveal

heathcliff's distortion in c6 (as well as hong lu's highly speculated distortion at some point in the future)

and ryoushuu and sinclair's continued connection by making him the odd one out on her team

which, hey! that implies something about gregor's odd one out, don quixote, too, doesn't it? yes. yes it does. that's pushpin 2. keep note of that for later.

speaking of pushpins, hey! that's pushpin 1!

splitting into teams is one of the major events in hell's chicken, and most of the sinner's choices are either motivated by very little, backhanded, or motivated primarily by not wanting to be on the opposite leader's side. i didn't include all of the picks, just because i feel like including most of them already gets this across, but i think gregor took one major thing from this: most of the sinners, when push comes to shove, will only side with gregor when they refuse to or can't take his opponent's side.

now, don't get me wrong, i'm fully aware that this is primarily intended to be comedic relief, but when gregor is being described as having his trust broken by ishmael or nearly crying because no one on his team properly sided with him for him, i feel like it's pretty fair to read into this.

something that i think is pretty important to remember in conjunction with this is that we know that gregor is the type to hold a grudge, both from his general attitude towards the G corp soldiers in c1 as well as his continued distaste for vergilius

even beyond the splitting into teams of hell's chicken, the sinners have given gregor plenty of reasons to feel bitter. i feel like this is something people have noticed but haven't really put a finger on, but it's kind of wild just how often the rest of the sinners make gregor the butt of the joke

and sure, we could argue that a fair few of these aren't really made with any ill intent. quite a bit of it could have been meant as harmless teasing, but with gregor being more sensitive than most, it coming from nearly all sides, and as often as it does? yeah, i think he's prone to taking it a bit personally.

Pt3. yes i do still think gregor was the third most important character in canto VII you guys gotta hear me out okay

of course, all of this leads up to the bit of the story i highlighted, doesn't it? c7? i totally get why people haven't really picked up on all the gregor things i did in it, seeing as they were mostly not *directly* said about him or by him.

personally, i think that gregor's distaste for talking about himself on any serious level and thus leading to him getting sort of "sidelined" narratively (which i take issue with that claim, but still. it's effective for getting what i mean across atm) is supposed to lead players to take a deeper look at the times gregor gets held up to other characters and compare and contrast what's being said about them by the matchup. as i showed earlier with his immediate latching onto ishmael, i think this is something gregor himself is at least partially aware of too.

so, that begs the question, who was gregor compared to in canto VII that makes me think it's one of the most critical pieces in understanding his character?

really, i'd like to avoid getting too lost in the analysis of this canto specifically, since i'd like to do a proper post about this later, but i figure i can bury the lede a little before doing it properly.

c7 features several characters being made to perform in sansón's play, acting out the relevant backstory for this segment of the plot. a lot of these characters have rather direct, degrading reasons for playing the roles they do.

outis, a character with an inflated ego who wants her journey to have a purpose, is made to play an aimlessly wandering villager with a single line.

hong lu and ryoushuu, two characters for whom families and the expectations placed upon them are likely going to play a major role, are made to play bloodfiends.

rodya, a character who resents her lot in life and is constantly shown to be eager to leave her destitution behind her and become someone special, is made to play a helpless villager that's too poor to even offer any money to the hero that saves her.

heathcliff, a character that has spent most of his life getting dehumanized by comparing him to beastly animals, is made to play a literal bear whose sole purpose in the plot is to get beat up and then quickly left by the wayside.

sinclair, a character that has two opposed parties essentially treating him as a macguffin to procure for their side, is made to play the character who was arguably the catalyst for this entire canto, not to mention playing a decently major role in ruina.

our star don quixote is made to play her father, the first kindred, but there's someone by their side the entire time, isn't there? don quixote's dear, steadfastly loyal companion. a character which don quixote has tasked themself with getting to come out of their shell?

hello again, pushpin 2.

gregor has been made to play our unreachable star, sancho. someone had to, of course. you can't really tell a story without it's main character, now can you?

now, i should once again give a disclaimer. i am not trying to say that i think adapting what happens to donqui/sancho in c7 to gregor is the road pm is going to take here, not only would that toe a bit past the line of foreshadowing, but it'd also just amount to rehashing that plotline again, which i don't think would make for a particularly exciting story.

what i DO think is that we can take a lot of the things that are said to either directly be the case for sancho and use them to inform how we see gregor.

and god, does playing sancho have some fucking implications for our favorite ossan archetype.

starting off, the earliest moment we get to see of sancho is quite literally her just waiting for death to take her in a pile of ashes.

which, i should remind everyone, is actually pretty damn close to what happens to gregor's literary counterpart at the end of the metamorphosis. gregor samsa experiences one final breaking point that pushes him over the edge and makes him decide to just wait for starvation to take him.

gregor and sancho both consider themselves to no longer be human, something which sancho goes out of her way to highlight repeatedly throughout the canto and gregor is quick to get defensive on her behalf for when outis starts really tearing into her

sancho spends quite a lot of this story denying herself the joys of community and friendship, despite knowing that, even with the rest of the sinners frequently making jokes at her expense and outright insulting her, they were things that she desperately craved.

and, while this is getting into my "outis is a red herring meant to distract us from gregor's eventual betrayal" theorizing, i also think it's worth noting for this discussion that sancho's fellow kindreds, her family, all seem to be under the impression that she dislikes them and ultimately her departure was an act of betrayal

and that, despite gregor being one of LCB's resident mood makers and attempted conflict de-escalators, one of the sinners that's most prone to making appeals to the bonds they've all forged together, only him and faust remained silent during everyone's speech

so yeah, i think there's quite a lot of little details and hints building up to the reveal that gregor's not quite as fond of everyone as he presents himself to be. i do think a lot of this ultimately comes down to gregor getting in the way of his own happiness, similarly to donqui, particularly because he's been frequently portrayed as something of a self fulfilling prophecy, especially by giving him as many christ allegories as they have by way of priest and garden of thorns. gregor is convinced that the rest of the sinners don't like him because he's not convinced anyone could like him, so he convinces himself that he hates them because why should he care if someone that he hates hates him too?

a lot of this ultimately ties back to my personal interpretation of what happens in the metamorphosis as well as my own theories regarding all the times gregor has made weird callbacks and references to lobcorp and ruina, but yeah. i think about this guy and his deeper characterization a fairly normal amount, i think.

to end this off i'll highlight one of my favorite little "gregor is fucking seething and trying so hard to keep it cool" moments, in the credits CG for c7 we see rodya teasing him by drawing a little horse on his window and actively pointing and laughing at it, which gregor really doesn't seem all too pleased about.

i personally think this ties into the other cruel part of sansón forcing gregor to play rocinante, which is the more literal "he's actually just straight up playing rocinante" side of things. gregor was quite literally made to play something less than human, less than even animal really, as he was reduced to nothing more than the shoes don quixote wore as she got to play the leading role. sansón directly makes jokes about gregor being nothing more than shoes in the play twice, which adds to this reading, i think.

this, imo, really plays into the adaptation of the metamorphosis! i've seen a lot of readings for the book that posit that, despite being the protagonist, gregor samsa can't really be considered the main character due to nearly everything he experiences in it being used to further his family's character development at his expense, which i think fits nicely with limbus gregor seemingly having the most said about him through indirect means by holding him up to other characters. also it's rodya carelessly making fun of His Big Major Insecurities™ again like she did in c1 which i always find fun. rodya i love you but god you're the worst.

[aroaceleovaldez]

how Nico functions narratively as a character is always extremely funny to me because he has like, exactly 3 modes: exposition, damsel, and dues ex machina.

Exposition Mode is usually whenever Annabeth (#1 designated exposition character. #2 is Grover or insert mythological figure of the hour here. #3 is Nico) or someone else isn't around to exposition for the present cast. He has an excuse to somehow randomly know everything and everyone, no matter what, especially if it's relevant to the plot. He'll randomly develop new skills or personal arcs purely as an excuse to put him in situations where he can exposition, such as him being able to gain insight into the future/prophecies via ghosts (which is a thing in Greek mythology, but still). This is actually why it's extremely difficult for him to function as a POV character in a stand-alone story or first book of a series, because the way Riordanverse functions, the POV almost always only has as much information as the audience going into things and a secondary character explains information to them as they go along, unless it's later on into a series and it makes sense for the characters and/or audience to know that already. That's why Nico doesn't function well as a POV for TSATS but Will would work fine, because Nico's designated narrative role is Knowing Everything/Everyone, Somehow (particularly relating to the Underworld).

Damsel: he just gets kidnapped a ridiculous amount of times. Also that plus his penchant for passing out means there is ample opportunity for scenarios where Nico, despite being extremely powerful, needs to be rescued. Pairing this with how he's always off doing absolutely anything, absolutely anywhere, and somehow knows everybody, he's a perfect means to push the plot forward with an easy "oh no we need to rescue/protect Nico for the millionth time" side-quest or addition to stakes at hand. Or, similarly, if you need to take Nico out of the equation for a bit because he's too powerful and would fix it immediately: oops he passed out/needs to be protected/is kidnapped/etc.

And then as mentioned before - Deus ex machina, kinda literally. Nico is extremely overpowered for a reason; Because he's the catch-all solution to every problem. Just throw Nico at it. We can BS a new epic power for him that vaguely makes sense and yeah he's just that powerful and will pass out because of it probably. Yeah sure he can rip people's souls out and instakill things. Yeah he can teleport anything anywhere under essentially any circumstances. He'll just be a little sleepy. A lil eepy. He needs to take a lil nap. It's fine.

Basically. Solution to literally every situation in the Riordanverse: Throw Nico at it. Just throw Nico at it. It'll make sense. It'll work. Unless he's the primary POV in a stand-alone novel, short story, or first book in a series. Then it won't make any sense because you suddenly have to backtrack like 2/3 of Nico's entire narrative functions and suddenly he is Only A Damsel.