#analysis is fun

[autumnslance]

At the end of the day, the priority of art is its creation, not its analysis. -Managingway, Final Fantasy XIV: Endwalker, patch 6.3 Loporrit Tribe Quests

[griddleharkbrainrot]

I’m currently thinking about how John and Co. refused to call Alecto by her name. They named her fury and vengeance but could not acknowledge what made her thus. They call her Annie Laurie, reducing her to her looks, those so inhuman and frightening yet beautiful all the same. John gave her the name Annabel Lee, naming her existence as a tragedy in that she was his love lost. In both instances the literary references reduce the woman mentioned to nothing but set dressing for the man of the story and it truly betrays John’s thoughts on Alecto for as much as he claimed to love her, he sees her only as the stepping stone for his own story. “For John so loved her that he had made her she. For John had loved the world.” And that is the crux of the matter, John had loved the world but she is not the world, she is its fury. John wanted her to be calm beaches and lapping waves, he wanted a wife, sister, mother, and daughter all in one, but instead, he got 7 million silenced voices crying out in agony, furious at the injustice done to them. I think subconsciously he understood that when he named her Alecto, fury of wrath from Greek Mythology. But even if he had called her Gaia she would still be furious, for was it not Gaia who gave her children the scythe to kill her husband? Was it not Gaia who roared and shrieked to the depths of Tartarus when her children were torn from her arms? The first bearer of prophecy was forged from the grief and rage of an anguished mother; the earth has always been furious. John’s fatal flaw was that he could not comprehend that the rage was for him. He who promised love and safety but cut and stripped her soul stole her children and butchered her corpse. John could never truly comprehend that what he deemed his perfect creation could resent him the way she did. He took her away and reforged her into something she could never be. John denies the resentment Alecto feels for him and we can see this reflected in how he refers to her. John is the sort of man who thinks that if he sees a woman as nothing but her looks, he can make her lesser. To him, she is Annie Laurie of beautiful bust and a personality nonexistent; To him, she is Annabel Lee, a woman so pure and lovely that the angels stole her away from him. Subconsciously, the lyctors have adopted this as well, calling her these names out of fear and not realizing the implications of what they are doing. Even in writing, she is A.L. to them because somewhere deep down they know that to name her wrath is to invite it and invoke it. John believed that if he could compress the Earth into a beautiful shell then he could control it. The Earth has been around for far longer than he could ever truly comprehend, and she is furious.

For @commanderbabygirl thoughts?

I did not realize just how many opinions I had on this until I started typing

[dungeons-and-dictions]

Alastor despises Susan, and dislikes Vaggie.

So, he dresses Vaggie like Susan (but fancy) as a very discreet insult during his reprise sequence in the pilot. I just noticed this.

[unicornpopcorn14]

Chuuya's reaction to Dazai getting hurt during the Lovecraft fight has always been so interesting to me...

Because it's the kind of worry you'd never expect from a character as gruff as Chuuya, who had displayed nothing but hostility towards Dazai so far. Usually, characters that are labelled as "angry" or "anger issues" (which Chuuya is much more complex than that but you get my point) act more as a tsundere type of way when the one they "don't care about" gets hurt. And show their care in very, very subtle ways (ex. their eyes widen, their mouth parts and closes again, etc) before putting up their front once more.

Chuuya, however, is open, and vocal about it. His worry is clear not only to us, but to Dazai himself, the one he shouldn't be displaying the concern to (as per the cliche). Shouldn't it be some sort of secret that Chuuya does care? Isn't that what skk's dynamic has been shaping up to be until now?

I'm telling you- the way my mind blanked when Chuuya just casually.... showed concern not once, but twice, was a sight to see.

Besides, the context makes it much more confusing, because Dazai isn't some rookie, and Chuuya knows that more than anybody. He was the youngest executive in Port Mafia's history, of course he can handle a hit or two. Of course he'd seen him handle a hit or two, sometimes without batting an eye.

Heck, Chuuya himself was hurling Dazai like a ragdoll in their reunion, which was their last meeting. And you could argue that he was going easy on him, but Dazai has mostly withstood the same damage (as far as I could see), and Chuuya was as bitter as ever.

So that kind of contradicts both what we knew of Chuuya so far, and how their dynamic was shaped to be. I mean, that just makes Chuuya a hypocrite, yeah? What makes him care now, all of a sudden? What makes him care at all?

Well, to me, this backasswards reaction implies one (or more) of the following:

- Dazai rarely got physically hurt during their partnership and thus this is an unexpected thing for him to see (during a mission).

- The four years of separation made Chuuya unsure of how much Dazai can withstand physically now. Also the fact that he isn't in the mafia anymore, aka fighting enemy organizations on the weekly, would naturally make Dazai lose his touch in a way, what prompts Chuuya's reaction.

- Dazai getting taken off guard took him off guard which led to panic. Especially since the situation was (momentarily) out of their depth. Seriously wtf even was Lovecraft?

- During the dungeon scene Dazai was an enemy, while in the Lovecraft fight he was as an ally. The difference might be significant to Chuuya.

- This has always been Chuuya's reaction to Dazai getting hurt regardless of the situation.

- "Only I can hurt him like that" ahh logic

- Asagiri was still experimenting with their dynamic and thus there are some inconsistencies.

This scenario didn't play out again (after their reunion) for me to exactly determine which one is more plausible, but it is 100% canon for Chuuya to shamelessly show his concern and run to Dazai to check on him before properly dealing with their opponent, which I find to be such an appealing layer to their dynamic, and a good spin on the type of character he gets stereotyped as.

Bonus: Dazai also becomes a softy when Chuuya's hurt, especially post corruption. Dead Apple alone displays that multiple times.

All in all, Skk are doing a terrible job at maintaining their 'hostile' and 'antagonistic' relationship post their reunion. Freaks.

[calmlb]

It’s been clear that the Tanizakis aren’t siblings from the very beginning

here’s some evidence now that it’s been confirmed canon…

everyone who’s read irl Tanizaki’s book knew that Junichiro & Naomi weren’t siblings as soon as they introduced themselves

BUT just because the Tanizakis aren’t siblings doesn’t mean you can’t feel uncomfortable about them. if you feel uncomfortable, GOOD. that’s exactly what they want

the Tanizakis, Mori— they all use these disturbing ruses to disarm or distract people in order to protect themselves, or to accomplish their goals. this is a writing device that asagiri commonly employs as a way to parallel the irl literature (it’s actually ingenious)

there are 4 main indicators that have always made it clear to me that Junichiro & Naomi are not siblings:

1. most obviously— their character designs. Harukawa is extremely intentional with character designs, & she very intentionally made Naomi & Junichiro look nothing alike

their eye shapes are purposely different

their color palettes are contrasting

even their differing styles of clothing have meaning

this was all done so that the audience could PLAINLY see that they’re not related— so that WE know that they’re lying when they say they ARE related

2. how the people around them respond to their act.

the general reaction is “don’t question it”— which is exactly what they want. “be distracted by how uncomfortable you feel so that you look away from what we’re hiding” (this is likely a protective measure)

3. most importantly, this is meant to parallel irl Tanizaki’s book “Naomi,” where the main character Joji picks up Naomi to raise her into his ideal woman, but since she's so young (& a minor) they call each other cousins (Joji makes no sexual advances on young Naomi btw)

however, his plan backfires because when Naomi gets older & they get married, she flips the script on him & manipulates HIM so that he's under her thumb (which is why bsd Tanizaki is at a domineering Naomi's mercy). Joji let her have her way because of his masochistic tendencies

4. lastly is the emphasis that Asagiri and the Tanizakis themselves put on calling each other siblings.

over & over, it’s “my brother this” & “my sister that”

like they’re desperately trying to convince us that it’s true (“don’t let your lying eyes deceive you”)

here are just a few of many examples from the light novels…

again, if you’ve read “Naomi” you knew that Junichiro & Naomi weren’t siblings as soon as they introduced themselves

just like if you’ve read irl Mori’s works, it’s clear that bsd Mori isn’t a pedophile

just like if you’ve read No Longer Human you know that Dazai’s an unreliable narrator. he makes you think he’s a bad person bc he believes he’s a bad person, but those around him see him differently (btw this doesn’t mean he’s never done anything “bad,” though bsd isn’t about morality— but that’s another discussion)

anyway, i’m so excited for the Tanizakis backstory to be revealed so that we can better understand why they use this defense!!

also let this be a reminder to READ THE LITERATURE if you’re able to!! even reading synopses & analyses of the coordinating books makes bsd make much more sense 🥹

reminder that this how you’re supposed to react while reading bsd:

also, if you’re interested in a post explaining how Mori isn’t a pedo, i wrote this analysis on twt. OR you can read this document that one of my moots sent me (remember: analyzing a character does NOT mean you condone any actions they may or may not commit!)

[monstrousparalysis]

Hey y'all! Since it's Love Loses Wednesday for all who celebrate and I have plenty of thoughts about it, here's some of those thoughts I've had for my fellow enjoyers of Chip Bastard from the insanely powerful podcast Just Roll With It!

So.

Chip being so focused on family and friends, on finding Arlin and keeping his co-captains and crew safe, while the most he ever shows interest in romance is in brief, jokey flirting that's quickly brushed aside.

Chip buying a love potion, only for it to sit unused in his inventory for literal months until it unceremoniously drops into the mouth of the Electrodon.

Chip being unnerved or even downright scared when somebody shows a sign of being attracted to him (Amanda with the marriage, Jazz and his flirting, the frantic denial to Ollie that Gillion kissing him meant anything (which was then followed by barely any change in their relationship. A typically romantic act, done as an act of love between friends, and yet those friends never did start a romance. Curious))

Speaking of Amanda and the marriage: Chip waking up one day and suddenly being expected, even morally obligated, to be in a romantic relationship with somebody he doesn't even know, for reasons he doesn't even know. And even when he clarifies that he doesn't want this, that he won't give up being a pirate with his friends for it, he still can't leave behind the expectation fully, because Amanda, and thus this expectation, is literally chasing him. Sometimes it even comes from his own friends, because no matter how much he would prefer to just Not Be Married, there's no way for him to get out of it, especially not ones Gillion would likely accept, and therefore the expectation that eventually, he'll be in a romance, is inescapable.

And even more interesting, he's not opposed to the idea of getting married in general. He wasn't wholly against the notion of marrying Igneous just for the AC boost it would give them. Clearly, the problem he had wasn't with the marriage itself, but with the fact that he was expected to form a romantic partnership.

And lastly: Chip having his literal heart ripped out of him, and staying nearly the same. Making jokes about how his heart was stolen in a way that was literal instead of romantic. Writing to his wife that if death do them part, then now it has (and doesn't it even say something that the only way for him to escape the marriage, the expectations, was to die?)

He cares for his friends just the same. He cares for his crew just the same. He wants to find Arlin just as much as ever. And his avoidance of his wife, of the expectation that he perform romance, stays the same. But even if he's the exact same, he has an excuse for this now. Because clearly, somebody with no heart couldn't feel romance, and who cares that he didn't really seem to before he lost his heart either?

Chip being aromantic, on a textual, metaphorical, and thematic level.

[essycogany]

Rare But Not So Rare Sonic Moments

Sonic Swooning Over Amy

So, Sonic’s been kind of the driving force of Sonamy recently. Let’s analyze that.

I’ll show Sonic having feelings for Amy in almost every media aside from Fleetway and the two cartoons she isn’t in. I’ll also present the “whys” in more detail then just “Amy calmed down.” While that’s part of it, I’d like to add my own can of worms. And possible headcanons too. Bear in mind I never grew up with Sonic, so forgive my mixed opinions.

While I love Amy having a crush on Sonic like the energetic sugarplum she is, nowadays Sonic’s oddly been the drive of their dynamic. Any examples of it beforehand? Let’s look outside of the games first.

Sonic X

This Sonic takes more time to himself. He’s introverted, so his feelings for her isn’t displayed as obviously as the others. In fact, most people think he didn’t like her in this show because of how much he runs away. He even manipulated her by flirting in one episode. In my opinion this show has Sonic running away from Amy more often than not. Hot take: Sonic and Amy never had a real conversation either. They don’t…talk like they do now. Unless you count,

“Oh, Sonic I love you!” “Ah! C’mon, Amy. Knock it off!” No, it wasn’t constant but still common.

From my point of view, the conversations were short lived to none existent. It was the same in the earlier games too. Compared to how they talked to other characters or now, you might be able to notice. At least until Sonic And The Black Night were he talks to both The Lady Of The Lake and Amy. The two would also have visual gags of Sonic getting aggressively hugged by Amy. Or Amy falling on her face while trying. Aside from one moment in Sonic Riders where Sonic put Amy in danger, it wasn’t good or bad. Just cartoony for lack of a better term.

Maybe I’m just insane. You decided.

Anyhow, their dynamic in X is clearly built on actions. Like Amy giving Sonic a seashell bracelet and Sonic giving her a rose. Those little things. While I do prefer them being able to hold longer conversations, I don’t mind how X handles them. But let’s get to Sonic’s crush. I assume in Sonic X Sonic is conflicted. He’ll run away from Amy or try to pull from her on most occasions and others Sonic would constantly hold onto her when he doesn’t have to. For a long period on time no less. Amy’s the same way. One moment she’d be head over heels and other she’s bashful. Goes to show how young they were I guess. I have no clue as to why Sonic liked her back because there wasn’t much to go off of. Except the bracelet moment or her general kindness like feeding him one time. She was a bit much to him and most characters back then.

It’s possible Sonic just liked her and that was it, but I’d imagine due to all of the hand holding and small reciprocated gestures were enough to convey something was there. Straight forward and simple like the show itself. I headcanon this Sonamy being where the boyfriend gets dragged into a relationship and is fine with it. This version of Sonic’s attraction seems to be chaotic pink hedgehogs apparently.

Sonic Boom

Should I even explain it? Might as well because not only do I have something different to say, but these two haven’t been brought up much. Sonic and Amy’s romance mostly is played for laughs. Not saying their love for each other means less because of that, but the humor is the main reason they exist. Much like why in the main canon they started out the way they did. Regardless, I’ll dive deeper into Boom!Sonic’s affection for Amy to the best of my ability.

Boom!Sonic is egotistical, so whenever he thinks Amy’s crushing on someone else, it bothers him. Apparently he’s the only one she’s allowed to like. No “Radical Speedsters” or “Celebrities” can take her attention away from him. Like in Sonic X he tries to keep his crush to a minimum. Even though both him and Amy are terrible at it.

The moment in “Fortress Of Squalitude” a episode where everyone is a bit rude to Amy, close to the end Sonic says, “We may have a hard time saying it Amy. But…well you know.” Then she responds with, “Yeah, I know.” It’s such a sweet moment. Not as powerful as most moments with them but for Boom it’s very nice. Sonic and the others still value her as part of the team, but it’s Sonic who expresses it out loud. Goes to show how much he cares about her for even attempting to open up in this instance. Didn’t even have to finish the sentence. Amy understood perfectly. I also noticed how much he tries his best to impress her. When he needs to returned her book back, finds her hammer in Archie, (Vector did it in the show and Sonic got jealous) shows off randomly or dreams about her, and stopped racing to get her some eggs in one episode.

The funny thing about this Sonic is how much of a people pleaser he can be. Especially since the towns people are very spoiled and ungrateful. He wants to be needed and that’s possibly why he goes out of his way to do special things for Amy like go out on picnics, implied dates, and comforts her. She’s very take charge in Boom and Sonic has no problem calling her out when he needs to. Much like Amy in the show and games. Sonic will even put effort into doing things he doesn’t feel like doing for her. How honorable of him. Sure, sometimes he tries to make her jealous and isn’t perfect, but he tries. I believe Sonic likes Amy because again like Sonic X Boom isn’t canon, so more outright reciprocated feelings are allowed in this case. Not to mention the dude likes being shipped with her in the show. Which is a win in my book.

Sonic enjoys bugging Amy much like a playful boyfriend. He probably admires her leadership, but I’m saying this by observation. It could be for anything. Maybe he thinks she’s cute when she’s mad and finds her temper amusing. It could also be for her stubbornness. Some people like each other because of how much they can relate to their partner and in Sonic Boom’s case they’re two cuts of the same cloth. Although still different, due to the show’s theme, they carry the same condescending, slightly self centered, hotheaded, stubborn, and humorous traits. But they’re still good hedgehogs with a heart of gold and usually makes reasonable decisions. Not to mention they’re both equally shy about their crushes. In Sonic Boom, Sonic and Amy is that married couple who doesn’t get along much, but when they do you’ll understand why they stay together.

Reboot Archie Sonic

I haven’t read the comics (unless you count watching a few dubs and internet reviews) but I’ll give my limited thoughts. Luckily there’s not much to say. Although most people believe it was unintentional, I don’t think it’s too much of a stretch that someone from Archie thought it was a fun idea to have Sonic crush on somone in this reboot. Maybe it’s unintentional but it doesn’t seem that way.

I’m basically using this part of the post to ramble about how Reboot Archie’s Sonic still manages to be a casanova. He’s like a mixture of his old self and how he is in the games. That’s also why he acts the way he does around Amy. Could it also possibly mean he’s meant to like her canonically too? Reboot Archie did have to follow a more accurate way of writing Sonic after all. Anyways, let’s run down the list of Game!Sonic if he was allowed to be down bad for Amy like they’re already dating. Which is how I view this continuity. It’s basically if Boom and X had a weird fusion and this version of Sonic’s crush was the result. Except here he manages to be more bold and upfront. He knows what he’s doing. Here’s a run down.

First of all, THIS. No joke, more of these interactions would send me to the moon. I would explain why but the panel speaks for itself.

Sonic says, “I was worried about you.” Which he hasn’t admitted to her before this to my knowledge. He states this by giving her a side hug. Along with other out of nowhere physical affection and flirting. Not to single out Sonally fans. Sonic and Sally clearly have a close connection people appreciate and I respect that. In any case, Sonic and Amy in Reboot Archie also matches energies so much. They’re both clearly running off the same brain cell. You’d think they were together. They’d be a chaotic couple that’ll do the most outlandish things and somehow manage to survive them. After willfully risking their lives they’d do it again because being normal and safe is boring. I promise you, this version of Sonamy would be a huge force to be reckoned with.

-I’d also like to mention my friend Salty showed an example of Sonic being jealous of Knuckles coming with Amy on a mission and it’s brilliant. Dude gets all bratty about it too. Archie!Sonic does not play around. The post in question.

Sonic Prime

Already talked about this in another post, but I want to mention it again. Prime!Sonic is the most sensitive version of the character, so it’s no surprise he displays his admiration for Amy freely and out loud.

This moment says enough on its own. Sonic’s like this throughout the entirety of Prime and even changes the tone of his voice when speaking to or about her. It’s so authentic and adorable and makes him stand out against other variants.

Amy’s crush on Sonic in Prime is up to interpretation, but I don’t think she likes him in that way personally. Like other characters, Amy tends to be done with Sonic’s childishness. Guess she thinks he’s probably too immature to be boyfriend material whether she has feelings or not. Sonic on the other hand, acts how you wouldn’t expect. I personally see him as his own interpretation, so I’m fine with it. If he wants to have goo-goo eyes for Amy in Prime, it’s cool.

Prime!Sonic has it bad and I wouldn’t be shocked if he’d be the one wanting to go out on dates. Maybe he’d cook dinner for her sense he cooks in the show. I’d imagine Amy declining at first, but does it after his constant begging. They’d be swapped version of most emotional to least emotional. Prime!Amy would be a girlfriend who feels more like a parent than a partner.

Unleashed/Black Night

No one can bring up Sonic Unleashed without the lovely Amy meeting the Werehog scene. I love how Sonic didn’t like Amy hugging him, but right after she left he solemnly mopes around for probably the first and last time. He’s never in any game slowly moped around disappointedly before. Proving he only has certain reactions when it comes to Amy Rose. At least in some continuities. Unleashed gives you a choice to go on a date with Amy or not. Then the next game Sonic Team followed through with it, but ended up having Amy mad at Sonic for missing it. At least Sonic tried. Not to mention his reaction to The Lady Of The Lake and him flirting is fun to watch.

See how Sonic still likes her back but it isn’t because she’s “calmed down?” She’s still the same excitable love strucked Amy. There must be something more to it. Other than the obvious answer with Sonic Team wanting to do something with the pear. I have no idea why but having multiple hints even in the past must’ve been done for the fun of it. “We created this love interest but then railed back to Sonic not reciprocating her feeling. But we still want to market them as a couple in some way.” This franchise never cease to confuse me.

Amy encouraging Sonic in one of the cutscenes could’ve been where he started liking her back. Not in the way he does now, but he admired her none stop compassion and might’ve wanted to return the favor. “Eh, she’s sweet. Maybe a date won’t be so bad.” The fact he went out of his way to get her a chilidog and flirted with a different version of her should tell you enough. Of course it would take a while before anything else happened. 

IDW/Sonic Frontiers

Yeah, after issue 2, Sonic’s never felt the need to run from Amy. From the comics to Sonic Frontiers there’s a lot of moments of Sonic being somewhat emotionally candid. Not by much, but close. I believe Amy’s the reason for that in a way. Sonic’s not afraid to hang out with her anymore. He even hugs her back on some occasions. “Ames” was a nickname from fanfics and Boom which became canon over time and he occasionally calls her that.

Sonic wishes to share an umbrella and spend more time with her. He also gets excited to see her more often. It’s like Reboot Archie but slightly toned down. At least up until the hard to trigger lines from Sonic Frontiers. The same game where he outright admits to being worried about Amy and smiles back at her with a Coco looking between the two. Then he supports Amy’s decision to leave etc. We all know where we are now.

Crazy how the more you look into this franchise the more tiny details you notice. It’s also crazy how much Sonic’s been into the love interest he originally was already supposed to love. To me, Sonic had a crush on Amy in Unleashed but fell in love with her in IDW. What makes Sonamy gripping though is how unique it is compared to most romantic relationships. Leaves it to be more entertaining whenever something unexpected happenes. It keeps you engaged.

Why Sonic Crushes On Amy?

1. Amy doesn’t want to slow him down. Obviously because of IDW issue 2’s love confession with Amy saying “I can’t change you. I don’t want to change you.” Amy joins Sonic and he includes her more often because of that. His speed is no match for her persistence anyways.

2. She shows compassion and love for those around her. Not just to Sonic, but everyone. She’s the definition of soft hearted. Even for people Sonic and his friends would be weary about. Think about now in the recent comics and games where Sonic’s trying it out. I do think it should be more of Amy’s thing then Sonic’s but it just goes to show how much she probably inspired him. Who knows? Even in the past he had respect Amy for her tenderheartedness.

3. Amy’s energy matches Sonic’s. Though sometimes she can be overly enthusiastic compared to him. Even before now, Amy’s always been adventurous and that’s probably something Sonic liked from the start. Not in a romantic way, but in a respectful way. If he were to have a partner he’d need someone to keep him grounded and be on the same level. No exceptions.

4. Her loyalty. No matter what Sonic does (including times she disagrees) she’s one of Sonic’s most loyalist companions. Obviously other characters are too, but Amy has her being a long time childhood friend/Sonic 06 and Unleashed going for her. 06 for trusting Sonic over Silver and Unleashed for still loving Sonic despite his transformation. Heck, before she knew who the Werehog was she wasn’t disgusted. Amy’s commendable for that.

From all these points here physical attraction isn’t included. What I like about both characters is their crushes don’t stem to how they look. Though it is worth mentioning Sonic has called Amy “Radiant” in TMOSTH, but that’s probably the closest we’ll ever get to an outright physical compliment. From Sonic at least.

- Side note thanks to @saltynsassy31 again, Sonic and Amy’s dynamic can be summed up as not a relationship but rather a situationship. Yes, it’s a real word. What does it mean? Basically two friends who has crushes on each other but doesn’t do anything about it. Just a fun detail for you guys.

Why Did Sonic Run From Amy In The Past?

I’ll make this quick, but the reason Sonic ran from Amy wasn’t because he didn’t like her. On the contrary. Sonic always could’ve ran at his normal speed to get away from her. Sonic’s the fastest thing alive. Why would he let someone he “didn’t like” catch up to him? I personally think he enjoyed the thrill of the chase. It’s why I believe he misses it nowadays. Though I do understand Sonic didn’t often treat Amy like a friend. Not in a way I can understand at least. Not that I think their relationship was bad, but from what I’ve seen, it was more told then shown due to Sonic and the gang not including her on missions. Amy normally had to catch up with them which was a running gag. Especially in SA2. It might be why some prefere her in stuff like Reboot Archie, Boom, IDW, and Frontiers. Because Amy’s friends includes her on adventures now. At least in my opinion. Correct me if I missed anything.

Final Headcanon

Since Sonic in the games has been the one to push the Sonic side of Sonamy much more then Amy does for herself, I’d like to think in most cases (especially as their dynamic grows) Sonic would start carrying other versions of him traits like trying to mess with her.

He’d want to get her to chase him more often and Amy would probably ask once or twice, “What’s going on and why are you acting weird?” He’d definitely play it off as him fooling around. Sonic doesn’t know much about romance, but he does know what Amy likes. Maybe he’d ask her out or go on a bunch of traveling missions. Anything to get her to pay attention to him again. After all, there’s been examples of the guy feeling ignored by her in and out of canon. It’s possible.

-There’s also a consistent detail where Sonic’s finally ready to open up but has to deal with Amy doing her own thing. Or when he’s face with different variants of her, he’s flirtatious with them. For the fastest thing alive, he has terrible timing when it comes to making his mind up.

Conclusion

Welp, there you have it, darlings. Examples of Sonic crushing on Amy more than some would think. It’s a Sonic character analysis and Sonamy post all in one. I know there’s more, but I think this gathers examples from the actual content.

Stay Creative! 💜

[minart-was-taken]

As a wise man once said...

[zolanort]

I was re-reading enter/entrance and had an epiphany.

If you ignore almost every single detail, the location of the dungeon becomes clear: the chain is at the temple level from Super Smash Brothers.

1- The location of the boomerangs, just above the archways they entered through. Legend and Hyrule don’t know that they can double jump through the floors since they’ve never been invited to smash bros before so they are going to have to get creative with springs or something if they don’t figure it out. Legend definitely has items turned on so they should be ok probably.

2- Twilight and Sky are op heavy hitters so they will instinctually end up in this area, that’s just how it works. Dink will also probably show up here because he has practiced the angles and think’s he’s a really good edgelordguard. I hope he gets meteor smashed.

3- Time, Wind, and Four will be on task back there in that building somewhere actually completing the dungeon, you can tell because there’s a triangle shape and that resembles both the triforce and force gems. Time got to play in this level both as a child and an adult so he already knows his way around, and Wind (and arguably the colors) also have experience with the mechanics and can cheese their way through. Team Attack is turned on.

4- Wild and Wars end up here. Wars because he doesn’t know how smash bros OR dungeons work, and Wild because this is where he learned how to do bomb recoveries (nostalgia) and he also suspects Dink might show up down at #2 later on.

This is obviously the correct answer to the question “where are the bros rn?” which I have discovered myself through logic and astral projection into jojo’s top secret notes.

Art credit to jojo’s @/linkeduniverse and also Nintendo I guess.

[tinkerbitch69]

My favourite part of dot and bubble (besides ncuti’s performance in the last scene my god!!!) is that the episode kinda misleads you into thinking Lindy is so dismissive of the doctor and the disappearance of others because of the social media echo chamber she has isolated herself in. That she is scared to leave it and that she could be a better more empathetic person if given the chance to leave.

But then the final scene happens!

All of her actions, from putting Ricky in the firing line before her to lying about it to refusing the help of the doctor because of her thinly veiled racist beliefs, reveal that this refusal to acknowledge the reality around her to the point of putting people in danger and inevitably allowing the problem to become worse was a choice. She was not some innocent victim of media manipulation but had complete agency in her denial of the danger others were and just didn’t care about them.

The reveal is an important part of the episodes critique of social media echo chambers, I think. Their danger isn’t that they obscure information that challenges the users but that they allow people to choose not to be confronted with information that challenges their worldview or their behaviour. Which is an experience vital to developing critical thinking skills and being a compassionate, empathetic human being. But by removing the agency of people who choose not to break from their bubble, we also enable the insularity of these echo chambers!

God I love this episode so much <3_<3

[itsonlypolite]

This comic is a redraw of the first StP art I ever posted here! I always wanted to have more fun with that scene. The second half of this comic is also heavily inspired by @cymatile's tags on the original post, which I'll show under the cut!

[gallusrostromegalus]

Kenpachi Realizes Nobody Else Actually Read The Employee Handbook And Decides To Get Inventive, A Story In A Ranking Chart

Yamamoto Thought He Was Punishing Everyone Including Zaraki By Making Him Actually Fill Out That Report, Was Not Ready For Zaraki To Deliver A Twelve Hundred Slide Powerpoint Category Seven Autism Infodump About It A Week Later, A Sequel

[anomalys-bane]

ways to show the male gaze in cinema without constantly showing ass on screen 'satirically'

-> Performing Scene: the entire scene focuses on a male audience. the camera is pointed at the men and we can only see over the shoulder of the performing woman. show them being as gross as possible while watching. no 'unseen watchers' no masks no hiding faces. show how pathetically absorbed these men are. also show how ordinary they are. there is nothing special about male attention. add a creepy horror movie type constant background humming, punctuated with the sounds of men shifting or grunting grossly. no music. the scene goes on for an uncomfortably long time, just panning over the male audience.

-> Stalking Scene: when depicting a stalker, once again the focus should be on the creepy man, but not from his pov. use wide shots that encompass the entire room, showing the stalked woman going about her business, doing human, relatable things. the woman should not be in the center of the frame. then use shots from her pov, slowly panning over the room while she goes about her business for a while, then suddenly freezing when she notices the man watching. use chill, upbeat music that stops at once upon her noticing, revealing those unsettling horror movie sounds that have been humming in the background.

-> Woman (human) Centered: the entire scene is set on the performing/watched woman's face, and only her face, from any angle, front, side, top, bottom, etc. it all works. show every micro-expression, even as she moves here and there. show her discomfort, her unease, her frustration, her sweat, tears, her fixed smile faltering, darting eyes, features twitching from stress, stuff like that. the camera moves with her face, adding a dizzying effect if she is moving around a lot, disconcerting the viewer. we focus on her and only her, but on the most human part of her, her face. little to no music, most sounds are made by her, her breathing, her heartbeat, gasps, grunts etc etc. show flashes of whoever is watching her, but only unsettling flashes.

-> Wide Angle Performance: the entire scene is filmed from a fixed, unmoving point set far away, so we cannot see much. the scene goes on for an uncomfortably long time. in this one the woman can be shown doing male gazey things but the unmoving, far set angle makes things look silly and uncomfortable. no music, just awkward audience sounds and the sounds of the woman moving. the scene can be punctuated with awkward, uncomfortable close up shots of the male audience.

Pls add more !

[tall-glass-of-nope]

@moonlarked I love these additions because I haven’t spent nearly enough time pondering the various ways Gertrude’s actions could be interpreted, and “behaving tacitly under the watchful eye of her new husband” is one that had passed by me until now.

Suddenly the world of “Gertrude is a brilliant chess player (a powerful, beautiful woman) who sees what Hamlet sees but has spent her life learning to patiently play the game of nobility” opens up and starkly contrasts her son’s privilege to emotionally react whenever he senses injustice. And it makes sense, given her class and the time period (generally 14th century, I believe?). It also makes her death even MORE tragic because she played well for so long and for what? Her son has seen through his uncle’s poor veneer enough to understand he’s using convention to get away with literal murder, but Gertrude was too good at measuring her responses (possibly for her whole life) such that her own son didn’t know her well enough to understand her response at the play was a necessary bluff? Delicious. T r a g i c.

They are then two opposing forces on the same side of a conflict: the forces of subtlety and reactivity. And those are not forces that inherently communicate well. With this in mind, I want to go back and reread their confrontation scene in her bedroom. (Which btw has NEVER had incest undertones when I’ve read it before wtf is wrong with people)

Also: in discussing Hamlet’s sanity — at what point is it human to incorrectly jump to conclusions based on personal experience and at what point is it insane to believe your conclusion can be the only correct one?

Let’s talk about “the lady doth protest too much,” because it’s a phrase I heard and used before I knew the actual context. And now, after I’ve finally gotten the context, I find myself continually thinking about its intent.

When I first heard it, (and pretty much exclusively how I still hear it) it’s been used to mean “it is suspicious that this person is denying something waaaay too hard.”

Ex. “The PR people keep insisting this chemical won’t harm the environment. They doth protest too much, methinks.”

And I never questioned that usage, because it makes sense.

Then I read Hamlet, and found that the line comes from a scene wherein Hamlet is trying to trick the people around him into revealing their guilt by having actors perform a thinly veiled parody play of his current predicament as he sees it.

In his actors’ play, the character that parallels his mother is solicited by her husband’s killer — who is also her brother-in-law. And the actress in the show denies her solicitor several times before succumbing to him.

When Hamlet turns to his mother and asks what she thinks of the show so far, he’s looking for her to see herself in the part. To react, or provide some kind of recognition of what she’s done. To condemn the clearly uncomfortable situation her character is in. But all she says is

“The lady doth protest too much, methinks.”

And I LOVE analyzing that, because my personal takeaway is like.

You know how you can write a whole poem or story about someone who’s wronged you, and they’ll read it and not see themselves in it? Yeah. (If you don’t know: this happens. A lot.)

So, whether or not she saw herself in the character onstage, My interpretation is that Gertrude (Hamlet’s mom) is revealing that her decision to marry Claudius (Hamlet’s uncle) was not a tearful and tormented decision made under coercion and duress. (Which is how Hamlet has experienced seemingly every major decision in his own life, and explains why he’d find this lack of passionate waffling to be offensive.) For better or for worse she’s revealing she just… didn’t say no to her brother-in-law.

And from there you can get into the why behind all that and her motivations and whatnot but that’s beyond the scope of what I’m trying to get into here.

“The lady doth protest too much” doesn’t read to me like condemnation of insincere delivery. Not exactly. The difference is kinda subtle, I guess.

A more parallel usage of the phrase is difficult to imagine, then, because there is some amount of self condemnation that it should invoke.

Me: “I baked you these cookies”

Them: “I shouldn’t; I’m watching my figure”

Me, knowing full well I ate five of the cookies before boxing the rest up to give: “The lady doth protest too much. Take the cookies.”

[liauditore]

Equally Invalid

[thependancer]

An analysis of the voices in Moment of Clarity

Before we get into the analysis, a little note:

1- I am mostly trying to show how the trauma has affected each voice compared to them on their normal routes. If they have deviations in other chapters and I have stated them as trauma responses, correct me.

2- I tried my best but some voices are just difficult 😭. So sorry if I couldn't give a satisfying explanation to your favourite.

Without further ado, let's begin:

Firstly, it should be noted that what exactly happened after you decided to stay with The Nightmare is something not even the voices themselves are sure about. But what we do know is that whatever the events were they were horrific. The voices have tried everything up to this point except freeing her. And since nothing was working and it was only making things worse, they are effectively useless now. Even the Narrator acknowledges that they are all extremely traumatized.

So let's see how these voices handle trauma.

1) The Voice of the Broken:

The voice of the Broken has shown incredible resilience and empathy in the past. And in this route he is somehow even more broken. He is also on the "Free the Princess" team, however he only wants to do it because he wants this misery to end. He has the most interesting explanation as to why we(the player) can't remember being here through all those lifetimes.

"Maybe you're shattered in your own way."

Ding Ding Ding. We've found the trauma response. The Broken has been shattered more than he already was. His will and empathy have run out. Where once he probably tried accepting the Princess, the Princess just shattered them further. He just wants to be done with it. As he says, "She smashes us to smaller pieces."

2) The Voice of the Cheated:

The voice of the cheated is the only voice to comment on the absurdity of us having so many voices. And he says it as if he's complaining about it. It's the only thing he can really do in that situation really. The Cheated does NOT like losing. But after complaining for so long and ultimately getting no where, he just accepts defeat at this point.

"It doesnt matter what we do. Because we always find her. And if we don't find her, she always finds us."

Subsequently he is on the "I don't fucking care what happens anymore" team. That isn't to say he doesn't want this to end. He does but he has just given up on trying to 'win' and get an ending. Effectively he wants to quit now. And he doesn't care if it's by completing the game or hitting alt+f4.

3) The Voice of the Smitten:

The voice of the Smitten has an interesting trauma response. The relation here is almost parallel to the relation Broken has with The Tower, except somehow worse. Smitten is incapable of seeing faults in the Princess. And when questioned if we really do love her after all shes done to us he tries to justify his love by saying

"To be given an ounce of kindness from something so pure would be more pure than any other love."

After we say that the voices in our head are wrong, he replies

"She is the ONLY THING that's right."

The Smitten is heartbroken. He's like that ex you broke up with but he still texts 'I love you' every night. Except the Princess has probably toyed with the Smittens love. But the Smitten can't not love her. So he decides he must become good enough to earn the love of "our cruel and beautiful godess". And the only way to do that is to free her. He doesn't want freedom he wants affection.

4) The Voice of the Hunted:

The Hunted was already one of the weaker voices mentally. Here he's just completely silent. He has like 6 lines the whole route. Which is only 1 more than the Stubborn. The Hunted is scared. He is almost paranoid. He doesn't even tell us to do this or that. He doesn't even comment on the mirror.

I personally feel Hunted was so broken that like a scared animal he decided it was better to hide. He does speak out in agreement to Cold when he says we sealed our fate by not killing her. Interestingly, the response is very minimal. Primitive even.

"Kill or be killed."

Which if you know Hunted, is not a normal response. He usually wants to run or hide. He never wants to kill, just survive. But here he says it would have been better to just kill. So whatever Nightmare did has made Hunted go from run to hide to kill or be killed. Wow! This is like prey animal that when cornered will just lash out in violence if they have no other choice. And that's exactly what Hunted is.

Now we start getting into some really interesting deviations.

5) The Voice of the Opportunist:

The voice of the Opportunist is so unbelievably broken its unreal. First thing to note is he already has an opinion. Secondly, he defends his own opinion. That isn't very opportunistic. He doesn't even flip flop like in his other routes. He's so different in this one, almost as if he's gained empathy as a response to trauma. He eve tries to comfort other voices like the Broken.

"You did your best really. There's just a pecking order."

And he is the only voice who tries explaining to Skeptic why his constant questions are bothering them. He does it in a positive way as well.

"They're good questions. Great questions even. But they just don't have any answers."

And he clearly doesn't care what the others think about him at this point. He's also the few voices that have some semblance of sense. Like when Cold tells them to be unfeeling, Oppy says,

"He's not wrong. He's the only smart one left if you ask me."

Again a very different opinion from the rest of the voices that deem Cold to be a nuisance. He's in the minority here. And yet when you return and start making choices, he's so relieved.

"I'm sure whatever you settle on, it'll be the best possible decision you could've made."

The reason he's relieved is because there is someone actually in control. There is a decision maker he can agree with. Finally, someone to try and suade. But this is still the most resolute we've ever seen him.

6) The Voice of the Stubborn:

He is probably the most fed up with everyone else's bullshit. Interestingly though on this route he isn't urging us to face the Princess. The only route where he isn't in a hurry to reach the cabin. He has completely lost the spirit to fight. If you got knocked out, this Stubborn could not revive you. He still wants to get physical, just can't. Who's he supposed to fight? The Princess? That's already been tried. The other voices? Now that's an idea.

"Shut up. You {Contrarion} were here."

Fight me. It's right there he wants Contrarion to punch him so he can punch him.

"Ugh. Here you {Skeptic} go philosophising again. It never goes anywhere."

I'm mocking you what you gonna do about it? Fight me. But it's hopeless. He can't even be bothered to instigate a fight anymore. But he's the macho man. What will the others think of him if he isn't aggresive? The truth is others don't really care. But he does. So he says to smash the mirror. Partly cause he wants to feel the spark of a fight again, partly cause that's what others expect of him.

7) The Voice of the Paranoid:

He is STRESSED. To the point he's constantly thinking about the Princess. He only has one goal in mind. Free the Princess. Escape. Get out of here. Make the thoughts stop!!!!

Such a precious broken boi. He just wants peace. He states,

"(Freeing her) It's the only way to get our thoughts back."

He can also feel eyes on him. Not sure if that's just Para being Para or due to trauma. But he is growing restless because of it.

"She's watching us. She never stops watching us."

He also doesn't talk much. Like he's scared the princess will hear him. He was always quiet but he's unnaturally quiet. He also really really wants to free the Princess. Overall he's Paranoid, can't think about anything except wanting to free the Princess so he can have his thoughts back.

8) The Voice of the Contrarion:

Contrarion has always been a nihilist. Nothing matters so let's just have fun cue laughter. However, here we can't really have fun. So his attitude becomes, nothing matters cue laughter. Which just makes him seem so sad.

"There's no difference between fine and not fine. It just goes on and on."

We know that Contrarion does hate himself. But here he's trying so hard to hide it here. He does not want to look at himself. He doesn't even want to think about himself. When Skeptic starts to question identity. He's also been asked this before but he would rather look away than look at himself.

"Yes this is far from the first time you've asked us about consciousness. (In a mocking tone) 'Who am I?', 'What am I?'; (Angrily) What is 'I'? Who even cares."

The Nightmare has broken him so much but he'd rather ignore it. When the voices are telling us what to do with the mirror in the cabin, he says

"Just go around it."

He's so done with himself. He doesn't even want to look at himself. He thinks that the most disgusting thing he could see HIMSELF. Not only this he tries to dodge almost every question we pose.

"What does here even mean if you think about it?"

He doesn't want to acknowledge anything even remotely related to him. Where was I? It doesn't matter, nobody really cares about me.... atleast I don't.

9) The Voice of the Cold:

The voice of the Cold has barely been affected. Makes sense. But what's interesting about him is he has actually been affected. He either doesn't know or he is purposely ignoring it. He has become more irritable. He develops a form of empathy. He has some pity.

" I've tried to keep them numb but they are all too soft. A shame, really."

That doesn't sound like the backseat driver Cold we know? Cold wants to help the other voices but he well can't.

"You're lucky you haven't been stuck here like the rest of them. There's no other way to keep going. You either need to forget or you need to stop feeling much of anything. They can't do either."

The Cold tried to help them. But the nature of the voices doesn't let them be helped. Cold is severely disappointed because of this. He even blames the player for ending up in this position when he says,

"You sealed our fate when you refused to kill her."

He just wants the player to make decisions independent of the voices. He's seen what they all do. He sees that it always ends in losses. He thinks the player was there when the other voices were having a try. He thinks the player was just listening to their requests.

"You always give too much space to others. It's why you always lose."

He is also the chattiest in this route. He also has many lines where he just tells us to be unfeeling. He's trying to protect us as well. But he's also bored. And he just wants it to end because he's bored.

10) The Voice of the Skeptic:

Possibly the most broken of the bunch. He is TRAUMATIZED. Normally, Skeptic is the most grounded. He's the guy who always has a plan. But here? He's useless. He realises this. And just breaks. He can't answer any question. How many times have we been here?

"Many many many many times."

Skeptic, wheres the numbers? Was I here?

"Are you your memories? Or are you the one perceiving the present moment?"

For someone who really loves answers, he sure doesn't seem to have any. The most logical voice being turned completely insane. He can't accept anything.

"Can we love something that hates us? Can we love something that hurts us?"

He's trying to distract himself. He doesn't want to think about the situation. He doesn't want to THINK. That's so bizarre. The Nightmare has broken Skeptic so much he doesn't want to do the one thing he loves to do. In fact when we reach the Long Quiet his first words are,

"I can finally think again."

11) The Voice of the Hero:

The voice of the Hero has a reaction that would make anyone furious at the nightmare for what she did to our boy. Hero is normally jocund, enthusiastic, understanding, and overall lovely. But here he is depressed. He doesn't talk much which is unusual. He always has something to say. But he's just so defeated. When the Narrator tells you the only thing you can do is go to the cabin, Hero replies

"Or you could just give up."

Hero says that. Not Broken. Hero. Our Hero. The one who is always encouraging us through our journey. The one we can trust no matter the circumstances. Our best friend. This line is the most terrifying part of Moment of Clarity. If we had any optimism going in, it had left us in this moment.

"You're lucky. What I would give to be able to forget."

Please someone comfort our boy. He deserves all the chocolates in the world.

In the Long Quiet

Once you reach the Long Quiet the voices seem to ease up a little. They see death within arms reach and think it a mercy. As Hero puts it:

"Something tells me this is the end of the line, but I don't feel bad about it. I'm ready."

Which is a striking contrast to his usual plea to not look at it. His fear of death is converted to a longing of it. Which could be seen as a another proof of why the Narrator's utopia is wrong. Because people who have lived a nightmare long for change and even death. And so he is at ease.

The Broken says,

"It feels okay."

Which is huge for our boi. Broken never feels alright. He is always sad or depressed. Something is always not okay with him. But after living through a nightmare, things finally seem okay. And so he is at ease.

The Paranoid says

"The fear's gone."

Again an amazing development. Paranoid always feels watched, and he's scared of who it is and why is he being watched. But in his final moments, living through a nightmare, he realises that the fear has no place in him anymore. And so he is at ease.

The Stubborn says,

"I'm done fighting."

This statement is a confession. He had long lost the spark for a fight, but here he can finally admit it. He doesn't want to fight anymore. He doesn't want to resist anymore. He wants to let go, and he does. And so he is at ease.

The Smitten says

"My heart feels quiet."

The fire of passion is fierce. And here it burns the Smitten. He wanted affection. He desired a connection with the Princess. His heart was incapable of doing anything but. Now as he is unraveled, his passion is extinguished. His heart is quiet. He never did get the affection he desired but realised he didn't need it. And so he is at ease.

The Cheated says,

"The game was always going to end."

For him, this is an ending screen for a rage game. He hated the experience the whole way through. He constantly faced losses. But he persevered. And so he found the ending. After all, no matter how extensive the game was, it was always going to end. He is glad he didn't quit. He got to see the ending. And so he is at ease.

The Cold says,

"I'll be free of all of you."

The worst part about this nightmare wasn't the nightmare itself. It was the fact it was hurting the ones around him. They got hurt abd yet he was as unfeeling as ever. He knew he had to be right. After all, wasn't he the only sane one left? Now as death approaches, he doesn't have to help carry the burden of others. And so he is at ease.

The Skeptic says,

"I'm ready for the truth."

The Skeptic was thoroughly broken throughout this experience. A man of reality shatters when reality shatters. And the thinker's response to doubt is to seek. But no answers were present in the nightmare. Now there is something that is very clear in purpose. Something easy to test. The mirror is death? Alright then let's see the truth. There are answers again. And so he is at ease.

The Hunted says,

"I'm ready to sleep."

An animal who has tried everything to protect itself and failed over and over again. A wounded creature who was pushed to his limits. But he is very tired now. He tried his very best. Yet it seems death is inevitable. He has remained vigilant and fearful throughout the nightmare. Now he feels safe enough to rest. And so he is at ease.

The Contrarion says,

"I'm just ready to be anywhere that isn't here."

The nightmare had shown him how low of a person he could be. He has come to associate that version of himself with those wretched circumstances. As he leaves that place behind he leaves behind his self hatred. He wants to get on with it already. He finds esteem in himself and his voice now echoes with joy and pride. And so he is at ease.

The Opportunist says,

"Boys..... it's been an honour."

The one who has never experienced true connection. The one who is constantly at odds with himself and everyone. Throughout the nightmare he garners genuine connection and empathy. He realises that the ones he should truly support are those that he loves not those that are the top of a pecking order. He finally finds that connection in this moment with the others. And so he is at ease.

And so they are at ease.