#ana lucia cortez

[fist-of-vengeance]

[lostfan23]

[danobaggins]

charlie was so nasty for this lmaoo 💀💀 her face pls

[the-witch-of-woods-beyond]

lost is the best thing ever made in the whole entire universe ever.

[mac-n-cheese-art]

nearly 20 years late to the lost fandom have some disorganized ana lucia doodles bcus shes my favorite character

[linusbenjamin]

Lost 2.20 | Two for the Road

[ivebeendressingforrevenge]

[a-map-of-gays]

Every friend group has

A bimbo

A mean bisexual

An even meaner lesbian

She/Theys

And He/Theys

A token straight who's on thin ice

An astrogy bitch who's got everyone's birth chart memorised

And a short king

[m-rod-unofficial]

Ana Lucía will always be a perpetually wet feral cat to me

[elizabeth-mitchells]

i might not be Jack's number one fan but he's so relatable for the way he'll the find the most problematic woman in any given situation and get obsessed with her. like. kate is a fugitive? good for her! ana lucia killed someone? that's okay! juliet kidnapped you and your friends? but she looked so cute doing it <33

[otogariado]

mentioning LOST's church ending got me riled up about the racism in LOST again lol. i obviously am aware that some actors just did not return to production for possibly other reasons, but also especially in the case of harrold perrineau (michael dawson) he felt like his character (and walt, his son) was treated like shit by the writing. and he was absolutely right. i've already made posts about this (will try to dig them up later), but michael was treated absolutely bullshit and unfairly wrt the story. michael betrayed them and killed two people, yes, but what did he do it for but to protect his son? he felt like nobody gave enough fucks about walt and there was some truth to that claim. his whole character arc is about being a dad to walt and their improving relationship over the course of being stuck on the island, so of course he would do that. it just makes sense.

which is why i don't think it's all that fair to punish him for it immensely in the narrative. harrold perrineau said it himself that he didn't want michael and walt to be another case of the absent black father stereotype [citation needed, i'll look for it but he said it in an interview] yet that's what he ended up being anyway. after his and walt's escape from the island, apparently walt cast him away because he doesn't agree with what his father did—which i actually think its interesting to explore: walt disagreeing with michael's actions and trying to grapple with it, but i don't think separating him from his dad was the best writing choice to make. walt is being punished for caring about his son by making his son be the one to cast him away. you can argue it's supposed to be tragic, michael is supposed to be a tragic character, but with the context surrounding michael's character? there's better ways to make his character be tragic than this.

which brings me to his next punishment. i was happy to see michael again on the kahana (just happy to see him in general), but it didn't last long when he gets killed, sacrificing himself to prevent/prolong the kahana's explosion from happening. (put a 📌 on this bc it's similar to how sayid dies and we'll come back to that later.) michael dies here and walt doesn't know about this. and then michael joins as part of the whispers, his soul trapped on the island (presumably forever) and that's why he's not in the church ending.

i'm gonna be frank. michael being trapped on the island because of his guilt or remorse or perhaps repenting for his sins is just bullshit to me. a lot of characters seen in the flash sideways and in the church ending are characters who've done "bad things". it's bullshit to have michael be the only one doomed to pay for his misdeeds forever. his misdeeds for... killing two people. not that killing two people is Nothing, but moreso if you examine the circumstances it's hardly anything to be damned eternally for.

remember the 📌 we had wrt sayid and michael? both of them died trying to prevent an explosion from reaching everybody else. which makes this more egregious imo. i can say 1000 things about sayid's arc (points to url), but this is about michael and not him, so i'll just focus on this: sayid was grappling with "being a bad person" for torturing and killing so many people. he worked as an assassin for ben. and yet, somehow, you're telling me sayid is not being damned eternally for his misdeeds but michael is? if you don't see the BS in that i don't know what to tell you.

i'm also aware why some characters don't appear any more re:conflicts with their actors (or just availabilities or other reasons for declining to come back), but even then arguably any conflicts with harrold perrineau stemmed from a justified place because of how michael was treated.

i think mr eko had a more dignified arc (he's one of my fav characters, thematically speaking) and honestly he had some of the rawest shit i've ever heard:

I ask for no forgiveness father for I have not sinned, I have only done what I needed to do to survive. A small boy once asked me if I was a bad man, if I could answer him now I would tell him, that when I was a young boy I killed a man to save my brothers life. I am not sorry for this, I am proud of this. I did not ask for the life that I was given but it was given none the less, and with it I did my best.

but despite this it doesn't change the fact that his absence in the church ending is very noticeable. he had meaningful connections with charlie, with locke, and interestingly like michael he kind of parallels sayid but this time thematically through their arcs. sayid is constantly burdened with feeling like he's a bad person and resigning to it as some sort of self-fulfilled prophecy, but mr eko is very firm about how he sees himself as not necessarily a bad man, just a man whose hands were forced because of the cards he was dealt. i wish we could have seen a more direct parallel between them, because it would've been interesting. back to the main point: i think it's such a missed opportunity for mr eko to not be here. especially since even after his death, hurley was able to communicate with his ghost, showing that he still had connections with his fellow losties even long after his death.

ana lucia being "not ready to move on" is interesting. but ultimately you can't help but raise a few eyebrows at it anyway. you can argue that, unlike mr eko she died an unresolved death, but most of the LOST characters died with an unresolved death. (she was killed early.) that's the whole point of the sideways segments. so what makes ana lucia so different from the others? yeah she killed shannon, but that was completely a freak accident. her people (the tailies) were being picked off one by one by the other so she was understandably on edge. she was kind of a hated character but i think a lot of it is just racism and misogyny combined tbh. (LOST is...notorious for a lot of misogynistic character writing decisions.) ana lucia was just as complex and morally "ambiguous" as the rest of them. i find the decision to make her corrupt in the sideways segments interesting (negative). cz like, there was never any indication she was like this in real life. what does that corruption symbolize? because obviously that corruption is a key to why she "can't move on yet". what exactly is she supposed to be repenting for? they hinted at a possible direction her arc is going towards before killing her off, ie. her ultimately choosing not to kill "henry gale" because she no longer wants blood on her hands. again, in a way, she's just like sayid! someone who decided they'd turn away from ceaseless violence. only right afterwards she got killed. so what does she need repenting for so much that she's left out of the church ending? much to think about.

i don't really know how to conclude this post. but my main point is that the lack of these characters during the church ending is and has racist implications. (again, i understand the casting issues, but it's still a writing decision you can critique as a viewer at the end of the day). i'll try to find the old posts i made last year abt michael and mr eko and their parallels to sayid and link them here (and self reblog).

edit: go read/look up "burn it down". it details a lot of the behind the scenes mistreatment of the staff (including racism and sexism), including actors and writers. the quote from an interview from harold perrineau that i mentioned was also linked in a reblog. (post link)

[skatiet]

[amberpriceenthusiast]

Hey guys what’s your favorite nightmare polycule

Mines Jack, Kate, Sawyer, and Ana-Lucia from lost

[danobaggins]

when they're the problem >>>

[the-witch-of-woods-beyond]

the blinding rage of reading a take about your favourite character that it just so blatantly wrong you wonder if someone watched the show with their eyes closed.

[lost-inanotherlife]

Lost S2 Rewatch - spontaneous, random thoughts (might change my mind)

Kinda dig Ana Lucia. I remember that, back when the show first aired, I didn't like her but I guess I've changed my mind. I like the fact that she seems to be unapologetic, she's leader-material and she knows it and acts as such but she's not smug about it. She does bad things, she knows it and doesn't hide behind excuses. Honestly? So far she's cool.

The introduction of the Tailies was a ballsy move, we haven't seen our fearless leader Jack for 6 episodes now (I've reached S2E7) and the show is still compelling and exciting. We meet five new characters and their introductions are different from those of the main characters in s1: it's fast, no flashbacks, direct. The comparison works because I find myself wanting to know more even though I wasn't even given enough screen-time to care about them. Ballsy, well-executed professional writing move.

I like how the first 3 episodes are taking place on the same night/day as the last 3 episodes of S1 (or 2 episodes, according to how you're watching "Exodus"). We see the events from different perspectives and this method of storytelling sometimes is very effective, sometimes I personally find it a bit boring. This doesn't happen here at all.

Hurley is such a more interesting character when you rewatch the show! I think that he's the only character (so far) where knowing things in advance makes him better and I'm like "hell, yes, why didn't I see that before?". Like, when I first watched the show I thought that Hurley was the "comic relief" of the series. He kinda is, but he's also not and so much more? Upon rewatching the show you can clearly see why he was the right leader and the best protector of the island. Gotta love The Dude.

I've said it once, I'll say it again (and forever): JUSTICE FOR SHANNON. I'll protect her against anyone. Her centric episode "Abandoned" is okay but I find it very distasteful that her death is framed as manpain fodder for Sayid. Also, she has sex at the beginning of the episode and at the end she dies? Ugh. Again, distasteful, it felt a little like she had completed her function so off we go. My girl deserved so much more :(.

Speaking of Shannon, her relationship with Sayid is meh. I actually liked it 20 years ago but thank god I've definitely changed because it's a badly written ship. I mean, I can see that the two characters have potential, but there's no "meat" behind it. The story is not "built", it's just there. One day Sayid finds her attractive and that's it. The two of them have spent like 1 afternoon together and all of a sudden the guy creates a romantic location on the beach so they can have sex. Shallow. And also, let's never forget that these people are on a fucking island full of things AND people that want to kill them, but okay, let's go beachsex-camping somewhere!

I'm an anti-Charlie. It really costs me a lot to say this because he was my favorite twenty years ago and now I can't stand him. I've reckoned that if I have to spend more time trying to make excuses for him while I actively don't like his actions... well, it's wasted time. Let's call is as it is: Charlie's a dick. That scene after Locke was holding Aaron and Charlie was jelaous or, I'd rather say, unhingedly possessive? Brrr, chills bruh and the wrong kind. Dude, you're cringe.