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italiangirlcoresblog · 2 months ago

Text

main masterlist \\ lewis masterlist

-----------------••✩🐶🐾👜✩••----------------

𝐛𝐮𝐭 𝐦𝐨𝐦𝐦𝐲 𝐢 𝐥𝐨𝐯𝐞 𝐡𝐢𝐦

✩ : your mother was seen hanging out with lewis hamilton, and now everyone thinks they're a couple; little do they know, they're focusing on the wrong vergara

𝐟𝐚𝐜𝐞𝐜𝐥𝐚𝐢𝐦 : @ melissamelmaia on ig

𝐟𝐞𝐚𝐭. : lewis hamilton

𝐠𝐞𝐧𝐫𝐞 : humor

✍︎ : guess who still hasn't started writing the lando fic she promised and made this silly little smau instead? (i swear i have the whole story in my head, i just don't have time to put it down 😭)

-------------------------❦︎-------------------------

f1gossippofficial

93,057 likes

f1gossippofficial 📸 lewis hamilton spotted with actress sofía vergara at breakfast by salt's cure in nyc!

View all 5,955 comments

username1 wait they would actually slay as a couple

username2 i know right

username3 imagine how iconic their dates would be

username4 more like runways with the style they both have

username5 we all know these DIVAS 💜

username6 I SAW THEM AND THOUGHT I WAS GOING CRAZY

username7 models should be thankful these two chose different career paths

username8 THE OUTFITS 🔥🔥🔥

username9 idk who's the more fashionable here

username10 BOAF

username11 fathered and mothered so hard they started dating each other

username12 daddy&mommy fr 🧎‍♀️

username13 and when exactly did we decide they were dating each other?

username14 people can't even hang out anymore without you guys making up entire relationships 💀

username15 i swear like CHILL 😭

username16 our king finally found the queen he deserves 👑

username17 ew no isn't she like 12 years older than him?

username18 so? i don't see the problem

username19 exactly, they're both grown adults and perfectly capable of making their own decisions

username20 nah we stan a good age gap

username21 POWER COUPLE

username22 can't believe we lost her to another man

username23 she's everything, he's just ken 🎀

username24 anyways GET YOUR ASS BACK TO MARANELLO LEWIS WE'RE WINNING THIS YEAR

username25 ah yes, another fellow delusional ferrari fan 🤝

ynvergara

Liked by sofiavergara, lewishamilton and 155,335 others

ynvergara finalmente aterrizada �� 🤪

See translation finally landed 🛬 🤪

View all 3,191 comments

sofiavergara ❤️

username26 HOW IS SHE SO PRETTY

username27 i mean she IS sofía's daughter

username28 she got it from her mami duh

username29 the vergara genes are undefeated

username30 landed where bestie?

ynvergara 👀

username31 girl spill, we wanna know 😩

username32 not to scare y'all or anything, but sir lewis hamilton is in the likes

username33 LOLLL

username34 BRO WHAT

username35 hold the fuck up

username36 fam they even follow each other

username37 SINCE UH ☝️ WHEN

username38 am i tripping or does this mean he's actually dating sofía

username39 you mean my husband really stole my wife!?

username40 do you think she knows her new daddy is a 7 time f1 world champion

♥︎ by ynvergara

username41 IS THAT SUPPOSED TO BE A YES

username42 MAMA Y PAPA

username43 she's living everyone's dream

username44 please adopt me

deuxmoi

58,506 likes

deuxmoi 1. y/n vergara arriving at the jfk airport last night // 2. and 3. y/n and her mother sofía shopping together in nyc 🗽❤️

View all 2,198 comments

username45 mommy and mother

username46 stop thirsting over every single post ffs

username47 some of you really need to touch the grass

username48 reconnect with nature folks

username49 drink holy water

username50 she's too cute i can't

username51 VICTORIA'S SECRET MODELS WHO???

username52 their vibe is unmatched

username53 imagine being sofía vergara's daughter and going shopping at chanel on a thursday

username54 sadly i can't relate

username55 hot and unbothered 💅

username56 why are we collectively ignoring the fact that she's in new york too

username57 that's relevant how...?

username58 she can't even spend time with her own mother now?

username59 i think they meant it's strange she arrived right after the lewis rumors

username60 omg not everything has to be this deep

f1gossippofficial

94,359 likes

f1gossippofficial 🚨 BREAKING: lewis hamilton seen arriving at a hotel to pick up a mystery girl, which he then took out for dinner at a local restaurant

View all 8,789 comments

username61 leave the poor man alone 💀

username62 no way, he has a social life too!

username63 sometimes i wonder why i'm more invested in other people's life than my own

username63 then i remember my life is boring and go back to obsessing over celebrities

username64 honestly same

username65 i bet that's the hotel where sofía's staying and the "mystery girl" is her

username66 i live right across it and i saw the whole scene, it DEFINITELY was her

username67 my parents are finally together 🥹

username68 idk she looks a little too young to be sofía

username69 we will not 🚫 accept any 🙅‍♀️ form of negativity 👎 in this happy 😄 household 🏡, thank you very much 🙏

username70 you people are more desperate than the tifosi

ynvergara lewishamilton

f1gossippofficial

98,610 likes

f1gossippofficial @ ynvergara and @ lewishamilton stories from tonight's dinner 👀

View all 9,025 comments

username71 and the crowd is more confused than leclerc in monaco 2022

username72 leave charles out of this please, my boy already has enough trauma

username73 fr 😭

username74 it's not strange tho? her mom probably introduced them

username75 i think we took for granted that sofía and lewis are dating

username76 you are one perspicacious fella

username77 WAR IS OVER (people are finally realizing that talking to another human being doesn't mean being romantically involved with them)

username78 my guess is lewis and sofía took y/n out for dinner to tell her about their relationship

username79 NOH

username80 someone please stop this madness i'm begging you

username81 we completely misunderstood the news from the other day and lewis is actually dating y/n STAY WITH ME NOW

username82 he's friends with them ❌️

he's either dating the mom or the daughter ✅️

username83 no because it would make sense

username84 once again, there's still a pretty big age gap

username85 but it feels more right yk

username86 sugar daddy lewis 🫦✨️

username87 y/n probably has enough money to be his sugar daddy

lewishamilton

Liked by charles_leclerc, sofiavergara, ynvergara and 1,996,056 others

lewishamilton moments like these are worth the chaos 🫶🏾

View all 16,943 comments

username88 lewis dear my ship can't sail iF I DON'T KNOW WHO'S ON BOARD

username89 this is not a drill. i repeat, THIS IS NOT A DRILL

username90 we're never gonna hear the end of this now

username91 man just focus on racing

username92 bye bye championship 🥲

username93 what does any of this have to do with the championship???

username94 the season hasn't even started yet stop being so dramatic

username95 i knew the romance was real

username96 ok but the question now is with who

username97 obviously sofía wdym

username98 i call y/n 🗣

username99 whatever it is, i support it 🙂‍↕️

username100 plot twist: it's just nico in a wig

username101 my brocedes heart would be so ready for it

username102 THE MATCHING HATS I'M CRYING

username103 second slide is giving nicole scherzinger

username104 i have a wild theory

username105 WHAT IF IT'S HER

username106 let's not overdo it

username107 i fear that would be too iconic for the world to handle 😔

username108 my forever favorite otp

username109 THE original wag

username110 shall i remember you she's engaged now?

username111 crazy how i spend more time trying to figure out rich people's relationships instead of focusing on mine

ynvergara

Liked by lewishamilton, sofiavergara and 745,954 others

ynvergara lo siento mamá, le gustan jóvenes 😚💋

See translation sorry mom, he likes them young 😚💋

View all 10,198 comments

username112 YO WHAT

username113 girly pop has ZERO chill

username114 THE CAPTION BYEEE

username115 this was not on my 2025 bingo card

username116 y/n at some point this morning: you should know this too

username117 omg i can't, she's like the female version of franco colapinto 😭

username118 pr nightmare in the making

username119 well good luck training HER

username120 the next big menace to society

username121 ✨️she's an icon, she's a legend, and she is the moment✨️

username122 nooo mi novia 😫

See translation nooo my girlfriend 😫

username123 ¿cuándo será mi turno? 💔

See translation when will it be my turn? 💔

username124 can lewis fight???

lewishamilton i can and i will 🤺

ynvergara don't break your back papi chulo ❤️

lewishamilton rude but i'll take the compliment

username125 when sebastian stan's demon possesses me:

username126 lolll our girl already humbling him

username127 SHE'S SO MESSY HELP

username128 "i'll take the compliment" someone's been learning spanish i see

username129 sometimes life isn't fair because wdym i can't call lewis hamilton papi chulo too

username130 how did they even manage to keep it a secret for this long

username131 honestly if i was her i would've told it much sooner

username132 if i was the one dating SIR LEWIS HAMILTON i would brag about it every day of my life 🛐

username68 hate to say i told you so ☝️🤓

username81 SAME

username98 Y/NEWIS DEFENDERS ASSEMBLE

sofiavergara

Liked by ynvergara, lewishamilton and 1,117,611 others

sofiavergara me dijo que te ama, y mientras tú seas feliz, tiene mi permiso ❤️

See translation he told me he loves you, and as long as you're happy, he has my permission to ❤️

View all 13,428 comments

ynvergara te amo más mamá 🥺❤️

See translation i love you more mom 🥺❤️

username133 awww our mama's girl 🎀

username134 they're the sweetest

username135 the queen and her little princess 💕

username136 not a 40-year-old man needing his girlfriend's mother permission to date her 😭

username137 that's common sense i fear

username138 IN A WORLD OF BOYS HE'S A GENTLEMAN

username139 i mean it's not any mother we're talking about, that's sofía margarita vergara

username140 are we really saying that when they were first seen together sofía was giving him the third degree 💀

username141 "grill the grid" has a whole other meaning now

username142 lewis smiling through the pain as he gets absolutely destroyed

username143 the way i would've sold my house to witness this

username144 forget "drive to survive", it's "survive to drive" now

username145 i love how everyone just casually started roasting him

lewishamilton honrado 🙏🏾

See translation honoured 🙏🏾

username146 he's honoured because sofía spared him

username147 my man is so stressed he learnt a new language to communicate

duolingo he knows it's either spanish or vanish 💚

username148 NOT DUO THREATENING AN F1 DRIVER

duolingo who cares about him anyway 😎 (solo dame una oportunidad sofía)

See translation (just give me a chance sofía)

username149 we got duolingo hitting on sofía vergara before gta 6

ynvergara también amo un poquito a mi novio 🫣

See translation i also love my boyfriend a little 🫣

lewishamilton i love you a lot, silly

♥︎ by ynvergara

username150 CRYING IN SINGLE AND BROKE

italiangirlcoresblog being his controversially young girlfriend will always remain my secret dream

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©italiangirlcoresblog // do not copy, rewrite, or translate any of my work on any platforms

1K notes · View notes

mrgoldmc26 · 20 days ago

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Blackpink's Crazy Night in Paris Part 1 ft. Lisa

Tags: Blowjob, facefuck, anal, pussy eating, creampie, dirty talk, cum swallowing and more...

Word Count: 8.7k

A/N: First time posting here on Tumblr. I write and post all my stuff on AO3, but decided to make the jump to Tumblr thanks to a friend. I'm a relatively new K-Pop fan, and he's helped me find out a lot about new groups, songs and idols over these past few months. Before I met him, I only knew about Blackpink and IVE, and now I actually think I stan more groups and idols than him 🤣

Anyways, I think that for the next few days, I will keep this account as an only K-Pop account, but I could change my mind at any minute and post my other series in here too. I will create a masterlist very shortly as well, in which I will also mention which groups and idols I'm planning to write about in the future.

I'm really excited to start my Tumblr journey with you all. I follow a lot of K-Pop smut writers in here, and I hope that I can bring something to the community with my stories. My main kinks are gangbangs, blowjobs, dirty talk and facials, so expect a lot of stories like that 😝

I'm gonna try to do what I do on AO3, and reply to every comment, but because I'm new to this platform and UI, it's gonna take a while before I get used to it. Also, really wanna do those smutty asks that I see my favourite writers do once in a while, so send me those.

Anyways, sorry for wasting your time with this long ass A/N. I hope you enjoy the chapter ❤️

The following is a Fan Fiction and should be treated as such.

On the evening of September 28, 2023, as the sun dipped below the Parisian skyline, the area surrounding 12 Avenue George V buzzed with an electric anticipation. The iconic Crazy Horse cabaret, known for its avant-garde performances, was about to host a night that would be etched in the history of the entertainment business, as Blackpink's Lisa was set to perform.

Outside the venue, a sea of paparazzi had gathered, their cameras poised to capture the arrival of the evening's distinguished guests. The soft hum of conversations was occasionally punctuated by the flash of bulbs, illuminating the cobblestone streets in brief, dazzling bursts.

The first few guests started to arrive, and not too long after, Lisa's bandmates (Jisoo, Jennie, and Rosé) made their presence known. Dressed in chic ensembles that effortlessly blended sophistication with modern flair, they stepped out of their sleek black limousine, offering polite smiles to the sea of photographers. Their presence was a testament to the unbreakable bond shared among the Blackpink members, each there to support Lisa's solo endeavors.

Moments later, the atmosphere grew even more charged as the President of France, Emmanuel Macron, accompanied by the First Lady, made their entrance. Their attendance highlighted the significance of the event, bridging the worlds of politics and entertainment. The President, with a cordial nod to the crowd, escorted his wife through the grand entrance, both exuding an air of elegance befitting the occasion.

The exclusivity of the evening event was palpable. With only 250 seats available, the guest list was an exclusive collection of Lisa's closest associates, influential billionaires, and visionaries from various industries. Famous athletes, chart-topping singers, and renowned actors, many of whom had crossed paths with Lisa in her illustrious career, gathered to experience a performance that promised to be nothing short of extraordinary. Among the most notable attendees were Latin pop sensation Rosalía, known for her genre-blending style that combines flamenco with urban sounds, and Tyga, a well-known rapper with a series of charting hits.

Also in attendance was the PSG football team, who turned out in full force for the exclusive event. Among the many noteworthy figures of the squad, two stood out, with the first being Kylian Mbappé, the club's star player. He was one of the highest-paid footballers globally, with his immense popularity reflected in his social media following of over 100 million Instagram followers, a testament to his global influence both on and off the field.

The other noteworthy figure of the PSG squad was actually Nasser Al-Khelaifi, the president and CEO of Paris Saint-Germain. With an estimated net worth of around $300 million, Al-Khelaifi exuded the wealth and power that comes with his position. His fortune and influence in the sports world were undeniable, and therefore, it wasn't a surprise to see him at the prestigious event.

The gathering was a testament to Lisa's wide-reaching impact and her ability to draw in the most powerful figures from various spheres of influence, all of whom had come together for an unforgettable evening.

Upon entering the cabaret, guests were greeted by an ambiance that seamlessly blended classic Parisian charm with contemporary allure. The intimate space was filled with rows of plush velvet seating, each chair arranged meticulously to offer a perfect view of the stage. The deep red color of the furniture contrasted elegantly with the dim, golden lighting, casting a warm glow that enveloped the room.

The stage itself was a masterpiece of minimalist design. A polished ebony floor stretched out, flanked by cascading crimson curtains that hinted at the mysteries they concealed. Above, an intricate array of lights hung, poised to bathe the performers in a spectrum of colors and patterns, setting the tone for each act.

As the guests settled into their seats, a hush of anticipation descended upon the room. Soft murmurs filled the air, with attendees speculating about the evening's performance. Champagne glasses made soft clinking sounds, and the light scent of perfumes filled the air, combining to create an enchanting atmosphere.

As the clock struck 9, the lighting gradually dimmed, drawing the audience's focus entirely toward the stage, as the gentle hum of conversation faded into an anticipatory hush. A single spotlight pierced the darkness, illuminating the velvet curtains as they parted with a graceful sweep. The orchestra, hidden from view, began to play a haunting melody, its notes weaving through the air and drawing the audience further into the spell of anticipation. As the melody built in complexity, subtle rhythmic beats emerged, layering energy into the atmosphere. Slowly, the music swelled, and the velvet curtains parted to reveal the first act. The performers burst onto the stage with electrifying energy, their intricate dance routine seamlessly blending classic burlesque with contemporary choreography. They moved in perfect harmony, their glittering costumes catching the light with every twist and turn, creating a mesmerizing display of color and movement for the guests.

In between the acts, champagne glasses clinked softly, and servers offered trays of elegant finger foods. Guests nibbled on small, bite-sized snacks like soft, flaky pastries filled with creamy cheese, along with smoked salmon served on delicate crackers. There were also sweet pastries filled with smooth cream and a hint of chocolate. These refined treats, paired with the finest champagne, were just enough to keep the guests satisfied without distracting from the captivating performance unfolding before them.

Each subsequent act brought a unique flair to the stage, from sultry solos to daring acrobatic performances, each designed to keep the audience captivated. The air in the cabaret was charged with excitement, the performers delivering an enticing blend of skill and sensuality that left the crowd mesmerized. While the audience applauded generously for each act, there was an unspoken sense that these were but tantalizing preludes to the main event. The murmurs between performances carried a single thread: anticipation for Lisa’s debut.

Backstage, Lisa steadied herself for her debut as a 'Crazy Girl.' The faint hum of the audience filtered through the velvet curtains, a symphony of murmurs and clinking champagne glasses that signaled their anticipation. She adjusted the feathered mask in her hands, its sleek black feathers accented with tiny crystals that caught the dim backstage lighting. As she slipped it on, she couldn’t help but smirk softly. Tonight, she wasn’t just performing. She was about to shock everyone in attendance. They had come expecting a show, but none of them truly believed Lisa would push the boundaries too far. They’d soon realize how wrong they were.

Taking a deep breath, she straightened her posture and stepped into the wings, her heart pounding in rhythm with the crescendo of the orchestra. As the stage manager gave her the cue, she walked into the light.

The applause erupted instantly, cheers and whistles rolling over her like waves. The guests leapt to their feet, clapping and whistling, their excitement palpable in the air. The chairs stretched out in neat rows, each one filled with a captivated guest, but Lisa’s eyes instinctively found three very familiar faces in the front row. Jennie, with Jisoo to her left and Rosé to her right, were seated directly in Lisa's line of sight, their presence adding a familiar comfort as she stepped onto the stage. Lisa’s expression remained serene, her features unreadable behind the mask that framed her piercing gaze. She exuded control, poised and untouchable, her presence commanding the room. The applause softened after several seconds, and the guests slowly returned to their seats, still caught in the lingering admiration for her.

Her outfit was an intricate masterpiece of decadence and allure. The feathered mask was paired with a collar necklace of white diamonds, shimmering brilliantly and drawing attention to her elegant neck. Draped over her shoulders was a fitted, tailored jacket encrusted with emeralds and black sapphires, their deep green and midnight hues reflecting the stage lights in a mesmerizing dance. The jacket hugged her waist, sculpting her figure, and it glittered with every subtle movement. Her arms were adorned with long, black lace gloves, the delicate fabric extending nearly to her shoulders, adding an extra layer of sensuality.

Her legs were encased in sheer black stockings, the tops of which were trimmed with delicate lace. They extended down to a pair of sky-high stiletto heels, patent leather and perfectly polished, each step a click that commanded attention. The ensemble was completed by a pair of high-waisted panties, their design both seductive and practical, with a discreet hook at the hip, designed for quick removal.

Every detail of her ensemble, from the luxurious fabric to the dazzling embellishments, had been designed to evoke both elegance and temptation, a perfect embodiment of the Crazy Horse legacy.

Lisa stood still for a moment, letting the audience absorb her presence. The spotlight cast a halo of brilliance around her as she slowly raised her chin, her eyes sweeping over the crowd with an unflinching gaze. Unfazed by the loud applause, she was entirely in control, her purpose clear. This was her stage, her moment, and she was there to deliver not just a performance, but an unforgettable experience.

The music shifted, its beat more rhythmic and flowing, as Lisa was joined by her six backup dancers, their silhouettes sharp against the dim lighting. With a flick of her wrist, she signaled the start of the routine, and the dancers fell into flawless formation, moving with precision and grace. The choreography was a perfect blend of contemporary and cabaret-inspired dance, with slow and controlled movements that captivated the audience with every step. Lisa led the group effortlessly, her elegance and poise commanding the stage as they performed intricate formations and synchronized spins. The dancers mirrored her movements flawlessly, their long black lace gloves shimmering under the stage lights, adding to the sensuality and sophistication of the performance. Every gesture was a moment of elegance, as the group executed their movements in unison, creating a visual harmony that left the audience in awe.

As the music faded for just a moment, the spotlight shifted solely to Lisa. The dancers, now positioned far away from her, stood frozen in place, allowing the focus to remain entirely on Lisa. With a sultry look in her eyes, she raised her hands to her face, and the audience held its breath in anticipation. Jennie, Jisoo, and Rosé were already clapping and cheering, along with the rest of the crowd, their excitement palpable as Lisa began to remove her gloves. Slowly, sensually, she used her teeth to grip the edge of one black lace glove, pulling it off with teasing slowness, every motion deliberate and captivating. As the first glove was discarded, the crowd reacted, cheers and whistles filling the air. Lisa then slid the second glove off with her now-gloveless hand, continuing the slow, seductive removal. The cheers grew louder, waves of admiration pouring from the audience, while Jennie, Jisoo, and Rosé clapped and hollered, their enthusiasm unmistakable. With the gloves finally gone, Lisa resumed her performance, the dancers returning to their positions as the music swelled again. The room buzzed with excitement, the air thick with the energy of her sensual display, as every eye remained locked on her. The sensual tension lingered, intensifying the connection between Lisa and the audience, their anticipation hanging in the air like a breath held too long.

As the music built to a crescendo, the dancers executed their final formation with a smooth, synchronized turn, pausing for a brief moment of stillness before striking their last pose. Lisa’s presence remained the focal point, her confident gaze sweeping over the crowd as she gracefully led the group in the final stretch of the routine. With the last beats echoing through the room, Lisa reached up and removed her black feathered mask in one fluid motion, revealing her striking features to the audience. The timing was flawless. Just as the performance ended and her mask came off, the crowd erupted into applause. The dancers took their bows alongside Lisa, the curtains began to close, and the stage was enveloped in darkness for several seconds, the energy hanging in the air as anticipation grew for what was to come next.

Suddenly, the lights flared back to life, bathing the room in a brilliant glow. In the center of the stage stood Lisa, her silhouette sharp against the illumination. She was alone now, the absence of her dancers creating an intoxicating tension in the air. With a slow, deliberate movement, she reached up, her fingers tracing the edge of her jacket before pulling it off, revealing the intricately laced black satin corset that hugged her figure with seductive precision. Designed to accentuate her curves without restricting movement, the corset fit snugly but wasn’t overly tight, allowing her to dance comfortably and effortlessly. The elegant design featured hidden hooks and eyes, blending seamlessly into the fabric to allow for easy and quick removal if desired. The lace detailing created a striking contrast to the powerful presence she commanded on stage.

As the spotlight shifted, Lisa turned her back to the audience, facing away from them as her hips swayed with each step. She walked toward the stripper pole, her movements fluid and deliberate, every motion dripping with confidence. The way her corset clung to her body made her ass stand out in a way that could only be described as captivating, each step she took amplifying the tantalizing effect of her outfit. With every stride, the tightness of the corset accentuated the curve of her waist, and the motion of her hips made her look even more enticing. As she reached the pole, she placed one hand around it, her fingers curling sensually around its cold metal surface. Slowly, teasingly, she began to circle the pole, her hips swaying rhythmically, a perfect blend of control and sensuality. The crowd was drawn to her every move, captivated by the tantalizing promise of what was to come.

The music swelled with a rhythmic pulse, and Lisa began her performance by leaning into the pole, her hand sliding slowly along its length. She started with simple, fluid movements, circling the pole with calculated grace. Her hips swayed hypnotically to the beat, each step purposeful and controlled, her stiletto heels clicking softly against the polished stage floor.

She teased the crowd with small spins, wrapping one long leg around the pole while her body pivoted effortlessly. Each spin was slow and deliberate, her hair cascading like silk as she tilted her head back, drawing in the audience’s fixed attention. She stayed close to the ground, emphasizing her sensuality without rushing into complex tricks just yet.

Lisa then transitioned to floorwork, kneeling gracefully, her hands gliding down the pole as she arched her back and rolled her hips. She rose back to her feet with a seamless elegance, her movements sultry yet restrained, leaving the crowd mesmerized by her confidence and presence. The first part of her routine was a masterclass in teasing; every gesture was a promise of something greater yet to come.

As the music built to a crescendo, Lisa moved into the more advanced phase of her performance. She climbed the pole with an effortless agility, her toned legs gripping tightly as she ascended, each movement exuding control and strength. Once near the top, she hooked a knee around the pole, arching her back and leaning backward into a breathtaking pose, her other leg extended gracefully. The crowd gasped as she spun slowly in this inverted position, her body like a sculpture of elegance and allure.

Sliding down the pole with practiced ease, Lisa stopped halfway, her body suspended with both legs wrapped firmly around the pole. She leaned her upper body forward, her hands lightly gripping the pole for balance, and then began a slow, mesmerizing undulation. With each thrust, she leaned in and out, her torso moving in a controlled, hypnotic rhythm. The movement was both sensual and powerful, a display of mastery that captivated the crowd. Her hips swayed slightly with each motion, her body undulating like a wave, perfectly synchronized with the music’s seductive beat.

Then, as if to take the crowd’s breath away, she let herself slide further down the pole, flipping upside-down with her legs spreading wide in a star-like formation. Her body perfectly aligned, the stage lights highlighted every curve, and the sheer athleticism of the move stunned the audience. With a slow, deliberate motion, she transitioned into a split hold, her legs extended horizontally while she gripped the pole with her thighs, spinning elegantly before lowering herself to the ground with unmatched finesse.

Lisa’s movements became increasingly daring and sensual as she danced. She intertwined graceful spins with moments where her body pressed teasingly against the pole, her expressions a mix of confidence and seduction. She ended the performance with a final dramatic move: climbing the pole one last time, spinning in a controlled descent until her feet touched the stage floor. With the last note of the music fading, Lisa stood tall, her piercing gaze scanning the audience as she struck a commanding pose, leaving them in awe of her beauty and skill.

A brief pause lingered, the air thick with anticipation as Lisa’s hands slid to the front of her corset. With a slow, deliberate motion, she unhooked the hidden fastenings, each movement tantalizingly precise. The structured garment loosened, and with a graceful shrug of her shoulders, she let it slide down her torso, revealing the delicate, shimmering tassel nipple pasties that now adorned her bare chest. The crowd erupted, the combination of admiration and exhilaration palpable as Lisa discarded the corset to the side, standing in nothing but her sheer black stockings, lace-trimmed high-waisted panties, and sky-high patent leather stiletto heels.

Freed from the constraints of the corset, Lisa's movements became even more fluid, her body effortlessly melting into the next phase of the performance. She dropped gracefully to the floor, her legs extending in sharp, mesmerizing motions that captivated every set of eyes in the room. A smooth transition led her into a seamless split, her thighs parting with ease as she faced the audience, arching her back just enough to emphasize every curve of her body. Her hands grazed the floor, her fingers tracing invisible patterns as she shifted, rolling onto her stomach with an effortless glide.

Now, with her back to the audience, Lisa lifted herself just enough to tilt her hips, offering them a perfect view of the sculpted curves that moved in perfect sync with the music. Her long legs sliced through the air as she pushed herself into another split, this time facing away, her ass arching as she lingered for a moment before sweeping her legs together and rolling into a sensuous backbend. Every motion was executed with the kind of precision and confidence that only Lisa could embody—controlled, deliberate, and undeniably hypnotic, given how little she was wearing.

She wasn’t in a hurry. Every motion was slow and deliberate, dripping with purpose. Each flick of her ankle, each flex of her thigh designed to send the crowd into a frenzy. As she lifted herself back onto her knees, one hand dragging slowly up her body, her gaze flickered up, locking onto the audience with a knowing smirk.

As her hand slid slowly up her body, her fingertips brushing against her skin with deliberate slowness, the anticipation in the room reached a fever pitch. Lisa’s eyes never left the crowd, her smirk widening just slightly as she felt the heat of their gaze. She was in control, and she knew it.

With a subtle shift, she pulled at the edges of her tassel nipple pasties, the delicate strands of ribbon catching the light as she gave it a teasing tug. The fabrics barely moved at first, but then with a fluid motion, she yanked them free, tossing them aside like a prize. The crowd gasped, the shockwave of her boldness vibrating through the room.

For just a moment, a heavy silence hung in the air, deafening and almost unreal. Then the cheers came, loud and wild, an uproar of adoration and disbelief. Lisa, with her breasts now fully exposed, only smirked wider, reveling in the power of the moment. She was unapologetically herself, and nothing could take away her command of the stage.

Naked from the waist up, Lisa stood there with her tits out for a brief moment, drinking in the crowd’s feverish energy as their cheers swelled. She could feel their eyes locked onto her, their collective desire turning her body into a living canvas for their hungry gazes.

Her hands moved like a symphony of seduction, tracing the curves of her body with the kind of smooth grace that made every inch of her skin seem like an invitation. She swept her fingers across her collarbone, teasingly brushing over her chest before sliding them down the smoothness of her stomach. Each movement was purposeful, calculated to draw out the tension, to make them beg for more without her ever saying a word.

As her hands glided over her body, she locked eyes with the audience, her smirk returning, full of knowing. She was in complete control, making sure they couldn’t look away. Her hips swayed, each motion measured and deliberate, designed to keep the attention on every inch of her. She pulled her hands up, sliding them over her breasts and her nipples in a slow, almost painful motion, before letting them drift lower, brushing the edge of her waist. She lingered there for a moment, letting the heat of the moment build, before allowing her hands to slide down to her thighs, pushing the boundaries of seduction further.

The crowd was buzzing with anticipation, but Lisa remained composed, her smirk never faltering as she turned away from them, giving them the perfect view of her sculpted back. She slowly backed up, moving towards the edge of the stage with the precision of a dancer who knew the power of every step and every motion. As she moved closer to the audience, the room seemed to hold its breath.

With a subtle shift in her posture, she reached down with one hand, her fingers delicately finding the hook on the side of her panties. The fabric was tight against her skin, the delicate lace trimming hugging her curves as her fingers toyed with the hook. The crowd watched in silence, their eyes fixated on the moment.

Lisa gave them one last look over her shoulder, the hint of a smile playing at the corner of her lips, before she unhooked the panties with a slow, deliberate motion. The fabric began to loosen, teasingly falling down her legs as she bent forward, her body lowering into a perfect 90-degree angle. Her ass arched out towards the crowd, her movements fluid and controlled as the panties slowly slid down her legs, eventually falling at her feet as she exposed her glorious cunt for everyone to see.

The room erupted with cheers and applause, the crowd now in a frenzy of excitement. Lisa lifted her foot, kicking the panties aside as she stood back up, the cool air hitting her bare skin. She was now fully nude, save for the pair of stiletto heels and her sheer stockings that hugged her toned legs, the lace trim framing her shapely ass perfectly.

With the final seconds of her performance approaching, Lisa decided to go all the way. With her body still bent over, she stuck a hand between her legs and put two fingers on her pussy, using them to spread her labia open, giving the audience a clear view of her pink, glistening cunt. The crowd went crazy for Lisa's actions, no more than her three best friends in the front row. As if it couldn't get any better or hotter, Lisa then turned around and raised her hand to her mouth, sucking on her own fingers, her tongue swirling around them as she tasted her own arousal. The crowd was deafening by this point, cheering and whistling, their lust evident. It was clear that she had taken things to the next level, and they loved every second of it.

As the last few notes of the final song came to an end, Lisa took a deep bow to thank the crowd, then stood back up with a radiant smile, her naked body still on full display for the guests to see. The entire audience rose to their feet, erupting into applause for Lisa’s monumental performance. They chanted her name for several seconds, and Lisa continued thanking them, waving with gratitude until the lights dimmed and she made her exit.

Backstage, she was met by her manager, who immediately handed her a robe to cover her body. She thanked the staff members who congratulated her on a legendary performance at the Crazy Horse show. Just as she was about to step into her dressing room, her bandmates' excited voices rang out from a distance, calling her name as they rushed over to congratulate her on her number.

"Oh my god, Lisa. That was amazing!" Jisoo exclaimed, a wide smile stretching across her face.

"I can't believe you did that. You could’ve told your best friend you were gonna do that tonight." Rosé added, still stunned by Lisa's performance.

"Sorry...I didn’t want to spoil you, girls. I wanted to see the shock on your faces."

"It was so hot. I'm so wet right now. I even rubbed one out in the front row, not gonna lie." Jennie said, her cheeks flushed red, her voice dripping with lust.

"Damn, did I turn you on that much? Did I make you that horny?"

"Girl...I’m always horny."

"Yeah...horny for cocks." Lisa joked.

"Speaking of that...should we hit the club?" Rosé suggested.

"Of course. I wanna play cock roulette." Jennie added, referring to their favorite club game.

"Yeah, absolutely. I’m dying to get dicked right now. Let's have some drinks and some fun. Just let me get dressed. You guys wait in the car." Lisa said, saying goodbye to her friends before stepping into her dressing room.

Inside, she sat down for five minutes, just trying to take it all in, what had just gone down on stage. Phones weren’t allowed, so she shouldn’t have to worry about anything leaking online. She trusted everyone in attendance to keep quiet, to not run to the media.

And yet, that nagging thought crept in...what if?

What if someone had managed to sneak in a phone? What if a guest decided to open his mouth and tell the whole world what had happened during Lisa’s performance? The fact that she showed her entire body to everyone in attendance...her tits, her ass and her pussy out in full display for the lucky few deemed worthy enough to attend the Crazy Horse show that night.

If it ever came out, she’d have to deal with the fallout—the headlines, the public scrutiny, the endless speculation about why she had done it. There would be backlash, judgment, and maybe even consequences she couldn’t yet predict. But right now, she didn’t have time to dwell on that. Her friends were waiting for her, eager to hit the club, and she wasn’t about to waste the rest of the night worrying about something that might never happen. Tonight was about celebrating and letting loose.

Lisa made her way toward the vanity table, grabbing the champagne bottle. Tilting it over her glass, she sighed when nothing came out. Still wrapped in her robe, she cracked open the door, calling for a staff member.

"Excuse me. I’m out of champagne. Could you bring me a bottle, please?"

"Of course, madame. One moment." The young staff member hurried off.

He was a tall, young, white man with short curly brown hair, barely looking 20, his nervous energy palpable as Lisa asked for his help.

A few minutes later, he returned, knocking on her door. Lisa opened it, stepping aside to let him in. The young man stepped inside hesitantly, clutching the cold champagne bottle in his hands. His movements were careful, almost too precise, as he made his way toward Lisa’s vanity table. Placing the bottle down, he twisted the foil, peeled it away, and expertly popped the cork with a soft pop, the faintest hint of bubbles fizzing to the surface as he poured the golden liquid into her glass.

Lisa leaned against the table, watching him with amusement as he filled it nearly to the brim. She smirked, lifting the glass to her lips for a small sip before looking at him.

"Thank you." She said smoothly, letting her eyes linger on his face.

"You’re welcome, ma’am." He replied, keeping his gaze respectfully averted.

"No need to be so formal. You can call me Lisa." She said, letting out a soft chuckle.

The young garçon shifted on his feet, a nervous gulp escaping him as he tightened his grip on the bottle.

"Awwww...are you getting shy?" She teased, tilting her head as her smirk grew wider.

"Come on, tell me...did you watch the show?"

"Yes, I did." He said, hesitating for a few seconds before replying to the Blackpink's main dancer.

"And? Did you enjoy it?"

"Y...yes...it was incredible." He admitted, clearly struggling to keep his composure around the Thai superstar.

Lisa stepped closer to him, her robe parting ever so slightly as she moved.

"Tell me...what was your favorite part?" She asked, her voice dripping with playful curiosity as she reached up, adjusting the knot of his bow tie with delicate fingers. She took her time, straightening it with slow, deliberate movements before smoothing out the fabric. Her touch lingered as she gave his chest a light pat, then let her palm rest against him, feeling the rapid rise and fall of his breath beneath her fingertips.

"I, uh...I don’t know if I should say..."

Lisa let out a soft, sultry laugh, thoroughly enjoying his reaction. The young man cleared his throat, stepping backward towards the door.

"I should go..." He said quickly, reaching for the handle, but before he could twist it open, Lisa’s voice stopped him.

"Leaving so soon? I was thinking we could have some fun together." Lisa said, taking another step forward, her robe slipping slightly off one shoulder.

"You know, performing on that stage got me so wet...I could really use your help right now, boy." Lisa said, as she pinned the guy to the door before she put her hand on his crotch, feeling his already hardening cock.

"Ohhh...seems like someone is having some fun already. Are you getting horny, boy? Do you like the sound of my voice? Does it turn you on?" Lisa whispered into his ear, her breath hot against his neck as she continued stroking his cock through his pants.

"I...yes." He moaned, unable to hide the effect Lisa had on him.

"I'm so fucking horny right now. Are you going to be a good little boy and do what I tell you to do?"

"Y...yes, Lisa."

"Good boy." She said, taking a step back and letting the robe slide down her body, exposing her naked, sweaty body.

The garçon stared at her nude body, his eyes wide as his gaze traveled down the length of her torso, lingering on her smooth, toned stomach. She looked like a goddess, her skin glistening with a thin sheen of sweat, her chest rising and falling with each breath. He couldn't help but admire her perfectly shaped breasts, the way they bounced slightly with every movement.

Lisa slowly turned around, giving him a perfect view of her ass and pussy. She was shaved completely bare, her lips slightly parted, her pink slit glistening with her arousal. Lisa looked back over her shoulder, her expression playful, almost teasing.

"Come on, boy. I don't have all day. Get down on your knees and eat me."

The guy complied immediately, dropping to his knees and pressing his face against her ass, his tongue flicking out to lick her juices. He grabbed her hips, his fingers digging into her flesh as he lapped at her folds with slow and deliberate movements, savoring every drop of her arousal.

"That's it. Keep licking."

"I love having young studs between my legs, eating me out." She said, putting her arm behind her back and grabbing the back of his head, pushing his face deeper into her ass and pussy.

The garçon groaned, his cock throbbing painfully in his pants as he continued lapping at her folds. Lisa's eyes rolled back, a low moan escaping her lips as he slid his tongue into her opening, his nose pressing against her clit. Her thighs trembled, the sensation of his warm tongue inside her sending waves of pleasure through her body. She could feel his hot breath against her skin, the vibrations of his moans echoing against her core.

"You like how my pussy tastes, boy?"

"Mmmm...yes, Lisa. You taste so fucking good."

"I bet this is the best day of your life, isn't it? Seeing me naked...eating me...about to fuck the living shit out of me..."

"You know...I've been wanting a nice cock inside my pussy all night long." Lisa said, as the guy continued to lick and lap at her pussy, his tongue darting in and out of her slick opening. Lisa's grip tightened, her fingers tangled in his hair, as he began to suck and slurp at her wetness, the sounds echoing throughout the room. She couldn't take it anymore. She needed him inside her.

"Fuck, I need a cock. I need your cock inside me right now!!!" She moaned, reaching back and pulled his face deeper into her pussy, grinding her hips against him.

"Get your cock out and fuck me, please." She begged, her voice filled with desperation as she pulled him away from her pussy, before turning around and sinking to her knees.

The garçon nodded, his hands trembling as he unzipped his pants, pulling them down along with his boxers. His throbbing erection sprang free, hitting Lisa right in the face.

Lisa looked up at him, her lips curved in a sexy smile as she took his cock in her hands, stroking him with slow, steady motions.

"Mmmm...such a big, fat cock, I'm surprised. I can't wait to have it inside me."

The Thai starlet spat on it and kept jerking it for several seconds, making sure his cock was nice and ready for her. As Lisa was giving him a very quick but sloppy handjob, he used this opportunity to take off the rest of his clothes, and once he was done, she stood up, turned around, and made her way towards her table, putting her right leg on top of it and presenting her pussy to him.

"C'mon, French guy. What are you waiting for? I don't have all night."

He immediately walked towards her, his cock achingly hard and pointing upwards, the tip glistening with precum. He placed his hands on her hips, pulling her close, his shaft pressing against her folds. She arched her back, her ass sticking out, inviting him to thrust his dick deep inside her.

"Do your worst. Fuck me as hard as you can and ruin me!"

Without wasting another second, he slid into her, his thickness stretching Lisa's inner walls, filling her completely. She let out a loud moan, her eyes rolling back as he started to thrust in and out of her, his movements fast and frantic.

"Fuck...yes...that's it...fuck me harder!" She screamed, her voice dripping with lust as she slightly pushed her ass back against him, meeting his thrusts with equal force.

The garçon groaned, his balls slapping against her ass with each stroke, his grip on her hips tightening. He fucked her like an animal, his cock pounding her pussy relentlessly, the sounds of their flesh slapping against each other filling the air.

"Yeah...you like that? You like how my pussy feels around your big fat cock?"

"Fuckkk yes, I love it! Your pussy feels amazing, Lisa!" He growled, his voice filled with pure desire as he continued to ram his cock deep into her.

Lisa looked at herself in the mirror, watching her reflection as the guy rammed his cock into her from behind, his eyes glued to her ass. Her tits bounced with every stroke, her hair sticking to her sweat-soaked body. She loved the feeling of being fucked from behind, especially by a big, fat cock like the one currently pumping in and out of her pussy.

As for him, his lust for Lisa grew with every thrust, and the longer he kept fucking her, the greedier he got.

"Can I...can I fuck your ass?"

"Fuck...I don't have much time...tell you what...make me cum and I will let you fuck my ass, deal?"

He nodded, a grin stretching across his face. In pure desperation of wanting to make the Blackpink slut cum so that he could have a go at her ass, he started pumping his hips like crazy, slamming his cock in and out of her cunt, making Lisa moan like a bitch in heat in the process. The French stud was fucking her so fast, that it was hard for Lisa to keep her leg still on the table, and it was making her involuntary kick small items that were on top of the table towards the floor every time he went for a deeper thrust.

She tried to grab onto something for dear life, putting her hands on the vanity table, but that also resulted in her knocking down items off of the table, including the champagne bottle. It broke as it fell to the floor, its contents spilling everywhere, the sound echoing through the room.

"Fuuuuccckkkk...your cock is filling me up so gooood..."

"Oh...shit...sorry." He said, apologizing for making Lisa break the champagne bottle.

"Don't apologize, boy. Shut the fuck up and keep fucking me. I'm about to cum." Lisa demanded, as she reached her arm out, her fingers curling around the edge of the mirror.

Lisa was getting close. Her eyes squeezed shut, her mouth hanging open, her breaths coming in short gasps. She could feel her orgasm building, her body trembling as his cock hit all the right spots.

"Talk dirty to me. It turns me on so much!"

"Are you sure, Lisa?"

"Yes!!! Degrade me!"

Degrading women wasn't really his thing, but he was never one to refuse an order, especially not from the one and only Lisa Manoban.

"I watched the show from backstage...you know what I really thought?"

"Noooooo, please tell me, fuckkkk..." She moaned, every thrust bringing her closer to the edge.

"I thought you were a fucking slut, showing off your tits, ass and pussy to everyone. Such a dirty fucking slut."

"That's me!!!...I'm a dirty, shameless, filthy fucking slut." Lisa repeated, her voice quivering.

"All I wanted to do whilst watching you was run upon that stage and start fucking you in front of every guest."

"Why didn't you do that then? Fuckkkk. You have no idea how badly I wanted to have sex on that stage. To get fucked like a cumslut in front of everyone."

"You are lucky that there were no cameras, Lisa. We should've livestreamed the whole event, so that the whole world would find out just how much of a slut you really are!"

The more he kept degrading her whilst fucking her, the more turned on Lisa got, her arousal soaking her thighs, coating her pussy and his balls. Lisa couldn't help herself and started rubbing her clit as his pace increased. His strokes grew harder and faster each time his cock drilled Lisa's tight, wet pussy.

"Don't stop! Please...keep fucking me, boy! I want your cum inside me." She begged, her pussy squeezing his shaft, her body begging for release. The Frenchman fondled her right tit with his hand, as he fucked her mercilessly, the sounds of their bodies slapping against each other filling the room.

He wanted to have a go at her ass, but with Lisa's shameless self-degrading comments, he was unable to resist any longer, and neither could Lisa, as their orgasms fell upon them pretty much in unison.

"Fuck...here it comes!"

"Yes, give it to me. Fill me up with your hot, creamy load."

With one final hard thrust, he buried his cock deep inside her, his hips bucking wildly and his body spasming as he shot his load, coating her inner walls with his seed. Lisa's body tensed up, her pussy clenching around his cock, milking every drop of his cum, her eyes rolling back, a low drawn-out moan escaping her lips as she came.

She rested her forehead against the table, panting, trying to catch her breath, her heart racing. She could feel his hot, sticky cum trickling down her thighs, his cock still buried inside her as he wrapped his arms around her waist.

"Wow...that was amazing." He said.

"Yeah? Did you enjoy having your way with an idol?

"Absolutely."

"Great. Lets get this cock nice and clean before it goes inside my ass."

Lisa swiftly dropped to her knees and grabbed his cum-covered cock. She used her tongue to lick his cock clean, swallowing the mixture of her juices and his cum.

"That's a good girl. Get my cock nice and hard so that I can destroy that ass." He said, looking down at the beautiful Blackpink slut licking his cock clean, his shaft already beginning to grow again.

Lisa couldn't help but giggle. She was proud of her work on him in such a short amount of time. Ten minutes ago, he was nothing more than a shy, young Frenchman. Now, he had all the confidence in the world, all thanks to Lisa's self-degrading remarks.

"Your cock tastes so good in my mouth." She said, opening her mouth and sticking out her tongue before slapping herself with his hard shaft.

By this point, his cock was more than ready for her asshole, but Lisa just simply couldn't take her mouth from it. She kept her lips around his length and rapidly slurped on his dick like there was no tomorrow. Lisa bobbed her head up and down, sucking him off like a complete whore.

"Holy shit...you are so good at this." He said, placing his hand on the back of her head, pushing her head further down on his length.

"Yeah, you think so? I love sucking dick so much. Especially fat ones like yours."

"You are so fucking slutty."

"I know. Now, I want you to fuck my face." She demanded, looking up at him with lust-filled eyes, her hands firmly holding the base of his cock.

He obliged, grabbing the back of her head and thrusting his cock deep into her mouth. Lisa gagged slightly, her saliva pooling around his shaft as she took him deeper and deeper, the tip of his dick hitting the back of her throat. She looked so fucking sexy, naked on her knees, her lips stretched around his shaft with her mouth filled with cock.

"Fuckkkkkk...this is incredible. I can't believe you are letting me do this to you." He moaned, his cock pulsating in her mouth as she sucked him harder.

Lisa continued to blow him eagerly, her lips gliding over his thick length, tongue swirling as she kept slobbering all over his thick shaft. Sloppy, desperate sounds filled the room as she took him deep, hands stroking in rhythm with every bob of her head. The garçon could hardly believe his luck.

She loved feeling his hard cock move past her lips and hit the back of her throat, her jaw aching as he thrust deeper into her mouth. Saliva kept dribbling down her chin as he continued to fuck her face, his balls slapping against her chin with every thrust.

"Take that dick all the way down. Your throat feels so fucking good around my cock."

Lisa knew she could make him stop with just a snap of her fingers. She was in control, but she was beyond horny, and she loved giving up her power, allowing others to use her however they pleased, and this situation was no different.

The garçon was enjoying every second of his time with Lisa and her warm throat, but also knew if he kept this up, he was going to end up blowing his load without being able to have a go at her ass, so, after a couple more thrusts he pulled his cock out of her mouth, Lisa's spit still connecting his dick and her mouth together.

"Are you going to put that fat cock in my ass now, boy?"

"Absolutely." He said, grabbing a chair that was nearby and placing it in front of the vanity table, giving her something to hold on to once he started fucking her.

Lisa smirked as she got up and bent over, putting her hands on each side of the chair. She looked over her shoulder to see the Frenchman standing behind her, his cock glistening with her saliva, throbbing and ready to penetrate her.

"Go on, give me what I want. Give me that fat dick." She said, licking her lips, her ass sticking out, inviting him in.

He moved closer, placing the tip of his cock at the entrance of her asshole, teasing her slightly. Lisa let out a soft whimper, her body trembling with anticipation.

"Please, just do it. I need your cock in my ass." She begged.

He didn't waste much more time and pushed himself inside, the tight ring of muscle stretching to accommodate his size. Lisa bit her lower lip, her knuckles turning white as she gripped the chair tighter. The feeling of his cock filling her ass was almost too much for her.

"Hmmm, fuck...you have no idea how much I love having big dicks in my ass."

"Fuck me. Don't hold back, boy."

Lisa's moans were music to his ears, and it only encouraged him to give her even more of his cock. The guy began pounding her tight ass, firmly holding her hips as he buried his length deep inside her. Lisa gasped, her eyes rolling back as she felt his dick fill her, stretching her wide open.

"Yes! That's it, keep fucking my ass. Fuckkkk...I love how your cock feels inside me."

"Holy shit, your ass feels so good around my dick. You like having your ass destroyed?"

"Fuck yes! Keep fucking my slutty little asshole."

Sounds of flesh slapping against flesh filled the air as he continued to fuck her, his balls swinging wildly with each thrust. Lisa arched her back and began pushing her ass against him, meeting his thrusts to take his big cock deeper. She was in absolute bliss, the feeling of his thick cock pounding her ass was indescribable. Lisa could feel his warm breath against her skin as the young stud leaned down to kiss her neck, his hands sliding up her body, cupping her tits.

"Keep going, don't stop. I want it harder, please fuck me harder..." She pleaded, her body trembling with pleasure, the sensation of his cock inside her making her feel like she was in heaven.

"Such a good little slut for my cock, aren't you? I bet you didn't even want to perform tonight. You just wanted everyone to see you naked, didn't you?"

"Yes...I love being fucked like a slut and be degraded like a common whore."

Lisa's comments made him groan, and he began slamming his hips into her ass with much more force than before, the sound echoing through the room. Lisa's entire body rocked back and forth, her tits swaying with each thrust as she held onto the chair for dear life.

"Use me like a fuckdoll and give me your cum." She said, reaching her clit with her hand before she began rubbing it as he continued to pound her.

The garçon's thrusts became more erratic, his breathing becoming heavier as he fucked her harder, his balls slapping against her clit. Lisa moaned louder, her voice dripping with pure lust as she kept rubbing her clit, bringing herself closer and closer to the edge.

"Fuckkkkkk...I'm going to cum, boy."

"Cum for me. Cum while I fuck your asshole, Lisa." He demanded, his cock pounding her ass relentlessly as he grabbed her hair and pulled it. Lisa's mouth hanged open as she came, her pussy spasming, coating his balls with her juices. Her body shook violently and her vision became blurry as her orgasm washed over her, with her ass clenching around his cock.

"Lisa, I'm gonna cum too. Where do you want it?"

"Mouth...I want you to dump that load inside my throat." She quickly said, pulling herself off his cock and turning around before she squatted.

The Thai slut didn't waste a single second and began rapidly jerking his cock with both of her hands in a corkscrew motion with the tip past her lips. Her tongue swirled around the head, constantly flickering his piss slit as her hands stroked his cock, occasionally moving down to cup his balls and massage them gently.

It didn't take long before the guy let out a loud groan and Lisa felt his cock begging to throb in her hands and her mouth, and not a moment later, his seed started erupting inside her mouth. Lisa felt multiple ropes hitting the back of her throat, but instead of swallowing it, she tried to hold as much cum as she could in her mouth.

Thankfully for her, it was his second load, so the amount of cum he deposited inside Blackpink's superstar was nowhere near the amount he had dumped inside Lisa's pussy a few minutes ago, but that still didn't stop her mouth from being full and for a small amount of cum to spill from the corners of her mouth.

Once she felt like he was done, Lisa slowly slid his cock out of her mouth and opened it, showing him the load he had given her.

"Fucking slut. Swallow my load like the good little cumdumpster that you are."

Lisa obliged, swallowing every single drop of his thick cum in one go, her throat convulsing as she gulped him down. It was a lot for her to handle, but she managed to take it all in, and she savored the taste, swallowing his cum until her mouth was empty.

"So much cum for me, I love it." Lisa said, before putting her lips back on his big cock to milk him dry out of every last drop.

She slowly bobbed her head up and down on his leaking shaft before releasing it with a pop and licking her lips clean, a smile on her face.

"That was amazing. Thank you so much for your cock and your cum. Now go. Leave my dressing room, I got places to be."

"Yes, Lisa." He said, picking up his clothes and quickly putting them back on before leaving her dressing room.

As for Lisa, she stayed naked on her knees, looking at her reflection in the mirror, admiring her naked body. After a while, she got up and picked up a towel, to clean herself from all the sweat and cum. Once she was done, she put on clean underwear and a nice dress, before heading out and making her way towards the car, where her bandmates were waiting.

"Lisa, what the fuck took you so long?" Jennie said, clearly annoyed.

"Yeah girl, it's been almost 30 minutes..." Rosé added.

"Sorry, girls. I had to take some time to relax."

"Relax? You look more exhausted than before." Jisoo pointed out.

"Just...just drive already."

"Yeah, lets get out of here. Lets go to the club!!!!!" Rosé shouted.

"Can't wait to get fucked so hard." Jennie said.

"That is, if you win cock roulette." Jisoo said.

"Girl, I always win cock roulette. Tonight will be no different."

"Don't start celebrating just yet, Jennie. If anyone is winning that tonight, it's me. I'm so horny right now, that I'm ready to go all the way." Rosé said, as she placed her hand on her crotch and began rubbing herself through her panties.

"We'll see about that." Jennie responded as the girls drove away and made their way to the club, to what would undoubtedly be another unforgettable night for the four Blackpink sluts.

#lisa smut #blackpink smut #lisa manoban #blackpink #blackpink lisa #kpop #kpop smut

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badnewswhatsleft · 3 months ago

Text

rock sound #312 (nov 2024)

transcript below cut:

ROCK SOUND 25 ICON

FALL OUT BOY

A BAND THAT CAPTURED THE HEARTS, MINDS AND HEADPHONES OF A GENERATION OF KIDS WORLDWIDE, FALL OUT BOY UNDOUBTEDLY CHANGED THE LANDSCAPE OF THE ALTERNATIVE SCENE FOREVER, NEVER AFRAID TO EXPERIMENT, TAKE CHANCES AND MAKE BOLD CHOICES AS THEY PUSHED FORWARD. FOLLOWING A SUMMER SPENT EXPLORING THE 'DAYS OF FALL OUT PAST', PATRICK STUMP AND PETE WENTZ REFLECT ON THEIR PATH FROM POP PUNK, HARDCORE MISFITS TO ALL-CONQUERING, STADIUM-FILLING SONGWRITERS AS THEY ACCEPT THEIR ROCK SOUND 25 ICON AWARD.

WORDS JAMES WILSON-TAYLOR

PHOTOS ELLIOTT INGHAM

Let's begin with your most recent performance which was at When We Were Young festival in Las Vegas. It was such a special weekend, how are you reflecting on that moment?

PATRICK: It's wild, because the band, I think, is going on 23 years now, which really came as a surprise to me. I know it's this thing that old people always say, 'Man, it really goes by so fast', but then it happens to you and you're just taken aback. There were so many times throughout the weekend, every 10 minutes, where I'd turn around and see somebody and be like, 'Holy shit, I haven't seen you in 18 years', or something crazy like that. It was hard not to have a good time. When I was going up to perform with Motion City Soundtrack, which was an exciting thing in itself, I turn around and Bayside is there. And I haven't seen Bayside since we toured with them. God, I don't remember when that was, you know? So there was so much of that. You couldn't help but have a good time.

PETE: I mean, that's an insane festival, right? When they announce it, it looks fake every time. The lineup looks like some kid drew it on their folder at school. For our band, the thing that's a little weird, I think, is that by deciding to change between every album, and then we had the three year break which caused another big time jump, I think that it would be hard for us to focus on one album for that show. We're a band where our fans will debate the best record. So it was amazing that we were able to look backwards and try to build this show that would go through all the eras - nod to Taylor obviously on that one. But it's also an insane idea to take a show that should really be put on for one weekend in a theatre and then try to take it around the world at festivals. The whole time on stage for this particular show production, I'm just like 'Is this thing going to go on time?' Because if the whole thing is working totally flawlessly, it just barely works, you know what I mean? So I give a lot of credit to our crew for doing that, because it's not really a rock show. I know we play rock music and it's a rock festival, but the show itself is not really a rock production, and our crew does a very good job of bending that to fit within the medium.

That show allows you to nod to the past but without falling fully into nostalgia. You are still pushing the band into newer places within it.

PATRICK: That's always been a central thing. We're a weird band, because a lot of bands I know went through a period of rejecting their past, and frankly, I encounter this thing a lot, where people have expected that we stopped interacting with older material. But we always maintained a connection with a lot of the older music. We still close with 'Saturday'. So for us, it was never about letting go of the past. It was about bringing that along with you wherever you go. I'm still the same weird little guy that likes too much music to really pin down. It's just that I've carried that with me through all the different things that I've done and that the band has done. So for us, in terms of going forward and playing new stuff, that's always the thing that's important to me; that there should be new stuff to propel it. I never wanted to be an artist that just gave up on new music and went out and played the hits and collected the check and moved on. It's all got to be creative. That's why I do it. I want to make new music. That's always why I do it. So something like When We Were Young is kind of odd really. It's an odd fit for that, because it's nostalgic, which is not really my vibe all that much. But I found a lot of nostalgia in it. I found a lot of value in looking back and going 'Wow, this was really cool. It was amazing that we did this, that we all did this'. That scene of bands, we're all old now, but it has taken off into such a moment culturally that people can point to.

Let's jump all the way back to the first ever Fall Out Boy show. There is very little evidence of it available online but what are your memories of that performance?

PATRICK: So the very first Fall Out Boy show was at DePaul University in a fancy looking dining hall. I actually applied to DePaul, but I never went there because the band went on tour. I think there were only two or three other bands. One was a band called Stillwell, who were kind of a math rock emo band, and then this heavier, more metallic band. And then we were there, and we had a guitar player, John Flamandan, who I have not seen since that show. He was only in the band for a week or two, and we were still figuring ourselves out. We had three songs and I had never sung before in front of people. I did a talent show at school one time when I was a kid and theatre kind of stuff where you would sing, but it was more in that context. And I was also a kid too. This was the first time ever that I'm the singer for a band and I was fucking terrified. We had a drummer named Ben Rose, really great guy. I haven't seen Ben in a million years, either, but we were still figuring ourselves out. The other thing is that all of us, with me being the exception, were in other bands, and all of our other bands were better than Fall Out Boy was. We were very sloppy and didn't know what we were doing, and so I don't think any of us really took it seriously. But there was a thing that was really funny about it, where even though we kind of thought we sucked, and even though we weren't really focusing on it, we had a lot of fun with each other. We enjoyed trying this other thing, because we were hardcore kids, and we were not the pop punk kids and the pop punk bands in town, that was like 'the thing', and we were not really welcome in that. There was a fun in trying to figure out how to make melodic and pop music when we really didn't have any history with that. It was very obvious that we didn't know what we were doing at the beginning.

So when did it begin to feel like things were finally clicking? When did you find your roles and what you wanted the band to be?

PETE: In regards to the music, I liked Fall Out boy, way before I probably should have. I remember playing the early demos and it giving me a feeling that I hadn't felt with any of the other bands that I had been in. Now, looking back on it, I might have been a tad early on that. Then as far as the roles, I think that they've been carving themselves out over time. We've always allowed ourselves to gravitate to our strengths. Between me and Patrick, we'd probably make one great, atypical rock artist if we were one person. Because our strengths are things that the other doesn't love as much. But I think that what has happened more is it's less of a fight now and there's more trust. We have a trust with each other. There's things that Patrick will play for me or explain to me, and I don't even really need him to explain it, because I trust him. I may not totally understand it, but I trust him as an artist. On the other side of that, it's also very nice to have someone who can veto your idea, you know what I mean? It's nice to have those kind of checks and balances.

PATRICK: I had been in this band called Patterson, and all three of the other guys sang in kind of a gravelly, Hot Water Music vibe. I was not intending to be a singer, but I would try and sing backups and, it wasn't a criticism, but there was this vibe that, while I could do the gravelly thing, my voice was coming through and it didn't fit. It was too pretty and that became a thing I was kind of embarrassed of. So when Fall Out Boy started, I was actively trying to disguise that and mute it and hide behind affectation. Pete would really push me to stretch my vowels because that was in vogue in pop punk at the time. There were all these different ways that we were trying to suppress me, musically, because we were just trying to figure out how to do the things that the bands we liked did. But that wasn't really us, you know? It's really funny, because 'Take This To Your Grave' was recorded in three sections, about six months apart. Over the course of that time, I can hear us figuring it out. I think a really defining moment for me was 'Saturday', because I am not brave, I am not a bold person, and I do not put myself out there. When I was showing the band 'Saturday', we were jamming on the bit after the second chorus, and I was mumbling around, just mucking my way through it, and I did the falsetto thing. I didn't think anyone could hear me over us bashing around in Joe's parents house in this tiny little room. But Pete stopped, and he goes, 'Do that again'. I was so terrified of doing that in front of these guys, because you gotta remember, I was incredibly shy, but also a drummer. I'd never sung in front of anyone before, and now I'm singing in a band and I'm certainly not going to take chances. So I thought the falsetto thing was really not going to happen, but when I did it, there was this really funny thing. Somehow that song clicked, and it opened up this door for us where we do something different than everybody else. We were aiming to be a pop punk or hardcore band, but we found this thing that felt more natural to me.

As you embarked on Warped Tour, simultaneously you were finding this huge level of pop and mainstream success. How was it navigating and finding your way through those two very different spaces?

PATRICK: I used to work at a used record store and what shows up is all the records after their success. So I got really acquainted and really comfortable with and prepared for the idea of musical failure. I just wanted to do it because I enjoyed doing it. But in terms of planning one's life, I was certain that I would, at most, get to put out a record and then have to go to school when it didn't work out. My parents were very cautious. I said to them after 'Take This To Your Grave' came out that I'm gonna see where this goes, because I didn't expect to be on a label and get to tour. I'm gonna give it a semester, and then it will almost certainly fail, and then after it fails, I'll go to school. And then it didn't fail. Warped Tour was very crazy too, I was talking about this at When We Were Young with My Chem. Both of us were these little shit bands that no one cared about when we booked the tour. Then we got to the tour, and all these people were showing up for us, way more than we expected, way more than Warped Tour expected. So Warped Tour was putting both of us on these little side stages, and the stages would collapse because people were so excited. It was this moment that came out of nowhere all of a sudden. Then we go to Island Records, and I had another conversation with my parents, because every band that I had known up to that point, even the biggest bands in town, they would have their big indie record and then they would go to the major label and drop off the face of the planet forever. So I was certain that was going to happen. I told them again, I'm going to put out this record, and then I'll go to school when this fails.

PETE: I think that if you really wanted someone to feel like an alien, you would put them on TRL while they were on Warped Tour. You know what I mean? Because it is just bananas. On our bus, the air conditioning didn't work, so we were basically blowing out heat in the summer, but we were just so happy to be on a bus and so happy to be playing shows. You go from that to, two days later, stepping off the bus to brush your teeth and there's a line of people wanting to watch you brush your teeth. In some ways, it was super cool that it was happening with My Chemical Romance too because it didn't feel as random, right? It feels more meant to be. It feels like something is happening. To be on Warped Tour at that time - and if you weren't there, it would be probably hard to imagine, because it's like if Cirque Du Soleil had none of the acrobatics and ran on Monster energy drink. It was a traveling circus, but for it to reach critical mass while we were there, in some ways, was great, because you're not just sitting at home. In between touring, I would come home and I'd be sitting in my bedroom at my parents house. I would think about mortality and the edge of the whole thing and all these existential thoughts you feel when you're by yourself. But on Warped Tour, you go to the signing, you play laser tag, you go to the radio station. So in some ways, it's like you're in this little boot camp, and you don't really even think about anything too much. I guess it was a little bit of a blur.

Pete, when you introduced 'Bang The Doldrums' at When We Were Young, you encouraged the crowd to 'keep making weird shit'. That could almost be a mantra for the band as a whole. Your weirder moments are the ones that made you. Even a song like 'Dance Dance' has a rhythm section you never would have expected to hear on a rock track at that time.

PETE: You know, I just watched 'Joker 2' and I loved it. I do understand why people wouldn't because it subverts the whole thing. It subverts everything about the first one. That's something I've always really loved, when I watch artists who could keep making the same thing, and instead they make something that's challenging to them or challenging to their audience. Sometimes you miss, sometimes you do a big thing and you miss, and we've definitely done that. But I gotta say, all the things that I've really loved about art and music, and that has enriched my life, is when people take chances. You don't get the invention of anything new without that. To not make weird stuff would feel odd, and I personally would much rather lose and miss doing our own thing. To play it safe and cut yourself off around the edges and sand it down and then miss also, those are the worst misses, because you didn't even go big as yourself. This is where we connect with each other, we connect by our flaws and the little weird neuroses that we have. I rarely look at something and go 'Wow, that safe little idea really moved me'. I guess it happens, but I think about this with something like 'Joker 2' where this director was given the keys and you can just do anything. I think a lot of times somebody would just make an expected follow up but some people turn right when they're supposed to turn left. That's always been interesting on an artistic level, but at the same time, I think you're more likely to miss big when you do that.

PATRICK: Going into 'From Under The Cork Tree', I had this sense that this is my only shot. It has already outperformed what I expected. I don't want to be locked into doing the same thing forever, because I know me. I know I'm not Mr. Pop Punk, that's just one of many things I like. So I would be so bummed if for the rest of my life, I had to impersonate myself from when I was 17 and have to live in that forever. So I consciously wanted to put a lot of weird stuff on that record because I thought it was probably my only moment. 'Sugar, We're Goin Down' was a fairly straight ahead pop punk song but even that was weird for us, because it was slow. I remember being really scared about how slow it was, because it's almost mosh tempo for the whole song, which was not anything we had done up to that point. But in every direction, in every song, I was actively trying to push the boundaries as much as I could. 'Dance, Dance' was one of those ones where I was seeing what I can get away with, because I might never get this chance again. We were on tour with a friend's band, and I remember playing the record for them. I remember specifically playing 'Our Lawyer…' that opens the record, which has that 6/8 time feel, and they kind of look at me, like 'What?'. Then I played 'Dance, Dance', and they're like, 'Hey man, you know, whatever works for you. It's been nice knowing you'. But I just knew that, on the off chance that I ended up still being a musician in my 40s, I wanted to still love the music that we made. I didn't want to ever resent it. It's ironic because people say that bands sell out when they don't make the same thing over and over again. But wait a second. Say that again. Think about that.

That attitude seemed to carry directly into 'Infinity On High'. If you may never end up doing this again then let's make sure we bring in the orchestra while we still can...

PATRICK: That was literally something that I did say to myself this might be the last time, the likelihood is we're going to fail because that's what happens, so this might be the last time that I ever get a chance to have somebody pay for an orchestra and a choir. I always think of The Who when they did 'A Quick One, While He's Away' and there's a part where they go 'cello, cello', because they couldn't afford real cellos, they couldn't afford players. That's what I thought would happen for me in life. So I went in and thought, let's do it all. Let's throw everything at the wall, because there's no chance that it's going to happen again. So many things came together on that record, but I didn't expect it. 'Arms Race' was a very weird song, and I was shocked when management went along with it and had kind of decided that would be the single. I was in disbelief. It did not feel like a single but it worked for us. It was a pretty big song and then 'Thnks Fr Th Mmrs' was easily the big hit off that record. So then we have two hit songs off of an album that I didn't even know would come out at that point. But again, it was very much just about taking the risks and seeing what the hell happened.

As you went on hiatus for a few years, you worked on a number of other creative projects. How did those end up influencing your approach to the band when you returned?

PETE: On the areas of the band where I led, I wanted to be a better leader. When you're younger and you're fighting for your ideas, I don't think that I was the greatest listener. I just wanted to be a better cog in the machine. When you're in a band originally, no one gives you the little band handbook and says 'these are the things you should do', you know? I just wanted to be a better version of who I was in the band.

PATRICK: There's a combination of things. 'Soul Punk' is a weird record. I love that record but I kind of resent that record for so many things. It's my solo record, but it's also not very me in a lot of ways. I had started with a very odd little art rock record, and then I had some personal tragedies happen. My EP that I put out far out sold expectations so then all of a sudden, Island Records goes, 'Oh, we think this could actually be something we want singles for'. I think we had all expected that I would be putting out a smaller indie record but then all of a sudden they were like 'oh, you could be a pop star'. So then I have to retrofit this art rock record into pop star hit music, and also channel personal tragedy through it. I hadn't ever really been a front man - I'd been a singer, but I hadn't really been a front man, and I hadn't really written lyrics, certainly not introspective, personal lyrics. So that whole record is so strange and muted to me. So I went from that album, which also failed so fucking hard - I should have gone to school after that one. But Pete had reached out to me just as a friend, and said 'I know you're in your own thing right now, and I know that you're not the kind of person that is going to be in my fantasy football league, so I'm not going to see you unless we make music. But you're my buddy, and that kind of bums me out that I don't see you at all, so I guess we have to make music'. I thought that was a fairly convincing pitch. It's true, that was what we do when we hang out - we make music. So we reconvene, and going into it, I had all these lessons that really made me understand Pete better, because Pete is the natural front end person. So many of our arguments and frustrations and the things that we didn't see eye to eye on, I grew to understand having now been in the position of the point man that had to make all the decisions for my solo thing. It really flipped my understanding of why he said the things he would say, or why he did things he would do. I remember early on thinking he was so pushy, but then, in retrospect, you realise he was doing it for a reason. There's so many little things that really changed for me doing 'Soul Punk' that were not musical but were more about how you run a band and how you run a business, that made me understand and respect him a lot more.

What are memories of that initial return and, specifically, that tiny first show back at the Metro venue in Chicago?

PETE: Those first shows were definitely magical because I really wasn't sure that we would be on a stage again together. I don't have as many memories of some of our other first things. We were just talking about Warped Tour, I don't have many memories of those because it is almost wasted on you when it's a blur and there's so many things happening. But with this, I really wanted to not take it for granted and wanted to take in all the moments and have snapshots in our own heads of that show. I did a lot of other art during the time when we were off, everybody did, but there's a magic between the four of us and it was nice to know that it was real. When we got on that stage again at the Metro for the first time, there was something that's just a little different. I can't really put my finger on it, but it makes that art that we were making separately different than all the other stuff.

Musically, as you moved forward, everything sounded much bigger, almost ready for arenas and stadiums. Was that a conscious decision on your part?

PETE: Patrick felt like he was bursting with these ideas. It felt like these had been lying in wait, and they were big, and they were out there, and whether he'd saved them for those records, I don't really know. That's what it felt like to me. With 'Save Rock And Roll', we knew we had basically one shot. There were really three options; you'll have this other period in your career, no one will care or this will be the torch that burns the whole thing down. So we wanted to have it be at least on our terms. Then I think with 'American Beauty...' it was slightly different, because we made that record as fast as we could. We were in a pop sphere. Is there a way for a band to be competitive with DJs and rappers in terms of response time? Are we able to be on the scene and have it happen as quickly? I think it kind of made us insane a little bit. With 'American Beauty…', we really realised that we were not going to walk that same path in pop culture and that we would need to 'Trojan horse' our way into the conversation in some way. So we thought these songs could be played in stadiums, that these songs could be end titles. What are other avenues? Because radio didn't want this right now, so what are other avenues to make it to that conversation? Maybe this is just in my head but I thought 'Uma Thurman' could be a sister song to 'Dance, Dance' or maybe even 'Arms Race' where it is weird but it has pop elements to it.

PATRICK: I had a feeling on 'Save Rock And Roll' that it was kind of disjointed. It was a lot of good songs, but they were all over the place. So when we went into 'American Beauty…', I really wanted to make something cohesive. I do think that record is very coherent and very succinct - you either like it or you don't, and that's pretty much it all the way through. By the time we got to 'MANIA', I had done all this production and I'd started to get into scoring. The band had done so many things and taken so many weird chances that I just felt free to do whatever. At that point, no one's going to disown me if I try something really strange so let's see what happens. 'Young And Menace' was a big part of that experiment. People hate that song, and that's okay. It was meant to be challenging, it's obviously not supposed to be a pop song. It's an abrasive song, it should not have been a single. However, I do think that record should have been more like that. Towards the end of the production, there was this scramble of like, 'Oh, fuck, we have no pop music on this and we need to have singles' and things like that. That took over that record and became the last minute push. I think the last half of that record was recorded in the span of two weeks towards the end of the recording to try and pad it with more pop related songs. I look at that record and think it should have all been 'Young And Menace'. That should have been our 'Kid A' or something. It should have really challenged people.

But we have spoken before about how 'Folie à Deux' found its audience much later. It does feel like something similar is already beginning to happen with 'MANIA'...

PETE: I agree with you, and I think that's a great question, because I always thought like that. There's things that you're not there for, but you wish you were there. I always thought about it when we put out 'MANIA', because I don't know if it's for everyone, but this is your moment where you could change the course of history, you know, this could be your next 'Folie à Deux', which is bizarre because they're completely different records. But it also seems, and I think I have this with films and bands and stuff as well, that while one thing ascends, you see people grab onto the thing that other people wouldn't know, right? It's like me talking about 'Joker 2' - why not talk about the first one? That's the one that everybody likes. Maybe it's contrarian, I don't really know. I just purely like it. I'm sure that's what people say about 'Folie à Deux' and 'MANIA' as well. But there's something in the ascent where people begin to diverge, you are able to separate them and go 'Well, maybe this one's just for me and people like me. I like these other ones that other people talk about, but this one speaks to me'. I think over time, as they separate, the more people are able to say that. And then I can say this, because Patrick does music, I think that sometimes he's early on ideas, and time catches up with it a little bit as well. The ideas, and the guest on the record, they all make a little bit more sense as time goes on.

'MANIA' is almost the first of your albums designed for the streaming era. Everything is so different so people could almost pick and choose their own playlist.

PETE: Of course, you can curate it yourself. That's a great point. I think that the other point that you just made me think of is this was the first time where we realised, well, there's not really gatekeepers. The song will raise its hand, just like exactly what you're saying. So we should have probably just had 'The Last Of The Real Ones' be an early single, because that song was the one that people reacted to. But I think that there was still the old way of thinking in terms of picking the song that we think has the best chance, or whatever. But since then, we've just allowed the songs to dictate what path they take. I think that that's brilliant. If I'd had a chance to do that, curate my own record and pick the Metallica songs or whatever,that would be fantastic. So it was truly a learning experience in the way you release art to me.

PATRICK: After 'MANIA', I realised Fall Out Boy can't be the place for me to try everything. It's just not. We've been around for too long. We've been doing things for too long. It can't be my place to throw everything at the wall. There's too much that I've learned from scoring and from production now to put it all into it. So the scoring thing really became even more necessary. I needed it, emotionally. I needed a place to do everything, to have tubas and learn how to write jazz and how to write for the first trumpet. So then going into 'So Much (For) Stardust', it had the effect of making me more excited about rock music again, because I didn't feel the weight of all of this musical experimentation so I could just enjoy writing a rock song. It's funny, because I think it really grew into that towards the end of writing the record. I'd bet you, if we waited another month, it would probably be all more rock, because I had a rediscovered interest in it.

It's interesting you talk about the enjoyment of rock music again because that joy comes through on 'So Much (For) Stardust' in a major way, particularly on something like the title track. When the four of you all hit those closing harmonies together, especially live, that's a moment where everything feels fully cohesive and together and you can really enjoy yourselves. There's still experimental moments on the album but you guys are in a very confident and comfortable space right now and it definitely shows in the music.

PATRICK: Yeah, I think that's a great point. When you talk about experimentation too and comfort, that's really the thing isn't it? This is always a thing that bugged me, because I never liked to jam when I was a kid. I really wanted to learn the part, memorise it and play it. Miles Davis was a side man for 20 years before he started doing his thing. You need to learn the shit out of your music theory and your instrument - you need to learn all the rules before you break them. I always had that mindset. But at this point, we as a band have worked with each other so much that now we can fuck around musically in ways that we didn't used to be able to and it's really exciting. There's just so much I notice now. There are ways that we all play that are really hard to describe. I think if you were to pull any one of the four of us out of it, I would really miss it. I would really miss that. It is this kind of alchemy of the way everyone works together. It's confidence, it's also comfort. It's like there's a home to it that I feel works so well. It's how I'm able to sing the way I sing, or it's how Andy's able to play the way he plays. There's something to it. We unlock stuff for each other.

Before we close, we must mention the other big live moment you had this year. You had played at Download Festival before but taking the headline slot, especially given the history of Donington, must have felt extra special.

PETE: It felt insane. We always have a little bit of nerves about Download, wondering are we heavy enough? To the credit of the fans and the other bands playing, we have always felt so welcomed when we're there. There's very few times where you can look back on a time when... so, if I was a professional baseball player, and I'm throwing a ball against the wall in my parents garage as a kid, I could draw a direct link from the feeling of wanting to do that. I remember watching Metallica videos at Donington and thinking 'I want to be in Metallica at Donington'. That's not exactly how it turned out, but in some ways there is that direct link. On just a personal level, my family came over and got to see the festival. They were wearing the boots and we were in the mud. All this stuff that I would describe to them sounds insane when you tell your family in America - 'It's raining, but people love it'. For them to get to experience that was super special for me as well. We played the biggest production we've ever had and to get to do that there, the whole thing really made my summer.

PATRICK: There's not really words for it. It feels so improbable and so unlikely. Something hit me this last year, this last tour, where I would get out on stage and I'd be like, 'Wait, fucking seriously? People still want to see us and want to hear us?' It feels so strange and surreal. I go home and I'm just some schlubby Dad and I have to take out the compost and I have to remember to run the dishwasher. I live this not very exciting life, and then I get out there at Download and it's all these people. Because I'm naturally kind of shy, for years, I would look down when I played because I was so stressed about what was happening. Confidence and all these have given me a different posture so when I go out there, I can really see it, and it really hits you. Download, like you said, we've done before, but there's something very different about where I am now as a person. So I can really be there. And when you walk out on that stage, it is astounding. It forces you to play better and work harder, because these people waited for us. The show is the audience and your interaction with it. In the same way that the band has this alchemy to it, we can't play a show like that without that audience.

#sir the ''schlubby dad'' in question is getting on stage and GROWLING. people are dying and creaming and dying and cr #time capsule #read the charts #fall out boy #patrick stump #pete wentz #joe trohman #andy hurley

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in-the-multiverse · 1 year ago

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HotGuy is the bravest, sharpest, most handsomest hero in all of Hermit City. That’s what he’d tell you, anyway. Nobody can agree on what HotGuy is. A hero to some, villain to others. There’s a universal agreement he’s a wanna-be show off of some kind. Him and that pesky bird…

Scar is determined to win over the citys’ hearts (and charitable diamonds) so who better to face off against than King Cleo? With his charming smile, trusty bow, and sidekick CuteGuy, nothing can go wrong!

Coming soon to a theater near you /j

(but these are screenshot style pieces for what I imagine an animated hotguy movie would look like. More ramblings about this au below)

[trailer] / 1

King Cleo would IMMEDIATELY put them in their place like a teacher lecturing the entire class on how they’ve been misbehaving. But that’s no fun right away, so why not let them learn their lesson? >:)

HotGuy and CuteGuy are an iconic duo in Hermit City. King Cleo and Entropy (Cub) are another iconic duo. Whether each team is heroic or villainous depends on who you ask. Even the city residents are split on opinions

Except Bdubs. He runs a podcast spilling conspiracy theories and dragging almost every “hero” name into the mud (his attitude is very inspired by J. Jonah Jameson from Spiderman). He believes they’re menaces and should stay out of the city’s local problems because 9/10 they somehow make it worse. He’s very critical of these 4 in particular, and it doesn’t help that they all like to personally mess with him for the fun of it

Far off in the city outskirts, a living folktale hides in the forest. An amalgamation of creatures that make up one giant monster, and coming across their path is…certainly an experience. They speak in poetry and think out loud, peering deep into the soul of their visitor with just a few words. Sightings are few and far in between, but each interaction is memorable- to say the least. Their name is Joe Hills. A very close friend to King Cleo (but nobody else knows that)

And! an explanation to HotGuy’s mobility aid

With the best high-tech, Scar’s wheelchair can reshape into a mechanical griffin with the press of a button. It lets him take to the sky and hotguy targets! Griffins also have conflicting symbolism, which reflects his persona

Good and Evil. Light and Dark. They’re said to be harbingers of chaos. Mischief certainly seems to follow HotGuy wherever he goes. Be wary of his smirk

They’re also said to be gentle protectors. He shows up to help citizens and tiny creatures alike. With a voice so soothing, any trouble they face is wiped off like nothing (or, ends up feeling a little easier to handle)

Griffins are one of the most remarkable creatures in mythology, their stories told and twisted through generations, but how does the griffin tell his own story?

#hotguy wotk au #hermitcraft #goodtimeswithscar #goodtimeswithscar fanart #Grian #grian fanart #gtws hotguy #grian cuteguy #zombiecleo #zombiecleo fanart #desertduo #mcyt fanart #hermitblr #my art

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serpentface · 3 months ago

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Miniature dog and khait effigies for a Wardi funeral. These are clay figurines that have been painted and decorated with great care by a skilled artist. Both include real hairs from the individual animals they have been modeled after. The dog is collared, showing that it is a loyal pet rather than a lowly feral scrounger. The khait is fully bridled and ready to carry the deceased in their journey.

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It is believed that the souls of the deceased, once freed of their bodies, undergo a month-long journey to reach rebirth in the lunar lands. This journey is full of perils. It begins in the realm of the earth where the soul is naked and vulnerable and traveling through complete darkness. Evil spirits dwell within this realm and may try to capture the soul or lead them astray, and the way is twisting and obscured in shadows. Even after escaping this darkness, the soul still must travel an arduous and winding path through the realm of the sky in order to reach their destination.

A khait and a dog are traditionally offered as funerary goods (in addition to food, water, wine, clothing, weapons, and other needs) to assist the soul in their travels- the khait will ease their passage in their long journey and carry them swiftly, and the dog will navigate through earthly darkness and dense cloud by scent, and protect the soul from harm.

Ideally, one of the deceased's own living khait and hunting/guard dogs will be killed at the funeral (typically the most beloved of their animals, as who would be better company than that?) so that they can have familiar and loyal helpers in their lonely journey. However, there are tremendous class barriers to ownership and disposability of a khait, and well-bred working dogs (while significantly more accessible) aren't ubiquitously available, and many people do not consider captured feral dogs to be a worthy replacement. As such, funerals with full animal offerings tend to be limited to higher status individuals.

Everyday people still need protection on their journeys, and animal effigies can be appropriate replacements for the real thing. These effigies are usually designed with great specificity to represent known individual animals that have already died (often including the animal's actual hair, as seen here). The soul of the represented animal will recognize the effigy as its body, and can be called into the icon so that it may accompany the deceased. These effigies (along with any other necessary grave goods) will be placed onto the pyre and burned along with the body so that the traveling soul will be sent off with everything they need.

Some folk traditions have semi-legendary local animal spirits who will be represented instead of a personally familiar animal. This often develops around a small community 'sharing' one historically extant animal for their funeral effigies as a matter of practicality, developing a sense of attachment to this animal as an aspect of shared identity, and adding layers of legend to the animal's story with the passage of time.

For example, a very popular legendary guide in the northeastern rural parts of Ephennos is Chisnops-Inreña (which very closely translates to 'Orange Son Of A Bitch'), a legendary livestock guardian dog. The animal was said to have been the biggest, meanest, ugliest motherfucker around, but was an unshakably loyal and fierce guardian, as noble as a dog (not the noblest of animals by any means) can possibly be. He is said to have fought off everything from jackals to lions to cattle thieves in his day, and died protecting his herdsman master from an infamous man-eating king hyena, only succumbing to his own wounds when the great beast lay dead. His spirit was later used as a guide in his master's funeral, and local legend states that the same spirit has been seen following herdsmen and their cattle ever since, as not even death could keep him from his duties. Such a dog would make an excellent guide and protector in the journey to the afterlife, and effigies of him are favored in the funerals of northeastern Ephenni pastoralists.

A lovingly crafted Orange Son Of A Bitch

#Partly a rehash of prev post BUT WITH PICS!!!!!!!#chisnops more literally means 'bitch-born'. The word 'bitch' doesn't have the same breadth of connotations as in english #and pretty directly means 'female dog' but calling someone 'chisnops' is functionally Very close to 'son of a bitch'#Inrenna is a color word for orange. Most of the western Wardi dialects pronounce double N syllables like ñ (in- /rey/ - nya)#while others will enunciate like 'in- /reyn/- nah'. Spelled it inreña here to indicate Ephenni dialect

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thebirdsareafterme · 6 months ago

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The man who grew up surrounded by motorsports, the son of a legendary driver, who chose to forge his own path in a different category altogether instead of following his father’s footsteps and living under his shadow.

The man who made his F1 debut next to Max Verstappen and scored points at his very first race.

The man who carries on the legacy of Maria de Villota, an iconic female driver and his mentor that taught him single-seater racing, by wearing her star at the back of every helmet.

The man who broke Red Bull’s streak not once but twice during their most dominant era, through the power of sheer willpower and tactical brilliance. Once, in the streets of Singapore, with a strategy that no one else could have pulled off. “It’s on purpose,” he said, as he utilized the bond between him and his ex-teammate to hold off two much faster Mercedes. The second time in Australia, only two weeks after an invasive surgery and barely able to walk onto the podium.

The man who took engineering classes on his own time in order to understand the car better and provide better feedback to his engineers.

The man who uses a colour-coded system to communicate rain levels to his race engineer, memorized with every millimeter of rain correlating to a specific shade.

The man who has brought every team he has ever been at to a higher position in the Constructor’s Championship, and whose teammates speak fondly of every time.

The man who, despite always being considered Ferrari’s “second choice”, is a gracious teammate and speaks respectfully about the man who is set to take his place. “That's why, when I reflected on it, it didn’t hurt me that much. Because in the end it’s not any other driver replacing you, but the best driver in history. And in the end, if one has to replace me, let it be [Lewis],” he says to the media after losing his seat at his dream team.

The man who chose Williams, because he saw their potential for growth and their vision for the future, and chose them over teams who only wanted a temporary solution.

The man who was once described as “more modest and lightly brushed by melancholy”.

The man who is energetic, fun-loving and goofy with his friends inside and out of the paddock.

The man who is strategic in every action, determined to a fault and a natural born competitor.

Happy 30th birthday, Carlos Sainz Jr. We go where you go, now and forever.

#carlos sainz the man you are #he rocks my world #felt like waxing poetic about him for a bit #he is so so important to me #Carlos sainz jr #ferrari #f1 #carlos sainz

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charmonys · 19 days ago

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the halovian's nose wrinkles ever so slightly — a razor-thin crack in his otherwise carefully controlled exterior. he squeezes his eyes shut, forcing himself to exhale a breath. ❝ fear me? ❞ sunday echoes, placing peculiar weight on the word as though it leaves a foul taste in his mouth. ❝ you misunderstand my intentions ... no, what you propose is the very antithesis of what i wish for. ❞ to hear the notion of causing the thing he detests most described as though it were little more than a game fills him with the deepest revulsion. is this the narrative written by the victors? ( that he is power hungry, cruel and capricious? a madman who held so many lives hostage? )

❝ i have no desire to harm anyone. ❞ certainly not for sadistic entertainment. ❝ nor bring them any unnecessary distress. i believe violence is crude and inefficient — the very last resort, when every other option has already run its course. ❞

@charmonys: "you're going to have to be more specific."

"i don't think you went far enough, if you asked me. if you want to pack a punch, you have to make people fear you."

there's a small pause. "of course, i can't guarantee the success of this, but i assure you that it's fun to cause mass destruction and mayhem, far more than just trapping people in a dream."

#oficeandwind #( YOU HAVE TO FORGIVE ME SPENCE i have like 5 icons and i'm going to redo them all later tonight )#( but this is what i find so fascinating about these two tbh )#( you think at a glance they're the same guy in different font but actually their ideologies are LITERALLY the complete opposite )#( ultimate selfish vs ultimate selfless motivations but they follow similar paths & both sides are equally toxic )

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dollsanddandy · 2 months ago

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Sorry I just need to type this out because it feels so perfect if this was the intention. Baseball represents conformity… but what about our most iconic Stranger Things baseball bat?

Let’s talk about this particular bat’s journey, shall we?

Our first scene with the bat is when Nancy is practicing to attack the Demogorgon in her garage. At this point in the story, the bat is still a regular baseball bat. Steve comes over and Nancy is still emotionally invested in him. She has not quite realized she is on the path of conformity. She pushes him away here, though. She has plans with Jonathan to find the monster, so she takes a rain check at the invitation to go to the movies under the guise of Will’s funeral and Mike. I would argue this is at the beginning of the bat’s transformation.

The bat was originally meant to be wielded by Nancy. The revolver was also supposed to be Jonathan’s weapon. However, upon learning that Nancy’s a sharpshooter, Nancy takes the revolver and Jonathan takes the bat. They have swapped roles. This is when she’s finally begun not to conform. Nancy has taken the more “masculine,” powerful role in this relationship. She wields the stronger weapon and thus takes the lead in their relationship. During this scene we learn that Nancy believes her parents to be the image of conformity, detesting the idea of ever becoming them.

While wandering through the woods, the two have an argument in which Nancy finally has to confront that she is conforming just as much as her parents did at her age. She’s no different and she needs to realize that she and Steve are the image of Ted and Karen. The bat remains in Jonathan’s hands.

The two once more swap roles upon finding the dying deer. The two decide to put the animal out of its misery, but it’s too much for Nancy to handle and thus Jonathan offers to do it himself. They swap weapons once more. You could interpret it two ways:

Their willingness to swap their roles fluidly offers more to the idea of nonconformity. They are not concrete in the roles they choose, unlike the societally acceptable dynamics of the time. Men and women had concrete gender roles and were expected to follow them, whereas Jonathan and Nancy are able to go against that norm and be what role is needed depending on the situation.

Jancy are willing to do what the other needs from them and are already complementing each other from Season 1. Jancy endgame.

After this scene Nancy and Jonathan split up, with Nancy discovering a small gate to the Upside Down. She leaves the bat and her belongings outside the gate. I would like to say that her going to the Upside Down is quite literal for her character and for the baseball bat. Their identities are changed after this. Nancy from this point forward becomes incredibly tactical and combative. She goes shopping for weapons with Jonathan, definitely going against the norm. Her form does not change, she remains herself, preppy and kind, but now she has spikes. In her next scene with Steve she’s angry, she’s pushing him away and recognizing him for what he is. She could have been submissive to Steve’s actions, but the first thing she does is slap him and assert herself. She is no longer conforming.

While we do not see the baseball bat for the rest of the episode or in the following episode, we do see it again in the finale.

Here we see the baseball bat change into our easily recognizable icon. Together, Jancy decides to kill the Demogorgon and hatches a plan to do so. They set everything up in the Byers’ home and during these preparations we see Jonathan modify the baseball bat. He hammers nails into the head of the bat and it transforms almost to match Nancy. Baseball bats are a blunt object, but by adding the nails, Jonathan has flipped the baseball bat’s identity Upside Down, transforming it into a sharp object. It can be argued it’s both blunt and sharp, and maybe it proves the point I am trying to make further by viewing it that way. Jonathan is meant to wield this weapon once more, but Steve enters the ring and wields it instead (more on that later).

By the finale you’re almost certain that Jancy will happen (if not now then later). Jancy is a heterosexual relationship, but it is not heteronormative. To me, that’s what the bat represents. The bat is conformity, the norm and heterosexuality, but the spikes represent non-comforming and non-heteronormative behavior. In Jancy’s relationship, Nancy typically takes the lead and continues to be the one who wields a gun. Jonathan remains the more sensitive of the two and the one who wields no weapons (you could argue the axe in Season 3, but even then Lucas takes control of that). The behavior of Jonathan and Nancy in their relationship as stated prior, is not conforming to the norms of the time despite being a heterosexual relationship.

Now, what happens to the bat after the events of Season 1? Steve continues to be the one who wields it, which is very important to his character development. He’s becoming nonconformist as well, especially with his blossoming friendship with the kids and his new role as “babysitter,” a job that is considered feminine. During his time holding the bat, I would also like to mention he most certainly became more accepting of people different from him and even befriends them. He went from calling Jonathan Byers a queer derogatorily in Season 1 to being supportive and accepting of Robin’s sexuality in Season 3. He learns that popularity is not important despite what societal pressures and expectations exist. It’s almost like the bat being in his possession helped to facilitate his growth.

After Season 2 we have yet to see the bat again, but an honorable mention would also be Max, a nonconformist tomboy, wielding the bat. She does this to defend her nerdy, outcast friends and her love interest: Lucas. Max and Lucas are another heterosexual relationship, except they also defy norms for being an interracial relationship in a time period where it was still not as acceptable.

TL;DR: the spiked baseball bat is a symbol of nonconformity/norms of the time being flipped Upside Down/on their heads as opposed to baseball in general representing conformity. It transformed in Season 1 with Jancy to become this symbol and in Season 2 facilitated growth/was wielded by characters who didn’t conform.

Hope you guys enjoyed this post please don’t let it flop 😭

#byler #stranger things 5 #mike wheeler #will byers #byler brainrot #byler endgame #byler nation #stranger things #byler is canon #jonathan byers #nancy wheeler #jancy #max mayfield #lucas sinclair #steve harrington #lumax #robin buckley

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theuntoldstorythatneedsawriter · 5 months ago

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Online Meeting 🖥 pt.2

Alexia Putellas x Reader

warning : fluffy 💭💗

pt.1

summary :

Over the following weeks, fans begin piecing together clues about your relationship, culminating in paparazzi photos of you and Alexia kissing, confirming the rumors.

The days following the interview were… strange.

At first, the questions from Alexia’s fans had been mild curiosity. Comments under the interview video ranged from playful speculation to downright conspiracies. Fans were, after all, a dedicated bunch—especially when it came to someone as beloved as Alexia Putellas. But neither of you could have imagined how quickly the rumors would pick up.

It started with screenshots. Sharp-eyed viewers had gone back to the recording, capturing the exact moment Alexia's expression changed. Her fleeting smile, the sudden softness in her eyes—it all became fuel for countless fan theories. Some were harmless guesses, others more pointed, as people tried to dissect who could possibly cause the Alexia Putellas to break her professional façade.

Then came the tweets.

*Okay but can we talk about how Alexia got distracted during that interview? Who is she hiding??*

*#WhoWalkedIn ?! I'm convinced Alexia has a secret partner 👀*

*Alexia smiled like that for someone off-screen...what do we think, fam?*

Fan accounts began circulating theories. Old videos, subtle interactions, and even past social media posts were dug up and scrutinized. Someone even pointed out how Alexia had been using the word cariño more often in interviews, but only when talking to someone off-camera or when she was distracted.

You and Alexia didn’t talk about it at first. It was easy to brush off the initial stir as just the nature of her fame. People were bound to overanalyze every little thing. But as the weeks went on, it became harder to ignore.

The two of you were spotted at a small café one evening, trying to keep a low profile. You sat across from her, laughing at a story she told about one of her teammates, and it felt just like any other quiet moment. But as you left, a fan had caught sight of Alexia. Despite her hoodie and sunglasses, she was still recognizable to the most dedicated. She signed a quick autograph, and you both hurried off.

You thought nothing of it until the next morning.

Photos of Alexia at the café began circulating online, and while most fans focused on her casual outfit or her rare public outing, a few of the eagle-eyed ones noticed something else—you. The photos were grainy, taken from a distance, but they were enough. One fan even circled a reflection of your face caught in the window and posted it side by side with blurry images of you from other occasions, piecing together what looked like a shadow of the truth.

Pinterest : sadlittleheart

*Who is this girl with Alexia? She’s been spotted with her "before".*

It wasn’t just the café outing either. Someone found an old photo from months ago, where you and Alexia had been standing too close at a team dinner. The initial photo hadn’t caused any waves back then, but now, with the added context of the interview slip-up, people were connecting the dots.

And then, it happened. The moment neither of you had anticipated but also knew was inevitable.

You and Alexia were walking through a park late one night, trying to escape the bustle of the city. The moon hung low in the sky, casting a silver glow over the quiet paths. It had become your ritual—those late-night walks where no one would bother you, where she could just be Alexia, not the icon or the footballer, but just your girlfriend.

But as you neared a secluded part of the park, Alexia pulled you into a brief kiss, her hand gently cradling your jaw. It wasn’t long, just a sweet, private moment that would have gone unnoticed—except it didn’t.

The next morning, headlines broke across sports and gossip sites alike.

Paparazzi Shots of Alexia Putellas and Mystery Woman Kissing!

The photos were splashed across every major platform, your faces blurred in some, clear as day in others. The intimate kiss, the way her hand lingered on your cheek—it was all out there now, the quiet truth of your relationship exposed.

Fan accounts exploded.

*GUYS IT'S HER. THE GIRL FROM THE INTERVIEW.*

*Alexia has a girlfriend?? She’s so cute with her omg!!*

*We knew it! The way she smiled during that interview—this makes so much sense.*

The shift in public perception was sudden. Where before it had been speculation and conspiracy theories, now it was a full-blown revelation. Fans flooded Alexia’s social media, some supportive, others surprised, but the general consensus was one of excitement. People loved that Alexia seemed happy, even if some had been taken aback by the suddenness of it all.

As the storm swirled around you, Alexia stayed calm. She always did. One morning, you woke up to find her scrolling through her phone, reading some of the more amusing comments with a soft smile.

“They’re really invested,” you muttered, peeking over her shoulder.

Alexia chuckled, leaning back into you. “They always are. But as long as you’re okay…” She turned to you, her eyes searching yours.

“I’m okay,” you assured her. “Are you?”

“I am,” she replied, pulling you closer. “Now that it’s out there… I think I like not having to hide anymore.”

You smiled, feeling the weight lift from your shoulders. The world might know now, but in this moment, none of that mattered. It was just you and her, and that was more than enough.

pt.3

#woso x reader #barca x reader #barca femeni #barca femini x reader #fc barcelona #fc barca #alexia x reader #alexia putellas x reader #alexia putellas x y/n #alexia putellas

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kujiba · 11 months ago

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★MAY THE LAND CONCEAL YOU, DEAR GRACE

୨୧ — ꒰ gn!reader | they/them prounouns | Sagau | cultish behavior

୨୧ — ꒰ wowee, thanks alot for 100+ likes on part one! Hope you enjoy part two :]

[PART ONE

PART THREE

PART FOUR

PART FIVE

PART SIX

-YOU DIDNT NEED TO BE A GENIUS to get an idea of what was happening. Your lower body brushed against the soft yet sharp grass, it felt all too real. Your (e/c) eyes narrowed its way to a tree. An ordinary tree with many ripe fruits; one of it being able to take your attention.

Your hand circled on one of the fruits bottom and plucked it carefully, it matched exactly as your expectation. A plump fruit that seemed to be full of its juice and taste, an appearance that resembled a beautiful like sunset furthermore having a sweet and gentle aroma that is able to energize an individual.

Your lips slowly made its way near the side of the familiar fruit, the texture and feeling were soft yet hard. The aroma itself made your mouth faintly water, you swallowed your saliva having a high expectation out of this. After all, you always wanted to see what it really tasted like after collecting so many.

"Thank you for the meal." You lastly said and took a bite.

Your eyes widened a bit, this was far more than what you expected. The flavor was sweet but not too much to be like a candy. It was juicy enough to make you feel more hydrated than ever. It didn't take you long to start devouring the whole fruit at once

"Better than i had thought." Your back laid against the tree, all of its fruits gone for it was rapidly consumed by someone (you).

You wiped off the fluid on the side of your face. A small smile looming over your lips "I feel more.. Refreshed than ever." Your tone consisted of slight suprise and satisfaction "Still, i cant seem to get my head wrapped around whats happening.." You mumbled quietly to yourself, having your fair share of the internet you were well aware on the many fanfictions and AU the game GENSHIN IMPACT had, but it having to actually become a real life situation is something too impossible to even happen.

Your feelings felt too mixed and unorganized. Half of what you felt was being thankful, because out of all the things you were gonna reincarnate in. The gods or whoever did it brought you into a more PG game; sure it had killing.. And some questionable things but as long as you live like an NPC things will go in the right track!.

With a goal set in mind you dusted off your hands following with walking down the dirt path that led to the gates of the iconic town MONDSTADT. you could remember it like it was just yesterday when you first played genshin. A feeling crept up to you, something similar - that you've walked down this path for millions of times and that muscle memory just took in. Deja vu didn't leave your mind until you were met with two guards infront of you.

"Halt. Who are you and what is your business here in mondstat" One of the guards spoke up, eyeing you up and down incase you were bringing any dangerous or threatening items to the city.

The guards other companion putted his hand on top of his friends shoulder "Wait, ___. They look familiar dont they?" His tone filled with suspicion, he couldn't shake it off as just a normal coincidence.

"What? What are you even saying ____. I believe you're making a far stretch in this one, i clearly remember that they have (opposite color) hair." The guards companion replied back with confidence in his answer. And it soon didn't take long for it to turn to a long and repeating argument on what was the appearance of the person they were arguing about.

"Jeez, who even is the person their saying. They must seem complicated" You thought to yourself while at the same time, was rubbing the back of your head - all you wanted was to slip into the city of Mondstadt but it seems to be much harder than you had thought in mind.

During the time the two guards were still rambling about the appearance of a certain someone. a silhouette of a girl with long silky brown hair, complimenting her appearance with a bright crimson bow that anybody could see from a mile away.

"Huh? I wonder whats going on over there.. Better go check it out!" The mysterious girl exclaimed, swiftly jumping down the soaring cliff. The moment her feet left the ground, wing like designs appeared behind her back which helped her safely land on the ground yet again.

"Whats going on here?" The mysterious girl walked between the two guards to stop their argument. Both her hands placed on her waist as she looked at the two with confusion.

"Oh- Outrider amber. Good to see you today" The guard greeted the named girl, AMBER. Amber exchanged the guards greeting with a smile "Good to see you today too. Now, will anyone care to explain what's going on?" She questioned, her hazel eyes glancing at the three people infront of her; You noticed how her gaze seemed too be longer on yours - as if she had something on her mind.

"I'll explain"

"Let me explain"

"So basically.."

You and the other two guards were caught off guard by the sudden synchronization. "Uhm, I can explain the situation" You spoke up while (e/c) eyes looked at the two.

"No, I've got a more grip and understanding standing on the situation, allow me" One of the guards replied back, his other companion raised a brow on what the other had just said.

"Please. I remember the details on the situation more clearly, I'll be telling you what happened Outrider Amber." His companion argued back to the other

"I'm doing you a favor so allow me."

"You're gonna leave out some parts so just let me do it"

"I'll do it"

"No, I'll do it"

"Guys.."

"So.. What you're all saying is that this person just wanted to get inside mondstadt?" Amber questioned;it took a long while till you just decided to explain to amber what really happened. Still, you couldn't shake off the feeling how intensely she was staring at you for - it creeped you out badly but you tried not to make it too obvious.

"Thats basically what happened" You confirmed giving her a small nod. Amber's expression seemed to be in deep thought for some moments till she gave you a smile in return.

"Seems like theres no problem then! You don't seem to pose as a threat, uhm.." Amber trailed off not really having to get your name yet. "Oh! It's (Name), pleasure to meet you" You kindly greeted her

You expected a positive greeting back but instead, your body jolted slightly. Seeing her shocked expression staring at you deeply for a moment and soon returned to normal.

Amber's expression calmed down and she gave you a apologetic smile "Oh sorry bout that... Just go right ahead" She offered, her fingertips gently wrapping around the back of her neck as her gaze were on the floor. You questioned her abnormal behavior earlier but the thought of going inside THE city of Mondstadt that you've dreamed ever since you first played made you ecstatic. Not to mention that you just met with one of the main side characters (amber) made you forget her strange activity just a few seconds ago.

You gave her a nod "Alright. Thank you!" And without hesitating you quickly walked inside the city of Mondstadt. The aroma of dandelions waved through the surroundings as people were joyful and free; something that you've craved since your 'previous' life.

Today is a brand new page in a book, where you're the one holding the pen and get to be able to write whatever you desire! WELCOME TO MONDSTADT

Two pairs of hazel colored eyes followed your body whilst you gleefully strolled from shop to shop. Her gaze not leaving you for even a second, for fear shrouded over her. Fear that you again would leave her sight.

".. They can't be..."

"You've felt it too huh?"

"... Get the others.

"We can't let them get away"

[A/N: HOPE YALL ENJOY PART 2. SORRY IT SEEMED SHORT, I'LL TRY TO MAKE PART 3 LONGER. ANYWAYS PROLOUGE IS DONE, MONDSTADT ARC WILL START NOW

#genshin #genshin impact #genshin impact sagau #gender neutral reader #genshin impact x reader #genshin sagau #genshin cult au #X reader #gender neutral y/n #y/n #amber genshin impact #mondstadt #genshin fanfic #reader insert #god reader #yandere genshin impact #gn reader #x reader #genshin x reader

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jayktoralldaylong · 3 months ago

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Now that Arcane is over, I wanna yap about the opening song because it is by far my favourite thing in Arcane when it comes to symbolism and foreshadowing. 🤩🤩🤩

First! We start with the sisters, with Powder LITERALLY being carved out of Vi. 🥺😭❤️💙

It is so iconic that the lyrics launch with Jayce holding the hextech gem stone, to the lyrics "I wake up the sound." Since his invention basically launches the entire plot. 🤩

Then Viktor follows IMMEDIATELY after with "put my ear up to the ground" cause he's coming from the Undercity. He's climbing from the bottom to the top. Also, the way he follows after Jayce's sound with Ear to the ground like he heard Jayce's sound and immediately came to find him. 🥺 Which isn't so far off since he saved the poor guy from suicide.

Then Caitlyn is the stories that are told because she's from a prestigious noble family, and she's trying to find her place.

Heimerdinger has my absolute favourite line. "My back is to the world that was smiling when I turned." Because he is a Councillor, a politician that has existed for 300 years, and when he helped established Piltover, he made sure that everyone was happy. However, he was completely BLIND to all the suffering in the Undercity. So, as far as he knows, everyone is still happy and he's unaware of the suffering going on at his back!

Then follows with Mel, who is the greatest and wealthiest politician in Piltover.

Which contrasts with Vander and Silco who both ran the Undercity at separate points during the story. Vander has the girls in his hands, he's trying to protect them, but Silco completely overshadows that and consumes them.

Then launches into Ekko's "Everybody wants to be my enemy", which I did not get the first time I watched Season 1. But now I understand with him fighting for the less privileged in the Undercity, and Silco framing the Firelights for all his dirty deeds, which makes Piltover target them, so Ekko is genuinely fighting everyone. 😂😭 From Piltover to the Undercity.

Then it expands on our major characters (Jayce, Viktor, Caitlyn) also going through their own struggles and fights that are expanded on that season. [We hit the picture limit 💀]

With the final showdown being between Vi and Jinx, which could symbolise anything from their sisterhood to the different paths they follow.

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felassan · 2 months ago

Text

Dragon Age: The Veilguard art book pages, under a cut due to spoilers:

Scoundrels The scoundrels were an idea to add unique encounters to spice up combat and imply narrative depth. These would be like Batman B villains that cross your path, mess with you, and then run off to bother you another day. The main criteria was that they should be built using existing assets (some of the most rewarding work happens within extreme limitations). Right: The stalker that will never die (returned from Origins). Center: The hardest part about designing scoundrels is knowing you won't be able to build them all (yet). We liked the idea of them joining forces and creating an "anti-party: a group that could specifically counter each of your followers. Illustration labels: The Mouse, Stalker, Son of Sky Watcher, The Blacksmith, The Blood Witch, The Golden Mercenary, The Professor, The Librarian, The Beast, The Owl Gang, The Fox, The Fist, The Librarian, The Dove, The Spectre, The Champion, The Duelist, The Hunter

Illustration labels: The Lava Queen, The Artifact, The Interogator, The Flame, The Black Dragon, The Cartographer, The Marshal, The Blackbird, The Faithless, The Deadly Stillness, The Prince, Madam Venatori, Prof. Skeleton, The Swarm, The Beyondernaught, The Bank, Mournwatch Soldier, Poltergeist, Necroknight

Top: Scoundrels were originally proposed as a replacement for the Inquisitor's judgement scenes. After defeating a scoundrel, you would have a choice about how to deal with them. Bottom: If you killed a scoundrel, you could take their weapons and costume (no matter how outlandish). Or you could spare their life and call on them for a favor later on down the road.

The scoundrels also offered the opportunity to give more faces to the various regions and factions of Thedas. Tevinter libraries may be vast, but how much more vast do they seem if they produce a scoundrel like "the Librarian"?

Bellara Bellara is a Dalish technomancer. When the elven gods emerged, the blighted energy that they brought caused previously dormant elven artifacts to come to life, and Bellara focused her energy on learning how they worked for the benefit of both her fellow Dalish elves and her teammates. Top right: The first sketches of Bellara started with the description of "Jules Verne dork". Center left: She's very intense. She tries to be focused - but attempts too many things at once and ends up getting overwhelmed and not doing any of them, which makes her feel guilty. She then compensates by taking on too much once again. Center right: The rings on Bellara's gauntlet rotate and then lock in place. Bottom left: Bellara's gauntlet allows her to interact with ancient elven technology. ^ Illustration annotations: Moving/semiliquid mirror particles, Also portal for shards, Eluvian map

Top: We designed her to look like the elven version of an academic doing research in the field. Semiformal but simple elven clothing, with every piece of gear she thinks she might need, as well as room to store any fascinating specimens. Center: She likely will never unfold her eluvian map in-game, but we know it's there. Bottom: An unused endgame appearance: Bellara as the new icon of the splendor of the ancient elven empire.

Left: Bellara's space is mostly a workshop where she can continue her research. It's full of ancient elven artifacts, Veil Jumper tools and furniture, and lots and lots of mirrors. Right: Hanging elven artifacts, a metaphor for the weight of her mission pressing down on her.

Left: Hanging fabric to make it cozier. Right: A mirror with someone frozen in it.

Davrin He's an elf in his early thirties, but not a delicate, refined one. He's a monster slayer, tougher than your usual elf in stature and demeanor. Davrin is a seasoned veteran trying to nurture good in a world that keeps throwing evil at him. There's a confidence in him that comes from knowing he's good at what he does. He broke away from his elven clan in his teens because the insularity stifled him. He wanted adventure. Top right: He actively seeks the challenge of monster hunting to test and better himself, figuring if he can come out of a fight alive, it'll forge some steel in his soul. Center: We tried to find the right balance between his elven past and his Warden present. Center right: A soldier surviving in the wilderness. The armor is lighter but preserves the Warden quality. Many elements of his costume are designed to look like pieces he created or modified for himself out in the field with available materials. Bottom: Fighting Elgar'nan's darkspawn at Weisshaupt.

Assan and his siblings are the first live griffons we've seen in Dragon Age. Much like medieval illustrations of exotic animals, there is a slight disparity between living griffons and their artistic representations.

Top right: Classically, griffons' bodies are based on large cats. The bodies of Thedas's griffons are based more on dogs, specifically Great Danes. Center: Assan was a rare first-draft design. The first image of him was exactly right. Center left: An unused endgame appearance for Davrin with a matching "griffon commander" set for him and Assan, marking him as the head of the newly formed griffon cavalry unit. Bottom right: Each one of Davrin's carvings represents countless hours of tracking, studying, and hunting - a symbol of his accomplishments as he carves his way through the monster world, beast by beast.

Left: Davrin's room was meant to allow for lots of natural light and fresh air (as much as you can get in the Fade). Right: Davrin's area is filled with monster-slaying tools and research, as well as a generous number of perching options for Assan.

Emmrich Emmrich is a professor specializing in death magic, hexes, and necromancy. Despite his mastery of dark arts, Emmrich is a friendly, energetic man who loves company and adventure. Deeply curious about everything, especially magic, he's kept himself active by exploring the dangerous catacombs underneath his city and can more than handle himself in a fight. He's part of the Mourn Watch, an elite group of necromancers who protect the world of the living from occult horrors. Right: Emmrich is a very emotive talker: he gesticulates, underlines points with his hands, etc. His enthusiasm comes through transparently in his body language. Left: For his outfit, we explored a combination of academic, mortician, and conductor.

Left: Emmrich's work encompasses death and grief. He's sensitive to how they leave people vulnerable and in need of compassion and kindness. He has a deep well of both, especially for his friends. Right: A regal-looking lich.

Top left: Emmrich has always had thanatophobia - he is a necromancer afraid to die. Through long study and rituals, he's discovered a way to cheat death by becoming undead himself. Center top: Events of the game force him to choose between this strange immortality and reviving a dear friend. Top right: Emmrich must decide to make peace with dying or seize immortality, but either way he comes to a better relationship with death. Bottom: Manfred's space is ideal for studying death and magic in equal measure.

Top center: Emmrich has a collection of artifacts used to study the esoteric. Top right: Emmrich's Fade telescope. If you dare to look, make sure you're not alone. Center left: A Nevarran teapot that belonged to Emmrich's mother. Center: We gave him "guts" made from useful containers Emmrich might need out in the field. Center right: What can be said about Manfed? He is Emmrich's loyal assistant, mentee, and friend.

Harding The dwarf scout from Dragon Age: Inquisition. The girl next door that develops mysterious, powerful abilities connected to the ancient past of her fellow dwarves. Compassionate and cheerful, she is the heart and conscience of the team. Harding strives to remain true to herself and her humble upbringing even as she is flung into darkness and world-changing threats. Center: Harding is the moral compass of the group. A kind woman, she has an optimistic outlook and views the world and those who live in it as inherently good, even as she faces monstrous evils. She does not view attributes like empathy as weaknesses but strengths. A friend to everyone on the team. Bottom: We tried to make Harding's outfit an evolution of an Inquisition uniform. We imagined her on a mission, waiting for days in a sniper perch, biding her time by embroidering beautiful patterns into her sniper cloak.

Top left: Harding must deal with her newfound Stone-based powers that she inadvertently acquires during an early mission in the game. Top right: Even with her new powers, Harding would still be an archer. It was fun to explore what that might look like. Center left: In the early stages, Harding's Stone powers were more extreme, including her skin transforming during combat. Center left 2: It was challenging to make the stone skin look appealing and not like an infection. Bottom left: Harding has a green thumb. Over the course of the game she transforms a dead space into a lush garden (a feat even more impressive in the Fade). Bottom right: A corrupted red lyrium version.

Lucanis A trained assassin possessed by a demon of spite, Lucanis is constantly battling to control the darkness within himself. He is a black-hat badass who can kill anything. As a member of the Antivan Crows, Lucanis feels a sense of loyalty to his house that goes beyond duty or monetary gain. Family is as ingrained in him as holding a dagger the correct way. Center: Lucanis dresses in the Antivan Crows' interpretation of a simple black suit. Center right: Though a hardened killer, Lucanis is cultured and comfortable in both upper-class and underworld social settings. He studies his enemies, learning and testing their weaknesses before striking. Bottom: Lucanis tries not to sleep, so his room is sparse and brooding.

Center left: A pragmatic and confident gangster with a dry, dark sense of humor. He offers no apologies for being morally gray. Center: Calculated and ruthless, he fights with an effortless grace that comes from years of training and experience. Center right: He is an executioner who always gets his mark.

Neve Magical noir detective in the big city. She cares more about everyday people with "right-now problems" than the big picture. Word spread through Minrathous that she'd help people both on and off the record, so she works whatever cases come her way that are worth taking. Her motto: she takes a job, she finishes it, she walks away... If only things were ever that simple. Her fighting style is low, broad, staccato, and effortless. Center: We found consultations with amputees to be very valuable in helping us design not only a stylish and practical prosthetic for Neve, but also the accompanying accessories. Center left: Her ascot is designed to evoke a pit of snakes. Bottom right: The dark elements on her shoulders are based on shoulder holsters.

Top: Neve's outfit is a mix of detective and femme fatale. Center left: As mentioned earlier, Neve's place on the team was originally occupied by the returning villain Calpernia from Inquisition. After the decision to create a new character, the first versions of Neve's design were "Calpernia as a detective". Center right: A cynic with a heart of gold, Neve is clever, driven, and guarded. She has a dry but playful sense of humor. Beneath her nonchalant attitude is someone who cares about what they do and wishes things were better. She can act comfortable in upper-class situations, but she's known to be an outsider, and she's truly in her element in Minrathous's less-rich neighborhoods. Bottom right: Meeting with consultants changed everything about how we designed her prosthetics and equipment. The first impulse was to make something flashy and multipurpose. Instead, we chose not to draw too much attention to it, lest it distract from her character.

Top: Another lesson we learned from the consultants was to not make her prosthetic central. It's off to the side, just a normal part of her day. Bottom: Neve's desk. Humble by Tevinter standards and marked with serpent imagery.

Center: Neve's room is the cassic gumshoe film noir office, with moody lighting and a wall of evidence that grows throughout the game.

Taash As someone who grew up in the free-spirited, multicultural country of Rivain but was raised to respect the Qunari heritage, Taash is a dragon-hunter who walks in two worlds. Top left: Taash can breathe fire thanks to remnants of Qunari dragon blood. Top right: With Taash we tried to find a good balance between Qunari heritage (rope, dragon skin) and Lords of Fortune allegiance (coins, jewelry).

Top left: Taash's idle pose was drawn to give the impression of a fighter after a match. Top right: Taash understands dragons on an instinctual level and hunts and kills any that are a danger to people. Taash is a part of the Lords of Fortune faction, adventurers who seek dragons worth slaying and treasure worth taking. A pair of axes and light armor allow for quick movement - and even getting onto the backs of large enemies.

Getting the Gang Together The characters were largely approved, and this was the first time we saw them all assembled.

Varric It's a joy to revisit characters. It's a great opportunity to visually tell the story of all the years we've missed. Varric is older, a little scruffier, maybe preferring comfort to style as his adventuring days near their end. He's also let go of some of his old priorities, not needing to be flashy, not as concerned about keeping his beard short. We also decided to go with a darker and more washed-out color palette, for reasons that people who have played through the game will understand. Top left: Varric spends the majority of the game bedridden, so we wanted to make the severity of his injuries visible. ^ Illustration annotations: back, front Top right: It's not just Varric that has been on a journey. We wanted to show that Bianca had been well loved over the past decade. Bottom left illustration annotations: Custom-engraved metal plate. Swappable lens. Gem affects abilities. Bianca's scarf. Retractable; see rail on original. Engraved. Rear. Stock made from ancient myrtle tree. Finish is black with hints of blond patterns. Edges line in ivory, while ornate designs are metal. Bottom right: An ancient elven room converted into an infirmary, where Rook recovers.

Solas While known as Solas in present-day Thedas, he was once known as Fen'Harel, the Dread Wolf, the elven god of betrayal. In ancient times, he rebelled against the other gods, the Evanuris, and sealed them away from the living world, behind the Veil. Solas's true identity remained hidden from the world through the events of Dragon Age: Inquisition and was revealed in the Trespasser DLC. During that time, he was an Inquisition follower masquerading as a simple hedge mage. Top left: Solas's outfit is designed to represent that he has stopped hiding. He is committed to his path, and so he returns to dressing like he did in the old days. Right: The central MacGuffin of the game is Solas's lyrium dagger. Originally it was hidden away in the idol from Dragon Age II. Bottom left: One of the palettes Solas used when painting one of his many historical and confessional murals. Bottom center: Most of the elven gods had dragons. Ever the outsider, Solas instead embraced the Dread Wolf nickname on a grand scale. This creature was based on one of Solas's cards from Inquisition.

some other pages -

Some opening pages

Foreword

Google Books preview pages Part One

Google Books preview pages Part Two

Amazon preview pages

Page batch

Page batch 2

Book art credits:

BioWare art: Matt Rhodes, Ramil Sunga, Albert Urmanov, Christopher Scoles, Nick Thornborrow, Steve Klit

Volta art: Gui Guimaraes, Stéphanie Bouchard, Akim Kaliberda, Alejandro Olmedo, Alexey Zaryuta, Julien Carrasco, Maksim Marenkov, Marianne Martin, Mariia Istomina, Marion Kivits, Matti Marttinen, Mélanie Bourgeois, Pablo Hurtado De Mendoza, Rael Lyra, Rodrigo Ramos, Thomas Schaffer, Tiago Sousa, Tristan Kang, Vladimir Mokry, Yintion J, Joseph Meehan, Stefan Atanasov, Julien Carrasco

Additional art: Marc Holmes, Thomas Scholes

#dragon age: the veilguard #dragon age the veilguard spoilers #dragon age: dreadwolf #dragon age 4 #the dread wolf rises #da4 #dragon age #bioware #video games #long post #longpost #solas #injury cw #blood cw

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