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#an excellent program btw
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HBO Max says The Great Pottery Throwdown is "an HBO Max original," but the opening credits literally say that it's by Love Productions and the BBC 😂
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wavygrayvy · 2 months
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Still thinking about Chuck E. in his little summer fit and the bird having flowers too ♡ And yes, they’re also doing the Beach Party Bash live show to go with the theme 🥺
It’s giving bro has made peace with his upcoming retirement but we’re not unpacking that
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anglerflsh · 7 months
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>studies history in order to not look at excel sheets all day >worked on a single dataset on excel for five hours straight >curse of current humanities.png
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samuraijacksoff · 1 month
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HELLO i did not expect the minecraft cross stitch post to do as well thank u very much for ur support😭 here are some sample pages from the work in progress zine. it needs some adjustments absolutely, like the symbols need some fixings but i am very excited to work on this project and to share it :)
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does anyone have any Ideas for the name of a doctor who themed typing game. all i can come up with is TARDIS typer 😭😭
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victory-cookies · 7 months
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my last midterm mark was just released and I looked at it and was like “oof… 89%? I should have done better on that man I’m slipping” and then I checked the overall class scores and I was in the top 5% of scorers. And now I’m like shit they did a really bad job writing that midterm
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dragonwysper · 8 months
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Oh yeah I'm in a music psychology class and our first assignment (afaik) was to make a short presentation on six songs that describe our lives. I wanted to share those, so here y'all go
This sounds like the woods to me, and those were a fundamental part of my childhood and a big influence in how I see the world. Also I really wanted to sneak a bit of dronescape (or dronescape adjacent) music into there lmao
My fucked up journey with my gender identity. It was. An Interesting phase. I'm not super proud of it, but it was a very chaotic time for me in a lot of ways. I was suffering with severe dysphoria, and since I didn't know why, I blamed everybody else. Throw in a few really toxic friends and influences I had, and. Yeah. Good song though lmao
Internet trauma go brrrrrrr. This is very much one of two (2) medias that I feel reflect what the internet is most clearly (the other one being Bolavlk by sournoodl). Fun song and describes a huuuuge portion of my trauma.
Threw this one in for a lot of reasons. Mainly, this song is an excellent tribute to horror as a genre (especially horror films), and horror has been the most influential genre for me. Highkey began with an interest in Creepypastas as a middle schooler, which turned into fucked up creature design, which turned into horror movies and other media. Harley Poe has some excellent horror songs.
This one is just very mecore, especially like. Post-trauma, and currently after I've had a lot of emotions tied to my trauma unrepress themselves. It speaks to my impulsiveness, this almost manic mask I put on in public, my intrusive thoughts, and the pervasive feeling of fundamental isolation from humanity (or at least general society). I feel like I've become something unrecognizable from the person I used to be, and I often feel very inhuman for it.
And this one is here because it's been a comfort song for me since I was around 15. It's lovely, and it also catapulted me into more experimental and undefined genres of music. It still makes me happy to hear, and I know most of the lyrics by heart.
I just got my classes figured out btw, after missing. An entire Week of class. So I'm catching up lmao. Thankfully there isn't too much. This presentation and an assignment for graphic storytelling analyzing Marvel and DC comics are the only two assignments I have. Everything else is just reading some class PowerPoints, documents, and segments of books. I just hope it's not too chaotic when I show up to class lmao. Hopefully I'll leave a good impression from preemptively doing all of the current assignments lmao
#i'm discussing black panther for my marvel vs dc assignment btw#the professor had us read an article discussing the fundamental differences of marvel superheroes and dc superheroes#and the assignment involves picking a superhero and talking about which comic brand they fall under according to those “rules”#i picked black panther because he really seems a lot more like a dc superhero according to all that#which i found interesting#currently reading rise of the black panther to get a better idea of the plot (since we have to summarize their origin story)#is good#i do really like marvel's panel design in their comics#classic and very dynamic#plus t'challa and wakanda as a whole are really interesting#sorry that was a Ramble#my other classes are this one discussing monsters in all their forms and another about middle eastern religions#should be fun 😤#nice and easy since i'm transferring to another school after this semester LMAO#gonna go to a local community college that specializes in animation and video game design#they have some REALLY good programs#like half the people who were in my highschool animation program go to that college#and everybody i've talked to has all good things to say about it#plus it's like 2k per semester instead of 6k-8k 😭#this school is fucking terrible omg. they were advertised as having an excellent animation program. get here and they're cutting it#plus a LOT of other shit. one day i'll make a post about it#but ANYWAYS#spotify#music#miracle musical#harley poe#mother mother#bo burnham#dewey martino#marina
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eyrieofsynapses · 9 months
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why Aurora's art is genius
It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.
And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.
I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.
SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???
All positive feedback btw! No downers here. <3
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I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!
Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.
Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.
THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)
Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:
Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:
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Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.
I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.
If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!
Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:
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Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.
A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):
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(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)
The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—
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—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.
(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)
Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!
One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!
And another thing re: rain, the use of it to establish perspective, particularly in panels like this—
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—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)
Additionally, the misting here:
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We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.
A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).
Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):
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First panel, listed in numbers because these build on each other:
The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.
The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.
The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.
A handful of miscellaneous notes on the second panel:
The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)
The flowing of fabric in the wind and associated variation in the lineart
The way Erin's tattoos interact with the fire he's pulling to his hand
The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)
I could go on. I won't because this is a lot of writing already.
Third panel gets paragraphs, not bullets:
Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.
Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)
And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.
Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.
Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):
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It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:
Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.
And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.
One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.
A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.
Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?
Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):
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The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters��see also Life's typical lines and how they curl:
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What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P
Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):
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They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.
Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.
And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3
...brownie points for getting all the way down here? Have a cookie.
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Ya bitch got into the void state
Champagne anon here and your mf girlll got in the mf void state and manifested her dream life. This happened a week ago, and I’ve been chilling but I do wanna share my story to help others. Gotta give Thanks to Maya, and so many other bloggers and even anon. Y’all hoes will forever be in my heart, and I’m forever grateful 🥹 also Maya girl you told me when I succeed to get into detail and I got nothing to do for the next two hours so imaaa just share it all here in detail.
I also wanna especially thank all the black creators on tumblr!! I didn’t know there were so many of us using the law. It always seems the world is so against us, and there’s nothing we can do abt it but nahhhh!! we can all live our best melanated lives regardless. Periodt, as we should it’s about goddamned time after everything we’ve been though 😂
Anyways!!!! after reading this: https://www.tumblr.com/charmedreincarnation/717864613626134528/im-your-bubble-anon-but-i-made-this-burner-to success story yesterday I got hella motivated. I read that shit and I thought I posted it on accident because it was everything I had been through, and had been thinking anyways. That anon ate your tumblr habits btw. If y’all haven’t seen my good sis’s sucess post go check that shut out rn, On god it will help.
At the end that anon (my mf dawg 🙏) included that they manifested for everyone. Now ion know if that shit actually work tbh. I’ve seen people say you can and can’t, but tbh the vibes were too high for me to doubt. I was like ight, okay fuck it, ima leave my dream life. Whether it me, that anon, or the devil himself ion give a fuck.
So that’s whatssss a bitch did!!! I just affirmed all day it was very fulfilling. People who hate on affirming are mad corny. I can’t lie that shit works hella fast even if you don’t believe it. Idk if that anon’s void manifesting helped or what but I didn’t do much and after 3 months of trying I entered the damn void state. I’m mad I thought I had to be on some ghandi shit to do this (no hate to him hes da man) but you rlly don’t y’all. BUT LEMME TALK MY SHIT ALL YOU NEED IS AFFIRMING AND PERSISTENCE.
Anyways I went go bed excited asl!! I wrote my script that was like 10 pages long I can’t lie I did the most… but it’s whateva. I woke up in the void state after waking up at 4 am or sum, and i was like oh shityyyt lemme manifest rq and skrttt out this hoe. So that’s what a mf did 😂😂
Anyways the part y’all’s is waiting for. This is what ya girl manifested
Desired face and body. I was in shock how all the details came to life. Y’all im a solid 100/10 it’s giving natural bbl and Aliyah. I swear to gahhh everywhere I go people be trying to peep. I’m not used to being treated like a fucking celeb everywhere I go, whole time it’s just my fat gyattttt
Being the hottest 16 yr old IT GIRL at my school, and having lucky girl syndrome. People call me a mini jayda wayda, but tbh I’m better than her now. No hoe is ever gonna cheat on meee like they did her…bye. She’s still gorgeous as fuck tho
Perfect school life. Your girl is set to be the Valedictorian when I graduate (my school has 4!) I’m also sophomore year President, captain of the basketball team, apart of some volunteer programs through my school, and so much more. My resume and college application is abt to be so fuckin fire in 2 years. As I should Columbia is a competitive ass school 😤😤 that aside everyone always tryna link, I got 3 guys fighting over me (whole damn love square), so many people tryna be my friends, teachers love me, and I excel in everything I do.
My Family being rich assss fuck. My dad got a Wikipedia now and his net worth is 22 million dollars. He owns a hedge fund company now, we love a man in finance 😍😍 AS HE FUCKING SHOULD. He got a material gurlll daughter. Two in fact now.
Fire ass crib. Bro it’s a 9 million dollar penthouse, perfect for ragers. I woke up here and my room is decorated to my personality, pintrest clothes all in my closet, I got an exotic pitbull and frenchie, and the house is just mad clean and fire, I’m obsessed with it. Rarely ever wanna leave now.
My mom not being strict. That bald headed ass hoe use to be mad annoying. Y’all know how Haitians are. Mad annoying as fuck and strict for no reason. Now I go out everyday and come home at midnight and no one gives a fuck. Everyone minds their own business as they should.
Having an older brother and younger sister. I was an only child, because I was a miracle baby bc my mom was infertile. Now she got 3 of us, so she can stop being only in my buisness. I’m just playin I love my mom regardless she’s just hella clingy. Anyways my brother is mad protective but also be wrestling mad aggressive for no damn reason. He gave me a bruise but it’s whateva Ima get my lick back. I also always wanted to be an older sister, bc I’d love to be a role model! My sister is 10 and adores me soo much it’s so adorable 🥹 lmfaooo, she’s mad spoiled by me and my mom but it is what it is.
Successful lip gloss business and being a successful drop shipper. Now you didn’t think a sista wasn’t gonna give herself a career just because I’m young right 🤨🤨 we’ll ya wrong. Ya girl is making 200k-400k a year. I barely even use my money cause I got an allowance from my parents… but still, financial literacy and wealth is so important to me especially as a black woman.
A pookie bae. Y’all know I wasn’t gonna deal with finding a loyal cute and funny guy in nyc. It’s like finding a needle in a haystack. Anyways I got me a fine ass boo. I just wrote down all the features I wanted in him like for exampleS finically secure so he can spoil me, handsome as fuck, tall, funny asl, kind, little clingy, deep raspy voice, nice hand, good hygiene and style,yanno yanooo !!! Plus some other shit and whewww the void did me so good. Nowww my boo bear is a lil cracker and I’ve never dated a white boy befuh but my am I surprised. I wake up everyday with some long ass appreciation texts and plans already made ! Y’all know I love me a dominant man who knows what he wants. He’s got some nice ass clothes, nice car and crib, made me a passenger princess and spoils me way too much. He doesn’t complain abt my mood swings and simps in the best way possible. Not to mention he’s fine afkkk he’s giving vinnie hacker. He’s also 6’1 and I’m 5’1 so that height difference is soooo hot I can’t lie I feel so so safe with him 🫣 I could go on all day but in short he’s more than perfect
+ so much more but this is what shocked me the most. Anyways I’ve been living like this for the past week and it just feel so natural. I keep forgetting I got into the void but whateva I’m the only who knows anyways. Anyways live yo best life and neva give upppp. I gotta go but I’ll probably eventually make a blog. My names angela so look out for it. I’m just mad lazy soo idk tho !!!
Angela out 🫡✌️
Girl this was so fun to read, I’m just as excited for you lmfao. I love seeing black women win, and thank you for sharing your methods! Enjoy your best life and come back if it resonates with your life bae !!!
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birchleavesdawn · 11 months
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can I ask for prefect oc giving reward for his vice prefect/gf (any female idol you want, but I want Jihan if you could) due to their excellent performance keeping the school free from problems
(Btw, the reward is very naughty with ends with something white inside her nether region)
Weeekly Jihan - Teacher's Pet
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Hope you enjoy anon Weeekly Jihan x m!reader —————————————————————————- "No running in the halls! Two feet between you at all times. No PDA! You there — I said slowdown!"
Her voice rang out through the halls and could be heard from almost anywhere in the building. It was music to your ears, your favorite student keeping all the misfits in line. Sadly for you, that would soon be coming to an end. Jihan was in her last year of Highschool, and pretty soon, she would be moving on. Jihan was the school's prefect and was the one to greet you when you first arrived. You didn't want her to go. The thought of her not being there next year made you depressed, but there was nothing you could do. You just had to make sure that wherever she went, she would never forget you.
Now standing in your classroom door, you called her over.
"Jihan! Come here for a sec!"
She turned to face you and smiled. Jihan had such a beautiful smile that made your heart melt every time you were graced by its presence.
"Good morning sir. What did you need?"
Being called sir still felt a little strange. You were only a year older than her and even held the role of prefect at your school the year prior. You weren't sure if being teacher's assistant was really worthy of such an honorific, but you liked hearing it all the same.
"I need you to stop by my room at the end of the day. I have a class now in a few minutes, but I have a sort of going away present for you. Make sure you come alone, I didn't get one for anyone else and I don't want to get in trouble for giving you special treatment."
"Yes, of course! Thank you sir. I'm really looking forward to it!"
"It's my pleasure, believe me. I'll see you at the end of the day."
"See you then!"
With that, Jihan headed down the hall to whatever class she had now. You couldn't help but watch as she walked away. Her ass was so plump and round, bouncing with each step. You wished you could reach out, grab her by the hips, pull her onto your desk and fuck her brains out In front of everyone. She'd probably be even more into it than you, getting the chance to show everyone she really was your favorite. However, if everything went to plan, it wouldn't be long until you had your chance.
RING RING
The bell rang out to signal the end of the day. Students began to pour out of the classrooms and into the hallways. The sounds of loud voices and slamming lockers filled the building. After a few minutes you heard a quiet knock at your door.
"Come in!" You yelled out at the sound of it opening.
"Hey, it's me, I'm here like you asked." Jihan spoke softly, closing the door behind her.
"I'm so glad you could make it. Come take a seat."
You smiled and pointed to a chair right in front of your desk.
"So, before I give you your gift, I want to hear your plans for after high school. I'm curious to see where you're going."
"Well, I'm planning to go to the same college that my dad went to, it's a good one with a good scholarship program, so it should be cheap enough for me."
"That's great! Are you planning on dorming or are you living at home?"
"I'll be staying at home. The school is only about a 45 minute drive from my house. It will be a little annoying to have to drive every day, but it will be so much cheaper I think I'll manage just fine."
"Oh so you'll be sticking around? Well I really am glad to hear that."
Jihan flashed that smile you loved so much.
"Now, for your gift."
You handed her a small baby blue box with red tissue paper peeking out the sides.
"Thank you so much! The box is so pretty! Can I open it now?"
"Yes of course! I'd be terribly disappointed if you didn't."
She opened the box and peered inside. A black strapless crop top with a matching pleated skirt. She held up the top to get a better look. You could tell from the expression on her face that she genuinely loved it.
"Oh my god it's so cute! Thank you so much! You really didn't have to get me all this though, it seems like too much."
"You're my favorite student, and I'm going to miss having you around. When I arrived here in January, you made my life so much easier. Plus you did such a great job keeping the school running well. So, I wanted to do something nice for you. Truthfully though, it wasn't entirely for unselfish reasons. Why don't you try it on and see if it fits ok?"
"Here, right now!?" Jihan's face went beet red.
"I'd love to see how it looks on you."
She looked around the room and then back at the clothes.
"I suppose... Just don't laugh. Promise me."
"Of course, I wouldn't dare."
"Ok, turn around so I can change."
You turned your back to Jihan and walked over to lock the door. You waited there patiently until you heard the sound of clothes rustling and her footsteps coming toward you.
"Ok, it's on."
You turned back around and couldn't help but stare. It fit perfectly. She was stunning.
"What do you think?"
"I think... I've never seen something so beautiful"
Jihan giggled and you could see her cheeks turning red once again.
You grabbed her and pulled her close to you.
"You really are the most beautiful thing I've ever seen. I've been trying to hold myself back, but I can't do it any longer."
You kissed her, deeply and passionately. Your hands roamed her body, grabbing and touching every inch of her that you could reach.
"Mmmmph! Ah! Sir!"
You picked her up and carried her to your desk, making sure to give her plump cheeks a proper squeeze on the way. You laid her on her back and slowly pulled the skirt you had just given her back off, revealing the sexiest pair of panties that were already stained by her juices.
"What kind of dirty girl wears panties like this to school? Were you hoping for something like this today?"
You had to take a second to admire the sight of her, lying in her underwear, waiting for you to take her. Her beautifully toned midriff on full display just begging for your attention. You walked around the desk to her side and reached your hand into her panties, feeling the soaking warmth of her folds. You took the opportunity to give that midriff the love it deserved, slowly running your tongue from her belly button to the bottom of her top. You could feel her shiver as she let out a moan, her desperation getting stronger.
You slipped two fingers into her entrance while sucking on her belly button. You curled your fingers in a "come here" motion, hitting that special spot deep within her. She gasped loudly and dug her fingers into your arm. You could feel the heat and wetness in her panties intensifying. She was so close. You could feel her tightening and her legs beginning to shake. Just a little more, and she would be putty in your hands. You kept the pace, continuing to leave kisses on her perfect tummy, while slamming into her g spot again and again. Her juices dripping down your hand.
"I'm, oh my god. Oh god I'm so close. I'm gonna cum."
"Then cum for me, let it all out."
A few more thrusts and she was done. Her juices coated your arm, your desk and the floor below. She was panting heavily and her whole body was shaking. She laid there, briefly unable to move.
"Wow, I, I'm sorry, that's never happened to me when I do it myself. I didn't expect it to feel that good." Jihan said, still panting.
"If you can still form a sentence, then clearly, we aren't finished yet."
You pulled her off the desk and bent her over. Pulling down those soaked panties and exposing her gorgeous ass. You gave her left cheek a light smack before pulling down your own pants. Your cock sprang free and stood at attention, fully erect and ready to ravage her. You lined your head up with her entrance and pushed your way in. Her tight cunt squeezed your member.
"Ah, mmmgh, yes, fuck me."
Her voice was strained. Her moans and grunts filled the room. Her ass bounced with each thrust and her legs were shaking. Her knees were threatening to give out, but you weren't done with her just yet. She had been holding back this whole time.
"I want to hear you scream, Jihan. Tell the whole school what's happening. Scream."
"Yes! Oh god yes!"
You grabbed her by the hips and rammed yourself into her. Her juices flowing freely down her legs. Her pussy squeezing and sucking on your cock. The walls of the classroom seemed to shake with the force of your thrusts. Jihan screamed and cried out. Her legs finally giving way and leaving her suspended by your strength alone.
"Don't stop! I'm cumming again!"
"I'm close too, so cum with me. Let me hear you."
Your thrusts became more erratic. Her voice grew louder, the sounds of her moans and screams echoing in your mind. With one final thrust, you slammed into her deepest part. You released yourself, coating her walls with your seed. Jihan's whole body tensed, and she screamed as she came for the second time. You both stayed like that, for a couple of minutes, panting and recovering. You were the first to speak.
"Are you ok, Jihan?"
"Yeah, just a little sore."
"Do you want to sit down for a bit?"
"Please."
You sat on the edge of your desk and pulled her down into your lap. She leaned back against your chest and put her head under your chin. You wrapped your arms around her and held her tight.
"You know as much as I love that top on you, It's really about time it came off."
You pulled the shirt off of her and tossed it aside. Your hands finding their way to her breasts. They were soft and supple, and fit perfectly in your hands.
"God you're so beautiful." You whispered softly in her ear.
She let out a soft moan and melted into your touch. You continued to caress her perfect tits. Rolling her nipples between your fingers and kissing her neck. She squirmed and moaned in your lap.
"That's a good girl. Tell me what you want."
"I'm ready to go again sir."
"I don't think you're gonna be able to refer to me as sir anymore after today."
"But you're the teacher."
"Doesn't mean you can't call me sir while we fuck. I love the idea of being called sir while I'm fucking a student, especially one as cute as you."
"Yes sir."
You lifted her up slightly, just enough to allow room to slip your cock back inside. You lowered her back down and started to move. Slow and steady thrusts, allowing you to savor every movement and the feeling of her tight pussy wrapped around you.
"You're such a good girl. Taking my cock so well."
You reached a hand down to rub her clit while the other massaged her breasts. She let out a loud moan.
"Oh, fuck, yes, sir."
"You like being told what a good girl you are?"
"Yes sir. I'm your good girl."
"That's right. My good little slut. And I'm gonna make sure everyone knows who you belong to."
You thrust your hips upwards. Increasing the speed and force of your movements. Her moans were growing louder, the room was once again filled with the sounds of her voice. Her juices flowed freely, dripping down your shaft and coating your thighs. Her pussy squeezed your cock.
"Fuck, you're so tight. Your cunt feels amazing."
You could feel yourself getting closer. Her body shook. Her muscles tensed. She was close as well.
"Cum for me, Jihan."
"Oh god yes! Fuck, fuck, ah, sir!"
She screamed as she came, her pussy contracting around you. Her body spasmed and she writhed in your arms. Her screams of ecstasy sent you over the edge.
"Fuck, Jihan!"
You thrust into her one last time. Buried to the hilt, and shot rope after rope of your seed inside her. You both sat there, panting and sweating, trying to catch your breath.
Jihan was struggling to speak. "That was amazing. I'm not sure if I can move. I definitely don't think I can stand right now."
"Just stay here like this for a while. Savor the moment."
You pulled out of her, and watched as your cum slowly leaked from her.
"As much as I'd love to stay here forever, you should get dressed. I don't want anyone else seeing you like this. Especially not another teacher.
"Of course, sir."
You helped her get cleaned up and dressed. Once she was decent, you took her in your arms and gave her a deep kiss.
I hope you can still come visit me after you leave for college. If you ever need some tutoring or even just help de-stressing, you know where to find me. 
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starlostastronaut · 10 months
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━ PAS DE DEUX
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PAIRING: lee minho x reader
GENRE: fluff (i guess), ballet au
WC: 1.15k
CW: some curse words, ballet lingo?
SUMMARY: when your dance partner gets injured, he recommends you his friend to take his place
this one had been in my drafts for some time haha. it's inspired by titania and oberon pas de deux from a midsummer night's dream. i tried to cut down the ballet terminology as much as possible, but there's still some, so don't hesitate to ask if it's unclear :) btw this story is supposed to be set in sydney, don't ask me why lol. anyway, hope you enjoy <3
masterlist here
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You walked into the empty studio, throwing your bag near the wall. After fixing your hair and changing your sneakers for a pair of ballet slippers, you walked over to the barre. You figured you might as well warm up before your partner arrives. You placed your hands lightly on the barre for extra support and began with a simple set of pliés and relevés, thinking about your current situation.
When you heard that a part from A Midsummer Night's Dream was on the list for your dance program's showcase, you immediately signed up for an audition, hoping you would get to dance the pas de deux. The odds were in your favour, because you ended up getting the role of Titania and your Oberon turned out to be a boy from the year above, Chris. You never really talked to him properly outside of class, but the rehearsals have been going fine. He was an easygoing person and you worked together really well, becoming somewhat good friends during the first few rehearsals. Until he came to you earlier this week with his hand in a cast, apologizing that he wouldn't be able to dance with you. He told you he fell from his skateboard and broke his wrist.
So there you were, waiting for your new dance partner. Everything you knew about him was from Chris. This guy was apparently a new transfer student from Korea and Chris was helping him to get used to everything. According to Chris, the new guy was an excellent dancer and he convinced him to dance the pas de deux with you. You were hesitant at first, you never even met him, but it was either that or getting cut from the showcase completely, because everyone else had their own numbers to prepare.
Just as you looked at the clock for the third time, debating with yourself if it is worth waiting here any longer, the door opened. A guy in a grey hoodie walked in, his face covered by the shadow of the hood. "Sorry I'm late," he muttered, dropping his bag on the floor before he joined you at the barre.
"You're Minho, right?" you asked after introducing yourself, because the dancer didn't seem to start talking. To your disappointment, this didn't start a conversation either - Minho just nodded and muttered a simple "Yes". The rest of the warmup was spent in silence.
When the time came to actually practice, you went to your bag to get your bottle of water first, while Minho finally took off his hoodie. You saw only his reflection in the mirror, though it gave you the option to secretly properly check him out. And he was beautiful, you had to admit that. Sharp, cat-like eyes that looked both mysterious and welcoming were what you noticed first. Then it was longer, dark brown hair, kept out of his face by a white bandana. Even in his comfortably loose clothing he wore to practice, he looked like a faerie prince. Oddly perfect for the role of Oberon, your fae husband.
“Do you know the steps or do you need me to walk you through it?” you asked when you were both ready to practice.
“I watched the videos Chris gave me. I'm good with the solo parts and I know the rest too, but I only practiced on my own, so…” He shrugged. You couldn't help but look at him with admiration. It had only been a few days and he claims to have learned it? If that was true, then he must be really talented, you thought to yourself.
“Okay, so let's try the first part? Until my first arabesque.” Minho agreed and got into position while you prepared the music. He was the one starting the number, while you were supposed to join in a bit later.
As you searched through your playlist, for a moment you considered putting on your pointe shoes. Ultimately, you decided against it for now. You already knew most of Titania's steps on pointe and besides, Minho was learning it. It was very likely you would go over tiny details over and over again and you reached the conclusion that it wasn't worth it.
After you found the song, you confirmed with Minho that he was ready and you pressed play. As soon as he began dancing, you were mesmerized. His moves were light and fluid, but there was a certain sharpness in them as well, perfectly embodying the essence of a royal. He had a concentrated look on his face, but still found a way to portray emotion. You could only stare with your mouth hanging open. This boy was good. Amazed by Minho, you almost missed your cue and registered his outstretched hand towards you at the last possible second.
Placing your hand in his, your eyes met and you saw mischievous sparks in them as he pulled you along, guiding your movements just like the choreography instructed. His grip on you was firm but not too tight and you managed to get through the part without any troubles.
When the time for the next steps came, you began to feel a bit nervous. After all, this was the part with penché en pointe and the only thing stopping you from falling onto your face and breaking your nose would be Minho. He had not given you a single reason to think he would let you fall. In fact, you knew it would be okay, but the tiny voice of doubt in your head persisted. It was like that with Chris too, though.
“Come on, we have to practice,” Minho said. Waiting for you to come join him, he fixed his bandana using the wall mirror. In order to do that, he had to untie it, letting his hair fall over his eyes. In a moment he, with a prince-like gracefulness, brushed them away and readjusted the headband on his head. “What, worried I'll drop you?” he asked, smirking. You rolled your eyes at that, but he was right. That was your main concern, apart from his beauty, but you decided there would be time to unpack that later.
Anxiously, you assumed the correct positions as Minho stood behind you, gently helping you balance the arabesque. “I'll never let you fall,” he whispered into your ear as his strong arms circled around your waist, sending butterflies into your stomach. And when he safely guided you into the penché, you believed him. Somehow, you knew you could put all your trust in your new dance partner. He made you feel safe.
All that was left on your mind as he helped you through the move back into an arabesque was a single word. Fuck.
The next rehearsals were going to be hell, you thought, already making a mental note to both thank Chris and curse him for getting you Minho as a dance partner.
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©starlostastronaut 2023 | do not repost/translate my work without permission
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St:SNW rant
I just saw the most amazing gifset of that moment in momento mori where chapel tells una "it's like giving birth through your mouth" (edit : it was @startrekuniverse who made the dope gif set, I love you btw)
Una and Christine are the MOST UNDERRATED dynamic. Genuinely I need to see them interact more. I've said before I don't think that T'pring is Christine's character mirror foil or whatever bc she isn't really. Una is the opposite of Christine.
Una is so put together. She is the literal poster person of first officers. She is always put together and just radiates dignity. (Somehow she gives like. Teacher vibes but I can't see her teaching a specific subject?? Maybe she just authority-s so hard I'm getting confused idk) She has been trying to be the picture perfect officer for years. She said it her self, she worries how people would see her (as an illiyern(fuck spelling I'm tired)) if she wasn't Ms. "She's beauty she's grace she's gonna punch you in the face" Because she hasn't ever had the chance to exist in starfleet without that threat of being discovered, she holds her self to this impossible standard that she some how achieves. Outside of that, she is a silly little workaholic who loves her job a little too much at times. (I mean. Tbf it's STARFLEET I'd also love it)
Compare that polished, put together-Ness of a first officer to someone who didn't even technically join starfleet, Chrsitine is part of an exchange program. (I'm only considering snw, sorry) Christine is bouncy and open as soon as we meet her, she sasses back at La'an and jokingly flirts with spock. She has the worst bedside manner and loves to chase people down hallways. Her reaction to Una bring Illiriyan was basically "I'm not a cop, I'm cool with it" She radiates weird girl in the best way possible. We see her be messy in relationships and goof off here and there. (Can you tell I hyperfixate on her all the time?) Uhura is "unburdened by conversational boundaries" and will say things on accident, Christine will say the weird thing and she will say it with her chest.
Christine is so unabashedly herself while Una is always on duty as the first officer, so professional. Una ties a lot of herself to her job and Christine loves science to the point she will chase it to other planets, she isn't tied to the ship.
There is so much space for tension and conflict between them. I can see Christine making a joke during a hard time and Una snaps. Maybe Una makes a tough call command wise that Christine disagrees with because they could've done something, the head vs the heart. They would also make an excellent team, Una with her tactical experience while Christine has science and leaps of faith.
You know those videos where the magnets are on a track and they collide really hard and the thing in the middle gets fucked up? That's what I want with them. I know im seeing the shrimp dynamics but I swear something there is worth exploring I SWEAR
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420technoblazeit · 5 months
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there's literally nothign in the whole fucking world that makes me angrier than using excel btw. it makes me want to bash my head into my desk it's like the program of endless tiny little problems and SHIT formatting. it's always the alignment is wrogn so it keeps changing ur input or the specific boundaries arent right or the format u selected is fucked somehow. and there IS a way to fix all of htese problems but u dont know how to do it so u just have to go back again and again and adjust it and IVE NEVER WANTNED TO TELL AN INANIMATE COMPUTER PROGRAM TO KILLI TSELF MORE
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challenge: explain some of your favorite characters as if to someone who knows nothing about the source material and is looking at you like you're the red string guy from the meme
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okay so he’s got these rapid healing powers making him functionally immortal right and he was part of this experiment called Weapon X that grafted adamantium to his bones— right so adamantium is a fictional metal that’s indestructible, oh and only other adamantium can dent it yeah— so he fights with adamantium claws— no so the claws were bone but now they’re metal, well actually that’s depending on which canon you’re following but anyways the point is that he can heal real fast and he has metal claws
how does he have healing-? he born with it, yeah people are born like that in marvel comics, yeah it’s called mutation, some of them are more human-looking but some aren’t and some of them have destructive powers
no so not all mutants are heroes, but logan is— his name is logan btw, yeah his superhero name is wolverine. why? idk i only know the x-men origins movie explanation. yeah it’s just logan- well technically it’s logan howlett and in the movies it’s james logan howlett but that’s not important okay just know his name is logan
yes hugh jackman plays wolverine. yes he’s hot we know, but logan’s actually short feral AND hot in the comics and most animated adaptations. no he’s not edgy and a loner what gave you that impression— the movies? buddy. buddy. this guy is a dad okay and yeah he’s pretty mean but he cares a lot, he’s not that edgy.
yeah so he’s a superhero, he’s part of the x-men— listen they’re basically child soldiers most of them but that’s besides the point— yeah like half the team are teenagers depending on the timeline, yes there’s multiple timelines, time travel is a surprisingly common theme, get the program come on
what do the x-men fight? take your pick honestly, they’ve got beef with like, everyone. sometimes even other x-men. why do they fight? excellent question, do you have 2 hours?
oh! yeah, and logan is like 200 years old and has amnesia, the level of which depending on the adaptation. so does he have family—? does he have family?
do you have another 4 hours?
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queen-mabs-revenge · 1 year
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Why Peter Parker Was Not 15 When He Was Bit: A Treatise
This was originally a twitter thread but in an effort to save the one thing I actually care about having posted there from whatever the fuck is going on, here we go!
While early on there aren't any outright 100% indisputable references to Peter's age (i.e. himself or Aunt May just saying it outright on the page), from the very beginning of publishing, there have been enough references that give a firm grounding to Peter being a senior in high school throughout the first 28 issues of Amazing Spider-Man.
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ASM 8 (Jan 1964)
Right off the bat in Amazing Spider-Man 8 (a tribute to teenagers xoxo you will always be famous) we get our first definitive mention that Peter and his classmates are in their senior year of high-school at the very least from this point on in the narrative.
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ASM 14 (Jul 1964); ASM Annual 1 (Oct 1964)
Peter himself states this 6 issues later trying to wheedle Aunt May into letting him go to Hollywood on assignment from JJJ to cover Spider-Man's cinematic debut in a film role offered to him by the Green Goblin (in his first comic appearance. When I say I love the Silver Age.) ASM Annual 1 confirms that the gang is in their senior year yet again.
This is already stupid long so the rest goes behind the cut!
This isn't something that's just dropped in the Silver Age and then forgotten. 26 years after those first mentions, Web of Spider-Man Annual 4 makes a call back to Amazing Spider-Man 3 and places that moment in Peter's senior year of high-school:
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Left: WOS Annual 4 (Oct 1988); Right: ASM 3 (Jul 1963)
While on tour to promote the Bugle-produced book of his Spider-Man photography, WEBS, Peter states on a TV interview that a photo of his first encounter with Doc Ock was taken while he was a senior in high school.
"But Mabs," I hear you say, "so what if he's in his senior year in ASM! Even if that's true, that doesn't mean he was in his senior year in Amazing Fantasy 15, and that still doesn't establish an age! He's a super mega genius so like....he probably skipped grades, prodigy that he is! And there was a time gap btw AF15 and ASM1, right?"
Alright let's go through this. As mentioned earlier, yeah, references to Pete's age are very few and far between and are a bit wobbly but let's put them together. The first age ref we get is in ASM 16:
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ASM 16 (Sep 1964)
Here our favorite public defender is "rescued" from a mugging by the webslinger. After Peter fucks off, Matt gives us the above rundown of Spidey's characteristics: about 17, 5'10" and in excellent health. So "about 17" which, granted, doesn't have to mean exactly 17 but since we've established that at this point Peter is def in senior year, based on NYS age matriculation dates, Matt's probably spot on.
New York State matriculates students based on the age they are on December 1st of a school year. A 1976 edition of school regulations lays out the process: "[a] child who attains the age of 5 by December 1 of the current school year must be admitted to the kindergarten if a district operates such a program". So this means that within the same kindergarten class, kids born from the beginning of the school year to November 30th would be turning 5, while kids born from December 1 through the end of the school year would turn 6 during the school year, and kids born over the summer would also turn 6 but wouldn't celebrate during the school year.
Following that, Sept through Nov babies would be 16-going-on-17 in the beginning of their senior year, Dec - June would be 17-going-on-18 during senior year, June - Aug would turn 18 after graduation.
Peter being 17 or 18 during the high-school run of ASM just makes sense and there's nothing in the writing up until this point to push against that! In fact, when you first start seeing the de-aging of Peter creep in, AF15 literally had to be changed to make a younger age fit!
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AF 15 (Aug 1962)
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ASM Annual 23 (Sep 1989)
The very first time we see 15 floated as an age when Peter becomes Spider-Man is in the Amazing Spider-Man annual 23 of 1989. The annual is trying to present itself as Peter scientifically studying his own origin story, so the direct parallels to AF15 make it really clear when it's retconning the original to make sense with the younger age.
The panel where ASMAnn23 states Peter is 15 is otherwise a near word-for-word quote of AF15. Then later, the cognate panel of Peter in science class changes AF15's "you're sure to rate a scholarship when you graduate" to "in a couple of years when you graduate, you're sure to rate a scholarship." (Gerry Conway back at it again). This is the first time there's ever a hint at his story not being centered around his senior year, and that was made explicit in this issue by changing the original dialogue in order to justify stating he was a 15 year old in this recollection of AF15!
This is also an argument against the 'skipped grades' premise. Conway could have easily just left the text of AF15 as it was which would hint that Peter was obviously very young for being a senior in high school, but instead he tried to push AF15 back in time to fit a usual high-school timeline for a 15 year old (who would be at the earliest a December baby in their freshman year and the latest a Sept-Nov baby in sophomore year, and would be 'a couple of years' away from graduating).
Plus, fr if you're gonna argue that he skipped grades, it's on you to prove that. There are literally zero references to that throughout 616 continuity so like, why tf should it be taken as given? Please.
Anyway. And so are sown the seeds for torturing the already stretched timeline to make Peter an uwu baby infant. They didn't take right away. References to age go away after this and only resurface in 1994 (as far as I could see), where we see him aged back up:
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ASM 395 (Nov 1994)
'I can't believe I was only sixteen when that spider bit me' actually makes sense with all of ASM being established as fully in Peter's senior year, Matt gauging him at 'about 17' in ASM 14, the age matriculation cut off for NYS schools, and the timeframe established between AF15 and ASM Annual 1 from 1964:
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ASM Annual 1 (Oct 1964)
ASM Annual 1 (which I mentioned earlier as yet another point establishing Peter as being in his senior year) also has this little timestamp. Peter is watching Aunt May mourn for Uncle Ben and mentions that Ben's death was 'months ago'. Granted, that's in no way specific but I feel like it establishes at least a rough timeframe for the intended time gap between AF15 and ASM -- and it's not years.
And to be honest, there's really only one space in the narrative that allows for a time gap at all (Stan is really attached to his 'a few minutes later!' 'later that day!' pacing let me tell you!)
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AF 15 (Aug 1962) page 9, panel 1
While the narration box says 'In the days that follow' it seems like we can take that colloquially considering the stream of newspaper headlines. For all of that to take place, I feel like it's not a massive stretch to allow this panel at the very least a month or so, which gives a bit of breathing room between when Peter lets the burglar run away and when Uncle Ben is murdered. (Which if you think about it a delayed dropping of the other shoe actually makes it worse! So how about that!). But between this and ASMAnn1, I don't think you can argue for years taking place in this gap which would have to be the case for a 15-year-old bite timeframe.
So if Peter's bit his senior year, for him to be 16 when he's bit he has to be born between the beginning of the school year and November 30th (because school has to be in session when he's bit). Which fits with the official New York City 2012 declaration of his birthday being October 14:
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If he's 16 when bit in his junior year (again, school has to be in sesh), you've got to decide when from December of his junior year to the end of the school year makes sense for him to be bit with the rest of the time markers and how long you're gonna give to the time skip in AF15 for it all to qualify as just 'months' up to ASMAnn1. Which definitely can be done, especially if you AF15 pages 1-8 near the end of his jr year, put the time skip over the summer between junior and senior year, and rest of pages 9-11 in his senior year. In some ways this option makes a bit more sense, to be honest!
The way I personally like to square it is to go with all of AF15 and ASM1-28 happening in Peter's senior year (which he reaches without skipping grades) interpreting the 'when you graduate' in the AF15 panel referring to the same school year. If he's 16, the bite happens sometime before his birthday which has to be before Nov. 30th and, sure, why not Oct 14 -- it fits. A month or so passes between when he gets bit and starts his show-biz stint, and when Ben gets murdered. That means the last 3 pages of AF15 (bar the first panel on pg 9) to ASM28 spans from some time in December of his senior year to the end of the school year.
(If you don't care if he was 16 or 17 when he was bit, AF15 - ASM28 can take place any time from the second half-ish of his junior year to the end of his senior year, you can decide how many 'months' the time skip is in AF15, pick his birthday out of a hat, and Matt's "about 17" could mean 18, too. Have a ball.)
But in any case whichever way you choose to spin it, this shit is dumb and wrong:
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Civil War 2 (Aug 2006)
and especially deserves to be memory holed for the ridiculous de-aging of Peter Parker that has subsequently been pushed into popular memory and continues throughout current Marvel 'brand synergy'. Sad and bad!
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nerianasims · 8 months
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