#an actual illustration from crash?

[crashtestdummy1003]

Tiny party <3 (just don't drink the tea)

[artsonist-moth]

Really proud of this piece it was very therapeutic to just draw eyes and play with colors basically.

@anartsydoge! who own the guy on the left named romeo!

~sketch and silly edits below the cut!

These two plague my mind night and day. (thank g o d cuz man i need a distraction from life rn) me and my friends have basically written a novel about them and now he's doing a complete rewrite and reimaged version of that on his own. I'm just getting free content, personalized fanfics from my content farm

[avatarchai]

Covers for a hypothetical Crash graphic novel 💥 I made back in 2022

[prokopetz]

My secret to actually finishing publishing projects is that when I don't feel like working on them, I procrastinate by pissing around with the innumerable tiny housekeeping tasks associated with the project that would otherwise bring things to a crashing halt at the 99% mark, so that when I eventually do get to the 99% mark, they're already done.

Like, you don't feel like actually writing the thing?

Screw around with the layout and formatting of your credits and copyright notices page.

Put together a spec for an illustration you imagine you might one day commission, if you ever find yourself in possession of a budget.

Fire up your graphic design software and compose a completely unnecessary diagram or visual aid.

Tinker with the wording of the promotional blurb on the itch.io page you set up in a previous bout of procrastination even though the product doesn't actually exist yet.

Any non-trivial publishing project has a billion peripheral little tasks that need taking care of, most of them sufficiently small and sufficiently different from Writing The Thing that you can probably convince your brain that doing them when you "should" be writing counts as procrastinating – and that list may look a lot less intimidating when it's framed less as "a billion things I Have To Do" and more as "a billion things I can distract myself with to avoid actually writing".

[8housevenus]

career in astrology

hii everyone, i wanted to talk about where in your birth chart you can see your potential jobs, career, and inflow of money. i will also go over how some of the planets manifest throughout your chart with it.

for starters, you want to look at your midheaven. the sign it is in, and planets you have aspecting it, as well as planets that fall under the 10th house are critically important. your midheaven represents you in the actual work field: 10th house represents the ways we might get there or what specifically speaks to us for our endeavors. check your 2nd house to see viable forms of income, the ways you can attain it, and expectations for your living. 8th house-6th house can also represent work life in terms of 8th (money from others or lended), 6th (work ethic & fixations).

career paths

having aries midheaven, mars in 10th, ascendant trine/conjunct/sextile mars, or mars aspecting the midheaven can make one so driven to have an early start to their career. from personal experience, i know many aries placements that love being successful from an early age. very versatile career options, they love something that they can express their creative style while switching it up as often as can. they can also experience many burn outs and crash outs due to them having more spontaneous bursts of energy rather than consistent prolonged efforts. career paths best for these people would be anything more hands on; military, construction, teacher, social worker, business person, etc. because aries traditionally rules over the head region, these people want to indulge themselves in challenge & help challenge others.

celebrities with aries 10th house: elon musk, franz kafka, angelina jolie, kanye west.

taurus midheaven, venus in 10th, ascendant trine/conjunct /sextile venus, venus aspecting midheaven these people love to make adjustments according to their fashion. they want a career that can show off their etiquette and cleanliness. something about showing themselves off as “perfection” or their arts as perfections makes these people highly intrigued into careers like; cooking/baking, niche businesses, clothing designers, interior designers, artists, singers, and influencers. they have sweet spots for being home made and brought up naturally, they take a while to get to their goals- but they will never lose sight of them.

celebrities with taurus 10th house: jessica alba, blake lively, margot robbie, drake, selena gomez

gemini midheaven, mercury in 10th, ascendant trine/conjunct /sextile mercury, mercury aspecting midheaven would appreciate a lifestyle where they can endlessly express their opinions or concerns on topics. they like having it figured out from a young age. they seem attentive, quick minded, chameleons to the state of the world. they love to communicate everything because they “blend in” so much, they sometimes want to stand out the most. careers that suit these people are; activists/ public speaker, sometimes even temporary jobs resonate better for them, directors, communications, accountant, journalists, authors/illustrators, engineering.

celebrities with gemini in 10th house: kevin hart, brooke shields, kris jenner, madonna.

cancer midheaven, moon in 10th, ascendant trine/conjunct /sextile moon, moon aspecting midheaven makes an individual more emotionally bonded to their careers, they need to do something that coincides with their morals. these people are very receptive in their workforce, willing to give and willing to treat their jobs/careers like it’s their baby. their work really is their life, they want to do careers can genuinely better people; therapist, social worker, nurse, dispatcher, personal assistants, instructors of some field.

celebrities with cancer in 10th house: jimmy carter, leonardo dicaprio, denzel washington, john f kennedy, kendrick lamar.

leo midheaven, sun in 10th, ascendant trine/conjunct/sextile sun, sun aspecting midheaven creates a vibrant person, one who shines through their careers. they must have a career they truly enjoy and can encapsulate their essence. they want to be seen for what they do, and oftentimes they are noticed. they get applause a lot in their jobs, certificates, something where they can make a statement. they would preferably settle in careers that are bold; actors, musicians, public speakers, influencers, athletes.

celebrities with leo in the 10th: janet jackson, katy perry, diego costa, harry styles, diego maradona, lana del rey.

virgo midheaven, mercury in 10th, ascendant trine/conjunct/sextile mercury, mercury aspecting midheaven makes one very peculiar about their field. they like to serve, aid, and assist. many like to do the work that no one else does, it makes them feel productive and extremely useful as they are. usually likes to go for health related, science related, or anything physically related as their careers. this can include; nurse, doctor, surgeon,, scientist, dentistry, athlete, physical therapist. anything where they can contribute to perplexing subjects, they are really drawn to.

celebrities with virgo in 10th house: usian bolt, joe biden, bruce lee, nelson mandela, neymar, thomas edison.

libra midheaven, venus in 10th, ascendant trine/conjunct/sextile venus, venus aspecting midheaven makes a person more inclined to pursue a career with legal systems, politics, anywhere where equity lies. they believe their belief system is their biggest power, their fairness serves as admirability from others, can be very well liked in public space & looked up to. because of the venus influence, they appear very alluring in their careers. seems like naturalists to being effortlessly out there. can also be benefitted from others giving them money simply for little things. careers that libra midheaven can excel in; lawyer, political figure, micro influencer, model, police officer, actress, principals, managers.

celebrities with libra in 10th house: princess diana, ronaldo, kylie jenner, parison hilton, messi, malcolm x.

scorpio midheaven, pluto/mars in 10th, ascendant trine/sextile/conjunct mars or pluto, pluto aspecting ascendant makes an individual go for more darker careers- in the sense that they can dig deep into their and other’s psyche. they want to understand things that are deemed impossible, unsolvable, mysterious. they are drawn in by odds stacked against them. they are motivated by struggle & challenge. one where their path has life & death really coincide. careers that these people are suited for are; detectives, psychologists, analysts for their endeavors, forensic scientist, surgeon, police, psychics.

celebrities with scorpio in 10th: ariana grande, obama, megan fox, nicki minaj, kobe bryant, selena quintanilla, sza.

sagittarius midheaven, jupiter in 10th, ascendant trine/sextile/conjunct jupiter, jupiter aspecting ascendant is somebody who wants to expand in their careers, go further, likely to get a masters or bachelors. education is so important to them, the more they know the better. they love to try new things, new places, meet new people. they can become extremely abundant by their work and want to share some of their wisdom to the world. always want to subliminally teach something. careers for these people that suit them are; pilots, flight attendants, journalist, realtor, religious teacher, priest, social worker.

celebrities with sagittarius in 10th: michael jackson, abraham lincoln, hozier, jenna ortega, deepak chopra, nispey hussle.

capricorn midheaven, saturn in 10th, ascendant trine/sextile/conjunct saturn, saturn aspecting ascendant very determined people, persistent, and resilient to their work. one of the most ambitious to achieve their goals. since they were younger they’ve known that they are destined for making something out of themselves. seen as very serious and intimidating because they feel super protective over their reputation and paths. discipline comes a long way, they might even have to work twice as hard just to be where they are. careers for these people; business owner, corporate, consultant, dentists/surgeons, accountants, financial planners/advisors.

celebrities with capricorn in 10th: rihanna, billie eilish, nikola tesla, jeff bezos, jordan peterson, morgan freeman.

aquarius midheaven, saturn/uranus in 10th, ascendant trine/sextile/conjunct uranus, uranus aspecting ascendant gives one skills and abilities in things that others do not understand or find stressful. aquarius midheaven has a natural interest in difficult areas. they like coming up with different things, extremely innovative and creative. these people leave legacies in their area of interest, inflicting change and making hard things easier to understand is common for them. careers for these people; engineers, computer scientists, activists, mathematicians, -ologists of any kind, designers, transportation, autonomy.

celebrities with aquarius in 10th house: hilary clinton, neil armstrong, amy wine house, jared leto, will smith.

pisces midheaven, neptune in 10th, ascendant trine/conjunct/sextile neptune, neptune aspecting ascendant allows a person to be huge visionaries in their field. they have so many ideas, influx of projects, and they get inspired through absolutely everything. as contemplative as they are, they love leaving their options open. not all those who wander are lost type of vibe. they naturally love to give and it is important that they are at one with their careers. sometimes seems like they are so fit for what they do. it has to be something they feel at peace with or that doesn’t involve too many others; artists, writers, philosophers/psychologists, photographers, spiritualist, architects.

celebrities with pisces in 10th house: lady gaga, adele, van gogh, cher, kamala harris, shakespeare, lebron james.

remember, it is not just your midheaven that represents what you will do in this life, keep in mind of the others things like i stated earlier, also jupiter is very important when we talk about income here. depending on the house it is in will show you how you can attract that money. ex; jupiter in 11h, make money through similar ways an aquarius midheaven might. or they might find that it interests them to go after something that standardly an aquarius midheaven would. 6th house is how we can approach projects. ex; 6th house mars could have an assertive work style, communicative, sharp minded, calculated, determined to duty. 2nd house shows you how you are with money in general, ex; neptune in 2nd can make someone more reckless with spending, giving to others easily, or losing track of budgets. ex,if you have an 8th house mercury persay, you can get money lended a lot by siblings or close relatives, fellow coworkers. (if you have any in particular shoot me a message or comment it down below and i can let you know my inputs on yours).

thank you for reading and like i said if you need any clarification i will be more than happy to clarify!

[alnair-jpg]

Olympics AU Info dump!

First, I am blown away by how much love the series is getting, thank you all so much! I do really enjoy all the comments and reactions in the tags. Know that they all delight me and the only reason I don’t reply to everything is because there are so many! But I read them all 💕

General questions:

Can you draw the designs or concepts? Write fanfic in this AU?

Yes of course! I’d love for you to tag me if you post them so I can see

Do they all know each other?

At first, I would say no- with the exception of Nico and Will (they’re developing a whole backstory in my head that I cannot and will not stop.). But they all meet in the Olympic Village after the opening ceremonies and quickly become friends. They all try their best to attend each other’s events. (Someone please tell me how Percabeth becomes a thing. Please. 🙏 )

Why didn’t Percy win gold?

Percy was an Olympic medalist in swimming before moving to diving. After competing in several swimming events and feeling like they were all just small variations of the same thing, he wanted more of a challenge. He chose diving to stay rooted in to the water, but to add a new dimension to his bodily awareness and control.

What’s Annabeth and Luke’s rivalry?

They most definitely trained together, and it was Luke’s skill that motivated Annabeth to aim for the Olympics. But, she wanted to compete for her home country, Greece, which Luke thought was just a shortcut since there was a clearer path to an Olympic team in a smaller country. Annabeth is constantly trying to prove to him that she would have made it to the top of the sport either way.

Also, apologies to the IRL fencers out there for the inconsistency. I know fencing is a gendered sport, and Annabeth’s gear/style are inconsistent, please forgive the oversight ☺️🫶

Volleyball?

The whole Hunters of Artemis are a volleyball team (that apparently has no country 😅). Thalia ends up the captain. When Reyna moves on from tennis they welcome her with open arms.

Rejected sports

Will as a runner. Canonically, he’s super fast, but just having him as a sprinter didn’t fit with his personality.

Will as a pole vaulter. Specifically the guy that lost because he was ‘blessed a little too much’ and knocked down the bar. I will not explain further.

Will as a gymnast. He was this || close to being a gymnast essentially modeled after Steven Nedoroscik, I had the sketch and everything. (I shared it here!) But when an anyonomous ask clued me into the sick medical team uniforms it all fell into place from there. (Thank you no-longer-anon @helyeahmangocheese !)

Percy in anything equestrian related. I see him not having the patience for all the formality of it all, but he definitely crashes Hazel’s shows and chats up all the competition (the horses.)

Annabeth on a sailing team. Also, related to that, Reyna on a sailing team. It was a fun idea, especially for Reyna and her history with pirates but ultimately it was really hard to capture in a few illustrations.

Nico in several winter sports. For consistency mostly. He could fit for a lot of winter sports - ice skating and snowboarding are my personal favorites.

Leo as a shooter. He would most definitely build his own gear and make tweaks to his weapon. Which would get him immediately disqualified.

Jason in discus. Jason as a basketball player. Golf is just… fitting. 😂

Other Characters I’ve been thinking about

(that may have art in the works… and may not actually be athletes!)

Clarisse

Meg

Grover

Rachel

Lester / Apollo

Mr. D

Chiron

[paragonrobits]

More fun Calvin and Hobbes facts!

Not only is Hobbes NOT an imaginary friend by word of the comic's creator, Bill Watterson, but he doesn't seem to know what an imaginary friend is, nor that plush toys in general are actually toys; Susie Derkins (a girl Calvin has complicated feelings about and tends to randomly alternate between prosecuting a rivalry between the two of them and seeming to regard her as a friend or at least someone he bothers talking to) has a plush bunny she calls Mr Bun, and Hobbes at one point notes with some concern that he seems comatose.

The comic was well known for its lavish backgrounds, and two chiefly notable examples include the woods around Calvin's house and the landscapes of his imagination; in the former, he and Hobbes often go exploring, sledding or racing around on a little red wagon, often while expressing philosophical insights (usually ending in Calvin crashing into something in a way that underscores the point of the dialogue).

On that above note, in the latter case, Calvin often imagines elaborate and fanciful settings such as alien worlds, and the tone of a lot of these vary between comedic bits of Calvin pestering people by shooting them with darts while his fantasy portrays him as a space hero fighting horrible blobby creatures.

Calvin And Hobbes probably wasn't the FIRST comic strip to follow then-current paleontological debates and scientific course, but it was written at the exact right time of increasing interest in dinosaurs as public consciousness accepted the image of them as clever, quick-moving and fierce creatures instead of the slow-moving brutes doomed to die out from earlier perspectives; while the comic initially did depict them as something akin to retrosaurs, this died away very quickly and the comic was an entry point for becoming a Dinosaur Kid for a lot of people i think

There is often a division between the vibrantly illustrated worlds of Calvin's imagination against the much more dull visuals of school he has to deal with; he frequently has trouble with his school work, he's EXTREMELY prone to acting out and causing mischief at school, and school is often portrayed as a dull, exhausting and tiring thing he hates above everything else. His fantastical worlds are fun and lovingly illustrated; the world he has to actually deal with is at best tiring.

Hobbes is essentially his only friend. Calvin doesn't really seem to want to deal with other people at all (he seems to find it difficult at best and the few times he does, he comes off as out of his depth and uncertain). While he pesters Susie at the best of times, she is also notably the ONLY person he goes out of his way to talk to at all, and some of his comments to her are strongly revealing.

Calvin himself is an EXTREMELY intelligent kid, often discussing deeply philosophical stuff, and its frequently brought up that no one knows why he struggles with schoolwork as much as he does. At one point Susie even raises the question and he gloomily replies that he finds his life is easier if he lets everyone's expectations for him be as low as possible. Interpretations have ranged from him being an undiagnosed kid on the autistic spectrum (not unlikely, given this was written from the mid 80s to mid 90s) to simply reflecting the anxieties of school for many kids of the era.

This strip exists:

[nanakah]

hello hello, I took the alien stage pill. howdy fellow sufferers

Honestly, my first reaction to basically everything was "awww, they come in sets and are all without exception horribly doomed no matter their specs (loops cool music and vids)"

I'd seen some of VIVINOS' team works without realizing it was the same artist (my favorites being Beloved and Otomeroid) so it was rather shocking to learn of a "series" with a fandom as active/relatively large as Alien Stage without ever actually stumbling upon it before...

Anyways. I like the concept, and Hyuna+Luka in particular, a whole lot. In spite of all the jokes about only yuri and yaoi losing, my spider sense says they'll get their turn of crashing horribly soon and I wanna stay here to witness it burn beautifully, of course.

TL;DR OMG HYULUKA IS SO DELICIOUS

general yapping about all alien stage duos under the cut and some Hyuna/Luka considerations and theories

disclaimer: long, chaotic post ahead - i wrote most of it during revenge bedtime procrastination so I'm kinda just rambling/discussing my general impressions and vibes here instead of formatting it nicely or properly illustrating my points. good luck if you choose to stick around and make yourself comfy

alien stage impressions under read more - also SPOILERS SPOILERS SPOILERS

funny thing - I got into alien stage completely by chance after checking out some related vids to my Love and Deepspace twitter spree and avoiding my responsibilities. Ivan's Black Sorrow made a very strong impression and I loved his eyes, so I kept going deeper down the rabbit role and felt fascinated by the web of dynamics between the characters each time I took in a little more of the plot.

(His eyes are so cool and expressive.....I was already loving everything prior and was excited to continue, but Ivan was definitely the one to sell me on the concept more strongly and eat up the rest.)

It was interesting seeing "love" portrayed under such dire conditions and I kept wondering how come the aliens are so stupid they chose a 1vs1 PVP combat format with their beloved pets instead of the optimal formation of idol units and at least duos versus each other to utilize their feelings of love. Why would they do that?

That first innocent musing made me realize how clever the team behind ALNST is. The whole thing seems to be operating as a metaphor/commentary about how predatory the real idol industry is (the concept of anakt garden really sounds like the average idol trainee camp experience and the bonds they form with their group mates) and how heartless guardian (parental) figures can be in a society that is heavily utilitarian and barely gives agency to either their own children or sentient beings like animals that we keep as pets.

So in that world, the sacrifices of being an idol are literal and humans themselves are "pets" - with all the implications that come with "being dependent on a species that does not properly comprehend them". At times, the way they refer to the fandom of each character even seems to be tongue in cheek as to how "we" too are watching the story for entertainment and making fanbases for each character and reacting like some of the in-universe alien fans.

Therefore, it's no brainer that the answer to my initial question was: aliens/Segyein don't understand how to utilize human bonds and emotions to their maximum efficiency in the first place. They know interaction between humans seems to be important and produces more beautiful songs. However, they probably experience those feelings differently and most of them are likely unable to truly empathize with human pain, ethics or feelings. (And believe me, even some people have a hard time believing other species benifit from socialization, so aliens being that way is understandable). Perhaps the awful acts of the Segyein mutilating their pet human is no different from pulling a butterfly's wings to a human or injecting colored fluid into a flower. The glimpses of their buildings and tv show that they have the same sort of "do they have rights?" feelings and similar moral conflicts to what we have in the real world about species we don't understand fully.

I think it's really challenging to analyze a work attempting to guess future developments when you don't know the creator too well. In spite of looping OTOMEROID I wouldn't say I know VIVINOS and her team deeply as an admirer. But from the overall tone of the videos in her channel, I could pick up on a fascination with "extremes" of emotion and exploring the hypocrisy of society. Human/animal experimentation and materialism/religion/consumerism are topics that come up often. Love is also hardly ever portrayed as a simple or benevolent feeling alone - there's unrequited love, obsession, insanity, many facets of that feeling on the channel. Some works are more straightforward and focus on the visual presentation, others seem to have a deeper story behind it.

The technical quality of the Alien Stage MVs is extremely impressive, I had a blast looking at the patreon storyboards and feeling like "wow, a person actually made this". It seriously got me inspired to feel like drawing more to get out of my own artblock and to pick up on old OCs to show them some love. In the era of AI, this is a joy to get to feel. It all definitely feels like a well-put together labor of love. I'm super weak to things brimming with passion like this, it's contagious!!!!

Now that I've tried my best to make an eloquent opening and act like I'm not at all just a fangirl foaming at the mouth with this intense concept (I keep crying that I wanna see either Aka or Ohkawa try their hand at a death game scenario) and at the sight of a tragic toxic duo with a backstory of a deeply rooted mutual obsession/love and fall out (wiping drool out of the corner of my mouth as we speak), let's talk a little more about the story. In order to make sense out of my ramblings and projections, let me explain my thoughts on the other duos besides my bias first.

Mizi and Sua set the tone to their universe as well as serve as an explanation as to why "idols" work well to represent their conflict and struggle - I'm fresh out of Oshi no Ko here, so this feels equal parts like a comfort zone and everything but comfortable and hellish to go over again. But, to put it briefly, the adoration of someone as an entertainer that you want to support also overlaps with the word reserved for adoring "an image or representation of a god used as an object of worship" - idol.

Humans, stripped of their power and autonomy after arrogantly believing they were superior to everyone else and were the only beings in the vast universe, have been subjugated by other species. Because of the bleak, unforgiving circumstances they were faced with afterwards, the surviving ones were turned into luxury pets and stripped of their freedom. Free will made them children of God before, so people have forgotten all about the "God" who couldn't answer their prayers/save them. But, as Mizi says, the belief in God is innate to human nature. You are more likely live in this world successfuly if you have someone to look up to or a reason to survive.

When God seems so far away and so cruel...what they can do is look to each other as their "Gods". Because a belief in God is ultimately, a cry for salvation and acceptance...."The Bible makes it clear that “God is love” (1 John 4:8). He isn't just loving, but he is the very definition of love."Therefore, all characters are, in some way, looking for salvation and being constantly tested and brutally being forced to show off their humanity through the lens of how love affects them - and not at the privacy of their inner thoughts or anything. All of that in order to portray different aspects of "love", adoration and what it means to be human. To have a belief on the unseen - "what is essential is invisible to the eye".

IT'S ALIEN AMERICAN IDOL MEETS DANGANRONPA. WHOO.

(gOD I wish we could have gotten Luka vs Sua or vs Ivan in some way. That feels like it would be extremely close and entertaining to see. Am I losing my humanity? Why is my keyboard slimy? Am I becoming a Segyein ....?)

Of course, because I fell for all those deliciously doomed themes like the good CLAMP/Akasaka foolish nerd I am, I bought patreon access day one. Although some setting details were unexpected, I was pretty satisfied with my overall initial grasp on most of the characters. If you found me through the tags and didn't already follow me, my disclaimer here so you get to know me is that I easily gravitate to polarizing characters or doomed ships like a curse. There are also certain Themes that follow me like a plague and I could see some of my favorite characters' shadows on the doomed kids I liked right away. Like an itch to spot something more to what is being shown.

Therefore right away, Luka and Hyuna caught my eye big time. (literally, when I watched sweet dream I kept pausing and going - whOA WHO IS THE COOL GIRL WITH THE CIG. Wait wait wait show me more of the boy that looks dead inside overstimulated by the flashing lights!)

I don't really have any pretension to be quoted on anything here or say things verbatim (Patreon says it's fine to produce derivative content based on what's there, but as expected, it's enforced not to directly share it so I can't really go argument-evidence here by presenting it) and have only seen pictures of the artbook secondhand by a friend, so I'll have my fun here making commentary loosely based on extra content and sporadically showing off pretty MV captures.

Anyway.

We're introduced to this universe through the jarring cruelty of ROUND 1, contrasting a harmonic, beautiful, lullaby-like melody with a harsh outcome. Like Mizi, unless we got spoiled beforehand, we don't really know anything about what's about to horrifically transpire. And though she got education, it feels like the teachings about what death or the Alien Stage would be like were horribly sugar coated or distorted to her, as incentive to give their best performances - like sacrificing themselves was a good thing. The extra materials back this up with Mizi's first interview about "My Clematis" - it's like they're told they're simply going back to their "origins" entity (The Grand Ankt) and it's a pretty and peaceful thing. We're shown how bad humans have it in their society and simultaneously get a montage of a cute, healthy, heartwarming relationship between the two girls and a deep "pure" love, as well as feel the weight of Sua's sacrifice and how badly it hurts Mizi. You're told that Sua is her God, her Universe in a Godless world - only to have her ripped away and "God" basically slaughtered for cheap entertainment. Some of the extra materials put it as a certain "mutual love" between Sua and Mizi.

It's interesting how we're shown a stage and don't know what to expect at first - since the girls seem "calm" and happy to express their love, but there's an increasing sense of dread until the finality of Sua's death hits and the pretty, shining girl we see in the flashbacks becomes an empty husk. The MVs seem all to be roughly designed around creating a surprise at the end or recontextualizing something we have seen previously.

I won't discuss Till and Ivan at length at this time, because that would get too long and demands it's own post (I sure as hell rewatched Unknown, Black Sorrow and Cure many times though), but the key part for me here is - they similarly express "love", but through another facet - obsession of a one-sided love and the desire to reach salvation or a reason to endure the world because of that, too. To the point of choosing the chance of love over salvation, expressed by Till letting go of Ivan's hand when they had a chance to escape (not wanting to leave Mizi behind most likely) and Ivan's kiss and decision to strangle Till to give his own life in exchange for his/finally getting to express his "shallow emotions" he perceives as something that won't deeply scar Till (but it does, and it mattered, far more than he could ever have known). It's interesting that although Mizi calls Sua a God, they develop something closer to a balanced, mutual relationship, as much as their lack of understanding of "human relationship" allows - they connect deeply. Ivan, according to the comics, sees himself in Sua, but it's deeply frustrating how he couldn't build the same sort of connection with Till and felt like he could only maintain a bond through violence.

Mizi seems to be the only human who was raised in a "stable home" (her alien seems to actually love her closest to a mother), but that's not enough to protect her from pain - after all, the alien's reasoning was that if Mizi likes singing, she should join. Yolo! Your human baby's life is so short! Sounds like outdoor cat owners to me. Ugh. All other pet humans are going through some flavor of parental abuse, and it all reflects in how they express their emotions and what sort of decisions they tend to take.

Till, in contrast to all that, more closely resembles the definition of looking at Mizi like an oshi/idol as a comfort to run from the pains of his life - he always looks hurt or abused, but Mizi is like medicine that even watching from far away makes him feel "saved" due to nurturing that "first love" that is heavily idealized. It's interesting how his character that is first introduced as somewhat violent or wild because of the smashing guitar and "addict"/drug imagery turns out to be one of the most sensitive.

The cloaked figure of Mizi in Blink Gone seems to resemble a saint or Mary (mother) holding a child in her lap as he takes his last breaths. She rushed into the crowd in a desperate attempt to save or at least comfort him in his predicament. Till's final position even resembles that of being crucified.

All that, however, makes Till unable to see Ivan properly - who is constantly around him and yearning for his attention, protecting and loving him in desperate ways that he doesn't realize until the very last minute. He is also seemingly detaching himself from the "real" world as a very "pure" child (shown in the way he loves with full devotion and his artistic inclinations), which of course, makes Ivan painful to face - who is a grounding entity and a reminder of the real world. The one who touches his wounds, who is "there" and not unreachable like a flower at the top of a mountain. That love between Ivan and Till got expressed in a way that was painful to both, but a very human act of a clashing selfish and selfless-ness.

None of them are built for this. They're trying to survive.

So far, what I've got is...Mizi and Sua set a standard of what is closest to a mutual love that was growing together in a relatively equal and healthy way. Ivan and Till were reworked to avoid overlap with them and are chosen to portray the sense of an immature, obsessive love and clashing emotions. It's interesting to me how much the creators stress the "one-sided" and controlling nature of Ivan for behind the scenes, and I feel like this does not mean that Till couldn't possibly return his feelings - after all, the Actor AU does show great chemistry between them. It's more like, within their living conditions and because of the emotional immaturity of both of them, they literally could not see eye to eye - Till looking at an idol out of reach (Mizi), and Ivan choosing to seek out his attention through violent means that confused Till, thus he was unable to respond to the intensity of what he felt and grow into it.

NOW. TO THE MAIN COURSE THAT IS ROTTING MY BRAIN: HYULUKA.

If we've got all those bases covered so far...where does that leave Hyuna and Luka?

(This is the most Mello/Near-like I've ever seen another ship pull off. My inner 13 yo is screaming. They're both incredibly gorgeous. How is a hetero couple simultaneously so BL and yuri-like in DRAMA AND IMAGERY? CLAMP would be proud...)

You see, there's no official answer about the true nature of their bond yet.

But I have a lot of speculations. It clearly looks like a rotten, strangled-by-the-red-string-of-fate sort bond that is just up my alley. THE MOST FUN IS GETTING TO BABBLE BEFORE GETTING AN ASSERTIVE ANSWER. I'm all for making a fool of myself, so let's get down to it.

To put it simply - I believe Hyuna and Luka's role is expressing the extremes of the setting itself and what "to love" means within it, with a turn for the worse and the tragedy of "not understanding" even if there is love.

How do you conquer an oppressive world in which all odds are against you? Would you overtake it through rebellion or would you strike at it from within?

In a world in which God's teachings have become lost to time and difficult to believe, does love strengthen or weaken you? If it causes pain and destruction, can it still be called love?

I think Hyuna and Luka are standing at opposite sides of those beliefs, and cannot understand each other's mindset.

Seems simple enough to write Luka as a mere villain final boss since he seems to be enjoying himself at the evil death game and Hyuna as the nice rebel who wants to save everyone, right? But it's confirmed Hyuna wasn't really trying to rescue more people like she had an opportune moment to do for Mizi.

The artbook also says something incredibly interesting about what the "Luka Syndrome" mentioned in one of the MVs really means - Luka's prestige as a performer is raising the prestige of pet humans. He also believes "Hyuna would be safe with him" - Why is that?

I think they might actually have similar goals and a similar stubborness in which they believe themselves to be the correct one and the other to be pitiful and foolish. Hyuna is trying to overthrow a system that is well-established and has far more power or influence than them, therefore she needs to resort to drastic measures and flashy means to assert dominance over the alien society.

Luka on the other hand, feels like he is using the system against it and exercising his own humanity while at it. Rather than tackling the incredibly daunting task of being a rebel with guns blazing, Luka became a master of the stage in a way that makes humans gain influence and thus become more valuable.Even if I try to think of it as "he's just trying to survive", that doesn't feel enough - because whenever he is not on stage, Luka looks dead inside already.

Especially in the arts he looks like a younger child or teenager, except for the ones after he seems more consistently approached by Hyuna. It's hard for me to think what moves him is a survival instinct. He is also portrayed like the typical "golden kid" syndrome victim - someone so systematically beaten to satisfy their narcissist guardian figure and submitted to so much pain that they eventually absorb part of that mindset as a way to have agency and autonomy over themselves. It gives the illusion of being successful and thus that the abuse was "effective", but it's like a curse that is difficult to break from.

I think both of them are older for a thematic reason. It feels like it could represent what it feels like, as adults, to no longer be able to hold onto naive or idealistic things about the world or society due to ignorance and having to choose a path to express your ideas and reach your goals through your "work".

Hyuna is guns blazing and "adult pleasures" - singing to an underground stage, trying to scrub off the wounds of her past with alcohol, and it's interesting that her guardian alien is portrayed like an "absent" parent figure - they have an interest in humans, but doesn't care about watching Hyuna when she first was eligible for Alien Stage. I wonder if they even are the one looking for her at all - seems to me it's more of an alien police thing because of her "crimes". Under that seemingly "thick" skin though, it seems clear that Hyuna is deeply affected by Luka still, and the loss of her brother. She deals with her wounds by not really dealing with them at all and guess what - it's a weak point. Her song is uplifting and refreshing, but she clearly demonstrates that closing your eyes to trauma and purely moving forward doesn't make them go away. In that sense, Mizi is a way she is trying to "mentor" someone navigate through loss.

I love outcasts and mildly autistic-coded characters, so I gravitated to Sua, Ivan and Luka right away.

(Extroverted cutie and the doomest doomer of the bunch. As a side note, their character design alone and contrast is genius and gorgeous. I'd expect 90% of the time for Luka to be the designated BL character and hardly do I ever see his archetype paired with the sort of sharp, striking beauty that Hyuna has so I definitely got giddy with them right away. She reminds me a lot of Michiko Malando and Luka reminds me of Near, two characters I love a whole lot and funnily enough have the same mbti types the artbook describes them as - ESTP and INTJ. Ankt garden Luka looks somewhat closer to the AU versions of Luka, so gotta love both his origins and his twisted post-alnst/hyuun woo self)

I believe Hyuna bundles Luka with that trauma of grief and loss, and it's still unclear what their roles are in it and after the fact. While singing all in verses "We only get one life, so I'm living mine for me/'Cause I'm the one from your wildest dreams", Luka's face flashes through Hyuna's mind before even her brothers, like it's something that's always on the back of it and barely suppressed.

See...since VIVINOS loves the "more than meets the eye"/twist concept, something I'm expecting is for Hyuna's feelings not to be as black and white as blaming Luka and actually. It obviously was dysfunctional and isn't that....delicious???

I feel like a one-sided love or obsession wouldn't make sense to repeat as themes, and because of the heavy trauma associated in the backstory, it's not like a "healthy mutual love". To bridge the themes of MiziSua and IvanTill, I think Hyuna and Luka are being told in a way to express love as something that can also destroy instead of save, and their clashing ideologies come from a place of wanting to think "-I'M- right and want to be your god", instead of ever having been able to understand each other properly.

They have a similarly "corrupt" love that has a lot of guilt and regret built into it. Even with something awful as what happened to her brother, it's curious that Hyuna's mind first thinks of Luka in an "enamored" light - the scene looks pretty tender - but that's also attached to the weight of Hyun Woo's death.

I think It's likely that the twist is Hyuna having been the one who hurt her brother, even, considering the dynamic in these comics:

Luka and Hyun Woo compete for Hyuna's attention, and it's to be expected that none of them understand the boundaries and definitions of love too well. Hyuna and Hyun Woo seem to be naive and relatively raised in a decent way, submitted to superiority tests like the rest, but not directly abused. They seem to express their love for each other in a cheerful, healthy way, Hyuna probably because of her closeness to her brother (which is unusual for other pet humans to be able to do) is extremely physical in how she shows affection. She doesn't really reprimand Luka, and that creates an unhealthy dynamic in which Luka plays the victim - in spite of starting things - to enjoy Hyuna's attention. There is a cute comic that looks silly, but encapsulates it all:

Luka is a little shit that wants to be pampered. He knows he is physically weaker - if you come across a rabbit being hurt by a wolf, you wouldn't suspect the rabbit provoked it. So Hyuna constantly seems to take Luka's side regardless of what happened, wanting to have that protector role.

Luka on the other hand, has no reference of what it's like to be "loved". He is systematically abused and treated like an object - therefore, he perceives relationships in terms of "ownership". And I don't think Hyuna truly understands just what she is enabling when she encourages Luka to act the way he does or thinks his neediness is "cute".

Honestly, I think there's strong sexual abuse imagery in Luka's art and the presentation of his stage image as someone taking charge of their objectification. His clothing for stage always shows off his body one way or another and both Hyuna and him have this sensual imagery and approach to others, as if "reclaiming one's own body". The contrast of Luka's blank expression and the red collar indicating a mental breakdown in that artwork above featuring Heperu's shadow approaching him is truly chilling.

That boy has no reference of what a familial bond or love is like. And both his introspective nature and abuse seem to make it even worse for him to connect with his peers- in the artbook his only relationships listed are Hyuna and Mizi, in very negative ways. He is also said to have retreated deeper into his own world, because "no one can understand him". Again, checks out with the imagery of "gifted son" that is treated like a narcissistic parent's doll and that becomes desensitized to many things over time.

His alien guardian Heperu even looks vaguely phallic and Luka has body language of "trying to disappear" or soothing himself when not up the stage - hugging knees, looking smaller, sucking on sleeves, stimming with toys (rubik's cube). The scars on his chest seem related to the abuse of submitting him to pain to overcome fear and I theorize the scars on the side may have been for plastic surgery like abdominoplasty or even possibly removing ribs. Normally that would be done from the back, but hey - alien science, and he already had "tainted" scarred skin on the front, so it would make sense to try preserving his back. His waist is drawn really really thin. It's also mentioned that he had a strict diet even though he is a big eater - that is, Heperu is deeply violating his agency in accordance with Lookism.

Luka has all the makings of a really tragic character and reminds me of Kamiki Hikaru's construction in Oshi no Ko. A victim turned abuser in some ways, as a way to seek autonomy, self expression and living for their ideals and love, no matter how twisted it has become.

There's a comic that has a "flashback" of anakt garden and Hyuna being asked by Luka if she likes to sing. The POV of Hyuna's face looks as soft as Luka's does from hers. She tells him that they don't have freedom for anything else, but when she is up at the stage, it's like her life is "her own", so she likes it. The image of Luka singing as an adult suggests that even now, those are the words he pictures and that is the image of Hyuna that is alive in his mind.

In a way, both of them are deeply attached to the past, and while Hyuna wants to shut it down completely and regrets it having happened, Luka's feelings are twisted.

We don't know much about the kiss. Considering the "sucking on forehead" comics, I get the feeling Hyuna was startled by the sudden escalation from Luka acting as a passive, cute pet and jumping her with so much intensity, but may not necessarily have pushed him away. The following fight could either have happened because Hyuna became withdrawn as a result of suddenly becoming aware of the effect she was having on Luka and what their feelings for each other were (since previously, she might not have been able to tell the difference between being all over her brother and all over Luka) /or/ the scenario played out like the forehead sucking. She didn't dislike it, but Luka became insistent or they got caught in a way that Hyuun Woo had no context for, thus assuming Luka was forcing her.

And there is a third option too that now I think about it, seems the /most/ likely: the growing proximity to Hyuna made Luka's feelings of "wanting ownership and exclusivity" even deeper because of love and lust, as simply being assured he is "loved" doesn't seem to be enough for Luka. It could be that Hyuna in fact disliked his attempt of kissing her and became more distant to him. Thus, he orchestrated for Hyuna to take his side once again for validation in a reckless way - but the results were "better than he thought" when it resulted in Hyuun Woo's death. Because, that is a price so heavy that it feels like "wow, you actually chose me".

This scene is super interesting, I love Luka's expression. It's joyful in a "perverse" way. He was successful in trapping his beloved Hyuna. And it seems that the emotion is so intense, like he is finally free from the mask of pitiful wounded animal with no agency over himself that the sheer ecstasy might have caused a seizure or heart attack, hence his eyes looking glassy afterwards and his fingers finally turning the blue/purple hue we see on his older design.

Skimming through the patreon posts, I was pleasantly surprised to realize my gut feeling about Ivan and Luka having a similar core wasn't wrong. Sua in comparison is the scenario of someone who doesn't go off to the deep end as the two of them. It's often stressed that the team was worried about establishing Luka and Ivan as distinguishable - their personalities are similar, but their masks are different. Ivan presents himself as the "big bro", while actually being a boy struggling with properly expressing emotions that went as far as practicing smiles and expresions at the lake. Whereas Luka is like a porcelain doll and passive - austere, even...but what about his real self?

We're cleverly prevented from seeing an introductory MV for Luka, as round 4 doesn't happen. And for the subsequent videos, Luka shows himself partially by not disclosing his POV, but showing important sides of himself - the urge to control and the attempts to "become whatever is desired of him". A blank slate.

In a sense, that's implying to me Ivan and Luka's stage presence is an expression of their "inner selves", where their feelings and thoughts become bare. Ivan does so by casting aside his big bro warmth and stepping in as the image of a serious-faced, strongly devoted man that is coming apart at the seams with the weight of his immaturity, sadness, love and obsession.

Luka's stage presence is a distant cry from his image of passiveness and class behind the scenes. On stage, he is a seasoned performer and a calculating prince that enjoys pulling the strings to reach the ideal performance as seen in his inner world. He cunningly displays a different expression between the audience and his partners to achieve the ideal results. Luka acts like both a director and an actor while performing, in order to construct his vision - He's bold, confident and invades people's personal spaces.

(What a condescending little shit. I love him. His expression seems to be saying something like..."Done already? Hmph. I expected more of you. You need to do something for me to do my part and shine, too."

A point I theorize about Ruler of My Heart - Hyuna says in the artbook, I think, that Mizi reminds her of herself. Luka would be able to pick up on that also, especially since Mizi had just been broken by the loss of the one she loved most and formerly had that spark of "hope and dreaming high" in her eyes. Luka may have chosen the song specifically to have Mizi recreate the "role of Hyuna" envisioned for it - as in, he never expected her to be obedient at all. He was riling her up to feel what Hyuna might have responded like to this song. But the Hyuna in his idealization is probably "blazing, absolute and strong" - instead of shutting down and giving up singing. Mizi lets herself get intimidated by his provocation into silence, but when she loses it to punch him in the face with no regard for the consequences - like Hyuna surely would do - is when he finally smirks. It's also a mockery of letting emotions take her over, securing his win and further reinforcing he is "in the right". )

Another interesting tidbit is that Luka's personality isn't of the ethereal "pitiful-but-nice" character, but rather something that "fits VIVINOS taste". He is also compared frequently to Ivan in personality/mindset, who is described as a "bad boy" with a possessive/manipulative streak. If the sides of Ivan we get to see that related to Till are fairly tame and the team worries so much about contrast, that seems to imply that Luka embraces the more extreme parts left out of Ivan.

Even more interesting than that is the core of Luka's character inspiration - "the little prince", which I assume most people have read before. It's a children's book about an adult meeting a little prince from space and basically sharing life lessons.

If we look a little beyond the "cute blond kid"/moon motif...the most striking aspect about the Little Prince is probably the idea of the rose and the fox. The immature prince is taught the concept of love and responsibility by a wild fox - that to tame someone is to make them unique, and it's the time spent nurturing that love that makes it precious. The prince had been frustrated by a Rose he thought he loved, but grew annoyed by because he could not understand her. He also was confused upon realizing there were many roses in the universe, but his was too selfish and flawed. So is she not as unique as he thought? He starts missing the rose, and learns that there IS a difference - none of the roses are "his" or sound like "his" - because if they have tamed each other, going forward, he isn't just any little boy to his rose anymore - he is "the" boy, and she is "the" rose, unique in the universe.

This feels extremely relevant to a character presented as a "product" of gene editing and, basically, being created in a lab. The implication to me is that there may be many other "Luka"-like humans - the vast array of congenital diseases he manifests such as heart disease, Raynaud syndrome, asthma and chronic migraine all make him sound like their universe's equivalent of a white pug dog with dubious origins to boot.

What makes that test tube baby, raised by a ruthless alien that doesn't care about him as more than a way to vicariously live a life of success and luxury, unique in that case?

Love.

And my take is that, the fox and rose to his little prince are the siblings Hyun Woo and Hyuna.

(I'm suddenly reminded of the Vanitas no Carte Louis-Domi-Noé trio. Why do those never end well?)

IMO the rift created between Hyuna's brother and Luka wasn't necessarily there from the start. Before getting more strongly attached or opening up to Hyuna, Luka looks extremely detached. Hyuna's brother looked like the picture of excitement and youth, so it feels like he could have reached out to the quiet boy first and Hyuna tagged along. The settings mention something along the lines of Hyuna not quite being the origin of the "dreamer" outlook, but being inspired by her brother, and I can picture it.

Hyuna's MV All in and her relationship with Mizi painted to me the picture of a girl that is naturally attractive - her drive and sunny disposition are simply dazzling. But, underneath, there seems to be "something" doesn't it? I think Hyuna's charm comes from a mix of strength and vulnerability. She seems like the type of person to cope with humor and being flirty in order to lift people's moods and surprise them, but Hyuna herself can have quite heavy and serious feelings. The somber look suits her, and it's overall impressive that she didn't completely break because of her brother. It's like her innate talent for performing draws people to her, but at the same time she can sustain an illusion of "closeness", her true worries and wounds are kept deep inside and she doesn't let others truly see into her.

So.

What's shown in Blink Gone to me is that Luka's not merely surviving a death game, he is enjoying the show and trying to feel alive. To someone like him that probably already feels dead inside all the time and was "abandoned" by Hyuna, there is nothing much to look forward to. We don't know what happened between Hyuun Woo's death and their first alien stage run (quite a lot, since Hyuna even lost a leg) ot the timing of their relationship fall out. Given their memories and image of eachother, it does seem to be implied they were already going separate ways right after the incident.

It's likely that what connects Luka to Hyuna's memory the most is the feeling of performing itself - the one time he gets to be free. Luka acts like he is superior to the other pet humans for having "figured out" the system and feeding into it, and looks down on them for having no control over their emotions. But does he really have total control over his own?

In spite of all the abuse he embraced as his own will or believing he could truly get any power by playing the game according to its rules and "overcoming fear", someone as unpredictable and impulsive as Till is the natural enemy of someone like Luka. He had the upper hand as long as it stayed within his plan, but Till suddenly going as far as going back to the green light indicator was worrisome. Luka's Stamina is actually rather crappy, so if Till did decide to go all out, he might have been cooked.

I think, to Luka, it's probably about more than keeping himself alive. And Till flipping the game then would have made him waste his life on a performance that was supposed to be easy -and- it must be annoying that Till strayed off-script. My hypothesis is that he wants to reach out to Hyuna, still - either by increasing the influence of humans to shift the world closer to the one she envisioned, or by putting his life in the line at the stage as many times as possible to feel the "weight" of her presence as if she still were by his side or to grow so famous that she cannot ignore or escape him.

Deliciously hypocritical of him to look down on others so much, when Hyuna's unannounced presence shook him so badly he turned his back to the stage and stared at her with an expression we'd never seen before.

My take is that her walking in like this is seriously the worst scenario to him. Luka expresses in the artbook that he pities Hyuna and that her safety would have been guaranteed with him, so - because of his influence - I think he might actually have gone to the Alien Stage again to secure his power status AND request to keep Hyuna out of it. A condescending sort of domestication we know she would hate, but would keep her safe.

But see. Even if she wasn't under his care, being out there causing a ruckus is one thing - she's alive and kicking, not really in the slaughterhouse. He can live with that. So, he sings to his heart's content. And...

His sneering that people are suuuch rookies at controlling their emotions...

Sooo weak to let their emotions and regrets dominate them and make them lose sight of the stage, compared to his Super Competent self that can overcome fear and control his own heart rate...

All came back to bite him in the ass, like an idiot.

All other characters were pitted against their worst case nightmare scenario, and I doubt the Prince will be an exception. I really don't think his type of obsessive is wanting to be superior to or beat Hyuna at performing either, even if it's his guardian's mindset (it seems Heperu feels inferior to Hyuna's guardian and adopted Luka simply as a means of beating him - so seems very possible he will push for having the two face off and prove Luka's "superiority").

No matter what he does now, it's either Hyuna against Mizi at the risk of death or Hyuna against him. Hyuna's a wanted criminal - there is absolutely no talking a way out of that one. Not only that, Hyuna's bleeding from her wound already. Luka facing against Hyuna as the second time champion would mean being forced to choose - keep rulling the stage, or chose the one who was his guiding light in the first place?

The imagery from the sweet dream opening (as well as Luka having covered that song) is "release" - Luka dying at Hyuna's hand even if it's not something she can truly do with pleasure, no matter how much she copes with her past wounds by hating him. I wonder if it's a red herring or if it will play out, I particularly want whatever will allow to explore their character, feelings and motivation the deepest.

I don't think Hyuna wandered onto the stage for his sake - it seems like it's for Mizi, who is completely frozen. Hyuna probably has up until now coped with hating Luka because he represented everything she was rebelling against - the "system" itself. A nasty cog in the engine of the aliens who, even if not directly, ultimately were the cause of the entire context that stripped her away of her freedom and lead to her precious brother's death.

However...

My guess to what's happening here isn't "wow your outfit is so slutty" or "you've grown". It's more like...Luka suddenly looks too human.

He wasn't supposed to.

...Phew. That's all for now. The ADHD gets strong when I'm talking about something that tickles my brain, so I hope that wasn't too messy/unintelligible to follow with the back and forth jumping timelines or repeating points of interest I did.

Well! I really, really wish there was more for me to keep going, but for now I'll live with overthinking with what we have. I might do separate analysis/speculation for the MVs if I have a deadline I'm procrastinating on come up the time.

Bottom line is, I think all those characters are very interesting, but Hyuluka are the ones I'm rotating like a rotisserie chicken in my mind. Plz hurt me more VIVINOS team and thanks for the good fucking food

[maxwell-grant]

The Penguin Ep3 - "Bliss" Breakdown

oh

(Episode 1) (Episode 2) (Episode 4) (Episode 5) (Episode 6) (Episode 7) (Episode 8)

So that's what Victor's image in the credits was meant to represent the whole time. A still of him inside the last memory he has of his home, his perspective on the window before it all went to shit.

I get that it might have been obvious the opening was a flashback given the election was still ongoing and given we get to see Vic's friend, the one who was shot by Sofia, still alive, but they also peppered enough bits that hade me fully convinced we were just watching Victor's present life when he was out of earshot from Oz. The bombs were a genuine shocker.

Credit to @davidmann95 for pointing out that the rooftop pebbles are Victor's equivalent of the Crime Alley pearls, an extremely important detail to add to the other Batman parallels Victor's gonna be shown having in this episode.

I'm loving a lot of the choices that go into Oz's outfits and specifically what kind of outfits he wears around specific characters, the whole chameleon thing he's got going personality-wise reflective in his choice of wear, and I like how this extends to the people around him and his choice of vehicle and base and everything. He may not wear fine suits everywhere and for all occasions, but this is very much a Penguin concerned about fashion particularities and branding and ways to dress up himself and the people acting in his behalf.

This scene where Oz pays Victor is funny, but it importantly sets up an element that's gonna come into play regarding their relationship by the end of the episode, that is how hard Oz projects on Victor and how much of his insecurity and need for affection comes through in his attempts to deal with the kid. Two episodes in after all the shit Victor's done for Oz and it's the first time we're seeing Oz talk about giving him a salary. It's not an unusual comedy beat, sadly not a real life one either, but the thing is, Oz is not a cheapskate, far from it. Across the last two episodes, he's been very quick to fork over cash to smooth over negotiations, and he's more than happy to pay the kid and praise him for demanding double (even if he shuts down the idea), it just genuinely never occurred to him until the moment that, right, the kid whose job is driving me around and burying bodies and putting his neck on the line for me needs a paycheck, of course, he's gonna get a nice thousand per week because I'm a good boss who does that kind of thing.

Nice little reminder of the class disparity element of the show, in how Sofia looks at Oz's set-up and dismisses as tacky garbage, while Graciela calls it bougie and thinks Victor's basically set if his boss is letting him crash in a place like that. Also illustrated in the money scene earlier, because from what I've researched, a thousand per week is an average salary for a driver in New Jersey (which is where this Gotham is located), and despite Oz calling it a start, Victor's already shocked at how much money Oz is paying per week. Just these totally different conceptions of what money and good living entail across the board for our characters. SPEAKING OF totally different standards,

So it turns out that Sofia has been planning her own meteoric ascension into ruler of Gotham for about as long as Oz, and more effectively at that, and if there's anything this episode will establish for sure about her, it's that Sofia Falcone is an actual supervillain the way Oz is still some ways from being. Alberto's shipment wasn't the ticket for the two of them, just for Oz, and Sofia just needed him to drive her around and open the door once more.

Oz the whole time basically happy with running a club and pushing dope out of a warehouse to the point of crying to her in the end that it was the best thing that ever happened to him, while Sofia here casually unveils a Gus Fring hidden meth lab with a mushroom forest full of Arkham Super Drugs and another Batman Villain working out in the backroom to produce them. Oz spent the last years ass kissing and spinning plates and seizing his own little levers of power all over Gotham, while Sofia was enduring soul-redefining torment entrenched inside the Supervillain Factory of the world where she would discover and pillage the tool that would let her conquer the city in one swoop.

A tool that she debuts before the underworld with an intimidating yet casual speech, above the city writhing before her and falling by the minute into her grasp, before casually leaving and telling her grunt to wrap up negotiations for her. The Riddler showed Gotham what a supervillain is and can do, a call to the maladjusted victims and freaks everywhere to grab their masks and bombs and get in the action because this is how the world works now that Batman exists, but Sofia here shows us not just a different way the rot spreads across the city, not just a way in which Arkham can become the other force filling in the power vacuum, but that being a supervillain is also a business model every respectable criminal in the city is gonna have to get on board with real fucking quick.

I love/hate that we get to have a few scenes of Sofia and Oz working together and how good they are, glad they could at least give us those before everything gets turbofucked forever further.

I definitely encourage you to keep up with the Penguin podcast, and particularly the latest episode where they talk with Rhenzy Feliz and fluency consultant Marc Winski, where they go over the thought and care that went into depicting Victor's stutter and incorporating it into the character and show, it's a very insightful conversation.

Oz's empathy for people with disabilities shows up in him complaining at the waiter for speaking over Victor, and later in their scene with Johnny Viti when he berates him for calling her a psycho, and is consistent with lots of other little moments where it's come up. I like that this is a consistent thing with Oz, and not just one of the things he does for show - even when he's complaining about Sofia to Victor, he never disparages her based on mental illness, he calls her uptight and elusive and a problem he wants off his back, but he never insults her the way all the other mobsters do.

Even in the bathroom scene by the end of the episode, where he does lose his patience and rushes Victor to explain himself, only happens after they've reached a boiling point. I do think it's important, for his character and role, that Oz maintains some important principles, even if they are still self-serving.

Again, love how the show knows just when to drop the Penguin name to maximize hurt on Oz.

What a fucking show Farrell and Miloti and Feliz give us in this episode.

I said back when the trailers dropped that Sofia Falcone looked like she was going to be the prestige crime drama protagonist that this show would have if it wasn't about The Penguin, and that's the vibe you get out of these two together. She is the tormented HBO leading lady and he is the charismatic side character, he is her driver with a wacky voice and face that bites it tragically to motivate her revenge / bites it after the reveal of how he backstabbed her. Which is exactly where the Falcones liked him, that funny guy in a supporting role who drives them around and runs their club and digs up their graves, and it's partially how their last scene in the episode plays out.

"Yeah I know I ruined your entire life and led to irreparable damage to your mind and sanity and reputation and all that, but I really wanted a little piece of the action as a nightclub owner, is that so bad?" is a confession that Oz only survives because he's the main character. In any other show, him bearing the depths of his embarassing pathetic soul to Sofia like that would be the last thing he does before dying, tragically or cathartically.

But to his credit, it worked. Sofia actually sheds a tear for him. It's the first time Oz has seemed genuinely honest with her, and more importantly, it's the first time anyone has been honest with Sofia ever since she got back from Arkham. She really has no one else she can possibly trust but the least trustworthy person on the planet. Who on Earth could possibly be willing to make an ass of themselves before her like that if they weren't being truthful?

Lauren LeFranc: You know, I think Oz is a bit of a walking contradiction and I think he deeply believes what he believes in that moment. I think he genuinely feels that way. Also understands the benefit of her being on his side at the same time. Right? Like, if she doesn't believe in him, their operation currently goes to hell. Not to say that he's playing that up, I think that is a moment of genuine emotion from him. But I also think for a man like him, he's not quite sure where it begins and ends. He doesn't believe that it's bullshit. That doesn't mean that it's not. Like, I don't know if he can even identify it or if, honestly, if Oz takes the time to unpack that. He's not a guy who's like, "Hmm, let me think about my actions today.", you know? - The Penguin Podcast: Episode 3

I'm extremely curious as to what the Sofia-Oz dynamic is gonna look like in the rearview. Does he have enough of a lid on his temper to fake that masterfully being offended on Sofia's behalf while playing her attack dog? Does he genuinely regret that she got sent to Arkham over whatever he did? I think this and the ending scene go a long way in pending towards either way and that's interesting to me. Even if 90% of what he says is bullshit there's some of that regret / kinship that feels genuine

I am very curious to see what becomes of Eve and what more will we learn about her. She seems to be Oz's second-in-command when it comes to businesses he does with her and the girls, and I like that the girls and Victor form a personal squad for Oz (and crucially, he's promising all of them a bigger slice of the pie when he becomes a big shot, and just as crucially, all of them have massive targets on their back right now).

It is genuinely funny how appalled and offended Oz is, at the idea that maybe the kid he roped into this with a gun to the head only stuck around out of fear, not because the kid thinks he's a great guy giving him a chance. I call him the Michael Scott of crime and I mean it. But like most funny things about the Penguin it also has something sad and lonely and pathetic and human about it, the ever present disconnect between the gentleman he wants to be and the thug he acts like.

Like with the salary thing, it just did not cross his head at any moment prior to this, not when he threatened to kill the people he cared about or openly argued with Vic whether to shoot him and stuff him in a trunk, not when threatening to gut him like a fish for messing up or spilling his secrets or telling him to lie with corpses, that Vic was sincerely scared of him and his power and did not leave because he feared this known gangster would do exactly what he said he was going to do. To Oz, doing those things to "his guy" now would be unthinkable, but the question that Vic wanted to leave never even popped in his mind.

And it makes him genuinely upset. That scene at the bar, where he is fully alone, sad and tired with his drink, tired from all the plates he's had to spin and all the indignities he's endured and still endures, tired from all the hats he's had to wear, and sad because the only person so far he's been able to let down his guard around, the one person with whom he could at least wear a hat he liked just bailed on him.

Of course he'd never kill Vic for just wanting to leave, once he realizes that this is actually a factor in how Victor views him and obviously he'd be a bad boss if he did that. Of course he gets angry at Victor for wanting to throw away an opportunity given to him that Oz would have (and probably has) killed for, he's giving Victor the kind of help he desperately wishes he got and he's gonna throw it away? Of course he gets shocked at being reminded Victor is a guy with needs, a guy that Oz holds lethal power over, and not just a kid version of Oz that he can live out his Rex Calabrese fantasy by helping out and mentoring. And of course, none of the cruel and hurtful things he says to Victor before he leaves would sting if there wasn't just enough of a bitter truth to them, or at least, enough of it to stick with Victor.

What an excellent scene Victor's panic attack was, totally get why it was the editor's favorite

I was waiting for a Victor-centric episode and was not dissappointed, this is the episode where he first comes on his own as a character and we see how crucially important he is to the show, the from-the-bottom ground floor perspective on everything that Reeves and LeFranc have repeteadly defined the project around. I love getting to see such an on-the-ground perspective of how fucking monstrous Riddler's plan was, and the kind of lives it ruined. This poor kid thrust headfirst into a Batman/Robin origin story and situation.

It's like Feliz said in the podcast, the end of the episode is the first time we've ever seen Victor, and maybe the first time Victor's ever seen himself, outside of survival mode, outside of simply living to try and get to next hour and do what his parents/Oz tell him to, which is a painfully real state to be in for anyone who's dealt with poverty growing up or is dealing with poverty right now. It's the first time he really has an opportunity to decide on his own what he's going to do on his own. As much as we may know he's making a doomed choice, that he really should just hop on the first bus out of Gotham and join his girlfriend in the sun, well, he's a Batman character, he doesn't get to do that.

Victor wants to live his life and protect himself and the people he loves and make good choices and be a good person, but on a deep fundamental level, he just wants his family back, he wants his dad back, he wants to do right by them more so than by himself, even if that means doing things they would find detestable. Like the son of a doctor, a son who now chooses to inflict violence every night if it means he can avenge their memory, here we have the son of a nurse presented with a choice: He gets to honor the intentions of his parents by dying as a well-meaning decent nobody like they did, or he gets to make up for the shame of how they died by living a good life, one which was denied to them, by surviving and thriving as a criminal. He gets to honor their ideals, or get back at the shameful cruel reality of how they died, but he cannot do both. So he makes his choice.

Oz, in this episode, burns nearly every single bridge he has: with the Falcone family, with the Maronis, and with Sofia, and he even does it with Victor. If Victor hadn't come back, Oz would have died on that parking lot, and still Oz is ecstatic that his guy's come back, because all he wants is for someone to like him enough to stick around with him. Victor is not so sure he's not in for a horrible time now, but in his own way, he also burned his bridges, and he also got what he wanted.

Okay Vic, you wanted dad to not take shit from others and shoot for a better life, you got a dad who will teach you to do just that. You wanted to pal around with small-time criminals you were friends with even if your parents insisted otherwise, well, the king of hoodlums is the only guy you have left in your life now.

You have committed yourself body and soul to a dangerous life within the city you love, spurred on by the tragic injustice that took your parents in an event that destroyed your entire world? Great, welcome to Gotham, here's even a new name you get out of it.

[fishfingersandscarves]

I don't even bother scrolling the ao3 armandaniel tag anymore, I just wait for your glorious art and then read whatever you illustrate...

That being said if you had any recommendations I'd happily take the o' knowledgeable one

ah nonnie i am happy to pull some from my meticulously vetted list

remember to read and mind all the tags

a haunting just for company by valkyrisms

"I know what a breakup looks like," Daniel says. "The better question is, why are you coming to me about it? I'm the one who broke up your little sham." "This is what humans do, don't they?" Armand asks, letting his voice drop. "Crashing on their friends' couches when there's a blip in their romances?" "Except we're not friends. We're actually very much not friends." Daniel shrugs, as if it's all the same to him. "And I can't imagine the great vampire Armand deigning himself to sleep on my fucked-up sofa. That thing's been here since the nineties." "Well," Armand only says. "I saw you have a guest bedroom."

Lie Back and Let Me Unlock You by Thunder_Puss

Independently wealthy man, early 30's, seeks arrangement with young male aged 18-25, not too muscular and no more than 200lbs (anything more would be most unmanageable) to share my apartment and affection with for 1 year until slaughter. All needs up to that point will be met -surpassingly so, I must admit, as I can be rather doting. There will be no need to consider expenses as they will be covered entirely by myself- "-There will be a rigorous interview process consisting of correspondence by email..." Daniel shook his head, laughing. "Of course, buddy. I'm sure I'll have a lot of competition." He raised his whiskey glass to his lips and wet them. "If this sounds like an amenable blah blah... Christ, this guy is verbose. I'll have to bring along a thesaurus to keep up." Daniel Molloy was 24, not too muscular, and no more than 200lbs. He was also steadfast and enterprising -when he could keep his nose clean- and had nothing more interesting to do than chase a story about an independently wealthy man with the screen name Botticelli_Angel who seemed to have the world's most taboo kink. Daniel could play the part, see where the story took him for a while. If shit got too weird, he'd dip. (Spoiler: He doesn’t dip.)

the sin and this mess we're in by ringfinger

He’s sitting on a beach he hates, trading shitty jokes with a centuries-old monster whose body count would put Ed Gein to shame and who is almost certainly also plotting to turn him into a flesh lampshade. “Don’t be dramatic,” Armand says, picking up on that thread, “I do wish you’d stop returning to that.”

how memory makes monsters into myth by blueskiddoo

“I said I’m fine, Alice,” Daniel snaps, and time itself grinds to a halt. Not literally. Ha. The things you have to specify with vampires. Daniel wishes he could laugh, but the sound is stuck somewhere in his throat, along with his heart. Now, of course, his hand chooses to be perfectly still. Why the fuck did he say that? * daniel keeps slipping up and mistaking armand for his ex-wife and the more he looks back on his memories, the less reliable they get. he's pretty sure he married alice molloy, but how do you marry a woman who apparently never existed? armand is armand about it.

chase away my heart and heartache by sahwen

With nowhere to go and an eternity ahead of him, Armand decided to work his way backwards. Or: Armand's Tour de Divorce in six acts.

to stretch the night, to fill it fuller with dreams by typefortydeductions

Armand and Daniel return to Venice to confront some of Armand's oldest demons. Louis comes with them, trailing ghosts of his own.

I am the least difficult of men. All I want is boundless love. by cannibalenthusiast

“Did we call each other boyfriend? Surely not. Sounds weird even saying out loud.” “You were my beloved,” Armand says. “My lover. My boy.” “Your human pet. Your mortal fool. I get it,” Daniel says, not neglecting to notice his use of the past tense. “You want to go see a movie?”

such a pretty box (all fancy wrappings, and a bow on top) by snuffreel

“That is a fascinating shade of scarlet. In the dark, now, it almost matches the color of her blood.” Or: Armand, Daniel, and the age-old question of what's really inside a girl.

flash the camera (you're a star) by exastris_scientia

Daniel is starting to think he should put a little more thought into the promises he makes in the heat of the moment. He’d qualified it a little, sure, so technically he doesn’t have to do it. And it’s not like he needs the money, not after Louis and Armand had thrown his that’s my whore number comment back in his face by actually paying him ten million fucking dollars. But a promise is a promise, even if it’s one literally no one would expect him to follow through on. Whatever. He said he would, so he will. It might be fun. So he starts an OnlyFans.

bang it up inside by leavethebes

"Come on," Daniel goads. "Come the fuck on."

she will be your living end by kanxie

Daniel reaches his hand out for Armand to take. They wait a few moments in silence as the world stops moving around them. The animals hush. The air stills. A faint smell of smoky dust drops from the sky and lifts from the ground. Rural Armenia has always been too quiet for Armand, but this is to a level where noise itself seems to atrophy into a cold, nightmare-like state. Armand takes his hand, and the usual dampened sounds of movement are stark in this nothingness. “It's okay to admit you're scared,” says Daniel. His deep and rumbling voice. Armand keens for it in the lamplight.

Armand and Daniel are at home when the bell tolls.

Backroads to Sonoma by burntcrimson

Where the hell have you been, Daniel wonders, and why me? A bloody American summer in the belly of the AIDS crisis.

open eyes and behind your teeth by tisiphones

It wasn't fascinating, the way the boy didn't know whether to lean into the touch or away from it, confused by the comfort and the pain it offered in equal measures. It wasn't. Armand could do the same thing — did do the same thing, whenever Louis deigned to touch him at all — and Louis still thought he was boring. It couldn't be this that had captivated him. But that didn't mean it wasn't fun. --- Armand weighs the pros and cons of dog ownership.

[cassandraclare]

Hi Cassie! Will all the colorful graphics we know from Tumblr appear in the physical copy of Secrets of Blackthorn Hall?

Yes! It's taking quite a long time to graphically design it as a book, actually, because it was conceived of as this online multimedia project. But we wanted to make sure it had all the illustrations, the hand-drawn faerie "bill" for Round Tom's work, Julian's mural, etc. Definitely a crash course in graphic design :) (Don't worry, I've hired a professional designer, I'm not doing it myself!)

[dadsbongos]

PLEASE MORE AIRHEAD W GOJO SHOKO GETOU 🙏🙏PLEASE

5.1 K words

warnings - i borderline refused to proofread this, suguru wears a skirt and it awakens something in you, also suguru's anti-non sorcerers agenda, dumb timeline doesn't make sense (get over it), filler arc fic

summary - crack that i decided to take seriously, you and the gang go on a beach mission! and some things don't turn out as expected...

“Woah, ‘Toru, check out this yellow!” you jab a finger into the cold, hard plexiglass caging the many frozen flavors from onlooking civilians, “It’s, like, traffic sign yellow!”

“Who would eat that?” he grumbles, glaring at the engraving below the tub - advertising that specific hideous color as a special new taste, “For 4,000 yen?”

“Get me coffee, kay?” Shoko shoots you a glance from over her phone, thumb dancing across her cramped keypad, “And keep it down, you’ll piss off the vendor.”

“Yeah,” Suguru slips up beside you, nose wrinkled and chin tucked close to his chest to avoid the obnoxious scent of sweaty, huffing people, “You’re both making a scene,” his brows furrow over at your accomplice, “Didn’t you just get scolded by Yaga yesterday, Satoru?”

Suguru knows he did, actually, because who else would’ve been the one that held a bag of frozen peas to the hot red lump in Satoru’s forehead for thirty whole minutes?

“Hey,” but you’ve paid neither any mind, pointing at the other end of the display bay to a red-and-white swirled tub. The edges have browned together and its melting points have re-frozen in an unattractive slime, “Gross!” taking Satoru by the hand, you drag him over to the far corner, “Let’s check it out!”

“Hm, we’re way too early,” Shoko pokes her head through the turquoise and cream-striped tent flaps as you order.

“And one coffee scoop,” Suguru calls to you and Satoru when the clan heir beside you finishes demanding two cups of the red velvet cheesecake, pointedly ignoring the baggy-eyed, slouching teenager behind the steel counter.

“On it,” the boy grumbles, scooping up each order in hurried, jerky swings.

Satoru swings a lanky arm through one of yours, head leaning onto yours as he pathetically whines, “My blood sugar is crashing… Won’t make it much longer…”

Two plastic cups in illustrated covers of the stall’s logo slide to another awaiting couple as Satoru sets his card down in preparation to pay. You turn back to Suguru and gesture to the tubs of ice cream, frowning when he merely shakes his head. Shoko inches between you and Satoru, breaking your chain, and you take that as an opportunity to huddle into your broodier friend.

“Are you sure you don’t want anything?”

Satoru turns back at the sound of your voice, abandoning his credit card on the counter, and Shoko watches silently.

“No, you enjoy it,” Suguru insists, smiling despite your puppy-eyed pout.

“But I don’t want you to miss out!”

“I’m happy enough that the four of us can go on a mission again.”

“How sweet,” Satoru wrangles an arm over Suguru’s shoulders, sighing with all the dramatics of a tantrum throwing toddler, “It has been too long since our last mission altogether.”

Shoko nods, moving next to you with one hand jammed into the pocket of her skirt, “It doesn’t help that you two,” she points at the boys, “decided to pick up a couple problem children.”

“Aw, c’mon,” you chirp, “That’s not fair to the girls, and Megumi’s really nice when you know him!”

“Ehh,” she waves her hand loosely, rolling her eyes, “I’ll cross those bridges when they get to high school; I’m no good with kids.”

Shrugging, you think of how well-behaved and kind both Tsumiki and Megumi are (well, Megumi has his moments), “Neither is Satoru and the Fushiguro’s seem fine.”

“Hey,” Satoru is quickly shrugged off his friend’s shoulder when he wails into Suguru’s ear with abandon, “Not fair! I’ve really improved over the months!”

“You still make him stir fry with bell peppers!”

“It’s delicious!”

You glower at his defense, “Doesn’t matter how tasty it is - Megumi’s not gonna eat it!”

Suguru can’t help but ignore the shouting in his ears in favor of appreciating the sight before him. You and Satoru and Shoko. Knowing Nanako and Mimiko are safe and happy at home. With your perfume and even Shoko’s natural nicotine cling working overtime to mask the scent of every monkey crowding this beach. Ignoring the monkeys got easier over time, keeping the real reasons he’s decided to carry on fighting in mind instead. Satoru and Shoko and Nanako and Mimiko and Haibara and Nanami and Yaga and, of course, you.

Two hands slam into his back, the rest of you just barely peeking out from around Suguru’s broad shoulders to glare at Satoru, who’s slung his tea shade sunglasses to the pad of his nose in a vague, blue-eyed threat.

Suguru claps a hand harshly against his friend’s shoulder, jostling the boy’s body, “Put them away, Satoru.”

Shoko bounds out of the small parlor with both hands in her pockets, murmuring something about needing a smoke break.

Satoru pulls his glasses entirely from his face, grinning at Suguru, “Aw, trying to be the big, brave knight?”

“Satoru,” Suguru calls lowly, impatience only thinly veiled.

Effectively cutting off the altercation, a hand cuffs the backs of yours and Satoru’s uniform collars and drags you both towards the open tent flap. Suguru curls his hands into fists at the sight but staves off a retort, even as both you and Satoru are thrown into the sand. A taller man with thicker arms, but the same sunken eyes and tight frown as the teen behind the counter squints down at the both of you, “And stay out!”

“Aw, we didn’t even get our ice cream…”

Shoko tosses her head back, melodic laugher ringing sweetly into your ears before she snaps forward, pinching at your cheek, “Sorry your boytoys couldn’t complete their mission.”

Quirking a brow at her, you don’t even bother to swipe away her fingers on your cheek, “Boytoys…?”

Satoru gasps, ‘tsk’ing at Shoko while covering your ears, “Hey, keep her innocent!”

Shoko removes her hand from you just to knock Satoru’s off the sides of your head. She looks over her shoulder, lips pursing as she surveys the cramped line of tented and umbrella’d stalls, “We should split up. You two are just causing trouble,” she grins at Satoru’s offended look, “As usual.”

Suguru hums, testy and wholly argumentative, “I think we should lay low for the next couple of hours and come back. The curse is more likely to come out at night.”

You frown at the thought of being stuffed into a yellow-walled, vaguely blood-stained, two bed hotel room.

And Suguru backtracks, “Nevermind.”

Snagging you by the arm, Shoko jerks you into her side and jabs a thumb over her shoulder, “We’ll be investigating some swimsuit tents, get a sense of any residuals or smaller curses,” then she points at the duo before you, “You two should find your own thing.”

You’ve given no say before being dragged off to a snowy white tent, sand kicked up and sticking to the flowy drapes. Even small shops for clothing can carry lingering, bothersome curses with anxiety over fat that naturally rolls and jiggles or peeking scars and colored splotches. And despite only having about two years of official sorcery under your belt, you’ve noticed that lingerie, typical underwear, and swimsuits were especially troublesome for gathering curses.

That’s especially noticeable when flyheads and low grade spirits crawl along the tarp, crinkling, unpleasant floor and clawing into the legs and necks of unassuming women. But Shoko has taken no interest in any of them.

Instead, she shoves another wood hanger into your face, “What about this one?”

“Mmm,” clicking your tongue, the sight of a neon orange with lemon yellow lining inspires no particular sparkles or electricity under your skin, “nah.”

Shoko nods and clinks the hanger back onto the rod, “Agreed.”

“Hey, Shoko?” you tilt your head at her, holding out the two swimsuit sets already dangling off your fingers, “How’re we paying for these?”

“Ah!” she snickers, fingers dipping into a skirt pocket before proudly displaying a black, plastic card in her palm, “The Strongest left his card out, so I’m teaching him a lesson,” tucking her hand back into hiding, she grins at you, “So rack up as many as you want.”

“Hmm…”

“He’ll hardly even know the money’s gone.”

“Isn’t that stealing?”

She shrugs, “No.”

Your lashes narrow at that response, brows furrowing, before beaming at Shoko with an enthusiastic nod, “Okay :D”

“That’s the spirit!” she claps you on the back, like a father after his son’s first little league championship.

And like a bushy-tailed young child unburdened by popularity contests and pinching pennies and needing to press the best words into the best order to feel adequate, you gaze out at the seven, stunted racks with wonder. Golden wheat fields that sway in long waves under the wind that whistles through pokey tree branches. A land all yours.

And like every conqueror before, you’re eager to feed on the dancing wheat you don’t yet own, “I wonder which one I’ll wear first.”

“I wonder if they’d want something…” Suguru mutters, only for his own ears.

Satoru blows a raspberry from behind his friend, chin settling onto Suguru’s shoulder and staring down at the wiry, iron shelf with painted, glazed shells and tiny red-lipsticked ladies with thick black curls and wooden curves on plastic, circle podiums and chunky plastic beaded necklaces.

“You’re so obsessed.”

Suguru grunts, slamming an elbow into Satoru’s gut and making no contact, “You were thinking it, too.”

“Not like you,” Satoru waves off, patting himself down for the thin outline of his credit card. When the first search comes up entirely empty, he looks over at Suguru, “Uh,” then returns to his pockets, hands dipping into the gaps, “Huh.”

“What?”

“I don’t have my card,” Satoru taps his foot once, then twice, then shrugs, “Oops.”

“‘Oops,’” Suguru snickers, “Are you gonna cut it off?”

“It’ll turn up somewhere,” stretching his hands above his head, Satoru yawns, “Sorry we can’t get your girlfriend anything.”

“And Shoko. And she’s not my girlfriend… We really should’ve just gone to a hotel, all the smaller curses will be attracted to the dock.”

Satoru can’t even be bothered to deny Suguru his natural right to feeling smug, just turning and waltzing out from the cheap, tacky souvenir stand under a peachy umbrella. Sweat beads miserably down his back and forehead from under his black uniform, shoes sinking into the sand with every step towards the coast.

It was something that nagged at the both of them, honestly. The surface-level pointlessness of this mission, especially the early nature of your group’s settlement. And especially especially because it was so immediately easy to feel where the strongest cursed energy was coming from. Like this buzzing, tender freeze that washed over the both of them - pulling towards one spot on the cluttered beach.

A lone dock by the crashing shore. Splintering, crooked pillars with a deflated, banana yellow ducky floatie dangling between two planks. Likely yet another test of courage spot, popular among vacationing families with young siblings and cousins; eight children of varying ages missing.

“It is weird,” Satoru lowers his glasses along the bridge of his nose, “that all four of us were sent out. Nanami probably could’ve taken this out by himself if it’s just another grade two.”

Suguru shrugs from behind his friend, “Must be a good reason we were all sent out. Maybe the eight brats.”

“Jeez,” Satoru bats a hand backwards in an attempt to smack his friend, he misses completely, “At least sound sympathetic!”

Just before Suguru can reply, your voice is singing out their names. The two turn and Suguru is a little ashamed in the way his body stiffens at the sight of you in a cherry-print bikini. Shoko lingers at your back, texting who you all silently agree to be Utahime. You bounce into the spot before your friends, hands behind your back and a blinding grin curling into your cheeks.

“You look nice,” Suguru’s own voice is lost on him, heart beating so loud in his ears that he can’t quite hear himself. He hopes he sounded suave. He hopes it makes you forget every time he’s embarrassed himself in front of you, and all you see is the charming Suguru that your mom would just love.

“Aww, thanks!” you giggle, holding your bundled uniform tighter to your chest. And he’s even more humiliated over the hope that you’re trying to hide the pounding of your own heart.

Satoru nudges Suguru with an elbow and the favor is returned with a foot jamming down on Satoru’s shoe.

“Shoko and I both agreed,” you unknowingly interrupt their spat, “that before we all totally die, we should have fun on the beach!”

“You shouldn’t say it like that…” Suguru sighs, but the smile is still plain on his face. That question from earlier rises in him - why were you all sent here?

“I think that’s a great idea!” Satoru extends an arm towards you and gladly allows you to tug him towards the water, only releasing hold to let him reactivate his infinity.

Shoko watches from the shoreline with Suguru. She looks up at the man, flipping her phone shut, “You never complimented me, you know?”

“Huh?” Suguru looks first at Shoko’s twisted simper, her raised brow, her low hanging eyelids that let her lashes flutter against her cheeks. Then he notices - a black bikini hugging her own body. He flushes, not over the sight - but because he was caught, “Sorry.”

“You’re such a sucker,” she snickers.

He was caught with that familiar lump in his throat and lethally beating in his chest that only you could cause.

“Hey!” and, of course, it’s you again who calls to him, “C’mon, we wanna play chicken!”

And he’s caught again, red-faced; stripping off his shirt and shoes and socks while Shoko laughs at him. She holds out her phone and watches as he carefully wraps it in his uniform overshirt before trudging down the sands towards you and Satoru. Shoko wades through the crashing water towards Satoru, her hands find his shoulders when they all notice he hasn’t yet joined.

You’re pouting at him and Satoru is groaning, “Just get in! They’re pants - they’ll dry!”

“Easy for you to say,” Suguru huffs, squirming at the feeling of water sticking his pants to his shins as he slowly creeps into the chilled ocean, “Just use infinity for everything…”

“What was that?!” Satoru cups a hand over his ear, neck craning outwards as Suguru approaches, “Didn’t catch that last bit.”

“You’re annoying,” Suguru declares, latching to your side and crouching down just enough for you to scramble up onto his shoulders yet still keep his boxers dry. He feels your arms wrap around his neck, then your thighs bracket shakily around his waist. Suguru palms your thighs and helps lift you to sit up on the broad expanse of his shoulders.

Meanwhile, Satoru yawns, hands on his hips, as Shoko tries yanking herself up onto his back.

“Hey!” she snaps, pounding a fist into his back knowing full well he wouldn’t feel it, “Bend down, would you?!”

“Huh?” Satoru turns to stare down Shoko over his shoulder, sticking his tongue out at her, “Oh! Oops, sometimes I forget how short you are!”

“Hey!”

Suguru tilts his head back to look up at you, both arms secure around your legs, “You okay up there?”

You nod slowly, fingers gently brushing the stray hairs of his bangs from his face, “Uh-huh.”

“See,” Satoru gestures out to you and Suguru, “even our favorite bubble-brain got it done. You’re just not trying hard enough.”

And once again, Shoko digs a fist into his back (and then another when he mockingly hisses and whines).

…

“Don’t be long,” Shoko exhales, noxious smoke rising from her lips with a cigarette perched between two fingers and, in that same hand, texting Utahime once again.

“It’d be quicker if you weren’t slacking off,” Satoru ‘tsk’s, already heading down to the creaky dock with his hands stuffed in his pockets. His cheeks are flaring red from hours prior in the sun, even after the four of you had crawled into a hotspot restaurant to change and cool down.

“Thanks again,” Suguru still clings to your side and you let him, even leaning into it.

“Don’t worry ‘bout it, Sugu,” you grin.

You hadn’t been concerned with how civilians would perceive Suguru in your uniform skirt when he changed out of his soaked pants - not that he’d really care how non-sorcerers think of him anyway. But some bizarre part of you can’t stop looking at his legs in your skirt.

He insisted that you keep your leggings, so his skin is bare to the moonlight past his mid-thigh.

It’s bizarre, most definitely, the part of you that keeps staring at the flex of his thighs beneath your skirt as you both soldier through the sand dunes. Your hand finds Suguru’s and you cradle his arm against your chest, Satoru nowhere in sight. The both of you shuffling under the dock, eyes narrowing in search of your little white-haired friend. You shift closer to Suguru the longer your search goes, hand winding tighter within his.

Wind blows under Suguru’s stolen skirt and chills against your skin, the waves lapping at mushy sand. Your blood beats in your ears, Suguru already peering up at the midnight sky through the gaps in the dock.

Hot air puffs against the side of your face, pale skin bouncing moonlight into your peripherals in a flash, “Boo!”

“Ah!” you squeal, jumping somehow closer into Suguru, glaring at the cackling man through narrowed lashes, “Gojo!”

“Aw,” Satoru pretends to wipe a tear from his eye, flicking the nonexistent tear at you, “So formal! Aren’t we friends?”

“Not after that!”

“Satoru,” Suguru’s resilience is quieter than yours, the hand not entwined with yours is firm on his hip, “You really scared her,” you nod with a ‘hmph!’, “She was already on edge, looking for you no less.”

Satoru drapes himself over you like a frail Victorian woman in shock, “I’m sorry,” he wraps both arms around your neck and squeezes you into his chest, “Will you ever forgive me?”

“Hmm…”

A creak shutters just ahead. The deflated, wrinkly duck floatie shivers. All three heads turn into the abyss.

You tuck your chin close to your chest, wringing your arms around one of Suguru’s as you call, “Hey, Shoko?!”

“What?!” but her call is undeniably still in the direction where you three left her.

“Here it is,” Satoru murmurs, turning to grin at you, nudging his head towards the darkness just ahead, “Let’s go!”

Begrudgingly, you allow Suguru to guide you into the creaking, inky space under this dock.

“You’re making the curse stronger, you know?” Satoru turns to face you, walking backwards with both hands in his pockets.

You groan and go to argue back, but a blobby, brown, mucky curse plops in front of your group. The three of you pause and the little thing blinks up at your group.

It throbs.

“Ew!” you stomp down onto the curse, sand poofs up around your boot and the muddy body pops, splattering around your group’s feet.

“Didn’t even need a technique,” Suguru looks up from the scene of your crime, glaring back down into the darkness, “We weren’t sent here for that.”

The wind brushes past you again, your shoulders bunching up in a vain attempt to keep you warm with too-thin leggings. Suguru’s stolen skirt lifts and he pulls you tighter to his side. Satoru stares down the dock with a tight wound face, glasses slipping down his nose and eyebrows scrunched together with a scowl. You hadn’t seen him like this in a long while. Since Fushiguro, Toji had cut you down. Since that single, echoing shot in the dimly lit tomb’s main chamber.

“Ah…” Satoru switches the weight on his feet, snagging you and Suguru by the fronts of your uniforms and drags you both far to the right. Sand sloshes up in big, cloudy puffs; opaque, turquoise tentacles crash into the spot where your trio once stood, “This could actually be troublesome.”

“Stop being mysterious!” you pop your palm against the side of his head despite knowing his infinity is raised, “What’re you talking about?”

“This curse,” he rolls his eyes with all the annoying arrogance possibly mustered when you and Suguru tilt your heads at his pause, “This curse definitely has one of Sukuna’s fingers.”

“That would explain the loose ofuda,” Suguru notes.

You shiver at the mere idea of the King of Curses aiding your opponent, “How would that even happen?”

“Dunno,” Satoru shrugs and releases the both of you, flexing his fingers of the remaining tension, “We definitely need to take it back though.”

“Definitely,” you nod curtly.

A bulbous head sinks into the moonlight, shiny and smooth and thin, wiry purple webs spread across the surface. The gelatinous skin ripples, entire head jiggling before the turquoise splits and gives way to an eyeball - it bulges wide and the pitch black pupils darts around the surrounding area before settling, shakily onto you, Suguru, and Satoru.

Two big, clawed hands latch onto the back of your uniform top, retching you back. A look up confirms it to be one of Suguru’s more beastly stored curses. Your friend himself stares up at you, “Try and get the eye. Satoru and I will distract the tentacles.”

You nod eagerly, showing off a thumbs up before jamming your arms straight to your sides, “You got it!”

And like the most impressive cartoon clown, you explode out towards the curse. Thrown from Suguru's strong arms ( :D ).

You rip your hands away from your sides and throw them out in front of you, fingers stretching wide as you hurdle towards the fleshy eyeball. Your fingertips are mere inches from grazing the eye, when the pupil turns onto you. A loud crash through sand rings out behind you, two calls of your name, and your heart shoots into your throat.

And the eyeball sinks back with another round of grotesque, rippling skin. You slam into the round head and bounce back off with a freshly punched-out gush of air.

“I got you!” Satoru calls from below, arms out wide to catch you before you could plummet into sand.

“That was such a dirty trick,” you huff, steadying back onto your feet and glaring at the curse. The eyeball peeps out, bumping from the top of its head.

With a teasing hum, Satoru finally tucks his glasses into his pants’ pocket, “It’d be a lot easier if you could just hurry up and learn Domain Expansion.”

“You can’t do it either, Satoru!” Suguru comes to both of your sides.

One of the forefront tentacles flicks up violently, crashing through the unstable, weak wood of the dock. Slats and splinters rain down as the tentacle flies towards your spot on the shore. Satoru and Suguru split from your sides while you remain firm in the sand.

Your arms fly out wide, grinning as you cheer, “Come in for a big hug!” wrapping your arms around the heavy limb, you squeeze and squish your hands down into the fleshy tentacle. The cursed energy of your mother and your mother’s mother and her mother and so on, courses through you in a raging fire. Your nails dig into the curse as you shout once more, “Snip!”

And the tentacle goes limp.

Sliding out from under the weight, you spot Satoru wringing a hand back - some invisible, evolving mass heaving in his palm and drawing the large octopus head forward.

Satoru calls out, “If you wanna swallow this one, you better hurry up and do something, Suguru!”

Rolling his eyes, Suguru watches his Rainbow Dragon untangle, sand flapping out with its tail and tearing up a lonely palm tree. He sweeps you up and seats you in front of him while flying forward on the creature’s back.

“Try and keep it busy for now,” he sets you back down on relatively even sand, “Satoru, make it puke out the finger! I’ll get it from behind!”

“Phrasing!”

You eye the two special grades with a groan, “I’m not a diversion, ya know?!”

But Suguru is already behind and beneath the curse’s line of sight, drawing his own ball of mass into his palm.

And, unfortunately, this pseudo-plan is one you’re already familiar with.

You attack the limbs and divert attention with Satoru as back-up while Suguru condenses and consumes.

But, also unfortunately, this pseudo-plan isn’t usually employed against special grade curses post-swallowing Sukuna’s finger. A special grade (post-swallowing Sukuna’s finger) with the intelligence to avoid your Cursed Technique.

“This isn’t working!” you shout at Satoru after having yet another tentacle shot out of grabbing-range.

He lets one of the remaining tentacles bash close against his infinity, using the force to get to your side.

“Then how ‘bout a change of plans?” Satoru takes no feedback before shooting you up and towards the creature's head, snagging and yanking tentacles to twitch the head upwards.

A gaping, drooly maw is exposed; gnashing, gummy walls in place of teeth. And beneath layers of squishy pink, is a lashing gray tongue. And where there’s a tongue, there must be a stomach.

“Woohoo!” you flail out your arms, squishing between the gums to dig your nails into the creature’s tongue (“The radula!” Shoko would tease, if she were watching). A shaky, ugly groan comes from the creature and it hangs its mouth open, trying to slip you off its organ - the sand is far below. You squeeze tighter when a gush of saliva drips down the tongue - fire rushes through your veins, scorching at your fingertips as you chant, “Snip!”

From above, a loud retch, and the deep purple roof gapes with a single, fleshy finger falling out.

You reach out hurriedly, hands clapping around the cursed object before the sudden effect of gravity takes precedent. The sand begins rushing upward, wind whipping rudely at your hair as the curse above you is sucked into an ugly mauve ball in Suguru’s palm. Not seconds after absorbing the curse, he sends his Rainbow Dragon down after you.

One arm swings around you, pulling you over in front of him, while the other holds the grotesque orb. He holds it less gingerly than you hold Sukuna’s finger, cradling the item to your chest.

“Yay! Thanks, Sugu’,” you lean into his chest, hands still tucked to your chest as you both come back down onto the uneven, pitted sand with scattered, rooted palm trees laying around carelessly.

“Are you hurt?” Suguru scans the skin he can see, “It’s saliva wasn’t venomous, right?”

“Hmm, I don’t think so,” you shrug, “I’ll be okay!”

“And you, Satoru?”

“Don’t worry about me, I just got to be your pretty distraction.”

Suguru nods, turning away all the same to swallow his newest curse.

Satoru comes in front of you, white button up on display with his uniform jacket held out, he nods in the direction of your hands, “Here, we can wrap it in this until we get back.”

Dumping the finger into the center of his jacket, your attention is quickly stolen away by the way Suguru gags around the cursed orb. Satoru cradles the freshly wrapped finger to his chest, settling a hand against his friend’s quivering shoulder. You pat Suguru’s back, leaning your head against his arm as he shudders down the taste, watching his face stretch into a grimace.

But he quickly overcomes it when he notices how you and Satoru are preening over him, clearing his throat and shaking out his tense shoulders.

Another throat clears, further up the shore. A lithe, dainty hand waves, Shoko’s lips grinning around an unlit cigarette - her wave turns into a single finger, pointing up at the clear sky, “None of you put up a veil!”

“Oops…” you pout under the stars, they flicker as if winking just to tease you.

Satoru groans, flinging out his arms in exasperation, already wandering towards Shoko, “It’s nighttime, what does a veil even matter?!”

Suddenly, you perk up, nodding, “Yeah! Exactly!”

Suguru sighs, “Someone’s getting punished for this.”

You take his hand, dragging him through the sand, “Who do you think Yaga will choose?”

…

“It was her!”

Both Satoru and Suguru point over at you, brows furrowed in determination. Your hands squeeze tighter around your skirt (which you freshly got back from a re-pants Suguru), fists pushing into your thighs as the three of you kneel before Yaga.

Stubbornly, you shake your head, “No way, that’s really not fair! It was on all three of us!” when Yaga maintains his stern, crossed arms, you continue, “Shoko could’ve done it! I didn’t even really notice- “

Yaga unfolds his arms, waving you up into a stand, “You don’t have to give credit to save your friends when you’re who found Sukuna’s finger.”

Once again, you try to refuse, but Suguru beats you to the punch, “She was vital in obtaining the cursed object, we couldn’t have retrieved it without her.”

Satoru nods twice to his friend’s point.

“You can join Ieiri,” Yaga’s brows somehow wrinkle even more, a finger pointing in your face, “You’re free because you found the finger. Don’t forget a veil again.”

“Yes, sir!” you chirp, the back of your uniform collar being tugged upward by Shoko. She’s already dragging you out of your teacher’s (now principal’s) office, but you spare the time to turn and wave to your friends, “Good luck, ‘Toru and Sugu’ - I’ll get nice flowers to send your moms!”

Satoru squirms from where he’s kneeling, hand shooting up as soon as you’re out of the room. He can see it perfectly now, a big red welt on the back of his head and a matching one for Suguru, “Actually, she couldn’t have gotten the finger without us, so maybe this punishment isn’t necessary!”

Suguru glares at his friend, “You can’t undo a good deed like that, it’s embarrassing.”

“I could let you off,” Yaga hums, “But you forget, Gojo, this isn’t your first time refusing to put up a veil.”

“It’s not refusing!” he honestly just forgets sometimes! He swears!

Suguru would hit Satoru himself if he weren’t trying so hard to stay still, “You’re making it worse!”

…

“I hope they’ll be okay…” you murmur, hugging Shoko’s arm to your chest as the both of you head down the long steps from Jujutsu Tech, “Yaga didn’t seem too mad, right?”

Shoko watches your step down the stairs for you (your stare now focused on a gaggle of birds singing overhead), “We’ll see if white mums are on sale - take that as our omen.”

And when you both see that banana yellow sign in your favorite old lady’s flower shop advertising bundles of white chrysanthemums for only 1,000 yen a piece - you send a prayer to Satoru and Suguru’s souls.

[ratwavekayla]

Out Now: Terminal

A digital pirate action game. The Matrix infused with pirates. Fight the system that tried to make you think you were crazy. Shatter the nightmares, take back your life, crash the world.

"Terminal is a salt-encrusted love letter to The Matrix and its technognostic brethren, pitting pirate hackers against a controlling computer – and also against the cycle of uprising, crash and reset that traps their world. The game's setting – from the free pirate city of the real world to the virtual palaces of the Terminal's inhabitants – jumps off the page with vivid art and writing, and the system is laser-focused on who your crew really are and what they'll sacrifice to get the ending they want." - Minerva McJanda (Voidheart Symphony, Rhapsody of Blood)

Written/designed by me, illustrated by @gormengeist and edited by Alyssa Ridley. We'll be adding in stretch goals from guest writers before going to print.

This is the biggest game I've ever written. Beneath the swashbuckling cyberpunk exterior it's also a deeply personal game. It's about feeling crazy and people who wanted you to feel that way. It's about breaking free from people who want to control and manipulate you by finding genuine connection. It's about burning down two worlds to build the future you want.

The Itch page also includes link to podcasts about and actual plays of the game, along with articles about the book. There's 19 community copies up for grabs but they will probably go quickly just as a warning.

[viccharine]

do you guys ever listen to a band so much that you end up making fake merch for it?

(reblogs greatly appreciated!!!!)

close ups and commentary under the cut!

about the poster itself: do you guys know how hard it is to make art for a band that hasn’t been active in 13 years? the answer is HARD (yes, i probably could done research and looked for old interviews for inspiration but who has time for that)

—> the icons related to “take a vacation!” are inspired by lyrics from the song “take a vacation!” (haha, did you see what I did there?) specifically, the lines “we’ll leave the waves at the ocean” and “we’ll leave the sand in a suitcase”

—> the Jon Walker and Ryan Ross icons are taken directly from the album cover (it took ten years off my life trying to figure out how to get them on here w/ the color palette—graphic design may be my passion but I never said i was GOOD at it)

—> the heart imagery comes from the fact that the band’s called “the young VEINS”—although it annoys me IMMENSELY that i technically drew more arteries than veins in the icons (my anatomy teacher would be so disappointed, but alas, anatomical accuracy had to be sacrificed to make it. yknow. look nice)

—> i did hand-lettering for all the text except for everything that’s in Helvetica (i did THAT in canva). the art program i use has a basically unusable text tool so I was forced to draw all of it, so I choose to believe that the reason why it doesn’t look. the best. is because of the caffeine shakes

some extra commentary: am I the only one who’s genuinely REALLY bad at listening to music? i don’t really get into bands as much as i just find songs that sound nice—to illustrate the extent of this issue: i did NOT know that Brendon Urie was a part of Panic! At the Disco. I’m not even kidding, I thought the artist who made Death of a Bachelor and the artist who made A Fever You Can’t Sweat Out were completely different and just. didn’t bother to check if I was right.

also, I’m not the type of person to be interested in band lore???? I rarely know the names of band members if even I’ve listened to the band for years (I really couldn’t care less in most situations)

case in point, i did not know who the FUCK Ryan Ross was!!! i knew he was in p!atd but that’s literally about it—before a couple of days ago if you asked to me pick out either Ryan Ross or Jon Walker from a line up I would not be able to get even CLOSE

anyway, my friend/manager is really into band lore, so I basically got a crash-course in all things “early to late 2000s emo band” and subsequently found out about the Young Veins (i was also extremely disappointed when I found out they only had one album and hadn’t been active in over a decade) THEN I realized that decade old, inactive bands don’t usually have merch, so I made my own! “merch” used lightly—i don’t think this is actually fit to sell lol

anyway that’s all k thanks byeee :D!! (and go stream the young veins!!)

[astro-nomaly]

Sword and Shield (greenflower)

jfc i feel insane. i had to get this au out of my head so i wrote this first draft thing in two days anyways this is probably all i'll write at least for a while bc i don't have an actual set storyline and i really need to write tkal lmao. this is technically 2 chapters but whatever they made sense together

anyways @morroodle this is for you dude and uh sorry if this crashes anyone's browser. no cw for this

Brad Tudabone is 17 years old – almost 18 (if ‘in seven months’ counts as ‘almost’) - and is currently climbing the tallest mountain in Ninjago.  

Now, the Realm has its fair share of mountains. The Golden Peaks of the West (the existence of which is not confirmed) in the Endless Sea are supposed to be taller than the sea is deep. Less impressively, the Shintaro Mountain range in the Southern Province stretches dozens of miles high, and the Caves of Despair are the most treacherous peaks in the world. But Brad is conquering something a little more difficult - the Mountains of Impossible Height.  

Honestly, the name was an exaggeration. It was, at best, the Mountains of Incredibly Dangerous Do Not Attempt for Fear of Death. Brad had only almost died, like, five times. And his arm was probably fractured, but whatever.  

He huddled against the cave wall, wincing as the sharp edges dug into the thin fabric of his shirt. Dammit, he should’ve brought a coat. He scowled at his fraying boots, one cold toe poking through. Should’ve brought better boots, too. Who knew climbing the world’s tallest mountain was such hard work?  

Brad was taking shelter in a small cave carved into the side of the Mountain of Impossible Height, which was a mouthful, waiting for the rain to pass. This high up, a light shower could kill him. He was already freezing.  

Brad shuffled a little closer to the small fire he had going, huffing into his hands. Next time, he would bring gloves that covered his fingers. Man, fingerless gloves looked so cool though! Though, it’s not like anyone else he knew wore them.  

To pass the time as he warmed up, Brad pulled an ancient scroll from his bag of assorted supplies, most of which he needed more of. Climbing mountains sucked.  

The scroll was fraying, yellow and browning around the edges. The thing was only a few decades old, but hadn’t been preserved well. Brad had found it only a month or two ago while poking around a half-destroyed museum, courtesy of the Oni army.  

Ugh. Brad hated the Oni. They’d shown up, what, fifty years ago?  So far, the army had been kept at bay by the holders of the Golden Weapons - weapons people didn’t know even existed - and Wu, the son of the First Spinjitzu Master – supposedly. No one knew if the god was real or not, but the dragon demigod of creation pointed to ‘yes’. The army had come out of a strange portal from the First Realm, a place no one was sure even existed before the arrival of the four-armed demons. They were led by yet another legendary figure; Garmadon, the Oni demigod of destruction and the first son of the FSM.  

There was a running theme here. Fifty years ago, several ancient legends were confirmed to be true as magic and elements were thrust into their realm. So, Brad felt confident about this legend as well.  

The Sword of Sanctuary. The scroll Brad scavenged from the museum rubble illustrated a lustrous golden sword surrounded by elegant text. The sword was, supposedly, the legendary weapon of the FSM himself, and super powerful to boot.  

It made sense, didn’t it? If demigods of creation and destruction were real, and other realms were real, and the elemental Golden Weapons then didn’t it stand to reason that the guy who made those weapons and fathered those demigods existed? If the FSM was real, then the sword was too, and that meant it could be useful.  

Everyone Brad reported his theory to – his overworked mom, his friends, the cops – laughed in his face. After fifty years of war that went almost nowhere, no matter how many dragons showed up to help, people were tired and low on hope. Every day the Oni army got closer to capturing the capital city, and if they did, they’d have easy access to the other four provinces. People needed practical solutions, not fairytales.  

But Brad knew that this wasn’t a fairytale. The sword was real, he just knew it. Was it a little presumptuous to assume that he could use it? Maybe. Brad was a normal guy – he played basketball, he gardened, and he was self-taught in using any kind of weapon. He didn’t know a single martial arts form, and his go-to for winning fights was the kick the other guy in the crotch and run. (Which, by the way, totally worked.) But even if Brad himself couldn’t use the sword, couldn’t someone else? One of the elemental masters, or even Wu? It didn’t matter who had the sword - if Brad found it, he could find someone to use it and win the fight.  

He’d be lying if he said he didn’t want the sword, though. Brad hated feeling so useless all the time. His mom worked day and night to keep their apartment and put food on the table, half of which Brad grew in their own house. All his friends were either enlisted or contributing to society somehow. But Brad... didn’t really want to be in the army. Sure, fighting demons sounded cool, but he wanted adventure, not barracks and boot camp.  

If Brad found the Sword of Sanctuary, not only could the humans win the war, but Brad would be a hero.  

Besides, how cool would a magic sword be? Brad’s thinking lasers.  

He traced the thin letters around the illustration. He should, if the scroll isn’t lying to him, find some sort of temple at the top of the mountain, and the sword inside. Just like the last few days on this mountain, the scroll strengthened his resolve. He wasn’t just doing it for the adventure – though, if Ninjago weren’t in such dire straits, he would probably still do this – he was also doing it for Ninjago. For his mom, for Gene, who worked all the time trying to develop better technologies, and for all the citizens of Ninjago City who wanted just one good day.  

He tucked the scroll back into his bag, careful to make sure it wouldn’t crease or tear, and settled on his side. The rain wasn’t letting up any time soon. Might as well sleep.  

Brad dreams of Green. Not green, like the color, but Green. It’s life, it’s beauty, it’s the forest floor dappled in sunlight and the tall field grass swaying in a gentle breeze. It’s the shine of a bright grin and the adrenaline of a race. The Green is everywhere, all-consuming and shining like a star. Sheer gold peeks through the cracks, brighter than the sun itself.  

It’s crying.  

“Let me out,” the Green and Gold begs. The words don’t exist. They’re a compilation of feelings, hopes and dreams and everything else the universe can’t quantify. It’s like Brad has been granted a window into the soul of the realm itself, only to find that it was looking back.  

The words come in a melody, sweet and bright and lulling him to an even deeper sleep despite the sheer desperation leaking through.  

“LET ME OUT!” The Green and Gold screams, but Brad can only dip further into sleep.  

For the rest of the night, he dreams of darkness. 

Brad hates mountains. He’s been on this damned mountain for five days, ran out of food two days and has been random fruit since, and has no idea where he is. He briefly entertains the thought of dying up here before shaking it from his mind. He knows he’s getting closer – this mountain can’t get too much taller, can it?  

He shivers, clutching his arms as he stalks up the natural pathway. It’s overgrown and treacherous, but he’s lucky nonetheless that a path exists at all. It only supports his mission – at some point, people were here.  

“’Course, they probably had coats,” he muttered. He’s been talking to himself lately, which isn’t ideal, but whatever.  

He cut through a particularly nasty bramble patch in his way with his katana. It was an old, chipped thing, supposedly belonging to his father at some point. He didn’t have any attachment to the guy; he died before Brad was born. Still, a sword was a sword.  

Not as cool as the Sword of Sanctuary, though. 

Surprisingly, though, today seems to be a good day for Brad. For the past five days, the mountain had only gotten more and more treacherous, trying its best to kill him at every turn. He’s had to dodge wolves, evil birds, navigate horrendously narrow pathways and climb vertical cliff faces. Nothing so far has been easy – except now. The path levels out, the jagged rocks become smooth- 

Water. 

Brad laughs in disbelief. There’s a river! Oh, he’s missed water. He bends at the bank, scooping water in his mouth. It’s cold as it slides down his throat, and he drinks greedily.  

He wipes his mouth, sated, and takes another second to look around. The mountain is starting to level out, and greenery fills the area. The trees are lusher than they have any right to be, bearing fruit that definitely isn’t in season. It’s warmer now, too, which is weird so high up. The ground is crawling with bright green vines, flowering in shades of unnatural gold.  

“...huh,” he says. The Mountain of Impossible Height has been inhospitable to a fault so far. Why is it suddenly so nice? A refreshing river, fruit-bearing trees, smooth pathways?  

“Either something is horrifically wrong or terrifically right,” Brad said, adjusting the strap of his bag as he stood. He followed the path, holding his katana cautiously. But nothing came out at him. Birds literally sang in the treetops, a few does bound through the increasingly thick trees, hell, a butterfly literally landed on his nose at one point. It was as if he’d crossed a threshold.  

Brad soon came to an actual pathway, made up of cobblestone overgrown with moss. He followed the winding road, growing more and more excited as lamps began to dress the grass along the path.  

Then- a monastery.  

Brad gaped at the sight. A large red Torii gate stood before him, and further down the path, a grand monastery. It was gated by a tall solid stone fence, overgrown with flowering vines and moss. Brad whooped, running along the path until he reached the entrance, throwing the double doors open with a laugh.  

He came into a courtyard with a golden dragon statue in the middle. If he wasn’t sure of this place before, he was now. This had to be it. The home of the Sword of Sanctuary.  

He stepped forward carefully, looking around the courtyard. It was wholly abandoned and overgrown in greenery. It was beautiful, yes, but eerie as well. Like a school at midnight, or a graveyard at night. Otherworldly.  

“Hello?” He called, just to be safe. He didn’t want to upset a possible deity or something.  

Nothing. He shrugged and poked around on the wrap-around porch. He slid open the doors inside and recoiled at the smell of dust. Yeah, this place hadn’t been touched for a while.  

He stepped inside, feeling as though he’d come into another realm entirely. Yeah, this had ‘school at midnight’ vibes. The halls were dark, lit only by the fading sunlight that shown through the aged walls and grimy windows. Every step he took made the floorboards creak and groan.  

He followed the hall, humming nervously. He poked his head in every door he came across but just found abandoned bedrooms and bathrooms. There was a large kitchen, a couch and TV – weird – and a small armory. He made his way around the entire monastery, and didn’t find anything of note.  

He sighed, flopping down on the couch. Dust rose up around him, settling on the disturbed surface.  

“Think, Tudabone,” he muttered, running a hand through his hair, pulled back by a red bandana. There had to be something here that would lead him to the sword.  

“A basement!” He exclaimed, smacking his forehead. Of course! Who would leave a mega-powerful legendary sword laying around for anyone to nab? There had to be a hidden room or basement or-  

“Or not,” he said, staring at the ceiling. Outside, he’d made note of the way the roof accommodated what seemed to be two extra rooms stacked on each other above the entrance doors, featuring round windows.  

He vaguely recalled a faint light coming from the very top window, what he’d assumed to be sunlight.  

Well, he’s looked everywhere else.  

Brad quickly ran back outside, looking up at the extra two stories, rising into a tower. The sun was going down now, but the golden light remained in the uppermost window. He grinned and looked for a way to get up to it. The stone around the double gates was crumbling, revealing convenient footholds.  

He crossed the courtyard, hauling himself up the wall until he stood on the narrow shingles, balancing carefully. He slowly put one foot in front of the other, making his way over to the wider part of the roof. When he did, he scrambled over the roof to the second story, holding the red column that supported the roof.  

Brad stretched on his toes, trying to grasp the edge of the second story’s slanted roof. He was a tall guy, but damn! When he finally got his fingers over the edge, he jumped the extra few inches to grab on with his other hand. Brad breathed heavily, swaying lightly from the roof. He grunted as he pulled himself up, using the shingles as leverage until he could awkwardly kneel on the second story roof. The third story was small, and the window was too grimy to see through. But up close, he could definitely tell that the golden light was emitting from this room.  

He fumbled with the round window, searching for a latch. The latch was on the inside, but a little jiggling got the run-down window to slowly creak open. Brad tumbled through, landing on his knees and cutting up his palm with splinters. He hissed, drawing his hand to his chest.  

Inside the room, he felt warmth as golden light bathed his body. He looked up just for his breath to catch in his throat with a gasp.  

The Sword of Sanctuary.  

Brad didn’t need to reference the scroll to know that this was the sword. It gleamed in the sunset, emitting a soft golden light from its spotless blade. The blade seemed to be painted with every color of the waning and rising sun, thrumming with light. Warmth emanated from it, bathing the room in honey. The hilt curved inward elegantly, and in the middle rested a magnificent green gem. Brad couldn’t tell if it was emerald – it seemed too ethereal to come from the earth.  

The sword was held downward by a statue. The statue was a simple androgynous person with intricately carved feathered wings draping their body like a chiton, and a crown resting upon their brow. Otherwise, they were bare. Their eyes were closed, and their expression seemed to leak with sadness as they clutched the sword by the hilt.  

Brad stepped forward, enraptured by the sight of the sword. The green gem, originally inactive, pulsed and light up with light like it had sensed him. Brad stopped, holding his breath. The gem simply continued to glow.  

“Right, right,” Brad whispered, strangely short of breath, “watch out for boobytraps.” He looked around for tripwires or plates but found nothing. The walls were decorated with woven tapestries of the Golden Weapons, and behind the statue on either side were an Oni and a dragon. Otherwise, the room was empty.  

Okay. No boobytraps – maybe it was a test of character? He’d seen books like that.  

“Hey... sword,” he said, feeling a little dumb, “I’m not going to use you for, like, evil. I’m here to save people, so please don’t kill me.” 

He left his katana and satchel on the floor, slowly walking toward the statue. The green gem, somehow demanding more attention than the ethereal blade, thrummed in time with his footsteps, glowing brighter as he got closer. He hoped that wasn’t a bad sign.  

Brad hesitated, reaching for the sword. His hand curled, hesitant, before he used both hands to grab the sword by the curling hilt. The second he laid hands on it, the sword lit up even brighter, shining brighter than the sun.  

Brad shut his eyes against the onslaught of light, grunting, but didn’t let go. The sword was hot, now, but it wasn’t painful. It was like a melty cookie, or a space heater – warm, comforting, soft.  

He squinted, and tugged. The statue’s hands held the sword tightly. Brad braced his feet, trying to adjust for more leverage. “Come on,” he said, tugging again. “Please,” he whispered, “I need you.” 

With each increasingly hard tug, the sword somehow became brighter and brighter. It was audibly humming now, filling the air with a strangely familiar melody. The smell of flowers filled the air, wafting in the dusty room. Wind ruffled the tapestries as Brad pulled at the sword harder and harder.  

He grit his teeth, tightened his hold, and pulled as hard as he possibly could.  

The stone hands around the sword cracked and fell, releasing the sword. With one final burst of light, the sword fell forward, and Brad toppled from the momentum of his pull.  

He stumbled back, breathing heavily, as the sword dimmed, slowly ceasing the thrumming and humming. The wind died down, and the scent of flowers settled with the dust.  

Brad stared down at the sword, its blade gleaming like new, breathless. He laughed, little bursts falling from his mouth. “I did it,” he whispered, disbelieving, “I did it! I got the sword!” 

The winged statue crumbled to pieces. Brad flinched, jumping back, as the stone fell away in chunks. “Ooh,” he winced, “that’s... that’s not a great sign.” 

He waited for something else to happen, but nothing did.  

“...huh. Okay." He looked down at the sword. “You're not going to disintegrate me, right? We’re chill?” The sword did not respond.  

He grinned, readjusting his grip to hold the actual handle. He noticed, belatedly, that the pommel is a second, smaller green gem encased in gold. He holds the sword up high, tilting it back and forth to catch the fading light.  

“Heh,” he laughs, swinging it in a slow arc through the air. He hears an audible swish, and laughs again. He feels so cool! Him, regular old Brad Tudabone, wielding the legendary Sword of Sanctuary with ease! He even feels stronger for it, like he could sprint a hundred miles or punch straight through a mountain. “This is so cool,” he says, cutting another arc through the air. He twirls the sword, taking it the way the light creates a kaleidoscope.  

Brad wonders what the sword can really do. Does it shoot lasers? Is it telekinetic, somehow? Or- ooh, he saw an anime where the sword duplicated itself once, that would epic. He traces the blade reverently, imagining everything the sword could possibly accomplish against the Oni. He notices soft green vines, thin and fragile, curling up from the golden hilt against the sunset blade. He smiles.  

“I bet someone was real lucky to have this,” he thinks aloud, “you’re going to help so many people, y’know. Ugh, I wish you could talk. I want to know everything.”  

As if he’s said some kind of code word, the blade begins to shudder. Brad makes a startled noise, holding the sword at arm's length. The green gem begins to glow brighter than ever, thrumming violently. The blade itself warps, the previously soft hues becoming eye-scorching shades of burning violets and yellows. Brad feels nauseous just looking at it, but he can’t seem to let go.  

“No, no, no-” he gasps, arms shaking from the strain as the sword grows more violent by the second, “please, stop, no, no, no-” he begs, but the sword isn’t listening anymore. It’s gone from elegant and soft to nauseating as colors blend into each other. The hilt itself begins to warp, curling inward as the metal melts into itself. Glowing cracks emanate from the green gem as bright, scorching cracks appear in the sword. Brad gasps, frantically shaking the sword as if he can make it stop.  

Then light like a flashbang overtakes the entire room, blinding Brad, and he falls on his butt.  

Brad comes to slowly, still blinking rainbow spots out of his eyes. He’s pinned to the floor by something on his stomach and legs, and quickly realizes that the weight is moving. He rubs his eyes, propping his upper half up.  

There is a person on his lap.  

Brad gapes, once again speechless. By now, the moon is up, framing the person in a halo of cold light that only accentuates the sheer warmth leaking off of them. They have long golden hair that curls down to their shoulders, fluffy and soft and shining. A light gold and green diadem rests on their head, secured in their thick hair. They’re dressed in a white, sleeveless sort of shirt, ruffled and flowing at the end. The top folds over their shoulders, lined in green and tiny little emerald gemstones. Their legs are covered by a long white cloth that’s secured by another silky material with a gold chain. Their legs are otherwise bare and freckled. Their skin is a soft tan, golden in the moonlight.  

They’re really, really cute. And they’re on Brad’s lap.  

Okay Tudabone, don’t mess this up.  

The person groans softly, face twitching. Their eyelashes are as golden as their hair, and underneath their eyes are soft golden markings, curly and elegant. He can respect the color scheme.  

Brad watches as their eyes flutter open, confused and dazed. Their irises are a beautiful emerald green, shining in every shade Brad can think of. Their pupils are shaped like miniature twinkling stars, again golden. Golden pupils – strange. As they slowly adjust, making confused noises, their pointed ears twitch rapidly.  

That’s really cute, Brad thinks, face hot.  

They seem to realize that they’re sitting on Brad, and stare up at him with giant green doe eyes. Brad’s face gets even hotter the longer they make eye contact.  

“...hi,” they whisper softly. Their voice is oddly familiar, like a melody he’s heard before.  

He swallows thickly. “Hi,” he responds softly, not willing to break the strange spell over the room.  

The blonde looks around, and they don’t seem to recognize their surroundings. “Wh- who- where-” they mutter, and Brad starts to get concerned. He holds them by the arms gently, trying to corral them up off of him.  

“Are you okay?” He asks. The person nods vaguely, slowly wobbling to their feet. Brad notices that their feet are bare with a grimace. They could easily cut their skin on splinters.  

They stare down at their own freckled hands, inspecting their skin. Now that Brad’s had a few seconds to get his bearings, he’s getting really freaked out. Ten seconds ago, he was holding the Sword of Sanctuary when it suddenly began warping and glowing. Now there’s a blonde person dressed in oddly ancient-looking clothes, acting as if they've never seen their own hands before.  

“Hey, are you okay?” He asks again, because he might be freaked out, but this person is obviously not okay. They hum, twisting around to look at him with those giant green eyes. They’re practically glowing in the moonlight.  

“Where are we?" They ask. Brad blinks, surprised.  

“The- the Mountain of Impossible Height. Seriously, are you feeling alright? You seem confused.” 

They touch their forehead, eyes shutting like they’ve encountered a sudden headache. It draws Brad’s attention to the strange golden tattoo imprinted on their forehead like a little tiara.  

“How- who are you?” They demand.  

“Brad,” he answers gently. “Look, I don’t mean to push, but twenty seconds ago I was holding a magic sword. Now you’re here. Where did you come from?” 

“A sword?” They’re suddenly staring at him with intensity. “What do you know about the sword?”  

Brad holds his hands up, trying to calm them. “Hey, I just found it here. It freaked out and boom, here you are. I’m just as confused as you. Here, look.” Brad scooped his bag off the floor, brandishing the worn scroll to the stranger. “Look, this is what I was looking for.” 

They snatch the scroll, eyes raking over it. “...does anyone else know about this?”  

“No, no one else believed me. Why? Really, you just came out of no... where...” Brad trails off slowly. The sword was golden, inlaid with green gemstones that seemed to come from the stars themselves.  

This person speaks with a melodious voice, just as soft and ethereal as the sword. They’re dressed in white, yes, but marked with golden tattoos. Their eyes are such a pure, glittering green that Brad can’t stand to look at them for too long.  

His eyes inadvertently lock onto their chest. Two sparkling green gemstones are imbedded in their skin, softly thrumming.  

“You’re the sword,” he says dumbly.  

They stiffen, eyes wild like a deer in headlights. The two stare at one another, frozen. The blonde – the Sword of Sanctuary who is a person – goes from a terrified stare to a glare. “What do you know about this?” They demand, waving the scroll at Brad. “Why did you come looking for me?” 

“I just found it!” Brad defended, “I was looking for the sword- for you because you’re supposed to be really powerful! Look, you belonged to the First Master, right?” 

“I don’t belong to anyone,” they snarled. Brad nodded.  

“Okay, okay. But still, you’re all about justice and whatnot, right? Look, there’s this huge Oni army, and they’re hurting people. I came looking for you because you were supposed to help.” 

“Oni army?” They ask, their gaze intense.  

Brad nodded. “Yeah, and they’re close to taking over Ninjago City. Can’t you do anything?” 

They hum, tapping the parchment. “How long has it been?” 

“What?” 

“How long has the army been in Ninjago?” 

“Oh,” Brad hummed, “about... fifty years, give or take. It’s been a while.” 

Their eyes grow huge, pupils shrinking. “Fifty years?!” They cry, their harsh grip creasing the scroll. Brad nodded, confused. They clutch at their hair, breaths suddenly coming in sharp gasps. “It’s been fifty years?!” They whisper to themself.  

Brad steps forward, but they recoil as if he’d threatened them with a knife. “Don’t touch me!” They shriek. Brad freezes as they shake in place. Tears begin to grow in their eyes, and their shoulders fall as their face crumples.  

“Fifty years...” they mumble, holding their face in their hand.  

“Have... have you been in that sword this entire time?” Brad asks incredulously. “Why?” 

They shake their head. “I didn’t have a choice,” they mumble miserably, shoulders shaking.  

Brad makes an affronted noise. “Somebody did that to you? Why?! Did you do something evil?” 

“No, I’m not evil!” 

“Then I’ll punch them in the face,” Brad decided, punching his fist into his palm and looking around like the culprit would suddenly appear.  

They let out a startled laugh through tears. “Y-you definitely can’t do that,” they say, wiping their eyes. Brad scoffs.  

“Yeah? Why not?” 

“He’d probably kill you,” they mutter. Their expression crumbles all over again, misery etching their face. “Fifty years...” they mumble, sniffling. “And nobody came for me. Not my uncle... not my brothers and sister... nobody except you.” 

Brad grimaced. “...I do my best?” 

They make a sound between a laugh and a sob. “I-I’m sorry. Brad, right? You probably want an explanation.” 

He shakes his head, reaching out tentatively. When they don’t freak out again, he rests his hand on their arm. “It’s okay,” he says, “you’re upset. You don’t have to explain anything. Actually, I can just fuck off if I’m stressing you out-” 

They shake their head, wiping away any lingering tears. “It’s okay. You came all this way.” 

“Well... okay,” Brad pulls them to the floor so they can sit down. He lets go of their arm once he’s sure they’re not going to topple over. “So, how are you a sword? Or, I guess, how is a sword a person. Which came first, the person or the sword?” 

They shake their head, mixed between amusement and that ever-present misery. “It’s not like that,” they say, “I wasn’t always a sword. I used to be a person.” 

“Oh,” Brad says, “so someone turned you into a sword. But if the sword belonged to that Spinjitzu guy, shouldn’t you be... older?” 

“Nice to know I look young,” they joke. “But yeah, I’m only sixteen. I wasn’t turned into a sword so much as I was fused with it. Like a curse, kind of.” 

Brad nodded. So, this person, whoever they were, was fused with the FSM’s sword? Why the hell would anyone do that just to leave them in some dusty monastery? “Well, if you’re a person first, what’s your name?” Brad asks, tired of not knowing. They blink, surprised, like they hadn’t conceived that Brad would care to ask for a name.  

“...Lloyd Garmadon.” 

Brad gaped. “Garmadon? As in Emperor Garmadon?!” 

Lloyd made a face. “Is that what he’s calling himself? Ugh, my dad is cringy. Yes, I’m the son of Garmadon. He’s... actually the one that fused me with the sword.” 

“His own son? That’s- really fucked up,” Brad didn’t even know how to react. Who does that to their own kid? Was it some sort of twisted immortal being punishment? What could Lloyd have possibly done? 

Lloyd drew his knees up to his chest, resting his head in the soft white fabric of his tunic. “It’s complicated,” he mumbled, picking at the fine golden threads lining his clothes. “My dad was banished to the First Realm when I was four after he tried to steal the Golden Weapons. I grew up with my uncle and his students, the elemental masters. I became the Green Ninja when I was fourteen, and Garmadon returned when I was sixteen.”  

“You were a ninja? What’s your element?” Brad leaned forward.  

Lloyd smiled wistfully. “The Green element.” 

“What... what is that.” 

He laughed, and Brad blushed at the sound. “I can’t explain it to you. The words don’t exist in a language mortals can comprehend. The closest thing is... energy. The energy within everything.” 

“Wow,” Brad breathed, “it must’ve been epic.” 

“It was,” Lloyd agreed, “it was incredible.” 

Brad hummed, picking at the floor. “If you were so powerful, though, how did Garmadon... swordify? Is that the term? How’d he swordify you?” 

Lloyd’s face spasmed in a mix of embarrassment and regret. “It was my fault,” he mumbled, eyes downcast, “Uncle Wu didn’t want me to fight him. He wanted me kept far away from Garmadon. But after months of no progress, I... I confronted him. I thought I could get him to listen. Instead, he put me in a sword.” 

“But... how?” 

“I was stupid,” Lloyd said, “I refused to fight him. I let myself get tricked, and he... it doesn’t matter,” Lloyd fiercely wiped at his face, erasing any sign of tears before they could appear. “M-my uncle saved me, that’s the point. He stole me back, and changed the curse. Uncle Wu made sure that nobody could use the Green Element, and so long as I’m here, I have free will.”  

Brad’s face screwed up, confused. “Free will? What does that mean?”  

Lloyd’s expression spasmed again, and he stared at the floor, eyebrows furrowed. “I- okay. My father turned me into a sword to use my element. When he did, he stripped away my free will. Basically, whoever picks me up as a sword becomes my wielder, and they control whether I’m human. I physically can’t disobey them.” 

Brad struggled to wrap his head around it. “Like... Ella Enchanted?” 

“Excuse me?” 

“That movie! The girl has to obey everyone, and can’t say no. Like, the stepsisters-” 

Lloyd let out a dry laugh, sniffling. “Actually, yes. Except only my wielder controls me, and they turn me into a sword. I can’t switch by myself.” 

Brad snapped his fingers, “hey, doesn’t that mean that your uncle was your last wielder? Why’d he leave you like this? What a dick.” 

Lloyd shook with laughter. “Good question. Maybe he wanted to protect me, or make sure I didn’t run away again. Not that I could. If I get too far away from a wielder, I just turn back into a sword.” 

“Speaking from experience?” 

Lloyd bit his lip and nodded. Brad scoffed. “I’m going to punch Garmadon in the face.” 

“Good luck with that,” Lloyd said, smoothing out the creases in his tunic. “I, for one, would love to punch my father.” 

Lloyd’s words gave Brad a sudden idea, and he shot to his feet, pacing back and forth. Lloyd watched him from the floor, somewhat wary, but Brad was too caught up in his head.  

“That’s it,” he muttered, running a hand through his disheveled hair, “wait, that’s it!” 

“What is? Punching Garmadon? I’m all for it, but-” 

“No- well, yes, but no,” Brad turned back to Lloyd, who’s head was tilted to the side in confusion. Brad blushed briefly at the sight, before shaking it away. “Lloyd, I’m your new wielder, right? I picked you up, I think I made you human-” 

“It doesn’t work in here,” Lloyd snapped defensively, crossing his arms over himself protectively. “You can’t order me around in the monastery, and I’ll kick your ass if you try.” 

“No!” Brad waved his hands, “No, I wouldn’t do that! I mean, if I’m your wielder, and someone can only control you if they pick you up as a sword, what if I just never turn you into a sword? Loophole!” 

“For what?” Lloyd asked, exasperated. Brad grinned.  

“If no one – especially Garmadon – can ever steal you, then you’re free to use your element without anyone controlling you! I get that you can’t get too far away from me – so we’ll stick together. I’ll take you to Ninjago City, and you’ll kick Garmadon’s ass with your epic element! I can cheer you on in the background, it’ll be great!” 

Lloyd’s eyes grew big as his face went straight back to miserable. “I- I can’t.” He hugged his legs to his chest, looking at anything but Brad as if he was ashamed. Brad deflated, staring down at him.  

“But... why? You’re a ninja, aren’t you? Isn’t fighting evil emperors your whole thing?” 

“No, I can’t use my element,” Lloyd corrected in a small voice. “My element was sealed away in the sword. And since Uncle Wu made it so that nobody could use my element, that means that the Green Element is gone. Nobody, not even me, can use it anymore. I can’t even do Spinjitzu.” 

Brad’s shoulders fell as his excitement flew out of him. “...oh. Well, that sucks.” 

Brad sat back down across from Lloyd, who was curled into himself as if he could hide in the white swathes of clothing. Brad felt kind of silly, now. Like, no duh! Why would an evil warlord leave his prisoner’s power unchained?  

Lloyd sniffled. “I’m sorry, Brad,” he said quietly. “I wish I could help. But I- I can’t leave and let people use me. I can’t just give up my body so people can swing me around and kill people with me. I just...” 

“Hey, it’s okay,” Brad said, scooting closer to Lloyd. He laid a hand on Lloyd’s freckled shoulder, and froze when Lloyd fell into him, leaning on his side. Hesitantly, he wrapped his arm around the demigod, letting Lloyd leach off of his warmth. Lloyd himself was warm to the touch, and Brad’s skin reflected the glow, ever so faint. 

Brad sighed. He was fucked, wasn’t he? Well, at least this wasn’t for nothing. He looked down at Lloyd, and let a smile cross his face. At least Lloyd wouldn’t have to be trapped inside of that sword forever.  

“We might still win anyways,” he mused aloud, mostly just to fill the silence, “I mean, dragons show up all the time to help out, and we still have the Golden Weapons. We’ll be fine.” 

Lloyd hummed, tracing the wood of the floor idly. “Still... I hate to let you down.” 

“No let down here! I came here for a sword and found a friend. Uh... are we friends?” 

Lloyd turned his face up to smile at Brad, green eyes crinkling. The tattoo on his forehead glowed briefly, like Lloyd’s smile couldn’t be contained to his mouth. “Yeah,” he said, “we’re friends.” 

Brad’s face grew hot, and he coughed, looking away before he spontaneously combusted. Lloyd didn’t seem to notice, and drew himself up, dusting off his tunic.  

“Hey, I know I’ve been kind of disappointing-” 

“Not at all!” Brad jumped to his feet, and immediately felt stupid for yelling. Lloyd froze, eyes wide, before he laughed, a light blush covering his cheeks.  

“Anyways. Stay for a while? It’s lonely up here.” 

Brad hesitated. He’d left his mom, who was surely wondering where the hell he was, and Gene was probably worried as well. But looking at Lloyd’s hopeful expression, he couldn’t say no.  

“Sure. You have a garden?” 

Lloyd’s bright golden smile made it all worth it.  

Lloyd led him through the monastery, introducing him to a bedroom that once belonged to Cole Brookstone, the Master of Earth. Brad was astounded to learn how long Elemental Masters truly lived – the same ones Lloyd grew up with over 60 years ago were still kicking, wiping Oni ass.  

“Sorry for the mess,” Lloyd said, gathering the dusty comforter up, “ugh, I hope the washer still works.” 

Brad chuckled, shaking dust off of the pillows. “We’ve got some cleaning ahead of us. I can start on laundry.” 

Lloyd seemed surprised at the offer, before his eyes crinkled in a smile as the little gemstones imbedded in his chest glowed, twinkling like happy little stars. Brad couldn’t help the pink that spread across his cheeks. Man, if Lloyd continued smiling at him like that, Brad thinks he would do anything for him.  

Oh wow, he was whipped. Gene was going to make so much fun of him.  

That is, essentially, how Brad spends the next several days. He and Lloyd unearth ancient cleaning supplies and do their best tackling the dust and grime settled over the monastery. Lloyd, surprisingly adept with technology, tackles the appliances and power while Brad curb stomps the overgrown garden into submission. They both spend hours in the sun and crisp breeze cleaning the courtyard, and every night they do dishes together.  

Just two weeks ago, Brad was adrift. He didn’t know what he wanted from life – just that he wanted more. Now he spends his days in a monastery on the world’s tallest mountain with the oddest boy he’s ever met, and it’s the happiest he’s ever been.  

Lloyd is funny. He’s wry, and sharp, and through his hesitance is cheeky humor that Brad can’t help but find endlessly endearing, even when it’s used to dump buckets of water over his head.  

Somehow, Lloyd Garmadon has made this one of the best weeks of his life.  

Even if he has to leave soon.  

Brad splayed over a sofa in the library, idly flicking through scrolls and books. Lloyd was in the courtyard practicing katas and what Brad thinks might be Spinjitzu – minus the magic tornado.  

His thoughts are all over the place. On the one hand, he has to go. His mom and Gene will be worried, and he hates worrying them. On the other, all Brad wants is an adventure. Lloyd is quickly becoming a close friend, despite them not really sharing that much about themselves. Brad is just so easily drawn to him – or maybe that’s his raging ‘cute boy’ radar.  

He groaned, staring at the ceiling. If he left, he’d be doing more than leaving behind a close friend – he'd be leaving Lloyd all alone. In fifty years, Brad was the only person to come up here. Who would Lloyd talk to about Starfarer, or beat in Mario Kart, or do the dishes with? He’d be up on this tall mountain all alone.  

He wished there was a way to give Lloyd freedom. He saw the way the demigod looked at into the distance sometimes – like there was nothing he wanted more than to run out of this monastery as fast as possible and never look back.  

“I’m so punching Garmadon,” Brad grumbled, picking up the random scrolls he’d been looking through. Boring stuff, honestly. As he was setting them back in their respective nooks, his eye caught on one, seemingly disturbed. Curiously, he unfurled it.  

A sketch, done in quick, fluid pencil, of the four Golden Weapons. Those things were old news, but what interested Brad was the Sword of Sanctuary in the middle. His eyes roved over the words, and startled as he made out the characters spelling Lloyd’s name.  

“Holy shit,” he whispered, rereading the text in astonishment. He laughed, bouncing in place. “Lloyd! Lloyd, holy shit!” 

A few seconds later, the doors to the library slammed open, and Lloyd burst through the door with his fists up. He deflated when he saw Brad with the scroll.  

“Is... something wrong?” Brad grinned, holding out the scroll.  

“Lloyd, you’ve got to see this. It’s the solution!” 

Lloyd took the scroll, reading carefully. His eyes widened the more he read, clutching the scroll tightly. “This... oh, grandfather.” 

Brad grabbed Lloyd’s wrists, causing the blonde to look up at him. “Lloyd,” he breathed, “this is our answer. We can cure your curse and beat Garmadon.” 

“The Golden Weapons... can break the curse,” Lloyd whispered. A small, hesitant smile grew on his face as hope shined in his eyes. “They- they can get me out of the sword.” 

Hypothetically. The scroll was vague, and seemingly all hypotheticals, but it was hope. Hope for Lloyd, and Ninjago.  

Brad held Lloyd’s hands to his chest. “Then let’s go get them,” he urged. Lloyd shrunk away a bit.  

“But if I leave...” 

“Lloyd, please,” Brad begged. “I’m your wielder, aren’t I? Well, I promise, I will never make you shift. I won’t ever order you around, and I won’t ever ignore you if you don’t want to do something.” 

“But...”  

Lloyd was terrified of losing his free will. From his perspective, Brad could be lying. His words didn’t mean much when they’d known each other for a week.  

“Do you really want to wait around for your uncle to do it?” Brad pressed, desperate. He felt bad for pressuring Lloyd, but he also knew that if they could make this work, then Ninjago would be safe. “Lloyd, we can do this, can’t we? One kickass demigod and a swordsman!” 

Lloyd gave him an unimpressed look. “Are you even trained?” 

“I am... self-taught.” 

Lloyd drew back, staring down at the scroll. Brad sighed, and retracted his hands. “I won’t make you,” he said softly, “If you really don’t want to, then I won’t try to make you. But don’t you want to be free?” 

“And how do I know you won’t just turn me into a sword the second I step out that door?” Lloyd demanded. His voice cracked. “It’s what anyone would do! I- I'm not even a person to you.” 

Brad crossed his arms. “Okay, rude.” 

“What?” 

“Rude! Man, when I have acted like you’re not a person? I mean, you’re a mega powerful demigod, but that’s different than ‘not a person’. I mean it, Lloyd – I won’t force you to do anything.” 

Lloyd furrowed his brows. “I make a pretty kickass sword,” he warned, “you’ll be very sorely tempted. Not to mention all the people that will be after me.” 

“They can’t do anything to you,” Brad reminded with a smile, “not if I never turn you into a sword. Which I won’t, because you’re my friend.” 

Lloyd hummed thoughtfully. “...I’ve been wanting to kick my dad’s ass for a while,” he muttered vindictively.  

“Come on,” Brad said, “adventure of a lifetime!” 

“We’ll have to cross the entire continent.” 

“Road trip!” 

“We’ll be facing down my father’s worst soldiers, and neither of us have powers.” 

“We’ll be crafty. You’re a ninja, aren’t you?” 

Lloyd hesitated, and Brad could tell he was on the precipice. He softened his gaze. “Lloyd,” he said quietly, “you could wait for someone else to come along and free you... or you can free yourself.” 

“Why?” Lloyd muttered. He seemed genuinely curious. “Why risk your life for me like this? You realize that you’ll be in constant danger.” 

“Dude, why wouldn’t I? We break your curse, you get your powers back, and boom! Garmadon defeated, Ninjago saved. Besides,” he blushed, “an adventure? With you? Sign me up.” 

Lloyd fell quiet, his green eyes calculating. The gemstones on his chest betrayed his growing excitement as they began to light up, thrumming with their own melody.  

“Okay,” Lloyd breathed, his eyes brighter than Brad had ever seen them. The sight took his breath away.  

“Okay?” He said. Lloyd nodded vigorously, bouncing in excitement.  

“Yes! Let’s do it!”  

Brad laughed, tackling Lloyd in a hug. The shorter blonde startled, letting out a surprised laugh.  

“I am,” Lloyd said when they pulled away, “so ready to leave this monastery.” 

They find themselves, hours later, at the gate of the monastery. Brad shoulders the bulk of the bags, full to the brim with clothes and food they’d hurriedly packed. They were both itching to get out now. Maybe Brad hadn’t thought this over enough – but how could he deny the chance to stop the Oni army? How could he pass up such a big adventure?  

Lloyd hesitated on the steps, just within the boundaries of the monastery. Brad wordlessly held out his hand for Lloyd to take, smiling softly.  

Lloyd looked down at him, framed by the sunlight shining through his golden hair like a halo. He took a deep, shuddery breath, and grabbed the hand.  

[mrs-stans]

Sebastian Stan’s Crash Course in Becoming Trump

After a long tour of duty in the Marvel universe, the Romanian-born actor is conquering the festival circuit, with starring roles in “The Apprentice” and “A Different Man.”

Illustration by João Fazenda

By Alex Barasch

The actor Sebastian Stan glanced approvingly at the neon signage and old-school menus at the Pearl Diner, in the financial district, the other day. He’s lived in and near New York since he was twelve—around the time Donald Trump swapped his first wife, Ivana, for Marla Maples—and has watched the city evolve. “It’s funny. It’s changed, but it’s also the same buildings,” he said. “And then you’re, like, ‘The buildings are there, but you are not the same.’ ”

Stan took off a white ball cap and ordered coffee with cream; he was jet-lagged, fresh from the Deauville American Film Festival, where he’d received the Hollywood Rising-Star Award. “Rising” is a stretch for the forty-two-year-old, who’s appeared in a dozen Marvel projects, but Stan has lately reached a different echelon. In May, he went to Cannes for “The Apprentice,” in which he plays seventies-era Trump. In Berlin, he’d won the Silver Bear, an award whose previous recipients include Denzel Washington and Paul Newman. “Everyone was, like, ‘Oh, the Silver Bear!’ ” Stan said. “Then you go back and you’re, like, ‘Do we know what the Silver Bear is in America?’ ”

The prize was for his role in “A Different Man,” Aaron Schimberg’s surreal black comedy, which nods to “Cyrano de Bergerac.” Stan stars as a man whose lifelong disfigurement is miraculously reversed; the shoot included a grisly three-and-a-half-hour session spent peeling off chunks of his face.

“The Apprentice” demanded a transformation of a different sort. At the diner, Stan pulled out his phone and swiped through an album labelled “DT physicality”—a hundred and thirty videos of Trump, which capture his tiniest gestures and his over-all mien. Marinating in Trump content was, Stan said cheerfully, “a psychotic experience.” He watched the clips so many times that when the director, Ali Abbasi, asked him to improvise in a scene about marketing Trump Tower, he could rattle off the stats: sixty-eight stories of marble in a peachy hue chosen by Ivana, because, as the real Trump put it in a promo, “people feel they look better in the pink.” (It turned out that he’d also memorized Trump’s lie: the tower is actually fifty-eight floors.)

Growing up in Communist Romania, Stan had just an hour of TV news each night; New Year’s Eve was an event because it meant twelve hours of programming. His instinct for mimicry—he had a habit of imitating family members and neighbors—was the earliest tell that he might be an actor. After he and his mother fled to Vienna, in 1989, Stan got his first credit, in a Michael Haneke film—an experience that nearly put him off show business. “I stood in line with, like, a thousand kids, for I don’t know how many hours—which I hated,” he said. “If I could fucking meet Haneke now, it would be amazing!”

When the family moved again, to America, he experienced pop-culture shock. He binged every movie he’d missed—from “Back to the Future” to “Ace Ventura”—in a pal’s basement. Another friend roped him into the school play. “My high school was really, really small, so I didn’t have a lot of competition,” Stan said. “They were, like, ‘Please be in the play!’ ” Soon he was playing Cyrano himself.

After stints on Broadway, and on “Gossip Girl,” Stan was scooped up by Marvel. “I’ve been lucky to play a character for fifteen years,” he said. The blockbuster paychecks freed him up to explore edgier material. “I, Tonya,” in which he played the ice-skater Tonya Harding’s dirtbag husband, was a turning point. “It allowed me to see that a good director will bring out more in you than you can,” Stan said. It was also his first time portraying a real person—a feat that he repeated in “Pam & Tommy,” as the Mötley Crüe drummer Tommy Lee, and now in “The Apprentice.”

“It’s like learning a piece of music,” Stan said, of nailing an impression. “You’ve got to start out slow—it requires practice. Suddenly, you’re getting it more. You’re still making mistakes—but you’re playing the music. You’re playing the music every day until you can do it in your sleep. That’s when the fun starts.” He sliced the air for emphasis, then caught himself and grinned. “And sometimes it’s months later at a diner, and you’re, like, ‘Why am I doing that with my hands?’ ”