#american crime story 2
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One thing that bothers me about Crimes of Passion 2 is that the whole trial is in Drakovia but they speak English instead of Drakovian.
I understand that they are not going to invent a whole new language for a few chapters, but there are ways to make it clear that the characters are speaking in their native language in an important setting and for such a tense moment of their history (their hypothetical future monarch might be a murderer and one of his siblings might take his place, it feels historically important, wouldn't you agree?) while also allowing MC&co. to understand. For example, Marguerite might translate for them or Luke could've found something to help communication.
My point is, if they are speaking English instead of Drakovian there must be a reason why, and honestly (since highlighting how Drakovia is different from New York is a very big point in the book) I think it'd be fair if they explained it.
#so very american of them#playchoices#choices: stories you play#choices#pixelberry#pb choices#choices stories you play#pixelberry choices#crimes of passion#choices cop#choices cop 2#crimes of passion 2
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Happy Birthday Sterling 🥳🎂🎈🎁🎉
April 5,1976
Buon Compleanno 🥳🎂🎈🎁🎉
5 Aprile 1976
#sterling k brown#actor#world cinema#cinema#movies#film#filmography#cinemetography#drama movies#comedy movies#tv shows#2000s movies#army wives#black panther#hotel artemis#the predator#waves#therhythmsection#american fiction#american crime story#this is us#rendallpearson#the marvelous mrs. maisel#frozen 2#angry birds 2#celebrity#happy birthday
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Guys, I need to know something (if you're american)
#they made us write poems#they had us watch an in depth break down of how a tower falls#in college i bailed every 9/11 because it was a cop school and they all with homeland security senpai would notice them#they showed us videos#they told us stories of where they were#they show pictures#they took us to the pentagon to see the benches#they never talked about the war crimes that followed#they show the interviews with survivors#they always show the interview with those who were orphaned by it#i heard a kid make a holocaust joke and the other kids laughed#but that same kid made a 9 11 joke and they told him that was too far#i have written journals about where i was during the event and been graded on it#every year its the call to arms for teachers to oversaturate the brains of young children with death#they think the children dont see how they hyperfocus on the tragedy#but ive been in 2 active shooter situations in my life and have done more shooter drills than i can count#they force the children to consume the lives lost that day and pick at them like they are meat we have been chewing on for 23 years#this is why so many americans make 9 11 jokes#the government was the first one to make that tradedy a joke by using those lives to justify imperialism#and the edu system made it a joke by baking it into a stars and stripes pie and cramming it into our mouths every year for 8 hours or more#ill tell you that pie tastes more bitter with every damn covid death that was played off like it wasnt a big deal
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#happybirthday @GreggHenry88 #gregghenry #actor #gallatin #startrek #insurrection #zhookan #enterprise #guardiansofthegalaxy #gotgvol2 #gotgvol3 #BladeRunner #BlackLotus #Glee #payback #slither #scandal #supergirl #americancrimestory #channelzero #lookintothefire #therookie
#happybirthday#gregghenry#actor#gallatin#startrek#insurrection#zhookan#enterprise#guardians of the galaxy#gotg vol 2#gotg vol 3#blade runner#black lotus#glee#payback#slither#scandal#supergirl#american crime story#channel zero#lookintofire#therookie
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I wrote a 12 page epilogue to my 2019 comic "Harry Potter and The Problematic Author" because I found, in 2023, that I had more to say. You can also find this comic on my website, and I have PDF copies available on etsy. I may sell print copies at some point in the future.
instagram / patreon / portfolio / etsy / my book / redbubble
Full transcript below the cut.
PAGE 1
Part one: Ruddy Owls!
I was in fourth grade when the first Harry Potter Book was released in the US.
Panel 1: Sometimes our teacher would read it aloud in class. “Mr and Mrs Dursley of number 4 Privat Drive were proud to say they were perfectly normal, thank you very much…”
Panel 2: I was 11 years old when Harry Potter finally broke through my dyslexia and turned me into a reader.
Panel 3: Every night in the summer before sixth grade I waited for the owl carrying my Hogwarts Letter. I cried when it didn’t come. “I have to go to Muggle school!”
PAGE 2
Part Two: Hats
I dedicated myself to being a fan.
Panel 1: I began collecting Harry Potter News article.
Panel 2: I asked my relatives to mail me ones from their local papers. I filled a thick binder with clippings.
Panel 3: I wrote my own trivia quiz
Panel 4: and participated in the one held annually at the county fair. “Next contestant!”
Panel 5: I usually got into one of. the top five spots. I won boxes of candy, posters, stationary, and once a baseball cap. (Hat reads: I survived the battle of Hogwarts).
Panel 6: In high school I sewed a black velvet cape and knitted many stripped scarves.
PAGE 3
Part Three: Double Trouble
Watching the last film in 2011 felt like the final note of my childhood.
Panel 1: I remember driving home from the midnight showing thinking about the end of 13 years of waiting; wondering what would define the next chapter of my life.
Panel 2: That same month I heard of something called Pottermore. “Okay, so there’s a sorting quiz… I already know my house! Patronus assignment? Mine’s a barn owl. Duh!"
Panel 3: You can read the books again but with GIFs? Why?
Panel 4: I lived in a place with very slow and limited internet at the time. Pottermore sounded inaccessible, but also boring. I never joined.
Panel 5: "I’ll just read the actual books again, thanks."
PAGE 4
Part Four: Sweets
In 2016, a series of short stories titled "History of Magic in North America” were released on Pottermore to pave the way for the first Fantastic Beasts Film. These stories display an extreme ignorance of American history, culture, and geography, but the worst parts are the casual misuse of indigenous beliefs and stories. Fans and critics immediately spoke up against this appropriation. Some of the most quoted voices included Nambe Pueblo scholar Dr. Debbie Reese who runs the site “American Indians In Children’s Literature”; Navajo writer Brian Young; Johnnie Jae (Otoe-Missouria and Choctaw), founder of A Tribe Called Geek; Dr Adrienne Keene (Cherokee Nation), a Professor at Brown University who runs the blog “Native Appropriations”, and writers N.K. Jemison and Paula Young Lee.
PAGE 5
Rowling is famous for responding to fans directly on twitter, yet she did not respond to anyone calling out the damaging aspects of “Magic in North America.” Her representatives refused to comment for March 9 2016 article in the Guardian. She has never apologized. All of this, plus the casting of Johnny Depp and the specific declarations of support by JKR, Warner Brothers, and director David Yates left a sour taste in my mouth.
For further thoughts on the new films read The Crimes of Grindelwald is a Mess by Alanna Bennett for Buzzfeed News, November 16, 2018.
PAGE 6
Excerpt from Colonialism in Wizarding American: JK Rowling’s History of Magic in North America Through an Indigenous Lens by Allison Mills, MFA, MAS/MLIS (Cree and Settler French Canadian)
Although Rowling is certainly not the first white author to misstep in her treatment of Indigenous cultures, she has an unprecedented level of visibility and fame, […] One of the most glaring problems with Rowling’s story is her treatment of the many Indigenous nations in North America as one monolithic group. […It] flattens out the diversity of languages, belief systems, and cultures that exist in Indigenous communities, allowing stereotyping to persist. […] It continues a long history of colonial texts which ignore that Indigenous peoples still exist. […] In the Wizarding world, as in the real world, Indigenous histories have been over-written and our cultures erased.
from The Looking Glass: New Perspectives in Children’s Literature Volumn 19, Issue 1
PAGE 7
Part 5: Music
Panel 1: Also in 2016 I discovered two podcasts which radically altered my experience of being an HP fan. The first was Witch Please created by two Canadian feminist literary scholars Hannah McGregor and Marcelle Kosman.
Panel 2: “If it’s not in the text it doesn’t count!” “Close reading ONLY!”
Panel 3: They talk about Harry Potter at the level you’d expect in a college class with particular focus on gender, race, class, and the troubling fatphobia, fear of othered and queer coded bodies, violence against women, white feminism, gaslighting and failed pedagogy in the books. They bring up these issues not because they hate the series, but because they LOVE it.
PAGE 8
These passionate, joyful conversations went off like fireworks in my mind. I had never taken a feminist class before. I gained a whole new vocabulary to talk about the books- and the world.
PAGE 9
Panel 1: The second podcast I started that year was Harry Potter and the Sacred Text, created by two graduates of the Harvard Divinity School, Vanessa Zoltan and Casper Ter Kuile.
Panel 2: They read one chapter per episode through a theme such as love, control, curiosity, shame, responsibility, hospitality, destruction, or mystery. Like Witch Please, they are interested only in the information on the page, not thoughts from the author. The delights and failures of the text are examined in the context of the present day, and new meanings constantly arise.
PAGE 10
What does it mean to treat a text as sacred?
Trusting that the more time we give to it, the more blessings it has to give us.
Reading the text repeatedly with concentrated attention. Our effort is part of what makes it sacred. The text is not in and of itself sacred, but is made so by rigorously engaging in the ritual of reading.
Experiencing it in community.
“To me, the goal of treating the text as sacred is that we learn to treat each other as sacred.” -Vanessa Zoltan
PAGE 11
Part 6: Tooth and Claw
In October 2017, Rowling liked a tweet linking to an article arguing that trans women should be kept out of women’s bathrooms because of cisgender women’s fears. In March 2018, she liked a tweet about the problem of misogyny in the UK Labour Party which included the line “Men in dresses get brosocialist solidarity I never had.” The author of the tweet had previously posted many blatantly anti-trans statements.
Rowlings publicist claimed she had liked the posted by accident in a “clumsy and middle-aged moment.” Yet, in September 2018 she liked a link posted by Janice Turner to her column in the Times UK titled “Trans Rapists Are A Danger In Women’s Jails.”
Screencaps of these tweets can be found in the article “The Mysterious Case of JK Rowling and her Transphobic Twitter History”, January 10 2019 by Gwendolyn Smith (a trans journalist), LGBTQNation.com
PAGE 12
Excerpt from: Is JK Rowling Transphobic? A Trans Woman Investigates by Katelyn Burns
Ultimately, the answer is yes, she is transphobic […] I think it’s fair that she receives criticism from trans people, especially given her advocacy on behalf of queer people in general, but also because she has a huge platform. Many people look up to her for creating a singular piece of popular culture that holds deep meaning for fans from different walks of life, and she has a responsibility to handle that platform wisely. (Published on them.us March 28, 2018)
PAGE 13
Part 7: Home
At age 30, I’m still not over Harry Potter.
Panel 1: I’ve recently found a local bar that does HP trivia nights. “Poppy or Pomona?” “Poppy!”
Panel 2: I currently own an annual pass to Universal Studios so I can visit Hogsmeade.
Panel 3: I love talking to kids who are reading the books for the first time. “Who’s your favorite character?” “Ginny!”
Panel 4: And I’m planning a relisten to the audio books to next year to help me get through the election cycle. “Jim Dale, I’m going to need you more than ever…”
Spoiler from 2023: I did not do this. By mid-2020 JKR had posted her transphobic essay; we were in covid; I never visited Universal Studios again.
PAGE 14
But I do want to learn from her mistakes. I never want to repeat “Magic in North America.” As I write, I will do my research. I will consult experts and compensate them. If a reader from a different culture/background than me speaks up about my work, I will listen and apologize. I KNOW I WILL MAKE MISTAKES. But I will own up to them and I will do better.
PAGE 15
Excerpt from Diversity Is Not Enough: Race, Power and Publishing by Daniel José Older
We can love a thing and still critique it. In fact, that’s the only way to really love a thing. Let’s be critical lovers and loving critics and open ourselves to the truth about where we are and where we’ve been. Instead of holding tight to the same old, failed patriarchies, let’s walk a new road, speak new languages. Today, let’s imagine a literature, a literary world, that carries this struggle for equity in its very essence, so that tomorrow it can cease to be necessary, and disappear. (Buzzfeed, April 14, 2017)
PAGE 16
Harry Potter is flawed, & JK Rowling is problematic. But the books helped me learn a lot:
*One of the greatest dangers facing the modern world is the rise of fascism
*The government cannot be trusted
*Read and think critically
*Question the news: who paid the journalist? Who owns the paper?
*Trust and support your friends through good times and bad
*Organize for resistance
*Educate and share resources with peers
*The revolution must be diverse and intersectional
* We are only as strong as we are united
*The weapon we have is love
MK 2019
PAGE 17
PART 8: EPILOGUE
In 2021 I removed a Harry Potter patch I sewed to my book bag over a decade ago. I took 15 pieces of Harry Potter fanart off my walls. I got rid of my paperback book set, 2 board games, and 8 t-shirt. [images: a Hogwarts a patch with loose threads, a pair of scissors and a seam ripper]
Panel 1: Maia holding up a shirt with the Deathly Hallows logo on it. Maia thinks: “Damn, this really used to be my entire personality.”
Panel 2: The t-shirt gets thrown into the Goodwill box.
PAGE 18
I wrote my zine wrestling with JKR’s legacy in 2019, after her dismissive and racist reaction to indigenous fans and critics of “Magic in North America” and after she had liked a couple transphobic tweets. Since then, she has gotten so much worse.
A Brief Timeline (mostly from this Vox article)
June 2020- JKR posts a 3600 word essay making her anti-trans position clear
August 2020- The Robert F Kennedy Human Rights Org issues a statement about her transphobia, JKR doubles down on her position and returns an award they gave her
December 2020- JKR claims 90% of HP fans secretly agree with her anti-trans views
December 2021- JKR mocks Scottish Police for recognizing transgender identities
March 2022- JKR criticizes gender-inclusive language and legislation
December 2022- JKR retweets trans youtuber Jessie Earl’s critical review of Hogwarts Legacy, starting an onslaught of transphobic harassment towards Earl
December 2022- JKR removes her support from an Edinburgh center for survivors of sexual violence with a trans-inclusive policy and funds her own center which explicitly excludes trans sexual assault survivors
January 2023- JKR tweets “Deeply amused by those telling me I’ve lost their admiration due to disrespect I show violent, duplicitous rapists.” It got nearly 300K likes
March 2023- One the podcast “The Witch Trials of JK Rowling”, hosted by a former Westboro Baptist Church Member, JKR compares the trans rights movement to Death Eaters.
PAGE 19
What are The Witch Trials of JK Rowling?
Panel 1: Maia speaking. “It’s a 7 episode documentary style podcast hosted by Megan Phelps-Roper. Nearly every episode contains interviews with JKR as well as critics, journalists, historians, protestors and fans.
Panel 2: Maia speaking. “In episode 1, JKR speaks more candidly than she has previously about being in an abusive marriage. Her ex-husband hit her, stalked her, broke into her house overlapping with the time she was writing the first three HP books.”
Panel 3: Maia speaking. “What she went through genuinely sounds horrific. I have a lot of sympathy for the kind of life-long traumas those experiences leave.”
PAGE 20
HOWEVER.
It is clear from reading the June 2020 essay on her blog and listening to the podcast, that JKR still to this day feels unsafe. Despite her wealth and privilege she moves through the world with the mindset of a victim. And the group of people she finds most threatening are trans women.
Or rather, she is afraid that allowing trans women in women’s spaces invites the possibility of male predators entering those spaces.
Here’s a direct quote: The problem is male violence. All a predator wants is access and to open the doors of changing rooms, rape centers, domestic violence centers [...] to any male who says “I’m a woman and I have a right to be here” will constitute a risk to women and girls. - from The Witch Trials episode 4 as transcribed by therowlinglibrary.com, March 2023
Image: A stem of Belladonna with flowers and berries.
PAGE 21
Let me introduce here the term: TRANSMISOGYNY. The intersection of transphobia and misogyny, this term was coined by Julia Serano in 2007. Scout Tran, on tiktok as Queersneverdie said: “Transmisogyny occurs in people who have been previously hurt by traditional misogyny. Who have been driven to hate men or at the very least to be scared of men. They will sometimes take out that rage on trans women. (March 2023)
JKR claims to care for trans women and understand they are extremely vulnerable to assault and violence. In her 2020 Essay she wrote: “I want trans women to be safe. At the same time, I do not want to make natal girls and women less safe.”
So she cares about trans women… just less than cis women, and she’s willing to throw all trans women under the bus because of her unfounded, prejudice fears.
PAGE 22
Panel 1: Maia speaking. “JKR claims to have seen data that proves trans women have presented physical threats to other women in intimate spaces, but never cites sources. She also uses “producer of the large gametes” as a definition of “woman”.
What about transmen and nonbinary folks?
Panel 2: Maia leaning on a stack of all seven HP books, the first four Cormorant Strike books and The Casual Vacancy, gesturing to a series of quotes with a tired and disgusted expression.
I’m concerned about the huge explosion of young women wishing to transition and also about the increasing numbers who seem to be detransitioning. * [...] If I’d been born 30 years later, I too might have tried to transition. The allure of escaping womanhood would have been huge. -June 10 2020 essay
I don’t believe a 14 year old can truly understand what the loss of their fertility is.
-Witch Trials episode 4
I haven’t yet found a study that hasn’t found that the majority of young people experiencing gender dysphoria grow out of it*. -Witch Trials episode 7
*No sources cited
PAGE 23
It’s hard to over emphasize how fixated JKR has become on these topics. As of the date I’m writing this, 14 out of her 20 most recent tweets (70%) are in some way anti-trans. She tweets against Mermaids (a UK based trans youth charity), against trans athletes, against gender neutral bathrooms, and in support of LBG Alliance- a UK org that denies trans rights while upholding gay rights. Here are some gems from her archive:
“People who menstruate.” I’m sure there used to be a word for those people. Someone help me out. Wumben? Wimpund? Woomud? -June 2020
War is Peace. Freedom is Slavery. Ignorance is Strength. The Penised Individual Who Raped You Is a Woman. - December 2021
And in response to someone asking “How do you sleep at night knowing you lost a whole audience?”
I read my most recent royalty cheques and find the pain goes away pretty quickly. -October 2022
PAGE 24
Hashtag Ruthless Productions a queer nerd podcast company created a great guide on ethical engagement with HP. Image: the two hosts of Hashtag Ruthless productions, Jessie (They/she) and Lark (he/him).
Stop buying all official HP Products: books, movies, games, toys, etc, Universal Studios tickets, food, merch.* Boycott any new TV series or movies. Instead: buy the books and DVDs used. If you still want to wear HP merch, buy fan-made. Engage only with fan content: fic, podcasts, fanart, wizard rock, etc. Show transphobia is bad for business. None of this will change JKR’s mind. But the Fantastic Beast series was canceled and after record Pottermore sales in 2020, they fell in 2022 by 40%.
*She gets a portion of ALL tickets. In 2019, this was her largest income source. Read the full guide: hashtagruthless.com/resourceguide
PAGE 25
As late as 2019, I was still reading JKR’s murder mystery series. But by the fourth book my experience began to sour.
Panel 1: Maia holding a copy of Lethal White. “The only gay character in this book is a government official who gropes his staff?”
Panel 2: “The only genderqueer character is misgendered and portrayed as a whiny faker?”
Panel 3: “The only Muslim character is disowned by his family over gay rumors?”
Panel 4: “Even the women aren’t portrayed very well…”
Panel 5: “Why is the main female character defined by the rape in her past?”
Panel 6: “Wait, what happens in the rest of this series…?” Maia scrolls on eir phone.
Panel 7: “Is the series heading towards an employee/boss relationship?”
Panel 8: “And has a man wearing women’s clothes to commit assault?”
Panel 9: “Yeah, I’m done. I’m never reading a new JKR book ever again.”
PAGE 26
And as for JKR herself?
As tempting as it might be to tweet your frustrations at her, I don’t recommend it. In 2021, she tweeted, “Hundreds of trans activists have threatened to beat, rape, assassinate and bomb me.” Getting hate online feeds her sense of victimhood and she waves it as proof of her moral high ground. Instead I suggest you block her on twitter, then delete twitter, go to the library and try to find a new book that feels magical.
Stack of books: In Other Lands by Sarah Rees Brennan, The Scorpio Races by Maggie Stiefvater, Gifts by Ursula K Le Guin, Deep Wizardry by Diane Duane, A Deadly Education by Naomi Novik and Gideon the Ninth by Tamsin Muir.
PAGE 27
In “Emergent Strategy” adrienne maree brown writes: You do not have the right to traumatize abusive people, to attack them, personally or publicly, or to sabotage anyone else’s health. The behaviors of abuse are also survival-based, learned behaviors rooted in pain. If you can look through the lens of compassion, you will find hurt and trauma there. If you are the abused party, healing that hurt is not your responsibility and exacerbating that pain is not your justified right.
PAGE 28
Seeing anyone over age 12 wearing HP merch now makes me uncomfortable. Are they ignorant or actively a TERF? I hate wondering how much money JKR has probably poured into anti-trans legislation… This zine is a culmination of my slow breakup with a story that once brought me joy. Now it just makes me angry, tired and sad.
Image: Candle in a fancy holder burned down to less than an inch.
Maia Kobabe, 2023
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Fast Car Masterpost and Prologue
dead on main fic, intro + four chapters.
Summary: The Red Hood starts off his righteous campaign with a lot of nerve but no legal identification that will let him behind the wheel of a car. Public transportation really doesn't have the panache he needs to start off as a fearsome crime lord, so he needs a driver. He finds Danny Fenton, a grungly college student trying not to be noticed by any government agencies or vigilantes.
to subscribe to this post, on mobile open the notes and click the bell on the upper right hand corner of the post. on desktop, open the notes at the bottom and press the bell on the right edge of the notes.
Links will be added to chapter list as the story posts. Chapter one will go up on July 14th. Updates are approximately every other day.
LINKS/ chapter count
chapter 1 | chapter 2 | chapter 3 | chapter 4
prologue
“No, Habibi,” Talia said calmly into the phone. “I will not falsify you an American non-commercial driver's license for motor vehicles. If you cannot prove yourself to Gotham without American motor vehicle operating permissions, you will never prove yourself. Rise above this challenge.” Talia covered the phone for a second but he could hear her talking to someone else about tile options.
“It's an unnecessary challenge,” Jason argued, doing his level best not to let his tone go up. It was undignified to whine. He was a man now. “The important parts of the challenge are the tactical planning and the skills.”
Talia sounded like she was filing her nails. “Tactically plan to take the bus. Or walk. Walking is free and healthy.”
Jason made an indignant sound but she mercilessly hung up. The worst! She made the top three of his worst mother figures, easily.
“She's just doing this so I can't go drinking.” He scowled into the air. “I don't even want to!” His voice broke mid whine, which was an insult to add to all the injuries visited upon him by the cruel whims of women who weren't even his legal guardian. He was an adult in most countries!
The worst part was that Talia didn't care about underage drinking. She just didn't want to hear shit about enabling him from Bruce when he eventually figured out that Jason was alive, 19, and in Gotham. His passport claimed he was 21 because it had to for him to travel alone, but she knew damn well no one used their passport as ID in bars.
He couldn't just go get a license. Jason sulked viciously and threw himself into fixing his plans to accommodate for this.
He was legally dead and living under a fake name. If he tried to sign up for the driving exam, it'd be too much scrutiny on his paperwork. But he was not taking the bus around as a crime lord. It lacked panache. More importantly, it didn't go where he wanted it to go.
Fine. He didn't need her help. He didn't need anyone's help. He just needed to download Uber.
That was how Jason wound up wiping a mob lieutenant’s blood off of his hand onto his pants so that he could use the guy's touch screen phone. Victor Woodward's account put in a request for a ride to the Gotham police headquarters. He killed time kicking ass in all the Words with Friends games that Victor had ongoing, which was really gonna surprise anyone who normally played with that boob. Victor’s last ever play was ‘cat,’ for fuck’s sake.
A few minutes later, a skinny teenager pulled up in his clanker and opened the door. Jason put on a smile and hefted his duffle bag a little higher on his shoulder.
“Hi! Victor?” The guy, Danny, waved his phone at Jason.
“That's me!” Jason lied breezily. “Can I put this in the trunk?”
“Go for it.” Danny popped the trunk open from inside the car. He watched Jason with his big blue doe eyes.
For an instant, Jason thought that Danny might have seen something. Paranoia reared up. Was there blood visible? Was it easy to tell that the shapes in the bag were heads?”
The moment passed. Danny cleared his throat and whipped his face forwards again. “Normally I say to sit in the backseat, but I'm not sure that's enough room for your legs. Either is fine.”
Jason got in the car and let satisfaction wash over his body as the weirdly timid kid pulled them out into traffic at a snail’s pace. Whatever. They wouldn’t get stopped for a traffic violation when the driver was cautious.
He’d done it. His debut as the terrifying Red Hood, hunter of the wicked and bane of the Batman, was launched. And he didn’t need a license to do it.
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INTO FOLKLORE: a folklore, evermore, & ttpd narrative playlist
The lives of several interconnected townspeople play out alongside their folkloric counterparts, answering the question: can we write our own endings…or are we destined to repeat the past?
insp. 1 2 3 4 5
[listen here] [visuals here] [follow along below↓]
CHAPTER 1: THE ROAD TO THE LOOKOUT 🛣️
gold rush -> exile -> chloe or sam or sophia or marcus -> this is me trying -> i hate it here -> epiphany -> hoax -> the prophecy
APRIL. James abandons a belated love confession over a misunderstanding at prom. Betty explores the folklore surrounding the local lookout, where a spirit still awaits her exiled lover.
CHAPTER 2: CLOSETS OF BACKLOGGED DREAMS 🎥
seven -> robin -> my boy only breaks his favorite toys -> peter -> coney island -> champagne problems -> the bolter -> marjorie -> clara bow -> thank you aimee -> the 1 -> dorothea -> i can do it with a broken heart -> mirrorball
MAY. On the precipice of graduation, aspiring actress Dorothea contemplates a proposal from her childhood sweetheart. 1950s television personality Marjorie Finlay faces a similar dilemma.
CHAPTER 3: FOREVER IS THE SWEETEST CON 🛸
cowboy like me -> I can fix him (no really I can) -> the tortured poets department -> peace -> august -> down bad -> loml
JUNE-AUGUST. James and August indulge in a whirlwind summer romance while hiding their true intentions. In the Summer of Love, two con-artists finally meet their match: each other.
CHAPTER 4: PROMISED TO ANOTHER 🌿
guilty as sin? -> ivy -> the lakes -> but daddy I love him -> illicit affairs -> the manuscript
SEPTEMBER. A 19th-century poet risks a prosperous engagement for true love. An affair between Betty's father and a bright young journalist proves to be anything but a fairytale.
CHAPTER 5: THE LOUDEST WOMAN THIS TOWN HAS EVER SEEN 🐈⬛
willow -> the albatross -> mad woman -> cassandra -> who's afraid of little old me? -> the last great american dynasty
OCTOBER. Inez hosts a Halloween party at a house rumored to be haunted by a historic town pariah. In the late 1600s, a woman is accused of witchcraft.
CHAPTER 6: NO BODY, NO CRIME? 🔍
tolerate it -> the black dog -> right where you left me -> fortnight -> it's time to go -> so long, london -> my tears ricochet -> how did it end? -> no body, no crime -> fresh out the slammer -> florida!!! -> happiness
NOVEMBER. Upon discovering her husband's infidelity, Betty's mother has a breakthrough about a long-forgotten cold case from the late 80s.
CHAPTER 7: 'TIS THE DAMN SEASON 🧣
evermore -> I look in people's windows -> the smallest man who ever lived -> closure -> betty -> imgonnagetyouback -> cardigan -> 'tis the damn season -> the alchemy -> so high school -> long story short -> invisible string
DECEMBER. Conflicts come to a head as everyone returns home for the holidays. The spirit at the lookout finally finds closure.
#tswiftedit#candy swift#taylor swift#ttpd#the tortured poets department#folklore#evermore#photopeablr#tsgraphic#taylor swift graphic#graphics#playlistedit#playlists#long post#ttpdedit#folkloreedit#evermoreedit#*playlists#*intofolklore#my edit
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Surprise Song Master post ~ European Leg
5/9 Paris, FR: Paris + LOML
5/10 Paris, FR: Is It Over Now?/OOTW + My Boy Only Breaks His Favorite Toys
5/11 Paris, FR: Hey Stephen + Maroon
5/12 Paris, FR: The Alchemy / Treacherous + Begin Again / Paris
5/17 Stockholm, SE: I Think He Knows / Gorgeous + Peter
5/18 Stockholm, SE: Guilty As Sin? + Say Don't Go / Welcome to New York / Clean
5/19 Stockholm, SE: Message In A Bottle / How You Get The Girl / New Romantics + How Did It End?
5/24 Lisbon, PT: Come Back... Be Here / The Way I Loved You / The Other Side of the Door + Fresh Out the Slammer / High Infidelity
5/25 Lisbon, PT: The Tortured Poets Department / Now That We Don't Talk + You're On Your Own Kid / Long Live
5/29 Madrid, ES: Sparks Fly / I Can Fix Him (No Really Can) + I Look In People's Windows / Snow On the Beach
5/30 Madrid, ES: Our Song / Jump Then Fall + King of My Heart
6/2 Lyon, FR: The Prophecy / Long Story Short + Fifteen / You're On Your Own Kid
6/3 Lyon, FR: Glitch / Everything Has Changed + Chloe Or Sam Or Sophia Or Marcus
6/7 Edinburgh, Scotland UK: Would've Could've Should've / I Know Places + 'Tis the Damn Season / Daylight
6/8 Edinburgh, Scotland UK: The Bolter / Getaway Car + All of the Girls You Loved Before / Crazier
6/9 Edinburgh, Scotland UK: It's Nice To Have A Friend / Dorothea + Haunted / Exile
6/13 Liverpool, England UK: I Can See You / Mine + Cornelia Street / Maroon
6/14 Liverpool, England UK: This Is What You Came For / Gold Rush + The Great War / You're Losing Me
6/15 Liverpool, England UK: Carolina / No Body No Crime + The Manuscript / Red
6/18 Cardiff, Wales UK: I Forgot That You Existed / This Is Why We Can't Have Nice Things + I Hate It Here / The Lakes
6/21 London, England UK: Hits Different / Death By A Thousand Cuts + The Black Dog / Come Back Be Here / Maroon
6/22 London, England UK: thanK you aIMee / Mean + Castles Crumbling w/ Hayley Williams
6/23 London, England UK: Us w/ Gracie Abrams + Out Of The Woods / Is It Over Now? / Clean
6/28 Dublin, IE: State of Grace / You're On Your Own Kid + Sweet Nothing / Hoax
6/29 Dublin, IE: The Albatross / Dancing With Our Hands Tied + This Love / Ours
6/30 Dublin, IE: Clara Bow / The Lucky One + You’re On Your Own Kid
7/4 Amsterdam, NL: Guilty as Sin? / Untouchable + The Archer / Question...?
7/5 Amsterdam, NL: imgonnagetyouback / Dress + You Are In Love / Cowboy Like Me
7/6 Amsterdam, NL: Sweeter than fiction / Holy Ground + Mary's Song / So High School / Everything Has Changed
7/9 Zürich, CH: Right Where You Left Me / All You Had To Do Was Stay + Last Kiss / Sad Beautiful Tragic
7/10 Zürich, CH: Closure / A Perfectly Good Heart + Robin / Never Grow Up
7/13 Milan, IT: The 1 / Wonderland + I Almost Do / The Moment I Knew
7/14 Milan, IT: Mr. Perfectly Fine / Red + Getaway Car / Out Of The Woods
7/17 Gelsenkirchen, DE: Superstar / Invisible String + "Slut!" / False God
7/18 Gelsenkirchen, DE: Speak Now / Hey Stephen + This Is Me Trying / Labyrinth
7/19 Gelsenkirchen, DE: Paper Rings / Stay Stay Stay + It's Time To Go / Better Man
7/23 Hamburg, DE: Teardrops On My Guitar / The Last Time + We Were Happy / Happiness
7/24 Hamburg, DE: The Last Great American Dynasty / Run + Nothing New / Dear Reader
7/27 Munich, DE: Fresh Out The Slammer / You Are In Love + Ivy / Call It What You Want
7/28 Munich, DE: I Don't Wanna Live Forever / Imgonnagetyouback + LOML / Don't You
8/1 Warsaw, PL: Mirrorball / Clara Bow + Suburban Legends / New Years Day
8/2 Warsaw, PL: I Can Fix Him (No Really I Can) / I Can See You + Red / Maroon
8/3 Warsaw, PL: Today Was A Fairytale / I Think He Knows + The Black Dog / Exile
8/15 London, England UK: Everything Has Changed / End Game / Thinking Out Loud w/Ed Sheeran + King Of My Heart / The Alchemy
8/16 London, England UK: London Boy + Dear John / Sad Beautiful Tragic
8/17 London, England UK: I Did Something Bad + My Boy Only Breaks His Favorite Toys / Coney Island
8/19 London, England UK: Long Live / Change + The Archer / You're On Your Own Kid
8/20 London, England UK: Death By A Thousand Cut / Getaway Car w/Jack Antonoff + So Long, London
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as someone with an interest in costume design, i'm fascinated by goncharov's quasi-nostalgic aesthetic. so many of the clothing choices seem intentionally anachronistic for a soviet crime thriller, not to mention the color palette.
in 1973 this would've been a contemporary drama, and there's an obvious overlap with the wave of early-70s paranoia thrillers (klute, the parallax view) and american cinema generally becoming obsessed with gritty crime dramas. you can absolutely see why scorsese was attracted to this project, but of course, a) this isn't an american movie emerging from american trends, and b) a lot of goncharov's visual choices aggressively *reject* the kind of gritty urban modernity we associate with 1970s movies about sad doomed violent men.
goncharov takes place in the late 1960s or early 1970s, but while katya and andrey's styling is *very* contemporary, goncharov himself is consistently dressed in very sharp early/mid-20th suits and hats. he doesn't even seem to wear synthetic fabrics.
maybe this is just meant to signal that goncharov has very picky (and eccentric) taste in clothes, which falls into a long tradition of antiheroes with snappy signature outfits. (jean-pierre melville's le samouraï came out 2 years before this.) sometimes filmmakers just want their protagonists to Look Cool. however i'm inclined to think there's something more going on here on a thematic level, especially when you combine goncharov's costumes with all the sepia-toned scenery and faux-historical production design elements. the story is rooted in contemporary 1970s politics but goncharov himself is stuck in the past, following a narrative arc that is clearly preordained from the start. so on a thematic level, matteo jwhw7015 is almost positioning him as the protagonist of a historical drama.
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Cassandra Cain Meta List
Ones without a credited author are from me!
Disability
Cass' Disability Throughout the Comics by dailycass-cain
Cass' Ableism Towards Barbara by but-a-humble-goon
Why Disabled People Gravitate Towards Cass by but-a-humble-goon
Something To Be Proud Of by but-a-humble-goon
Cass and American Sign Language by fantastic-nonsense
Cass Using ASL Might Be Ableist by jupitermelichios
Cass is Not Mute by fantastic-nonsense
Gender & Sexuality
Cass and Asexuality by aingeal98 and mysteriousbeetle
Lesbians! (Ft. Kon) by aingeal98
Gender/Sexuality in Batgirl (2000) 1
Gender/Sexuality in Batgirl (2000) 2
Gruff With a Heart of Gold by theflashjaygarrick
Race
Cass and Asian Stereotypes
This is Not a White Saviour Story by theflashjaygarrick
Race and Perception in Batgirl (2000)
Cass Needs Asian Writers by deadletterpoets
What Ethnicity is Lady Shiva? by dragcnlady
Morality & Beliefs
Batgirl #19 is About a Hate Crime by lilacsandlillies
Nobody Dies Tonight by aingeal98 and magnetoeisenhardt
Punishment Vs. Redemption by magnetoeisenhardt
Might is Right by but-a-humble-goon
Remorseless Killers by but-a-humble-goon
Cass is Pro-Crime by but-a-humble-goon and littlemissonewhoisall
Mothers & Fathers
Parental Love and Batgirl #37 by aingeal98
Cass' Devotion to Bruce by fantastic-nonsense
The Person Or the Mission? by aingeal98
Cass and Her Mothers by but-a-humble-goon
Cass Has Two Mothers by teleportationmagic
Cass & Jason
Let Things Be Messy by fantastic-nonsense
Murder Victim and Murderer
Cass and Jason Are Foils by celestialdevils
An Extension on Jason by aingeal98 and tumblingxelian
Parallels by trust-and-jump
Miscellaneous
Why Batgirl (2000) Was Cancelled by dailycass-cain
Why Dick Was a Dick in Batgirl (2008) by dailycass-cain
"Stop!" by anniebuddy
Cass and Helena by gracefulplant
Cass and Tim by bitimdrake
Cass and Dick
Cass, Damian, and the Batman Mantle by marinsawakening
Cass and Onyx by mysteriousbeetle
Cass in Gates of Gotham
The Batgirl Mantle by franollie
Thank you to @sasheneskywalker and @but-a-humble-goon for helping me find a lot of these!
#cassandra cain#batman#meta list#batgirl#meta#will update if i find any new ones!#you have no idea the psychic damage i endured trying to find race metas for cass#the horrors i have seen#please give me more good cass race metas why are there so little and half of it is the silent asian thing!! ENOUGH!!#there are more interesting things to discuss than the question of whether she's a racist character or not#anyway thank you theflashjaygarrick and deadletterpoets for being the two blogs i trust with cass cain race takes
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Like many Americans I’ve spent my life immersed in these distorted stories about both world wars. I’m aware enough that my perception has been manipulated to want to address it but I don’t know where to start. Are there any readings or other media you recommend to this end?
heres a post i made a while ago with sources on american support for fascism and complicity in the holocaust
also recommend ken burns documentary the us and the holocaust, made a post about it here
for general history on relationship between fascism and capitalism- blackshirts and reds by michael parenti
the main things i see in pop culture american ww2 historiography is 1. downplaying the decisive role the ussr played in defeating fascism and the extent of nazi war crimes and genocidal actions against soviet citizens 2. revising us motivations for entering the war and attitudes towards fascism and towards jews before/during ww2 3. erasing how much the anticommunism of western leaders was a factor in "appeasement" 4. just complete lack of understanding of what nazism was both ideologically and in practice. i have some more links to stuff about fascism specifically here.
also recommend the documentary the sorrow and the pity about french collaboration and attitudes towards fascism. and the book nazi europe and the final solution is a collection of academic essays on the holocaust. george mosse who i mention in one of the linked posts has written a lot of cultural history of germany and nazism. and detlev peukert also
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In a weird way, as a Jew, I can kinda take Normal Antisemitism™️.
I mean, I understand where right-wing racists are coming from when it comes to their antisemitism. At the end of the day, theirs just comes from fear, replacement theory, etc… It’s easily identifiable. 2+2=4. Yea its shitty, but I see how they got from A to B and it’s a straight line.
But left-wing antisemitism?? Like, how does that happen? I thought the left was about supporting minority groups, encouraging them to speak and be heard. But all I’m seeing from leftists these days (I myself being super fucking liberal, left, etc…) is just waves and waves of antisemitism. And yes it has to do with Israel, but these people are incapable of criticizing the Israeli government without going “all Jews are responsible!” in the process. It's infuriating.
Are all the the world’s Jews, millions of which live OUTSIDE of Israel, now responsible for Israel’s actions? I'M a stupid American! I’ve never even BEEN to Israel, much less know the intricate details of a geo-political conflict whose complexities go willfully unlearned by armchair activists in favor of yelling in all caps for 140 characters.
But what really gets me, and I mean REALLY get me about the whole situation, is the hypocrisy.
Remember how awful it was when we saw waves of Islamophobic hate crimes after 9/11, American Muslims with no ties to al-Qaeda being targeted for the faith those terrorists claimed to represent?
Or do you remember standing against the wave of anti-Asian hate crimes that was spurned on by COVID falsehoods? The “China virus” as Trump so eloquently put it? You remember being pissed about that, not blaming Asian Americans but standing with them against hate?
And hell, I’ve heard there has been a rash of Islamophobic attacks again because of the Israeli-Gaza conflict. That’s fucking awful, and I will stand against that bull shit because it does not belong here, end of story.
But now there are also antisemitic attacks, hate crimes, being perpetrated around the world. And who are the perpetrators now? The left that stood against everything else. There's no widespread ally-ship for Jews like me. There's no sweeping social media campaign, no catchy hashtag, no ice bucket challenge.
Why am I allowed to be condemned for what a country on the other side of the world is doing, when I have nothing to do with it? Why can I have the finger pointed at me when I don’t want the fighting in the first place? Why must Jews be allowed to be the target of this ire when it's already been decided that other ethnicities/religions don't deserve it either?
Now, I am PROUD to be Jewish; it is my culture, in my heritage, in my literal blood. It is in my genetics, my bones, my spoken language, it is in the holidays I celebrate, the philosophies I live by.
But it is also in the generational trauma of my mother insisting I have a passport as a young child, not because we were traveling, but in case we had to flee. It is in her inherent distrust of the government; a card-carrying Democrat all her life, she would always remind me, "if you don't think the government can't turn on you, you're kidding yourself." It is her constant reminders that as a Jew, our assimilation is conditional, our acceptance is political. I felt these, but never as strongly as she did. Not until now.
I am third generation American, and yet I feel like an outsider in the only country I have ever known. People who I thought understood, who were my friends, who marched with me against the injustices of the world, are now calling after Jews to answer for Israel's actions.
I say I don't want the violence to persist and I'm told that I'm, "one of the good ones". I'm told hurt Israelis don't deserve sympathy because, "all Jews are rich anyway, right? Who cares." I tell them my fears about the rising antisemitism and wearing my star of david necklace out. I'm told, "it doesn't matter, you're white anyway."
For the first time in my life, the racists aren't just some crazy KKK members. They're not just Nazis marching around with beer bellies and ill fitting helmets. It's not just some screeching street preacher who claims I'm going to hell after he caught the glint off my star of david necklace. If needs be, I can kick and punch my way out of those. They're just idiots. Isolated, concentrated incidents. It'd be a good story to tell at a bar the next day though a gap-toothed smile and a sling on my shoulder.
But now, both sides are coming after me and my people. Now, it's not just idiots who have all of their views backwards; it's people I thought I could trust to have my back, to go down swinging with me against those Nazis. Right. Left. It's everywhere. There's no escape.
It's coming from all sides. It's coming from social media platforms, from dinners with friends, from posters on street lamps.
I live in one of the safest, most Jewish neighborhoods in America, and for the first time in my life I am truly scared.
#jumblr#antisemitism#judaism#jewish#I'm just so tired of it all#I wasn't an anxious person before this#racism#long post I guess#can we go back to the days of punching Nazis?#life was simple
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During the Troubles, Civil Rights Leaders went to Ireland to learn about the plight of the Irish people and to support their fight against colonialism.
Standing on the success of their nonviolent principles which led to civil liberties here (to whatever degree the CRM was successful) and in their ignorance of the history of Ireland, they tried to get the IRA to adopt nonviolent, peaceful civil disobedience.
At the end of their tour of Belfast, where they learned the history and politics of Irish resistance, all of them come to the conclusion that here violence is necessary. The Irish have exhausted all other means including nonviolent ones. Even if some of the CRM leaders maintained nonviolence as paramount, they understood that certain exceptions must be made because — regardless of if they approve of violence or not — their job is to support colonized people and follow their lead.
There is a lesson here that we should apply to the Palestinian struggle.
I’ve seen people pearl clutch over seeing so many dead Palestinians as part of the colonial violence of the camera. This misses the point of why those images are being shared.
Last decade many Black americans, myself included, talked about the commodification of Black death. videos of state murder plastered on every news channel 24/7, going viral across social media platforms connected to the legacy of lynching postcards and gator bait. We demonstrated that those videos rarely got an indictment and only once a conviction. Many of the families of these victims of police murder made it clear they don’t want the image of their loved one to be of death. The reason why we share Michael Brown’s graduation photo instead of the photo of his corpse is because Lesley McSpadden demanded it. With all this in mind, we understand that in most cases the sharing of those images are antiblack.
The Palestinians do not have that history. The Nakba never happened, despite israelis calling this the second Nakba. genocide joe said 40 israeli babies were beheaded after it was found out that the story was some wingnut footsoldier’s lie, not even official israeli hasbara. It was like 2 weeks ago that genocide joe said the number of murdered Palestinians (at the time around 5,000 Palestinians were martyred — the number is now over 10,000) was a Hamas lie.
Linguistically there is no murdered Palestinian. All the headlines read “x amount of israelis killed and some palestinians died”. visually there is no dead Palestinian. official israeli hasbara is trying to flood social media with videos of patient-actors getting into place in Indonesian medical training programs to “debunk” the countless videos of martyred Palestinians.
The denial of the scale of israel’s genocide of the Palestinians is so bad that reporters in Gaza are holding dead children in front of press cameras because Palestinians do not die and are not murdered.
The profit motive of these images is actually in their absence. not their over saturation like with Black americans. The west needs israel as a destabilizing force in the middle east. The strategy of the western media then is to bury these images, to not give them a second of attention. So logically the Palestinian strategy is to proliferate these images to show just how horrifying israel’s crimes are.
Two things can be true at the same time; what works for you doesn’t necessarily work for me etc.
The other thing i’m seeing are liberal frameworks to understand genocide. Of particular ire is desirability politics. *jujubee voice* just say white supremacy.
Desirability is tertiary at best. israel is genociding Palestinians because they want control over Gaza and the West Bank (and Lebanon too). They are not genociding Palestinians because Palestinians are “undesirable.” They make Palestinians undesirable to justify taking their land. Talking about this psychoanalytic bullshit distracts from the primary reason for the displacement and mass murder of Palestinians: the taking of their land.
~*desirability*~ is just one way that israel tries to justify its crimes. Desirability is a circular logic that can only make sense once you manufacture its premise irl. It means nothing without the material conditions it claims are true. Its super easy to call someone an animal after you put them in a cage. It’s super easy to call a people dirty savages after you restrict their access to water. It’s super easy to call someone violent after you sequester them in small, barely livable spaces and stress them with bombings and check points.
It’s also — there’s a way in which opposition to something reifies the very thing that you oppose. Toni Morrison continues to beat everybody’s ass. What does it do when you see a baby with half a skull and say “this happened because she is undesirable”? Undesirable to whom? Not me.
Palestinians are not so passive as to oppose white supremacy and desirability. The Palestinian people are a proactive people. Palestine is the issue. Palestine has a people. Palestine has an ecology. Palestine has life. Palestine is life. Palestinians fight for life. life can neither exist nor blossom under white supremacy.
Any analysis that does not begin with this is a distraction. And distractions only benefit the colonizers.
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Updated as of 6/30
The Eras Tour *Surprise Songs*
Taylor said her goal is to not repeat each show’s surprise songs so I thought it would be fun to track them as the tour goes on! Black strikethrough is included in the main set list. Purple strikethrough are included in the main set list but have been switched up at some show/s. Blue songs Taylor played but might be repeated due to messing up.
Taylor Swift
Tim McGraw (3/17) • Picture to Burn • Teardrops on My Guitar (5/5) • A Place in This World (4/22) • Cold as You (4/23) • The Outside • Tied Together with a Smile • Stay Beautiful• Should’ve Said No (5/19) • Mary’s Song (Oh My My My) • Our Song (3/24) • I’m Only Me When I’m with You (6/30) • Invisible (5/20) • A Perfectly Good Heart
Fearless
Fearless • Fifteen (5/6) • Love Story • Hey Stephen (5/14) • White Horse (3/25) • You Belong With Me • Breathe• Tell Me Why• You’re Not Sorry (4/21) • The Way I Loved You • Forever & Always (5/13) • The Best Day (5/14) • Change • Jump Then Fall (4/2) • Untouchable • Come In With The Rain • Superstar • The Other Side Of The Door (4/28) • You All Over Me (6/3) • Mr. Perfectly Fine (6/16) • We Were Happy • That’s When • Don’t You • Bye Bye Baby • Today was a fairytale (4/22)
Speak Now
Mine (5/7) • Sparks Fly (5/5) • Back To December • Speak Now (4/13, Taylor restarted part of the song but did not confirm it could be played again) • Dear John (6/24) • Mean (4/15) • The Story Of Us (6/17) • Never Grow Up • Enchanted • Better Than Revenge • Innocent• Haunted (6/9) • Last Kiss • Long Live • Ours (3/31) • If This Was A Movie (6/23) • Superman
Red
State Of Grace (3/18) • Red (5/21) • Treacherous (4/13) • I Knew You Were Trouble • All Too Well • 22 • I Almost Do (6/9) • We Are Never Ever Getting Back Together • Stay Stay Stay • The Last Time (6/16) • Holy Ground (5/27) • Sad Beautiful Tragic (3/31) • The Lucky One (4/2) • Everything Has Changed • Starlight • Begin Again (4/23) • The Moment I Knew (6/4) • Come Back… Be Here (5/12) • Girl At Home • Ronan • Better Man (5/19) • Nothing New • Babe • Message In A Bottle • I Bet You Think About Me (4/30) • Forever Winter • Run • The Very First Night • All Too Well – 10 Minute Version
1989
Welcome To New York (5/28) • Blank Space • Style • Out Of The Woods (5/6, Taylor confirmed it might be played again) • All You Had To Do Was Stay • Shake It Off • I Wish You Would (6/2) • Bad Blood • Wildest Dreams • How You Get The Girl (4/30) • This Love (5/13) • I Know Places • Clean (4/1, Taylor confirmed it might be played again, 5/28) • Wonderland (4/21) • You Are In Love • New Romantics
Reputation
…Ready For It? • End Game • I Did Something Bad • Don’t Blame Me • Delicate • Look What You Made Me Do • So It Goes… • Gorgeous (4/29) • Getaway Car (5/26) • King Of My Heart • Dancing With Our Hands Tied • Dress • This Is Why We Can’t Have Nice Things • Call It What You Want • New Year’s Day
Lover
I Forgot That You Existed • Cruel Summer • Lover • The Man • The Archer • I Think He Knows (5/21) • Miss Americana & The Heartbreak Prince • Paper Rings (6/23) • Cornelia Street • Death By A Thousand Cuts (4/1, Taylor confirmed it might be played again) • London Boy • Soon You’ll Get Better • False God (5/27) • You Need To Calm Down • Afterglow • Me! • It’s Nice To Have A Friend • Daylight (6/24) • All of the Girls You’ve Loved Before
Folklore
The 1 (replaced IS multiple shows) • Cardigan • The Last Great American Dynasty • Exile with Bon Iver • My Tears Ricochet • Mirrorball (3/17) • Seven (spoken, 6/17) • August • This Is Me Trying (3/18) • Illicit Affairs • Invisible String (replaced by T1 multiple shows) • Mad Woman (4/15) • Epiphany • Betty • Peace • Hoax • The Lakes (6/2)
Evermore
Willow • Champagne Problems • Gold Rush (5/12) • Tis The Damn Season • Tolerate It • No Body, No Crime • Happiness • Dorothea • Coney Island (4/28) • Ivy • Cowboy Like Me (3/25) • Long Story Short • Marjorie • Closure • Evermore (6/30) • Right Where You Left Me •It’s Time To Go
Midnights
On 4/14 Taylor changed the rule: ALL SONGS ON MIDNIGHTS MAY BE REPEATED. I’m adding the dates to the midnights surprise songs but they will remain in black text since they can be repeated.
Lavender Haze • Maroon (5/26) • Anti-Hero • Snow on the Beach (3/24) • You’re on Your Own, Kid (4/14) • Midnight Rain • Question…? (5/20) • Vigilante Shit • Bejeweled • Labyrinth • Karma • Sweet Nothing • Mastermind • The Great War (4/14) • Bigger Than the Whole Sky • Paris • High Infidelity (4/29) • Glitch • Would’ve, Could’ve, Should’ve (5/7) • Dear Reader • Hits Different (6/4)
Other
I don’t wanna live forever (6/3)
#reach out if I’m missing anything#eras tour#eras tour set list#surprise song#Taylor swift#taylor nation
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How to screw up a whistleblower law
I'm touring my new, nationally bestselling novel The Bezzle! Catch me THIS WEDNESDAY (Apr 17) in CHICAGO, then Torino (Apr 21) Marin County (Apr 27), Winnipeg (May 2), Calgary (May 3), Vancouver (May 4), and beyond!
Corporate crime is notoriously underpoliced and underprosecuted. Mostly, that's because we just choose not to do anything about it. American corporations commit crimes at 20X the rate of real humans, and their crimes are far worse than any crime committed by a human, but they are almost never prosecuted:
https://pluralistic.net/2021/10/12/no-criminals-no-crimes/#get-out-of-jail-free-card
We can't even bear to utter the words "corporate crime": instead, we deploy a whole raft of euphemisms like "risk and compliance," and that ole fave, the trusty "white-collar crime":
https://pluralistic.net/2021/12/07/solar-panel-for-a-sex-machine/#a-single-proposition
The Biden DOJ promised it would be different, and they weren't kidding. The DOJ's antitrust division is kicking ass, doing more than the division has done in generations, really swinging for the fences:
https://pluralistic.net/2024/03/22/reality-distortion-field/#three-trillion-here-three-trillion-there-pretty-soon-youre-talking-real-money
Main Justice – the rest of the DOJ – promised that it would do the same. Deputy AG Lisa Monaco promised an end to those bullshit "deferred prosecution agreements" that let corporate America literally get away with murder. She promised to prosecute companies and individual executives. She promised a lot:
https://pluralistic.net/2024/03/22/reality-distortion-field/#three-trillion-here-three-trillion-there-pretty-soon-youre-talking-real-money
Was she serious? Well, it's not looking good. Monaco's number two gnuy, Benjamin Mizer, has a storied career – working for giant corporations, getting them off the hook when they commit eye-watering crimes:
https://prospect.org/justice/2024-04-09-reform-groups-lack-of-corporate-prosecutions-doj/
Biden's DOJ is arguably more tolerant of corporate crime than even Trump's Main Justice. In 2021, the DOJ brought just 90 cases – the worst year in a quarter-century. 2022's number was 99, and 2023 saw 119. Trump's DOJ did better than any of those numbers in two out of four years. And back in 2000, Justice was bringing more than 300 corporate criminal prosecutions.
Deputy AG Monaco just announced a new whistleblower bounty program: cash money for ratting out your crooked asshole co-worker or boss. Whistleblower bounties are among the most effective and cheapest way to bring criminal prosecutions against corporations. If you're a terrified underling who can't afford to lose your job after narcing out your boss, the bounty can outweigh the risk of industry-wide blacklisting. And if you're a crooked co-conspirator thinking about turning rat on your fellow criminal, the bounty can tempt you into solving the Prisoner's Dilemma in a way that sees the crime prosecuted.
So a new whistleblower bounty program is good. We like 'em. What's not to like?
Sorry, folks, I've got some bad news:
https://www.corporatecrimereporter.com/news/200/stephen-kohn-on-the-justice-department-plan-to-offer-whistleblower-awards/
As the whistleblower lawyer Stephen Kohn points out to Russell Mokhiber of Corporate Crime Reporter, Monaco's whistleblower bounty program has a glaring defect: it excludes "individuals who were involved with the crime." That means that the long-suffering secretary who printed the boss's crime memo and put it in the mail is shit out of luck – as is the CFO who's finally had enough of the CEO's dirty poker.
This is not how other whistleblower reward programs work: the SEC and CFTC whistleblower programs do not exclude people involved with the crime, and for good reason. They want to catch kingpins, not footsoldiers – and the best way to do that is to reward the whistleblower who turns on the boss.
This isn't a new idea! It's in the venerable False Claims Act, an act that signed into law by President Abraham Lincoln. As Kohn says, making "accomplices" eligible to participate in whistleblower rewards is how you get people like his client, who relayed a bribe on behalf of his boss, to come forward. As Lincoln said in 1863, the purpose of a whistleblower law is to entice conspirators to turn on one another. Like Honest Abe said, "it takes a rogue to catch a rogue."
And – as Kohn says – we've designed these programs so that masterminds can't throw their minor lickspittles under the buss and collect a reward: "I know of no case where the person who planned or initiated the fraud under any of the reward laws ever got a dime."
Kohn points out that under Monaco, the DOJ just ignores the rule that afford anonymity to whistleblowers. That's a big omission – the SEC got 18,000 confidential claims in 2023. Those are claims that the DOJ can't afford to miss, given their abysmal, sub-Trump track record on corporate crime prosecutions.
If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2024/04/15/whistleblown/#lisa-monaco
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OK OK CHAINSAW MAN THOUGHTS FOR THIS CHAPTER UHHH i haven't done this in a while.
love, love the continuation of the previous chapter's yoru pointing up into these regular americans pointing up (possibly giving the gun devil more strength inadvertently?). this series of chapters is gonna be such a treat to read once it's put into a volume
lots of talk about how "freedom" and "gun" sound almost the same in japanese and this is clearly a dark pun, but the thing i also really love here is.... the arm symbolizing the "light"/flame of america/american styled "freedom" falling and replaced by a gun. the bit of the gun devil clearly having emerged FROM the statue, crawling out of it and revealing its ghastly interior, the sham it's always been. fujimoto's works starting with fire punch have always been obsessed with the idea of the image/representation and the many truths it disguises, how ugly realities are turned into stories, or propaganda, or even into merchandise to be bought, sold, covered up, used as justification for idleness or atrocities. belief is what makes devils powerful. the statue of liberty symbolizes deep held beliefs that America is all about pursuing dreams and protecting freedom, no matter what america's actual past and present actions reflect upon it. this is just the nature of that symbol and what it represents laid bare for all to see!
one of part 2's greatest strengths and worst weaknesses has been asa's passivity--which fits thematically, and makes her character that much more realistic and interesting when fujimoto bothers to draw her and put her emotions center stage (and makes it that much more depressing when she barely has a role outside of gawking at new information). but see this--this! this is what i want! this is what makes asa's passivity so devastating as a character! the exchange here is SO perfect, from yoru having committed the crime to asa suddenly being in her place, witness to the atrocity she's let herself be an accomplice to--and by extension, having committed it herself! we've seen that most of her power is fueled by guilt and regret--something that comes to her so, so naturally. and now she's confronted with it. with the results of her actions, of her dreams and attempts to save chainsaw man (to have a friend/someone who could love and understand her). the results of her passivity vis-à-vis yoru. she's committed this atrocity, essentially. she can't hide behind yoru for it. this is her body too.
just an unbelievable panel. the hole looks like it's *bleeding*, like a bullet wound on a corpse. sick sick sick!
see what i mean re asa's passivity being so compelling when used right. how could i forget? how could i get so comfortable? gd. also yoru's laugh is so good she looks so awkward. and most importantly she looks like nayuta did when making fun of asa after making her bark like a dog. sisters!
sick ass design. absolutely TWISTED parallel to when denji last faced the gun devil, with humans helping denji and begging him to save them. TWISTED parallel to makima's "save me, chainsaw man" and asa's own "i'll save you, chainsaw man!". fujimoto king of making narrative parallels so evil you'll feel sick ever rereading the first panels.
yeah uh i'm just gonna drop the parallel here and fucking run and die. isn't it romantic? you understand, don't you chainsaw man? you of all people would get the love involved in this?
the juxtaposition of the ruined city by asa/yoru and the children being led to the slaughter by the japanese government to resurrect denji is just. jesus christ man
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