#although it’s always been her role in the story to just. be there

[twojamie-o-clock]

Thinking about how twojamie is literally perfect for time lord touch telepathy & why the trope is so addicting with them…

like both the Doctor & Jamie having a language barrier of some sort wherever their presence is key during the show—for Jamie, we know in early days TARDIS the translation matrix isn’t really addressed (mind I haven’t seen past Pertwee in classic so if this is discussed I’m not aware of it yet lol) shown in the underwater menace, when they try different languages on the Atlanteans—

and obviously when Jamie is returned home he will face the consequences of the rebellion which will inhibit language again. I think this sets him apart from other companions I’ve met so far since - though not really acknowledged - he always has to speak in his second language & of course is already isolated more than other non contemporary companions because as someone from the past he travels with people in his future, always — like in “The Roundheads” we get a glimpse of how isolated he feels from Ben/Polly in his early days, not just for being the new companion but for being from their distant past, and how he struggles to keep up with them (although interestingly not because they have some closer bond with the Doctor as “senior companions” which you see in like every other companion overlap hshhdkfkal)—

(And not completely off topic, but at Chicago TARDIS Hines mentioned how he was very much isolated on set & that Anneke/Michael were not really pleased to have him at the start - just the addition of a new companion nicking their lines & whatnot - especially since some plans toward the Faceless Ones involved booting Craze while Hines filled his role as token male companion so (taken from 1967 Chronicle included interview with Anneke) that probably bled into the acting/eu a teeny bit even if we all still get the strong familial impression from that crew since Polly as a character is so warming with 2 and Jamie; Polly/Ben’s superstitions combined with Jamie’s general exploration of the sci-fi world that is indistinguishable from magic — most prominently “Something At The Door” — is a really fun way to see how their divisions & complete differences overlap into the same shape but I can’t talk about that here lol).

Of course this kind of language/communicating in general ostracization persists (mildly) with Zoe-era since a huge rock in the TARDIS dynamic is Jamie’s even more apparent lack of understanding with the hard sci-fi shenanigans they encounter (the biggest examples being the Dominators/The Krotons/The Edge but that’s another conversation I think I’m getting distracted lmao)

Going back to literal language while this might be a stretch, at least in e.u. media Jamie’s biggest goal with Victoria regarding language is actually learning how to read & write, something he started sooner (when he reads in Evil of the Daleks) but for sure spent much time learning with her until the Doctor inevitably finished teaching him afterwards, as shown in “story of extinction” & “the dark path” & “the lost” and his literacy in web of fear/the mind robber/the story of extinction itself at the end. So these encounters whether verbal or written always involve others, and it’s with those others that he faces those barriers. (I swear there’s a point to this..)

At the same time, the Doctor has always had this disconnect from companions literally with Gallifreyan & obv w/ culture.

And going off of “The Christmas Invasion,” the translation matrix is linked to the Doctor (again if other media between 4-8 or EU discusses this pls lmk lol):

and you could debate the connection between the TARDIS, the Doctor, the circuit, and the choices made in translation but regardless it enforces the shortcomings of verbal communication whether or not by their own design.

So of course if two characters who interact have for the most part been failed by verbal communication they would probably find another way to understand each other. Like. Say. Touch. Let’s pretend that leads into the point about touch as their natural communication pre/sans telepathy. I’m not going to insert every picture of twojamie because if you read this far you probably already have those in your gallery.

I can’t talk about them leaning into one another because of upbringings and circumstance and timing bc this would never end 😭 but point is if they both struggle to express themselves through language then of course when they care about one another and want to express that, the faulty route is not going to be the one they take. They confide in one another through touch and when they feel like they can’t or don’t want to connect, touch is the first thing to go —

& of course this doesn’t last long (just like the silent treatment,, because that’s what this is on some level beyond this uncomfortable betrayal and jarring moment after so much time growing to trust each other & the sudden change of losing Ben/Polly & it’s just us now added to EOTD - ‘I’m not ready to hear your excuses until I’ve been heard’ bc the communication of intent was so key here as well as ensuing actions….gah) because only moments later Jamie initiates touch:

Which is. At the apparent threat. Of course. And which is also just Hines & Troughton. But over thinking it is cool. haha. 💀💀💀 im losing my mind.

The Doctor is of course always a bit disjointed at the beginning but especially since so much of 1’s development is just learning to interact with & respect human beings, 2 has all of that progress behind her and now applies it. With a new body and companions who don’t quite understand how she fits into it. And then there is Jamie who is just as new. So. I think we’ve all already looked at that sort of shared isolation in their own worlds pre-meeting one another and even on the TARDIS. The Doctor leaving Gallifrey obviously, and then the many, many hints in eu/tv that suggest Jamie feels like he has deserted(his attitude through the Roundheads/twg/slave war I guess……and like yeah deserting has the consequences of. Violent Things. But it’s also def an offense to faith/loyalty being challenged when that’s so key to all his decisions pre/during/post-TARDIS), at least until he’s sort of disillusioned by the Glorious Revolution. That they both literally cannot communicate in their first language with the four people they spend a majority of their time with certainly helps the case that not only has language always been an awkward barrier for them but now more than ever for each other.

Two & Jamie being so tactile they come full circle and just ,,, don’t/can’t communicate verbally is so interesting. (I wrote this ramble when I was trying to write a fic LMAO and the touching comes so naturally but getting any dialogue out of them (that isn’t an argument) is. like chewing tinfoil. And maybe that’s a skill issue on my part but still.)

Squinting through aroace touch-starved goggles (what is fandom if not projecting) it’s neat how this ease with physical affection but awkwardness with verbal defines them as a companion/Doctor duo while also setting them apart from the rest? I don’t think the Doctor will ever be tactful in verbal communication and this lack obv intentionally peaks with 13(thirteenjamie rant coming later jshdjsks) but it doesn’t feel like isolation between Two & Jamie the way it does when they interact with others at times because touch is easier for them. I feel like it’s always addressed as “they don’t need to communicate verbally because they are so comfortable in each other’s skins” but then you see how they read each other so well yet struggle to express it verbally—like they just can’t express it verbally so it has to come out through touch.

Not that it has to be a failure or anything — they have their moments in conversation, too—

(The Dark Path^) but that it’s typically painful and awkward for them. So it hits you in the face since intense discussions always seem to be miscommunications and this hurt of not being able to touch (as most of their arguments appear…aghhhhh) The best examples I can pull are from “That Which Went Away” (I have another ramble coming about this short trip bc it changed my brain chemistry,, AITHAJTNWJA okay,,,) where Two senses Jamie’s comfort around the thanes and thinks he’s going to leave them, but when this conversation gets dragged into the air it just reads like any fic discussions between them do - it hurts.

Aughhh idk I think that’s why no matter how much I enjoy reading fics (this like..extends to eu/bigfinish especially short trips bc those 2k word gems are synonymous with ao3 posting regardless of blurry DW canon non-canon) all these sort of healthy discussions (I buy into this too like I cannot write twojamie to save my life but it’s a process lmfao) will always feel the tiniest inch away from The Characterization Ever because. Without dialogue it would be pretty hard to write LOL and so when that’s used to convey what otherwise is just sooooo done through touch it is awkward. And - in published media or not - when it has to come out through words it’s painful.

While we obviously represent telepathic communication with words it’s nice to see it as way more abstract because we don’t think in clear sentences all the time (we don’t. right. like this isn’t my pea brain being a pea brain) so allowing for a deeper connection that also involves touch is the Thing Ever for them. Pulling from published media so I don’t sound crazy again, all stories that hammer in how close & understanding they are of one another use this, the ease of stepping into one another, even if they don’t always involve touch — “The Jigsaw War” for example. (Which would have been cool for like a s6b line where Jamie’s given forged memories of Zoe instead of Victoria, or if Zoe just actively participated in it anyway, like the questioning about the Doctor working for others…but Alr yapped abt that here lmao) so.

What communication allows for this clear ‘discussion’ without actual words while in pristine touch hdhsjslal I wonder. I wonder. This piece of the Doctor’s biology & culture being shared with Jamie is another level entirely of the trust between them of course but that it combined their method of communication with something personal & so so much more functional is why it’s so AHHH. Especially since trust is faith without knowing & the Doctor so often conceals their past, the exposure in s6b is extreme. Honesty (lack thereof) is usually what inhibits them, and once Two loses all control over hiding parts of themself in s6b another aspect like Time Lord telepathy follows readily. (Given that 2 audios concerning this are set in s6b, and another one is very very suited to s6b)

I won’t spoil “The Green Man” 2DA but it does center on touch telepathy and even without the approved telepathy the touch remains in the following audio “the shroud” as much as it can in the beginning.

So time lord telepathy not only resolves this barrier they could feel w/ others & thus each other but also includes their preferred communication & a piece of the Doctor which not many others might be privy to hdhfjsk. It’s a level of proximity that touch & words can’t provide and im. hhhhh. So. Twojamie touch telepathy!!! It was made for them!! And that’s why we eat it up every time. Or we’re just simple creatures.

Okay. That was absolutely pointless.

Just noting — I took a lot of these examples/ideas to the extreme to make a point & they’re definitely more subtle but I cannot. Pick those up well. Without exaggerating. So I don’t think they faced complete isolation or completely different verbal communication etc nothing will be black and white (lol) but I kinda did that here to make my brain jumble seem a bit clearer.

If I think of more examples/ideas to add I’ll just rb with them but lmk your thoughts

*

Stuff referenced, in case you were interested -

The Roundheads by Mark Gatiss | The Dark Path by David A McIntee | The Jigsaw War/The Edge - companion chronicles | The Green Man/The Shroud - part of the “James Robert McCrimmon” Second Doctor Adventures (I have beef w p1 but the rest r a fun listen) | Something At The Door - Tales of Terror short story | That Which Went Away - short trip from “seven deadly sins” it’s probably my favorite Jamie/Zoe/Two short story I think about it four times an hour | The Slave War - “the quality of leadership” short trip | 1967 Chronicle - modern v of the DW annuals with some quotes from Anneke Wills

[danzainosolitude]

At this point I would’ve preferred them keeping the damsel in distress plot point for Annette. Because. Wdym she was a slave and is now a metalbender. Who the hell are you talking about.

[bwat5-blog]

Pivotal moments for Caitlyn Kirraman

**Spoilers for all of Arcane**

Much Like Vi I wanted to do a run-down of the moments for Caitlyn's character I see as showing us who she is/having the biggest impact for her character. As always I appreciate anyone who takes the time to read these as well all celebrate these amazing characters and story. I feel Caitlyn's arc was massively under-appreciated in season 2 by the fandom and hope this lends itself to backing that up.

*Side Note- I'm doing these in order in her life not necessarily how we see them in the show*

Helping Jayce:

We are not granted a lot of time with young Caitlyn when compared to say, Vi or Jinx, which makes sense of course given the focus of the story. However, what we are given perfectly demonstrate the bedrock of who we come to know. She is shown as bright and curious and eager, helping him carry supplies to the lab. She is also shown even at a young age standing up for Jayce to her parents, sitting out in the rain to speak with him, and as shown above, identifying herself as a misfit. Now on the surface its easy to say she falls into the "rich kid who doesn't belong" trope. But as we come to know her she is truly so much more than that.

Who Do You Shoot For?:

Building on Caitlyn's compassion and defiance in the face of the system she is born into, we have her shooting competition with Grayson. First of all we just get a glimpse into the tough, skilled marksman she will become. But going deeper, we have her interaction with Grayson at the party. Once again she demonstrates that ever-so-polite defiance, humorously confronting the sheriff of Piltover for letting her win. But its their conversation after that's important. The sheriff tells her being skilled with her rife means protecting people, and Caitlyn must decide who she is shooting for. I would liken this to Vi's lessons with Vander. Because while we see Caitlyn go through so much pain and darkness, ultimately when she finds her way back who is she? A leader will go toe-to-toe with anyone for those she wants to protect. For those she shoots for.

The Airship incident:

This our first real moment with Caitlyn as a character and it tells us several important things about her. Leading up to it, we learn her parents disapprove of her being an enforcer, and manipulated her posting to keep her close by for which she is resentful. This is not surprising, as we come to learn her genuine drive to help and make a difference. She goes to investigate the airship alone. We see her detective's mind at work for the first time, playing out the incident. We then see her interaction with a massive, tattooed undercity criminal who is wounded. She is kind, gentle and respectful despite her role as an enforcer. Furthermore, when Marcus confronts her, he says she's interfering AGAIN. Caitlyn may be naïve and sheltered when we meet her, but she is not PLAYING at being an enforcer. She wants to help, and is actively trying to figure out what's going on in the undercity, apparently long before she even meets Vi.

The Hexgem theft:

This marks Caitlyn's first interaction with Jinx, which could not be more important to her Arc. Her very first impression of the woman she could never have known would impact her life so greatly, is a manic terrorist who lights a building on fire and fakes that a child is trapped inside before setting off bombs that kill multiple of Caitlyn's peers. Also of note, although not unexpected with what we have seen from her so far is that she rushes in to help and is the first one to notice the danger despite being a rookie enforcer.

Meeting Vi:

Meeting and freeing Vi is Caitlyn first step into the wider world around her and has immeasurable impact on her character. Her love story with Vi aside (I love it to, its just I could write pages on them alone and I am trying to cover all of her arc in this post haha) we also see her head strong, determined nature in this moment. Remember, she has already been reprimanded for unauthorized investigations into Silco and the undercity. We have been told she has a history of this. When Jayce goes to see her after the explosion she is still investigating, and now she fakes Jayce's authorization to free a woman she doesn't know in order to chase her lead. SHE. WILL. NOT. QUIT. Sound like she may be a good fit for a certain head strong boxer who lacks patience but is always honest? Anyway, the other thing we see here that is a small moment and not unexpected given what we have seen from her, is her disgust and discomfort over how the prison has treated Vi.

Saving Vi Part 1:

Vi is almost certainly about to be killed when Caitlyn intervenes. She accurately strikes Sevika multiple times with her rifle and is controlled and calm. At a first glance her accuracy and skill are plenty commendable. She hits the same spot with accuracy, lands with clear athleticism to join Vi, is calm, collected, confidant and restrained enough not to Kill Sevika. As soon as the threat is passed she tends to her wounded ally. Now here's the thing. I didn't do a bullet point for it, but consider Caitlyn's behavior following Vi down into the lanes. Part of it is of course that it was unfamiliar and shocking when vi took off, and Caitlyn just wasn't used to that sort of thing. But she was kind of adorably clumsy and unsure. She never really moves with confidence and strength, until of course she pulls our a rifle and starts blasting a woman who just stabbed her new friend with pint point accuracy three times. The moment someone's life is at risk Caitlyn shows us this entirely new side of herself. Perhaps the side of her that will someday lead the front lines in the battle of Piltover?

Saving Vi part two:

n Caitlyn's continuing efforts to save Vi we delve deeper into what we have already seen from her. At the very basic level, she barely knows Vi. Yes of course we are seeing the beginnings of their feelings for each-other. But that aside she is a young woman in her early twenties. She has followed this woman she barely knows into this very dangerous place, saved her from being killed, followed her even deeper while caring for her, and now she follows a shimmer mutated Huck to the "Doctor" to save Vi. I went to Netflix and counted while writing this. It takes no more than ten seconds for her to surrender her prized rifle that is likely custom made for her and she clearly loves, all to save Vi's life. She then hugs the grotesquely mutated Huck out of gratitude after being kind to him, and showing him respect for his help. She does not shy away, is not disgusted. And in fact she lunges for the hug. This ties to her conversation with Vi during this ordeal before she gives up her rifle. In which she is speaking on her belief that Zaunites and Topsiders are all just people. She does not see them as different.

The Firelights:

To me this is a massively important point for Caitlyn for a few reasons.

Caitlyn & Vi: They start off bickering. Blaming each other for what they have played close to the vest. But as soon as Vi is taken away what does Caitlyn do? She is concerned and afraid for her. And when she sees Ekko she demands Vi be released and offers herself instead.

in General: She speaks to her desire to see an end to the killing. Its clear she hasn't known how bad things actually are with the enforcers and the undercity, and is understandably resistant at first. But after only a few moments, she acknowledges Ekko would be within his rights to keep the gemstone but "The Cycle of Violence Will Never Stop" (sound familiar?). She quickly agrees to let Ekko be the one to give the stone to the council, still believing in peace and trying to play a part in making it happen.

**Side note: I didn't do a whole point on it because it's really about Vi and Jinx. But we need to make note that before this Caitlyn has her second interaction with Jinx in which Jinx shows herself to be paranoid, unstable and violent**

The Bridge:

The attack on the bridge is immensely impactful on Caitlyn's character and what I like to think of as the true beginning of Caitlyn's destabilization, leading to her descent into the dark. Thus far, we have watched this extraordinary young woman weather some truly insane events when you consider the life she has lead until now. Even still, she has remained poised, brave, respectful and open. Of course she has heard talk about brutality of her people toward the undercity. She has admitted it was wrong and wants to see things made right. But that is very different than the highest member of her organization shooting her new friend in the chest and getting ready to kill her. Its a sudden and violent in-the-moment thrusting of reality upon her that she has no choice but to believe. Furthermore, we mark her next interaction with Jinx, who has now almost killed her a third time, as well as almost killing Vi and they believe having killed Ekko and who knows how many enforcers.

Testifying To The Council:

So I know I am repeating myself some here. But that is intentional. The show is driving home for us that Caitlyn is truly a good person. Everything she has been through up until now with Vi is intense, scary, and destabilizing. She and Vi have very real feelings for each other and we end this section with very sad moment in which it seems hopeless for them. But its leading up to that I want to discuss. Caitlyn stands before the council of Piltover. The richest and most powerful people in her immediate world. With her mother on the council it feels reasonable to assume she knows these people. They probably have watched her grow up. And yet in her early twenties after earning the knowledge the hard way what does she do? She stands before them and calls them out for their failures. Including herself in that. She takes a stand against the neglect by Piltover that made the people of the undercity vulnerable to dangerous criminals. She commends Vi for putting herself at risk in helping Caitlyn, and never throws Vi under the bus as Jinx's older sister. And when Vi gets upset and leaves Caitlyn tries to get her to stay still insisting their must be a way.

Abduction From Home/Dinner Party:

In her next interaction with Jinx, Caitlyn is taken from the safety of her own home, and held hostage until Jinx initiates her dinner party with Vi. The events of the dinner party set the stage for the next chapter of the story dramatically affecting every character we meet, and Caitlyn is no exception. As this is the end of season 1, a brief refresher of who we have come to know up until this point is in order:

Clever, bright and loyal young girl who will defy convention to stand up for those she loves

Tenacious and dedicated teenage girl who doesn't want to earn her victories and is pondering things like who she is shooting for

Dedicated rookie enforcer who will not be deterred from investigating wrong doing and corruption no matter the cost

Open minded and trusting young woman in her early twenties who saves someone she barely knows life, even at the cost of her prized weapon and her own safety multiple times

Displays her desire to see peace with the undercity multiple times and verbally equates the undercity and topsiders in terms of humanity going against the classist behavior of characters like Marcus for example.

Treats Vi with tenderness, loyalty and trust even before they really get to know each-other.

Now. The reason I ran that down again is because THAT young woman in her early twenties is the person you see in the GIF above you. Jinx has now tried to kill her repeatedly. Killed her fellow enforcers. Tried to kill the woman she is having feelings for, even though that woman is her sister. Has abducted her from her bathroom naked, and now has her here. She looks utterly and completely terrified and I don't blame her. And to top it all off, after hesitating to take a shot at Jinx due to her feelings for Vi, Caitlyn is knocked out violently and THEN HAS TO WATCH JINX KILL HER MOTHER.

RETURN TO PILTOVER:

Caitlyn and Vi return to the upper city in the wake of immense tragedy and we see Caitlyn trying to hold it all together. Her whole world has gone black & White except for Violet(s). She is trying so hard to keep it together but already we can see the cracks forming. Even with all that has happened she maintains her testimony of Jinx being the only issue which is instrumental in preventing more violent Piltover retaliation. But we must also recognize her (totally understandable just jarring) desire to end Jinx's laugh forever, Mel's comments to Jayce regarding Caitlyn hiding it well but being in "So Much Pain", and Caitlyn asking Vi to put on the uniform of an Enforcer, when she knows Vi's history. Caitlyn is suffering and trying to hard to hold things together.

The Memorial Attack:

Caitlyn is drowning in grief. Her relationship with Vi is tenuous. She is expected to rise to meet her mothers role in city. She is holding on for dear life to her ideals and perceptions of reality that have shaped her as a person. Now the attack on the memorial is incredible as a fan for many reasons. But for Caitlyn we need to keep two things in mind as we move forward that at extremely impactful in understanding her:

There is no reason to think she and the others would not assume that Jinx had ordered this attack, or at the very least assisted in some way. The last they saw of Vi's sister she had just struck at the very heart of Piltover's government and its entirely reasonable to assume this attack is an extension of that. So I think its fair to say we can consider this Caitlyn's next interaction with Jinx even if its all mental.

Up until now, Caitlyn has never used any broad-stroke negativity toward the people of the undercity. She has addressed individuals, or perhaps a specific group of people in the undercity such as Silco's goons. But never called them Trenchers, Sump rats or any of that other stuff. Here in her rage, we see her refer to the people who attacked as Animals. Now in the moment, its entirely reasonable when pertaining to the attackers. But it is a noticable shift in her that tells us she is already (quite understandably) being swallowed by what happened.

The Strike Team:

Caitlyn leading the strike team into Zaun and utilizing the grey has been the source of much controversy. Its a clear escalation in her willingness to do violence against the undercity but when you consider everything we have talked about its hardly a shock. However, this show does a good job of letting us know Caitlyn is not totally lost to her pain. All we have to do is think critically:

While the use of the grey is extremely dark and absolutely morally questionable, the fandom's decision to portray it as mustard gas/sarin/pick your lethal poison is nonsense. We have seen multiple characters exposed to it multiple times and live. Its debilitating in the moment and uncomfortable and I'm sure is unhealthy over long exposure. Its tear gas.

Caitlyn's small targeted force is the alternative to full-scale invasion with hex tech armed enforcers. As I have said in various posts, by this point in the story Piltover retaliating is not an if. its a when and how bad. Caitlyns plan is the only reason an army of Enforcers does not march into the undercity at this point.

All that to say this. While she is clearly heading down a dark path, excising the hyperbole of the fan-base determined to demonize her and taking into account the whole of the circumstances surrounding this part of the story we are shown Caitlyn is still in there. But she is losing the fight with her inner-demons.

The Kiss:

We all cheered here. I did. You know you did. But I think we all knew the heartbreaking truth here as well. It was far too late for her to keep her promise to Vi. And in truth, it wasn't a fair thing for Vi to ask (BEFORE YOU COME FOR ME- Vi is my favorite character, and I have written extensively in her defense against the absolutely inane criticisms people have been levelling at her character). It's not Vi's fault, she has lost everyone she loves and is terrified watching the last person she has left be warped by the darkness in their lives. But when you consider the totality of paradigm-shifting suffering Caitlyn has endured since meeting Vi, I don't know how anyone couldn't change.

I have seen people say that Caitlyn was wrong to promise Vi. Wrong to kiss her in this moment. Those people are holding these characters to unreasonable standards in the extreme. We are seeing Caitlyn trying for the woman she loves. She sees the vulnerability and fear in Vi, the woman she loves so much, who she has been through so much with (and who has donned the Enforcer uniform for her) and of course she has a surge of love and a desire to comfort Vi. The love and tenderness is undeniable. But when you take in the context of the situation, It feels like we are waiting for the floor to fall out from under us. AND BOY DOES IT.

The Battle/The Break up/The Rise of the Commander:

I group these together because really its the transition of Caitlyn as we know her into "The Commander". This whole section is in a word, heartbreaking. We see Caitlyn fighting tooth and nail against Sevika, she likely saves Vi's life as it seems like Isha's gun was going to go off (whether the child meant it to or not), and Vi stops Caitlyn from taking the shot. Leading to Caitlyn lashing out in the worst way, telling Vi she is no different than the woman who killed Caitlyn's mother (AKA the version of Vi's sister Caitlyn knows Vi carries immense guilt over) and ending her status as the only enforcer never to abuse Vi, leaving her holding her stomach and crying on the floor while Caitlyn abandons her. We then see Caitlyn chosen as the commander, taking her place by Ambessa's side, becoming someone who would betray everything she used to stand for .

Its easy to look at this, and feel anger at Caitlyn. Especially as someone who has always connected with Vi's character and as someone who really loves their love story it leaves you feeling violated. But that's the thing, it should. We are not watching Caitlyn choose power out of a desire to destroy her enemies or because she thinks she deserves it. We are watching the tragic culmination of this brave, compassionate, brilliant and tenacious young woman being swallowed by the darkness. What's the line from Hamilton? "There are moments when your in so deep, it feels easier to just swim down". She has lost her mother, her sense of safety, her belief in the system of law and order she has lived her whole life by, and now the woman she loves. And in swoops Ambessa, a warlord. A woman renowned for her cleverness and manipulation. She takes this vulnerable, grieving, isolated and angry young woman and tells her she will get her justice. Caitlyn never had a chance.

**A small pause to discuss grief and peoples absolutely insane take on Caitlyn's handling of hers**

I am going to take a second here before we move on because due to the rushed pacing of season 2 Caitlyn doesn't get the detail she should have after this point, and because the discussion of her loss and grief is essential in understanding how this all happened. This is one of those things I have written about before but peoples dogmatic opposition to media literacy continues so here we go! "Ku Klux Kirraman!", "Oh the people of the undercity live in constant pain and death but Caitlyn loses a single family member and starts gassing kids?!"

To put it simply my friends. Grief is not a contest. Yes, of course the people growing up in the undercity have a much better understanding of death and grief than Caitlyn. up until the events of this story, she has lived a life of peace, and privilege, and comfort . And that's not a bad thing. ideally all children would know such a life if we could work our will upon the world right? But what it means for her is that when she does experience that loss, to say nothing of it being at the hands of a woman who has tried to kill her repeatedly, tried to kill the woman she loves, killed her peers, and abducted her naked from her own bathroom, Caitlyn's entire world is shifted. I have mentioned multiple times during this whole thing. She is only in her early twenties. That is so young.. so fucking young to have your world shift SO VIOLENTLY in such a short time. And in the standard incredible fashion of this show, they have addressed this concept already. Remember this?

Vi is angry at Jayce for bowing out due to the under city child's death. And for her, for the way she grew up she is totally justified in feeling that way. She grew up surrounded by death. But its just too much for Jayce.

I sincerely hope all of you reading this never have to cope with the loss of a loved one but we all know that's not reality. So if you are one of the people demonizing Caitlyn for what happens here because Zaunites have it worse I'll ask you this. The last time you lost someone, did you chastise yourself because someone somewhere has it worse? No. Because that's unreasonable, illogical, and would be a cruel standard to hold yourself to. Grief is achingly, agonizingly personal to each of us. And while it does not justify Caitlyn's actions, you are simply blind folding yourself to the humanity of this character by ignoring it

Months as the Commander:

As I said unfortunately we don't get to see a lot of Caitlyn "as the commander" but we do learn some things. There are check-points in Zaun, they are imprisoning people, and under the oppressions she has allowed to flourish the Noxians are able to do things like violently arrest people for having a non-violent rally in the Undercity itself. THINGS ARE NOT GREAT. But there some things of note I want to discuss in understanding Caitlyn's state of mind during this time:

The top GIF is not long enough but watching the scene you can see how distant Caitlyn is, how cold. She is not a "happy-go-lucky" facist gleefully imposing her will. We are actively watching someone in so much pain and so buried by her mistakes she doesn't know how to find her way out.

2. All is not lost however. She discusses her issues with the Noxians behavior, she openly questions Ambessa, she has forbidden the use of the cells where she found the love of her life, and despite her mentor's glee over the opportunity to utilize Singed and his knowledge. Caitlyn knows him for what he is, a monster.

Reunited With Vi:

The pacing just takes off at a dead sprint once Vi and Caitlyn find each other so I will touch briefly on the various points I want to for this section. I will say this, I know we all have feelings on how they handled Vi and Caitlyn's reconciliation. I am of the opinion that it was justified by what they showed us completely, but it was still rushed. Like they got the right answer on the math question but only shared the basics of every step to solving it if that makes sense.

Saving Vander

Vi and Caitlyn have this first interaction after so long and its so clear they have both changed so much. But what matters is this. Even after everything Caitlyn has done, Vi trusts her with the truth (Because Vi refuses to give up on those she loves), and Caitlyn immediately is on board. This happens so quickly and we only see them discuss it a little, but we need to think about what this means. Caitlyn finds out the "Weapon" is Vi's dad, and she is ready to turn on Ambessa, the enforcers with her, and the whole system. All for the woman she loves

2. The Battle of the Commune:

So I couldn't find a good GIF for it but even before this moment while Caitlyn is angry when she sees Jinx she doesn't make a move toward her. Then we hit this moment here. If you flash back to the battle that ended in Caitlyn breaking Vi's heart, Caitlyn wanted to take a shot that very likely could have killed a child if it meant hurting jinx. Now Jinx is running with her back to Caitlyn and ALL she cares about is getting to Vi

3. Taking Accountability:

We find out in this confrontation that although Jinx is in jail, it is because she surrendered. Not because Caitlyn ordered it. We also have a few key examples of Caitlyn owning what she has done:

"I KNOW!"- when confronted by Vi over letting Ambessa poison her heart

"We can't erase our mistakes"- She doesn't say "Jinx" can't take back her mistakes. She says "We" and "Our". She is clearly remorseful.

This rolls directly into her conversation with Jinx in which we see even more that Caitlyn knows what she has done:

"No good deed can erase OUR crimes"- Once again holding herself to the same standard as the woman who killed her mother. Holding herself accountable

"I've hated myself"- This could literally not be more clear

*On Cait and Jinx*: I've touched on this before but the parallels between these two are phenomenal. Broken, vulnerable, isolated grieving young women taken in by older, cleverer mentors with their own agendas but who care about them directing their pain for their own purposes. They then both have to learn to end the cycle, or the killing will never stop. Damn this show is so good.

Freeing Jinx:

Caitlyn made a lot of mistakes. That's not a secret. There were reasons as I and many and others have explained. But in this moment, she has intentionally paved the way for the woman she loves, to free her little sister from Jail. This comes after Cait admitting she doesn't want to hate Jinx any more. The cycle has to end. And Caitlyn admitting she has made mistakes, she has hated herself, she has lost herself to the darkness she now knows she has inside as well. And on top of that, she is here showing Vi that Vi is not alone, that Vi is loved, and that she knows Vi so well she knew what she would do and tried to help. its beautiful, its heartwarming, and after watching who Caitlyn was be shattered into pieces, we are now seeing her re-forged, stronger and more beautiful.

Commander Indeed:

Here we have Caitlyn becoming the commander she should have been. I believe I saw a post that one of the voice actors of the show suggested Caitlyn did nothing during the final battle and got her happy ending. Lets recap shall we:

Leads her troops from the front

Tries to take out Ambessa early and spare bloodshed

We have the bad-ass scene of her fighting with the mask taking out multiple soldiers

Even with a rifle at the back of her head she disables Maddie and tries to take out Ambessa

With a knife in her side and exhausted and scared she challenges A WARLORD OF NOXUS to a fight. "Shut Up and Fight!"

Sacrifices her own eye to take Ambessa out of the fight.

This is all pretty clear cut but I mean god damn. Her character evolution is absolutely staggering.

The End:

Caitlyn ends her story (for now anyway.. looking at your Riot) with the woman she loves. She has surrendered her spot on the Council to Sevika officially granting the undercity a place at the table. And we see her pondering the hex-gate ventilation system, perhaps giving us some hope that Jinx will return as well. I totally understand there are things people wanted to see with Caitlyn that we didn't get to see. But all we can control is what we were given. And when you look at the story of Caitlyn Kiramman, Born in wealth and privilege but with dreams of helping people, to being swallowed by grief, to finding common ground with the woman who took her mother from her, to rising as a leader who doesn't ask her people to fight when she won't and who willingly sacrifices herself for those who look follow her, I'd say she has one hell of an arc. I hope I did her some justice. This actually ended up being longer than i planned but man the more I think about her the more in-depth her story gets. I appreciate all of you.

[yaksha-lover]

Malleus believes for a long time that one day he’ll be the last of his family. Once his grandmother passes away, he’ll be a Draconia truly and finally alone in the world.

The house of Draconia has ruled Briar Valley for thousands and thousands of years. Every part of the castle he’s grown up in tells the stories of his ancestors. The portraits that line the halls paint a powerful line of dragon fae.

Sometimes Malleus would catch his grandmother staring at the latest family portrait. The ones that came before it are certainly much more full of life: parents and children, brothers and sisters, cousins and grandparents.

The latest one had been painted a few years ago, his grandmother had insisted on it. In the throne room, he sat together with her. The emptiness of it was striking against the portrait from a couple generations ago, the coldness contrasting with the liveliness his family used to have.

The portrait just before his own is of his parents. He’s heard stories about them from Lilia and from his grandmother, but it’s difficult for him to really imagine them. He wonders if they’d be proud of him, someone feared but not loved, while they were both.

His grandmother has tried to keep some of their traditions alive. He wonders if she’s losing hope that no one will love him enough to continue this legacy.

It was for her sake that Malleus learned the ancient fae language that only his grandmother still speaks. The two of them are able to converse, but he knows it’s only a matter of time before there is no one left in the world who will be able to understand him.

It catches him off guard one day when you request him to teach you some words in this language. This was when he hadn’t known you long, before he could have anticipated the role you would play in his life. It was the first surprise, but certainly not the last.

When you kissed him for the first time during a meeting with the gargoyle studies club, he’d been thankful, for once, that you two were the only members.

Your latest surprise was your request to visit Briar Valley. He’d assume you’d, understandably, be quite intimidated to visit his castle. That perhaps he’d have to persuade you to stay with him over the holidays. Even Lilia had be surprised, although he recovered quickly enough to tease you. You refused to shy away, gushing to his guardian about your excitement to visit his homeland.

He’ll never forget the look on his grandmother’s face when you greeted her in her native language. She was surprised at first, looking back and forth between the two of you, before hugging you as soon as you stood up from your bow. She’d ignored your words of ‘Mrs. Draconia’ and pleaded with you to call her Maleficia.

It turned out, he was not the only dragon fae you were able to charm. Over the winter break, you’d become closer to his grandmother than he could’ve imagined. It seemed she admired your fearless and evident care for him. He wondered for a moment if you were the grandchild she’d always wanted.

Before he can think too long, you are quick to pull him into the dining hall, where his grandmother already sits at the table. She teaches you about all of the traditional Briar Valley cuisine being served, and you rave about it’s deliciousness. When you notice his quietness, you grab his hand under the table and squeeze, quickly drawing him into the conversation.

“You are awfully curious about these dishes, my dear,” his grandmother teases you. “Do you plan on returning to Briar Valley after this?”

“Of course! I’ll have to know all about these dishes if we’re going to make them for our children!”

His grandmother laughs for the first time in forever, while you and him both flush. It seems even you were embarrassed over this statement, but it makes him smile.

“Then I will teach you, my love. Our children will not be subject to Lilia’s cooking.”

That night, Malleus dares to hope that he will not be the last of his kind.

[ishomieokay]

This is probably not the place to say this but whatever. The reason why there's so many women nowadays who are turning conservative, want to be tradwives and don't believe in 50/50 is that for 20 twenty years society has been teaching them that they have to be strong, independent and take the role of a provider while simultanously taking care of the household and the children.

Meanwhile, the men are not taking any new responsibilities. What's more, they are delegating their traditionally male responsibilities to women under the guise of being "femenist", which actually allows them to work LESS.

This was foreseen. Femenists have always known that this would happen. Don't believe me? Arlie Hohschild was already speaking about it in her 1989 book, The Second Shift. It's funny (and also kinda eerie) how well she describes today's society, although the book was literally written almost 30 years ago. We've progressed so little, in retrospective.

Anyway, fuck that. I shouldn't have to turn into a superhuman in order to fulfill someone else's political agenda, and neither should you! I'm not saying you need to vote conservative and I'm certainly not saying you will only ever be happy if you become a tradwife. But for God's sake, don't let men mistreat you this way. It's painful to watch!

I've read some fucking horror stories on the internet about these first world parasite-men just munching off of women, and I'm kinda glad in my country it's still not well seen for men to be anything else than providers. Sorry not sorry. I swear I'm not a Magazuelan 😭

[ragde890]

So... Chainsaw Man 180.

The chapter starts with Yoru doing the same Bang posture she was doing before trying to attack Aging with the finger bullet. With this, we confirm that the whole Aging speech at the end of 179 happened while he stopped/slowed time (hence the blurred lines).

After that, we've got the dream scene, which an incredibly cool detail.

For those who don't remember, in chapter 110 we have a dream sequence with Asa. It's a recurring dream where she's running down an alleway, the ground full of dead chickens (a reference to Bucky, at that point of the story). She tries not to step on them, but it's so full of bodies that she can't avoid it.

People have been talking a long time now about how this dream sequence actually connects with Asa and Yoru's relationship (specially this last chapters, with Asa being just an spectator as Yoru murders thousands with her own body). Although it is important to mention that this time, there are no chicken on the floor (or at least we don't see them during the chapter 180 dream sequence).

In any case, I think it's always cool when this kind of analysis that has been under discussion for months is being adressed so directly.

After seeing Denji for the first time since July 17, we've got the Aging World scene, and the main point of speculation in this chapter: the human that escaped that world a long time ago.

I've seen people theorize about that human being Quanxi. However, I think the most plausable option (albeit it's still just speculation) is Yoshida. Not only is he someone who looks like a teenager but clearly isn't one and can survave a 1v1 against Quanxi, but also we've got this inside cover art of him from two volumes ago:

Doesn't this place look familiar?

And yes, I know it might sound crazy to interpret cover art as foreshadowing. But it's not the time this happens in CSM. Take for example the inside cover art from volume 12, where we can see what looks like the buildings Yoru destroyed on chapter 178.

Not only that, but Yoshida being that person would add to Yoshida's and Aging interaction some chapters ago (as it wouldn't be the first time Aging is surprised at something Yoshida does) and that one dialogue from part 1:

And to close, I'd like to talk about the sideburns guy "Mreeee" at the end (as well as the whole pressing his head against the tree thing).

People have pointed out that it looks as if he's trying to mimick a cycada at the end of its life (maybe hoping that it will kill him). This might also relate to cycada's role in greek mythology, as they're related to inmortality:

In any case, I think it's really cool that —now that we've seen that Aging's powers are actually the opposite of that — we confirm that devils can represent the opposite of what they're supposed to embody (which helps to the birth devil theory).

[heartlogan]

living to lose

✮— logan x f!mutant!reader (set in worst wolverine’s universe)

✮— summary: logan won’t wear the suit.

✮— a/n: this is gonna be kinda short, but i am in <3 w the concept. (i wrote this in less than an hour bro) i haven’t seen this before so .. lmk if yall want a longer version . perhaps a series ? if yall do, let me know what power reader should have !! and perhaps a nickname 🫡

✮— warnings: DEADPOOL & WOLVERINE SPOILERS, humans vs mutants, and all the prejudice that comes with that, talk of mutants being killed for being mutants etc, xmen bonding, angst, canon typical violence (kinda? mentioned?), logan being stubborn, lmk if theres more!

masterlist | part two

✶⊶⊷⊶⊷❍⊶⊷⊶⊷✶⊶⊷⊶⊷❍⊶⊷⊶⊷✶⊶⊷⊶⊷❍⊶⊷⊶⊷✶

Life in the X-Mansion wasn’t what it once was.

If you were honest, life itself had begun to lose that glow that it once had. You supposed that it was hard to retain it when every day you were faced with the reality that humans wanted you all dead. And sure, it wasn’t like you hadn’t known that before, but each day you saw news stories coming out about mutants killed in the street, the X-Men were called out constantly to assist in human and mutant matters, and were always met with hatred.

You just wished that people could coexist. Would that be so difficult? For the humans to realise that mutants weren’t that much different from themselves, not really. Everyone had the fundamental building blocks of human DNA, mutants just so happened to have the X gene thrown in the mix.

Still, there were positives to life. Such as Logan, for you, because you were pretty sure Scott wouldn’t categorise him as a positive.

There had been something unspoken between the two of you for almost a decade, stretching across hundreds of battles and memories. Neither of you had actually brought yourselves to talk about it, both too afraid of loss.

But every night when he struggled to sleep, he joined you in your own bed. An incredible progression of your relationship, really, because it wasn’t like Logan to actually ask for help. Not that he did much talking on those nights. Every time you needed comfort after a painful mission, he was there, brooding silently at your side. A hand on the small of your back, or around your shoulders, if you were lucky.

He refused to acknowledge his role in your life, or his role on the team, no matter how much everybody begged him to.

The infamous Wolverine was so intimidated by the idea of admitting he cared, so scared that it would turn out like his past relationships, that he couldn’t bring himself to accept his place in your lives. He was stubborn, and wouldn’t allow anybody to have leverage over him.

It was another afternoon call out, a mutant in distress, and humans harassing whoever it was. It was bound to get violent, which was why everybody was suiting up.

“C’mon, Logan, just wear the suit.” You said, brows furrowed as you held the folded suit out towards him, watching him roll his eyes. “You’re a part of the team. Wear it.”

“She’s right, Logan.” Storm agreed, already clad in her own suit, much like yourself. It presented a united front, a symbol for other mutants that there was hope out there for them, no matter how dire the world seemed.

“Fuck, no.” Logan responded immediately, voice gruff and dismissive, barely sparing the yellow spandex a glance before he was turning away, grabbing his own jacket from its hanger. “Yellow ain’t my colour, bub.” He grumbled when he felt your eyes still on him, practically carving a hole in the back of his head.

“Logan.” You said pleadingly, feeling disheartened. “We all wear it. You’ll look as handsome as you ever do, I swear.” You attempted, although you weren’t naive enough to believe that the almighty Wolverine could have his mind changed via flattery.

He might have admitted, in another life, that you made the yellow work extremely well. That he knew the team looked good in it, looked put together, almost untouchable. But that wasn’t this life. And he refused to let anybody believe he actually wanted to be a part of this godforsaken self-righteous team that named themselves the X-Men. That wasn’t him. It wouldn’t be him.

Scott wandered in, clad in his own suit, matching visor and all. “It’s not gonna work, guys. I’ve tried. Logan’s far too stubborn.” He said, and none of you could see his eyes, but his disappointment was palpable. Logan only grunted in response.

“Fine,” You said, and he could hear the disappointment despite this not being the first time he had denied the suit. It had been a debate for a long while, by now. “I’ll leave it with you. Just in case you change your mind.”

“I won’t.” Logan said, with an air of finality. You said nothing.

The four of you headed out to the distress call not long after, three in cohesive suits, one decidedly not.

It turned into a fight, as most calls do nowadays, which lasted for what felt like ages. You returned, feeling more exhausted than you had in days. The humans only got more violent with time, inventing new and more powerful ways to hurt mutants. Weapons were being developed against mutant-kind with every day that passed, and it wasn’t lost on the X-Men. Your job was only getting harder and harder. And it was taking its toll on all of you.

“‘M goin’ to the bar. You coming?” Logan asked you, standing in front of where you sat on the couch with Storm, both still in your suits and equally tired. He raised his brows at you, indicating that this was a timed offer. You knew he would be out most of the night, getting as drunk as his healing factor would allow him. It wasn’t that kind of night for you.

“No, thanks. I’m gonna stay with the others.” You answered quietly, wanting nothing more than to marinate in your frustration with the rest of the team.

Logan looked at you for a second longer, hesitating for only a moment, before he grunted and stepped away. You could’ve sworn that he looked disappointed, as though he was hoping you would join him, or maybe ask him to stay. But you knew better, had become familiar with the sting of his rejection each time you had asked him to stay.

You wanted him to be a permanent feature of the X-Mansion, to stay after long missions, to not disappear for weeks at a time. You wanted the whole unspoken thing to become spoken at last, even if it hurt, but you knew he wasn’t ready for it. And despite you feeling similarly, feeling that exact same fear he felt, you knew he wasn’t willing to take on the challenge. To try. Hell, he wouldn’t even wear the suit.

If he had asked whether you wanted him to stay, you would’ve said yes without thought. Without hesitation. But Logan wouldn’t put himself in that situation, so he never did ask. He only hesitated. And for you, that wasn’t enough.

He knew it, too, which might have been the worst part of it all.

You watched him leave, heard the slam of the door behind him not long after, and could only sigh to yourself.

“Everything okay?” Storm asked you from the opposite end of the couch, tilting her head towards you from where she had been idly staring at the ceiling. She looked as though she knew the answer, whether she had already known, or had gotten it from the look on your face, though, you weren’t sure.

“D’you think he’ll ever stick around? Wear the suit?” You questioned her in response, fixing your eyes on the fireplace in front of you for a few moments before her silence became too much. You looked at her, confused and slightly concerned.

She looked as downtrodden as you felt, which was saying something. “I… don’t know. I hope so, but… hope is a feeble thing, in this world. I’m not sure it means much anymore.”

Beast wandered in, with Scott at his side, blue fur still singed from a battle a few days prior. “I’m sure he will come around. Logan is a stubborn man, but a good one.” He commented, pushing his glasses further up his nose, but still squinting through them as he found his place in an armchair.

“We’ll see. Maybe we can make an X-Man of him, yet.” Scott added, sinking into the sofa cushion between you and Storm, wearing his glasses rather than his visor, for once. You thought could almost see the shape of his eyes, through the red lens.

“Either way, I’m sure he’ll linger. If not for us, then for those poor kids. We have all seen how much they idolise him.” Storm said, which was true, but still stung slightly. You wished that Logan would linger for you, too, but you knew it wasn’t likely. But for the kids… well, he might just look back for them.

“He’s their hero.” You agreed quietly, before resting your head on Scott’s shoulder. He said nothing, but you felt his quiet appreciation of the touch. The team needed comfort, in times like these, you included. Beast reached over and took Storm’s hand not long after, and you saw her squeeze him in response.

Jean wandered in not too long later, having been busy helping to look after the new mutant in the medbay. You made space for her between you and Scott, and resumed your position on her shoulder. She rested her head on your own, and the five of you breathed quietly, not speaking. There was nothing much to speak about, nothing that could comfort you, anyway. The world continued its descent into chaos and hatred, and despite the X-Men’s best efforts, nothing any of you did would be changing it.

✶⊶⊷⊶⊷❍⊶⊷⊶⊷✶⊶⊷⊶⊷❍⊶⊷⊶⊷✶⊶⊷⊶⊷❍⊶⊷⊶⊷✶

It was Beast raising the alarm that woke you up, and Jean jolted awake soon after you.

“The humans, they’re here!” He shouted, diving into action, with Storm and Scott following soon after while you and Jean shared a single glance, her eyes filled with terror.

“Get the kids!” You yelled to her, as you jumped from the couch, heading to confront the humans with Scott, Beast and Storm. All the while, you were wondering where Logan was.

It was a thought that remained present in the back of your head, a wish that he was safe, unharmed. You couldn’t decide whether you wanted him to show up, to be the hero all of the kids knew him to be, or whether you wanted him far away, safe from what you were certain would be a lethal encounter.

The humans wouldn’t just come to the X-Mansion lightly. They would be prepared. Armed to the teeth, you were sure. And the moment you caught a glance outside of the window, seeing the crowds outside, glints of machinery and weapons, you knew you were right.

For a moment, you thought you saw him out there, until the two humans stepped apart, shattering the illusion of their shadows. The call of his name died on your lips.

“X-Men, to me.” Scott called out, and his grave expression told you that he had already had the same realisation as you. Most of you, if any at all, wouldn’t be getting out of this alive.

“Together?” Storm questioned, eyes glowing that bright white that only added to her ethereal look. She locked eyes with you, and you nodded firmly.

“Together.”

[flowerandblood]

To please, to serve (Oneshot)

[ canon • Aemond x niece • wife female ]

[ warnings: incest obviously, oral sex, smut, fingering, the angst, degradation, role play, dirty talk ]

[ description: During a meeting of the Small Council, Aemond learns that his wife is feeling unwell. Fearing that these are symptoms of another pregnancy, he abandons his daily routine and visits her in their chamber. To his surprise, he does not find her there, but someone else. Sexual tension, dark, loving, thirsty Aemond. ]

Author’s note: The events of this oneshot are part of the canon of The Fall from the Heavens series and feature the same characters. This oneshot takes place several years after the events of that storyline and can be read as a standalone story. I just came up with this idea and decided that's it, I have to write it. Ehhhhh.

* English is not my first language. Please, do not repost. Enjoy! *

My other works: Masterlist

_____

"Where is the Queen Regent?" He asked impatiently, surprised that, although it was not her custom, she was late for the Small Council meeting. One of the guards bowed his head and shifted from foot to foot.

"The Queen Regent requests that the meeting be held without her today, as she has been feeling unwell, Your Grace." He said.

He pressed his lips together at his words, driving his fingernail into the skin of his second finger at the thought that his wife was perhaps expecting his child again.

Seventh, he thought in disbelief, staring dully ahead.

That would be the seventh.

As many as she had promised him.

And what would happen next?

He tried to focus on the meeting and what each person was saying, however, he knew that he was involuntarily pushing for it to end as soon as possible.

Once everything was settled, he approached the Grand Maester, wanting to know what the situation was.

"Do you know anything about my wife's condition?" He asked coolly, frustrated by the possibility that he might have withheld such important information from him for some reason.

The man shook his head.

"No, Your Grace. I am surprised myself. The Queen Regent has not summoned me, so it is possible that her frail condition is due to some other cause." He said, making him feel discomfort in his stomach.

Although he always took part in sparring after the meeting, wishing to remain as skilled and agile in sword fight as he had been in all the years he had been king by his wife's side, this time he headed for their chamber.

When he stepped inside, he did not see her where he expected her to be, which was in their bed. He looked around the room, tense, the servant standing next to him bowed humbly.

"Where is my wife?" He asked, approaching the window overlooking the courtyard, thinking he might perhaps catch a glimpse of her walking between the cloisters.

"The Queen has left, Your Grace." The girl answered him. He furrowed his brow as her voice seemed familiar to him, but he wasn't sure why.

"Where to?" He asked, walking over to his desk to pour himself some wine and quench his thirst.

"She didn't say, Your Grace."

"You may leave." He replied, taking a few deep sips from his goblet deciding that she was probably hiding in the library for some reason. He set his goblet aside, impatient to hear that the girl had not moved from her place.

"Did I express myself unclearly?" He asked, turning to face her and froze, unsure if he had seen correctly or if he was slowly beginning to slip into madness from exhaustion.

The girl standing on the other side of his chamber looked at him before their gazes met, however, she lowered her eyes meekly to the floor when she sensed his surprise and frustration.

She had his wife's face, his wife's figure, his wife's voice but she wasn't dressed like her – her hair was pinned up in a braid around her head, her attire simple, consisting of a long-sleeved red bottom garment and a linen top gown belted at the waist.

"What?" He asked more to himself than to her, looking at her with wide eye.

"The Queen is not here, Your Grace." She said, looking at him again, something in her gaze from which he felt heat in his lower abdomen.

Her gaze was bright, piercing, familiar, but terrified at the same time.

Was it possible that a woman so confusingly similar to his wife had served in the Red Keep?

He swallowed hard, feeling the dryness in his throat, so he reached for his cup again and took a sip from it, looking at her intently.

"Have you been serving here for long?"

"For a few days."

"Mmm."

Perhaps that's why she doesn't know all the rules of good manners yet, he thought.

"If I say you may leave, then you are expected to leave."

She lowered her gaze and did something that betrayed her: her hands entwined with each other as she began to play with her fingers in a gesture of discomfort that he knew all too well.

Fuck.

It was her.

"The whole kingdom speaks of the affection you have for her, Your Grace. About the fact that she has already given you six children, although she is still so young. Perhaps she should rest from this duty." She whispered, looking down at her hands, not daring to look at him.

He pressed his lips together, wondering if she was implying something.

Was she tired of him and carrying his offspring in her womb.

"I could have your head for this insolence." He said, intrigued by what she was trying to achieve, what her plan was.

"You could have something else. While she rests." She confessed finally, the gaze of her bright eyes surrounded by dark lashes lifted to him.

He felt a shudder at her words, at the realisation of what she was suggesting, what she was aiming for, and his cock expressed a desire to participate in her idea, pulsing greedily in his breeches.

"Indeed?" He murmured, raising his cup to his lips, sipping the remainder of the wine from it, not taking his eye off her with a mischievous look.

She did not reply, standing still, her lips parted in an accelerated breath betraying that she was aroused.

"Very well. Come here." He said, stepping around his desks and spreading out comfortably in his chair, looking up at her from below. He set his cup down on the table as she approached him slowly, her gaze fixed on the floor.

"Kneel." He ordered.

She swallowed loudly and obediently sat on her knees between his legs, not daring to look at his face. He licked his lower lip involuntarily as he undid the buckles of his tunic with his long fingers, only to immediately slide them down to the fabric of his breeches, untying them with an agile flick of his wrist.

"Don't delude yourself into thinking I'll treat you like my wife. You don't deserve it." He scoffed in a trembling voice, feeling the chill of the chamber envelope his swollen erection, leaking with desire. Her gaze lifted to his manhood as she nodded, moving closer, the look of her innocent eyes rising to his face in anticipation.

"Open." He said, grabbing the base of his swollen cock, directing the throbbing, pink, wet head of it to her face.

Her lips parted in an obedient gesture as she leaned forward, her hands clenched on her lap. He tilted his head back, feeling the rapid pounding of his heart as her puffy lips slid its tip into her warm interior, her tongue giving him one encouraging, gentle lick.

"– fuck –" He breathed out, clamping his free hand in her hair, forcing her to take it all the way in, the head of his manhood bumping against the back of her throat with her quiet moan of discomfort.

She knew him too well, knew what drove him mad, what touch and where drove him to the brink of insanity.

"– quiet – you wanted it yourself – now suck like a good girl –" He gasped, watching with a wide grin as the fullest part of his manhood disappeared again and again deep between her lips with the quiet clicks of her saliva.

He squeezed himself tighter at the base, trying to find a rhythm with her, involuntarily rolling his hips back and forth, each time making her almost choke, tears of exertion running down her face one after the other.

"– only my wife deserves to swallow my seed – maybe I should come on your face? – hm? – would you enjoy that? –" He sneered, and she shook her head quickly and cried out, looking up at him with big eyes full of tears, whimpering as he quickened his pace suddenly, disappearing again and again deep into her throat.

Her beautiful face was all rosy with exertion, droplets of sweat on her cheeks and forehead, unruly strands of her dark hair stuck to her skin.

So pretty.

"– no? – then how about your tits – show me your breasts –" He exhaled, sliding out from between her lips to avoid coming too soon, taking a surprising amount of pleasure from this unusual act of their marital intimacy.

His wife drew in a loud breath, wiping her cheeks wet with tears, and reached up to untie her dress at the back, blindly undoing it. She looked at him with a look he knew perfectly well when she finally slipped the bright and red material off, showing him one of his favourite parts of her body.

She was so fucking wet, he knew it.

"– go on – I didn't let you stop –" He said coldly, and she leaned over him again, taking his fat erection between her lips with such commitment that he groaned, biting his lower lip so hard that he could feel the blood under his tongue.

"– good girl – just like that – fucking serve your King –" He growled, clenching his fingers in her hair, allowing her small hand to caress what was not fitting deep in her throat imposing a fierce, aggressive pace on her. She cried out loudly, clearly not able to keep up with taking a breath, making him stop in half-motion.

"– too much? –" He mumbled, stepping out of his role for a moment, but she shook her head, looking at him with affection.

He stroked her hair, his fingers sliding down to her face, his thumb running over the hot, moist skin of her cheek – her murmur of satisfaction ran in vibration through his erection, making him pulse hard between her lips.

"– just a little more – your King is satisfied and about to come – hm? –" He cooed, and she nodded, letting him do what he wanted with her mouth, thrusting his long manhood into her again and again with the greedy, deep stabs of his hips.

The warmth of her mouth, her tongue that ran over the soft skin of his erection swollen from his veins, her lips that clamped again and again on the thick head of it made him close his eyes, losing the urge to pull it out of her.

"– I changed my – f-fuck – fuck, gods, swallow –" He gasped out, panting heavily with pleasure, tilting his head back, feeling his cock begin to throb all over in elation, his wife whimpered when suddenly his spend spilled deep down her throat.

He looked at her with dreamy eyes, breathing through his parted lips, stroking her head, listening to the quiet sound of swallowing.

"– that's it – easy – you did well –" He praised her, and she took a heavy breath as he finally let her go, sliding his erection out from between her sweet lips with a loud slap.

She closed her eyes and pressed her face against his thigh, embracing it with her arms, trying to calm down after what she had done. His fingers roamed through her hair, his gaze fixed on her full of curiosity.

"– come here –" He murmured.

She looked at him sleepily and lifted herself up on trembling legs, however, to her surprise, he didn't let her sit on top of him with her arms around him, but turned her so that she was resting her back against his chest.

They both sighed, and her legs spread involuntarily to the sides as his broad hand rolled up the material of her gown, exposing her thighs, slipping under her smallclothes. While there his fingers sank into her silky, leaking folds, the fingers of his other hand embraced her neck, making her moan softly, tilting her head back.

"– only my wife deserves to be fulfilled – so how will it be? –" He whispered in her ear, placing hot, loud, sticky kisses on her red, welted sweaty cheek – her hand involuntarily wrapped around his arm while the other reached back into his hair for balance.

"– please, my King –" She mumbled pleadingly.

"– tsk-tsk – not like that –" He gasped, teasing her little spongy bud with his fingertip, playing with it gently, his other fingers trailing over her throbbing, moist slit.

"– ah – gods – Aemond –" She sighed, bucking her hips to the rhythm of his strokes, his fingers clenching warningly around her neck.

"– call me right or I'll tease this little cunt all night long, but you won't experience fulfillment, sweet girl –" He said warningly and felt her swallow loudly under his fingers, his hand between her thighs all slick with her sticky wetness.

"– husband – please, husband, please, please, please – ah! –" She mewled, clenching her hand in his hair as his two fingers burst into her hot, fleshy interior, pressing the spot hidden between her muscles from which she could see stars, while his thumb teased her pearl from the outside in circular, gentle strokes.

"– good girl – fuck yourself with my fingers – only my wife can use me for her own pleasure –" He gasped, watching with satisfaction as with a cry of pleasure she fell apart in front of him, reaching her peak – his hand from her neck clamped down on her breast, all swollen with milk, feeling her weeping cunt squeeze his fingers again and again, sucking them inside.

His once again hard erection pushed against her buttocks, delighted by what he had just witnessed.

Her hands closed around his, making sure he didn't let go of either her hot, leaking womanhood or her soft, plump breast.

"– what unusual idea did you come up with, hm? – is that the reason for your non-attendance at the Small Council? –" He sneered, placing tender, lazy, sticky kisses on her neck and cheek.

"– I've been thinking about it for a while – what it would feel like – and have you ever had fantasies of doing this to a servant –" She muttered, breathing heavily through her mouth, looking at him curiously.

He snorted under his breath and shook his head, sighing contentedly, spreading himself comfortably in his chair with her.

"– I didn't feel the need for it until it turned out that you could be one – I'm afraid it's not a question of role but of your pretty face – those big eyes of yours –" He murmured, grabbing her chin, turning her head so that she could look at him. She giggled sweetly at his words, her eyes lit up with joy and warmth from which he felt heat in his chest, a feeling he only experienced in her presence.

He hummed under his breath, pressing his forehead against hers, smiling in a way that was meant only for her.

For his wife.

"– if you wish, we can satisfy each other in this way, if you need to rest for a time from bearing me children – you have given me as many as six –" He said softly, wanting her to know that her sacrifice for their lineage, for the kingdom and for him was precious to him, and he held his gratitude for her deep in his heart.

She blinked and smiled comfortingly at his words, her fingers running over his cheek.

"– since Daeron was born, the deliveries have become easier for me – they're shorter each time, I already know exactly what awaits me – I promised you one more, didn't I? –" She whispered, and he nodded.

"– and then? –"

"– hm? –"

"– when you give birth to our seventh child – what will happen after that? –" He asked, and she amazed him by bursting out laughing.

"– it will be surely followed by another – as long as my flower does not wither –" She said, resting her head on his shoulder. He put his hands around her breasts, not wanting her to get cold, thoughtful.

"– our children already think there are too many of them –" He sighed and heard her snort at his words, amused.

"– they will be able to speak on the matter when they become parents themselves –" She replied, looking up at him, placing her hands on his. He kissed her temple and nuzzled his forehead against hers, closing his eyes, imagining how many more children she would bear him.

"– let's take a bath, wife –"

[skufdaddyswansea]

Mouthwashing, Dual Protagonists, and Captain Curly

While the vast majority of Mouthwashing is shown from Jimmy's perspective, the events leading up to the Tulpar's crash usually follow Curly. There are several interesting reasons for this, but there's one reason in particular that I'd like to focus on.

By setting Jimmy and Curly up as dual protagonists, we're invited to draw comparisons between them. Not only are they the lenses through which we view the story, they pass the role of Captain back and forth between their chapters.

It's easy to feel sympathy for Curly, given the state he spends the larger part of the game in. It can also be easy to gloss over his more subtle shortcomings when measuring him up against Jimmy.

In this post, I want to take a closer look at Curly's character. And more specifically, how he relates to one of the game's most obvious themes.

Is Curly able to deal with the consequences of his actions? Does he realize his own failures and how they harm the people around him? What does he do with the power he's granted over others?

Does Curly take responsibility?

Jimmy's fixation here gives us a good jumping-off point. It's certainly possible that he's only really been told this once or twice, but because he's Jimmy he's blown it out of proportion out of spite. It's also possible he's entirely making it up because he's projecting, but I think the former is more likely if anything.

And, if I had to take a guess where he heard it from, I'd put my money on The Pony Express itself.

In the eyes of The Pony Express, a "great leader" isn't someone diligent or able to meet the needs of his crew. The real reason Curly was able to rise to the top of the ladder and become captain is because he gets the job done without rocking the boat.

I'm establishing all this because I think it's worth examining by what metric he's being judged. Because, while it may be Jimmy who most often digs this point up, Curly doesn't disagree with him. Even in the depths of his ennui, it's important to him that not only is he the Captain, but a good one at that.

When comparing the two, that can again seem difficult to argue against. Jimmy is quick to lash out and shift blame. His resentment and insecurities often drive him to pick fights. Curly prefers to avoid conflict, but knows his position doesn't always allow him to do so. He tries to pick his battles, but when he has to get involved he focuses on de-escalating the situation.

But although their similarities are few, they do exist. And they greatly influence the narrative. Because it is from their shared selfishness, callousness, and cowardice that the entire story is born.

It's time to address the elephant in the room. We can't draw any conclusions about Curly's nature, his character, his role in the story, and his relationship to its themes without digging into his handling of Anya's assault, and the chain of events that follow.

I find it interesting that we never see the initial conversation Anya has with Curly about the assault. We simply know that she confided in him. He is the Captain, after all. The crew is his responsibility.

The thing is, we don't really need to know the exact conversation they shared, because we can imagine it went quite similarly to their conversation about her pregnancy.

She tells him how scared she is. She fears for her life. It never even occurred to him that she was upset about anything other than losing her job. He swears to her that everything will be fine. They'll fix this. All he has to do is talk to Jimmy.

He does not talk to Jimmy.

Maybe the first time he really did intend to. He just needed time. Jimmy has always had... struggles. If we want to, we can be generous to Curly, we can assume his old problems were much less vile. Otherwise, he would have never pulled the strings to get him this job, never put him in a position of power over vulnerable people. Right? But now, this was whole new beast altogether. Because he and Jimmy go way back, he had to process this, figure out what he was even supposed to say.

But at the same time, The Pony Express had just gone gone under. He'd been struggling with dissatisfaction and indecision for so long, and now his hand has been forced. He has his own problems. And Anya seems fine, doesn't she? If she hadn't said anything, he'd never have even known there was anything wrong. It just doesn't seem that important.

Anya talks to Jimmy herself.

She's scared, she fears for her life. But now she knows now that Curly won't defend her, nor give her the means to defend herself. Still, he promises her, they'll fix this. He just has to talk to Jimmy.

Things are different now. He can't sit by and wait for things to work out anymore. After all, it's not only her problem anymore.

Now it's Curly's problem too. How is he supposed to find another job with this on his record? There's only one other person on this ship who understands what he's going through.

He talks to Jimmy.

And he understands. Not that what he did was wrong, of course. Not that he'd done something horrific, irreversible, cruel. But that it now had consequences, and that he wouldn't suffer them alone.

Curly made his decision. He chose his paper-thin illusion of peace and his eroding friendship with Jimmy over the safety and well-being of his crew. And when it all came tumbling down, he decided it was better to bury them all under the rubble than to face the struggle to rebuild.

If Jimmy hadn't been there, hadn't been his co-pilot, Curly almost certainly would not have been able to bring himself to actually follow through with something so selfish and reckless.

But Jimmy was there, and Curly made sure of that.

So, it's time to ask again. Does Curly take responsibility?

Well, yes.

But it's too little, too late.

As much as Mouthwashing is about Jimmy fighting furiously against the consequences of his actions, it is also about Curly being forced to watch them unfold anyway. His silence and inaction, once a choice, are inflicted upon him by his mangled body.

Jimmy may have crashed the ship, but Curly gave him the keys. And so it's fitting in the end that Curly is made to take the full weight of responsibility by the man who he helped avoid it so many times.

[sailorrhansol]

TRICK OR TREAT!!!

fuck, i love this concept.

sour skittles + ghostface + the craft, pls 🤲🏻

(smut is always welcome, although i know that is highly dependent on whatever it is i just chose, lmao)

❀ Pairing: Vernon x afab reader

❀ Summary: Vernon has been one of your best friends for years. Shy, quiet and calm, he’s always been a steady rock for you. He has no idea you’re in love with him, but that’s neither here nor there. After a strange series of events on Halloween night, Vernon seems a little… different, and the new version of him both terrifies and thrills you. 

❀ Word Count: 21,558

❀ Genre: Supernatural, Friends to Lovers, Thriller

❀ Type: Smut, Angst

❀ Rating: 18+ Minors are strictly prohibited from engaging in and reading this content. It contains explicit content and any minors discovered reading or engaging with this work will be blocked immediately.

❀ Warnings: Explicit language, recreational drinking and smoking, crude humor, some of the members of SVT are a bit of an asshole in this - it is not a reflection of how I think of them, mentions of occult practices, a NOT ACCURATE spirit summoning/ritual, mentions of a murder suicide case/event, mentions of murders, light mentions of blood, mentions of infidelity, catching someone in a sexual act (not the main couple), Vernon is a bit of an asshole at times, mentions of insecurities/confused feelings, I owe Chan and Mingyu an apology for how I wrote them, sexual tension, some angst, sexually explicit content including thigh riding, oral (f. receiving), nipple play, a lot of biting and scratching, choking/breath play, vaginal fingering, a lot of spit and cum mentioned, unprotected sex, references to sub space, Vernon takes a dom role but it is not explicitly established, Vernon gets a little bit possessive, calls reader a slut a total of one time, some light finger sucking, reader is at several points annoyed with the women in this fic which can come off a lil bitchy, general creepy scenes in woods and in some dark spooky places. 

❀ Additional Content Warning: It is implied by the end of this fic that Vernon is possessed to some degree by a spirit in this. I make zero distinction as to whether it’s Vernon or the spirit calling the shots or if there is even a difference/distinction between the two, which poses the fair question of consent in parts of this that I do not address or provide nuance to. The lack of clarification is due to the POV of this fic being entirely from reader’s perspective and she doesn’t have a clue what’s going on until the very end, and thus we are unable to unpack to what degree this character is or is not himself. If that lack of nuance bothers you, that is valid but this is not the fic for you. 

❀ A/N: This was supposed to be a drabble. This was supposed to be a drabble. THIS WAS SUPPOSED TO BE A DRABBLE. Anyways, Jade my beloved you got Vernon + Friends to Lovers + Slasher and honestly it’s less slasher and more supernatural so I actually totally apologize but I leaned too far the other way I’m so sorry soifsdiofjdfiogj I love you love all the specific easer eggs for you and also show you to Jade because they specifically helped me write the Mingyu ‘graveyard smash’ line thanks bye

❀ A/N 2: Alternative summary for this fic is Hali repeatedly drags Chan because she loves him so much 

❀ Reader Notes: This reader is never explicitly gendered as girl/she/her etc. so I have listed them as an afab reader. 

❀ Disclaimer: Disclaimer: All members of Seventeen are faces and name claims for stories. Any scenarios or representations of the people and places mentioned in works are not representative of real-life scenarios. Moreover, none of my works accurately reflect, represent or take a stance on the nuances of Korean culture, cities, people etc. Seventeen members are not Seventeen culturally, intellectually, physically, or representationally in my stories, and should be considered name and face stand-ins for made up characters.

Main Masterlist ❀ Tag List Request Form ❀ Ask ❀ Haliween

Cool wind lifts the pages of your book, threatening to flip them over. You press your fingers flat to the page, fighting to keep them from flitting over and losing your place in the story. There’s not much daylight left in the sky as the afternoon dies to make way for the evening, but you’re eager to finish the chapter, craving to unravel the mystery you’ve been working your way through the past week. 

Atmospheric sounds play in your headphones as you read. Your legs are crossed, book in your lap as you sit on the concrete wall separating the quad from one of the sidewalks on campus. Now that there’s a chill in the air, you crave being outside, finding the opportunity to sit wherever you can on campus to crack open a book before the sunlight finally fades. 

Flipping the page, you only get a split second warning of the shout you hear through your headphones before something hits you in the back of the head. You yelp, dropping the book to the ground as your headphones clatter from your head to the grass from the impact. 

Scowling, you swivel around to see Mingyu jogging over, his hand over his mouth as apologies start pouring out of him. A flush creeps up your neck as he approaches, his friends and fellow fraternity brothers watching from afar. Some of them are bent over cackling, the others have their hands on their head, visibly stressed from hitting you with their football.

Again. 

“I am so sorry,” he pleads, running a hand through his sweaty hair. “Seungcheol threw wide.” 

“Maybe play on a rec field, then?” You snap, sliding from the wall, picking up your headphones and book. You kick the football toward him, irritated. “There’s literally so many other places you can play. Don’t you have a yard at your little frat house?” 

“It���s being used for float building for the Halloween parade.”

“Convenient.” 

For the most part, Mingyu isn’t so bad. He’s a little loud and obnoxious, but he’s always nice and he does seem to mean it when he picks up the football and apologizes again. It’s more than a lot of his fraternity brothers would do, though it’s not much now that they’ve managed to hit you twice with the same ball. 

Someone like Mingyu wouldn’t even pay attention to you if it weren’t for Vernon, though. As Mingyu retreats, the reason you’re even friends with Mingyu appears on the sidewalk, coming toward you with his hands in his pockets, hood pulled up on his head and headphones on. He lifts his chin in greeting to Mingyu, but Vernon’s brown eyes focus on you, his true destination. 

Vernon pulls his hood and headphones down when he’s within a few feet, jerking his thumb at Mingyu. “What did he want?” 

“He was apologizing for hitting me with the football. Again.”

“Again?” 

“Yeah. They hit me earlier.”

Vernon hums, displeased. He doesn’t say much, instead turning to lean against the wall, shoving his hands in his jacket pockets again.

The last embers of sunlight hit his side profile, stunning you to momentarily silence. In a halo of fiery light, Vernon looks like a god. His light brown eyes turn burnished gold, reflecting the dying sun. His hair is spun copper, strands dancing in the breeze as he watches the world around him. 

Not for the first time, you think that you understand why Helen of Troy inspired a thousand ships to come after her. Vernon’s face is the kind of thing you’ve read about in all of your mythologies and folktales for your Occult Studies major, so beautiful that it can’t be real.  

If Vernon notices you staring, he doesn’t say anything. Instead, his eyes watch the other members of his fraternity play football, one of them crashing into someone on a lawn chair. He shakes his head and mutters under his breath, wearing his second-hand embarrassment silently as he watches them apologize for the millionth time. 

Vernon is nothing like the rest of his fraternity. You’re still unsure why he even joined. It was something he had done his freshman year going into school, wanting to put himself out there and make friends. 

He certainly looks the part - he’s handsome and in shape from playing soccer in highschool, and he’s got good fashion sense for a college student. But he’s quiet and a little awkward, unsure how to navigate conversations with most people who aren’t in his immediate circle of friends and shy to an almost crippling point. 

It had taken Vernon seven weeks of being your lab partner before he finally spoke more than three sentences to you. For the longest time, you’d assumed it was because he thought you were beneath him. It wouldn’t have surprised you. Greek life on campus tended to stick with their own. 

Now, you know it was because he didn’t know what to say or how to start a conversation. You’d only managed to get him to talk to you when he noticed a song by Frank Ocean bleeding from your headphones, piquing his interest. 

Four years later, talking to Vernon is easy. Well, maybe not easy. You’ve got years of friendship between you now and you know what makes Vernon tick, but the butterflies you get when you’re around him and the way your heart swells when he does something so simple makes it a little harder. 

Like now, as day fades to evening and the world is awash in purple and gold, and he’s looking at the watercolor sky like it's the most fascinating thing in the world, completely unaware that while he’s in awe of the sky, you’re in awe of him. 

Vernon jerks forward, making you flinch. You have no idea what he’s doing until his hand is in front of you, smacking down the football that has been sent your direction again. You huff in frustration, watching as this time it’s Chan who jogs over to get it. 

“Are you all fucking serious?” You demand. He slows his approach, eyes darting to Vernon as though looking for help from his friend. Vernon says nothing, bending over to pick up the football and toss it to Chan. “I should shove that football up your ass.” 

“Maybe not the football,” Chan quips, catching it. He looks you up and down, head cocking to the side a little. His mouth lifts at the corner and there’s a glint in his dark eyes that makes you even angrier. “I’m open to other things, though?” 

“You’re so gross.”

“What? You’re hot when you’re mad.” 

“Go away, Chan!” You shriek, flustered and angry as you spin around to grab your things and storm off. You only get a few feet before realizing Vernon is still leaning on the wall. “Are you coming or not?”

He scrambles after you, nearly tripping over his own feet to catch up. Chan is snickering as he runs back toward where the others wait for him, yelling a trilling bye toward you and Vernon as you charge north toward the main campus parking lot. 

“He’s so annoying,” you gripe, shoving your book in your bag. Vernon hums, noncommittal. You glance at him. “Nothing more to add?” 

He lifts a shoulder. “It’s cause they think you’re hot, Lovecraft.”

You smile at the nickname, fondness sweeping through you. He’d started calling you Lovecraft your freshman year after learning about your major, deciding that it just fit. You like it - at least coming from Vernon, who understood Occult Studies was more than just spooky and magic and the metaphysical. 

“They think anything with a set of tits and a hole to stick their dick in is hot. I’m sure a blowup doll would blow their fucking mind.” 

Vernon’s mouth twitches at that. “You’d hate Chan’s room.”

“Don’t give me that visual!” 

His laugh is warm. He bumps shoulders with yours, grinning at you as the two of you walk. You feel the telltale sign of your traitorous heart beating extra hard at his closeness, your gaze shooting to the floor as you try to hide any evidence of your feelings that might lurk on the surface of your expression. 

Thankfully, Vernon never seems to notice. You’re glad that he doesn’t. You don’t think you’re very good at hiding how you feel, but he is equally bad at picking up on it, totally oblivious to the long stares and the way you fumble over your words when he gets too close. 

Vernon has that effect on a lot of people. His proximity to being attractive has always outweighed his inability to make small talk among the female population on campus. The amount of times you’ve watched girls openly flirt with him and whisper about what it would take to get him to crack was insurmountable. 

Autumn wind kicks up leaves at your feet. Neither one of you says anything as you walk, simply content to be together. It’s one of your favorite things about him, never feeling pressure to perform or to have conversation. Being with Vernon is just… easy. Natural, even. 

The parking lot is slowly emptying as the rest of the late afternoon classes end. A few unlucky evening class students pull in, slamming their car doors and rushing off to their auditoriums. Vernon’s car is easy to find and you let yourself in, sliding into the passenger seat like it’s yours - it kind of is. 

“Pizza?” he asks, engine humming to life. 

“Please.” His lips twitch in a soft smile as he nods, flipping on the radio. You hum, leaning forward and turning up the volume. “I love this song.” 

Vernon’s smile increases as you lean back, the sounds of Emotional Oranges filling the car. He rolls the windows down once he’s on the road proper, cool wind kissing your skin. You pull your feet up onto the seat, leaning toward the window as the fading twilight brushes past you. 

Outside the car, the world smells like pine. You take a deep breath in, loving the way the October air feels just right. Fall is always your favorite time of year, and with the music playing in the background, wind in your hair and Vernon drumming on the wheel, you don’t think there could be anything better in the world. 

Sal’s Pizzeria glows against the dark, a beacon of hunger and hope against the night. The giant pizza slice on the roof blinks rapidly, the neon a little bit broken. Gold light glows through the windows as you climb out the car, gravel crunching beneath your feet. 

A bell chimes as the door opens and a group of students pour out, laughing and carrying boxes. Vernon catches the lip of the door and holds it open for you, gesturing you to enter first. The smell of bread and warm air hits you in the face, your lips curving as you tell the girl at the host stand two.

College students and local residents fill the restaurant. The hostess leads you to a booth in the corner, the vinyl seats creaking under you as you hop-slide your way in. She hands you the menus, her eyes lingering on Vernon as she does, lips twitching when she asks if there’s anything else you need. When he doesn’t answer, you shake your head, shooting her a thin-lipped smile. 

She’s hesitant to leave but she does, casting one last look over her shoulder as she heads back to the stand. You look at Vernon too, studying him. He’s none the wiser, brown eyes scanning the menu even though you know he’s going to order the same thing. 

When the server comes, Vernon does as expected: orders a diablo pizza with a side of fries. You shake your head a little, asking for the white feta pizza, handing over the sticky menus. When the server is gone, Vernon leans back in the seat, sipping his coke as he drinks you in, wordless. 

You kick your feet up on his side of the booth next to him and he lets you, patting your ankle fondly when he sets his drink down. He has no idea how torturous that alone is, the simple comfort of his familiar touch enough to send your eyes averting across the room, trying to control your breathing. 

“What are the favorites and least favorites this week?” he asks, balling up the paper his straw came in. 

Favorites and least favorites is a game you like to play with him. It’s not so much of a game as it is a routine where you tell him your favorite piece of material from your classes and your least favorite. Most people dismiss your major as too peculiar for interest. No one knows what you’re supposed to do with Occult Studies but it fascinates you.

And Vernon, who has always had a keen interest in the goings on in your classes and homework. 

“We’re in the psychology of the occult module.” He nods, eyes fixed on you. “Mostly covering the psychology of community as it relates to the occult. We have sections on covens, clans, actual cults, sects and more modern mass followings.” 

“Hmm. So like… Twitter stans.”

You smile a bit. “Something like that. We covered the maenads in class today. Ever heard of them?” He shakes his head and you lean forward, elbows on the table. “They were women in Ancient Greece devoted to the god Dionysus and they were believed to be possessed by the god. They were said to have wild parties in the woods with one another where they’d do all manner of sordid things, all while under the influence.” 

“A Friday night for Chan.”

“Exactly. A lot of historians call them crazy and speculate they were raving mad, but if I was a woman under the thumb of men in Ancient Greece…”

“Shit, I’d get fucking crazy in the woods with my friends too.”

“Exactly. It was more about reveling in female companionship and being unfettered from the male-dominated societal norms.” 

The arrival of your dinner interrupts the conversation. Both of you lean backward, making room for the hot plates and Vernon’s basket of fries. You slide your feet down from his side of the booth, leaning to grab the red pepper flakes from the corner of the table. He grabs salt, immediately dusting his fries.

“Ugh, you could have at least let me have some first.” He looks up at you through his lashes, brows raised. “They’re already salted, Vernon.”

“Not enough.”

“You know, if you were haunted or possessed you’d never want the salt.” He gives a questioning hum. “Salt is used in purification rituals. It’s believed spirits hate it because it’s used in banishing spells and rituals. It’s why a line of salt keeps them out.”

“Good thing I’m hungry, not haunted.” 

You snort, taking a piece of your pizza from the tray. “Speaking of haunted, are we going to your Halloween party this weekend?”

“My halloween party?”

“You are in the fraternity, Vernon. Yes, yours.” 

He makes a face and tears into his pizza. You shake your head as he lets out a sound, huffing and tilting his head backward as he tries to deal with the too-hot food in his mouth burning him. “Ya,” he says around the slice. “I guess so.” 

“What are you going to wear?” He raises a brow at you, swallowing down the hot bite. You pout, sagging in your seat. “Dude, you have to dress up. You can’t just go in a black shirt and a baseball hat.” 

“Why not?” You kick him under the table and he winces, ducking down to rub at his shin. “Shit, fine. Okay, what do I go as?”

You grin, picking up your appropriately cooled pizza. “Leave it to me.” 

-

“This makeup itches,” Vernon mutters, looking up at you through long lashes. You hush him, putting the finishing touches on the black line down his mouth. “Couldn’t I have gone as something easier?”

“What is easier than black jeans and a jacket you already own, huh? Stop talking, I’m gonna fuck up this line and this makeup is perfect so far.” 

It’s true. You’ve outdone yourself on turning Vernon’s face into a skull, taking inspiration from American Horror Story for the costume. Vernon is a low effort kind of person, so getting him into costume is a lot easier when all it requires are clothes he already owns and makeup that you have to do anyway. 

Stepping away from him, you admire your handy work. His eyes are painted black, hollowed out for the skull. His dark hair is slicked back, the perfect skeleton. He looks… good. Painfully good, which makes you nervous and turn away quickly, heart flipping. You’re not sure what it says about you that Vernon staring at you while painted as a deadly skeleton makes your heart race but… it does. 

“How do I look?”

“Terrifying,” you admit, turning back to him. “But good.” 

He grins and if it were anyone else but Vernon, you’d be terrified. Maybe you did a little too good of a job. 

“What are you again?”

“One of the witches from American Horror Story Coven. Close your eyes, I’m going to use setting spray.” 

Darkness blankets the sky by the time you’re both scrambling down the steps and into an Uber. The driver does a double take when they see Vernon, eyes watching nervously in the rearview as you give him the address. 

“That’s at a closed down gas station.”

“Yep,” you agree, leaning back into the seat.

The driver mutters something about fucking college kids and fucking holiday but otherwise says nothing about the questionable location. He doesn’t need to know that a mile from the abandoned gas station is also an abandoned farmhouse notorious for unsanctioned parties and being distinctly haunted. 

Haunted isn’t your favorite thing in the world. You didn’t like to mess with ghosts, despite your area of study. You were infinitely more interested in the intersectionality of occult studies and modern culture and society and less enthused about the idea of drinking stale beer from a foamy tap in the middle of a murder house. 

If the driver thinks there’s anything weird about other people being dropped off at the gas station - you’re sure he does - he says nothing, ignoring the two of you as you get out of the car and dive into the night air. Vernon is close behind as you take a few steps away from the car, eyeing the old gas station.

The windows have long since been broken and cracked, foggy with time. The stations are stripped of their labels and stickers, just white residue left behind and no pumps. A few people lounge around the building smoking, dressed in a variety of halloween costumes. 

Nervous, you look up at Vernon. His smile is small and he juts his chin toward the dirt road that leads through the woods. Nodding, you both fall into step, sand and gravel crunching beneath your feet as you go. Vernon recognizes a few people associated with his fraternity and others, throwing a casual wave or a nod as you pass by people.

Music echoes down the road. It’s a little less foreboding in the dark trees when you can hear Michael Jackson’s thriller coming down the way and the dull roar of voices. The bend in the road straightens out, the line of trees giving way to flat land. 

The farmhouse is pretty, even in old age. It’s two stories, glowing from within from all of the battery lanterns and lights being used to light the party. A generator roars somewhere behind the house, light flooding the yard where people mingle and crowd the kegs. 

A chill slithers down your spine as you enter the yard, the broken gate doing a poor job at keeping trespassers out. Even with the lighting, shadows dance as you navigate through people, the strange anxiety crawling up your throat worsening as you near the house. 

Vernon pulls the sleeve of your dress so that you’re closer to him, his fingers steady and calm as he leads you up the steps where you can clearly hear Mingyu’s howling laughter inside. 

Bright light fills the house. As do a crush of people and beer pong tables, the abandoned home turned into a raucous display of drinking and debauchery. If you weren’t so distracted by the wave of people pushing you into Vernon’s arm, you might be impressed at how much you could forget the farm home was abandoned because someone had been murdered here. 

“I need a drink,” Vernon announces, continuing to pull your arm after him as he plunges toward what used to be the kitchen.

It’s where you find Mingyu dressed as a lifeguard - and loudly yelling directions. He blows his whistle shrilly when he sees you and Vernon, pointing at the two of you and spitting the whistle out of his mouth to scream, “NOT WET ENOUGH!”

“What a weird way to offer drinks,” you mutter. Chan, who seems to be on lifeguard assistant duty - while dressed in a horrid felt dinosaur costume - scrambles to get you drinks, spilling rum as he tips it over into a cup. “No ice?” 

“There’s not a fridge,” he pouts, shoving the cup in your hand. His eyes drink you in. “Are you a hot goth or?” 

Instead of answering him, you roll your eyes and turn to Mingyu, who blows the whistle again. Both you and Vernon wince, the latter throwing back his drink to chug it all before thrusting the cup back at Chan. “That’s gonna get real tiring.” 

Mingyu comes around the corner of the old island countertop, pumping his fists in the air to the music rattling through the house. “Vernon you look fucking sick!” He and Vernon do the little hand-clap-to-half-hug men do. Mingyu turns to look at you, eyes dark. “Are you like, a hot goth?” 

Your smile is plastic as the whistle around Mingyu’s neck. “Sure.” 

Mingyu, dancing and moving toward the living room, reaches out to you. “Come dance with me! This song fucks.”

“Decidedly not!” 

“Go ahead, Lovecraft!” Vernon urges, pushing you toward the obnoxious lifeguard with a shit-eating grin as he imitates Mingyu’s voice. “This song fucks.” 

Before you can chastise him for egging his fraternity brother on, Mingyu has you sucked into the dancing crowd, throwing his hands in the air as he swivels his way through the crowd. You try to knock back as much of the lukewarm drink as you can, cringing at the burn of cheap rum and not-iced coke. 

Bodies pressed in. Mingyu is close to you, a hand going to your waist. You frown and look over your shoulder, eyes scanning for Vernon. You know he’s probably lingering on the edge of the crowd, watching you with a smirk over the rim of his cup as he watches Mingyu roll his hips toward you.

“Mingyu,” you snap, turning back to him when you don’t find Vernon. “It’s the Monster Mash, it doesn’t require grinding.” 

“I mean, if you wanna graveyard smash…”

“You’re all insufferable! All of you!”

Still, you sway back and forth, trying to stomach finishing the rest of your horrid drink. It takes an effort, but shaking your head at Mingyu and judging him silently gets you most of the way through it until Soonyoung - dressed in the same tiger costume from last year - crashes through the crowd into the pair of you, thrilled when he realizes who it is he has slammed into. 

“Hot goth!” he screams, pointing at your outfit. “Where is your other half?” 

You don’t have to ask what Soonyoung means and both the drink and the accusation have you flushing. You shrug a shoulder, eyes surveying the party. Before either of you can find Vernon, Joshua appears at Soonyoung’s side, leaning to his ear to murmur something. Soongyoung’s face lights up and he grins at you, grabbing you by the wrist to yank you through the crowd. 

“Hello?” you demand, pulling your wrist from his grip. “Have you heard of asking?”

“Come on, I want to show you something.”

“The last time I heard that was promptly followed by you showing me that stupid peach tattoo on your ass.”

“First of all, that tattoo is amazing.” He heads to the stairs, which you eye warily. “Second, Vernon is already upstairs, come on. You like weird ghost shit, you’ll like this.”

Without waiting for a reply, Soonyoung thunders up the stairs. You cringe, waiting for a foot to go through a dry plank and send him falling. It doesn’t happen, though. Tentatively, you creep up the stairs after him, eyes glued to each of the steps as you go. 

It’s colder upstairs, the windows in the rooms open to the elements. You shiver, looking down the hall to Soonyoung heading into a bedroom. You tentatively follow him, stopping at the threshold of the doorway to survey the people inside.

Vernon is one of them, back pressed to the wall near the window, his eyes focused on his boots in front of him, hands tucked into his pockets. A girl next to him dressed as Red Riding Hood is leaning close, speaking to him rapidly. Nothing on his face indicates he’s listening. Then again, his expression is hard to read while painted as a skull, mystifying and dark as you follow Soonyoung down the hall. 

Soonyoung goes straight toward a pile of things on the floor next to Seungcheol’s feet in the corner of the room. The president of Vernon’s fraternity pays Soonyoung no mind, eyes totally focused on the pretty fox in front of him, bottom lip tucked between his teeth. 

Suddenly, the room feels too intimate for you, like everyone is a couple tucked away. You have half a mind to go back downstairs when Vernon looks up at you, dark eyes zeroing in. His face is ten times more intense with the skull paint, pinning you to the spot. 

Everything dulls to the background for a second. You don’t dare breathe, too afraid to shatter the moment as he stares at you, unblinking. His eyes glitter in the darkness of the room, two amber pools reflecting the moonlight. 

Joshua enters the room behind you, shattering the spell as you step out of his way. You turn back to Vernon, clearing your throat. He pulls a hand from his pocket, beckoning you over. Mouth dry, you obey, skittering over toward him quickly as you observe the materials that Soonyoung is sifting through in the corner. Candles. Matches. Salt. A bell. 

“Soonyoung,” you say sharply, slowing your step. “Why do you have ritual materials?”

He looks up at you, his grin wide. “Told you that you’d like this.” 

“What is this?” You turn back to Vernon, who shrugs one shoulder. 

Hesitantly, you take the unoccupied space next to him, casting the girl at his side a cursory glance. She observes your costume. “Are you a hot goth?” 

“Jesus Christ,” you mutter, head thunking against the wall as you watch Soonyoung stand, materials in hand. Vernon coughs next to you, trying to cover his laugh. You glare at him sidelong and he says nothing, but his skeleton mouth is screwed up in a smirk. “What is he doing?”

“No clue.”

Soonyoung walks over to the bedroom door, looking down the hallway before shutting it. You fight a shiver, disliking how quiet the room becomes, cut off from the rest of the world. The window near you is the only source of light, and the only one shut on the second level of the abandoned home. 

“What time is it?” Soonyoung asks Joshua.

“11:45.” 

“Perfect.” Soonyoung spins, eyes falling on you. “Want to talk to a ghost?” 

All eyes turn to you in the room. You open and close your mouth, confused. “What?” 

“Do you want to talk to a ghost? Like someone who died?” 

Your eyes drift to the candle, bell and matches in Soonyoung’s hand. A tingle spreads over your skin and your spine stiffens. “Soonyoung that better not be to invite a spirit in.” 

His grin grows. “Come on, you are the ghost major or whatever. You should be thrilled to do this.”

“Occult Studies. And that doesn’t mean I fuck with the unknown or make a mockery of the dead. We’ve been over this.” 

“It’s basically the same thing, come on. You learn it all in class.” 

“No.” 

He pouts. “You’d be best at it, though. Rumor has it that when the veil is thinnest, you can talk to the spirit that haunts this house.” 

“The murderer? Or the murdered?” Soonyoung shrugs. “I doubt either would be very happy a bunch of drunk college kids are trying to bother them. My answer is no.” 

“Ugh. I was kind of counting on you doing it.” 

“Do it yourself.”

“I don’t study ghost shit!”

“Occult! Studies!”

“Ghost shit,” Soonyoung assures the room confidently.

“I’ll do it,” Vernon sighs, pushing off the wall. “Leave her alone.” 

Soonyoung’s eyes are alight as Vernon steps toward him. You reach out to grab his wrist, pulling him back. “Don’t.” 

“It’s fine.”

“Vernon.”

His eyes are soft when he looks at you. As soft as the terrifying makeup allows, anyway. “It’s fine, Lovecraft. Let me. He’ll stop asking.”

“I’m right here.”

“We know,” you and Vernon say in unison. You feel warm, chewing the inside of your cheek before nodding. You drop his wrist and turn to Soonyoung, eyes hard. “Give me that, you’ll do it wrong. Tell me what the mythos is.”

“What math? You need math?”

“The story, Soonyoung. What is the fucking story of this house?”

“Right. Apparently some dude murdered his girlfriend in here and then hung himself in that closet.” He points to a door you didn’t see when you walked in, dark and far away from the window. “Legend says at midnight, ring the bell three times and step into the closet with a candle. If the candle blows out, the spirit is with you. If it doesn’t, it didn’t work.” 

Grabbing the items from Soonyoung’s hand, you look at Vernon. “When you’re done, ring the bell three times again and say: Thank you, I dismiss thee. Go in peace.” 

“Thank you,” Vernon repeats gently, taking the bell from your hand. “I dismiss thee. Go in peace.”

“Everyone else take candles,” you direct, voice rough with irritation. You glare at Soonyoung and Seungcheol in particular as you shove candles in their hands. “Stand in the four corners of the room. Did you bring sage, Soonyoung?”

“Bring what?”

“Of course not, why would you?” Everyone starts moving to the corner of the room, using matches to light their candles. The room feels unnaturally cold now, despite your long sleeves. Turning back to Vernon, you say, “It’s probably a stupid rumor.”

“Probably.”

“If your candle goes out, just ring the bell, say the words, and dismiss it.” 

“Right.” 

“You don’t have to do it, Vernon.”

His mouth kicks up at the corner. “I’m not worried, Lovecraft. You are.” 

Letting out a breath, you give a laugh that’s only half-there. You are nervous. You don’t like the idea of inviting a spirit into Vernon’s space, and though Soonyoung’s little ritual doesn’t really sound right, you’re not going to correct him. 

Still, you feel unsettled as you light your own candle and then Vernon’s. He cradles it in his hands as you escort him to the door. Tucked under your arm is the canister of salt. Crouching down, you pour the salt in a thick white light in front of the door, careful to ensure that there are no breaks and that it covers the entire entryway from corner to corner.

“Be careful when you step over it and when you open the door,” you instruct, standing up. The candle in your hand flickers unsteadily. “Don’t break the line. The idea is that if Soonyoung’s stupid summoning works, the spirit can’t get through the salt.”

“Banishing and all that,” Vernon recalls with a smile. Your heart flips. “I remember.” 

“Come on, you only have a minute!” Soonyoung calls eagerly. 

Shooting him a glare that silences him, you turn back to Vernon. “Ring the bell three times. Thank you, I dismiss thee. Go in peace.”

“Got it.” 

Unsettled you shuffle back from the door a little bit. You don’t go to a corner of the room like you’ve asked everyone else, unwilling to totally leave him by himself. Heart hammering, you hold your candle in front of you, cradling the warmth like a second heart. 

Vernon is unbothered. You can see it in the loose set of his shoulders and the way he sighs, already tired of Soonyoung’s antics. The party downstairs feels a million miles away as you watch Vernon stand in front of the closed closet door, looking up at it, unimpressed.

“It’s midnight,” Joshua whispers from the corner. 

Vernon doesn’t make any sound that he’s heard Joshua, but he lifts the little bell in his hand. It’s a hand bell, the wood grip worn and cracked. You wonder where Soonyoung got it from, having half a mind to ask him when the first clear ring of the bell disrupts your thoughts. 

The note sings through the air, your blood turning to ice in your veins. It feels like your pulse is throbbing in your neck as Vernon rings the bell hard a second time, the sound chasing the echo of the first. The third ring feels like a tremor in the air, warbling as Vernon quickly sets the bell on the floor, careful not to extinguish his candle flame. 

You hold your breath when he sets his hand on the doorknob. No one makes a sound as he twists it open. He pulls on the door and it comes away with a silent swing. The darkness on the other side is gaping, like there’s no back to the closet, just a wide hole of nothing. 

Vernon doesn’t seem to mind. He steps over the line of salt carefully until he’s in the middle of the closet, pivoting to face you. The orange flicker of his candle casts a haunting glow over his skull face. You swallow down a brief moment of fear before he winks and leans forward to pull the door shut.

For a long moment, there’s nothing. You feel your heart hammering in your chest, the thudthudthud so loud you swear everyone else in the room can hear it. No one moves, everyone fixated on the door. The silence is so piercing that your ears start to ring, the sound of the party completely unreachable over your mounting anxiety. 

“Well?” Soonyoung whispers somewhere behind you. “I guess it didn’t work.” 

Vernon begins pounding on the door. Someone screams behind you followed by a bunch of curses. You leap forward, heart in your throat as Vernon screams something unintelligible on the other side. You drop your candle, completely throwing caution to the wind as you grab the doorknob and twist. 

It doesn’t move.

“Vernon?” you ask, voice spiking with fear. “Let go of the doorknob, let me turn it. Vernon!”

The pounding doesn’t stop. He is screaming in a way you’ve never heard before, his fists rattling the door against the frame. You shriek his name back, yanking at the door frantically, your panic mounting as he screams and- 

When the door opens, you nearly fall backward with the force of it, stumbling over your feet. Soonyoung steadies you, to your surprise. You hadn’t realized he had left his corner of the room to help, his hand warm and firm. 

Vernon stands on the other side of the door, mouth pressed in a firm line. 

“You fucking asshole,” Soonyoung swears, throwing his unlit candle at Vernon. Vernon laughs, dodging it. “You fucking suck.”

“Yeah, well don’t ask me to do stupid shit.” Vernon steps out of the closet, eyes dropping to you. His mirth is edged with something sharp, a glint in his eyes that is wholly unfamiliar. “I was kidding.”

“You fucking asshole!” You screech at him, slamming your hands into his chest and knocking him back a little. He smirks and says nothing, letting you hit him a few times. “Why would you do that to me? What is wrong with you?” 

“Sorry.”

“Yeah, you sound really fucking sorry.” Anger sours your mouth. Turns your words to poison. Your throat tightens up and you feel the telltale sign of tears, equal parts livid, embarrassed and offended that Vernon would do such a thing. “Fuck you, Vernon.”

Someone laughs awkwardly as you storm off. Vernon calls your name but you ignore him, bolting down the hall and down the stairs. The wood creaks uncertainty under your feet but you don’t care. You want to be anywhere but here, the hot lick of embarrassment burning your heels as you go. 

You blow past Chan on your way out, his bleary eyes following you. “Nooo,” he whines. “Hot goth, come back to me!”

“Shut up, Chan!” You scream, slamming down the steps as you go.

People nearly dive out of your way, swiveling to watch the wake of your wrath as you leave the party. You ignore them, not wanting anyone to see the hot tears that spill over as you hit the dirt road, boots crunching. 

It’s hard to tell what’s worse. The fact that Vernon had played a joke on you he knew you wouldn’t like, or the way you had panicked and lost all resolve to be the one in charge. Both feel awful, but the sting of Vernon’s joke is the sharper of the two, cutting you to the quick.

Vernon has never dared to do something like that in your entire friendship. You have no idea why he did it now. Was it because he had an audience? Was he drunk? Was he actually like the members of his fraternity he associated with? 

You had no idea, which only made things worse. Above anyone else, you thought you knew Vernon best. But perhaps, you didn’t know Vernon at all, which was far worse than any sort of haunted spirit you could imagine. 

-

The next morning, you don’t hear from Vernon. It makes your blood boil, a nasty feeling forming in the pit of your stomach as you put your phone on Do Not Disturb. You put on a big set of headphones, blaring music to keep you sane as you set about cleaning your apartment furiously. 

It’s an okay distraction. The lull of clinical cleaning is nice and the music soothes the sting that nips at your heels like an incessant hound. When you run out of things to clean, though, you’re forced to face the fact that it’s nearly evening and Vernon still hasn’t said anything to you.

You don’t want to text him first. Your pride is wounded from the night before and you’re shocked he hasn’t apologized - he should apologize. The silence only makes you angrier, and with nothing left to clean in your apartment, you decide to think of all the things you’re going to say to him when he does finally reach out to you. Because you’re not saying anything first. 

Vernon’s radio silence makes it nearly impossible to sleep. You toss and turn in bed, unable to get comfortable, checking your phone and social media. It’s difficult to remember the last time you went over twenty four hours without hearing from Vernon, and the realization forms a pit in your stomach.

Maybe the silence was good. Maybe you were too reliant on his friendship, the one constant that you had grown far too fond of. Maybe he was into that girl last night, making a show of you because he wanted to make her laugh or maybe he was just putting you in your place.

The insecurity wars with your logic that Vernon wouldn’t do that. He’s never had a history of that kind of behavior before, and though he might tease you on occasion, you have never been the butt of his jokes or the target of his humor. 

Jokes like that aren’t even Vernon’s style. He doesn’t like cruelty, and that’s what pretending to be screaming for help was. It was cruel, and strange and it hurt. 

What hurts more is the silence continuing into a second day. By the late afternoon, though, the hurt has morphed into something else. You sit on your couch, staring at the phone on your coffee table. Your pride was begging you not to text him, but your worry was starting to chip away at you. 

Heaving a sigh, you pick up the phone. The tap of your nails against the glass screen is loud in your quiet apartment, the final rays of sun melting through the blinds while a candle burns on the counter. 

[You 5:14 PM]: So are we not talking? 

Setting the phone down, you immediately start making dinner. It doesn’t matter that you’re too early. You’re nervous waiting for his text back, which makes you feel ridiculous. Then you feel ridiculous for feeling ridiculous, validating yourself that it is totally okay to have feelings and be nervous.

“God,” you mutter under your breath. “I’m exhausting.” 

By the time you’ve had dinner and watched a full episode of Alice in Borderland, Vernon has said nothing. Worry eats away at the lining of your stomach. You pause the show and pick up the phone again, dialing his number.

On the other side of the line, the phone rings. And rings. And rings. 

You hang up when you get the automated voicemail, frowning. It’s all strange, and a nagging feeling tugs at your nervous system but you can’t put your finger on it.

Just as you set the dishes in the sink, your phone starts to ping. You’re grateful no one can see you in your apartment as you lurch to the phone, picking it up and unlocking it to see if it’s Vernon. It isn’t, but your heart starts to thud when your group chats with other friends and classmates in projects flood with the same rumor over and over.

A dead body had been found on campus. 

Vernon doesn’t live on campus, but it doesn’t stop you from calling him again. And again. And again. When the voicemail turns on a fourth time, you seethe into the phone, fingers gripping it so hard it feels like it’ll break. “Call me back you fucking asshole! Someone died on campus and you’re not answering and I just need to know it’s not you. Fuck!” 

Time passes and you get so desperate you do the one thing you didn’t want to do unless it was dire circumstances. You hit dial and bring your phone up to your ear, pinching the bridge of your nose to prepare yourself for when Mingyu answers the phone. 

“Am I dreaming?” he says by way of greeting. “It was the life guard costume, right?” 

“Mingyu, it wasn’t a costume. You were shirtless with board shorts.” 

“But it worked, right?”

“Have you heard from Vernon?” 

“Nah, why?” 

“Like you haven’t seen him at all since the party?” 

“Mmm. I don’t think so.” There’s a muffled sound on the phone like he’s trying to cover it when he yells, “Chan, have you seen that fuck head Vernon?” You wait impatiently, holding the phone further from your ear as Minguy yells. “Chan hasn’t seen him either.” 

“Isn’t that weird? I haven’t been able to get a hold of him.”

“Nah, I mean we never really see him. Usually he���s with you.”

“Right. And he isn’t with me, I haven’t seen him since the party.” 

“Well have you checked his apartment?” You hesitate. “Helloooo?”

“No.”

“Well. Do that. He’s probably sleeping or some shit, who knows.” 

“Great. You were so helpful,” you deadpan.

Mingyu sounds genuinely happy when he says, “I’m so glad!”

You hang up the phone before he can say anything else. 

Chewing your nail, you stare at the wall, mind racing.  Mingyu has a point that it’s normal for them to never see Vernon. He is usually with you, or he’s solitary. There is little in between. He also has a point that most of the time if you were looking for Vernon, you’d just swing by his apartment. 

The thought of seeing him again makes you want to curl in on yourself, but your concern weighs out. You get dressed and grab your keys, trying not to let your fear of what you might find there keep you from leaving. 

Opening the door to your apartment, you get one foot out the door and then slam directly into Vernon. You reel backward, eyebrows shooting up as he steadies you by the elbow, equally surprised to see you as though he wasn’t at your doorstep. 

“Easy there,” he greets, a half smile on his face.

Vernon looks totally normal. He definitely doesn’t look like he was murdered, and he’s dressed in his usual jeans, plain black shirt, and a backwards hat. For a second, you just stare at him, totally shocked and utterly relieved he isn’t dead.

Then, the anger comes. 

You slam a hand into his chest, cursing at him. “Where?” Slap. “Have?” Slap. “You?” Slap. “Been?” 

He takes the blows in stride. His chest is firm beneath your palm, heart beating steadily. Alive. And now that you’ve established he’s not dead, you feel so much anger ripple through you that you don’t let him answer before you’re pivoting on your foot and storming back into your apartment.

The sound of the door closing behind you followed by his shuffling as he takes his shoes off tells you he hasn’t left. A small part of you curls in satisfaction with the domesticity of his arrival, but it is blotted out by the hurt and rage at the surface of your emotions.

“What the fuck is wrong with you?” You demand. It isn’t as eloquent as your practiced rant, but it’s something. “You better explain yourself. And quickly.”

Vernon’s dark eyes connect with yours, simmering. You feel your heart lurch as he slinks over to the kitchen, never taking his gaze off you. The back of your neck tingles. Vernon never keeps this much eye contact and it’s both thrilling and unnerving. 

“I want to apologize,” he murmurs, pitching his voice low. You watch with trepidation as he reaches out to gather your hand in his. He folds your fingers under his, pulling your hand to his chest. Your breath quickens, pulse throbbing as he cradles your fist to his chest, his heartbeat steady. “I fucked up. I wanted to fuck with Soonyoung but I did it at the expense of you, and for that I’m deeply sorry.”

Warmth spreads from his hand to yours. You don’t know what to make of the apology - it’s so unlike him. Vernon has no problem apologizing when he’s wrong, but he’s usually not so confident, so well spoken. You stare and stare, that pitless gaze of his pinned on you. 

“I just…” You chew the inside of your cheek. “You really hurt my feelings, Vernon.” His hands tighten around yours and he tugs a little, pulling you closer. It’s harder to think when you’re this close, fingers wrapped in his. “You really scared me and then you vanished for nearly three days. Why did you do that?” 

“I wasn’t feeling well and I slept most of the days away. Honestly.”

“You weren’t feeling well?”

He gives you a look. “I see the skepticism. I’m serious, I just… wasn’t myself. I tried to rest and I didn’t hear my phone and I’m sorry. Really.”

Vernon’s apology settles around you like a weight. You watch him, contemplating what to do next. He doesn’t look ill, his gold skin as flawless as ever, his rosy lips tucked under his teeth as he watches you, waiting. His heart thuds under your palm, his thumb absently brushing back and forth over the top of your hand.

Breathing becomes difficult. Vernon isn’t overly affectionate, but the way he presses your hand to his chest now sends you down a dangerous path. The desire for him bubbles just below your surface and you’re terrified it’ll boil over, exposing everything you’ve ever thought about him.

“Alright,” you say softly, pulling your hand from his. He lets you. “Don’t ever do something like that to me again. It was scary and I felt stupid. And I thought you were dead.”

“Why?” 

Gesturing to the couch, the two of you plop down, seemingly back to normal. You’re still a little off kilter, but you report back to Vernon what your classmates had been saying. He grabs your remote and turns on the news, settling close enough to you that your thighs brush against one another. You shoot him a questioning look but he’s fixated on the TV, leaning forward to press his elbows into his knees.

The reporter on the news confirms the body of one of your fellow students had indeed been found on campus. Names and details were not yet available, but they were interviewing students about whether or not they felt safe on campus. By the second interview, Vernon was turning off the TV and leaning back.

“Freaky,” you murmur, tapping the arm of the couch. “Weird timing, right?”

“How so?”

“We just had a Halloween party in a weird murder house.”

Vernon goes silent. You turn to look at him, eyes searching. He stares at you, again the eye contact unsettling. Even though it feels like your Vernon sitting next to you, there is an edge to him that’s new. You don’t know what to do with it, shifting in your seat a little.

“Forget the murder house,” he says eventually, flicking his fingers in dismissal. “That party sucked and I’d rather forget it.”

“Yeah,” you murmur, eyeing him as he looks out the window. You swear he’s agitated, but you can’t pinpoint why. “Me too.”

-

Someone sitting down roughly next to you draws your attention away from your essay, barely audibly over the sound of Current Blue playing through your headphones. You raise a brow as Vernon slings his belongings on the table unceremoniously, uncaring how loud he is in the library.

You glance around, seeing that he’s attracted the attention of a few people at nearby tables, some scowling, others blushing. When you turn your gaze back to him, you see his mouth moving as he divests his bag of its contents, but you can’t hear him. 

Pulling your headphones from your head, you ask, “What?” 

“Can you help me with my organic chem assignment?” 

“I hate chemistry.” 

His mouth twitches as he opens his laptop. “Right, but you’re good at it. You’re the smartest person in school.”

Again, something nags at your instincts. You can’t pinpoint it, examining Vernon more closely. He looks totally normal, dressed in black jeans, a black shirt, and a jean jacket pulled over it. He’s without a hat today, his hair falling in messy strands over his brow as he sets up his area to study.

Sensing your gaze, he turns to look at you, eyebrow raised. “What?” 

“You seem different.”

“Different how?” He types on his computer to start bringing up his chemistry homework. “Different as in going to fail organic chem without your help?” 

“Oh shut up. I’m obviously going to help you.” 

His mouth is wicked when he grins. “Good.” 

When Vernon looks up at you, the world stops a little. His gaze today is fathomless, dark eyes smooth like the surface of a lake with no end. You tip into that gaze, letting yourself drown in it for a moment. Normally, Vernon would break eye contact by now, easily distracted or unrealizing that he’s got you stuck on him. 

Now, he doesn’t do that. He looks right back at you. Heat crawls up your neck and your breaths quicken. For the first time since you’ve known him, Vernon looks at you like he knows everything inside your locked-tight heart. 

You lick your lips and his gaze dips to your mouth. Inside your chest, your hummingbird heart hammers, threatening to break free. The corner of Vernon’s mouth tilts upward as his eyes meet yours again, and you watch, completely frozen, as he leans toward you. 

Vernon is so close you can smell the spicy cologne on his skin. It’s heady and makes you dizzy, and you watch, totally lost as he wraps his hand around the leg of your chair and tugs hard. You yelp, startling a few people around you as he yanks your chair next to his, your thighs pressed together. 

“What are you doing?” you whisper harshly at him, throwing an apologetic look at the people you’ve disturbed for a second time. 

“How are you going to help me from over there?”

“You could have asked me to move my chair.” 

The problem isn’t that he moved your chair. Not really. The problem is how close he is, leg pressed against yours and elbows touching as he shrugs and turns his computer screen toward you. The problem is how at ease he is with you nearly on top of him, his lazy smile making your thoughts tangle and your breath quicken. 

This Vernon is still the one you’re used to but there’s something about him that keeps you on edge. Keeps you looking at him when his hand brushes against yours to grab a pen, or when he leans back and puts his arm across the back of your chair, idly playing with the hood of your jacket.

It’s almost like he’s flirting, and you spend half the time stumbling through his homework, barely able to assist him in a meaningful way because you’re busy decoding the subtle touches and the light teasing. You feel yourself blush more and look the other way to collect yourself more in the hour you help him than you have your entire friendship, unsure what’s happening or how to handle it. 

Homework completed, Vernon stares off into the distance, his finger twisting in the string of your hoodie absently as you try to write the rest of your paper. It’s nearly impossible to concentrate like this, the intimacy more than you’re used to. 

“You’re very distracting today,” you comment as you reference a text to the right of your screen. “Are you aware of that?” 

He hums. “This is hardly a distraction. I could try harder, though.”

You cut a glance at him. He seems utterly serious, any sort of mirth nonexistent in his expression. There’s just that shadowed gaze, that spark of something right where you can’t reach it. You abruptly stand, surprising him as you knock his arm away from you and clear your throat. 

“I need a different text. It’s downstairs, though.” 

“I’ll come with you.” You raise your brows and he shrugs. “I’ve got nothing else to do.” 

“Sure.” 

Without another word, you pivot on your heel and nearly run for the far set of stairs that lead to the subterranean level of the library where all the old texts and books exist. Vernon follows you at a casual pace, still totally at ease despite the fact that you’re obviously unraveling.

You have no idea what his sudden interest in you is and it’s making you unspool, thoughts wild and racing as you reach the stairwell that leads down. 

Damp air greets you as you start down the steps and it smells like wet carpet. You cringe, hating every time you have to come here. It’s always poorly lit and damp, not at all what one would expect from a library trying to keep books from molding. But no one really comes down here anyway, only the history majors and people like you, who require weird books long retired from the main shelves.

It’s eerie in the old stacks. There are lamps above head casting a burnt orange glow over the green, shag carpet but otherwise it’s nearly impossible to see in the shadowy parts of the room. You certainly could never read a book down here. 

Vernon is silent behind you but you can feel him, his gaze burning into your back as you navigate toward the last set of rows. As you approach, you hear a sound, stopping you dead in your tracks. Vernon crashes into you, nearly knocking you over but his hands grab you, steadying you and holding you close to his chest. 

For the first time today, you’re able to ignore his nearness in favor of straining your ears for the sound you heard, a small whimper, perhaps. You hear it again, distinctly human. Your heart starts to pound as you remember that just the day before there was a body found on campus, mind racing with thoughts as you stand rooted to the spot, Vernon pressed against you.

Craning your head, you look up at him. His expression is unreadable as he looks at you through long lashes, face shadowed. There’s a soft bang, like someone knocking something over. He looks over your head and back at you, shrugging his shoulder as if to say your choice. 

Slowly, you move forward. Vernon keeps close, his heat radiating behind you like a furnace as you creep through the last few rows of shelving. As you near the third one, you stop and peer around the corner, eyes trying to adjust in the shitty lighting. 

What you see has you snapping back around the stack, mouth dropping open. Vernon, curious, leans around you to peer around the stack. He raises his brows and steps backward, mouth pressed in a firm line to conceal his laugh. 

In the next row over is a girl you vaguely recognize, naked from the waist down while someone who is very much not her boyfriend, pumps their fingers between her legs. Slapping Vernon’s chest you point toward the door, silently screaming at him to turn around and hightail it out of there. 

Vernon, for a second, bites his lower lip and wags his eyebrows at you, suggestive. You glare and shove his chest. He goes easily, grinning at you playfully as he turns on his heel and heads back up to the main floor. 

When you reach your table, you drop down in the chair, totally shocked. Vernon drops down next to you, laughing. “Listen, when the urge hits, I guess.”

“I guess,” you agree sharply, shaking your head. “That was not her boyfriend, though.”

“No shit?” 

“Yeah. She’s dating some dude in Sigma whatever.” 

Vernon’s gaze turns sharp and his eyes trail back toward the far side of the library, resting on the stairs. “Interesting.” 

“Not really. That seems to happen a lot among you Greek lifers.” 

“I would never do that.” The severity of his declaration has you looking up from your notebook. Vernon’s expression is cutting, his jaw flexing. “I would never participate in infidelity. Ever.” 

“I didn’t mean you, Vernon.” 

“I’m not like that.” 

You soften a little, guilt tugging at you. So often you remember that Vernon isn’t like a lot of the people around him and grouping him in is unfair and insensitive. 

“I know. I’m sorry, I didn’t mean it like that.” 

He nods once, turning from you to pack up his stuff. Somehow, you can’t help but feel like you’ve said the wrong thing. 

-

“Oh shit,” Vernon mutters. You look up from where you’re flipping a grilled cheese in the pan. He holds his phone out to you from where he leans against his kitchen counter. “They found another body. Same MO or whatever as the first.” 

“No way?” 

Putting down the spatula, you grab his phone from him where he has the article pulled up. Sure enough, there’s been another murder on campus. Your eyes drink in the details, similar as before: student victim, stab wounds, message written on the wall. 

“What is the Hello Darling Murder?” you ask, more to yourself than Vernon. “It’s linked here as a reference to these being copycat murders.” He says nothing. You read out loud, “The Hello Darling Murder is a case of a murder suicide that happened in the same town in 1979. It was the town’s first violent domestic crime in years, and drew national media attention for the gruesome crime scene in which a message had been written on the wall in blood.” 

Vernon makes an amused sound. You look up at him sharply, staring. He has his arms crossed over his chest, staring at the floor with a mildly bemused expression. You kick him and he looks up at you. “What?”

“Why are you laughing? That’s not funny.”

“The way people sensationalize murder is weird.” 

“I mean, I agree. But what is funny?”

“It’s not funny as in funny ha ha,” he clarifies. “It’s funny stupid. The media is going to sensationalize this and turn it into an entire thing.” 

“Yeah, well. That’s their job.” 

Off put by his dark mirth, you turn back to the article, reading further. You skip over the old murder, more interested in the details of the two new ones. Your heart seizes in your chest when you see the name and picture of the second victim, stomach roiling. 

He sees your expression, pushing off the counter toward you, hands shooting your arms. “What? What’s wrong?” 

In any other scenario, you’d be overwhelmed by the sudden care and affection. Now, you just turn the phone toward him, showing him the photo. “It’s that girl from the library. Her name was Sidney. She’s the one I told you was cheating on her boyfriend.” 

Nothing registers in his face when he looks at the phone, his hands still resting on your arms lightly. He looks away from the screen and at you instead, a sharpness to his gaze that’s there so often you’re starting to grow used to it.

“You’re burning the grilled cheese, Lovecraft.” 

-

Mosquitos nip at your skin as you walk down the narrow path between trees. You slap your hand against your neck again, muttering under your breath. Vernon chuckles next to you, keeping his pace even as you struggle to step over a fallen tree branch. 

You hate the woods at night. It’s not your first time going to a bonfire deep in the woods off campus, but you don’t know why you keep coming back. Tripping over another branch, Vernon catches you by the arm and steadies you, stopping to make sure you’re okay before he lets go.

Scratch that. You do know why you keep coming back. For as long as you’ve been friends, you’ve been Vernon’s permanent plus one to all of his parties, formals and events, even if both of you hate going. It’s become a weird obligation to show up at things like this as a pair. 

They aren’t always terrible, you have to admit. When Mingyu isn’t absolutely hammered, he’s mostly tolerable to be around. Soonyoung isn’t bad either, though you’re still pissed off at him for the Halloween party incident, unwilling to talk to him. 

But nights like this where you have to trek out into the middle of the woods using your phone’s flashlight to navigate, you sort of loathe your unspoken oath to attend with Vernon. 

Instead of focusing on the distaste and the inherent anxiety the shadows of the trees give you, you let Vernon help you slide down a ditch and climb up the other side. His fingers are firm on your wrist, not quite holding your hand but keeping you connected. 

Your skin is warm and tingles when he lets go, deeming it safe enough to let you walk yourself. It’s easier to see now, too, the orange light of the massive bonfire casting a circle of orange glow that only grows as you near the party. 

Party is perhaps too strong of a word for it. There can’t be more than twenty people in the small clearing surrounding the roaring fire the Soonyoung tends to, foldable chairs and coolers arranged in a circle. Chan is trying to roast a marshmallow and failing, the white snack immediately catching fire and singing in the heat of the fire. 

Mingyu whistles when he sees you, catching your attention to wave you over to a pair of seats by him and Chan. You make your way there, navigating through groups of people clutching plastic cups and stepping over various sizes of coolers. 

The heat from Soonyoung’s inferno is nearly unbearable, making you cringe back as he adds something that cracks and pops, sending bits of orange ash floating toward the sky. 

“Jesus Christ, Soonyoung!” Seungcheol complains from his seat where a girl sits on his knee. “Enough, it’s fucking hot!” 

“Sorry,” Soonyoung answers, sheepish. 

Backing your chair away from the fire a little, you sit down and curl into the folding chair, accepting the drink Vernon hands you before moving his chair closer to yours and sitting down. A shiver ripples through you at the cool can in your hands. You crack the top and take a sip, trying to cool down from the blast of heat you’d taken while passing the fire.

Mingyu turns to you and Vernon as Chan pops a burned marshmallow in his mouth, the two of them immediately launching into discussions of the murders. You shift uncomfortably in your chair, listening as they recount the details in the news mixed with the rumors on campus. 

So far, two bodies have been discovered and linked together. The authorities don’t want to call it a serial killer, attempting to avoid a media craze and inspiring the killer to go on a spree, but denying the murders are connected is impossible.

You’re unsure what the victims have in common. The first had been a male senior who was in the business track, discovered by the dorms near the lake on campus. The second had been the girl you’d seen in the library in her apartment off campus, and Sidney had been in the education track and a junior. 

Neither of them were friends. You don’t go to a large university, but there are enough students that it’s normal to have a ton of people that you don’t know. From what anyone can tell, there was nothing the two victims had in common.

Except that they’d been murdered by someone who had left a bloody Hello Darling written at the crime scene.

A chill sweeps over you as Mingyu mentions the Hello Darling Murderer. It was the same story as before - a man had murdered his girlfriend in the 70s, a shocking and violent domestic crime that had unsettled the citizens and local university. He’d promptly killed himself after that, leaving only a bloody Hello Darling on the walls.

Authorities didn’t even know who the blood had belonged to - it took them so long to realize the couple was missing before they did a wellness check that by the time they investigated, they’d been dead a week. 

Vernon snorts at that and mutters something about the ineptitude of law enforcement. You cut your eyes at him. Though you agree, Vernon is usually the last person to make degrading comments - or comment at all really. 

Not for the first time in the last two weeks, you can’t help but sense that honed edge to him he has now. You’ve attributed it to him moving with more confidence, talking to people directly and making actual eye contact. You don’t know where the sudden swell in self-conviction has come from, but you’d be lying if you said it didn’t look good on him.

Still, it’s got you a little uneasy, trying to adjust to this version of him. 

The topic shifts to football and you find yourself tuning everyone out, sipping your cider and staring at the fire as it warms your feet. More people arrive and drag chairs up. Someone hauls a few kegs into the firelight, cheers going around the fire.

Vernon stands and holds his hand up for your empty can. You give it to him wordlessly and he heads to get you a refresh, tossing the trash into one of the trash bins.

Turning to Mingyu as he goes, you ask quietly, “Has he seemed different to you lately?” 

“Who?”

“Steve Jobs,” you deadpan. “Vernon, obviously.”

“I don’t think so? He’s around a lot more lately and actually talks to us.” Mingyu pauses, thinking as he cocks his head to the side. “I mean, I guess that is kind of weird for him. He also actually goes to places with us now.” 

“Exactly what I mean.”

“Hey! We are friends, you know?” 

You hum uncertainty, your attention trailing back to Vernon. You observe him, noticing all the little details that are different. He stands a little bit straighter, inserts himself in conversations where he didn’t before.

Now, he stands near the keg, nodding along to something the girl next to him is saying. They’re standing close - you realize it’s the same girl from the Halloween party that had been talking to him, except this time, he’s talking back. 

Vernon leans in close to her and says something, making her laugh. He bites his lower lip a little, watching her with half-lidded eyes. Your stomach turns a little, eyes glued as he brushes her arm when he reaches for the cup that Joshua hands him. 

Turning away from them, you tune yourself into Chan’s conversation, needing a distraction. You try not to count the minutes until Vernon returns. When he does, the girl is with him. He drags a chair over so she can sit on the other side of him. 

It’s close, their knees touching when he sits and hands her the drink he was holding for her. He turns and holds out your drink to you, which sloshes a little when you snatch the cup from his hand. He arches his brows but you say nothing, taking a large gulp and turning your back on him to ask Chan about football instead. 

“You watch football?” Chan asks cryptically. 

“Sure. Go Green Bay Ravens.” 

He stares. “Packers. Green Bay Packers.”

“That’s what I said.”

“Hey, I’m not arguing with you. In fact, if you want to tell me what’s what more often-”

You scoff. “Shut up, Chan!”

Stuck between Vernon flirting with the girl next to him and Chan and Mingyu being - Chan and Mingyu - sours your mood. You try to lose yourself in your cup, going mute as you stare at the fire. Vernon hardly notices the shift in your mood, leaning in to the girl as they chat. 

You can’t help but notice everything about them. It’s impossible not to see the way she leans into him, bumping shoulders when she laughs. He lets her, watching her with a gaze you can only describe as hungry. The grip on your cup tightens as he knocks their knees together when he shifts in his chair, leaving it pressed against hers. 

It reminds you of the way he’d behaved in the library with you, brushing against you on purpose, making his words come out in a playful pur instead of what you’re used to, and seeing him do it with her now makes you snap. 

You stand abruptly, drawing the attention of Chan and Mingyu but not who you want. 

“I’m going for a walk.”

“Need company?” Chan offers. It seems genuine, but you give him a sharp no before you’re walking away, sticks snapping underneath your boots as you go. 

Chill air licks your face as you get further from the fire. There are plenty of people dispersed throughout the general area, some people pulled far away for intimate conversations, others pulled away to pass a joint in a circle, the pungent smell chasing you as you pass them. 

Away from the smoke and the noise, you feel like you can breathe a little more. You find a fallen tree, thick enough to sit on. You test your weight on it first before deciding it’s safe, swinging your leg to straddle it and look off into the dark trees.

There’s just enough light from the silver moon above your head and from the distant fire to feel safe. Wrapping your arms around your middle, you hug yourself and close your eyes, breathing in deep. The fire smoke isn’t strong here, the air clean and crisp.

Opening your eyes, you look at the sky. This far out in the country, you can see the stars. Out of habit, you start mapping out all the constellations you know, eyes tracing Orion the Hunter. You skip over to Andromeda, counting each star before moving to the east to spot Cassiopeia. 

It reminds you of the time you taught Vernon all the different constellations. He’d been a silent and attentive listener, watching as you’d pointed them all out while sitting on a bench at the park. You’ve caught him drawing them more than once in his chemistry notebooks, little dots of perfect constellations memorized. 

An ache you’re familiar with fills your chest. It’s the same ache you had when you realized you had feelings for him but didn’t want to tell him. The same ache you had when he’d hurt your feelings on Halloween. The same ache as when you’d seen him actually look back at someone who's interested in him, for once. 

Crying seems silly, but suddenly you have the urge to, throat twisting as you stare at the sky and try to puzzle out the direction your friendship has gone since that night. As you sit on the tree, a prickling sense of awareness creeps up your spine, tugging at you. 

Looking around, you see nothing. You can generally see in a good circumference, but the sudden instinct that something or someone is watching you drives you to get off the branch, hitting the ground with both feet to stride back toward the fire. 

As you go, your foot gets stuck in a tangle of tree roots again, making you stumble. You curse, bending down through squinted eyes to untangle your foot. Your fingers are a little cold and shaking, anxiety creeping up slowly as you pull the weeds and roots away from your shoe. 

Something snaps behind you. Your fingers freeze, head whipping around to look for the source of the noise. Again, you see nothing but your heart is hammering. You don’t dare to breathe, holding your breath as you strain your ears to hear anything else. There’s only crickets and an owl in the distance, no more snapping branches.

In that moment, it occurs to you that you’ve decided to wander out in the woods at night and alone after two recent murders. The stupidity of your actions land like a blow.

Turning back around, you wrench your shoe free and stand up, nearly colliding with Vernon who leans backward to avoid smacking into you as you shriek in surprise, stepping backward. Vernon’s hand darts out to grab you, catching you and tugging you forward into him before you can lose your balance fully.

Heart hammering, your fingers dig into his biceps, keeping yourself standing as you hiss, “What are you doing?”

“What do you mean what am I doing? You’re wandering out in the middle of the woods while there is an active serial killer in town.” 

“Oh please, like you noticed.”

He frowns. You drop your hands and try to step away from him, eager to put some distance between you. Vernon’s grip on you tightens though, keeping you where you’re standing. “I’m here, I obviously noticed.” You snort derisively and his grip tightens a little. “Is there something you want to say?”

You open and close your mouth, scowling at him. He’s never so direct you’re unsure how to approach the question. So you try for a little bit of honesty. “I wasn’t having fun.” 

“Okay, so let’s leave.”

“You look like you were having fun.” 

Silence hangs in the air. Vernon’s face is indecipherable. Then, “Are you jealous?”

“Don’t be ridiculous.”

Your response is so fast that it even sounds practiced and hollow to you. It’s hard not to wince, hoping that as always, he doesn’t see through your cellophane defense. Vernon’s touch drops from your biceps to your wrist, delicate. You’re afraid to look him in the eye, instead staring at the buttons on his jean jacket. 

“I noticed you were gone.” His voice is gentle, a low purr. You dart a quick glance at him to see the intensity of his gaze. It makes you squirm, unsure how to respond. “I always notice when you’re gone.”

“Alright. Well.” 

“I notice everything about you.” 

The way he says it is a soft whisper. A promise, a suggestion. Again, it feels like Vernon has discovered your loose thread, tugging lightly on it. If he tugs again, you think you might unspool all the way, showing him everything you don’t want him to see. 

It feels like he wants to, and that’s what scares you more. That suddenly he’s looking at you like he wants to see past the veneer of your words, like he’s ready to look inside. You hear the double meaning. It’s so terrifying that you look away from him, ready to hide. 

“Don’t tease me,” you whisper. 

“I’m not. If you’re not having fun, let’s go home. I came here with you.” He tugs your wrist. “Come on. You can’t be walking around out here alone with a killer on the loose, Lovecraft. I’ll be forced to fight them off.” 

The tension fades. You let out a breath and laugh, looking at him skeptically. “Yeah? You’re going to fight for me?” 

His grip on your wrist tightens. You wonder if he can feel the speed of your pulse under his thumb, the way it hammers when he smirks. “Yeah, I am.” 

-

Sal’s Pizzeria isn’t your favorite place to do school work. It’s too loud and bright, the promise of food is way too distracting for you to focus for much longer than a few minutes at a time, and usually your fingers are too slippery with pizza grease to type properly. 

You only have a narrow window to finish writing your paper before going to the bar for Jihoon’s birthday. You barely know him, but he’s someone Vernon is decently close enough too that you feel obligated to attend. More importantly, you’re finally almost done with your paper you’ve been working on for two weeks, eager to celebrate hitting submit. 

“You know that dude who was killed first was a rotten cheater?” 

The girls sitting behind you catch your attention. Your brows knit together and you turn your head a fraction to eavesdrop, eyes unfocusing on the words on your screen. There are four of them behind you that you don’t recognize but assume go to the same school as you, based on the attire and the backpacks. 

“Yeah! Sam told me about that. Apparently he was sleeping around with a bunch of freshmen. Maybe his girlfriend found out and went all psycho killer on him?” 

“Ew, how scummy. But what’s with the hello darling message shit? Can you say weird?” 

“I know, right?” 

Their words give you pause. The first victim had been someone known for his infidelity too? Turning back to your screen, you pull up your web browser and type in Hello Darling Murderer to the search. The original murder from the 70s hadn’t given you much thought beyond assuming someone was being a copycat, but now you feel something nagging at you. Something you’re missing. 

All of the top stories are of the recent murders. You amend your search to the 70s and get older articles and links to podcasts covering the initial incident. Clicking on a story from a reputable journal, you start reading in detail about the first murder and his victim, skin prickling as you go.

As an Occult Studies major, a lot of people think you’re into murder mysteries. In truth, you’re not. They have little to do with what you study, and you’ve spent countless times telling people that occult and people obsessed with true crime are two totally different things. You have no idea why they’re lumped together so often, but on more than one occasion you’ve had to explain you’re not interested in serial killers or their stories.

Except now. Chewing the inside of your cheek, you unwind the story of Thomas Ellswater, who had apparently murdered his girlfriend at the time before promptly killing himself. The initial investigation hadn’t dug up much, assuming that it was a case of domestic violence gone as bad as it could. 

But the journalist who had written the story had other details. Accounts from family friends that detailed Elsswater’s girlfriend, Maya, unhappy with their relationship. One even insinuated that she had been cheating on him for a long time, though with who, they were unsure. 

Further down in the article, you stop. Read the paragraph again. Look at the picture of the house. A sickly chill coats your skin as you lean forward, taking in the details of the house. You’ve seen it before, though your memory of it at night surrounded by floodlights and full of drunk college students makes it almost unrecognizable when you see it on the screen. 

Thomas Ellswater lived in the same house that you’d partied in on Halloween night, where Vernon had played that horrible prank in the closet. Thomas or Maya had been the haunting spirit Soonyoung had been attempting to summon.

And now someone was killing in the same exact style.. 

The server bringing you two trays of pizzas and a basket of fries breaks you from your trance. You close the article, a sick feeling in your stomach as you try to piece together the puzzle. Was it just a spurned lover who was paying homage to someone who related? Or was it a serial killer poking fun at the MO?

Vernon crashing into the seat across from you startles you. He gives you a grin, eyeing the pizza in front of him and rubbing his hands together. Rolling your eyes, you grab the red pepper flakes and salt, passing the latter over to him. 

“So I learned something weird today,” you venture, pulling a slice of pizza from the tray. 

“Tell me,” he answers over a mouthful of pizza, once again burning himself. You roll your eyes, shaking your red pepper onto your slice. “What is going on in the world of occult today?”

“Actually, not occult.” He gives you an appraising look, popping some fries into his mouth. “What, no salt today?”

He pauses, looking at the basket of fries. “Nah, I need to cut back on the sodium.”

“Good idea. Anyway, it’s about the murders.” 

“Do tell.”

“The girls behind me said the first victim was known for cheating.” 

“It’s college. Apparently there is a lot of that.” 

“But remember that day we saw Sidney in the library? She was cheating too.” 

“Right.” He rips into his pizza, gaze sharp as he looks at you. “So this town is full of a bunch of lowlife fucking cheaters.”

You flinch at his vehemence, leaning back in your seat. Vernon drops his gaze, tearing into his slice in silence. “Sorry,” he says after swallowing. “I’m hungry.”

“Right. As I was saying, I looked up that Hello Darling Murder.” 

He pauses, gaze flicking to you. “And?”

“And it was ruled as a case of domestic violence gone wrong, but there were some people who think the Maya Caravalo was cheating on Thomas Ellswater, who killed her.” 

“I’m sure cheating is the leading cause of crimes of passion.”

“In the house that we were in on Halloween.” 

Vernon frowns. “Ah. Weird.” 

He doesn’t elaborate. You watch him as he chews on more pizza, shoving fries into his mouth on occasion too. He seems totally at ease - and more normal than he’s been in weeks. You watch, mildly disgusted at the way college men eat. 

“That’s all you have to say?” You ask. “Weird.”

“It is weird.” 

“Kind of an insane coincidence.” 

He becomes still, only his eyes moving as he settles his inky gaze on you. For a second, you can’t help but think he looks a bit like the cat who ate the canary, eyes glittering. “So tell me what theory is in that pretty head of yours, Lovecraft.” 

Ignoring the way your heart leaps at him calling you pretty, you sigh, picking at the wooden table with a thumb nail. “I don’t really have one. I just think someone came across the original murder and thought I could write that at my crime scenes. I don’t study criminology, I can’t figure out motivation.”

“You’re the smartest person in school, Lovecraft. Try.” 

“I guess… I don’t know. The new killer was probably cheated on recently, came across what happened in the 70s, and has been taking out their rage on other adulterers because they feel some sort of kinship with Thomas. Maybe like finishing his work or ridding the world of a common enemy.” 

Vernon hums. “Maybe so. Do you think they deserve it?” You look at him sharply, mouth downturning. “The victims. Do you think they deserve to be killed for their infidelity?” 

“I don’t know that anyone is deserving of murder.” You chew the inside of your cheek, watching Vernon’s face for any sign of what he’s thinking. He’s totally closed off, a blank canvas. “This is why I’m in Occult Studies and not law, Vernon.” 

He gives a wolfish grin. “Touche. Come on, eat your pizza. We have a bar to go get drunk at.” 

-

The bar in question is teeming with people. You’re immediately overwhelmed, squeezing your way between chairs, tables and people as you navigate to your group of friends. Vernon keeps you close, his arm encircling your waist as pulling you to him as you go. 

He either ignores or doesn’t notice the sharp look you give him. Instead, he’s focused on keeping the two of you attached, shouldering his way through the crowd, the press of his fingers on your hip dizzying and steadying at the same time. 

At the far back of the bar, an entire section of people associated with Vernon’s fraternity crowd from wall to wall. Vernon manages to get you onto a stool at the bar top, shouldering one of the pledges off the seat with a narrow-eyed look. You raise your brows at him and he winks, leaning his elbow on the bar top to order you both drinks.

Spinning to face him in the stool, you give him a quick once over. You’d been so engrossed in your murdery mystery findings at the pizzeria that you haven't really looked at him until now. He looks good, dressed simply in dark jeans and a dark, long sleeve shirt that shows how broad he is. Has he always been that broad? 

Vernon catches you staring. “What are you looking at?” 

“Nothing.” 

He grins, accepting drinks from the bartender and sliding one over to you. You burn under the full weight of his attention as he pops his straw into his mouth. “Tell me.” 

“You look nice tonight.”

“You look nice every night.”

“Oh shut up.” 

“What?” he laughs. “I mean it.” 

“Whatever.”

Spinning in the chair again, you place your back to the bar, facing the crowd to watch people. Vernon is content to stand next to you in silence, both of you sipping your drinks as you observe the people around you. Someone jostles him a little closer, his arm shifting to lay across the bartop along your back. 

Heat creeps into your cheeks and you try to remain breathing normally. Vernon leaves his arm there, pressed against you but not exactly wrapped around you. There is a distinct difference, but this is still new. Still confusing. 

People who recognize you both come up and say hi. You keep the conversation polite and short, especially when you see the girl who has lingered at the last two parties slink toward you, her eyes only for Vernon. 

“Hi,” she yells over the crowd, totally ignoring you. “I didn’t expect to see you tonight!”

“Why wouldn’t you? I’m friends with Jihoon.”

The girl opens and closes her mouth, lips pursed at that. You sense the serrated edged to Vernon’s words, casting a glance his direction. He’s not looking at her, eyes instead scanning the crowd. Uninterested. Even you know she didn’t literally mean she wasn’t expecting to see him - it was just a conversation starter. 

Using the opportunity to sip from your straw to hide your laughter, you have to admit you’re a little relieved to see Vernon missing social cues again. It’s more him, a Vernon that you're used to. Maybe a little meaner than usual, but this is closer. 

“Right,” the girl says. Her eyes flicker to you for the first time. “It’s his birthday, right?” 

“According to the giant sign in the corner and all the balloons, yes.” 

Okay, maybe it’s not entirely normal Vernon. Usually he isn’t so callous. In this case, you don’t mind, watching as she tries to puzzle out how to keep the conversation going. Vernon decides for you, turning from her to press his mouth close to your ear. 

“I’ll be right back,” he murmurs, breath hot against you. “I’m gonna greet Jihoon really quickly.” 

All you can manage is a breathy, “Alright.” 

Vernon finishes his drink and pushes off the bar, fingers dragging against you as he goes. He ignores the girl standing and watching, her eyes darting from you to him until he vanishes in the sea of bodies. Without Vernon there, she has nothing to do. She tilts her chin up, sucking up her pride and turns on her heel to walk a direction distinctly not the same way as Vernon.

Alone at the bar, you swivel in your seat to order you both another drink. You assume Vernon is drinking a whiskey coke, hoping that’s right as you flag down the bartender. While you wait, someone slips into the spot next to you. You turn, thinking Vernon’s already back only to find someone you definitely don’t know. 

“Sorry,” he shouts over the loud voices and music. “Did not mean to get in your personal space, this spot was way smaller than I thought it was.” 

“That’s okay! Getting a spot kind of sucks.”

“No kidding.” He grins at you, turning his attention back to trying to get anyone to take his drink order. “How long do you think it’ll take for them to notice me?” 

“About seven years.”

“Yikes. I’m Seokmin, by the way.” You give him your name and he grins. “What brings you to this shit hole ass bar?”

“A friend of a friend's birthday. You?”

“A friend of a friend's birthday indeed.”

A bartender finally comes over to take Seokmin’s order. He leans forward to shout over the crowd, his shoulder knocking into yours. You don’t mind - he’s nice. He looks over at you, a question on his face. “You like tequila?”

“No!”

“Let me rephrase - want a shot of tequila?” 

“She doesn’t.”

Vernon slides behind you, his palm pressed flat to your back. You startle, looking up at him in surprise. He isn’t looking at you, his eyes zeroed in on Seokmin. You slide Vernon’s drink toward him, eager to dispel the sudden tension thrumming through him.

“Whiskey and coke?”

He looks down, eyes rounding out a little as he softens. “Mhmm. Thank you.”

Drink in hand, Seokmin turns to you both and waves. “Y’all have a good night!”

When he’s gone, Vernon leans against the counter again, his tone flat as he says, “He was nice.”

“He was, but what do you sound bothered by it?”

“Maybe I am.” 

“Why?” 

He lifts a shoulder. Instead of answering you, he picks up the lime in his drink and squeezes it, stirring it with his straw before taking a long pull straight from the rim of the glass. 

You nudge him. “I’m going to say this again: you’ve been different, lately.” 

“Different how.” 

“I don’t know. You talk more. You’re a lot more engaging. You’re a little…” 

“A little what?”

“Cockier?” He hums, eyes dropping down to your mouth. “Like that,” you point out, voice a little weaker. “You do that now, and you didn’t used to.”

“I always did. I’m just a little more obvious about it now.”

Tension crackles between the two of you. Your mouth feels dry as you watch him, reading the minute expressions of his face. Finally, when you can’t unpuzzle him, you say, “I don’t know what you’re doing.”

“What do you mean?”

“I can’t tell if you’re coming onto me or if it’s some sort of game to you.” That makes him frown as he sips his drink again. Your fear and frustration clash, wrestling for dominance. “It makes things confusing.”

“Why didn’t you say so? I’m happy to clear things up.” 

You grip your glass, trying to keep your fingers from quaking. This moment feels like it’s all or nothing. Vernon puts it out on the table so easily, leaving the option to you. Either you can ask for clarity, or keep playing this new game of cat and mouse. But you have to decide. 

“I would appreciate it if you did,” you say eventually. 

Vernon nods and finishes the rest of the drink. He sets the glass down before he leans forward, hand going to the underside of your chin to lightly tip your face upward with his knuckle so he can press the world’s most gentle kiss to your mouth. 

You freeze. When he doesn’t pull away, lips soft and warm, you sigh into the kiss, eyes fluttering shut. He feels you relax, mouth curling in a smile against yours. He steps into your space without breaking the kiss, finding the space between your legs as his lips press firmer to yours. 

Vernon smells like his cologne and something distinctly him. It makes you dizzy, and the way he tastes like whiskey and lime makes the room spin. When he pulls away from him, you feel like you’re going to fall from the stool, leaning toward him. 

His hands grip your thighs, squeezing generously as he leans in and drags his mouth to your ear. “Does that clear things up?” 

“Actually, no?” 

His groan is throaty, turning into laughter as he buries his face in your neck. Your hands tentatively settle on his waist, a little hesitant. “I always said you were the smartest person at school, but maybe not.”

“Hey!” 

“Come home with me.” He feels your delay, laughing. “Come home with me because I like you. Is that clearer? Because I want you to come home with me, and I don’t want anyone else here.” 

Your heart goes bolting like a rabbit, running in circles. Vernon pulls away from you to study your face. You watch him for any sign that he’s kidding, that he doesn’t mean it. You find none. In its place, you only see honesty. Hunger. Fiery desire burning at the surface. 

“Really?” Your question is small. Vulnerable. “Do you mean that?”

“I do.” He tugs on your thighs. “I’m not playing games with you. Come home with me - I’ll prove I’m serious about you. You are what I want. I just had to be sure.” 

Lightheaded and heart slamming, you let Vernon pull you from the seat and lead you out of the bar. 

-

Vernon’s apartment on the north side of town is a place you’ve been a million times. You recognize all the cars in the parking lot, and you know exactly what building and floor belongs to him. You even recognize his neighbors come in mat that you’ve always hated. 

He catches you staring at it with distaste now, laughing as he shakes his head and inserts his keys. “You and that mat.”

One hand works the keys into the door while the other is stretched behind him, fingers linked with yours. Your hand is warm and your heart is still racing as he gets the door open, pulling you inside the dark of his home. 

“They could be inviting anything in,” you assert, a little breathless as he pulls you to his chest. He kicks the door shut, the frame rattling as it slams. “You should never have a doormat that just welcomes whatever shows up at your door inside. You could end up with a vampire in your home.”

“A vampire, huh?” Vernon ducks his head towards your neck, lips skimming your throat. Your fingers twist in the hem of his shirt, eyes fluttering closed as his teeth scrape against your pulse point. “Sounds scary.” 

“It is. There’s nothing to disprove that vampires exist.” 

Vernon bites down and you whine, melting into him. His laugh vibrates through his chest as his tongue presses to the bite mark, soothing the pain. His mouth closes over the spot and he sucks gently, sending a shiver through your body. 

“I promise the only thing biting you will be me.”

The full weight of his words hit you between the legs. You feel like putty in his hand as he navigates you to the island counter in his kitchen. He presses your back into it, careful not to jam you too harshly against the marble. 

Heat licks through your stomach as Vernon steals your lips in a kiss. It’s different from the gentle one he gave you at the bar. This one drinks you in, pries you open and lets you spill out into him, all the feelings and bottled thoughts you have free for the taking.

You get lost in him, hands wrapping around his neck to pull him close, fingers sliding through his hair. He moans and you respond, curling your fingers to scrape your nails against his scalp. His hips twitch forward, pinning you between him in the counter as he sucks your bottom lip harshly. 

“Be careful,” he warns, a hand drifting from your chin to your neck. He doesn’t wrap his fingers around your throat, but his hand rests there, heavy and wanting. “I’m trying to be gentle.” 

You steal a kiss, nipping his bottom lip sharply. “Don’t be.”

His resounding groan makes you dizzy. His kisses become rough and heated, using his tongue as much as his teeth. He presses you hard into the countertop now, the marble digging into your back as he nearly folds you in half with the weight of his body. 

It feels like the air has left the room. Vernon is the only thing you need to breathe in, fueled by the way his tongue licks into you, the gentle squeeze of his hand at the base of your throat. His fingers press against your pulse, not enough to cut off any airflow but enough to send a bolt of pleasure and thrill through you. 

“You have no idea,” Vernon pants, pressing sloppy, wet kisses to your jawline. “How long I’ve waited to do this. I could have had you this entire fucking time, but I held myself back.” 

His thumb presses under your jaw, angling your head to the side. With more access to your throat, he peppers you in bites and kisses, tongue soothing each sting. “I have wasted so much time,” he mutters, almost like he’s talking to himself. “Being a fucking coward.”

“Don’t say that,” you gasp as his other hand presses between your legs. The ache in your cunt is already throbbing, and he does nothing but make it worse by adding pressure but doing nothing more. “Please don’t tease me.”

“I’m not.” He pulls away from you. Before you can complain, he gives you a quick kiss, tugging you toward his room. “I shouldn’t have waited until I had a little… encouragement to do this. I’m going to give you everything you want, love.”

A quiver slithers down your spine at the shortened version of your nickname. The new endearment hits home when you see the way he looks at you, the want and desire more unrestrained than anything else you’ve ever seen on his expression. 

Hand in yours, he pulls you into the bedroom, spinning you to sit you down on the edge of his bed. You look up at him through your lashes, admiring the shape of his face and the way you can just barely see his freckles in the soft glow from the nightlight in his bathroom as he slots himself between your knees. 

“I’ll give you whatever you want,” Vernon whispers, voice like velvet. He slides a finger under your chin, tilting your gaze even higher as he watches you, eyes blown. “I’m entirely devoted to you and you only. You know that, right?” 

Vernon’s thumb pulls at your bottom lip. You open your mouth on instinct and he growls low in his throat. He pushes his thumb past your swollen lips, pressing down on your tongue. You taste the lime from earlier and the hint of salt on his skin, closing your mouth as you suck gently. 

“Fuck,” he swears, thumb pressing harder. “You really have been a little slut for me this entire time, huh?” 

Hearing Vernon say it in that deep, whispered voice of his does something to you. There’s a note in his voice you’re unfamiliar with, a dangerous edge that you want to lean into and cut yourself on. So you nod, lashes fluttering as you bat them up at him. 

“Yeah, thought so.” He pulls his thumb from your mouth, dragging it spit-slicked down your chin. “Lay back on the bed for me, love.” 

You do so immediately, shuffling backward so that you can lean back. The sheets smell like him and you tilt your head to the side, nuzzling his comforter a little. You try to ground yourself, feeling a little staticky as he kneels on the bed, mattress dipping. 

Vernon plants a knee between your legs, leaning forward to cage you in with a hand on either side of your head. His kiss is all consuming, any sense of delicacy gone. You let him devour you, your hands pulling at his belt loops to bring him closer.

He’s not close enough, never close enough. 

Having him like this is everything you’ve ever wanted and more. He’s familiar, the scent of him and the warmth of his skin and the little sounds he makes but he’s also entirely new. He is rougher than you imagined, sharper than you thought. He drags his blunt nails over your collarbone as he pulls your shirt away from your neck, giving his mouth access to litter your skin with kisses. 

Your hands slip under his shirt, curious as you press the pads of your fingers into his stomach. You feel the muscles flex and he hums low in his throat, enjoying your exploration as you slide your hands around the perfect taper of his waist to the small of his back. 

Vernon slides his knee higher, pressing it directly to your clothed cunt. You twitch against him, a questioning sound leaving your lips as you breathe in sharply. 

“Go ahead,” he mumbles against your chest, one pulling sharply at your shirt. You hear the seams rip and you don’t even care. “Take what you need, love.” 

The rawness of his words fucks you up. You do as he says, rolling your hips against his thigh for any sort of pressure and friction. It helps relieve the tension a little, but not nearly enough. Your breathing turns ragged as he harshly bites and kisses his way to your bra. 

Yanking hard, he rips the rest of your shirt. You let out a throaty laugh and he looks up at you, eyes like burning coals. “What’s so funny, hmm?”

“I did not expect you to be able to rip my shirt.” 

“Oh?”

The dangerous note in his voice makes your hips stutter and stop. He runs the tip of his tongue around the soft curve of your chest, watching you all the while and fuck. If you’d realized that this was the type of Vernon you’d get, maybe you’d have been braver sooner. Because this Vernon is something else, confident and cocky and ravenous. 

“Want me to rip this too?” He teases, teeth pulling at the cup of your bra. Your chest rises and falls as you try to catch your breath, a little overwhelmed. “Say the word.”

“Maybe salvage some of my clothing, Vernon.”

“Fine. I will not salvage you, though.”

You believe him. Nothing about the way Vernon peels your bra off of you is gentle. Nothing about the way his hand cups your breast, squeezing before he lowers his mouth to give a generous suck to your nipple feels like he has your survival in mind. 

Squeezing your eyes shut, you let Vernon have his way. It feels like he’s peeling you open layer by layer, plucking every string connected to your pleasure that he can find.

His mouth is a weapon, tongue lazily circling your pert nipple until you’re whining and squirming under him. He laughs and drags his tongue to the other side of your chest, licking his way to your peak to tease you further. 

“Shit,” you whisper, one hand leaving his back to tangle in his hair. You don’t know if you’re pulling him away or pushing him closer - maybe both. “Vernon.”

His teeth scrape your nipple and you whine. He shuts you up by closing his mouth around you, sucking sharply. When he pulls away with a loud pop, you let out a shaky breath. 

“You can barely keep it together,” he observes. He placed closed mouth kisses on your stomach as he descends, pulling his knee from between your thighs. “What are you gonna do when I eat you out, huh?”

Flushed and embarrassed, you cover your face as his tongue licks the skin above your jeans. “Cat got your tongue, love?” 

“You - you’re - ugh!”

He chuckles, popping the button of your jeans. “I’m ugh?” 

“You know what I mean.” 

Vernon tugs on your jeans. You try to lift your hips to help him, but your thighs are like jelly already, turning you useless. He coos at you, pressing a kiss to your hip gently. “I got you.” 

Unsure if he means about your inability to get out your fucking pants or he understand what you mean, you let him peel them down the rest of the way. His hands skate up your calves, squeezing and firm as he sinks to his knees on the floor. 

Bracing yourself, you brave a look between your legs where he presses your thighs open gently with his palms. Veronon’s eyes are on the apex of your thighs, entirely focused on where your underwear stick to your folds. He licks his lips, hand brushing up and down your thighs. 

His gaze flickers to you. For a moment, the two of you just stare at one another. You feel overly exposed, naked from the waist up, cool air pebbling your spit-slicked chest. The weight of his gaze presses you down like a physical thing, but it’s comforting. Warm. Reassuring. 

The air is charged between you as he keeps watching you while he drags a hand up and between your legs. He presses a thumb between your folds and you whimper, feeling the way he prods at your aching entrance, only the thin fabric keeping him out.

“Are you always this wet for me?” he asks, thumb slowly dragging up the damp patch to your clit. He digs in sharply, pressing firm enough that your pleasure spikes and your hips pop off the bed. He hisses at you and smacks your thigh, making you lower your ass to the bed again. “Everytime we were together, did you get like this?” 

It takes effort to rasp, “Sometimes.”

Vernon hooks his thumb in the side of your pants, pulling. The fabric peels back achingly slow, cool air hitting your cunt and making you whine. He hums thoughtfully, placing the fabric to the side.

“Like what times?” he questions, blowing cool air against you. You thrash and he laughs, pinning you down by the hips. “I’m curious. Elaborate for me.” 

“Umm.” 

It’s the only word you can get out before he renders you speechless, the flat of his tongue sliding slowly up your pussy. You go boneless, breath stuck in your chest as his tongue lazily circles around your clit and drags back down. He repeats the motion, the slow-soft brush of his tongue driving you insane instantly. 

“You’re not elaborating,” Vernon notes. He presses a kiss that is far too sweet for the moment to your bundle of nerves. “I wanna know all the times you were with me where you felt like this. Go on.” 

“I don’t,” you breath catches when his tongue curls through your folds. He’s soft and slow as he licks you, a lazy smoothless to it that makes you see stars. “Know how to speak when you’re doing that.” 

“Should I stop?” 

“No.”

“Try,” he murmurs, dipping his tongue in your dripping entrance. “I want to know.” 

Fuck. Trying to pull together any coherent thoughts is like wading through thick water. You’re distracted by the way Vernon’s mouth closes on you, sucking gently. He takes his time, fingers pressed into the meat of your thighs as he keeps you open, enjoying you fully. 

“I - shit - I guess sometimes when we go out,” you manage. “I like when you wear your hat backwards.” 

He flicks his tongue back and forth over your clit, making you clench, toes curling. His mouth is wet and warm, closing around your throbbing bundle and sucking gently. Your hips lift but his grip is firm, keeping his mouth to you. 

When he pulls away, the suction is audible, a string of spit and arousal connecting his lips to your pussy. “Taste so fucking good,” he whispers. You think it’s more to himself than you, his tongue carving through you again. “Tell me more.” 

“Halloween night. When you were in skull makeup.”

His tongue starts circling your clit again, the indirect stimulation driving you wild. Your hands tangle in the sheets, sweat slicking your skin as Vernon works to firmer motions. You realize he knows exactly how you like it, gentle to start, working you to firmer motions, a little hungrier. 

It makes him all the more lethal, the way he can just figure you out like that. “Yeah?” he asks, sucking harshly against you. “Wanted me to fuck you like that?” 

“God, yeah.”

“You should have asked. I’ll fuck you however you want.” 

“Didn’t think you liked me.” 

Vernon is too busy to answer, increasing the attention of his mouth. Your hands slide down to his, nails digging into the tops of his hands where he holds you. He lets go of your hips in favor of linking your fingers, pressing your clasped hands to the mattress. 

His name drips from your mouth, eyes falling shut as you sink into the pleasure deep in your stomach. He makes little sounds of pleasure, grunting and groaning as his mouth becomes more fervent. You feel yourself toeing the edge of an orgasm, so so so close.

He can tell too. He finds a harsh rhythm, pulling you closer and closer to your high with each sharp suck of his lips. You twist in his grip, fingers squeezing his so hard you think you might break his hands. You don’t, feeling your breath catch and hold as you come hard, thighs squeezing as you writhe on the bed.

You draw in a ragged breath, desperate for air as he kisses your cunt once. Twice. His slick mouth presses against your thighs, teeth dragging against soft flesh as he mouths his way to your knee. He gives you a moment, letting you pant against the sheets. 

Fabric sticks to your skin as you wiggle against the bed. He stands up, crawling up you again to find your mouth. You lean forward, catching him in an open-mouth kiss that is more tongue than anything, your taste heady in the heat of his mouth. 

“Turn over on your stomach for me,” he groans. His hands squeeze your side as he gives you room to follow his direction. You do, but not without his help, your orgasm making you a little clumsy. “Can you get on your knees for me?”

“Maybe?”

“I’ll help you in a second.”

Instead of moving, you lay slumped on the bed, fully intending to let him do the work. You turn your head to watch him pull his shirt off, revealing firm, tan skin. Vernon is beautiful, the sleek lines of his body reminding you of a painting. He kicks off his jeans before shuffling back on the bed behind you, looking down and snorting.

“Didn’t want to move like I asked?” You shake your head. He pats your ass lightly. “Come on, darling. Help me get these panties off or I will rip them off.” 

Huffing, you do as he says. He does lend you his strength hauling you up by the arm as you lean up on your knees. The room is cold, making you shiver but he presses your back to his chest, mouth dusting kisses over your shoulders. 

Vernon’s fingers dance along your sides until he’s pulling your underwear the rest of the way down your thighs, helping you kick out of them. When he’s got you full naked, he presses your back to him, crowding your space as he angles your head to kiss you slowly. Fully. 

Behind you, his cock presses firmly into your ass. You push back against him, putting pressure against his shaft. He hisses, biting your shoulder harshly. 

“Careful,” he growls, teeth at your neck. “Or I won’t be very nice.” 

“Want you, though.”

“You’ll have me when I say you can.” 

One of his hands slides up to your neck, gripping your throat lightly. He pauses, leaning to catch your gaze. His eyes are round and soft. Honest. Open. “This okay?” He questions gently. He gives a little squeeze to indicate what he means. You nod eagerly, reaching a hand to close around his, making him press harder. “Fuck you’re perfect.” 

You lean your head back against his chest as he holds you by the throat, one of your hands dropping to his elbow, the other reaching behind you to sink your fingers in his hair and tug. The sound he makes is feral, the hand he has placed on your waist dropping between your legs, fingers pressing between them. 

“Oh,” you squeak, feeling his deft tough on your clit. His movements are aided by your earlier release, fingers circling smoothly as he squeezes your throat, thumb pressed perfectly, to make it just a little harder to breathe. “Shit.” 

“Can you tell me a safe word? Not gonna go hard, just wanna know if it becomes too much.” 

“Maenad.” He snorts and you huff. “I just wrote an essay on them, don’t start.”

He laughs, pressing a kiss to your shoulder. “Alright. Just please use it if it’s too much - any of it. If you can’t talk, pat my arm, alright? Just wanna do this right.” 

You nod, so in love with him it takes all of you to stop yourself from blurting it. 

Vernon shuffles behind you, letting you tilt forward a little. The hand between your legs leaves and he instead brings it behind you, prodding at your pussy with his fingers from behind. You let out a loud sound and you can almost feel his grin as he presses a finger into your heat. 

He’s slow at first, the same way he was with his mouth. He explores what you like, testing the way his fingers drag against your walls combined with different grip strengths on your throat. You feel light headed. The room spins as he finds a rhythm that draws the most noises from you, that makes you clench down on his finger the most. 

All of your weight is against the hand around your neck, barely able to hold yourself up as he presses another finger in. This time, his fingers prod right against that soft spot inside of you, making you see stars. He must realize he’s found it, because he starts finger fucking you in earnest. 

The grip on your throat loosens a little, careful not to keep you short of breath for too long as he works your cunt with his hand. His lips find your shoulder, peppering you with light kisses that are delicate and butterfly soft in comparison to the way his fingers fuck into you. 

“Vernon,” you whisper, only able to think of his name. “Vernon vernon vernon.”

“Doing so good, darling,” he whispers against your skin. He kisses his way to your ear, sucking the sensitive spot on your neck. “So fucking good for me.” 

His words hit below the belt. You shudder in his hold, letting him drive you toward another release. You never imagined Vernon to be talkative in bed, but he is, his voice like velvet. Just like that. Perfect for me. There you go, come on. 

Everything about him is perfect, driving you to mania. His grip on your throat tightens suddenly, sensing how close you are to your second peak. Your breath quickens until you can’t breathe, going mute against him as his fingers press hardly into that spot over and over and over.

A high-pitched ring winds in your ears. You hold and hold and hold and when Vernon lets go of your throat, a gust of air flooding your lungs, you shatter around his hand. You collapse backward against him, head knocking into his. You don’t even care, twitching and gasping against him as his hand stills. 

For a few moments, you just lean against him like that, sweaty and lost and in a dream. Slowly, you become aware of his pounding heart against your back and the slick between your thighs. Vernon’s mouth is pressed to your shoulder, waiting patiently as you blink a few times, the room swimming into view.

“Hi,” he murmurs, watching you with shadowy eyes.

“Hi,” you croak, voice rough.

“Good?”

“Very.” 

“Want to stop?”

“No. Unless you want to.”

His gaze darkens. “I don’t.” 

“I want more. I can take more.” 

He lifts his head and presses a sweet kiss to your temple. “You’re perfect for me. Do you know that?” 

Reverent hands help you lay back against the pillows. Vernon touches you like you’re something delicate - not because he thinks you’re fragile, but because you’re something important to him. Valuable. You see it in the way he looks down at you, taking a moment to drink you in. 

There’s something else there too. Something edged with a knife, a little wild. Covetous. There is something in the way Vernon grips your leg briefly, a language he’s trying to communicate to you with touch. 

Mine, it says. Mine and no one else's.

With hooded eyes, you watch him peel his briefs off. Your eyes shoot to where his cock hangs heavy, beads of precum dripping at his tip. You reach a hand up toward him but he shakes his head, careful as he shuffles toward you.

“Later,” he promises. “I like touching you.” 

“I want you to feel good.”

“You make me feel good. Seeing you unravel makes me feel good. I like seeing how much you enjoy me touching you.”

You can tell he means it. His lips are swollen and soft when he kisses you. You open your legs open for him, letting him settle between the softness of your thighs. Vernon runs the head of his cock through your messy fluids, earning a whine for you.

“Sensitive?” he asks against your lips, nose nudging yours. You nod and you feel him smile. “Sorry.”

“Feels good,” you assure him, pressing a kiss to his jaw. “Want more.” 

“Greedy thing.” 

“I’m Your greedy thing.”

Your words have the desired effect. You feel a shiver ripple through him, Vernon’s grip on your leg turning to iron as he opens you up wider. He presses his cock into your entrance slowly, pausing just as the tip pops in. You throb around him, whispering his name - begging him to keep going. 

Vernon’s grin is sharp as he sinks in further, the slide tortuous and wonderful and so much as he finally finds home, hips pressed as far as he can go. He stays like that, tangling your tongue in a messy kiss as he sits there, fully seated in your heat. Your pussy spasms around him, pressed open to the max. 

“Feels so good,” he whispers, dropping his forehead to yours. “I’m going to come embarrassingly fast.”

“So do it.” You wrap a leg around his waist, your hips tilting upward. Both of you moan at the angle change, so close to breaking. “I wanna see it.” 

Instead of answering, he nods. He drags his hips backward slowly before slamming back in. He punches the breath out of your lungs with each slide home, the stroke slow but deep. Your head falls to the side, breaths rasping as he sets a steady, slow pace. 

It feels good, your legs curling around him to keep you close, hands tangle in his hair to keep him tethered to you. His hair is damp with sweat, your fingers curled in the strands, tugging a little. He seems to like it, making a needy sound in his throat that has you grinning. 

“Mine,” Vernon whispers to you, words muffled by your neck. “You are only mine, darling. You will only ever be mine. You were made for me. No one else.”

“No one else,” you agree. 

His hips move faster, a little messier. You egg him on, legs squeeze, cunt spasming around him. He lets out a feral sound, driving himself further to his orgasm. He drags you with him, another swell reaching you. Vernon can tell, chasing it like a predator, pinning you down and slamming his cock into you until you’re melting around him again, vision blotted out. 

Vernon comes to the sound of his name on your lips. His movements become sloppy until he can’t go anymore, holding himself above you, trembling. Carefully, he drops next to you, pulling his cock free. You feel your joint fluids run down your leg, but you’re too tired to care. 

Reaching for him, your hand finds his chest. He wraps his fingers around yours, holding your palm to him, his heart thudding wildly under your touch.

“For you,” he mutters. “Only for you, darling.” 

You fall asleep like that, hand pressed to his chest.

-

Waking up in Vernon’s bed is not new to you. You’ve fallen asleep numerous times at his apartment or stayed the night after going out, but you’ve always had the bed to yourself, Vernon opting to take the couch. 

The bed is empty now, but still warm. You stretch as you roll over in his sheets, groaning as you feel the soreness between your legs and mostly everywhere else. Pressing your hand to your chest and shoulders, you feel all the tender places Vernon mapped his affection with tongue and teeth. It makes you smile fondly as you lay in bed alone for a minute, breathing in the scent of his room.

Slowly, you peel yourself from his bed. With an awkward waddle, you make it to the bathroom, flicking on the light. You shield your eyes at first, going about your morning routine and washing your face to try and feel human again. 

On your way out, something catches your eye. You frown, walking back toward his laundry hamper where you see brass glinting in the light. You reach for it, pulling the bell from the tangle of his clothes. It has an old wooden handle with cracks, a little hand bell used for-

Well. Used the night of halloween. You have no idea why Vernon still has it, the memory of that night like poison in your mouth. You toss it back into the hamper on top of another shirt that catches your eye. It’s one of his dark green t-shirts, but the collar is stained dark brown.

Curious, you pull it out, shaking the shirt out in front of you. It’s mostly unmarked, save for the spatter of something dark brown and dried. You run your finger around the edge of it, puzzled. It looks like dried blood, but you can’t recall any injuries he’s suffered recently. 

You take the shirt with you into his room, tossing it on his bed as you get dressed, stealing sweatpants and a hoodie. Grabbing the shirt again, you trail out toward the kitchen where Vernon is making breakfast, the smell of bacon crackling in the pan.

You grin, leaning against the doorframe for a second to watch him. He looks so at ease, flipping pieces of bacon while he sings to some seventies song you don’t know the name of. 

Pushing off the wall, you head toward him. He catches you in his peripheral, turning his head and smiling at you. “Hello, Darling.” 

The nickname gives you pause. You slow as you come around the corner of the counter, stopping completely as the endearment pricks you sharply on the back of your neck. Vernon goes back to flipping bacon, singing along a song you vaguely know, but don’t know why Vernon does. He’s never liked music from the 1970s, and-

Your ears start to ring. Several things occur to you at once. 

The memory of Vernon screaming and banging his fists against the door, begging for help. You’d been so afraid that you ripped the door open, crashing through the line of salt. 

Vernon, sharp and confident, the new edge to him as he interacts with people, a little harsher. A little darker.

Nah need to cut back on the sodium had said when you asked about the lack of salt on his fries.

The way he’d called you darling the night before, whispering it against your skin. 

70s music that Vernon has never listened to since you’ve known him.  

The bell sitting in the hamper used to call a spirit on Halloween. 

In the house that belonged to the Hello Darling Murderer.

Brown stains - like blood - on his shirt. 

Carefully, you learn toward the middle of the counter, watching Vernon like a prey skirts a predator. With trembling hands, you gently grab the salt from where it sits next to the pepper. You hold your breath, trying not to draw his attention as you unscrew the top of it, placing the metal lid on the shirt to keep it quiet. 

With as silent steps as you can manage, you cross to the other side of the kitchen where you’re out of his line of sight. Tipping the salt over, you pour it across the tile from counter to fridge, eyes darting between the barrier of white and the man standing in the kitchen humming. 

Your heart hammers. 

Your hands shake. 

Salt shaker empty, you set it on the counter and take a few steps back. It’s an unbroken line of salt, and though it doesn’t trap him in the kitchen, at least it’s there. 

Vernon turns around with the pan of bacon. He sees you and his humming stops, cocking his head to the side. He notices the empty salt shaker. Frowns. Looks at you. Looks at the ground where you’ve drawn a line of salt. 

For a second, he just stares at it. His eyes flick back up to you, warm and brown but narrowed. 

“Why is there salt all over my floor?” 

“Cross it.” 

“Huh?”

“Step over the line of salt.” 

Silence stretches between you. He remains standing in the kitchen, pan in hand, music playing in the background.

When Vernon doesn’t move, you can see everything so clearly. 

Vernon hadn’t been joking when he slammed his hands on the door begging for help on Halloween. A sick feeling roils in your stomach as you remember the panicked screams, the way his fists hammered the door. 

Your next words come out as a hiss. “Cross the line of salt, Vernon.”

He looks at the salt and purses his lips before sighing and setting the pan down on the stove. He tosses the rag from his shoulder and shakes his head, striding over to the white line you made against his tile. He stops in front of it, looking at you with his eyebrows raised as if to say really?

“Well, do it.”

Vernon looks down at the salt. Looks back up to you. Down at the salt. 

And then he laughs. 

“Fuck, you really are the smartest person in school.” He sighs heavily, a gaze darker than anything you’ve ever seen on his face as he stares at you. “You know I can’t cross that line of salt, darling.” 

-

TAG LIST:

Tag list has not been used for this fic - there weren't enough character blocks left over for it because Tumblr sucks.

[italian-lit-tournament]

Italian literature tournament - Third round.

Propaganda in support of the authors is accepted, you can write it both in the tag if reblog the poll (explaining maybe that is propaganda and you want to see posted) or in the comments. Every few days it will be recollected and posted here under the cut.

First, propaganda for Ludovico Ariosto, then for Guido Cavalcanti. The quantity of material will be colossal, so just scroll down for more.

For the Ludovico Ariosto stans:

by @larmegliamori

The opposing party has brought on the big guns, I see: us Ariosto girlies, gays and they must bare our teeth and ambitions.

So, here's my two cent on why you should vote Ludovico Ariosto!

Extreme relatability: Deeply entrenched into the politics of his time (as the firstborn of ten children, of which one was disabled and other five were women), but at the same time just wanting to stay home to live of his poetry? Dare I say iconic. Perfect representation of us literature kids.

He actually managed to marry his muse, Alessandra Benucci, and did it respectfully!

Working various jobs for patron(s) he didn't particularly like? Been there, done that, got the t-shirt.

Not to mention his most widely known work, the poem "Orlando Furioso" (The rage of Roland), has all the goos stuff us modern audiences would like! It features:

A wide, diverse cast, spanning from Ireland to India, stretching probably to the (by then) newly discovered Americas;

Fantasy elements: faeries, sorcerers, giants, orcs, the first modern iteration of the hippogryph and even a fantastical voyage to the Moon!

Citations and references galore: from Virgil to Ovid, from old chansons de geste to Boccaccio!

Proto-feminism and gender studies: Ariosto's female characters, although often very feminine, are actively involved in their story arcs. The poem also features two warrior women, Bradamante and Marfisa, the former of which is the protagonist of her own subplot. Said subplot heavily relies on gender, may it be appearances or not. And let's not forget the famous tirade at beginning of the fifth canto, where the author berates femicide! If you're willing to open your heart to his writing, Ludovico Ariosto reveals himself to be a compelling, layered, modern author, and yet there's a levity to his writing that works like a balm. Vote for Ludovico Ariosto (even if only for the memes)!

I'd also like to add that Ariosto's Orlando Furioso, in the 70s, got a theatrical AND television adaptation that was too campy for its own good.

It featured, amongst other things:

- 1500s inspired costuming (it sure was... A choice but I'm not complaining)

- Mechanic horses (that literally ran on rails) and hippogryph:

- Olympia of Holland, one of the most tragic characters in all the poem, as a vamp (slay):

(Posing with Orlando/Roland in on the left, with her lover Bireno on the right)

- Astolfo literally ENTERING INTO A HOLE TO GET TO THE MOON:

The television adaptation was partly shot in the famous Baths of Caracalla, in Rome. If you want to witness this masterpiece yourself, it's on YouTube! In two parts.

Remember to always stan Zio Ludo, and vote for him! ✨

Hello everyone! For today's Ariosto Propaganda Piece, I'd like to talk about the Satire.

Those seven pieces written in terzina dantesca (because our boy Ludo knew how to pick his role models) are an interesting insight about early 1500s society and Ariosto's character and private life. They all start from an actual event in his life and enlarge towards society as a whole, often with a critical eye towards it.

The first one, destined to his brother Alessandro and a friend, starts these absolutely iconic lines:

[Quick translation: Ruggiero, if you make me so ungrateful in the eyes of your descendants, and it bears me no advantage to have sung your worth and your mighty deeds, why should I stay here, since I don't know how to cut huns on a fork, nor how to hunt games with hawks or dogs?]

A bit of context: Ariosto's first patron, bishop Ippolito d'Este, had to move from Italy to Hungary and wanted all his court to follow him. Ariosto refused because of health and family matters, and he was threatened with the loss of all the benefits he had previously granted him. Note that Ariosto was basically a kind of personal secretary to Ippolito, carrying out different important missions for him, and even risked his life a couple times to carry them out. So it's understandable he feels disappointed at his patron's reaction... and that's why, in this more "private" writings, he complains with Ippolito's ancestor, the hero Ruggiero he had extensively wrote about in his main poem.

Honestly, a genius move. Not something you see often in poetry, is it? Another reason why you need to vote for this man ;)

For the Guido Cavalcanti stans:

Propaganda in favor of Guido Cavalcanti by @eresia-catara

May I add further propaganda for Guido: He's a noble, he disdains aristocrats, he was Florence's number one Server of Cunt, he was the city's faggot, he was heretical, he went on a random pilgrimage but interrupted it and managed to be buried in a church anyway, he had an archenemy who sent some men to murder him on said pilgrimage, he came back and tried to murder him back in plain daylight, he gave zero fucks about politics, he got exiled because he was considered a menace for the city. He SAW DANTE's poetical talent, encouraged it, shaped it, and through him the whole of italian literature. Think about it. Also they became besties until they evolved to a tormented psychosexual haunting dynamic (see break-up poem) where Dante himself actually exiled him. In the 13th century his poetry anticipates so many of the literary themes of the XXth century, going from fragmentation of the self (his is basically vivisection and dispersion of his parts), to dissociation from one's own mind and body, lack of identity, irony, desecration, his poetry is full of schizophrenic-like hallucinations, reading them is truly a trip, and yet his language is profoundly meoldic and sweet. And there's also gender-fuckery. and theater, of course, because his poems develop like a scene from a theater (adding layers to the dissociation). So really he has it all guys.

The thing is, Ariosto feels very contemporary but Guido is the og relativist and unreliable narrator. His poetry offers NO truth whatsoever you only have a sequence of schizophrenic hallucinations and what he describes only seems like it's real but who knows, the narrator is dead, how can he even speak or if he's alive he's not because he has dissociated himself from his body and is only coldly contemplating his own murder. He's not reliable because he has lost his reason, his soul has crubled into pieces and each piece has fled his body. Also he hears voices, and feels a sadistic presence in his mind in the form of a woman watching him die. This man was too ahead of his time, he was too dramatic, too eccentric, but also too acute and sensible, he must have looked deranged and we love him for it. and deserves to be voted!

Guido Cavalcanti propaganda by @girldante

GUIDO CAVALCANTI PROPAGANDA ABBIAMO:

LA DISSOCIAZIONE SCHIZOFRENICA:

IL COMICO, IL SIMPATICO BURLONE, IL MEMATORE ANTE LITTERAM:

IL MACABRO, IL GORE, I SINTOMI™

IL BREAKUP TOSSICO PASSIVO AGGRESSIVO CON DANTE

in conclusione

you can find my old propaganda here, but listen, while i do respect zio ludo's rizz, a vote for guido cavalcanti is a vote for gender roles reversal, death-life liminality, medieval atheism, antisocial freaks obsessed with philosphy who imagine their pens are talking to people about their owner's suffering (what is wrong with him), eye carving enjoyers (what the FUCK is wrong with him), sons who are sacrifical lambs, people who have long swinging necks like geese (allegedly???), and gay breakups involving dante alighieri. and also, well, I don't recall ariosto wearing a miku binder. twice.

in conclusion

Guido Cavalcanti propaganda by @apis-vergilii

Here’s my Guido propaganda: @girldante and @eresia-catara have already covered the poetry reasons, and I’m here to get metatextual about the whole thing.

Simply put, this is the Weird Niche Hellsite, and Guido is the Weird Niche Hellcandidate.

We live in an era of the cynical enshittification of the internet. In a sickened sea of dying social platforms, AI slop, and every last pixel being for sale, THIS is still the webbed site where a bunch of strangers can rediscover a lesser-known medieval poet in all his angsty, gothy glory, abandon all pretense of ironic detachment or mature indifference and go absolutely apeshit over his life and work, breathlessly and deliriously creating everything from exhaustively researched essays with footnotes, to anime fan art and inexplicable photoshops. This is the place where Goncharov happened. This is the place where we stole the president’s shoelaces. This is the place where a heretical medieval Tuscan stilnovista got himself a full-on Fandom, and we are all so much the better/worse for it.

So vote for the spirit of the old internet in all its dorky glory. Vote for the joy of learning things for fun and not for school. Vote for the bizarre Florentine emo goth. A vote for Guido Cavalcanti…is a vote for all of us.

if all else fails to convince you, well, i don't recall ariosto having an historical fantasy saga centered around him where he gains clairvoyance and gets increasingly more and more manipulated by the manifestation of his generational trauma. also he gets out of his body to have epic fights with spiritual creatures.

this should be a testimony to how his cuntserving echoed through time

Propaganda by @girldante and @eresia-catara that I guess should be read together:

well. seeing as we're on topic. Was Ariosto ever described as having

les bras d'Hercule avec des mains de nymphe by a 19th century french story? It is not made up guys, he served androgynous cunt so hard it didn't go unnoticed. Guido simply suggests fluidity.

Like. Arms like Hercules and hands like a nymph.

And Lorenzo il Magnifico also Fangirled over him in a letter to the Federico of Aragon

he (Lorenzo il Magnifico!!) was simply begging him to read his poems, and that's because they are absolutely eatable in all their irreverent, elegant, goth glory.

Finally, Boccaccio wrote about him in his Decameron (VI,9) and, truly, can you say no to him:

this little ballerina? look at how sad he looks!

would you look at that! Guido Cavalcanti propaganda is publicly sponsored by thee Lorenzo De' Medici himself!!!

as for the last bit, Boccaccio's novella from Decameron, where Guido calls out a bunch of idiots through a riddle that said idiots will take a bunch of time to understand and then proceeds to abandon them jumping over a grave, was cited by thee Italo Calvino in his Lezioni Americane as an example of his conception of lightness, as in the ability to lift oneself over the heaviness of the world.

In conclusion: Guido Cavalcanti is literally your fave's fave.

[danieyells]

Thank you for sharing the tdb affinity lines! I know I won't be naturally getting any of these for ten years (if the games even still around by then) lol.

I was wondering if you could share any interesting lines of Taiga's? No pressure tho! It's just after seeing some of his lines from other people, he seems to have a bigger role in the story and I'm curious if any of his lines give any more clues to the situation on hand. Also would be interesting to see if he genuinely starts caring for mc besides wanting to like. Eat her for lunch lol.

It's no problem! And yeah that's part of why I wanna share them--getting the units to high enough affinity is a pain and to even see any of the home screen dialogues you need an SR or SSR, which means good luck with the gacha buckaroo.

YES TAIGA MY BELOVED. he's my favorite behind maybe Towa. Chances are if you've seen the one line you've seen the only one referring to that, although there is one more that may be related? But it might be general. As for caring for the PC, this is a joseimuke so. The characters will always love you more and more with time. And Taiga most certainly does haha doesn't prevent the hunger from rising up though. friendly reminder to feed your Taiga!

Hello: (the first time the game is opened after that character is set as home screen NPC. Only happens once per day, unless the character is switched out and back.)

"...Who're you? Don't pop up out of nowhere like that.  Wouldn't want me to shoot you by mistake, would you?"

You've Got Mail: (whenever there's something in the inbox, usually Arena rewards)

"Huh? You got a letter. If it's for me just reply for me, yeah?"

Default: (requires no affinity, has no time constraints)

"What are you again? A middle school student? A transfer student? Got it, an honor student! Gyahaha! I'm never gonna remember that!"

"Heads or tails, even or odd, on or off... It's all so fucking tedious!"

"Playing with these morons is exhausting... Lulu gets all mad if I win too much..."

"Don't talk to me. I feel like shit."

"That smells amazing... Shit, where's it coming from?"

please feed your taiga.

Affinity 1: (between 5am and 11am)

"It's too early for your bleating. Shut your trap unless you wanna get abducted."

once again, welcome to sinostra's house of human trafficking--

Affinity 2: (between 11am and 4pm)

"That dealer sucks. He's been here the longest? Why should I give a shit? Fire him."

what the fuck is tenure?

Affinity 3: (between 4pm and 8pm)

"You wanna know what kinda meat this is? Anomaly meat. What else would it be? ...Who the fuck're you again?"

he recognizes you enough to ask 'again'! progress! also I guess he almost exclusively eats anomaly meat.

Affinity 4: (between 8pm and 5am)

"Oops. I lost all the money Lulu gave me. Better make a run for it before he notices."

Affinity 5: (between 8pm and 5am)

"I'm bored... Hey, you over there. Come play five finger filet with me. Gimme your left hand."

five finger fillet, also called the knife game, is when you put your hand on a table and stab the gaps between your fingers with a knife in a sequence! Of course, you can also play it with someone else's hand, as Taiga is suggesting. Obviously stabbing the hand being played with means you lose. Taiga's chibi plays it when he's idle!

Affinity 6: (between 4pm and 8pm)

"They nabbed one of ours? You guys aren't toddlers. Deal with it yourselves."

it's fascinating that there's such a faction divide within Sinostra that members of Taiga's side get abducted by Romeo's, and probably vice versa. And I bet Taiga doesn't care about any of this. Or at the very least it's not that serious to him.

Affinity 7: (between 11am and 4pm)

"Gambling and shoot-outs are pretty much the same thing. Morons who panic mess up and get dead. Gyahaha!"

Affinity 8: (between 4pm and 8pm)

"None of you morons have any flair for the table. Lulu needs to raise the minimum bet already."

isn't it your casino too. . .or even specifically it's in your name. . .can't you raise the minimum bet too. . . .

Affinity 9: (between 8pm and 5am)

"You're a real smooth talker, huh? Don't remember anything you said though. Ciao!"

your seduction attempt didn't fail because of a bad roll, it failed because taiga failed a perception check lmao. . . .

Affinity 10: (between 10pm and midnight)

"Can't sleep? Sit over there. I'll deal the cards."

He'll play with you until you fall asleep. . .or maybe he'll sit around making ASMR card shuffling noises until you doze off.

Affinity 11: (between 5am and 11am)

"...I'm not gonna play today. I'm sleeping. I don't care if the place is burning down— don't wake me up."

fun fact, he's making this face when he says this lol

Affinity 12: (between 11am and 4pm)

"What's that guy's name again? You know, the one who's gonna become a judge or a cop or something. ...Whatever, I'll just forget it again."

at least he was interested in knowing for a second! maybe he'll give him a nickname.

Affinity 13: (between 4pm and 8pm)

"I spy, with my little eye, a tasty-looking kitty-cat.... Come over here so I can pat you. ...Nah, changed my mind. Scram."

maybe it's just my interpretation but I like to think he's hungry and he saw you and he mindlessly tried to lure you closer because he wanted to eat you, then came to his senses and told you to go away so he wouldn't do something stupid like trying to eat a human. . . .

Affinity 14: (between 5am and 11am)

"I'm starving... You, get my usual. It's breakfast time."

i wonder what his usual is. what's a good breakfast anomaly? Dagravnen? Latte? Pompillar to keep the doctor away?

Affinity 15: (between 5am and 11am)

"How does Lulu always have so much energy this early in the morning? It it 'cause of all that expensive water he drinks?"

Affinity 16: (between 11am and 4pm)

"Stop talking. I don't care."

Affinity 17: (between 10pm and midnight)

"You going to bed already? Aren't you a good little kitty-cat. Whatever, do what you want."

he'd rather you stay up with him but he's not attached enough to try and make you stay up. . .yet.

Affinity 18: (between 8pm and 5am)

"You want a surefire way to win at the table? Doesn't exist. You just gotta keep playing."

Affinity 19: (between 10pm and midnight)

"Hey, go warm up my bed for me. What do you mean how? Get in there, dumbass."

either you're gonna get fucked or you're gonna get disappointed when he really just wanted a warm spot that smells nice to lie in and he makes you leave after he gets in bed. Or maybe he'll let you sleep in the bed with him and use you as a little body pillow!

I'd also like to add that he's using the "adult" expression so uh. leaning more towards you're gonna get fucked here.

Affinity 20: (between 5am and 11am)

"Where you going, kitty-cat? Class? You don't need to go there. I got something more fun in mind for us."

the expression used here is once again simply labelled "adult" so. . . . No going to class and no going to sleep.

Affinity 21: (between 11am and 4pm)

"That's it, kitty-cat. I feel like my luck'll change if you're around."

Affinity 22: (between 4pm and 8pm)

"I'm starving... This isn't enough... I want more... More..."

they've gotta stop letting him go so long without eating because he clearly loses his mind if he doesn't eat enough meat.

Affinity 23: (between 8pm and 5am)

"I'm the only one who sees how fucked we are. But he won't believe me. So just let it all burn down—I don't give a shit anymore."

if Taiga sees the future or knows the future because of timeline/loop shit, then that Taiga doesn't seem to actively care much about being Captain or doing his job makes sense. He knows that if nothing changes everything's going to fall apart anyway so there's no point in trying. We don't really know what his stigma does either--in fact, his "good luck" could be that he can see and react to future events, so he knows things like what cards will be drawn and such. But he's getting tired of everything always going so bad no mater what he does in response to what he sees. And Romeo(? it doesn't say who he's telling about how bad things are getting) isn't helping to make changes. . .so he's just giving up. But now you're here, maybe you're different somehow. Maybe somehow you're an outlier in this timeline. Maybe injuring you was on purpose to change something in the future he saw. Maybe that's why he's telling you about the spy. . . .of course this is all speculation. Until we learn what his stigma does or what he means by 'ditch this future' then. . .all speculation. But there is a wickhive post that someone can see the future. And the more I think about it the more I wonder if it's Taiga. (also because i'm sure someone will point this out, the wording 'let it all burn down' is specific to the English dialogue, so it's not a callback to the pre-prequel sequence where the school is on fire.)

Affinity 24: (between 10pm and midnight)

"If you don't like pain then quit flailing around. I'm getting a taste of you, so close your eyes and shut up."

welcome back to the torture chair! You're probably getting cut like a piece of good meat before he just sinks his teeth into you! Your hands and legs are bound and he's not going to let you get away without eating at least a little of your flesh, so suck it up. That or scream and hope somebody comes to rescue you. . .but the desire to eat the pc never goes away. Most likely because he just wants to eat fresh meat in general and the more he likes someone and the more they hang around him the more he wants to eat them. . .although I assume he unlearned it and now you're here and he just can't help himself. . .if they did consume demons to become ghouls, I bet you're the only thing short of maybe Romeo that'll taste anywhere near as good as that demon did.

Affinity 25(max): (no time constraints)

"You're not getting away from me, kitten. You're here till death do us part, whether you like it or not."

oh and also you're married. y'know in case you wanted to do that. or even if you didn't. you don't have a choice in the matter.

Spring: (March-May) (between 5am and 11am)

"(Yawn) Man, why am I so tired today... Someone spike my food?"

'hey did someone drug the anomaly they brought me to eat so that i would get sleepy if i ate it' baby the weather's just getting warm you're sleepy because spring is cozy

(between 11am and 4pm)

"What? Cherry blossoms? Is it that time of year already? Man, that snuck up on me."

(between 4pm and 8pm)

"Fuck it, I'm taking a nap. Come over here and be my pillow."

(between 8pm and 5am)

"What's with that vacant look on your face? You need more excitement in your life? Come over here, I'll play with you."

Summer: (June-August) (between 5am and 11am)

"Too hot... Hey, I want my breakfast on ice. They got tons of it over on Jin's turf, go nab some."

hey uh why do you remember Jin by name. like i know Jin's short enough of a name to not need a nickname but also you remember not only Jin but where he lives and how cold it is? Then again you started in the same year, maybe Taiga remembers all the third years since he's known them for two years?

(between 11am and 4pm)

"Why don't we make a giant pool in Sinostra? It's so hot here. I'll put up the cash... Wait no, I used it all yesterday."

YOU COULD HAVE A NICE POOL IF YOU WERE MORE RESPONSIBLE WITH YOUR MONEY.

(between 4pm and 8pm)

"Quiz time—where's Lulu going all dolled up on a stinking hot day like this? Answer— he's cheating on me! Gyahaha!"

THEY ARE FEEDING MY SHIP WHAT DO YOU MEAN TAIGA JOKES THAT THEY'RE DATING. they have such awful married couple who hate each other but also love each other energy.

(between 8pm and 5am)

"Shower? I don't wanna... Shut up and strip me already then."

man he has no fucks to give that you'd be taking his clothes off and seeing him naked huh. . . .

Autumn: (September-November) (between 5am and 11am)

"Good weather for sports? You get a lot more exercise fighting to the death. Gyahaha!"

how frequently do you think he fights to the death. . .probably a lot less than he used to. poor baby needs his deadly enrichment. Also the fact that he finds the idea of fighting to the death fun explains why he smiles when he takes damage in combat lol

(between 11am and 4pm)

"That looks tasty. Gimme a bite."

so given one of the most common autumn foods in japan is like sweet potatoes(and also the pc probably doesn't eat raw anomaly meat) I assume this means he does eat normal food, just prefers to eat raw meat especially from anomalies? Either way, i am once again remind you to feed your Taiga.

(between 4pm and 8pm)

"We're going out. I've been eating more lately and these guys are too slow. Gonna go stock up."

you've been eating more lately? because it's autumn? what are you, a bear about to go into hibernation?? also he's taking you grocery shopping i guess. or anomaly hunting. . . .

(between 8pm and 5am)

"Watch your back. Way easier to jump people when it gets dark so early. Gyahaha!"

i'd like to think he stuck his gun under your chin and snuck up behind you from in the dark here lol

Winter: (December-February) (between 5am and 11am)

"You trying to pull my covers off? Wanna die?"

my boy does NOT like being cold. Or getting up in the morning. So winter mornings? just leave him in bed.

(between 11am and 4pm)

"I wanna go nab some food from Harry's place, but it's too cold for that shit..."

(between 4pm and 8pm)

"Oh, I got an idea. I just gotta use someone as a punching bag to warm up. Hey you guys, stand over there."

Taiga beating the shit out of his own men because the exercise will keep him warm. . .why do people side with you again?

(between 8pm and 5am)

"I don't like the cold... Come on, come be my hot water bottle! Let me cuddle up to you!"

Getting all tangled up with Taiga under his blankets while he shivers because Sinostra is in a desert and deserts in the winter can be FUCKING COLD especially at night. It gets cold and he's just the whiniest little meow-meow. Until he gets hungry.

His birthday: (October 16th)

"Huh? Whose birthday? Mine? Gyahaha! Totally forgot about it! Grazie!"

it's okay Taiga, I forget my birthday too most of the time.

Your birthday:

"Is it your birthday today? That little twerp told me. Okay, you can take one thing from my room."

Ritsu fuckin doxed you? is that legal? Doesn't Taiga's room have like a pile of coins in it. . .is one coin 'one thing' or is 'the pile of coins' one thing. . .then again the background is AI generated so. not really sensible and doesn't say much about him sadly. considering taiga's described as spending his money wastefully I assume he buys a lot of random things he doesn't need or use--then again he probably spends most of it on gambling. But considering he's offering you anything out of his room, I assume there's a lot of nice stuff in there.

New Years: (January 1st)

"You gonna go skipping off to a shrine together just to get your fortune told? That's dumb. Here, let me guess what it'll say—you'll have an okay year."

the fact that he guesses your fortune is a tiny piece on the 'taiga can see the future' evidence pile but it's a piece nonetheless

Valentine's Day: (February 14th)

"Is that for me? Sure I'll take it, but it better be edible."

i was gonna say 'has he never gotten valentine's day chocolates before?' but i remembered that he probably doesn't really remember if he has so. this is probably his general reaction to gifts lol 'is it money and if not can i eat it'

White Day: (March 14th)

"What's that expectant look on your face? Lulu was harping on about mimosas or something before. That what you want?"

of course he doesn't know what white day is lol but he does remember that Romeo had something tasty!

April Fool's Day: (April 1st)

"I'm gonna die soon, you know? And I'm taking Lulu with me. ...Gotcha! Gyahaha!"

wait you didn't remember white day but you remembered april fool's day? maybe someone tried to prank him first lol remember guys, suicide is not an appropriate april fool's prank!

Halloween: (October 31st)

"Trick or treat. Where you gonna put your chips, kitty-cat?"

I think if you're trick or treating then they're supposed to decide if you get the trick or the treat. . .but it seems more like Taiga to give you something that could be a trick or a treat lolol russian roulette is a totally acceptable halloween party game right? of course!

Christmas: (December 25th)

"Come on Santa kitty, tie a ribbon 'round yourself and get over here. Gyahaha!"

at least he knows what gift he wants! unfortunately you don't know what for but based on his expression you may not get eaten. . .depending on your definition--

Idle: (about 20 seconds without interacting with the game) (below 13 affinity)

"...This is boring. I'm outta here."

(13 affinity and above)

"Are you done yet? I'm hungry over here."

Absent: (logging in for the first time in 2 or more days?)

"Long time no see! You decide to ditch this future too? Sorry I'm not dead yet."

AND HERE"S THE LINE THAT'S CAUSING SO MUCH SPECULATION. . .what does that even mean Taiga. . .what do you know, what have you seen. . .and can we fix this future instead of leaving it to rot--

UH. YEAH. I THINK I'VE SAID ENOUGH HAHA. . .everything Taiga says is so. . . ./gestures weakly) IT REALLY DOES SEEM LIKE MORE IS HAPPENING THAN YOU REALIZE RIGHT??? The game's still so early on we probably won't learn for a very long time lol. . . . But, yeah. Taiga definitely loves you--and lusts after you. As his affinity goes up, he asks "who are you" a lot less, did you notice? He starts to remember and just say "kitty cat" and "kitten", because that's who you are and he can remember that. So far the only people he remembers are Romeo, Hyde, and Jin it seems. And you.

[aethelwyneleigh27]

Daisies and Talks

Simon Ghost Riley x Reader

Hi lovelies! Lia here and I know this pic is a bit misleading but I SWEAR on you that Simon doesn't die in this one, IT'S A HAPPY STORY OKAY. I was debating on making this a part two of Ghostie's parents progressed and though you're free to think that, I thought it would be much cuter to leave this to stay as a story on it's own.

Ghost's mum plays a big role in this one though so if you're not very comfortable with mentions of death or anything then I suggest leaving this one out and skipping. Two posts in one week? Are y'all lucky or am I just emptying my drafts? Y'all will never know.. AHAHAHA.

My CoD Masterlist

Taglist: @wishesforyou @puff0o0 @simping4konig @simp4konig @blingblong55 @azereus @rustic-guitar-notes @shadofireshinobi @thesnowurzikdjinn @09maruchan @anonymuslydumb @skeletalgoats @icarustypicalfall @ghosts-cyphera @cutenote @connorsui @capuccino192 @miss-gms-and-the-rotten-womb @celestialhole @the-second-sage @starryylies @everlastingmoonlightsworld

I'd like to think that everyone is familiar with the saying "You never know what you have until you lose it", many of us having it said during childhood but you never truly experience that till your older right? Wrong, that couldn't be more wrong for a man like Simon Riley, the man who lost it all at a young age, no one left to care for him but himself.

He always used to hear that from his mother, over some the toys she used to make for him that he cherished and loved so much as a kid. Simon knew his family wasn't up their with the middle class but he also knew they weren't exactly poor, though his father might prove that wrong with how much he's driving the family into debt.

Due to this, Simon always taught himself never to get attached to another person though he tried working on it, he doesn't know what he'd do if he does. That was before you came along skipping your way into his frail heart, making all the walls her built crumble with just a few words and a soft stare, someone who was patient enough to stay.

Simon can't let you go, he took that saying that his mother used to chant and took it to heart. He didn't need to lose you to know you were so fucking important, like that the man held onto everything that you were.

Cherishing moments with you although sometimes wishing his mother could see you. He wanted his mom to know that he found that person that only is in fairy tales she used to read him to at night. Maybe you were sent by her, that's it right?

Because all Simon could think about staring at your face while you sleep next to him was "how?". How were you able to wiggle your way into his heart so easily? You make him feel so alive and full, sometimes it causes him to be self-destructive, starting fights simply because he doesn't think he deserves you but you were so patient, holding him as if he was the whole world after every fight.

Because of you, that part of Simon slowly disappeared, knowing that he should change his ways because you deserved better. They say there's one moment in someone's life where you know for sure that, that is the person you want to spend your life with. Do you wanna know what that moment was for Simon?

Every death anniversary of Simon's mother, he visits that grave, sometimes a little later than usual. You've been in a relationship with this man for a little over a year now and to say you've grown attached to that man like he did to you was an understatement. He saw you there, leaving flowers.. Daisies in particular, he told you those were her favorite.

You sat next to the grave, absentmindedly staring up at the sky, it was beautiful out that day. You talked to yourself, more like his mother really, greeting her quite casually as if you've talked to her before. Simon at first found it a bit odd, though he did tell you everything regarding where his mom was buried and dates when he'd visit her.

You've been doing this secretly for at least once a month for a couple now, not having the heart to tell Simon but it just so happens that he was a little earlier there than he usually does go. He hid himself behind among other things surrounding the grave, listening to the conversation you've been having with his mother's tomb stone.

"He's been doing better now.. I'm sure you're so proud of him because am I, I know you're watching over him and I promise to do my best to make Simon happy and make sure he's cared for, he deserves all that and so much more"

Simon listened, on and on as you continue telling his mother updates on his life and how he's been doing. He put two and two together slowly realizing that you've been visiting her grave for a while now.

"Thank you, if it weren't for you then I wouldn't have Simon. My Simon.. someday I'll help him create the life you'd want for us, I know he'd just say that you would want what we want and I know that for a fact. I wish you were here, I would've loved for you to see Simon smile again."

You looked back at the grave. "You know Mrs. Riley, I feel safe here, are you the one doing that?" Smiling as you looked up and rested your eyes a little.

You leaned back a bit with a satisfied sigh hum after a deep breath, Simon's deep voice making you jolt up, "You know she'd want you to call her mom right? Or at least Ma Riley is what the other kids who she practically adopted in the neighborhood call her" he walked out from wherever he was hiding himself.

"Simon I-" You were cut off by seeing the tears running down his eyes, you stood up from where you were sitting, not bothering to dust off your backside that probably had grass stuck to your clothes.

You immediately wrap your arms around your boyfriend and gave him a tight squeeze, letting go only to cup his face in your hands and wipe his tears with your thumb, Simon leaned his forehead on yours, looking at your eyes with his teary ones.

"Oh Simon, I'm so sorry, I shouldn't have done this without asking for your permission. God I'm so stupid, you hate me now, don't you—" Before you could even continue what you were saying, Simon cut you off with his shushing, pressing a chaste kiss on your forehead.

You knew it must've meant a lot to him, he didn't have enough words to describe how grateful he was for you. Unbeknownst to you, whenever Simon did talk to his mother, he'd always find himself worming to you somehow.

One of the reasons he had brought the ring between his fingers at that very moment, coming to ask his mother's grave for guidance on how he's going to do it..

[heliads]

Hey babe, if you're still taking requests, can I request something for Harry Hook from descendants? It takes place in an AU where basically all the kids are "chosen" to be parts of fairytales. (Think Ever After High mixed with School for Good and Evil). This world is complete with everything you see in disney movies with epic fights and songs. Heroes get love ballads and villains get traditional villain songs. Reader and Harry are friends (with feelings) on the isle and get chosen for a story, and are both super excited because they think they'll both be villains together. So imagine their surprise when they get their first song together and it sounds an awful lot like a love song.

This AU has been living in my head for a long time tbh but I have no writing skills T-T. Feel free to ignore it this is not your style or I accidentally sent this after requests closed.

'one story leads to another' - harry hook

masterlist

On the Isle of the Lost, a story is everything. Receiving a good story catapults a promising villain into a fantastic life of infamy, but a lackluster story seals your fate forever to menial satisfaction alone. Henchmen, not gods. Lackeys and thugs, never the criminal boss in charge.

Then again, a worse fate still could befall you. Many would-be villains go their whole lives without receiving a story. They’re not meant for everyone, at all, even if they mean the difference between a true life or a false existence. You can’t fathom training your whole life just to go without, but it’s the reality for many on your island. Even the deck swabbers get to go on exciting adventures with the great pirates of the sea, and even the lowliest prison guard will still live in a cursed palace.

The story controls your life, both literally and figuratively. Once you’re given a story, you’ll have no choice but to follow it out, even if it ends with your death. Then again, a story isn’t over in a matter of days. It’ll shape your life for decades. Even if the main plot is over, you’ll still be someone, and maybe you’ll feature in other people’s stories, too. There’s no way to make it without a story.

That’s why you’ve been throwing yourself into the pursuit of becoming the main character of your own story. You’ve perfected the arts of all things villain– sword fights that always end with you pulling a secret dagger out of a sleeve to tip the scales in your favor, maniacal laughter, elaborate plotting. You could scheme in your sleep or double-cross a traitor with your hands tied behind your back. Although it’s been a long time in the making, everyone on the Isle can admit that you’re the best of the best, and that a story surely has to be coming your way.

The problem, then, is attracting one. Although no rules are set in stone, there are expectations for how one’s story will come about. There will be an inciting event, of course, and then the songs will begin to appear in your head, the footwork and movements placed in your memories without a second thought. You’ll know you’re in the story, and then your life will change forever.

You’ve already seen one play out with some of your closest friends. Mal, one of your best friends since you were kids, got to live out her nefarious dreams, although even she didn’t see the twist coming in her story. Then again, becoming queen of Auradon is certainly a fine trophy for the child of a villain, even if a true marriage of love isn’t quite the way anyone expected her to steal the crown.

Mal has assured you many times over that your story will be coming too, it has to. There’s no way the magic would skip over you, not when you’ve dedicated so much of your life to being the perfect villain for any role. You can lie and cheat and maim with the best of them, surely you’re shaping up to be the arch nemesis in some hero’s grand journey? Your story will be coming your way. Surely. Surely.

And then, all of a sudden, it does. You feel it like a puppet knows its strings. All of a sudden, you have a purpose that you didn’t before. Your feet carry you out of the training yard and out into the sprawling mess of streets that makes up the Isle of the Lost. Your heart soars, and you take to the roofline, staring out at the world before you. It’s yours, all yours, and you know it’s true, so you sing it. The words come to you in a flash, perfect rhymes curling around your tongue as if they’d been there all your life. 

This is what it feels like to be in a story, then. It feels right, more right than anything you’ve known before. Easier than breathing. Simpler than hoping that something like this would come your way, and at last, it has. Nothing could make your flinty heart more proud.

The song ends, and you can hear a ghost of a distant chorus fading out as you make your way back to the ground once more. Your stroll is casual, but the steps are definitely in a specific direction. The last notes fade from the air, your feet stop firmly in place, and you realize that you’re not facing down a potential heist or daring escape but the end of the dock leading into the sea. Directly in front of you lies a pirate ship. 

At first, you’re thrilled– an adventure on the high seas would be fantastic. You’re friends with many of the pirates, even if you haven’t yet gotten a chance to test your fortitude against seasickness before. You cast your mind back to the words you’d just sung, trying to remember if you’d chorused anything about an exciting voyage ahead, or maybe the possibility of sunken treasure.

Instead, your heart sinks as you realize you were talking about exploring what was right in front of you. More specifically, someone right in front of you. And, as you stare with no small amount of trepidation at the pirate ship in front of you, you discover that someone else seems to be in a similar situation as you. Someone who’s just stopped singing a very similar song, who’s standing directly opposite you as if placed there by some immortal hand. Someone you know already.

Someone like Harry Hook.

A belated understanding is beginning to nestle itself between your ribs like a knife in the heart. No, this can’t be. You refuse to believe it. Still, when Harry is the first one to make a move, and walks briskly down the gangplank to stand in front of you, and says in an increasingly cavalier tone, “So, you’ve got your story started too, haven’t you?”

“Harry,” you say weakly. “I didn’t realize that you’d also gotten a song.”

“More than a song,” he says grimly. “I’ve got the whole story.”

You stare at him. “You know how it’s going to end?”

Harry had been doing his best to keep his gaze firmly pinioned on a nearby wall, but his eyes flicker briefly, traitorously, over to you when you pose the question. They snap back immediately, though. For a pirate, he’s never been the best liar, although he tends to make up for it with excellent swordsmanship. “No one knows how their story is going to end until they follow it through.”

You narrow your eyes crossly at him. “But you have a guess, don’t you? Spit it out, Hook. I don’t have all day.”

“Actually,” Harry contradicts, seeming to take great joy in the opportunity to be bothersome, “you do have all day. You’re a part of a story now, love. Your whole life is going to be wherever the wind takes you.”

You roll your eyes. “Thanks, Harry. Very helpful. Don’t try to dodge the question, though. You know how this is going to end, right?”

He sighs. “I have an inkling. Very vague. Probably untrustworthy.”

“All pirates are untrustworthy,” you remind him.

He grins broadly, sharklike. “And all children of villains are saints like you, of course.” He groans at your exasperated expression. “Fine, fine. Although I’d suggest you get better at pretending you like playing my little games if you’d like to keep this up.”

Your eyes widen. “What do you mean?”

“You’ve guessed it already, haven’t you?” Harry says testily. “Think about the songs, Y/N. The melody. That wasn’t a villainous monologue, not even your basic pledge for debauchery and ruin. That was a love song.”

You shake your head frantically. “No, Harry. That was so not right. What is that supposed to mean?”

“Well,” Harry says slowly, “I ‘spose it means we’re meant to fall in love.”

You draw back so quickly that you think you’ve insulted him. “No. Absolutely not. No offense, Harry, but I don’t want to fall in love with you.”

“I’ll try not to let it go to my head,” he says dryly.

You wave a hand dismissively. “It’s not about you, I swear. It’s just– this was supposed to be my story, you know? My whole life. I was supposed to have a glorious adventure, or engage in fantastic battles, but I get one chance at a story and it’s about falling in love? No way. I won’t accept this.”

“You’re acting like I enjoy this too,” Harry retorts. “Quite the contrary, sweetheart. You’re not the only one who’s been dreaming about their story for ages. How do you reckon I’m meant to tell my father that I got a love story? He’d laugh at me so hard he’d probably stop getting scared of that crocodile once and for all. I’m just as unhappy with this as you are, but I’m willing to do something about it.”

You eye him cautiously. “Like what?”

“Let’s play along,” he suggests, and when you look like you’re going to snap at him, he raises his hands defensively and adds hastily, “I know, I know, but hear me out, will you? The faster we get things going, the sooner this ends. You know as well as I do that characters from other stories can take part in other ones, too. ‘Sides, maybe this one isn’t just a love story. Maybe we do travel somewhere exciting, we just don’t know it yet. You don’t have to fall in love with me, alright? We can pretend. We’ll sing our songs, then do whatever we want with our hearts. Me, I’m planning to show my strength by carving mine out of my chest and wearing it as a necklace. It would make a pretty pendant, I wager. Plus, all the crew would be awestruck over it.”

You can’t help but laugh at his words. “Harry, if you cut your heart out, you’d die. If you want a necklace like that, use one of your enemies’ organs.”

He nods appreciatively. “That might work better, I think.” Then, eyeing you apprehensively, “So, does that mean you’re willing to do it? To play along with our story?”

You sigh. “I think it does. It’s not like we have any choice, do we?”

Harry pulls a face. “A girl is cosmically destined to fall in love with me, and in the heat of the moment of her confession, she says it’s because she doesn’t have any choice. Be still, my heart.”

This makes you smile. “You know it’s not personal, Harry. We’ve been friends for ages, I should hope you know when I’m teasing.”

“And I should hope the same,” he says with mock solemnity, although his faux stony demeanor cracks with a wide grin within moments.

You hold out your hand for him to shake. “To falling in love?”

“To falling in love,” he says, and shakes it. So the story begins.

You’re not going to say that it’s difficult, pretending to be in love with Harry Hook. You’ve never had an issue with his company; he’s one of your oldest friends, all of the villain kids on or around the Isle of the Lost have come in contact with each other before, and you and Harry just so happened to cross paths more than a few times. In fact, you’d go so far as to say that if you were forced to sing love songs with any of the villainous children on this island, Harry would be your preferred choice.

And– the problem with that, see, is that it makes this whole thing sound like something it isn’t. You’re not in love with Harry, even if your story seems designed to make you think otherwise. You know how you felt about him before the story began, and a couple of ditties about finding something special in a person you previously overlooked isn’t going to change anything. Harry is your friend. Nothing more than a potential ally.

But then the story takes you two away from the island for a spell, the two of you co-captaining a small sailing vessel by yourselves in search of a magical talisman that would have the power to make every one of your days enchanting. You had assumed it would be a talisman of some sort, that is; yet when the two of you arrived at the hiding place of this supposed treasure and split up to each pursue one length of a split crossroads, your paths looped around so you came face to face with each other again. 

No artifacts, no charms. Just Harry almost stumbling into you, having to wrap one arm around your waist so you don’t fall, his chest rising and falling rapidly as if he’d been running in an attempt to beat your time. You’d chastise him for it were it not for the fact that you were sprinting, too. You wait for Harry to let you go, but he doesn’t, and instead leans closer, so close you can feel his breath hot on your cheek, and then–

You pull away quickly. Harry looks at you like a wounded dog, which makes you feel sick to your stomach. “No,” you say through gritted teeth. “This isn’t– this isn’t us. It’s the story.”

“Is it really just the story?” Harry asks you.

“Yes,” you say, refusing to consider any other option for a second. “You didn’t love me before it started. The magic is messing with our minds. This isn’t real, Harry.”

He starts slowly walking towards you, and afraid you’ll make a mistake you’ll regret once the story ends, you back up in turn, up until the point when your back hits a wall and you can go no further. Harry, however, has nothing in his way but you, and there is nothing to stop him from closing the gap between you once again.

“Tell me it’s not real,” he says lowly.

“It’s not real,” you repeat.

His hand rises to your chin, tilting it up so you have to look in his eyes. He drinks in the sight of you like he’s been marooned alone for days, like salt water has been his only benediction for as long as he can remember. “Tell me,” he says again.

“It’s not,” you insist, but your conviction is gone, drifted away from you on uncertain tides. “It’s the magic. Not us.”

“Not us?” He asks, and kisses you. Slowly, terribly slowly, he kisses you, and in between silently begging him to move faster, do more, you think about all the times you’ve been under a spell in the past, and how this feels nothing like that. Not at all. Whenever you’re under an enchantment, some small part of you knows it’s wrong, giving you just enough hope that you might be able to fight free.

When you kiss Harry, though, you don’t want him to stop. Not at all. Every single particle in your body is beating along to the same erratic pulse through your veins, the one that leans into his touch, reaching for the front of his salt-stained shirt to pull him ever closer to you. If this is your story, you don’t ever want it to end. If there is a writer out there somewhere, feverishly scribbling out your chapters, you hope they never cease, that every one of their movements until the day they die and then past that will bring you more moments with Harry, moments just like this one in which you never have to let him go.

“It’s not just the story,” you tell him amidst ragged breaths when he finally breaks away.

“No?” Harry asks, one brow quirked. Usually, he’d never pass up the chance to gloat, but he looks sorely disheveled, and he can’t take his eyes off of your kissed lips long enough to give him the chance to revel in his victory like he normally would.

Just in case, though, you distract him from the triumph by kissing him again. Somewhere in the surrounding uncharted territory, the waves crash against the shore, the seabirds wheel and sing on the marine breezes, and you find the magic in the one boy who has always been there for you, and always will be, even after your story ends. That is the magic of love, you suppose. Adventures come to a close. Battles are won, heists are accomplished, but what you and Harry share will go on forever. A fitting legacy for the best two villains who ever lived.

[lucky-katebishop]

I read more Robin 1993 comics! These are from issues 46-51. There's a lot less screenshots than I usually make because I really didn't love a lot of the storylines.

I didn't actually fully read Genesis because I don't read most of the tie-ins that it covered and I just kind of wanted to get on with my Tim Drake binge so I only read this one and I was really surprised by where Dixon took it! Although, I shouldn't be- Dixon always tends to make Tim feel unsure about his position as Robin whenever there's a crossover between comics. But this took a step further by Tim not being able to save a boy his age who got caught up in the criminal underworld. I think it's really interesting to have this storyline be immediately after partnering with Stephanie, who has less than stellar morals when it comes to who should be saved or not. If this were her POV, I bet she would have just left Young Eli to die. At least, this is coming from her very early years when she's less experienced.

Dixon's favorite panels are to have Tim question his role as Robin in front of the Jason memorial site.

I laughed SO hard lol- Dixon's favorite thing in the world is to have Tim go back to Paris whenever he's struggling and I just have to laugh. This poor city and poor boy are meant for each other.

He says to the most serious, high-strung person he's ever met.

This panel was just really cool!

I liked these issues! Am I getting a little tired of Tim constantly questioning his place? Yes. But he hasn't had it easy lately. No adult is listening to him and Ari about what really happened, his love life has been completely shattered by Ari's uncle keeping them apart, and as much as he tries, Tim can't save everyone. I really like the decision to have him go back to Paris to continue training- even if he can't do so with his original teacher. I LOVED that Lady Shiva came back (especially with what happened at the end- but come on, no way he actually killed her.) I really enjoyed Dava as well. I think if Cataclysm wasn't immediately after these issues, there could have been an interesting storyline containing the drug that she gave Tim and him wanting to be stronger and faster while taking it (a la Patriot from Young Avengers) and his morals. It felt really rushed, but I haven't read Cataclysm yet so maybe in his single issues the story will be continued? I hope so!

[agatharkn3ss]

Episodes and story predictions (spoilers!)

My restless brain has been on another quest.

Full theory explanation and lots of plot side-notes included below, but the short of it - I think the episodes order is going to be something like this (including previous ones for completion):

Ep. 1 - Westview: Agnes of Westview Ep. 2 - Westview: Setting up the journey Ep. 3 - The Road: Water trial - Jen (blue road) Ep. 4 - The Road: Fire trial - Alice (orange road) Ep. 5 - The Road: Spirit trial - Agatha (purple road) Ep. 6 - Westview: Teen backstory Ep. 7 - The Road: Air trial - Lilia (yellow road) Ep. 8 - The Road: Earth trial - Rio (green road) Ep. 9 - The Grand Finale (Agatha all Alone?)

BACKGROUND ON THE SYMBOLISM First of all, thank you to the production team for their incredible attention to detail. It is clear they have done a lot of research and put a lot of thought into symbolism and telling the story from the visual point of view. This is what makes theorising so much fun!

The whole show seems to revolve around the Wicca religion (also known as "The Craft" - I see you Teen!) that uses the pentacle (5-pointed star inside a circle) and typically worships Triple Moon aka Triple Goddess aka Hekate (Maiden, Mother, Crone) and Horned God (could be Marvel Mephisto). The magic circle uses 5 elements - Fire, Water, Earth, Air and Spirit. Together they are believed to be the root of all matter. Each element has a set of values associated with them, often also colours. While the colours are not always coded in the same way, I found that this (totally Agatha-unrelated) graphic below fits so well with the show's imagery.

The moon phases also play a big role in here. There are 8 lunar stages, but only 5 elements, so it will be interesting to see how the show continues to link these two strands (so far we've had Full moon for Water trial and Waxing for Fire). Moon phases are also linked with the stages of life - I won't go into full analysis but check out @shutupineedtothink post who beautifully explained possible connections with our witches.

I only wonder whether the full moon in the first trial was maybe mistaken and it was New moon instead? So that we are just moving through the first 5 phases of the moon? After all, it was Teen who identified it - although he was correct about it being the Water phase.

Episode 3: Water Trial - Jen - Blue - Full Moon Colour: we already saw that as the events unfolded, the light took on the blue tint, because of the water outside. Jen's own nightmare was all in blue. And the road (leaves, roots, mushrooms) leading to the trial was all blue. Story: Jen being associated with Water elements makes sense. Healing, Expression, Peace and Compassion fit really well with her role as a midwife and influencer (did you all realise that it was the midwife work that Agatha referred to when she explained why she spared Jen and her powers because it was "good work that matters" - a nod to Agatha appreciating maternal values). I don't think we will see much more of Jen's backstory - at least not as a dedicated episode, but only through bits of conversations like by the campfire. It feels like Jen's struggles were to do with a mental block and I think Agatha's pep talk was the one that made Jen realise her real power and, though she might not realise it yet, she might be regaining her magic as she starts believing in herself again. Plus I like the idea of not giving an evil man too much of a screen time because it's not his story. Trial exit: oven... so into the fire (as next trial)

Episode 4: Fire Trial - Alice - Orange- Waxing Moon Colour: red/orange tints were so much more obvious in this trial and the road to trial was orange. Even Alice's hair have some red/orange streaks. And her nightmare in ep.3 had some orange tint to it. Story: Alice also fits so well with the fire element values. Passion, Inspiration, Intuition, Creation, Protection - all of these align with her role as an ex-cop, but also her emotional journey as she thinks herself responsible for everything. Then there is the nod to creation when she overcomes the curse with the aid of a song. She is also (except for Teen) the youngest of them all (Maiden). When she was playing, there were flickers of orange magic between her fingers. So I think she's had magical powers all along but just didn't know about it, because she didn't believe in it. Her Road wish was to break the curse, not to get powers. Trial exit: piano... so into the soul (as next trial)?

Episode 5: Spirit Trial - Agatha - Purple - Half Moon? Colour: post-fire trial the road is purple - the leaves as well as fluorescent mushrooms etc. The scenes look dark and it's hard to see if they have purple tint. Agatha's nightmare in ep.3 was very dark too though. Story: This is the 80s sleep over episode (judging from the episode 5 font). Spirit values are the Soul, the Devine, the Mystery. While it's true these kind of also remind me of Rio, I think it's fair to say that Agatha is a total mystery, with all those many layers and masks that she wears. She is also the soul of the coven and the guide of the trials so far. She might have lied and not have walked the Road before (although I begin to change my mind on that), but she definitely leads the coven. It was her pep talk who guided Jen to the solution. And it was her who figured out Lorna's protection spell and guided Alice to play the song. As the ballad says "(...) we carry on, Spirit as our guide" (for a long time I thought it would be the spirit of the dead guiding them). So in this episode we see Agatha's spirit becoming possessed. So the Road is not just testing Agatha, but the whole coven - see how they manage when their Spirit is not available to guide them - and I don't think it ends well. I believe this is the episode where Alice realises she has magical powers. But because she doesn't know how to use them yet, we might lose her. Peppered across the promos, we see images of Alice wielding her orange power - once inside the sleepover room and once when she's on a broomstick. We also get to see Agatha absorbing someone's power while wearing her 80s jersey. We also see at some point Agatha has a whisper of red/orange magic in her palm. My theory is that although the trial is Agatha's, Rio will play a significant role. After all, they are going to have ouija board that will spell "Death" was in the room with them. And one of the posters for the episode was Rio. Agatha will become possessed and everyone acts scared, and it will be Rio who talks Agatha down. I hope we will get some soft moments between them and that we see some flashbacks of their story to give it more meaning. But then maybe Agatha needs magic to return her soul. Rio can't give it to her (I wonder if they explain to the witches why), so Alice blasts possessed Agatha instead. She absorbs the magic and returns to normal. They exit the trial on broomsticks. However, I think as they are flying away, they get attacked by Salem Seven. This is where Alice tries to use her magic again, but she might be exhausted or just inexperienced and she falls off the broomstick and we don't get to see what happens with her? This is why I think Lilia from the future tries to send her the message "Alice, don't try to save Agatha!" (but it gets split in two visions). I also think we finally get to see Teen using his blue power - maybe to help defend from the Salem Seven? Then leave us all on a cliff-hanger when the other witches realise this. (This would explain why he's poster is for that episode as well - and he's dressed as Billy Maximoff Halloween costume - the Wiccan). The red moon silhouette shows only 4 witches in clear view - I think they are, from right to left: Agatha, Rio, Jen and Alice. In the far left, in the dark, it looks like Lilia is there as well. So maybe Salem Seven kidnapped Teen because he protected Agatha with his magic, and now the witches are chasing them? I think Lilia somehow ends up left behind (I'll explain in later episode).

Exit: On broomsticks - into the Air (next trial)?

Episode 6: Westview - Teen story The episode list has this one circled in red, so I wonder if it's the "odd one out". Maybe we don't get to follow the Witches on the Road, but see flashback to Teen's backstory, following his blue magic cliff-hanger from the last episode? Maybe we see his family car crash mentioned in episode 1. We see that his parents (the two "perps") maybe don't die, thanks to the air bags, but are in a coma? That's why Teen says he's 100% certain his parents are asleep (or he talks about Wanda and Vision who tucked the boys in their beds right before the end of the Hex). I wonder if the body that Agnes investigates in the woods isn't Wanda or Darkhold, as everyone thinks, but Rebecca Kaplan - Billy's mom. Anyway, Billy Kaplan is at the back of the car and dies. But then two things happen - Death appears (Rio) to collect him, but Billy Maximoff reincarnates into the body and he lives. Hence the "Near death in Westview" hint for Joe Locke's end episode credits. Rio is intrigued and sticks around, maybe finally finds Agatha who is no longer able to hide from her because she has no Darkhold. I think Billy will try to summon the Witches Road by himself - maybe he wants to find his brother Tommy, maybe he wants to bring back Wanda and Vision, or maybe he wants to get back his Kaplan parents? I hope we get introduced to the final character that's missing from the end credits!

Episode 7 - Air trial - Lilia - Yellow - Waning Moon? Colour: Lilia's nightmare in ep.3 had distinct yellow tint. We also see lots of promo material of scenes with very heavy yellow filters. Even the road is yellow-ish at some point. Story: Air values are Intuition, Knowledge, Renewal, Change - this fits well with Lilia's divination abilities, as well with her age. We know she is the oldest witch in the coven and has lived for some 450 years, through many tragedies and the many ways the women were persecuted. Lilia is also always so vocal about the negative stereotypes that surround witches - she mentions green skin, broomsticks, talking to goats. Episode 5 might already give us the broomsticks and in this trial we will actually see Agatha as the green-skinned Wicked Witch of the West, so maybe we will also have a nod to the goat talking bit? That would be funny! Anyway, in this episode we see that Lilia will be Glinda (the Good witch), Agatha will be Elphaba (the Wicked witch) and Jen looks like the Evil Queen from the Snow White, but in her old hag form. And even the "yellow" road would be a callback to the Wizard of Oz. So I think the trial will be about those negative stereotypes and how witches have been perceived. We know Lilia doesn't like having to predict all those tragedies and feels deeply for all the victims. So what if her tarot trial will be about her trying to predict something good because it's something she was never able to do? Or maybe about her trying to use her powers to manipulate the cards to change the prediction into a good outcome? Or - trying to reverse a tragedy that happened in the past. It's interesting that the card she holds in the promo poster is The Tower. The card stands for "sudden, disruptive revelation" - kind of like Lilia's 'blips', and the trial seems in a tower-like room. There will be swords sticking out of the ceiling, threatening to fall down. We also know Salem Seven make their appearance again. So I think Lilia tarot reading will be about sending all those messages to the coven in the past (check my other post to explain the detail) and to send herself the list of the witches name so she writes them down for Agatha. When she succeeds, the timer (sand glass) gets turn upside down, and everyone in the room gets inverted as well - so they are flying in the air? That could mean that the Salem Seven gets impaled on the swords... but eek, I hope Lilia doesn't share the same fate... I didn't see any other characters in the air though. There is also a rumour that we will get another version of the Witches Road ballad - this time focusing on Lilia, so we will hopefully see them using Patti's full potential.

Back to the rest of the coven... I think after the broomstick flight they get separated. Lilia gets to the tower/castle first as she was left behind. That's why we see scenes with only Agatha, Teen and Jen on the Road (yellow filter) and they somehow circle back to the start, where Agatha falls over a pair of shoes they left at the beginning. Alice and Rio are not there - maybe because Alice died and Rio is taking her to the underworld. Or maybe they just separated, fingers crossed. We also see Agatha and Teen looking at a castle in the distance - that could be the castle that Lilia is in, so that's how they rejoin her.

Trial exit: the ground - so that next trial is earth?

Episode 8: Earth trial - Rio - Green - New Moon? Colour: green? There are a few scenes with dark green filter but not much else has been revealed Story: Earth values are Fertility, Wealth, Abundance, Strength and Wisdom. I hope we get to see how Rio is connected to that. The trial itself is the one where we see Agatha and Teen inside a morgue. This ties in well with both Earth and Death - lots of buried bodies! So sometimes I think maybe Rio isn't Lady Death after all, but her powers make her connected to the dead bodies, maybe to bring life? Agatha has her hands on Teen's head, so I wonder if she's trying to finally get rid of his sigil. They somehow pass the trial - which they believe to be the last one. Maybe the trial room gets flooded with soil at the end, and they climb their way through it - back up to the surface in Westview - maybe we will find out that everyone else who "died" on the Road has actually just climbed back to Westview. But maybe Agatha doesn't get out that way and still has to find the exit. At some point she gets angry because she still doesn't have her powers back even though she passed her Spirit trial (she screams "I want my prize!"). Maybe she realises it's the hair locket (or the symbol behind it) that stops her from regaining her powers and she needs to sacrifice it? Can't really deduce huge amount about this episode yet, other than we see Rio in her full chaotic self. She blows a kiss to someone as well (Agatha?). I think this is going to be a big episode, where Rio's true intentions are finally shown.

Episode 9 - The Grand Finale I draw blank on that one. I don't want to guess how they tie it all those strands together and how they show the impact of the Road on the witches lives. But there is that thought that keeps eating at me - in ep.1 Agnes says "If there is one thing we can agree on is that these cases are always about the place. The specific small town, the history of it, the secrets buried beneath it. That's where the answers lie." I think this is important and there is some big foreshadowing going on in there. Because yes exactly - why did Vision choose Westview of all places for their forever home? (Was it even Vision who chose it or was Wanda just made to believe that? The reason she knew about the plot was that someone dropped a file in her car) And after the events, the traumatised people still choose to live there. And Mrs Hart mentioned she would've expected to see "remnants of a failed public transit system" under Westview. I mean, would such a small town need it? I think there is something going on with Westview itself, maybe there will be a big reveal about this Mephisto at the end?

But that essay will be for another time. For now, I think I need to give my brain some rest. What does everyone think? Have I missed anything or are the elements that don't quite line up with the above theories? I would love to know! Thanks to getting this far!