#also you dont have to elaborate if you dont want to

[mouthpoisons]

another addition to All This and a small elaboration on the idea that ''viktor came close to winning the game/escaping the narrative when he tried to transmutate after the running scene'' to clear up what i actually mean by that, since according to my theory, isnt him using the hexcore at any point just playing into its hands regardless of when he does it? no, i dont think so!

hold my hand and walk with me a bit. i barely have the words in my vocabulary to explain the concept im trying to get across here but you have to view these scenes in the context of their sudden, almost out of nowhere emotional impacts and how it all makes the characters, and us, feel. the massive change in trajectory/personality/goals that these moments present for the characters, not just whats physically happening. keep in mind my overall theory that magic is sentient and wants both of these characters to fail, to experience tragedy and guilt, to push everyone to the end goal of viktor apocalpse wizard. arcane is a butterfly effect in reverse and there is a Fixed Ending we are hurtling towards that everyone needs to excape in s2 act3.

yes my tinfoil hat gained like 50 layers the past few days idgaf!!!!! its fun and it makes sense!!!!!

simply put i view these two scenes as being like, the same. powder and viktor have these big beautiful moments of Finally Figuring It Out, which are suddenly violently cut short by the worst possible outcome happening. if nothing inexplicably horrific happened to either of them after their big moments of Figuring It Out, the narrative literally wouldve... lost their grip on them. they wouldve tricked the arcane and used it against itself, to Win The Game. powder, vander, vi, mylo, and claggor wouldve gone home happily. viktor wouldve transmutated and completely healed himself, with no strings attached, and wouldve been like lalalalala with jayce in the lab making toys forever.

my idea is that these and other complete heel turn, sudden, catastrophic The Tower moments that barge in like ''fuck you, im changing your entire life trajectory now'' arent accidental, arent viktor or powders fault, but are calculated moves by the arcane to further the story *it* wants to happen. to turn these characters into who *it* wants them to be.

powder ''accidentally'' kills her family and is firmly set back on the road to becoming jinx - someone who will continue to use arcane weaponry to devastating effect and cause more necessary death and tragedy

viktor ''accidentally'' kills sky and is firmly set back on the path of becoming the apocalypse wizard (someone who will also use the arcane to devastating effect)

they both even acquire voices/presences in their heads that remind them to Stay Feelin Guilty after these moments

basically

[minimujina]

you ever just want to kiss someone so bad. not a specific person. i just need to experience it with fucjign anyone idc at this point i wanna know what it feels like so bad

yknow what poll time

rb fir bigger sample size :3

[ruporas]

post ep 11

[mcybree]

coughs. Everypony who wishes to hear about scott secret life episode 7 and is old enough to catch their own prey please gather under pride rock or whatever the fuck they say to call an emergency meeting these days. I need everyone to know why this episode is so unusual for him… I take back anything I have ever said about gem in my entire life that implied disinterest; Gem and her zombie apocalypse scared the SHIT out of Scott. NOBODY HAS EVER MANAGED TO DO THAT BEFORE.

[unfortunatelyilikebnha]

Thinking about the KaeyaJeanDiluc friendship where they grew up together and they were CLOSE & sure maybe Jean felt like Diluc & Kaeya were closer since they were brothers & sure maybe Kaeya felt like he had to keep secrets from the two of them bc they would never understand but they were like. A trio! A team!

& then Diluc’s 18th birthday comes around and everything goes to shit and Diluc LEAVES so they’re no longer KaeyaJeanDiluc but just Kaeya & Jean & in some ways Kaeya and Jean get closer because of it but there’s also a pronounced DISTANCE where Jean doesn’t know how to reach Kaeya anymore & Kaeya is even more determined not to tell Jean anything & they both lose themselves in their duties to Mondstadt while also missing Diluc and ALSO, despite everything, offering each other unconditional support

& then Diluc comes BACK & in addition to Kaeya & Jean there’s the shaky reestablishment of Jean & Diluc and Diluc & Kaeya but it’s not THE SAME. they’re no longer KaeyaJeanDiluc; Jean & Kaeya are knights and Diluc will never be a knight again & they all changed while Diluc was away & none of them know how to talk to each other anymore AND YET there’s still an undercurrent of trust!! Not fully, especially between Kaeya & Diluc, but Diluc still calls on Jean during the archon quest, trusting that she will keep their secrets even though as the acting grandmaster she should probably not. Jean says in her about Diluc voiceline that she understands why Diluc hates the knights & is working hard to make them an organization he can trust again. Kaeya covers for Diluc’s darknight hero escapades & fondly reminisces about their childhood in front of him. Diluc invited Kaeya to dinner at the winery & (afaik) never told anyone about Kaeya’s origins. Kaeya tells the traveler that they need to give Jean their full support and planned a birthday party for her. Jean left Kaeya in charge of Mondstadt when she went to the golden apple archipelago! On some level they recognize that their goals still align!! There’s still trust and love there but there’s also this gap between them that none of them know how to cross and I just!!!

[mishy-mashy]

Kudo is actually such a kind, soft-hearted guy that had to toughen up because he cared too much

He looked at AFO's rule, and even though he was weak, he had that glint in his eye that has been referred to as the "will of a hero" to oppose him. A hopeful glint shared with Midoriya, Bakugo, and Hawks

He even parallels Hawks when they talk about that particular look in their eye

From a glimmer in the eye, to which eye is shown, how much of the face, a similar angle of the face, and placement of text questioning the existence of that light,

He stormed to kill Yoichi with Bruce, but couldn't, once he saw the state Yoichi was in. Even knowing he was the enemy, he still reached out his hand and never let go, even when they were running

When Yoichi died, even though they'd only been together for two months, Kudo still cried and froze up.

This is a reaction from a man who repeatedly used lives as a stepping stone for his own goal.

Kudo said himself, that victory was life, and defeat was death. He had killed and seen his friends killed over and over, but still cries when it happens again. And to someone he only knew for two months, at that.

Kudo gathered allies under his cause, and they were loyal enough to die for him. Bruce cries (still smiling tho) facing AFO, tried protecting Kudo when he froze up at Yoichi's death, and we see all Kudo's comrades dead in the end. Maybe Bruce was suicidal when he went to face AFO, knowing he'd die, but most of his comrades (and Kudo) were already gone. Their cause was snuffed out, but the will persisted.

Kudo is a bit like Aizawa.

A bit crass and blunt, doesn't like beating around the bush, but he can clearly see what kind of person you are. He's not openly kind, but you know he cares so much, but has also lost too much once. He's seen his friend(s) die, and shouldn't it have been him in that spot? Shouldn't he have died instead, but was forced to continue living for that dead person's sake?

His speech about why we call Abilities "Quirks", recognizing people's intent over raw power is the real power. (Ch 369)

He's blunt and goes straight to the results rather than beat around the bush, but it doesn't mean his heart is frozen and he doesn't care about you. (Ch 408)

He cares so much, and that's why he has to do so much. (His whole Resistance thing, figuring out how Yoichi's Factor works to make sure Yoichi and his will can live on in some way)

He recognizes that Midoriya isn't driven by duty, but that he genuinely adores Quirks too much. (Ch 414) He could look at Midoriya, read that immediately, and even though he looked through his memories, Midoriya's character was his takeaway. Not that Midoriya is an idiot for letting himself be stepped on, or that this kid was bullied, but that Midoriya could see the goodness in others.

Like how Aizawa saw that Midoriya was relying on the reason [It can't be helped] whenever OFA broke his bones and told him he can't always break himself just because he could be fixed (Midoriya's recklessness that showed itself on the first day of school). He called out something that was an underlying, innate belief to Midoriya, that was so normal to the teen, and no one else had brought up as wrong to him.

The first thing they perceive is a person's character.

When Aizawa tied up Midoriya on the first day of school, he wasn't telling him off over his Quirk destroying him being a PR thing or too gruesome for the public. It was out of the fact that his Quirk shouldn't destroy him, because it's dangerous for Midoriya.

Aizawa came off antagonistic, but he was looking out for Midoriya. He didn't want him to keep breaking his whole arm, he didn't want him to get stuck in the mindset that he had to get hurt to use his Quirk, he was looking out for his wellbeing from the start. A kid he didn't know personally until that day.

Kudo did a similar thing. He turned his back, and refused to help, because they were putting their hopes in a delusional boy who would go too far. When the vestiges realized their gathered Abilities and Quirks were letting Midoriya have the freedom to do as he wished, Kudo already knew, only saying "His path is the right one". He could relate to having to run full-sprint to see your goal realized, even if everything opposed him, but didn't want Midoriya to go through that same path alone.

If he were alone, he'd be like Nagant. He had to have comrades to be like Kudo, able to continue and stand for their beliefs, but having comrades to fall back on, or pull him back when it's too much. That's why he follows up in that moment with, "But, if there's something Midoriya does need..."

Kudo and Aizawa could see themselves or their comrades in others, and knew how to approach those character flaws that were normalized to others and said person.

Kudo could see others for who they were, and I think it's this, and his caring nature, that he gathered so many allies with him. He knew when to be blunt, when to show kindness, that the truth hurts but needs to be seen, was actually very logical and witty, and when to step aside and let people do their thing, even if it wasn't the best move (like saving All Might). Because that was what was best for that person.

It's not like people would join someone so wholeheartedly without conviction and being left unseen by that person. So many people were willing to die with and for Kudo, and Bruce believes in him so much.

When All Might's vestige was fading and becoming more solid, Kudo had to look away. They knew it meant All Might was dying in the real world.

Kudo was telling Midoriya not to intervene with Gearshift there. But once he saw All Might genuinely dying out, he couldn't look at him, and kept quiet. He stopped hanging onto battlefield logic of necessity, shut up, let Midoriya do his thing, and it saved All Might. It saved Midoriya from seeing his idol die in front of him, and Kudo didn't have to see another ally die beside him.

The chapter is literally called [We Love You All Might!!]. Even if it's just meant to focus in Bakugo and Midoriya, and only has 2 exclamation marks, it can't discount the world is watching. The vestiges care about All Might too.

When the vestiges come up with the plan to forcibly transfer themselves to deal damage, Kudo volunteers himself as the test dummy. Sure, he backs it with a lot of reason too, but he didn't want anyone else to go first as a test drive

He, with a Gearshift Ability that resembled a manual car, was the test drive. Ha ha pun- *gets shot*

En tried going first. Kudo rejected him, saying he would go first.

"Part ways with Gearshift [me], and you'll be free of the crippling recoil too."

Too. TOO.

KUDO JUST WANTED TO GO AND BE DESTROYED FIRST. HE PUT THE FREEDOM OF RECOIL DOWN AS AN EXTRA BONUS SO THEY'D AGREE WITH HIS CHOICE.

I'd cut the image so it looks better, and I can use Bruce's words elsewhere, but this is an image limit, so,

- Kudo refused to let anyone else go first. This was before giving reasons to convince them he should leave first

- En gives reason to why it can't be Kudo. Kudo just says, "Listen." and reminds them of now.

- Look at Kudo's face when he says that. The guy knows what he's doing when he cuts off En, and would probably be a horrible liar. He might as well be pulling this out of his ass.

He's said "The world will end" "You have to or else" "Five minutes" "You're going to die" a few times in this fight already. DUDE STOPPP

(Terrible liar and a guy who purposely eggs you to torment? What a great friend he would be [yknow, when u make ur friends freak out by being ominous or reminding them of stuff. Like Toast to Lilypichu in a game of Observation Duty])

- "Too."

- Bruce's trust in him, but knowing when to pull Kudo back from going too far

Also, when he's transferred, he smiles to Midoriya. He knows he's about to die again, but the last thing he does for Midoriya is

1) Take away the recoil of his existence as a Factor on the boy

2) Reassure him that it's okay, so it doesn't weigh on his conscience

Even if only in thought, STILL!

KUDO LOOKED SO PROUD OF MIDORIYA!

I bet Kudo is suuuch a sentimental fool

> [Be me and watch your new friend die]

> [I have Yoichi's Factor]

> [It's like I carry his will now]

> [Have a glint of opposition in my eye that drives the Demon Lord and my comrades (Bruce) crazy]

> [Hey Bruce, let's figure out how it transfers]

> [Bruce's common sense VS my rabid ideas]

> [I win]

> [Bruce was unwilling the whole time and still ends up with the Factor]

> [The Factor is named One For All, after something in Yoichi's favorite comic book series]

> [We pass it on to the future to carry forward]

> [Even as everyone else and me dies, I make sure Yoichi and his will are safe from his Demon Lord brother that locked him up]

> [Decades later, my sweet vaulted friend reminds me of when we met]

> [I turn around and give my whole-hearted support to believe in some 15-year old boy because Yoichi believes in him too]

SEN - TIM - ENT - AL!

When Shinomori was stolen by AFO, Shinomori pushed everyone away before they could really notice the invader. Kudo called out for him.

Everyone is in shock, but I don't think it's a mistake that the text bubble calling out for Shinomori is pointing from Kudo.

All For One made it through and is ready to steal them, but the first thing Kudo did was call out for the one at the very front.

[On the post I made that mentions Shinomori pushing everyone away] What if Kudo wasn't pushed away? What if this was him at the front, realizing the danger and turning around, but being unable to do anything for Shinomori when he saw?

Like Bruce, Kudo communicates. He doesn't expect you to just follow or understand him. He actually lays it out and makes sure you keep up.

He explains

- the transfer of vestiges, and why he should go first

- his Quirk

- why Quirks are Quirks

- reports to Midoriya what's happening and what's next

- to Yoichi why they couldn't trust in a delusional boy. In a way that wasn't Bruce's roundabout "we lived in a terrible era and a leader gathered us"

When En panics, he barks at En to keep up. By barking at him, rather than any other way he could've used his tone, it shuts up En in his frantic babbling. Kudo also lets Vestige Might put in his thoughts to understand better, and uses it.

Eye reflection. Kudo can really see people for who they are, and understands others, and himself.

I can't repeat the pics cuz image limit, but look at previous panels here. For example, Kudo saying Yoichi's will lives in him, and when AFO reflected in his eyes

It's something I learned from Re:Zero. When a person in reflected in one's eye, something something that person can see the true core of you, of what you really are underneath everything. The eyes are the window and mirror [glass] of the soul. I finally see the true you.

AFO never reflected anyone.

But Kudo reflected AFO when the man accidentally killed Yoichi. He saw that AFO wasn't seeing anything, so later, Kudo smiled and mocked AFO at his own death.

"Yoichi?"

"He's gone."

"You killed him, Demon Lord."

And AFO hated that reminder.

Kudo was reminding him of what the truth was. Kudo saw it himself, and AFO blocked it out from the get-go. Kudo already knew what AFO was, what he was seeing, what he was doing to himself by blaming Kudo instead of himself.

And then, Kudo's eyes reflected his own hand when he realized Yoichi's Factor was in him.

Kudo clearly saw himself, and in himself, Yoichi. Nothing distorted it. It really was a clear mirror.

He really perceived Yoichi's will was living on, and was right. Otherwise, his eyes wouldn't have shown it.

Kudo was right about AFO. It's even implied back when he and Bruce had their backs turned; Kudo knew what AFO's real goal was. That was back when AFO preached unity and division under him.

Kudo could always see right through AFO. He really understood people from the start. And he never tried making up truths to justify what he was seeing, facing it head-on.

Kudo's lying about the world being black and white.

Kudo and Bruce saw the world as black and white. This was mentioned in the void.

Kudo also says, "Victory meant life. Defeat meant death."

But it's the Resistance. It's when Japan and the world was at their lowest. The world wasn't black and white; there's lots of gray.

Kudo and Bruce would've seen this. Kudo even admits that there's gray, just not directly.

Kudo says Yoichi knows, how he killed and trampled so many lives, to get back at AFO. He knows it wasn't right, or an amazing choice. Later, he says that when your back is against the wall, you have to make callous judgements. These hint at gray moments.

Kudo and Bruce have faced and been in the gray. But it's too hard to make the right choices, and there are times there is no right answer.

Historically, soldiers would convince themselves the enemy were monsters. They wouldn't be able to fight and kill them otherwise. They wouldn't be able to live with themselves without believing in this so badly.

Kudo and Bruce had to have been the same way. They were Meta Humans [Monsters] in a time they were viewed as diseased humans. The monsters were real. And they had a Demon Lord. Kudo and Bruce literally dressed up as soldiers.

Even if they were monsters to society, being Meta, Kudo and Bruce were still human. They knew this. The ones who tried believing in only black and white were inhabitants of the gray itself.

But they have to protect themselves. Kudo is so adamant that the world is only black and white, because he can't stand the gray. What it makes him do, what it means, that he's too weak to do anything.

Yoichi is an example of that gray area. The mortal enemy's younger brother, was actually locked up and sickly. He's just a comic book nerd. And it humanized the other side Kudo opposed so vehemently.

Kudo says victory is life and defeat is death. And Yoichi asked why he reached out to him then. He reminded Kudo of that gray area, and Kudo opened up.

Kudo might avoid the gray area because it's a matter of the heart and a moral dilemma, but it's what makes him human. When there's no right answer in the battlefield, he decides on his feelings instead.

He wishes the world was black and white, because it'd be so easy. But it's not.

Yoichi reminded him of how entering that gray area led to OFA ("when you reached out your hand to me"), and it had been the best choice in the end. The gray area is real, and Kudo's left a bare man with only his emotions when he's there.

Kudo is actually really kind and understanding. He's too soft for his own good. Thanks if you made it this far, I hope it makes sense (tag and image limit)

[ask2ps]

I love 2p japan

CHINA: 日本さえ恋がしたいということ、考えられないことではないねぇ。(It’s not unthinkable that even Japan would want love, right?)

JAPAN: 闭嘴。(Shut up.)

[lucabyte]

transfem loop + siffrin... you agree

i does agree.... i does in fact ... write a 7k word essay on the subject..... if you would like to perhaps click that link and read it if you were not already aware...... kisses u on the forehead......... sorry its that long but i had to cover all of my bases you know how it is with textual analysis when you're trying to draw a distinction between "headcanon" and "reading of the text" because those are different things.... to meeeeeeee.......

[syrupbitee]

this is so ass im so sorry

[cent-scratchnsniff]

elaborate self hate and ungodly amounts of yapping. underneath is just the main ones without text on it

[icewindandboringhorror]

sneepy cozy time....

[frenchfriedgiraffe]

wait which one is dirk is he the yellow jacket man. if he's the yellow jacket man then oh my god that first episode. i didn't truly get it but i watched it and was like HE'S LIKE ME!!! HE'S LIKE ME!!! anyways more autistic headcanons pleaaaaaaase pleaaaaaaaaaaaaaaaaaase pleaaaaaaaaaaase starts licking away your eye grime

first of all YOU WATCHED THE 1ST EPISODE AND NEVER TOLD ME??? second of all yes he's the yellow jacket man!! third of all "he's so me" was also my first reaction.

here's a concise(ish) list of my recent autistic dirk thoughts/headcanons!!

1. Has a strong drive for autonomy, which leads to him impulsively jumping in to take control of things (like when he snatches things out of the other's hands to look at)

2. Can be very stubborn when it comes to his own beliefs and behaviour even if it's technically bad, and can get annoyed if Todd/Farah/Anyone challenges it.

3. Stims with the zipper of his jackets. The noise annoys Farah and they have to learn to compromise.

4. Hyperfocuses very intensely on things so he doesn't realise time passing at all. Needs to set multiple alarms throughout the day to stay on track with stuff.

5. Seeks sensory input through food. I've made multiple jokes about this before but he really likes elaborate sugary food because it makes his brain go "yay!!"

6. Terrible, god awful sleep schedule.

[iiusia]

Is ir okay to not feel it as a christian if youre still doing it? If i read the word and do what it says, but i never feel. the feelings. Is it normal? I feel so lost. Ive prayed so much.

hi!! i'm going to assume this question is coming from this post of mine. if its not sorry but i hope my answer still stands!

my point in that post is that it's not all about feeling the feelings. honestly, i would say that usually, Feeling Strong Emotion/being overtaken by emotion over it is something that is not necessarily common. of course, it depends on the person. some people are just Strong Feelers but that's not everyone! (i am not one of these people, for example).

if you don't Always Feel The Supernatural Presence Of God and you don't feel emotional every time you think about the Lord, or whatever standard you want to set, that's not an indicator of your faith. (or if you're truly saved.)

what's important is knowing. and believing. do you truly Know And Believe that the Lord Jesus, the Son of God, died on the cross for your sins? do you Know and Believe that the God of the Bible is real? that He created the world and everything in it? that He sent His only begotten Son to die out of love for us?

"Now faith is the substance of things hoped for, the evidence of things not seen." Hebrews 11:1

that's what's important!!!! not if you cry during worship or if a sermon touches you. not Feeling A Supernatural Presence. if you know God is with you always, then you don't need to feel it for proof. you know it. you have faith.

modern-day christian culture has turned christianity into solely something you Feel. big displays of emotions during worship, people talking about visions and speaking in tongues and being filled by the Holy Spirit, etc. (this attitude has also led to the culture of "if i don't feel that the Lord is telling me that this is wrong, or if i feel that the Lord is telling me that this is okay, then it is.) but you can't rely on your feelings.

"The heart is deceitful above all things, and desperately wicked: who can know it?" Jeremiah 17:9

you want to hear God speak? you open your Bible. it's Literally God's word. everything you need to Know about God and how you should live your life is in there.

basically: anon, lack of Strong Emotion over living the faith does not mean that you're doing something wrong. however! i want to cover all my bases, just to be sure. you mention "reading the word and doing what it says". you might already know this, but being a christian isn't just about acts or works. the entire point of the gospel is that we cannot be saved through what we do, only through faith. it goes back to what i was saying about faith earlier on. if you find yourself treating this life like a checklist, like a "i'll do this, and this, and this, and then God will help me/love me", then that might be something to meditate about.

"For by grace are ye saved through faith; and that not of yourselves: it is the gift of God: not of works, lest any man should boast." Ephesians 2:8-9

[pandoratheprocrasticreator]

yakou furio's character is so tragic to me. i wanna meme about how they used the fridged wife trope but other than that it's like. he lost his family and later all of his coworkers and just. existed alone for years.

looking at the state the submarine and especially his bedroom was in, with everything being a mess and all the cigarette butts in his bed, yakou was clearly depressed. he wouldn't even take on any interesting cases to fulfill his passion as a detective because he was so afraid of the peacekeepers. instead he just kept his head down. surviving but not actually living.

and then he finally gets some new detectives to work at his agency and the first thing he can do is fail to save most of them from dying horribly. but the five that yakou did manage to save latch onto him and he starts getting into a leader role! even if his new coworkers are all rowdy and get into trouble they still respect him as a leader and look up to him.

the detectives keep picking fights with the peacekeepers that yakou has been trying so hard to dodge. and usually the resolution is kind of messed up because the victims die but the detectives prove themselves capable of handling the peacekeepers! they're helping people! for the first time in a while, yakou comes toe to toe with peacekeepers willingly, to help his new friends. he realizes that he is able to stand up against amaterasu corp, with the help of the others.

but by the time he realizes this, the stage has already been set. the letter from yomi turned his grief into anger and a thirst for vengeance. although yomi gave him the information and opportunity, yakou was ultimately the one who chose to murder the man who murdered his wife.

yakou has already rebuilt his life after his wife's death. the detectives at his agency look up to him and he would do anything for them. it would never be the same as the life he had with his wife but yakou had the chance to turn over a new leaf with a new found family who cares about him.

but instead, yakou plans a murder. he needs to die, over and over, in order to access the man he wants to kill and he accepts it. he needs to trick two kids, who look up to him and who he cares for, into becoming his accomplices to the murder and he accepts it. in the wake of forcing his detectives to witness his murder, he needs leave them in a lab filled with peacekeepers who want to kill them and he accepts it.

and it's not that he doesn't care about his detectives. yuma and halara disobeyed his orders and assaulted several peacekeepers, and he was willing to be arrested himself before throwing his employees under the bus. yuma and fubuki were implicated in terrorism and yakou and the others solve the case for them, then prepare to fight an army of peacekeepers to protect yuma.

for his murder plan, yakou only needs desuhiko and fubuki's powers. but he brings halara and vivia along as well because they would be able to protect the two younger detectives and fight their way out of the lab after yakou dies. he enacts his plan on a day that yuma wasn't around because he won't be able to help fight peacekeepers, so it's better to just keep him out of this mess. he covers up his murder-suicide to protect his detective's feelings, but also because they would be implicated as his accomplices if his plan was revealed.

and yakou probably expected that the other detectives would be fine. if they'd left him behind to die, the other detectives probably would have been able to either fight their way out or hide out in the lab a bit longer and figured out a good plan to escape. if yakou had his way, he would have gotten his revenge and his detectives would have gone home grief-stricken, but unharmed and forever unaware of their roles in his death.

but yakou doesn't account for the fact that the other detectives would try to save his life. yuma doesn't run after the hitman and escape the peacekeepers, he stays behind to beg yomi to help yakou. fubuki uses up all her energy to rewind time to try to prevent yakou's death instead of helping the others escape the lab. halara, vivia, and desuhiko not only have to fight off peacekeepers, but they also have to carry yakou to a hiding spot to give first aid. and instead of calmly planning their next move, everyone is desperate to solve the case so there would be any chance of getting yakou to a hospital as quickly as possible.

one major theme of rain code is that despite tragedies that may have happened in the past, people can work together with those they care about to live a better life in the future. and yakou could have had that. his wife's death should have stayed in the past, and he should have continued to mentor the other detectives, solving mysteries together and enjoying each other's companies.

but yakou couldn't let the past stay in the past. he had every chance to not go through with his murder. he has new people he loves, but he manipulates them and puts them in danger in order to get back at the person who killed the last person he loved. his victory was a pyrrhic one. he got his revenge but in return, he destroyed himself and his detectives' trust in him. he enjoyed his revenge momentarily before dying and leaving his new family, who he used their love and trust for him to his advantage, to pick up the pieces.

yakou furio had lost everything in the past. but in trying to pursue it he destroyed everything he had in the present. that's the tragedy of his character to me.

[squeakadeeks]

Your real good at making costumes, 10 outta 10 stuff, ever want to do it professionally or are you in it for the love of the game? Hope your day is well and that your stress demons perish in unknown circumstances

thank you!!! ;-;

and honestly im happy you asked because I have a lot to say on this matter. In 2020, I really wanted to be a professional cosplayer. I had just graduated from my undergrad and was turbo burned out on physics, and thought I had the chops to go pro.

And I had Medium success, but very quickly I learned that holy schmaou making a full income from cosplay was not for me. If nothing else, it was very stressful to jump from contract to contract to maintain a steady income (also like.....Health Insurance).

However what broke that aspiration fully was the mental health aspect. I got exposed to a monumental amount of harassment since you need your work to be seen by people to make money, but not all of those people will be kind. Any post you show to 3 million people is going to get vile commentary regardless of the content. Also cosplay social media is a very image-based game, and relying on my appearance for my income made my anorexia go completely off the rails, on top of other complexes around feeling more like a consumable 2D digital jester than a person. The stress of keeping 120K people's attention perpetually such that they'll keep giving you money to buy groceries was Not Awesome. (Also I couldn't go more than a few months without having an alarming stalker experience.)

Trying to be a professional cosplayer was incredibly hard. And although there are other means in which I could accomplish this (commissions, competing, streaming, etc) I have utterly no interest in it anymore. My perspective on cosplay has totally changed after that experience, going through my icarus moment of attempting cosplay professionalism and getting burned made me go through enough of an Ego Death that I have tried my best to decouple the concept of """success""" from cosplay. Sure, I'm happy and delighted when people like the things I make and I love when companies show interest and faith in my work, but its not like...the be all end all for me anymore. or rather i view success as more "i had fun with this" as opposed to "this got a ton of views and lead to a sponsorship that made money"

so for the most part i do it just for fun and as a way to keep myself from going insane in grad school...that being said im not claiming to be an Enlightened Guru or anything who Cares Not For Worldly Desires Or The Opinions Of Others, because it still makes me happy when people like my work or I get an endorsement, and I still feel sad when a costume ""flops"" so to speak. but its just not....my whole life anymore.

[reel-fear]

Honestly, every single time the whole 'poppy playtime is a bendy rip-off' stuff ever shows up I find it all extremely unconvincing and silly.

For one thing, rip-off usually is meant to imply that it's a cheap lazy copy of a better more polished thing, and uh. Sorry but even from chapter 1? Poppy Playtime is a better game than Bendy, it has a simple but understandable story, the game manages to be thrilling, creepy, and very intense at times... I mean that Huggy chase in the vents ALONE puts it way above Batim for me.

I mean BATDR had the most slow stupid chase I've ever seen [and every other encounter with the ink demon is text telling u he's there and then a timer goes down and u get jumpscared] and batim's chases were either silly or just not nearly as theatric or terrifying as that.

When making the vent sequence I mean not only is it absolutely horrifying to realize how fast Huggy is in there but also it's so theatric and cool? The fact that you round a corner after thinking you escaped only to see a terrifying animation of that thing crawling toward you is awesome! I wish Bendy had stuff like that!

And all the stuff it shares with Bendy are generic things Bendy ripped from other horror games/media anyways. I'm not saying Poppy Playtime isn't inspired by Bendy I for sure think it is but Bendy is such a generic story that somehow fails to do tropes 100 other horror games have done any comparison only makes Poppy Playtime look better.

"It has employees being sacrificed for their company" That is not a concept Bendy invented, literally look at any of the sci-fi horror series Bendy is very inspired by. This is literally a twist in the original Alien.

"It has a scary woman forcing you to do tasks for her" Once again, not a concept Bendy invented, a scary mysterious person forcing you to do fetch-quests is a concept found in tons of horror media. And at least Poppy Playtime gave you a chase with her and let you defeat her, look at poor malice. She's barely on screen for more than 10 minutes before she gets stabbed.

"It has a cult worshipping the monster" This is something tons of horror games and media have done too. I mean In The Tall Grass has a guy who worships a giant magical rock in the middle of a grass maze, Bioshock [which Bendy has only been taking more and more direct inspiration from while failing to grab any of the compelling parts] also had a lot of themes of religion and cult-ish behavior, almost every horror media franchise has at one point done a cult thing.

Bendy couldn't even come up with a reason Sammy worships the ink demon, the best motivation we've ever gotten is just that 'he's crazzyyyy the ink made him insaneeee'. Who is the cheap rip-off here?

At least Poppy Playtime gave their cultist a motive for worshipping the monster + a proper boss fight that feels intense and looks awesome! Bendy didn't even let you kill Malice [she got stabbed in front of you and then just collapsed on the floor how thrilling] meanwhile you get to kill three of the villains in Poppy Playtime and the gameplay and action in those scenes have only gotten better as the game went on.

I mean Sammy walks into a room and goes "AAA SCARY I'M BEING MURDERED" then later shows up and for NO REASON sees a normal human man and assumes it's the ink demon before once again someone else kills him for you. In Poppy Playtime you defeat Catnap as he floods the world with this horrible nightmare-inducing gas that intensifies the color palette and his design. Fight off versions of him that are illusions that you need your flare gun for, then watch in a wonderful animation as he mistakes the monster for his savior before getting killed by it, in a brutal way I might add, which game are we accusing of being cheap, lazy garbage again?

I just find this argument to be people who Really Really need to find a reason to hate Poppy Playtime which I think is silly. The devs being weird, shady people is already enough reason to dislike the game, you don't need to invent reasons why secretly every part of the game is malicious or bad. But esp when I see Bendy fans saying they don't support Poppy Playtime or dislike it bc of its devs or even saying its cringe ummmm.

I have bad news about the fact Bendy's devs are worse and it took not one, but TWO over an hour long videos to cover it all. Plus the Bendy games are just the worse games in every aspect, if I could sell my batim copy for a copy of Poppy Playtime I wouldn't hesitate at all.

Saying this as a bendy fan, we have no right to be super judgy towards Poppy Playtime. If Poppy Playtime is embarrassing cringe, Bendy is too and is way more embarrassing of an interest. We shouldn't spread misinformation just because we all want to hate Poppy Playtime, you can dislike Poppy Playtime without making up a bunch of nonsense to justify it.

Honestly seeing people just blatantly be unfairly mean to Poppy Playtime only makes its critics look worse and makes it hard to take any backlash to the games seriously. Because surprise surprise if you spread misinformation to make a point people will quickly stop listening to Anything you have to say bc they won't trust you're telling the truth anymore.