#and can never take time off EVER anymore while dealing with wildly dangerous lab conditions but I would still take it over trying to be
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Your real good at making costumes, 10 outta 10 stuff, ever want to do it professionally or are you in it for the love of the game? Hope your day is well and that your stress demons perish in unknown circumstances
thank you!!! ;-;
and honestly im happy you asked because I have a lot to say on this matter. In 2020, I really wanted to be a professional cosplayer. I had just graduated from my undergrad and was turbo burned out on physics, and thought I had the chops to go pro.
And I had Medium success, but very quickly I learned that holy schmaou making a full income from cosplay was not for me. If nothing else, it was very stressful to jump from contract to contract to maintain a steady income (also like.....Health Insurance).
However what broke that aspiration fully was the mental health aspect. I got exposed to a monumental amount of harassment since you need your work to be seen by people to make money, but not all of those people will be kind. Any post you show to 3 million people is going to get vile commentary regardless of the content. Also cosplay social media is a very image-based game, and relying on my appearance for my income made my anorexia go completely off the rails, on top of other complexes around feeling more like a consumable 2D digital jester than a person. The stress of keeping 120K people's attention perpetually such that they'll keep giving you money to buy groceries was Not Awesome. (Also I couldn't go more than a few months without having an alarming stalker experience.)
Trying to be a professional cosplayer was incredibly hard. And although there are other means in which I could accomplish this (commissions, competing, streaming, etc) I have utterly no interest in it anymore. My perspective on cosplay has totally changed after that experience, going through my icarus moment of attempting cosplay professionalism and getting burned made me go through enough of an Ego Death that I have tried my best to decouple the concept of """success""" from cosplay. Sure, I'm happy and delighted when people like the things I make and I love when companies show interest and faith in my work, but its not like...the be all end all for me anymore. or rather i view success as more "i had fun with this" as opposed to "this got a ton of views and lead to a sponsorship that made money"
so for the most part i do it just for fun and as a way to keep myself from going insane in grad school...that being said im not claiming to be an Enlightened Guru or anything who Cares Not For Worldly Desires Or The Opinions Of Others, because it still makes me happy when people like my work or I get an endorsement, and I still feel sad when a costume ""flops"" so to speak. but its just not....my whole life anymore.
#i have to work like 60+ hours a week at my current job#and can never take time off EVER anymore while dealing with wildly dangerous lab conditions but I would still take it over trying to be#a professional cosplayer any day#also i have literally so SO much more I can say on this topic but i dont want to write a whole novel in response#if you are interested im happy to elaborate but i wont talk too much about it unprompted
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In Mexico, native healers known as the curanderos used cannabis, or pipiltzintzintli, in their practice to treat a variety of conditions. The shamans believed there was a correlation between medicinal plants and divine spirits, a notion that didn't sit well with the Spanish church. "Towards the end of the 17th Century, the Catholic Church caught wind of this and banned cannabis, spreading rumors that people who used it were in communion with the devil and would go crazy," says Steve DeAngelo, one of the world's leading cannabis activists and founder of California's Harborside Health Center.
As a result of the church's anti-pipiltzintzintli propaganda, Mexico's cannabis consumers were forced underground to hide their affinity for the plant. There, a new lexicon was born. By combining the Catholic-friendly word Mary with the Spanish word for things, huana, one of the first codewords for cannabis came into existence. "Mari-juana," literally "Mary's things" became the secret way of identifying pot. "If you were talking about Mary, no one would suspect something bad," says DeAngelo.
Fast forward to the mid-1960s โ San Francisco's Haight Ashbury, London's UFO Club, New York's Greenwich Village โ areas of great momentum where centuries of conservatism were being provoked by a counterculture revolution. "A high and beautiful wave," Hunter S. Thompson would call it in his 1971 Rolling Stone epic, Fear and Loathing in Las Vegas. Peering westward from Sin City, Thompson reflected on the "high-water markโฆwhere the wave finally broke and rolled back," referring to the honeymoon-phase of the revolution.
But by 1970, Nixon, like the Catholic Church before him, saw cannabis as a threat to his authority. He approved it as a Schedule I drug, a signal to law enforcement that pot was potentially more dangerous than opium, methamphetamine and cocaine. It didn't take long before a new code word came into existence. For decades, "420" was the way to whisper oneโs approval of cannabis without letting the authorities onto your actions, a "Mary's things" of the War on Drugs. Only 420 had the added dimension of referring not just to all things cannabis, but cementing a continually recurring time and date. Perhaps this was the most integral factor to piggybacking an entire legalization movement off a lowly, three-number glyph, affording enthusiasts a specific time to meetup, and potentially organize. But as we stand on the precipice โ with 29 states offering some form of legalized pot, and eight fully legalizing it โ does this national day of organizing really matter anymore?
In 1971, the same autumn that Thompson was mourning the counterculture, somewhere around harvest time, a group of San Rafael High School students, known as "the Waldos" because they liked to congregate outside class against the wall, inherited a map. It allegedly led to a crop of abandoned cannabis plants near the Point Reyes Peninsula Coast Guard station, just up the coast from San Francisco. The friends planned to meet after school at 4:20 p.m. to see if the map was real. For weeks, the Waldos gathered at 4:20 and hopped in a '66 Chevy Impala, smoking joints the whole way out. The Waldos never actually found the hidden treasure, yet the term "420" became embedded in their dialogue, referring to their favorite plant while teachers and parents were conveniently left in the dark.
While the Waldos pioneered the term, their connections with the inner circle of the Grateful Dead catapulted the propagation of 420 into our language. One Waldoโs father helped the Dead with real estate, another Waldo brother was tight with Phil Lesh, and all of the Waldos had all-access passes to the Dead's rehearsals, shows, and after parties, where the term was put to good use during the 1970s and 1980s.
In 1989, a festival called "Hemp Tour" picked up where the Grateful Dead left off. Originally, it started as a book tour supporting hemp activist Jack Herer's seminal work The Emperor Wears No Clothes โ Herer, DeAngelo and some buddies on a 16-date run at midwestern college campuses. The tour consisted of a traveling hemp museum, readings and lectures from Herer's book. Hemp Tour's demonstrations became wildly popular, and students jumped aboard the tour bus to join the movement, forming the Cannabis Action Network. When the initial tour came to an end, says DโAngelo, they decided to continue their journey on the road, following the Dead to hundreds of shows a year.
"420 jumped from this close knit Bay Area Grateful Dead family to Hemp Tour, and Hemp Tour immediately went to work spreading the idea that there was a holiday to be celebrated, making patches and posters referencing 420 to sell at Dead shows," DeAngelo recalls. "That's what really publicized this thing all across the country and then, all across the world."
"April 20th is the most significant day in the weed world, celebrating and bringing together people from all walks of life that have one common philosophy: the burning of the herb and upliftment of the mind," says Ganja Labs CEO Balram Vaswani, who's producing Jamaica's first legal harvest under the country's new medical marijuana law. Much like the curanderos of the Seventeenth century, cannabis is being used across the world, once again, to mitigate symptoms of disease, pain, and illness while reconnecting users to the divine. And, according to advocates, it's still important to celebrate.
"420 is positive, because it's raised a lot of conversations and discussions about the plant," says Damian Marley, who recently announced a plan to convert a former 77,000-square-foot California prison into a licensed medical marijuana grow facility. "If anything, it's probably more relevant today than ever โ because of legalization."
For many proponents of 420, legalization means much more than decriminalization, expungement, and nascent, restrictive medical marijuana programs. Activists believe cannabis legalization endgame comes in the form of uninhibited, unfettered access to the plant, affording people the opportunity to benefit without interference โ a reason why "home-grow" allowances have entered the debate across so many states.
"I could see April 20th becoming an official holiday worldwide as marijuana continues to decriminalize and legalize around the world," says Vaswani. Snoop Dogg, legendary rapper and cannabis trailblazer, agrees that 420 should stick around. "This magical plant positively impacts all sorts of industries โ health, tech, business, sports. 420 is one of my favorite days because the whole world comes together for a smoke in celebration of it," he says. "Puff, puff pass."
We're on our way. 420 festivals are occurring across the globe in places like England, Brazil, Canada, Australia, Netherlands, Puerto Rico, Scotland, Germany, India, and New Zealand. Diverse groups of people gather to celebrate the plant, educate one another and peacefully protest. But this burgeoning global popularity of 420 is simply a shoal from which the next wave of revolution is forming. ย
"When you look at the number of people who can benefit from the medical use of cannabis and the number of people who are actually benefiting from it, there's a gap of millions upon millions of people who are suffering needlessly," says DeAngelo. "There's a great deal of activist work that still needs to be done."
Prohibition is restrictive and divisive. 420 events bring everyone together, imbuing a sense of empowerment. When everyone stands together with a common goal, the collective conscious swells to create change. "Even if our activist work were complete, 420 morphs from a statement of conscience to a celebration of acceptance, a celebration of victory, a celebration of our amazing connection with this plant," says DeAngelo. "I don't think that ever stops. I think it will always be worthy of celebration."
#cannabis#news#420#rolling stone magazine#waldos#hunter thompson#cannabis culture#history#grateful dead
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