#also william going by steve in this universe is so funny to me. man picks the most basic fake names.

[alfairy]

Man imagine being Mike in the movie. You just wanna get through the week and get paid so you can support your little sister. The animatronics are their own problem already, but whatever, you can deal with them.

And then this… guy? Just shows up at some point unprompted and starts chasing you around the restaurant in a bunny suit while trying to stab you. And then he takes off his mask and you go “…is that steve, my fucking career counselor???”

[ikleesfiction]

Miss Americana

Fandom : Crossover Hawaii Five-0 x Chicago PD TV Word count : 5,610 words Pairing : Steve McGarrett x Danny Williams; Jay Halstead x reader

Summary :  You met Williams-McGarrett family in Los Angeles and they introduced you to Brazilian Jiu-Jitsu. Your boyfriend, Jay Halstead, doesn't know anything about this. Yet.

Author's note :

This is the fourth one shot of "Will you follow through if I fall for you" fic continuation. It would be better if you read it first. But if you don't, here's the quick summary.

This happened after I listened to a few podcasts (1  🞂  2  🞂 3) of Scott Caan and Alex O'Loughlin, passionately talking about Brazilian Jiu Jitsu. 

This fic does not comply to the canon of Hawaii Five-0 or Chicago PD. So if you don't follow one of the other, it should not be a hindrance, I think. Here's hoping that I'm right.

Disclaimer

◢◤

"Would you like another cup of coffee?

You look up from the book in your hand to the waiter addressing you.

"Oh, I would love to. But it's already my fourth cup of the day," You grimace at him. "Maybe I'll take a bottle of water, please? Cold, if you have one."

The waiter grins at you, "Sure thing," then leave with your empty cup of coffee.

You are supposed to meet your friend, Tim, at his house on The Bird Streets to work on a song. However, he got a sudden appointment and asked you to wait for his call to reschedule. So here you are, sitting at a Cafe/Bistro somewhere in Los Angeles, drinking too much coffee.

You check your watch and your phone. It's almost lunchtime, but your phone is still showing nothing. Alright then, you thought to yourself, back to the book. Your eyes immediately find the last paragraph you read on Astrophysics for People in a Hurry.

Five pages later, the waiter puts a bottle of water on your table, "Here it is. You sure you don't want another cup of coffee?" He jokes with you.

You laugh in response, "No, really, thank you."

The waiter leaves with a smile and turns to the table across from yours. That's when you notice somebody's sitting there.

"Good afternoon. Only for two?" The waiter lays two menu cards on the table.

"Four. My husband and daughter are parking the car." The man answers him with a smile. He has a little boy sitting next to him. His son, you guess, since both of them have blond hair. Their noses look similar too.

"Danno, can I have ice cream for lunch?" The boy begs his father, pointing at one of the delightful pictures on the card.

"Hmm, maybe." The father hums his reply. He exchanges a knowing glance with the waiter.

"Do you want anything to drink while you're waiting?"

"Soda!" The boy yells from his chair, who laughs at his father's glare.

"How about two glasses of orange juice?" The father checks to his son before confirming it with the waitress.

"Okay, be right back with your drinks."

After the waiter leaves, the boy begins to prattle about everything to his father. About giraffes at the zoo ("They are so tall like Dad!"), about his favorite ice cream flavors ("Cookie Dough. But I like Kame's shave ice better, Danno"), about swimming at Venice Beach ("There's a lot of people there, Danno. I like our beach more")

The boy doesn't even look like he needs to breathe. You can't help but let out a chuckle. His father looks up at you and shares a grin. "That's great, Charlie," He comments to his son.

You let their conversation become a white noise while you read your book.

At your periphery, you see someone passes by. However, you don't expect a hand to suddenly sneak your phone from the table. Your hand instantly grabs that wrist, trying to stop it from stealing your phone. But the thief forcefully pulls his hand out of your reach and moves away.

Unfortunately for the thief, he runs straight to the father at your neighboring table. The man has no problem flipping the thief over and pushes him to their table. When the thief squirms away from his clutch, the man lifts the thief's elbow high up and turns it behind his back in a very painful lock. The unpleasant sound coming out of the thief's mouth proves how excruciating it is.

The man's eyes wander. Many shocked faces are staring at him, including yours. "It's okay, I'm a cop," He explains.

In contrast to the crowd, the boy looks at his father in awe, gleefully clapping his hands.

"Charlie, why are you clapping? You're not supposed to clap at this. Oh my god, you are just like your father! Happy to see any aggression," The man rants as he takes out a cable tie from his trousers' pocket. You don't even know why he got cable ties in his pocket. He efficiently ties the perp's hands behind his back and forces him to sit.

Only then, the man addresses the crowd again, "Has anyone called 9-1-1?"

"I did. The police are on the way," One of the cafe's staff squeaks from the door, with a phone still in her hand.

"Excellent! Did you hear that? Your ride would be here soon," The man tightly squeezes the thief's shoulders. The thief could only reply with an agonized grunt.

Everybody else resumes their activities with a sporadic look to their table.

The boy picks up the stolen phone from the floor. It fell near his foot during the short scuffle. "Danno," He hands your phone over to his father.

"Ah, thanks, Charlie," The man ruffles the kid's hair and kisses the top of his head.

"I believe this is yours?" The man returns the phone to you. "Hope it's still working?" He cringes at the spiderweb marks on the phone screen.

"Thanks. Probably not. But it's alright." You smile at the man and offer to shake his hand, "Y/N Y/LN, thanks again for helping me,"

The man takes your hand, "Hey, no big deal. Danny Williams. And this is my son, Charlie," Danny brings Charlie in front of him. You extend your hand to Charlie as well.

All of a sudden, you hear voices yelling from behind you. "Danno! Charlie!"

You look back to see a tall, dark, imposing man and a beautiful teenage girl rushing in your direction. Charlie shouts back at them, "Daddy! Gracie!"

So you guess they must be Danny's husband and daughter.

This new man drops down to Charlie's level and checks on him, trying to see if he's injured. "Are you okay? Charlie?"

"Dad! Dad! Danno was soooo cool! He pushing and then flipping and then that man went aaargh!" Charlie re-tells the scene to his father, holding his elbow behind his back to show him.

Couldn't really understand his son's story, the man asks his husband to elaborate, "Danny, what's happening here? Why are you arresting this man?"

"I'm not arresting anybody, Steve. We don't have jurisdiction to make an arrest, you know? Since we are in LA, not Hawaii? I'm just holding this man until LAPD shows up," Danny clarifies to his husband, Steve.

"But why?" Steve is still confused.

"This guy here, what's your name?" Danny barks at the thief. But his mouth stays glued. "Really? Would you prefer my ex-SEAL here asking you the question?" Danny gestures in Steve's direction.

Steve stands tall. His hands are folded in front of his chest. His biceps bulge in his tight t-shirt. The thief's face turns green, looking fearful. Steve's scowl was probably not helping either.

"Danny?? What's going on here?" Steve begins to lose his patience.

"What?? It's no big deal, babe!" Danny yells back at Steve. "This guy here tried to nick this woman's phone. I'm just helping her," Danny motions in your direction.

"Y/N, here's my husband, Steve McGarrett, and our daughter, Grace," Danny continues to introduce you to his family. You shake their hands and exchanging simple pleasantries.

"As I said, I just helped Y/N to get her phone back. Now we are waiting for LAPD," Danny ends his explanation.

Shortly a police car comes, and two officers quickly take their statements. Initially, the police officers are bemused to find the thief already sat with his hands tied behind his back. After Danny explains that he is a Detective from Honolulu PD and how he prevented the attempted theft, the police officers understand the situation. They ask if you'd like to press charges on Tom Norris, that's the thief's name according to his ID. Considering you're not hurt, you decline on pressing charges. The police are gone with the thief sooner than you expected.

"Can I treat you lunch for your trouble? Shoot! A super late lunch?" You corrected after checking your watch.

"Hey, don't worry, it's no trouble at all," Danny says to you with a big smile.

"No, no, seriously. You guys were on holiday, I guess. But still bothered to help me. Lunch is the least I can do."

Before long, they arrange to get a table for five and talk a lot during the meal.

◢◤

"So you guys are from Hawaii? That's nice!" You tell the family.

"See, Danno? That's what you're supposed to say about Hawaii. You're the only one who describes Hawaii as a pineapple-infested hell hole," laments Steve to his husband.

"I'm just telling the truth, babe. How about you, Y/N? Where are you from?" Danny tries to find out.

"Originally from The Netherlands, Amsterdam. But I moved to Chicago last year," You reply.

"Now that, Steve, is a city that would appreciate seasonal changes," Danny nods his approval of Chicago.

"Only you, Danno, who whines about constant sunshine." Steve grumbles.

Grace and Charlie don't react much to their parents' bickering. Too used to their silliness. But you still find it quite funny.

"So you guys are here for vacation?" You ask the family.

"Kind of. We are on holiday. Also, we are visiting the colleges here for Grace, who will graduate high school next year," Steve throws his right arm around Grace's shoulder.

"Yes, we are on an excursion to prove to Grace that LA universities are not better than the University of Hawaii," Danny quips from Steve's left.

Grace whines at his father, "Danno..."

"Danny here doesn't want his children to be far away from him," Steve enlightens you. "But I think going to school in LA would be better than The Netherlands. Wouldn't it, babe?" Steve winks at Grace.

"Do not joke about that, Steven!" Danny elbows his husband hard.

Grace looks thoughtful for a moment, "Y/N, did you go to college in the Netherlands? What do you think my chance to study there?"

"Gracie, can I come with you to This Otherlands?" Charlie innocently chirps to his sister.

Steve is laughing so loud, even after Danny punches his arm.

"What about you, Y/N? What are you doing in LA? Are you on vacation too?" Danny questions you after the laughter receded.

"I'm here for work. Most of the time, I'd do it remotely from Chicago. But sometimes I have to make the trip here or to Amsterdam," You tell them.

"What do you do?"

"I'm a music producer," You give a simple answer.

"What instruments do you play?" Steve is curious. "Guitar?"

"Mostly piano and synthesizer. I do play guitar, but I'm just an okay guitar player. I wish I could play better,"

"Dad plays guitar too!" Charlie happily declares as he points at Steve.

You cheer at Charlie's enthusiasm, "Does he? That's great!"

"Yeah, he plays very well. Maybe Dad can teach you to play better," Charlie directs you.

"Oh, yes, that would be awesome," You wholeheartedly agree with Charlie, as the rest of the table laughing at the idea of Steve teaches music.

◢◤

"Danny, I was wondering if you could explain something to me," You turn to the man.

"Shoot," Danny nods as he puts down his juice glass.

"The arm lock that you did to the thief. Where did you learn that? Did Steve teach you that?" You ask him, genuinely want to know.

"Well, even though Steve here was the Navy SEAL," Danny glares at his husband, who replies with a smirk, "I have been working as a cop for more than 20 years now. I know some moves too,"

"But that's not a cop's move," You contradict him.

"How do you know any cop's moves?" Danny confronts you back.

"My boyfriend is a cop in Chicago," You give Danny a sheepish smile.

"Ah, I see. Did your boyfriend teach you self-defense?"

"He did. I'm nowhere near good as Jay. But it's a start," You answer Danny.

"Of course. If he's not good at it, then he's not a good cop," Danny comments without sounding too arrogant.

"Jay also taught me about guns. Personally, I don't like it, but he needs me to know about it, especially gun safety. So..." You shrug.

Danny nods his understanding, "Yeah. Be glad that he doesn't bring home grenades or other explosives," Danny gives Steve a stink eye. "Unlike some Super!SEAL here,"

Steve is immune to that look. It doesn't seem to affect him anymore.

You smile at their interaction, "Jay was an Army Ranger. After he came back, he went to Police Academy,"

"Really?" Steve looks interested.

"Oh, here we go," Danny sighs at his husband.

Steve grins but decides not to comment on it any further. He goes praising Danny instead.

"But Danny is being too modest here. He is a great fighter. Sometimes he's even better than me. Which lots of people find it surprising, considering I was a SEAL,"

"and don't you forget it, babe," Danny smirks at Steve, who returns it with a chaste kiss.

You sigh internally. Looking at the lovely couple made you miss your boyfriend, Jay.

"In all seriousness," Danny begins, "I practiced Jiu-Jitsu since high school. That's where the moves come from," He pauses to sip on his drink.

"I got my Blue Belt when I entered The Police Academy. For me, I think, I learned how to fight better in Jiu-Jitsu than what they taught us there," Danny continues.

"Do you also teach it to Grace and Charlie?" You ask the parents.

"Yeah. Danny taught them both as early as possible. Grace already got her Yellow Belt when we first met. Now she is working for her Purple Belt," Steve brags. Danny also looks so proud. Grace, though, tries so hard not to roll her eyes at her parents.

"Me too! I will get my Yellow Belt soon! Right, Danno?" Charlie exclaims.

"Of course you are kiddo. After that, you surely can beat your Dad here," Danny ruffles Charlie's hair. Steve offers his palm for a high five, but Charlie punches it instead. He giggles when Steve is faking to be hurt by Charlie's tiny fist.

"Do you think I could learn it too?" You inquire to Danny.

Danny and Steve look at each other. You're waiting for their answer, hoping that they will agree.

Before they decide anything, Grace interrupts, "We can go check out the place that Sensei Egan told us, Danno."

"Yeah, that's a great idea," Steve agrees to his daughter's suggestion. "We can check that dojo for Grace, meeting the instructor. Maybe could show some moves too for y/n,"

"Okay then. Grace, share the dojo address with y/n. We can meet you there tomorrow morning, what do you say, y/n?" Danny asks you.

You're supposed to fly back to Chicago next afternoon, but what the hell, you are very interested in this offer. "Yes, sure. If you don't mind me crashing your holiday plan again?"

"No, not at all. We need to check out that place anyway." Steve waves off your worry.

Grace passes her phone to you. "You can puy your number there. I will forward you the address,"

You tap your number to Grace's phone before groaning when you remember that your phone is dead. "Could you e-mail me instead? I don't think I could replace my phone soon,"

Danny doesn't even try to hold his laugh at your poor luck.

◢◤

The next day, you take an Uber to the gym. No, it's The Dojo. You correct yourself. When you step in, Charlie is shouting at you from across the room. "Y/N!" Standing next to his sister, Charlie crazily waves at you, worried that you could not see him.

You remove your shoes, placed them accordingly at the remarked spot. Walking towards Charlie and Grace, you see the Williams-McGarrett clan wear similar outfits with other people in The Dojo. The only differences between them are their belts. Danny wears a Black Belt with a red stripe, while Steve wears a Brown Belt. Grace has Blue Belt, and Charlie has a White one. Knowing that you will do some workout, you wear a black t-shirt and training pants. Definitely a contrast in a room full of jiu-jitsu outfits.

Danny and Steve are talking to a guy on the other side of the room. This guy has a Black Belt with more stripes than Danny's, indicating that he is the instructor here.

"Hey, guys. Good morning," You greet Grace and Charlie. They reply with a big smile.

"Just out of interest, do you guys always bring your uniform on your holiday?" You gesture to Grace's clothes.

Grace laughs at your question, "It is called Gi. Yes, we are always bringing them along on holiday," She laughs again at your shocked face. "No, I'm joking. It's because we know we will visit this dojo, so we have our Gi with us,"

Soon Danny and Steve come over to your side. "Hi, y/n. So I talked to Sensei Marcus there," Danny gestures to the guy he spoke to. "We are going to follow their training for today. You can watch from the side if you're not sure you want to do it. The first hour would be the class for Kids and Teens,"

You see Grace and Charlie lining up in the center of the room with other children. They seem to be divided by belts instead of age.

"The next hour would be the adult class," Danny pauses for a moment. "If you want my suggestion, I encourage you to join the Teens class. I hope you don't feel insulted by that."

You chuckle at his words, "Not at all. I understand,"

"If it's too much, don't hesitate to stop and move aside. Everyone will understand," Steve adds.

You exhale softly, readying yourself, "Okay," before joining the line.

The first fifteen minutes, they start with stretching. So far, you have no problems with it. You practice Yoga for the last few years. You know how to stretch.

The next one, they teach you how to fall correctly. Which turns out to be a hard thing to do. At first, an instructor's assistant helps you. After a few moments, she moves away to help others. But you're still not doing it right. So Danny pulls you aside and teaches you privately for the rest of the hour.

You fall so many times until it tired you out. You cannot even get up from the mat. Your shoulders would have been bruised with so many times you landed incorrectly.

"Still interested to learn this?" Danny grabs your hand to help you get up.

Even though the lesson exhausts you, you feel great. You learn a lot, even from doing the same thing over and over again. "Hell yeah!" You grin at Danny.

"Crazy woman!" Danny pats your shoulders. Right where it hurts the most. You can't help but flinch away.

"Hurt, wasn't it? Why don't you go sit down on the outside of the mat with Charlie?"

Charlie sits on one side of the mat, a bottle of water in his hand. He is watching Grace, who has her hands on Steve's Gi, trying to throw Steve down.

Danny silently pays attention to his husband and daughter on the mat. But you can see his hands slightly move as if he's the one sparring.

Shortly, Grace has a chance to push Steve. Steve lost his balance for a moment before countering her attack. Grace would've fallen down hard if Steve didn't hanging to Grace's Gi so tight to slow her fall.

"That's great, Grace," Steve says to his daughter as he helps her up. They bow to each other to end the spar. Danny is clapping from outside the mat, "Good job, Monkey,"

Of course, you and Charlie follow Danny's example to cheer for Grace.

You still sit on the side of the mat, now also accompanied by Grace. You watch the next class practice, where Danny and Steve spar with other students for about an hour.

After the class is done, Steve taps on Danny's shoulder, "Danny, could you help me with this move?" He nods in the direction of the mat.

Danny responds with rolling eyes at his husband's antics.

Grace runs commentary in the background, "Dad didn't actually need help from Danno. However, you're not allowed to ask a higher belt to spar with. It's a sign of disrespect. But Dad and Danno often work differently between each other,"

You see Danny and Steve taking place at a ready position. It takes time before anybody falls, or one locks each other. They move fluidly. When one throws the other, they quickly bring them down along then keep them in a lock. The locks are soon countered, and they back up again. The great thing is they look like they enjoy sparring with each other. They share a laugh whenever someone throws the other or someone holds the other in a lock. You find that very interesting.

The sparring ends when Danny makes a grappling move that Steve cannot counter, so he has to tap out.

After the sparring, Steve sits back with you and his kids while Danny goes over to Sensei Marcus. Steve asks your opinion about Jiu-Jitsu, whether you're still interested to learn it.

"Very much, yeah. The first thing I will do once I'm back in Chicago is to find a Dojo," You excitedly tell Steve.

"Well, lucky for you, Sensei Marcus here knows a lot of Jiu-Jitsu instructors," All of a sudden, Danny joins your conversation. Sensei Marcus stands beside him.

"Sure, if you want to keep learning Jiu-Jitsu, I will give you some references of my fellows in Chicago," Marcus informs you.

"That would be awesome!"

Marcus shakes your hand, "Good luck!" and moves to shake hands with the rest of the Williams-McGarrett family. "Thanks for visiting our dojo. Please come again whenever you're in LA,"

They all look tired, but their smiles beam as bright as Hawaiian sunshine.

◢◤

Two weeks later, in Chicago,

You see your boyfriend's truck parked in front of your house as you walk home from the bus stop. You walk much slower than you used to. Your body is hurting all over the place, but you feel elated.

The day after you came home from Los Angeles, Jay was caught in a hard case. He had to fly out to New York and liaised with NYPD SVU to solve it.

You missed him a lot, for sure. Jay called you whenever he could for these past two weeks. Texted you every day too. But you have not got the chance to tell Jay about your new interest in Jiu-Jitsu.

After your last trip to LA, you promptly checked out the Dojo that Sensei Marcus referred to you. You were thrilled to find out that it's only fifteen minutes bus ride from your house.

You met with one of the instructors there and asked for a private class. Because that's what Danny advised you to do. "After you have a better understanding of the lessons, then I want you to go train with other people at the dojo. But for the first five or six months, you might've been better with one-on-one lessons,"

The instructor, Professor Louisa, is delighted to provide. You work on a schedule three to four times a week. The professor initially suggested only two meets in a week. But considering your occasional trip abroad for work, you prefer to do more lessons when you're in town.

This is the third week you've been learning jiu-jitsu in Chicago. Scraps and bruises are inevitable. Jay would freak out if he saw them before you could explain to him.

Jay's flight back from New York landed about two hours ago. He must've been coming directly to your place from the O'Hare. The house smells amazing when you enter the room. Following your nose leads you to the kitchen. You find your boyfriend pulling out what seems to be garlic bread from the oven, "Hey, babe. You're back!"

"Hey, you! Perfect timing!" Jay secures the tray aside before stepping closer to you. He puts one hand on your waist, the other one on your back. Moving even closer to kiss you.

His passion makes you forget your bruises for a moment. When Jay pushes you playfully, your shoulder hits the nearest wall. You instantly cry out in pain. "Argh!"

"What's wrong?" Jay stops everything he's doing to you right away.

"Nothing, I just got some bruises," You rub the pain from your shoulder.

"How come?" Jay begins to take off your t-shirt to check on the bruises, but you move away from his grasp.

"Hold on. Let me take a shower. I must've been rank from sweat. Then I'll tell you everything," You kiss Jay one more time before going to the bedroom.

As you eat the pasta primavera that Jay made, you ask him about his case in New York, "How was it?"

"It's done. We did what we have to do,"

Not interested in talking about his case, Jay interrogates you instead, "So, where did you get the bruise? I swear, I only left the city for two weeks, and you're already in trouble," Jay shakes his head.

"I'm not! I just joined this gym. Dojo, I meant. I'm taking Jiu-Jitsu lessons!" You cheerfully tell Jay.

"You what?" Jay pauses from drinking his wine.

So you told Jay the whole story. About how someone tried to snatch your phone when you're in LA. How you met the Williams-McGarrett family from Hawaii. How they got you into jiu-jitsu.

"It's so fun, Jay. Yeah, sure, I got bruises and scraps. But whenever I got stuck with my work, I go have a practice at the dojo, and then I come home feeling energized," You confess to your boyfriend.

"Really?" Jay looks at you, disbelieving.

"Uhuh," You nod as you swallow your spaghetti. "You know what, you should come and see the dojo. It might interest you too,"

"I know about martial arts, babe. I taught you how to punch, remember?" Jay reminds you.

"Yes, you did," You say in giggles, "Professor Louisa said she won't teach me how to punch,"

"Of course, Jiu-jitsu has a different approach than other martial art, say karate. Or boxing," Jay puts down his fork on the empty plate. "You sure you enjoy it?"

You hold Jay's hand and look into his eyes, "I am. This is something I want to do seriously, Jay. I admit part of it comes from you and your job. Like you always said, I need to be able to defend myself. Because you think I could get drag into your case one day,"

Jay puts his other hand on top of yours, looking somehow regretful, "Babe..."

"No, no. But I also do this for myself. Even though my body hurts, I feel great about myself. I feel more confident. It's really inspiring,"

Jay brings your hand to his lips, "Okay then, as long as you're happy with it. But I'm still going to take you to the gun range,"

You roll your eyes in response, "Of course, you will,"

◢◤

A week later, Jay walks up to The Dojo on the second floor. Someone greets him at the entrance, "Hey, man. Can I help you?"

"I suppose to pick up my girlfriend. She is training with..." Jay tries to remember the instructor's name. "Louisa?"

"Ah, yes, Professor Louisa. You must be y/n's boyfriend. I'm Professor Andy, the head of this dojo," The man offers his hand.

"Jay Halstead," Jay shakes Andy's hand.

"I think she will finish in ten minutes. You wanna see her practice?"

"Sure. If it would not be disturbing?" Jay hesitates.

"Not at all. Y/n is the only one in there right now," Andy directs Jay inside the dojo. He asks Jay to remove his shoes before stepping into the room.

Jay watches his girlfriend silently. He winces a couple times when you fall down. But he is amazed to see you immediately stand up again.

"She's resilient, your woman is,"

Jay chuckles at Andy's remark, "Yes, she is,"

Shortly after you bow to your instructor, you see Jay standing on the side with Professor Andy.

You walk towards them with a smile, "I see you met my boyfriend, Prof,"

"I did, yeah," Andy nods. "I don't think Jay would be interested in jiu-jitsu, though," He comments.

"Correction, I'm not interested to see you got thrown down repeatedly," Jay points out.

"Hey!" You hit Jay's arms as both Professors laugh at you.

"But that's how we are supposed to learn. If you don't know how to fall, you won't get back up again," Louisa says serenely.

Andy hums his agreement before ushering you out. "Alright, get out of here, you lovebird,"

When you're in the locker room, changing your Gi, Jay approaches Andy again. But before Jay could say anything, Andy hands a leaflet to him.

"Y/N told me you're a police officer. You might be interested in these classes,"

Jay takes it with a laugh, "Thanks, man. I'll check it out," He puts the leaflet on his jacket pocket and pulls out his card.

"If anything happens when Y/N is here. Or if you need anything I can help with, please give me a call," Jay sounds solemn.

Andy takes the card, "Don't worry, man. We take good care of our students here,"

"I know," Jay nods.

Soon you come out with a gym bag on your shoulder. "See you next week, Prof!"

Andy waves to the couple, "Bye, y/n. See you again, Jay!"

◢◤

Two years later,

You step out of the record store in Pilsen empty-handed, failing to find the vinyl you're looking for. You start walking west to the bus stop when you hear a commotion ahead.

You see a guy pushing people out of his way. He keeps looking behind his back like he's running from something.

"Police! Get out of the way!" You hear other voices shouting.

So this guy seems to be running from the police, you thought to yourself.

The man tries to shove you aside, but your reflex is much better. Your hands instantly grab the front of his shirt. When he tries to push you away, your right foot finds his inner left calf and sweeps him down.

When he tries to move away from your grasp, you lean down and grip his right wrist tightly with your right hand. You put your right elbow beside his right ear while your left elbow is placed underneath his elbow. Your left-hand moves to hold your right wrist from below his right hand. His arm is essentially locked when your left bicep snugs against his right tricep. You raise your elbow slightly from the surface. The more he wiggles his way out, the higher you raise his elbow from the surface, the more painful the lock is.

You hear an impressed whistle from above. When you look up, you find Jay and Hailey standing in front of you. Jay gets a huge grin on his face while Hailey is sporting a shocked look.

"Nice takedown, babe," Jay compliments you.

"Thanks. You might wanna take over from here, though," You say to your boyfriend as you hear few more steps rushing towards you.

You loosen the lock after you are sure Jay gets his hand on the perp. He grabs the suspect up from the floor and pushes him towards the wall.

You find a hand extends in front of your face, offering to help you stand up. You look up to see it was Hailey. You take her hand with a soft thanks.

Once you're back on your feet, you look around to see the other members of the Intelligence Unit staring at you. Adam, Kim, and Kevin are mirroring Hailey's initial look of surprise. Jay's boss, Hank Voight, looks impassive as always. But you catch an amused twitch at one corner of his lips.

"Man, at least give me time to feel my hand again! That bitch could break my arm, you know!" you hear the perp complaining when Jay prepares to cuff him.

Without saying anything in response, Jay folds the perp's wrist inside. The perp yells even louder because of the wristlock.

Kevin moves to take the man away from Jay before any further damage could happen. He ushers the perp right away to a nearby cop car.

Jay turns to check on his girlfriend, "You okay?"

"Yeah, I'm good." You nod back at him.

"I didn't know you could do that, Y/N," Hailey tells you. "You never tell me that your girlfriend practiced any martial arts," She continues to slap Jay's shoulder.

You answer with a sheepish smile, "It's kinda new,"

"Blue Belt in Jiu-Jitsu is not "kinda new" babe," Jay elbows you playfully.

The team boss pats your shoulder once before walking back to his car, "Good job, Y/LN,"

Kim, who's partnered up with Voight today, quickly follows. But not before inviting you for drinks, "You have to tell me all about this over drinks!"

"See? Even Voight agrees. We'll make a cop-out of you soon, Y/N," Adam offers his fistbump to you.

You meet his with your fistbump but shake your head, laughing, "Not in a million years, Ruzek,"

He only replies with his laugh and walks towards Kevin and the perp.

Jay puts his arm around your shoulders with a huge smile, "C'mon, Kev and Ruz can take care of the perp for a while. Hailey and I will drop you home."

[gomoviesweb01-blog]

My Most Anticipated Movies of 2011

As we kick off a new year in cinema, I thought I'd take time to look ahead at the films we'll be hit with over the course of the year. In this article, I'll be going over what my 15 most anticipated movies are for the year. Now it should be noted, these aren't the movies that I feel will be the best of 2011 necessarily. Rather, they're the ones that, as of the time of this writing, I am anticipating the most. So without further ado, here are my most anticipated movies of 2011.

1. Sucker Punch

Director: Zack Snyder

Writer: Zack Snyder and Steve Shibuya

Stars: Emily Browning, Vanessa Hudgens and Abbie Cornish

Release Date: March 25, 2011

Genre: Action Fantasy Thriller

What is it: A young girl is institutionalized by her wicked stepfather. Retreating to an alternative reality as a coping strategy, she envisions a plan which will help her escape from the facility.

Why it should be good: Really hot and badass chicks wearing schoolgirl outfits and other skimpy clothes, with swords and guns, coupled with Snyder's awesome visual flair? Yea, definitely count me in. The trailer for this thing just looks completely awesome. From the style to the action, even the story (while seeming a bit out there) seems cool. I'm beginning to thoroughly enjoy Snyder's work. If The Adjustment Bureau could be this year's new Inception due to its mindfuck story, then Sucker Punch could absolutely be this year's Inception meets The Dark Knight meets 300 meets Inglorious Basterds due to it's style and epic adventure, yet dark tone with alternate realities. This movie just oozes style and badass-ness and I really can't wait for what is sure to be an absolutely entertaining, epic adventure.

Why it could suck: Snyder can be a bit off his mark sometimes. While Watchmen was enjoyable, it did get a bit boring. And Legend of the Guardians is said to suffer from some pacing issues as well and has drawn mixed reviews from critics. Though to be fair to Snyder, he wrote neither of those movies, but is responsible for the writing (or at least screenplay) of the badass 300.

2. Sherlock Holmes 2

Director: Guy Ritchie

Writer: Kieran and Michele Mulroney

Stars: Robert Downey Jr, Jude Law, Noomi Rapace and Stephen Fry

Release Date: December 16, 2011

Genre: Action Mystery

What is it: Sherlock Holmes and his sidekick Dr. Watson join forces to outwit and bring down their fiercest adversary, Professor Moriarty.

Why it should be good: I'm a big Sherlock Holmes fan. The Doyle stories still stand as my favorite books today. I love Sherlock. He's such a badass. And finally, a movie seems to have captured that pretty well. The first was one of the better portrayals of Sherlock I had seen. Rather than being portrayed as a snooty, 'proper' and sophisticated Englishman, he was shown with all the rough edges that Doyle wrote him with. While the movie was indeed Hollywood-ized beyond anything you'd find in the books, it was a fun adventure and quite an enjoyable movie. Guy Ritchie is a very good filmmaker as well. For these reasons, and my love for Sherlock, I'm very much eager to see how Part 2 turns out, especially as they go head-to-head with Moriarty. Also, I'm eager to see how well Noomi Rapace (The Girl With the Dragon Tattoo,etc) does in her Hollywood debut.

Why it could suck: New writers. The original writers from the first aren't coming back instead Kieran and Michele Mulroney are taking over the job. So let's see how they handle it. Relatively new to writing, the two previously wrote Paper Man which didn't fair so well with critics.

3. Paranormal Activity 3

Director: Tod Williams

Writer: Christopher B. Landon and Michael R. Perry; characters by Oren Peli

Stars: Katie Featherston

Release Date: October 21, 2011

Genre: Horror

What is it: Well, we have no idea what this one is going to be about as nothing has been given. However, the first movie followed a couple that were being haunted by an evil spirit who possessed Katie. The sequel (which was more of a prequel) followed Katie's sister's family as that same spirit haunts them and their baby. This all culminates to the two stories converging at the end of Part 2 where it gets to the point where Part 1 ends and we see what happens after the whole event. Undoubtedly, Part 3 is set to pick up where Part 2 and 1 left off. What happens from there? Your guess is as good as mine.

Why it should be good: The first Paranormal Activity became something of a cult phenomenon/sensation. Hailed as the scariest movie of the year, people flocked to the film making it a huge success. And rightly so in my book. It was a minimalistic horror movie that took it back to the roots of the genre by using tension and suspense to really instill fear and terror in the minds of the audience. Part 2, while some people seemed to not like it as much as the first, did more of the same. I actually thought Part 2 was pretty much right on par with the first. And the ingenious storytelling that created a parallel prequel to the first was definitely cool. The creator and writers of this franchise have really shown that the horror genre can be revived and doesn't have to be all about gore and such. They've done a good job with instilling that fear in the audience as well, tapping into that fear, leaving the audience's imagination to run wild while being completely captivated. I expect no less from the third.

Why it could suck: If you feel the second was worse than the first, then you may be in for some disappoint when you find out the same writers and director of the sequel are back. However, like with Part 2, Oren Peli (the creator of the franchise) is still very much involved and is serving as producer on this film.

4. Paul

Director: Greg Mottola

Writer: Nick Frost and Simon Pegg

Stars: Nick Frost, Simon Pegg and Seth Rogen

Release Date: March 18, 2011

Genre: Sci-fi Comedy

What is it: Simon Pegg and Nick Frost (Hot Fuzz, Shaun of the Dead) reunite for the comedy adventure Paul as two sci-fi geeks whose pilgrimage takes them to America's UFO heartland. While there, they accidentally meet an alien who brings them on an insane road trip that alters their universe forever. For the past 60 years, an alien named Paul (voiced by Seth Rogen) has been hanging out at a top-secret military base. For reasons unknown, the space-traveling smart ass decides to escape the compound and hop on the first vehicle out of town-a rented RV containing Earthlings Graeme Willy (Pegg) and Clive Gollings (Frost). Chased by federal agents and the fanatical father of a young woman that they accidentally kidnap, Graeme and Clive hatch a fumbling escape plan to return Paul to his mother ship. And as two nerds struggle to help, one little green man might just take his fellow outcasts from misfits to intergalactic heroes.

Why it should be good: Simon Pegg and Nick Frost back together again. That should be enough. Seriously. When these two guys get together it's gold, as evidenced by Shaun of the Dead and Hot Fuzz. This might be my favorite duo around these days. They'll also be pairing up to write this which is always a good thing as well (well, this will be Frost's first real writing job, but Pegg has been responsible for their first two outings together). Now, they won't be reuniting with Edgar Wright for this one, instead they'll be teaming with the director of Adventureland andSuperbad, two movies which I definitely enjoyed. On top of all of that, they have comedic star Seth Rogan joining them. Sounds like quite the team really and I'm rather excited for what I'm sure will be a very funny movie, and possibly end up being the comedy of the year.

Why it could suck: You do have to wonder if some of that magic from Shaun of the Dead and Hot Fuzz will be lost as Frost and Pegg carry on without Wright. I think they're great comedic talents though and can stand on their own. And the somewhat all-star get-together should compensate.

5. The Adjustment Bureau

Director: George Nolfi

Writer: George Nolfi; Based on Short Story by Philip K. Dick

Stars: Matt Damon, Emily Blunt and Terence Stamp

Release Date: March 4, 2011

Genre: Thriller

What is it: Just as he is on the brink of winning a senate seat, politician David Norris (Matt Damon) meets a ballerina named Elise Sellas (Emily Blunt). Though David is smitten, mysterious men conspire to keep him away from the beautiful dancer. David learns he is up against the powerful agents of Fate itself, and, glimpsing the future laid out before him, must either accept a predetermined path that does not include Elise, or defy Fate to be with her.

Why it should be good: Honestly, this sounds like it could be this year's Inception. With plenty of mindfucks going on, it's a thriller involving different levels of reality and mysterious forces. Matt Damon really tends to shine in these types of movies. The trailer has me rather intrigued and looks like it could provide quite an enthralling adventure. While this is Nolfi's directorial debut, he did write The Bourne Ultimatum, thus will be teaming up with Damon once again. The movie is based on a short story by Philip K. Dick, whose work has been the grounds for such movies asBlade Runner, Total Recall, Minority Report, Paycheck and A Scanner Darkly. So with presumably some good source material, and a writer that can definitely do the part (as illustrated with The Bourne Ultimatum) we could be in for a real treat.

Why it could suck: This is Nolfi's first time in the director's seat, so we'll have to wait and see if he's in over his head. Furthermore, it is being billed as something of a romance thriller. So let's hope they don't go overboard with the romance part and make it some sappy romance film for which they sacrifice some of the plot to focus on the romance.

6. Pirates of the Caribbean: On Stranger Tides

Director: Rob Marshall

Writer: Ted Elliott and Terry Rossio

Stars: Johnny Depp, Geoffrey Rush, Penelope Cruz and Ian McShane

Release Date: May 20, 2011

Genre: Fantasy Action-Adventure

What is it: Jack Sparrow and Barbossa embark on a quest to find the elusive fountain of youth, only to discover that Blackbeard and his daughter are after it too.

Why it should be good: Some people have hated them. Some have thought they've gotten worse as they went along. I've found the Pirates of the Caribbean franchise to be a fun adventure. Just a fun movie with plenty of adventure, some cool special effects, and just good times. And maybe it's my man-crush I have on Depp, but I'm absolutely thrilled to see him back as Jack Sparrow. The character is so much fun and always provides for some entertainment. Should be interesting to see how they go about freshening up the franchise as well as they get a new cast of characters while Will Turner and Elizabeth Swann are out.

Why it could suck: It's a Hollywood sequel, those always have chances of sucking. Also, the exclusion of Will Turner and Elizabeth Swann could put a damper on things. While there is a chance that it could freshen it up, there is just as much a chance that some of that magic might be lost as they look to replace those characters. Also, while we do get the same writers back, we have a new director taking on this sequel. Pirates seems to be out of Rob Marshall's comfort zone (best known for Memoirs of a Geisha and Chicago) so we'll have to wait and see how he can handle an action adventure of this scope.

7. The Hangover 2

Director: Todd Phillips

Writer: Todd Phillips, Scot Armstrong and Craig Mazin

Stars: Bradley Cooper, Zach Galifianakis, Ed Helms and Justin Bartha

Release Date: May 26, 2011

Genre: Comedy

What is it: Not a lot is known about the plot of this sequel. What is known is that the gang is back to get into more trouble as they travel to Thailand. And Phillips promise a lot of fucked up surprises and hilarity.

Why it should be good: The Hangover was hilarious I thought. The cast of the original had good chemistry and the writing was hilarious. It provided for several laugh-out-loud moments and was one of the funniest movies of the year (one of the funniest I've seen in a while too). Hopefully, getting the gang back together will provide for more hilarity that the first one delivered.

Why it could suck: New writers. The writers from the first aren't coming back and have been replaced. Instead we get Scot Armstrong and Craig Mazin that have brought us such garbage asSemi-Pro, Starsky and Hutch, Scary Movie 4 and Superhero Movie. If their past work is any indicator of their talent, the writers could really butcher this franchise.

8. Transformers: Dark of the Moon

Director: Michael Bay

Writer: Ehren Kruger

Stars: Shia LaBeouf, Rosie Huntington-Whiteley, Josh Duhamel and Tyrese Gibson

Release Date: July 1, 2011

Genre: Sci-fi Action-Adventure

What is it: The Autobots learn of a Cybertronian spacecraft hidden on the Moon, and race against the Decepticons to reach it and learn its secrets, which could turn the tide in the Transformers' final battle.

Why it should be good: I've enjoyed the franchise so far. While Part 2, was blasted pretty well by critics, I didn't hate it that much. Granted it wasn't as good as the first, but I still found it fairly entertaining. And the movies are always a fun visual treat. Also, Michael Bay. I still have no idea why he receives so much crap while James Cameron is given a pass. Bay is just as adept a director as Cameron is. Anybody that still likes to tell me there's a difference between Pearl Harbor and Titanic will kindly receive a "fuck off" as you buy into the pretentious drivel. At least Bay knows his place (a mindless action director who can make pretty movies and fun explosions). Whereas Cameron believes his some gift to cinema which often leads to his films being poorly written, yet pretentious as hell. Seriously, I'll take Armageddon, Transformers, The Rock and Bad Boys over Titanic, Avatar, Aliens, and T2 any day of the week. Even though, yes, I know that will enrage many people and get me flamed for that opinion. Now, this movie (Transformers: Dark of the Moon) surely won't be a great cinematic piece. But as a mindless "let's make some cool special effects scenes and also blow some shit up" type of movie, it should be entertaining.

Why it could suck: Well, if I had to pick one movie from the franchise that was better, it's definitely the first. The writer for this third film, unfortunately, is the same writer from Part 2 rather than the first. Also, it's still Michael Bay. He's not the greatest of directors.

9. X-Men: First Class

Director: Matthew Vaughn

Writer: Jane Goldman, Ashley Miller, Jamie Moss, Josh Schwartz and Zack Stentz; story by Bryan Singer

Stars: James McAvoy, Michael Fassbender and Jennifer Lawrence

Release Date: June 3, 2011

Genre: Sci-fi Action

What is it: Before Charles Xavier and Erik Lensherr took the names Professor X and Magneto, they were two young men discovering their powers for the first time. Before they were archenemies, they were closest of friends, working together, with other Mutants (some familiar, some new), to stop the greatest threat the world has ever known. In the process, a rift between them opened, which began the eternal war between Magneto's Brotherhood and Professor X's X-MEN.

Why it should be good: A look at when Xavier and Magneto were younger. A backstory to where it all started. For such a thrilling franchise, this could be a nice take on the story and provide quite some entertainment and thrills. Plus, having directed movies like Kick-Ass andStardust, Matthew Vaughn is, I believe, much more adept at creating a movie like this than say a Jon Favreau or such. Vaughn also has the enjoyable Layer Cake under his director's belt, which very much shows off that he learned well producing Lock, Stock and Two Smoking Barrels andSnatch. Furthermore, his friendship and learning under the great Guy Ritchie, only further adds value to his role as a filmmaker. Meanwhile, the writers have brought us such movies as Stardustand Kick-Ass as well as TV shows such as Fringe and Chuck. Also, it has a pretty good cast.

Why it could suck: Well, those writers did also bring us The Sarah Connor Chronicles andAndromeda. Also, prequels sometimes have a tendency to not do so well. It's, sometimes, almost as if a prequel is a last resort when the writers have run out of ideas of where the current story can go, so they decide to go back and cash in on the name once more by filling in some gaps from the beginning. I guess only time will tell if this becomes a Batman Begins (ie a very good prequel movie that did very well to reboot the franchise) or it falls more in line with The Scorpion King (ie a complete waste of my time that probably shouldn't have even been made).

10. Source Code

Director: Duncan Jones

Writer: Ben Ripley

Stars: Jake Gyllenhaal, Michelle Monaghan and Vera Farmiga

Release Date: April 1, 2011

Genre: Action/Sci-fi-Thriller

What is it: An action thriller centered on a soldier who wakes up in the body of an unknown man and discovers he's part of a mission to find the bomber of a Chicago commuter train.

Why it should be good: The trailer just makes this like it could be a cool creative story that provides for an entertaining thriller that could keep you on the edge of your seat. This is Duncan Jones sophomore release, after 2009′s highly acclaimed Moon. So, if he delivers again, we could have a nice treat on our hands and he could solidify his place as a talented filmmaker. I also really enjoy Jake Gyllenhaal. I think he's a great actor and should do fine in leading this movie. Vera Farmiga is also a really talented actress and one I definitely don't mind seeing. Meanwhile, Michelle Monaghan isn't too bad either.

Why it could suck: This is coming from an unproven writer. And while Duncan Jones' Moon was well-received, it's not rare that a filmmaker comes in to become something of a one hit wonder. Let's just hope Jones can deliver a worthwhile follow-up.

11. Battle: Los Angeles

Director: Jonathan Liebesman

Writer: Christopher Bertolini

Stars: Aaron Eckhart, Michelle Rodriguez and Bridget Moynahan

Release Date: March 11, 2011

Genre: Sci-fi Action

What is it: A Marine platoon faces off against an alien invasion in Los Angeles.

Why it should be good: The official trailer makes it look so damn bad-ass. Maybe that's in part due to the great song selection for the trailer, but it looks just completely thrilling. It looks to be a sci-fi action movie that actually has some depth too. It sort of reminds me of Independence Day but with the seriousness, depth and emotional-center of some type of good post-9/11 movie. It's like we may finally get a really good sci-fi movie with the heart of the best war movies, coupled with the awesome actual and visual treats of some of the best sci-fi/alien movies. Eckhart is a good actor that should do well in this movie as well. Also, the writer's only past feature film work was The General's Daughter which I thoroughly enjoyed. So if that's any indication of the type of writing we'll get for Battle LA then we should definitely have a compelling story to go with the visual flare of it all. Likewise, Jonathan Liebesman has brought us The Killing Room which I felt was a fairly enjoyable suspense/thriller movie.

Why it could suck: Liebesman also brought us Texas Chainsaw Massacre: The Beginningwhich was garbage. On top of that, movies like this can often take themselves too seriously and often times become pretentious and/or preachy and just plain unimaginative with no real heart to the movie (I'm looking at you War of the Worlds). Let's hope they avoid that here.

12. Cowboys and Aliens

Director: Jon Favreau

Writer: Roberto Orci, Alex Kurtzman and Damon Lindelof; based on the comic book by Scott Mitchell Rosenberg

Stars: Daniel Craig, Harrison Ford and Olivia Wilde

Release Date: July 29, 2011

Genre: Sci-fi Action-Thriller

What is it: A spaceship arrives in Arizona, 1873, to take over the Earth, starting with the Wild West region. A posse of cowboys are all that stand in their way.

Why it should be good: It just looks fun. It's like Indiana Jones meets Men in Black with a good western feel to it. This also comes from the writers that brought us such movies as Transformersand Star Trek, and such TV shows as Alias, Fringe and Lost (though in my book "Lost" might be a bad example, though others seemed to enjoy it). Also, there's a good cast (Craig, Ford and Wilde), coupled with a nice supporting cast which includes Sam Rockwell and Paul Dano. At the end of the day, it may end up being a mindless action movie, but still looks to be fun.

Why it could suck: Jon Favreau. I'm sorry, but the guy hasn't sold me. People seem to like him, but I'm not entirely sure why. The guy hasn't delivered any really great movies. And only a few decent ones. Well, Elf I thought was really funny. Both Iron Man movies were really nothing to write home about though. Both were enjoyable, but they definitely weren't spotlights in their genre. And the second one was panned quite a bit (though I enjoyed both, but the second was a bit lacking). And that's really the only movies (Iron Man) that he's done in this genre/realm. So that doesn't give me a big vote of confidence in the guy. His other movies: Zathura was crap andMade was decent. Nothing else to note really. On top of that, the writers did also give usRevenge of the Fallen, which I enjoyed well enough, but wasn't on par with the first Transformersmovie. And they're also responsible for such things as The Island and Legend of Zorro.

13. Apollo 18

Director: Gonzalo López-Gallego

Writer: Brian Miller and Cory Goodman

Stars: None Given

Release Date: April 22, 2011

Genre: Sci-fi Horror-Thriller

What is it: Apollo 18 is a found-footage movie that claims to be "a film about the real mission to space in the 1970′s that was canceled by NASA." With the tagline "There's a reason we've never gone back to the moon", while implying a government cover-up of monsters existing on the moon.

Why it should be good: With these found-footage movies, they tend to go terribly wrong or be very entertaining. This one is looking to go the way of the latter. It's giving a fresh take on the rising sub-genre and taking us to an interesting location. Furthermore, it's basing itself on some real actual events, thus adding some extra layer to it. The viral marketing on this movie is going along nicely and the film has become something of a hot ticket. Gonzalo is a Spanish-born director who has had a couple of critically-acclaimed films in the past as well.

Why it could suck: It's kind of the nature of the genre. If they don't hit they mark, then they tend to really suck. Couple that with a pair of brand-new writers, and there are no guarantees for this movie. I'm getting a feeling though that this will end up being up there with Paranormal Activity.

14. Unknown

Director: Jaume Collet-Serra

Writer: Oliver Butcher and Stephen Cromwell; based on the novel by Didier Van Cauwelaert

Stars: Liam Neeson, Diane Kruger and January Jones

Release Date: February 18, 2011

Genre: Drama Mystery Thriller

What is it: A man awakens from a coma, only to discover that someone has taken on his identity and that no one, (not even his wife), believes him. With the help of a young woman, he sets out to prove who he is.

Why it should be good: Liam Neeson is a bad-ass. Watching the trailer, I'm reminded of Neeson's past movieTaken. Seems to be that similar mystery action thriller type movie. And I absolutely loved that movie. Neeson made it a very good film showing off his bad-assness in it. If Unknown turns out to be as good as Takenwe'll have a very entertaining movie on our hands. Didier Van Cauwelaert, whose novel the movie is based on, is an award-winning author with multiple best-selling novels. The novel this movie is based on has met plenty of praise. So, we're sure to find that the story/source material is good.

Why it could suck: Two virtually unproven writers. While the source material may be good, they could mess it up and adapt a bad screenplay. On top of that, the director is responsible for such things as Orphan and House of Wax, neither of which were that good.

15. Red State

Director: Kevin Smith

Writer: Kevin Smith

Stars: Melissa Leo, John Goodman and Michael Angarano

Release Date: TBA (Screening at Sundance 2011)

Genre: Horror Thriller

What is it: A horror film in which a group of misfits encounter fundamentalism gone to the extreme in Middle America.

Why it should be good: Kevin Smith. Smith is one of my favorite directors around. While last year's Cop Out was rather bland, this year he returns to writing his own material with Red State. Furthermore, he'll be treading into a new genre with his first horror movie. I love Kevin Smith as a writer/director and have been fond of pretty much all of his work. From Clerks to Mallrats to Clerks II to Jay and Silent Bob, everything Smith has actually wrote and directed, I've enjoyed really. Couple that with the enjoyable John Goodman and the "fresh off an Oscar-worthy performance" Melissa Leo, and we should be in for a real treat.

Why it could suck: As stated before, this is Kevin Smith's first venture into the horror genre. Some writers/directors find gomovie  that there are just some genres that they can't do, while they're better suited for another particular genre. We'll have to wait and see how Kevin Smith's foray into the horror/thriller genre goes.

[staarknaked]

Hello! I have been watching the marvel movies and tv shows for a while now but I’d like to read the comics too. Any idea how to start since there are so many and have been there for so long (as in which comic from what year)? Thank you in advance!

I’m sorry for how long this is, I tried. Once you find where you want tostart, it gets easier to narrow down and follow timelines and full story arcs,sort of, I promise. Also, Wikipedia is your friend. Marvel starting doing a lot of events after CivilWar. You can skip them and just read summaries. Save your sanity. If you have any questions you can msg me off anon too and I can walk you through it because Marvel comics are a shit show I’m so sorry I don’t make the rules.

Projects:

-Civil War (2006-2007): This is on the list because this is where I jumpedinto Avengers comics, and it’s honestly their most iconic events. It has a tonof main titles for multiple characters and is a really good way to get into howthey think and who they are, but it is fucking huge. After reading the core book, the tie ins and theCap/Iron man books are great. Really gives you history and scope of the Marveluniverse and its original players. This will take a while.

-Avengers Disassembled (2004-2005): Probablybigger than civil war? I have the hardcover of this and it is massive. But again, iconic if you wantto do the work and read it. Scarlet Witch is a key player and it pretty coversbackground for a whole variety of previous material. This will also take forever. I have the entirely of it in a hardcover and I’ve only gotten through 2/3rds of it.

- House of M (2005): Wanda Maximoff. Right here. If you want toknow what comics Wanda is like, and why mutants are the way they are in comicsright now, House of M is it. House of M preludes some of the best x-men stuffpost Phoenix era and leads to a ridiculously intense storyline that leads towhere the mutants are now and why they are the way they are. The core book isshort, and good as a one shot, but if you go further it gets crazy.

Movie Characters in Comics

I haven’t readAnt-Man, Black Panther, or Thor solos except for the all-new thor where it’s JaneFoster but they are re-booting Thor in 2018 I think. And I don’t read Dr.Strange, he’s kind of an asshole.

-Black Widow (2014-2015): The art is amazing and Natasha adopts a cat.That’s all you need honestly. Doesn’t tie into the MCU at all but really great.

-Hawkeye (2012-2015): The Clint Barton we deserve tbh. Fraction andAja’s run is iconic and legendary. Also not MCU related but widely recognizedas one of the best comics runs.

-Planet Hulk (2006-2007): One of themore iconic Hulk runs and also where parts of the Hulk’s story in Thor: Ragnarokcame from.

-Scarlet Witch (2015-2017): Really good art, Wanda is trying to fix witchcraft, and it I think goes into a little bit of her backstory with Vision. They are no longer together in comics, but this I think deals with some of the aftermath and gives glimpses into her history. I have it, I haven’t gotten around to reading it.

-Invincible Iron Man: Extremis (2006): Ended up influencinga huge part of the original Iron Man movie, and updates Tony’s everything. Thearmor from this book was the basis for the armor in the MCU.

-All-New All-Different Invincible Iron Man (2015): This is a newerTony Stark, and this line eventual leads to the Riri Williams line I think? It’sa modern take on Tony Stark.

-Captain America: Winter Soldier / Captain America(Vol 5.) (2004-2011): Ed Brubaker is the mastermind behind bringing BuckyBarnes back as the Winter Soldier. This Cap line runs forever, and covers allthe major events of the mid-late 2000’s, including civil war, death of SteveRogers, and Bucky picking up the Shield. Really good run, it’s the only soloCap stuff I’ve read any part of. The Winter Soldier stuff starts in 2005/2006if you want to skip right to it.

-Captain America (2017): Starting atissue # 695, this is Steve’s redemption arc from the clusterfuck that wasMarvel’s Secret Empire. Getting into Cap here and then backtracking would be mysuggestion.

- Guardians of the Galaxy (2013-technically ongoing): this is a pretty long run and was launched whenthe movies started bringing new readers, and it’s really good. It does crossover with the O5 X-men business briefly, but it’s also where they reallyintroduce Angela Odinsdottir, Thor’s kick ass stolen sister.It’s been re-branded a couple of times due to events.

Team Books

-The Ultimate’s: Super Human (2002): The Ultimate’suniverse inspired the movies. It’s a close universe separate from marvel 616,which is the marvel universe where all the other comic recommendations arecoming from. Ultimate’s is grittier, darker, and changes backstories but isstill really really good. Gets weird, and is definitely not close to themovies, but a lot of the inspiration for the movies came from this universe,and you’ll see it if you read it.This is the kick off book, but the Ultimate ‘verse is pretty straight forward.

-Avengers Assemble (2012-2014): This wascreated for the movies. It has the movie team line up, and was meant to be thestepping stone from the fledgling MCU to the Marvel 616 comic verse!

Netflix/Hulu/Marvel TV

-Runaway’s (2003/2017): If you watched the Hulu Runaway adaption, these arethe comics to read. The 2003 run will not have the same characters or romancesas the show though, and the 2017 ones kind of bounce off the original omics andthe show. I’m not the biggest fan of the Runaways but my best friend read themwhen we were younger so I know this by association.

- Jessica Jones: Alias (2001-2004); Jessica Jones (2016): The netlfixshow was based off the Alias comics, and its Bendis and Gaydos back on the 2016run as well, making Jessica one of the most consistently written characters inMarvel. Very similar to the show

-The Defenders (2017): A reboot of the Defenders line to hype the neflixshow. I love danny jess and luke any and every time they interact. Jess andLuke named their kid after danny okay I love anytime these assholes teamup and I believe this is similar to the show as well.

Deadpool + Friends Deadpool is in a lot ofshit. He was in Deadool and Cable in the 90’s and early-mid 2000’s and then therewas a point where everything he was in was shit for a while, and now he runsaround the marvel universe and teams up with everyone from spider-man to thenew wolverine.

-Uncanny X-Force (2010-2012): This one is a wild ride, and only recommended ifyou really liked the Deadpool movie. Wolverine and X-23 with Deadpool and twoothers mutants. Lots of stabbing. Dark. Moral conundrums. Excellent andabsolutely amazing expose of Deadpool’s character and what his morals are like.-Spider-Man/Deadpool (2016-ongoing): I can’t speak for the laterstuff, but the first bit was pretty funny.

New Kids onthe Block These are “new” heroes that were meant to be youngand fresh. They’re fully established now, and definitely worth a look.-Nova (2013-2016): I love Sam. I do. He’s a spazy Hispanic teenagerwith cosmic space powers by accident basically. He’s one of the kids thatkicked off the dad!tony thing in comics. Has appearances by the guardians, anddeals with cosmic space stuff-Invincible Iron Man: Ironheart (2016-ongoing for now): This iswhere Riri Williams takes over the Iron Man title as weird shit happens to TonyStark. Black, 16, smarter than Tony.-Ms. Marvel (2014-ongoing): Kamala is just really sweet honestly,though I’ve only so far gone through the first 2 or 3 trades.

-Spider-Men(2012): Blends the spider-man of 616 with ultimate spider-man and gives areally good jumping point to the Miles Morales as Spider-Man when he comespermanently into the 616 universe.

-Spider-Man(2016-ongoing): Miles as spider-man. He and Nova, and Kamala get mentored by Tony Starkin some of the all new-all different avenger’s books but each also has a solorun.

- Hawkeye(2016-2018): The only Young Avengers to get her own series, Kate Bishop as Hawkeye.Helps keep Clint Barton from dying, pretty great all around. Kate isn’t newsince she came around in 2005 but she was horribly underused until she showedup in Fractions Hawkeye and then got her own solo.

LGBTQ and fucking AWESOME but not MCU related at all:

- Young Avengers (2005) and YA: Children’s Crusade (2011):Children’s crusade has more Wanda, YA is the first teenage superhero group thatalso had one of Marvel’s first gay on panel kisses.

- Angela: Asguard’s Assassin (2014) and Angela: Queen of Hel(2015): a transfriendly lesbian love story with fierce fucking femalecharacters.

- Fearless Defenders (2013): Valkyrie and a ton of kick assmarvel women team up, boot all the men off the Defenders team and then showthem the fuck up also there are Lesbians and Valkyrie is a fucking goddess.

And that’s where I’m going to stop. If you put any of these titlesinto google with the dates, it will show you what you’re looking for! There aresites to read comics for free, and there are programs that you can use to readthem digitally. But honestly, once you find what you like, head to your localcomic book shop (if you have one) and browse their titles. Most places wlilorder things in.

If you’re into X-Men, I can do an X-men specific list, butX-Men aren’t really MCU so I didn’t include them. X-Men is kind of my tried andtrue for marvel though tbh. There are a lot of new X-men series being launchedright now and they just resurrected Jean Grey, so if you want that, let me know,it’s its own list.

[hellzyeahthewebwieldingavenger]

I am genuinely concerned that comic book youtubers are going to create a GamerGate situation where there are extremists who poison the mass perception of people who criticise comic books or certain decisions in general.

 Like I have genuine problems with Amadeus Cho and Jane Foster being Hulk and Thor and I think Riri Williams and Miles Morales are bad characters (the latter being especially saddening because, unlike Riri, he had a strong initial concept powering him). I think Sam as Captain America was creatively problematic and that Marvel have been pulling the replacement hero thing for social/political reasons (and probably not sincere ones at that) as opposed to genuine creative ones. Similarly I think the America book is a lame super hero comic book and Gabby Rivera isn’t a strong super hero comic book writer. Similarly I think Marvel’s modern editors and assistant editors really do tend to suck at their jobs right now.

 But my rationales for all of those things honestly don’t have much crossover with certain Youtube comic book commentators (I’m sure you’ve all seen the kind) and I actually disagree and believe in a lot of other types of characters and directions cut from the same kinds of cloths as those above examples.

 I think Ice Man being gay made a certain amount of sense with his history and if you did have to pick a classical character to reveal as in the closet he was one of the best choices for it. We are in a position where Bobby could legitimately be given a strong romantic storyline and an iconic (for him, not necessarily within Marvel as a whole) love interest. I mean before Bendis had Jean out Bobby who honestly knew or cared who Bobby’s (comic book, not movie) love interests were? Hardly anybody aside from hardcore X-Men fans and most of them would argue Polaris was really the big one for Bobby. But at the same time most of them shipped Polaris with Havok anyway so what did that matter?

  I’ve said numerous times before Kamala Khan is the best new superhero character to come out of Marvel in the last 20 years. My problems with her series stem from the decompression alongside the fact that I don’t think her villain pool has been managed as well as it needs to be to enable her to last long term.

 Carol becoming Captain Marvel is something I find profoundly organic and logical, a brilliant stroke of character development that makes use of an iconic title by giving it to an iconic character who truly has claim to it. Look to me Carol’s outfit is always going to be the Ms Marvel outfit she wore for decades but at the same time to me Carol’s codename will always be Warbird, not Ms Marvel or Captain Marvel. I’m just from that generation.

 I think the general idea of temporarily having a black person become Captain America is interesting and understand the logic of making it Sam but at the same time I think the book never fulfilled it’s potential and ultimately Issiah Bradely or even Patriot would’ve been a much more interesting choice. But at the end of the day I cannot accept the creative bankruptcy of replacing Steve for the THIRD time and doing it the SECOND time in less than 10 years.

 I like Jane Foster’s Thor outfit, there are moments and aspects to her stories I find interesting but the way the series went about it overly denigrated the real Thor (and yes I will call him the real Thor, it is literally his name and he is supposed to be the actual figure from Norse mythology). I mean he was literally called out as ‘unworthy’ and the reason for his unworthiness made no sense at all. He realizes the Gods are assholes so he loses his worthiness. That isn’t how the hammer works, it’s just a binary ‘you are worthy or you are not’. Conviction in your personal beliefs doesn’t matter or else countless bad guys would be able to lift the hammer too. Additionally there were times where he narrative divulged into cheap, shallow in-universe attempts to ‘comment’ on the backlash against the concept. The Absorbing Man was at least somewhat exaggerating the complaints over a female Thor and at least dabbling in strawman arguments whilst Titania’s solidarity with Foster because she was stepping into the role of a man was utter out of character nonsense considering Titania’s arch nemesis is SHE Hulk. Jane consequently knocking out someone who’d surrendered was also ill considered. And I also cannot get over how we’ve been here before. Beta Ray Bill and Thunderstrike are testament to that. Once again creative bankruptcy.

 I’ve spoken countless times before how I think Miles had a good concept and still has potential but he’s been mismanaged and currently sucks shit as a character and how Marvel and certain fans and certain media outlets building him up as the best thing since sliced bread (or at least as great as Peter Parker) is profoundly unearned.

 I think the quality of editing at Marvel has clearly gone down hill but unless there really is some weird ass super Secret Empire conspiracy wherein Marvel went hardcore into hiring people because of their gender regardless of their qualifications, I don’t think the reason for that decline in quality is due to some (but far from all) of the editors and assistant editors being women. Frankly Steve Wacker is/was a major editorial player for awhile and his only legitimate qualification for being a Spider-Man editor was he could get the product on the shelves on time. The editing present in that product and their overall quality was shit 99% of the time. The guy lacked sufficient knowledge, passion or understanding of the character to really edit Spider-Man properly. This is a guy who was an amateur stand up comedian before entering comic books and has to my knowledge zero writing experience so why the fuck he was qualified to edit anything is beyond me. Maybe the new slew of editors and assistant editors are the same bunch of unqualified morons but I don’t think that’s got much to do with their sex or gender. After all Ann Nocenti was a solid X-Men editor and Molly Lazer edited Spider-Girl which was obviously a brilliant book. And shit Jeanette Kahn was President and EIC of DC comics for over 20 years and MOST of the stuff under her tenure was baller as shit. John Byrne Superman. Frank Miller Batman. Perez Wonder Woman. Wolfman Titans. DeMatteis/Giffin JLI. Kyle Rayner Green Lantern. Vertigo. Milestone. Watchmen. Frankly she oversaw what was maybe the single best EIC tenure for DC EVER in terms of quality.

  I gave up reading Coates’ BP run because I found it dull but I think T’Challa SHOULD have a book along with Blade, Luke Cage, Shang Chi and Jessica Jones.

I think the America Chaves series was problematic as a superhero story but the times where it does focus on the normal life stuff are generally good.

I was very impressed by Spider-Gwen when she debuted and looked forward to her ongoing, even defended her debut issue until I realized the critics were ont he money and it sucked and continues to suck to this day. It’s a profoundly shallow book but it could have been great and I supported it initially hoping it would be great.

I felt the Chelsea Cain Mockingbird series had moments of poor research, mischaracterisation and disingenuousness. I am specifically talking about how in issue #3 (I think) Cain uses Bobbi as a mouthpiece to criticise the lack of female representation within superhero comics. Okay cool. But she did it by essentially pretending that there never were any in the Marvel universe, that they got no respect in-universe and that Bobbi herself was at most a teenager growing up inspired by those male heroes whom she could never be like because she was male. Except there were female heroes, they did get in-universe respect (maybe not as much as was deserved but it wasn’t like people forgot they existed) and Bobbi is clearly too old to have grown up with any of the heroes other than the WWII guys like the Invaders. 

Similarly her retconning of the Phantom Rider thing in her final issue fixed one problem but did so utterly illogically whilst opening up multiple other problems. Look I’d also retcon the Hell out of Phantom Rider gaslighting and raping Mockingbird if given the chance I hate that plotline. But Cain retconned it by just having Mockingbird say that the stuff we have clear on the page evidence of didn’t actually happen. She was saying the colour blue is the colour red and always had been but it wasn’t. And Cain’s new spin on that Phantom Rider thing essentially threw Hawkeye under the bus by making him profoundly insecure and an asshole, because he’d rather believe his wife was raped rather than she cheated on him. Not to mention if Cain’s story is to be believed Mockingbird let the man she was sleeping with die for exactly no reason. There were other times during Cain’s run where I felt she was mischaracterizing some people or else was being too on the nose about stuff. 

But there were other times I thought the series was really funny, really action packed, i generally loved the pacing and I felt when it did cut more realistic (like the first issue when Bobbi is having a health check up) or in issue #3 when it was discussing the psychology of a sixth grade girl (even though said girl’s story had insufficient resolution, like did she go to jail or what?) it was incredibly refreshing. Truth be told a lot of the stuff in that series writing wise becomes easier to understand when you realize it’s partially a zany comedy and not really taking itself too seriously nor is it asking you to do the same, which is starkly different to say Spider-Gwen’s approach wherein it is playing stuff seriously but there is arbitrarily zany shit thrown in for the sake of it.

 I think Laura becoming Logan’s successor makes sense but it doesn’t mean it’s okay to just axe off Logan because he’s broken. FIX him and then down the line replace him. Laura’s book as is frankly just...an okay X-23 book with a new costume. I never cared for Laura outside of X-Men Evolution or the Logan movie (where she was more endearing) anyway.

 I didn’t agree with the female exclusive screenings of the Wonder Woman film but I also felt Zeus’s involvement in her origin was an unacceptable compromising of the specific feminist ideas and messages Wonder Woman was supposed to represent. I felt the same way about Azzarello’s run on the character which is where the Zeus origin came from and was happy Greg Rucka tried to fix that in his 2016 run.

 I’ve said before a poc actor playing Peter Parker is fine and dandy in my book and I was very open to Zendaya possibly playing Mary Jane (until I saw the movie...ugh...). My only concerns were in a significant way having the characters change to reflect the realities of them now being poc.

 I’ve suggested some basic ideas on how to maybe get more representation in Marvel and DC, including for queer, Trans and mentally ill characters and as I’ve seen it I’ve called shit out I found to be racist, sexist, homophobic, etc, e.g. I was disgusted by Civil War II killing off Rhodey and called out the way Cindy Moon was initially handled by Slott. And my frequent lambasting of MJ’s depiction under Slott (especially in Superior #2) should I hope by this point go without saying.

 So yeah my views don’t line up with those of Diversity and Comics but nor do they line up with those of ComicsAlliance and their hordes either. But because of people like the former people like the latter are going to broadbrush label and demonize people like me. People who might SEEM like we agree with guys like D&C but actually we’re coming at it from a very different angle and we don’t actually agree with their rationales 99% of the time.

 But in the times we live in right now nuance is apparently as dead as Batman’s parents.

 Frankly as I get older I guess I see myself socially/politically speaking being more of a moderate when it comes to comic books...and right now that feels like a profoundly lonely place to be.

[123movies2-blog1]

My Most Anticipated Movies of 2011

As we kick off a new year in cinema, I thought I'd take time to look ahead at the films we'll be hit with over the course of the year. In this article, I'll be going over what my 15 most anticipated movies are for the year. Now it should be noted, these aren't the movies that I feel will be the best of 2011 necessarily. Rather, they're the ones that, as of the time of this writing, I am anticipating the most. So without further ado, here are my most anticipated movies of 2011. 1. Sucker Punch Director: Zack Snyder Writer: Zack Snyder and Steve Shibuya Stars: Emily Browning, Vanessa Hudgens and Abbie Cornish Release Date: March 25, 2011 Genre: Action Fantasy Thriller What is it: A young girl is institutionalized by her wicked stepfather. Retreating to an alternative reality as a coping strategy, she envisions a plan which will help her escape from the facility. Why it should be good: Really hot and badass chicks wearing schoolgirl outfits and other skimpy clothes, with swords and guns, coupled with Snyder's awesome visual flair? Yea, definitely count me in. The trailer for this thing just looks completely awesome. From the style to the action, even the story (while seeming a bit out there) seems cool. I'm beginning to thoroughly enjoy Snyder's work. If The Adjustment Bureau could be this year's new Inception due to its mindfuck story, then Sucker Punch could absolutely be this year's Inception meets The Dark Knight meets 300 meets Inglorious Basterds due to it's style and epic adventure, yet dark tone with alternate realities. This movie just oozes style and badass-ness and I really can't wait for what is sure to be an absolutely entertaining, epic adventure. Why it could suck: Snyder can be a bit off his mark sometimes. While Watchmen was enjoyable, it did get a bit boring. And Legend of the Guardians is said to suffer from some pacing issues as well and has drawn mixed reviews from critics. Though to be fair to Snyder, he wrote neither of those movies, but is responsible for the writing (or at least screenplay) of the badass 300. 2. Sherlock Holmes 2 Director: Guy Ritchie Writer: Kieran and Michele Mulroney Stars: Robert Downey Jr, Jude Law, Noomi Rapace and Stephen Fry Release Date: December 16, 2011 Genre: Action Mystery What is it: Sherlock Holmes and his sidekick Dr. Watson join forces to outwit and bring down their fiercest adversary, Professor Moriarty. Why it should be good: I'm a big Sherlock Holmes fan. The Doyle stories still stand as my favorite books today. I love Sherlock. He's such a badass. And finally, a movie seems to have captured that pretty well. The first was one of the better portrayals of Sherlock I had seen. Rather than being portrayed as a snooty, 'proper' and sophisticated Englishman, he was shown with all the rough edges that Doyle wrote him with. While the movie was indeed Hollywood-ized beyond anything you'd find in the books, it was a fun adventure and quite an enjoyable movie. Guy Ritchie is a very good filmmaker as well. For these reasons, and my love for Sherlock, I'm very much eager to see how Part 2 turns out, especially as they go head-to-head with Moriarty. Also, I'm eager to see how well Noomi Rapace (The Girl With the Dragon Tattoo,etc) does in her Hollywood debut. Why it could suck: New writers. The original writers from the first aren't coming back instead Kieran and Michele Mulroney are taking over the job. So let's see how they handle it. Relatively new to writing, the two previously wrote Paper Man which didn't fair so well with critics. 3. Paranormal Activity 3 Director: Tod Williams Writer: Christopher B. Landon and Michael R. Perry; characters by Oren Peli Stars: Katie Featherston Release Date: October 21, 2011 Genre: Horror What is it: Well, we have no idea what this one is going to be about as nothing has been given. However, the first movie followed a couple that were being haunted by an evil spirit who possessed Katie. The sequel (which was more of a prequel) followed Katie's sister's family as that same spirit haunts them and their baby. This all culminates to the two stories converging at the end of Part 2 where it gets to the point where Part 1 ends and we see what happens after the whole event. Undoubtedly, Part 3 is set to pick up where Part 2 and 1 left off. What happens from there? Your guess is as good as mine. Why it should be good: The first Paranormal Activity became something of a cult phenomenon/sensation. Hailed as the scariest movie of the year, people flocked to the film making it a huge success. And rightly so in my book. It was a minimalistic horror movie that took it back to the roots of the genre by using tension and suspense to really instill fear and terror in the minds of the audience. Part 2, while some people seemed to not like it as much as the first, did more of the same. I actually thought Part 2 was pretty much right on par with the first. And the ingenious storytelling that created a parallel prequel to the first was definitely cool. The creator and writers of this franchise have really shown that the horror genre can be revived and doesn't have to be all about gore and such. They've done a good job with instilling that fear in the audience as well, tapping into that fear, leaving the audience's imagination to run wild while being completely captivated. I expect no less from the third. Why it could suck: If you feel the second was worse than the first, then you may be in for some disappoint when you find out the same writers and director of the sequel are back. However, like with Part 2, Oren Peli (the creator of the franchise) is still very much involved and is serving as producer on this film. 4. Paul Director: Greg Mottola Writer: Nick Frost and Simon Pegg Stars: Nick Frost, Simon Pegg and Seth Rogen Release Date: March 18, 2011 Genre: Sci-fi Comedy What is it: Simon Pegg and Nick Frost (Hot Fuzz, Shaun of the Dead) reunite for the comedy adventure Paul as two sci-fi geeks whose pilgrimage takes them to America's UFO heartland. While there, they accidentally meet an alien who brings them on an insane road trip that alters their universe forever. For the past 60 years, an alien named Paul (voiced by Seth Rogen) has been hanging out at a top-secret military base. For reasons unknown, the space-traveling smart ass decides to escape the compound and hop on the first vehicle out of town-a rented RV containing Earthlings Graeme Willy (Pegg) and Clive Gollings (Frost). Chased by federal agents and the fanatical father of a young woman that they accidentally kidnap, Graeme and Clive hatch a fumbling escape plan to return Paul to his mother ship. And as two nerds struggle to help, one little green man might just take his fellow outcasts from misfits to intergalactic heroes. Why it should be good: Simon Pegg and Nick Frost back together again. That should be enough. Seriously. When these two guys get together it's gold, as evidenced by Shaun of the Dead and Hot Fuzz. This might be my favorite duo around these days. They'll also be pairing up to write this which is always a good thing as well (well, this will be Frost's first real writing job, but Pegg has been responsible for their first two outings together). Now, they won't be reuniting with Edgar Wright for this one, instead they'll be teaming with the director of Adventureland andSuperbad, two movies which I definitely enjoyed. On top of all of that, they have comedic star Seth Rogan joining them. Sounds like quite the team really and I'm rather excited for what I'm sure will be a very funny movie, and possibly end up being the comedy of the year. Why it could suck: You do have to wonder if some of that magic from Shaun of the Dead and Hot Fuzz will be lost as Frost and Pegg carry on without Wright. I think they're great comedic talents though and can stand on their own. And the somewhat all-star get-together should compensate. 5. The Adjustment Bureau Director: George Nolfi Writer: George Nolfi; Based on Short Story by Philip K. Dick Stars: Matt Damon, Emily Blunt and Terence Stamp Release Date: March 4, 2011 Genre: Thriller What is it: Just as he is on the brink of winning a senate seat, politician David Norris (Matt Damon) meets a ballerina named Elise Sellas (Emily Blunt). Though David is smitten, mysterious men conspire to keep him away from the beautiful dancer. David learns he is up against the powerful agents of Fate itself, and, glimpsing the future laid out before him, must either accept a predetermined path that does not include Elise, or defy Fate to be with her. Why it should be good: Honestly, this sounds like it could be this year's Inception. With plenty of mindfucks going on, it's a thriller involving different levels of reality and mysterious forces. Matt Damon really tends to shine in these types of movies. The trailer has me rather intrigued and looks like it could provide quite an enthralling adventure. While this is Nolfi's directorial debut, he did write The Bourne Ultimatum, thus will be teaming up with Damon once again. The movie is based on a short story by Philip K. Dick, whose work has been the grounds for such movies asBlade Runner, Total Recall, Minority Report, Paycheck and A Scanner Darkly. So with presumably some good source material, and a writer that can definitely do the part (as illustrated with The Bourne Ultimatum) we could be in for a real treat. Why it could suck: This is Nolfi's first time in the director's seat, so we'll have to wait and see if he's in over his head. Furthermore, it is being billed as something of a romance thriller. So let's hope they don't go overboard with the romance part and make it some sappy romance film for which they sacrifice some of the plot to focus on the romance. visit: 123movieshub.eu/ 6. Pirates of the Caribbean: On Stranger Tides Director: Rob Marshall Writer: Ted Elliott and Terry Rossio Stars: Johnny Depp, Geoffrey Rush, Penelope Cruz and Ian McShane Release Date: May 20, 2011 Genre: Fantasy Action-Adventure What is it: Jack Sparrow and Barbossa embark on a quest to find the elusive fountain of youth, only to discover that Blackbeard and his daughter are after it too. Why it should be good: Some people have hated them. Some have thought they've gotten worse as they went along. I've found the Pirates of the Caribbean franchise to be a fun adventure. Just a fun movie with plenty of adventure, some cool special effects, and just good times. And maybe it's my man-crush I have on Depp, but I'm absolutely thrilled to see him back as Jack Sparrow. The character is so much fun and always provides for some entertainment. Should be interesting to see how they go about freshening up the franchise as well as they get a new cast of characters while Will Turner and Elizabeth Swann are out. Why it could suck: It's a Hollywood sequel, those always have chances of sucking. Also, the exclusion of Will Turner and Elizabeth Swann could put a damper on things. While there is a chance that it could freshen it up, there is just as much a chance that some of that magic might be lost as they look to replace those characters. Also, while we do get the same writers back, we have a new director taking on this sequel. Pirates seems to be out of Rob Marshall's comfort zone (best known for Memoirs of a Geisha and Chicago) so we'll have to wait and see how he can handle an action adventure of this scope. 7. The Hangover 2 Director: Todd Phillips Writer: Todd Phillips, Scot Armstrong and Craig Mazin Stars: Bradley Cooper, Zach Galifianakis, Ed Helms and Justin Bartha Release Date: May 26, 2011 Genre: Comedy What is it: Not a lot is known about the plot of this sequel. What is known is that the gang is back to get into more trouble as they travel to Thailand. And Phillips promise a lot of fucked up surprises and hilarity. Why it should be good: The Hangover was hilarious I thought. The cast of the original had good chemistry and the writing was hilarious. It provided for several laugh-out-loud moments and was one of the funniest movies of the year (one of the funniest I've seen in a while too). Hopefully, getting the gang back together will provide for more hilarity that the first one delivered. Why it could suck: New writers. The writers from the first aren't coming back and have been replaced. Instead we get Scot Armstrong and Craig Mazin that have brought us such garbage asSemi-Pro, Starsky and Hutch, Scary Movie 4 and Superhero Movie. If their past work is any indicator of their talent, the writers could really butcher this franchise. 8. Transformers: Dark of the Moon Director: Michael Bay Writer: Ehren Kruger Stars: Shia LaBeouf, Rosie Huntington-Whiteley, Josh Duhamel and Tyrese Gibson Release Date: July 1, 2011 Genre: Sci-fi Action-Adventure What is it: The Autobots learn of a Cybertronian spacecraft hidden on the Moon, and race against the Decepticons to reach it and learn its secrets, which could turn the tide in the Transformers' final battle. Why it should be good: I've enjoyed the franchise so far. While Part 2, was blasted pretty well by critics, I didn't hate it that much. Granted it wasn't as good as the first, but I still found it fairly entertaining. And the movies are always a fun visual treat. Also, Michael Bay. I still have no idea why he receives so much crap while James Cameron is given a pass. Bay is just as adept a director as Cameron is. Anybody that still likes to tell me there's a difference between Pearl Harbor and Titanic will kindly receive a "fuck off" as you buy into the pretentious drivel. At least Bay knows his place (a mindless action director who can make pretty movies and fun explosions). Whereas Cameron believes his some gift to cinema which often leads to his films being poorly written, yet pretentious as hell. Seriously, I'll take Armageddon, Transformers, The Rock and Bad Boys over Titanic, Avatar, Aliens, and T2 any day of the week. Even though, yes, I know that will enrage many people and get me flamed for that opinion. Now, this movie (Transformers: Dark of the Moon) surely won't be a great cinematic piece. But as a mindless "let's make some cool special effects scenes and also blow some shit up" type of movie, it should be entertaining. Why it could suck: Well, if I had to pick one movie from the franchise that was better, it's definitely the first. The writer for this third film, unfortunately, is the same writer from Part 2 rather than the first. Also, it's still Michael Bay. He's not the greatest of directors. 9. X-Men: First Class Director: Matthew Vaughn Writer: Jane Goldman, Ashley Miller, Jamie Moss, Josh Schwartz and Zack Stentz; story by Bryan Singer Stars: James McAvoy, Michael Fassbender and Jennifer Lawrence Release Date: June 3, 2011 Genre: Sci-fi Action What is it: Before Charles Xavier and Erik Lensherr took the names Professor X and Magneto, they were two young men discovering their powers for the first time. Before they were archenemies, they were closest of friends, working together, with other Mutants (some familiar, some new), to stop the greatest threat the world has ever known. In the process, a rift between them opened, which began the eternal war between Magneto's Brotherhood and Professor X's X-MEN. Why it should be good: A look at when Xavier and Magneto were younger. A backstory to where it all started. For such a thrilling franchise, this could be a nice take on the story and provide quite some entertainment and thrills. Plus, having directed movies like Kick-Ass andStardust, Matthew Vaughn is, I believe, much more adept at creating a movie like this than say a Jon Favreau or such. Vaughn also has the enjoyable Layer Cake under his director's belt, which very much shows off that he learned well producing Lock, Stock and Two Smoking Barrels andSnatch. Furthermore, his friendship and learning under the great Guy Ritchie, only further adds value to his role as a filmmaker. Meanwhile, the writers have brought us such movies as Stardustand Kick-Ass as well as TV shows such as Fringe and Chuck. Also, it has a pretty good cast.

[studentsofshield]

Pick of the Week and Comics Reviews for the Week of 4/26/17

By Vincent Faust

This was originally published on the date in the title derp

It’s new comics day, everyone! For those totally unaware, the majority of comics come out in a serial format. A single comic is usually called an issue, though there are other weird nicknames like singles, floppies, etc. Major publishers put out their several series once a month. Though the different series are spread out so that product is coming out every week. Special issues called annuals even come out to cover that “13th month” of uneven weeks.

Today I will be reviewing some of the major releases of this week. After reading and reviewing all of them, I will also select a “pick of the week” as the standout issue. At the end I will also make some recommendations about new collected editions that have come out this week.

Pick of the Week: Flash 21 Writer: Josh Williamson, Artist: Howard Porter

5/5

This is how you do a fantastic comic book. Rebirth, baby, let’s go! The DC Universe that everyone knows and loves is on its way back to us. There are so many things to discuss here and I also don’t want to spoil much.

Howard Porter’s art is gorgeous. His representation of Barry’s super speed is gorgeous, though we already know that from his run on the title with Geoff Johns over 10 years ago. We also get a shot of the gruesome corpse of Eobard Thawne, the Reverse Flash. A bruised and bandaged Bruce Wayne also highlights Porter’s versatility. He also admirably handles some flashback peeks in a time travel sequence.

A Watchtower “lost and found” scene shows off so many Easter eggs. What to think of some of these? Meaningless background art or a hint at what is to come? These are clearly the costumes of Hourman, Star-Spangled Kid, and Doctor Midnite. A Rocket Red #7 suit is also seen, which specifically refers back to the 1980s JLI iteration of the character. As opposed to the Generation Lost/New 52 version. The issue also opens with another Johnny Thunder scene.

The final page reveal is insane. Reading this issue makes me realize how much I love these darn characters and how giddy I am that DC is finally taking steps after seven years to make things right again. Perfect.

Action Comics 978 Writer: Dan Jurgens, Artist: Carlo Barberi

5/5

This is continuing Dan Jurgens’ aftermath story following the Reborn crossover saga. Clark is checking through Fortress of Solitude memories to determine what all has changed in his past thanks to the merging with the Superman of Earth-Prime. He basically has phantom memories. This allows Jurgens to do some refreshing on the origin and clarify what is in continuity and what isn’t.

Readers get a jaw dropping splash on page 6 showcasing many of his villains and eras. Electric Blue Superman is notably shown. Darkseid is drawn in his Jack Kirby style. Manchester Black is even here (obviously specifically nodding to What’s So Funny About Truth, Justice, and the American Way from Action Comics #775). We even get to see the trunks on for a second.

Jurgens basically runs us through the major emotional moments of his original 1990s tenure on the Superman books. From his proposal to Lois, revealing his secret identity, to his death at the hands of Doomsday, to the marriage.

The book ends with Mr. Oz teasing something for Clark and Hank Henshaw forming his Superman Revenge Squad with Eradicator, Metallo, Blanque, and soon to be Mongul.

The Superman books are going through a really exciting period right now. Just like many of DC’s characters. But Supes is at his best he’s been for probably a decade. Truly magical work.

Blue Beetle 8 Writer: Keith Giffen and J.M. DeMatteis, Artist: Scott Kollins

3/5

This has been the lowest selling Rebirth title from its debut to its most recent issue. It’s really a shame that it isn’t clicking with readers considering the all-star classic creative team. Though maybe it’s precisely that traditional feel that is holding the book back.

One thing the old school style has going for it is a meaty feeling. I don’t get the same feeling reading this issue that I did from the X-Men books. Not much decompression here. Lots of dialogue and action is packed into this little package.

The title page describes “the reunion of one of the greatest teams in comic book history.” I got really excited and thought it was going to be the return of Booster Gold. But it was referring to DeMatteis joining the creative team as scripter. I haven’t read enough of the previous issues to determine if this marks an improvement.

The final page of Jaime Reyes putting on Ted’s classic Blue Beetle suit is giving me more of those great Rebirth feelings. Check out my post on Rebirth dream books to hear what I think could save this book (it’s Booster Gold).

Justice League of America 5 Writer: Steve Orlando, Artist: Andy MacDonald

2/5

Nothing offensive about this issue. Nothing to write home about either. I still don’t totally understand why this specific lineup has been assembled as the splinter Justice League team. Seems like they’d be better off called the Outsiders. Ryan Choi gets so little attention. As do pretty much everyone on this team. Characterization is completely lacking. As a Philadelphian, I was annoyed that Ray’s home city was teased but the change was not actually acknowledged. Not much else to say about this book. Doesn’t pique my interest much.

Suicide Squad 16 Writer: Rob Williams, Artist: Tony S. Daniel

2/5

First of all, I have not read most of this series. I admit complete bias before cracking this issue open. I don’t think the Suicide Squad has been interesting since John Ostrander left it in 1992. There have been worthy successors like Gail Simone’s Secret Six and Greg Rucka’s Checkmate as far as DC Universe political intrigue and bad guys turned sorta good stories go.

I also think that DC completely ruined the franchise with the New 52. Presenting the book as a core flagship and making Harley Quinn a featured character deflates all of the tension and entire premise of the book. DC considers Harley their “fourth pillar” after Batman, Superman, and Wonder Woman. So the entire point of the Suicide Squad – that a member could die at any minute – is made moot.

DC tapped Jim Lee to initially draw the Rebirth iteration of Suicide Squad. Which obviously indicates they see it as a blockbuster title. Which makes sense from a business perspective given the recent (crappy) film adaptation. But Lee is not a good fit for this title. I also think he tries to return to something close to his 1990s X-Men/Wildcats aesthetic when on major books nowadays. Something has happened and that style of his has been rough on everything since All-Star Batman and Robin.

Enough rambling and onto the actual book at hand. Right off the bat on the cover I spy atrocious costumes for Harley and Deadshot. Katana has some obnoxious TnA perspective going on. On the interiors, Tony Daniel is at least a step up from the misplaced Lee.

The most interesting character here is Lex Luthor in his new status quo. The Squad infiltrate his complex while Amanda Waller talks him up. All to receive some Kryptonite so that General Zod can join the Squad. Because that is sure to work out.

X-Men Blue 2 Writer: Cullen Bunn, Artist: Jorge Molina

3/5

I still don’t care about these versions of the Original Five. Across Bendis and Hopeless, I was never given a reason to care about this time-displaced Wonder Bread. They’re just boring versions of their older selves. Which of course makes me upset seeing as how Cyclops is my favorite Marvel superhero.

Bunn was clearly born to write Magneto. He’s done fantastic work with the character previously in the Marvel Now era solo series and then in the All-New All-Different Uncanny X-Men. I just wish that he was more of a central character in this book. Jean goes into his mind and Bunn effectively pulls the heartstrings with a Holocaust flashback that was not done in an exploitative way.

Some of the dialogue between the teenagers is iffy. I am not a fan of Jorge Molina’s Jean Grey design. Otherwise, this book felt pretty decompressed. Nothing actually happens, there is no complete story within these pages.

A beginning flashback scene has Jean Grey arguing with Magneto over cooperating. She states that he had battled them over and over again, with his response being “that was a long time ago.” It was for most readers as well. Which is why we don’t care about these characters. But maybe there is a silver lining, with a tasty final page tease.

Though this will likely just turn Magneto into a stock villain again. Here’s hoping Bunn has interesting plans.

X-Men Gold 2 Writer: Marc Guggenheim, Artist: Ardian Syaf

3/5

I’m not going to get too into the Ardian Syaf controversy here. His art is meh in this issue, with some bright spots and some sequences that look really lazy.

We an incredibly abridged fight with the new Brotherhood of Evil Mutants. Who we learn are joined by Mesmero. Kitty has an awkward exposition scene with Steve Rogers. Are other books not addressing his H.Y.D.R.A. stuff at all yet?

Nightcrawler gets injured, Old Man Logan gets captured. A generic faceless mutant gets shot. Guggenheim is already going overboard with the race metaphor. The new Avalanche and Pyro aren’t explained yet either.

This Brotherhood arc doesn’t have me jazzed to keep reading. It offers nothing new but is also not effectively pulling at my nostalgia for X-eras past.

Reprints

Marvel has a publishing initiative that they call True Believers. It reprints certain classic single issues for a dollar cover price. There are two really cool ones out this week.

One is True Believers: Generation X which collects the debut issue of that titular 1990s X-title. Everyone likes to dig on the 90s era in comics, and especially the X-Men. However, Scott Lobdell and Chris Bachalo did some wonderful work on this underrated title. Bachalo’s art is on a whole other level of innovative and unique. The characterization of these young mutants under the pen (or rather keyboard) of Lobdell was unparalleled for years. This is obviously being released to coincide with the upcoming Generation X series with limited connections to the originals. I am hoping that this new book does well and motivates someone at Marvel to give fans a comprehensive reprint of this classic.

Another is being labeled as True Believers: X-Men Gold. There actually was previously an X-Men Gold book prior to the ongoing one. It was a one-shot released in late 2013. However, this is not that. This reprints Uncanny X-Men #281. Which is the first issue of the next major status quo after Chris Claremont left the X-Men. This is the origins of the Blue and Gold era which the current X-books are trying to recapture. Beautiful (though very 90s) art by Whilce Portacio. A little less impressive script by some concoction of Jim Lee, John Byrne, and Whilce Portacio. This is before Scott Lobdell came on to give an actual direction to Uncanny X-Men.

Avengers: Masters of Evil Epic Collection

This is the third epic collection of Silver Age Avengers from Marvel. It collects issues 41-56, Annual 1-2. The beginning of this is the tail end of the Kooky Quartet era of Avengers history (though at this point joined by Hank Pym as Goliath). This period then proceeds with classic Avengers like Hercules and Black Panther jumping on. Roy Thomas picked up writing the book in the last epic at #35. He will do lots of character development for Black Panther across his run. This ends right before the debut of Vision. One can actually buy four Avengers epic collections from the very beginning. That’s almost 2,000 pages of classic Marvel action.

Flash by Waid Vol 2

The greatest Flash run of all time. In fact, this specific collection collects The Return of Barry Allen. Which is almost universally considered the best Flash story of all time. A Flash fan would have to be insane to not instantly be on the lookout for this.

Saga Deluxe Vol 2

Everyone loves Saga. I think? Brian K. Vaughan and Fiona Staples’ smash hit Image title wows most who read it. With its emotional drama and wacky characters. What is there not to love? If you don’t already rabidly pick it up in issues or paperbacks, here’s a sexy hardcover. Or just upgrade. This collects issues 19-36. Which is equivalent to the fourth through sixth trades.

Young Justice Vol 1

Do you like the animated TV show of the same name? With characters like Connor Kent, Tim Drake, Bart Allen, and Cassie Sandsmark. This is the origin of that title and much of its roster of teenage superpowered heroes. This is also a comic written by Peter David. Which means, as long as DC continues printing them, you will have a solid chunk to read and digest. It also means that the characterization and relationships are on point. I’ve been looking forward to checking this out.

Let me know in the comments below what comics you enjoyed this week or intend to pick up.

[anythingstephenking]

Sometimes… dead is bettah.

The soil of a man’s heart is... stonier. 

True story.

If there was one novel I was most anticipating revisiting, it is Pet Sematary. It was my favorite from childhood. Which makes me worry just slightly about my mental health, as this is a tragic, dark and heartbreaking tale.

This is far and away the darkest of King I’ve read to date (not counting any Bachman). For me, it most closely paralleled The Shining in level of tragedy and study of what humans are capable of. The Shining showed us what isolation can do; Pet Sematary shows us what death can do.

Stories in which King draws inspiration from his own personal experiences make for his strongest storytelling. The Shining after his time in Colorado; Cujo after crossing a junkyard dog; and Pet Sematary while living on Route 15 in Orrington, Maine.

In the late 70’s King chose to settle in Maine and teach a course at his alma mater, The University of Maine at Orono. His curriculum was focused on British horror (of course) and included Dracula, Dr. Jekel and Mr. Hyde, and Frankenstein. I know I wasn’t even born yet, but man, I wish I was in this classroom.

Steve and Tabs, along with their young children Naomi, Joseph and Owen, rented a farmhouse on Route 15. A papermill lay at the end of the busy road, and the trucks took the lives of many pets, including Naomi’s cat Smucky. 

RIP Smucky. 

There was a close call when King snapped Owen up right before he ran into the road. And lastly, behind the farmhouse  was a cemetery for the dead animals killed in the road, with a sign spray painted by the kids calling it “Pets Sematary”. So that was that.

The house the King family lived in.

The real life Pet Sematary in Orrington has been picked clean by King fans over the years, which is a bummer. This is why we can’t have nice things.

King kept this book shelved for a while. King’s friends and even Tabs said it was too much. And here’s the thing - it is too much. Recalling the movie, you remember the terror of Zelda and Gage creepily calling “come an’ play with me daddy”. The novel spends less than 30 pages on the third act, but it is decidedly more horrifying than anything they could translate to the screen.

The novel was finally published in 1983, when King was severing ties with his publisher Doubleday, and moving onto a new contract with Viking. Tabs suggested he send along Pet Sematary (good ol’ Tabs to the rescue again!) to finish out his last contracted novel with them. And it seemed for the first time, their original hunches were wrong, because folks just loved this book.

And I love it too, but I am honestly scratching my head wondering why. Like most other King novels, the characters are wonderfully developed and flawed. But unlike most other King novels, there is no happiness or escape. The story is one of death and grief and the limits human beings will push when confronted head on with these things.

I have to start with the books preface.

Here are some people who have written books, telling what they did and why they did those things:

John Dean. Henry Kissinger. Adolf Hitler. Caryl Chessman. Jeb Magruder. Napoleon. Talleyrand. Disraeli. Robert Zimmerman, also known as Bob Dylan. Locke. Charlton Heston. Errol Flynn. The Ayatollah Khomeini. Gandhi. Charles Olson. Charles Colson. A Victorian Gentleman. Dr X.

Most people also believe that God has written a Book, or Books, telling us what He did and why - at least to a degree - He did those things, and since most of these people also believe that humans were made in the image of God, then He also may be regarded as a person… or more properly, as a Person.

Here are some people that have not written books, telling what they did… and what they saw:

The man who buried Hitler. The man who performed the autopsy on John Wilkes Booth. The man who embalmed Elvis Presley. The man who embalmed - badly most undertakers say - Pope John Paul XXIII. The twoscore undertakers who cleaned up Jonestown, carrying body bags, spearing paper cups with those spikes custodians carry in city parks, waving off the flies. The man who cremated William Holden. The man who encased the body of Alexander the Great in gold so it would not rot. The men who mummified the Pharaohs.

Death is a mystery, and burial is a secret.

And that my friends is how this book begins. Chills before we even start.

Back to Doubleday for a second. Knowing this was the last of the King bucks they were going to see, they pushed this book… hard (that’s what she said). And they pushed it under the guise of “The only book to even scare Stephen King.” People were rightfully curious about what could possibly scare the man himself. Me, I hope the person that came up with that tagline got a big raise. I’m not sure King actually said it scared him. I think he thought it was too dark, which is decidedly different that “too scary” but I guess the Doubleday marketing department did not give a shit.

But, yes, I guess this book is scary. but not in a jump out and bite ya kinda way. Gage taking the scalpel and running amuck is just a blip on the radar of this story. No, it’s scary because it gets inside your mind and stays there. What would you do if you were Louis Creed? What would anyone do in that situation? Could you resist the urge to turn back time if you knew that power was out there?

Death radiates from every pore of this story. First from tales Jud Crandall tells while he and Louis sip beers on the porch. Judd and his wife Norma live across the busy road from the Creed family, and they become close friends in some weird May-December friendship way that I guess happened back when there was no Netflix.

When the Creed family cat dies, Jud takes Louis out past the pet cemetery to the indian burial ground. Remember when I said that Gage’s spree blipped through the story on the last 30 pages? King spends almost the same number of words recounting Louis and Judd’s first trek to the Micmac burial grounds.

“The sound seemed at first distant, then very close; moving away then moving ominously toward them. Louis felt the sweat on his forehead begin to trickle down his chapped cheeks. He shifted the Hefty Bag with Church’s body in it from one hand to the other. His palm had dampened, and the green plastic seemed greasy, wanting to slide through his fist. Now the thing out there seemed to be so close that Louis expected to see its shape at any moment, rising up on two legs perhaps, blotting out the stars with some unthought-of, immense and shaggy body. “

Well everyone knows things that are buried in that ground come back to life. Which is pretty a-ok. Church comes back and he seems different, but not enough for anyone to really notice. He just is a bit dumber and slower - and I mean, he’s a cat, so what do you expect? They’re dumb and slow. 

The real tragedy begins when Gage, the two year old son of the Creed family, is run over by a tanker truck outside their home. The description of the scene is graphic and terrifying. 

And even if you don’t know the story, you know what’s coming next. Overcome by the death, Louis buries Gage’s body in the burial grounds. And it ruins everything.

Leading up to Gage’s second burial, the grief of the Creed family is long and painful. It’s drawn out in a way where, when Louis gets the shovel and heads for the graveyard, you understand why he’s doing it.

Like the Overlook before it, the burial grounds have a pull on anyone that has set foot there. It pulls Jud (who buried his own dog there as a kid) to bring Church there. It pulls Louis to bring Gage, then Rachel. It convinces him he’s making the right decision. The burial grounds offer a reprieve from pain and heartache, no matter for how brief a time. 

And even after the Creed family is gone, others will continue to be pulled towards the power the Micmac spirits still hold, hundreds of years after they last graced the earth.

A study of good and evil, right here on my couch.

10/10 - Sad it’s over.

First line: Louis Creed, who had lost his father at three and who had never known a grandfather, never expected to find a father as he entered middle age, but that was exactly what happened.

Last line: “Darling,” it said.

Adaptations:

Story Time! So. Growing up we lived in an old farmhouse that was built in the late 1800’s. I loved this house. I still drive by it when I go home because I’m a weirdo. But it is surprisingly reminiscent of the victorian from Pet Sematary.

The Google Street view of my old house, because I’m too lazy to go look for an actual picture in a box somewhere.

In this old, creaky, beautiful and wonderful house, the upstairs was split into two sections. The area above the back of the house was closed off, with stairs going down into the kitchen. We referred to this as the “back bedrooms” and in its early years, these were the servants quarters, with a separate stairwell and kitchen access. There also was an outhouse over the barn that we thought was hysterical (two holes cut in a long board) because poop is funny.

I must have been 12 or 13, and had my girlfriends over for a sleepover. These were the years where you lined all your sleeping bags up on the living room floor, painted each other nails, talked about boys (that you could only talk about and not to) and of course, watch scary movies.

Now, this movie is rated R, for good reason, but we wanted to watch it anyways and my mom let us. Bad call moms. Rightfully terrified afterwards, we went to the kitchen for more soda and popcorn. And while we all stood there pretending we weren’t scared of sleeping, my mom had snuck up the front stairs and down the back. She started scratching her fingernails on the closed door and whispering, “Zelda’s going to get you girls.”

Well… six 13 year old girls started screaming at the top of their lungs, so loud that my dad who was sleeping in the den was startled awake and rolled off the couch. I sat down on the floor of the kitchen and cried. (If you know me in real life, this is not surprising you.) My friend Caitlin ran straight out the front door and refused to come back inside.  It was a long time before her mom let her come to my house again.

So that was my first experience with Pet Sematary and as much as I can remember, it was the first movie that scared the shit out of me.

King wrote the screenplay himself, and so it is not surprising that the movie plot follows the book pretty closely. This movie only got made because of a WGA strike in the late 80s - two major studios had turned it down, saying “The time for Stephen King movies has come and gone.” LOL. Dummies. But because there were no writers providing new scripts, they had to pick from what they had. 

Some people say this film doesn’t hold up... but those people are wrong. Maybe it’s because it touched me so deeply as a kid that the terror lingers, but I do still think it’s good. Everyone that saw this movie did the running jump into their beds for weeks afterwards - even on my latest viewing I had to cover my eyes for the scene of Jud Crandall getting his heel cut. The worst.

Now granted, there are some cheesy parts. I described Louis’s fear in his path to the burial grounds in the novel. In the movie we get this:

But the movie also gives us this painting, soooo….

Really Zelda is the star of the nightmares. Fun fact: Zelda was played by a teenage boy.

Zelda, while really only a supporting character of Rachel’s aversion to death in the novel, is given prime time for creep in the movie with her twisted spine and spindly fingers. I still gag a little when I think of the scene of young Rachel feeding her what appears to be pea soup, and it just dribbling down Zelda’s chin. :::shudder:::

Fred Gwynne as Jud is the true star of this movie, with his amazing and over the top Maine accent, saying things like “that path down yonder there” and “you gotta bury your own” with a Winston hanging out of his mouth.

There’s a fascinating documentary on Amazon Prime called Unearthed & Untold: The Path to Pet Sematary that is worth a watch. They interview most everyone in the cast and crew. Someday I will go to Maine and see all the things with my own two eyes. But not the original Pet Sematary, because everyone ruined it. Jerks.

Side notes: Gage also played Michelle Tanner’s uber-annoying friend Aaron on Full House. Also, he grew up to be kinda a babe in case you were wondering, which you weren’t but now you’re going to go google it. 

There’s a remake of this in the works and I truly hope it gets made.

To top us off and just for shits and giggles, Jud Crandall’s parody on South Park. Sometimes dead is better.

https://www.hulu.com/watch/254511

(I can’t embed this link, so just click on it.)

[movietvtechgeeks]

Latest story from https://movietvtechgeeks.com/moonlight-wins-best-picture-two-major-2017-oscar-mix-ups/

'Moonlight' wins Best Picture after two major 2017 Oscar mix ups

The Academy Awards can sometimes feel like watching paint dry, but it wasn't political speeches that spiced things up at the 2017 Oscars Sunday night. It was two major gaffs, obviously unintended, but 89th Academy Awards broadcast will go down in film history. (Full list of winners is down below) The last Oscar stunner wasn't the Michael Moore acceptance speech for "Bowling for Columbine" as some will think, but in 1974, when a nude man raced across the stage flashing a peace sign. Actor David Niven was able to keep his composure with this quip, "Isn't it fascinating to think that probably the only laugh that man will ever get in life is by stripping off and showing his shortcomings?" "La La Land's" Best Picture confused with "Moonlight" is garnering all the press attention as Warren Beatty and Faye Dunaway were caught in the confusion. Everything seemed like they were going with a script and that Beatty was mugging by taking a long time after opening the envelope and looking inside. BEATTY: "The Academy Award..." He pauses, looks at the envelope again. BEATTY: "For best picture..." He pauses again and looks offstage, then hands the envelope to Dunaway, who gives it a quick glance. DUNAWAY: "La La Land." Nothing seems amiss as the audience applauds while the cast, producers and it seems everyone associated with "La La Land" piles onto the stage, but once Producer Marc Platt begins speaking something is definitely off. People standing behind him begin talking and looking confused, then a guy with headphones appears, and you wonder if it's the Donald Trump ICE team checking everyone's papers. The producers hand over their red envelopes while Platt and Jordan Horowitz continue talking. PLATT: "Keep dreaming, because the dreams we dream today will provide the love, compassion and the humanity that will narrate the story of our lives tomorrow." Fred Berger, the final talking producer, takes his turn at the microphone and speaks briefly before looking at a confused scene behind him and dryly states. BERGER: "We lost, by the way." HOROWITZ: "There's a mistake. 'Moonlight,' you guys won best picture. This is not a joke." PLATT: "This is not a joke. I'm afraid they read the wrong thing." HOROWITZ: "This is not a joke. 'Moonlight' has won best picture." Jordan Horowitz retrieves the Oscar card from Beatty and holds it up. In dramatic movie fashion, the camera pans in so the words are visible: "Moonlight" has indeed won best picture. It feels like a scene from an Oscar-winning movie where the underdog comes out the winner. Jumping into host action, Jimmy Kimmel approaches the microphone and mentions Steve Harvey, whose 2015 reading of the wrong Miss Universe winner instantly becomes the second most embarrassing awards show flub. KIMMEL: "Guys. This is very unfortunate what happened. Personally, I blame Steve Harvey for this." Kimmel gives Horowitz an uncomfortable sad look. KIMMEL: "I would like to see you get an Oscar anyway. Why can't we just give out a whole bunch of them?" HOROWITZ: "I'm going to be really proud to hand this to my friends at 'Moonlight.'" KIMMEL: "That's nice of you." Beatty quickly jumps into action to explain what has happened. He's smart enough to know rather than slink off stage in embarrassment; it's better to just lay out the facts quickly. BEATTY: "Hello? Hello?" KIMMEL: "Warren, what did you do?" BEATTY: "I want to tell you what happened. I opened the envelope, and it said 'Emma Stone, La La Land.' That's why I took such a long look at Faye and you. I wasn't trying to be funny." Meanwhile, the cast, producers and crew of "Moonlight" are standing looking very stunned and probably wondering when they get to talk. Everyone from "La La Land" is now drifting off the stage, and on cue, the camera switches to people in the audience who look dumbfounded. Matt Damon whistles. Barry Jenkins, creator of "Moonlight," approaches the microphone. JENKINS: "Very clearly in my dreams, this could not be true. But to hell with dreams, I'm done with it, because this is true. Oh, my goodness." Jenkins finishes his speech. Then Kimmel takes the microphone again. KIMMEL: "Well, I don't know what happened. I blame myself. ... It's just an awards show ... I knew I would screw this show up. I really did ... I promise I'll never come back." Finally, the "Moonlight" people get to speak. One thing is that this is one win they will never forget and easily pushed more recognition of the film than it would have ever gotten without the mix-up. The big question is that why did the producers of the Oscars let the "La La Land" people go on for over two minutes in speeches when it was obvious at least two people knew that the wrong film had been called out. Accounting firm PwC (Price Waterhouse Coopers) sent out this statement several hours after the mayhem had chilled down. "We sincerely apologize to 'Moonlight,' 'La La Land,' Warren Beatty, Faye Dunaway, and Oscar viewers for the error that was made during the award announcement for Best Picture," a statement from the firm said. "The presenters had mistakenly been given the wrong category envelope and when discovered, was immediately corrected. We are currently investigating how this could have happened, and deeply regret that this occurred." "It's one of the strangest things that's ever happened to me," Beatty said backstage. "Thank God there were two of us up there," Dunaway responded. The actress then asked Beatty, "Who else should I tell?" "Everybody," he said. At that point, a security guard tried to take the real envelope, and Beatty said, "Security is not getting this. I'm giving it to (Moonlight director) Barry Jenkins at a later time." Beatty also refused to show it to anyone else. The Miss Universe Twitter account quickly let the Oscars know they felt their pain. "Have your people call our people, we know what to do," the tweet read. That was the beginning of a Tweet pile-on that may be the biggest of all time, with many declaring that "La La Land" won the popular vote while "Moonlight" won the electoral college. I have a feeling that in that moment (which it's easy to become Monday morning quarterback on), everyone froze up not quite believing that something like this could happen. Then someone else took over and jumped in to fix the mess. That's how this usually works out in the movies and now on an awards show about the movies. Very nice film within a film feel this year Oscars. The other major mess up being overshadowed by the "Moonlight" first wrong call, was for Costume Designer Janet Patterson, who was part of the 'In Memorium' section. The name was correct on the card, but the picture was off. So, you can imagine the horror that Australian producer, Jan Chapman, must have felt seeing her image showing up on the card instead of the deceased woman's. “I was devastated by the use of my image in place of my great friend and long-time collaborator Janet Patterson. I had urged her agency to check any photograph which might be used and understand that they were told that the Academy had it covered. Janet was a great beauty and four-time Oscar nominee, and it is very disappointing that the error was not picked up,” Chapman told media outlets. “I am alive and well and an active producer.” Chapman is one of Australia’s best-known producers with credits including “Lantana,” “Holy Smoke,” and “The Last Days of Chez Nous.” She was married to director Philip Noyce in the 1970s. To confuse matters further, Patterson and Chapman worked together on “The Piano.” The Academy hasn't commented on this gaffe yet.

The full list of 2017 Academy Award Winners below (winners are bolded):

BEST PICTURE Arrival Fences Hacksaw Ridge Hell or High Water Hidden Figures La La Land Lion Manchester By the Sea Moonlight – WINNER BEST DIRECTOR Denis Villeneuve (Arrival) Mel Gibson (Hacksaw Ridge) Damien Chazelle (La La Land) – WINNER Kenneth Lonergan (Manchester By the Sea) Barry Jenkins (Moonlight) BEST ACTOR Casey Affleck (Manchester By the Sea) – WINNER Andrew Garfield (Hacksaw Ridge) Ryan Gosling (La La Land) Viggo Mortensen (Captain Fantastic) Denzel Washington (Fences) BEST ACTRESS Isabelle Huppert (Elle) Ruth Negga (Loving) Emma Stone (La La Land) – WINNER Natalie Portman (Jackie) Meryl Streep (Florence Foster Jenkins) BEST SUPPORTING ACTOR Mahershala Ali (Moonlight) – WINNER Jeff Bridges (Hell or High Water) Lucas Hedges (Manchester By the Sea) Dev Patel (Lion) Michael Shannon (Nocturnal Animals) BEST SUPPORTING ACTRESS Viola Davis (Fences) – WINNER Naomie Harris (Moonlight) Nicole Kidman (Lion) Octavia Spencer (Hidden Figures) Michelle Williams (Manchester By the Sea) BEST ORIGINAL SCREENPLAY Hell or High Water La La Land The Lobster Manchester By the Sea – WINNER 20th Century Women BEST ADAPTED SCREENPLAY Arrival Fences Hidden Figures Lion Moonlight – WINNER BEST FOREIGN LANGUAGE FILM Land of Mine A Man Called Ove The Salesman – WINNER Tanna Toni Erdmann BEST CINEMATOGRAPHY Arrival La La Land – WINNER Lion Moonlight Silence BEST DOCUMENTARY Fire at Sea I Am Not Your Negro Life, Animated OJ: Made in America – WINNER 13th BEST COSTUME DESIGN Allied Fantastic Beasts and Where to Find Them – WINNER Florence Foster Jenkins Jackie La La Land BEST ORIGINAL SCORE Jackie La La Land – WINNER Lion Moonlight Passengers BEST ORIGINAL SONG Audition (La La Land) Can’t Stop the Feeling! (Trolls) City of Stars (La La Land)  – WINNER The Empty Chair (Jim: The James Foley Story) How Far I’ll Go (Moana) BEST SOUND EDITING Arrival – WINNER Deepwater Horizon Hacksaw Ridge La La Land Sully BEST SOUND MIXING Arrival Hacksaw Ridge – WINNER La La Land Rogue One: A Star Wars Story 13 Hours BEST PRODUCTION DESIGN Arrival Fantastic Beasts and Where to Find Them Hail, Caesar! La La Land – WINNER Passengers BEST ANIMATED FEATURE Kubo and the Two Strings Moana My Life As a Zucchini The Red Turtle Zootopia – WINNER BEST ANIMATED SHORT Blind Vaysha Borrowed Time Pear Cider and Cigarettes Pearl Piper – WINNER BEST FILM EDITING Arrival Hacksaw Ridge – WINNER Hell or High Water La La Land Moonlight BEST LIVE-ACTION SHORT Ennemis Interieurs La Femme et le TGV Silent Nights Sing- WINNER Timecode BEST DOCUMENTARY SHORT 4.1 Miles Extremis Joe’s Violin Watani: My Homeland The White Helmets – WINNER BEST VISUAL EFFECTS Deepwater Horizon Doctor Strange The Jungle Book – WINNER Kubo and the Two Strings Rogue One: A Star Wars Story BEST MAKE-UP & HAIRSTYLING A Man Called Ove Star Trek Beyond Suicide Squad – WINNER

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