#also why oh why does the village have lore and backstory to it and how much will i be able to put into the fic lol | Explore Tumblr posts and blogs

createandconstruct · 3 years ago

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can i ask about amarant coral? the monk in red himself~

Can you ask about Amarant Coral? *cracks fingers* Oh I insist that you do. Welcome to my Amarant Appreciation Post:

favorite thing about them: First off best thing about Amarant? His theme. The percussion and the guitar. It’s great and it captures him so well. People out here like “take Amarant out of the game he adds nothing.” EXCUSE ME? You remove the Amarant you remove the Amarant Theme my friend and that is something I do NOT vibe with.

least favorite thing about them: I wanna know more about him. Now Amarant doesn’t need a backstory or history in the game. In a sense, he already has one that connects him to Zidane and explains his motives and actions and eventual arc. But my issue is, Square never gave him anything else. If you look at Ultimania there’s additional lore about other characters, like Steiner for instance. You learn Steiner was a war orphan who was saved by the Pluto Knights - explaining his devotion to them. Amarant though? Square was like “uh... yeah he was born....? And then he uh got famous...? Idk then he met Zidane. You figure it out.” Square. I hate you. 18 years from his birth until he became “well known”. WHAT WAS HE DOING. WHY’D HE BECOME A SECURITY GUARD. WHAT WAS ON HIS RESUME. TELL MEEEE. Like, okay, what the actual in-game canon gives us on Amarant is sort of enough. He’s a purposely written mysterious “cool-guy” character so we’re given scraps to make him unknown but come on. In the published after-game canon, like Ultimania, we could have been given a bit more. He says he doesn’t remember anything about his origins or parents, but why. Was he another victim of Gaia’s wars? Probably. Was he born on a battlefield? Fighting for his life, living without comrades, taking scraps whenever he could? Was he betrayed when he was young? Is he a supposed to be a version of Zidane had he not been adopted into Tantalus by Baku??? These are questions I deserve answers to, Square.

favorite line: “’I can't just walk away. It goes against my nature...’ You're a real simpleton. Forget it, guys. There's no stopping this fool." I love this. Amarant figures Zidane out pretty quickly after Ipsen’s Castle. Zidane is hardheaded and also an actor. He acts cool and pretends his reasons for doing things are loose but when he’s decided something it’s always for a reason. You don’t need a reason to help people, but Zidane has his reasons for helping Kuja and while Amarant doesn’t give two shits what they are he knows Zidane won’t be stopped because, despite everything, Zidane saved a loser like him. Also this line “Tell me! Why didn't you kill me!?" Because I quote it all the time and it makes myself laugh. Amarant is such a drama queen and Zidane knows it. Zidane’s like “dude... what is your damage, it’s 5 pm on Tuesday in Madain Sari. I ain’t getting blood on my gloves cause you’re having a temper tantrum.” And then Amarant runs away to have an existential crisis. He’s 26 but compared to Zidane, he’s the real teenager with angst.

brOTP: I could talk about Zidane or Freya with Amarant but instead I’m gonna say the underrated dynamic of Amarant and Eiko (and also Vivi). Amarant with the kids is truly the greatest gift given by his presence in the game. Amarant has never known true suffering until he became a designated legal guardian of a group of minors. It also kills me how he’s the one to volunteer to carry Eiko and Vivi up the Iifa tree. He looks at Zidane and is like “you have seriously been the ‘adult’ of this group???”

OTP: Gotta say the Freya and Amarant dynamic. I really enjoyed their unlikely friendship in the game but then the content. The fan content. The Freya x Amarant fans out there, you win. Ya got me. You captured me and I am now imprisoned by their banter and begruntled allies to lovers story. Even if they’re not romantic I love them together and really wish the game gave us more of them. But even Lani and Amarant together are valid, though I prefer them as butting head bros. Not much content for my girl Lani out there either, she deserves more.

nOTP: Nothing I can think of. I tend to like platonic pairings for Amarant. The dude needs friends because he can barely define the word friendship.

random headcanon: Before Zidane returns at the end of the game Amarant wanders around a bit, unsure of what to do. He doesn’t feel any place with the others in Alexandria, Burmecia, or Lindblum. I imagine he goes off on his own for a bit like before but this time he’s not after Zidane or a fight. Instead he’s got no particular destination. Yet he somehow always finds himself running into people just like him - or the old him - friendless lonely people who are looking for a fight. He doesn’t go out his way to find these folks he simply runs into them and decides he might as well knock some sense into them. He does however make it his business to go after any murmur of people hatching any ideas of going after the far off little village on the Lost Continent. The home of the genomes and black mages. They were so helpless, so weak that anyone who’d want to mess with them is pathetic in Amarant’s book. Until Zidane returns, no one has the chance to even look at the Black Mage Village the wrong way because in the shadows Amarant lurks, making damn well sure of that.

unpopular opinion: I kinda love that he’s just there for most of the game? While I agree he gets the short end of the stick in the same way as Freya, not receiving additional individual character spotlight (which could have very well been supplied through discoverable lore in the world/npcs or through sidequests) I never considered his “standing off to the side” as a detriment to his character.

Many would probably agree that Amarant always felt like a bit of a parody of the loner character, or at least the stereotype of the loner character. Amarant is so easily paralleled with Squall and Cloud’s surface-level attitudes because his dialogue always felt like something to poke fun at. As the player we’re supposed to align with Zidane’s way of thinking and how he views Amarant. When Amarant loses to Zidane and pretty much grits his teeth and goes “KILL ME,” along with Zidane we’re supposed to kinda raise our brow at him and go “...really, dude?”

Amarant’s a character introduced as an antagonist who has more in common with the power hungry villains of the game. Like many of the characters in FFIX, Amarant is in search of purpose in life, which he has never found, because he was always looking in the wrong places - in places of violence and power. Very toxic-masculinity of him. Amarant is “cool” on an aesthetic level but in reality he’s the polar opposite of cool in terms of what FFIX states about the need for others to be intertwined in your experiences so that you can live a full life.

I sort of love that he’s like a grumpy pitball following a 16 year old and his friends around. Then he sits in the corner when they all meet up and discuss current events acting like he doesn’t care (not to mention he casually walks as everyone is running as fast as they can to escape Terra - made me laugh cry on my first playthrough) He is “just there” but that’s because he has no where else to be, no where else to go, he’s a man without a home. And until Zidane offers his hand, at the point where Amarant is most willing to take it at Ipsen’s Castle, he’s not truly a party member. He IS an outsider for almost the entire game but at Ipsen Castle he joins the party, becomes a comrade, and decides he’ll allow himself to change paths and start a life where he has friends and lives, as well as fights for them. Which is why after that moment, Amarant finally has a victory pose.

song i associate with them: I was scratching my head for so long trying to think of a song or track that had Amarant vibes until it hit me. Outskirt Stand by Tsukasa Tawada (from Pokemon Colosseum). Amarant is so chill, he’s not a bombastic guy, so he needs a theme that drops me in the rocky open desert of the Lost Continent like I’m just lumbering around looking for a monkey-tailed menace. Some other Amarant tunes: Pyrite Town, The Under, Snagem Hideout tracks from Pokemon Colosseum. This post is just an elaborate call to action for everyone to listen to the Pokemon Colosseum soundtrack. Tsukasa Tawada is so great and he has a YouTube. Check him out.

favorite picture of them:

Yoshitaka Amano’s Salamander Coral. I love him. He had too much power.

Also everything drawn by @crispy-ghee. Everything. I will think of this Comic forever until I die. Tattoo it on my flesh. The banter, the dynamics, the post-game content, the Zidane prince-consort outfit, the new Amarant outfit, the stuck-in-the-same-place relationship him and Freya have. Perfect. Go read it and consume Crisipy’s stuff. And also check them and their current art out, they just consistently get better and better. Here’s a first panel preview of my fav comic. Read it.

@hannahlady‘s Amarant art and their Freya/Amarant art is just ugh. *Chef’s Kiss* Here is another preview because you should go look at it.

Here’s a piece that deserves so much more love by @snackage. I LOVE how they drew Amarant. Here’s a little preview. It’s SO GOOD

Anyway TL;DR: Amarant is love and life and you’ll have to pull him from my little gremlin hands.

#asks #scriberat #amarant coral #ffix #final fantasy ix #amarant #final fantasy 9 #freya #amarant x freya #lani #zidane tribal #eiko carol

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rachelbethhines · 4 years ago

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Tangled Salt Marathon - Who’s Afraid of the Big Bad Wolf

Ok, so I’ve tried and tried several times to get this posted, we’ll see if this is the time it goes through. Half the reason why this review series has slowed down is not just the multitude of real life stuff I have to deal with, but also Tumblr just refusing to work with me and deleting my posts. I also can’t save my work else where due to Tumblr messing up the formatting. It’s been a frustrating mess and so far no one @staff has come up with a tech solution or work around.

Summary: Rapunzel helps to rebuild Old Corona, (after its near destruction from the Black Rocks) which will become the permanent home of Red and Angry, who have returned to Corona to settle down. However, she begins to notice strange footprints around the area, as well as the livestock becoming more unruly and fearful. The group comes across a monster hunter named Creighton, who explains to the group that the area is being stalked by a werewolf, who possessed one of Corona's citizens. Aiming to save this person rather than kill them, Rapunzel sets out to find who it is.

When Was This Decided?

No seriously, when was this decided? It’s a pretty big leap go from ‘the rocks makes various towns inhabitable’ to ‘let’s rebuild!’ What’s changed here? Cause the rocks haven’t been removed and Rapunzel failed in her mission to nullify their power. In fact the rocks were not only reawaken in the second season finale but shown to be under the power of someone who’s intentions were made unclear to the heroes.

So I ask again; who thought this was safe thing to do now? What provisions have been made to accommodate the rocks? They blocked the well, remember, and destroyed the fields; how are the people getting food and water?

And most importantly why wasn’t the audience informed beforehand? When you change up the status quo in a story you need to provide just cause to the viewers. I legit thought I had accidently skipped an episode when I first watched because this plot point was not set up properly.

Why Were They Ever Left Alone to Begin With?

In a story where neglect is a central theme and motivating factor for all the main characters, it is super tone deaf to have those same characters perpetuating neglect themselves. The decision to live on their own should not be left up to Angry and Red because they are children. Children are not mature enough to provide for themselves neither emotionally nor physically and when placed in situations where they have to do so it psychologically damages them. Which the series already showcased with Varian so why is this suddenly deemed ok?

This Completely Undermines the Past Two Seasons

The entire conflict of the past two seasons was the rocks forcing people out of their homes. Eugene was made an orphan from them, Varian lost his entire support group because them, they drove out the Saporians from their encampment which prompted them to invade Corona, and Rapunzel and company spent an entire year on the road trying to find a way to stop them from spreading supposedly.

All of that has now been flushed down the drain with this decision. And its super insulting to watch because it’s the writers telling us that we’ve wasted our time caring about this plot for two years. You don’t resolve major conflicts off screen and without explanation; it’s lazy!

Also Where Is Varian and Quirin During All This?

This is not only their home and legal charge, but it’s also the ending to their ongoing story, and they’re not even here in a silent cameo.

Wouldn’t Quirin be overseeing the rebuilding of his town? Wouldn’t Varian be using his skills to find workable engineering solutions for them, fulling his season one goal of saving his home and making his village better with his inventions? Also wouldn’t Edmund want to catch up with his brother and help out now that he’s here?

In fact not a single person who actually lives in Old Corona is to be found in these opening shots.

Oh, But We Do Get Earl

Earl might be from Old Corona, or he might not be. We’ve literally never seen him before. The artists had to create a brand new character model for this character, the writers had to write new lines for him, and the casting director had to hire an actor and have him record these lines for only less than a minute of screen time, never to be seen again. Even though they legit had shepherd models already to go from season one that they could have used. It’s a waste of resources and a prime example of the mismanagement going on in this show.

It’s Too Late In the Series to Waste Time On a New One Off Villain

Speaking of a waste, Creighton might have more story reasons to appear in this episode than Earl does but her inclusion is still a poor decision. The show already has an overabundance of villains, so many in fact that they shipped the bulk of them off in season two, and this is the final season; the season where we should be wrapping up plots and minor characters stories not kicking off new ones.

Taken on her own Creighton isn’t a bad character presa, she works for the episode, but when we could have gotten a resolution to Caine’s, Hector’s, or the Disciples’ story arcs instead it highlights how misused the series assets are.

All This Lore Will Be Forgotten In Just a Few Episodes Time

We finally get like some magical rules and backstory only for future episodes to ignore it from here on afterwards. Red can turn into a werewolf whenever she pleases, night or day, with little explanation as for why.

Just Arrest Her Rapunzel

You’re the acting queen. You have the power and the right to arrest or even merely detain someone who is threating your citizens and refuses to leave. In fact it’s kind of your job. You don't even have to throw her in a dungeon if you thought that too cruel. Just lock her up in a nice room somewhere in the castle until you’ve sorted out the mess yourself.

The series wants to treat Rapunzel as the underdog when she isn’t, and her failure to wield her power effectively doesn’t make her look ‘nice’ it just makes her look stupid and grossly incompetent. This is a conflict that didn’t need to have happened and Rapunzel let it happen.

Oh, So Now Y'all Riot

You didn’t complain when the king orphaned children with his crack down on crime. You rolled over as he dolled out overly harsh punishments to poor people who committed minor offences. You gleefully went along with the royals as they scapegoated a child for their mistakes, even as they endangered your homes. And ya’ll sat on your asses while invaders pulled off a coup and enslaved you.

But this is what you get mad over? A rumor about a mythical creature existing that your princess has zero control over. Seriously?

Man, I hate the townspeople in this show.

Pointless Dream Sequence Is Pointless

This scene tells the audience nothing new and just wastes screen time.

This Is the Wrong Lesson to Focus On Rapunzel

We do not tell the 12 year old to unload their phycological issues onto their baby sister!

You’re telling me parents were involved in writing this show? What the hell!?

Rapunzel you are the adult here. At 20 now you should be more adept to handle listening to the deep seated emotional traumas of a little girl than a fucking 10 year old! And if you’re not, or don’t want to, then it’s your job to find another adult who will.

That’s the core problem with this entire episode. It treats Red’s and Angry’s problems as some eternal issue that they need to work out and not as the inherent failure of the adults around them that it is.

It is neither Red’s nor Angry’s decision on weather or not they get live on their own. Nor is it their responsibility to be each other’s therapist. Yes, a change in living arrangements is always stressful and for children with abandonment issues it can be hard to readjust, but that’s when you need to step it up and deal with the problem; not shove it off onto the kids themselves!

Monty Is Useless

Is this all Monty is good for? Being a red herring in ridiculously simple mysteries? Is this why we wasted a whole episode introducing him back in season one? Really?

Why Are We Still Treating Old Corona As Being Separate from Corona Itself?

Look, I get that it’s a joke, but it’s a joke that highlights how poorly thought out the worldbuilding is in the series. Is the Coronan government in charge of Old Corona or not? If so then you can just make those lease laws yourself as the acting regent Eugene. If not then Frederic shouldn’t have had any say in the matter of relocating Old Corona’s citizens nor putting a child outside of his jurisdiction under arrest.

But more importantly this is a just a repeat of that vague level of responsibility Rapunzel has for people who live off the island. She can’t order a whole village to be rebuilt while simultaneously claiming that she bares no accountability for Varian and Quirin’s problems in season one.

Replacing Guns with Crossbows Isn’t the Safe Option That the Censors Think It Is

I find it kind of amusing that censors will ban showing a 17th century blunderbuss but allow it to be replaced by a weapon that is still mass produced today and can be bought in any Walmart across the country. Like I’m a major advocate for gun regulation in real life, but even I have to find this to be a bit silly. Crossbows aren’t some fantasy weapon. People still own and use them. But it would be seriously hard to get ahold of a working antique firearm.

Seriously This Is How the Girls Have Been Living and the Adults Haven’t Done Anything About It Until Now?

I feel like I’m beating a dead horse by now, but it’s so engrained into the episode I have to keep bringing it up. The show itself is visually telling us that Red and Angry can’t keep living this way, but it never wants to call Rapunzel and the other adults out for not rescuing them from this life sooner.

So All This Tells Me Is That Rapunzel Could Have Easily Checked Up On Varian In Painter’s Block, But Didn’t.

Remember they’re right next to Old Corona; meaning that Janus Point is also right next to Old Corona. Meaning that Rapunzel could easily have checked up on Varian right after Painter’s Block and choose not to. With each passing episode Rapunzel has less and less excuse for her behavior in season one.

Yeah Remember that Plot Point That Wound Up Being Entirely Irrelevant to the Story?

In jokes don’t cover your ass when you make poor writing choices. Quite the opposite in fact as all you’ve done is remind the audience of all the various dangling plot threads that you will fail to follow up on. The disciples plot goes no where and serves no purpose, and it should not have been introduced as this big important thing if you weren’t going to do anything with it.

Nice Idea, Poor Execution

I’ve heard fans of this episode tell me that they enjoy it because of this scene with Red. If you’re a naturally introverted person or neurodivergent and have trouble communicating at times then Red’s speech here can strike a cord. Which is cool; I’ll never deny someone’s feelings and if a piece of media speaks to you on a personal level for whatever reason that is great. What I’m here to discuss though is story structure and whether or not the story’s themes are presented well in context of what it’s set up.

The conflict here does not work from a pure structural standpoint because it’s a surface level deflection of the real issues. Red’s problem isn’t that she is being ignored, it's that she’s been abandoned. Now communication issues can arise from that abandonment and feeling heard can be step forward in working those issues out, but Red’s central trauma isn’t going to be magically fixed by people ‘listening’ to her, i.e. being granted whatever she wants, but by providing her with a real home and with a real guardian to look after her.

Because what Red wants on a surface level is harmful to her, and the reasons why she wants what she wants needs to be addressed more so than then sedating her angry outbursts in the moment. This is treating the symptoms not the cause.

So What Is or Isn’t Real About the Curse?

Once again, we finally get some actual lore and rules for magic and the writers are already throwing it away during the same episode they are introduced. I now have as little context for how the wolf curse works within the Tangled world as I did before the episode started.

This Is Sweet, But Once Again Context Brings It Down.

So just to reiterate, this a surface level resolution to the conflict of the episode that doesn’t actually address anything. It might feel like an appropriate ending but only if you ignore the fact that Red and Angry are orphans who’ve been abandoned but the adults.

Angry apologizing here to Red does not solve any of their problems, especially since Angry, as a child herself, is not responsible for her sister’s behavior, feelings, nor well being. That falls to the adults and they fail to address Red’s core issues and their own failings to her in their apologies as well. Not to mention that the very next scene undermines any optional progress that could have been made here.

Listening to Someone Does Not Mean Giving Them Whatever They Want

This does not fix anything. Red and Angry are still left to live on their own without any real supervision. Giving them a big play house is not providing for them, it’s spoiling them. Would you let all the other orphans in the local orphanage roam free without an adult to take care of them? No!? Gee I wonder why? Could it be because letting a 12 and 10 year old raise themselves is a very stupid idea? One that will potentially damage them later in life assuming that they don't get themselves killed in the meantime.

Moreover this is yet another example of the series overall problem with not understanding that compromise and resolving conflicts does not mean rewarding the characters at the end with everything that they want without having them work for it. That’s not how life works and it’s not how good story telling works.

This Is Beyond Irresponsible

No! Bad Show! Bad!

You do not get to pretend that negligence is the same thing as compromise. Yes I know Eugene said to come to him when they have a problem, but as demonstrated by this very episode children do not always know when to ask for help nor can they always find it when needed, that is why parents exist!

Nor does the show get a free pass for turning it’s main characters into child abusers who neglected three minors multiple times now. Even when they themselves are victims of that same abuse!

How utterly blinkered do you have to be to not see the problem here?

It’s the Return of the Pointless Parallels

Let me count the ways for how stupid this is.

Red and Angry’s conflict has no impact on the on going narrative. Even with them now being reoccurring characters they still manage to contribute nothing to the future storylines involving Cass.

Neither Rapunzel nor Cassandra learn anything from Red and Angry’s spat; Rapunzel because she refuses to acknowledge her own flaws and Cassandra’s not even here for any of it.

The sister’s dynamic between Raps and Cass is not well established and the writers mange to piss all over it by series end because of gay baiting and poor writing. Therefore relying on lazy parallels to other siblings in the show to bolster this connection falls flat.

Red and Angry’s argument has nothing in common with Rapunzel and Cass’s current fighting. One is about abandonment issues and the other is about shallow validation. Trying to tie these two themes together actually winds up undermining both conflicts.

Red and Angry are children. Rapunzel and Cassandra are not. That very much matters.

Red and Angry didn’t drag innocent people into their petty bitch fight and endanger them because they wanted to feel special.

This Makes Zero Sense

I don’t know; she looked pretty happy during Crossing the Line.

She was also able to control the rocks just fine then, so what happened?

Not to mention soon after this Zhan Tiri is telling her she needs some sort of incantation to control the rocks, despite being able to already control the rocks....

It’s almost as if the writers are full of shit and don’t actually know what they’re doing.

So Are We Remembering the Burnt Hand or Not?

Does the hand matter or not? Is it ever a motivating factor in what Cassandra decides to do? Is her waning control over the rocks connected to her burnt hand; even though having a burnt hand is what allowed her grab the moonstone in the first place? Did the moonstone heal the hand? Does Raps singing the healing incantation later on heal it? Does Cass have a forever burnt hand?

Who the fuck knows!

Not the writers that’s for sure, cause it never comes up again.

Don’t introduce plot points and then not resolve them. That’s writing 101 guys.

Wait if she needs the incantation to control the rocks and the angry thing is a lie, then how the heck is she controlling them just now? Make up your dang mind show!

I swear I lose brain cells whenever I have to rewatch the evil Cassandra plot. It is so dumb you guys.... so, so dumb.

Conclusion

It’s not the worst thing ever but series has far better episodes on offer than this one. Even in a season as suck ass as season three.

So there’s praying that this review posts this time and if you enjoy my writing and would like to support me in my projects feel free to leave a tip on my Ko-Fi. Thank you.

https://ko-fi.com/rachelbethhines

#tangled #tangled the series #rapunzel's tangled adventure #anti-tangled #anti-rapunzel #anti-Cassandra

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alatismeni-theitsa · 4 years ago

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16 anti LO anon opinions

All under the cut

(1) Fastpassers are also probably mad bc when smythe post fastpass title on twitter(which was heathers musical song ripoff) everyone was so hyped up and excided, they thought this gonna be about "Underqold badass queen Persephone " or something with her trail or something big with her, but no, they got Minthe flashback that didnt change anything in the story

(2) Fastpassers are annoyed bc this episode was flashback of Minthe. Two previous fastpasses got pretty big(and stupid) revals(leto is bad guy,apollo and artemis may be zeus child and last but not least Cronus awakening) so they were hopping for something more not a filler wpisode that changes nothing in to the story bc there were wpisodes that make Minthe more "symphatetic" than this one.

(3) Am i the only one a bit concerned that a Minthe episode made LO fans demand their money back but apparently episodes and a planned redemption over Apollo, who R*PED the main character, was met with fans sympathizing with him and feeling bad for judging him "too soon"? They can accept a sexual assaulter having mommy issues to excuse his bad actions, but a boring filter episode about Minthe, who we know will be killed by the end anyway, gets outrage? That doesn't sit well with me.

(4) oh my god the LO fans hated the minthe fast pass so much they actually made LO's rating start to go down 😭 most of us here dont even like the comic but none of us would purposely review bomb it over a boring episode over a character we didnt like, thats so entitled!

(5) Adding on to the recent fastpass, it was extremely boring. I get that you can't please everyone but the fact that Minthe is having a backstory now just feels like filler.

This is the main issue I have with Rachel's story, she has so many characters but chooses to develop them at the worst times. If we got this backstory earlier in season 2, this would make sense. However, the fp before this one ended on a cliffhanger. You'd think it'd continue but no, we just get Minthe backstory.

I'd rather see an Apollo backstory, he's an active villain and would be interesting to see his motive.

Minthe doesn't have a compelling motive other than jealousy.

(6) I can't be the only one who thinks the new hairstyle updates for characters like Apollo or Eros look weird right? Eros literally looks like an adult version of one of his siblings Storge (who has curly permed hair and was holding a hamster)

(7) That Lo eros panel ... oof. Wheres his hairline going? He had a damn 7 head. Also at least for awhile the men had a different face from the women, but I guess they’re also women now, facial features wise?

(8) On a side note: why the fuck is Eros so ugly in this episode😭

(9) SMYTHE DOES NOT ONLY HAVE A DD/LG KINK, SHE A L S O HAS A PREGNANCY KINK!!! WHY ELSE HADES WAS SO *SMIRKY* ABOUT THE WHOLE FERTILITY GODDESS THING BACK WHEN HE AND PERSEPHONE WERE AT THE BEACH???? i swear to Allah this shit gets even more and more disgusting.

(10) This is something i see so much but LO especially but why do all of them have boring ancient clothes? It's always white or tan sheets or maybe black if it's someone in the Underworld. I'm going more off ancient images but shouldn't the gods especially have more grand and detailed clothing options? i get it's probably harder to design based off colorful skin tones but it's not impossible. it just seems so much of the comic design feels very flat, so if the story can't hold up then the art should.

(11) The main problem I had before with lore olympus was its cliffhanger syndrome. Like, why do some many chapters leave on a cliffhanger and for no reason at all? Like when Hera got hit and nothing happened. When I was experiencing the episodes coming out in real time, it drove me mad.

It's gotten better recently but that's probably because the three recent episodes (fastpass) felt more like filler.

That's the main reason why I feel like the plot is being dragged out. Don't get me wrong, I'm all for cute character moments and creators getting money but, LO is slowly becoming less and less interesting. I literally skipped around in most of the fasspasses because it really wasn't interesting. The only thing memorable about all of the fp episodes is the beginning and end, the middle is just kinda there.

(12) Ampelus (psyche)'s eyes used to be golden/yellow but now its coloured purple lmao

(13) Wtf is happening in lore olympus?! Now they want to bring cronus back and do another war?!? Are they crazy nothing like this didnt happen in mythology and obviously not bc of persephone(in comic her pink tree in underwold will give crounus power and life). It supposed to be romance not whatever fuck this is now.

(14) I feel like if I was at Henson Co. or Webtoons with a tv deal on the line, I would make Smythe to hand writing duties to a pro or take a hiatus seriously plan everything out, because all these new plots are distracting from what people signed up for, which is to see HxP get together and the myth. It seems like filter seeing as any TV adaption wouldn't cover most of it anyway, so why even include it? If RS wants it over sooner than later, this isn't how you do it, she's just procrastinating now.

(15) I find Demeter in LO just confusing. If she’s so overbearing and controlling, why would she ever allow Persephone out of their domain to live with Artemis in the city? Even the most liberally easy going parents don’t let their naive children out into the world like that with people they barely know, yet the supposed helicopter parent does. Why not literally literally lock her up? Especially when Persephone can’t control her powers and is desperate to hide that she killed a village of people? Demeter knows she’s a danger to others yet let her out anyway? That doesn’t sounding overbearing to me. It sounds like she’s right to want to hide her away. Persephone is a bigger threat to everyone else than they are to her. More so, actual controlling parents do give their children phones to keep easy tabs on them, yet LO Demeter doesn’t? She could constantly call Persephone or check up on her without physically needing to be there, yet they don’t do that. What modern parent would let their child leave home without a way to contact them? If anything, she’s extremely loose on parenting her and lets Persephone do/have whatever she wants. The controlling helicopter parent premise too is undercut by the fact LO Demeter ends up being right in wanting to hide her daughter away because within a month of leaving home Persephone is drugged, kidnapped, threatened by several people, r*ped, blackmailed, is close to dropping out of school, attacked by shades, and had a mental/emotional breakdown, many of those things being linked to her future “caring” husband. I just don’t buy it. Demeter ends up looking correct by anyone who isn’t blinded by the rose colored glasses of HxP.

(16) If I'll ever bother to read LO I'll do so only to see how horrible exactly it is.

#anti lo #answered

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bbugyu · 4 years ago

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a dragon's kingdom

he never wanted to stop learning about you, and you never knew how much you needed him by your side.

part one | part two

wc.5009 | smut, fluff, hurt/comfort, royal au, princess!reader and knight!cheol, penelope is the best character, sex constantly, it's called the honeymoon stage, unprotected sex, lots of it, lk impreg kink?, confessions mid-coitus, oops she pukes (not during sex oh my god), food consumption, mentions of death & mental instability, lots of crying

why do i care so much about lore and names and backstory and motivation. anyways i've created an entire world if you wanna know about literally any person that is offhandedly mentioned in this fic i can give u their origin story, including he horses. this part is really story heavy but also pretty sex heavy so have fun!!! also im in love with seungcheol but what's new.

"this feels strange."

you hummed, pulling out a pair of pants from a drawer and holding it up to seungcheol. "what do you mean? wearing someone else's clothes?"

he shook his head no, looking around the bedroom you had brought him to with the promise of clean pants. you had gone through all the rooms, you told him, as you led him through the castle wearing a light tunic tucked into a pair of trousers. you'd collected the clothes you liked, that fit you, and brought them to the tower, but there was plenty that didn't fit your criteria, and you were pretty sure he would fit into the clothes in the third bedroom to the left of the kitchen, past the main dining hall, a room you had discovered to be a counselmen's quarters. "you've been gone for so long, but i was at the kingdom only yesterday."

you looked to him, folding the pants over your arm. "what's it like now?"

a wash of realization caught seungcheol off guard. "my god, you've missed so much."

he changed, insisting you looked the opposite direction despite the fact that you had already seen all of him only hours earlier, and you fiddled your fingers and joked about peeking, but only stole a glance when you heard him buckling a belt that had also been found in the room. you exited the couselmen's room and he helped you onto his horse, leading her down the hall in the direction you told him. you patted down calliope's black mane as she walked alongside seungcheol, listening to him describe the castle ground and all the changes that had been made in the last decade.

"the statue, in the fountain?" you nodded when he looked at you. "it's all three of you now. they added you and the queen probably six months after your disappearance."

"that doesn't sound like father."

seungcheol paused, looking up at you. "i didn't know the king personally until only a few years ago, but he's not the ruthless leader you knew him as any more. your loss changed him."

you should have been more interested in your own father, but you couldn't help the way your mind wandered to fond memories of the flowers and gardens. "are there still lilies?"

"yes, of course," he said. "one of the back gardens was planted in your honor, right by the gates. i've never seen so many colors of lilies in my life."

you were quiet for almost too long, and seungcheol looked to you, immediately noticing the tears welling up in your eyes. "does mother go there often?"

"hey, hey hey," he instantly mounted his horse behind you, wrapping his arms around you and kissing your shoulder gently. "yes. every day."

you inhaled sharply, blinking your eyes rapidly to quell the tears. "she used to love roses," you started.

"she still does," he confirmed, and you didn't even realize that you had mourned for her as though she were dead.

"there's a garden here," you continued, wiping at your eyes and rubbing the moisture away on the pants you wore, seungcheol's hands resting on your stomach as he listened to you. "it was almost dead when i found it, but i take care of the roses there. i'll show it to you later."

seungcheol nodded and pressed a kiss to your cheek, making you smile vaguely.

"there's a stable, also," you said, sniffing your nose. "you might recognize the horses. i suppose we should bring them back with us, as well."

he faltered. "from past missions?"

"only three," you clarified, gently nudging his steed around a corner towards the kitchens. "most of them ran to the fields, but three have stayed. i've named them. one had letters carved into its armor plate, but it was damaged - i could only read valerie."

"valkyrie," seungcheol said immediately. "tan colored horse, correct? with a white diamond on her head."

you turned in his grip. "yes, exactly!"

his stomach felt heavy suddenly. "she was captain varian's steed. he trained me for years, his mission was last fall."

"i'm sorry," you said, lacing your fingers with his on your lap as you recognized his loss. you thought of a year ago, when you had found the horse. you did your best to remember who had come at that time. "though it may not be consolation, i believe he was the one penelope ran from the grounds."

seungcheol's fingers tensed between yours. "she-"

"didn't kill him," you finished. "he was a good man."

he let out a breath he didn't know he was holding in relief, his forehead landing on your shoulder. "he was."

"i wasn't sure the horse was his, though i kept it in case he returned. the forests around here are deadly, but there's a village nearby, so i had hope..." you pursed your lips, thinking of how blasé you had always been about the men that failed to save you, not thinking at the time of the people they knew before they came. "i should have done more."

"you did what you could have," seungcheol reassured, his lips on your shoulder as he curled his arms tighter around you. "thank you for telling me."

you relished in the feeling of his arms around you, sighing as you let your head fall back against his shoulder. "i didn't realize how much i missed human contact."

you felt his breath on your neck when he let out a short chuckle. "i've never had it like this."

"neither have i," you said, adjusting to look him in the eye. he was only a breath away, his lips, his jaw, his neck. he had only arrived that morning, but your attachment to him could never get greater than it was now. you wondered if you glowed like he did in this moment - radiating gold in the streams of light from the afternoon sun. "i like it a lot."

a dimple showed itself on his cheek, and you smiled back at it. he kissed you gently, and your shoulders raised at the goosebumps it gave you. "i do, too," he said, running his lips across your cheek and down your neck.

"seungcheol," you sighed. "we just took a bath."

"and you smell divine," he said, smiling against your skin. you laughed at him, mostly because of his near flat out refusal to bathe with you earlier.

"i've drawn a bath," you had said, wearing only a satin robe as you returned to the main room. "i'd be happy if you joined me."

seungcheol was laid out on your bed, blanket covering as little as it had to, an arm laid over his face as he did his best to recover his soul after you had pulled it straight out of him twice. "go ahead," he replied, fearful of what seeing your form again would do to him. "i'll make sure no one bothers you."

you laughed, crawling onto your thick mattress to bother him a bit more. "my knight in shining armor, making sure none of the inhabitants of this abandoned castle bother me while i bathe."

"anything for my princess," he said, rolling his head towards where you laid, prodding at his chest.

"anything?"

he saw the mischief in your eyes, and god, he hated how easily he fell under your intoxicating spell. but he only hated it for a moment, before you led him into your candle-lit washroom, the flames glinting off the glistening tiles of your tub and a view of the surrounding forest through sheer curtains. all he could do was sigh in resignation as you held his hand, letting the robe fall off your shoulders.

during that bath, your name sounded like a song coming from his lips, and it fell upon your blushed ears in the most delightful way. you had never even imagined what the first time hearing your name in someone else's voice in eight years would be like, but you couldn't stop replaying that moment in your mind.

"there should be apples in a basket right inside the door of the pantry," you said, pointing to a door as you lit the candles in the kitchen. seungcheol went to the door you gestured to and grabbed a few of the red fruit, biting into one. you walked over to the window and drew the curtains, letting the sun in. you usually left them open, but the rain in the evening before made you even sadder than you had already been this week. now, opening them back up, it felt like a fresh beginning.

"i have eggs," you said, tapping your cheek, realizing you truly didn't know how to entertain guests. "lots of fruit and vegetables. there's a whole field of potatoes."

seungcheol smiled as he approached you. "whatever you want, i'm not picky. i am going to give calli some apples, though."

you nodded and smiled when he planted a kiss on your cheek, then took another bite of the apple. you watched him trot up the steps to the hall where his horse waited, and you looked around briefly before deciding to wash rice and stoke a fire.

you didn't know how to cook before you came here. you still didn't, really, just the bits of things you remembered watching the cooks in the kitchen when you and your best friend were hiding from your fathers, but it had been enough for you to learn, alone, with only a young dragon as a mentor. meat scared you still - you tried to slaughter a chicken as a seventeen year old and you were so scared of undercooking it that you had roasted it dry - but you had learned how to work with everything that popped up in the plotted fields behind the castle. with the addition of horses, you had been able to take spare jewelry you found to the village and trade for some things you needed - hay and oats, mostly, to care for them - and some things you missed, like rice and cheese. you grunted lightly as you set the heavy cast iron bowl of rice and water over a stovetop, settling the wood lid on it as seungcheol returned.

"how can i help?"

you stared at him for a moment. "you want to help?"

his eyebrows raised. "yes?"

"sorry," you said suddenly, shaking your head as you squeezed your eyes shut. "this is still weird."

he laughed, leaning against the stone wall. "take your time, princess."

"how are your knife skills?"

he pouted and shrugged. "i manage."

you laughed, walking to the pantry to retrieve some vegetables. "do you like squash? they grew like crazy this year."

you checked the rice periodically as it boiled, and you stir fried the vegetables that seungcheol chopped for you. you found another rice bowl - you had never needed more than one - and filled both with rice before frying two eggs.

"i can't believe you've been alone all this time," he said later, pulling a spoon from his mouth. "how did you learn to do all this?"

you told him about your afternoons spent in the kitchen as a child, being more of a nuisance than anything. he laughed when you told him that you had tipped over a pot of stew into the fire below, extinguishing it and creating a thick paste as the stew mixed with ash. you had gotten banished from the kitchen for a year only a few months before you were taken, but you supposed you had picked up some translatable skills during your other visits.

he asked you about your captor, the mad king that had instilled fear in your kingdom's people with your kidnapping. you told him that king edgar was driven to madness by a cruel curse, and you met his true self only after you had arrived to his kingdom - the kingdom whose people abandoned it in fear of the dragon - where he broke down and clutched you. you reminded him of his own daughter, he had said, a beautiful princess by the name of penelope. he said he never knew what came of her, but you knew she was the one that had been cursed.

"the dragon," seungcheol started, his breath catching. no wonder you shared such a close connection with her.

you nodded. "he thought he was crazy for hearing her voice in his head. she was trying to tell him the whole time."

you were quiet when you told him that the late king's madness is what killed him, only a year after you had arrived.

it was his idea to send calliope back to the kingdom with a letter. he was positive she would make it on her own - she had made the trip several times, despite the king forbidding seungcheol from attempting to save you until now. "scouting missions," he explained when you raised an eyebrow at him, his tone unconvincing. he understood why you wished to stay, and he really could not deny the allure of living in a private castle with you for a little while, but he worried that his delayed return would make everyone assume the worst.

"i could write a letter," he said, to tell them what had happened and that you needed time to wrap some things up here, gather the things that should come back with you. "or you could, my princess, if you're hoping for a more dramatic return."

you were laying in the grass, watching the sun reflect orange against the clouds as it began to set over the horizon, using seungcheol as a pillow. you hummed, rolling to lay on your stomach and plucking a blade of grass to inspect. he watched you, and tucked your hair behind your ear as you thought. "you should write it, i think. they might come to collect us if i do. should we send her off in the morning?"

he nodded at you, his hand still on your cheek. you leaned your head into it, craving the way he held you suddenly.

there were countless days where you had lain similar to where you were now, in the grass clearing surrounded by red rose bushes, the earliest times spent sobbing until your throat was sore and your eyes swollen while you came to terms with being truly alone here. now, though, you laid with your savior and lover, and his presence alone changed the atmosphere. suddenly, these roses that were a source of painful memory for you had an air of romance to them.

"should i tell them?" you wondered aloud. "that i chose to stay all these years?"

seungcheol's thumb glided across your cheek bone. "do you think they would understand?"

your eyebrows crinkled. "you know them better than me, now," you said, ripping the grass in your fingers to pieces. "i know mother would, but i'm not sure about father."

"i think he would," he said quietly. your eyes met his. "heartbreak breeds empathy. i'm sure he would even forgive king edgar if you told him his story."

you considered that for a moment. "maybe i should write the letter, then."

with calliope in the stables, penelope flew the two of you back to the tower for the evening so that you could figure out what all to write, but it was back in that garden the next evening, laying in that same spot, where seungcheol's fingers dug into your waist as you rode him, the sky painted pink and purple behind you. your hips rolled on his, your blouse unbuttoned too low and your pants discarded somewhere they shouldn't be, and you watched his neck stretch against the green grass, a bruise from your biting the previous day showing itself directly over a bulging vein. he filled you in a way that felt new every time, and you sighed, your hands against his bare chest pushing yourself up off him, only to sink down again repeatedly.

his hands tensed on you as he groaned, trying his best to hold out for your second release, but you were making it incredibly difficult for him. you leaned back, palms on his thighs as you lifted yourself off him, and you would never forget the erotic noise that fell from his lips as you seated yourself deeply.

"princess," he groaned, his hands hungrily running down your thighs. "i won't last much longer like this."

the title read more as a pet name, and you couldn't help but clench at the need in his voice, making him choke. "god, me neither."

"please," he gasped out, eyes pleading. "please, can i-"

you nodded desperately, and it took him only seconds to sit up, crossing his legs behind you, cradling you in his arms as he rolled his hips up into you. your jaw dropped in a silent moan, and it took a moment for your vocal chords to catch up, but it wasn't long before you were making all sorts of embarrassing noises for him.

"baby," he panted, his lips pausing their work against your throat. "oh, god, i'm gonna cum."

"yes," you begged. "please. please, seungcheol."

he groaned into your neck, and you whined as you felt him shoot into you, spurring your own orgasm. your throbbing walls milked him dry, and the two of you were panting as you came down, clutching each other in a garden.

you were grateful that he didn't comment on the way you practically waddled the rest of the evening, but you never noticed the proud look on his face whenever he watched you. he did that to you, he thought. and you wanted him to do it to you again and again and again.

each morning, when seungcheol woke with your bare form draped over his side, he felt like the luckiest man on the planet, and you couldn't help but smile when you woke to his quiet and gentle ministrations against your neck, his hands warm against your skin as he pulled you closer to him.

"my darling," he muttered against your throat, adoring the way you felt in his arms, and his honey coated voice made you drunk with desire despite the sleep in your eyes. "when will i ever get enough of you?"

you giggled as you reached for him, making him moan when your hand made contact with his member. "perhaps we'll slow down in a year."

seungcheol thought that sounded okay, but when you wrapped your warm mouth around him, it suddenly sounded too soon.

there was clothing you would miss too much, you told him. the tunics you wore as comfort for years, the most beautiful dress you had ever seen, and god, the trousers. you had never been allowed to wear them before, but the convenience of fewer, less cumbersome layers proved itself again and again, especially now that you had a reason to undress more often.

"i think you look beautiful," he announced matter of factly, seated in the floor only two feet away from you, when you said offhandedly that the dresses probably suited you more. "now and always."

you smiled at him as you folded the clothing into saddlebags. "you're not so bad to look at either," you said, letting him lean over the pile of clothing to kiss you.

the more seungcheol told you about the kingdom, the more you itched to return. you missed the trees and parks surrounding the castle grounds, the cobblestone streets that you would secretly wander down, and you especially missed the way people would smile at you and ask if you were away from the castle alone.

"of course," you would reply, exchanging coin for a snack of bread despite the baker's insistence that you take it for free. "do you think the guards would have let me if they knew?"

the people were your main reason to return. you thought of the citizens that you hadn't seen in so long. you wondered how the children you remembered coming into the world had grown up. you wondered how the shops managed. you asked seungcheol about some, the ones you could remember, and he happily told you the bakery a few blocks away from the back garden gates of the castle was doing well.

you missed your family. with the promise of seeing them soon, your heart ached, even if you had felt spiteful towards them in your youth. you would never agree with everything they did - thus was the nature of an ever evolving world - but you couldn't help but remember the times they had laughed with you. while they had expectations for you, they still cared for you. they still raised you. they still loved you unconditionally.

you missed everyone you saw every day, all the other inhabitants of the castle. your cousin, whose parents died in war when he was only a child, but always had a devil may care attitude anyways. the cooks and help you bothered, but always laughed at your antics. your handmaiden, who had always kept a close eye on you, even if she never told the king about your secret excursions. you thought of your father's right hand man and closest friend, advisor kim. you thought of his son, whom you had been raised with in the castle. he had always been your best friend, your beacon of common sense, and your slightly reluctant partner in crime. you spent much of your long years away daydreaming about his laugh and hugs.

"mingyu," you said, trailing off slightly. you were sitting in the shade of a tree, watching seungcheol throw knives at a target. "is he well?"

"advisor kim?" he adjusted his posture, grunting slightly as he put a telling amount of force behind his throw. "as well as he can be, i suppose. we don't speak much."

"not advisor kim," you said, brows furrowed. "his son. he's around our age."

seungcheol looked to you, his eyes softening. "oh, princess, i'm so sorry." he paused as he kneeled before you, putting a hand to your cheek. "mingyu's father passed six years ago. he's been the king's advisor ever since."

he held you as you sobbed against him, mourning the man you had referred to as your uncle for most of your childhood, and your heart shattered as you thought of all the loss mingyu had endured.

he was smart, and it made sense to you that the king asked him to succeed his father, though you thought it a little cruel. mingyu had always been the most well read person you knew, and was the reason you had decided to make a mission of reading every book in your stone prison. he always had excitedly told you about the latest novel he'd read, or what he had learned in the political journal he'd snuck from his father's office, eyes shining and baring the wolf-like grin you adored. you never understood it back then, but now, having reread most of the books you had access to, you couldn't wait to get your hands on anything he would recommend to you when you could ask him in only a few short days.

you asked that you spend an afternoon with penelope, and seungcheol respected your time with her, despite the boredom that itched at his legs while he sat in your tower alone. he counted your paintings for the umpteenth, wondering how had you done this for so long. he decided he would go check on the horses.

you asked penelope if she truly wished to stay. "we could find someone to help you," you said. "i'm sure father has someone that can reverse the spell."

sweet princess, her warm voice rang in your ears despite her never opening her mouth. i've no family, no subjects, and no sense of humanity.

you chewed on your cheek, knowing your wet eyes gave you away. "you have me."

she chirped, nuzzling her nose against your arm. and for your companionship all these years, i am grateful. but punishing the wicked is my duty, i have accepted my fate and so should you.

"i accept it," you said, wiping at your face with the sleeves of your dress. "but i'll remain unhappy with it."

penelope's sweet giggle was your favorite thing to hear in your mind, for you could almost imagine the woman that it once belonged to. do visit sometime. though i'd prefer if you left the knight at home.

you laughed despite the tears streaming down your face, and your hand ran over her snout. "you would like mingyu more, anyways."

there were three horses to bring back with you, but only two riders. due to this fact alone, seungcheol told you it would likely take a full day to return to the kingdom.

"maybe longer," he thought aloud, his wandering eyes finding yours as you leaned against a post in the stable. "we might have to camp a night."

"leave in the morning, arrive the next?" he nodded at your question. "that's not awful. it's hard to believe that i've been this close to you this whole time."

seungcheol agreed with you, wishing that he had gone against the king's orders and found you sooner, especially when your fingers fiddled with the collar of his shirt. "if only i had known how close i was to bliss, i would have been by your side for years."

you sighed, content, and wrapped your arms around his torso, your cheek landing on his firm chest as he leaned into you.

the first time the phrase i love you came from him, he was curled over you in your bed. your hands were digging into his hair, his lips were slotted over yours, and you were trying your best to ignore the stinging in your eyes as he pushed into you again, the words hushed against your mouth.

you looked up at him, shellshocked, but he never took your silence as judgement. "i love you," he repeated. "more than i've ever loved another person."

a moan was forced from you with a combination of his words and his movements, and it jump-started your confession. "i love you, too, my knight."

his forehead rest against yours, slick with sweat, as he slowly drove himself into you. your thighs ached, partly from the repeated trips up and down the stairs as you packed, but mostly from the way he gripped the backs of them, pushing them until your knees were nearly at your shoulders. the angle let him too far into you, you thought. if anyone were to die from feeling too much pleasure, it would be you, in that moment, as seungcheol bit at your lower lip and muttered sweet nothings into your mouth.

after nearly a decade of ruling a lonely kingdom, you were so close to returning to the castle in which you were raised. you had set the chickens free from their coop, your horses were prepared for the journey, and your stomach ached at the thought. your nerves got the better of you as you emptied your stomach of its contents behind a tree.

"it's okay, my love," seungcheol said, his hands pulling your hair behind your shoulders and rubbing your back. "i'm right here."

"damn shame," you choked out, catching your breath. "i really enjoyed that breakfast."

he did his best to not laugh despite your joking tone. he stayed by your side as your head swam, and asked if the ride back should be delayed.

"no," you shook your head, accepting the water he handed you. "if we stay a day, i'll make excuses to stay forever. i'll be okay."

he recognized the defeat in your words. despite the weakened state you had woken up in, you were right. this place felt like paradise, and you never wanted it to end, but you had a kingdom waiting for you.

penelope watched over you both, laid out in the grass as you made your final preparations, and you wrapped your arms around her neck as you held back tears.

"i'll visit. i promise."

seungcheol wrung his fingers behind his back as he watched you speak with her quietly. he could never quite shake his fear of the majestic being (he had squeezed his eyes shut and clung to you whenever she had flown you two to the tower), and he had a feeling that she disliked him due to their first impression, but he knew you loved her like a sister. then, the dragon's deep firey eyes moved to meet his, her voice creeping into his mind for the first time, causing a chill to run up his spine.

protect her in my stead.

he put a hand over his heart and nodded, and when the dragon broke eye contact, he felt as though he finally understood her.

seungcheol kept a close eye on you as you rode river, a horse he couldn't remember the original name of, but that you named after the location at which you found him. he vaguely remembered the man that rode him before, but he was one that seungcheol had never liked much. every time you swayed slightly, he insisted on taking a break so you could lay down, but you waved him off, not wanting to delay your return any more than you already had.

"oh, dear seungcheol," you said, a smile on your lips. "you will be such an empathetic king one day. good thing i'll be there to make the hard decisions."

he couldn't argue - he never could. you were wise beyond your years and more observant than the people he debated against at home, most of which with whom his arguments ended in him threatening to fight. but with you, he always understood the deep thought and logic behind your words. you had a way of speaking that calmed conflict instead of fostering it, and for that reason alone, he thought you were destined to rule, and he would happy to be by your side as you did.

#YAAAAAA #i tried to make this make sense as an ending even though ive literally already written half of part 3 #anyways idk what to call this series if you have an idea lmk!#part three introduces So Many People yall just you WAIT!!!!#seventeen imagines #seventeen scenarios #seventeen smut #choi seungcheol scenarios #choi seungcheol imagines #choi seungcheol smut #scoups scenario #scoups imagines #scoups smut #cheollie #i wrote dis

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pauldron-pieces · 4 years ago

Text

Captain Physalia's Backstory: At Your Own Peril

Fandom: Dungeons And Dragons (5E)

Pairing: N/A, Physalia-Centric

Rating: Holy shit M.

AN: This is a hypothetical scenario featuring original characters in a world created by my Dungeon Master. As usual, this is non-canon and I own nothing aside from intellectual properties specifically attached to Captain Physalia. This installment is mechanically unsound in a multitude of ways and ignores certain important lore facets. Trigger warnings are listed inside. Enjoy!

Taglist: @sporadic-fics and @cookiethewriter!

Inspired By: Dragon Age; Inquisition: In Hushed Whispers

[Tieliaths are the result of a union between a tiefling and a goliath.]

[Captain Physalia is a level eleven Triton Ancients paladin, and her appearance can be found here.]

[!TRIGGER WARNING!: This installment contains multiple triggering scenes including violence, mentions of slavery and implied character death. Stay safe!]

Captain Physalia, at the helm of the Karyth Delta alongside Jupiter, finally gave a single nod of approval once they had cleared the shallow harbor. "You're getting better."

Jupiter went bright blue at what was lavish praise from the normally-stoic captain, trying and failing to hide her smile. "Thank you, Captain."

The other Triton merely nodded again, continuing her walk to the main deck. Her thoughts were preoccupied with their latest acquisitions, a troubled bunch to say the least. They had already been deposited to the safe haven of one of the many communities these islands fostered, but that community would in turn need extra supplies while the refugees recuperated.

A little human girl, barely in her fourteenth year, huddled beside a coil of rope. She believed she had stowed away and Physalia had humored the delusion until they had left the harbor. "What is your name, girl?" The captain queried, her hands clasped behind her back as she stood beside the rope and stared out at the darkness.

There was a beat of silence where Physalia could feel the panic rushing off of the little one in waves. Then, the child slowly got to her feet, head hung low. "Lara."

"Lara." The name was unfamiliar, difficult for her tongue. It hissed between her teeth. "Why did you sneak back aboard the Delta, little Lara? I had assumed that your last boat ride was sufficient."

"B-Because I...I know what you're going to do and I wanted to see it." The girl answered without guile.

"Oh? What is it that I'm going to do?" Physalia asked, feigning curiosity.

"You...Y-You're going to attack the ship of the flesh traders."

The captain gazed back out at the moonless night. "Perhaps. Does that trouble you?"

"No." Lara snapped, angry, young. She didn't know any better; she had been purloined from everything familiar and crushed into the hold of a ship with fifty-odd other women to be sold elsewhere. "You're the Triton captain of the Verdant Keen, the ghost ship that strikes the wicked from the fog."

The razing of the fishing village that occupied the lonely peninsula to the north had come as a shock to Physalia. Perhaps she had been optimistic to think that the legends would keep flesh peddlers away. More than mere legends hunted these waters though.

The Karyth Delta plowed through the waves, sending shocks of spray up around the figurehead. "I am no hero, little one. There will be no glamor in this." Captain Physalia warned. "Whatever you've heard about in stories, put it from your head. I know how much you land folk love to romanticize the sea, but she is as rebarbative and changeable as the men who plunder her waves."

"I understand."

She didn't, not yet. She was much too young to understand. But she would someday.

Atoll came to perch on the captain's shoulder and Physalia sighed. "Have our fog at the ready. Weislanda willing, the wind stays becalmed. According to the rest of the women, the ship will be empty aside from the crew and the shattered remains of their valuables." The captain gripped the railing when she spied the far-off twinkle of yellow lanterns close to the water's surface. "Lara, I need you to tell Atoll and N'inesmuch exactly what the ship looked like. Any and all details."

The girl looked up at the brightly-colored bird with a bit of confusion, but obediently held out her hand so the druid could swap her seating.

"You'll find N'inesmuch in the galley, I'm certain. You can't miss her." Physalia said dryly. The second mate was a large Tigris Tabaxi with a black circle around her right eye. She had a well-documented penchant for sweets that was encouraged by the quartermaster, who was a sharp-tongued Halfling named Spoon.

Once the girl had left, Rannock 'Broadside' sauntered up alongside the captain. "You'll send me in first, right boss?" He asked eagerly, making the Triton chuckle.

"Of course. I know how much you love a good fight. Just don't get too out of hand. Belle stayed behind and I don't need you and your half-brother butting heads again over your scratches." The captain reminded him sternly. "The captain of that vessel, whoever they may be, must pay for their crimes."

"And they will." The Tieliath swore, his eyes flinty with anger.

The Karyth Delta was not a particularly speedy ship. She was covered in moss, barnacles and vines and, for all intents and purposes, did indeed resemble a ghost ship far more than a seaworthy vessel. However, she possessed a singularly useful structural feature: her keel draft was exceedingly shallow.

This keel allowed the unwieldy-looking ship to easily maneuver over reefs and through channels that ought to beach it, giving her and her crew the tactical advantage in many a coastal fracas. It also made the vessel more responsive at the cost of stability, for if they came about with a full head of power she threatened to capsize. She was a touchy craft, scabbed together with the boney flotsam of other, less fortunate slavers and schooners. Much like the majority of her crew, the ragtag bunch scavenged from the waves.

But none had to endure. Physalia would force no being to remain aboard the Karyth Delta, and she demanded no such boons of loyalty from any innocent man who did not wish to stay. Her sailors were ever-changing, which suited her just fine. Though she had managed to gather a bit of a steady rogue's gallery.

First had been the surgeons, Livesey the Gnome and Ailsyuh the Goliath. They were a crotchety old couple with a bent for bickering that almost eclipsed their affection for one another. They were natives of the crown of islands, and were intimately familiar with the surrounding territories.

Closely following on their heels was Ailsyuh's younger half-brother Rannock, a Tieliath who had been raised by his Tiefling mother to prevent a scandal from occurring in the Shuliezka family. He was headstrong and mouthy, but possessed keen instincts and a sound tactical mind.

Spoon Mulberry (of the Castakay Mulberry family, not those thinbloods in Fhisklos, thank you very much) had been a strange case. The diminutive woman had just showed up at the docks one day, asking around for anyone that needed a cook on their next charter. By the grace of Weislanda, she had found the Karyth Delta and the rest was history.

Atoll had literally fallen into Physalia's lap while they were sailing around the cape of the mainland, the mermaid druid plummeting out of the sky after a wild scuffle with a larger bird had rendered her unconscious. While she lacked the affiliation of a larger clan of mer, she had a certain noble authority that could not be discounted. Physalia freely admitted her bias when she invited Atoll to stay on as first mate, the Triton just pleased to have another water-inclined individual aboard.

N'inesmuch had volunteered her services out of gratitude when the Karyth Delta rescued her from the wreckage of her forlorn little sloop, and over time had risen through the ranks to Boatswain. A formidable force in her own right, with the help of Atoll she had begun to master the green magics that ran deep within her bloodline.

Jupiter was their most recent acquisition, a juvenile Triton expelled from the deep reefs. She had clung to a rocky shoreline for the better part of two days before she was spotted by the returning Karyth Delta. Livesey had nursed her back to health and upon learning of her impeccable ability to decipher men's star charts, Physalia offered her a permanent position as her navigator. Being podless herself, the captain knew all too well how lonely the seas could be.

Tendrils of fog began to swirl as the preparatory orders went out and Physalia shook herself from her reverie to give Jupiter their heading. After that, the ship fell silent.

Atoll flew high overhead, out of the fog and towards their target. Far below beneath the waves, N'inesmuch and a few other crew members sped along in the form of sleek sharks or dolphins. Broadside paced the deck, sharpening his handaxe absently. The waiting was always the hardest part of any raid, but Captain Physalia preferred to have any and all advantages she could get. Added onto that was the benefit of knowing for certain that this was indeed the vessel of the flesh peddling captain.

/x\

The fog rolled in thick off the coast of Karyth, like it always did before the first storms of autumn. This wouldn't be particularly concerning aside from the fact that it was early spring. The young captain squinted upwards, pulling the collar of his peacoat a bit tighter around his throat.

It was a moonless night and the wind was faint, leaving the ship barely in motion through the dense miasma. "Helmsman, steady on." The captain called, trying not to let his nerves show.

Even if he was putting on a brave face, the same could not be said for the rest of his crew. They had been sullen all day, watching the waters with large, wary eyes. The more superstitious of them spoke in hushed tones of the Kraken, the many-armed Hafgufa and his terrible brother Lyngbakr, the impostor island who lured sailors to their doom.

Never mind that everyone was on edge due to them needing to jettison a majority of their plundered cargo so the overloaded ship would not sink in the squall they had run into. The storm had blown them a bit off course, further south than anyone would care to be. It was easy enough to dismiss such things as old wives tales during the bright light of day, but now the captain found himself at odds with what he sincerely hoped was his own imagination.

The vessel was still in deep waters, too far out from Karyth and the small belt of islands that it wore like a crown to be concerned about running aground. Yet he swore he heard the soft crashing of waves upon the shoreline.

He realized his mistake a bit too late to save them, regrettably.

An impact echoed from the prow of the ship and there was a loud cry that went up, "beast sighted!" The captain swung around, seizing one of the shuttered lanterns and raising it high as he heard the sounds of a short-lived scuffle break out. The light reflected off the fog, casting disorienting shapes in the black.

A shadow rose up, up, up, and a pitiful curse left the captain's lips when he caught sight of the massive, steer-like horns. The creature towered over him, looming luminous gray out of the fog with a devastating-looking handaxe gripped in one massive paw. Every man on deck was frozen, simply staring at this...hulking apparition.

"I seek your captain, boy." The creature spoke after a moment, its voice a rumbling threat. "Be a good lad and fetch them for me, would you?"

At that, the captain bristled. Drawing himself up to his inconsequential full height, he spat, "I wear my rank upon my shoulder, sirrah, and I see no such rank upon your own! Who's asking for the captain?"

"I am." The beast snarled, and the captain's burst of courage flagged almost immediately. "You're the captain? Suppose I should have expected it, you standin' there all puffed up like a peacock." It sighed heavily after a moment, nonchalantly pitching the axe to bury itself in the main mast just above the captain's head. "Disappointing."

The captain found himself abruptly snatched up by the collar of his jacket, dangling helplessly a foot or so off the deck as his men gawked. The creature was even more terrifying up close, pointed incisors sharpening its smile to a hungry leer.

"My boss seeks permission to come aboard your vessel, flesh peddler." It didn't seem to have any other tone aside from rumble. "I'd advise you to acquiesce before I snap your neck."

A new form solidified out of the fog behind the brute, one hand resting on the large creature's shoulder. It was a female, one of the sea folk. Triton or Mer the young captain could not say, they all looked grotesque to him.

The man opened his mouth to speak and the fish woman snapped her teeth at him. "Captain whelp." She addressed him through those sharp teeth. "Flesh dealer, human trader. Was it you and your sailors that sacked and pillaged the peninsula?"

"And what authority do you wield, sea beast?" The young captain retorted, a little taken aback that she knew of his ship and their shady dealings. But how? The Governess Of Bresh had a clean bill of sale and no record of unsavory practices! Even if this fish woman fancied herself an inquisitor of some kind, they had tossed all of the human cargo during the storm. She had no evidence! "Your behavior is absolutely piratical, and if you do not depart my ship at once I'll see you brought before the assizes!"

There was nothing but a breath and suddenly the woman's hands were wrapped around his throat. He hadn't even seen her cross the deck-!

"We will try again." She hissed in his face as he struggled against her hold. Her palms, cold and covered in a fine mesh of scales, heated briefly. "Was it you and your sailors that sacked and pillaged the peninsula?"

The captain opened his mouth to lie and instead the truth fell out. "Yes." The woman smiled slowly, sending a cold chill of certainty down his spine. "You're the captain of the Verdant Keen, aren't you?" He asked, muted horror washing over him. "The witch who stalks the Kraken's hunting grounds?"

"A witch, he calls me. But then, you men have many names for myself and my ship. You and your kind are warned off from this place, are you not? At your own peril, they mutter in port." The woman mused, her chuckle devoid of mirth. "You are very lucky that we were following you in the first place. I can only imagine how many more souls would be waiting to drag you down to the hells had we not collected your...abandoned spoils." Pitch black, fathomless eyes bored into his own. "This ship is ours now, whelp, and the fate of your men belongs to the sea."

"What?! That is inhumane, you cannot-"

"Inhumane?" The woman seethed, "or monstrous? Perhaps vile? Unbearable, unconscionable, barbaric? Tell me, flesh peddler, how many women have you widowed? How many children have you stolen from their homes? How humanely have you behaved, o righteous mariner?" She leaned in close, her grip tightening on his throat. "You are compelled to tell the truth at this point in time, Whelp Captain. Squirm all you want. Tell me who sent you."

The confession surged at his tongue, the young man pressing his lips together tightly to keep from revealing who his employer was.

The witch sighed heavily after a moment. "Broadside?"

"You want me to separate his head from his shoulders, boss?" The horned creature queried, cracking his knuckles before addressing the young captain. "You can either open your mouth or I'll rip your jaw off. No matter what you're dead, so it's understandable if you don't want to speak up. I don't blame you." His tone had gone alarmingly friendly. The captain got a sinking feeling in his gut even as he shook his head. "Right! I'll make it quick." The gray beast rumbled cheerily.

/x\

N'inesmuch had everything documented within two hours, the Governess Of Bresh stripped to her bare bones. The crew had all fled after their captain met his untimely demise, and if the waters churned a bit more aggressively than before, well…

Such was the nature of the sea.

Physalia and Atoll folded the last of the spare sails, the captain offering her first mate a weary half-smile. "It is good, yes?"

"You are too lenient." Atoll sniffed, their long-standing argument reignited once more. "Leaving them to the sea is too merciful. We should have tied them all to the mast before we set the craft ablaze." Her purple eyes sparkled like she was telling a joke and Physalia was reminded once more that Merfolk partook in certain diversions that Tritons did not.

"I am not a tyrant." The captain replied calmly. "Land is not far from here. Allowing someone to live is often a far better form of punishment." She leaned in, idly gathering Atoll's messy curls back from her face and fashioning them into a quick braid. "Killing them outright would have been the lenient option, my merciful first mate."

Atoll huffed, crossing her arms. A purple flush dusted her cheeks. "Oh, very well Captain. I suppose you could be right." She allowed after several moments. "Besides, we've gotten what we came for. That's all that matters."

"Aye." Physalia murmured, watching Broadside scoop the body of the arrogant young captain up and deposit it over the railing. "Lara and the others will be pleased to have their valuables back, I'm certain. Though it will not cure the loss of their homes, husbands or sons, they can rebuild." The crest that ran down the center of her head began to flare upwards once more. "And I will not allow such a thing to happen again." She muttered through her teeth.

"We will not, you mean." Atoll corrected.

Physalia inclined her head. "Of course, forgive me. We will not."

/x\

The flames that devoured the Governess Of Bresh lit the horizon long after the ship itself had faded into the distance. Captain Physalia stood beside Jupiter at the helm, her thoughts miles away. Belowdecks she could faintly hear Lara squeaking with delight as she helped N'inesmuch sort through their spoils.

The Governess had carried a great deal of foodstuffs as well as the ill-gotten gains they had pilfered from the peninsula. Far more food than they would have needed were this not a planned endeavor. Physalia had hoped against hope that they had simply been men who made a single terrible choice, but the amount of supplies they carried pointed to premeditation.

That complicated things. More would come. And if more came...

The captain's brow furrowed. More traffic, more ships, more activity would certainly stir the leviathan from its centuries of lethargy. A freshly-roused Kraken was good news for no one.

She shook her head after a moment. They would just need to be more vigilant, that was all. They could still put an end to the new trade routes. There was still time.

"Everything alright, Captain?" Jupiter asked cautiously.

Physalia mustered up her usual half-smile, tilting her head. "Don't fret, Jupiter. Your captain is prone to brooding." She said by way of apology. "You have our heading. I trust you'll bring us safely home?"

Jupiter fairly beamed. "Absolutely, Captain!"

#paladin backstory #dnd paladin #ancients paladin #backstory #captain physalia #ancients #dnd character #angst #character death #dungeons and dragons #dnd 5e character #dnd 5e #triton #dnd triton #I love physalia's concept a lot #I'd like to play her more!#she has a little lisp

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gayregis · 4 years ago

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blood and wine rewrite au basic layout

i already posted something like this before but i cant find the post so im just rewriting all of this from the top of my head

everyone’s repurposed roles:

geralt - he’s still a witcher. he’s geralt of rivia. obviously. i don’t have time or interest to think about how to rewrite the entire witcher 3 game to be lore-friendly, but i assume there would be less triss and more dandelion involved in it. for this let’s just take him as geralt having done everything in tw3 but with the personality of geralt from the books because geralt from the games doesn’t have much of a strong personality good for writing or thinking about.

regis - a bitch. nah jk. he’s same regis but just what he was like 100 years ago when he got his head cut off. he’s less spiralling-into-doom than he was then, and is less desperate and hopeless overall, but is slowly getting there once again. he doesn’t remember anything about learning from his mistakes and becoming a good person, because this regis didn’t get any of that. to this regis, it’s like no time has passed at all since he died, and he’s ready to start partying again without any thought of the consequences. he’s moved to toussaint because everyone’s already tipsy there and the north is plagued by war so it’s not a really great source to be drinking from (like if there was a sewage leak near the vineyard you sourced your wine from). he doesn’t remember anything about maturing up or about becoming a surgeon or about the hansa, so that sucks.

dettlaff - not a fucking maniac. actually a character geralt will likely spend a good amount of time talking to. total character overhaul because he does not have a personality in the actual DLC. he arrived in toussaint because he had heard that regis had returned and wanted to fix things wih him, he had previously left him.

syanna - not a fucking dumbass, yet still naive in her own way due to being blinded with the promise of power. in this, she is planning to stage a coup on the duchy (because she is the older sister, so it IS her right by law) and she supports regis’ slow dive again into uncontrollable insanity because it helps her prop up rumors that her sister’s reign is ineffective against real threats and is cursed. but this alliance does not go as she planned...

orianna - in this, she is the owner of a gladiatorial school (instead of an orphanage), and is still like in canon a wealthy and influential individual of beauclair, yet reclusive from human society. she is regis’ best friend and goads him on, because she never fixed her own issues with alcoholism and now is elated to have him back and forgetting that they had disagreements which drove them apart in the first place. they’re best friends (NO romance) and it’s just good to see how insanely different orianna and geralt are because they’ve both been regis’ close friends at different points in time.

the purpose of this:

fix regis’ relationships with the vampires. he slowly drove all of his good friends away by going off the deep end and many are likely wondering whatever happened to him. but books regis would never consider partying like that again, so we bring the party regis back and then slowly de-escalate him into normal books regis again, and we finally get closure with him and his old friends.

cool dramatic stereotypical vampire shit. i’m talking about a final battle or conversation in a giant dark castle with large open windows and billowing drapery.

regis’s hairstyle

give syanna actual agency as a character and give her motivations that extend beyond pure revenge (although they are related to revenge) and make her more unique so she is not just a ripoff of renfri.

demonstrate anna henrietta and geralt’s relationship as it was in the books. he was genuinely intimidated by her and i interpret him as being jealous of her relationship with dandelion, so he in practice was quite withdrawn around her as she was her overemotional and embellished self

give dettlaff an actual character, holy shit. i hate how sorely underdeveloped he is in the game. i understand why because it’s not meant to be writing, it’s meant to be a video game, but come on. i hate having the vampire with the cool character design be the ultimate villain of the whole narrative. in this, he’s someone geralt can talk to and sees himself in. he’s emotionally mature and doesn’t mix with the other vampires. since we already know what regis is like, we don’t have to sit through dettlaff making excuses for him and trying to describe what his character is like. we also get a better view of regis’ past through dettlaff’s lense.

give orianna an actual character, holy shit. i hate how they didn’t even try with her and just used her as a “surprise, she is quite evil!” gimmick. have her actually have a larder for blood that is lore-friendly yet still jumps out at the audience as morally wrong. give her more personality and development.

examine regis’ backstory without actually getting into every single year of those 4 centuries. we can examine how it started good, turned bad, went worse... there’s a lot of loss involved and i think this would be nice to process it.

roughly what happens (under cut because if i ever do write this fic out, this is spoilers, literally the synopsis of the whole thing):

anna henrietta sends envoys to geralt. they establish that the duchess has no conflict with geralt and that her conflict was with dandelion, only. she has requested his help because he effectively dealt with many monsters while he was in beauclair and established a trustworthy reputation (also, he’s famous, and toussaintoirs are superficial). instead of the beast of beauclair killing particular victims, it’s the countryside which has been plagued by vicious attacks of the devil knows what.

geralt arrives and examines the scenes of the attacks. the sincere majority of the victims are alive, so he speaks to them. they remember nothing, but woke up with their village fucking absolutely trashed and with vomit everywhere. they all have wounds on their necks. geralt thinks he knows what’s up, but is reluctant to deal with it because of his memories of regis, who he misses

damien de la tour is assigned to geralt as a sort of backup. they argue and geralt manages to get him to stay put in beauclair while he rides to a village they believe will be attacked next. it’s not even a full moon so the vampires don’t even come out in their bat form (disappointing) but instead just mesmerize their way in in humanoid form. dettlaff sneaks up on geralt who is (ahem) staking out the situation, and is like hey dont kill regis hes not evil hes just misguided!! and geralt is like REGIS? EMIEL REGIS? THTS WHO’S LEADING THEM? i ..... i know him.... and dettlaff’s like what the fuck how... then they get caught and regis is like oh hey dettlaff who’s this guy and geralt feels very left out :( and also sad bc regis doesnt remember shit and geralt even lists the hansa members by name and regis is still like O_O ok yeah im just going to hypnotize you to get lost ok goodbye! but dettlaff prevents him from doing this and they both get thrown out of the party.

after the party geralt is a mess and is like wtf so hes back and what... how... huh... and dettlaff doesnt know how he returned or why he returned either but they compare geralt’s knowledge of how regis died with dettlaff’s knowledge of how regeneration works and they figure out that regis just regenerated from his past body and that’s why he doesn’t have any of his memories from when he turned good.

then they eavesdrop a little more and find out that syanna has been talking to regis and making deals with him (its... not really like she thinks, regis really hasnt been doing anything he doesnt want to. shes just like “hey can you attack this village here” and regis is like yeah i was gonna host a party there tomorrow night ...) so they are like who the fuck is this woman and track her down to her base of operations, and then they find out that THEY got followed by damien de la tour, who identifies her as sylvia anna. geralt is a little miffed on behalf of dandelion that damien seems to be so close to anna henrietta but i digress.

geralt reports his findings to the duchess but does NOT mention regis because the duchess knows who regis is. then we get the same vampire talk from canon b&w where the duchess and damien are sorely misinformed on every single thing ever.

geralt is defeated and has no idea on how to fix this and hes looking hard into a mirror by candlelight and then decides to go to bed so he turns around and regis is right behind him like hey. cue ‘holy shit what the fuck’ moment and freaking out. regis explains himself and says that he doesnt remember him but the fact that he gave so many specifics weirded him out and he kind of wants to know more out of curiosity. also he wants to talk to dettlaff but feels too bad about how he argued with him like 3 centuries ago that he cant just ask him directly.

so they talk and geralt is all :(( and regis is like ok well. i kinda want to get these memories back because they sound pretty significant and also im pretty miserable. but also im not going to stop partying bc its the only thing that makes me feel alive rn. so long!

geralt and dettlaff talk to orianna and she dislikes them both but still talks to them and then regis materializes and also begins bothering them and its quite civil but this scene just serves to demonstrate how annoying they are as friends lol

there’s scenes where you can either save damien / syanna from being unalived by the vampires’ / regis’ hand, only if you let syanna die will the duchess be mad and accuse you of being heartless like dandelion is and then geralt and the duchess actually get into an argument bc of that comment but geralt ofc loses bc hes scared of her lol

no matter what you get regis his memories back but your decisions to either continue helping him or not is what makes him change or not. even after he gets his memories back (or because he gets his memories back?) he decides to raze beauclair bc hes just so fucking miserable and geralt has to talk him down, if you are harsh and not understanding and shame him etc then he doesnt change, if you condemn his actions but still offer your support then he does.

if you offer your support > geralt talks about the hansa like For Ever and regis then adds in everything and yay regis is back to normal. theres like a wholesome montage of geralt being like “just TRY to sew up a wound i promise you you will be good at it” and regis does and hes splendid at it. regis and dettlaff finally make up and are bros once again. we help orianna with her issues and she realizes stuff but is still going to have a drink once in a while. if syanna is alive she doesnt hate on any of this but just decides to make up with the duchess and then become captain of the guard (damien gets fired for being a dumbass).

if you do not offer your support > regis goes to cry in a delapidated creepy old castle and you have an epic fight (geralt is backed up by dettlaff) and he turns into a bat and geralt almost dies, they manage to decapitate regis again and put him in the ground and set a timer for 50 years

if you redeem regis then there’s an ending scene where the duchess is like “oh regis i didnt know you were in town” and hes just like <:) ahaha... yeah...

cue crying about milva/cahir/angouleme For Ever. maybe link this with the fic where geralt and regis bring them all back as ghosts/real ppl and then they have to deal with those consequences

#blood and wine rewrite au #regis #geralt #thoughts

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1001galaxies · 4 years ago

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Commentary on Netflix’s Cursed: Episode 2

Edited for language, because I have a few younger/more sensitive readers.

THE MONK SPEAKS. HOT DIGGITY DANG.

Well, DAYUM again. The monk meeting Squirrel is delicious. The LOOK in Daniel's eyes. The staging and lighting. A+

“Born in the dawn.” “To pass in the twilight.” I burst out laughing so hard. The cheesiness. But also. When it's DANIEL SHARMAN SAYING THE FIRST LINE, I mean. I M E A N.

Just watch, that’ll be the new 'may we meet again'.

Squirrel is a discount version of Blue from King Arthur: Legend of the Sword, but he's cute, so that makes up for a lot. And he does have some decent lines so far. “Do you hate them because they're so beautiful and you're so ugly.” “Even your horse is ugly.” “And I love horses.”

But, hang on, his line: “You're so ugly.” *looks at Daniel Sharman* *looks at Squirrel* *looks at Daniel* *blinks* Ah, kids.

Dang, they really do give Nimue every single flippin YA teen girl trope in the world, from both fanfic and traditional fic. Wow. That's impressive, even by my standards.

Joss: “Get up you murdering pig...tie him up...I think we've caught the big killer.” Me: You haven't caught anything, and if you think you have the upper hand with the MONK? Oh honey, you poor deluded fool.

Joss: “Ever been dragged by a horse with a hot coal up his bum?” Monk: “Not that I can recall.” Me: Dang, HIS VOICE. Me: Secondly, there are better ways to motivate horses than that, excuse you.

Monk: “I've got no interest in the boy. He's bait.” Joss: “Bait for what.” Me: Oh yeah, here we go, awriiiiiight. Monk: “For YOU.” *kicks Joss*

Who cares that Daniel is the bad guy, he's the only interesting one. Hot DANG, that roll over the horse. HE'S FIGHTING WITH HIS HANDS BOUND. Gives a new meaning to 'hands tied' Also dang. And WHAT DID I SAY, JOSS. You got owned.

Monk: *kills five or six people with //his hands bound//* Me: Now that's what I'm talkin’ about. Me: Wait, he just killed innocent people. Me: Eh, he’s still the best character so far.

How does Daniel manage to sound sexy saying “go.”

Every SINGLE time we come back to Nimue: Me: okay, booooooring.

Obviously, they’re going with the traditional representation of Bors as a brash lout. Eh. Why.

Can I have Bors played by Tom Hopper, please. He was a good Percival, but I'd like to see him play a surprisingly FUNNY and GENTLE and SMART Bors. Twist the traditional representation.

Ah yes. Cursed: LOOK AT US, WE'RE SO ENLIGHTENED AND SUBVERSIVE AND DIFFERENT that we're going to have the guy save the girl the same way 90% of all fantasy saves occur. Much impressed.

I mean, TELL her, Arthur, yes please. She didn't think, that's the problem. She just reacted with the sword. I get she’s a teen, but come ON, why must every single teenager ever—male or female—react with impulsive emotion. Not every single teen in the world always reacts with emotion first.

Well, this heroine rant is like every other YA fantasy heroine guilt-trip rant I’ve ever seen. I get being sad and emotional and being guilt-stricken because of how events have fallen out, but really on the wording? Really.

Arthur: “And I'm not a cutthroat.” And his head tilt. That's cute. Arthur is genuinely likeable so far, which is /good/. Also nice to see the guy taking care of the girl solicitously for once instead of the other way around. I do appreciate that.

And here we have the OH SO ORIGINAL trope where the heroine was bullied as a child and 'oh you made the village boys pay romantic attention to you with your magic' backstory. REALLY. REALLY NOW. I'm absolutely positive I've got YA fantasy heroine bingo at least twice over by now.

Nimue’s mum: “When you were five years old, you faced a dark god alone in the ironwood and survived.” Bingo again.

Let's play a game called: how many times can this show throw out a Game of Thrones reference/imitation?

IRONWOOD. REALLY? REALLY. Here's the thing. a) Game of Thrones did this already and called it the Godswood, and if you think people aren't going to see what you did there, you 100% have another think coming. and b) THE LAST TIME I CHECKED TRADITIONAL FAE LORE, iron KILLED and/or BURNED fae. But THAT is what you unironically* called your SACRED WOOD THAT PROTECTS YOU???? *Only being 2 episodes in, maybe I'll find out later that it was/is an ironic name, but it suuuuuuure doesn't seem like it so far.

Nimue’s mum: “You are not some fragile maid, you are a warrior..." Me: She's going to say 'and you are strong'. Nimue's mum: "And you are strong." Me: See, this isn't even fun. There's no challenge to this. Also, YA fantasy trope bingo again.

Arthur: "It's a rare blade, I'm not sure I've seen its like." AT LEAST THAT is a decent line. Normally, they say “I've never seen its like” with this awed tone, but he's just factually observing. Cool, cool.

ARTHUR WITH THE SWORD. I'm going to be an Arthurian geek for just a minute and revel in this. I know there's more to this story. Much of it is dead boring. But I'm just going to enjoy this minute because //Arthur with the sword//.

I really did not expect to like this Arthur. He's nothing extraordinary yet, but he's fun. Without being a copycat of BBC's Merlin or King Arthur: Legend of the Sword. He's just a young knight (possibly a prince somewhere along the line??) who is genuinely caring, not super arrogant, and just a DECENT AND FUN GUY. So far.

Arthur: “I've seen a lot of lives wasted fulfilling the dreams of the dead.” YES? FINALLY? SOMEONE SAID IT? I'm here for this. Call out that fantasy trope that is all well and good in some doses but is basically THE FOUNDATION OF EVERY SINGLE YA FANTASY ARC EVER, and it's so annoying. Give us some VARIETY now and then.

Nimue to Arthur: “Spoken like a true mercenary.” No, spoken like the only sensible person in the show so far, Nimue, you twit.

AW YEAH. YOU TELL HER, ARTHUR. She's shrugging off everything you say AFTER ASKING FOR YOUR HELP. Geeeeez. It’s so annoying when people do that.

Arthur: “Get an hour of sleep.” Implied: Everything looks better after sleep + you’ll need your strength. Me, who hates sleep: I feel so attacked right now. ...But he’s right.

Merlin is TOTALLY fantasy Haymitch.

Veiled Lady: “You told us the sword of the first kings was destroyed. You lied.” Okay, so MAYBE Merlin's getting mildly interesting...but are they going to do a good job with it? DOUBTFUL.

Veiled Lady: "This affects all of us, not just you. The fae are on the verge of extinction." Um, THEN WHY EXACTLY ARE YOU DOING NOTHING ABOUT IT? Is this another ‘we can’t bend the rules of heaven for mere earthlings’??

Veiled Lady: “If the church acquires the sword of power, then they will decide who wears the crown. Have you forgotten the words?” Merlin: “Forgotten them? I WROTE THEM.” Me: Okay, that's a good delivery. Merlin: “Whosoever wields the sword of power shall be the one true king.” Me: And a nice mocking accent on that, Oooh yeah, I like. Merlin: “But I'm wiser now. There IS no one true king.” Me: Huh. Now see, that's slightly interesting. Give me more of that.

Pretty sure they told Gustaf to model his Merlin on Starz Camelot's Merlin, “but make him fun and drunken.” He's got that whole Fiennes vibe going on, but also definitely fantasy Haymitch. (Someone else on tumblr said Jack Sparrow, and I could see that one too, thought not as much yet. Where I am, Merlin doesn’t seem super keen on adventuring for the sake of adventuring. He has the bitter past and cynicism of Haymitch right now. Maybe he’ll get more Jack Sparrow-y as this goes on.)

MERLIN HAS NO MAGIC BECAUSE HE GAVE IT TO THE SWORD, okay, that right there is a GOOD element, and chock full of potential. Especially his bitterness. And his insistence that he won't touch the sword again. Are they going to do a good job of using it? Dollars to donuts, NO. Ugh.

Veiled Lady: “I sense fear around the sword. But also great power.” And here we have our Galadriel imitator. Dang, I need TWO more bingo cards.

Veiled Lady: “The sword is finding its way to you, Merlin, but which end of the sword, the point or the pommel, is another question.” Me: *snorts* Cute.

Merlin: "The sword was forged in the fae fires, and to the fae fires it shall return. I shall melt it back to its origins."

Let's play another game called: how many times can this show imitate LOTR?

Veiled Lady: "You are aware the fae forges burned out a thousand years ago?" Yeah, cause Frodo and Sam destroyed Mount Doom, guys, go read your history.

Veiled Lady: “Oh dear.” Veiled Lady: “Tell me you're not planning to steal from him. Without your magic.” Merlin: “I still have my wits and my charm.” Veiled Lady: “I fear you overestimate both.” Ahem, the lady has a point.

CONCLUDING THOUGHTS:

- Arthur is still interesting. That could change super quickly, but so far, I like him.

- The Monk is beautiful, and I'm so here for upcoming stuff I won't talk about, but also for his arc period and more interactions with Squirrel.

- Squirrel is cute, but nothing above the average so far. Still, better than almost anyone else on the show.

- Merlin has the potential to be intriguing, if only they use it.

- Obviously, I'm going to keep watching.

Footnote:

I saw spoilers today about the Monk’s arc, and I'm HERE FOR IT, so here, so beyond here for it, GIVE ME THAT RIGHT THE HECK NOW. IT'S THE ONLY REASON I HAVE ANY EXCITEMENT FOR THIS SHOW RIGHT NOW.

THE WEEPING MONK AS *SPOILER* I. CAN'T. FREAKING. WAIT.

#cursed netflix #this show is cursed all right #cursed with hideous writing #but Daniel is still bringing it #I'm here for the Monk and Arthur and Squirrel #yes this got longer than I intended #par for the course with my writing of any kind

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shima-draws · 5 years ago

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Okay listen I really really enjoyed The Wonderland/Birthday Wonderland a LOT but there’s definitely like. Huge chunks of stuff that are missing from the plot that I would have loved to see;; SPOILERS AHEAD BEWARE

First of all let me say that this movie definitely would have worked better as a TV series. Why? Because the world itself is MASSIVE. There’s so much worldbuilding shit going on that they only got to touch a little bit of each section, and left so many things open ended. And then there’s the fact of the plot itself that leaves a lot of holes behind and unanswered questions.

Rest is under the cut so ya’ll can avoid spoilers if you so desire:

What the fuck happened with the sweater contest? They make it out to be such an enormous, important part of the plot that literally ends the moment Akane hands the sweater over. We see her protectively guarding it the entire journey to the city, and yet it’s never even touched upon if the sweater wins the contest or not. What happened bruh?? I want to know if it won, a lot of unnecessary screentime went into the development and story of that sweater! Don’t leave me hanging!

“Our world is dying”, Hippocrates says, as the majority of the land is still thriving pretty okay from the looks of it. Aight. There’s lots of gorgeous visuals in this film that are made clear through the gift of water that they’re living--and apparently there isn’t even enough water to go around for humans to drink. At that point literally everything else would be dried up, right? There is literally a giant pond--GIANT! With koi fish right outside the city. They just gotta learn to distribute their water better;; it’s a shitty system tbh lmao I mean there’s plenty to go around. They just don’t bother to try spreading it evenly, which is why some places are flourishing while others are not. They really should have spent more time showing how people are suffering from this rather than showing the remaining gorgeous parts of the land--that would have made the impact of saving that world that much stronger, made the stakes so much higher. If Akane had seen how bad it really got without water, maybe that would have driven her character development earlier on, and made it more significant.

Akane’s change. It felt...really...anti-climatic. Or maybe just rushed. It was a sudden, minor sort of thing that when I realized I was like “Oh, okay, she’s already come to the conclusion that she can be strong on her own, but I wanted to see that?” They didn’t execute it super well. It feels like we’re missing an entire scene where Akane finally breaks through her fear to gain courage and make her own choices. There was definitely a bit of that right before she made her grand speech to Zangu, but there was nothing that prompted it. The whole movie is a coming of age story for her, building up until the moment where she has her great breakthrough and is able to be confident with herself. But...they don’t show that. We don’t get to see that moment. I don’t know why, because it’s the most important thing of the entire film? They really could have handled that better.

I really wish they touched more on Midori’s involvement;; she was so minor I almost didn’t catch the connection between her and the previous Goddess of the Green Wind. I like that Akane feels closer to her because of this, but we never really get anymore information than that. How did Midori end up in Wonderland so many years ago? Was she a reluctant hero type like Akane, or was she determined to save the world? Did she meet Hippocrates way back then, or was it a different alchemist that lead her on an adventure? Was something wrong with the prince at the time which required her presence in order to make sure the drop rain ceremony went well, just like Akane? I don’t know! I want to know!

The ending was SO abrupt and short. Literally right after Akane and Chii get back that’s it bam roll credits movie over! I’m like. Whiplashed by it. I wanted to see how they were affected by the journey (besides Chii immediately going to take a nap which fandjksad MOOD), and how they’ve changed from their adventures. We obviously see a huge change in Akane at the end, but how does this affect her life in her own world? Does she start treating her friends differently? Does she ever make up with the girl she abandoned in order to be in the popular group (which is another huge thing they never came back to). Is she more determined to do things now, to be confident? Is this a change her mother notices? At least show the impact of what they went through;;

Halfway through the movie we’re introduced to a London-type city that’s really...not so fun looking. Dark, gloomy, and depressing, with obvious signs of poverty, where everyone looks angry all the time. It’s a very very clear outlier in the colorful Wonderland. I’d love to have seen more history on this city...why is it so different from the rest of the world, and so dark? Why do all the people seem so unfriendly, when those outside of its walls are generous and kind? How did this city come to be? It’s such an enormous mystery that they never talk about, besides hinting that this was where the prince had ended up once before he became Zangu.

Speaking of the lovely prince. I know we got kicked in the face with his backstory (and that shit hurted, this poor baby who also kinda deserved it but not to THAT degree), but I would have liked to see even more. Maybe I’m biased because he became my favorite character the instant his identity was revealed, idk. (And, to me, he feels way more fleshed out and rounded as a character regarding his development than Akane does, which is another reason why I like him best.) But while we were given his motivations in becoming Zangu, the personality difference between Zangu and his regular princely self is IMMENSE. I really don’t think the prince would have ever committed such acts--he may be a little shit and have a lot of anger issues (which, valid, I mean his parents died and he suddenly has all these huge expectations on his shoulders and he’s. He’s just a kid man, that HAS to be traumatic) but I really don’t think he would ever strike against his own people or openly threaten them. Sure, he’s definitely shown to be prone to angry outbursts, and is fond of pushing everyone who cares about him away, but he’s not purposefully malicious. And as soon as Akane transforms him back, he calms down immediately and becomes immensely selfless and heroic. So: why the enormous change of heart? I think something that could be canon that they never really mentioned is that, when he was transformed into Zangu, he became sort of a puppet. A lifeless doll without any real empathy, and the only emotions he could feel were a burning anger and a desire for revenge to those that wronged him and made him feel pressured to perform the drop rain ceremony. Being trapped inside a body like that probably just made those feelings escalate, resulting in all of the crimes he committed and all of the people he hurt. (And maybe they did touch on this but I just don’t remember since my memory is garbage lol)

Going off of that, I know this is the type of story where we follow the hero characters, and as soon as Chii and Akane made it home that was it, we weren’t allowed another peek into the Wonderland. But...what if we were granted that opportunity? Could we have gotten the chance to see how things changed after they left? Perhaps the prince began a journey traveling to all of the towns and villages he terrorized, and apologizing to the people. Maybe Ron starts to train under Hippocrates just like Pipo. Maybe the rain washed away all of the sorrow in that lonely city, which caused people to start to change it and make it brighter. Change, change, change! I want to see proof of Akane’s help!

Why the fuck did the other alchemist/sorcerer (I forget his name and there’s no info on him anywhere MDAKMASD I’ll update this when I find out later) do that to the prince?? That was SERIOUSLY fucked up. “Oh yeah, to punish this child for being naughty and angry after his parents died, which is actually perfectly reasonable, let’s turn him into a doll where he can’t MOVE OR SPEAK and let him sit there in absolute torture until I feel like setting him free again, instead of trying to find an alternative way to confront him about his anger issues”. Dude;; No wonder he was so fucking angry and bitter when Ron finally allowed him to speak again. I would be too! Trapping children in naughty doll prison is not the answer!

I’m trying to think of more but I think I covered most of it :’) If ya’ll have anything to add, please do!

Like, overall, the movie was GREAT. It would have been even better if they didn’t shove so much information into it that ended up becoming irrelevant later on. It felt as if they were trying to cram a TV series into a movie, trying to cover all of their bases but failing. There’s just so many things they left open-ended and unanswered;; and you know me, I’m a slut for lore like this so I want to know EVERYTHING. And I only got little bits and pieces of it. I really would kike to know if they just cut out large portions of the movie to fit the time limit and the budget;; because that would make a lot of sense, because it feels as if I was handed a puzzle without all the puzzle pieces.

#Basically Shima goes off about everything she wanted to know about this movie #The Wonderland #Birthday Wonderland #Long post #バースデー・ワンダーランド #Shima speaks #Spoilers

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shy-magpie · 4 years ago

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RQG 155

Wherein there are unexpected visitors. Live blog under the cut

Pre episode babbling: there really wasn't any way quarantine was going to last as long as the dungeon crawl, and (for all I joked about it) I really am satisfied with what we got. That was a lot of backstory and character moments in a short amount of time. Now we have a kobold, a mysterious attack on the inn, and an episode title referencing dragons? Nice consolation for them almost certainly being forced out of the basement or having plot come to them. Please be Skraak? Please be Skraak either trying to rescue them or at least be here as an ally? Oh well time to hit play: Weird energy? That’s promising Inevitable locked in a Cel(l) joke Zolf needs to be nicer about the Kobolds Alex needs tell us if this is Skraak or not before Hamid gets the blame Skraak(?) Just unlocked the trap door Nice outfit Alex, is it our Skraak? It seems to be Zolf wants Skraak to join them in quarantine. Cel doesn't see why to bother when Skraak's been in contact with hundreds of Kobolds Skraak gestures for them to leave and Zolf is going to be force the issue. This will go over well. Beats his defense by 1 Hamid is trying to play peacemaker again. Really Zolf? Couldn't have calmly refused to leave and explained through the door? I know you are under stress but you are low charisma, not stupid. Love you Cel, Skraak has been speaking to varying degrees since "My Liege" Hamid tries to explain, Zolf speaks over him to say they didn't explain because they forgot. Hamid apologizes to Skraak. Skraak starts to leave. Azu backs Zolf in preventing him from leaving. Skraak is subdued by Zolf & Azu Skraak is locked in with Hamid? No Zolf has some limits thank goodness. He did call Skraak one of them. Bound but not gagged as Hamid apologizes. Skraak points out that he just has to wait for the rest (of his team?) Skraak "monitor"ed them!?! Holy... I was merely comparing the situations, did he actually scry and see them held by a human in a small space underground beneath a trap door disguised by a table? If he thinks Wilde is their Shoin then how many pieces is he going to be in when Zolf gets out? Kobold lore please! Hierarchy is important and it was "considered a good idea to keep track of the saviors". Skraak is sarcastic in his tone when he uses the term and it sounds like at least Hamid & Azu object the instant they hear it, possibly others. Cel makes a pitch for quarantining the whole inn. Wilde is in the cupboard Zolf asks about the kobold numbers and makes some unnecessary remarks about the village & Jasper in particular being lost as he writes off Japan. Zolf is far too relatable for some who needs to stand the flame down before someone takes it personal. Deciding you've already doomed yourself along with everything you care about is a crappy way to avoid panic in the face of uncertainty. Cel tries to call him on it, he switches to "everyone else is infected and it will be our job to fight them". Scary thing is, while in the long term it would be a suicide mission, with their combined abilities they could make a serious dent in the numbers. Hope they are aware of the Hiroshima comparison if this is leading to calling for a air strike on Japan. They explain what little they know to Skraak who insists none of the Kobolds were sick but may not understand the symptoms. Possible kobold immunity? Gonna be annoyed if something Shoin did protected them. Skraak seems to be saying that no new people were exposed since his party of 7 followed the route of the party. Zolf wants to send them back under Skraak's guard to prevent any more coming for them. And they're back. Cel points out its better Skraak came since the kobolds didn't know to implement quarantine. They go upstairs. They form a phalanx and draw spear against the party when they don't see either Hamid or Skraak. Alex & Ben are doing the "these lines are already written we have but to speak them" routine while Bryn points out Alex doesn't get to sound like that when he's the one doing it. Very Hamid, if you know how this is going to play out and don't like it, just make another choice. Initiative and a lot of dice. Grapple rules. Not clear where Cel is/if they got grappled but it sounds like Zolf did and is throwing them off so he can check on the inn keeper. Hamid runs upstairs and every one of them kneels like Skraak did at their first meeting. Helen & Bryn both sound distressed. Should have cleaned up that unreadable little ficlet I made of Hamid going bad because he didn't know how to handle Kobold worship and accidentally took over Japan because he thought autonomy meant respecting their decision to look to him as their leader. The innkeeper is bound but fine. Zolf unties him and looks for Wilde. "Wilde is also bound and... Has a look best described as "the bleep? "" Zolf is a stress cooker and Barnes updates Hamid is flustered and embarrassed which buys him some small grace from Skraak who explains Hamid is "the biggest dragon here" Cel: Also you could introduce the concept of democracy. Eh skip em straight to anarcho communism if you ask me. Group decision meetings rather than just vote for the head dragon Hamid tries to side step a bit by suggesting they explain the situation and asks for their names. Hope Alex thought to name all seven before the cast does. Siggif the kobold might be pushing it. "Hamid the polite tyrant"-Lydia Break Alex skips them to "a large dinner" cooked by Zolf who got a nat 20 on how good it is. Cel speaks draconic. Neither Zolf nor Azu can make out the difference in their names. Because Alex is like that: didn't want to come up with 7 names, did want to block anyone else naming them. Bryn however has all 6 names and is going to give Azu & Zolf their translations. They aren't interested in the rest of the party and "insist on maintaining a guard phalanx around Hamid at all times". Helen points out this is Bryn's fault. Yeah he's been playing with Alex long enough to know "King of the Kobolds" would come back to bite him. Hamid should be embarrassed. Hamid is sat at the head of the table by the Kobolds. Skraak: it'll pass eventually Zolf: good Aw Cel asks about traditional kobold food and Skraak has to struggle to remember. (Cel seems disappointed meal worm burgers would be poisonous to non kobolds) Zolf is a grumpy boy Long story short it seems to be a controlled risk: no contact off the island; no reason to believe the kobolds are infected Kobolds might be immune Oh screw Shoin (sent waves of Kobolds as dungeon monsters) Zolf doesn't think that the level of contact the Kobolds had with infected adventurers without being infected is proof since they don't know how the infection is passed or activated. Hamid says they shouldn't rely on it but its reason to hope. Zolf needs to remember that team moral is a thing and quit taking things from Hamid especially in a way that could piss off their new housemates. Thank you Azu! Hamid is not stupid! You can say there is reason for hope and still be careful Hamid calls him on jumping down his throat at the slightest provocation, reminds him they talked about this and that trying to stay positive is not a crime. God it's weird relating to both sides of this argument. My bias is towards Hamid as being right, but Zolf is so relatable. You have any idea how hard it can be not to snap at some of these kids they are setting themselves up for heart break when they talk about school in the fall or hug piles at cons? Thank you Cel Zolf is going to leave and sit on the coast behind the inn because he considers the quarantine broken not expanded. Backing out of an unproductive conversation, especially one were others have pointed out you are being harmful is valid, giving into "burn it all" moods is not. Hamid moves to stop him because he gets that the inn is now their cell Wilde calls him back and says he was building to them talking to the borb. So there is a reason he's the boss. Zolf declares he wants some time not thinking about this, which is what he should have done several paragraphs ago. Ffs this can not be the first time he's had it strike hot/destructive instead of cold/immobilizing; it sucks but you don't let yourself make any permanent decisions, stay away from the breakables and try not to talk to much, it passes. Cel suggests he go to one of the upstairs rooms instead, he accepts the redirect with ill grace but does accept it. Barnes has pointed out that locking everyone in a small box makes things worse not better before. Aw did Alex not like the fandom begging for the platonic version of the lock em in a closet until they sort out their feelings trope? Azu: I thought we could make friends Cel: he seems quite opposed to that Azu: I feel like he'd be a really good friend but not very friendly if you know what I mean Cel:we I know he hasn't been at all friendly Azu: you're friendly! Cel: well thank you, I do try Azu: I think you are my friend Cel: I am so honored! Thank you so much Azu! That's delightful Carter declares Cel the only friendly one because he is grumpy about Azu stepping on him, stopping him from breaking quarantine, and drank all the good stuff. Barnes suggests they start fresh in the morning. Skraak explains the kobolds are expecting Hamid to step into Shoin's role as tyrant just one they like. Skraak: even if they know you're not a tyrant, neither they nor me will be abandoning you because that's how Kobolds work. Good Hamid is taking this seriously Oh no pressure Skraak The most chill inn keeper in the world Skip to lunch time Zolf is still making himself scarce, which is not the worst way to handle it dawning on you THAT YOU TRIED TO DESTROY A RELATIONSHIP YOU VALUE BECAUSE YOU WERE IN A MOOD Bryn makes the "he's secretly infected" joke. Bryn spotted the veins in discord avatar thing and Alex sounds so pleased Wilde is fine, stop asking Oh really we needed that insight in how Wilde thinks Brorb on the table Cel asks for a list of stuff to make into a Brorb access device. Between their bags of holding they have enough stuff for them to make do. Azu seeks out Zolf while Hamid & the Kobolds help Cel. No strike that she waits until someone needs to grab him for the Brorb interview. Alex! Ending on Azu finding Zolf staring out the window.

#RQG spoilers #Rusty Quill Gaming #long post #RQG 155 #RQG season 4 #live blog thingy

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changeling-rin · 5 years ago

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Hi! I was wondering, what are your thoughts on the different Zelda games? Not a ranking or anything, just what did you like/dislike in each game/franchise as a whole? And how did you come up with the personalities of the characters for DL? Thank you!

Oof. Oh, you’re gonna make me Longpost, aren’t you. Yeah, okay. You asked for it.

Skyward Sword/Gen

-I both love, and hate, the motion controls. On one hand, I have never felt more epic than when I personally stabbed my sword into Demise’s head. On the other hand, I have never felt more frustrated when my wiimote would misinterpret my swings and I would subsequently die. Contrary to popular opinion, I actually like Fi. Her design is beautiful, her theme is gorgeous, and her goodbye to Link is one of the most beautiful yet heartbreaking moments in the entire franchise. The origin of the Master Sword, in my opinion, might be one of the best things to come out of this game.

Gen’s personality came about mainly as the foil to Lore and Dusk’s pre-existing dynamic. Lore is the spastic one, and while Dusk is definitely somewhat of the straight-man, he’s much more likely to roll with it unless it’s drastically damaging. Gen, on the other hand, will avidly apply common sense to anything and everything, and since Lore very rarely follows common sense, Gen morphed into his ‘conscience’, so to speak. His predilection for healing was a side-effect of me dying a lot in his game and spending more on Red Potion than probably anything else, and also because the group needed a medic and Gen was definitely the most take-charge character I had who would do that sort of thing.

Minish Cap/Speck

The Picori are the cutest things, oh my gosh. I do, however, suspect their violent and painful end in BotW - if they’re the ones who put the Rupees and Bombs and stuff in the grass, and there’s no such things in BotW… Aside from that! I adored the concept of shrinking down and having the entire environment change on you. It was such a unique way to make an old area new again. On the flipside, I loathed the Kinstone sidequest with a passion. I never did manage to match them all.

Speck was basically me saying to myself, ‘He’s a tiny person. How do tiny people see the world?’ And then he turned into a quiet, shy kid who tries very hard not to be a bother and looks at problems from a completely different angle than most people. This is why he always second guesses his words - he’s by far the most frequent user of ‘um’, ‘uh’, ‘ah’, ‘oh’, etc, and this is entirely on purpose. Tiny people, by nature, will do whatever it takes to make sure the bigger people don’t get mad enough to smush them - a bit morbid, I know, but if you think about it… This is also where his habit of stabbing the eardrum came from. Where most people wouldn’t even think of it, Speck just saw a really good access point and a whole lot of convenient fabric handholds to get him there.

Four Swords/The Four

I have actually never been able to get my hands on a copy of the original Four Swords game. I know. I’m a disgrace to the fandom. However, I have done extensive research, and I can say that by far my favorite concept is being able to deploy a Bow-Wow in the direction of my enemies. I literally cannot imagine it without cackling.

The Four were the result of me having two sets of Four Sword Heroes and desperately needing some way to tell them apart. It took a very long time for me to decide to play up the hive mind aspect, but once I did everything clicked for them. Rather than being split individual aspects of the original Link, the Four are literally a copy-paste of OG Link’s personality with only tiny variations between them, which led to the decision to make them somewhat quiet and awkward about their synchronization. People rarely accept what’s unfamiliar to them, and to be honest the Four probably have one of the more ‘tragic’ backstories. They may or may not have been chased out of a town or two due to a couple misunderstandings about the source of their hive mind. (My babies, I’m so sorry I did this to you I’m a terrible author whyyyyyyyy)

Ocarina of Time/Ocarina

By far, one of the most investing stories in a game. Ganondorf is fabulously evil, 10/10 would thwart again. Music, of course, is beautiful. The travel mechanic, on the other hand, I am not a fan of. Trying to get somewhere before getting the respective warping Song is tedious at best, and the sheer amount of time it takes for me to swap between Young and Adult Link is just… it’s a hassle, is what it is.

Ocarina is a little kid in a Big Person’s body, and I write him accordingly. He’s the wide-eyed boy in a brand-new world. He’s naive to a lot of things and oblivious to several others. He and Mask have a bit of an odd dynamic because of this - Ocarina will basically gravitate to wherever Mask is as a sort of unconscious instinct, under the unrealized assumption that Mask means protection. The ‘Little Brother’ mentality, if you will.

Majora’s Mask/Mask

THE MOON. THE FREAKING MOON. I will never be able to play this game without feeling vaguely stressed and unsettled the entire time and THAT FREAKING MOON is the reason why. Very compelling plot, 10/10, but WHY. Aside from that, the music is fantastic, Majora is Creepy To The Max and we so rarely get that in Zelda games so I am on board, the transformation masks are probably my favorite mechanic, and your heartstrings get yanked on several times with the Goron Lullaby quest and Mikau’s entire storyline.

Mask evolved directly as the opposite to Ocarina, with the caveat that he is directly aware of Ocarina’s unconscious ‘Little Brother’ mindset - Mask just happens to be sincerely uncomfortable with the ‘Big Brother’ role. He’s more knowledgable, more experienced, and this was done explicitly to be in direct contrast with the fact that he looks like a little kid. He’s Ocarina’s opposite in every single way, and it’s fun to have them play off each other.

Twilight Princess/Dusk

Probably my favorite game, art-style-wise. There’s some things that Twilight Princess does fantastically well artistically, not to mention that it contains one of my favorite characters of all time. Midna is awesome and there’s nothing that will convince me otherwise. I actually think the wolf mechanic is a really good way to make new problems within old areas - but I will admit, the bug hunts can be tedious. And that one escort mission can go jump off a cliff. But I adore everything about the concept of a Twilight Realm, and even though Ganondorf comes in and kinda shafts Zant out of the way, he’s fabulous enough that I can accept it. They are, after all, both marvelously evil.

Dusk’s personality came from me thinking back on everything that happens in his game and promptly deciding that: he either went a little insane to deal with it all, or he had the lowest level of crap to give that I’d ever seen. Obviously, I decided on the latter, and I’m very glad I did, because from there that allowed me to build the faux-duo-actually-triad leadership between him, Lore, and Gen that works so very well. I kinda ended up putting a little of myself into Dusk, in that he’s very reserved and will think about what he says before saying it. Of course, I had to incorporate the wolf somehow, and the way that was the most fun for me was to bring some of those traits over into his hylan form. One of these was me interpreting the howling mechanic as Dusk being a naturally good singer, and we all know where that led.

Four Swords Adventures/Red, Blue, Green, and Vio

The loss of the Bow-Wow hits me deeply, but we do get horses so that helps a little. Also, it surprised me a little how similar this game is to the predecessor, Four Swords. There’s a couple plot differences, Shadow Link is a thing, but for the most part it follows a very similar pattern and I kinda wish something different had been done. It’s fun having more than one weapon to swing around, but not quite as much without other people to play with. The one thing I have to say about Zelda multiplayer games is that, without actual multiple players, it’s just… not as fun.

I freely admit that large parts of Green, Vio, Red, and Blue’s personalities came directly from the FSA manga - particularly, the subversion of color expectations by having Red be the timid one and Blue be the aggressive one. You never see that nowadays, and I immediately pounced on it. Vio and Green had slightly less large chunks of manga personality, but I basically ripped their inner-group dynamic wholesale. Their individual interactions though, those are all me. Blue and Vio just seemed like natural bicker partners. Red’s Adorable Puppy face evolved out of the sheer amount of times the manga had him on the verge of, or shedding, actual tears. And Green naturally needed to be the exasperated leader keeping them all in line. It all just sorta flowed from there.

Link to the Past/Lore

The originator of such musical classics like Kakariko Village, the Dark World theme, and Zelda’s Lullaby, and I thank this game for making these songs so good. I adore the way that the Dark World can take the entire freaking country of Hyrule and turn it into something completely new. But there were some times where I wasn’t sure where to go? I don’t know if it was me or not, and it could have been. I might just be bad at inferring destinations.

Lore is the direct result of being the target of four entire games, and me thinking to myself, ‘Now how does a normal person deal with something like that?’ The answer was, of course, that they throw normality out a window. Lore is my way to have fun, and also to let out every random impulse I’ve ever had but never acted on. In a way, Lore is me, but without all the inhibitions. Sometimes he ends up being a direct conduit between my brain-thoughts and the page. That aside, I also gladly seized the opportunity to bring something different to the group, which is how the different languages came in. He’s the only Link who actively, within his games, visits other countries, and there was no way I could pass that up.

Oracle of Ages/Oracle of Seasons

They remind me of Pokemon titles. “Here’s these two games! With the exception of some minor details, they’re exactly the same! Combine them for a special surprise!” I do think the Subrosians are adorable though. And of course, shout-out to Veran, the only explicitly female villain the Zelda franchise has ever seen. Maybe someday you’ll get a friend to help you out in that testosterone-filled mess. Maybe someday.

Link’s Awakening

Far sadder than I anticipated it being. Also, the Bow-Wow returns! Clearly the best thing in the game. On the bad side - I don’t remember which one it was - there was this one dungeon that just… for the life of me I could not get it to make sense in my brain. I don’t know why. I also don’t remember what the solution was. Very engaging story though, the Windfish mystery kept me engaged right up to the Big Reveal.

A Link Between Worlds/Sketch

The painting mechanic is just. It’s so clever. The entire landscape is transformed with a single dimension shift and I loved it. I was kinda skeptical about the same map as LttP, but then Lorule happened and I was pleased enough with that to accept it. Ravio and Hilda are fine additions to the LoZ family and I wholeheartedly accept them - also, the Lorule Castle theme is one of the best songs in the franchise, fight me. One thing I do remember is this one boss battle, I think with some sort of Manhandla plant? It took me at least ten or so tries to get past that thing. Really didn’t enjoy that one.

Everything intentional about Sketch evolved from his painting ability, this being his phobia of water, his tendency to use stealth in a confrontation, and his continued sidetracking with artistic ideas. At some point though, he turned into one of the most sarcastic Links in the bunch, and I’m really not sure how it happened. But it seemed to fit him for whatever reason.

The Legend of Zelda/Realm

I regrettably have not been able to get my hands on this one either, but I have watched a play-though. My observations are as follows: Where is the map. How did anyone figure out where they were going in this game. I don’t understand how that wall was supposed to indicate it was bomb-able. How did people play this game without getting too frustrated to continue. On the bright side, the dungeons seemed to be very well-laid-out, and the bosses, while repetitive, were pretty memorable. I suspect I would get lost within the first ten minutes, though.

Realm is directly based off of my above observations. I am firmly of the opinion that absolutely nobody can make it through the original LoZ game without getting lost at least once, and this resulted in Realm’s absolutely abysmal sense of direction. Consequently, I made him hopelessly optimistic and cheerful enough to make the sun jealous, because the only person who could put up with those sorts of mishaps is the person who can just get right back up and keep going. Also, the fact that I myself and severely directionally challenged means that writing Realm comes very easily.

The Adventure of Link

I have not played this one either. I apologize. That said, I dislike the switch from top-down to 2-D scroller. In comparison with literally every other game in the franchise, AoL feels the least like a ‘Zelda’ title. Though, for the invention of Shadow Link, I award at least few points.

Wind Waker/Wind

It’s adorable. It’s somehow a very dark and serious game disguising everything behind a cute and cartoony art style and even though I can recognize it I don’t actually care. The story is engaging, Tetra is the Best Pirate, and the ocean makes it feel so big. I do think the sailing mechanic can be a bit time-consuming before the warp travel kicks in, and I actually feel like Ganondorf went down too easily, maybe?

Wind is based off of sailing, basically. I took the amount of time it takes him, in-game, to get places and decided that he has the patience of a saint. Also the bafflingly ability to stay awake for three days straight, but that hasn’t come up in DL, so. Because of this, he’s usually pretty content to let conversations evolve without much input from him, unless he’s got something important to say. And of course, he’s got the Wind Waker, which resulted in me making up an entire magical classification system to explain why he’s so good at controlling the weather, accompanied by an entire chapter-length head canon about the relation between the weather and music. Ironically enough, for all that Wind has no instrument of his own, the fact that he’s a conductor means he’s actually the most musically talented of the whole group.

Phantom Hourglass

I wouldn’t call it a worthy sequel to Wind Waker, but I honestly don’t think it’s too bad - with the exception of the Temple of the Ocean King. First time, it was kinda fun. Second time, less fun, Third time, getting repetitive. Fourth time, getting annoying. Fifth time, and I was really done with that mechanic. The remixed Sailing Theme was good though, and once I got past Linebeck’s surface personality I liked him pretty well too.

Spirit Tracks/Steam

I have never played this one, but the concept seems fun. The riding-a-train song is amazing. This Zelda is probably the most fleshed-out that the character has ever been, and I dearly hope she can take the position of ‘companion guide’ again someday. Or maybe even ‘protagonist’, who knows? I do dislike how vague Malladus is, because as the Final Bad Guy I feel like he should have been solidified more than just “Demon sealed a long time ago”. And to be honest, why Trains? It just seems so random.

Steam, like several other Links, is based around his gameplay. As an engineer, he’s a pretty hands-on type of person, which is why he frequently gets distracted with the inner workings of other Links’ items. And due to the fact that Trains require very little input to control and a lot of travel time, he’s the least physical of all of them. This basically means that he runs the slowest, hits the lightest, and will likely bring the least to the table in a fight. This is one of the reasons I gave him the ‘I Like Trains’ summon, because even if he himself can’t hit very hard, his Train sure as heck can.

Oh my gosh I think this took me a solid hour to type out, I hope you’re very happy with this response Anon ;)

#Changeling Answers #Opinions #Headcanons #I had a lot of fun with this but my gosh writing it out took forever #Anonymous Replies #All the DL Links #Dimensional Links

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sunnyupsidedown · 5 years ago

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Thoughts On: Frozen II

So I saw Frozen 2 today. Definitely a movie for the fans. It explains the lore behind why Elsa has powers and wrapped up the story in a nice conclusion.

Not a review. Just some disorganized thoughts.

Spoilers Below Cut

Where to start?

Beginning: Backstory

Water… Fire…. Earth… Air… Elsa is the Avatar!!

So when Anna and Elsa’s father was explaining what happened in the past I couldn’t help but wonder why they didn’t remember it earlier. Frozen 2 happens three years post Frozen 1 so there was time. I suppose it could be explained away that the call of the wild could have been muted from Elsa’s turbulent feelings pre/post parents’ death to end of F1 and then waiting until she was at peace with herself and in a good place or something idk. Or possibly they forgot too… since they were small children…

Oh and trying to figure out why Elsa had powers and Anna didn’t, I definitely thought it was going to be revealed that Elsa was adopted from the people up north or her mom had an affair (wouldn’t happen but well…) but I was wrong.

Songs

They don’t feel as catchy this time around but that’s okay. Please. No more earworms!! My friend mentioned that it may be because F1 was made to be a standalone so they went off with the music then.

A lot of the songs actually kinda felt like they were trying to teach kids something. Like ‘Change is inevitable!!’ or ‘In time you will understand the complexities of life!!’. They felt less fun because of that since it was sending a more serious message to fit the more serious overall tone of the movie. (Though the presentation of Olaf’s song and Kristoff’s were both hilarious)

Speaking of Kristoff’s 80’s rock ballad? Funny. Iconic. Instant classic. It’s funny how Kristoff is kinda just there the entire movie. Yes he does help them and is on the adventure but he doesn’t really have a character arc. It more like he’s there to cry about failing to propose to Anna.

The second ending credit song?? 👌 Kacey Musgraves’s cover of All is Found is great, amazing, I’m in love.

Let It Go vs Into the Unknown

In Frozen 1 when Elsa goes on her ice palace montage, it shows the environment around her as she belts Let It Go. This time with Into the Unknown it was just a black screen with her magic appearing around. Which yes it showcases the different elements waking up/stirring and how Elsa is key to that but I wish it was presented in a different way. It wasn’t visually interesting I guess but that is mostly a personal preference.

Race

So. Someone else will write about this and it will be way more clear than what I put down.

So the Northuldra people share traits with the Sami, natives of Scandinavia & northernwest Russia. The citizens of Arendelle are mixed with Caucasian and black people (Black people were added post F1). Anna & Elsa’s mom is from the north. She doesn’t have any of the northern people’s traits. It could be argued that she was found and adopted into their village or that she was mixed (since some of the Northuldran characters have blue eyes or a lighter brown hair color), but there’s not really an argument in the movie. So Anna & Elsa are half Northuldran. Which is, okay??? I guess?? It just reminds me of those people who are clearly white who say that they’re half a percent Navajo.

It also seems a little cliche. Even though Anna & Elsa’s grandfather was in the wrong the entire time, their parents were like a Romeo & Juliet who had kids that would bridge the gap between the two people as well as save them all blah blah blah.

Frozen’s not cancelled because cancel culture is toxic and I did enjoy this movie. Just mixed feelings on this. That’s all.

Olaf

“I’ve found one thing that’s permanent; it’s L-“ (Me: DEATH!)

[Exit OLAF stage left]

Me: This movie will not make me cry over Olaf.

[Moments Later]

Little girl : Where’s Olaf? ….where’s Olaf?

This is the exact opposite of when the little girl replied back to Dora when she broke 4th wall to ask if we could say ‘Delicioso’.

Anyway I hated Olaf in the first movie. He was and remains comic relief. Which is fine. That’s his character. In the first movie he was just kind of annoying but he didn’t come off as annoying this time. I think I will have to rewatch F1 again to figure out why.

MISC

The fifth element is- Ice!!

According to my friend the plot of Frozen 2 is basically the plot of The Fifth Element. That’s it. No other thoughts.

Elsa talked to a girl once and I thought she was going to come out as a lesbian.

They have a list of Production Babies in the end credits. [kiddos who were born during the making of the movie lol]

Even Elsa knows how dramatic she was during Let It Go

Every single one of Elsa’s outfits slaps.

Elsa with a ponytail! Elsa with her hair down!!!

That’s it. Those are my thoughts. Movie good. The end. Bye

#frozen #frozen 2 #frozen II #thoughts on #spoilers #frozen spoilers #frozen 2 spoilers #frozen II spoilers #hi hello instead of doing hw or going to sleep i did this

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whatisthisnonsense · 6 years ago

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Okay you know what I am gonna talk shit in a proper well-thought-out manner because I’m salty and stressed and I may as well channel it into something fun like yelling about anime in an over the top display of angery as befitting this cesspool of a social media platform. This being said I’m gonna do it under a read-more ‘cause most of ya’ll ain’t got time for no negative nonsense and some of you genuinely enjoy Tri, and you know what, I respect you, you’re valid.

Okay so to explain how much I want to throw Bandai into a dumpster, we first need to go back and explain Adventure and the fiasco that was 02.

Digimon Adventure came out in 1999 (March 6th in japan and August 14th in the states, which coincidentally means this show came out exactly on my sixth birthday!) and lasted for about a year, with 54 episodes. The plot was simple; seven punkass grade schoolers turned out to have been chosen by fate to defend the Digital World, an alternate plane of reality created by various forms of digital information (the wee baby internet of the era, for example), mostly to kind of justify Bandai’s V-Pet (Tamogatchis but they’re gross and can FIGHT) and sell toys. So like, Transformers but with more human characters and kickass monsters and sometimes a lesson about the Power Of Friendship. Later, they find out they were chosen because they saw their neighborhood get wrecked by two monsters and Inexplicably Forgot This, as well as the fact there’s actually a missing member of their group (which less than surprisingly turned out to be the leader character’s little sister, who had already been seen in a prior episode and had also been involved in that early monster attack). It was hokey, the english dub generally bordered on that of a proto-abridged series if not aggressively sanitizing things (turning sake into green chili sauce, for example) and it was just good dumb fun and in the end everyone was crying anyway because dammit, while it was dumb fun you still cared about these characters and loved how they grew up. And then came 02.

Hoo boy. Digimon 02 came out in 2000 (April 2nd in japan and August 19th in the states) and lasted for another year or so. While sometimes listed as a second season, in truth it was a sequel series and it had...some interesting ideas, lets say. And I mean that sincerely! They did have some good ideas! But it was pretty clear from the lack of direction and the constant roller coaster of serious and stupid that it was being a sequel for the sake of being a sequel. For example, a whole new super secret crest turned up out of nowhere, which brings up a lot of questions in the lore but is mostly used to prove Ken isn’t irredeemable because he’s a Chosen Child ,as well as the questions about how this Crest is still present and useable and then literally gets no use. No Ultimate Form Wormmon for you, folks, NORMAL digivolution is out! I think I and @yunisverse have made our opinion on how to use that crest better clear while we’re being salty over Wizardmon, ha People have said that it’s big draw was that it had a heavier focus on character development and...yes and no? On the one hand, Ken and Cody’s arcs were genuinely enjoyable, Kindness shenanigans aside, as was occasionally exploring TK and Kari’s trauma, something often brushed over in the original series. On the other hand, more or less the whole of Adventure centered AROUND character growth where in 02 it’s...sporadic. Sometimes even random. However the main two reasons everyone was mad at 02 were these;

The original digidestined that were not Kari or TK got shunted onto the backburner, usually using excuses as they had given up their crest powers sometime between Our War Game and the present (despite that A) this is otherwise disregarding the fact they were supposedly not able to enter the digital world again until 02 and B) the power is literally inside them as part of their core, not something the digiworld actually gave to them, and while it could be diminished it could never actually be removed) or that it was the New Kids turn, often with wildly out of character personality developments. (Looking at you, Sora’s new docileness and Mimi’s lack of involvement in most of the plot period.)

The epilogue, which not only gave everyone really weird future jobs (why is Matt an astronaut?!) but also seemed pretty much out to be as aggressively Happily Ever After without actually stopping to think about any implications or actual lead-ups.

02 usually gets a pass from riding on the Adventure coattails, but everyone still tended to be at least disappointed in what had occurred. Also, more serious takes on Digimon, such as Tamers and some of the games, had been growing in popularity.

Thus Bandai, in it’s infinite wisdom, decided to cash back in on Nostalgia by focusing on the Adventure kids, making them closer to 02 so they’re older and they can therefore do more serious mature takes like Tamers, while also trying to rectify how they would even begin to come around to their epilogue jobs. They do this by killing the 02 cast in the first two minutes.

Welcome to Tri folks! Okay, so the 02 cast isn’t actually dead, but we don’t know where they are for six movies. Six movies!! The most we know for a few years is Ken, for some reason, has reverted to evil! And he has Imperialdramon, which implies Davis is brainwashed too!

He is basically doing this most of the series (which was initially going to be a mini-series before becoming a series of movies which then proceed to often be cut up into episodes, which that alone should tell you the problems BEHIND the scenes much less on screen) and we find out what he is (not actually Ken but an evil Gennai clone which is also out of nowhere) and what he’s doing (apparently bringing Yggdrasil, long time lore big bad of various digimon continuities and also god, into the Adventure storyline) not by efforts of the kids. Oh no. They’re too busy playing with their new friend Mei!

God I wish I was joking. The original squad literally shows no concern for where the 02 gang is until halfway through, and it’s a handwave at best and quickly moved on from. Hell, they barely react to “Ken” and CHEER on defeating Imperialdramon! More gravitas was given to having to kill the plot coupon of the day, Meicoonmon, than someone they actually know and should be upset about. Also making Tai NOT want to rush into a fight (what?), Turns Out Homeostatis Is Also Evil Or At Least Amoral (why), a reveal one of the backstory five original digidestined went mad with grief (no), and also I guess for some reason the kids and digimon were separated again given their reactions despite 02′s ending? That’s. That’s not even keeping your own continuity. Why are you like this. Also connecting to the epilogue just seem to be on a whim (not metaphor, Matt decides to be an astronaut on a whim), the general lack of gravitas in most moments followed by moments of SEVERE gravitas (which is the 02 problem but Worse), and bad jokes. I don’t mean Good Bad Jokes like Adventure, just really not funny jokes. And the real bitch of the matter? It had a few things that should’ve made it AWESOME! Like listen, I miss these idiot kids a lot, and the concept of a virus forcing a reboot on the digiworld and thus having to explore, finally, the digimon as characters and what they would be like without the kids? That’s cool! The idea of undoing all the Perma Digideaths (like WIZARDMON goddammit, and in this own show friggin’ Leomon again) with said reboot and thus having a pretty legitimate reason to allow it? Also cool! Worldbuilding about the previous five digidestined? Neat! And lets be real, you all cried at the cast version of Butter-Fly. You know you did. But the thing is they didn’t DO anything with most of this, or did it in a sloppy way. Example; the virus was basically a means to an end for waking up Yggdrasil (I’m not calling him King Drasil, that’s stupid), right? Why? When the Adventure-verse, often to it’s own detriment, is actively tied to the Milleniumon mythos, you could just pull in that eldritch horror and finally have Ryo make sense everywhere not japan. Or heck, the Dark Ocean! Remember the Dark Ocean? Where literally cthulu is and also Daemon now? Apparently neither do the script writers since that would’ve been a golden opportunity. Of course, this would be asking for continuity, which Tri has issues with within its own narrative. Remember when I said the reboot should’ve undone all permadeaths? Yeah, Wizardmon still shows up as a ghost later to lead Kari out of trouble. No lines or anything, just pops up facing away from the audience and leads her out, and then vanishes, despite the fact that according to the rules they made up for the reboot, he should be a cute little Mokumon in Primary Village at the moment who remembers nothing. Also it kind of low-key has the vibe that growing up is terrible and results in having to make awful decisions? Which I’m not sure is what they meant to do, but it does pretty much have that end result. And that sucks! Even Tamers didn’t do that! Growing up is HARD, sure, but there are GOOD things about it too, and being Adventure one would think that would be the main focus! Nope. I just. This should have been good and when it was announced I was super excited and now I’m pretty much exasperated by its mere existence. And now we’re getting a sequel after ANOTHER timeskip.

Bandai if this is how you give us a nostalgia feels trip, do us a favor and let Adventure die. You’re just making the sugary memories of childhood have a bitter aftertaste. Or, if you must, just do a proper reboot. Tie up things that actually WERE wrong with the original series and do some clean ups but otherwise leave it untouched. We all know you’re trying to capture the magic twice, guys, you’re not even trying to hide it now. TL;DR, The only parts I like about Tri are Butter-Fly (cast version) and the fact Tai and Matt are gayer than ever

#Digimon Adventure #Digimon 02 #Digimon tri #I'm about to get REAL salty so like #If you like Tri don't look you're still valid #I just do not and want to express why since I've been mulling it over since that ask

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