#also warning like very long post

[smallidarityfan]

smallidarity highschool au

came up with this au like actually 2 years ago where it's mainly empires 2 smallidarity centric, with Jimmy as a student council member and Joel as an honours student who doesn't like the way Jimmy runs things around the school.

As payback for the regulations Jimmy put up that Joel thought was stupid, Joel does these elaborate 'The Office' style pranks on Jimmy (specifically) while Jimmy retaliates by trying his best to dig up dirt on Joel. This banter goes on for a while— however Joel ends up doing the pranks less as a statement, and instead more just to see how Jimmy would react... with his comical, cartoony villain yells, and... weirdly cute face....? (YAOI YAOI YAOI YAOI)

very very old au drawings below:

from July 2023

😭😭 joel does NOT look like a highschooler here 😭😭😭😭 (i also wanted to draw angst in the first two ig idk a year later it's pretty cringe [i am still cringe]) (also partially inspired by when I read "Go for it, Nakamura!" and the mc reminded me of joel for no actual reason. or maybe i was just thinking about that manga while drawing smallidarity. idk)

from November 2022:

I think these doodles were genuinely the first instance of me converting from being against mcyt shipping to for shipping LMAOO

[meamiki]

5% of a color headcanon.... two versions since b&w emphasizes the dagger more i think but i still like the warm tones ASFSADA

i am not biased towards rainbow daggers whatsoever i promise (lie)

((also friend is streaming now and im there too!! bit more info linked here, its rated mature tho))

[itissadbutitsmy-artblog]

i wanted this comic digitalized so bad that i used max's birthday as an excuse. :)

this is the true ending. if im insane enough ill show you the alternate ending though

bonus because i just. it just kinda peters out. longggg post yayyye

[anghraine]

My best friend and I moved in together with his closest friend from his MA program, and while I had met her before (the friend; my bff is a man), we hadn't spent much time together because I've never lived away from the West Coast (and only two years out of the PNW) and she's never lived outside of North Carolina and only briefly visited the PNW once, when she went to Portland last year.

It's been a delight to show her around the PNW and realize we need to explain things that are just sort of omnipresent in our lives. The bff and I were casually griping with each other about having to run an errand to Trader Joe's at an inconvenient hour, and were telling her, "it's okay, you can stay in the car and avoid the people if you want" and she was like "NO I MUST SEE IT, I'VE ONLY HEARD OF THEM" and nearly ascended to another plane when we showed her around the store.

The bff and I grew up in the same town in NW Washington (him for his first 18 years, me from 9 to 19) and he lived in Bellingham and Seattle for years before he went to NC for grad school (I went to the SF Bay Area for mine, a very different experience). Both of them are hardcore coffee aficionados, but he struggled with the different Coffee Ways of the South, so for the true PNW experience they want to tour various indie coffeeshops next.

Also, she adores Kaidan in Mass Effect and we were like, oh, is your passport up to date? We could take a trip sometime and show you your boyfriend's beloved English Bay. It's very beautiful :)

her: O_O

me: Actually, it's worth going to Vancouver BC for its own sake as well, it's truly spectacular. We used to go all the time as kids.

bff: And Victoria!

her: O_O

[moophinz]

I’ve made a short, tiny piece of criticism regarding fandom’s behavior of being super demanding and not engaging with the thing they demanded. But there’s something else that’s been bothering me for a while now…

This fandom feels very baby. In that way, I mean that it feels super young. So young, that certain popular people on Twitter who would have been called out for numerous counts of various flavors of poor behavior in other fandoms get strangely shared around a lot here. I don’t find much in the way of deeper analysis topics or video essays. Memes (that if I may be honest) have been used to death and beyond still get repeated— even when it’s completely unwarranted. The worse of the meme brain rot crossover with steep bigotry people tend to overwhelm and act incredibly disgusting in some corners of the fandom and on official posts.

Like with any thing or community or what have you, there’s people who seek engagement bait and spread negativity. I’m surprised at how successful it can be to do that in this fandom on Twitter. It creates such a rotten atmosphere. All in all, a lot of these things have been pushing me away from the community even though I only joined into this series in 2021. It feels like some kind of tide turned for the worse.

Yes, this fandom is in fact relatively new in a way. It’s existed for almost two decades but exploded some years ago with a continued high stream of sudden growth. But there are certain things that I’m still astonished by.

[exopelagic]

WHY DID NOBODY TELL ME BURROWS END WASNT FREE

[yardsards]

transgender dysphoria blues is one of those albums where halfway through you slowly lose the ability to sing along to it and just start bellowing wordlessly because even screaming along to the lyrics can't get all the feelings the music is giving you out of your system

[125storejuice]

Okay small rant time !!!!

[thethingything]

also though this dentist is genuinely the best dentist we've ever had.

she was really understanding about us having issues with toothpaste and we asked if she had any recommendations for alternatives we could try to see if those help and she gave us some options to look into so that's cool.

she also took our medical trauma into account and kept checking if we were okay throughout the appointment and asking if we needed to take breaks and we've never had a dentist do that before.

she warned us about what each tool would feel like too and actually warned us if something was going to be painful which like, I would in fact rather be warned that "this is going to be uncomfortable in this way" and "yeah this is gonna feel really bad for a few days but that's normal" than have someone try to reassure us that it won't be that bad only for it to get really painful.

our next appointment is to have a tooth removed and she explained the procedure to us and how that normally goes, and then we asked if we can take the tooth home afterwards and I can only assume from the look on her face that she's never been asked that before, but she was like "yeah I don't see why not, it is yours after all" so that's cool

[binders-and-beanies]

.

[defensivelee]

Can you do The Menhera au and the Alien Alien au??? I think it’ll he fun!!

anything for you my dear Wivew <333

You would be right, it does look like fun! I think I would use the plot and setting of MENHERAMEN, but the general worldbuilding of Alien Alien. I think that'd be interesting, exploring that world with modern dynamics.

CW: mentions of addiction, abusive relationships, kidnapping, torture, objectification, and death.

William isn't stadtholder or king here, he's a simple Defender hybrid with the same issues he has in MENHERAMEN (addiction and PTSD). When he was younger and in the foster system, he was given a little android friend to cheer him up and bring everywhere, which would be given to a lot of kids here to help them with any issues they may have (therapy substitute, in their words).

His android, Bentinck, grows to be much more protective here than he is in Alien Alien, in a sense going down this path of bloodshed and darkness because of his own insecurities and uncertainty of what his destiny should be. In the original MENHERAMEN, he's never found any joy in his life other than when he is with William, and never shows himself any respect because he believes that's up to William to decide. In this AU, that's amplified by...a lot, considering he was quite literally made just for William. He follows Asimov's Three Laws of Robotics with pride, but he also won't hesitate to switch his First and Second Laws should William be in any danger.

Something added to his insecurity in this AU would be his worries that William may no longer need him once he grows and recovers from his trauma. Normally he wouldn't mind, in fact he takes pride in the fact that William decides when he dies...but oh, no. He's in love with his master, he doesn't want to leave him, he wants to be here to protect him forever.

So, of course, the overdose happens, and Bentinck kills Charles as he does in the original MENHERAMEN. From there the story would be pretty much the same as the original (for those of you who've read it), with just a few added dynamics that I think would be interesting to explore.

In MENHERAMEN, Bentinck is portrayed as a killer who has no idea what he's doing. He wanted Charles' death to be painless, but he just couldn't stab the correct artery...!! Things like that. Here, however, he uses his database to figure out how to make it as painless as possible...and by the time he kidnaps Marly, he can also know how to make it as painful as possible.

On that note, there are so many new ways a robot could mess with a biological being. In MENHERAMEN, he has a little fight with James, and that happens here too, of course. James tries to bite him, infect him with his venom, but there's just no way to make Bentinck back down. In addition, he wouldn't need to smack James on the head with any old stick-- he could just use his fist as it is, and if he swings hard enough, it can kill James. Also, of course, tail-snapping!! In Alien Alien, Bentinck accidentally breaks James' tail, but there's nothing accidental about it here.

When Marly is in Bentinck's possession, he can scream and fight all he wants, but a huge metal hand over your mouth is better than any average gag. He's also insanely strong-- a little human can't do much against that massive metal creature. The size difference would be a fun thing to explore, as well.

The romance between Keppel and Bentinck could also be fun! Keppel wouldn't be as much as an expert with robots as he is in Alien Alien, but he'd know some stuff here, enough so that Bentinck feels unsettled by just how much Keppel knows about how his body works.

But Bentinck wouldn't be the only one unsettled here. Keppel's aware of just how big and dangerous Bentinck can be, but he doesn't dare believe it at first-- Bentinck's the sweetest robot he knows, a gentle giant. Slowly, though, as Bentinck turns his violence against Keppel, he realizes that every time they're alone, he is in so much danger. Of course, that's a dynamic in the original MENHERAMEN, but here, just looking at Bentinck's hands sends shivers down Keppel's spine.

In Alien Alien, Bentinck considers himself inferior to the Asterothiriots. But in MENHERAMEN, he grows to consider himself superior, a hero, to everyone around him. What if I work with that dynamic here? While his confidence in his identity is shattering, he comes to believe himself superior to these nasty, feral little creatures-- he's smarter and stronger than they are, after all. Is he, then, not justified in doing what he pleases to them just because he can? After all they've done to him?

Add that to the Hansijoost dynamic! Humans are the most inferior species of all. Keppel doesn't deserve respect from Bentinck.

M&W would be interesting! Bentinck is not only threatened by the love Mary shows William, but by her species as well. She's fucking HUGE....and with a single bite, she could end William. Ironically enough, Bentinck's afraid that because of the inclinations of her species, she may snap the same way he did. He sees her as a far more plausible threat here than he does in MENHERAMEN and seeks to eliminate her as soon as possible.

Another threatening factor are her visions of the future. Not everyone has visions as precise as hers, thus she was the one who knew immediately, even before anything happened. But she held onto the hope, the thin thread where she stops him...sometimes following the dark paths where Bentinck ends her life. Later on, she's consumed with guilt over the knowledge that there were many times where she feels she could have stopped him, but didn't, all because she wanted to follow the unlikely timeline where she maybe could have stopped him and maybe everyone would have been safe.

In Alien Alien, there are times where something unexpected, but very small, happens and throws Mary's timelines off. By the time it's happened, she doesn't know what it is, because she can't look into the past. But...the day William overdoses, she just feels a twinge...something is wrong, and she notices immediately when William starts acting off.

Oh, and another thing I just thought of: she could have known the night Charles was going to die. She wanted to tell him, but she knows how dangerous Charles is (and by addition, his terrifying brother), so to protect Bentinck, perhaps she follows him downstairs and tries to talk him out of it. Ooh, yes, in fact, why not make that a dynamic? She knows, and he knows that she knows, and they play around with that until their final confrontation.

By the end of it, Bentinck is supposed to turn himself in. But there is no prison for androids, only deactivation. By that time, he thinks it's more than he deserves, as he's always believed death to be a more of reward for him rather than anything to be afraid of. But he doesn't complain. As it is, androids have no heaven.

[girls-and-honey]

Hiya honey girl!

How are you doing? ♥️

I feel gay today, and I don’t have anyone to vent to, so it’s gonna be you I’m afraid

I feel so gay, I spent half the day looking longingly in the distance, and *sighing* wishfully

Do you ever feel like that?

Last week I bought a red rose from a dude in the street and offered it to a beautiful lady singer in a bar, and even if I don’t particularly want to see her again, it still felt good to do something chivalrous and lesbiany you know?

I like living my life on my own, but some days I wish I could do those romantic things with somebody, like holding hands and cuddling, and walking along the river, and maybe kissing a little.

Even if I’m happy by myself, sometimes I still yearn for the day I’ll have my own lady to offer my roses to 🥺

inkaaaa hi hi <3

I'm doing pretty good, in drastic need of a weekend. almost there!

!!! gay vents are always welcome here! oh to look longingly into the distance whilst sighing wishfully...

do I ever feel like that YES absolutely in fact while pondering my response I did just that asjdfkl okay I might ramble in the tags but yeah completely relate to be happy with life on my own but sometimes wishing it wasn't just me yeah I'm definitely going to ramble in the tags

offering a beautiful lady a rose I'm 🥺🥺 sometimes you just have to indulge in chivalrous lesbiany actions this is unavoidable. manifesting this for you, I hope all your rose offering yearnings come true!

[avalior]

Following Angela's creation of her nanotechnology and the revolution she brought to the nanobiology field, both* Ziegler siblings underwent a surgery to be injected with nanites similar to those found in the Caduceus staff. They circulate throughout the body in the blood and can be used to heal with a physical touch, as Angela did with Mei in the 'Zero Hour' cinematic, and keep both* siblings in good health, healing any wounds they might suffer in the line of duty so that they can continue to function as field and combat medics.

Although intelligent, and specifically engineered to heal the body to a fit state, the nanites are not sentient and are incapable of independently recognising how a body is broken, only that is is -- for example, if a bone is broken and the two halves are not perfectly aligned with one another, the nanites are able to detect the bone is broken but are unable to independently recognise that the two halves will need to be realigned with each other before any fusion should take place in order for the bone to be considered healed from a human perspective, not just a bio-technological perspective. To address this, both* siblings had neural chips implanted that would help them control how the nanites would heal and to communicate with them directly, being able to utilise their medical education and biological knowledge to direct exactly how injuries should be healed to best avoid improperly healing civilians and colleagues in the field and leaving their bodies a grotesquerie of mishealing in horrific conditions.

There is not an infinite supply of these nanites however, and although they are self-regenerating over time, these are more often used for smaller, more visible injuries that can be correctly diagnosed and immediately addressed or for injuries to be treated in a tighter space where it may be more awkward or difficult to wield the Caduceus staff. For injuries that may require more extensive or prolonged use of nanobiotics, or they are unable to come into physical contact with the injured party, the Caduceus staff is used, as it has a greater pool of self-replicating nanites that can be utilised over a greater distance. While these can also be directed by the neural implant, and will be directed as needed, these are not often directed to the same precise level as those transmitted through physical touch as the staff is most often employed in the heat of battle when the general instruction of healing any injuries suffered in battle as they are suffered can be easily understood and executed by the staff's nanotechnology.

As there is not an infinite supply of nanites transmitted by physical touch, overuse of these nanites can result in dehydration, nausea, fatigue and full body aches at lower levels of overuse, and bleeding from the nose and ears, full body exhaustion, and intense myalgia at the most severe levels of overuse. This can only be remedied by allowing the internal nanites to self-replicate and regenerate -- while using the Caduceus staff on themselves will at least partially abate the physical symptoms for a time, it will not restore the levels of the internal nanites.

While Angela's nanobiotics revolutionised the medical field, there are injuries sustained in the field that cannot be healed exclusively with this nanotechnology alone, such as injuries sustained in car crashes, air strikes, and the like, as those injuries would potentially include internal bleeding, hidden broken bones, intermuscular injuries the injured party themselves may not be aware of and may be unable to communicate, etcetera. As such, the internal nanites are capable of performing a full-body scan, sweeping through an injured party's body to highlight injured areas, where the nanites compare their findings in the injured's body to the schematics of how the human body should look when in perfect health and report any discrepancies, which are communicated back through the implant. From there, it is left to the healer to parse the relevant information and interpret actual injuries suffered versus ongoing health concerns -- for example, a scan on Cole may reveal some smoke-related damage to his lungs due to his smoking, but that information would not be prevalent when treating him for a bullet or laser wound. The level of information relayed in these scans is relatively in-depth and highlights every missing correlation without specification -- for example, it will highlight a bone is broken in a certain area, but will not indicate how it is broken, the severity of the fracture, if the break has caused other injuries to the surrounding tissue in the same area. Repeated use of nanites in this fashion, without rest or sufficient breaks, can result in high intensity migraines and overall fatigue. These scans are not possible through the Caduceus staff nanites, as those nanites are engineered specifically to heal or bolster the body, nothing else outside of those parameters.

Given the varying biologies of Overwatch agents, both pre-Fall and post-Recall, such as Lena and the chronal accelerator, the prevalence of high-grade prostheses and how they might interface with human biology, and Genji and Sojourn's cybernetic bodies, it is imperative that both* have an understanding of each agent's biology and how their bodies should work as compared to the typical, standard, human biology. As such, it is made mandatory, as part of Overwatch's physical examinations, that a full-body scan taken through machines rather than nanites is carried out, that both* may familiarise themselves with the people they will be working with to better support them. If ever asked about whether this is necessary, or in the face of any reticence, Markus will always be upfront and frank about why this is needed and what, in terms of avoiding any horrific body horror misguided and misinformed healing, they are hoping to avoid.

While they can heal a great deal of injuries from minute to horrific, nanites are incapable of regrowing amputated limbs. If the injury is recent enough and the limb still fresh, reattachment is possible in a very methodical and delayed procedure, albeit not recommended for in-field application. For those such as Torbjorn, Cole, Genji, and Sojourn, however, where their amputations are several years old and the site no longer fresh, it is not possible for any of their limbs to be regrown.

please note: both* refers to the Ziegler siblings as used in this blog's overall canon. When writing with any depictions of Angela, this can be adaptable in line with any headcanons specifically regarding Angela this may retcon or not work alongside.

[mysteriousubstance]

I was one of those kids. (I kinda still am even though I'm an adult now but I am not as afraid of being "caught" as I was)

My parents said no social media because that would mess with my mental health. Which is completely fair! But 14 year old me thought that it was dumb that I couldn't have a working phone - I shared a "home phone" with my brother (literally just a Google voice number). I thought that it was dumb that I couldn't have discord or any social media other than YouTube.

There were many times where people would be quoting things in school (big chungus and the No Mercy overwatch song were the big examples lol) and I would just guess what was going on? I remember seeing the floss and being so confused. People would quote vines and I would be so lost. I felt so dumb for not knowing these things that EVERYBODY knew. And when I found one I did know, I was behind (someone laughed all me saying "who still plays Undertale" in 2017). I had friends, sure. But even my friends quoted things. (Maybe that's why I have such a low self esteem? I'll bring that up in therapy ig)

So by the time I was in 14 and in High School, I decided I would ignore the rule. I found what I believed was the safest website to be on. The Nanowrimo YWP forums.

Now if you don't know about what happened there, there was a lot of shit going down there. None of it good. I will not do it justice by explaining it, but there was no good moderation. Someone told us to k*ll ourselves at one point. There was grooming that the mods did nothing to stop (mostly just attempts on the YWP, the adult site was much worse in regards to that. Please correct me if you know more, I was very lucky to avoid it)

When all of this happened, I didn't tell my parents. Not when I knew there was a groomer on there. Not when someone told a bunch of people all at once to k*ll ourselves. And certainly not when it actually shut down. I didn't tell my parents

Now, I was very lucky to have not been directly involved in any of that. But I didn't feel like I could turn to my parents when these things happened. When the site shut down for the above (and many more) reasons, I didn't tell my parents what happened. After all, I would get in trouble (I got grounded for a month at first because I didn't hide it well enough so I then proceeded to keep it hidden for 3 years).

But what if I was unlucky? What if something had happened to me and I didn't think I could tell my parents?

I didn't remember who said this, but "Strict parents make sneaky kids"

I wasn't any safer with the rule. In fact, I was arguably more vulnerable. I knew basic internet safety from 3rd grade (that's a whole other unrelated can of worms) but at the time, I was also 14. You think I knew what I was doing at age 14???

Anyways, all this to say, banning the Internet is not gonna solve the problem. Set limitations. Encourage other hobbies. Unless you want your kid to have low self esteem because of being cut off from everyone, let your kids have the internet. Make sure they have someone they can go to when something makes them upset.

[nevvdrinksteaa]

PLEASE Spencer answering a work call in the middle of sex??? Super smutty

just wanna say that this is my first request and it makes me feel special so thank you !!! hopefully you like this <3

pairing: spencer reid x reader

warnings: 18+ nsfw smut, porn with small plot, afab reader, fingering, p in v sex, post prison spence, riding, doggy style, and missionary (yall were busy), spitting kink !!, spanking (once?), face slapping (i’m not sorry), slight oral (f receiving), lots of pet names (baby, angel, pretty girl), let me know if i missed anything !!

word count: 1.8k (got a little carried away)

also note to everyone- y’all absolutely devoured my spencer post the other day, a little less than 800 notes last i checked, and i just want to say i was very caught off guard and appreciate it so much !!

+ i apologize for the overuse of commas & very limited vocabulary,, i feel like i used the same 10 words smh

+ NOT PROOF READ !!

~~~

“i was able to talk to the brass about getting the week off. the past few weeks have been tough and i think we all need a well deserved break.”

you were all gathered in the round table room for a meeting emily called. in the past two weeks, the team had been assigned three back to back cases; which meant three different unsubs, three different cities, and three different hotel rooms. you hadn’t slept in your own bed in fifteen days, already feeling giddy at the thought of snuggling up in your bed, binge watching mindless reality tv, and fueling yourself with nothing but sweet treats.

matt was the first to speak, already standing up gathering his things from the table, “as much as i love you all i’m going to rush home to the wife and kids, i miss their little faces”

you all followed suit, collecting all of your belongings and saying your goodbyes, all of you raving about your week off plans. you walked to your desk, grabbing your bag and keys. you walked towards the elevator, pressing the down button, watching it slowly fall from floor 10 to floor 9, before tapping your foot, slightly agitated about how long it seemed to be taking.

you heard footsteps heading your way, small taps on sneakers on the slick marble floor, before felt a slight nudge at your side “you know, being mad at it won’t make it work any faster”

you chuckle looking up, making eye contact with spencer before giving him a small grin. “i’m just really ready to get home.”

the elevator doors open, spencer waved his hand up, allowing you to go first, before following you in and pressing the main lobby button. “you in such a rush because you have a hot date to get to?”

you looked up at him and grinned, you felt spencer’s hand move to your back, rubbing the center in small circles with your thumb. you felt your face get hot and you allowed yourself to slightly lean into his touch. the elevator stopped at the lobby, a small chime signaling the doors opening, and you felt spencer’s hand fall back to his side before you both stepped out of the box.

you both made your way to the parking garage, spencer walking you to your car before he headed towards the station to take the subway. you got to your car, unlocking it and throwing your purse inside before looking up at him with a slight smirk “text me when you’re on your way”

he shook his head and laughed as he gave you a small wave goodbye and headed towards the subway.

~~~

it had only been three days since you were given the week off, enjoying the company of spencer in your bed two thirds of those nights. he texted you the same night as the encounter in the parking garage, eager to see you in a private setting.

“look how pretty you look sitting on my cock”

you were straddling him, your head thrown back with both hands on his shoulders as you tried to keep a quick pace. he had his hands pressed deep into your hips, helping you move in a fluid motion. you felt him hit your sweet spot every time you made your way down, letting out tiny whimpers at the feeling.

“i love when you use me like this, getting yourself off like a good girl”

you couldn’t hold in the loud moan you had been holding, feeling your stomach flutter at his words. you felt a slight burning in your thighs and you knew spencer’s shoulders held tiny crescent shapes from how tight your grip had become. you felt one of spencer’s hands move to your clit, rubbing small circles on the bundle of nerves.

he grabbed your chin, making you look him in the eyes. you looked at him and grinned, fucked out and eager before you felt a sudden surge against your cheek before he let his hand rest there, rubbing his thumb to ease the pain.

“you gonna cum for me angel?”

“fuck- yes spence, i’m so- so close” you couldn’t even hear the words coming out of your mouth, your heartbeat beating so loud your hearing going out.

you moved your head down pushing your forehead to spencer’s with your eyes tight.

“cum for me baby, wanna feel you tighten around my cock.”

you felt that tight feeling in your stomach, the mix of his skilled fingers and his thick cock rubbing against your walls caused your breath to stop in your throat, your release making you see stars. you stopped your movement, breathing heavily as you leaned down into spencer. you felt soft kisses on your head and face, peppering you all over.

“did so good for me baby, love watching you use me”

you smiled against his neck, starting to do your own kissing. you felt his breath hitch when you found the sweet spot behind his ear, the small mole behind it always guiding you to the exact spot. you took your time, sucking and biting at the spot, grinding your hips, ready to keep going.

spencer gave your thigh a quick tap, before telling you to bend over. you were quick to roll over, propping yourself up on your hands and knees before slowly wiggling yourself back and forth to him.

you felt a sharp pain on your ass, a slight stinging feeling before you felt a tight grip run through your hair. you felt your body being pulled tightly to his, his chest flushed against your back. he moved one of his hands to your chest, a his fingers glazing your nipple, his other moving to your neck, pushing his thumb and middle finger to just the right spot to apply pressure.

“i let you use me, now it’s my turn to use you angel” spencer had leaned down to your ear, kissing your jaw before pushing you back down onto the bed.

spencer leaned down slightly, gripping your ass with both hands before spreading them. he let a trail of spit fall to your eager hole, before he rubbed it onto your pussy, giving your clit extra attention.

you moaned and pushed back into his touch before you felt him enter you quick and unforgiving, your ass jiggling with every move of his hips.

“fuck- so fucking deep” you arched your back, begging your body to somehow take him deeper. you felt his firm calloused hands rub against your back before settling into a position on your hips, his thumbs pressing small bruises into your skin.

“taking me so fuck-”

spencer’s voice was cut off by his phone ringing, vibrating on the nightstand beside you, and you felt his hips slow down, letting out a soft sigh as he was considering stopping completely.

you felt him hesitate but needed him to keep going, pushing your hips back into his trying to keep both of your focus.

“spence, please don’t stop” your voice still unsteady, “just ignore it”

spencer pulled out of you, and you let out a whine as the loss of contact. you rolled yourself over, making yourself comfortable on the pillows expecting him to walk away to return the call.

instead he leaned back over you and pulled you into a deep kiss, holding your face in both hands. your lips parting slightly when you felt his tongue lick your bottom lip, allowing your tongues to meet.

spencer grabbed his dick, rubbing over your clit before he lined himself up with you, gasping when he pushed himself in.

“you’re so fucking perfect angel”

he pulled away, lifting your legs up to your shoulders and latching his hands to your thighs. he found himself moving slow and deep, like he was trying to memorize the way you felt around him.

you moved your hands to play with your nipples, rolling the hard buds between your finger tips. he bent down, pushing his weight into you, almost like he was folding you. he pooled spit into his mouth before he let it go to your clit, moving his hand to the bundle of nerves.

“want you to cum again for me pretty girl, want one more before i fill you up”

you let out a moan, sighing before you went to speak “gonna fill me-”

you were cut off by the phone ringing again, the buzzing sound making you forget your thoughts. spencer dropped your thighs and leaned over before giving you a quick kiss before he reached over to grab phone.

“spencer do not answer that”

he moved his finger to his lips, making a shushing motion “it’s emily”

you rolled your eyes, ready to kick him out and finish yourself off before heading to bed when you felt him move again. he moved his hand to cover your mouth before answering the phone.

“doctor reid”

you felt yourself get wetter, the sound of your slick filling the room, your moan mumbled behind his hand. spencer’s motion was relentless, his pace quick and brutal, jabbing your sweet spot with every push.

“i thought we were getting the week off”

your leg was lifted up, making the angle even deeper and you felt your eyes roll back, out of pleasure or annoyance you couldn’t tell. there was no way you were getting called in.

“i can get a hold of her for you, i remember her mentioning something about having a date this week”

you grinned, giggling behind his hand before spencer moved the phone to hold it on his shoulder, letting his now free hand to move back down. he never took his eyes off you, holding a shit eating grin as he felt you squeezing him tighter, squirming at how close you were. you furrowed your brows and pinched your eyes shut.

“i’ll be there in an hour”

you heard the phone beep, signaling the call was disconnected. spencer moved his hand away from your mouth down to your neck, cursing as he heard you gasp.

“did so good for me pretty girl”

his hips stopped deep inside you as you felt his cock twitch, filling you up. he groaned as he felt you cumming again, keeping his thumb in place to help your orgasm finish and you let a loud moan out in response. spencer gave you a long kiss, nipping at your bottom lip before he trailed his lips down your neck. he pulled himself out of you, grinning at the soft sigh you let out. he kept his lips on your body, trailing them down your stomach before reaching your thighs and nipping at the sensitive skin.

he moved his tongue and licked a long strip up your pussy, sucking on your clit before pulling up to look at you, shit eating grin on his face. “we’ve got roughly 30 minutes, that’s enough time for me to help you clean up, right angel?”

[sharonaparadox]

[Video: fan animation focusing on Adam from Hazbin Hotel set to the aforementioned song. The music starts with a classical waltz sound as Alastor sets an old-fashioned cathedral radio down upon a chest of drawers within the hotel, continuing as scenes of the residents happen around it. Charlie and Vaggie are seen smiling at each other as Charlie talks in front of it, Husk is leaning one elbow down against the surface and frowning suspiciously at the radio while casually holding a wine bottle in one hand, Angel is sitting next to it casually with one pair of arms crossed over his lap as he listens to the music with a smile and both eyes closed, Sir Pentious is also seen sitting beside it with his chin resting in both hands as he listens with a wide smile and both eyes closed (though the eye on his hat is looking at the radio happily), the Egg Boiz are grinning with one sitting next to the radio with a hand on it while the others are standing in front with their arms waving in the air, and Niffty is sweeping the ground nearby with a grin.

The shot then zooms in onto the radio as its dark buttons turn red and its dial flips to the left with a beep. The music switches to louder rock music as the scene switches to show Adam grinning and shredding his guitar as he flies up through white clouds. There is a fully-animated shot of him frowning with wide eyes before he turns to the viewer with a wide wicked grin.

The title “Moon Waltz” (stylized in all capital letters) is drawn in white chalk-like lettering against a black background with a messy white border. The credit for the song, “Waltz in E-Major, Op. 15 ‘Moon Waltz’” by Cojum Dip, is provided on the next screen in the same style. The next card credits the artist, Luc doodle, while the last screen in the title sequence warns, “TW: Flashing Lights” in all capital letters.

After the title sequence ends, the first verse starts calmly with “The last time our module would ring you” as Adam looks up from his place on the ground with a soft smile, golden eyes glowing under his upturned eyebrows. The grass of Eden looks purple around the unclothed man as he sits with his hands propping his upper body off the ground and his knees curled in front of him.

“Like a lunar bell” is sung as Adam suddenly turns in surprise when the silhouetted figure of Eve comes running to him with one hand raised in the air. An apple is shown held up in the palms of two light-skinned hands, a bite already taken from the realistically painted Fruit of Knowledge. Cutting in are impact shots of the apple as a bright red silhouette against dark hands, the background black with a splash of dark red. Adam recoils as the apple is held out by a now dark red arm.

“I’ll see you on the moon,” the song continues as Adam looks down at the apple in his hands with a slight frown, his eyes widened in fear as he sweats nervously. The background is black with dark red blossoming out from behind the apple. As the line ends, however, it brightens back into the light purple of the garden as feathered wings glide by, Adam looking over with what looks less like fear and more like surprise.

The next line goes, “Until we meet at Tycho” as the perspective shifts to show Lucifer up in the dark starry sky, Heaven visible behind him as he turns to look down at Adam, neither of their expressions visible. The point of view turns back to Adam, his eyes shining and his face red as a white feather floats down in front of him.

The verse ends with “And follow the trail” as it focuses on the apple in Adam’s hand before a beep plays and he quickly brings it to his mouth, the scene turning black with Adam only a bright red silhouette as he bites into it. There is a brief shot of the apple as a red shape floating in the darkness before the scene turns entirely dark.

The music kicks up again as the pre-chorus starts with “Synodic season to come out of hiding” as Adam and Lute stand together grinning in front of a startled Charlie in the present day. Adam is playing guitar as he and his lieutenant lean forward, Adam narrowing his eyes malevolently.

The next line goes, “Why’d it take so long” as Adam holds up one of Charlie’s crayon drawings of demons smiling in front of the Hazbin Hotel with a rainbow over it. He frowns with one eyebrow raised before turning away with a grin, both eyes closed as he casually tosses the paper over his shoulder. Charlie darts forward across the table to grab the paper as it floats down and brings it closer to herself as she looks down at it with a small sad frown. Charlie then looks forward with a glare as she grips the paper tightly, her eyes turning red and demonic horns sprouting from her forehead as Adam flies past her.

The song continues with “Inching out of orbit dividing” as Adam and Lute turn to face each other in the air to fist-bump, Charlie still glaring as she watches on.

“Where did I go wrong,” the song asks as Adam clasps his hands in front of himself with a mocking smile. As the music progresses to the chorus, Adam smugly points to a paper held up in a grinning Lute’s hand that reads, in all capital letters, “Nowhere! Never! Angels don’t make mistakes” The handwriting is messy, and the last word is hyphenated so it can continue underneath where it hit the edge of the paper. At the bottom are sketches of a grinning Adam and a Cool S with scribbled-out attempts around the latter. Adam then flips both middle fingers before flying upward, startling Charlie as her demonic features revert to normal.

The song croons, “I’ll see you on the moon” as Adam outstretches his arms and wings to each side.

This continues with “Where we’re throwing a party,” though a quick shot flickers in showing Adam in the same position but surrounded by his exorcists as they all grin widely, many of them only seen as faces peering out from the shadows. This is almost entirely in black and grey except for the gold of Adam’s wings and halo as well as the facial features of his mask.

“And as you’re gasping for the last of air,” continues the song as Adam looks down on Charlie, once again glaring with her demonic features out as she burns the paper in her hands. Adam points back to himself with his thumb as Charlie looks on angrily.

As the next line goes, “You’ll tra-la-la-la-la,” however, Adam grins and gestures with his thumb as if slitting his throat. Impact shots cut in turning Adam into a mostly black and white silhouette aside from the gold on his mask (briefly inverting to mostly white and black) while a blood splatter flies from the side of his neck. This soon disappears, but another similar streak of red is shown beside Charlie’s neck as she looks up in fear, her demonic features now gone entirely as she raises a hand to her own throat. A quick shot cuts in showing her as a black silhouette (briefly inverting to white) with bright red accents, particularly her eyes with shrunken pupils, against a red background.

The song continues, “You give me fifty-nine percent from libration” as Adam steps down the clouds above the meeting table with a faux-solemn expression, one hand raised pointing upward while his other is reaching forward. Charlie is glowering as Adam stops in front of her, leaning down with his elbow resting on her shoulder to get face-to-face with her with the same insincere expression, before he flies back upward, leaving Charlie to deepen her scowl.

The chorus ends with “We dance in synchronous rotation” as Adam, grinning widely with his arms outstretched, rises in front of a black circle with red outlining its border and the lines within dividing it into sections. A banner at the top reads, “Extermination” in all capital letters with messy sketches of Lute and Adam on each side (the former with a note pointing to it helpfully explaining who the drawing is supposed to represent). Scenes flip onto the upper section showing silhouettes of exorcists slaughtering demons, flying down from a portal, and glaring at the viewer. This last image has a mostly red background, unlike the others that mostly had red accents against white backgrounds, and clearly shows Vaggie wearing her exorcist mask.

The second verse starts calmly with “The image we see of you has been” as Adam and Lute walk together casually, the former sipping a drink from a straw through his mask while the latter is unmasked and smiling. Vaggie and Charlie then walk past in the foreground, Charlie grinning excitedly as she grabs her frowning girlfriend’s hand to pull her forward. The vocals creak a little while Adam looks forward with wide eyes.

A beep plays before the next line continues with “Just a little late” and the two angels are seen from behind as they watch Charlie and Vaggie walk away.

The next line is “There is no atmosphere” as the scene shifts to show them in court, Adam leaning forward with a grin and Lute crossing her arms with a smirk.

“To wear down any sharpness,” continues the song as the two narrow their eyes smugly.

A beep plays before the next line of “It’s not how long you wait” while the scene pans over to Charlie and Vaggie across from them. There is a close-up shot of Charlie looking up with a determined expression that hardens into a glare. Another beep plays to end the verse.

The music kicks up again, represented in the video by Adam’s guitar floating in above his hand, as the pre-chorus starts with “Synodic season to come out of hiding.” Adam and Lute are both standing atop the viewing orb, Lute masked and glaring with her arms crossed while Adam is grinning maliciously with his arm out to grab his guitar. They are then shown closer up, both grinning as Adam plays his guitar. As the music plays, the scene switches to Sera looking down with a frown. She looks to Emily at her side, who is watching the scene below sadly. Sera then turns back, her frown tense as she sweats nervously.

The next line goes, “Why’d it take so long” as Adam and Lute lean forward with wide grins. Adam then shreds on his guitar as the singer vocalizes some nonsense syllables. The music continues as Adam flies down to land in front of Charlie, grinning malevolently as Charlie scowls back with her shoulders set. The focus shifts to Vaggie beside her, sweating uncomfortably as she looks up at Adam with a wide eye and a small worried frown. Sera is once again shown sweating nervously as she reaches an arm out and tries to speak.

The song continues with “Inching out of orbit dividing” as Adam leans over Charlie, the viewing orb behind them changing to show a scene of exorcists slaughtering sinners. Behind Adam are the angels flying down from a portal against a light golden background, while Charlie’s side shows demons screaming in pain and fear against a black and bright red background. As the singer vocalizes more nonsense syllables, the scene switches rapidly between reaction shots of Emily covering her mouth in horror, Sera fearfully frowning with shrunken irises in her wide eyes as she sweats, a pair of angels looking at each other in shock, Charlie looking up quizzically, another pair of angels looking at each other with what looks like sadness while another nearby them looks down with stunned wide eyes, Lute looking down with exasperation, and finally Charlie turning to look up in surprise. This quick sequence ends with Adam still grinning, seemingly oblivious, as Charlie looks up at Sera, who has all six of her wings spread out to the sides.

“Where did I go wrong,” the song asks as Adam turns to look up, his grin now nervous as he sweats uncomfortably. Sera narrows her eyes, red visible in her shrunken irises as she glares, matching the splashes of red around her against the black background. Adam continues grinning for a moment longer before dropping his head and frowning sadly.

The bridge starts calmly with “A wise woman said I’m alive” as Adam materializes with golden rings of light around him. He appears to be wearing only a stained, possibly bloodied, white toga as he looks up with eyes widened in surprise, dark undereye circles visible as he frowns. The perspective changes to show the kneeling man from behind as Sera appears before him with her wings and arms outstretched to each side.

“Nobody’s ever told her she’s wrong,” continues the song as Sera looks down with a warm smile. Adam’s face crumples, tears building in his eyes as a halo glows above his head and golden wings unfurl from behind him. The tears begin to fall down as his wings stretch out in full to each side.

The next line is “A paella of space-talking jive” as Sera raises one hand to her mouth in shock. Adam tries to wipe away his tears while Sera looks down in concern.

The song goes on with “I’m as alive as her beard is long” as Adam continues wiping at his face before looking up when Sera reaches a hand to him. He rushes up into her arms, wrapping his own arms around her waist as Sera places a comforting hand atop Adam’s head with her other around his shoulders. He hugs her tightly as he sobs.

The song croons, “I’ll see you on the moon” as Adam, now dressed for battle with his exorcists, points forward with an excited grin while the army flies ahead with weapons at the ready. They are then seen pouring out of a portal in the sky next to the Hazbin Hotel.

The song continues with “Where we’re throwing a party” as Adam perches atop the hotel’s sign to face down Alastor, both grinning confidently at each other. There are close-up shots of both of them before Adam flies forward to slice at the radio demon with his guitar, breaking the staff of Alastor’s microphone and cutting him across the chest. Quick impact shots of red emphasize the blood splatters, while one shot has the two mostly in silhouette with gold and red accents.

“And as you’re gasping for the last of air,” continues the song as Adam stands with his bloodied guitar to his side and Alastor retreats into his shadow.

As the next line goes, “You’ll tra-la-la-la-la,” Adam leans forward against his guitar and mockingly waves goodbye.

The song continues, “Twirling moon dust abound” as Charlie stabs Adam in the side of his chest and spins him around on her trident to slam him against a skylight, the glass cracking behind him as Charlie fumes with her demonic features out. Similar impact shots as those from the previous battle can be seen, though Adam’s blood is golden in contrast to the red silhouette of Charlie’s weapon. Adam reaches up with one hand to touch his wound, looking at the golden blood as if confused and offended before glaring at Charlie with his bloodied hand out in front of him.

The next line is “Lung destruction is starting” as Adam lifts Charlie up by her neck, his other hand clenched into a fist behind him as he laughs triumphantly. Charlie looks enraged as she struggles against his grip on her throat. The perspective then shifts to show Adam’s grinning face.

As the next line goes, “Take your suit off and swim in maria,” however, a fist comes in from the side to punch Adam, shattering part of his mask. He is then shown pulling himself up, half of his face now visible as he grimaces. He pulls himself forward and opens his eyes slightly. There is a fully-animated close-up shot of his eyes widening, the iris of his human eye shrunken while the eye of his mask visibly reflects the multiple wings of the new combatant. The perspective changes to show Lucifer glaring down at Adam as he holds his daughter in both arms, Heaven visible behind him.

“I’ll see you on the moon,” the song again croons as a close-up shot pans up Lucifer’s face full of hatred while Charlie looks up at her father with a warm, relieved smile.

The song continues with “There’s already a party” as Adam and Lucifer face each other, both with their wings outstretched. Lucifer is grinning mockingly with his hands behind his back, and Adam is glaring back in rage. There is a quick shot of Adam looking furious as he grabs at where Lucifer, transformed into a snake, is wrapped around his throat. After this is an impact shot of a silhouetted Adam firing a golden beam of holy light downward as Lucifer dodges. Halos of stars and rays are behind Adam and his beam against the bright red background. Charlie is then shown in full color falling down from the red into a black background before her father dives to catch her. The two smile in relief as he holds her up, though Charlie’s eyes widen in surprise as a shadowed Adam flies in behind them.

“And as you’re gasping for the last of air,” continues the song as Charlie reaches back over her startled father’s shoulder with an oversized demonic hand to catch a shocked Adam’s fist. Impact shots cut in, and a similar starry halo can be seen in the background before Adam is tossed to the dark red ground.

As the next line goes, “You’ll tra-la-la-la-la,” a bright explosion can be seen as Adam makes an impact.

The song continues, “No es la locura” as a now unmasked Adam drags himself out of the crater, blood on his face and robes. He is seen from behind as he looks at the glaring Morningstars, Charlie covered in red and golden blood while Lucifer only has minor amounts of golden blood on his front. Heaven can be seen in the bright red background above Lucifer.

The next line is “En realidad” as Adam wipes the blood from his nose.

The line continues with “Es el amor” as scenes play out as silhouettes against bright red backgrounds: Charlie stabbing Adam with her trident, Lucifer punching Adam and shattering the side of his mask, Lucifer as a snake strangling Adam (who looks frightened instead of furious in this shot), and finally Niffty clinging to the back of a shocked Adam’s robes as she holds up a dagger, ready to stab.

The next line is “Now that you’ve heard it all” as the screen focuses and unfocuses on a blood-covered Adam in front of a black background. He is looking down with a small frown as he pitches forward onto the ground.

The song draws to an end with “There is the door” as Lute, blood running from where one of her arms used to be, kneels beside Adam with a look of anguish as she grabs at him to turn him over. Adam is against a black background as he looks up with a light frown. Lute looks down with tears building up in her wide eyes, irises shrunken as her frown wobbles. Heaven can be seen behind her against the bright red background.

The background turns white as Adam looks up from his place on the ground with a soft smile, golden eyes glowing under his upturned eyebrows. The perspective from above shows Lute still beside Adam’s body, golden blood glowing against the bright red background. Dark red curtains close over the scene.

At the end, laughter plays over a black and white scene of Lucifer and Adam in Eden. The two are sitting cross-legged on the ground amongst several ducklings, Lucifer laughing and watching Adam as the human guffaws with his hand against the side of his face. End description.]

MOON WALTZ ANIMATIC !!!

(song: Waltz in E-Major, Op. 15 "Moon Waltz" by Cojum Dip)

(also on youtube!)