#also they have no concept of boundaries or basic manners

[grunge-mermaid]

help i need to find the filthiest song on my phone to blast it and keep the neighbour kids out of the yard

[stxrslutrestored]

RULES AND BOUNDARIES

please read this post thoroughly before proceeding to my blog!

boundaries

DNI IF YOU ARE : a minor, racist, homophobic, transphobic, pro life (anti abortion), sexist, hateful in general

— I love to talk on this blog, don’t be afraid to come into my inbox, that said, there are some ground rules.

please don’t excessively trauma dump in my inbox, whilst I love to hear about your lives, some things are things to tell a professional who will know what to do, and not an anonymous tumblr blog.

hateful asks are not appreciated, if you don’t like something that I say or write you can either 1. scroll, block me if you like, and never see it again or 2. approach me about it in a civilised manner. blind hate will not get you anywhere

— receiving prompts and requests is my favourite thing. I always welcome them, that said, there’s three main things that you need to do when sending one.

firstly, don’t make them too vague! if I get “rafe x innocent reader smut please!” I just don’t know what to write, it doesn’t give me ANYTHING to work with.

secondly, don’t expect a fic if your request is basically a story itself. whilst I love reading these concepts, with too much material there becomes a point where there isn’t anything for me to add.

and third, make sure to follow the boundaries on what I do and don’t write.

what will I write?

yes (I will absolutely write this!)

ddlg dynamics. daddy / dad nickname. nipple play. use of drugs (weed, cocaine, unnamed). domestic themes. stepcest. oral. hyperfem reader. + more, don’t be afraid to ask.

maybe (I might write this)

punishment. anal. roleplay. mommy kink. bondage. slapping. road head. dubcon. noncon. cnc. incest. abusive / toxic themes. forced dynamics. necro. pup play. general dark content. quickies. + more, don’t be afraid to ask.

no (absolutely I will not write this)

scat. pedophilia. dom reader + more, don’t be afraid to ask.

you may be worried about seeing dark content (ie. noncon, incest, abuse) when you don't want to, so here’s some easy ways to tell.

first an foremost, every single blurb I post is appropriately tagged with a content warning at the top. if there is dark content, you will know.

smaller concepts with dark content will also have content warnings at the top and all dark content posts will be tagged, so you may block those tags if you need to.

any visuals / reblogs with dark content will just have tags at the bottom and whatever warning is on the original post, so you would need to block those tags to avoid completely.

thankyou so much for taking the time to read though this post! enjoy your time on my blog!

[admiringtheskies]

okay, so The Hyperfixation Is Hyperfixating, clearly, and honestly im just gonna continue going with it bc THEM— *screams* ANYWAYS @frownyalfred uhhhhhh hope you enjoy this as well! without further ado, another idea inspired by the incomparable ✨borderline✨ that just would NOT leave me alone until i got it all down into actual real words:

at some point further in the timeline of borderline'verse, when they've finally got the whole situation mostly under control, the batfam (whenever they accompany bruce, or multiple kids go together by themselves so they're in batclan mode, to do jl/other crossover shit) sort of ends up just doing the whole Bat-Danger-Aura thing, like, Constantly; somewhat unintentionally, but also with not much effort really made to rein it in, bc they do think the reactions are hilarious lol. and like, the thing is, they were ALREADY doing it pre-bond, pretty much right from whenever dick, jason, or both made their first appearance w bruce outside of gotham and first established the existence of mini-bats for the outside world — i mean, that sense of leashed power, as well as the eerie synchronicity and ability to communicate in the tiniest of gestures, was really just a natural consequence of the crime-fighting codependency and the training bruce put them through, originally. (as you may be able to tell, i have an Extremely Normal Amount of Feelings about the concept of cryptid batfam <3). but WITH the bond?? i mean, the kids are all connected to each other, yes, but their primary connections are all to BRUCE, and once they've had time to adjust, and set + actually semi-consistently enforce some basic boundaries, they absolutely take pride in using that to it's fullest advantage (that they're capable of while not intentionally compromising anybody's autonomy, anyways).

and like… OP's already touched on this in earlier chapters briefly a few times, but i NEED a thorough exploration of the idea of bruce seeing this change in them, seeing them subconsciously incorporate even just these little subtle mannerisms, and feeling so fucking guilty about it and spiraling bc he's terrified that all of his self-destructive qualities [that he's painfully aware of in himself] will transfer over to the children, who somehow never seem to realize that how proud and grateful they make him when they demonstrate their DIFFERENCES from him in those regards. and he's just so scared that he'll somehow ruin the few parts of them he thinks he's miraculously managed to avoid 'tainting' with his mentorship/fatherhood until now… …and meanwhile the kids are about to start crying because dad no what the fuck,,, but also facepalming a little bit bc jesus CHRIST, B, did you never even stop to consider the fact that you're just… really fuckin smart and skilled and know how to do a frankly ungodly amount of Cool Shit that we all share an interest in, and we were excited to have the chance to copy more of that shit too?! just, even beyond the great mental image of the Danger Walk, what really got me about that scene was just... his two oldest boys, who are already so much like him, not hesitating for a SECOND to gleefully take the chance to match his behavior even MORE perfectly, and wanting to know where he learned something as (relatively, by their standards) simple as the Serious Business Walk, and wanting to share that memory because it's just fuckin cool, y'all! like, to be clear, i absolutely respect the fact that, at least by the time that they're entering adulthood/in the prime of their mental and physical youth, any of the batkids are pretty much on, or definitely rapidly approaching, the same level as bruce in general badassery — and they probably each have 1 or 2 specific skillsets in which they can and do surpass him. but at the same time, you CANNOT convince me that, at any given point in the established DC timeline, there exists a non-bruce batfam character who can really look at bruce (like his personality, his aforementioned ridiculous skillset, i mean everything about him) and not see at least ONE quality in him that they aspire to. maybe it's something they already have and just can't see in themselves, maybe it's more a projection of something one of their other siblings has and shares with bruce, maybe it's just some skill, some random combat move, that he doesn't need very often, and so when he does use it, it briefly reminds them that "holy shit, he's The Fucking Batman" — but there's always SOMETHING there, some reason that even when they're having trouble communicating or arguing or emotions are running high, they'll never truly lose that respect for him that compels these ridiculously independent, self-sufficient people to willingly follow him: to listen to him, to trust him, and to keep themselves ready to unite under his lead. because nobody can argue that they are a clan, whose purpose comes from being first united under the guidance and protection and love of the bat.

[grison-in-space]

Hi :) I have a different question about consent. I have cats not dogs, but I have been reading your animal behaviour musings and reblogs with a mix of general curiousity and finding what is applicable.

So a number of friends and acquaintances have dogs. And some dogs have not been trained to recognize and respect human boundaries. I had many dogs over-excitedly jump at me, lick me, and unintentionally scratch me when all I wanted was to politely nod at them or provide just a pet or two. They don’t stop easily and are rarely trained to stop with a clear command.

In moment like that, is there something I can do with my body language and voice that would make it easier for a dog to understand that I think it’s acting rudely and I want to disengage? Because I think I over-react and just confuse them further. Of course, ideally, their owners should do better socializing but that’s an entirely different matter… Also ideally, I wish I could just reduce the intensity of the contact rather than have to completely ignore the dog. But I don’t know if that’s achievable under such circumstances. Any thoughts you have would be deeply appreciated!

Oh yes, that is a very solvable problem! As you say, ideally their owners would work with them so they don't jump on you, but we can't always control other people.

I have found that a mixture of turning away and pointedly not making eye contact or looking at the dog, sidestepping any leaps if necessary, until all four feet are on the floor, and then maybe leaning down and saying hello, is pretty helpful. Dogs understand eye contact and they certainly understand pointedly not engaging with them until they perform a behavior. Now, a particularly excited dog who is over threshold might just move around you to jump up again... at which point, you turn again and continue pointedly ignoring until all four feet hit the ground. The dog's goal is to say hello and interact with you; they usually catch on pretty quick that you're only going to give them that when they are being polite, especially if you can maintain consistency about it and you see them regularly. If they're so over threshold that they can't control themselves, they need to not be out saying hello to guests for a little while until they have a little better emotional control.

You want to be clear, not look at the dog (eye contact will often excite them further; I've even trained a few dogs to only approach people and request pets upon making eye contact!), and be quiet and relatively boring. Wait out the excitement and maintain calm. As a bonus, this is pretty easy to do without inflaming the human social and emotional currents surrounding the situation, which is always the hardest part of dog training!

(I actually spent a chunk of time on Saturday going over exactly this concept with a bunch of fifteen-week-old puppies learning basic manners! Mind, they're babies so they get a certain amount of baby license and we were focusing on teaching them to automatically sit and wait to receive greetings rather than un-learning the jumping behavior, but the principles carry over.)

[definitelynotshouting]

MMMMMMM SPACE AU IS GOING TO MAKE ME BRAINROT ABOUT THE LANGAUCW BARRIERS AAAAAAAAAAAA

thinking about the fucking ✨I n t i m a c y✨ of learning each other’s body languages and routines/habits and slowly falling in love with the more subtle parts of each other rather than through simply getting to know each other. ALSO ALSO ALSO WITH ALIENS!!!!!! I cannot fucking BEGIN to stress the importance of physical touch. Coming from someone who grew up shipping spirk, PHYSICAL TOUCH IS LITERALLY EVERYTHING. The small gestures, learning each other’s cultural and personal boundaries and adjusting to that even if it’s smth small like, avoiding touching direct skin. Showing that they care, and are considerate at the same time. Other things like trying each other’s native foods that they love, or watching the stars in complete silence together. Just UGH, language barriers are so fucking important to me bc it literally leaves them to fall in love with ALL of each other. Not just their upfront personality, or sense of humor, or manner of speaking, but EVERYTHINNGG. GOD IM GOING TO GO INSANE BC OF THIS WAYAGGGHHHHH.

ANON NO JOKE THIS IS SUCH A HUGE REASON WHY I INCORPORATED A LANGUAGE BARRIER INTO THE INITIAL IDEA OF THIS AU. You are SO right for this its about everything you said and also the expression of love to learn someone else's language even imperfectly just so you can communicate with them. Im so ill in the brain abt it like oh my GODS i love space aus that really lean into the cultural differences and cultural exchange of it all

Also anon you will LOVE that fact that glossy and i were talking the other day about the concept in your other ask-- we've determined that Scar and Jellie's species (now officially called Tsabii) has a huge thing about colours. Ive been picturing their planet to have a lot of deserts and warmer climates with only a few extreme cold ones, as well as a lot of underground cave systems, so colour is something very important and traditional to their people. We decided Tsabii actually translates roughly to "spectrum/all colours/all spirits" and is basically their own word for people as a collective. And instead of saying something like "you make me incredibly happy" you'd say something along the lines of "you have bright colours"

Scar, at some point down the line, tells Grian almost offhandedly that he's the "most colourful person [he's] ever seen." Which is like. Probably one of the most smitten and romantic things a Tsabii can ever say to someone else. A bit like saying aishiteru in Japanese. It's not something you'd ever say in public because it's practically verbal pda, incredibly intimate, and basically declaring this person the center of your world and happiness. And Scar just. Says it to him. With perfect, calculated casualness.

Of course Grian doesn't understand the connotations of that. He's out here assuming Scar just really likes the colour red. And ohhhh my gods the fun we've been having turning that concept around, its been making me insane

Anyway tldr; anon u are so right for everything and i am solemnly shaking your hand

[trigunwritings]

*pulls up a chair and sits down at your plant reader post* I am here for this and wanna hear more of your idea! If I had to pick favorites from the current post, it'd be the courtship and terrforming idea. Last Stampede ep def implies that independents have their own abilities, so a terrforming one would be cool as heck. Also, I just love alien courtship tropes.

Thank you!! I’m absolutely feral about exploring and developing fictional species, since it’s a ton of fun to throw ideas at the wall to see what makes sense—especially when it comes to romantic behaviors and such :3c Sci-fi is my preferred flavor of worldbuilding after all, so the idea of Stampede plants being explicitly non-human aliens offers up so much potential that I just can’t leave it be 👀

-

I prefer to think that plants, like humans, are fully capable of evolving to better suit their environment—perhaps even faster or more drastically than what most people would expect from them. This could easily account for the birth of Vash and Knives, as it would make sense to develop an appearance that allowed them to better blend in with humans; this could be interpreted from the perspective of prey trying to escape the attention of a predator, or perhaps even the opposite: a predator trying to hide among its unassuming prey.

Given the lacking records of non-independent plants becoming aggressive to the humans who rely upon them, most people tend to believe the former opinion, though there has never been any hard evidence either way. A majority of people—even prior to the great crash—don’t even believe plants to be sentient creatures.

Some people theorize that plants were not truly created, but instead originate from a parent alien species that humans had come into contact many generations prior to the SEEDs ships departing earth. Other people even think that plants aren’t from our dimension at all, which could explain why they are capable of creating all manner of organic material from basic forms of energy in a way that seems to defy the laws of physics. The truth has long been forgotten regardless, lost in dead memories or destroyed computers when the ships crashed upon Noman’s Land, and most people don’t have the time or energy to research such useless information.

Nonetheless, these details may point to plants trying to evolve past the tools they were originally created to be, perhaps if only to communicate with humans themselves; its hard to tell if the relationship is truly symbiotic or not, especially when plants themselves are so alien that few people have actually never seen one’s face before. Do they want to protect the people whom rely upon them for their livelihoods? Do they yearn for freedom from the boundaries of their glass enclosures? …Could they even survive the world beyond it?

This in the end leads me to an interesting concept; a non-independent plant metamorphosing into a form that appears to be human, but only on the surface. Like a chrysalis, it is simply to protect them from the harsh world beyond their cage—the only environment they were ever designed to thrive in. Imagine this plant having to learn how to be human, but also how to hide their abilities from those who might try to use them like a tool—perhaps this plant has inadvertently evolved into something incredibly powerful, capable of creating not only water and food, but terraforming swaths of the desert landscape.

Perhaps this plant is the next step in the natural progression of their species, which itself has somehow decided that the next step is not simply surviving on their new host planet, but transforming it into a truly habitable planet according to what very well may be written in their DNA.

And that is exactly what I picture the reader being; a plant that is somehow able to take a human form (much to their confusion and fear, its like suddenly being born into conciousness) and escape the confines of their glass bubble, all while trying to make sense of the powers they hold and desperately trying to find others like them in the hopes that they aren’t alone.

[ferry-man-sam]

Meet the triangle of respect!

A bit different from what I usually post and this may already be something that exists, but I’d like to share my thoughts and reasons for being anti-authoritarian, and a relatively simple concept to explain what I feel like should be more obvious to people than it is! Should be taught in elementary school, if you ask me.

Loosely based off Maslow’s Hierarchy of Needs, the general idea being that you cannot reach the top without the base components.

- At the bottom, the bare minimum is respect as a Living/Human Being. A helpful list of everyone you should respect this way; Everyone. Yes, even who you consider to be the most vile person in the world. They might not have the same respect for you, and if that happens to be the case they should be handled with caution and proper measures, but they should be allowed basic human rights. A right to a trial, to a lawyer, to not be sexually assulted, have acess to food, water, medicine, and a safe place to sleep, etc.

- Above that is respect as a Person. You respect this person’s ideology, principals, and general way of life. This should apply to most people, however an exception that can be made is people who do not respect other people as Human Beings, as per my last point. (Examples can include; Pedophiles, Racists, Nazis, Misogynists, etc.) This should include general respect you’d expect from a stranger, basic manners. Treat others how you’d like to be treated and all that.

- Next, is respect as a Peer or Colleague. You have a professional respect for them, often (but not limited to) existing in the same field as you. You might admire their work or may crave their recognition. You respect their opinions, their space, and their desires.

- The next one is not pictured in the triangle, but is respect as a Friend or Family Member. You actively care about them, check in on them, and offer your aid if it is needed. You let them know they are wanted and loved. They trust you to respect their boundaries, and respect yours in return.

- There’s also respect of a Romantic Partner. Also not pictured, and also not incredibly relevant to the larger discussion, is still an important kind of respect. It is the respect of boundaries (sexual or otherwise), and a mutual emotional respect for one another.

- Finally, there is respect of an Authority. This is the one I feel is most often misunderstood. Imperialism as a whole would like you to believe that this is loyalty and respect without question, but it really shouldn’t be. That shouldn’t exist. Authority can be abused, very, very easily. An authority should respect YOU as a Human Being, a Person, and a Colleague. Respect is a two way street, and if they do not respect you, then you should owe them none in return. Unfortunately that’s not how it works in a Capitalism dominated world. An employee is excepted to take abuse and simultaneously worship and revere their employer, after all, they’re the one paying you, right? Basic human rights are not being met, and people must fight to make ends meet, despite there being more than enough resources to go around. They don’t have room to challenge that authority, so it is easily abused. Why do you think CEOs and Corporations hate Unions? A union is just that, a collective organization of employees standing up to mistreatment and demanding better working conditions.

People like to flaunt positions of power. They like to demand respect when they show you absolutely none in return, which is really not how things are supposed to work. You can see this most commonly in bad parents or teachers, most things involving the military, cops, etc. You do not teach a child respect by demanding it, you teach them by showing it.

[nerves-nebula]

For the Basic Neglect AU, does Splinter get a "trying to be a better father" arc like in Rise or is he gonna try to do better for a day n a half and then fall into old habits?

💙💙💙

*slams hands on table in an aggressively excited manner*

you have allowed me to rant about a new idea i have and you WILL listen OK SO HERE'S THE DEAL WITH THIS AU.

this AU will be drawing on a lot of my own personal experiences with neglect/abuse!! It's a pretty DIRE AU but its also supposed to be kind of funny in a dark sorta way i guess.

SO SPLINTER RIGHT? SO. I'm gonna level with you anon, he's just gonna be an absolute dogshit father. A bad person, even. and he will never admit it.

the situation is very "I'm not hurting you, I provide everything for you! and if I am hurting you then it's not that bad, and if it IS that bad it's not my fault because parenting isnt fucking easy" in a cyclical way in which he is never to blame.

any attempts he makes to reconcile with his kids have everything to do with what he THINKS a "good parent" should do and NOTHING to do with actually thinking of his kids as people.

so he'll hug Donnie if Donnie is crying, but if Donnie tries to pull away, Splinter won't let him go, even if Donnie REALLY DOESNT WANT TO BE HUGGED RIGHT NOW (<- based on a real event)

He's got no concept of boundaries and sees his children trying to set boundaries as an insult against The Closeness of their Relationship.

he says he doesn't have favorites but he'll always make excuses for Leo's behavior/abuse of his siblings. he doesn't think of himself as a mean person, but he'll laugh if the thing his kids are upset about aren't "serious" enough to warrant their reactions, or he'll be annoyed if they're upset about something he considers trivial.

he gets annoyed at Donnie and Mikey's stimming and often implies or just says his kids are stupid/think stupid things/got what they deserved for acting stupid.

(side note: Mikey is terrified of being "stupid" because Splinter has made it clear that the way to avoid harm is by "not being stupid" and if you're "stupid" then you somehow deserve what happens to you in a really gross victim-blamey way)

The closest thing they have to Family Bonding Time is eating meals together, watching TV/movies together, and training together. Which Splinter always makes worse/more tense whenever he's there because no one knows when it's going to stop being Nice Family Time and start being Splinter Dissecting The Way You Eat Time.

And in their free time he really doesn't give a shit what they do. He doesn't want them going topside for like the first 13 years, but he also doesn't really check up on them until its the end of the day (in which case he doesn't actually put them to bed. he just makes sure they're inside and then locks them all in while he goes to sleep so that they can't get lost or something. he does NOT give them good hygiene/sleeping habits I tell ya waht)

so they start sneaking out to the surface when they're pretty young and he has no idea cause he's "too busy" to watch them all the time. This has led to a lot of small accidents that could've been avoided if the fucking CHILDREN were being WATCHED but WHATEVER.

BASICALLY - he is a BAD DAD in this AU and he should never have had kids.

hope this answers your question :)

[hwljpg]

Saw the OC post, love the designs of Kindle and July!

Do you have a developed dynamic for them at the moment? Are they roommates at their college dorm where wacky hijinks ensue? Former lovers trying to reignite the spark they once had? Two people who keep running into each other at a coffee shop after they both keep ordering the same thing the other does by sheer coincidence and are trying to calculate the chances that the universe would keep making them exist together over and over?

thank yew 4 taking interest (◔◡◔)

tbh i haven’t done much besides interaction doodles here and there.. this small comic for an example:

my base concept at the moment is that they’re really close roommates who go on adventures together. and if i had to be completely honest over the time i’ve had these two they developed more and more with being blatantly sam & max inspired without me even realizing it. (july was originally a cat. i had already thought about making them a bunny before i got into sam & max but as i became enamored with those two it basically solidified the decision.)

i kinda base them off my own dynamic with my long time childhood friend (now roommate)

besides that.. July is very hot headed and short tempered. very reckless. he’s just excited to do things in a very hostile manner. but he grounds himself quickly when it comes to Kindle and aids him in calming down from overthinking things or becoming anxious. very much willing to put his own shit aside to help those he cares about. takes care of others a lot and has a hard time letting others take care of them. he also really likes collecting rabbit/bunny memorabilia.

Kindle is very much Some Guy in my head. he’s a very run of the mill guy who’s just trying his best. as mentioned before he tends to clam up and get anxious a little more often than the average joe. has a hard time socializing and mostly has connections to others through July. very much autism. he likes cooking for people.

overall with their specific dynamic i take huge interest in exploring unique relationships people have with each other. i like to put the two in very affectionate posing but i don’t view them as explicitly romantic. though if others would like to i won’t yack their yum, yk. i just always love to push the boundaries of what ppl think separate a romantic relationship and a platonic one. maybe they’re not romantic nor platonic but a secret more sinister thing (joke).

other than that, here are some other concepts/doodles i’ve done!!

[gear-project]

Overskill Kuden: The Teachings

There's a Japanese school of martial arts term known as "Kuden" which embraces the concept of "Mastering the Obvious".

It is the idea that one must fully understand one's self in order to achieve full mastery of the skills one obtains.

This concept was originally created in an anime series by the name of Log Horizon, however, the application of the concept itself goes far beyond an anime show.

The term "The Teachings" or "Skill of the Great Ones" (Kyojin no Waza) or "Boundary Destroying Arts" are other ways these "mysteries" have been described.

For an example of this Mastery, say you had a Special Attack that could be done in mid-air…

This ability not only suspends you IN the air, but it can also adjust your mid air momentum. For example, Bandit Revolver is a technique Sol can use in mid air to project himself forwards without the need to Airdash and spend that kind of resource, but it can also keep him in the air when he wants to delay a landing.

But there are other more "philosophical ways" of understanding this "mystery".

Combining two basic skills together to make a more advanced skill, or simply using the same skill for various different uses. Life Hacks can sometimes be described in this manner.

But it also applies to one's own sense of identity as well.

How you approach things, how you solve problems, how you view life… these things can change as YOU YOURSELF change and GROW.

Mastering "the obvious" about yourself. The things you might have easily missed when trying to understand your true potential.

To focus on the "inner meaning" of the concepts around you, the things that define you, and the things that carry the most meaning TO you.

Sometimes it is very easy to overlook the "obvious" in that sense.

Kuden: 口伝, is the inner mystery of yourself.

I hope you all can reflect on this and reconsider what needs to be mastered concerning yourselves.

[k00299539]

LSAD Seminar 02: 3D Studies with Elaine Riordan - Part 2 (I ran out of space edition)

This was originally all included in my last post on the 3D Studies seminar, but I ran up against the "30 images per post" limit that our cruel overlords imposed upon us. Basically I want to run through the seven elements of 3D studies outlined in the seminar and share an artist, found through my own research, who I feel exemplifies that particular element.

Form

Louise Bourgeois

Louise Bourgeois is so renowned it almost feels like cheating to include her on a list like this, especially given the breadth of her work, incorporating many disciplines and techniques in her work. I chose Bourgeois for "form" as I feel she pushed the boundaries of what could be considered "form" as much as any artist ever has. Utilising mirrors like canvases, for example, makes us question where the form of a given piece lies. Similarly incorporating other elements such as structure, location, and space allowed her to express ideas in an entirely new way, unburdened by a dogmatic sense of what form "should" be. In this way Bourgeois' work broadened our understanding of what form.

Structure

Georges Vantongerloo

Georges Vantongerloo was a Belgian abstract sculptor and founding member of the "De Stijl" or Neoplasticism movement. Proponents of De Stijl advocated pure abstraction and universality by a reduction to the essentials of form and colour; they simplified visual compositions to vertical and horizontal, using only black, white and primary colors. This idea of using reduction to find an underlying meaning led him to explore structure in his art. Vantongerloo never achieved major success in life and is often considered to have been too devoted to his movement. But through his sacrificial nature we gained insight into the pure structural nature of art, and the truth and beauty found therein.

Texture

Anni Albers

"Besides surface qualities, such as rough and smooth, dull and shiny, hard and soft, textiles also includes colour, and, as the dominating element, texture, which is the result of the construction of weaves. Like any craft it may end in producing useful objects, or it may rise to the level of art."

A quote from the woman herself sums it up better than I ever could. Anni Albers is one of the most important textile artists there ever was. Her work elevated the standing of textile work in the art world and paved the way for the many artists to appear in her wake. Like many who work with 3D, she blurred the lines between art and design, gaining recognition for the traditionally feminine world of "craft" often excluded from the wider art world.

Volume

Bruno Catalano

Bruno Catalano is a Italian-French sculptor best known for his sculptures of figures with substantial sections missing. In my previous post I described the concept of "volume" in 3D studies as having to do with negative space, we must perceive an absence of some kind to truly grasp the volume of something. Much like the visual hollow of a glass informs its volume, Catalano's sculptures express volume specifically through their substantial missing portions. We as observers are forced to contemplate the "how" of a work, in such a way we would never need to with a conventional sculpture. Similarly Catalano's common practice of clothing his sculptures in everyday attire achieves the same effect in an additive manner, rather than a subtractive approach.

Weight

Sheila Hicks

Sheila Hicks is another who could reasonably be argued to define basically every element on this list. Her work is similar in ways to Anni Albers, whom I placed on this list under the category of "Texture". While Hicks works undoubtedly deals with texture, as it does sculpture, colour, and narrative among others, what has always stood out to me first and foremost about her work is it's sheer weight. Hicks is particularly known for the contrast in the scale of her works, ranging from minute to massive. What intrigues me though is how through her work, we see the minute become the massive. Common, lightweight elements like wool and string become enormous behemoths, stacked like rocks in galleries or flowing like waterfalls through ceiling installations. There are many artists who work with heavy material but few who convey weight regardless of material.

Space

Chiharu Shiota

Chiharu Shiota was my immediate pick to exemplify the element of "space". Her work is not location-specific as it can be rearranged and displayed throughout many galleries but it is absolutely space-specific. Her installations dominate the space they occupy like few others. Shiota's work leverages the element of space to create ideas around the body and flesh, territory, and alienation. I feel there's not much else I can write here other than I'd love to visit an installation of hers one day and see the sheer scale of the space for myself.

Location

Lady Pink

I chose Lady Pink for the element of "location" as her signature graffiti work is deeply tied to her hometown of New York City and her identity therein. She began her career in graffiti in 1979 after the loss of her boyfriend, tagging his name across the city. I wrote in my last post that my understanding of location as an element, is that it's deeply attached to a work's context. Something so inextricably linked it would lose meaning were it removed from it's location. From the beginning Lady Pink's work has been inextricable from her life in New York.

[silver-heller]

Are you going to give us that "masochist essay", then? 👀

FHFHFHFH. Well, now you asked for it! This is long and discusses masochism, self hatred, and emotional self harm, so, putting it under the cut!

PS: None of this is canon. Just how my version of Mordecai ended up for the AU, because I find it interesting!

Mordecai's masochism was 90% self invented out of Mordecai's first experience with murder being revenge, and also having to contend with the fact that he would have to "be that person" for someone else. That is to say, that he'd basically be doing what those gamblers attempted to do to him all those years ago. He believes Atlas would not put him in that situation, but, still.

Yet, there is notably the 10% of Mordecai that is an actual masochist because he desperately wants to feel something, and enjoys the pain that comes with his own vulnerability in this. Silver connects to the positive part of his masochism that reassures Mordecai Silver is strong and someone that could protect him (play wrestling and situations with the illusion of danger, but no actual danger). Serafine as well taps into Mordecai's desperation for vulnerability and to be understood while setting boundaries and introducing a thrill that is for his own benefit rather than being against him.

But, for the rest, if he deserves pain, then its much easier for him to believe the people he is hurting, and often times killing, do as well. He can paint his actions as justified and not think too hard on it or the type of person it makes him. Which, is very ironic, because this means he is required to hate himself to begin with.

However, not only do his sensibilities and sensitivities get in the way of this, hating the idea of someone putting him in physical pain or danger to feed into it, in his earlier years its also rather evident this is more a construct than a reality. Because Mordecai sees himself as a terrible person that deserves pain, he can therefore justify refusing to receive any genuine, serious pain, and instead, seek out the thrills he genuinely enjoys, because that's just what the "villain" like how he paints himself would do. So it's more of a concept he carries with him at work, but discards during his off hours, when he genuinely tries not to think about those acts.

This, however, gets much worse after Silver's supposed "death", because suddenly, Mordecai is confronted with an issue and deep/genuine pain and guilt he can not just brush away with a concept. This was someone he loved and cared about, his career and current lifestyle having caused them to die at his own hands, even though it was just an accident. That villain version of him is no longer just a concept, but a proven reality in his eyes.

So, he enters a relationship with Serafine, knowing she could 100% physically hurt him, and, quite frankly, he is lucky she actually cared about what he wanted, because he could have gotten himself seriously hurt otherwise. Serafine is able to satisfy that urge in a healthier manner while getting close to him, and I'd say that's why their connection ends up being so deep in such a short amount of time. No one would have suspected it, but, Serafine met Mordecai during a period where he despised himself and really wanted to be hurt, and showed him love instead, and that everything was going to be alright, with or without him self imploding. And, by the time Silver comes back, he's returned to his baseline, and is much happier in general for it.

So, the sad truth kind of is Mordecai would be emotionally crushed by his own actions if he did not carry just a little bit of masochism with him, always. However, as he emotionally connects with others and himself, we see this get significantly better throughout the series, and he starts seeking out thrills because he genuinely enjoys them and wants that for himself out of wanting to cause himself genuine pain.

[kinetic-elaboration]

October 28: It Follows

Watched It Follows today, which I’ve been meaning to rewatch for a while, after having seen it for the first time not long after it came out (10 years ago!!). It definitely holds up for me; in other words, yes, finally something really scary this year.

I am fairly uninterested in what IT is or stands for, honestly; metaphorical readings are not my area of expertise. I remember when the movie came out IT was compared to an STD, which is the obvious reading, but I find it somewhat boring. A little deeper than that is the concept of a loss of innocence: obviously that you can only become infected with IT, or even see IT through sex; but also that it kills through a sort of lewd pantomime of sexual activity; all of the references to sex and in particular to illicit, secretive, and/or tentative sexual activity (the dirty magazines, the first kisses, the backseat car sex, etc.). Also the references to a vague desire to escape or to reach beyond boundaries that, even when achieved, provides little in the way of actual satisfaction: much incoherent longing (to “just drive, maybe somewhere up North;” to cross from suburbs to city), little realization of actual freedom or meaningful movement. Something something growing up/coming of age etc. Additional placeholder text.

I’m more interested in why it’s an effective horror, especially since most of what I’m watching isn’t really hitting lately.

Being followed is intensely scary: I used to have nightmares about being chased so to me this is just an inherently terrifying concept, and I imagine for most people it is, because it’s a deeply fundamental fear. Something is after you and it’s going to keep coming and coming and coming. The design of it was great, too: the shape shifting/different forms, the manner of movement, the wrong-ness, to different degrees, of the various personae.

The style: the slow tracking shots; when there is movement and when there is stillness; how sometimes attention is drawn to IT and sometimes not, even to the degree that the characters themselves might not see IT; the haziness of the light; the wide pools of the unsaid, which is inherently disorienting; the building musical score and the silences.

On a related note, the dream-like ambiguity of the film: What year is it? The past, the future? Where are the parents? How old are the kids (I assume they’re college-aged, since they seem to talk about high school in the past tense, and that Jay is in maybe a community college class in the beginning—but it’s not super clear—at any rate, that they live with their parents but the parents are never seen makes them seem young but essentially ageless)? How is time passing? I find disorientation an essential part of good horror.

Psychological effects: One thing that was very interesting/striking to me on this watch was the way in which being exposed to IT changes a person forever. To get it to leave you alone you have to pass it to someone else: complicity, and complicity that potentially repeats and repeats. Passing it on involves having sex with someone, which means turning your own body into something you use, divorcing sex from human connection, even from basic pleasure (the only sex that seemed remotely pleasurable is the encounter between “Hugh” and Jay—her era of innocence.) When IT returns, you know it’s because the person you passed it to has died—are you a murderer for that? Is trying to help the person really only an act of selfishness, and how does one even “help”—“Hugh” perpetuates arguably the worst and most protracted violence of the film all in the name of ‘teaching’ Jay the stakes. Also, being constantly followed creates this intense and increasing paranoia, seen in both “Hugh” and Jay: you will see it for the rest of your life, even if it isn’t actively following you, but most other people won’t, leading you to question your own sanity, and because it can take many shapes, you will always be watching for it, always unsure of those around you, always with held breath.

Anyway, all of this to say: it’s death. It’s the knowledge of death that comes with coming of age, which is itself symbolized by sexual activity—terrifying in the mostly deep and fundamental way it is possible for something to terrify and yet you must also live with it, because it simply isn’t going anywhere, ever.

[jonathankatwhatever]

Continuing on 7 June 2024. A key point is that a choice of n makes an Actuality, and that Actuality is then n-1. We went through this with the material on induction, that gsProcess induces a next count in the generation of grid squares because that is the form generated out of Tri-Hex to make [D3-4]. That’s a basic existence statement. It’s interesting listening to music and hearing the beat carry the song along because that’s a counting form generated in exactly this manner.

And when the song is done, it’s over, then it’s n-1.

This counting allows the passage of experience, which is related to but also separate from the Informational Limit, because it stretches over this count which is like the end of Gatsby being ceaselessly borne into the past, as in given birth in, as in carried toward. I think there’s something hidden in that: the End toward which one is borne generates a specific relation between or among that which occurred and that which is occurring and thus what may occur.

Behind a lot of this is the concept of a gsPrime because that is the essence of specific relationship which then attaches through the +1 Attachment mechanism. One of the key ways that works is n-1. The proof of this is the same one we’ve been using, that there is an uncountable Boundary and when we select an n, a diameter which stretches across, a permutation which does the same End to End, then that no longer exists as uncountable within the universe, which is a large term for selection or choice. That means the creation of that selection relative to the uncountable is now captured in the +1 Attachment. It’s a 1-0Segment so it literally is that.

That means the Attachment space does in fact model as a gs, as CM1, so the construction is always within CM1. I’ve been looking for that statement for decades. It’s always been obvious that any grid sheet is contained within a grid square, but it was not clear how that worked. Now we have Attachment space which defines through specific relationships, meaning gsPrimes, all that can happen with the CM1 generated. This includes counting 1gs at a time. It includes the patterns which enable functions. It generates the inputs and the results within contexts, and all within CM1, within a gs.

———————

Proof each n has 2 prime factors. Each n is 1+1 and a gsPrime is a 1. Each n is a 2:1 Brick for the same reason 2 is prime, that all counting is 1 and 1, literally 1-0-1.

This is the Bell connection. It’s a Brick and thus 2gs to root2. True across scale.

(Note made on phone late at night)

[barnshenntoys]

The Enduring Appeal of Educational Magnetic Building Blocks

In the realm of educational toys, few items have captured the imagination and creativity of children quite like magnetic building blocks. These colorful, versatile, and endlessly fascinating toys have become a staple in homes, classrooms, and daycare centers around the world. What is it about these magnetic marvels that make them so beloved? Let's dive into the captivating world of magnetic building blocks and explore their myriad benefits.

Unleashing Creativity

At the heart of magnetic building blocks lies the promise of limitless creativity. Children are naturally drawn to these toys, quite literally, as they snap magnetic pieces together to form all manner of structures, from simple towers to intricate castles and beyond. The tactile experience of handling these blocks, feeling the magnetic pull as they connect, sparks curiosity and encourages experimentation.

Hands-On Learning

Educational magnetic building blocks are not just about play; they are powerful tools for learning. Through hands-on exploration, children develop essential skills in spatial reasoning, problem-solving, and fine motor control. As they experiment with different arrangements and combinations, they learn fundamental principles of geometry and physics in a way that is both intuitive and engaging.

STEM Education in Action

In an age where STEM (Science, Technology, Engineering, and Mathematics) education is increasingly prioritized, magnetic building blocks serve as a gateway to these disciplines. Children learn about concepts like balance, symmetry, and stability as they construct and deconstruct their creations. Moreover, these toys can be used to teach more advanced topics such as architectural design and magnetic properties.

Building Confidence and Resilience

One of the less obvious benefits of magnetic building blocks is their role in building confidence and resilience in children. Every collapse or failed experiment is an opportunity for growth. Children learn that setbacks are a natural part of the creative process and develop the perseverance to try again, eventually mastering complex designs they once thought impossible.

Social and Emotional Development

Educational magnetic building blocks are also catalysts for social interaction. Whether children are collaborating on a grand construction project or engaging in friendly competitions, these toys foster teamwork and communication skills. Moreover, the sense of accomplishment that comes from completing a challenging build boosts self-esteem and nurtures a positive attitude towards learning.

Beyond the Basics

The appeal of magnetic building blocks extends far beyond their educational value. Many sets incorporate additional elements such as wheels, gears, and LED lights, further expanding the possibilities for imaginative play. Some sets even come with themed components that allow children to create scenes from their favorite stories or explore specific topics like outer space or medieval castles.

A Tool for All Ages

While magnetic building blocks are primarily associated with younger children, their appeal transcends age boundaries. Older kids and even adults can enjoy the challenge of more complex designs and the satisfaction of seeing their ideas come to life. In fact, magnetic building blocks have found a niche among hobbyists and educators alike who recognize their potential as tools for creative expression and conceptual exploration.

Choosing the Right Set

With so many options available, choosing the right magnetic building block set can seem daunting. Consider factors such as the age of the intended user, the size and variety of pieces, and any specific educational objectives. Quality is key; look for sets made from durable materials that can withstand enthusiastic play.

In Summary

Educational magnetic building blocks are more than just toys; they are instruments of discovery and empowerment. From fostering creativity and critical thinking to promoting social skills and resilience, these versatile playthings have earned their place in the pantheon of educational tools. As we continue to embrace the importance of hands-on learning and STEM education, magnetic building blocks stand ready to inspire the architects, engineers, and innovators of tomorrow.

[americanhoperesources]

Remote Work Revolution: Data Entry Jobs Explained [2024 Guide]

The landscape of work has undergone a seismic shift in recent years, accelerated by global events that have propelled remote work into the mainstream. Among the myriad opportunities for remote employment, data entry jobs have emerged as a popular choice for individuals seeking flexible work arrangements and the ability to work from anywhere. In this comprehensive guide, we'll explore the remote work revolution, delve into the world of data entry jobs, and provide insights into how individuals can thrive in this evolving industry in 2024.

1. The Rise of Remote Work

The concept of remote work has evolved from a niche practice to a widespread phenomenon, driven by advancements in technology, changing attitudes toward work-life balance, and the need for businesses to adapt to a rapidly changing world. The COVID-19 pandemic served as a catalyst, accelerating the adoption of remote work and demonstrating its feasibility on a large scale. As a result, remote work has become increasingly normalized, with many companies embracing remote or hybrid work models to attract and retain top talent.

2. Understanding Data Entry Jobs

Data entry jobs involve the inputting, processing, and management of data in various formats, such as text, numerical, or graphical. Common tasks include entering data into spreadsheets or databases, verifying accuracy, and organizing information in a structured manner. While data entry roles were traditionally office-based, the shift to remote work has opened up new opportunities for individuals to perform these tasks from the comfort of their own homes.

3. Skills and Qualifications

While data entry jobs typically don't require advanced degrees or specialized training, certain skills and qualifications can enhance one's prospects in the field. Proficiency in typing and keyboarding skills is essential, as data entry often involves entering large volumes of information quickly and accurately. Attention to detail, organizational skills, and the ability to work independently are also highly valued qualities in data entry professionals. Familiarity with data management software, spreadsheets, and basic computer skills are advantageous but can often be learned on the job or through online courses.

4. Finding Remote Data Entry Opportunities

The demand for remote data entry professionals has surged in recent years, with companies across various industries seeking individuals to assist with data processing and administrative tasks. Online job boards, freelance platforms, and remote work websites are valuable resources for finding remote data entry opportunities. Additionally, networking, reaching out to potential employers directly, and showcasing relevant skills and experience on professional profiles can increase visibility and attract remote job offers.

5. Navigating Remote Work Challenges

While remote work offers numerous benefits, such as flexibility and autonomy, it also presents unique challenges that individuals must navigate effectively. Common challenges include maintaining work-life balance, overcoming feelings of isolation, and staying motivated and productive without direct supervision. Establishing a dedicated workspace, setting boundaries between work and personal life, and prioritizing self-care are essential strategies for thriving in a remote work environment.

6. Embracing the Future of Work

As the remote work revolution continues to unfold, the future of data entry jobs and remote work, in general, remains promising. Advancements in technology, such as automation and artificial intelligence, may reshape the landscape of data entry roles, creating new opportunities for individuals with specialized skills in data analysis, interpretation, and decision-making. By staying adaptable, continuously upskilling, and embracing the opportunities presented by remote work, individuals can position themselves for success in the evolving job market of 2024 and beyond.

Conclusion

In conclusion, the remote work revolution has transformed the way we work, opening up new possibilities for individuals seeking flexible and remote employment opportunities. Data entry jobs represent one such avenue for remote work, offering individuals the chance to perform essential tasks from anywhere in the world. By understanding the nature of data entry roles, developing relevant skills, leveraging online resources to find remote job opportunities, and navigating remote work challenges effectively, individuals can embark on a fulfilling and rewarding career in data entry in the remote work era of 2024.