#also the whiplash of seeing the lyrics at the very beginning and realizing its in THIS song was insane

[lottieurl]

that fatm collab is really weird to listen to cause it doesn't sound like a coherent song to my ears and i'm also like taylor quiet i wanna hear florence again lmao

[nico-esoterica]

Rachel Chinourir—I read her chart and started crying at midnight after listening to her music

Newly 25, this super star’s experiencing her 2nd house profection year. This means that the name of the game for her this year’s gonna be all about how she’s providing for herself and proving she can be self-reliant. She’s establishing herself as an adult during that stressful period in your mid 20s when you start finding that blurry distinction between yourself and what your environment demands you be. Add an exploding fanbase and platform into the mix and whiplash is the cherry on top.

Especially since the last eclipse cycle occurred on her 1/7 axis—this means that with her Scorpio stellium, she was going through it and underwent several personal transformations and ‘realizations’ is what I’m hearing in regards to how she sees herself versus what she’s been forced to be out of survival. It was a very emotionally messy period for her for a while. But what came out of the rubble of her previous emotional life was this unbreakable will to draw that boundary and keep it firm. “I’m not like the rest of you” is what I’m hearing intuitively. Feels related to mental health. Or “I will not be”—another possibility.

(rectified time - isn't exact but close) In my experience, people with strong Scorpio influence are sponges of generational trauma they’re viscerally made aware of from an early age. An artist who comes to mind is Willow Smith who has a Sun-Mercury in Scorpio with its ruler empowering it from her 4H of home and family lineage. In recent years, we’ve learned about her family and its issues.

She’s come out of a rough period of trying to do what all m/zillennials were told regardless of the Pluto in Cap global recession hitting in ‘08—”No matter what happens, you MUST get your degree. You NEED to get that super stable job because that’s the only way you’re going to have a future.” That’s very loud in her chart to me because that Pluto was moving through her 3H of early childhood education and experiences and was forming a gnarly square over the past couple years (beginning of pandemic) to her late Aries Saturn. Means there was pressured incentive for her to ‘get her life together,’ notably from a father or authority figures in her life.

She’s always been capable but even if she could ‘hold’ said stable job, her mind was always elsewhere. Daydreaming and scribbling lyrics and poetry is what I’m hearing/seeing by looking at her Pisces Moon and Jupiter co-present in her 5th. Creative classes and activities or even artistic programs she excelled in. But the latter planet being Retrograde makes me think that she doubted her talents despite an abundance of people reassuring her that she’s gifted. Beyond gifted and has always been. Her 9H ruler of higher education (and I can see this also meaning specialized programs) being well aspected in her 5H of creativity tells me as such.

With Pluto consistently hitting her water planets since roughly 2010, because this is a planet of crisis and rebirth, she’s most likely dealt with both internal and external pressures that, on one hand, were god damn awful (her natal Sun-Uranus square on her ¼ is LOUD) and supplied a mental health minefield, they also gave her a super power for expression. She learned she found a home for it in the arts. With such an overwhelming amount of Scorpio in her 1st, it puts a psychic target on your back. You constantly feel attacked and this will be doubly true if her MC’s at a later degree in her 10th because it’ll be squaring her Mercury (and Chiron, potentially), meaning that whenever she opened her mouth, she got lambasted for it.

It’s giving, "Fix your mouth—Who do you think you’re talking to??” Her having a 10H North Node with Uranus co-present in Aquarius in her 4H with her South Node illustrates that, and I can speak about this from experience, was simply ‘different.’ Usually, having a 10/4 North vs South node link means that you, quite literally, want to catapult yourself from where you came from. You find it limiting to the point of being suffocating. Especially w/ her 6H Saturn ruling her houses related to everything family and early experiences related—Means there was an expectation about how she was supposed to act and a ‘path��� she was meant to follow and she couldn’t fit her edges within the smooth yet predictable edges of that circle—Cycle. When you have Uranus in these houses, especially in Saturnian signs like Capricorn or Aquarius, this means that your environment will often flow one way and you will flow the opposite or in several directions at once. It means that you are potentially on different generational and socio-political axes and will contribute to feeling like Marvin The Martian in your own home. It often leads to finding refuge in creative outlets. And we find that next door with her IC, Jupiter, and Moon in her 5th.

With Saturn transiting here since last year, she’s been establishing herself independently as an artist and has been met with great upward momentum and success. The craft she’s been nurturing and building for years (Saturn) trining that Scorpio stellium is presenting rewards for that work and her willingness to be vulnerable in an oversaturated industry that relies on gimmick and polish. Her Mercury-Neptune sextile exact in a fame degree that’s also making a lovely aspect to her Moon—Her music is uncomfortably intimate and honest, especially to anyone that’s neurodivergent or on the margins (strictly going by her chart alone). These qualities in music’s current landscape are rare and they’ll be what distinguish her as an artist and keep her fed. 

But with her benefiting from the current eclipse cycle firing up her 6H of what many of us ‘do’ for a living w/ her Saturn here (in preparation for her Saturn Return), her biggest challenge is not letting her perfectionist anxiety over her work’s ‘worthiness’ to others with their eyes officially on her cause her to self-sabotage or become self-conscious. She’s got the audience and has built it up but with explosive momentum and ‘overnight’ success comes the potential for our boundaries to weaken because we’re suddenly hyper-aware of ourselves.

Due to her tendency to self-monitor (most likely as a learned response), her Scorpio Mercury ruled Virgo Mars can cause her to suffocate her own self expression because she’s so used to being fucked with. And with that Mars ruling her fame degree Retrograde Aries Saturn, she never knows when enough’s enough—Have I done enough? Is this even good? I know it’s good! But is it really? Maybe I should work harder. I’ll work harder—Cycle, Rinse and Repeat. This is giving child of immigrants energy. I know so many of you feel called out by this right now.

Her debut album’s release looks promising. The 2H for her ruler of the year (Jupiter) is in Capricorn and she started blowing up on socials during Saturn’s months (Jan-Feb). The activation points where we’re going to see the most activity will be during this release in Aries and Taurus season (April-May). What’s interesting is that since the upcoming eclipse in April is hitting the album chart’s Mercury (almost exactly) a whole month prior, I fully anticipate a notable person (esp w/ Aries placements) to pull another Adele and uplift her or vouch for her in some way.

When Adele did, Jupiter was exactly opposite her Sun and it occurred during those Saturnian months and their charts have a bundle of points suggesting very strong synastry. It also happening right before Rachel’s lunar return with Adele’s NN hitting said Moon natally honestly felt like fate if we’re going strictly by the stars alone. And I also predict she’ll go viral during Virgo season (her lord of the year ruler’s 10H) because in September, the Gemini Jupiter floating around will be applying an exact square to her natal Jupiter. I think it’ll be totally beneficial but it can represent her adjusting (or needing TO) that’s uncomfortable at first (related to her image, sound, etc) that’ll benefit her in the long run. Jupiter in Gemini in her ruler’s chart in its 7H is giving contracts or boundaries-type vibes. Or even social expectations.

After writing this I heard The Hills and Maybe I'm Lonely and felt my old self seen in a way I don't think I've ever related to an artist expressing. Is this what it felt like when young Gen Xs in the 90s heard Hole or Nirvana's soul-piercing vocals for the first time? Because I honestly have chills.

That Scorpio Stellium of hers in her first and her 29 degree Mercury are indicators of the potential for meteoric fame in the eyes of the collective, but it'll be close and intimate.

When she comes to LA, I'm buying a concert ticket.

[bangtanblurbs]

autumn leaves

song: autumn leaves by BTS

first experience: my first listen of autumn leaves was when HYYH pt. 2 released. thanksgiving had just ended -- it was 2015. i was well into my fourth year of undergraduate studies and going through both a rough patch in some respects but also in others -- hitting my stride. i remember my first listen through of HYYH pt. 2 was in my tiny dorm room, perched on my bed, avoiding the responsibility of studying for my final exams. autumn leaves followed skit in the tracklisting, and before skit came baepsae. talk about whiplash... my emotions were all over the place. immediately i was taken by the unique backbeat and the beautiful blend of devastating vocals with emotional raps. for me, autumn leaves was immediately a favorite of mine from the album -- following closely behind butterfly. i can confidently say today though that the song is one of my top ten bangtan songs of all time. something about the sound, the lyrics, and the emotions i can hear in their voices makes it one of the most powerful rap ballads in the bangtan repertoire. i can remember distinctly i came to this revelation around christmas of 2015 as i continued to loop HYYH pt. 2 and really feel each beat and sound within the individual tracks. 

at this time i was going through a period of great change in my life - and autumn leaves is the perfect song for change. it’s a song about losing a love but also about feeling as if you are losing a piece of yourself. there are many ways to interpret the song outside of just being another sad love song -- that is something that struck me. the lyrics speak to several facets of what happens when you give pieces of yourself to others, or when you reach crossroads in your life. finding this song at this particular moment in my life was like finding energy and light at a time of extreme darkness. it was healing. soothing. 

feelings: i have too many. as always. autumn leaves is special to me because when i listen to it i’m reminded of both the place i was in when the sound found me, but also more recent development in my life that continue to relate to the song. when i first heard autumn leaves, i’d recently ended a relationship i’d been far too invested in despite knowing it was going to be a dead end - for about three years. i felt like i was at a point in my life where i needed to figure out who the hell i was without the one i’d loved. it’s funny though - i was happy to be free of that relationship, to be free of him, the pressures he’d put upon me. what do dead leaves mean if not a new spring right around the corner? perhaps i was feeling lost, but in my mind it was only temporary -- the dead must fall away to bring forward the spring. 

that being said, i did mourn. not in the way you might think, but in the way that one mourns for lost time, lost identity. so often we, as women, give up our identities when we are in relationships. we allow others to define us in terms of those that we are in relationships with. i’ve realized this now that i’m older -- now that i’m more at peace with my bisexuality -- the notion that our patriarchal society defines us in terms of the men within our lives rather than our own talents and identities. this particular blog isn’t a space for my feelings on that topic though -- what i will say is that autumn leaves comforted me. perhaps i felt that i was at a point where my leaves were dying -- but does that mean the tree is dead? absolutely not. spring would come. my life would be reborn with a new focus taking over. 

this being said -- i’ve always been one of those people that holds onto the past. i always wanted to be solid, non-changing, someone with convictions that they carried along from life. i think this stems from experiencing the death of a close friend while i was very young. i cherished the memories associated with her to the point where i didn’t want to lose the person i was when i knew her. so that’s always complicated change for me -- made the moments where the last leaves fell from the autumn trees that much harder. sure, spring was on its way, but what did that mean? would i lose the memories and the moments when my leaves where at their brilliance the previous season? or would i still carry those with me? what if i needed to correct course and completely rewrite who i was over the past -- would that mean losing who i was when i was loved by those i valued in the past? of course not -- but for some reason the more emotional sides of me didn’t see things in such a fluid way. lost was more profound when i was younger because it was also accompanied with these fears over the loss of my identity. 

as i’ve gotten older i’ve realized that identity can have staying power whilst also being something that is fluid. transmuting something doesn’t mean destroying or overwriting it. it means building upon the base and modifying it so that things are more brilliant. the me that existed before and during my long-term relationship was the same me i’d carry into the future, but with many more improvements for my own wellbeing and ability to express myself. for me, autumn leaves is just that. whilst on the surface it may convey the emotions of a breakup -- it also simply conveys the feelings that we get when we progress from one period of life to another. we leave parts of ourselves behind in order to improve. does that mean we are fundamentally changed? absolutely not. it means that we have learned from the past -- that we have made progress. in the same way that trees grow and change over the years. perhaps they look differently (taller, greener in hue? more branches?) but they still provide us with lushness and shade. 

personal connection: perhaps i’ve jumped ahead... i’ve already delved into this in the feelings section. that being said... i hope that my story can bring comfort to someone else. or perhaps help you all think about the ways in which bangtan songs can promote healing in your own lives. 

since my initial experience with the song i’ve had many other moments where i’ve turned to autumn leaves for comfort. i didn’t just leave it in the past -- it’s come with me as i’ve gotten older and moved into new spaces in my life. particularly i quite literally moved and started a huge new chapter in my life. and on this, autumn leaves has been a song i frequently find myself searching for. there’s a line in the song that resonates with me -- it’s in the bridge: “i hold on to these faded memories / is this greed? / i try to look back on these lost seasons / i try to turn back” 

initially i’d been excited for my big move from atlanta to washington dc. i thought it’d be the moment where i finally showed people back home that i wasn’t a failure, that all the pride i’d held in myself and my intellectual accomplishments was valid... but partnered with that came the intensive homesickness, the feeling of being an alien. i wasn’t really welcome here in dc. i still don’t feel welcome, but that’s a story for another day - another song. the reality is though, i moved just as the seasons turned to fall. it felt like my old life was falling away, i was bidding adieu my old life -- the community that had raised me since i was eighteen -- it was all gone. i was scared, terrified my friends wouldn’t keep in touch, afraid i’d have to change who i was to experience success (mask my accent, dye my hair, use the language of the elites)... while it’s not a breakup in the way the autumn leaves reads, i felt like i was having to plead with myself not to let go of who i was just for the sake of being accepted here, or for the sake of making my day to day life easier. the beat of the song brought me comfort as i walked to school, where i received the fake smiles of professors and classmates... i pleaded with myself -- to never let the parts of me that had gotten me to where i was fall away... to always let those dead leaves be the fertilizer for who i was becoming, for the me that would deliver myself closer to my dreams. 

even now -- i listen to autumn leaves and think about what i’m going to carry forward as the seasons change and we begin to work our way into a new normal in this pandemic. what parts of me will remain? what relationships will i keep? what *should* fall away, and what will i beg to keep around rather it’s healthy or not? i’m not sure. but closing my eyes and listening to the steady sound of autumn leaves brings me nothing but comfort. 

song breakdown

musically: autumn leaves is one of the most iconic songs from the HYYH era. the beat is iconic, the mix of vocal line and rap line from verse to chorus is completely seamless, it’s almost like a ballad rap (so iconic of the HYYH era, with songs like love is not over). the asian style beats, and synth... the sounds of the song are flawless from start to finish. the underlying beat of the song is so smooth, it feels almost like constant crashing waves, the ebb and flow of the beat with a few accents to highlight the emotional pick-ups of the verses. 

now -- it was controversial at the time -- many claim that autumn leaves samples beats from deadroses by blackbear. rather that’s true or not, i don’t know. but i find that listening to both songs back to back, they’re speaking to a lot of similar themes but with their own distinct sound and messages. there’s something about the genius of the back beat mixed with the emotionally charged rapping that sets autumn leaves apart -- also the use of vocal line is completely distinct and adds to the emotion in the sound. 

vocally: i don’t have as much to say about the vocals in this song. they’re beautiful, with vocal providing honey belts throughout the choruses, which sound more like a repeated bridge. we also see the slower, more emotionally accented rap style from each of rapline. the integration of the vocals and rap are iconically HYYH and BTS. we see the raps pick up, and slow down providing for pre-choruses to build into the beautiful vocal ballad ranges. 

autumn leaves performed live -- it’s something incredible. something i’m thankful i was able to experience. bangtan obviously never disappoint, but you can really hear the emotions in their voice with autumn leaves. the perfect adlibs, the changing rap paces, the roughness of rapline’s lower registers... it delivers the sadder themes of the song perfectly. 

lyrically: time for a DEEP dive yet again. autumn leaves is about change, the loss of a love. of course meanings can be layered, it can be about change, but on the very surface its a song about loss of love because of changes over time. 

jin and jungkook start out the song beautifully. the lyrics lead in directly addressing the theme: “fall like those dry leaves / just falling without strength, my love.” indicating that the song is like a letter - it’s a message to a love. the speaker is comparing their situation to a dead leaf, useless... time has run out... time to leave and fade away... something new to come a replace. falling without strength, it seems as if the speaker is saying they’ve got no more fight in them anymore, they’ve given up and realized continuing the fight is futile. it’s time to just let everything fall away, fade into black. “your heart just goes far away / i can’t catch you / i can’t catch you anymore, anymore / i can’t hold onto you, yeah” as much as the speaker would like to hold onto the moment they are in, hold onto the person they’re with... they can’t anymore. the other person is too far away. time has led to them drifting further apart, their relationship falling away like a dead leaf.

yoongi starts off the first rap, leading in with heavy emotions and continuing the story, and theme of a tree moving into fall. “those fallen leaves that look so insecure / seem like they’re looking at us.” the leaves have already fallen off the tree now, they’re dead on the ground -- peering back up at the speaker and their partner. i interpret this as the leaves are looking back at something they used to be a part of, something familiar to them, just as leaves are a part of our lives, trees spectating our lives as we live. these leaves were a part of their lives -- and now they’re gone, a piece is dead now. “if i touch your hand, even if it’s all at once / it seems like it’ll all become crumbs” -- this line illustrates again the analogy that the leaves are like the speaker’s significant other, someone that might just crumble away like it was never even there before, like a dream, it’s that distant. “i only looked / with the autumn wind” the seasons have changed, it’s that time, it’s been that time, and now the wind is a force that finally pushing the leaf off the tree, finally pushing the relationship or moment of life to end. “your words and expressions that become cold at some point / i can see that our relationship is fading / an empty relationship like the autumn sky” this line directly refers to the relationship like the seasons -- there was a spring, beautiful and blooming, love blossomed. and in summer it burned. but as time went on, the clouds went away and the rain stopped (the autumn sky doesn’t bring the spring showers to nurture the relationship anymore) and the fire consumed everything, burning it out and leaving nothing. “an ambiguous difference compared to before / today of all days, the much quieter night” there’s nothing left -- there no more crackle of the fire burning, no more love. it’s empty, and gone. but nobody knew when it became this way or why, it just did. “one lead left clinging to a branch / it’s shattering, i see the end.” there’s something hanging on -- perhaps it’s just the memory -- perhaps it’s just the part of them that is afraid of change, that wishes they could stay in the warmth. but even so, it’s beginning to crumble, it’s beginning the process to fall away. “dead leaves becoming dried / the silence inside your aloof heart / please don’t leave me / please don’t leave me, crumbling dead leaves” from dead to dried, the emphasis is made that at some point things have moved past ending or that they have been done for quite some time and for them to now also be dried. that being said they’re dried, not gone, the memories exist the emotions have left their place. someday the marks of this relationship will impact and provide the basis for another with someone else -- for better or worse.

then, we reach the bridge-like chorus. it’s simple in lyrics despite emotion packed in tone. “i want the you that meets my eyes / i want the you that wants me again” this line indicates that the partner in this situation has walked away and had decided not to even acknowledge the speaker. to pretend they don’t exist, to remove them from their life -- perhaps to not even keep them as a memory. “please don’t leave me / please don’t fall / never never fall / don’t go far away” the speaker begins to beg, holding onto the last few minutes of whatever they believe is left of the relationship. the begging of “don’t fall” is at odds with the previous verse about a leaf already fallen -- perhaps the chorus is coming from a more desperate state, or a moment before the inevitable happened (the season changed, the leaves fell). 

the post chorus brings in jin and continues with the same lament - the same desperate begging. “baby you, girl i can’t let you go / baby you, girl i can’t give up on you” the speaker is determined to hold onto the moment before the final fall. they are unwilling to let it all go -- hanging on to the last moments but also to the memories it seems. “like those falling dry leaves / this love, like dry leaves / never never fall / it’s fading.” at this point the chorus has progressed to where the leaves are fading and falling -- morphing into something that is no longer a leaf anymore. what is the speaker holding onto any more? just as memories too fade -- is there anything even left?

the next verse brings in namjoon, it plays off of the themes and tones in yoongi’s verse. it begins with the leaves already having fallen. there’s no more grasping onto what was, it’s much more about moving on and the ways the memory frames our ability to go forward. “like all the dry leaves fall / like all the things i thought would last forever are leaving / you are my fifth season” the speaker couldn’t imagine this happening -- a fifth season, there is no such thing. the leaves have fallen, despite him never imagining that it would occur, he’s dumbstruck. there’s a level of naivety here -- speaking to the things they thought would last forever -- which harkens back to the entire HYYH era theme. youth. learning growth. namjoon is speaking to new steps in life happening after finding out that what was familiar and comfortable is gone, and will not return as he is stepping into a fifth season and uncharted territory. “even if i try to see you, i can’t look / you’re still green to me / even if the heart doesn’t move, it moves by itself / lingering feelings hung out piece by piece like laundry” namjoon is charging here that he’s placing more emphasis on the past and the memories he holds rather than wanting to confront the reality that the other person has changed. they’re still green - young, fresh, healthy... he can’t help but still be in love because he cannot confront the fact that the other person has in fact changed. and at the same time all of this change and loss has made him raw, he cannot conceal his feelings even when doing mundane day to day things... his emotions hung out for all to see. “only crimson memories fall / from above me / even if my branch doesn’t shake / they constantly fall” the colors have changed from green to crimson, he is forgetting the hard times -- the memories that are rotten. the other memories, even if he keeps trying to hang onto them, they’re also going - being tainted by the dark and unhappy reality of things begin done. “right, my love must fall / in order to rise” he realizes, he need to cut the baggage, cut his false belief that things are still good, so that he can start a new season and try again. embrace his youth once again and heal. “even when you’re near, my two eyes / are far away, it’s happening / i’m being thrown away like this / inside my memories, i become young again” he emphasizes again that he cannot confront the reality of loss of this other person but realizes that it’s completely out of his control - he is the one being thrown. but he knows he can retreat to whatever space he needs to in order to cope or heal, he can hide inside his youth in his mind. he can stay there until he heals and can emerge once again. 

the chorus the repeats again, but this time it moves into the beautifully delivered bridge by taehyung. he begins with his low and smooth range “why can’t i give up on you yet / i hold on to these faded memories” which calls directly to namjoon’s verse. the seasons are changing, but he cannot let go of the past. things are fading but they remain his refuge. “is this greed? / i try to look back on these lost seasons / i try to turn back” he begins to realize that there’s an element to these emotions that might be toxic, that he wants but he knows he cannot have what he wants, or that he wants too much. he wishes he could retreat back to the summer, or the spring. turn back time and hide in those brighter moments. 

the final verse is beautifully delivered with hoseok’s unique style. he offers an unexpected conclusion to the hopelessness of yoongi’s verse and the denial and dismissal in namjoon’s. “burn them brightly, woosh / it was all beautiful, right, our path / but they’ve all faded” hoseok remembers fondly the memories, reflects positively on the way that things had been going... but he recognizes that that path exists no more -- those leaves are dead and gone. he uses the word “burn” which is often what happens with dead leaves, they’re burning brightly those memories -- like they’re seared into his mind and heart. they’ll never leave his essence. “dry leaves come down like tears / the wind blows and everything grows apart all day” this line beautifully captures the mourning process and the confusion that follows -- the learning to unlearn and untangle your life from another person’s. to move away from something that was so permanent in your life and mind. “the rain is falling and you’re shattering / until the very last leaf, you you you” the weather references in this verse are fitting for the theme of seasons but they also take control away from the speaker - make reference to the fact that even as they speaker would like to, he cannot control his emotions just like he cannot control the situation and relationship coming to an end. the very last leaf -- he tried to hold on, he waited till the end, but finally the hope is gone. 

the chorus repeats with some additional lines bracketing it by taehyung. ultimately the song leaves us with a feeling of being unsettled as things came to an ended. time passed by and things changed -- and end was inevitable. memories are what is left to hold onto. seasons change, just like we grow up or change. things in our lives will run their course, especially relationships. we learn from them, and even if we don’t want them to -- they leave scars... no matter how much we plead. but the reality is, we can retreat to whatever place in our mind or memory that we need to in order to repair ourselves to try again.

performance: the main video that is available online for autumn leaves is a performance from HYYH on tour. i cannot pinpoint the location of the filming, but it is the same as it was when i saw BTS live in 2016 in macau for HYYH the epilogue on tour. you can find it here: https://www.youtube.com/watch?v=UrM53Y9hHV0&ab_channel=lestwins1524 

the performance is very much understated but beautiful. vocals and raps are delivered with more emotion than was captured in the recorded version. members do not perform any choreographed dances, but lights and graphics highlight each member as they come into focus to deliver their portion of the song. it’s beautiful and it’s just what was needed to portray the emotion and depth of the themes in autumn leaves. 

in my own personal experience, seeing this song performed live was incredibly profound. the entire arena was silent. all eyes on bangtan and listening for each of the incredibly raw verses to be peformed. the crisp emotion laden in the vocal line choruses. the song is beautiful. it’s somber and mature. it exemplifies the drama of the HYYH era -- with lyrical and performance genius that is unparalleled. i’ve uploaded to this post my horrible video but i hope you enjoy ~~

tl;dr: autumn leaves might seem like another breakup song, but there’s more to it. it beautifully emphasizes the power of memory, time passage, and the desire to hold onto past versions of themselves. which for many listeners is far more profound than just a breakup -- there’s so many times when we need to leave behind moments in our lives, friends, family members... and while we want to hold onto something that is familiar, we can’t. they’re leaving, we are moving on... seasons come and go no matter how much we wish they’d just stay constant. dead leaves fall away, even when we’d wish the summer and spring would stay, they can’t. life is cyclical in nature. which harkens us back to the themes in spring day as well. the sun will always come out, the seasons will change... but we have to confront the fact that sometimes we will experience pain, loss, and change. 

[tillidontneedfantasy]

Defined by the Things She Loves: A Track-by-Track Breakdown of Taylor Swift’s 7th Studio Album, ‘Lover.’

Contrary to popular belief and misconception, Taylor Swift has always been more of a lover than a fighter. Yes, she can be a fighter, but only when she feels she has no choice. Often times, the combative side of her is brought out as a means to protect her ability to love. “Combat, I’m ready for combat. I say I don’t want that, but what if I do?” is how Swift opens up the vulnerable fifth track from her new album, Lover, titled “The Archer,” in which she explores her automatic defenses when things go well, because how can they possibly stay that way? This is an incessant fear of Swift’s, as seen through her personal diary entries included in the 4 different deluxe versions of the album. In deluxe album 2, there is an entry from 21-year-old Taylor that says: “This ridiculous thing happens to me when I’m this happy...I start feeling like karma will balance it all out by making something tragic happen.”

She then counters her own negative thinking: “But I’m trying to just show gratitude as much as I can. Every day, every minute. I’m grateful for being happy right this moment.” In the foreword for this album, Swift notes how a majority of these diary entries actually do document her taking a moment to cherish the small joys in her life: “I wrote about tiny details in my life in these diaries from a bygone age with such...wonderment. Intrigue. Romance. I noticed things and decided they were romantic, and so they were.” And not much has changed. Even on reputation (2017), an album that evokes a combative stance, or so it seemed to the naked eye, she still always finds the romance in life. Coincidentally, reputation is an album in which the general public took around 2 years to admit was actually good. In a lot of ways, it felt like the reputation era was deliberate in that sense, as if Taylor only trusted her loyal fans to get what she was trying to say and do, almost not wanting the skeptics and overly zealous critics to see what was underneath the armor. All the reviews of reputation slammed it as an album about her infamous feuds, and although they are of course addressed famously on songs such as “Look What You Made Me Do,” “I Did Something Bad,” and “This Is Why We Can’t Have Nice Things,” and sprinkled a little more here and there throughout, that was more of a distraction to the actual inspiration: love. Almost every other track on reputation explores her anxiety and relief around her newfound relationship at the time with British actor Joe Alwyn. It’s really a love story about finding someone who sees you for who you really are, rather than how the world is painting you.

On Lover, Swift takes command of the paintbrush, trying to get the world to see her the way her “lover” and her fans have the whole time. In “Dancing With Our Hands Tied” from reputation, Swift sings, “deep blue, but you painted me golden.” On “Daylight,” Lover’s closer, she describes love as golden like daylight. “Step into the daylight and let it go,” she almost whispers. She’s shedding her snakeskin, and she is ready for people to see her in all her loving and golden glory.

Swift is a storyteller like no other pop singer this generation, and so it would feel wrong to skip any chapter of this beautiful story. And thus, please join me in the track-by-track breakdown of the triumphant and magical Lover.

01. I FORGOT THAT YOU EXISTED

“How many days did I spend thinking ‘bout how you did me wrong?” she opens the album, seemingly reflecting on the reputation era and image. She revels in the magical feeling of forgetting that someone who wronged you even existed; obviously not forever, but just for even a single moment when you’ve realized, “Ah, I’ve made it to indifference! How wonderful!” She laughs and becomes more playful as the song progresses, showing her relief, although not exactly her freedom. In a recent interview with CBS Sunday morning, Swift asserts, "You know, people go on and on about, like, you have to forgive and forget to move past something. No, you don't. You don't have to forgive and you don't have to forget to move on. You can move on without any of those things happening. You just become indifferent, and then you move on." This sentiment is evident throughout the song, and in the nonchalant way she ends it by going, “so...yeah...” As in, yes the drama has affected me, but I’ve come to terms with it, so let’s move on, shall we? And so, we shall! 

02. CRUEL SUMMER

Sometimes, listening to a song can feel like electrocution. “Cruel Summer” is an immediate shock to the system following the bubbly first track. Suddenly, for 2 minutes and 58 seconds, we’re transported back into the anxiety of reputation, but through a different lens. Chronicling what seems to be a fraught start to her current relationship, Swift seems to be suffocating under her own emotions, trying to play it casual and cool, however against her nature. The production is astounding, and it is one of her most intriguing songs to date. Each lyric can be analyzed again and again from a new perspective, leaving you to wonder more and more. (And what so significant happened at a vending machine that she felt the need to include it in this story?) At the climax of the song, she admits that she can no longer keep her feelings secret, and has to risk telling him how she feels, even if that means losing him. “I scream, ‘for whatever it’s worth, I love you, ain’t that the worst thing you ever heard?’” she shouts in the bridge. Earlier in the track she states that “devils roll the dice,” and after her dicey proclamation of love she tells the audience that “he looks up grinning like a devil,” as if he were to say, “Of course I love you back, I rolled the dice for it to be so, didn’t I?” The entire song can be interpreted in a multitude of ways, but one thing is certain: the summer may have been cruel, but it was all love come the fall.

03. LOVER

The best-received and final pre-release, the title track is an ode to her main muse for this album. “Have I known you 20 seconds or 20 years?” she wonders, before asking to be with her lover forever and ever. She’s felt like she’s known him for almost her whole life, and wants to spend the rest of it with him, too. So much so that the bridge sounds like Swift’s (future? past? are they secretly married?) wedding vows, especially with the play on words for something borrowed and blue. The song even sounds like it’s being played by a wedding band with the use of live instruments. Although it has been pushed as a single and is destined to be a wedding song for many couples to come, I unfortunately cannot see it having the same success as Ed Sheeran’s “Thinking Out Loud” or “Perfect,” despite its superior lyrics and greater emotional depth. And why might that be, you ask? Great segue into the next track... 

04. THE MAN

It’s really a staggering thought experiment to think of how Taylor Swift’s career would be perceived if she was a man. I could write a novel on this, but Taylor did a pretty good job of summing it up in a 3-minute pop song: if she was a man, she’d be THE man. This is without question the truth. The woman has 10 Grammys and countless other accolades, she has written her own music since the beginning of time (her third album, Speak Now [2010], was entirely self-written, no co-writers). Yet she is continually ridiculed and mocked for things for which men are praised. Swift sings the song slickly in her very comfortable alto-range, which feels purposeful. It feels oddly powerful to hear Taylor Swift sing the word “bitch” twice in one song, which not only hearkens back to her defense for the infamous Kimye call, but for a moment really highlights the distinguished usages of the word “bitch,” forcing you to really consider why we let men just get away with it. And yes, the song’s take on misogyny is pretty surface level, but Taylor herself only has to deal with it on such a level, so we have to work with what we’ve got. Either way, I don’t think I’ll ever be over the line, “I’d be just like Leo in Saint-Tropez.” Someone had to say it, and she did!

05. THE ARCHER

The third pre-release from Lover, “The Archer” is a slow-build examination of Swift’s role in her relationships, both with others and herself. We have never seen this side of Taylor, but it feels like we were waiting for it all along, like we needed it. It’s very rare that someone as successful as Swift lays out their deepest flaws and insecurities for the world, other than Lorde on “Liability,” also co-produced and written by Jack Antonoff. “I never grew up, it’s getting so old,” she says, echoing a common criticism of the way she has dealt with feuds or breakups publicly.  “The Archer” is placed at track 5, a track that Swift has historically reserved for the most vulnerable song on the album. The bridge officially earns this spot; it is simple and simultaneously one of her best ever, as she transitions from, “They see right through me” to “Can you see right through me?” and then finally to an agonizing “I see right through me.” Swift’s self-awareness is painfully relatable, as she pleads, “help me hold onto you,” after each pre-chorus as an important reminder that sometimes we need to ask for help in order to grow.

06. I THINK HE KNOWS

It almost feels like whiplash going from the vulnerability of “The Archer” to a song that has the line, “He’s so obsessed with me, and boy, I understand!” But it’s a fun type of whiplash, as if Taylor is saying “wipe your tears and let’s skip down 16th avenue together.” What is admirable about Swift’s craft is that she is able to mature and cover maybe more sexual topics in her music while still keeping it discrete enough for her younger audience. “Where we gonna go? I think he knows,” feels like a wink to the camera (microphone?) moment. And yes, Taylor, we do know. Happy for you, girl.

07. MISS AMERICANA & THE HEARTBREAK PRINCE

Many deemed Lover’s second single, “You Need to Calm Down,” along with its Video of the Year winning music video, which explicitly outlines her support for LGBTQ rights, as an outright opportunistic ploy to win over liberal music consumers rather than a genuine showing of solidarity. The unflashy “Miss Americana & The Heartbreak Prince” proves that Swift means business. The casual listener might not realize the subject matter right away as it masked underneath school tropes and cheerleader chants. Quite effectively, Swift uses high school as a metaphor for the current political state. This song could be better explained through a 7 page MLA formatted essay, but in short, it’d be helpful to take note of Swift’s recent explanation and regret  for her silence during the 2016 election. The lyric “they whisper in the hallway, ‘she’s a bad, bad girl,’” echoes the similarities between Swift and Hillary Clinton that she outlined to Vogue. It is refreshing to hear Taylor write about something perhaps out of her comfort zone with the same eloquence and strength as she would about topics she’s been writing about for years, and her message is clear: she is against the current president and administration, and always has been. “Boys will be boys, then where are the wise men? Darling, I’m scared,” she sings frantically. Me too, Taylor.

08. PAPER RINGS

Quite like “Lover,” this song feels timeless. “Paper Rings” is a series of quips, connecting the moon being high to his friends, her cold wine to her cold shoulder, and feeling blue to the color they painted his brother’s wall. There’s quite a charming sigh after she chants that she will kiss him a third time “’cause you waited your whole life,” and then proceeds to proclaim that she would marry her lover even with paper rings. With the upbeat, musical number like rhythm and the line, “I hate accidents, except when we went from friends to this,” this track is destined to be in romantic comedy films until the end of time, as it should.

09. CORNELIA STREET

Out of all 18 tracks on Lover, “Cornelia Street” is the most reminiscent of Taylor’s staple songwriting, and self-written at that. A beautiful, lengthy retelling of the “sacred new beginnings” of her relationship, the song centers around the street on which she rented an apartment in 2016. She swears if she lost him, she’d never walk the street again. Once again, Taylor masters the ability to make extremely personal details feel completely universal; we all know what it’s like to associate a specific place or time with someone we love or lost, and how that link can never be fully broken. It’s hard to smell the scent of someone you no longer speak to, or hear their favorite song, or walk down the street where you shared something special. On top of the beautiful production, the way Taylor’s voice cracks right before the last chorus when she says, “I’d never walk Cornelia Street again,” is just an immediate tear duct trigger. You need proof that Swift can write on her own? Look no further.

10. DEATH BY A THOUSAND CUTS

Inspired by the Netflix film Someone Great (which was coincidentally inspired by Swift’s “Clean” from 1989 [2014], says writer and director Jennifer Kaytin Robinson), “Death By A Thousand Cuts” explores the pain of separating from someone, not because some tragic event happened that tore you apart, but because you naturally grew away from each other. “Gave you too much but it wasn’t enough / but I’ll be all right, it’s just a thousand cuts,” she tries to say casually. There is a unique mixture of production styles, and an absolutely mesmerizing bit of piano at the end of the hook. The echoing “my, my, my, my” in the beginning makes sense when it returns for the second half of the song, in which Swift lists all of the things taken up by this person. Though we know this song is not from personal experience, it shows that she can still write one hell of a breakup song.

11. LONDON BOY

A catchy, upbeat song filled with totally cliche tropes of London men, including British vernacular such as “I fancy you!” While some people are taking the song a bit too seriously, it is a fun track that shows just how head-over-heels she truly is with Joe Alwyn, as she giddily describes herself as a child when their eyes meet. “They say home is where the heart is, but that’s not where mine lives,” she croons. Although the meaning of the saying “home is where the heart is” would point to the fact that her home would actually be in London with her lover rather than where she’s from, it’s still a cute twist on the phrase. 

12. SOON YOU’LL GET BETTER featuring The Dixie Chicks

Probably the saddest song Taylor has ever written, “Soon You’ll Get Better” is a mantra to her mother, Andrea, during her cancer relapse. (The Dixie Chicks, Andrea’s favorite artist, lend their beautiful harmonies). However, it is also a mantra to herself to get through the impossible. “Desperate people find faith, so now I pray to Jesus too,” “I know delusion when I see it in the mirror,” and “I just pretend it isn’t real” painfully show how Taylor is dealing with it. But she’s willing to go to any lengths for her mom as she sings, “I’ll paint the kitchen neon, I’ll brighten up the sky / I know I’ll never get it, there’s not a day that I won’t try.” One of the most heartbreaking moments comes in the bridge with the lyric “I hate to make this all about me, but who am I supposed to talk to?” She has said multiple times that she does not think she’ll ever perform the song live and that she cannot even listen to it. Anyone going through a similar situation can understand; it’s a very difficult song to get through without crying. And although the pain Taylor and her family must be going through is unimaginable, there is extreme bravery in sharing such a personal account that is also, unfortunately, a universal experience.

13. FALSE GOD

“False God” is a sultry and confident song about convincing herself and her partner that they can still make their relationship work despite all of the breaking points they’ve reached. “I’m New York City, I still do it for you, babe,” she states, reassuring the both of them that she shines like the brightest city in the world, and there’s no way he’s going to let that go...right? The track is elevated to another level by the saxophone in the chorus, and the way she almost trips over her words, somewhat offbeat with the track in the pre-chorus when she says, “They all warned us about times like this / they say the road gets hard and you get lost when you’re led by blind faith” feels like she’s guiding the listener through the uncertainty and desperation behind blind faith too.

14. YOU NEED TO CALM DOWN

Lover’s second single, “You Need to Calm Down,” is a song about dealing with people who just can’t mind their damn business, divided into three parts: the online bullying Taylor has received, the homophobia displayed outside of her concerts by Westboro Baptist protesters, and the constant comparisons between and competition projected onto different female artists. With its release during Pride month and an array of LGBTQ celebrities in the music video, casual listeners were extremely skeptical of Swift’s intentions, feeling as if she is only showing support for the LGBTQ community now because she thinks it will help advance her career. This judgment is misplaced for two reasons: 1) Swift started off in country music, and so the majority of her fanbase are from red states, so she has much more to lose than to gain, 2) clearly these people have not been paying attention; not only has Swift shown her support to the community in various ways throughout the years, but this is already her second time showing it through music, as she celebrates “you can want who you want, boys and boys and girls and girls” in 1989′s opening track, “Welcome to New York.” Again, she wants to show that she values love- all types of love- above all. Was Swift’s execution perfect? No. Were her intentions in the right place? Yes. Everyone’s been crying for Swift to be more outspoken, and she’s doing her best. And she has been continually showing avid support for The Equality Act, as she started a petition which she asks people to sign at the end of the video. And although I am straight and cisgender and thus everything I just said isn’t actually important, and what really matters is what her fans in the LGBTQ community have to say, I have seen many of them express feeling really seen by their favorite pop star because of this song, and isn’t that the most important part of it all? Taylor can definitely do more and do better, but it’s a genuine start.

15. AFTERGLOW

It’s been years of pleading...years of completely original outcries...”Write a song called ‘Maybe I’m The Problem’!’” Well, maybe she didn’t make that the title, but “Afterglow” is the closest thing we’re going to get. “Hey, it’s all me, in my head / I’m the one who burned us down, but it’s not what I meant / Sorry that I hurt you,” she apologizes, taking complete ownership for a blowout. “Fighting with a true love is boxing with no gloves,” she observes, as when you hurt someone you love so much you are also hurting yourself. Then she turns the fight on its head, making it for one another instead of with one another: “This ultraviolet morning light below tells me this love is worth the fight.” Lover is such an interesting album from Taylor Swift because we get to see the sides of her in love we haven’t before, and in “Afterglow” she shows us all sides: combative, overdramatic, reflective, apologetic, and reparative. So maybe it’s time to retire the joke, kids.

16. ME! featuring Brendon Urie

I don’t care what anyone says: spelling IS fun. And it’s truly tragic (yes, tragic) that Swift decided to remove such a bold assertion from the lead single, “ME!” right before the album’s release. When it comes to Swift, it seems like her critics are constantly waiting for her downfall, which in some way admits that they know she’s good. But what they fail to comprehend is that a songwriter can write serious, profound songs as well as songs that are just for a laugh or to make them feel good. Anytime Swift engages in the latter, it’s responded with aggressive amounts of “Taylor Swift sucks! This song is horrible!” And then when the full album comes out, they sigh, “Damn it, she doesn’t actually suck- just that one song does,” and await the next album cycle for her to prove them wrong again. It seems like Swift is the only one of her contemporaries to receive this treatment. (I wonder why? See: “The Man.”) Was “ME!” a great single choice? Not really. Is it one of the weakest songs on the album overall? Unfortunately, yes. But within the context of the album, following songs like “False God” and “Afterglow,” she’s trying to say, “Yeah, I’ve messed up, but I clean up my messes, and what we have is special because we are both individually special.” That’s a great message! Just because something might appeal to children doesn’t inherently make it childish. And you know what? You literally cannot spell ‘awesome’ without ‘me.’ (And by the way, Brendon Urie is actually the one who wrote the bridge, but alas, no one cares. I repeat, see: “The Man.”) Either way, the overwhelming ridicule over the lyric “spelling is fun” as if the girl was truly serious rather than just trying to be silly was simply ridiculous. I wish Taylor could have just let the haters hate and instead just shake shake shake, but she succumbed to their criticism. RIP spelling is fun, I still have you on the original copy of the single I bought on iTunes and will cherish you forever. 

17. IT’S NICE TO HAVE A FRIEND

The shortest track on the album and the most hauntingly beautiful, “It’s Nice To Have A Friend” features a sample from students of Regent Park School of Music in Toronto. How fitting too, as it tells a tale of childhood love. Swift starts off the first verse by gently singing, “School bell rings, walk me home / sidewalk chalk covered in snow,” and then begins the final verse with, “Church bells ring, carry me home / rice on the ground, looks like snow.” The parallel between these verses highlights that at the end of the day, eternal love is really all about forever friendship, in all its forms.

18. DAYLIGHT

“Real love shines golden like starlight, and doesn’t fade or spontaneously combust. Maybe I’ll write a whole album about that kind of love if I ever find it,” Swift wrote in the prologue of the Red (2012) lyric booklet. Well, she did find it, as is evident throughout the entire album. But it’s stronger than starlight: “I once believed love would be burning red, but it’s golden like daylight,” she sings on the final track of this album. In a perfect closing, Swift describes this love as the light at the end of a “twenty-year dark night.” Now that she has this love, she doesn’t want to look at anything else; she just wants to soak it all in. “Daylight” is hope; it is the message that things always get lighter eventually as long as you let love in. That love can be from anywhere: a parent, a friend, a lover, a song, an album, an inspiration. But you have to let go of the darkness, even when it's all you’ve known for so long, in order to embrace the new. Taylor did that, and we can all follow the daylight she now emits as our guide. 

“I want to be defined by the things that I love,” she declares in a spoken ending. And I believe that this celebration of love through Lover will not only define her professional career, but also her personal legacy.

DISCLAIMER - REVIEWER’S BIAS: Taylor Swift is THE songwriter of our generation. This isn’t bias this is just a fact. Why Are You Booing Me I’m Right dot jpeg.

[insomnihan]

han’s Entire Thoughts and Feelings on Dreamcatcher’s “Scream”

ITS FUCKING HERE!!!!!!!!!!!!!!!!!!!!! LIKE THIS IS ON GOD HAPPENING I HAVENT BEEN ABLE TO RELAX I CANNOT LET THIS WAIT ANY LONGER LETS GET IT!!!!!!!!!!!!!!!!!!!!

there are no read mores here so ¯\_(ツ)_/¯

ALRIGHT SO-

THE SONG THIS F UCKING SONG WHERE👏DO👏I👏START 👏 I KNEW RIGHT WHEN I WENT ON TO LISTEN TO THE GODDAMN LYRIC SPOILER bc im an impatient little bich THIS WAS GONNA KICK MY SHINS KNEE ME IN THE NOSE AND OWN. ME. i forgot which moot i said this to but i said they should try putting their rock/metal sound with an edm kind of sound anD HERE WE ARE!!!!!!!!!!!!!!!!!! IT SOUNDS SO GOOD!!!!!!!!!!!!! this got my heart racing quick as hell even during the slower parts????????? im sorry to the beginning parts, jiu, and the bridge i cant RELAX™

CRITICISM???????? I DUNNO THAT BI TCH™

(i wont tag every part they have ill just describe some of them lmao)

JIU JIU JIU JIU JIU JIU JIU JIU JIU JIU!!!!!!!!!!!!!!!!!!!!!!!!! MISS KIM MINJI YOU!!!!!!!!!!!!!!!!!!!! this, this, THIS AND THIS G O D her voice is just so perfect to start the song to ease you into this BOP™ and then her voice for those pre-chorus parts to ready you ONCE AGAIN for that chorus BUT YET its still hype as hell bc you K N O W what shes leading you into her voice is LIKE FEATHERS AND CLOUDS dont ask

yoohyeon i swear to god- her voice........................... i cannot begin.............. to even describe how nice it is.................... I DUNNO HOW SERIOUSLY like it just has that tone and power where its not very high nor very low and its just.................. lord......... going right after jiu for this it was just so UUUUUUUUUUUUUUGH- pls i CANNOT with these parts and then still being a part of the choruses MA’AM WHY DOES YOUR VOICE JUST HITS THE SPOT HUH-

sua ALSO HAS A VOICE I JUST CANNOT DESCRIBE it just has this like..................... its unique and very alluring???????? i feel like i HAVE TO SAY THIS but her voice is as sexy as she is i- putting her right after jiu and yoohyeon at the beginning HOO and then this after gahyeon and damis fire and then shes also in the CHORUS TOO AND SHE ADDS MORE STRENGTH IN HER VOICE HELLO

SIYEON I HAVE TO SAY THIS AGAIN I WOULD LISTEN TO YOUR VOICE FOREVER IF I COULD her voice is just meant to do this kind of genre i swear to GOD like THIS????????? THIS x2??????????? BICTH THIS?????????????? she just sings so effortlessly and the emotion she puts like YOU CAN FEEL THAT S HIT especially in the bridge YEESH listening now it mellowed me out for like two (2) seconds before i went feral again

PIRI GAHYEON WALKED SO SCREAM GAHYEON COULD SPRINT pls i listened to this part and i was like ‘oH OKAY SING GO AHEAD’ oh no. nononononono NECK PLOT TWIST: SHES A RAPPER AGAIN BICTH THIS RIGHT HERE THATS HOW YOU GIVE WHIPLASH- AND THIS S HIT OOF THAT HIT- her voice is a lot deeper than we think LIKE her range is actually pretty big and we LOVE to hear it

dami..................................... what the f uck- FIRST OF ALL this was Too Much already on first listen and then your rap verse DO YALL HEAR HER PASSION??????? BC I HEAR IT DONT GET ME STARTED ON THIS PART WOO!!!!! LISTEN THAT HAD ME HOPPING AND JUMPING IN MY BED ON GOD- i swear pls stop saying this han come on she has one of the most (if not THE MOST) recognizable voices EVER???????? 

OOOOOOOOOOOOOOOOOH MY GOOOOOOOOOOOOOD!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! THE DANCE FOR THIS SONG HAS GOT TO BE THE TOUGHEST CHOREO FOR THEM YET IVE SCREAMED ENOUGH ABOUT THE MASKED DANCER HOLDING HANDONGS SPOT UNTIL SHE GETS BACK AND HOW THEY HAVE GODDAMN BACKUP DANCERS LITERALLY THIS DANCE HAS SO MUCH POWER™ AND ITS SO HIGH ENERGY WHO THE FUC K IS DOING IT LIKE THEM

(i will be using the suit dance video for this portion)

JIU BEING LIFTED AT THE BEGINNING

THE CHORUS DANCES ARE YOU KIDDING ME- these parts.......................... oh s hit- and theN THE ENTIRE LAST ONE LIKE THAT ONE HITS AND MAKES YOU ITS BI-

literally both damis and gahyeons ‘devil. eyes. come.’ ESPECIALLY GAHYEONS when everyone is pointing at her (with this 🤘) thats Art™ right there

GAHYEONS RAP PART the usage of masks.................................. the symmetrical movement......................... Art™ part 2

these dances for sua and siyeons parts after the raps................... especially on the floor................ oh no- also i have to say siyeon lands on her knees really hard for that part i hope shes okay

jiu dancing by herself that is all

siyeon being Sexie™ that is all

dami stealing my heart and stomping on it that is all

ending pose with this 🤘 THE ICONIC™ AND LEGENDARY™ JUMPED OUT

THE VISUALS listen....................... LISTEN............................ LISTEN..................... L I S T E N- OKAY like my last two dreamcatcher thoughts and feelings (which if you wanna read: here and here) ill just show the scenes that i really liked (trust me it was REALLY hard to choose i might as well just put the mv again) and how i felt looking at them

............................................................................... oh f UCK-

ma’am whatever this is can you destroy me with it im ready-

OH S HIT

FOR THE WLW

but seriously whoever gave this woman a sword knows what the somnies like and wanna see and yes i too wanna get sliced the fuc k up

every time i see this i make like this songs title name and S C R E A M

i have no crazy special reason as to why i put her here other than i d worded when i saw her

GAHYEON NOOOOOOOOOOOOOOOO!!!!!!!!!!!!!!!

this has to be one of the coolest things ive ever seen like on god this is so Pleasing to My Eyes like what the f kcu im like this A LOT

b ru H this part........................ theyre all doing this 🤘 at her.................... waht does it mean................... what doES IT MEAN

UUUUUUUUUUUUUUUUUUUUUUUUUUUUUH BICTH MXCUSE ME WHAT THE FKUC DOES THIS MEAN!!!!!!!!!!!!!!!!!!!!!

ooooooooooooooooooh mmmmmmmyyyyyyYYYYYYYYYY GOOOOOOOOOOOOOOOOOOOOD!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

also some bonus gahyeon screenshots its what she deserves after spinning my head 360 degrees <3 (also i didnt notice that both did the sign love this for her)

T H E M

WELL WELL WELL STILL AS BEAUTIFUL AS EVER I SEE- HERE TO TELL ME THAT YOU ALL STILL HOLD THE TITLE OF BEING THE MOST BEAUTIFUL WOMEN IN THE WORLD LITERALLY WHAT CAN I SAY????????????? I ALREADY BE YELLING HERE THAT THEYRE FRICKIN BEAUTIFUL AND STUNNING AS ALL HELL BUT IMMA KEEP SAYING IT AND YOURE NOT GONNA STOP ME

THE BLACK DANCE OUTFITS........................ THE WHITE DANCE OUTFITS........................... G OD

NO COMPLAINTS LETS MOVE ON:

JIU

her purple hair already hurted me and shes beautiful enough but in this video when she iS LITERALLY THE VERY FIRST MEMBER YOU SEE WHY WOULD YOU DO THAT WHEN YOU KNOW HOW I FEEL- pls i love lace................... her white outfit got chains on it................... and OH BICTH THE BLACK OUTFIT SHOWS HER BACK IM FERAL

SUA

MISS I SWEAR TO GOD!!!!!!!!!!!!!!!!!!!! I MUST ADDRESS THE OUTFIT WITH THE SWORD FIRST OKAY MA’AM LOOKING LIKE A WHOLE GODDESS WARRIOR READY TO SLICE BICTHES UP FOR TALKING S HIT LIKE ON SOME ‘YES IM FROM THEMYSCIRA’ VIBES AND DONT GET ME STARTED ON HER BLACK OUTFIT WITH HER BABS (BORA ABS) OUT

SIYEON

can you pls stop being beautiful for one (1) second can yoU PLS- i saw this shot in the mv and i think i fell in l*ve with her......................... as if i wasnt already shes as stunning as ever i cant stand her the black outfit with her long ass high pony tail witH THE GLOVES HELLO and that one look with the flowers or something on her head covering her eye.......... wow..........................

YOOHYEON

GIRL I GET IT YOURE SO PRETTY I UNDERSTAND!!!!!!!!!!!! this look in this specific photo with this dress and the braid uuuuuuuuuuuhhhhh Ma’am youre a goddess I Am Looking 👁👄👁 her white outfit with the pony tail and those straps around her torso oh god and then her black outfit seems simple until you realize it shows a little of her sides pls stop im a weak man i-

DAMI

HELLO MISS LEE YUBIN I SEE YOU DECIDED TO GO ‘F UCK YALL LIVES’ AND BE HOT™ HUH- tbh not even mad at her yullet (yubin mullet) but shes dami she can work MANY LOOKS™ her black and white scene during her rap like thats a Look™ that attacked me and like yoohyeons black outfit hers looks like nothing special until you realize her sides are also out........... oh no-

GAHYEON

GAHYEON THE WOMAN THAT YOU ARE!!!!!!!!!!! this is HER ERA NO I WILL NOT LISTEN YOU CANNOT CHANGE MY MIND- i wasnt expecting her to attack me as much as she did its that GODDAMN pink outfit from the l ver. of the teasers i sHOULDVE KNOWN!!!!!!! her black outfit is like suas does she have gabs (gahyeon abs) OH NO LORD PLS- SHES BIG BEAUTIFUL™!!!!!!!!!!!!

BONUS TIME: B-SIDE TRACKS (short thoughts and parts i liked) had to go and use the color coded lyrics to make sure to not mistake the members and appreciate them fake ass fan i have a hard time telling who is who sometimes pls dont roast me ill do better next time

Intro

OKAY LISTEN- this intro be hitting a little different compared to their last intros maybe its just me but i feel as tho it COULD go just a little harder yknow???? tho ofc im love it still but ANYWAY-

Tension

now this........................ this is beautiful so this was apparently was supposed to be called goodnight????? and changed the lyrics?????? so............... they were hiding this Bop™................ for a few years????? did i read that right?????? LITERALLY A SLAP™ IT IS HEADBANG MATERIAL the fkcuing drums oh pls- THE CHORUS SOMEONE TALK TO ME ITS ADDICTING i............... LOVE jius voice on this song in particular that slower part i dunno why she just got me i- those parts sua and siyeon do before that ‘break the wall’ part i dunno their kinda lower voices theyre making me feel Things™

Red Sun

SOUNDCLOUD RAPPER DAMI RISE-

okay seriously WHAT THE FKCU- IT GRABBED MY NECK DURING THE HIGHLIGHT MEDLEY something about those bells or whatever throughout this song just hurted me so much ‘red sun’ just....................... gets in your brain and im okay with that!!!!!!!!!!! like its true that the beginning part is so intriguing and lowkey hypnotizing WOW and then their voices sound kinda breathy be hitting a little different MISS LEE GAHYEON ON THIS.................. MA’AM-

Black Or White

the guitar the fkycing guitaR CAN WE PLS TALK ABOUT THE GUITAR AND THE BASS FOR A SECOND???????? HELLO??????? THE CRUNCHINESS™ and then dami in the middle (not @ me for thinking she cursed in this song 🤡)  S HU T- AND HELLO JIU SIYEON AND DAMI ALL TOOK PART IN WRITING THESE LYRICS BICTH IM YELLING- THAT BLACK OR WHITE IN THE CHORUS SIYEON SINGS IS STUCK IN MY HEAD HELP ME jk im okay with it being there yoohyeon jiu and gahyeon during those pre-chorus parts......................... good christ............

Jazz Bar

pls stop flirting with me.................................. DAMI ESPECIALLY LISTEN- I HAD TO LOOK UP THE LYRICS WITH THE COLOR CODE TO MAKE SURE MY EARS WERENT MESSING WITH ME LEE YUBIN I WILL FALL IN L*VE WITH YOU S T O P THE F CKUING BRIDGE- dami sitting on a piano during that part................ Thinking™ jiu sua and yoohyeon oh pls they sound so good and pleasant to the ears................. it feels like im in a jazzy cafe during the evening and its raining outside im drinking a latte with a cream heart design inside and im wearing a scarf- ALSO JIU SIYEON YOOHYEON AND DAMI TOOK PART IN WRITING THIS TOO BICTH!!!!!!!!!! dami saying this was one of her favorites Y E A H

SAHARA

HERE WE HAVE THE SONG WE MEMED BEFORE WE GOT IT but like that ‘SA HA RA~ RA RA RA~’ part is SUPER CATCHY siyeon and gahyeon and sua holy damn i- siyeon during the second verse AND HER HIGH NOTE ma’am im love you- also SOUNDCLOUD RAPPER DAMI RISE 2.0 i dunno what it is with dami with her raps being like this but im not even mad????????? i feel like thats an unpopular opinion something about that instrumental that guitar is hitting a part of my heart that i wanna hear it and then those drums it sounds SO COOL

In the Frozen

HERES ANOTHER FKCUING BANGER THAT GRABBED MY NECK AND WOULDNT LET. GO. like i literally fell off my GODDAMN BED HEARING THIS S HIT GOT MY HEART PUMPING AND S HIT its that flower line whatever it is that siyeon yoohyeon and sua do GOOD LORD and then dami???????? miss?????????? THE ENDING PORTION OH LISTEN- WHATEVER IS GOING ON WITH THE INSTRUMENTAL HOLY SH IT AND DAMI SAYING ‘LIMIT NO MORE’ AND ALL IT REALLY DIDNT HAVE TO GO THAT HARD F U C K-

새벽 (Daybreak)

now this is a song that could heal souls- its not super slow like a ballad but it has like a lowkey jazz lo-fi (???) feel to it and their vocals are super gentle and smooth are these angels- i dunno what it is about all these songs and the second verses like this one is good too??????? especially yoohyeon U H i felt that in mY BONES i can definitely see this song as one i would go to when i wanna relax to or even fall asleep to bc its so soothing

Outro

THIS HITS REALLY DIFFERENT AND I LIKE IT I DUNNO WHAT IT IS IT JUST FEELS NICE IN MY EARS

LIKE i was expecting this album to be SUPER INCREDIBLE COME ON ITS DREAMCATCHER YKNOW but i didnt think itd be THIS incredible this group is just so full of surprises and are just the MOST HIDDEN GEMS its unfortunate they really arent very known trying to be a little critical ofc there are SOME things that could be different theres nothing absolutely and truly perfect ever- personally i am IN LOVE with this album theyve topped themselves from their last comeback which like HOLY S HIT however will this be the comeback that will get them their first win? ..................... to be honest its hard to tell i was so hopeful last comeback and yknow stuff happened OFC I DO HOPE AND WISH THEYLL WIN but whats most important (at least to me) is that i enjoy their music and enjoy all the content they give and appreciate their work and their voices

IN CONCLUSION: PLEASE YALL ALWAYS MAKE ME SCREAM!!!!!!!!!!!!!!!!!

and like before i must bring this back:

[aion-rsa]

Hamilton: Ranking Every Song from the Soundtrack

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Imagine the experience of being one of the first individuals to see Lin-Manuel Miranda’s now-classic Hamilton: An American Musical live. 

The first thing you notice is the spartan, largely empty stage. Then as Leslie Odom Jr. takes the stage as Aaron Burr followed by Miranda’s Hamilton, you realize that this production about America’s founding fathers is made up almost exclusively of People of Color. That’s a lot to take in from the start. At a certain point, however, you’re bound to realize that the play is about 40 minutes in and The. Music. Has. Not. Stopped. 

In addition to its many ingenious quirks and hooks, Hamilton is truly a musical musical. Miranda’s book and lyrics about one of the country’s most colorful and impressive founders has a lot of ground to cover. And it does so at a musical sprint with almost no expository time-wasting in-between.

As such, the Hamilton soundtrack is a staggeringly impressive piece of recent culture. At 46 tracks spread out over nearly two and a half hours, this album closely replicates the experience of a show most could never get a ticket to live. A passionate, thriving Hamilton fandom rose up out of that soundtrack and it continues through to this day.

Now, with Hamilton about to be more accessible than ever by joining Disney+, we decided to rank all 46 of those tracks.

46. Hurricane

The hurricane that ravaged Alexander Hamilton’s Caribbean island home of St. Croix was a crucial part of his life and led to him securing passage to the United States. But the song “Hurricane” uses the storm late in the play as a tortured metaphor for his turbulent public life. It’s undoubtedly the least energetic and weakest full song on the Hamilton soundtrack.

45. Farmer Refuted

“Farmer Refuted” does well to capture a young Hamilton’s rhetorical brilliance early on in the play but doesn’t hold up well against other, more fully crafted tunes. Hercules Mulligan mumbling “tear this dude apart” is certainly a soundtrack highlight though. 

44. The Story of Tonight (Reprise)

What would any Broadway musical soundtrack be without a reprise or two? “The Story of Tonight (Reprise)” is certainly fun. But, ultimately, tales of Hamilton’s legendary horniness would have been better suited with a full song. 

43. Schuyler Defeated

Just about every line of dialogue in Hamilton is sung… including heavily expository moments like Burr defeating Hamilton’s father-in-law in a local election. The subject matter and lack of true musical gusto makes “Schuyler Defeated” one of the least essential tracks in the show.

42. We Know

It’s a testament to how strong the Hamilton soundtrack is that a song like “We Know” could appear this low on the list. This account of Jefferson and company informing Hamilton of what they know is quite good; it just pales in comparison to the song in which they uncover Hamilton’s misdeeds. 

41. It’s Quiet Uptown

This is sure to be a controversial spot on the list for this much-loved ballad. “It’s Quiet Uptown” is indeed composed quite beautifully. It also features lyrics that seem to be almost impatient in nature – as though the song is trying to rush the Hamiltons through the grieving process to get back on with the show. 

40. Take a Break

Part of the miracle of Hamilton is how the soundtrack is able to turn rather mundane concepts and events in Hamilton’s life into rousing, larger-than-life musical numbers. “Take a Break” is charged with dramatizing the notion that Hamilton simply works too much with a sweetly melancholic melody. It does quite a good job in this regard but naturally can’t compete with some of the more bombastic songs on the list. 

39. Stay Alive

Set in the brutal dredge of the Revolutionary War, “Stay Alive” is a song about desperation. And between its urgent piano rhythm and panicky Miranda vocals, it does quite a good job of capturing the appropriate mood. It also feels like one long middle with no compelling introduction or conclusion. 

38. Best of Wives and Best of Women

Talk about “the calm before the storm.” “Best of Wives and Best of Women” captures one last quiet moment between Alexander and Eliza before Aaron Burr canonizes his one-time friend to the $10 bill. It’s brief, lovely, and effective. 

37. The Adams Administration

Hamilton wisely surmises that the best way to introduce audiences to new eras of its title character’s life story is through the narration of the man who killed him in Aaron Burr (Leslie Odom Jr.). Odom Jr.’s real flare for showmanship turns what could be throw-away intros into truly excellent material. It also features a hilarious nod to Sherman Edwards’ 1776 musical when Hamilton says, “Sit down, John” and then adds a colorful, “you fat motherf***er!”

36. A Winter’s Ball

Again: Burr’s monologues are always a welcome presence in these tracks. And in “A Winter’s Ball,” he does some of his best work by setting up Burr and Hamilton’s prowess… “with the ladiessssss!”

35. Meet Me Inside

Despite a brief running time, “Meet Me Inside” is able to establish George Washington’s general bona fides and Hamilton’s daddy issues in equal measure. 

34. Your Obedient Servant

“Your Obedient Servant” is Hamilton’s loving ode to passive aggression. In just two minutes and thirty seconds, you’ll believe that two grown men could somehow neg themselves into a duel via letter-writing. 

33. The Reynolds Pamphlet

You know that old adage of “he could read out of a phonebook and it would be interesting?” Well Hamilton basically does that with “The Reynolds Pamphlet.” The ominous music injects real import into the simple act of writing that would upend the Hamilton family’s lives. 

32. That Would Be Enough

Eliza’s refrain of “look around, look around at how lucky we are to be alive right now” recurs at the beginning of “That Would Be Enough” in a truly touching way. This song is a real tonal whiplash from the revolutionary battles and duels that precede it, but it is ultimately strong enough to bring the focus back to Alexander and Eliza and not just the hectic world they inhabit. 

31. The Story of Tonight

“The Story of Tonight” is both a clever drinking song among bros and a subtle setup for the show’s larger theme of one’s story being told after they’re gone. The song is both affecting and effective, just a little too short to stand out and make big waves on our list. 

30. Blow Us All Away

“Blow Us All Away” is a fun, jaunty little ditty from Anthony Ramos’ Philip Hamilton. It rather ingeniously incorporates the young Philip’s own musical motif before ending in tragedy. 

29. Stay Alive (Reprise)

It’s hard for any song to emotionally contend with the death of a child in under two minutes but “Stay Alive (Reprise)” does a shockingly good job. There’s a real sense of urgency to the music before it settles in for poor Philip to say his final words. 

28. Burn

Musically, “Burn” is not one of the better ballads in Hamilton. Lyrically, however, its power is hard to deny. Phillipa Soo does a remarkable job communicating Eliza’s pain at her husband’s betrayal. More impressive is how she communicates the only way to work through that pain, which is through burning all of his personal correspondences and writings to her. 

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27. The Election of 1800

Hamilton is the rare musical where one character can sing “can we get back to politics please?” and the audience’s response is “hell yeah!”. The show is uncommonly good at dramatizing boring political processes, and “The Election of 1800” is no exception. The song builds up to a pseudo-reprisal of “Washington on Your Side” in a shockingly effective and cathartic way. 

26. History Has Its Eyes on You

“History Has Its Eyes on You” is a powerful recurring phrase through the entirety of Hamilton. Each and every time the concept comes up in a song, it truly stands out. Strangely though, the song that bears its name is only in the middle of the pack in terms of the show’s numbers. Perhaps it’s because it occurs near the middle of the first act, before we can properly appreciate its heady themes? 

25. Aaron Burr, Sir

One of Hamilton’s most charming traits is how readily it acknowledges what an annoying pain in the ass its lead character can be at times. “Aaron Burr, Sir” is literally the second song of the entire musical and helps establish its playful tone as much as the bombastic opening number establishes a deadly serious one. 

24. Guns and Ships

Ballads are nice. “I want” songs are nice. Recurring motifs are nice. But sometimes you need a song that just goes hard. Thanks to “America’s favorite fighting Frenchman” that’s what “Guns and Ships” delivers. Lafayette actor Daveed Diggs faces an enormous challenge in Act One by filling out the character’s growth in bits and pieces. “Guns and Ships” is the reward, where a fully unleashed (and English-fluent) Lafayette makes it very clear what hell he has in store for the British army. 

23. Washington on Your Side

Thomas Jefferson is such a dynamo of a presence in Hamilton that one could be forgiven for forgetting how infrequently he turns up. Jefferson (and Daveed Diggs) is operating at an absurdly high capacity in “Washington on Your Side.” Meanwhile the music has a ball keeping up with the increasingly incensed backroom scheming of Jefferson and his “Southern motherfucking Democratic-Republicans!”

22. Right Hand Man

Thirty-two thousand troops in New York Harbor. That’s uh… that’s a lot. While the second act of Hamilton has to work a little harder to capture the drama of the inner-workings of a fledgling government, the first act is able to absolutely breeze through some truly epic and exciting songs covering the Revolutionary War. “Right Hand Man” is one such ditty that really captures the frenetic urgency of a bunch of up-jumped wannabe philosophers trying to topple the world’s most powerful empire. 

21. The Schuyler Sisters

Honestly, “The Schuyler Sisters” deserve better than its placement on this list. It’s just that everything that comes after is such a banger, that it’s hard to justify moving up the dynamic introduction of Angelicaaaa, Elizzzaaaaa… and Peggy.

20. Ten Duel Commandments

Imagine how insane you would sound in circa 1998 explaining that there would one day be a musical about the founding fathers that uses the framework of Notorious B.I.G.’s “Ten Crack Commandments” to describe the duel between Aaron Burr and Alexander Hamilton. Then imagine how insane you would sound when explaining that it was great. “Ten Duel Commandments” doesn’t cover the “big” duel of Hamilton. It’s a teaser for what’s to come. Thankfully it’s a hell of a good teaser. 

19. Cabinet Battle #2

Hamilton’s two cabinet battles run the risk of being the cringiest part of the show. Every concept has its stylistic limit, and a rap battle between Alexander Hamilton and Thomas Jefferson should absolutely fly past that limit. Somehow, however, the novelty works and the creativity of Miranda’s writing shines through. 

18. Cabinet Battle #1

The two Cabinet Battles are pretty interchangeable on the list. #1 gets the nod because of “we know who’s really doing the planting.”

17. What Comes Next

The trilogy of King George III songs is some of the most purely joyful songwriting on the Hamilton soundtrack. We can dive into the specifics of what really works about the songs in a later entry. For now, know that “What Comes Next” falls the lowest on our list due to featuring only one round of “da-da-da’s.”

16. I Know Him

“I Know Him” also features only one burst of “da-da-da’s.” But it still gets the nod over “What Comes Next” for King George III calling John Adams “that little guy who spoke to me.” 

15. Dear Theodosia

Perhaps more so than any other character in Hamilton, Aaron Burr works best on his own. The character (and the man he was based on) plays things close to the vest by design. It’s only through his musical soliloquies that we get a real sense of the guy. That’s what makes “Dear Theodosia” so powerful in particular. Burr wants the same thing for his daughter that Hamilton wants for his son: “Some day you’ll blow us all away.”

14. One Last Time

George Washington owned slaves. Yeah yeah, you can bandy around the usual “bUt He ReLeAsEd ThEm AlL lAtEr In LiFe” all you want. At the end of the day, it’s an inescapable fact for the country to confront. It’s a hard thing for Hamilton, however,  a show realistic about America’s flaws but still reverential to its founding story, to deal with. Hamilton presents the George Washington of American mythos for the most part and he strikes an undeniably impressive and imposing figure. To that end, “One Last Time” is one of the most unexpectedly moving songs in the show. Washington is committing one of the most important and selfless acts in American history by stepping aside. Yet there’s a real sense of sadness as the cast chants “George Washington’s going hooo-ooo-ooome.”

13. Non-Stop

“Non-Stop” is an extremely atypical choice for an Act-ender. Hamilton could have just as easily chosen to wrap up Act One with the rebels’ victory over Great Britain. Instead it takes a moment to process that then deftly sets up the rest of its story with “Non-Stop,” which is simply a song about Hamilton’s insane work ethic. The key to the track’s success is how relentless it is, as if it were trying to keep up with and mimic the title character’s pace. Then there are all the usual exciting Act-ending reprisals and recurring motifs to boot. 

12. Say No To This

Just as was the case in Hamilton’s life, Maria Reynolds has only a brief role in the show, but her influence casts quite a long shadow. “Say No To This” is a real showcase for both Miranda and Maria actress Jasmine Cephas Jones. This is a devastatingly catchy jazzy number about marital infidelity…. as all songs about marital infidelity should be. 

11. Alexander Hamilton

“How does a bastard, orphan, son of a whore / And a Scotsman, dropped in the middle of a forgotten spot / In the Caribbean by providence impoverished / In squalor, grow up to be a hero and a scholar?” our narrator Aaron Burr asks in Hamilton’s superb opening number. A play with so many moving parts, and such a high-concept needs an indelible opening track to convince audiences that the madness that is about to follow is worth waiting for. “Alexander Hamilton” is more than up to the task. This is an exhilarating starter that introduces its audience to all the important characters, themes, and sounds of the show. It also has its lead character spell out his full name in a rap, which somehow ends up being awesome and endearing rather than corny. 

10. Wait for It

Just like the rest of us, Burr is the main character of his own story. And the show allows him to tell that story in songs like “Wait For It.” “Wait For It” is an exciting, downright explosive bit of songwriting. It’s every bit the “I want” song for Burr that “My Shot” is to Hamilton. And just like Burr and Hamilton are two sides of the same coin, so too are these two songs. Burr is alone once again in this powerful number. And he uses that privacy as an excuse to loudly… LOUDLY exclaim his modus operandi. He comes from a similar background as Hamilton and he wants mostly the same things as Hamilton. The difference between the two of them is that Burr is willing to wait for it all.

9.  The Room Where it Happens

Bless this musical for having a song as brilliant  as “The Room Where it Happens” only just being able to crack the top 10. There are hundreds of musicals in which “The Room Where it Happens” would be far and away the standout number. For Hamilton, it’s ninth. “The Room Where It Happens” is another example of the show taking a seemingly bland topic (backroom deal-making) and turning it into something transcendently entertaining for its audience and something transcendently illustrative for its characters. This is the song where the borders between Aaron Burr: Narrator and Aaron Burr: Vengeance-Seeker come down.  Burr starts off as a patient observer of what kind of nefarious negotiations go into the building of a country before his frustration slowly builds into the recognition that he needs to be in the room where it happens. 

8. Who Lives, Who Dies, Who Tells Your Story

Truly there is no more fitting ending to Hamilton than “Who Lives, Who Dies, Who Tells Your Story.” At its core, this is a play not only about legacy but about the fungible nature of legacy. Alexander Hamilton is gone and we know his story lives on. But who will tell that story? Like any good closing number, “Who Lives, Who Dies, Who Tells Your Story” knows the importance of bringing back many of the play’s core concepts and characters. And none of those are more important than Eliza’s assertion that she is ready “to write herself back into the narrative.” In the end, it’s not the revolutions or the pamphlets but the love. And that’s how one finds oneself in the absurd position of crying over the guy on the $10 bill.

7. What’d I Miss?

Lin-Manuel Miranda has described Thomas Jefferson as the show’s Bugs Bunny. Nowhere is that more apparent than in the ludicrously jaunty track that opens up Hamilton’s Act Two. There might not be a more joyful or outright hilarious three minutes in any of the soundtrack’s 46 songs. After several years spent living it up in France, Daveed Diggs’s TJ returns to the United States. The rest of his fellow revolutionaries have moved on to R&B and rap, but Jefferson is still stuck in full on jazz mode. “What’d I Miss” serves as the perfect introduction to a crucial character and the themes of the show’s second half. 

6. The World Was Wide Enough

If “Who Lives, Who Dies, Who Tells Your Story” is designed to make the audience cry, then “The World Was Wide Enough” exists to make them gasp. This penultimate song is a truly stunning piece of work. This is a sprawling performance that brings back “The 10 Duel Commandments” in expected yet still emotional fashion. Then at the play’s climactic moment, it cuts out the music entirely to make room for Hamilton’s internal monologue – his one last ride through all the pages he won’t write. Finally it covers the grim aftermath of Burr and Hamilton’s duel as the survivor grapples with what he has done. There is a lot packed into these five minutes of song and each moment is more compelling than the last. 

5. You’ll Be Back

If absolutely nothing else in Hamilton worked – if the characterizations were off, if the costumes were too simple, if the “Founding Fathers rapping” concept couldn’t be executed – the play’s two and a half hours all still would have been worth it for this one, tremendously goofy song. King George III (portrayed by Jonathan Groff in the original Broadway production) pops up three times throughout the show to deliver pointed little reminders to the American colonists about how good they used to have it. The first time around is by far the best, in large part because it’s so charmingly unexpected and weird. By the time King George III gets to the “da-da-da” section of his breakup song with America, it’s hard to imagine anyone resisting the song… or the show’s charms. 

4. My Shot

While “You’ll Be Back” may go down as the most enduring karaoke song from Hamilton, “My Shot” is almost certainly the play’s most recognizable and iconic tune. Every musical needs an “I want” song in which its lead articulates what they want out of this whole endeavor. Rarely are those “I wants” as passionate and thrilling as “My Shot.” This was reportedly the song that Miranda took the longest to write and it’s clear now to see why. Not only is “My Shot” lyrically and musically intricate, but it does the majority of play’s heavy lifting in establishing Hamilton as a character. Just about everything we need to know about Alexander Hamilton and what drives him is introduced here. And the work put into “My Shot” makes all of its recurring themes and concepts hit so much harder in the songs to come. 

3. Yorktown (The World Turned Upside Down)

In many ways, “Yorktown” benefits from the precedent that earlier songs like “My Shot” established. This is a song that puts energetic renditions of previous lines like “I’m not throwing away my shot” and “I imagine death so much it feels like a memory” to grand use. But for as much as “Yorktown” deftly invokes Hamilton’s past, what makes this song truly special is how solely focused it is on the present. To put it quite simply: “Yorktown” goes hard. It is fast, harsh, chaotic, and thrilling. This is the song that captures the moment that American troops defeated the British empire and “the world turned upside down.” It’s to the song’s immense credit that the music and lyrics capture the enormity of the moment. Also, there’s “stealing the show” and then there’s what Hercules Mulligan (Okieriete Onaodowan) does here in “Yorktown.” We’re in the shit now, and Hercules is loving it. 

2. Helpless

“Helpless” might be pound for pound the best musical moment in all of Hamilton. It’s a simple, seemingly effortless love song that, even removed from the context of the show, would sound beautiful coming out of anyone’s car radio on a lovely summer day. Within the context of the show, it’s even better. It acts as a rare moment of celebration for all the characters involved before the Revolutionary War really gets churning and before a young America needs capable young Americans to guide it. What makes “Helpless” truly great, however, is the song that follows it…

1. Satisfied

Wait, wait… why is Angelica saying “rewind?” Why do we need to rewind? We had such a lovely night! The transition between “Helpless” and “Satisfied” is Hamilton’s greatest magic trick. The former presents a night of unambiguous love and celebration. Then the latter arrives to teach us that there is no such thing as “unambiguous” in Hamilton. In a truly remarkable performance, Angelica Schuyler (Renée Elise Goldsberry) teaches us what really happened the night Hamilton met the Schuyler sisters. Angelica will never be satisfied, and it’s because she’s “a girl in a world in which (her) only job is to marry rich.” Hamilton and Eliza’s story is a love story. But it’s also a story of Angelica’s loss. “Satisfied” imbues the musical with a sense of subtle melancholy that it never quite shakes through to the very end. “Satisfied” is the emotional lynchpin of Hamilton, and as such also its very best song. 

The post Hamilton: Ranking Every Song from the Soundtrack appeared first on Den of Geek.

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[flakandforay]

Map of the Soul: Persona; Overview

overview: this starts the new series of bangtan as they completed the love yourself trilogy series. now, they delve deeper into the meaning of persona, discovering yourself as you start to love yourself and embrace your flaws. later on, I will talk about the upcoming next few albums that as seen from Namjoon’s Intro: Persona MV, shadow and ego are next and based on the book, ‘Jung’s Map of the Soul’; these are the next two album names of the Map of the Soul series.

do support my ko-fi if you can~

⇝ masterlist

intro: persona: the sampled beat from intro: skool luv affair has proven that the boys are exploring a more old school beat, old hip hop even and you could tell in the way that Namjoon structured his rap. also, the way he does it coupled with how long this intro is, certainly a feet to be acknowledged. he shows his diversity in rapping throughout the song as the song develops but goes back to his flow. definitely something to applaud him for as he did so well in full out rapping this intro.

boy with luv (ft. halsey): the new title track and for the first time, it’s featuring someone!!!! usually when the boys collab, they do not feature in a song but to note that they started with the collabs only later on in the love yourself: her series with steve aoki and chainsmokers for the truth untold and best of me. so, having someone to feature in a song, is definitely taking these collabs to the next level. love how the song sound a bit retro but yet modernized if you know what I mean. The featuring of halsey was subtly done in terms of the chorus only which was interesting considering most featurings would take a verse by themselves before the bridge. However, it is refreshing to see halsey being part of this in the chorus, not overpowering the boys and the boys not really overpowering them either, they worked well together.

mikrokosmos: at first listen, I was not that fond of the beat, it’s too synthesized for my own liking but I must say that whiplash sound really does get your attention. Also, the build up to Hoseok’s part and throughout the song is what gives the song its distinct points. The chorus I must say wasn’t what I expected it to be. It just wasn’t the kind of sound I was expecting but I must say it’s kind of refreshing, the whole ‘I got you, you got me’, got me thinking of toy story and the sudden ‘oh oh’ made it more british pop sound like. Also, how the raps are placed in this song, is not as obvious and I really appreciate it.

make it right: definitely my most fav song out of the whole album? Honestly the beat already getd to you right from the beginning with the synthesized trumpet kind of sound, and it’s so laidback but not to the extent of singularity. Definitely something, honestly the beat is so sexy and sensual that it could easily just be a bed song. It’ just so well done, I love how the chorus is just never right at your face, it’s actually pretty constant except for maybe a few changes in the beats but the same synth is being played throughout the song, much like the saxophone in dope of bts. Love this song. Lord knows, I love ed Sheeran for writing this song. The beat is the one.

home: this is where it hits home, mostly because of how this song is meant to be for armys, coupled with yoongi’s lyrics that he wrote in reference in ‘we are bulletproof pt.2’ made me realize the boys have always stayed the same as they are, truly they are the same boys that they are 6 years ago and id be damned if I don’t be there till the very end. also, home has the same beat that could literally be in relation to dimple and love maze, the kind of more modernized synths literally. This is the trinity.

Jamais Vu: interesting to see how they are using a phrase that is opposite from one many of us know which is déjà vu. I will talk more about this later on. But anyway, this seems to be one of the first subunit songs that we would get as based on the version 2 concept photos, well at least that’s what people were speculating but we are then proved to be boo boo the fools because well it didn’t follow exactly. So apart from this, it seems as though the next 2 albums of the series would also contain subunit songs. But anyway, love how they made use of hoseok in a way, utuilising both his rap and vocal abilities. Hoseok is commonly known to be part of the underlying vocals for many of the bangtan songs including spring day and make it right etc. also, this song has a really nice contrast especially towards the end, making use of hoseok but in a more subtle whisper, it sounds more muffled. Also the pleading in both jinkook’s voices is important to note.

dionysus: this song literally is the one that could be on par with rock songs such as fall out boy and panic at this disco, they have the same energy. I am just simply fascinated as to why this really all hype song is at the end of the album, especially considering they do not have an outro for this. It sounds as though in this song, they are definitely pushing the whole persona in which the lyrics in Dionysus mainly talk about acting like a Dionysus, drinking etc, I will explain more about this in the individual song analysis. Definitely a hype song, without a doubt, I love how it remained pretty consistent in terms of the chorus and if you think the song couldn’t get any harder well the last chorus would prove you wrong. Also, seokjin’s rock vaosl are definitely something to take note, it’s so good, it’s on par with his crystal snow and epiphany vocals.

last thoughts: definitely an interesting flow of how the songs are arranged, usually most of their songs over the years have been going to a whole end of the story kind of chapter but maybe because there is no outro so the album ends incomplete? I am still intrigued that they ended the album with Dionysus so I can’t wait to see how they transition this into their other upcoming albums.

[Photo Source] Bighit Entertainment  Credits: maxine ☕️ DO NOT REPOST ©

[ugyeoms]

♡: contains fluff

 ღ: contains smut

 ☓: contains angst

Scenarios: Coming soon!

Texts:

Taeil comforting you when you’re insecure about dating him 

Fluffy late night texts

Scenarios:

Gliding Along ♡ -Boyfriend Johnny tries to teach his clumsy significant other to ice skate, but there ends up being a lot more hugging than skating.

Texts:

Everyday Boyfriend Texts 

Traveling with Johnny 

Cheating prank 

Surprising you for your birthday 

You steal boyfriend Johnny’s sweatshirt bc its comfy and smells like him, but it turns out to be Jaehyun’s 

Boyfriend Johnny is upset when your fandom doesn’t like him 

You’re singing along and bopping to We Young while you’re in the shower and Johnny texts you telling you that all the members are over and can hear you 

Lyric Prank with “Sexuality” by Taemin 

After first time texts with Johnny 

Poly relationship with Taeyong and Johnny 

Strangers to Lovers with Johnny 

College boyfriend texts with Johnny 

SM forcing you to break up with Johnny and leave Korea without telling him, but he finds out  

Boyfriend Johnny getting shocked when you post a picture that shows your back and you have a tattoo 

Scenarios:

Found ♡ -A simple game of hide and seek results in closeness, confessions, and a very fluffy Taeyong.

Stay -When the most infamous pirate of your time decides it’s time for a new crew member, you and your best friend are awakened into the life of a pirate by your love for the sea

Texts:

Bf Taeyong away on tour

Best friend Jaehyun pushes you to confess to Taeyong 

You and Taeyong are broken up and he wants you back 

Taeyong sends you the wrong text and you find out he’s cheating on you  

You tell Taeyong about your depression after one year of dating 

Boyfriend Taeyong finds out that you’re being bullied 

You’re texting Taeyong while hanging out with Mark Tuan, but he doesn’t realize that it’s not Mark Lee 

Sicheng Confessing to Taeyong

Poly relationship with Taeyong and Johnny 

You accidentally text Taeyong thinking it’s one of your friends for help on outfits

You decide to give Taeyong another chance after cheating on you 

Poly relationship with Jaeyong 

Poly relationship with Yutae 

Your ex crush and best friend Taeyong suggesting a poly relationship with you and your current boyfriend Ten

Mom groupchat with Bts Jin, Got7 Jinyoung, Monsta x Kihyun, and Nct Taeyong where they talk about controlling their bandmates

Scenarios:

Temptation Part 1 Part 2 Part 3 ♡ ☓ ღ  -What you thought was a silly little crush on your brother’s best friend ends up turning into a whole lot more. And it’s all becuase of the irresistible Nakamoto Yuta.

Under the Mistletoe ♡ -The Nct members decide to throw a Christmas party, and who better to spend your time with than your crush Nakamoto Yuta. (Mistletoe Kiss!au)

Night ♡ -When an old family friend gets you to come to a street race, the racing is nothing compared to the intriguing boy behind the wheel. (Street racer!au)

Texts:

Boyfriend Yuta

Best friends Yuwin while Yuta likes you and is jealous of Winwin 

Best friend Taeyong convinces you to confess to winwin, and winwin likes you back, but yuta confesses too so you have to chose 

Yuta texts you the wrong thing and you find out he’s cheating on you  Poly relationship with Yuwin 

Boyfriend Yuta finds out you’re being bullied 

Boyfriend Yuta when he finds out that you accidentally sent a nude to Johnny 

You and Yuta like each other but you’re reluctant to date him because you’re younger 

Yuta confessing to Winwin

Yuwin texts where Yuta wants cuddles but Winwin is upset after losing a video game 

Brother Jaehyun finds out that you’re dating Yuta 

You confess thinking he doesn’t like you back because he always rejects your skinship but he ends up liking you back 

Brother Yuta getting over protective over you and boyfriend Jaemin 

Poly relationship with Yutae 

You’re dating Yuta but you’re in love with both him and your best friend Ten, so you text your other best friend Doyoung asking for advice 

Poly relationship with Yujae

Scenarios: Coming soon!

Texts: Coming soon!

Scenarios:  Coming soon!

Texts:

Nct 127 teasing you about liking Doyoung 

Doyoung as your brother’s best friend that likes you 

Lyric Prank on Doyoung with Whiplash 

Meme Fight with Doyoung

Boyfriend trying pick up lines on you 

You’re dating Yuta but you’re in love with both him and your best friend Ten, so you text your other best friend Doyoung asking for advice 

Boyfriend Doyoung wanting to take care of you when you’re sick

Scenarios:

The Boy With the Bright Smile ♡ -The boy with the bright smile and you just so happen to get paired together during a Chemistry lab. There also just so happens to be Homecoming at the end of the week.

Texts:

Nct U trying to get you to date Ten 

Boyfriend Ten texts 

You and Ten both like each other but you’re reluctant to date him because of your rough past with guys 

Boyfriend Ten when there are rumors of you dating another Nct member and he confronts you about it 

You’re dating Yuta but you’re in love with both him and your best friend Ten, so you text your other best friend Doyoung asking for advice 

Your ex crush and best friend Taeyong suggesting a poly relationship with you and your current boyfriend Ten 

Doyoung taking your phone and confessing to Ten as you because you and Ten like each other

Scenarios:

Fondness ♡ -Your girl group is set to do collab stage with Nct 127, and you have a bit of a crush on one of the members. What you don’t know, is that he is well aware of your little “crush” and just so happens to find you adorable.

Sincerely ♡ ☓ -Best friend!Jaehyun has been acting distant and making it almost impossible to hang out with him. When you finally get to see him, both of your true feelings are revealed.

The Perfect Person ♡ -A road trip to a log cabin with your boyfriend mixed with cookie baking and all of the festivities of Christmas means an extremely fluffy and enjoyable time.

Texts:

Strangers to lovers

Boyfriend Texts

Best friend Johnny setting you up with Jaehyun

Best friend Jaehyun acting cold towards you and then surprising you for your birthday and confessing 

The members tease you about liking Jaehyun 

Jealous Boyfriend Jaehyun 

Drunk Jaehyun texting you a few weeks after you’ve broken up saying he still loves you 

You secretly like Jaehyun but Mark tells him and you become awkward with Jaehyun after finding out that he knows 

Jaehyun after your first time 

Jaehyun is jealous of the fact that your best friend is there for you on your debut stage when he can’t be 

You secretly like Jaehyun but Mark tells him so you become awkward around him 

Jaehyun texting you all shy from the bathroom because he felt your boobs when you hugged him 

You find out that your boyfriend Jaehyun is the son of one of your teachers  Poly relationship with Jaeyong 

You and Jaehyun are in an open relationship but you don’t want it to be that way anymore 

Brother Jaehyun finds out that you’re dating Yuta 

Poly relationship with Yujae

Nct 127+Ten groupchat where Jaehyun misses you and you surprise him on tour

Scenarios:  Coming soon!

Texts:

Boyfriend Sicheng

Best friend Taeyong convinces you to confess to winwin, and winwin likes you back, but yuta confesses too so you have to chose 

Boyfriend Sicheng when you have to travel for work and can’t talk to him often 

You’re Nct’s stylist and Sicheng starts to fall in love with you 

You and Sicheng are secretly dating and Donghyuck finds out and tells everyone 

Poly relationship with Yuwin 

Sicheng Confessing to Taeyong 

Nct 127 trying to get you and Sicheng together

Scenarios: Coming soon!

Texts: Coming soon!

Scenarios: Coming soon!

Texts: Coming soon!

Scenarios:

I’ll Be There ♡ -Boyfriend Mark will always be there to comfort you during a rough time.

Merry ♡ -Christmas movie cuddles and kisses with your adorable boyfriend Mark Lee.

Texts:

Best friend Mark

Mark’s Birthday

When older brother Yuta finds out Mark has been secretly dating his younger sister

Nct 127 trying to get you to date your best friend Mark 

Fangirling to Mark over his Nct Dream comeback teaser 

You and Mark get into a fight and you leave, but he gets worried and apologizes 

Nct dream teasing you about liking Mark 

You and Mark like each other but you’re older and reluctant to date him, but he’s persistent and you agree 

Nct 127 Teasing Mark because his girlfriend is older by a few months 

Best friend Mark comforting you over a rough break up and then confessing 

You vent to Mark about your baby face 

Mark has a crush on you, but he thinks you’re dating Johnny 

Long distance relationship with Mark when he sends you a video of himself singing 

You and Mark like each other but Donghyuck tells him so you start to avoid him

Poly Relationship with Markhyuck 

Poly relationship with Markno 

Surprising boyfriend Mark at the airport after not seeing him for a year 

You and best friend like each other and all of his friends (127) know and try to convince him 

Jealous Mark  

Everyday boyfriend texts with Mark

Boyfriend Mark is jealous of you and your favorite idol 

You have a crush on Mark, and your best friend Donghyuck helps to get you two together 

Boyfriend Mark when he’s missing you 

Nct Dream groupchat where Mark gets exposed for liking you and confesses

Scenarios:  Coming soon!

Texts:

Fangirling to Renjun over his Nct Dream comeback teasers 

Boyfriend Renjun texts 

Renjun wakes up from a nightmare about you breaking up with him and you comfort him 

You’re Renjun’s classmate and you very shyly ask him to go eat chicken together 

Boyfriend Renjun and bestfriend Chenle when you’ve been acting distant bc you’re stressed from school 

Renjun likes you and is jealous of your best friend Jeno 

Boyfriend Renjun when he’s shy after you show skinship in front of the boys 

Scenarios: 

Beginnings ♡ -Your best friend Jeno surprises you the day before your big debut as a part of the new SM girl group. However, he ends up doing a little more than giving you some supporting words.

Adorn ♡ -Shopping for Christmas decorations for the Dreamies’ dorm with your boyfriend turns into a cute and fluffy day.

Texts:

Fangirling to Jeno over his Nct Dream comeback teasers 

Nct Dream trying to get you to date Jeno 

Boyfriend Jeno texts 

Jeno getting jealous of the dreamies and accidentally confessing 

Insecure/jealous younger boyfriend Jeno 

Brother Jaemin trying to set you up with Mark when you’re actually dating Jeno

Brother Jaehyun finding out you’re secretly dating Jeno 

Boyfriend Jeno when you’re stressed about school 

Brother Doyoung finds out that you’ve been secretly dating Jeno 

Lyric Prank on Jeno with Diamond by Exo 

Boyfriend Jeno when he finds out that you can play guitar

Donghyuck and Jeno both like you, but they find out you’re secretly dating Yukhei 

Poly relationship with Markno 

Poly relationship with Nohyuck 

Jealous boyfriend Jeno where he gets worried that you’re cheating on him with Jaemin (happy ending) 

Scenarios:

The Truth ♡ -Donghyuck invites his best friend Y/N over to hang out with him and the rest of Nct 127. Y/N and Donghyuck both have crushes on each other. They play truth or dare, causing some things to be revealed.

D(onghy)uck ♡ -Four year old Jae, also known as your little brother, strongly dislikes your boyfriend for stealing your attention all of the time and giving you “cooties”. You and Donghyuck come up with a plan to finally get Jae to accept him.

A Warm Moment ♡ -A snowy walk home and a mug of hot chocolate lead you and your boyfriend to the moment you’ve been waiting for. (First kiss!au)

Texts:

Nct 127 trying to convince you to date Donghyuck 

Best friend Donghyuck getting jealous of you spending time with Mark and confessing

Fangirling to Donghyuck over his Nct Dream Comeback teasers 

Donghyuck trying to act mature and cool so you fall for him 

You accidentally text his number and spoil a tv show for him 

Strangers to lovers 

Boyfriend Donghyuck  

You vent to boyfriend Donghyuck about having a baby face 

Donghyuck and Jeno both like you, but they find out you’re secretly dating Yukhei 

Fluffy boyfriend texts with Donghyuck when you think that you’re texting Mark 

Poly Relationship with Markhyuck 

Best friend texts with Donghyuck (ft reader’s crush on Jeno?) 

Poly relationship with Nohyuck 

Nct Dream groupchat where Donghyuck has a soft spot for you 

You and boyfriend Donghyuck being shy after your first kiss 

You have a crush on Mark, and your best friend Donghyuck helps to get you two together 

Best friend Donghyuck starts acting distant because he likes you, but then Mark convinces him to confess

Nct Dream groupchat where you’re freaking out over their new comeback

Scenarios: Coming soon!

Texts:

Texting Jaemin for his birthday 

Boyfriend Jaemin

Scenarios:

Gingerbread ♡ -When a gingerbread contest between you and your boyfriend turns into a little something more.

Texts:

Fangirling to Chenle over his Nct Dream Comeback Teasers 

You’re a rookie idol and you take the first step in getting to know him (ft Jisung)

You’re Jisung’s twin sister and Chenle likes you, but Jisung is overprotective 

Boyfriend Renjun and bestfriend Chenle when you’ve been acting distant bc you’re stressed from school 

Best friend Chenle

Scenarios:

The Small Things ♡ -Short girlfriend plus tall boyfriend equals happy Jisung.

Serene ♡ -After finally getting some alone time with your boyfriend to simply cuddle and catch up with one another, the dreamies come home and are unable to resist the cuteness.

Texts:

Fangirling to Jisung over his comeback teasers 

Best friend Jisung 

Boyfriend Jisung and his short girlfriend 

Boyfriend Jisung finds out that you’re good at math and asks you to help him 

Nct Dream groupchat where you’re only a few months younger than Jisung but they constantly tease you about it 

Brother Ten finding out that you’re dating Jisung 

You’re a rookie idol and you take the first step in getting to know him (ft Chenle)

Groupchat Format

Jaehyun cheats on you and the dreamies try to cheer you up

Nct Dream teasing you about being young even though you’re only a few years younger than Jisung

Nct 127 teasing Mark because his girlfriend is older by a few months

Groupchat with every nct member fighting over what to eat

Nct Dream groupchat where you’re only a few months younger than Jisung but they constantly tease you about it

Nct 127 when they think Winwin is “missing”

Dreamies are jealous when you start to hang out with your new friends

Nct 127+Ten when they find out your brother is Chanyeol from Exo

Nct when they find out you play drums/everyday Nct texts

When the dreamies find out that you’re only a few days younger than Mark and are shocked because of your baby face

Nct Dream groupchat where they find out you’re dating Sicheng (ft a fight over waffles and pancakes)

Nct 127 groupchat where they think you and Jaehyun are dating but they find out he’s actually your brother

Nct Dream groupchat where y/n is dating Renjun and Jisung is her very protective younger brother

Nct Dream groupchat where they’re trying to plan you a surprise party but they don’t realize you’re in the groupchat

Nct 127 groupchat where you and best friend like each other and all of his friends (127) know and try to convince him

Nct Dream groupchat where they find out you’re only a few days younger than Donghyuck and are shocked because of your baby face

Nct Dream groupchat where they’re protective over you because you’re dating Mark

Nct Dream groupchat where they think you’re younger than Jisung, but you’re actually a few months older than Chenle

Nct Dream groupchat where Donghyuck has a soft spot for you 

Nct Dream groupchat where they think you’re Mark’s age but you’re actually closer to Jisung’s

Nct Dream groupchat where Mark gets exposed for liking you and confesses

Nct Dream groupchat where you’re freaking out over their new comeback

Nct 127+Ten groupchat where Jaehyun misses you and you surprise him on tour 

Nct U (Boss members) groupchat where Lucas is bragging about being your favorite and then reveals you’re dating 

Nct Dream groupchat where they get overprotective when they find out you’re dating Ten 

Nct OT18 fighting over the best ship

All Members

Fics: Enmity: Character Introduction Main Member Endings:  Jaehyun Johnny  Nct 25 Days of Christmas Collab <– Masterlist 1) Jisung 2) Chenle 3) Renjun 4) Donghyuck 5) Jaemin 6) Jeno 7) Sicheng 8) Mark 9) Taeil 10) Johnny 11) Doyoung 12) Yuta 13) Taeyong 14) Jaehyun 15) Ten

Texts:

Exo memebers jealous of you and an Nct memeber 

Nct 127+Ten when you’re upset bc you can’t bc of tour

Nct Dream being all hype with you over Got7′s comeback

You and your Nct 127 boyfriend have a dog together and you send pictures of it while they’re away on tour and homesick 

You and Nct Dream when they each have an Auto correct fail 

Nct 127 trying to get you and Sicheng together

[preciousmetals0]

30 Million Unemployed; Tesla Cries Freedom; Microsoft Goes Hard

30 Million Unemployed; Tesla Cries Freedom; Microsoft Goes Hard:

On the Turning Away…

…from the pale and downtrodden … and the words that they say which we don’t understand.

Wall Street almost — almost — became aware of the U.S. economy this morning.

Continuing the epic U.S. employment saga, the Labor Department put another brick in the unemployment wall this morning. Some 3.8 million Americans filed for first-time unemployment benefits last week.

The six-week total now stands at 30.3 million unemployed. CNBC called it “the worst employment crisis in U.S. history.”

The market opened down nearly 2% on the news, and, for a brief moment, you could see the sweat on Wall Street’s brow. A hint that somewhere in that sea of frothing bullishness, someone almost had an epiphany. A realization that economic demand might suffer considerably due to 30 million unemployed American consumers.

And then, while contemplating how waning demand might impact a U.S. economic recovery and corporate bottom lines, that someone stumbled over a pile of Fed money (It’s a gas!) and completely forgot the whole deal…

The Takeaway: 

Hey you!

Are you still learning to fly in this crazy market? Or are you sitting back comfortably numb and enjoying the quarantine?

Yes, the economic data makes you want to run like hell, but you don’t have to say “goodbye blue sky” to investing in this market. Just breathe, be patient and take your time. Otherwise, your portfolio will play that great gig in the sky.

When it comes to investing, it’s hard to remove yourself from the “us and them” mentality, especially during these trying times. But giving in to emotions will eventually bankrupt you one of these days.

Yes, by all economic accounts, the market is more irrational than Roger Waters on a nicotine and whiskey bender. But you can be right and still lose money.

Now, Great Stuff has been pretty down on the market’s prospects since this whole pandemic thing started. We recommended putting most of your investment capital in gold, bonds and cash … you know, the standard safe havens. (By the way, which one’s Pink?)

But there’s one sector in which we have high hopes: tech.

No, we don’t have brain damage. We’re just reading the writing on the wall. Today, Great Stuff takes a look at three Big Tech companies post earnings, and we weigh their potential in the current market.

It’s our way of helping you shine on, you crazy diamond!

So, what’s … uh, the deal? Where can I grab that cash with both hands and make a stash?

Why, be careful with that ax, Eugene! If you’re wanting more, then it’s time to turn your tech investing into interstellar overdrive. See, nobody stays as fearless in the tech game as Paul Mampilly. And Paul just found one tech stock that’s set to transform the way we use and create energy.

Paul even said: “This technology can single-handedly power a major American city … virtually free of charge.” So, let there be more light! And as the market’s seesaw continues, and the Fed’s jugband blues carries on, find out more about the one tech stock that Paul recommends you buy now.

Click here to learn more!

Good: Freedooooom!

Did you miss crazy Elon Musk? I did.

The Tesla Inc. (Nasdaq: TSLA) CEO proffered up his best Rage Against the Machine impression yesterday, crying out “Freedom!” and calling the COVID-19 response in the U.S. “fascist.”

The outburst came during Tesla’s earnings call with investors … earnings, yeah right!

Speaking of earnings, Tesla posted a surprise profit. Doesn’t that make it three in a row?

Why yes … yes, it does. And that’s a good thing for Tesla investors in the wake of Musk coming a bit unhinged. The company posted a first-quarter profit of $1.24 per share, shocking analysts who expected a loss. Revenue also topped expectations, coming in at $6.2 billion.

While Tesla remained cautious in its outlook due to the pandemic, investors seized on the unexpected profit and better margins — a notable feat given Tesla’s lower production volume.

Our take at Great Stuff is that Tesla is a solid long-term investment. However, given our reservations about the overall market and the U.S. economy, now may not be the best time to chase TSLA shares. If you’re looking to invest, be patient. Wait for a pullback, and time your entry accordingly.

Better: Sign, Sign, Everywhere a Sign

Do this. Don’t do that. Can’t you read the signs?

Facebook Inc. (Nasdaq: FB) is in rally mode today. The company has seen the sign, and it’s opened up investors’ eyes. (A Tesla cover into and Ace of Base reference? Are you trying to give us whiplash?)

What sign? Why the most important sign of all for Facebook: stability in ad trends.

Forget that Facebook blew past Wall Street’s first-quarter earnings expectations, or that revenue of $17.74 billion rose 17% to beat the consensus target of $17.53 billion. It’s all about guidance in this market.

“After the initial steep decrease in advertising revenue in March, we have seen signs of stability reflected in the first three weeks of April,” Facebook said in its conference call with investors.

That’s all the sign that FB bulls needed to send the stock skipping more than 5% higher.

So, what’s our take on Facebook? Well, setting aside our distaste for the company’s mishandling of user data and its unwillingness to fully address misleading posts … FB is the best social media stock on the market.

It’s a dual-edged sword. FB is a solid investment choice if you can set aside your emotions on the company.

Best: Good Ol’ Softy

Microsoft Corp. (Nasdaq: MSFT) is probably one of our favorite tech stocks here at Great Stuff. While we haven’t made it an official pick for the Great Stuff free portfolio, you should probably pick up a few shares if you can.

Why? Because of statements like this: “COVID-19 had minimal net impact on the total company revenue.”

Fact: MSFT was the only Dow stock to gain in the first quarter.

While practically every other company in the U.S. issues warnings and pulls forecasts, Microsoft is plowing ahead. The company just reported fiscal third-quarter results, beating even pre-virus estimates.

Driving that performance was an impressive 59% spike in Azure sales. Azure is Microsoft’s “Intelligent Cloud” business, and it’s eating Amazon Web Services’ lunch with JEDI-like prowess.

Finally, Microsoft actually provided fourth-quarter guidance — one of the very few companies to do so this earnings season. The company expects revenue of $35.85 billion to $36.8 billion, largely in-line with Wall Street’s targets.

The thing is, Microsoft has been an essential company for decades. It’s weathered dot-com busts, financial crises and government antitrust lawsuits. In fact, when I hear that “buy and hold” is dead, I always point to Microsoft.

You spoke to me, and now it’s time to breathe in the air.

Mr. Great Stuff, how long are you keeping this Pink Floyd thing going?

One of these days … one of these days I’ll stop speaking in song lyrics. But until then, you can count on Great Stuff to get countless eclectic earworms stuck in your head.

Meanwhile, if you’ve been hanging on in quiet desperation for this week’s Reader Feedback, wait no longer! It’s that time again, so let’s see what Great Stuff readers are thinking about this week.

Bye-Cycles

I feel like the stock market has three things going against that people don’t talk about but I’m not sure if they even really matter. 

“Sell in may and go away”

We are at a serious technical resistance for SPY. 

We are at the end of the month and we tend to see people selling more at the end of the month as opposed to the beginning … right?

I have also read that we Tuesdays tend to be more bearish than other days of the week. 

I am thinking that since we didn’t see much of a sell-off on Tuesday, no one is talking about ‘sell in May,’ and we aren’t really seeing a sell-off due to resistance or it being the end of the month … the fed is going to win and we are going to plow through resistance and the recovery will continue. Does what I’m thinking make any sense?

— Preston B.

My, my … someone’s been reading his Chad Shoop! (For anyone guessing: Chad focuses on investing around many of these market cycles — as well as some hidden market cycles too. Details here!)

Thank you for your thorough email, Preston. I wanted to touch on just a few of your questions today, but honestly, you already answered it yourself in the first line. Here’s the lowdown:

Yes, we often see a seasonal dip in May. Yes, the end of the month often brings a flurry of Big Money rebalancing and profit taking. Resistance … why, up until today’s market dive, it seemed like the S&P 500 Index had the rearview mirror torn off like it was in a Jo Dee Messina song.

All of these are true to their own extents. Yes. But somewhere along the line, Mr. Market declared that fundamentals and technical logic are dead, instead deciding to leap headfirst into the chasm of “fear of missing out” uncertainties.

Preston, your observations are most astute. In normal market climates, those trends are what we’d talk about this week instead. But today, as things are right this instant, I mostly agree with your statement at the top: “I’m not sure if they even really matter.”

Just Like Starting Over

Yo, Joe,

Well, I tried. That’s about all the slang I know. I am the newest of the newbies, have never placed an order. … How can I go find a broker when I have to stay inside? How can I get my monies out of banks into brokers’ hands? Is that all done electronically? Help!

— Janis W.

Yo, J.W.! What’s good, homie? You keeping things 100 during quarantine?

Let’s help you get that bread — err, a brokerage account to start with. Your hunch is right: Almost all brokerage action is done electronically these days, as is moving money into your account once it’s set up.

I know that many people are put off investing entirely because it’s mostly online. But once you get started with a broker you like and trust, I’m sure you’ll appreciate the convenience — and the possible addiction of checking on your stocks every second of the trading day (which, frankly, is a stage most new investors get through sooner or later).

Before we go any further, let me just say that Banyan Hill doesn’t have any personal or business relationship with any of these services. They’re just the top choices I see among many of our readers.

Check out some of these links below and see what broker is right for you. You’ll want a trading platform that’s easy to use and gives you the information you want without having to sift through a bajillion different web pages:

I also want to add that, just like starting any kind of account where money is concerned, there will be fine print. (There’s always fine print, right? It’s like the ever-returning pocket lint of the legal world.)

I wish you the best of luck, Janis!

I Am You, and What I See Is Me

Are you still ok with your advice to buy Starbucks put options?

— Philip H.

Philip, I … I don’t think that was my recommendation. By any chance, are you thinking of this Winning Investor Daily article by John Ross back on April 10? Hey now, us Joes and Johns aren’t interchangeable, you see…

So, while I can’t give you personalized investment advice here (legal beagles and whatnot), what I can say is that, when it comes to options … you definitely want to keep any losses short and take gains when you’ve got ‘em.

Options Land is a fast-moving (yet insanely profitable) place … and you might want to ask John Ross directly for your next move, Philip. For everyone else out there looking for a spot to jump into the options game (and trust me, there’s no better time to do so), you can get started with expert John Ross right here.

That’s a wrap for today, but if you still crave more Great Stuff, check us out on social media: Facebook and Twitter.

Until next time, be Great!

Regards,

Joseph Hargett

Editor, Great Stuff

[goldira01]

On the Turning Away…

…from the pale and downtrodden … and the words that they say which we don’t understand.

Wall Street almost — almost — became aware of the U.S. economy this morning.

Continuing the epic U.S. employment saga, the Labor Department put another brick in the unemployment wall this morning. Some 3.8 million Americans filed for first-time unemployment benefits last week.

The six-week total now stands at 30.3 million unemployed. CNBC called it “the worst employment crisis in U.S. history.”

The market opened down nearly 2% on the news, and, for a brief moment, you could see the sweat on Wall Street’s brow. A hint that somewhere in that sea of frothing bullishness, someone almost had an epiphany. A realization that economic demand might suffer considerably due to 30 million unemployed American consumers.

And then, while contemplating how waning demand might impact a U.S. economic recovery and corporate bottom lines, that someone stumbled over a pile of Fed money (It’s a gas!) and completely forgot the whole deal…

The Takeaway: 

Hey you!

Are you still learning to fly in this crazy market? Or are you sitting back comfortably numb and enjoying the quarantine?

Yes, the economic data makes you want to run like hell, but you don’t have to say “goodbye blue sky” to investing in this market. Just breathe, be patient and take your time. Otherwise, your portfolio will play that great gig in the sky.

When it comes to investing, it’s hard to remove yourself from the “us and them” mentality, especially during these trying times. But giving in to emotions will eventually bankrupt you one of these days.

Yes, by all economic accounts, the market is more irrational than Roger Waters on a nicotine and whiskey bender. But you can be right and still lose money.

Now, Great Stuff has been pretty down on the market’s prospects since this whole pandemic thing started. We recommended putting most of your investment capital in gold, bonds and cash … you know, the standard safe havens. (By the way, which one’s Pink?)

But there’s one sector in which we have high hopes: tech.

No, we don’t have brain damage. We’re just reading the writing on the wall. Today, Great Stuff takes a look at three Big Tech companies post earnings, and we weigh their potential in the current market.

It’s our way of helping you shine on, you crazy diamond!

So, what’s … uh, the deal? Where can I grab that cash with both hands and make a stash?

Why, be careful with that ax, Eugene! If you’re wanting more, then it’s time to turn your tech investing into interstellar overdrive. See, nobody stays as fearless in the tech game as Paul Mampilly. And Paul just found one tech stock that’s set to transform the way we use and create energy.

Paul even said: “This technology can single-handedly power a major American city … virtually free of charge.” So, let there be more light! And as the market’s seesaw continues, and the Fed’s jugband blues carries on, find out more about the one tech stock that Paul recommends you buy now.

Click here to learn more!

Good: Freedooooom!

Did you miss crazy Elon Musk? I did.

The Tesla Inc. (Nasdaq: TSLA) CEO proffered up his best Rage Against the Machine impression yesterday, crying out “Freedom!” and calling the COVID-19 response in the U.S. “fascist.”

The outburst came during Tesla’s earnings call with investors … earnings, yeah right!

Speaking of earnings, Tesla posted a surprise profit. Doesn’t that make it three in a row?

Why yes … yes, it does. And that’s a good thing for Tesla investors in the wake of Musk coming a bit unhinged. The company posted a first-quarter profit of $1.24 per share, shocking analysts who expected a loss. Revenue also topped expectations, coming in at $6.2 billion.

While Tesla remained cautious in its outlook due to the pandemic, investors seized on the unexpected profit and better margins — a notable feat given Tesla’s lower production volume.

Our take at Great Stuff is that Tesla is a solid long-term investment. However, given our reservations about the overall market and the U.S. economy, now may not be the best time to chase TSLA shares. If you’re looking to invest, be patient. Wait for a pullback, and time your entry accordingly.

Better: Sign, Sign, Everywhere a Sign

Do this. Don’t do that. Can’t you read the signs?

Facebook Inc. (Nasdaq: FB) is in rally mode today. The company has seen the sign, and it’s opened up investors’ eyes. (A Tesla cover into and Ace of Base reference? Are you trying to give us whiplash?)

What sign? Why the most important sign of all for Facebook: stability in ad trends.

Forget that Facebook blew past Wall Street’s first-quarter earnings expectations, or that revenue of $17.74 billion rose 17% to beat the consensus target of $17.53 billion. It’s all about guidance in this market.

“After the initial steep decrease in advertising revenue in March, we have seen signs of stability reflected in the first three weeks of April,” Facebook said in its conference call with investors.

That’s all the sign that FB bulls needed to send the stock skipping more than 5% higher.

So, what’s our take on Facebook? Well, setting aside our distaste for the company’s mishandling of user data and its unwillingness to fully address misleading posts … FB is the best social media stock on the market.

It’s a dual-edged sword. FB is a solid investment choice if you can set aside your emotions on the company.

Best: Good Ol’ Softy

Microsoft Corp. (Nasdaq: MSFT) is probably one of our favorite tech stocks here at Great Stuff. While we haven’t made it an official pick for the Great Stuff free portfolio, you should probably pick up a few shares if you can.

Why? Because of statements like this: “COVID-19 had minimal net impact on the total company revenue.”

Fact: MSFT was the only Dow stock to gain in the first quarter.

While practically every other company in the U.S. issues warnings and pulls forecasts, Microsoft is plowing ahead. The company just reported fiscal third-quarter results, beating even pre-virus estimates.

Driving that performance was an impressive 59% spike in Azure sales. Azure is Microsoft’s “Intelligent Cloud” business, and it’s eating Amazon Web Services’ lunch with JEDI-like prowess.

Finally, Microsoft actually provided fourth-quarter guidance — one of the very few companies to do so this earnings season. The company expects revenue of $35.85 billion to $36.8 billion, largely in-line with Wall Street’s targets.

The thing is, Microsoft has been an essential company for decades. It’s weathered dot-com busts, financial crises and government antitrust lawsuits. In fact, when I hear that “buy and hold” is dead, I always point to Microsoft.

You spoke to me, and now it’s time to breathe in the air.

Mr. Great Stuff, how long are you keeping this Pink Floyd thing going?

One of these days … one of these days I’ll stop speaking in song lyrics. But until then, you can count on Great Stuff to get countless eclectic earworms stuck in your head.

Meanwhile, if you’ve been hanging on in quiet desperation for this week’s Reader Feedback, wait no longer! It’s that time again, so let’s see what Great Stuff readers are thinking about this week.

Bye-Cycles

I feel like the stock market has three things going against that people don’t talk about but I’m not sure if they even really matter. 

“Sell in may and go away”

We are at a serious technical resistance for SPY. 

We are at the end of the month and we tend to see people selling more at the end of the month as opposed to the beginning … right?

I have also read that we Tuesdays tend to be more bearish than other days of the week. 

I am thinking that since we didn’t see much of a sell-off on Tuesday, no one is talking about ‘sell in May,’ and we aren’t really seeing a sell-off due to resistance or it being the end of the month … the fed is going to win and we are going to plow through resistance and the recovery will continue. Does what I’m thinking make any sense?

— Preston B.

My, my … someone’s been reading his Chad Shoop! (For anyone guessing: Chad focuses on investing around many of these market cycles — as well as some hidden market cycles too. Details here!)

Thank you for your thorough email, Preston. I wanted to touch on just a few of your questions today, but honestly, you already answered it yourself in the first line. Here’s the lowdown:

Yes, we often see a seasonal dip in May. Yes, the end of the month often brings a flurry of Big Money rebalancing and profit taking. Resistance … why, up until today’s market dive, it seemed like the S&P 500 Index had the rearview mirror torn off like it was in a Jo Dee Messina song.

All of these are true to their own extents. Yes. But somewhere along the line, Mr. Market declared that fundamentals and technical logic are dead, instead deciding to leap headfirst into the chasm of “fear of missing out” uncertainties.

Preston, your observations are most astute. In normal market climates, those trends are what we’d talk about this week instead. But today, as things are right this instant, I mostly agree with your statement at the top: “I’m not sure if they even really matter.”

Just Like Starting Over

Yo, Joe,

Well, I tried. That’s about all the slang I know. I am the newest of the newbies, have never placed an order. … How can I go find a broker when I have to stay inside? How can I get my monies out of banks into brokers’ hands? Is that all done electronically? Help!

— Janis W.

Yo, J.W.! What’s good, homie? You keeping things 100 during quarantine?

Let’s help you get that bread — err, a brokerage account to start with. Your hunch is right: Almost all brokerage action is done electronically these days, as is moving money into your account once it’s set up.

I know that many people are put off investing entirely because it’s mostly online. But once you get started with a broker you like and trust, I’m sure you’ll appreciate the convenience — and the possible addiction of checking on your stocks every second of the trading day (which, frankly, is a stage most new investors get through sooner or later).

Before we go any further, let me just say that Banyan Hill doesn’t have any personal or business relationship with any of these services. They’re just the top choices I see among many of our readers.

Check out some of these links below and see what broker is right for you. You’ll want a trading platform that’s easy to use and gives you the information you want without having to sift through a bajillion different web pages:

I also want to add that, just like starting any kind of account where money is concerned, there will be fine print. (There’s always fine print, right? It’s like the ever-returning pocket lint of the legal world.)

I wish you the best of luck, Janis!

I Am You, and What I See Is Me

Are you still ok with your advice to buy Starbucks put options?

— Philip H.

Philip, I … I don’t think that was my recommendation. By any chance, are you thinking of this Winning Investor Daily article by John Ross back on April 10? Hey now, us Joes and Johns aren’t interchangeable, you see…

So, while I can’t give you personalized investment advice here (legal beagles and whatnot), what I can say is that, when it comes to options … you definitely want to keep any losses short and take gains when you’ve got ‘em.

Options Land is a fast-moving (yet insanely profitable) place … and you might want to ask John Ross directly for your next move, Philip. For everyone else out there looking for a spot to jump into the options game (and trust me, there’s no better time to do so), you can get started with expert John Ross right here.

That’s a wrap for today, but if you still crave more Great Stuff, check us out on social media: Facebook and Twitter.

Until next time, be Great!

Regards,

Joseph Hargett

Editor, Great Stuff