#also the fact that its literally just. geoff in a dress. and art that i explicitly stated is from an AU.

[kal-thas]

friend sent me this.

which honestly i think is fucking hilarious. "creepy" bitch its queer people existing. this is tame. disrespectfully, you couldnt handle my creepy shit.

this is now a challenge. my art will now be queerer and more 'creepy' .

[whydidireadthis]

All-New Wolverine (#19-30)

One of my hugest pet peeves with superhero comics is “male character, but with tits”. I hate it. I’ve always hated it, and I’ll always hate it. The invention of X-23 in X-Men Evolution was a painfully awkward inclusion following that same creative approach, and I despised it; it was, like so many others, taking a character and creating a female clone -- literally -- so that insecure straight boys could feel less insecure lusting directly after the character.

It’s happened plenty of other times in comics, most notably when Rose Wilson, who had her own identity and powers, had all of her character annihilated so she could become Ravager, Deathstroke with Tits. This numbers as one of the worst characters ever massacred into that role. It’s insulting; Rose had something distinct going on, and then idiot Geoff Johns came along and decided that he needed an x, with tits character.

The thing is, this stunt always ends up being insulting for both the character being imitated and the character either created to fill the role or forced into it. It’s even more insulting when they’re already established as being someone and something else, but they’re required to redefine themselves anyway, especially when they’re expected to be accepted as a replacement for the character they’re obviously meant to out-appeal because they can be openly lusted after by the imagined primary demographic.

Sibling Clonery

So the long and short of it here is that I’m saying I am not a fan of X-23, or Laura as she’s come to be known. Going into this, my expectations were rock-bottom. But I love Daken, and I always considered him a far more subversive and interesting necessary examination of the character of Wolverine and everything around him: the machismo, the insecurity of writers overcompensating through Logan’s often comedically excessive libido and attitude, and of course the overselling of the character. Daken is openly bisexual (and actually leans more gay, more often), comfortable with his sexuality, uses his mind at least as much as, if not more than, his claws, and in general undermines all of the bullshit that’s been built around Logan.

He dressed up in Logan’s old costume design and masqueraded in his superheroic identity, and in so doing forced readers to examine what really made Wolverine. It forced scrutiny on the concept of the identity, and who was behind the mask and the name.

Daken is a complex character, but he’s also easy enough to understand and is often surprisingly sympathetic, or at least identifiable. Even when he’s doing awful things, it’s not really because he’s a consummately bad person or has no reason for doing what he does. I don’t think all of his writing is great or even good, and he’s been wildly inconsistent for periods over the years, but he seems to have finally found a place where he can find some blessed consistency and appreciation.

Aside from that garbage Iceman series that will be gone and not missed very soon, which seemed not to get the memo that Daken couldn’t be a villain running the Hellfire Club while at the same time being kidnapped by a group of Laura’s foes, but whatever. Like I said, that series is gone and soon to be forgotten, and it’s good riddance to bad rubbish.

We’re looking at the good Daken appearances recently, and they just so happen to be in All-New Wolverine.

Marjorie Liu did some solid work with Daken, even if I didn’t agree with her direction at all times, and the crossover between him and X-23 called “Collision” was an interesting look at the characters. Liu’s run on the X-23 series, which is really in many ways a precursor to All-New Wolverine, gave her a lot more to work with than the typical runaround she’d been given in most of the other titles. Before Liu got to do things with Laura and develop her as a person (and at the time, also developing Gambit in a way that treated him like a person and not the embarrassing caricature people have exaggerated from foggy memories of the 90s X-Men cartoon), she really wasn’t much more than Wolverine, but with tits. That was it. She couldn’t really outrun her stigma, because she was just another piece of window dressing from Logan’s titles.

But it’s important to note that Daken, too, really didn’t flourish until he got out from the shadow, out from Logan’s titles, and did something else.

Not Wolverines, because god knows that was hot garbage that turned into a dumpster fire, and I’m pretty sure nobody had any idea what the hell was going on by the end. It was about enough to make me throw my hands up and walk away again.

But writer Tom Taylor wisely just handwaves Wolverines and tosses Daken into the story “Immune” as a spectacular and dramatic appearance, and that makes all the difference. What went before is addressed, touched upon, and then moved past, and we see that Daken is also has developed as a person since the frankly lackluster, incoherent writing of Wolverines.

I found myself actually caring about Laura as a person, more and more, because while there is a kind of naiveté in Taylor’s writing, it’s the kind that makes you want to believe in it. It’s the way things really should be, and the way I’d like them to be, as someone who has read superhero comics for far longer than is probably wise.

Full of Character

The characters are engaging and enjoyable, and I like the fact that they also have humor in their interactions. I’ve said it many times before: without at least some humor, things are not only unpleasant, but also unrealistic and difficult to believe. Utterly humorless events only tempt resistance from an audience, and speaking plainly, it’s just silly to have a genre so steeped in action and the outrageous take itself too seriously.

All-New Wolverine, however, knows its audience. As seen here, there’s plenty of mixing it up and making things different from how they have been up to now, but there’s also a consistency that is comfortable. These aren’t the clunky female characters written clearly to pander, or to tempt people into arguments over genitalia or hormones or anything else. It probably happens, and I’m lucky not to have seen it, but the characters in All-New Wolverine have solid personalities and relate to each other like people. And nicely enough, even though there’s no such thing as black and white in Logan’s circles, the characters have redeeming qualities and make you want to like them.

And I’m not going to lie here, I think one of the best things about the title right now is the fact that “our” universe’s Logan is dead, dead, dead. The X-titles, Logan, and Charles Xavier all need a hard time out so that things can do a little soft resetting and they can slip back in and not be horrible, ruined characters impossible to like, as they are now. I think the “Death of Wolverine” thing they did around it was stupid and tacky, but I always think that of death events, and they should’ve learned this long ago: death is not an event, and killing off a character shouldn’t be made into one.

But that’s a conversation for another day.

All-New Wolverine’s “Immune” storyline places Laura at ground zero of a super-infectious alien disease and, through it, showcases really what defines the character under Taylor’s direction as a writer. It’s especially nice to see her show not a pandering sort of sensitivity, but instead emotion easy to identify with, which makes it easier to sympathize with her. It gives her more personality and character, as well as strength of character; her interactions with Daken and Gabby humanize her, which is something that has always been needed.

She spent too long coasting on nothing but the fact that she was Wolverine, but with tits. Even Liu’s stretch still relied at times on the fact that Laura wasn’t sure if she had a soul, which while engaging, is still a fairly done-to-death story. The clone who isn’t sure if she has a soul, the clone trying to determine her place in a world that also contains the person she was cloned from, the clone trying to figure out who she is when that person is suddenly gone -- they’re all potentially interesting starts, premises, beginnings, but they were most of the story for a long while. Too long.

Gabby is great, not to mention hilarious, and it really delighted me that they have a pet wolverine named Jonathan, who accompanies them on their adventures. Some might bristle at the thought of a team of Wolverine-themed characters having what amounts to a mascot, but it really makes them a lot easier to sympathize with, not to mention a lot more fun. A mascot, or even just a cute animal, is an appealing feature that, again, humanizes characters through their relations.

The especially nice thing is that, even though I came for Daken, I stayed for Daken’s interactions with Laura and Gabby. They form a great core to the team of similarly-themed characters, and there’s so much that is said between them that hasn’t been even mentioned before. It’s like nobody ever thought about half of the things Taylor does, with what he works into the dialogue. 

The title also isn’t afraid to show a bit of genre-awareness, but it knows moderation. This isn’t like the adventures of Deadpool or She-Hulk, which overtly show existential awareness and depend on (frequently absent) clever writing. All-New Wolverine is not a parody, but it can at times examine itself and shorthand that is rarely questioned and, by doing so, makes it easier to swallow.

It also doesn’t skimp on the Daken. And to be sure, Logan’s always been prone to nudity in his titles. There used to go hardly a month between seeing his hairy ass in something or other. So it’s nice to see it being used for something beautiful and even inspiring. I like the art a great deal, especially with the “Orphans of X” story, and what’s more, I respect them taking advantage of having Daken in the title to contribute a little heart-thumping eye candy.

But it’s not exploitation, it actually has a purpose and the art is really quite beautiful, like the sequence where he heals his arm back. It examines, in a way that only comics can, a zen meditative philosophy.

There’s unpleasant and violent stuff in All-New Wolverine, of course, but it’s not the tacky, gaudy, just plain nasty nonsense that seemed ubiquitous and overdone in the first decade of the 2000s. It has a purpose, and it has a role.

The Bad and the Good

It’s not all perfect, though. I will say that Taylor seriously needs to develop his pacing. Things take a long time to get moving, then reach a climax...and bunches of things happen between issues that would have been better dealt with at length instead of some of the things that were drawn out. He’s not the best at crafting a satisfying end to stories either, though it is important to note that his resolutions aren’t unsatisfying...they’re just not entirely satisfying either.

In “Hive”, which is basically the second leg of “Immune”, Laura goes into space with the Guardians of the Galaxy and fights the Brood. Things roll gradually in parts, then seem to pick up way too much speed. Events get a little confusing, and sometimes people seem not to say or do things because if they do, it will require the writer to develop those points. But in not doing them and not addressing some of them, it makes for a weaker story, with less impact.

I will totally admit, I laughed out loud at the resolution to “Hive”. It was the funniest thing I’d seen in a long time, and I’m probably a horrible person for that. It did actually give a fairly fulfilling ending, but it also failed to deal with several of the other issues brought up by the proceedings. The question was just never as simple as it’s often regarded by the story and its participating characters, and sometimes the unaddressed issues are the most glaring and most obvious when you’re reading it.

“Orphans of X” is exciting, thrilling, entertaining, and develops the characters significantly, every one of them. But it also has tacky turns and, in its extremely naive finale, seems to ignore the serious problems that it presented repeatedly before getting there. It’s too facile a resolution, and it’s one that is impossible to really accept; it can only be a temporary solution, because these people are not trustworthy or reliable, and they can’t be depended on. It makes Laura look a bit stupid for it, and it also damages the credibility of the proceedings somewhat.

But if you think about it in less of a “compare to real life” way and more of a “think of how superheroes are supposed to be” one, it’s a lot more agreeable. Honestly, it’s how things should go. People should be able to come together and make sense to each other. People who have been victimized by others should be able to unite against those others and be stronger for the experience, instead of fighting amongst themselves. Superheroes are supposed to inspire others to greatness; they are supposed to inspire bravery and courage, dignity and integrity, and all the majestic things that they show overtly, which we all must try to metaphorically exercise in things like strength of character and personal integrity, mercy, kindness, empathy, and a refusal to give up even when the odds are against us.

From Vat to Very Fond

So for the time being, I’ll just accept it that way. It’s not a perfect story, and neither is “Immune”/”Hive”, but they’re entertaining, the characters involved most all benefit from and are enriched by their inclusion, and I genuinely liked the comics. I enjoyed reading them.

I liked Laura. I’ve started to find her genuinely engaging and interesting as a character, for the first time since she came into being. Do I think she’s good to carry a title by herself? No! Not at all. But that’s also not the point of who she is. She’s not supposed to be alone. She functions better in a family, and the family dynamic is what makes her so much more interesting.

She’s fascinating in how she interacts with the others she is so close to, like Gabby and Daken. They all enrich each other, and they grow as characters in this mutually beneficial relationship.

I feel the same way about Batman, for example. There are plenty of characters who just aren’t really that compelling or interesting when they’re alone, or they’re fundamentally not likable. Batman needs a Bat-family, because he’s dull as a beige room when he doesn’t have anyone to interact with but his enemies.

Laura needs a Wolverine-family.

With Jonathan too, because he’s just too wonderful to leave out.

Many, even most, characters should not be in a title totally alone. There are remarkably few characters who can really carry a story solo, and a lot of those stories are just not interesting. Logan is one of those characters who has never been that interesting, but he’s been an extension of so much straight boy insecurity that he’s become indispensable to Marvel. In a similar manner, Batman has become so overblown and oversold that it’s a miracle when, in stories like The Hiketeia, he actually is dealt with realistically.

We do need an escape, and we need characters we can identify with, even vicariously live through. I’m not going to deny insecure people their escapes.

But I think the time has come, and I think it’s shown in the quality of the writing, the solidness of the art, and the sheer enjoyability of the whole product, that All-New Wolverine has at least a promising start of maybe bringing us something new and better in superheroes. It’s not perfect, but it’s the first title I’ve read in years that made me want to follow it and had me waiting eagerly, not dreading, the next issue.

I sincerely hope that Taylor can keep up his quality. He’s made me care about a character I despised for years and then felt neutral about for years more. He writes Daken beautifully and makes me fall in love with the character all over again. And of course, Gabby is a wonderful character rather than the annoying young character she could be, and Jonathan the wolverine is delightful.

In the words of RuPaul, Tom, don’t fuck this up!

Because you’ve made this jaded comic fan, who once upon a time was completely done with superhero comics, believe that good things are possible again. And you did it with the Wolverine title and X-23...two things that were among my least favorite in the world.

It’s worth checking out All-New Wolverine. Now if we can only have that kind of excellence in the X-titles so that people will actually give a fuck about the X-Men again, instead of being embarrassed they exist in the same universe at the moment.

But baby steps. Baby steps.