#also stop going on reddit people- thats where the original thing came from

[equallyshaw]

i hope whoever started those corey perry rumors...get hit with some large defamation lawsuits because wtf

[masterspider5]

huh.

Alright this wasn't some super highly reinforced belief i had, i don't remember exactly who told me this but i just sorta assumed it was probably correct and went on with my life. So i'm going go digging to see if there's any proof to what i said. First of all there's actually two people behind the duck song; the music creator Bryant Oden, and the Animator Forrest Whaley/forrestfire101. I started by looking into Forrest to see if that's where the claim originated.

However, far as i can tell from my research there doesn't appear to be any evidence of Forest doing or saying anything racist; the only controverial thing i can find about them is a lego forum page from 2012 that suggests forest got into a heated discussion over the "proper treatment" of lego pieces and said some vulgar things in his youtube comments. Speaking of his channel i can't find anything suggesting he holds these kind of views at a glance, he has some very old sketches that have some poorly aged gay jokes but thats about it really, to my surprise he's still uploading lego stop motion videos which is cool. I did find this reddit post from 2019, but this isn't exactly a credible source and i mean read it, not exactly compelling evidence. However: the text got reposted to r/copypasta the next day, and likely spread around after that, so this might be where the idea of the song being racist/made by a racist comes from?

On to Bryant Oden, whom i could find substantially less infomation on. It appears this mans only public contributions are the duck song, its sequels... and a live action Italian adaptation of the song called "Limonata e l'immortalità dell'anima"... there's probably a fascinating story about why that exists. Bryant also worked with Forrest again on a 2022 version of the duck song that i can't find, and just a month ago the two collaberated again on a Christmas version of the duck song, which was wild to learn about.

Obviously there's no clear racist meanings to any of the duck songs, unless there's some deep hidden metaphore within the image of a mallard pestering people daily about the status of grapes. My best bet for how i came to believe this is from a friend seeing the copypasta, not realising it wasn't true or not properly reading it, and passing the info onto me who also didn't do any research on the topic until now.

I'm sorry for claiming the duck song was made by a racist. I should've realised that was too serious a claim to just throw out without properly researching if it was true or not, especially with how little 'evidence' there is to support it. I should've known better. Thank you @octobrushwizard for asking me for proof and sparking this surprisingly lengthy and informative post

[cosmosrival]

there it is! kama interlude analysis by a kama fan!

WELL. LIKE IT SAYS IN THE TITLE: this is just my own thoughts!! youre free to think whatever u want !! i am just putting my own knowledge into words because i genuinely love kama, and i would like for kama’s depth to be understood by the NA fandom a little more!! i try to stay as close as possible to their character in everything i do because i believe that the more in character they are, the funnier/more interesting content ppl will produce. 

and hopefully i understood them well ???!!!! HOPEFULLY ?!

i will be screenshotting the translated reddit post under this read more and stop whenever something i find interesting to develop pops up ! or else it’ll get way too long lol if you wanna read the interlude for yourself heres the link!

with that said, let’s go!!

kama’s interlude begins with guda passing the hell out because of exhaustion and then waking up in a dream sequence where kama treats them to some relaxing adventures, stuff to take their mind off heavy things!! first dream sequence is kama roleplaying a highschool setting where they’re dating.

i like this because they openly admit that its an illusion, breaking the immersion but as long as youre okay with roleplaying, they’ll continue it LOL  at some point, caesar mentions the student council president and arjuna appears behind him 

since this is an illusion that kama made, i’ve been wondering about the fact that the way servants conduct eachother in this interlude is mostly because that’s how kama envisions they would act in a highschool setting, in an amusement park and finally with eachother (mostly for confirmed couples such as siegbryn, consort yu and her hubby etc...). suzuka and sei being gyarus is obvious, but arjuna as the student council president... is so cute???!!! i MEAN IT FITS ?! THATS A GREAT IDEA KAMA!!!! ANYWAY

this is kama’s first monologue and since they’re primarily the god of lust, all of the more vanilla stuff they mentions such as sharing a pair of headphones embarrasses them since its so tame. ITS CUTE !!! kama expects you to be horny in class !! what are you doing thinking about hand holding !!! medusa saves u from that tho with a direct reference to her relationship with kama’s vessel 

this is interesting !! and reassuring !!! i think that kama as a character has a lot of depth and just reducing them to “sakura” would be a waste and this interlude shows how different they are from her. but they’re also similar! sakura went through a lot just like medusa says and kama does have trauma related to shiva. its not the same circumstances but the same kind of suffering which explains the nuance here. and what i like about chaldea is that there’s been multiple instances where its been proven that servants can grow thanks to their relationships with guda (most common example: leveling up your bonds) BUT ALSO, saint graph evolution (alts). and as a kama fan i’d like to see them happy someday and this interlude as a whole is proof of their healing/coping because of the time they spent in chaldea and how they interact with others. more on that later ! here, they don’t recognize medusa which is normal since they’re not sakura (someone else entierly), but...

they care about her ! because of sakura’s influence being a part of the servant called Kama(assassin). the difference here is important !! but i’ll come back on this in a bit. quick mention to the greek cupid <3 kamadusa nation we were fed (i clap by myself because im the only one who has 57575757557 kama rarepairs-----)

kama is a delinquent whos horny in class but still takes a few notes, enough to do well on their tests! and thats tea<3 smart horny lazyass !! theyre a gift

SO ARJUNA WAS OUT FOR BLOOD ????? ANYWAY, this is right after the actual fight against weirdo terrorists, and im happy to know that kama DOES enjoy a good fight (as proven in their voicelines as well) but theyre not a farming unit because it’d be too much work (single target NP..)...!!!!!!! lavish god of love.... 

FINALLYYYYYYYYYYY THE REAL DEAL !!!!!!!!!!!! “it feels wonderful to be your girlfriend” christ, kamadeva was so used to being a husband and a good lover, it reflected in their servant version.... but ree what do u mean by servant version???

I MEAN THE OBVIOUS !! kama explains it very well in the screenie just above ! 

“You know very well how servants work.”

KAMA ASSASSIN (the servant in your chaldea) is neither KAMADEVA or SAKURA MATOU or MARA. they’re a MIX OF PARTS OF THE THREE. creating an entierly new person(in this case, servant) !!!! it might sound like i’m repeating myself, but this is important!!!!!!!!! i will say this multiple times so people remember it !!! and if u already had this figured out: GOOD JOB I LOVE U !!!

Kamadeva (the god) has many stories, ones where he was born from concepts (dharma and shraddha), one where his parents are brahma and sarasvati, one where his parents are vishnu and lakshmi, stories about his reincarnation after his death where his parents are krishna and rukmini, his love with Rati and so on. We all know Sakura’s backstory since this is nasuverse. And Mara is a demon, an entity that tried to corrupt Buddha and prevent him from reaching enlightenment/stray from the path. Kama assassin has parts from all of these entities which explains why they have a vague longing for Rati, why they have a soft spot for Medusa and why they have an affinity with Kiara(and also like talking about corrupting u !). 

they then mention how a japanese highschool setting is fun and all i have to say is: i’m gonna make an indo fam delinquent vs student council au out of this one folks !!!!!!!! i gotta !!! 

OK next

TIME FOR THE SECOND DREAM SEQUENCE WHICH I WAS VERY VERY VERRRRRRRRRRYYYYYYYYYYYYY AFRAID OF BEFORE THE TRANSLATION CAME OUT.

THE PART WHERE KAMA ACTS LIKE YOUR CHILD.

well with their stage 1 it was expected but without the translation i have to say that i was scared shitless! because people hate thinking! and even if kama clearly tells you that it’s a charade, u know a JOKE. A DREAM SEQUENCE. DONT BE A CREEP. KAMA INTENDED FOR IT TO BE WHOLESOME. i know some ppl wont use their brains. but u know its fgo and degenerates are everywhere. 

anyways. family bonding time ensues until another monologue appears!!

exactly like before, kama mentions myths that belonged to kamadeva. Meaning that the Kama in our chaldea isn’t the Kamadeva we know and is not Pradyumna either but the fact that the writers chose to have kama acknowledge it is very reassuring !!! Because it means that they’ve chosen to make it a part of their (complicated) history. Kama says that Pradyumna is the myth about themself they know the least, once again proving us that the Kama in our Chaldea (Assassin) is a different entity and that they were summoned to the throne upon their death, the moment they were burned by Shiva’s flames and became Ananga, in any case they’re still familiar with all of their own myths. it allows us to keep heroic spirits separate from their original myths. Obviously! And in the case of pseudo-servants, it allows us to keep them separate from their vessels. Cuz this is a fanservice japanese game. Andddd the fandom likes forgetting this fact quite a lot i’ve noticed. As a person who loves thinking about tons and tons of headcanons for fun, this allows us a lot of space ! Because this is fate/grand order at its base. Nasuverse. 

I’m glad that the interlude explains it so clearly, it’s very good !! Because the majority of myths from every culture are confusing, family trees are confusing, names are confusing, powers and attributes are confusing... its a mess !!!! the fgo characters we know are just cut from their own respective timelines/historial figures so the writers can organize themselves more easily. Like cutting halves from a big cake. Kama (Assassin) is the Kama that died from Shiva’s flames and became the universe ONLY. In Nasuverse, Arthur Pendragon is a woman. Anastasia Romanov NEVER had a demon familiar named Viy in real life despite the creature being part of russian folklore. u know ! im russian i can testify dude !! 

hopefully everyone got this bc i wont be explaining this any further dude, its exhausting !!!!!! bangs my hands on the table !!!!! 

ANYWAYS kama mentions “eternal pain that turns [them] into ash” being their key element. Their trauma is at the center of their heroic spirit self, what they are as a servant. This suffering is tied to everything they do, why they’re so lazy, why they’re so lax, why they’re so detached from their job.  But they’re not detached from their role. And “job” and “role” have different connotations here. They refuse to work as a cupid because of obvious reasons. BUT. They’re not detached from their role as the God of Love, as the God of Passion. The embodiment of those feelings. This whole interlude is proof ! They’re giving u free therapy because they Love you. Passion. They feel your love. Passion. They acknowledge how much fun you’re having. How passionate you are about certain things. They might seem extremely detached and hateful, but they aren’t. They’re one of the most empathetic servants there is. And their ability to love everything, even the things they hate is what makes them so miserable. Because it’s a part of them. Because the concept of Kama in hinduism is linked to them. Be it lust or simply the passion born from anything you do where you’re enjoying yourself. (quote:  “ the term also refers to any sensory enjoyment, emotional attraction and aesthetic pleasure such as from arts, dance, music, painting, sculpture and nature “. R. Prasad (2008), History of Science, Philosophy and Culture in Indian Civilization )

... I’d like to say that this contrast with Mara is interesting. And that i’m glad the writers chose to add in Mara to the kama assassin Beast mix. 

Because the anger Mara feels can become a drivepoint for Kama. I’ve always believed that anger and sadness are two sides of the same coin, it’d explain how layered Kama is and how valid their emotions are. Constantly torn between love and hate. An eternal grudge (i don’t deserve to be hurt like this) and an eternal misery(maybe i do deserve to be hurt like this). 

i wish they were my roommate <3 oh fuck ree got emotional wait where were we.

OH YEAH

i think kama saying that they dislike being involved with other indian servants because theyre linked to shiva is a feeble attempt at trying to keep up a strong front because they still love them in the end. cuz that’s how kama is ! after a while they’ll get bored of bullying ganesha and ashwatthama. they’ll get interested in rama because their respective mythos are linked even if their servant selves have no connection. hell, at the end of the interlude they talk about parvati and how they themself changed and realized things. BUT OH WELL, THATS STUFF FOR ANOTHER POST HEHE thats just ree wanting kama to b happy yall move along !!

.....THIS ISNT A COLLEGE STUDENTS ROLEPLAY BUT ITS A CUTE JAPANESE COMPANY BOSS/UNDERLING SETTING AND ITS CUTE SO I THINK KAMA WEARING A PENCIL SKIRT AND POURING U ALCOHOL IS CUTE. CUTE.

further proof of kama’s overflowing affection and what i detailed above!! hopefully u all knew this one simply from reading this interlude/their profile page and dont need me to write it down for u. HOPEFULLY !!!!!

(I START BEATBOXING VERY RAPIDLY AND RUNNING TOWARDS YOU) KAMA IS A SADIST AT THEIR CORE AND I WILL NEVER STOP !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! they’re easy to fluster because theyre not used to being so vanilla, but whats underneath is how they truly are !! a beast turned servant, the sweetest sadist !! theyre very mature and this interlude is so well written (wipes my teears

this is directly linked to what i explained above, by burning you away, you’ll melt into nothingness just like they did. When they were the universe, they felt both everything and nothing. 

But was it really relief ... ?

... IT WASNT.

AND PARVATI SAVES THE DAY !!!!!!! phew!! thank u paru, it’d still like to be able to touch kama’s huge titties and i cant do that if i turn into ashes (falls down the stairs

ok she summoned lovey dovey canon couples to annoy kama since they’re exhausted of seein them!!

...............(I TAKE OUT A KNIFE) TAKE THAT BACK. DONT TALK TO THEM LIKE THAT. TAKE THAT BACK !!!!!!!!!!!!!!!!!! 

ohhhhhh im obsessed i love when theyre angry<3 i love when theyre fighty <3 i think they should beat the living shit out of a boxing bag DAILY to let out some of this steam. they’d be a monster on the ring... aaa kama in training boot y shorts aa a .. .uughg hg ouu... (you all shove me into a locker)

ok this is interesting !! i think that the interlude showing us that parvati feels a semblance of guilt is character dev. proof for what i mentioned before!! in ookuu parvati felt quite ..unsympathetic to me, even if kama is a beast who wants to annihilate humanity, when u think about it, at their core their grudge is because of her and shiva’s betrayal. and here, she properly apologizes for making kama so upset. this is heartwarming to me since i dislike thinking that members of the indo fam hate eachother :( same goes for arjuna and karna, at some point i’d like for them to act like bros normally and finally be comfy. but anyways !!

u wake up from the dreams and da vinci, mashu and paru are here to tell u whats going on. But its fine bc u remember everything and u have to go thank someone for helping u out!!!

CUTE !!!!!!! THEY CARE ABOUT U !!!!!! but whether it be because of their role or because theres a deeper meaning is entierly up to your own interpretation because...

of what they say here. 

and here !! 

ohhhhhhhhh this is so important !!!!!!

this is actual proof of kama’s growth as a servant and how servants evolve in chaldea !! chaldea is not the same as a grail war, its a special, cut-off place and thats what makes it even more relaxing to think about. Everytime u summon a servant in ur chaldea u give them a chance to have fun with you, to have fun with other servants, to make amends, to start from scratch, to discover things they would’ve never known in their time (movies, video games, tons of different foods etc...), u give them a chance to relax. to grow !! this is the headcanon that im most attached to and im glad to see it be confirmed in the interlude of a character i love tbqh i had to stop and talk about that.

everyone say thank u kama !! can we roleplay a college roommate coffee shop slowburn au next time <3 

ANYWAYS if you’ve read it this far: thank you !!! im sorry if you expected something very serious, im not that type of person hehe im jus here to have fun and look at things i like, and the interlude itself was quite lighthearted and refreshing. By talking about the myths and all of kamadeva’s stories, the writers basically gave lore nerds a huge thumbs up like... “its ok now !! u can go ape now !! go be insane<3 love u<3″ and all of this kama characterization GENUINELY makes me so happy because i think they really needed that. kama assassin... (i blow a kiss to the sky) is a little mess of a servant... a god, human crumbs and a demon... a total mess... im in love with them...

..............tho now the wait for a summer alt where they interact with the entire indo fam begins (im sitting in a chair unmoving)(i have a gun in case minase begins acting gross

[justalitlecreacher]

I’m here to prove that Andrew Garfield’s portrayal of Spider-man/peter parker in The Amazing Spider-Man is objectively the best love action adaptation of the character. In this essay I will....(yes this is really happening)

Edit: 10/20/20- i want to indulge myself in spiderman content but finding non mcu spiderman content is exhausting so imma update this instead

TL;DR

Andrew Garfield is my favorite of the 3 Spider-Man actors. TAS’s Peter is more fun and dynamic than the cookie cutter “shy introverted nerd that has a crush on a girl who’s way out of his league” Peter in Tobey Maguire’s movies. I enjoy Tom Holland’s portrayal of the character, but hate the way Disney has written the movies.  I enjoy the characters, plot, and humor of The Amazing Spider-Man far more than the other 2, and i deeply wish we had gotten the third movie with the canon BIder-Man of Andrew’s (and my) dreams.

[DISCLAIMER: I HAVE NOT SEEN THE AMAZING SPIDERMAN 2 OR ANY MCU SPIDERMAN MOVIES OUTSIDE OF CLIPS AND REVIEWS ITS ALSO BEEN A VERY HOT MINUTE SINCE IVE SEEN A TOBEY MAGUIRE MOVIE]

Characterization

  Most arguments against Andrew Garfield’s Spidey( AG’s from now on) begin and ends with “he was a good Spider-Man but a bad Peter Parker”. This references an outdated post comparing all three Spidey actors.(Id attach the image here but i dont want the post to be too long(thats a lie this is so long what am i doing with my life)) The post also claims that Tobey played a good Peter and a poor Spidey; and that Tom is good at both “roles”.(Honestly I think it seems silly that this seems obey the “third time’s the charm” rule but thats just me).  Most people using this seem to be Tobey stans who have forgotten or ignored the rest of the post funnily enough, but the ones that go further into the WHY AG is a poor Peter are also incorrect. This argument also ignores the idea that there can be more than one version of Peter Parker which is blatantly incorrect.  Just look at Into the Spiderverse or the PS4 game; these provide 4(5 if you count the pig) versions of Peter themselves, and that doesnt even include the comics. 

 Arguments that go further in depth claim that the AS Peter is too cool or well liked by his peer to be a “true” Peter Parker. The evidence for this seems to be that Peter has a skateboard.(which what? didnt realize that having a skateboard would instantly make you cool brb guys). Adding to that i dont really see where people get the idea that Peter is popular or well liked. While looking for complaints i found this qutoe from reddit(theyve since deleted it looks like but i’ll add a link in the notes) “He's angsty, pretty socially awkward, has an aptitude for science, and is kind of an outsider. He gets bullied by Flash and he gets his ass kicked after trying to stand up to Flash. He isn't a "cool" person in any way (until the ending, in which he's best buds with Flash, so I'll give you that). While Maguire is more accurate to the 60s comics where Peter in high school is just a fucking loser with basically no friends, in the ultimate comics, Peter is more of the kid who has a small amount of friends, but isn't popular.”. Honesty i fully agree with this because once again, other versions of a character are allowed to exist. You can dislike one version, but its silly to dislike something for not being exactly like another thing.

Ive also heard that Peter isnt “nerdy enough” in this movie which really doesnt make any sense considering the entire plot happens because Peter was looking into some of his parents’ research. If he wasn't interested in looking further into his father’s work what reason would he have to go to Oscorp where he’s bitten by the spider? Why would he have become Dr. Conner’s assistant? If he wasn’t intelligent how did he develop the web shooters?(something that Tobey!Peter doesn't have to do out of plot convenience might i add).  

 Another complaint i see is that the quips he uses in the movie(the first one specifically it seems) makes him seem like an asshole. Honestly thats a fair complaint, but i think its a good bit of characterization; espcially if he does get better about it in the second movie like the internet suggests.The Peter in this movie is a rightfully angsty teen; of course he acts a bit of an ass to criminals(also i feel like its important to mention that he’s like that to criminals? its not like hes being a dick for no reason).

  Compare this with the Tobey Maguire(TM) movies. Like i said i haven’t seen these in awhile but as far as i’m aware TM’s Peter doesn't really do anything particularly nerdy in the film? I may have forgotten something( ok in the scene before he gets bitten he knows a cool spider fact) but he doesn’t have to invent the web-shooters because they came with his powers and he’s only at Oscorp in the first place because it’s a school field trip that he appears to be taking photos for. This Peter does fit the definition of outcast(friendless and bullied for it), but honestly i just dont like him. He’s weird and something about the character makes me feel like i should be a little grossed out every time he looks at MJ at the beginning of the movie.  

   I honestly don’t have any complaints for Tom Holland’s(TH’s)Spidey. Tom is a great actor and from what ive seen i enjoy his portrayal of the character.( He made me cry when i character i actively dislike died).  

Story

  I cant really say much for TAS story. It’s interesting but nothing special really. However, there is one scene that i don’t think i’ve seen anything like since( the closest would probably be the train scene in the original trilogy). 

 The crane scene. Early in the film Peter saves a boy from a car that has fallen off of a bridge, and at the end of the movie this becomes relevant again when it is uncertain that Peter will be able to get to the lizard to stop him in time.(as Peter is already injured and pretty far from the lizard’s location). The boy’s father is then revealed to be a construction worker who recognizes that Spider-man is going to need help to get to the lizard; he remembers how Spider-Man saved his son and organizes the rest of the construction workers to build a path out of crane arms for SM to swing from. All of them are putting themselves in danger by not evacuating, but SM’s actions in the first act of the film motivate them to do what’s right. 

  I love this scene primarily because it highlights something that i think is a really important part of Spider-Man’s character; his connection to the people he saves. SM is often shown interacting with and chatting with the people he has saved after the fact. One comic shows Peter accidentally scaring some bullies and then taking the time to ride the bus to school with them to continue their conversation and educate the students on bullying.( There’s definitely more but this is off the top of my head).

  Another scene in TAS that i love is shortly before the crane scene when Peter is originally attempting to make his way across the city to stop the lizard, and he is shot down by the police. They manage to unmask him before Peter comes to his senses( he had just been shot and fallen pretty far out of the sky in his defense). From there Peter is able to deal with the police while keeping any of them from getting a good look at his face. The one cop he cant take out happens to be Gwen Stacey’s father who had previously had an argument with Peter about Spider-Man(Peter obviously on SM’s side and Mr. Stacey against SM). Peter turns and allows Captain(?) Stacey to see his face. I believe that this is an example of an unwilling identity reveal done right. i really enjoyed this moment because Peter had just shown that he likely could have gotten out of this encounter with his identity in tact as he had just taken down however many men. This implies that it was an active choice on Peter’s end to trust that Captain Stacey would ultimately do the right thing and allow Peter to go fight the Lizard, rather than a final desperate attempt to get away unscathed. Whether or not this interpretation of the scene is correct or not it still gives the character a bit more agency than some versions have done with their identity reveals.

  In Spider-Man 2 Peter starts to lose his powers because he’s having internal conflict about wether or not he should be Spider-Man. Honestly thats kinda neat and i might want to give that a rewatch. As for the one i have seen i don’t have any complaints. I do however prefer the way that Peter was bitten in TAS because it was a result of him poking around where he shouldn’t’ve been rather than him just happening to be standing in the right place for a spider to land on him. 

  Onto TH’s movies; the way Disney has treated Spidey in the MCU is why TH’s is my least favorite version of the character. I feel like too much of the story revolves around Iron Man; Iron Man made Peter’s suit and equipment, Iron Man introduces Peter to the MCU(via blackmail but thats another rant for another annoyingly long post), its Iron Man that “makes” Spidey in this universe rather than Spidey being self-made. In Homecoming(which remember i havent seen outside of clips so bear with me) most of the conflict is cause directly or indirectly by Tony’s refusal or inabilty to communicate with the teenager he’s meant to be mentoring

 For one the entire incident with the ferry could have very easily been avoided had Tony bothered to communicate with Peter enough to tell him that the situation was being taken care of. On top of that at the moive’s climax Peter is shown trying to get in contact with Happy(from what ive picked up isnt he a chauffeur? like idk his deal i just know he’s someone Peter got pawned off onto after Civil War). Peter even goes as far as to somehow hack into Happy’s phone(i think thats what happened it was a weird tech thing that shouldve been a red flag that the call was important though) but instead of listening; Peter is ignored. If this was a different kind of movie Peter literally could have died and itd be the fault of Happy and Tony like..... A large portion of conflict comes from characters being incompetent and not communicating and thats just poor storytelling.

Before this turns too much into an anti mcu rant id also like to say that the way they did Civil War was really dumb considering that Peter defects to Cap’s side in the comics, but whatever.

 Also i loathe the way they handled the identity reveal at the end of Far From Home. With MCU movies most people know to expect an end credits scene by now, but typically that scene is not important to understand what’s happening in the films; they just aren’t important. Putting an identity reveal here makes it seem significantly less important than it is. On top of that i dislike their use of J Jonah Jameson for this scene.

  JJJ is a character who has been repeatedly shown to have a genuinely good heart. All of his anger comes from a place of love for his city(he even says this hemself in the ps4 game when May writes in to tell him that he needs help). He hates Spider-Man because SM reminds him of the masked man who killed his wife; JJJ has never been able to get past that( and Peter’s antagonism of him definitely doesnt help) However, JJJ has been shown to care for people; he has a son who he often brags about, and one comic shows that JJJ is paying Peter for “amateur” quality photos because he knows that Peter is having a hard time and “just need some help”. JJJ has even learned Peter’s identity before and kept his secret for him(seriously though i cant remember the name of the comic but its defiantly worth the read), and in the original trilogy when Goblin threatens JJJ he claims that he doesn’t know who sends in the photos of Spidey because he does it via email( this is a lie). The MCU will have a very difficult time convincing me that JJJ would ever out a teenager’s identity and put him in danger like that. It goes too far against his character.(this could be hypocritical of me to say considering how i just insisted that multiple versions of a character can exist but whatever ¯\_(ツ)_/¯) 

This is accidentally turning into an MCU rant but id also like to say that i hate the lack of a TH!Spidey origin movie because it gives you no motivaion for Peter becoming SM or explanation of his powers; most people will know these things but if youre unfamiliar with the character its bound to be confusing(and im a sucker for origin movies)

[sole-cuore-amore-e-droga]

Suspiria remake review from a shitty movie-goer

(this review is posted too late so excuse me for some timing inaccuracies I couldn’t be arsed to edit)

(IF YOU HATE TL;DRS JUST SKIP AHEAD TO THE “THE REVIEW” PART. YOU’RE WELCOME)

I actually hate to admit why was I interested to watch this movie in the end, but for once SOMETHING motivated me to go to a movie after countless tries from my family to get me to watch something in theatres at a “reasonable time” (daytime is what they mean, this movie was at 8pm our time, and this is when the cross-city bus transport (it goes from one big city to another) stops doing their service lmao).

I myself have a lowkey interest in moviemaking (I’m already getting there by editing my phone-recorded videos because whatever). I come up with my concepts in my head and I am mostly willing to put them down somewhere in my computer so I don’t forget it years later if I want to make that concept a thing in the end (because none of my concepts are finalized... well except for one short horror-ish story I posted on DeviantArt (see mom, I do like some horror stuff!). Reddit as of lately inspired me to edit some of my movie’s plot-lines based on irl events (not related with anything too SJW), and I’m not sure how an usual movie-goer would see this concept but I am going to try to execute it... whenever I have enough equipment to shoot my own little films or skits or whatever.

What’s that? There are people who scrolled past this and already yell at me that “YOU ONLY WENT TO SEE THIS MOVIE BECAUSE OF THE MAN WHO COMPOSED THE SOUNDTRACK~~~”? Ugh yes you exposed me, tea all over. I even had “Street Spirit (Fade Out)” on a bit of a repeat as of lately (how fucking come I wasn’t too couragerous to listen to this song before?? And “Pyramid Song”??? Man am I discovering their pearl(ie)s(*) too late). And I’m occasionally on the band’s subreddit as well. And the man himself is touring ‘round the USA, signing material of fans and have genuinely warm chats with them. Admireable.

But that’s only half truth.

I never thought I’d see Suspiria on cinema theatres in here. Until one time when I saw an ad on a completely random Lithuanian website that said this movie is coming to our theatres 14 December... I couldn’t quite believe my eyes. I made my goal to see Suspiria since then. I even dared to ask a couple of my new college ‘friends’ to see it with me, but one of them fell off the deal when I revealed that I’ll be going to see it on Saturday, and on the weekends he’s usually at home, far away from the city the college is in (he lives in college dormitory on mostly the work-weekdays). So my only movie companion ended up to be this 28-year-old coursemate (actually we both study different things but sometimes we attend some of the same lectures) who was intrigued by the Suspiria trailer herself so at least I’m gonna have her by my side of the movie, so I thought. Sweet.

I already envisioned seeing this in a mall cinema theatre but my companion offered me a cheaper alternative - her suggested cinema theatre was actually in renovation so the business is temporarily happening inside an actual drama theatre’s long theatre hall. I had to wait long until the ticket box opened and because of that I was lowkey frustrated as I finished my English test writing a little earlier, so I spent my time walking around the city until the time came and I wandered off to the old building of the cinema so then I remembered it was moved and I found the moved place. Yeah I bought the tickets before my companion could but I’ll skip ahead to the time that I almost lost the tickets because they were put down on a windowsill outside some children activity centre (Suspiria and children?? lol). I came back home late at night and was ready for the movie to happen the next day. Oh and before buying the tickets I coincidentally saw dance classes going on nearby that building... weird, as Suspiria has dance elements in there

The day came (December 15) and my family went together with me because they saw this as an opportunity to see the Christmas tree of our city (but not the movie). Needless to say, they were still visibly pissed at me orchestrating this idea, as I planned everything BUT the transport to go by. Well at least my mom and my sis. Dad was cool with it as he returned home to watch Home Alone. Aside all that, the cinema hall was cozy, Christmassy, not too small, there were a few trailers before the movie, no snack-seller places (as this is not a mall lol) - my companion was glad she wasn't at the mall as she found this place where we were at way lovelier.

Now with all that unnecessary long intro off my chest, let’s begin:

THE REVIEW

(definitely not spoiler-free, if you are sensitive to spoilers please watch the movie for yourselves before reading my review. But if you like being spoiled, I’m your friend then I guess lmao)

The intro to the movie felt like I ended up booking a wrong movie - I didn't expect that to be set somewhere in Germany, especially an American/Italian-shot one. Was that a thing in the original Suspiria? I don't know... (apparently it is, but the cities are different, never the country though)

Patricia (I didn’t know it was Chloë Grace’s role until reading the Wiki) looked like to be a really big deal here, with the dance pupils discussing her disappearance the other day and Susie overheard them, then Sara mentioned the Patricia thing to Susie after Susie revealed she was kind of chosen as the lead dancer for the Volk play... is it because Patricia was THE saviour that unfortunately knew a little too much?? Idk, it’s perhaps the reason we get to see the Klemperer guy subplot happen (I didn’t know it was Tilda Swinton behind him all the time either, must be because the way the male German accent was put on her lol). Turned out she was captured and kept under some dungeon where Sara had gone later in the movie, but looking like an almost melted and grotesquely old human being (or if Mary’s mother from “Chocolate with Nuts” was a person). Speaking of which, there is one more later in the movie, but I won’t tell just yet - we will need to get into such scenes discussion first.

Interesting deaths here, despite of them being grotesque and horrifically detailed. It almost felt like Susie, whilst doing her first dance as the probable lead dancer, temporarily turned into Olga’s voodoo doll or a violent bloodbender (that old lady from Avatar that could bloodbend was incredibly uncanny, damn) and left Olga completely fucked up, and the foam mouth later on... is this the effect myxomatosis has on a human being if it was ever humanly? She was twitching and salivating afterall. :P But no, she’s not dead until she gets to plead her death later in the movie! :O Several others occur throughout, but none is more prominent than this key scene I described, well at least according to TV Tropes.

The search for the evil person in this movie without Wiki helping me much was definitely a nice game for me to play. I kept thinking that Blanc might be that one, then I thought she’s not the one until she looked at Carolina (I think that was the tall tomboy’s name??) suspiciously and then she later passed out on the floor violently, with rabies foam and everything.

Anyway, don’t tell me Tilda Swinton wouldn’t make out a pretty good Thom Yorke post-Pablo Honey. She’s 8 years older than him, ffs! Also played a man before (e.g.: this movie I’m talking about) so the make up won’t be an unjumpable-over hurdle.

The sighs were for sure unsettling, especially because they oddly sounded like orgasm here and there. IDK why. I know fucking is referenced twice in this movie (well only fucking once and sex another time). Speaking of random things, the nightmare shots were completely random themselves, following up with some imagery we never see in the movie again, and some of that we see only a little (like the worms and bloody organs).

3 long scenes that were note-worthy for me. One is the Olga mutilation/Susie's first dancing scene that I already noted, and it was driven by music (the others will be too. Soundtrack of this movie still rules). Then there's the Volk play itself - girls go from one place to another, take poses of each other, dance individually, let their minimalistic red rope dresses flick in the air, interspersed with Sara in the underneath area and her broken leg (so broken, the bone went out of her skin!), and then the matriarchy getting her back on stage, but healing her leg with her witch powers before that. I haven't really listened to the rest of the soundtrack but I gotta check the song out so that I won't end up labeling it as a Kid A reject. No but seriously - intense dancing needed some intense drumming and painful instrument sounds just to project out the massiveness of the whole play.

Then I keep remembering the scene where Madame Blanc commands Susie to jump higher and higher in the mirror hall, up until she jumps as highest as possible. Also my companion’s favourite scene was the stare exchange between these two ladies during the part where people were singing some drinking song in a bar to celebrate ‘Volk’’s success - you hear them singing and then some chilling background noise slowly mixing and creeping its way into the atmosphere, then I think it leads into a scene where some sparkling aura entity wakes Susie up (and she’s nude) in the middle of the night and gets her to go down to this... dungeon orgy full of random stuff going on, complete with an Asian man doing something beyond explanation (I could say lewd but not quite), even more strange ritual dancing and the very much frightening Madame Helga... who looked like Jabba the Hutt for some reason. And then of course everyone slitting, slashing and twisting each other, and by the end Susie throwing us all a plot twist which makes her THE evil one who can finally let her ‘friends’ go of all that suffering they have been through thanks to the damn witches (and yeah apparently her dance friends haven’t completely died? THAT’S how they do - they tell Susie to end their suffering and she does). Also she cracks her chest open to reveal a... very graphic part of a female body that will by no doubt get this whole text review reported without consent so I refrain from any illustrations. Oh and this scene mostly has the possibly favourite this movie’s soundtrack song of mine, if not one of them, play - titled Unmade. It was a mind-boggling decision to do so but the movie editors do them I suppose, but still. I felt sad for the song having to be the background of such absurd but fair enough events? (Oh and I didn’t mention that everyone who voted for the other woman than Madame Blanc to be the leader of the witches (iirc) were rid of in this movie. Damn.)

Oh and the ending is rather an interesting detail, not talking about post-credits because as always I have to be this one movie goer who wants to do it but can’t because they’re urged to go back out of the movie theater. We turn into modern day Germany with a love heart carved on a brick wall with the letters A and L (perhaps?? at the time of finishing this review my memory towards it kind of erased some parts of the movie for me), a nice little remembrance of Lutz’s (the old man’s) love for his dear Anke, with which they have reunited during the movie, but Lutz was dragged out by some people related to the dance academy for probably wandering elsewhere than needed and somehow Lutz ended up as one of the sex dungeon victims, stripped of clothing and lying down quite powerless. That and before the modern day shot we are subjected with Lutz in hospital with Susie coming to visit, they discuss something related to the plot, Susie touches the guy speaks some more, leaves and according to the Wiki, Lutz “suffers from a violent seizure” that was nothing more than just a hard seizure. And it even erases his memories!

Anyway, as a whole, I felt more underwhelmed of this movie’s experience despite really wanting to see it. Like, “uhm yeah gore blood people getting slashed everyone’s a witch and everyone’s watched over by the witch and if you expose the witches you die” kind of underwhelmed. I didn’t want this movie to blatantly go through my head, but it did, that’s why I wanted to make notes everytime something notable happens. There was one startling moment, and it just was an innocent scene transition. And something within Olga’s mutilation scene made me chuckle (and made some other people leave the cinema hall ASAP). It’s more of a disgusting watch than scary. Also feels too dragged out in parts.

I’d only recommend it if you are gore-tolerant (there are people that can’t stand looking at blood so this might as well not be for you, especially if you’re younger than 16), like intense choreos that can impact other people literally, and... the soundtrack. Yes of course. If you dare to get through the movie with feeling its soundtrack, sometimes you might as well feel it right, but some of the soundtrack song usages might as well make you go “hmm” as much as me.

I'll remind myself to never watch a movie in theaters for soundtrack again (unless they're not THAT late). And the other 'trilogy of the three witches' movie remakes, especially if they come out at the time I haven't moved houses by now, because for sure as hell will my parents not like me going to cinema late once more. The movie is lowkey 7 out of 10 for me, can sometimes it's on the verge of falling down to 6 becaude of no completely proper comprehension of some directing choices... so 6.7/10 is good - as it still has 6 in it, but totally leans on to the 7.

Will probably watch it again. I need to remember some more of this movie sometime later. And looking for online uploads of this movie is unrecommendable - I'll wait until Lionsgate distributes it to America for wider audiences so that anything could surface 2 months (or even a few days) later from now. Though if I didn't need all that, I'd definitely not watch it again for a long time... unfortunately I want to.

Post movie feelings: my companion liked the movie, initially said to never watch it again but now wants to watch it again because it was so "wtf" she felt like re-experiencing it at some point. She liked the music (another bonus point for Yorke). She wished she could film the reactions of other people who watched this, as they mostly were confused, all being like "wtf did I just watch???". I'm already feeling bad for the 3rd companion who didn't join us but would also like to watch this - he’ll likely be one of those confused movie-goers.