#also still a little mad about her design getting simplified

[cosmos-dot-semicolon]

so was I the only one who had her break my nonbinary egg or

[cut-content-contest]

Moonjumper

The jist of his character is that he is the corpse of a prince, and his two rivals are the princes ghost and the princes ex. The 3 fuckers want to rule over the same area so competition. Also moonjumper I think only appears on the horizon, meaning he is the only 2d character in a 3d game which is pretty dope.

They were a cut character that was originally supposed to be pretty important, but all we got was gamefiles of vague information, a flat character model, a bit of dialogue, and some music. That hasn't stopped many different and wildly unique headcanons, designs, and stories from taking shape from the original scraps of this one axed character.

The third area/chapter in the game had a much different story in its concept stage, and even though the level was designed enough to be playable for a demo, the devs decided to simplify the story for that area from three central characters to one and a half. Originally, he was a prince that met with a terrible fate at the hands of his obsessively jealous princess, and he somehow got trapped on the horizon without any memories of his original life, instead going mad. He was going to offer information about the area to help to the protagonist, though he really wants to manipulate and control her and everyone else into being unable to leave the area. Mj's backstory was ultimately given to the new central character, Snatcher (who also existed but got a bit of a personality shift with his new spotlight), his musical theme (and somewhat his design) repurposed for the game's item dealer, and MJ himself was removed from the game. Bits of the original story are still scattered around (a spectral body outline on the wall, a face painted in the attic of an icy manor, the scrapped explorable area that still exists out of bounds in the final version of the game, a broken tower), but the character only exists in mods, fanworks, and the concept artist for the original level fleshing out his ideas in art. He has a lot of speculation about his full backstory, abilities, and role, but there's very little sources to have anything beyond theories.

okay. so. let me give you the basis of a hat in time's third (or second during the time moonjumper still existed) chapter. evil ghost guy steals the protag's soul and makes her do shit for him and along the way you can get Lore on why he's a ghost and turns out Another ghost-like entity that you encounter in the chapter killed him while they were both Alive. its more detailed than that but that is Not the point. ok. ghost guy who steals your soul. his name is snatcher. ghost guy who Killed snatcher. her name is vanessa. Where does moonjumper come in you may be asking. well. ORIGINALLY moonjumper was in snatcher's place. but! snatcher also existed in the game at the same time as moonjumper- just with a different backstory. eventually, moonjumper was scrapped, and snatcher filled that role. there are So many things involving moonjumper that got just outright removed because of this. However. there are also things that Didnt get removed that are still in the game that can be traced back to moonjumper, mostly through his design being different from snatchers- moonjumper's design is much, much more closer to the design of moonjumper/snatcher while he was still alive opposed to snatcher, who is just a purple ghost noodle. but even then, their human design and moonjumper's design still have quite a few differences. many people in the fandom/fan community of a hat in time like to try and incorporate moonjumper back into the story, and everyone's different takes are always fun to see :)

He was originally to be the remains of the prince, and was to haunt (and I believe attempt to take over) Subcon Forest. I’m pretty sure he was scrapped because a) there would have been too much going on in that one region and b) Snatcher was the spirit of the prince and in charge of the forest, so maybe they decided it was a little weird to have two characters come from the same dead guy. Also he would 100% have been a tumblr sexyman

Moonjumper is a cut character from A Hat In Time. Originally, they were going to live in Subcon Forest, and have puppetmaster motifs. He was also going to be the prince killed by Vanessa. The motifs and being killed by Vanessa were instead given to Snatcher, my little scrunkle doo.

Apparently originally there were supposed to be three characters for the Subcon Forest level, Moonjumper was supposed to be the Prince in the original story, but was later replaced with the Snatcher, who wasn't the Prince in original story. He still had NPC files on the full release of the game, but it wasn't a model, rather just 2D image with particle effects

He was a scrapped antagonist for the level of Subcon forest! Moon Jumper was scrapped due to the Snatcher being the main character for subcon forest, and not having room for subplots. Early developer commentary states that the Moon Jumper was stuck in the horizon and that his role throughout the level of Subcon forest was to get Hat Kid to join him in the horizon.

wiki link: https://ahatintime.fandom.com/wiki/Moon_Jumper video: https://www.youtube.com/watch?v=mor-oR5ti9E showing off the NPC: https://www.youtube.com/watch?v=krHXy8afF74

Yosuke romance route

persona 4 has got this friendship/romance mechanic called "social links" which is basically just 10 events that you can choose to gradually level up for each sociable character in the game where you raise your relationships with said characters, which gives you various in-game boosts. most of the women in the game are able to be romanced. however, there is cut dialogue which implies that at some point, one of the male characters was meant to be a romance option as well! yosuke hanamura, the main character's best friend, has cut dialogue for his social link rank 10 event which is voiced (VOICED!! IN ENGLISH AND JAPANESE!! WHILE PEOPLE HAVE DENIED THIS SINCE THE ENGLISH VOICE LINES HAVE HIM SAYING "I LIKE YOU," IN THE JAPANESE VOICE LINES, HE IS EXPLICITLY CONFESSING TO YOU I'M PRETTY SURE!!) that implies that there was at some point going to be an option to romance him. it's assumed that this was cut somewhere later in development due to the lines being voice acted, though i believe that the reason this was cut has not been confirmed yet (though, seeing as how persona 4 was made in the 2000s....... you can probably just guess why lol)

there were unreleased voice lines that showed what was supposed to be a gay route for Persona 4 (there ARE Japanese lines for this as well, and the way in which the "I like you" part is said is the Japanese version of confessing to someone you have a crush on) and a lot of fans do agree that the protagonist is best paired with Yosuke for character development purposes, but it was probably scrapped because of homophobia 😭

Exactly what it says. Was likely scrapped because Atlus are COWARDS who didn't wanna give us the gay romance we deserved. It would have been so cute though I'm forever pissed it was scrapped...

We know it was programmed it. Yosuke is the only male character with dialogue flags, meaning you can fail his social link. The only other characters with these flags are the female love interests. Yosuke also has recorded, in both English and Japanese, final confession lines, something unique to max rank romance social links. This means it was likely scrapped very late in development. As the game also covers (badly) gender and sexuality, we can hypothesize that Yosuke's character arc was supposed to be overcoming internalized homophobia. Instead he just kinda stays "jokingly" homophobic and never grows past it.

The player would have been able to enter a romantic relationship with the character Yosuke Hanamura— text and voice lines for this option still exist within the game, and can be activated via modding. They even have proper translations, and the English versions of the lines are voiced as well, implying that the cut was made rather far into development. While this is a sad loss in its own right, it also has devastating implications in regards to the original state of other pieces of LGBT+ representation which may have also been scrapped and/or heavily modified to appear. For example, Kanji’s attraction to men and Naoto’s gender situation were both downplayed and/or walked back in the final version of the game, but it’s highly likely that Yukiko’s arc was originally intended to include more bisexual overtones, and arguments can be made for Rise’s arc being meant to center on the struggle to come to some sort of terms with her own sexuality and presentation in an industry that keeps such a tight hold on those aspects of its workers lives.

throughout the entirety of persona 4 (+golden), yosuke is portrayed to be the best friend of the protag, but also extremely homophobic towards another male character who was hinted at being gay (before atlus fucked that narrative up too). his social link hints at him having a crush on the protag, and he was intended to have a romantic route just like the female characters, but that was cut (not sure why). the whole game is about embracing the truth, including your hidden sides that you are ashamed to show to others, and having yosuke come to terms with his repressed homosexuality (& realizing that he has internalized homophobia) would have fit perfectly within that theme, but atlus said fuck that shit and cut that entire romance out. the cut dialogue can easily be found on youtube. the thing with this being cut out is that without the romance and coming to terms with his homosexuality, the only thing left of yosuke is being very homophobic. no one condems yosuke for what he says to the other male character, and it is never addressed beyond mere gags or jokes. it's horrible to sit through and honestly it was such a missed opportunity. it's such an issue that people have made a mod implementing a romantic route for yosuke just because of this. every day i mourn thinking of what could have been

This game explores many queer themes, but lacks any explicit queer relationships. The fact that file scrapers and modders discovered an unused voice line for one of the male characters that implies a romance option for him was cut from the final game makes queer fans feel let down, regardless of how groundbreaking the other queer plot points were at the time of release. It's speculated that it was cut because devs or localizers thought that it would be too much queer content in one game, and that it would affect sales and create too much controversy. I, however, believe that anyone who manages to get through the mandatory gay sauna dungeon would have had no stones to throw about an optional mlm romance.

The first party member in Persona 4, Yosuke Hanamura, was originally going to be a viable romantic partner once the player got far enough into his Social Link. This was removed rather late in development, as voiced lines for a scene where he and the protagonist begin dating were recorded in both Japanese and English. To this day, Persona 2: Innocent Sin remains the only Persona game where the protagonist can enter a gay relationship with another boy.

In this game you can choose to romance several people. There is cut voiced dialogue for a romance route for Yosuke, the main character's best friend, but in the final game he is not a romanceable character. Some are of the opinion that taking out the romance option for Yosuke removes the complexity from his character.

https://gamerant.com/persona-4-golden-mod-yosuke-romance/

[tomatograter]

What are your thoughts on JuneVris?

I like the ship, but sometimes I wonder if the romance is really There or if I just want to complete the Junevrisrezi Triad or w/e. I loved how their friendship developed over the course of homestuck, I just keep getting stuck on the pesterlog where June tells Vriska that she "kind of hates her". Ultimately they're still friendly after that, with June joking with Vriska by saying "if you ever need someone to punch you in the face again, I'll be there" and all that, but I wonder if June would ever really want a commited relationship with Vriska after that

June says a lot of negative things she doesn't fully mean or, if she means it, she has not taken into account how it will affect others; if jake is on the high end of the constantly-performing-for-acceptance spectrum, june is somewhere at the bottom.

The ease with which she can detach herself from her entire friendgroup and go into extended periods of complete isolation— marked by her friends worrying about her but that worry not being reciprocated, since she's mostly stewing on her own fog of bitter NEET malaise— is something that marks june's biggest flaw but also cements her story-role; she's the Protagonist. Things are secondary to her, not the other way around. She can tune the whole world out of her sight and focus only on whatever she deems worthy.

When she seeks affirmation and justification or even comfort, its not from her Fellow Friends, it's from the general cosmic ideal of... her doing something. The importance/meaning of her existence. The fact that She Needs To Do Something to fulfill her own abstract expectations, and keep busy. Of course our biggest point of comparison for this is when she's still not out to anyone, not even herself, so I'm partial to saying the self-actualization she desperately craves but can't even name has something to do with how she's transgender, and realizing that can be a great step 1 to getting out of that headspace, and moving on.

But related to the above statements and more closely tied with the purpose of your ask: June can and does designate certain people as stand-ins for why "things are going wrong" - and with nobody else to turn to safe for a big boss, these people are mostly her friends. This doesn't mean june is justified or right, and this also doesn't mean she doesn't truly love her friends, just that her feelings are easily overtaken by frustration, and from that frustration surges anger and spitefulness, a trait she closely shares with Jane.

They toe the flimsy line of meanness and arrogance, and sometimes blow up spectacularly. Their sense of inflated self-importance makes them transform everyone else in a liability, under the absolute lens of "I am justified, you are not."

June will holler to the skies that davesprite has somehow driven her out of her mind with his idiosyncrasies, and that her once favorite movies are truly fucking stupid shit for stupid fucking babies, and that roxy is a subhuman robot entirely out of her goddamn mind, and that vriska is a freak phony psycho she wants nothing to do with and is embarrassed to ever have liked; and she feels righteous in her fury. The excuses work, it doesn't matter if they're real. Make up a guy and get fucking mad at him! He's ruining your life! Doesn't that make you feel better? Doesn't that instantly give your life a clearer objective, and the assurance you are better than them? It's so easy. Here's a big red game target; catch it. kill it. scream at it.

It doesn't last, though. And in the aftermath the only thing it reveals is more of that same familiar emptiness.

The frustrations she has personified in her friends are still there, and they remain unaddressed, because the root often laid in june herself. She's mad her friends aren't exactly as she pictured them to be, or else she's mad at herself for ever making something out to be what it wasn't— or she's mad because she believed they could hold all the answers to make life better for her, but they don't.

The june-vriska example is particularly relevant because 'vriska' is part of june's dream of utter escapism; from seemingly nowhere, here comes a cool girl that knows exactly what june has to do always, and shes quirky, snippy, not like the other girls, and she has aaaaaaaall the answers. Except that personality shield has a complex and bloody backstory to all its 'epic' antics, and just as soon as vriska reveals her fragility the dream breaks a little. June has to cope with the fact vriska has flaws she cannot understand or justify, and after having looked up to her for so long she defaults to the emotion "maybe you always sucked after all." - it simplifies the situation. It makes her feel better about projection. That's where "I kind of hate you." comes from. She could have said 'i envy you/want to be you/am frustrated by you/disappointed in you' but the former is quicker.

The words 'June' and 'committed relationship' aren't really some i'd easily associate (She has a bit of a permanence=stagnation problem), but I do think her Protagonitis can only be put in check by the story's own favorite. Vriska can dish it out, and she has a backlog to argue she's important - if not MORE important than june, providing some perspective. Similarly, they can just sort of hang out sometimes and not feel utterly bored by each others presence, as they're picky in similar ways.

When I picture junevrisrezi, it is with june coming and going after vrisrezi have figured it out. They will always be a bit more partial to each other than they are to june, and june's drive to be constantly moving isn't exactly the same as two women who basically spent their childhoods in a murder-happy hellscape and could use a little slowing down, actually. It's not bad, they just have different priorities.

[beevean]

So, I started to watch Netflixvania, just to get the full context of... well, everything, from its fame to the grievances some fans have with it.

Season 1 was fairly boring, to be honest, but it was also mercifully short, so I don’t have much to say. It establishes the conflict, which is Dracula waging war on humanity due to his grief - and he’s the best part of the season.

Speaking of characters, we also get a good glimpse of Trevor, Sypha and Alucard! Trevor... kind of feels like a Guts halfway through his Black Swordsman-ization? He’s standoffish, perpetually sarcastic, and reluctant to save people, but he does so anyway out of his own sense of morality. He also becomes more heroic after shedding his huge, evil-looking cape. If it’s intentional, I like it. Also, he’s a drunkard, because #relatable. (not even worth comparing him to what little we see of him in CoD, where he’s far more noble and humble while still being a hothead - I’ll throw him a bone and say that it’s possible he could go through character development) Not much to say about Sypha, though, I only took that she cares very much about politeness lmao. I’m not even mad that she’s so powerful, she is canonically OP as hell :P Alucard, on the other hand, comes off as rather smug - he’s even called “floating vampire Jesus”.

(their designs are also good. While I slightly prefer Trevor’s CoD design because I’m biased :P I also like this more macho, gruffier version. He looks ready for combat and for travelling, although it’s a little odd how his shirt looks militaristic. Sypha wins by default due to her game designs being... lacking, but seriously, she’s pretty cute. Alucard is nearly identical to his game counterpart except his clothes are very simplified. Like, extremely simplified :P)

(... and I still think his face is rather uncanny, but hey)

Speaking of designs, I was rather weirded out by how the Belmont Clan became the Belmont House and talked about as if they were nobles. If it’s a reference to Leon, who I know exists in this lore, didn’t he give away his title? Shouldn’t the Belmonts before Trevor be known as “mere” vampire hunters, and gain fame after Trevor defeated Dracula? I know that this show picks and chooses what it wants to keep, and man I will rant about it in Season 2, but if it kept “the Belmont family was excommunicated by the Church”, I don’t understand what making the family noble accomplishes, other than giving Trevor a fancy shirt.

Speaking of random canon changes, Sypha insists that she’s not a witch, but a “Speaker”, which is apparently a nomad scholar. Sypha can just use magic for some reason. I prefer the games’ approach of calling every female magic user a witch, whether affiliated with good or evil.

I was rather annoyed by how edgy the series wants to be. I could just laugh when the Vampire Killer somehow yeeted away a whole eye lmao, talk about trying too hard. Flying guts don’t shock me anymore, and the frequent mentions of piss are just tasteless for the sake of tasteless. Sorry, Sypha joking that she could make Trevor drink her pee doesn’t make her funny. And I know it doesn’t get better :^)

Also, Church bad. We get it. I browse Reddit too. (and it’s the wrong church to boot!) As mentioned before, the games have a more grey depiction of the Church: the Belmonts have heavy holy powers, but the Church has also done shady things like exiling the clan due to fear, and that’s not mentioning villains like Graham or Barlowe. Point is, “Church bad” is not enough to create an interesting moral conflict.

But who cares, when the fight scenes are the peak of the show? And yeah, I mean it. The animation is good, and becomes great during fights. While the first two Trevor fights were played for laughs as evidenced by the silly music, the Trevor vs. Alucard scene was where the budget clearly went. There was a lot of thought into it, some smart strategies from both of them, and yeah the whole thing was pure eyecandy. (the fanservice is pretty blatant too, and I appreciate the honesty)

Basically, all of this above? Made me feel I was watching a Berserk knockoff, who only took “edge! gore! religion bad!” out of it, and failed to include all the more complex terms like fatalism or determination.

I really don’t have much else to add. The plot... isn’t there! These 100 minutes or so have been nothing but exposition and establishing the set up. We saw Dracula’s origin story, we got introduced to the main protagonists, and we saw that Church bad. And to think I thought the pacing would be rushed based on the first episode, where we didn’t even see Dracula and Lisa’s relationship before she gets executed - we go from Dracula saying that he might like her to her at the stake! I wonder how people felt when this first came out.

Season 2 is where things will get interesting. Not only because many more elements will be introduced, and the plot will move along, but...

I can’t wait to have Words about you two :)

[whatwillyoudodifferently]

Look, Louts! Lilies! - Yuri For A Hope-Flung Present and Hopeful Future

Look, I’ll be frank. I typically try to keep to a more formal tone when I write for this blog. I’m not in a formal mood. It is June October 2020, and I, like the rest of you, have been under quarantine for a little over three almost seven months now due to the Covid-19 virus. Throw in a eensy, teensy bit of massive political movements and change in response to police violence and racism, and an increase of police violence and racism in response to those movements, and I think it’s fair to say it’s been a tumultuous couple of months. Except, strangely, it also hasn’t been, because so much of this time has been characterized by ennui and isolation. Stressful, yet soul-numbing. In short, it’s been a very weird place to be in.

So, we’ve all found our different ways to cope. My sister’s way has been getting really into succulents(?), and my way has been buying digital manga and video games. I’ve finished stuff I’ve put off for literal years and bought stuff I had heard was good but wasn’t that hyped to get into. And somehow, the one thing I’ve really gotten into has been yuri? 

Now, yuri has a very long and rich history, as well as its own sets of conventions and nuances, so it is with a great, great, GREAT deal of respect that I say that I’m going to simplify it for this essay as “Japanese media with a particular focus on romance between women” for brevity’s sake. If you want to know more, there’s actually quite a lot that’s been written about it in English, but I’m aiming this essay at English-speakers who have had at least a little experience with yuri and more than just passing knowledge.

Because you see, I’ve found that yuri fans have a lot of things to say about yuri! And a lot of those things really bug me!! “Yuri is only fetish quasi-porn written by men,” “yuri is only bland wholesome fluff,” “yuri is only high school drama,” so on, so on. It made me mad, but it also made me realize something: a lot of people simply must not know how big this field of lilies truly is! How else can we get people saying “yuri is oversexualized” and “yuri is sexless” as gospel truth? Something’s not adding up here, guys!

So, all that is to say I’m doing something different for this blog: I’m writing up a recommendation list of yuri. A large chunk of it will be stuff I’ve read and can officially give my seal of approval to, while some of them are just titles I’ve heard of that I think will interest others. All of them have been specifically chosen to counter common untrue things I’ve heard about yuri as a whole. I hope you can find at least a few things on this list that you will enjoy and help you keep your head as the encroaching darkness lurches yet a few inches closer!

1. “Yuri is all schoolgirl stuff! Where’s the sci-fi, the period pieces, the action, the fantasy?”

Otherside Picnic

What It Is: A light novel series written by Iori Miyazawa (illustrated by shirakaba). Ongoing, four volumes at time of writing. The story is being adapted into a manga by Eita Mizuno, and an anime adaptation directed by Takuya Satou will be airing in January 2021.

What It’s About: It was on her third trip to the Otherside that Sorawo Kamikoshi almost died, and it was on that same trip she was saved by an angel. Toriko Nishina is a beautiful and confident young woman who also happens to have intimate knowledge of the Otherside, a dangerous yet captivating world that Sorawo can’t help but being drawn to. Toriko convinces Sorawo to join her on her expeditions to the Otherside, fighting off bizarre creatures that have somehow been ripped out of Japanese urban legends and finding strange artifacts in order to make a little extra cash-- all the while keeping an eye out for someone dear to Toriko’s heart.

What I Think: Otherside Picnic is heavily inspired by the novel Roadside Picnic by Arkady and Boris Strugatsky and features several creatures and scenarios from ghost stories, net lore, and-- there’s no other way to put this-- creepypasta. On paper this sounds deeply unoriginal, so it’s pretty surprising that OP has an incredibly strong identity. The idea of fusing horror with a yuri love story excited me enough the moment I heard about it, so when I finally got to read it for myself, I was delighted to find that the horror elements and the romance elements are both quite strong. 

I will say that thanks to the author’s commitment to following his sources of inspiration to the letter sometimes causes him to undercut his own writing (good example: in one arc there’s an ominous train that keeps being mentioned, causing the reader to dread its arrival with each passing page, but seeing what’s on the train will inevitably fall flat in comparison to the reader’s imagination), but those moments are made up by the more original moments-- the things that are left unseen and unexplained.

The place where the story truly shines is the relationship between the two leads. Sorawo and Toriko are great characters, both incredibly charming and deeply flawed, and they achieve a great chemistry with each other right off the bat. Sorawo is a very interesting protagonist, one who turns out to have a deeply tragic past that has made her into a reclusive, somewhat selfish young woman. What’s great is that Toriko, vivacious and confident, everything Sorawo isn’t, accepts this part of her, in a way. Toriko flat out admits she’s not looking for a particularly virtuous person to accompany her, but an “accomplice.” A big part of the appeal of OP is seeing these two “accomplices” bounce off each other, and eventually come to care about each other, all playing against a background of some genuinely spine-crawling horror. Otherside Picnic is a truly underrated series, and I deeply hope that the anime adaption next year will finally get it all the eyes it deserves (menacing phrasing very much intended).

Where To Get It: The light novels are published by J-Novel Club and can be found via various digital platforms and bookstores. The manga will be published by Square Enix Books starting May 2021. The anime will start airing on January 4th, 2021.

Goodbye My Rose Garden

What It Is: A manga by Dr. Pepperco. Three volumes, complete. It inspired a stage play that ran for a while in Japan, but not much information is available about it in English. 

What It’s About: Hanako has two goals: to meet Victor Franks, the mysterious author who pens the books she adores, and to become a writer herself. Despite having the mettle to travel to England on her own to pursue her dreams, she soons finds that it’s difficult for a young, unwed Japanese woman to dream in 20th century London. However, her luck seems to turn around when she meets Alice Douglas, a noblewoman who offers her a job as her maid-- as well as a surprisingly warm friendship. Alice even offers Hanako a way to meet her idol… but at the price of a horrifying request.

What I Think: In the afterword of Volume 1, Dr. Pepperco openly admits that Goodbye, My Rose Garden was the result of them trying to marry all of their favorite tropes (“Victorian maids! Loads of frills! An English family manor!” are some standout items), and this is apparent in the best way possible. GMRG is a lush period piece that will likely appeal to fans of movies like The Handmaiden and Portrait Of A Lady On Fire, with loving attention paid to details like clothes and settings. 

The relationship between Alice and Hanako is quite charming, with Alice supporting Hanako as much as she can while still taking every available opportunity to tease her, while Hanako constantly surprises Alice each time she shows her moxie and strength. It’s an adorable, sweet dynamic, yet a dark, melancholy weight lurks in the background in the form of Alice’s request-- in short, it’s a relationship that feels tailor made for me. Still, I believe this “darkness” never threatens to overwhelm the story, only enhance it in such a way that the reader will soldier on, hoping for a happy ending for our two leads. With an engaging plot and gorgeous art, this is a great manga for both longtime yuri fans and newcomers looking for an introduction to the world of yuri.

Where To Get It: Seven Seas Entertainment has translated the first two volumes, with the final one coming to English soon all three volumes into English.

Seabed

What It Is: A visual novel by paleontology, a Japanese doujin circle.

What It’s About: Mizuno Sachiko is a designer who is haunted by visions of Takako, her vivacious childhood friend and former lover. Narasaki Hibiki is a psychiatrist who wants to help Sachiko make sense of these hallucinations. Takako is… confused, trying to figure out why she keeps losing her memory and why she and Sachiko drifted apart despite being so close. Seabed is a story that spans the pasts and presents of these three women as they attempt to find and understand the truth.

What I Think: At first glance, Seabed seems simple, but it’s a bit of a hard story to explain. In a way, there isn’t much to explain-- it’s a very slow, down-to-earth story that gets almost tedious at times. I think it would be a hard sell to someone who isn’t used to visual novels, but I could imagine it being challenging even for fans. All I’ll say is this: if you give Seabed a chance, it will draw you into a surreal, gentle, melancholy tale akin to slowly sinking beneath the water of a strange, yet not unfriendly sea. For its simplicity, it’s got quite a few surprises in its long, long runtime, and any attempt to explain further will just ruin an experience that’s meant to wash over the reader over time. The only thing I’ll say is the one thing I think everyone knows: the climax will make you cry.

Where To Get It: Seabed is published in English through Fruitbat Factory and is available on Steam, Itch.io, and Nintendo Switch.

SHWD

What It Is: A manga by Sono. Ongoing.

What It’s About: Sawada is one of the few women working for the Special Hazardous Waste Disposal, and the only one in her office. But that changes when the stunningly-strong yet staggeringly-sweet Koga is hired, and the two become close in no time. Sawada trains Koga and soon the two go on their first mission to dispose of the “hazardous waste” left after a recent war… the dangerous, organic anti-human weapons known as the Dynamis.

What I Think: SHWD opens with several close-ups of Sawada’s arm muscles as she works out. I have found that page alone is sometimes enough to convince someone to read SHWD, and if not, pictures of Sawada and-- especially-- Koga are often enough to do the job. In all seriousness, what I love about SHWD can be summarized by something Sono said in an interview about the manga:

‘The first motivating force was "I want to write a yuri manga featuring strong women." I was very drawn to strong female characters by watching "PERSON of INTEREST" and "Assassin's Creed Odyssey." However, I felt that I should differentiate myself by doing something other than a "strong woman" and "weak woman" dynamic. So, I thought about coupling women with different types of strength. This is why all of the SHWD main characters are "strong women."’

It’s a mindset I love a lot. Koga is remarkably strong in a physical sense, but her mental fortitude is fragile due to her past experiences with the Dynamis, and as such, it’s Sawada who uses her immense mental strength to support her. Indeed, every character in SHWD so far bears intense trauma born of the Dynamis in some way, and it’s hard to see how their pasts still hurt them in the present. But that just makes it satisfying to see these women come together to support one another. SHWD drew me in with a unique and often dark action-oriented story with horror elements, but it’s this idea of “strong women” who make up for each other’s weaknesses that really makes it dear to me. 

Also, it can’t be stated enough that Sono is so so so so so (etc) good at drawing muscular women. 

On a completely unrelated note, there’s a side story about Koga and Sawada playing sports together. This includes judo. I am saying this for no reason.

Where To Get It: The English translation of the manga is released in chapters by Lilyka Manga.

Sexiled: My Sexist Party Leader Kicked Me Out, So I Teamed Up With a Mythical Sorceress!

What It Is: A two volume light novel series by Ameko Kaeruda, illustrated by Kazutomo Miya. Possibly complete.

What It’s About: Tanya Artemiciov is an absurdly talented Mage. So why the hell was she kicked out of her adventuring party? Her leader and former friend sums it up in four words: “You’re a woman, Tanya.” In a fit of rage, Tanya channels her anger into a “venting” session that involves swearing her head of and casting a volley of Explosion spells into the wasteland… and accidentally releases a legendary sorceress! Luckily, Laplace is actually quite nice, and just as powerful as the legends say, so the two decide to team up so Tanya can have her revenge!

What I Think: So, this is a silly one, but after a couple of darker entries I think it’s a good palate cleanser. Sexiled is a loud, not-even-remotely subtle, unabashedly feminist take on the “power fantasy” light novel, especially the “revenge fantasy” subgenre-- and even if that sounds awesome on paper to you (ex. me), it will probably feel over-the-top at times to you (ex. me). But in a way, that’s actually kind of its charm. 

I like that Kaeruda utterly refuses to let up on what she wants to tell you, especially because the story was inspired by a real case in Japan. One may be tempted to think “this story is ridiculous, no one would ever be this cartoonishly sexist!” and then you read a news article about how in a famous Japanese medical university was found rigging the test scores of women, and you realize, “oh, people are still this cartoonishly sexist.” So I’m fine with Kaeruda letting it all out in this story. At the same time, I think Sexiled is best when it’s focused not on Tanya’s revenge but on her kindness, and the way her compassion, her strength, and yes, her anger inspires the women and girls around her. 

Sexiled is a fun and often very funny romp about assholes getting theirs, with some surprisingly deep and nuanced moments hiding in a very unsubtle story.

Where To Get It: The light novels are published by J-Novel Club and can be found via various digital platforms and bookstores.

BONUS: Other titles with sci-fi/fantasy/action elements that may interest you!

The Blank Of Describer: A one-shot manga by kkzt about a pair of two dream-builders. They’ve taken all kinds of commissions in the past, but one job they recieve throws them for a loop: a request for a shinigami that can predict and report death. And then comes the kicker: the customer asks the two of them to give it features that the both of them “adore the most…” (Published in English by Lilyka Manga)

A Lily Blooms In Another World: A light novel by Ameko Kaeruda (illustrated by Shio Sakura), author of Sexiled, about Miyako, a Japanese wage slave reincarnated into another world based on her favorite otome game. However, she’s not interested in her would-be love interest, but in Fuuka Hamilton-- the game’s villainess! After Miyako confesses her love, Fuuka decides to give her a challenge: if Miyako can make her say the words “I’m happy” in fourteen days, she’ll stay by her side! (Published in English through J-Novel Club, available on various platforms)

Superwomen In Love: An ongoing manga by sometime about the sentai villainess Honey Trap and her infatuation with the masked superheroine Rapid Rabbit. After being kicked out of her evil organization, Honey Trap decides to team up with her former nemesis to fight evil-- and hopefully, find romance! (To be published in English by Seven Seas Entertainment, coming in April 2021)

2. “Yuri is all stories about teenagers! Where’s the stuff about adults?”

Take a look at the previous section: there’s the stuff about adults! Otherside Picnic, Goodbye My Rose Garden, Seabed, SHWD, Sexiled, The Blank of Describer, A Lily Blooms In Another World, and Superwomen In Love are all stories with adult-aged protagonists! But if you’re searching for a more down-to-earth romance, I’m happy to report there’s quite a bit of options to look into!

Still Sick

What It Is: A manga by Akashi. Three volumes, complete.

What It’s About: Makoto Shimizu is an office lady with a secret: she’s a yuri fan who draws doujinshi. She’s able to keep her two lives separate, all until the day she comes face-to-face with her co-worker at a convention! To Makoto’s horror, Akane Maekawa is amused by her nerdy secret, but Akane may have some secrets of her own...

What I Think: This one was a roller coaster for me: I loved the premise of the manga, but wasn’t sure about the dynamic between the leads… that is, until near the end of the first volume, where something happened and everything changed. Without giving too much away, I implore people to give Still Sick a chance-- it has a much deeper story than one might initially guess, as well as an interesting character dynamic between the two leads with some surprising turns.

Where To Get It: The first two volumes of Still Sick are published in English by Tokyopop, with the final one coming soon All three volumes have been published in English by Tokyopop.

After Hours

What It Is: A manga by Yuhta Nishio. Three volumes, complete.

What It’s About: After being ditched by her friend at a club, Emi Ashiana is ready to write the whole night off. All that changes when she meets Kei, a DJ who seems to be everything Emi is not-- cool, confident… employed.... But Kei and Emi hit it off and Emi’s life changes as Kei draws her into the world of Japan’s club scene!

What I Think: It’s hard to explain exactly why I like this manga, but I reeeeally like this manga. 

There’s just something about the sleek art, the amazing atmosphere of the scenes set in nightclubs, the chemistry between Emi and Kei, the focus on more mature topics.... it’s a manga that’s remarkably magnetic for how down-to-earth it is. It’s also just interesting to read stories about subcultures that don’t normally get a spotlight in comics. To sum it up, After Hours is just a lovely manga that’s severely underrated that’s perfect for someone who’s looking for a story that’s both fun and mature.

Where To Get It: All three volumes are published in English by Viz Media.

How Do We Relationship?

What It Is: A manga by Tamifull. Ongoing, five volumes at time of writing.

What It’s About: Miwa and Saeko’s first meeting is… interesting. But despite that, and despite their clashing personalities, the two of them become fast friends. Well… actually, perhaps more than friends. You see, pretty soon the two of them learn that the other is into women. With that in mind, Saeko suggests they try dating each other-- might as well, right? “Might as well” seems like a strange place to begin a relationship, but perhaps even something like that could end in true love?

What I Think: “Why do romances always end when they decide to start dating?!” That’s the question Tamifull poses in the afterword of Volume 1. And it’s a great question! What makes How Do We Relationship? an interesting manga is how oddly realistic it is, highlighting things like the compromises people make in relationships, people who get into relationships for pragmatic reasons rather than love, the whole “thing” about sex… as well as highlighting the additional issues queer people have to deal with. That may sound like a heavy story, but it’s actually quite light-hearted, as well as very, very funny at times. With a cute art style and surprisingly deep premise, HDWR is a great manga for older yuri fans who are craving a more mature story.

Where To Get It: The first volume has been published in English by Viz Media, with more on the way.

BONUS: Other titles with adult protagonists that may interest you!

Even Though We’re Adults: A manga by Takako Shimura about two women in their thirties. Ayano and Akari meet each other in a bar and almost immediately feel a sense of chemistry between them. There’s just one problem: Ayano is married to someone else. (To be published in English by Seven Seas Entertainment, coming in January 2021)

Doughnuts Under A Crescent Moon: A manga by Shio Usui. Uno Hinako wants nothing more than to be seen as a normal young woman, but she just can’t seem to make a “normal” romance work. But maybe Sato Asahi, a woman who works at the same company as her, can show her a new kind of normal? (To be published in English by Seven Seas Entertainment, coming in February 2021)

Our Teachers Are Dating: A manga by Pikachi Ohi. Hayama Asuka is a gym teacher, Terano Saki is a biology teacher. One day, they come into work both looking suspiciously happy… because they’ve started dating! (Published in English by Seven Seas Entertainment)

I Married My Best Friend To Shut My Parents Up: A one-volume manga by Kodama Naoko. Morimoto is sick and tired about constantly being badgered about finding a man to marry, so her kouhai from her high school days offers a solution: marry each other to make her parents back off! (Published in English by Seven Seas Entertainment)

Now Loading…!: A one-volume manga by Mikan Uji. Takagi has just snagged her dream job at a games publisher, but being put in charge of a mobile game that’s barely pulling in any attention isn’t exactly what she was hoping for. What’s worse, she’s drawn the attention of her strict higher-up Sakurazuki Kaori… who also happened to design her most favorite game of all time?! (Published in English through Seven Seas Entertainment)

3.  “Yuri is all schoolgirl stuff! Where’s- wait, didn’t we already do this one?”

Yes we did. And you know what? I’m making a stand! There’s a lot of really, really good yuri stories set in high schools, and I think more people need to give them a chance! Here are some high school titles that I think are worth a second look for one reason or another!

Bloom Into You

What It Is: A manga by Nakatani Nio. Eight volumes, complete. A twelve episode anime aired in 2018, covering about the first half of the series. A three volume spinoff light novel series written by Hitoma Iruma was also published.

What It’s About: Yuu Koito has long dreamed of the day she’d find That One, Storybook Romance that would make her feel like she was walking on air, but the day that a boy confesses to her, her feet remain firmly planted on the ground. When she meets Touko Nanami, a girl who seems to have the same strange, distant relationship to romance as she does, Yuu feels like she has found a comrade. But what will happen when the next person to confess to Yuu… is Touko?

What I Think: What can I say about Bloom Into You that hasn’t already been said? There’s a reason it’s basically considered a staple of yuri despite being only five years old. The art is beautiful and delicate, the story has a deft mastery of comedy, drama, and romance, and the characters are deeply loveable. Really, the only reason this one is here is to tell you to get to reading this manga (or watching the anime) if you haven’t already. So get to it!

Where To Get It: The entire series-- as well as the spinoff light novel series Regarding Saeki Sayaka-- has been published in English by Seven Seas Entertainment. The anime is currently streaming on HiDive.

Yuri Is My Job

What It Is: A manga by Miman. Ongoing, seven volumes at time of writing.

What It’s About: Hime wants nothing more than to be adored by everyone and to someday bag a rich husband. Of course, being loved by all takes a lot of work, and she prides herself in keeping her perfect, adorable facade so well-maintained. But of course, the one time she slips up, she ends up injuring the manager of a local cafe! Hime finds herself strong-armed into working for this cafe under their star employee, a kind, graceful girl named Mitsuki. But things aren’t quite so simple-- you see, this cafe has a gimmick in which all the employees are constantly acting out yuri-inspired scenes for the customers, so in a way, the employees also have their own facades. And under her facade, Mitsuki… hates Hime’s guts!

What I Think: Yuri Is My Job is an odd duck, but in a good way. It’s advertised and initially framed as a comedy, but it becomes a surprisingly thoughtful drama about the personas people adopt and why they do so (though, luckily, the comedy never truly goes away). There’s an interesting web of relationships between the girls, and having those interactions take place in a setting where they must act out a completely different sort of drama adds an extra level of drama and intrigue. The cute, polished artwork is just the icing on the cake. YIMJ is a good manga for those who are already familiar with yuri tropes and those who are interested in a drama that doesn’t get too heavy.

Where To Get It: Six volumes have been published in English by Kodansha comics, with the seventh on the way.

Riddle Story of Devil

What It Is: A manga written by Yun Kouga and illustrated by Sunao Minakata. Five volumes, complete. A 12 episode anime aired in 2014.

What It’s About: At Myojo Private School, an elite all-girl’s academy, Class Black has a secret. Twelve of the thirteen girls are actually assassins who have been offered a dark deal-- one wish will be granted to whoever manages to kill Haru Ichinose, the thirteenth student. But there’s still hope for Haru in the form of Tokaku Azuma, one of the assassins who has decided to defect to Haru’s side-- and defend her from the other girls at any cost.

What I Think: I’m not sure… if I can say Riddle Story of Devil is “good.” It’s definitely something. Although its premise is vaguely similar to Revolutionary Girl Utena, its tone and atmosphere remind me a lot more of the Dangan Ronpa series. It’s schlocky and ridiculous and often over-the-top and at times exploitative. It’s pure junk food, basically… and I believe that’s where the charm comes from. It’s my guiltiest of guilty pleasures. It may not exactly be good, but more often than not, it’s fun. It’s hard not to be immediately interested in a yuri battle series, you have to admit. 

And if it does have one undeniably good element, it’s Tokaku and Haru’s relationship. They contrast each other nicely, and while one might expect Haru to be boring and helpless, she’s actually quite proactive at times, and some of the most interesting, engaging parts of the series come from seeing how the two work together to fend off the latest assassin. It’s a short read and if anything, it’s worth it to see how each girl ends up. I recommend it for older viewers who are okay with violence and ludicrous battle scenarios.

Where To Get It: All five volumes are available through Seven Seas Entertainment. The anime can be watched through Funimation.*

*Please don’t watch the anime.**

** At the very least, please don’t watch the anime unless you’ve read the entire manga. Riddle Story Of Devil was one of those unfortunate cases where the anime adaption was produced before the manga reached its conclusion, and as such it has a very strange, rushed ending that includes none of what I enjoyed about the actual ending. Several scenes were also changed, and if I recall correctly, fanservice was added in several places where there was none previously. All in all, I’d really only recommend it for big fans of the series.

Side By Side Dreamers

What It Is: A light novel by Iori Miyazawa, illustrated by Akane Malbeni. One volume, complete.

What It’s About: Saya Hokage has been suffering from insomnia, but one day finds relief in the form of Hitsuji Konparu, a strange girl who can put people to sleep. As it turns out, Hitsuji is a person who has the special ability to move freely in their dreams, known as a “Sleepwalker.” The Sleepwalkers have been battling beings that possess people through their dreams, and it turns out they want Saya to join them in the fight.

What I Think: Side By Side Dreamers is short and… well, dreamy. I really enjoyed the premise and I think it’s a good novel for people who think Otherside Picnic may be a little too much for them. I also enjoyed each dream sequence-- I tend to find that the writing in light novels is a little dry, so the use of figurative language to describe these scenes was really refreshing and interesting. SBSD is a fun oneshot that I think is especially ideal for newcomers to yuri.

Where To Get It: Side-by-Side Dreamers is published by J-Novel Club and can be found via various digital platforms and bookstores.

Cocoon Entwined

What It Is: A manga by Yuriko Hara. Three volumes, ongoing.

What It’s About: Hoshimiya Girls' Academy is a strange, almost otherworldly paradise with a peculiar tradition. For all three years, each girl grows out her hair to absurd, breathtaking lengths, in order for it to eventually be cut and weaved into uniforms for future students. Perhaps it is these strange uniforms that seem to whisper about the past that makes the school seem frozen in another time… picturesque, yet stagnant. But one day, a shocking incident shatters the quiet peace of the academy, and the tumultuous feelings that have long been hidden in the hearts of these girls come rushing into the light.

What I Think: Cocoon Entwined is, in a word, eerie. It’s not marketed as a horror story, and I don’t think it’s intended to be one, but I’ve seen some that say they get horror vibes from it. I definitely understand that-- there’s a deep sense of unease that permeates the entire story in a way that’s a bit hard to articulate. The running thread of uniforms made from human hair definitely doesn’t hurt (it does-- I’ve seen many people understandably turned off by this element), but it’s more than that. It’s the sense that everything at Hoshimiya feels frozen and fragile. It’s the sense that everyone is burying their true feelings under countless layers. It’s the fact that in one scene, Saeki reaches out in a dark room full of uniforms and feels her arm touched by countless hands made of hair. 

Cocoon Entwined is a strange manga, and I feel it’s not for everyone-- besides the way many are put off by the central premise, the way that the story jumps around in time can be a bit confusing to follow. But in my opinion, I love it for these elements: the uniforms and their marriage between beauty and grotesque, the sense of frozen time, the delicate artwork that feels like it might be shattered by the weight of your gaze, the strange, airless atmosphere, the girls and their clear exhaustion of having to be ideal women. It’s a strange little series that I think should be given a shot, particularly if you want something a little more out there, or a darker take on Class S tropes.

Where To Get It: Yen Press has currently published two volumes in English.

BONUS: Other high school titles that may interest you!

A Tropical Fish Yearns For Snow: A manga by Makoto Hagino. Konatsu Amano has just moved to a new town by the sea, and must deal with her new school’s mandatory club policy. Luckily, she meets Koyuki Honami, an older girl who runs the Aquarium Club. Recognizing her loneliness, Konatsu decides to join her club. (Published  in English by Viz Media)

Flowers: A four-part series of visual novels published by Innocent Grey. Flowers focuses on Saint Angraecum Academy, a private high school that prides itself on overseeing the growth of proper young ladies. One notable thing about the academy is the Amitié program, a system that pairs students together in order to foster friendships between the girls. But friendship isn’t the only thing blooming… (Available in English from Steam, J-List, and JAST USA)

Adachi And Shimamura: A series of light novels written by Hitoma Iruma and illustrated by Non that has recently received a manga adaptation and an anime adaption. Adachi and Shimamura are two girls who encounter each other one day while cutting class. Little by little, the two girls become a part of each other’s lives, and feelings begin to form. (The light novels are published in English by Seven Seas Entertainment, the anime is licensed by Funimation)

And there we go! 24 different yuri titles. I didn’t even go into the series that I tried but personally didn’t like that still might interest other people. I primarily made this list to gush about yuri that I liked, but I also tried to include a fairly wide range of things so that, hopefully, any random person who read this whole list could find at least one new title that interests them. And I hope that includes you!

The yuri scene is quite large and wonderful if you know where to look, and it too often gets a bad rap. I hope that this list could give you a new perspective on what kinds of titles are available, and I hope it gives you something new to try. And remember: if you want something specific, try looking for it! There’s a good chance the story you’re craving is already out there, waiting to be discovered!

[literateleah]

the paradox of emily prentiss’ audience perception and character design

some of y’all about to be real mad at me, but it must be said:

emily prentiss’ character design makes no sense: my personal opinion + an objective analysis

i think it can be challenging to separate the versions of characters we have in our little brains from actual canon content, but doing so is important for understanding what those characters are truly like, especially within the context of their environment and in contrast to others around them. plus developing a deeper understanding of the media we consume is super fun and interesting! with that being said: emily prentiss should not work for the fbi and here’s why (in three parts regarding who’s responsible: cbs, paget, and fans) (sit down and grab a snack i promise this is over 3k words)

quick disclaimer: i don’t dislike emily at all! that’s my girl, i just looked closer and realized some funky things the writers did and felt the need to analyze her of course: so let’s get into it

part one: what cbs did

cbs set the stage for emily’s introduction on the heels of the departure of lola glaudini as elle greenaway! lola has clarified that she decided to leave the show because filming in los angeles was not the best environment for her personally, and after one successful season on a major network (but not much established long term plot or drama beyond elle’s departure as a character) a consistent ensemble cast was required- particularly because the bau had been criticized for being predominantly male in the first few episodes of the show and not much development was given to penelope or jj yet. enter emily prentiss.

for the duration of seasons 2-3ish, emily was framed as a chip off the block that was elle greenaway, just slightly…richer? in her first few episodes emily was hesitantly polite but ambitious, clean cut, intellectually concise and held her own within the team. she seemed equal parts intimidated and frustrated by her male superiors (gideon, hotch) but certainly proves herself among other profilers. her childhood was explored only within reference to her strained relationship with her mother (which was only ever referenced once more after the fact) and we received a short overview of her educational and career history in her first few episodes. emily fit right into the hole elle had left, and didn’t have many major storylines yet.

seasons 4-6 brought a bit more development and depth to emily’s character! she begins dropping more snarky remarks, one liners, and socially deepening her relationships with the other team members. this seems more within the lines of elle’s design, but emily arguably took more time to grow into her place within the team. during the foyet arc she was vulnerable and supportive, and the doyle arc gave her some independence and agency she didn’t have previously. this era also solidified her appearance and persona as more edgy, which falls in line with general fanon perception of her character (especially when compared to jj or penelope). i can’t address this era or season 7 without mentioning that cbs was actively trying to remove paget from the cast, similar to how they did to aj cook as well. paget has spoken about this instance before, and i believe it slightly affected her portrayal of her character, and “lauren” was somewhat of a goodbye for both paget and emily (thus why she wished for mgg to direct since they were best friends).

season 7: in my opinion, one of the best seasons for emily. she was wisened and deeply wounded by her experiences with doyle, which was understandable of course. she returned to the team she loved and learned to appreciate life in a different way, remaining mature during this time period as well! though her departure was a bit less than graceful and sudden at the end of this season, it made sense compared to some other exits the team had seen.

now *sigh* all the rest.

paget as emily appears in two separate guest appearances (once in s9 and once in s11, and she is referenced offscreen as well) before permanently reprising her role as unit chief of the bau. these appearances were most likely to boost ratings and get the team back together (i.e. 200) or just to pepper in international cases (tribute). emily’s personality remains pretty consistent here, just more mature and comfortable in leadership positions (seeing as she is running an entire branch of an international law enforcement organization). then season 12 hit.

upon the departure of thomas gibson as hotch, cbs reached out to paget to see if she would be interested in fulfilling her role as emily within a longer term unit chief position. i’ll get into why this is wack in a few paragraphs, but the remainder of her time on the show is spent on a mature portrayal that seems very distant from her previous versions. emily is more authoritative, gives orders with ease, and has no qualms about leading a team of agents or even receiving promotion offers as director of the entire bureau.

thus concludes a general summary of the canon content cbs gave us as viewers. now let's talk about what they didn’t give us, regrettably

the primary aspect of emily’s design that comes to mind for many is her queer coding. though not much was to be expected from cbs, a prime time cable tv network, each of her relationships on the show (all with men) seemed oddly forced, and without much chemistry as compared to the SOs of other main characters. rumors of scrapped plotlines have floated around about what may have been, but the ultimate lack of acknowledgement of any queer characters in the main ensemble still leaves a feeling of disappointment to audiences, and leaves more to be desired as for how emily navigates social bonds.

part two (sidebar): what paget did

i think it could be agreed within audiences that paget brewster’s portrayal of emily made the role what it was! her dry witty delivery and emotional prowess combined with sitcom acting experience made her performance a mainstay for years. i think she did the best she could with a confusing and at times flat characterization, and brought the role to life.

paget also heavily contributes to fanon indirectly with her comments outside of the show (press, cameos, twitter etc). her general continued interest and fondness for the role post production affects fan perception, particularly in what she chooses to elevate and comment on. she and aj have both spoken about viewing jemily content, and paget and thomas have both also commented on hotchniss. most cast members feel free to comment on their characters in the appropriate timing, and seem open to discussing fanon ships and theories outside of canon!

part three: what fanon did

as we can tell from this fan space as well as the presence on insta, tik tok and twitter, fans LATCHED onto emily super quickly. she’s remained a favorite over the years, and this fan persistence is what brought her back so many times after leaving (so many times). in my opinion, queer coding and a bolder female trope (in contrast to her female counterparts) are the main pulls because they resonated with so many fans- new and old. with that being said, newer fans of the show in the past year in particular have been heavily influential in fanon, solely because of the large influx of fan content and popularity of it.

fan content began to take coding and bite size moments and snippets from the show as canon, and cemented it into much of the content and discourse they created. these small pieces of emily’s character are significant, but have become magnified by how easily they are to share and edit. for example, a collection of catchy one liners from emily over the seasons makes for a great video edit intro, or gifset! there’s absolutely no problem with this content, it just all combines to create a certain fanon perception no character escapes (this isn’t a phenomenon limited to emily or the cm fandom!)

these droves of content also solidified emily’s personality as much more defined, but at the same time, simplified it in a way that’s slightly harder to explain.

fanon: more emo/goth than canon basis

fanon: more introverted/anti social than canon basis

fanon: more violent/chaotic when canon emily is relatively well mannered and doesn’t start many conflicts (particularly in the workspace)

fanon: much less maternal when canon emily displays desire on multiple occasions (even crossing professional borders) for children, particularly teenage girls (possibly projection)

(again, nothing wrong with this interpretation at all and it still varies! This is just a generalization based on most of the popular content i have seen)

part 4: why it doesn’t work

let me start with this: emily prentiss does not like her job.

we don’t receive much in depth information about emily’s internal feelings and thoughts towards her mother beyond resentment. this stems from wanting to make it on her own, as a professional and as an individual (cough cough college deposits). this makes emily’s insistence on proving herself to authority figures in her earlier seasons is interesting to watch in different circumstances. she cites her experience and denies help from her mother when justifying her placement in the bau to hotch, she is extra vigilant about being helpful on her first case with gideon, etc. nevertheless, emily forges her own path outside of diplomacy and becomes a successful profiler and agent, with the help of her privilege, wealth and name whether she likes it or not. but if we read between the lines and fill in the blanks cbs neglected, these ambitions may subconsciously be oriented towards pleasing her mother.

example one: emily’s authority issues go further than just “rebellion” or “anarchy”, she frequently questions the ethics and sustainability of the work that the bau does. every team member does this, but emily much more so than anybody else.

in “amplification”, emily almost breaks federal protocol to inform civilians of anthrax threats. she butts heads with both hotch and rossi on this front, and ends the episode with having a conversation with rossi about the ethics of lying in their line of work. emily resigns to a solemn “it be like that” and moves along, accepting this reality.

on multiple different occasions emily laments to derek about the darkness she sees on the job, and it’s shown that this gets to her quickly on particularly bad cases. this is another contradiction of the design that she can supposedly “compartmentalize” better than others on the team, when she cannot unless the lives of others are at risk (doyle arc, s7 finale).

emily also responds in this way to many cases involving children, a similarity to jj many don’t notice upon first watching the series. “seven seconds” and “children of the dark” come to mind, during the latter in which emily is prepared to cross multiple professional lines to adopt a teenage girl left orphaned by the case, until hotch stops her and establishes that her emotions can’t rule her judgement on the job. regardless of hotch’s thoughts about her attempted caretaking abilities, these actions and impulses deeply contradict the typical bureaucratic pathways of the work the bau does.

the looming reputation of her mother’s diplomatic history hangs over emily, and after going to law school and working for the cia, she most likely did want to forge her own path as far away from being a socialite: being a spy. her inner nature doesn’t always reflect this profession, and leads me to believe that with her knowledge of psychology, law procedure and care for children: emily prentiss might be more inclined to working in social work, placing suffering children and teenagers in homes they deserve.

and finally, the hill i will die on: emily prentiss was an bad unit chief

this wonderful post touches on my general sentiment, but there were many reasons as to why emily prentiss’ career arc makes little to no sense (plot holes included).

first: her background. emily attended chesapeake bay university as well as yale and achieved a ba in criminal justice. keep in mind that though timelines evidently don’t exist in the cm universe, emily prentiss is ONE YEAR older than aaron hotchner (for context). in her first episode, she professes that she has worked for the bureau for a little under ten years in midwestern offices- something the audience laters knows to not be true. emily worked with the cia and interpol as a part of a profiling team and undercover agent up until roughly TWO YEARS before her canon introduction. plot holes and time gaps aside, this makes me wonder, why didn’t she just say the cia was a backstop without revealing the highly confidential nature of her work with doyle (similar to jj’s state department backstop and cover story)? penelope or hotch could have easily accessed her file and seen that she did not in fact have experience with the bureau in midwestern offices recently, and given the fact that erin strauss set up her bau placement, i’m presuming these formalities or references were overlooked.

second: her experience within the team. emily worked as a part of the bau with the bureau for roughly 6 or 7 years. after this, she is invited to run the entire london branch of interpol, one of the most renowned international law enforcement organizations. i’m surely not the most knowledgeable on requirements or standard timelines for such matters, but with the fact that emily had never led a team in her life (not in the bau or interpol previously) and had roughly 10 years of field experience, i don’t believe she would have ever realistically been considered eligible to run the whole london department.

third: her return to the bureau. fanon depiction of their relationship aside, if you believe aaron hotchner’s last wish before going into witsec was to entrust his team to emily prentiss, you’re dead mistaken. bringing emily back was clearly a pull for ratings after the loss of two main characters (hotch and derek), but logistically a bad decision. let’s suppose emily has had 4 or 5 years of experience in london now, this established authority position would be unlikely to change at the drop of a hat, even for old teammates or friends. also considering how close they were after a decade of working closely in bureaucratic and field contexts, i firmly believe hotch would have referred jj for the job of unit chief but that’s another discussion for another time.

emily’s reign as unit chief is odd, because of the many chaotic storylines crammed into it. but amidst bad writing and viewings plummeting, emily’s character is completely flattened. completely. emily is unrecognizable, both in appearance (that god awful wig) and personality. at times she acts as a complete wise authority, giving orders and delegating local authorities as hotch did. but at other times she makes multiple illegal, emotional, and incorrect judgement calls based on personal circumstances that lead to further chaos (deleting the recording of her and reid’s mexico conversation and reprimanding luke in “luke” for the exact same thing she did in season 6 even though she enabled her to do so come to mind).

i’m not sure if this is due to paget trying to find her footing in the role again, or the writer’s bad decisions towards the end of the show wrecking any previous design for their ensemble. then, there’s the infamous “wheels up” scene in s13e1. notoriously cringey, this seems like a vague caricature of something rossi would say many years in the past (the same goes for her pep talk in “red light” in the hunt for diana reid). these moments are meant to mature emily in the audience’s eye, but instead completely removed her from who we understood her to be, and made her an unreliable leader.

part five: and why it does

in theory, emily was a bolder foil to jj, similar to elle who she arguably replaced at first. she came into her own, and stands as a more uniquely developed character than almost any other in the main ensemble. she isn’t as maternal or domestically inspiring as canon jj, less bright and sunny than penelope, not quite as stoic or intimidating as derek or hotch. And yet at the same time, she’s a fairly blank slate. stripping fanon content away entirely, canon emily has few defining traits (all of which are constantly changing), and that may be the key to why we love her so much.

[hotchley]

🐨 Welp, the kids infected me with a cold that I’m pretty sure is actually the plague. Honestly, who knows if it was even the kids. I tend to get colds in the summer when I’m doing a lot with little energy like I have been lately. It’s happened at the last three camps I’ve worked at/attended. But we’re hanging in there! Two camps this week—one is tiny and space-themed, which I’m thrilled about, and one is a giant group of almost entirely boys. They are chaos personified.

Here are some things the kids have said to me in the past week!

“Do you know when the song *sings It’s The End of The World by REM* came out? 1999!”

“I woke up early for camp!” Upon me asking what time she got up, she revealed that she woke herself and her mom up at 5am. For a 12 o’clock camp.

“I’m eight, turning ten soon!”

And my personal favorite—

“Nanny: What do you say to Miss Kate?

Child: *runs up to me, leans into my face, and burps*

Me: …I don’t think that’s what your nanny had in mind, buddy

Child: It’s exactly what I had in mind!”

Yeah, they’re insane. We’re having fun though! Mostly. Last week a kid lost a tooth, which she was thrilled about. Another girl got stung by a bee, which she was not thrilled about. Thank goodness for the first aid app on my phone.

The kids can be rowdy, but we’ve had almost more trouble with parents. One yelled at us for not having enough staff because apparently it’s illegal to have three staff for twenty-five kids for a two hour camp (it is not, in fact, illegal. Also, we work for the government. The government made the roster, not us.) An old man told me we should put a sign up because I asked him not to walk into the park building to use the bathrooms. We do, in fact, have a sign up. Another old man was hovering outside the park building for a solid hour and got mad at me for being suspicious of him. Like, sorry sir, but you’re lingering around a building full of small children, none of whom are yours. Of course I’m keeping an eye on you.

We figured out how to braid beads into our little girls’ hair at an all girls camp last week, so those moms loved us. A bunch of them watched me do it cause they wanted to learn.

So yeah, that’s life around here! My older brother’s girlfriend is visiting again on Friday, which I’m very excited for! It’s been too long since we’ve ganged up on him. And on Sunday, I leave for my karate trip! 16 hour drive, woo! Should be very fun though. Lots of cool training, and all the people from my dojo are sharing a cabin that been dubbed by my father as “the party cabin”. My dad can’t come cause of work, so I’m flying solo. Which means I can buy tons of Kraft mac and cheese when we stop at the gas station to microwave at the cabin!

Oh no... being infected with children's colds is the worst. I remember when we stopped being in bubbles and I immediately got unwell it's awful! I get colds when I cry and my eyes start hurting when I rub them so... the space-themed camp sounds great! I love chaotic children because I'm only with them for a few minutes but a whole camp... that's going to be a lot...

All of those are so random I love kids! One of the kids at the library told the lady she was speaking to that she liked Shakespeare and Jeff Kinney (she was talking about the simplified and designed for children ones but still!)

One of my kids was showing me all of their favourite poems, and another was really shy- she was adorable- so I went: Do you want to tell Daddy and I'll just sit here and listen? And then immediately cringed because normally I say: give this to your adult okay? Since different kids come with different people and etc. Luckily it was her dad but in the moment... so awkward... he called me the nice young lady though which was sweet and made me smile.

Ah yes, losing teeth in public was always an experience! I hope the girl was okay :( also what's the app? I feel like it's a useful thing to have on you (she says, despite failing her CPR training)

Oh god, it's a universal experience then? I only deal with the children but the actual library worker was saying that it's the adults who cause the most problems... although 25 kids to 3 adults sounds so overwhelming! I remember when I was in primary school- so up to 11, it was 1 adult to every 5-6 children! Yes, that man does sound a bit suspicious... AHH when they don't read!! We have a sign telling parents where to go- it can be missed- and a lot are so apologetic when they miss it, but a few are just like: oh. And it's like: we're making YOUR life easier...

Awww, that's so sweet, I'm glad it happened!

Yess for the alliance, it's my favourite thing! Oooh karate trip! That sounds like so much fun! I'm very excited for you and you'll need to tell me everything that happens <3

[livewireprojects]

So I was working on a pic for day 16 but I was working on it after work so didn’t have much time before 5pm to get pics.(I need a scanner one of these days) At some point I just looked at how dark it was getting in the room I take pics in & gave up. I also don’t know what to do for day 17, I want to guess something like Future Foundation or characters being in the simulation from DR2 due to the name of the project but I dunno. I might do something but the theme future is coming up so I’ll likely save it for that.

I’m rambling & kind of feel bad for my posts for day 15 So day 16 was alternate universes & I really enjoy AUs though a large amount of the ones I like are crossover plots. Most of the pics aren’t crossover based & are largely just based on past RPs. I made a bunch of pics & didn’t want to spam with posts for each so I tried to put as many as I could together.

The first three pics are based on a thing I call Monster Community AU thing, pretty much characters are secretly some kind of creature(witch, alien, merpeople, harpies, etc) living among humans but sometimes do things in secret areas other monsters hanging out at like a community of monsters.

The two scenes here are from different mermaid RPs, both from my Monster Community AU stuff again. Both pics involve RP plots that were DR1 happened, DR2 characters were trying to survive the aftermath of the world going mad(pretty much surviving in the destroyed city until finding somewhere or something) & some other stuff I’m going to leave out due to rambling. Just know this is technically a simplified version of the series post-DR1(if that makes sense? probably not) that was used because I keep doing shit in RPs.

The one to the left is from a plot were the survivors find a cave they end up staying the night in only to decided to check further & find themselves in a place other monsters are living in. For some reason Makoto is a grey eyeless big mouth monster, I think I was obsessed with a design I saw on Tumblr but can't find anymore. Byakuya is an octopus merperson because for some reason I imagine he'd be on if he was a merman. The second one is vampire Byakuya is living in a mansion his family had by the sea on a cliff area that leads to the beach. He ends up learning Makoto is a merperson(whose parents tried to keep him from learning about other creatures for safety) & expecting their kids. Makoto is a species of merperson that make nests in the sand when they have kids so Makoto had to stay in the water until the babies could swim by themselves. Byakuya will probably have some special pools setup in the house for the twins since they'll be to young to go into human form after the being old enough to swim.(It'll only be a couple months) At the moment Makoto is in a cave inside the cliff that leads to the ocean, some how the inside of Byakuya's mansion has a secret stairway leading down here. Makoto can't leave the water because his nest is here & his merperson instincts don't want him to leave until the babies hatch & are old enough to swim. Due to Makoto's parents hiding his & Komaru's mermaid/creature side Makoto didn't think much on the fact he was a merperson until he got pregnant & his instincts demanded he make a nest... That's also how Byakuya learned his family had a secret area of the mansion & proceeded lug a futon mattress/blanket down there to be close to Makoto. I didn't think much about it at the time but I guess something lead to his parents getting protective & scared if someone knew they were merpeople, then again there's a Japanese myth about eating mermaids/some kind of fish people would cause immortality. I almost forgot this but Byakuya hung up a net & decorations so the babies when down in the cave don’t swim into the sea.

This one is based on an RP were Byakuya is a werewolf while Makoto is a harpy. DR1 happened, Byakuya & Makoto had a relationship but went their separate ways to find their families(see if there’s hope of them still being out there) while working on getting their lives together.(Since with the despair event they likely need to recover/figure out what to do now)

Byakuya at some point is house sitting for Hinata & Komaeda(originally it was his vacation cabin in the woods but something changed forget why) when he ends up having to help a harpy who lost their nest because a tree landed on it. He took the harpy in because they didn’t have anywhere to go & the crash broke one of their wings. He was to tired to think much about figuring out who the harpy was after patching them up because he was tired.

Byakuya ends up learning in the morning that the harpy is Makoto & pregnant. Byakuya reassured Makoto knew he was safe now & he(Byakuya) isn’t going anywhere. Byakuya later learned Makoto found his family but someone attacked & ditched him in the woods while injuring his eye. After that Byakuya helps Makoto recover & they eventually move to his vacation house when Hinata & Komaeda come home. Byakuya has a nursery for their eventual kids & Makoto ended up staying in the nursery sitting on the egg Ichigo was in when he had the twins. Len kept barking when he found her until she finally hatched.

Here’s Makoto perched on Hinata’s couch singing a bird tune as Byakuya listens, sometimes the blond will sometimes whistle which makes Makoto squeal in delight because it sounds like Byakuya trying to mimic a bird. Makoto is meant to be a House Martin harpy because the bird is cute & has fuzzy feet. Makoto’s hood/cape is just his hoodie tied to his neck, he can slightly still see out of the injured eye but without something to protect it things seem to bright during the day through that eye.

This was the pic that lead to not posting anything the other day, as you can tell I made more pics right after managing to finish it. This pic is once again based on an RP(well two of them), for some reason I really liked doing this plot. The AU is pretty much everyone lives in a world of animal centaurs(in Kazuichi's case he's a shark merperson) & for some reason this is before modern technology exists. Everyone lives in caves that have been carved into homes with some having multiple rooms, they have furniture made from leftover stone, wood, some other stuff & clothes made out of normal animal skin like they're in Brother Bear or something. Given the state the world is currently at they seal off the entrances to their caves in the winter after making sure to have enough food to last it.(There's some that have the ability to hibernate luckily) I have absolutely no idea why I enjoy this so much. So Byakuya is a wolf(lol blond wolf fur) & Makoto is a pygmy goat(I made him a little bigger because again awkward size) but for the first RP I kept switching the species(from pudu deer to pygmy goat) because I was obsessed with those animals at the time. It ended with S having Gundam call Makoto a goat/deer hybrid so he's a deer goat in the first RP.(I didn't switch it often but kept talking about confusion) In the second RP Makoto stayed a pygmy goat for the entire RP. Len is a wolf centaur & Ichigo is a goat centaur, Byakuya & Makoto had other kids but they're preexisting characters(Komaru & Chiaki for some reason) & I'm mostly focusing on these characters.(I don't actually know what I was getting at) The twins are a couple days old, since Ichigo is a pygmy goat she's already active. Byakuya is laying down so she won't get hurt, Ichigo & Makoto's goat side makes them enjoy climbing things so the little baby is climbing on daddy. Len's eyes & ears haven't opened just yet so he's kept safe in a portable cradle thing since he's to small to play with his little sister right now.(Makoto will retuck him in in a moment) Makoto has a poncho thing because he has trouble keeping warm which luckily his kids didn't inherit. Also Byakuya is pretty strong so he can take his daughter & his mate trying to climb on him especially when Makoto is pregnant. It's ok & doesn't bother him in fact it's kind of cute especially since sometimes after that Ichigo will do a little jitter dance that baby goats some times do.(He'd also whether they climb on him or a stool thing than try to climb the side of their home or something bigger due to worrying about the two hurting themselves.

Byakuya & Makoto have slightly long hair because it's hard for them to cut their hair with a dagger Byakuya worked on for hair cutting. Byakuya is hoping to eventually trade something for a mirror some traveling trader visits, maybe see if someone in the pack can help with cutting hair not that it matter much.

Go check out @naegamimonth​

[lordeasriel]

I really care about your opinion, how do you feel about the bbc show and the way it's going?

I feel like before I give my take, I need to say that I understand the show is its own thing, and while I do wish they did a better job adapting certain things, I understand that sometimes there is a need for radical change or cut, especially when your budget is not super high (which HDM does have a lot of money into it, still is not a super big budget production, so they have to worry about these things). And I do enjoy many things about the show, but my overall vibe is mixed, to be honest. I’m stating this now because people often question whether I like the show or not, becaus I do criticise it a lot, and I simply have a critic view of the things I like, which is why I discuss them a lot and it can be overwhelming.

My main issues with the show are these 3 things: (which I’ll put under the cut because this got a bit longer than I wanted to lmao sorry)

Lack of worldbuilding and loose lore: I’ve been talking about this since day one, and this mostly applies to season 1 because I can’t judge season 2 yet because it’s not fully aired yet, but the show suffers from lack of worldbuilding, especially in Lyra’s world, which is the world that sets everything in motion. I still dislike the fact they introduced Will mid-NL, I don’t think he needed all those episodes to establish something that easily could’ve been done in S2 and because they gave TSK a lot of time, other parts of Lyra’s world suffered considerably, mainly the witches and the Magisterium.

The show doesn’t really expand on those two groups, especially, and I think that’s not good, especially the Magisterium (which they have over simplified by making it one big baddie, or so it seems at least, not to mention that implying a single leader for them practically ruins Marcel Delamare’s arc in TBOD and I’m very mad about that lmao). A lot of the Magisterium plot has that infighting aspect, which creates tension on their side as well as against their enemies, but the show doesn’t really explore that or the nuances of the Church, and they also don’t explore how varied the witches are, and I feel like this is a serious mistake. (The portrayal of the witches is by far my least favourite thing in the show, if I’m being honest).

Dull parallel world (and lack of daemons): this ties a bit with the worldbuilding aspect, but this is mainly about design choices. I think the show doesn’t make Lyra’s world as unique as it should be. On its own the world looks pretty and the outfits of most of the cast are great, but when you realise that Will’s world is intertwined with that, you don’t really feel like these two worlds are vastly different.

There is an odd situation in which Marisa’s fashion feels 30s/40s, but most of the men from her social circle (not fair to compare with the gyptians) just wear plain suits and they look much more modern. And while I get that they went for a timeless vibes, with different eras and styles, Lyra’s world feels like a caricature and it doesn’t feel believable. The colour palette is mostly the same for both worlds (even in s2, it’s hard to tell much of the difference because either the scenes are indoors or at night.) This, paired with the lack of daemons (which has been discussed many times in the fandom) kinda bums me out.

Marisa’s oversimplification: I’m mentioning Marisa, specifically, because she is the one that suffers the most due to this writing issues, but other characters like Lord Asriel, MacPhail, the general collective of the Witches, they all suffer from the writing trying to take away the nuances of them and make them flatter than in the book. Marisa is the worst because without her complexity and her flaws, she simply gets dull and boring and flavourless, and it’s kinda what has been happening in the show in my opinion. All she does is weep and she has no strength that doesn’t rely on a random fit of rage that dies out and she gets upset. There’s some great moments, like when she mimics the Monkey, but most of the time she’s just a shadow of who she is supposed to be.

The show tries really hard to make her a Scorned Mother - right from the get go, they try to makes us see how she wants Lyra, how she struggles with her “bad nature” and how that affects their relationship. There is this lingering implication that Lyra was taken from her against her wishes; they make it seem like being a mother to Lyra is her driving force, the only reason why she seeks power and influence. And that is the opposite of Book! Marisa, who is a force of nature, ruthless and ambitious, with not an ounce of maternal instinct.

She does eventually decide to help Lyra, instead of harming her, but even that action comes from a narcisistic place: Lyra is to her a possession, something that belongs to her, and that she wants to preserve. The show just handles her badly, falling into overused, boring tropes that struck far from the book version.

These are usually my main complaints about the show, and they upset me every episode to the point I’m practically ignoring them now lmao The show does a lot of good things too, making Will less of a prick, restoring Lyra’s personality from the first book into S2 Lyra (so far, please keep it that way), Mary is looking great too. They have mostly a great cast, and they did improve the daemons this season (except uh, there are far less daemons to show because of the other worlds - and the Ruta Skadi daemon change pisses me off tbh).

They do have a lot of interest in the show, but the writing (the main issue to me) feels clunky and childish, with the show toning down most of the themes that make His Dark Materials so special, especially to me (which frankly I expected them to do, but it still stings a bit). They make the Magisterium a single bad entity that feels more Authoritarian-Fascist, than a theocracy (even if they sneak in the religious symbols and rituals and garments, it’s just not a good portrayal, it’s very tame and shy); and they try to justify Marisa’s actions (especially in current interviews, there’s lots of talk about how her background will play in the show to “explain why she is the way she is”). The fact the Magisterium is portrayed as pure evil makes it looks less familiar than it should be, and therefore they don’t look scary, they seem like a caricature, a joke.

A lot of the essence of the characters get lost, and the core message of the story too, like when Iorek and the Gyptians tell Lyra she can be one of them, to support her lack of “proper family”, when that is the opposite of the books message. It doesn’t make sense for them to change that, other than maybe Jack Thorne wanted to because it makes the story feels less hopeless, but it’s why he fails to adapt these character - he doesn’t capture the essence, he tries to write these character with gaps in them.

However, the thing that annoys me the most is how they portray Asriel. It’s just... it’s bad. Really bad, which is a shame cause James is talented as fuck, but he had little time to film for season 1, and then they portrayed him very poorly. That scene when he addresses Roger in episode 7 is ridiculous, Asriel would never behave that way; there was relief in him finding Roger was there too, yes, but not to that extent and not in such a cringe way. Asriel is not deranged or irrational, he is a man on a mission, and Roger was a tool (there is no pleasure in Asriel taking his life and no excuses - it needed to be done and he did it); they just needed him to sound creepy in the show for whatever reason.

I hated how they handled the bridge scene for Asriel, Lyra and Marisa, but that’s long and complicated for me to explain here. In S2, there has been some mentions of him so far, including the implication he might have ruined Cittàgazze himself and I frankly don’t understand where did they get that idea. But the cherry on the top was Thorold telling Marisa that Asriel was gonna kill Lyra and that’s just-- that’s so dumb. That’s genuinely dumb writing, because Thorold knows Lyra followed Asriel to the mountain, and while I do believe Asriel would have killed Lyra if Roger wasn’t there, there is no way Thorold should know or consider that Asriel was gonna hurt Lyra, because Roger was there. In fact, Thorold’s interactions with Asriel in episode 8 already disprove this, so either Thorold was lying in S2 for the sake of, I don’t know, chaos or whatever, or the person who wrote this was a five-star, solid gold, fucking moron.

I’m not gonna mention the lost episode because that was no one’s fault, but the fact that they discarded an episode that all information we have on imply that it was important to set up the backstory of the angels and the city, it’s... concerning. It means they wrote something parallel that should’ve been woven into the season.

The truth is, I still watch the show on Sundays, and I still like some stuff they do (especially Mary’s stuff, so far), and despite me slandering the show per your request anon lol (cause unfortunately my honest opinion is mixed, I just don’t try to overfocus on the negative on Tumblr, I mostly talk about it on discord or private), I do think anyone who has read the books should watch the show.

For me, personally, everything I love about HDM is barely on the show - complex characters, the philosophy, the oppression by religion, the interesting world - and the vibe I get is that they’re adapting a coming-of-age love story, which is the last and - being fully honest - the least important message these books give us, but unfortunately they were set to making a family show from the start, and my expectations were high and unmatched, and a family is what we’re getting: toned down, cute, pretty visuals and soulless (heh, pun intended), philosophically speaking. I expect a certain pattern going into S3, but I always like to hold out hope that they will hire better writers (apparently Jack Thorne already wrote 4 scripts, so there you go lmao), and try to give HDM the adaptation it deserves. The truth is, if you’re a picky, canon reliant person like I am, the show might be a struggle, but if you just like the story for the teen romance, or if you don’t care about overthinking a show/book, then most people can have a good time with it.

[dlamp-dictator]

Quick Thoughts of Strive Beta

Messed around on the beta for about 3 hours between last night and this morning and just wanted to give my thoughts on it so far.

General Things

For those wanting to download the Beta I believe you have to go onto the PSN website itself and search it up. It took all of yesterday to realize this and I’m still mad no instructions actually said this... I pre-order this game dammit.

From what I’ve played the netcode is very good. I think there were only 2 moments the game wouldn’t let me connect with someone. All of my games have been smooth so far with little if any lag.

The look, aesthetics, and animations all look very nice and are done very well. The action feels very fast-paced and bombastic. The explosion and fire effects are stellar and give some very nice feedback to your stronger attacks. Heavier counters have a nice zoom and slow down effect for maximum impact. This game wants to really sell you on that hype dear Lord am I buying it.

I know I was negative on the music of Strive in my last essay, but hearing it within the game itself has me warming up to it. On its own the songs feel a little out of place, but now that I’ve got the game’s beta in my hand and started playing it the music works. It kind of like moving and fighting along to a rock album. I’ve got a particular fondness for Giovanna’s theme now. The chill vibes I get from her theme combined with her personality sell me on her character a bit more now.

General Gameplay Things

I know the devs were saying that they wanted to make this game simpler, or at least more approached, but boy is this game a little more bare compared to Rev2. Just to give a quick rundown, you can only cancel Slash into Heavy Slash, Punch and Kick are more poking tools that can’t cancel into much aside from Specials, but you can also mash out 3 Punches in a row. Punch cannot be canceled into Kick, Slash, or Heavy Slash, nor can Kick cancel into Punch, Slash, or Heavy Slash unless in a Dust combo, not with the characters I was using at least (Ram, Zato, Chip, and Gio). 

However, this is offset by the HUGE damage Slash and Heavy Slash can do, especially if you combo it properly with specials. Ram in particular has some evil stuff she can do with her Dauro loops. It’s a bit more like a more combo-based SamSho where you can be dead in just three or four short combos... just... without the teeth-grinding slowness of Samsho.

I’m a bit torn on this. While I think this kind of gameplay actually works pretty well for what it is, it’s such a different approach to Rev2 and even Accent Core Plus that I wouldn’t blame folks for being dismissive of it. There could be an honest argument for this being flash over substance given the lack of complexity on the surface. Not one I would make given my mixed opinion of Guilty Gear as a whole, but I could see that argument being made.

I think having Throw be 4/6D was probably the smartest move in this game. Now we don’t have to worry about having our 4/6HS command normals accidentally turn into throws and ruin a potential combo.

“Allen, why would you use 4/6HS up close raw? It’s typically very unsafe and can make you eat tons of damage.” 

Hey... shut up.

Speaking of Dust, if it wasn’t a universal overhead before, making it one now gives it a lot more utility. 

Ramlethal Things

I played mostly with Ram in my three hours with the game, so I’ve got the best grasp on how she plays out of the other three characters I messed with.

Ram’s very different from her Rev2 days. She no long has her Tekken-esque combos and a lot of her gameplay is now even more focused around her swords. She’d best at midrange, but can do a few things from close up and far away.

I don’t really like how you can’t call your swords back, but given the damage output when she has them equipped I think it’s a fair enough trade off.

Her Dauro loops are still a thing and boy can you do some mean things with them. 

I don’t really like how a lot of her combos feels like they need a sweep or 2HS to do real damage, this is apparently the case for a lot of characters, but with Ram... I dunno’, I haven’t play around with her enough to be sure but it just feels kinda’ weird.

Mortobato is actually a pretty nice super in terms of utility, but I really miss having Explode. It was the coolest looking super in Ram’s kit back in Xrd.

Her new rekka special is pretty sweet, makes for a nice combo ender after a sweep.

Giovanna Things

I think this is the character I’m going to main in earnest. Ram is fun, but I can actually win matches with Giovanna with some competency since her damage is constant unlike Ram who needs her swords.

Like Chipp, she’s a rushdown character, but with less tools for mobility and is more about nailing people hard and fast with her kicks and staying close with her surprisingly far-reaching specials that can close the gap, at least that’s what I got from her after a few runs in training mode.

Her 6HS rekka looks really cool and I wish I could combo into better.

Apparently she turns all green and gets possessed by her ghost dog when she’s a max Tension, but the game doesn’t explain anything about this.I’m curious, but also annoyed that what looks like a gameplay function is hidden for the beta players. I understand wanting to keep things a surprise, but I’d rather that part of her be removed if it isn’t going to be discussed.

I heard a lot of talk about Giovanna being un-Guilty Gear and boring as a character. I’ve got a lot of negative opinions about these people, but I’ll at least say that after playing her I don’t believe this to be the case. She admitted has few tools, but her playstyle, animations, and character do feel like a Guilty Gear character. Her simplicity is what makes her stand out among all the nuttiness of Guilty Gear. 

Think of it this way, a snarky, deadpanned, straightforward government worker being forced to deal with half-dragon bounty hunters and kings, assassins, sky pirates, ninja presidents, and Faust with only basic martial arts and a ghost dog to keep her on equal footing with the monsters of the cast stands out a lot more if she was quirky. She seems to be the straight man to all the craziness and I think she’ll have a lot of comedic moments with the cast if down well. 

Zato Things

THE TRAILERS FUCKING LIED TO ME THIS IS STILL ZATO -FUCKING- 1

To keep this simple and to keep me from raging, Zato and Eddie still attack in tandem outside of the player’s influence. 5K with Zato will still make Eddie do ”That’s A Lot!”. Doing 5S will still have Eddie do Leap. This is gonna’ need an actual essay to explain in detail, but basically, Eddie is unwieldy in his movement speed and positioning, so properly doing combos with him is very difficult due to how hard it is to position him in your favor.

To be fair, Eddie can only do about two attacks when he’s summoned, and his animations are much clearer to read and react off of for both you and your opponent, but... it feels like all the playing Relius Clover if Ignis moved without your full input. Again, more detail in a proper essay.  

Outside of that, you can actually do some really dirty stuff with Zato with you time things right. They did try to simplify Eddie but... it’s stil Zato-1 man.

Lobby Things

Yeah... this lobby kind of sucks. The aesthetic just looks very cheap compared to how nice the game looks. The blocky avatars don’t have the charming cuteness of Xrd’s avatar designs, and while I do think the method of getting matches is pretty simple, the overall way you do it feels sluggish and unneeded. I really wish Japanese fighting game developers didn’t try to make the lobbies as... immersive as they try to. This stuff peaked with Continuum Shift lobbies and have honestly gone downhill since then.

Overall, I’ve been liking what I’ve played of the beta, but I’m gonna’ need another day or two with it before having a full opinion. But so far so good, I’ve been either liking or appreciating most of the changes and things made, barring a few nitpicks and actual problems.

[infinitelytheheartexpands]

Mefistofele (San Francisco, 2013): Reactions and Thoughts

It’s strange what time can do to you and your thoughts.

The only previous time I had watched this opera was a little under two years ago, in the fall of 2018, when I was preparing to write an Opera Simplified (there it is!) on Mefistofele in an ultimately-failed quest to do an installment for every opera in the Met’s 2018-19 season. (Ironically, Mefistofele was actually the last one I wrote. But I digress.) And as I said yesterday, I loved the Prologue and, perhaps because of the sheer awesomeness of the Prologue, was disappointed by pretty much everything else.

But now I’ve gone and watched it again, and lo and behold...I actually really liked it this time???

The Prologue is still far and away my favorite part, and indeed, it may very well be not only one of my favorite choral scenes in opera but also one of my favorite scenes in opera period. But there’s a whole lot more to enjoy.

I will say that discounting the Prologue, the second half of the opera (Acts III and IV, as well as the brief Epilogue) comes across to me as significantly stronger overall than the first half (Acts I and II). This is probably because I felt like the first half focuses more on Faust (who I feel like is the weakest major character in both this opera and in Gounod’s version) himself while the second half focuses more on the two women he meets (Margherita and Elena, who is actually Helen of Troy! more on that later) before briefly focusing back on Mefistofele and Faust’s relationship. Of course, after saying all this, the main focus of most of the opera is Mefistofele himself, which I love. The Devil gets to have all the fun, and it’s so much fun watching him go, especially when it’s none other than Ildar Abdrazakov, who was amazing in every way possible. I mean:

Mefistofele is also significantly more relatable and sympathetic than in the Gounod take, partly because we never actually see him screwing up Margherita’s life (and others’; there is no Valentin or Siébel equivalent in this cast) and partly because he just keeps dishing up almost nihilistic witticisms and truths throughout. He’s entertaining as hell, especially in this production, which a) seems to update the opera to...the 1870s, maybe? (so around time of composition). Robert Carsen also sets the opera at least partly in an opera house: the Helen of Troy act is not a mirage of Ancient Greece but a glitzy, decadent scene of opera life where Helen is a prima donna and excellent tragedienne with an entire chorus of rose-bearing admirers and the company shares in her little idyllic world. I had mixed feelings about this because I’m not entirely sure how well that carried over, but it was gorgeous and I’m a sucker for 19th-century opera aesthetic so yeah there’s that. Also I love that Helen at least has something good going for her, because she’s gotten so much crap that she doesn’t deserve. But anyway.

Also, apparently heaven is an opera house where everyone stands in the boxes and is dressed in all-white versions of Venetian carnival outfits. If an afterlife does in fact exist, I would...not be opposed to it being like that.

And a quick shout-out to the costume designer, especially for this:

Confession: I haven’t read the Goethe on which both this and Gounod’s take are based (after the suckiness that was The Sorrows of Young Werther, which is infinitely worse than the Massenet opera, I don’t have any inclination to do so right now) but to my understanding, this opera is more faithful to that. This was both a good and bad thing; one of the chief ways this was bad is that we lost a LOT of the detail and development that Marguérite gets; imagine Faust cutting from the end of Act III to the prison scene, having already cut everything involving her from before Faust shows up in the middle of Act III, and you see what I mean. HOWEVER, the prison scene is much more extended here, and you get to see every ounce of just how far Margherita has fallen— she’s absolutely gone mad and she sings a PHENOMENAL aria about it. And then it proceeds more or less in the manner of the final scene of Gounod, except that Faust and Margherita have a gorgeous love duet (’Lontano, lontano, lontano’). I love. And the reprise of a key tune from the Prologue as Margherita is forgiven? I died. Absolutely incredible.

Also incredible: Patricia Racette, who played both Margherita and Elena and was utterly convincing as both. For comparison:

(sane Margherita)

(insane Margherita)

(Elena, aka Helen of Troy, doing her best Cheryl Studer impression. at least, that’s kinda what she looked like to me. with which I am absolutely okay because Cheryl Studer is also amazing. but seriously, someone needs to cast Patricia Racette as Adriana Lecouvreur if they haven’t already because she is such a great diva and she would be STUNNING.)

The Prologue and ending of the Epilogue (which is essentially a very short version of the Prologue): amazing. choir, orchestra, the soloists in the Epilogue...blown away yet again by this. and of course, it looked insanely beautiful...

To quote the opera, “Arrestati, sei bello!” (”Stay, you are beautiful!”)

Good opera. I’ll leave you with that.

[cut-content-contest]

Moonjumper

The jist of his character is that he is the corpse of a prince, and his two rivals are the princes ghost and the princes ex. The 3 fuckers want to rule over the same area so competition. Also moonjumper I think only appears on the horizon, meaning he is the only 2d character in a 3d game which is pretty dope.

They were a cut character that was originally supposed to be pretty important, but all we got was gamefiles of vague information, a flat character model, a bit of dialogue, and some music. That hasn't stopped many different and wildly unique headcanons, designs, and stories from taking shape from the original scraps of this one axed character.

The third area/chapter in the game had a much different story in its concept stage, and even though the level was designed enough to be playable for a demo, the devs decided to simplify the story for that area from three central characters to one and a half. Originally, he was a prince that met with a terrible fate at the hands of his obsessively jealous princess, and he somehow got trapped on the horizon without any memories of his original life, instead going mad. He was going to offer information about the area to help to the protagonist, though he really wants to manipulate and control her and everyone else into being unable to leave the area. Mj's backstory was ultimately given to the new central character, Snatcher (who also existed but got a bit of a personality shift with his new spotlight), his musical theme (and somewhat his design) repurposed for the game's item dealer, and MJ himself was removed from the game. Bits of the original story are still scattered around (a spectral body outline on the wall, a face painted in the attic of an icy manor, the scrapped explorable area that still exists out of bounds in the final version of the game, a broken tower), but the character only exists in mods, fanworks, and the concept artist for the original level fleshing out his ideas in art. He has a lot of speculation about his full backstory, abilities, and role, but there's very little sources to have anything beyond theories.

okay. so. let me give you the basis of a hat in time's third (or second during the time moonjumper still existed) chapter. evil ghost guy steals the protag's soul and makes her do shit for him and along the way you can get Lore on why he's a ghost and turns out Another ghost-like entity that you encounter in the chapter killed him while they were both Alive. its more detailed than that but that is Not the point. ok. ghost guy who steals your soul. his name is snatcher. ghost guy who Killed snatcher. her name is vanessa. Where does moonjumper come in you may be asking. well. ORIGINALLY moonjumper was in snatcher's place. but! snatcher also existed in the game at the same time as moonjumper- just with a different backstory. eventually, moonjumper was scrapped, and snatcher filled that role. there are So many things involving moonjumper that got just outright removed because of this. However. there are also things that Didnt get removed that are still in the game that can be traced back to moonjumper, mostly through his design being different from snatchers- moonjumper's design is much, much more closer to the design of moonjumper/snatcher while he was still alive opposed to snatcher, who is just a purple ghost noodle. but even then, their human design and moonjumper's design still have quite a few differences. many people in the fandom/fan community of a hat in time like to try and incorporate moonjumper back into the story, and everyone's different takes are always fun to see :)

He was originally to be the remains of the prince, and was to haunt (and I believe attempt to take over) Subcon Forest. I’m pretty sure he was scrapped because a) there would have been too much going on in that one region and b) Snatcher was the spirit of the prince and in charge of the forest, so maybe they decided it was a little weird to have two characters come from the same dead guy. Also he would 100% have been a tumblr sexyman

Moonjumper is a cut character from A Hat In Time. Originally, they were going to live in Subcon Forest, and have puppetmaster motifs. He was also going to be the prince killed by Vanessa. The motifs and being killed by Vanessa were instead given to Snatcher, my little scrunkle doo.

Apparently originally there were supposed to be three characters for the Subcon Forest level, Moonjumper was supposed to be the Prince in the original story, but was later replaced with the Snatcher, who wasn't the Prince in original story. He still had NPC files on the full release of the game, but it wasn't a model, rather just 2D image with particle effects

He was a scrapped antagonist for the level of Subcon forest! Moon Jumper was scrapped due to the Snatcher being the main character for subcon forest, and not having room for subplots. Early developer commentary states that the Moon Jumper was stuck in the horizon and that his role throughout the level of Subcon forest was to get Hat Kid to join him in the horizon.

wiki link: https://ahatintime.fandom.com/wiki/Moon_Jumper what we know and some theories: https://www.youtube.com/watch?v=mor-oR5ti9E showing off the NPC: https://www.youtube.com/watch?v=krHXy8afF74

Timmy

when a hat in time was in development, it had a kickstarter with stretch goals. one of these stretch goals was co-op multiplayer. we did get co-op eventually- but the character used alongside the protag wasnt always the same. the protag and main character of a hat in time is hat kid! in co-op, the second player plays as bow kid. but, originally, the second player character was going to be a boy named timmy. not much is known about him as im pretty sure he never really had much put into him before he was cut. what we do know is he is a bit older than hat kid (maybe he had an older brother dynamic with her?), and had physic powers. whether or not he would be able to Use those powers in gameplay is unknown. he's been modded back into the game by multiple people all with different interpretations of him.

[timeforelfnonsense]

Mistress Wit

Wyll x Criella

Rating: T 

Ao3

With Patch 3 out now, I decided to make another bg3 oc to romance Wyll! Dafni will still be the main character so to speak of my bg3 writing with Criella serving as a secondary protag & member of the party in Sunshine and Starlight. She and Wyll will also be getting their own little collection with Dafni & Astarion serving a similar role! However, as my writing is pretty ship centered you wouldn't really need to read one to enjoy the other!

                                                     Prologue

Criella brought her hands above her head, fists pounding against the transparent shield that kept her snuggly trapped in the mind flayer pod. If she could just find a weak spot…

Ah-ha!

It was faint but, Criella spotted a hairline fracture in the upper right portion of the glass. Perfect. Her tail dipped into the worn leather bag strapped to her thigh seeking her tinker’s tools. If she could just find her mallet she’d be able to shatter the glass and free herself from her confines. She reached for the top of her head, pulling her goggles over her eyes. With one precise strike, the mallet made contact with the pod’s lid. What had started as a single small fracture now spread across the whole surface in a spiderweb of spits and breaks. Carefully, her fingertips traced the somatic symbol needed to cast a gust cantrip.

“Ventus!” With the command spoken a small tempest broke free of her palms sending shards of glass flying across the clearing.

Her boots hit the ground with a soft thunk, the collateral of her escape crunching beneath her feet. She scanned her surroundings nose wrinkling with repugnance. This was definitely not Waterdeep. She’d crashlanded in some sort of hinterlands located god knows where. She brought her fingertips to her temples rubbing away the tension with little circles. She needed to locate civilization and quickly. It was only a matter of time before the dangerous effects of the tadpole squirming behind her eye would manifest.

She dug around her bag until her hand found its target. A spyglass forged of brass, runes of her creation glowing across the tarnished cylinder. Pushing her googles back up, she pressed the scope to her eye looking out into the forest. Her mind tingled, the Spyglass of Clairvoyance reveling a small settlement nestled in a nearby grove. It was no city of splendor but it was a lead. The only one she had anyway. Perhaps, whoever called the grove home would be able to point her towards the nearest healer if they didn’t have one of their own. Her body ached from the top of her horns to the tip of her tail. Even if they couldn’t see to the parasite they could ease the discomfort of being crammed into a pod had caused.

----------

Criella sat atop a traveler’s chest, her tail flicking idle from side to side. The groves healer had just set out alongside a mercenary band just recently. Meaning her only choice was to doodled among the druids until their Master Halsin returned. She let out a huff of air, blowing away a stray strand of straight, lilac hair from her eyes. If someone were asked to rattle off a list of locations they might find Criella Wit of Waterdeep, a druid’s grove would certainly not have been among them. She’d never been one for nature’s charms. Given the choice between a bustling market or a quiet glen, Criella would have picked the crowded walkways and noisy rabble of the city to the glen every time. At least she was among kin. All around her other Tieflings mulled about weary faced as they set to packing up what little they had. Criella’s gloved fingertips tapped out an anxious rhythm on the side of the chest. Criella knew better than most that right and wrong could be terms with objective definitions. But turning out helpless refugees and children? That was wrong by every definition. She had sat in Zevlor’s quarters discussing the events that lead his people to take refuge among The Oak Father’s servants. They had come from Eturel originally- Collateral damage in the wake of post-Decent xenophobia. People who had once been treasured friends and neighbors became easy scapegoats for the suffering Elturel’s people experienced in the hells. Her grip on the chest tightened. Were it not for the black leather gloves her pointed fingernails would certainly have left a mark on its suede surface. Well, if the druids weren’t going to help she would. She pulled out a well-weathered note pad and nub of charcoal. She could adapt her design for the Protector canon with relative ease. She’d have to find a way to streamline and simplify it given her the groves appalling lack of anything metal. What she wouldn’t do for steel and iron! Perhaps their smith would have some to spare though she doubted it by the state of his forge. “What are you drawing?” a tiny sing-song voice asked. Criella glanced up from her work. A little tiefling girl of no more than 10, was staring owlishly over the edge of her notebook. Criella’s lips quirked, tuning the book so the girl could get a better look at her scribblings. “It’s a diagram of an Eldritch Canon. I’ve made hundreds of the things but today I’m working on one just for you and your friends. To keep you safe.” She explained, tapping the tip of her finger to the sketch, “It’s sort of a… a mechanical cleric! If anyone gets hurt on the road it might be able to help.” “You can make that?” The child whisperer reverently. “I can make anything.” Criella winked, “Just give time and the right tools.” “Could you teach me?” She asked, her lower lip quivering ever so slightly, “I want to be able to make anything! I want to help! I’m not good at fighting or sneaking like the others maybe I’m good at making things!” Criella let out a chime of warm laughter. The little girl’s eyes were full of wonder and optimism despite all she and her kin had endured recently. She’d too had been more interested in tomes and tinkering as a girl. While her peers were swinging sticks and imagining themselves as knights and guardsmen, little Ella would climb the tallest tree in the yard and name it Blackstaff Tower. “Well I can’t teach you how to make everything in just one day but, I can show you a few things.” Criella brought her hand to her lips, sharp teeth tugging the grove from her left hand. With a heartfelt smile she extended her hand to her would-be apprentice, “They call me Misstress Wit of Waterdeep but since we are friends, you can call me Criella.”

Wyll walked the length of the makeshift training ground. Adjusting postures and offering up every word of tender engorgement he knew. The tiefling children had been ecstatic to meet a ‘real-life hero’, bombarding him with sweet, curious questions the moment he stepped through the gate. After such a warm welcome teaching a few sparing lessons while he waited for Halsin to return, was the least he could do. These children had already witnessed more than many noble old men would in their whole lives. They should have been chasing frogs, enjoying their childhoods without fear. Not training for battles they couldn’t win. Despite the cheerless nature of his thoughts, Wyll put on his warmest, bordering on a fatherly grin. “Not bad! Not bad! Now, remember not to keep yourself so open.” He instructed demonstrating his instruction for a little boy with rusty hair, “Like this.” “Keep it up little one. You’ll be a fine warrior one day!” A lovely voice called. The gentle, golden timbre belonged to a statuesque tiefling woman. Wyll’s heart sputtered a bit when her soft silver eyes fell across his face. A dazzling smile on her rose-petal pink lips. Walking beside her was a child- Nalia, the little girl with a missing horn. He’d invited her to spar but she’d only blushed and ran off. “Wyll! I look at what I made!” Nalia shouted dragging the pretty-pink woman along behind her. When she reached the ring she pulled free a small metal gadget no bigger than her palm. The steal contraption glowed with a soft purple light. It’s slivery surface marked with an inscription: Be Brave, scrawled in infernal. “Aren’t you clever!” He said crouching down to admire her handiwork, “What is it?” “It’s an eldritch canon!” She rolled her eyes as if it were the most obvious thing in the world The woman stifled a giggle, covering her grin with the back of her gloved hand. “Is that safe?” He asked cocking an eyebrow at the smirking beauty. “Yes! think of it as a mechanical cleric, Wyll!” Nalia said winking at her companion, “I’m going to be an artificer just like Mistress Wit!” “That’s right!” Wit nodded, “I think you’ve done enough work for today apprentice. Go on, take the rest of the day off...” As Wit trailed off a strange feeling began to unwind in Wyll's mind. The sights and smells of an unfamiliar harbor city danced across his senses. He could almost feel the sea breeze on his face. He saw a workshop so organized and meticulous it reminded him of his time with The Fist. He felt the uneven surface of cobbles stone under his feet as he tore after a thief, tears stinging at his eyes as the hooded figure mad off with the last project he and a half-drow woman had planned before she left. Lastly the memory of being confined to a pod and dragged to the hells. Wit blinked back at him dazed. Her slender nose wrinkled, her lips turned down in a worried grimace. “We should talk.”

Criella sat across from the Wyll at a shabby picnic table, poking at her gruel with a wooden spoon. The old woman had called it vegetable soup but remind her too much of the oil she used for in some of her machines to be palpable. “Not much for stew eh?” He teased taking a long sip of his bowl, “You haven’t spent much time in the wilds, have you?” “I am I that obvious?” she giggled, “I’m from Waterdeep- I’ve lived there all my life. Not much work out here in the woods for someone in my line of work.” Wyll tilted his head, bringing his chin to rest along the top of his knuckles, “Oh? And what is your line of work Wit?” He hadn’t heard of her? How strange. She was something of an arcane darling back home. If you asked someone where to inspired spellwork or magical mending. If they had any sense they would give you one answer: Wit and Wander. Well- Just Wit since Zoria had left for Neverwinter with her new wife…. “I’m many things; wizard, artificer, genius. Take your pick.” Wyll chuckled raising his tankard in approval of her assuredness, “Impressive.” “And what about you Wyll?” She said playfully, “Let me guess? You are a soldier. Mercenary? No, you are too upstanding to be a sellsword.” “They call me the Blade of the Frontiers.” He stated with a proud nod before continuing “Monster hunter. Hero. Protector of the common folk.” “The Blade of Frontiers? Now that’s a name!” She whistled, “And I thought Misstess Wit was a clever epithet! Now tell me Blade- How did you find yourself aboard the nautiloid?” Before he could respond the sound of a war horn rang out across the grove. Zevlor sprinting past them as shouting about a goblin siege at the front gate. Both adventures sprung to their feet as panic spread among the refugees. “Alright Blade.” Criella purred pulling her storm canon from the holster at her hip, “Let see if you live up to the legend.”

[daily-rayless]

20 Years of Art

2000

(OC / Celes from Final Fantasy 6 / OC / OC)

The influence of Final Fantasy 6, off of the Anthology collection, and Yoshitaka Amano caused a significant shift in my art, leading my human figures to be very slender, graceful, and frequently pale. Most of it was of women, some of it was of horses, and by then I was very self-consciously starting to draw men. I mostly worked in pencils and colored pencils. Faces were oval with high hairlines and long, sharp, narrow noses. Also note my evident fear of mouth-seams and lower eyelids. I was pretty terrible at coloring, often feeling that coloring one of my sketches ruined all the nice linework.

2001

(Quistis from Final Fantasy 8 / Rosa from Final Fantasy 4? / Schala from Chrono Trigger / Dark Knight OC from Final Fantasy 4)

This is where more anime influences came in, and I consciously took on a semi-anime, semi-realistic (in my own mind) style. My ideal of beauty was overbig eyes, overlong nose, and oversmall mouth, and I stuck to it pretty relentlessly. Trying to figure out shadows and face structure. Still bad at coloring. I was incredibly proud of that charcoal picture. Was also going through my mandatory Dark 'n Edgy phase, with a big helping of Phantom of the Opera, Sarah Brightman, and my attempts at designing supercool clothes, many of which I wouldn't have actually worn, even given the opportunity.

2002

(Me trying to recreate “Flaming June” / OC, who incidentally looks almost exactly like Sarah Brightman and whose diadem was bodily lifted from a Jodi Lee painting / angsty symbolic wet chain lady / OC)

Deep in the Dark 'n Edgy. Faces are still very heavily made-up, with big lashes, defined upper eyelids, and dark lips. Trying very hard to be a good artist though, have high expectations for the future. I was so proud of that final pose and worked so hard on it. Lined paper? So not a problem. Besides, how else am I supposed to draw during class? A sketchbook would've been even more obvious than the incredibly obvious I already was. I'm able to listen while drawing pretty reliably, and I did manage to take detailed notes while doodling, so at least I had that going for me.

2003

(Celes / OC / OC / Hermes-inspired wing lady)

I was focusing (at least some of the time) on backgrounds and trying to make my work detailed and polished. Coloring is still hopeless. Often when I colored, I would go super light, even when I was using dark or intense colors. It would give my pictures a sort of faint, half-assed hazy look. I remember an art teacher urging me to use more color, but I probably resisted because I knew that way lay total destruction. I'm sorry, well-meaning art teacher. You are unversed in the ways of my pencils. I have killed too many sketches to take those kinds of risks.

2004

(Rosa? / Meliara from Crown Duel / willow-dress lady / Geddoe and Queen from Suikoden 3)

See the Meliara picture? That's supposed to be a night scene in a forest. Front-lit by blazing firelight. I was too afraid to make the colors darker. This is dark enough, okay? Anyway, this year, along with being utterly obsessed with Suikoden 3 and Crown Duel, I was letting my art head in a more realistic direction...

2005

(OC / Queen / Queen / part of Zetta and Salome from Makai Kingdom; I remember deliberately copying those swoopy Ss from one of my friends’ handwriting. Wishes ended up being the first longform fanfic I posted online.)

...that really flourished this year. It's not actually realism, but I made a point to give my characters, especially the women, more realistic bodies. Faces are very round in this period, often with soft features. Noses are prominent. I'm also, finally, using more vibrant colors. I probably got my first Prismacolor pencils around this time. I also got some really cheap markers, but had no idea how to use them so mostly stuck to pencils.

2006

(All OCs)

I look back on this as a good year. I was learning better coloring techniques. (Bold colors! Press that pencil down! Okay, I still had much to learn.) I got an Elfwood gallery while the site was doing its slow mosey into oblivion. But that was an important step, not just looking at other people's art online, but putting my own up as well. There were downsides though. I began to feel more insecure – or maybe more realistic? – about my art, on this site with so many highly talented artists. Still, 2006 is a good year. It was a lot of fun, and I learned a lot.

2007

(vampire and hunter / Fleur from Harry Potter / OC / Avril from Wild Arms 5)

The year of Fleur Delacour. This is when I was writing Kindred. I think it was because I was trying to depict Fleur as distinctly non-human that my art shifted away from that more realistic style. Fleur, and my other figures, became very tall and slender. The anime DNA is still there though. For a long time, I felt the lying-down picture of Fleur was my best work.

2008

(Revya and Gig from Soul Nomad / my attempts at being “abstract” / OC / OC)

This was the year of Soul Nomad and, towards the end, Tales of the Abyss. Unsurprisingly, the anime influences start moving back to the fore. The eyes are becoming larger again, the features a bit more angular and stylized, mouths are shrinking. I'm still desperately trying to figure out markers and wondering why it's so darn hard (I don't try to educate myself, I just flail), but I was proud of that blue OC picture. It made me feel like I was getting somewhere. 2008 is when I started my deviantART gallery, right when everyone else was moving on to Tumblr.

2009

(teacup lady / Persona 4 noir-style comic / Revya / OC)

Then Persona 4 hit. Shigenori Soejima was a huge influence in this period, especially in eyes and faces. Pupils, chins, and jawlines shrink, eyelashes are sparse and stylized, noses are simplified. 2008 and 2009 are about as pure anime as I've ever gotten. Meanwhile, I'm really exited about my dA gallery and trying lots of different combinations of media. I'm super active on dA and FFN at this point, writing Elysion and then a slew of shorter Persona fics.

2010

(Minako from Persona 3: Portable / concept-art-version Minako / lady with dragon ferret thing / other lady with dragon ferret thing)

I'm still drawing with a lot of Soejima influences. Additionally, bodies are becoming even longer, taller, thinner, and bendier. Some of them look absurd to me now. On the other hand, a lot of pictures from this period have a nice elegance to them. I was still using colored pencils a fair bit, but more clumsy markers are showing up. Persona 3: Portable came out, and this is when I was writing Death and Ker.

2011

(mask lady / hat lady / Archaya, Duphaston, and Iryth from Eternal Poison / symbolic autumn lady and her winter baby)

Midway through this year, I hit a breakthrough when I got my first set of Copics – and skin tones, no less. Even though I was still flailing, I was so thrilled with my results. That Eternal Poison picture left me enormously proud, as did the mother and child one. My style hasn't changed all that much, but it's starting to feel less extreme. The focus on big eyes and tiny little mouths remains.

2012

(Elza from Suikoden 2 / Daryl and Setzer from Final Fantasy 6 / Killey and Lorelai from Suikoden 2 / Lyssa, Greek goddess of madness)

This is the year of Elza. Lots of delicate sketches of this lovely scarred lady, and lots of colored pictures too. I've definitely shifted away from pencils towards markers. The Daryl and Setzer one was an attempt to use both, and I was very happy with it. These pictures show their age, but there's still a lot here I like. Mouths are larger too. However, my online activity was starting to lag.

2013

(Rydia from Final Fantasy 4 / Nia from Infinite Space / the prophet and Schala / Argos and Io from Greek mythology)

The mid-2010s weren't entirely great for me, marked with a lot of frustration and discontent. And that definitely carried over to my art, making me feel very disappointed with myself. There was lots of marker work this year. Probably the standout picture is Argos and Io. This is also when I played through all three routes of Fate/Extra, and my art was suddenly full of Hakuno and Emiya.

2014

(Minako / butterfly lady / Marta and Tenebrae from Tales of Symphonia 2 / Elza)

Looking at it now, this was a good year. Lots of nice marker art. The butterfly one was a big step up for me in terms of coloring. The Marta and Tenebrae has a really cool stylized look to it. But I was becoming less enthusiastic about sharing my art with others. I started to post less and less.

2015

(evil Hakuno and Emiya from the Fate series / Mitsuru from Persona 3 / half moon cookie lady / Hakuno)

I barely posted anything this year, though I was still drawing a ton. As far as making strides, this is one of my better years. Coloring will never be my strong suit, but it's a lot more fun, and it looks a lot better. It's almost entirely marker-work at this point. Despite my, er, angst, a lot of people are smiling this year.

2016

(OC / doodle lady / Luna from Roman mythology / hair bow lady)

At this point, it's feeling too recent for me to really see what's changed. I did a fair bit of eraserless work. One problem I still have – and, yes, it involves coloring my pictures – is losing some of the image's personality after I've inked it and erased the initial pencil work. The picture's still there, but not as nuanced as it originally was. The results often feel stiff to me. Doing the first linework in ink, or not inking at all, allows me to keep that sensitive, spontaneous quality. Luna and the bow and doodle ladies were done without erasers. Another thing I did a lot this year was fill backgrounds with busy shapes and colors, which is a trend I’m still following today.

2017

(flapper and dog / Alcyone and Ceyx from Greek mythology / flower hair lady / Kida from Atlantis)

Not a good year. Not that the art is bad, there just isn't a lot of it, and what there is often isn't very finished. I was still mostly dark online, wondering if I should take down my dA gallery. Drawing and knowing I wasn't going to post something took off some of the pressure of my own expectations, but I was still unhappy.

2018

(Altera from the Fate series / Elizabeth Bathory from the Fate series / OC / Aranea from Final Fantasy 15)

This was a really important year for me. I wrote a novel I'm really proud of, and it's done a lot to give me confidence and a sense of creative direction. I also decided that after New Years, I was going to start a Tumblr gallery...just as everyone who was still on the site was jumping off of it. Much of my 2018 work is still sketchy and unfinished, but I also think it's loosening up some. It feels less stiff than the stuff from the middle of the decade.

2019

(Aloy from Horizon Zero Dawn / medievaly lady / Red from Transistor / Red)

The year of Supergiant Games, which led me to focus more on bright saturated colors. It's really hard for me to analyze these objectively. Coloring is better? I worked more on details? I used my metallic gel pens a ton and did shape-cluttered backgrounds? These aren't new things, but I think they paid off okay. I'm more at peace with my level of ability, I've finished more complicated works, and I crawled out of my den and started posting regularly online again. So that's all good. Curious to see what the art looks like in twenty more years.

[rubberduckyrye]

god im sorry if im flooding your inbox with questions but uh got anything about ur ocs theos and richard? (sorry if i've spammed you with questions i can't tell if i've actually hit the ask button or not sometimes oof)

uhm, how about your OCs richard and theos(?)

Not the same anon but could you describe theos

I’m finally getting to these, wooo!

I’m going to mostly focus on Theos here, but if you really are curious about Richard, let me know! I just. I felt bad cause I was drawing a reference of Theos but it took a while and I couldn’t really get to Richard, sorry;;

Okay, so a little bit of history for this;

These characters are two parts of a trio that I made with @celestriakle waaaay back when we were both in the NiGHTS fandom. These characters were based off of Wizeman the Wicked, the big bad final boss of “NiGHTS into Dreams” and “NiGHTS: Journey of Dreams.” If you want to watch a let’s play of the latter (as it actually has story/a narrative to it where as the first game has only game play. Older games had their stories mostly written in the little booklets that came with the games) you can watch this here. NiGHTS is like, the OG purple gremlin child and they are such a mischievous delight. The game sadly hasn’t aged well and wasn’t like, the best of games, but I still hold it fondly to my heart and I’d say it’s got some great concepts.

Anyway! If you want just a very rough summary and not watch 5 hours of a game; Wizeman the Wicked is the self-proclaimed god of Nightmare, which resides in the Dark Ocean underneath the Dream Gate. The Dream Gate allows dreamers (called “visitors” in the game) to enter their dream worlds of paradise (or, more accurately, worlds created by the reflections of their hearts) called “Nightopia.” However, Wizeman is constantly sending his creations, “Nightmarens,” to steal fragments from the hearts of visitors (these fragments being called “Ideya,” and are Courage (Red), Purity (White), Blue (Intelligence), Growth (Green), and finally, Hope (Yellow). The Ideya of Courage allows visitors to unlock their first Nightopia, and if they can gather the remaining Ideya, they can unlock new dream worlds. In these dream worlds are little creatures called “Nightopians,” which are like… fairies, I guess, to simplify things. There’s also an owl creature that doesn’t have a clear origin, and his name is…. Owl. Real creative, I know.

Another thing–SPOILERS, IF YOU DON’T WANT TO BE SPOILED FOR THE NIGHTS GAME, STOP READING AND WATCH THE VIDEO AND COME BACK TO THIS–that is important to note here is the Nightmaren. There are three levels of “nightmaren”; Third levels - the weakest enemies, the ones you find wandering Nightopia that get in the way/stage enemies; Second levels, which are “boss marens” and are the Nightmarens who have taken the ideya from the protagonist visitors and are keeping it hidden in their lairs, and finally, First level Nightmaren; to which there are only two. A pair of “twins,” if you want to call them that. Reala is the first of the two; he is very loyal to his “master”, Wizeman, and is considered the general of the nightmaren army. He’s portrayed as cruel and even sadistic in a way. The second first level Nightmaren? NiGHTS themselves.

NiGHTS is a renegade Nightmaren that has rebelled against Wizeman for an obscure reason. Fans love to speculate on it, but there is no real “canon” reason, only hints that NiGHTS might be more ashamed of where they come from than they’d like to let on.

Why is this important? Because it ties in to Theos, and consequently, Richard and Cyrus–Celest’s character, though I won’t talk much about him here since that’s her muse/character so go ask her about him if you’re really that curious. Either way, I’ll note here that Theos, Richard, and Cyrus are all “parts” of Wizeman. Think of Steven Universe and “fusions”, except this was created long before Steven Universe was airing. So Wizeman is a “Fusion” of these three characters--though the three “humans” that make up Wizeman are called “The Fragments.”

Anyway! Moving on.

The initial translation of the “NiGHTS into Dreams” biography for Wizeman was mistranslated, I do believe, but it suggests that Wizeman is a “Visitor with no Ideya” and among the first intelligent life form to exist in the world of dreams. Long before I even met Celest, me and an ex friend/boyfriend (don’t ask) of mine laughed at the idea, but them we started pondering the logistics of that information, and created Theos. He worked on the original story for Theos (which I can’t remember for the life of me, it’s all been scrapped though) and I made up a design.

So for reference, here is what Wizeman the Wicked looks like.

Here is what Theos used to look like. Be warned, it’s old as shit art! Wow, this art is almost ten years old, holy shit–

And this is what Theos’ current design is, plus a very sinister looking goop monster.

The first design you see on the most modern design (the more obviously human looking form) is Theos when he was alive. His eyes are actually a dark, dark brown, but they are hazed over. I forget the technical term for it, but anyway, it left him blind. This was kind of a problem, a huge problem, for Theos--because he was born during the age of Sparta.

For those of you who don’t know, Spartans were very vicious awful, and if an infant was born with a clear deformity or disability, they were doomed to be abandoned in the wilderness and left to die. Theos was born blind, and very visibly so. However, his mother had died during child birth, and her last request was that her baby live a happy life. To honor that request, Theos’ father convinced everyone that his child was a prophet of the gods, and that his blindness was due to an ability to predict the future via his dreams. He warned that the gods would strike Sparta down with vicious rage if they killed the baby boy, and that when Theos does pass on from the realm of the humans, he will report his life back to the gods. He managed to convince them that Theos was, indeed, a prophet, and he was an exception to the rule for about eight years.

However, his father had grown resentful and hateful of his son for “killing” his wife, and making his life a living hell, so he decided that he was tired of it all and threw Theos into a river, where he drowned.

Before Theos had died, he discovered the dream gate, and discovered that he was a lucid dreamer. He created a creature he named “Owl” (yes, this gives Owl an origin story) and had all five of his Ideya before he died, thus had access to all of his Nightopias.

However, when he died, he hit his head on a rock and fell unconscious just before he drowned, and a remarkable series of events occurred.

First, his mind and soul went to the world of Dreams.

Second, his lucidity started to violently lash out, as he himself was panicking and in a lot of pain, and started to change his “body.”

Third, all of his Ideya started shattering.

With the unique circumstances of his death, Theos’ soul transfered from the waking world to the dream world just before he died, sacrificing his Ideya to stabilize his form as a “creature of dreams” instead of as “a visitor.” 

From there, after the horrid traumatic experience, Theos tried to seek comfort in his nightopias--nightopias that no longer had Ideya to support them, and thus were destroyed. Devastated by the fact that the world of dreams basically rejected his being, Theos threw himself into the Dark Ocean--the Sea of Nightmare--and was engulfed in the madness below.

This is where the fourth and crucial yet remarkable event occurred. You see, the goop monster depicted in the drawing I did is called “Dream Force.” The state of it in that picture, is when it takes on the negative thoughts and feelings of visitors, thus turning it into sludge and into “nightmare” force. This is a personal creation and headcanon of mine, but I imagine that the Dark Ocean is basically made up of “negative” Dream Force--or, Nightmare Force.

Now normally, when visitors die in a similar manner like Theos, they don’t last long in the dream world. Their souls eventually lose power and fade as they finally pass on to the next life. However, Theos was the first visitor to have “tamed” the Nightmare Force through his own lucid powers, and using the Nightmare Force as energy, he was able to survive for centuries--but at a cost. Being surrounded by nightmares, horrible, violent thoughts and feelings, and all that good stuff, only fueled the hatred and despair he felt. So, Theos grows more and more angry, hateful and resentful of the human race, wanting to be rid of it. 

That’s basically his story, tbh! I don’t really know what to do with him, though me and Celest are planning a rp-to-fic thing of the Fragments, so he might just star as a NiGHTS oc. 

Sorry this took so long to get to :’D I hope that satisfies you curiosity about Theos at least. I might do Richard another time.

Anyway! Thanks for asking~

[crusherthedoctor]

Sonic Villains: Sweet or Shite? - Part 8: EGGMAN NEGA

There are some villains I like. And there are some villains I don't like. But why do I feel about them the way I do? That's where this comes in.

This is a series of mine in which I go into slightly more detail about my thoughts on the villains in the Sonic the Hedgehog franchise, and why I think they either work well, or fall flat (or somewhere in-between). I'll be giving my stance on their designs, their personalities, and what they had to show for themselves in the game(s) they featured in. Keep in mind that these are just my own personal thoughts. Whether you agree or disagree, feel free to share your own thoughts and opinions! I don't bite. :>

Anyhow, for today's installment, we'll finally be tackling Sonic's beloved arch-nemesis, the rotund doctor himself, the scheming conquerer in the making, the forever determined mad scientist...

...'s clone.

Eggman Nega.

The Gist: It was just an ordinary handheld adventure for Sonic the Hedgehog, as he made his way through the opening act of Sonic Rush to foil the nefarious ambitions of Dr. Eggman yet again. The doctor hinted early on that there would be more than meets the eye this time around, to which Sonic initially disregarded as typical Eggman talk. However, he changed his tune when he met a purple cat who he had never seen before... and later, a mysterious fellow who looked rather derivative...

“Look, no disrespect, but I’d rather not stumble over my vowels and offend an entire section of the human race by accident.”

It's quickly established that this man, who went by the name of Dr. Eggman Nega, hailed from an alternate dimension. The same applied to the aforementioned feline, Blaze, who in turn was revealed to be the Sonic to this Eggman's... Eggman. So she was well-acquainted with Nega's dickery, and it didn't take long for her to conclude that he was responsible for the regular Eggman's presence regarding her side of affairs.

Eggman and Diet Eggman, in league with each other, planned to use the growing time-space rift between the two dimensions to, scientifically speaking, fuck shit up. But together - after having an unnecessary scuffle (because all new heroic characters in this franchise are obligated to fight Sonic for trivial reasons) - Sonic and Blaze went Super and Burning, kicked the Eggmen's Eggasses, and restored everything back to normal. And that was the end of that, right...?

Pfft, ANYONE who looks exactly like Eggman can say that.

Not necessarily. Nega made a surprise return in Sonic Rivals, where he was revealed to be the mastermind of attempting to turn the world into a card, a plan that even the actual Eggman would probably laugh at. This cemented him as the... by my estimation... sixth antagonist to screw the doctor over. And that's if we're not counting villains who were unaffiliated to begin with.

Somewhat more concerning however, his backstory was completely different. Rather than being Blaze's arch-enemy in an alternate dimension, he was now inexplicably Silver the Hedgehog's arch-enemy IN THE FUTURE!!!!!, having been revealed to be the descendant of Eggman. Nevermind that this would imply Eggman found someone worthy of his affection (himself notwithstanding). At least Blaze's backstory remained intact, right.........?

Not that it stopped Nega from reestablishing himself as Blaze's dimension foe in Sonic Rush Adventure.

That would explain the Eggman jamboree.

And then that didn't stop Nega from reestablishing himself as Silver's future fiend in Sonic Rivals 2.

YYYYEEEEEEEEAAAAAAAAHHHHHHHH

It's been said that the future interpretation is the true and honest one for Nega, because with a character like this, you clearly have nothing to lose by picking the more confusing option. Not that it matters too much nowadays, since he's been spending his decade long retirement at the Olympics. Best place for him, really.

The Design: Nega's appearance is a masterstroke of telling a story purely through the visuals. The grey-haired moustache establishes how Nega is older, and thus wiser, than the real Eggman. The red tracksuit confirms that Nega is always quick to call for action, unlike the defeatist outlook implied by Eggman's black pants. The use of the Classic yellow tusks on Nega's jacket, as well as the bumblebee shoes, make it apparent to the viewer that he is more Eggman than Eggman will ever be, as he encompasses the heart and soul of the character, of which the original simply cannot live up to.

Now you see, anything can sound deep when you talk a lot of shite.

He should really get that hip checked.

All sarcasm aside, Nega's design gets a solid place in the "not particularly great" tier, and that's putting it nicely. Whether it took five days or five minutes to come up with him, we are given no point of interest outside of the very thing that makes him unoriginal. After all, why should we care about the thought put into his look when they didn't...?

Even his poses are the fucking same.

Sonic got himself a counterpart in the form of a serious-minded cat with pyrokinesis. Tails got himself a counterpart in the form of an excitable raccoon with (implied) hydrokinesis. But all Eggman gets is a guy who looks just like him, right down to the name. I would say there's some injustice here. If you're going to make an alternative equivalent of the doctor, go wild with it. Think up as many physical contrasts as you can. Make the character their own being, rather than a halfhearted copy and paste of another, better villain. Especially when the latter is the villain of the series.

The Personality: Nega is set up to be an eccentric yet brilliant mastermind, even though Eggman is also such.

Nega is set up to provide a polite contrast to the often childish Eggman, even though Eggman is also capable of maintaining a polite facade when he feels like it.

Nega is set up to be capable of some truly evil things that can shock and disgust others, even though Eggman is capable of that too.

Noticing a pattern?

That said, there is one notable difference: Nega's lapses in logic are ten times more unintentionally hilarious.

“And I’ll have, you know that, my grammar has, always been, perfect!”

“...By removing myself as well in the process! On another note, what's 2 plus 2?"

There's really not much to add about Nega's personality. Whatever you can say about Nega, you can say about Eggman too. And I'd prefer not to be redundant when it's the turn of the real deal.

The Execution: If it wasn't obvious at this point, Nega falls flat as his own character and as a counterpart for Eggman. Either he's a repetitive second wheel (the Rush duology), or he's a straight up poor man's replacement (the Rivals duology). He has very little going for him that the original Eggman doesn't already have, which makes his shortcomings all the easier to spot.

Now you might be willing to think "But Nega is a darker mirror of Eggman! He shows a more vicious and sadistic side of the doctor! This type of character provides a fascinating insight into Eggman's character!"

Well here's the thing.

We already have a character who fulfills the role very well as a darker mirror of Dr. Eggman.

His name is Dr. Eggman.

Contrary to popular belief (which I'm sure has been influenced by certain adaptations), the real Eggman is still a massive bastard when you look past his outwardly silly demeanour, and as such, he's fully willing to commit surprisingly cruel acts of villainy that you wouldn't initially expect from him. This includes the enslavement and corruption of an innocent alien race, breaking the entire planet apart for the sake of waking up an ancient beast, and going full suicide bomber on Station Square when Chaos is seemingly defeated.

Part of the genius with Eggman's character is that he has two contrasting sides: the playful manchild, and the monster within. Giving the latter half to an uninspired recolour simplifies Eggman himself in the process, because by doing that, he's only one half of himself, and he's less effective as a villain in his own right because of it.

Well at least even the official cast don't seem to take Nega seriously.

“Oh no! He’s going to turn the planet into a card!” *smiles joyfully*

This review was a hard one for me, because there's only so many times I can point out that Nega is a complete ripoff, and aside from that elephant in the room (eggaphant in the room?), I don't have much else to work with. So I'll just reiterate that Nega has fortunately been reduced to Olympic fodder and call it a day.

Meanwhile, the real Eggman literally conquered the world. Just a reminder.

Crusher Gives Eggman Nega a: Thumbs Down!