#also shadows characterization was great

[krash-8]

so I FINALLY caught up on sonic prime and tell me what am I supposed to do with my life now

[pumpkinrootbeer]

I just have to sing my praises for Shadow's VA in prime rq I think Ian hanlin does such a fantastic job as shadow I am just. consistently amazed. I think some previous iterations lean a little too hard into the growl but Ian hanlin brings a modernization to the character that I think works really well. Still very clearly Shadow but sounds more natural imo. Genuinely wonderful would love to hear him as shadow in other productions

[futuristichedge]

Sonic and the Black Knight save me. Save me SATBK

[demegod-dess]

Already ranted about this to my friends and stuff but I just need to get it out into the void of Tumblr dot com. Sighs. Sega why do you keep messing up my boy.

"he has no love for it or it's people" MY ASS. SEGA. I AM SHAKING YOU BY THE SHOULDERS. PLEASE.

"his one friend" "allows himself to trust in the occasional support of Rouge and Omega" THEY ARE HIS FRIENDS. AND WHILE WE'RE AT IT, SO IS AMY LIKE LET'S BE FR.

[semi-sketchy]

Alright, I put a bunch of Xenoblade stuff in the queue. This is your reminder that if you wanna see trauma actually portrayed well you should play those games.

[98chao]

read this again

[prev]

In the end, it doesn't matter. His plans, his intentions, his hopes, none of it matters.

In his dreams, it is disturbingly easy for Pure Vanilla to forget that the world is larger than the two of them, full of Cookies with their own plans and motives. In the careful cradle of his dreams, cocooned within Shadow Milk's constant presence, he hadn't even considered that there were other options.

Now, he is forced to confront them, and he can barely pay attention to anything. He isn't sure what happened in the first place, everything moving too quickly for him to process a thing. There is chaos everywhere, a flurry of colours and sounds and happenings whipping around him like a hurricane, the veil of darkness turning it all into a blur. The air is thrumming with unleashed archaic power, pricking his dough like pins and needles, and it all goes straight to his head, making him dizzy.

His grip on his staff is tight, leaning against it as he closes his eyes and borrows its gaze in the hopes of having a clearer view. It is just as indecipherable through his staff though, which means he isn't seeing things – the world really is coming apart at the seams, his nightmares unfurling before him.

And worst of all, Pure Vanilla is awake. He is wide, wide awake and cold with shock.

"There you are!"

Arms wrap around his shoulders from behind, the voice chiming delightedly in his ear. Pure Vanilla pulls away with a violent jerk of his body, not quite having the mind to be surprised that the arms let him, spinning around to face the other.

Shadow Milk stands, practically glowing with giddy joy, in a newly-crafted body of fresh dough, and it is strange to see him so solid. He stretches his arms above his head, leaning from side to side, before turning in a circle with a flourish, as if to show the body off.

"Wonderful, isn't it? And with this, Little Miss Guardian can't lock us back up again so easily! Certainly not with a dirty little trick like patching up some cracks." His voice is jovial, even as irritation flickers over his eyes at the memory of his encounter with White Lily. It disappears quickly, swallowed by tide of something that could almost be taken as childlike excitement. "Ah, it's so fun to have my own body again!"

It's the sort of happiness Pure Vanilla had hoped to see from him, but seeing it now, it just makes his heart ache fiercely, his chest seconds away from caving in. He is beautiful, a fact preserved even through the filter of his staff's eye, and everything is falling apart around him.

"What are you doing?" He asks, hardly more than a whisper, hardly able to manage those words anyway. It isn't the fact that Shadow Milk is out, physically here in front of him that makes him feel queasy. If it were only that, Pure Vanilla suspects he'd match him in his joy. It isn't even that he grabbed the first opportunity to escape, even if it wasn't following Pure Vanilla's plans for negotiation.

It is the upheaval sweeping around him, a complete lack of care for the surroundings and exactly as Shadow Milk was before, that is what hurts. Pure Vanilla had never lied when he said he believed in him.

"Celebrating, of course! This is my greatly anticipated grand return!" Shadow Milk announces cheerfully, taking an overdramatic bow before glancing at Pure Vanilla with a cheeky grin. His eyes glitter like stars, in that way that always mesmerises him. "Come on, Vani, dance with me!"

He reaches for both of Pure Vanilla's hands, not fazed by the fact that one is still holding his staff. He simply traps Pure Vanilla's hand between his and the staff as he pulls him towards him, using the momentum to whirl them around. Pure Vanilla stumbles, and without thinking, he scrambles to hold Shadow Milk back, his stomach and head churning uselessly.

It must show on his face, the horrible turbulance within him, because Shadow Milk's eyes all squint at him, some softly, others teasingly. He lets go of the hand not on his staff, instead wrapping his arm around Pure Vanilla's waist to offer him more stability. "What are you looking so gloomy for? Isn't this what you wanted?"

"Not like this, you know that." Pure Vanilla whispers, his now free hand balling into a fist and falling weakly to rest against Shadow Milk's shoulder. His sadness leaks heavy into his tone, but he can't help it, can barely articulate himself. "I wanted you to be better."

Shadow Milk doesn't reply for a moment, still dragging him through the motions of a partner dance. He seems to realise Pure Vanilla isn't planning to open his eyes anytime soon, because his eyes slide over to make contact with him through his staff, his grin simmering down to a smile, still unbearably cheerful. "You didn't truly believe that would work, did you?"

It's a harmless question, in the grand scheme of things, in the whirlpool of everything happening around them, but it feels like a cracking punch to the stomach. Shadow Milk had seemed reluctant at first, but he had never outright refused his idea. By the end of it, he even seemed to be considering it seriously, but something said as bluntly as that must be his true feelings–

"So you lied to me." Pure Vanilla murmurs hollowly, the cracks in his heart filling with sticky disappointment, all towards himself. He can't bring himself to hate Shadow Milk for acting within his own nature, not when he should have known. "...Of course you did."

For the first time since he regained a physical form, Shadow Milk's smile drops completely, replaced with a fake pout. Though it seems lighthearted, the stars in his eyes spark with annoyance.

"I would never! How could you say such a terrible thing about me, after all we've been through?" Shadow Milk laments with exaggerated sorrow, throwing Pure Vanilla into an awkward twirl as his free hand rests against his own forehead like a hapless maiden. Pure Vanilla's brain seems to scramble at the sudden movement, barely gathering his bearings as Shadow Milk's arm returns to his waist. He thinks he may be sick.

"Remember, I said you could try your little plan out, not that I ever agreed to it." Shadow Milk reminds him in a low croon, lined with condescension. "I even told you I thought it was a stupid idea! I may be the Beast of Deceit, but I never directly lied to you. I'm a little hurt you assumed I did. I thought you knew me better than that!"

And Pure Vanilla can't muster a response to that, spirit growing soggier by the second, because it is true. His hope had led him into assumptions that were misguided, how can he blame Shadow Milk for that?

Somewhere in the background, there is the rumble of an explosion.

"You might have been able to convince me, you know." Shadow Milk adds with a gossamer thin smile, his voice growing more serious. "There was just one eensy-weensy problem with your argument."

Pure Vanilla trips over something behind him with a frazzled yelp, unconsiously gripping Shadow Milk's shoulder as his hat falls off, and Shadow Milk uses the momentum to lower him into a dip, bowing over him as he finally pauses their dance.

"You assumed that I need to be fixed," Shadow Milk spits the words through his teeth with a slight growl, curling his lip disdainfully as he pushes their faces far too close together, "but there's nothing to fix. We paid the price for having power the Witches' themselves gave us, all because of their cowardice and fickleness." He huffs, smiling with a lack of mirth. "Good punishments always teach a lesson, you say, but our punishment was unjust, decided on a whim. What lesson could it possibly teach?"

Pure Vanilla stares at him wordlessly, ears buzzing nervously. He feels vaguely like he is in freefall, his body tensing in anticipation of hitting the ground.

Instead, like a switch is flipped, Shadow Milk's stormy expression clears back into that pleasant merriment.

"But enough about all that," Shadow Milk says with faux politeness as he straightens up smoothly, jerking Pure Vanilla back onto his feet and sweeping him back into a circling dance, "now is the time for celebration! Relax!"

Shadow Milk draws Pure Vanilla even closer to him, almost pressing their bodies together, and Pure Vanilla, despite himself, is struck by the warmth of it. Shadow Milk has always been cold to the touch in his dreams but here, in this new body, he is too warm, radiating a heat that suggests getting too close will burn.

Shadow Milk hums a jaunty tune in his ear as they sway to and fro, and Pure Vanilla's darts his gaze around in an attempt to ground his thoughts. He must focus. He isn't sure where the others are – are the children safe? Where is White Lily? Shadow Milk isn't the only one who escaped, of that he is certain, so it is likely they are surrounded by danger on all sides, and that isn't even taking Dark Enchantress' forces into consideration. But if Shadow Milk is focused on him here, that is at least one less Beast for them to handle.

There you are, he had said when he found him. Shadow Milk had been seeking him out specifically, and surely not just for an innocent dance, so why—

Pure Vanilla glances down with sinking dread and realisation, jam turning cold.

"You're here for the Soul Jam, aren't you?" He murmurs, more to himself than Shadow Milk, but he must hear anyway, because his humming trails off. Pure Vanilla doesn't give him time to process the words though, yanking his staff up and suddenly there is light.

It is an extremely clumsy spell that misses by a mile – Pure Vanilla isn't awfully practised in offensive magic, and on top of that, his dough is shaking with too many emotions – but it does the trick. The bright flash startles Shadow Milk just enough for his grip to loosen, and Pure Vanilla wastes no time in scrambling back and away.

He gets a good few paces away before he is stopped by firm tug on his wrist, almost knocking him over. The beginning of real fear begins to well within him as he looks down to find himself caught by a dozen strings, shimmering like spun silk, all leading back to Shadow Milk's own hands as he approaches through the parting haze.

"I didn't know you had that in you. Bravo!" He laughs as he claps, seeming to be at ease, the attack doing nothing to dampen his mood. He comes to a stop nearby, wrapping the strings around his hand once, twice before pulling Pure Vanilla forward in a long, smooth motion that allows Shadow Milk to tuck his arm behind his back as he leans forward to meet him. "But to answer your question..."

Shadow Milk reaches up to grab the clasp that holds his Soul Jam as Pure Vanilla strains against the strings, knowing that despite any fondness he might have for him, he had never planned to let him have this. He braces for it to be ripped off, he braces for it to be gently pried away for him – he isn't sure which would be worse.

He does not brace for Shadow Milk to bend down and press a delicate kiss against its smooth surface.

"I'm here for the Soul Jam and you." He smirks against it, eyes flicking up from its sapphire shine to Pure Vanilla's stunned face, frozen in place. "That shouldn't be a surprise to you, after all our time spent together."

"You must be joking." Pure Vanilla chokes out before he can say any more, voice stuffy with conflicting emotions, gripping his staff so tightly he's distantly worried it may snap. His head is swimming, so much so that he worries he will faint, even though he's never been prone to it. "You don't mean that."

"I do." Shadow Milk replies with breezy confidence, his expression falling neutral as he straightens up just enough to press their foreheads together. It is not quite as impactful with Pure Vanilla seeing through his staff, but the contact between their dough still burns. "I like you. So, because I like you, I've come to collect everything."

Pure Vanilla is seeing through his staff, so he knows he is not imagining the solemn furrow of his brow, the slight pinch of his mouth, the lifetimes behind his eyes, the lifetimes he has fallen for. He is sure, almost instinctively, that he is telling the truth, and the mere thought makes his insides collapse into themselves like an agonising supernova.

"Please," he begs helplessly, strangely hoarse, abandoning his staff's eye and welcoming the darkness, unable to look anymore, "don't do this to me. It's–"

–cruel, but the word gets stuck in his throat. It is an accidental cruelty, and it hurts, hurts more than anything else, more than words can describe, even more than the all-encompassing ache of Dark Enchantress' first appearance, and the realisation that she shared White Lily's shadow. At least, then, Dark Enchantress was clear in her hatred, never allowing an opportunity for hope to fester. For all the pain that caused, the distance kept his head clearer.

But what is he meant to do now, knowing that Shadow Milk Cookie, for all he has done and will do, is sincere when he says he likes him? It is an irony that burdens him like a curse, but he almost wishes that it was a lie. It would be painful either way, but surely being tricked outright and mocked for it would be easier to cut clean from, to compartmentalise.

An ugly, painful sob rattles through his chest, and he bites down on it before it can leave his mouth, shoulders curling inwards like a wilting plant. Shadow Milk's arms loop around them, weighing them down further.

"Look at me." He calls, calm and low and stern, a professor's tone, and Pure Vanilla shudders with another swallowed sob.

"Look at me, Pure Vanilla." He repeats, a little louder, but it is the use of his name that catches his attention like a snare. Shadow Milk doesn't often use his proper name, not when it is just the two of them.

Pure Vanilla finally opens his own eyes, slowly and with difficulty, gummy with unshed tears and unable to make out anything beyond colourful shapes. Shadow Milk's face takes up his whole vision either way, and it makes his pain worsen. He can't look at him, not now, with everything that makes up Pure Vanilla jumbled into a mess and the world around them jumbled to match.

Surprising himself, Pure Vanilla sluggishly shifts to bury his face in Shadow Milk's shoulder, his shaking hands dropping his staff to clumsily grip his back in tight fistfuls. It surprises Shadow Milk too, judging by his slight jolt, but his arms tighten like a noose around his neck, pulling him close into a hug.

"You're awful." Pure Vanilla croaks, muffled and aching, squeezing his eyes shut again and soaking in the searing heat of the other, eating him alive.

Between them, the Virtue of Knowledge hums discordantly, its fractured pieces reunited at last. Shadow Milk chuckles, a sound Pure Vanilla feels rather than hears.

"If I'm awful," he says lightly, rocking them from side to side in a soothing rhythm, "then you must be too."

fin.

[oltammefru]

Civilight Eterna is an incredibly incredibly interesting character, and has so so much going on so I thought I'd share my read on her. First off, Civilight Eterna isn't Theresa. Like, at all. In her dialogue, she repeatedly says she's not Theresa, talks about Theresa as a person distinct from her, and seems uncomfortable when the Doctor treats her as if she is Theresa.

The way I see it, she is actually far more like Kal'tsit and Amiya than she is Theresa. Once you accept that, I think Civilight Eterna becomes an incredibly, incredibly interesting character who provides a large amount of great characterization to Theresa.

The real Theresa is dead and gone and erased forever now, but ironically, if anything, after ep14, the narrative is far more haunted by Theresa than it ever was. For the most part, no one is particularly happy with CE being on the landship as she is: for Kal'tsit, who had finally come to terms with her grief and loss, all CE really does is dredge up all the pain and sorrow and hatred she felt about Theresa's death.

For the Doctor, she is a source of self-doubt and guilt over their past sins.

There's also an interesting contrast between her and the Doctor, as CE spells out, with one of them being an existence entirely of memory, and the other having none at all.

Amiya is mostly ok about her, but even for her, CE a reminder of who and what she has lost. She sees CE and understands and sees her not as Theresa, but as something else, but because of her resemblance to Theresa, she can't help but be reminded that Theresa is gone, and she won't be able to see anything she's done or gone through anymore.

Theresa, herself, is gone for good now, but the shadow of her last deed hangs over them all. CE as a character takes the enormous background presence Theresa has in the narrative and she makes it a lot more personal than it already is. As a character, CE takes the ghost of Theresa that's been haunting the narrative in the background and drags it kicking and screaming into the forefront, forcing the main trio to confront it.

The person most haunted by Theresa is Civilight Eterna herself. She was made with the purpose being a replica or substitute of Theresa, with the memories of Theresa, but she's really not her, and she's in fact quite bothered by such a concept. The impression I get from her files is that her arc as a character (provided they give her continued story content and don't just throw her by the wayside) is mostly about her struggles to find an identity for herself beyond the one she was assigned and was made to be (which very much parallels much of Amiya's struggles throughout the her entire character arc!)

In most of the story, Theresa is framed as this, almost mythical, larger-than-life figure, who you hear of often and her legacy greatly influences everything that unfolds, without actually appearing except in brief glimpses and flashbacks (until the story starts peeling back the curtain on her with Babel.) For someone as existent and present as CE is, there is no way that she could actually live up to the legendary figure that Theresa was, nor does she want to. The mythos surrounding Theresa is so great that just by virtue of being made to be like Theresa, this serves to erase any identity or personhood of her own she might have (once again, parallels with Amiya.)

(This is also somewhat painfully ironic on a meta-level. If you engage with CE's content at all, it spells out the fact that she is very much not Theresa, but just because she was made to resemble her, even the playerbase of the game thinks of and sees her as Theresa!).

The thing that's juiciest about this to me is that the relationship she has with Kal'tsit. Kal'tsit is maybe the one person who can truly empathize with CE and her mode of existence: both were made and instilled with some driving, defining purpose, but wish to carve out an identity of their own; both occupy some messy, intermediate state between humanity and inhumanity; and both struggle with the risk of being subsumed by some ideal or identity far beyond what they could possibly be. But instead, Kal'tsit can't bear to see the sight of CE, she gives her the cold shoulder, and is unwilling to meet her eyes. Even if Kal'tsit does understand that CE isn't really Theresa, she can't help but see her and think of Theresa, and for CE, this is incredibly, incredibly alienating, that the one person who should be able to truly understand her and her struggles to find an identity for herself, sees her more as the person she was made in the image of and could never really be, instead of her own person.

In light of the fact that CE's files state Kal'tsit has been avoiding CE is so fucked actually, especially when you think about this in the context of Lone Trail. Lone Trail takes place over an (in-setting) year after CE shows up, and despite this, she is never been mentioned or referenced at all, even obliquely. Has Kal'tsit just been coping about it for an entire year straight*? Like, here's about how I imagine this goes: The Doctor mentions CE to Kal'tsit exactly once and immediately gets the hint to not do so. They don't get a lecture about this. They don't even get a Kal'tsit Stinkface Talksprite. She just looks, however minutely, a slight bit more tired and sad. And so that's the last time they ever bring it up. And the thing is, CE has the same care and love that Theresa had, and she wants so so desperately for the people Theresa (and by extension her) cares about to be happy. And so if the only thing she can do for Kal'tsit is to remain completely out of Kal'tsit's sight, existence unacknowledged, no matter how much she might want to reach out, no matter how soulcrushing and painful it might be to do so, she would do this and bear all the pain, out of the love she has for Kal'tsit.

The main way we see Theresa characterized before Babel and Ep14 is through the things and people she's left behind: the people who lived because she died, a dream, a photo of her snuck when she wasn't looking (she was looking), a flower garden, a letter, a promise, a girl made to bear the weight of the world and an apology to her. CE is the last thing she leaves behind, her last act, her last sin before she exits the story for good. In particular, I think CE as a character is some really good final characterization for Theresa, one that serves to highlight her character flaws.

As a person, Theresa is sort of messy. I mean this specifically in the sense she is a person who does great and grand things, knowing that there will be consequences (both foreseen and unforeseen), and does them anyway, often leaving a mess in the process for others to pick up. In Warfarin's 2nd operator record: her attitude towards Theresa highlights this well, to her, no matter how noble her ideals and how good her intentions might be, the fact of the matter is that she is starting a civil war who which will get people killed. In this regard, I think her creation of CE fits her character perfectly. What she does in episode 14: finally being able to free the Sarkaz from the shackles of Originium, and making CE as a final act of care to Amiya, fulfilling her promise to Amiya to always be with her, but making a huge mess in the process, serves as a perfect capstone to Theresa as a character. Even though she is now gone, the effects of her last choice and legacy still hang over those who knew her.

*Of course it could also be that they wrote LT at a time where there were no plans to have CE be a character at all, but especially when it comes to things like this, HG does generally write things years ahead of time. The ending of Lone Trail does feel very much like it was written with Babel already in mind, and Vigilo was also clearly written with Babel in mind (see: Memoria specifically) despite being released several years before Babel.

[nuadha-airgeadlamh]

concerning the specimen storehouse

Since the DLC released, I've seen some thoughts floating around about the Specimen Storehouse, Messmer, and how the Crusade contingent viewed the Hornsent. Specifically, I think it's quite a common idea to think of the Storehouse as a good thing, a sign from Messmer that he harbored a modicum of sympathy for the Hornsent and wanted to preserve their culture. I want to explain why I think this idea is very flawed, and why, on the contrary, I view the Storehouse as another testament to the horrors delivered upon the Hornsent by Messmer and his Crusade.

The ashes of Fire Knight Hilde give a glimpse into the construction of the Specimen Storehouse:

Hilde was a dear friend to Salza the sage, and joined those who urged that the specimens be preserved. Hilde's ashes were enshrined as a charm to protect the storehouse.

Hilde and Salza were part of a faction of Fire Knights who wanted the specimens to be preserved. This faction had to "urge" for this to occur; therefore, this must not have been a universal opinion among the Fire Knights, and a convincing case had to be brought forward in order for the Specimen Storehouse to go ahead. As this same item description points out, the Fire Knights answer directly to Messmer, so he would most likely have the final say. However, this makes it clear that the Specimen Storehouse was not his idea. If it was, there would have been no urging needed— he is the ruler of this keep and he makes the decisions.

The information on Salza further characterizes this faction within the Fire Knights. The item description for Salza's Hood sketches out his stand against violence:

"A disciple of the elder Wego, he refused to burn down an old ruin, at the risk of his own life."

Given Salza's positioning and its relative lack of damage, I would hazard that the "old ruin" in question here is Rauh. The description states that Salza protects this ruin "at the risk of his own life", and his placement puts him directly in opposition to Shadow Keep. He attacks at the end of the bridge and faces towards the keep; he targets us, and we are coming out of the keep. I think all of these facts point to the conclusion that Salza's instincts towards preservation estranged him from the rest of the Fire Knights, and that he is literally standing in defense of Rauh at the moment you encounter him. Why else would he be standing directly in front of Rauh, facing Shadow Keep, if he was not defending Rauh from Shadow Keep?

The description for Salza's incantation "Rain of Fire" reiterates his less violent outlook, but also importantly points out his hypocrisy.

"Salza's disdain for barbarism never waned, even as he burned more villages and scorched more land than any other."

Salza didn't want to engage in such violence, and he protected Rauh at the risk of his own life. But that doesn't erase the reality that he leaves behind a disgusting legacy of destruction and death. It begs the question: why do these specimens need preserving in the first place?

If the Crusade had never been waged, then the Specimen Storehouse would never have needed to exist. It sounds all nice and sweet on paper that there are Fire Knights out there "preserving Hornsent culture", but they are the very reason why this culture needs protecting. The Specimen Storehouse is a monument to their own atrocities: its very existence depends on an annihilation they orchestrated. Hilde, Salza, and the rest of them can be disgusted by their own actions as much as they want, but they are ultimately responsible.

It's also important to point out that neither Hilde's ashes nor Salza's Hood mentions any sympathy for the Hornsent themselves. They wanted the specimens to be preserved and protected a ruin from destruction; nowhere do these descriptions mention Salza and Hilde's great sympathy for the Hornsent's plight. Salza's big stand against Shadow Keep is protecting a ruin— not a city full of people, a ruin. He has a "disdain for barbarism", not a bleeding heart for those who are dying. In the Salza's Hood description, Salza is described as the "sage of the Fire Knights", and the term "sage" describes a person of great wisdom. The Specimen Storehouse is a giant library, a great depository of stolen Hornsent scholarship. I would hazard to say that Salza and Hilde's moves towards preservation stem more from a thirst for knowledge than a humanitarian urge to save Hornsent culture.

I've also seen it claimed that the shadow-men who attack with Messmer-fire in the Specimen Storehouse are Hornsent, and use this information to extrapolate about the Storehouse at large. However, this isn't true:

Here are images of Hornsent shadow-men in Belurat and Gravesite Plain. Their horns are clear, defined, and opaque, even with the shadow filter over their models.

This is an image of the spirit in front of Scorched Ruins without the shadow filter. You can see that the style of the horns remains consistent across designs.

Compare this with images of the shadow-men in the Specimen Storehouse:

Their head designs are markedly different from those of the Hornsent in Belurat. Their supposed "horns" are wispy and vague.

You can best see it in this photo where I'm clipping into his head that these "horns" are actually a layer of unruly hair. The little tufts of hair poking out from their heads can easily be mistaken as horns, but they do not match the other shadow-men in Belurat. Furthermore, their clothing also differs. While the Hornsent shadow-men wear tunics, the men in the Storehouse wear garments similar to togas. I think it's far more likely that these are Crusade scholars who are under the same shadow effect that happens to the other spirits in the Shadowlands. There is no Hornsent presence in the Storehouse.

Finally I would like to come to what Messmer thinks about the Specimen Storehouse, and for that, there's little that's actually textual. We know from Salza and Hilde that there was backlash to the construction of the Storehouse and the preservation of Hornsent knowledge from the wider Crusade contingent, and we know he must have consented to the Storehouse's construction, but there's no hard evidence as to what he truly thought of it. What we can do, however, is take a look at Messmer's characterization in-game and speculate from there what his opinions might have been, and what we can see about Messmer is that he clearly despises the Hornsent.

We know from our vengeance-seeking Hornsent that he thought of them as "savages"; the furnace golems are tailor-made to prey upon the Hornsents' fears through their references to the fire giants; the existence of the jar clinic and the protections around the shaman village imply he has knowledge of what happened to Marika and her people, which would only intensify his hatred. And we can't forget that he has taken it upon himself willingly to literally annihilate them from the face of the earth. Now, that's not to say that Messmer isn't a person capable of empathy and kindness; we know that through his relationships with Gaius, his Fire Knights, and his common soldiers. However, just because he can have sympathy for these people does not mean that that translates to the Hornsent. If I went into all the details of this I would double the length of this post (in fact I will probably make a whole separate post expanding on this), but I think Messmer as a character is allowed to contain contradictions— he can be capable of great cruelty and great kindness. I think it's clear from everything I've explained above that there are many pieces of evidence to indicate that Messmer did not harbor secret sympathy for the Hornsent.

Therefore, I would guess his approval of the Specimen Storehouse aligns with what I theorized for Salza and Hilde. The Storehouse is useful. It's a depository of an entire culture's knowledge; it would be foolish to throw that all away. As I've stated, the Storehouse's entire existence depends entirely on the genocide being enacting by Messmer and his Crusade. They are engaging in preservation only for their own benefit. The Hornsent gain nothing by having their own scholarly work snatched away from them and hoarded by the very ones who are murdering them.

[ilk-insolence]

Raph Is A Great Strategist

Numerous times in the show Raph has shown to have a preference for straightforwardly punching his problems away rather than think up a more complex solution. Like how his immediate fix to getting Mayhem out of the mirror in Mystic Library was to punch everything in the bathroom but the mirror. However, when Raph understands the situation requires more in depth strategy, he’s shown to be an incredibly capable tactician.

(long post ahead!)

In nearly all the plot heavy episodes like Shadow of Evil, Many Unhappy Returns, and the season finales, Raph gets moments where he’s highlighted for his strategic thinking. In Insane in the Mama Train, he’s the one who figures out which eyeball-button goes to the front car with the dark armor, because “‘it was the only button [the Foot Clan] didn’t want me to press!’” [21:05]. He’s also the one who came up with the scheme to defeat all the (known) combatants in the train, with Leo specifically attributing Raph as the deviser during their mind meld [19:46]. In Many Unhappy Returns, after spending a single night waylaying the Shredder, Raph formulated a plan using all the tricks the team learned, seamlessly transitioning the mystic collar Leo acquired into it [19:53], to defeating the Shredder. Additionally, he’s repeatedly called for a retreat during fights, like in Shadow of Evil, Shreddy or Not (Finale pt 2), and the movie, when he can tactically recognize that a battle couldn’t be won. Each time, the show/movie implied that that was the right call, for the family to lose the fight but win the war.

And it’s not just that Raph is good at strategy when he’s pushed to be more serious; the show characterizes him as passionate about creating plans, he enjoys doing it. Literally in the first episode, Mystic Mayhem, after the turtles’ initial plan failed of getting Splinter out of the living room to touch his Do-Not-Touch Cabinet, Raph immediately started devising a new plan that involved “ten chickens [and] a gallon of rubber cement” [9:35]. It was convoluted, sure, and they didn’t end up using it, but it was inventive and the opposite of reluctant. This is also shown in Bug Busters, where Raph planned out dousing Mikey in honey to attract the oozequitoes [2:52]; Snow Day, with the idea to freeze Ghost Bear like in Jupiter Jim Pluto Vacation 4; and Raph’s Ride-Along (and also Bad Hair Day), where Mind Raph created multiple schemes to get the criminals arrested. The show wouldn’t have made Raph be so creative with his plans if they were trying to characterize him as someone who didn’t like strategizing.

So does why Raph do stupid shit sometimes where he doesn’t think things through at all? Well, even though Raph is good at strategy and enjoys doing it, it’s clear his immediate impulse is still “punch the problem in the face”. In fact, all the turtle boys contain the fascinating dichotomy of being incredibly smart in some areas, and the dumbest teenagers alive in others. Just look at Donnie. It’s also how Raph is a loving protective older brother, and the guy who shoved Leo into a wall so hard he disappeared in one frame for shits and giggles (The Mutant Menace x). None of this means that Raph is bad at strategy though.

tldr: Yeah, Raph has a lot of dumb and, frankly, insane moments in the show, but he’s still an incredible tactician who’s plans consistently saved his family and sometimes the world. He's a great strategist.

[artist-issues]

You know what’s great about Dr. Facilier?

He’s the perfect villain opposite both Tiana and Naveen.

He’s not exactly like Jafar or Ursula, who know they’re evil and delight in it as like, a lifestyle. He’s more like Scar. He’s introduced getting money on the street through cons and feeling satisfied…until Big Daddy LeBouf drives by with all his money and makes him feel insignificant.

You get the idea that something in life made him this way—there was a beginning to his villainy. You don’t get that sense from like, Clayton or Gaston.

So he’s a relatable character with flaws, to an extent.

But those flaws specifically play off of Tiana and Naveen’s characterizations.

Tiana has no real respect from her peers—she is in a position to be jealous of Lottie the same way Facilier is jealous of the Cotton King. But where Tiana simply works hard and refuses to let others make her bitter, Facilier has clearly taken shortcuts. Or…”the easy way.”

Then there’s Naveen.

Naveen has no thought beyond the present; he thinks they’re “on this earth to have some fun,” and frequently jumps without looking at the consequences. Leaps without looking! Doesn’t stop to find out if the girl he’s kissing is a real princess even though he knew his original invitation was to a costume party, forgets that he’s supposed to be getting married and plans on continuing his playboy lifestyle, wanders into a shadow-man’s shop. But eventually he learns to open his eyes to what’s important, and what will last, in Tiana. And he takes that seriously; if he marries her instead of Charlotte, he has to get three jobs.

Facilier, on the other hand? He not only does the opposite of Tiana and has taken shortcuts to get where he is—but he also suffers from Naveen’s flaw; he keeps making what are basically get-rich-quick schemes with his “friends on the other side.” When we meet him, he’s stressed and certainly on edge about failing—but that doesn’t stop him from asking for more and more debt from the demons, and he basically goes to his grave still making promises he can’t keep…like Naveen’s promise he couldn’t keep to pay Tiana for kissing him.

He’s got Tiana’s focus and Naveen’s charisma. He’s got Tiana’s lofty goals and Naveen’s dependence on others to do his dirty work.

He’s exactly like Tiana and Naveen put together, aged about twenty years, but with none of their good qualities. Perfect villain for those two main characters.

But he’s also the opposite of Mama Odie.

He entices innocents with what they want while she lights their way by explaining what they need.

He wants total control, while she’s satisfied with simply giving advice and sending people on their way.

He directly transforms his victims, while Mama Odie shows Tiana and Naveen how to work toward their transformation on their own. I mean, you guys noticed that she could have done it for them, right?

But she doesn’t, because she’s the symbol of that Disney Faith-Based morals: you act on what you know is true instead of taking the easy way to what you want. Facilier does the opposite: he promises to give you the easy way to what you want, and tries to tell you why you should accept his deals—but his reasons are all lies.

That’s how you write a villain, ladies and gentlemen.

[aspoonofsugar]

Hi! Where do you think Alastor's arc is going? Redemption or villainy?

Hi!

Thank you for the ask, I loved watching Hazbin Hotel and I am happy I can write for the series :)

As for now, I think Alastor will spiral and hurt Charlie very badly, but he will eventually redeem himself (probably in a key moment). That is because Alastor is framed as Charlie's Jungian shadow.

What is the Jungian Shadow?

According to Jung, the shadow is what a person represses, both positive and negative. So, it can be one's violent tendencies, but also one's potential and energy. It really depends on the person.

So, why does Alastor fit the Shadow Archetype? Well, first of all:

Alastor's powers make use of shadows. Not only that, but Alastor's own shadow is very expressive and shows the demon's repressed feelings. In other words:

On the one hand Alastor embodies the shadow, in the sense he represents what Charlie refuses to face

On the other hand Alastor himself represses his emotions behind a smiling face:

Alastor: Just because you see a smile, don't think you know what is going on underneath. A smile is a valuable tool, my dear. It inspires your friends, keeps your enemies guessing and ensures tha no matter what comes your way, you're the one in control.

This is a good characterization for a jungian shadow because the shadow grows stronger and more dangerous, when it's ignored. So, the most one refuses to face their feelings, the most these feelings fester and grow powerful and dangerous. This fits Alastor both when it comes to others and to his own character:

He takes advantage of an emotional unstable and vulnerable Charlie to strike an abimguous deal with her. Similarly, he uses Husk's gambling addiction to steal his soul. He uses people's weaknesses an unsolved problems to take over.

He suffocates his feelings, which symbolically manifest in his powerful shadow-tentacles. His design and abilities are representative of his psychological coping mechanism, which is nothing, but repression.

As written above, though, the Jungian Shadow can be both negative and positive depending on what one hides. This duality is shown in Alastor's two roles in Charlie's arc:

He is a demonic archetype (even moreso than Lucifer, the titular devil), as he waits in the shadows for a chance to manipulate Charlie

He is an evil mentor, as he genuinelly likes Charlie, sees her potential and wants to guide her towards greatness:

She's filled with potential that I could guide

This isn't a contradiction, but complexity. Alastor is chaotic and mixes negative traits and intentions with positive ones. Just like what people repress can be both bad and good, usually at the same time.

This is clear when it comes to the Princess of Hell:

Charlie to Alastor: What's that you said about smiles?

Charlie is similar to Alastor in how she represses herself behind her pollyanna persona and her smile. This doesn't mean she is faking her altruism and generosity, but that she is using these traits to hide something else:

Lute: The only reason you're still here is that Daddy gave you and your Hellborn-kind a pardon from an exorcist's blade. How does that feel? To know how little you matter.

Deep down, Charlie invests herself in the Hazbin Hotel project because she wants to matter. She feels powerless and unimportant, as a result of her parents' neglects and of Hell's difficult situation.

So, our protagonist has strong self-issues that she refuses to face:

Husk: Princess is a bleedy heart who wants to solve everybod else's problems, 'cept her own.

That said, this isn't the only thing Charlie represses. The Princess of Hell hides:

Every negative emotions she feels, like her self-hate or her anger at Vaggie for hiding her true identity:

Rosie: How does that make you feel? Charlie: Just... angry? Because we share everything! Because she always supported me, and my ideas, and now I don't know whether or not that was just more of the lies... Oh no, that's a horrible thing to think! Do I think that? Yes! No? Kinda?

Her most violent and aggressive side, which makes so she is unable to make full use of her powers:

Vaggie: Well, I mean... You're the princess of Hell, but you don't really use the power that comes with that. Mybe you can, I don't know? Command a little more... authority. Charlie: But that's so mean.

In short, by repressing her negative feelings, she also represses her potential. It is only by facing herself as a whole, that she can fully grow and bloom into her most powerful and complete self:

This is made clear in Charlie's quest in Cannibal Town. There, our girl is at her lowest, but she is pushing herself forward for the sake of her loved ones. She is trying to imitate Alastor by smiling, even if she is sour inside. However, things do not go well and it is only through her heart to heart chat with Rosie, that Charlie is able to pull herself together and inspire her people. Symbolically, she gets through them not with a 100% optimistic song like "Inside of every demon is a rainbow". Rather she opens her speech, by showing vulnerability and honesty:

It's a feeling like a rumbling in your gut That you could finally be faced with A billion needy faces I guess what I mean to say is For the first time in my life I might have to be ready for this Ready to be the one who's leading from the front Gotta come into my own Gotta come into my throne Gotta take charge and defend my only home And although I kinda feel unsteady Now I need to be ready for this

She affirms who she is and her willingness to grow into herself:

For the first time in my life Maybe I can be ready for this I can be the marshal leading the parade I can come into my own And I think I've always known My destiny could never be postponed When Adam brings the battle here I must appear like I'm ready for this

So, it is only by tapping into her own shadow that Charlie can be successfull. It is through expression and not repression that she can reach her goals.

What about Alastor?

He is the same, but so far he has been refusing to open up to others:

Angel: He's been here a while and he's still a big, creepy mystery.

That said, his time at the Hazbin Hotel has had an impact on him. He is forced to deal with others without killing them:

Vaggie: Pentious's eggs are all over the place. I need you to get rid of them. (...) Humanely!

He is shown cutting ties with a poisonous friend:

He openly admits he likes the people of the hotel:

Alastor: Ah, an enjoyable collective to be around. I admit one could get accustomed.

However, he still refuses to openly show vulnerability and ends up like this:

Let's highlight that Charlie and Alastor are foiled in The Show Must Go On song.

Both stand in the ruins of their homes/dreams.

The Hotel:

I took a hotel, and I destroyed it I know I could have done better Better, instead of letting you down

The Radio Station:

This place reeks of death There's a chill in the air And I barely escaped being killed by a hair

And both decide not to give up and to keep pursuing their objectives. However, Charlie is framed positively, while Alastor negatively. Why?

Charlie sings about her feelings openly and is supported by her father and found family:

Alastor sings about his pain privately and even then he barely shows his desperation before going back to his villanious mask:

Symbolically the moment Alastor reunites with the Hotel Crew, he sings:

And we're doing it with a smile!

He is back in control of himself, ready to hide everything behind his neverchanging smile.

So, Alastor is both Charlie's negative foil and Jungian Shadow. As her negative foil, he is bound to spiral. As her Jungian Shadow he is bound to be saved. Why is that so? Two reasons.

The Jungian Shadow can't be killed, but needs to be integrated with.

The main themes of the series are redemption and love, so it is improbable that Charlie won't help the person, who co-founded the hotel with her.

If anything, it seems that our princess is progressively asked to forgive, inspire and see the good in more and more complex cases.

It starts with Angel, who willingly stays at the Hotel. It goes on with Pentious, who infiltrates the Hotel, but makes no real damage. Then Lucifer, whom Charlie loves, but that has been absent from the majority of her life. Finally, Vaggie, who breaks Charlie's trust.

Each conflict Charlie has challenges her in a different way and helps her discover herself and grow. She is bound to meet new struggles when Lilith becomes a broken pedestal and finally when Alastor betrays or hurts her. Still, she is going to forgive and to understand them.

Charlie is going to see the good in Alastor and to better understand herself as a result. As a matter of fact Charlie's journey is one where she is slowly discovering a world, which isn't black and white:

If Hell is forever, then Heaven must be a lie If angels can do whatever, and remain in the sky The rules are shades of gray when you don't do as you say When you make the wretched suffer just to kill them again

Just like people aren't black and white. Just like she herself isn't black and white. By saving Alastor, she is gonna save herself too. Together with the whole universe.

And what about Alastor? Well, he needs to work on himself, as well. He too must integrate with his shadow, who is embodied by a certain character:

Husk is a powerful overlord, who lost his soul to a demon. Just like Alastor:

Husk: Big talk for someone, who's also on a leash.

Alastor and Husk are both on a leash. Still, Husk admits it and starts working on his shortcoming:

Husk: You're a loser, just like me

Alastor instead affirms his willingness to be in control and to pull the strings:

Once I figure out how to unclip my wings Guess who will be pulling all the strings?

Alastor is a loser, just like Husk. Just like all the characters in hell. Sinners vs Winners. And yet, he refuses to admit it. This is why he makes no progress. Similarly, he wants freedom, but enslaves others. This isn't going to work out, which is why I am fairly certain he will eventually set Husk free. Probably by doing so, Alastor will make the first real step towards his own freedom. He will start integrating his own shadow.

Thank you for the ask!

[kookiyu]

I love being pandered to but this difference between the manga and anime is why I sort of regard the anime as just being supplemental fanservice/a commercial for the manga rather than an adequate alternative for enjoying dungeon meshi.

There's this sense of awe and stunned surprise to Marcille's expression in the manga, like it doesn't feel real what's happening... and that is how she reacts! She pulls away from Falin because it takes her a moment to process what she's doing and the intensity of the moment gives her such a fright she can only recoil in shock. But anime Marcille is so expectant and hopeful in a like. "I can't believe this is finally happening" way that it kind of misses the point...

In the context of the series this moment is fundamentally tragic. The erotics of it are tied into the dread and anxiety surrounding it... Marcille has done something really dark and scary out of her love for Falin, and there's this mildly overbearing sense of unease hanging over everything even in reprieve. When Falin looms over her and half-shadows her face, it's a really strong visual metaphor and piece of foreshadowing for her role in the story. Falin is this larger than life figure and person of worship for Marcille, she thrives in memories and stories, and when we finally see her interact with the cast tangibly and in the present she's shown to also be physically and emotionally overwhelming to be around. The lengths Marcille has already gone to to save her are pretty extreme, but it's only a fraction of what she'll inevitably resort to.

Smarter people than me have pointed it out, but love is a value-neutral emotion in Dungeon Meshi. There's no inherent goodness to love; it's the reason Thistle created the dungeon, it's the reason the demon grants wishes for humanity. This isn't the only instance of sexuality in Dungeon Meshi, but it's probably the most overt example of it barring the succubi chapter (which is largely played for laughs but is also a great chapter for characterization, because Ryoko Kui loves character writing so much.) The eroticism is employed really deliberately here in contrast to everything that comes before or after because Kui wants us to feel, along with Marcille, just how intensely Falin makes her feel. The totally unbarred physical intimacy and vulnerability is extremely potent! It's unlike any other relationship in the entire series! And it's just another seed Falin plants in Marcille that compels an intense response from her. The manga is (by nature of the medium) extremely intentional in its visuals, and that's why this scene hits so hard... But the anime forgoes a lot of that added visual meaning in exchange for a softer, warmer moment that doesn't carry nearly the same weight or nuance.

Another episode that should have hit like a truck but just sort of fell flat when it mattered

[000marie198]

Are there any sonic au’s you would recommend? I am trying to find more to get into so would love to know if you have any favourites out there :D

Hello! Oh there are so many! :D I definitely have some favorites and some which aren't favs but are pretty great.

Putting these under the cut because there are so many! And there's definitely more cool AUs that I haven't seen or haven't saved.

Anyways, please enjoy my personal selection:

Seven Years Too Soon by NightFuchia. Basically what if a much younger Sonic accidentally set Shadow free from Prison Island. It has awesome characterization and happens to be one of my favorite stories. The rest of Team Sonic is also present

Brotherhood's Twist by @/drawloverlala even though I don't think it counts entirely as Au but it still sort of does. Unbreakable Bond ageswitch due to Zeti's meddling.

Passion's @sonic-tangled-au . I love it! So very much. The lore and backstories are so good.

Noonui's World Restored in Imbalanced Chaos au. Extremely engaging and good. Has a bunch of world building and fun concepts and lore.

Sonic's Super Totally Awesome Mixtape, though it seems to be discontinued, I'm not sure. It's pretty good so far! Takes place in the movie verse.

@brainworms-all-night-long is working on a Dreamtale Au which I'm hyped for. The tag in use is 'dreamtale and sonic tomfoolery'.

@/the-starlight-project comic is pretty good too. Mystery! And emotions. So many emotions ough.

And there's @the-emerald-isle-au by @0vergrowngraveyard . Very intriguing. 👀

Please do check out the Pandora Au by @/starrjoy. It's great!

The Fair Folk by Irritable_Fabulamancer, this fic is one of my favorites! Team Sonic as Fae my beloved! I love fae AUs.

On that note, if you're alright wanting to read a Fae!AU which is pretty much a sonadow fic, there is also I don't believe in fairy tales [but I believe in you and me]. Fantasy and Fae! Satbk inspired, another one that had me hooked.

My Arms Are Blue by thekyuubivixen and its unofficial, fan-continuation (My Arms Are Blue! Final Four Edition) by PlaystationPassenger. The story doesn't completely count as an AU but I'm recommending them anyway cuz they're really really good and has that watching your own show from different dimension trope. It's also hilarious and fun.

Burning Arrow, Wildfire Heart by Taranea is SatSR novelisation AU with Sonic's other friends present too, it's pretty fun. Not very accurate regarding the desert but it's a good read and I come back to reread it often. Must read in my opinion. Just don't dare use it as guide for desert travel or you'll be shriveled up in the sand somewhere

This fic. Read it, I will not elaborate this one. Just trust me :]

And don't miss out on @shadofiredragon's Legends Never Die fic. It's a future fic! And an awesome one. I won't spoil much but it is so good. She also has lots of fun AUs in the works.

Down the Foxhole series by MoonlitNightin. Sonic Prime AU series which is great! Tails' pov. The Shatterverses have their own Sonics. Engaging and great.

Feel free to check out @/Son1c's 10verse and other AUs. Those are some pretty great ones. Love the different lore and variants given to the Shatterverses in 10verse.

Spirit of the Wind by TrenchCoatGecko. Satbk inspired fantasy au. Sonamy, has focus on magic and lore and other characters as well.

If you'd like some Forces angst with Unbreakable Bond focus, please do read Illusionary are your arms around me by @nixoon-again. The feels will kill you /pos

Chaos Barren by but_why_not. I forgot to add this earlier (this is an edited addition). Takes place in the Blue Devils AU, great story!

Baby Tails shenanigans by @myymi . Tails got turned into itty bitty infant kit. (And also check @0vergrowngraveyard 'baby tails' tag for more little gremlin scenarios)

Myla is also working on @tails-and-the-ink-machine au

Feral au by Oneshot_bravo. Little short stories or drabbles taking place in Unleashed but the werehog is feral yet keeps his memories. Very lighthearted and fun and cute

Three or more foxes form a skulk by @/chiropter36 . Post Prime au fic, loved it! Go read.

Also, @donelywell 'roadtrip! sonic au' and 'Casino Nights Au'

Haven't yet started reading The Fox's Burrow by @/space-gutz but I'm planning to. Recommending it either way cuz I feel like it's gonna be good. Unbreakable Bond but ageswaped au.

@/sonicchaoscontrol comic. Another in-progress au which is also quite intriguing. Sonic jumps through a portal and exits in future where the planet is a mess. The mystery of what and how it all happened and what's going on slowly unfolds.

The Buzzsaw Dillemma by redpenship. I haven't personally read it myself but I've heard many good things about it, especially it's world building.

Incomplete and won't be updated anymore but if you haven't read them yet, DO NOT miss out on Ghosts of the Future and The Murder of Me fancomics by Evan Stanley (spiritsonic) and Gigi Deutrix (gigi-D) respectively. They're a must read. Both are available on DeviantArt.

The Heart of a Monster comic, @/the-heart-of-a-monster. It's in progress and updates regularly. Unleashed retelling, really really good with some extra lore and everyone involved.

Sometimes the Picket Fence isn’t Perfect and Sharp Edges (Sonic Prime AU) series by @/skimmingthesurfaces. I'm holding off the first one to read later, like that one book you've been saving so I'm not sure if it completely counts as an AU, still putting it in recs, and the second one is intriguing so far. I have heard a lot of good thing about the Picket Fence series.

Dark Boom by Smash50. The entirety of Team Dark in the Sonic Boom universe. Alongside it, there's also Boomtober by the same author.

It Always Snows by the 24th by Selendred had me hooked even though it's a oneshot. Great au and would love to see it explored more.

No One said I Wish by SylWritesStuff. One of my fav stories from the Sonic Platonic Fairytale Week event. It's really funny.

Sonic Phantom Forces (SPF) au comic. Sonic Forces au, blue boy gets taken away but not in the way you think, pretty cool story so far. It's in-progress and available on both Tumblr and DeviantArt. @/spfau

If Black Doom tried to be a better father by Tirainy. Don't take this one seriously. It's pure comedy and I love every second of it. Shadow is having a time for sure XD.

Silent Talkers by @brainworms-all-night-long. Takes place in the Prime Bros verse, feels intensified, all the good ones. A must read, trust me.

And speaking of the Prime Bros AU (in which all Shatterverse foxes also got adopted by Sonic and are now brothers), feel free to scroll through the 'prime bros' tag here. So many awesome posts for this particular au by everyone!

There's so many more, cool ones, epic ones. I haven't saved all and I'm probably forgetting some great ones too so I'm leaving this open for others to add. If y'all have more cool AUs, plz add to these (I wanna check em out too)

....

And now a few from the Fanfiction.net site because it doesn't have much audience compared to AO3 and there are some actual gems hidden there;

Premonition by thekiyuubivixen (not entirely an au but it feels like one due to the unique ability Sonic gains)

The Sonic Project by SconnieSA. Rated M but it's a pretty awesome AU and the rating is due to more serious themes and uncensored language in some parts. Highly recommending this one

Survivor's Resolve by DC111. Not entirely an AU but I must rec this fic it's so good and doea havs some AU vibes.

Sonic the Hedgehog: Attorney of Law by thedraconicwerewolf. Ace Attorney type AU with Sonic and Tails as main characters. Not too adventurous but very very fun and interesting and still managed to keep Sonic in character. Though it has a sequel started, I only rec the main story, not the sequal as it seems to be abandoned and isn't needed to be read like them cliffhanger stories.

beLIEve by Meow21. I have only read snippets from this, waiting for this story to continue but it seems to be discontinued. Felt like an epic story too and deserves to be recommended.

Sonic and the Golden Journey. Sonic gets thrown in another storybook, this time it's a children's classic fairytale. Short but very comedic and fun. Go read it.

Tales of a Samurai. I am begging you to read this one, please it's so good. Also by Taranea.

Wonderful and it's sequal Sanctuary by Inflamore for some Unbreakable Bond angst. (Kindly ignore the obliviousness of earlier ff.net for not knowing the meaning of certain symbols, there's nothing of the sort in story, trust me.)

Regrets by MazzyBooks. A high school au of sorts. Sonic centric with some heavy angst. I'm not kidding about the angst part, trust me. It had me hooked from the first chapter though and I believe it deserves a rec.

You need the cracks (to let the light shine through) by king.needlemouse. Istg this is the most underrated thing I've ever come across, it's one of my absolute favorite fics which I can never forget. Do read it.

Within this Nightmare by sonicfan1990. Sonic get transported to an alternate universe which has gone post apocalyptic and his counterpart in that universe has been dead. Pretty great story, lots of angst and everything.

And that's all I could remember and have saved for now. I'm leaving this open to more AU recs (yes even self plugs are welcome) so if you know any I missed, plz feel free to add. I hope you enjoy all these great AUs!

Thanks for the ask!

[vxlentinescookies]

One-shot of (Jester) Shadow Milk cookie x (Princess) Fem Reader please 🙏🏻

Plot : The reader hates her kingdom because it ruled by the infamous greedy king (her father), later on her father hired a new jester and eventually the princess and the jester become close friend (they secretly like eachother) but king despise the idea that his daughter being close with the jester and is planning to do something bad.

I need yummy angst with fluff 🙏🏻

Also, we knew that Shadow Milk could easily destroy the kingdom, he's one of the beasts afterall-

→ ❛A rose in times of war❜

→ Pairing ; Shadow Milk Cookie x Reader → Quote ; ❛❛Do you trust me, my dearest?❜❜ → Genre ; Drama , Romance → A/N ; Here you go! I hope you enjoy this fic as much as I enjoyed writing it hehe

Once upon a time, there was a princess, caught in the claws of a greedy little kingdom. Her father, the King of the vast land, was greedy and infamous, often spending large quantities of money in parties and riches that could only amount to showing off his vast wealth. The princess was tired, exhausted of this behavior, so much that his father, in an unlikely act of love, hired the help of a handsome and great Jester, called—

“Shadow Milk Cookie, I know thats you you’re describing in the story…”

“Oh my dear (y/n) cookie, just allow me to have some fun!”

Ahem, long lost in the hills of earthbread, near Beast-Yeast, yet far away from most kingdoms, there would lie a kingdom, characterized for its poverty and power imbalance. Townsfolk would beg for a little bit of food, while the royalty boasted their riches and overabundance, this little kingdom was called Red Clover Kingdom. Ruled by King Clover Cookie, he’d become infamous in the chatter of his subjects and other kingdoms, due to his ruling with an iron fist and greed coating his words. Yet, despite all of this, one thing seemed to be clear, and its that he loved his daughter dearly. You see, the king wasnt always like this, there was a time where the king once was kind and full of life, but since the death of Queen Camellia Cookie, nothing but ruin and darkness had but befallen the kingdom. Consumed by grief, the King changed completely, fully submitting to the darkness in his heart and turning the kingdom into his own little playground, a truth he tried to hide from the Princess, whom he adored with his life as the only remnant of his wife’s legacy. 

Seeing the princess' saddened state, the boredom that leaked into her mind and into her life, the King came to a resolution, and that was bringing forth a jester, a companion for the Princess, said jester, was none other than Shadow Milk Cookie. Having infiltrated the kingdom as an attempt to escape from being locked out again by White Lily Cookie, Shadow Milk Cookie became appointed as the Princess jester, a job he relished in as it allowed him to partake into creating plays and making others laugh, but it also meant that he had to stay at bay, save he want to be found out, which wasnt that fun but he could manage. With that in mind, the relationship between the Princess and Shadow Milk cookie would slowly shift into one of friendship and comfort, as the Princess would find safety and a confidant in the jester.

“Shadow Milk cookie, you’re so funny” The princess would tell the jester once, laughing as he finished another of his puppet plays with expertise. 

“Of course I am, Im a jester after all!” He noted, and the princess couldnt do anything but laugh gently. 

“Of course you are” The princess would say with a smile, looking at the jester before thinking deeply. “And to think that when we met, I wasnt keen on you, you’ve truly surpassed my expectations, jester of mine… And Im grateful of that.”

Of course, the princess wasnt always keen on the jester. Thinking at first that he was a tactic of his father to keep her controlled, she would at first be coarse and harsh on the jester, hiding behind her fan as the poor cookie tried his best to make the royal laugh, but it was difficult. It’d take one specific parody of the royalty, presented only in front of the princess and some of her handmaids, to make the princess finally break into laughter, something that seemed to be unlikely, it seemed to finally have happened. 

“Right, that moment was quite precious, I hold it dear to my heart” Shadow milk cookie said with pride in his voice, holding a hand to his heart while another lifted his hat, and the princess couldnt do anything but giggle at his mannerisms “I mean it! Your laughter breaks my heart now, ahuhu…”

“Oh you silly jester” She’d say warmly, walking towards him to put a hand on his shoulder. “Truly, what would I do without you…”

Those words seemed to take Shadow milk by surprise, as he looked at the princess for long moments before simply smiling and hitting her with another one of his jokes, another parody of the royalty of the dark kingdom, and the Princess would hide her mouth with her fan as she laughed. Things were surely lively in her quarters, since of course, Shadow Milk Cookie couldnt afford to laugh at royalty in front of the king himself, oh no! Of course he couldnt, save he’d be sent away to the dark dungeons of the castle—And then the princess would be all sad and mopey, and that was something he didnt want to happen.

Silently, though, would their relationship deepen the more they spent together, the more they shared moments and laughter, it was something visible and palatable to those around them, the handmaids, the butlers, everyone but them. For the princess would keep on laughing, and the jester would keep on entertaining her. Knowledge of their feelings growing closer and closer together would eventually find the ears of the king, however, and nothing but anger would come from his lips as he thought of what to do. This wasnt meant to happen, he wasnt meant to fall for the princess, nor viceversa, but oh, who was he to say who the princess deserved? Apparently, someone because the next thing he did would be something that would mark the poor princess forever.

“An arranged marriage? B-But, father—”

“No buts! You will marry the prince of the kingdom of Rose Champagne, lest you wish to see that damned Jester suffer!”

With nothing else to say, the poor princess couldnt do anything but go to her room and cry inconsolably, seeing her life go down the drain as the King forced her to take a path she didnt want, to take the hand of someone she didnt love, it was all a nightmare, and as Shadow Milk cookie approached the room for the daily session with his favorite princess, he’d come to see the aftermath of a dark endeavor. 

“Oh Shadow Milk Cookie, my loyal jester!” The princess would cry out as she went to hug the cookie, who, dumbfounded, would hold her in his arms to soothe her. “The king, the king wants to marry me off!!”

“W-What?”

“Y-Yes, he wants me rid of someone from another kingdom, and I must abide lest… lest they hurt you…”

The words felt like daggers into his heart, as the cookie simply listened to the poor princess’ laments. And then, only then would darkness and deceit take shape and form inside of the cookie, feeling those old feelings resurface and take shape into the darkest of ways. He consoled the princess, then, the handmaids leaving the room to leave them both be, as the Jester rubbed circles on her back, shushing her down to a small slumber. Oh dearest princess, if only you knew how much this jester has grown to adore you, your smiles, your laughter, your voice and your overall self, then you’d know that somethings are only done in the name of love.

Deceit was the last name of Shadow Milk Cookie, and with the only truth on his lips being his love for the princess, he’d ideate a plan to get her out of there, and into the depths of Beast-Yeast. Carefully would plan a way to turn the handmaids against the king, the butlers, the cooks, the servants and the townspeople, which wasnt hard, as all of them already felt a certain way, less than favorable, about the father of the princess. Then, he’d call upon a riot, a riot to overthrow the king and lead to a better future for both the kingdom and the princess. And while all that happened, he’d steal the princess away, take her somewhere safer, somewhere deep within Beast-Yeast.

“Are you sure this plan will work?” One of the townsfolk asked, looking around the room as the jester, clad in a cloak, only smiled.

“Of course, I’m the princess’ appointed jester after all… Who else would know the castle better than me?”

That would mark a countdown that would end a fateful rainy day, deep into the darkness of the night, when the princess was sleeping, clad in a white dress, would wake to the thunder and the silhouette to someone in the balcony. 

“W-Who’s there…?” She’d ask, sheepishly as Shadow Milk would only open the balcony doors, extending a hand over to her. “S-Shadow Milk Cookie…?”

“My dearest princess, will you accept this jester’s dance this night?” He’d speak, then, with the warmest of smiles and the most devious of gazes. Truly, a meeting for a lifetime.

“W-What are you doing here, my jester?”

“There is no time to lose, princess, a riot is brewing within the townsfolk and the servants of the kingdom, we must make haste and escape while we can…”

“But…”

“Do you trust me, my dearest?”

Silence would fill the room for long moments, as the princess would think about what to do, who to follow. But deep within her heart, she’d run to Shadow Milk and hold his face in her hands, completing the moment with a loving kiss. It would be returned, gingerly by the jester taken by surprise, as he led them towards the balcony, and in a jump of faith, would they both fall in the middle of the rain into the garden. Roars and wrath would be heard in the kingdom as the beast known as Shadow Milk Cookie would take the princess away, stealing one of the horses from the stable to run into the distance. Loud galloping could be heard from one of the exits of the kingdom, Shadow milk keeping the Princess hidden under a spell of invisibility and the cloak she now carried on.

Legend says that the beast and the princess were never to be seen again, as one of the townsfolk would take over the kingdom as the newly appointed king. Nobody but the king himself, who rotted away in the dungeons would weep for the lost princess, save for a few handmaids, except those who had learnt the true plan Shadow Milk Cookie had for them.

‘I’ll steal (Y/N) away, I’ll bring her into Beast-Yeast, the safest part there is and…’

“Shadow Milk Cookie?”

It had been years since you left the Kingdom, since the titles of princess and jester started becoming meaningless between you both. You called upon him as he turned to look at you, holding his child in your arms in the middle of a clearing in the forest, where the morning dew illuminated you making you seem… angelic. Oh, how could he afford to lose someone like you…

“Yes, my princess?” He’d ask, walking towards you and cupping your face in his hand, he was much taller, much bigger, and yet, he held you like the most precious doll in the world.

“Food is ready, I was going to call you earlier but you seemed so stuck in your thoughts and I didnt want to interrupt that I…” You trailed off, feeling his finger dance around your lips softly. “... I love you”

“I love you too, my dearest”

‘... And I’ll make her my wife.’

[prowerprojects]

Ah, no, it's not sa2 battle, Sonic Battle is a game for gameboy advance.

This is how the house looks in the game

And this is the lab:

im sorry but we dont talk about tails' house in sonic idw enough

LOOK AT IT!!!! WITH THE CHECKERBOARD GRASS! THE PALM TREE! THE EXTREME GEAR IN THE GARDEN!

[azuresage]

It gets talked about a lot but I still can't stop nerding out about Link's characterization in TotK. It's done through his many creative dialogue choices and his expressions of course, but it's also done so subtly through what he *doesn't* say. Notably, he doesn't talk about himself. And this is why nobody recognizes him unless they've already met him. Because he doesn't tell them when they've got the wrong impression of him.

The meme about Link having Tony Hawk syndrome is so real. People will look at him and straight up say, "Wow, you look exactly like Link!" without a hint of irony. Lookout Landing has a detailed picture of his face in their watchtower and the search party still doesn't recognize him. Penn works with Link for a long time and thinks he's unlucky that the Yiga keep "mistaking" him for the Hero (granted, Traysi asked him to deliberately keep quiet, but Penn still didn't put two and two together himself). I think the reason for this, aside from it being really, really funny, is that Link just doesn't talk about himself. He doesn't feel the need to.

Characterization isn't just about what we see a character doing, it's also about how other characters respond to them. Link is so unassuming and humble that he doesn't match people's expectations of what "Link" should be like. The three Gerudo ladies hanging out around Outskirt Stable are one of many perfect examples. Link stands in front of them carrying the Master Sword, but they expect the Hero to be taller than they are, with a giant glowing sword, so they don’t believe it's him. Obviously that's not the reality, but they don't know that. Link doesn't correct them, either. Again, he doesn't feel the need to.

This is also why many NPCs from BotW don't recognize or remember Link. To them, he was just a passerby that did them a good turn once 6+ years ago. Nobody's going to remember a person like that for so long after. They had no way of knowing he was the Hero, unless it came up for story quest reasons. When they hear stories about the Princess's Appointed Knight who woke up from his 100 year nap, defeated the Calamity, and rescued Zelda, they imagine someone larger than life. Then when they see what Link actually is like, they can't put two and two together.

This is true even during the Hyrule Restoration efforts. Link always follows behind Zelda as her shadow, which she notes in her diary, but the people in the stable investigation quests and in Hateno don't recognize him either, even though he went everywhere she did. Link is just that unassuming. He resigns himself to being a shadow, allowing Zelda to take the lead and do as she pleases but always staying nearby to support and protect her. He doesn't need to be recognizable to do his job. And we know from both BotW and now TotK that he's wholly devoted to her. He's content with this. Many people more eloquent than I have spent many paragraphs elaborating on this. I just wanted to focus on what it says about his character.

Link is humble and unassuming, so much so that nobody believes that he's the Hero unless they already know him. He's devoted to Zelda, so much so that he's willing to do anything to chase even a glimpse of her. He doesn't talk about himself or correct people who have the wrong impression of him. He doesn't need to do that to chase his Zelda. He is a person of great humility in spite of his station. I think that's so interesting and neat how the comedy of him being unrecognizable also tells us all this about him. It's also cool how this is only one aspect of him; all the dialogue choices and expressions he makes during cutscenes and actions out in the world show a whole other, lighter side to him that meshes with this. It's all so good. I am in love with it. It always kills me inside when people dismiss his characterization as being nonexistant or flat just because it's not spoonfed to them or when they say Link being unrecognizable is lazy writing instead of a deliberate choice. I am biting and gnawing and gnashing over him and his relationship to Zelda. I love them so much.