#also post production is always tricky for me
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conjuring-ghouls · 2 years ago
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Working on some pictures today but I'll get to everyone's DMs when I'm done 🖤
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herejusttosufferalong · 3 months ago
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Now that L has painted a big arrow on the timeline at June 2021, I’m curious about what you think S2 filming was like between the two of them?
L was still with J, they had found out they were going to be leading season 3, they had less screen time and more downtime than S3, and they posted THAT selfie. Thoughts?
Let me just give y'all my thoughts:
I think there was always feelings between the two of them and S2 filming really started to cultivate the blurred lines for them.
They knew early on in S2 production they would be leading S3 and they have both been very vocal about the prep they started to lead S3.
I think they both recognized pretty quickly they had feelings for each other but never discussed it and the used S3 filming and their characters to act on their feelings.
I personally don't think they ever crossed a line physically outside of their characters, pre or post break up with J.
I think a conversation was had between the two of them, sometime between the wrap party and her going to his play. I'm leaning closer to the wrap party.
I do think N was the one to shut things down for multiple reasons like L just getting out of a 4 yr relationship, them being in the BTON bubble and blurring lines, and then her truly thinking that maybe they had gotten whatever it was out of their system during filming.
I also don't think L was honest when they had their conversation. I know a lot of people within the fandom think his confession sort of "scared" N off with him dropping the love bomb. I feel the opposite. I think he downplayed things out of rejection.
Which is why we see him do a 180 last summer, he is running.
I think after she went to his play there was limited contact between them, partly because she had been seeing someone else, until Dec '23 when they met back up for reshoots.
During reshoots they fell right back into the blurred lines because nothing was actually resolved from their previous talk. They may have had another conversation with an understanding regarding the upcoming tour.
Which I believe is part of the reason we get the tension after the NYE kiss and during the early Jan interviews.
I don't believe N was seeing anyone Dec '23/Jan '24 but I do think it may have been rekindled in Feb/Mar done by early April.
We can tell from all of the press junkets and livestream events Feb-Apr that there is something there between L and N, I don't think it was lost on them either.
Australia def solidified things for them exhibiting their feelings outside of their characters and being forced to really examine it. Another conversation was had.
Then we have the InStyle stunt followed by a bunch of articles claiming L to be single.
A week later they are in Italy.
There is tension. Why? I think it is truly due to their lack of clear and honest communication up to that point. Another conversation is had, with their bodies, and all is well for the rest of the Italy stop.
I don't believe L had any intention of taking A to the NY premiere but I also don't think she flew there and surprised him. I don't think he was happy she was there but I also don't believe he yelled at her or got into an argument with her at the after party.
Reasons why I don't believe she was ever invited to NY:
She had bought her own ticket to get into the premiere/after party.
Her seat at the Knicks game seemed to be a last minute get.
And the Chaos dinner.
I'm def in the minority with this one but I don't think L would have accepted the invite if A was planned to go to NY. I could be wrong but the dinner already seemed completely outside of L's scene of ppl to network with. He was going for N and N alone, you can't change my mind.
Then we get Brazil. This is tricky because I don't believe L had ended things with A like some ppl do but I do believe they were just casual.
I am def in the minority here as well, I don't believe L took A to SF during the break between Brazil and Toronto. I think the pic A shared was an old one. Could be wrong tho. I think he was elsewhere and not with her and that was the reasoning behind the liking spree and getting some family/friends to follow her. All so she didn't act out, go figure it would be her mom who caused the drama...
Cut to Toronto. There is perceived tension between L and N but I think the fandom got this one wrong. They both seemed to have been ill in Toronto so I think that and jet lag started to catch up with them. All was fine in the end.
Not much to say about Dublin or Galway. I think lines were drawn by someone as things got a little too real.
And now here we are.
Let's discuss...
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spockandawe · 2 years ago
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Here we go! I have some smaller books to share as well, but I've been absolutely VIBRATING with excitement to share a BIG one, and I'm going to indulge myself and post that today, then figure out words for the rest. Because I bound a new cnovel. Check it out, guys, I bound jwqs/clear and muddy loss of love :D
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Let me indulge myself and backtrack a little! First, these are quarto books, so they're short. But I think these average a little under 500 pages each, and jwqs is a LONG book (my beloved), and this adds up to a total eleven inches of lesbians. More like twelve once they're in their cases. It's over a million characters in Chinese and I think the English translation comes in somewhere around 890k, it's HUGE
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Making these books was SO FUN, I hadn't read jwqs and still haven't, and will probably read on my phone when I do. I don't have any exciting photos of the typesetting, but I knew this was an imperial succession story, and that made me nervous, those stories don't always click for me. Well, the process of typesetting and adding footnotes for this beast definitely confirmed that I'm going to have a good time with this thing when I have the time to read it, but there was also so much going on that only the vaguest of spoilers sank in. I went into an absolute FRENZY of typesetting, and after I printed, cut and folded it, well. That was one afternoon of sewing. You're looking at the reason I'm scrambling to make up a few hours of missed work, hahaha
After that, I needed cases. At the very beginning of march, I received a shipment of some FASCINATING bookcloth. It's called Duo, and it's made by layering a thin gauzy fabric of one color over paper of a different color. Depending on the combos, you get a really cool range of color-shifting effects. And they've gone out of production! But I was part of a group order to get some of the goods, and hadn't yet finished a new project. Reader, I went for it.
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That purple and green is bananas!!!! It's so hard to photograph, this midnight picture of a few cases is one of my most successful attempts to capture the full range up close. Originally I'd been thinking of trying to evoke imperial gold, but I figured this was still the kind of drama and luxury suited the book, and also something something the hidden colors suited Qi Yan's character. I tied it back a little to the imperial gold with the endpapers, then titled them in silver foil, since the endpapers had silver in them.
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But once the books were made, I felt like it wanted something... more. Something like a BOX!
And me, I chase novelty. A set this large would be tricky for anything clamshell, but a slipcase for all seven would leave books tipping all over if it was wide open, but putting walls between slots would be demanding in terms of precision and would risk similarly-sized books getting stuck in the wrong slots. Then I remembered learning about slipcases where you could put in a little insert to support the weight of the text block, and the concept SNAPPED into place.
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Colors aren't going to photograph well at midnight, but I made the supports using the scraps and off-cuts from my endpapers, to tie it back into the bindings. The back of the case is lined in more of the duo, and the walls are lined with a faux leather bookcloth I like a lot, it feels buttery smooth and seemed like a good neutral material to tie the papers and bookcloth together. I listened to some of the DEEPEST layers from the nine-hour conspiracy theory iceberg video while I was working on this, haha, it was a TRIP.
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And in the end, each of the supports is sized to comfortably sit in the smallest of the volumes, and evenly spaced, so I believe it will take the books in any order with no problems. It's easy to grab the books without having to cut notches into the walls to grab them from. And even though weight is less of an issue for quarto sizing, the books in here have their weight supported no matter what angle the box is at! I'm so, so pleased with how this concept worked out and definitely plan to do more with it in the future.
So there we are! Jing Wei Qing Shang! I had such a fabulous time with this project, and I'm so excited to get to share it with all of you. The story was fun to work with, the bindings and box were fun to make, and everything here came together just as well as I could possibly have hoped. I'm so proud of this, and incredibly, incredibly excited to show it to you!
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artdotpage · 1 year ago
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Problems facing modern artists & creators
I've talked with hundreds of artists and creators about the difficulties they face trying to earn a living from their craft.
This post covers two of the big ones (social media algorithms & bargain basement marketplaces), and what tools are available to grow your business despite these issues.
Social Media Algorithms and Audience Ownership
Social media platforms are a godsend for getting your work in front of potential clients and building a loyal fan base.
However as you will all have experienced, it can take a mastermind to figure out what kind of content the algorithm wants you to post, and if you don't do that you'd be as well throwing your content into the void as even your own followers might not see your post, never mind new viewers.
It also means you don't truly own your audience, if you post something slightly controversial your account could be deleted without warning, or perhaps a billionaire buys the site and everyone flocks to a new platform where you have to start growing your following all over again.
Solution: Build a mailing list
This is perhaps the single best marketing tool available to any business, and is sorely overlooked by artists and creators.
It's cost effective and because you own your mailing list it doesn't matter what's happening on social sites, you can always keep in touch with them.
The tricky part is converting people into mailing list subscribers. However I've seen plenty of creators successfully build one by offering incentives including free digital downloads, early access to content, discounts on your store etc.
Those who sign up to your mailing list would be considered high quality followers, someone who is much more likely to convert to a paid client and buy from you again in the future compared to the average follower on social media.
Tools
https://art.page/
https://substack.com/
https://convertkit.com/
Losing clients to undercutting competitors on the same platform/marketplace
If you run your business on a marketplace or platform, your clients are one click away from finding plenty of other choices who are willing to undercut everyone else to land a sale.
These sites have no incentive to make sure that traffic you drive to your profile actually purchase from you. Whether a sale is made through your listing or another seller, they collect their fee either way.
They also use uniform designs which reduce you to a generic product listing. Whilst this can simplify the customer experience, it means you have no control over the sales funnel and ability to differentiate yourself, making it harder to convert potential clients into paying customers.
Solution: Direct clients to your own site
Use your own personal website to make sales from, there are plenty of options with no monthly charge and lower fees than marketplaces. This lets you make dedicated marketing pages showcasing your best work to make a client excited about doing business with you, instead of just being a generic product listing.
Take advantage of marketplaces purely for their customer base. Don't rely on them as your sole business platform. This way, any fees you pay are worthwhile to generate sales you wouldn't have had otherwise. 
Tools
https://art.page/
https://www.bigcartel.com/
https://squareup.com/
Interested in more?
There's plenty more I have to share on this topic, including:
How to properly use Print on Demand without getting ripped off
Streamline managing your business so you spend more time creating and growing your business.
How to better utilize your brand to connect with clients and increase sales
So let me know if you’re interested and I’ll get writing!
Transparency
I'm building https://art.page to solve these exact issues, with the goal to create the best all in one site builder for artists and creators that makes running your business easy.
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fushiglow · 3 months ago
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Hello glow!!! Thank you for another lovely satosugu work! :)
I absolutely love how real and tangible your writing is - seeing them start with different states of being turned on and building together really paints such a lovely picture of what intimacy is without the expectation of a perfect start-stop :) 3 cheers to realistic sexual dynamics!
Also, I think that your link at the end of your post goes to Violent Delights instead - but maybe that's just an issue on my end!
Thank you so much for this lovely feedback (and the heads up about the link), I can't tell you how much your words cheered me on Friday! They came at a time I really needed to hear them so, if you don't mind, I'm going to use this ask as an opportunity to say a few things about my writing and why I do what I do — no obligation to respond!
Quite honestly, I have been feeling a little anxious about how I'm perceived as a writer recently. When Over the Threshold started gathering some steam in January, I only had five published works on AO3 posted over the course of six months. By the end of August, I'll have 18 published works for Jujutsu Kaisen, 16 of which will be complete. I have never been this productive in a fandom before!
A lot of the reason for that is because I'm finally learning how to work with my AuDHD brain. I love writing, I really do, and I'm constantly excited by the possibilities that reside within my brain. I have more ideas than I have time or hands to write them, but I want to explore as many of those ideas as possible. In the past, I would have forced myself to stick to the thing that I was "supposed" to write, rather than following the burst of inspiration and writing the thing that I "wanted" to write. To no one's surprise, that usually meant I ended up writing nothing at all.
I'm someone who seeks out challenges, and all the fics I've published in 2024 have been experimental in some way. Come Get Your Honey was a challenge in extended metaphor. Balance was a challenge in seamlessly blending two very different universes. Mailman AU was a challenge in format. Violent Delights was a challenge in pushing myself to new and uncomfortable places. Thunder was a challenge in encapsulating an entire world and history within a single motif without ever actually seeing that world and history.
I'm really proud of every single one of those works, as well as the speed I've written them at. I've published 92k words on AO3 already this year and written far more, so I feel like I can no longer justifiably call myself a slow writer. However, all the works mentioned above have artistic merit in the more traditional sense — i.e. they're not smut.
At the time of writing this, three of my five most recent works contain sexual content with varying degrees of explicitness, and it's hard to escape that pervasive (and flawed) idea that smut is "less serious" as a form of writing. Even writing smut in the first place has been a slow process of overcoming some of my own biases. However, sex is part of the spectrum of human experiences, and it's also deeply political. Whenever I explore it in my writing, you can be sure that I always have that at the forefront of my mind. That's why these works, too, have represented something new and challenging and exciting for me.
Discreet Delivery was the first piece containing explicit sexual content that I ever shared publicly and, with how rife top/bottom discourse is in this fandom (most of which is based on heteronormative ideals that I vehemently disagree with), I really wanted to make a statement straight out of the gate. I'm very proud of how I managed to weave a switch/vers narrative into a oneshot, and the feedback on it was wonderful.
Headroom, however, presented a very different kind of challenge. It was extremely difficult to write, because it doesn't follow the beats of a traditional sex scene. There's no satisfaction for Satoru nor for the readers, and that made it tricky to keep it engaging. I was also very nervous about showing a different side of these beloved AU characters and establishing a new dynamic between them while incorporating some of the broader themes from Over the Threshold.
Finally, Tell Me I'm Pretty was pure subversion, writing Suguru in particular in a way I've never seen before to challenge expectations about "roles" in sex. It meant I had no blueprint to work from, but I'm not interested in reproducing the same dynamics I've read a thousand times. However, that also means that I felt very anxious about how people would receive this fic — especially on GeGo Day.
The truth is, everything I write I write for myself first and foremost, but it's hard to keep sight of that when you're blessed with an engaged audience. This is a huge reason why updates to Over the Threshold take time. This fic is deeply important and deeply personal to me, but its growing popularity adds a pressure that I don't want to influence my writing. I feel a constant underlying need to outdo myself with every new fic and chapter I post, but that's unrealistic and unachievable.
Obviously, I want readers to enjoy what I write, but I know the moment I start writing for other people is the moment my writing suffers. That's the main reason why I'm reluctant to put anything behind a paywall, even if I feel frustrated with the way fanfics are casually consumed on the internet. Readers occasionally make demands of me without any respect for my time and effort and creative vision, and sometimes I look at what I've written and think, "Am I really going to give that away for free?". However, asking for anything beyond tips would change the game for me. Enjoying my writing is far more valuable to me, at least at this point in time.
All of this is to say: I really loved writing Tell Me I'm Pretty. I had a blast with it — until it came time to post, at which point I suddenly felt full of self-doubt. For you to appear in my inbox and tell me that you appreciated the realism of the intimacy in this fic? I couldn't have asked for anything more, thank you so much ♥️
TL;DR, I write for myself, but god, it's the best feeling in the world when readers resonate with my writing. I can't tell you how much I appreciate you taking the time to let me know. I love you all to the moon and back!
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elektrischemaidchen · 10 days ago
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Lisztober #31: The End of All Things
Chi po dir, com egli arde, è’n picciol foco.
The end is here. One last song. Does anyone actually have any idea how we ended up here, from ‘Zeitmaschine‘ on? No? Neither do we. But it was incredible fun. We laughed, we cried (I cried… a lot), we were sometimes without a plan and then again not...and now we're here, after 31 days… and it hurts to say goodbye, my darlings. It really does. Lisztober was pretty life-defining for 4 weeks. Energy-sapping. Motivating. And extremely beautiful.
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55 pages of handwritten pages in my notebook (I always write everything by hand, it's a creative spleen, I'm superstitious), a total of 1:58 hours of music (Oh God!). And that's just the end product. You wouldn't believe how many night-overs we've spent...
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And a broken box, a stinky studio (pizza boxes!), hoarseness (‘Sttttirrrb!’), 24 Liszt biographies, lots of coffee, lots of empty wine bottles and more cigarettes than I've ever smoked before (I promised Lacelove that I'd quit in November. Again.) For you, for Franz, for us. What a ride.
The bets are already on that I in particular will now fall into a deep hole of depression. To be honest: probably.
And I'll tell you when this moment will come: Tomorrow at the latest, when I have to stand in front of Franz Liszt's grave in Bayreuth and I'll almost certainly cry. Without a mask.  Franz and I, we have seen so much of each other this month,I won’t need any. And none of you want that on the video, believe me. If anyone is able see all the tension fall away from me, it's him. By the way, if you want me to bring him something from you, say something. I'd be happy to. He'll definitely get a candle and flowers.
What's left to say now? No more songs about Franz's terrible last days. About his funeral. About the Wagners. Just this: ‘Oh, lieb, so lang Du lieben kannst.’ Didn't you realise how tricky we handled the topic on Lisztober #6? That's why:
No Lisztober without Liebestraum No3. We're not peasants (after all). My shitty piano skills are hidden deep within this song. And I think you can even hear our relief and love here. We were exhausted. That‘s what Franz may have wanted too. To remember him as he was. With all his facets. Wild, beautiful, thoughtful, reverent and unique. Memento Mori.  And after 31 days with all the ups and downs, would I still make love to Franz Liszt as my first duty, if I had a time machine? More than ever, by God.
By the way, if anyone is interested in getting one or the other song (or all of them, you freaks! ;)), please write us a message and we'll send you a download link. (Funnily enough, ‘Ode an  den Moon’ is probably the most popular song so far, beyond tumblr...you guys have some weird kinks ;))
Finally, we would like to thank @franzliszt-official again for the great idea and the wonderful topics you brought to life with your post. (As already said, we are happy to show our appreciation! Say something! Or come and visit us! <3 You are now an honorary member of the Maidchen Squad!) This was your idea, your topics and you alone are to blame for the fact that we gladly escalated for you. Are you planning a whole Liszt-year in 2026? We‘ re in. Thank you also @chopinski-official for your kind words and that we were also allowed to give you some thirst as well ;)
Thanks to all the listeners who haven't switched off yet!
Thank you, Lacelove, who, despite her lack of understanding of my Liszt-Thirst, stoically went along with the biggest Maidchen project ever (!) without quitting. And she also finished the album in the meantime. You are the best! I love you!
But we would also like to thank our families, friends and fellow musicians who have stuck with us through all of this. It wasn't always easy for you. (And I vow to my boys that I will only be there for them at Bandcamp...even if I have to write a new press release in ‘Weimar style’ - that's what they call it now ;) - ) Some of our friends even thought Lisztomania was about listeria. Almost. ;)
And to finish off this already very long post:  The sole reason the Maidchen exist at all is to make like-minded people out there happy. To make them laugh. Or to hit the heart. We don't want to become famous or earn money with our music. Our real merit is that you are here with us.
And before I start weeping: Goodnight you princes (and Queens and non-binary Fairies) of Maine, you kings (and Queens and Non-binary Fairies) of New England. Thank you, tumblr! We are Elektrische Maidchen! Good night! (or good morning!) Time for Cognac.
See you tomorrow. In hell. Bayreuth.
Lyrics:
O lieb’, so lang du lieben kannst!/O love, as long as love you can,  O lieb’, so lang du lieben magst!/O love, as long as love you may,  Die Stunde kommt, die Stunde kommt,/The time will come, the time will come,  Wo du an Gräbern stehst und klagst!/When you will stand at the grave and mourn! Und sorge, daß dein Herze glüht/Be sure that your heart burns,  Und Liebe hegt und Liebe trägt,/And holds and keeps love Solang ihm noch ein ander Herz,/As long as another heart beats warmly In Liebe warm entgegenschlägt!/With its love for you Und wer dir seine Brust erschließt,/And if someone bears his soul to you O tu ihm, was du kannst, zulieb’!/Love him back as best you can  Und mach’ ihm jede Stunde froh,/Give his every hour joy,  Und mach ihm keine Stunde trüb!/Let him pass none in sorrow! Und hüte deine Zunge wohl,/And guard your words with care,  Bald ist ein böses Wort gesagt!/Lest harm flow from your lips! O Gott, es war nicht bös gemeint, -/Dear God, I meant no harm,  Der andre aber geht und klagt./But the loved one recoils and mourns.  O lieb’, solang du lieben kannst!/O love, love as long as you can! O lieb’, solang du lieben magst!/O love, love as long as you may! Die Stunde kommt, die Stunde kommt,/The time will come, the time will come, Wo du an Gräbern stehst und klagst!/When you will stand at the grave and mourn. Dann kniest du nieder an der Gruft/You will kneel alongside the grave Und birgst die Augen, trüb und naß,/And your eyes will be sorrowful and moist, – Sie sehn den andern nimmermehr -/– Never will you see the beloved again – Ins lange, feuchte Kirchhofsgras./Only the churchyard’s tall, wet grass. Und sprichst: O schau’ auf mich herab,/You will say: Look at me from below, Der hier an deinem Grabe weint!/I who mourn here alongside your grave! Vergib, daß ich gekränkt dich hab’/Forgive my slights! O Gott, es war nicht bös gemeint!/Dear God, I meant no harm! Er aber sieht und hört dich nicht,/Yet the beloved does not see or hear you, Kommt nicht, daß du ihn froh umfängst;/He lies beyond your comfort; Der Mund, der oft dich küßte, spricht/The lips you kissed so often speak Nie wieder: Ich vergab dir längst!/Not again: I forgave you long ago! Er tat’s, vergab dir lange schon,/Indeed, he did forgive you, Doch manche heiße Träne fiel/But tears he would freely shed, Um dich und um dein herbes Wort -/Over you and on your unthinking word – Doch still – er ruht, er ist am Ziel!/Quiet now! – he rests, he has passed. O lieb’, solang du lieben kannst!/O love, love as long as you can! O lieb’, solang du lieben magst!/O love, love as long as you may! Die Stunde kommt, die Stunde kommt,/The time will come, the time will come, Wo du an Gräbern stehst und klagst!/When you will stand at the grave and mourn. Danke, Franz, wo immer Du jetzt bist.  L’avantage des gens qui vous aiment, c’est qu’ils vous comprennent mieux que vous. Et s’ils ne vous comprennent pas vraiment, au moins ils vous aiment!!!!!!!!!
O lieb’, solang du lieben kannst!/O love, love as long as you can! O lieb’, solang du lieben magst!/O love, love as long as you may! Die Stunde kommt, die Stunde kommt,/The time will come, the time will come, Wo du an Gräbern stehst und klagst!/When you will stand at the grave...
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vixentheplanet · 1 year ago
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afterglow
“just don’t go, meet me in the afterglow.”
shuri x black!reader | 18+
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Summary: You've been dating Shuri for a year. For a year, your relationship has evolved, revealing the challenges and joys of deepening connections.
A disagreement puts a momentary strain on your communication after the two of you fail to see eye to eye. You stop for something that will undoubtedly capture Shuri's attention before your next journey to Wakanda.
part one: heartbeat
word count: 4k
themes: heiress reader, little couple disagreement, make-up sex
warnings: sex
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hi 💋 - idek what the summary was for this but LMAO the first time i posted this i never specified how long they were together and everyone was like typical lesbians 😭 BUT IT DOESN’T MATTER 🙄 they got married and had kids i’ll post the last part later.
also idk if i’ll post versace on the floor it doesn’t really add anything unless people want to read it
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Since you and Shuri began dating, your time was divided between home and Wakanda.
You were now Esmé's Head of Interior Design back at home. Your father appointed you to the role after you assisted in overseeing the interior development of the Monaco Resort. The next step was to renovate the interiors of all Esmé Hotels one city/country at a time. That entailed a lot of flying between countries to look at furniture and meeting with a number of designers to help you get the aesthetic you wanted. Surprisingly, you enjoyed all the hard work that went into it.
Wakanda was breathtaking, the most gorgeous place you'd ever seen in your life. Shuri took you on a tour of her lab, telling you about its products and features. You had no idea what she was saying, but her face lit up as she spoke, and you enjoyed seeing that spark of excitement in her eyes. She took you to all of her favorite spots, and you got to meet Okoye and M'Baku. It pleased you that she had a support system when you weren't there. Now that you were dating, it made little sense for Shuri to fly to New York when you had more freedom to come to her; she could remain where she was needed.
By the end of this week, you’d be back in Wakanda for a two-week vacation. The two weeks were strictly no work, phone calls, or emails. You were going off the grid and away. You would never expect Shuri to do the same thing, but she always prioritized you.
There was an issue, as excited as you were. You and Shuri were fighting, not fighting but at an impasse. Making your relationship public was a tricky subject. On the one hand, Shuri's response was a firm no. You could understand at first, but as things progressed and became more serious, you brought it up repeatedly, a no. So you pushed and pushed and pushed until finally, Shuri raised her voice, which she never does.
Every couple argues. It's human nature to find yourself on opposing sides. Nobody will ever agree on everything. In those moments when things got heated, your fault, Shuri would tell you she’ll talk to you once you calmed down. Never did you think she would yell at you. In response, you did the first thing that came to mind and hung up on her.
Though, from the outside, Shuri would appear to be in the "wrong," you knew it was primarily your fault. You felt bad for bringing up the topic, but you wouldn't live in New York if you were afraid of otherworldly danger. You eventually cooled off and acknowledged that she had a point and that perhaps you hadn't been as reasonable as you could have been, but a week had passed without either of you apologizing or bringing up the incident.
She contacted you again to ensure you were still coming to Wakanda on Friday. Did she expect you to change your mind? Though you'd be back in each other's company, everything had been tense since that night. You hate it, and the distance wasn’t helping. You changed into your pajamas and went downstairs to the bar as soon as the call ended; it was more responsible than heading out to the club.
There were already people inside dressed in suits and designer clothes, presumably looking at you as if you were insane. Who cares what they think, this is your hotel. After all, you had more important things to worry about than the opinions of strangers.
"Marco, what do you do if you get into a disagreement with your significant other?" You whine as you stir the straw in your second Bronx Cocktail.
Macro paused in the middle of polishing a glass and placed a hand thoughtfully on his chin. "Well, Madam Esmé, I'd apologize."
The opportunity for apologizing had long passed. It was too late by the time you acknowledged you were being stubborn and that something this trivial wasn't worth it; there was tension in your relationship. "And when an apology isn't enough."
“Sex.” He responds as if it’s the most obvious answer.
You take another long sip of your drink. You're not drunk enough to start talking about your sex life in public. "Marco, be serious. I need a real solution.” Sex was tempting, but what if Shuri was too upset to consider it?
The bartender served a martini to an older woman seated a few seats apart from you. You figure she's alone until you notice a ring of at least ten carats on her finger. Impressive. Marco refocuses his attention on you, "That is a real solution. It's a way to reconnect after a fight, indicating that the relationship is still intact and that you still want the other."
"I don't mean to interrupt. I couldn't help but overhear." You look to see Mrs. Ten carats trying to interject herself into your conversation.
Well, she’s married, and at this point, no suggestion was a bad one, so why not listen? You turn your body to grant her implicit permission to continue. "Make-up sex is some of the most enjoyable sex you'll ever have."
“Sex can be an excellent way to reconnect with your partner if mixed with verbal communication to resolve your argument after," she explains.
Marco makes a sound of agreement. “Exactly! Sweat it out before you talk it out.” That makes you laugh. You can’t believe you’re having this conversation.
They were both making good points, but you had one other concern. “And what if this significant other isn't in the mood?” You say, frowning.
To be honest, you and Shuri fucked like rabbits. When the two of you were alone, you couldn't keep your hands to yourselves. You've lost track of all the places you and Shuri have spent private moments. A limo, her lab, the Sunbird, inside your purple Maserati, which was impressive considering how little the back seat was. Perhaps it was the distance, but every time you saw each other, you had to go through several rounds to get everything out of your system.
You could not believe you were doubting yourself, given your track record. You just wanted this resolved; this issue had you questioning everything and bringing up sex with Marco and strangers. Jesus.
Nonetheless, you needed to consider all the variables.
“You’ll just have to get very sexy.” The woman says, shrugging her shoulders. “Shouldn’t be hard for you.”
True. Still, you groaned. “Ugh, do you know how hard it is to already be sexy and have to be extra sexy?”
You down the rest of your drink, “You two be happy you don’t have my problems.”
“I would not dream of it, Madam.” And with that, you thank the woman and Marco for their advice and leave a generous tip before heading back upstairs.
The next day, you found yourself in a downtown luxury lingerie and bodywear store. You had your assistant call ahead to reserve the store so you could shop comfortably. You didn't need anyone in your business. Amaya was with you because shopping with a companion is always more fun, plus she was probably the only one you hadn't stopped talking to.
“Wow, you must really be in love.” Amaya is watching you with curious eyes.
“What?” You ask, confused at such a random outburst.
“At first,” she pulls something from the rack, stopping to look at it before shaking her head and putting it back. “Everyone thought you were joking about this relationship.” ‘Relationship’ in air quotes. “Because you never brought them around. Then you entered what I’ll assume is your honeymoon phase because you cut everyone off. Then you started working for your dad. You’ve changed.”
When you and Shuri began dating, you were enamored and wanted to spend as much time as possible with your girlfriend, which led to you spending a lot of time in Wakanda, away from everyone. While it is true that you cut everyone off, it was because you understood your worth and didn't want to be around people who took advantage of you. Furthermore, partying gradually faded from your daily activities, and your time was spent on more important matters.
You roll your eyes, “First of all, outside of you, I don’t know those people. Second, yes, I’ve changed. Sorry, I don’t want to take shots off of strippers anymore.”
“Don’t be so defensive. I’m not saying you’ve changed in a bad way. Whoever this is, it must be serious. You're clearly in love. They’re good for you.”
No doubt you're in love, and it was serious, but how serious? You'd never doubt Shuri's emotions, but you can't spend the rest of your life together, fearful of the outside world. It was a complicated matter which neither of you could agree on.
You were starting to feel overwhelmed. You had twenty-four hours before you had to depart, and you had far too many options before you. Everything looked stunning, with 24K gold hardware and satin elastic banding paired with various luxurious fabrics. It's a lot of choices.
“Do you think this is too much? We should just go to Victoria’s Secret or something.” You ask Amaya while admiring a garter on one of the mannequins. Interesting.
Amaya scoffs as if you said the most offensive thing in the world. “Cheap things like Victoria’s Secret are meant to be thrown off. Altier lingerie like this is meant to be admired. It’s an art, while your body is the canvas.”
She calls the sales associates over for assistance. “Let’s start with a color. Trust me, whatever you pick will drive whoever this is wild.”
Something was off.
Ayo, not Shuri, escorted you to Wakanda. "The Queen has been quite focused these past few days. She will meet you in the Golden City." Ayo explains. Fine, you could accept that. It happened in the past, so that wasn’t out of the ordinary.
However, when you arrived in Wakanda, Shuri was nowhere to be found. The personnel at the Palace recognized you for who you were and your close relationship with their Queen. Two attendants take your things.
"Uh, the pink box is a present you don't have to unpack," you tell one of the staff. The woman nods in acknowledgment.
When you enter the Citadel, two additional Dora Milaje members are waiting for you. "Miss Y/N, the Queen has arranged a spa day for you. These attendants have come to accompany you."
Spa day? “Where’s Shuri?”
“The Queen has business to attend and regrets not being here upon your arrival.” She says immediately. It almost feels rehearsed.
A relaxing day is fun and all, but you want your girlfriend. You put on a robe and a bikini. The facial and massage were comforting, but while you sat in the heated pool, you couldn't help but wonder. Nothing made sense. She didn't pick you up or greet you; now you're being pampered. Wow, she’s trying to distract you. What exactly were you expected to do? Can you imagine going two weeks without seeing each other? You sighed as you exited the pool and found your towel. How can you unwind while your girlfriend is avoiding you?
You put on the robe once more and proceed past the staff, who are prepared to attend to your needs. “I’m fine, thank you.” You say, despite their best efforts to care for you. You figured you would keep your distance and await Shuri in her chambers. You take the elevator to Shuri's floor and notice a familiar face entering the hall.
“Ah, Y/N, it is good to see you. I thought you’d still be in the spa.” Okoye said. So this was definitely planned.
"I was, but I won't be able to relax till I see my girlfriend." You say honestly. You didn’t mind opening up to Okoye. She has always been so kind to you, plus Shuri trusted her.
She hesitates for a moment as if carefully considering her response. "It's not my place to ask, but did something happen between you two?"
"Both yes and no, but yeah." You confess with a sigh. "I know she's avoiding me, but I need to find her and apologize."
"I think if you know your partner well enough, you know exactly where to find her,” Her tone is cryptic, allowing you to determine Shuri's whereabouts. Of course.
You smile. “Thank you, Okoye.” You both go your separate ways after she gives you a slight nod.
Inside, the pink box sat on the rectangular table in the living space. With more difficulty than you would like to admit, you change into the lingerie you bought. The Bordelle set matched perfectly with your YSL sandals. You take a second to admire it in the mirror before wrapping your silk robe over it to conceal what’s underneath as you travel down the hall and into the elevator to Shuri's laboratory.
“Panther, Y/N-“
"You're trying to avoid me." You accuse, cutting off Griot’s introduction of your presence. Shuri is sitting alone in front of the multiple displays, typing away at something. You can see her shoulders stiffen as she turns around at the sound of your voice.
You proceed to list all the things that are wrong with today. "You didn't come to pick me up. You didn't greet me, and the spa was a distraction." As much as you tried to be annoyed, she looked great in her black tracksuit, hair braided back, and the gold of her habitat peeking through the collar. She’s so fine, and it turned you on already.
Shuri lets out a heavy sigh rubbing a hand over her face. “I know. I’m sorry, my love.”
“I wanted to give you some space. I'm ashamed of how I spoke to you, and I wanted to do something nice."
Your heart ached as you saw Shuri's pained expression and realized how guilty she felt. You were so preoccupied with your thoughts that you didn't recognize how your argument affected her.
"I've been putting something together for you." She motions to the panoramic screen as if you comprehend anything on it. You'll ask afterward. "I planned on finishing it before dinner so I could properly apologize, but I see my actions have made matters worse."
You sit on one of the empty surfaces making sure to keep everything intact. With a crooked finger, you beckon Shuri over, and she comes, stopping right in front of you but not close enough. “We can talk about it later. Right now, I don’t want space. I want you.”
You take her hand in yours, putting it underneath your robe so her fingers can brush against the garters on your thigh. Shuri bites her lower lip. “You have five minutes to join me in your bedroom, or the next two weeks will be hell when you can only look but not touch.” With that, you remove Shuri's hand. Her eyes widen at your boldness before smirking, and her pupils dilate, signifying arousal.
It took everything you had to get up from the lab table and walk away from her. As much as you didn't want to, you knew you had to. "Five minutes, Shuri," you call out.
With that, you left, making the journey back to Shuri’s bedroom. You hadn't even gotten past the entryway when you felt a pair of arms lift you from behind. "How long was that?" Shuri whispers into your ear. All you can do is giggle as she carries you inside and places you softly on the bed. She watches you curiously from a distance.
“Want to show me what’s hiding under that robe?” You smirk, making a show of untying the knot in the front and letting the satin fall open and slip down your shoulders. Shuri bites her lip, her eyes roaming all over your body. Your body truly is the canvas showcasing the art of the intricate designs of this atelier body wear.
“Griot,” Shuri called to the AI, flinging off the jacket to her tracksuit. “Please inform everyone in the Palace I will not be disturbed for the rest of the evening.”
“Yes, Panther.”
“All this for me?” She asks, placing her kimoyo beads on the side table.
“Only for you.” You tell her biting your lip.
Shuri comes back in front of the bed. “You look so beautiful, angel.”
You raise your eyebrow. “Are you just going to stare?” She was taunting you, and god, you needed her now.
“I’m just admiring how gorgeous you look before I ruin you.” And that does. You moan while the moisture between your legs grows. The power she has on you, and she hasn't even touched you.
Shuri spent the first part of your evening activities between your legs, using her tongue to coax some of the most delightful screams out of you. You had no idea how long this had been going on; your mind clouded. Shuri adored the sounds you created so much that once was never enough. She took her time taking you apart. Her warm, wet tongue spread you open and greedily soaked up everything your body had to offer.
“Baby,” Your fingers rest on top of her head as your breath hitches. You weren't sure whether to push her away or fully surrender to the pleasure again as she sucked and licked all your most sensitive spots.
Shuri wouldn't let you go when the sensation finally became too much for you. You attempted to escape, but she grabbed hold of the elastic straps that covered your thighs and dragged you back. The flutter in your abdomen grows into a warm pressure, and you know you're coming again.
On instinct, your thighs close around Shuri’s head. She slaps your legs as a warning, and you let go, leaving them parted. As if to reward you, your girlfriend slips two fingers inside you, finding a rhythm that creates the right amount of pressure.
You have another moment of euphoric bliss as you grind down on Shuri's face and fingers. Shuri's palm has a solid hold on your trembling thigh, but it's spread just enough that it doesn't restrict her access. She doesn't stop until you're gasping for air, and you can only say her name as if it were a prayer.
Instead of getting up, she licks her way up your body, and a trail of moisture follows behind her tongue as she stops at your lips. You waste no time bringing her lips to yours, tasting yourself on her lips. Intoxicating.
When it comes time for you to take charge, you're still a little dazed and sensitive. Shuri is relaxed and lets you do all the work as you sink into the strap. With the strap being designed to fit inside you, the stimulation is instant. Not only was it ideal for you, but Shuri created it to provide the optimal pressure level for your girlfriend, which you can control based on the pace and depth of your movement.
“You’re doing so good, baby.” Shuri encourages you while you ride her. As you bounce up and down, you place your hands on the bed above Shuri's head for leverage. Shuri breaks your rhythm when she pulls you close to her.
Even though the bra is sheer, she tugs it down just enough to expose one of your breasts and begins sucking on the nipple. You groan at the suction. Your new position forces you to change your movement, slowly swirling your hips. "Fuck," you gasp, overwhelmed. You sense another climax near and decide to shift angles.
Leaning back slightly, you press both palms on Shuri's thighs behind you. “Mmm, such a good girl.” Shuri groans. The praise makes you throw your head back and work harder.
Your hips stutter as you cry out. The feeling is too strong, and you know your body will stop you, rejecting the possibility of another orgasm. Shuri draws you back to her as if she understands your hesitation.
"Baby, come here." Shuri rises and brings you in closer. You wrap your legs around her waist. Your arms encircle her, and you nuzzle her neck with your face. It was the closeness you had been desperately craving. You were so blissed out that you couldn’t speak anymore.
Shuri guided your hips to create a steady and consistent rhythm. It was slow, but you could feel the warmth increasing with each rock of your hips. Your entire body quivered. “You did so well.” Then she tells you how beautiful you are and how hard you've worked.
“Are you going to come again for me?” You nod.
"You don't have to say anything, but you have to look at me." Shuri rasped, her breath heavy as you let out gentle gasps as you felt her moving inside of you, the heat flowing through your body again, and you wanted to cry. It's way too good.
You lift your head from her neck and stare into Shuri's dilated pupils. Everything is heightened because you can see the intensity in her chocolate-colored eyes and how fixated she is on you. This position is less physically demanding, enabling you both to concentrate on how the pressure is affecting you.
When you come, your sighs become moans, then screams, as the hand on your waist rocks you back and forth faster and faster, driving you further into oblivion. It's pure desperation. Your head is flung backward, and your spine arches as your body spasms. When Shuri comes, the hand guiding you freezes as a loud shout of your name fills the room.
As you melt into Shuri's arms, your body becomes light. The intense orgasm and overwhelming intimacy take you over the edge, and you find yourself crying. "I know, baby," Shuri replies as she strokes your back. "You did amazing."
It takes a few minutes for you to let Shuri separate from you so she can get you both comfortable. It was a normal part of your routine to practice aftercare, but today you found yourself overcome by emotion. When Shuri returns, she removes the remainder of your garments and wraps you in her arms.
Later, when your bodies are intertwined under the tangled sheets, you start talking. You look at Shuri and whisper, "Hi," to find her looking down at you with such tender eyes.
“Hi,” she says, kissing your forehead.
Though you regained your voice, the rush of the orgasm has you fuzzy, so you speak whatever comes to mind. "I'll never have sex with anyone but you." Shuri laughs and shakes her head slightly.
"I hope so," she replies, reaching out a hand to caress the side of your face. "I apologize, my love."
"I'm sorry too." You pout because you adore her.
Shuri intertwines your fingers and brings your hand to her lips, leaving a warm kiss on the skin. "I love you, and your safety is something I will never bargain with. That's why I got angry, but I shouldn't have yelled at you."
“But, I realized instead of saying no, there are other options. So, when you're ready, I'd like you to live here with me." Shuri says it plainly as if she isn't proposing that you spend the rest of your life with her without a ring.
“What?” You can’t believe what you’re hearing.
"I know you want to make our love public, but I can't protect you if we're thousands of miles apart. I'll know you're safe if you live here." Not only does Shuri agree to publicize your relationship, but she's also asking you to move in with her in exchange. Did your orgasm transcend you to a parallel universe?
“I was working on an A.I. for you. If you agreed to live here primarily, I wouldn't expect you never to leave, but significant security precautions would be put in place. Non-negotiable.” She watches you, waiting for a response.
You don't realize how much you're grinning until your cheeks ache. "I'm going to require a closet with an elevator." Shuri rolls her eyes and leans in, your lips joining for a kiss sweeter than any you've shared tonight.
"You can have whatever you want, angel."
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tiny-tk · 8 months ago
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hi friends !! bit of a different post this time, but i wanna talk about disney and it’s place in the agere community.
i won’t get into specifics, but events in palestine r making a lot of people (including me) decide to boycott disney by not doing anything that lets them make money. if you don’t know about this, i rly rly encourage you to do ur own research (ideally while not in little space since it’s .. very rough topics) and make ur own choice on wether or not u wanna support them after knowing the full story of what’s going on n disney’s involvement.
this post is for littles who feel conflicted by the calls for a boycott!!
first of all, i know it can be scary to find out that something you’ve been giving money to for merch or subscriptions or whatever is going to a bad place. but no one is blaming you for that, and if you didn’t know then you didn’t know. but you can always change!!
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"why are people boycotting disney?"
i won't go in depth to keep this post little-safe, but essentially the israeli military is currently doing terrible things to the people of palestine, and disney is helping them fund and promote it. here's a couple links that go more in-depth if you want to learn, but i'd recommend not reading them while regressed:
https://insidethemagic.net/2023/11/disney-israel-palestine-boycott-jc1/
https://www.dailygamecock.com/article/2023/12/column-why-boycotting-for-palestine-gaza-is-important-opinion-vanderhorst#:~:text=There%20are%20currently%20three%20main,financially%20or%20through%20public%20statements.
but i mostly encourage you to try n find out on your own, rather than listening to some random tumblr user about it.
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“but disney is a huge comfort source for me.”
this doesn’t have to change. you don’t have to stop liking their movies n shows. you don’t have to stop loving your toys or books of disney characters. if something brings you comfort, that is sacred, and no one can take that away. a lot of disney media made me who i am today, and yet i’m still writing this post against the company, these things can both be true !!
similarly, agere is a safe space for so many people, which can be used to justify supporting things that really don't deserve our support, since people want to protect themselves by not finding out why. put bluntly, people knowing that there are problems, but choosing to ignore them, is part of the problem itself. if you feel at all capable of educating yourself, please do. it's so important.
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“ok, so what can i do?”
if you’ve decided to join the boycott, that’s wonderful!! all that is being asked, is to not spend money on anything from disney. so branded food, toys, a disney+ subscription, stuff like that. if you’re used to doing that a lot, here’s some alternatives!
. :+* get disney toys second hand - they’re pre-loved!! they’ve already started a life with someone, and they’re eager to continue it with a new kid
. :+* pirate shows n movies instead !! this can be a little tricky to figure out, but it’s how i watch pretty much everything hehe, and can be a lot of fun! alternatively, you could just borrow a friend’s subscription or buy dvds second hand if you have a dvd player.
. :+* get merch from independent sellers. this way, you still get brand new things with ur favorite disney characters, but you also get to support independent creators n not support disney the brand !! also, these are often higher quality than official products too, which is like bonus points.
. :+* if you're posting about somethin disney related, add a note that lets people know that you don't support the brand n encourages ppl to find out why for themselves
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it’s a tough change to make, but any help is better than no help. if you aren’t sure what i’m talking about, please do your own research. the scale of what’s happening in palestine is huge, and boycott movements like this have been proven to cause real positive change in the past. i won’t get mad at anyone for choosing not to boycott, but it’s important to me that as many people as possible consciously make that choice for themselves, instead of blindly following a company that’s using their money to hurt people.
hearing about terrible things happening is exhausting, regardless of how much you're doing to help. but try to remember that any action is better than nothing, especially with activism, and keep doing whatever you can. <3 take care of yourselves friends !!
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putschki1969 · 1 month ago
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2024/10/10 Blog post by Wakana おしゃべりガーデン第14回目‼️〜みんなの健康法がスゴイ!寒暖差についていけていない今日この頃〜
❗This is Fan Club EXCLUSIVE content❗ ❗PERSONAL USE ONLY❗ ❗Do NOT SHARE on other sites❗ ❗Join her FAN CLUB! Check out my detailed TUTORIAL ❗
Talk Garden Vol.14‼️~Everyone's Health Regimens Are Amazing! I Can't Handle The Recent Temperature Changes~
The temperatures in Tokyo suddenly dropped below 20℃ so I thought it was finally going to get cooler…but it was only for a moment. It seems to be going back up to warm temperatures around 25℃ 😅A temperature difference of about 10℃ between different days is rough in many ways😵‍💫I'm not sure what to wear *laughs*🧥
Hello, this is Wakana (0 ̄▽ ̄0)/
How is autumn approaching where you live? I feel that the plants in my house are growing a little slower, maybe because they've been freed from the heat of just a few weeks ago. It's a little sad, but some of them seem to be preparing for hibernation so I need to be more careful when watching over them🤔Watering them will become quite tricky from now on 😇I'll do my best!
Well! Today, I Vol.14 of my podcast "Wakana's Talk Garden" has been uploaded! \\\٩( 'ω' )و //// I received many submission about "Everyone's Rules of Healthy Living"! It made me realise how well you all take care of your health😳You didn't only talk about different diets, you also mentioned exercising, regular health checks, trying new things to deal with daily physical problems…I was really impressed by everyone's dedication to a healthy lifestyle!! 😭✨I got the impression that a lot of people ride bikes😊🚴In terms of food, many people try to prioritise vegetables🍅🍆🥒🥕🥦Basic health rules seem to be ingrained in all of you��That's amazing…✨
I'm trying my best too, but the fatigue of summer and the dryness of the sudden cold have made my voice a little nasal😓It may be hard to listen to but if you have some spare time, feel free to check out the latest episode. I forgot to mention it in the podcast but I wanted to introduce my recent favourite foam roller. I am using it every morning and evening for stretching 😉It's a small foam roller for myofascial release. Look at the cute colour and size. It's tiny compared to a regular-sized foam roller. It's light and easy to carry! It's small, but it can release myofascia just as well as a regular-sized one!
I've always loved this stretch ball, too. It's a great product that can be used on trigger points. (Trigger points are "hyperalgesic areas, which are where the pain-sensing sensors in the body have malfunctioned, causing constant pain.") Personally, I use it in areas that don't usually hurt but are prone to stiffness. The shoulder blades, collarbones, and especially glutes! My glutes are surprisingly stiff! (By the way, if you want to work on large muscles like your glutes or thighs, I recommend using a foam roller with a large surface area rather than a small ball 😊 The ball is best for small focus areas) I keep these items near my bed so I can use them before bedtime at night, I also keep them in my stretch corner or on the sofa *laughs* I use them whenever I notice stiffness. It's quite painful though… 😇
Thank you to everyone who sent in submissions this month! ! As for the little present for those whose message was read, please expect it to arrive in about a month. I'm sorry to keep you waiting but please be patient😅💦
So! For next month's talk theme I chose: "Everyone's Ideal Autumn Trip". I talked a little bit about it in the episode but last month I went on a trip to Nikko with my mother 🧳I was very excited to be able to visit the nostalgic Nikko Toshogu Shrine 😍It was my first trip in a while and I felt very refreshed. That's why I picked this travel topic for the next episode ♪
Please tell me about the places you want to go or have been to, and the kind of trips you want to take! ! \(^o^)/I will of course share photos and a travel diary of my trip to Nikko on my blog soon✏️
And last but not least! I also wanted to talk about the happy news that were announced last week! Next year, on January 15, 2025, we will hold a Kalafina live concert. After seven years, we have decided to sing together again as a trio. 17 years after our debut! We have been encouraged by the feelings of everyone who has always supported us throughout the years. For this reason, we want to stand with gratitude and pride on stage to convey our feelings to you that day. The concert is titled "Kalafina Anniversary LIVE 2025".
We look forward to seeing you at Tokyo Garden Theater next year. Please come and see us!!! \\\٩( 'ω' )و ////[Note: Unfortunately, Wakana doesn't really share anything specific about the upcoming live. She's bubbly as always when she makes the announcement but no further infos or thoughts are revealed]
All right, that's all for today! Until next time~☆( '▽')/
***Wakana***
Wakana’s Talk Garden #14
❗This is Fan Club EXCLUSIVE content❗ ❗PERSONAL USE ONLY❗ ❗Do NOT SHARE on other sites❗ ❗Join her FAN CLUB! Check out my detailed TUTORIAL ❗
Episode #14 »»—— CLICK ME 🎁 CLICK ME ——«« ・Everyone’s Rules of Healthy Living ・Anything you’d like to ask Wakana/Anything you’d like Wakana to talk about
For next month’s episode which is scheduled to air on November 10th, the following two topics have been chosen: ・Everyone's Ideal Autumn Trip ・Anything you’d like to ask Wakana/Anything you’d like Wakana to talk about
The submission deadline is 10/31.
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sgiandubh · 8 months ago
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How did anyone get narrative from that? Maril posts an set photo of prep and the rest of the male cast (all of them, not just Sam) is away for a con. Everyone knew they were apart, it wasn't a secret. It was just a joke. Banter is few and far between from the whole production but stuff like this used to be a weekly occurrence. People see narrative when no narrative is happening. Davy is driving for BOMB and also for Outlander pre production. I don't believe you have Twitter, so you may be missing those conversations.
Dear No Narrative Anon,
People are traumatized by this very peculiar environment we all seem to move in, daily. Also, this is an international crossroads of sorts: not everyone interprets things the same way and obviously getting the wrong end of the stick is frequent. That makes for a fascinating sociological experiment. And I have to confess, that's what primarily keeps me in here, for as far as SC are concerned, I have my own firm convictions.
We agree on the banter, of course. But how would you explain, for example, Someone calling me 'stupid/sentimental/cheesy/supremo cow', to a person hailing from a more formal cultural environment, where such things would sound at least atrociously offensive and a relationship dealbreaker? Quite tricky and let me tell you: with no prior exposure to that particular side of Britishness, the person will always doubt or at least question your explanations, deep down.
I have X, but I am very bored with the experience. And with little time to sift through what is clearly Bedlam Inc, you can't really judge me, can you?
Drop by anytime, Anon. Seriously.
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tvlandofficiall · 3 months ago
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When do you think the release date will be?
if i'm being honest, i don't really think all that much about that. toby fox and his team have been pretty clear about laying out the process for us and have all but doubled down on that now, and i feel it's best to just trust that process as it happens. it's also just tricky to announce a release date this soon as it is — we've seen how the gamemaker team's schedule has bumped up a bit against what the newsletter team's schedule was initially planned to be, and that was only in a few weeks' worth of time. production of anything — be it games, movies, animation — takes time and involves a lot of moving parts. i have no idea what most of those moving parts look like for the deltarune team.
aside from that, i still feel like there are so many things about ch1&2 i want to just sit and think about before ch3&4 come out! swatch and spamton and the neo body, queen and the old card court, queen and everyone post-snowgrave, seam as a character in general — all of these things i feel i still haven't gotten to the point of disinterest with yet. far from it, in fact — i don't post about them very often, because a lot of my thoughts are very disorganized and i tend to be poor at wording them without prompting like this, but i'm almost always thinking about them. the characters and relationships in this game are a large part of what drew me to it in the first place, and they're always there whether or not ch3&4 come out. in fact, i wouldn't be looking forward to those new chapters at all without them!
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jolieblack · 8 months ago
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Jolie's thoughts on
The Gloria Scott (Sherlock & Co. podcast)
Oof, plenty to unpack in this one!
And it‘s no surprise that it's generated a lot of fanart, so plenty of recs in this post, too.
"We share a flat, a business and a blossoming friendship" - Yes you do, and it’s ✨beautiful✨.
John not wanting to "shout through the door like a hostage negotiator" 😆
Anyone else desperately want to see Sherlock shooting a nail gun into a space hopper?
John threatening to beat Hunter up to defend Sherlock. 🥺
I wasn’t sure at first how I felt about Mariana tagging along, and I know it’s the greatest imaginable horror for a lot of us that the show might go down a John/Mariana route… but when they stayed over at the Trevors' and John and Mariana got to share a room, the way they were chatting as friends and not flirting at all before bedtime was reassuring to me, rather than disquieting.
That said, I don’t know if we’re kidding ourselves that this show will always just be soft and kind and warm and free from any interpersonal drama… ACD did create Moriarty and Reichenbach, and he did give Watson a wife and made him move out of Baker Street, *twice*… I know Joel Emory said John‘s not gonna marry and move out in this interview but 'Sign of Four' without a LI for Watson?!
Talking about LIs, I get the impression that so far, the accepted Viclock fanon always has Sherlock pining after Victor. Interesting to see it the other way round!
I also have FEELINGS about Mr Watson senior getting blown up on active duty and then his son nearly getting blown up on active duty as well. I also have feelings about John‘s choice to be an army doctor being the perfect combination of his midwife mum and his soldier dad. The carer and the fighter. *happy sigh*
Sherlock trying to swear. I CAN'T.
I don’t think I‘m able to put my thoughts on this whole scene into any words that make sense, so instead, please check out
this wonderful fanart by @abstractfrog
this one by @mayhasopinions
and this one by @matustheus
Sherlock calling John John, though. 🥺
Am I a bad person though to feel that Sherlock laughing along with John was fake? (Meant nicely, like an exercise in empathy, but fake all the same.)
The orchid analogy was genius. I am, however, laughing a bit at Harry Attwell’s Sherlock nearly orgasming from the brilliance of his own deductions. (He often does, but it’s particularly noticeable in this one.)
SPOILERS for the plot below…
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I honestly don’t get why you’d go to the logistical trouble of raiding an oil rig. I mean, it makes sense if you hold the workers and the production hostage for ransom from the stinking rich oil companies, or if you stage a political protest there, but that’s not what they did in the story, with communications with the mainland cut and everything happening in secret. What were they after? Who keeps money and valuables on an oil rig for anyone to steal?
Also, how did a man who is rich enough to start his life owning high end property in Camden Town become a violent criminal in Australia?
Hunter is an awful man but if you look at the amount of trauma he's been through, it would have been a miracle if he had turned out any differently…
But anyway. It was a tricky case to modernise and they did it well.
I thought it ended rather abruptly, especially regarding Victor and his dad, but @b4kuch1n has fixed that with this wonderful artwork.
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artofwinniethepooh · 1 year ago
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Some photos taken of the construction of the Rabbit puppet built by Matt Brooks for The Book of Pooh (2001-2003)
A small departure from what I usually post, but I’ve always been fascinated by the puppetry in the series and it’s fun to get a look behind the scenes!
Along with Brooks, Rabbit was also puppeteered by Noel MacNeal, Paul McGinnis, and sometimes Tyler Bunch in place of Brooks.
Production photos also give some neat insight into the process behind the puppetry and filming. Take this one featuring Rick Lyon assisting with the Tigger puppet for instance!
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On his website, Lyon says:
“… a picture of me with Tigger -- I happened to be assisting with his hands that day. Why am I wearing that freaky green outfit? The puppets are performed Bunraku-style (from behind, usually with three puppeteers performing one character), with the puppeteers in green from head to toe in front of a green background, which is keyed out (like a weatherman standing in front of a weather map). The scenery for the show is all computer generated, in real time, such that wherever the camera turns, the computer-generated scenery shifts accordingly.”
He also shares photos of some of the other folks behind the series. Pictured here is Ronald Binion, principal puppeteer behind Eeyore who also designed and built the puppet, and Amanda Maddock, another principal puppeteer who happened to be performing Owl.
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“Per-forming Eeyore is really tricky -- he is, after all, the only quadraped in the cast, and that makes it incredibly hard to manipulate his legs without green rods crossing his body and creating problems with the key.”
Pictured amongst a flurry of puppeteer action is creator and executive producer Mitchell Kriegman. Along with having directed many of the episodes, Mitchell is also the creator behind another show featuring puppets, Bear in the Big Blue House.
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Ron Binion also shares some photos that offer a glimpse into the filming of Book of Pooh on his website as well, as seen here.
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kenjiyabuki · 10 months ago
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so here are some thoughts about DMD Friendship the Reality while we are nearing the end
yeah yeah its not that deep but actually no one caring/talking about a show makes me want to write a LONG ASS POST bc i cant get gratification from going through the tags and reading opinions lmaoooooo so HERE damn okkk i will make the content i want to see in the world i guess dont mind me......😞
im not even the biggest Domundi fan but i was intrigued by the premise of this show. i mean it's a basically fake dating show (like one of their challenge rewards was getting to sleep in a suite together as if they are there to date for real) and the end prize isnt just an acting opportunity as it comes w the big decision of choosing a looooooong time acting partner. so i wanted to see how they would do it. BOC did a similar thing w The Hidden Character which i dropped halfway in bc it was too long and i found the challenges to be irrelevant to the ending goal. this show is the opposite of that and thats why ive been enjoying it.
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it is edited to be concise (only 5 eps) and honestly, is quite tranquil. all the challenges were about things they will be required to do in the future as DMD actors/idols and stakes aren't even that high. You could always guess who would win before they even started (((like of course broody model guys won the photoshoot challenge and guy w two series under his belt won the acting one, DUH))) but it was still enjoyable to watch. show's goal isn't to generate tension and competitiveness. it is more of a workshop/chemistry building camp and also a way to introduce the new generation and get the fans warm up/attached to them.
as i spent time in bl fandom sphere, i've come to realize introducing a new gen is tricky. i thought everyone would be ecstatic to see new blood and a lil bit of mix and match but BL fans are reaaaaaaaaaaally attached to their faves and generally see newcomers as threats who will take opportunities from their already neglected (!) precious babies (e.g. just couple weeks ago FortPeat fans were protesting the new lesbian side couple in the upcoming show for stealing screen time from their faves, which is a joke in itself). this kind of show is genius way to get people to warm up to idea of new faces. at the end of the the day, these fans' weakness is two beautiful boys indulging in sweet moments they can be delulu over and considering how ships were already born from the first episode, DMD FTR succeeded in their goal.
LETS TALK ABOUT THE BOYS :-) *this starts playing*
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I had to make this during first ep bc they are all dark haired boys w similar builds so I kept confusing them lmaoooooo (Tle not pictured as he joined later)
i will firstly talk about the fan favorite possible "couples";
KengNamping, the quiet visual couple and yes I love em!!!! they were kinda the only "conflict" in this very conflict free competition.
is Keng the CALMEST person I've ever seen? Latte is laid back too but Keng is just seems zen. sometimes (in the face of conflict) he just seemed hard to read but mostly he has such a calming presence. honestly, he should open an ASMR channel if this acting gig doesn't work out.
Namping also comes off very warm and graceful. him being "wow I'm finally in the winner suite" to Keng after finally getting chosen in ep4 made me laugh like DAMN he really was offended by what happened in ep1 and kept letting it slip. Idc, you are so right my prince and don't ever let Keng forget what he did to you...
when it comes to the possibility of them as a couple: i am kinda here for it while also not knowing if i actually believe in their "moments" in the show? Namping definitely set his sights on him from the beginning but Keng seemed nonchalant about it. Keng finally choosing Namping after his win, their sweet moment on the bed etc. seemed to me like classic reality show moment prompted by production to fit a certain narrative WHILE ThomasKong's pseudo-date-night chats seemed very real and spontaneous.
they do visually have chemistry, i'm not gonna act like i wasn't blushing when Keng trying to flirt during dinner or Namping softly touching a sleepy Keng's chin in the bed etc. Or even in ep2, when Namping tries to confront Keng about his pick but they are too timid and just unable to talk about it openly!!! arrghhh it's a hard to watch moment but still, made them more intriguing because they had such a tension between them. it would be a shame if it wasn't explored more. that tension can be channeled into an angsty series, just saying...
So, they def have a long way to go in their bond and arent comfortable like LatteFirst or ThomasKong but still, they are a strong contender and I would be glad to see them as a couple in a show. Namping already got my attention in the acting challenge and wonders can be achieved w a lil bit of workshop. they got the juice already!!!
Now, lets talk about ThomasKong.............
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me watching Thomas relentlessly chatting Kong up since THE FIRST EPISODE
so I knew LatteFirst are set be a side couple in upcoming Love Upon a Time but i was confused to see why everyone on Twitter was already going cuckoo over these two random boys until i saw them interacting... Wow, like Thomas really came here w one mission: get Kong and leave.
because Thomas is such a flirt like DAMNNN😳😳😳😳he needs to be jailed for carrying lethal amounts of charm... IT MUST BE SAID: I love his fits w those thin glasses, he should've been wearing those in those office BLs he was in because he has been serving "office siren". Tiktok girlies eat your heart out.
while Kong isn't the best at acting or singing (he is the best KengNamping shipper tho and i LOVE a fudanshi BL actor), he definitely would win Mr. Congeniality if they were giving that title. he naturally and effortlessly has great on screen charisma. he is a certified cutie and the only one who can get real full belly laughs from Thomas!!!
i think what they managed in the acting challenge is the testament to their palpable chemistry. acting wise they weren't perfect (naturally, their uneven acting experience levels were apparent) but they were the only one who managed to tonal shift in their scenes. it's because they were the only ones who played into the romantic subtext of the scene. they also held eye contact for the longest (because they are comfortable w each other and not shy!!!), which elevated their chemistry and made me AND the judges giggle and roll our hair and kick our feet and shit!!!!!!!!!!!!
they are obviously the most likely to win the show and they deserve it too. no matter the result of the show, i want see them carrying a series as mains because they can and should. i also believe DMD won't fumble their bag, so i am not worried about it.
to conclude, I will quote Zee,
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then we come to LatteFirst, the kinda established couple: in the ep5 preview, we see First trying to choose between Latte and the newcomer Tle, which seemed random to me and could be a production touch to create conflict in this very smooth sailing show.
i loved seeing Latte being nonchalant about the possibility of First choosing someone else, what a laid back guy. like Mio in THC, every BL reality show needs a half asleep and occasionally funny dude.
now i am thinking; what if First chose Tle, would he also replace Latte in LUAT bc DMD doesn't really fuck w mixing matching their couples. i honestly don't know where did all that come from but i feel like the result wont be too shocking, First and Latte are already really close and comfortable and got The Chemistry. need i remind of Latte punching the air a la Judd Nelson at the end of The Breakfast Club when it was announced they both chose each other for the dinner date? and their sweet and comfortable banter on that said date??? let's put our pens to work and write a friends to lovers rom-com for the boys based on that material please...
i dont think they are likely to win but might be strong contender. i just want to see them as a side couple in LUAT (hopefully this year!!!!) so they can develop themselves and their bond a little bit more before getting to a main couple level. their sweet friendship shouldn't go to waste!!! (is it obvious i am more drawn to BL couples who are besties in real life?)
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damn this post is about to be a novella so i will make it short about Gems, TeeTee and Tle, i hope Gems won't be too upset about getting slighted again 😥 like i said, stakes aren't high on this show and results are always obvious: these guys are going back home empty handed, we all know it. they are all charismatic and VERYYY talented but i just felt like none of them really focused on "getting a partner" part of the show, not just the main challenges. even TeeTee who was picked by Thomas and Keng seemed kinda uninterested about partnering up. but you cant really force chemistry and i am sure they will get many more opportunities in the future. they already started their fanbase!!! i cant stand to see Gems so upset, i hope he wont be too sad.
these are my opinions. maybe the ending will do a whole 180 and idk, GemsKeng or TleKong or some other random couple will win, who knows???? cant wait to watch the new overly airbrush filtered, Cheewin directed DMD show up to like 5 episodes and then get bored and drop it and follow the rest from gifs!!! good luck to the boys <3
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nowandforalways · 1 year ago
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"Never to change, ever to share...": An off-the-rails analysis of "Now And For Always" from the Lord of the Rings musical
Good day to you, my dears.
"Now And For Always" is my favorite song of all time and has been since I first heard it at age 16. With the revival of the musical giving us a ✨whole new arrangement✨ of the song, I decided now would be as good a time as any to analyze it as a whole and take a look at a few of the changes made to see how each version accomplishes exactly what it set out to accomplish with it's storytelling from a musical perspective.
A QUICK NOTE BEFORE WE START: While in the original production of the show, "Now And For Always" is clearly diegetic (that is, the characters in the show are actually singing the song in the world of the show), it's a bit more debatable in the new production. Samwise Gamgee is a wonder, but I find it hard to imagine him schlepping an entire guitar to Mordor - this ain't Hadestown, after all (the "Wait for me"/"And I'm coming with you" thing would require an entirely separate post 😉). Regardless, for the sake of analysis and also my sanity, we are going to say that the song is 100% diegetic in both versions of the show.
Key: NA = new/revival arrangement
OA = old/original arrangement
SO
First lets take a look at what stays the same between both versions (which is most of the song, tbh) and see what can be seen. We're gonna get lightly music-y here.
This song is in 6/8 time signature, which basically just means that it's counted out in two groups of 3 notes each - 123, 456 - with a sort of slope-y feeling to it, like rising up to 3 and falling back down to 6. You can also count it in a very slow 2/2 (1, 2), with each of those being on the 1 beat and then the 4 beat of the 6/8 counting pattern. This time signature has the effect of making it slow and relaxing, but still sound Hobbit-y, in a rather country-ish way. This time signature could technically become a very fast waltz, and it does lean into a natural sort of swaying motion when you listen to it. Perfect for singing around the fire.
The rhythm of the song itself is interesting because it's very speech-like. If you try to speak the words out loud in rhythm, it doesn't actually sound that off from a typical English speaking rhythm. This makes it very easy to learn, and very easy to add your own words to, as its implied Sam and Frodo are doing as they sing it. Lassi Longren, the composer of the song, said that it wanted it to sound like an old song that the Hobbits all know and sing around the fire, and the idea of a song like this with a chorus that everybody knows and then verses that are improvised by individual singers makes a lot of sense (makes me think of, like, "The Campfire Song" from The Lightning Thief - a song that is also in 6/8 and with a very speech-like rhythmic pattern).
The chordal structure also contributes to this homey, comfortable feeling. The song is in the key of D major, which is a fairly middling key (it's the key that most pennywhistles are automatically tuned to!), and is constructed around just 3 chords, with 1 more thrown in there if you want the cadence on "strange and rare" to sound correct. This makes it extreeeeeeemely easy to play - like I can barely play guitar, but I can reasonably play this. For the music nerds, the chords are I, IV, and V, with a little vi for that one cadence I mentioned earlier. This is essentially the most basic group of chords ever created, and it seems very intentional to me - it makes the whole thing feel comfortable and familiar, like it's an old song you know, even if it's your first time hearing it (Fun fact: The Shire theme from the Peter Jackson films uses also uses this chord group!). The only this about the song that might make it tricky to sing along with is its range - it's more than an octave, which can be hard to span if you're not a practiced singer. But you know, sometimes you just gotta have that fun melodic contour. Song gets boring if it stays all within too small of a range. :P
Okay so that's all the basic musical stuff that's the same between both arrangements. Time for the differences.
The most major musical differences in the NA as I can see are: Frodo and Sam switching who is singing the higher vocal part and who has the lower part during the second chorus, different instruments being used for the solo instrumental lines, and the whole of Frodo's solo verse and chorus. These all serve the major thematic change in this moment in the NA, but I'll get to that at the end.
First, the vocal lines in the chorus. You all know how much I looooove that Frodo is always on the lower part in the original show (see this whole post I wrote about it here!), and I equally love Sam getting the higher part in the OA for this song. It fits his character and part in the song very well - he started it off, he's done the improvising bit; after one chorus of unison to make sure that Frodo has a handle on the melody, he can pop off. Young, dreamy, surprisingly poetical Sam, with his love for elves & beauty & all things that grow, gets the chance to soar, while Frodo stays lower, hanging onto the melody. It almost works like foreshadowing for their characters, with Sam audibly choosing to do so much while it seems like Frodo is just there, but Frodo's actually doing the arguably far more important part of carrying the melody.
In the NA, they are flipped - now Sam stays on the melody while Frodo pops up to the higher part, and it still works just as well. Frodo's actually been on the higher part for the whole show up to this point, cause that's just how Louis Maskell rolls (the one very significant moment where he sings a lower harmony to Sam's melody is right before he leaves at the Grey Havens, which I could probably write a whole 'nother essay about), but it doesn't screw with the character perception in the way I had initially feared. Sam starts the song, Sam's got the guitar, so Sam stays on the melody, to carry the thing through. This now leaves Frodo free to do his thing with Sam's support. And this is where I start heading into headcanon territory, but I can't help but think by the easy way he slipped into it that maybe Frodo has sung this part before. He canonically has a nice voice (the Breelanders like it so much that they make him sing "The Man In The Moon Stayed Up Too Late" twice in the book!), and it would make sense for a naturally talented singer to get enough experience singing that they are able to whip out a higher part just for fun - maybe, if they ever sang this one down at the Ivy Bush, or by the fireplace in the parlor of Bag End, this was Frodo's part. And speaking from the same character perspective, Frodo is also everything I described Sam as before - dreamy, poetical, sweet - he's just older and, at this moment, significantly more tired both mentally and physically. But, he hasn't lost his hope yet, so he can still reach down and bring out a past version of Frodo, one who could sing that part in the song.
Next, the instruments. This is pretty simple; there aren't a lot of changes, but the one significant moment is the use of a harmonica instead of a fiddle for the solo in the middle of the song. Both versions of the show have instruments associated with certain characters (harp for Arwen, whistle for Frodo, concertina for Gollum, etc.) but the NA has the advantage of having all the actors play instruments, so it becomes rather explicit. In this case, the harmonica is being played by and associated with Bilbo, and that's neat, because this is a continuation of a story that he was also a part of. The fiddle in the OA is more representative of hobbits as a whole, so it also works in context.
Aaaaand the last one, the arrangement of Frodo's verse and chorus. This one is a doozy, because this is where we will be involving my theory on the different reasons for Sam starting the song.
So, the first time I heard the NA "Now And For Always", I actually started yelling IRL "IT'S A HYMN" as soon as it got to Frodo's verse+chorus, because, well, it is. Lemme explain. The orchestrations shift from the guitar and strings of the rest of the song so that Frodo is backed primarily by the ensemble singing "Oohs" and some sort of drone bass note underneath that I can't figure out (probably like a cello or something). The tempo suddenly becomes a lot slower and a lot less "bouncy", so to speak - that 6/8 time rising and falling pattern that I described before is significantly downplayed, and there are a lot more complete rests in the music, and that gives the whole thing overall a much straighter feel. This all gives a very hymn-like effect, particularly the "ooh"s, because voices moving between chords like that in a homophonic way (that is to say, everyone changes notes at the same time) is common in chorale-style hymns, and the drone, because having something called a "pedal point" (one note held underneath multiple chords) makes the music sound a lot older and more solemn. This is in contrast to the OA, which has, while not the exact same backing in Frodo's verse+chorus (it does get slower, and more smooth and flowing in the instruments), certainly much less contrast between Frodo's bit and the rest of the song than the NA. They both do this, but the NA just a bit more emphasizes how serious Frodo is about what he's saying. It's also is a texture that we haven't heard yet in the show and won't really hear again, so it kind of demonstrates the changes going on in Frodo by this point, like he's becoming something not quite of the world (sort of like all those comments in the book about him being "clear" or having a light shining through him). From a practical standpoint, it's also because Sam had been playing the guitar this whole time, and now he has gone to bed, so no more guitar. But above all, the vibe that making it sound like a hymn gives it is reverence, and that is important for the next bit.
Hoo boy, it's extrapolation/headcanon time. I've done a lot of actual musical analysis, but there comes a point where you have to take all those things you've gleaned and start spitballing about what they mean when combined all together. Here's what I have landed in: The changes in the NA reflect a change in Sam's motivation for starting the song in the first place.
Lemme explain.
In the scene before "Now And For Always", the boys are discussing Frodo's realization that destroying the Ring means that the elves will leave, and that there will be no more magic in the world. It's as they reflect on these very big changes that Sam starts singing a song about how at least some things stay the same. NOW. In the OA, Sam and Frodo start off the song in much the same place, emotionally - they're both kind of moody and mournful, feeling shaken at the idea of everything changing in such a big way, and missing the days when they believed that stories always ended with things returning to a happy normal. Sam's line "We hobbits only really like stories that end just the way they started, don't we?" is sort of a rueful realization that they are both severely freaked out by all of this because they come from a place that values unchangingness so highly. Sam starts the song as a way to bring them both some comfort by reminding them of home. He then fills in the bit about Frodo during the second verse because Frodo mentioned special folk and great adventures, they're both so tired that everything's funny, and Sam genuinely adores Frodo and knows how brave and important what he's doing is. Frodo's verse about Sam, in turn, is sung almost like a lullaby, which makes sense, as lullabies are often directed at the person falling asleep. So Frodo sings to Sam as he falls asleep about how much he admires him right back, sort of returning the compliment, like in the book. The way he says "it's not me they'll remember, you know" just before he starts singing has this weird sort of regretful tone to it, as if Frodo has kinda always known that his would be a thankless task, and that Sam, taking charge and leading them around and taking care of them, will be the one who goes down in history as being instrumental. He has been seeing this whole time how much Sam has done for him, and he knows that in time, others will too.
In the NA, on the other hand, the vibes of the scene before the song are somewhat different. The lines do not change at all, but the attitude from each of them is different. Here, we have the exact same conversation, but Frodo is audibly more stressed about it (not to mention more audibly exhausted), and Sam, in response, is keeping his tone very neutral, almost lighthearted at times. That general vibe continues into the song, which I thought was weird at first, until I realized what Sam is doing. Frodo is very shaken by all the big changes that he sees coming, so Sam responds by reminding him about the songs that they used to sing the Ivy Bush - the ones where nothing ever really changes. He says the line from above about hobbits liking stories that end the way they started like he's reminding Frodo of a fun fact, which is that despite everything going on around him, there are still plenty of stories about heroes where things are allowed to go back to the way they were. In other words, while the OA of "Now And For Always" is two people trying to comfort themselves by singing something that reminds them of home, the NA is Sam Gamgee Is Going To Cheer Up His Best Buddy Or Die Trying, first by reminding him that plenty of things do stay the same, and then by getting a bit silly and describing Frodo as one of the heroes (who, I will remind you, are allowed to go home unchanged). He goes until he sees a sign that he has succeeded somewhat in his quest - remember my headcanon about Frodo singing the higher part being indicative of his old self shining through? That could certainly be a signal to Sam that his little idea worked. More likely, the fact that Frodo starts waxing poetic about plum cake (which is so valid of him, tbh) when a few minutes ago he had to be ordered to sit down and eat something is also a sign to Sam that Frodo feels better, at least for the moment. So he feels alright to go to sleep. And then Frodo sings his part. And THAT'S why the reverent tone I mentioned earlier is so important. Because it makes it seem like Frodo also realizes, in this moment, what Sam has just been doing, and what Sam has been doing this whole time. The pauses in the music make it seem like he's coming to awareness, step by step, of just how much Sam has done for him, and the only possible emotional response for something that earth-shatteringly loving is reverence. And THAT'S why the NA ending works so gosh darn well - it gets across everything that Frodo is thinking and feeling in this moment with the music as well as the lyrics.
So, yeah. I don't have, like, much of a conclusion for all this. These are just a bunch of things that I observed about these two songs and then my brain running absolutely buckwild with extrapolating conclusions from there. And a lot of this is my own interpretation of what I hear, so if you thought something different, that's totally fine! Also, this is entirely based on only being able to hear what's going on, so if you've seen the show and I got the vibes super off for part of it, please let me know. :)
Thank you for reading, and I hope to see you around! Heyday!
EDIT: The more I think about it and try to feel it in my body, I might call the time signature a very fast 3/4. Regardless, all my points still stand. Just wanna cover all my musical bases. :)
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royalsealy · 1 year ago
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Hi! I just wanted to say I'm really appreciative of you posting. I've loved lolita fashion for years, and I've started actually buying pieces recently, but I'm frankly intimidated to wear them outside. I'm a big guy with facial hair and I really don't fit the dainty ideal, but I love the frills regardless. How do you work up the courage to go out in a dress with facial hair? Do you have any tips for masculine presenting people who want to safely and confidently wear lolita outside and find community?
Hi! Thank you for reaching out and glad to hear that you're taking the first steps into wearing lolita fashion. As a guy/person with facial hair I understand the complicated feelings that can come along with wearing a more feminine fashion while having body hair.
The biggest tips I would have would be doing what makes you feel the most confident and comfortable, especially in the beginning as youre gaining footing into the style. Over time the more you wear/do something, the more your comfort and confidence grows as well as your knowledge in that area, and you may feel more comfortable in messing around with things like presentation as time goes on.
For some people that's shaving in the beginning and then working their way up to keeping their facial or body hair, for other people that's wearing a fashion mask.
Recognizing that facial/body hair is genetic and not tied to sex/gender also helps a lot! I come from a family of fairly hairy people, we naturally have dark hair so it was not unusual for me growing up to see the women in my life with body hair at one point or another (and unfortunately all the wild hair removal products of the 90s-00s - some scents still trigger my fight or flight response lol).
I think this is also why from my perspective, body hair is not inherently masculine or feminine, just like someone's height or hair color it is an attribute of someone but not defining.
Here are the things I do personally:
face/fashion masks in public always help. Especially if I need to use a restroom for whatever reason, or if im unfamiliar with how these areas interact with gender non conforming people. On that note general safety applies. Be mindful of using alleyways or small offbeat street paths. If I'm going somewhere new and I don't know how the area treats visibly gender non comforming people I tend to be more cautious. Picking a less busy time of day can also be beneficial, my first time wearing lolita fashion in public I went to a cafe at around 6-7 am on a weekend so I came across relatively few people. I also had my partner with me as a support person, which I highly recommend if possible.
Keeping things well groomed. I love my mustache, so for this I tend to trim any flyaways, any pieces that would normally hang over my lip or on the sides that would go below the top lip I trim. In terms of beards the same applies, trimming things to be more uniform or tight fits more with my personal aesthetics, removing any stray/random hairs will do a lot to make a coord feel more polished.
safety in numbers. If I'm going out in lolita especially in the beginning I would have my partner go out with me, or meet up with others in my community, which ties into your last question.
When it comes to community this one can be more tricky and it really is a gamble. I'm really lucky, the communities I'm a part of have people in them that identify and present in a variety of ways, so I feel safe and comfortable around them. Having gnc people there also does a lot to make others feel more comfortable, some people will define femininity very strictly to the point where it can suffocate others, by having others nearby messing with these boundaries it can allow those to experiment with less fear, it also wards off anyone that isn't accepting that people will naturally look and wear the fashion differently.
I'll say when entering a community, it is always helpful to have an open mind and be open to conversation even if it's awkward. General conversation skills help- asking questions, listening with genuine curiousity/interest to get to know those in your community does a lot to build safety and trust on all sides.
The nice thing about lolita fashion is it has a history that we can look back on - men have always been a part of the fashion, going through old archives and looking through GLBs, it's not uncommon to find people who identify/identified as men or were more ambiguous in identity. Pretending otherwise is just factually incorrect, and watching old footage of meets especially older Lovely Lor videos where she interacts with and showcases members in her old California community we can see lolita fashion enthusiasts across various identities and expressions.
TLDR; take comfort in knowing that regardless of gender identity, there are people who will share similar attributes and characteristics like size or body hair and that doesn't make them (or you!) any less welcome! Having someone to go out with or going to less traveled areas in the beginning can help grow confidence, and as far as communities go just do your best, sometimes we get lucky with our local communities and other times we have to seek people out whether it's using online forums or discord
I hope this was able to help with any questions or worries you may have had, let me know if something is unclear!
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