#also obviously people should draw more books than just these‚ these just happen to be two of em that impacted my life DRASTICALLY

[somelazyassartist]

People need to start making more book fanart. I want to do this myself more too but honestly I need some good The Tale of Despereaux and A Series of Unfortunate Events art to reblog pleaseeeeee

[lousypotatoes]

What A Glorious Feeling

This chapter takes place after the pilot but before the first episode of the series.

Reader is a falcon demon, doesn't have a beak, wings drape over her kinda like Valentino's (i want him dead), reader has gray skin, usually wears a black tube top, black and white pinstripe pants, black boots, and has a daisy in her hair. Reader has the eyes and ears of a falcon and is also slightly cannibalistic.  Reader can summon any weapons at will and can move things with her mind, whenever she does this, her eyes glow red. Like Alastor, reader can also summon anything at will. If you had something else in mind for how the reader looks, you are more than welcome to imagine something different. 

I know Alastor is canonically aroace, but obviously, in this story he is not. Also, in this book, nobody knows the Radio Demon's name unless he decides to tell them. Sorry I should of said this earlier.

Song Recommendation:

I Did Something Bad - Taylor Swift

Part 1 Part 2 Part 3 Part 4 Part 5 Part 6 Part 7 Part 8 Part 9 Part 10 Part 11 Part 12

Present day...

"Ah Dustin," Y/N said, walking over to the man, who was cowering in the corner. "You broke our deal. You know what happens to people who don't keep their word with me, don't you?"

"Please," he begged. "Give me one more month I promise-"

"You said the exact same thing six months ago," she spat angrily, her wings unfolding. 

"I swear-thi-this is the last time," he stuttered. "I just need-"

She summoned red chains, that latched onto Dustin's neck. Tugging the chains over to him, she grabbed his face, digging her claws into his cheeks. He let out a yelp of pain. 

"The deal was that if I killed your pathetic wife, I'd get your soul, and you would get me what I needed from that idiot overlord who thinks he's the shit, just because he's a pimp!" Y/N snarled, digging her claws in harder, drawing blood. "I have been more then generous towards you, and this is how you repay me?"

"I'm trying!" he cried out, tears running down his face. "Please just don't kill me!"

She had a small frown on her face. "I should rip you apart limb by limb," she said, calmly but in a deadly voice. "But I'm not goin' to do that," She removed the chains from his neck and put him down. 

"Thank you so much Assassin," Dustin said, wiping the blood off his cheeks. "I swear I will-"

He never finished his sentence. As fast as lighting, she summoned an axe and chopped his head clean off. 

"Instead, I'll make this is as quick and painless for you," she giggled, licking off the blood from the axe. "I'll have to thank Carmilla for the angelic steel at the next overlord meeting."

Using the axe, Y/N chopped up his limbs and stuffed them in a trash bag she had brought with her. 

"Cannibal town here I come," she smiled once she was done.

"Knock, knock," she said, knocking at the parlor door. 

"Y/N!" Rosie exclaimed upon seeing you. "What are you doing here so soon?" 

"I brought you a little somethin' to snack on," Y/N said, holding up the trash bag. 

"Oh you spoil me so much, my dear," Rosie said, licking her lips. 

"Anything for my closest friend," Y/N said, handing her the trash bag. 

"This is the fifth one this month," Rosie said, opening up the bag. "Sinners know better than to break a deal with you."

"They'll never learn, Rosie," she giggled as she took a seat on the couch. "Did you see the news the other day?"

"The Princess sure does have her hopes up for this hotel," Rosie answered, pouring herself a cup of tea. "Tea, Y/N?"

"No thank you," Y/N answered. "Do you think anyone would actually check in to that hotel?" 

"Who knows at this point," Rosie said, sipping her tea. "But judging by how people reacted, I don't think it's going to work out," 

"Shame," Y/N said. "It's a good idea, if it's actually possible."

"Say Y/N," she said, setting her cup down. "A friend of mine just recently got back into town. He's staying at this hotel," 

"Oh yeah?" Y/N asked curiously. "Who is it?"

"The Radio Demon," she said simply. 

Y/N's eyes widened in surprise. "He's been gone for seven years," she said. "Why on Earth would he return now? And why would he be stayin' at the Princess's hotel?"

"Satan knows," Rosie replied. "Y'know, you and him would really hit it off."

Y/N's eyebrow rose up. "Sorry my darlin'," she said, lightly chuckling. "The Radio Demon is most certainly not my type."

"You don't even know him," Rosie said, a slight frown on her face. 

"I don't need too," Y/N said curtly. "From what I know, he seems like a self-absorbed prick."

"Oh c'mon," Rosie nudged you. "The both of you have so much in common! You both like whiskey, you both like jazz, you both like killing people-"

"Why all of a sudden are you tryin' to play matchmaker?" Y/N interrupted. "And why The Radio Demon out of people?"

"Because you need to get out there!" Rosie said, smoothing out her dress. "Ever since I've known you, one of the main things you talk about is how in love you were when you were alive. What was his name again?" 

"His name was Alastor," she said, her heart hurting. "I've searched all of Hell Rosie. Either he's up in Heaven, or the Exorcists got to him."

"That's why I want you to meet him," Rosie said, patting Y/N's shoulder. "Please? Do it for little ol' me?" 

"I suppose so," she sighed. "I was already thinkin' about checkin' out the hotel anyway."

"Marvelous!" she exclaimed, clapping her hands together "I promise, you won't regret it!"

Landing in front of the hotel, she knocked at the door, feeling nervous, her wings fluttered behind her. 

"I'm coming!" chirped a feminine voice from behind the door. 

Fiddling with the hem of her top, Y/N waited until the person opened up the door. 

 The princess herself opened the door. "Hello! And welcome to the Hazbin Hot-"

Upon seeing your face in the doorway, she immediately slammed the door shut. 

"Vaggie!" Charlie cried out. 

"What is it?" Vaggie asked, coming down the staircase. 

"The Assassin is at the door," Charlie panicked, pointing at the door. "What do we do?" 

"Really? Another fucking overlord?" Vaggie angrily said, walking over to the door. "I'll handle this."

The door opened up a second time. Instead of the princess, a girl with a large X over her eye appeared in the doorway. 

"What the hell do you want?" she asked suspiciously. 

"There's no need to be so hostile," Y/N said, putting up her hands. "I'm here to simply offer up my services."

"We don't need you to kill anyone,"

"Not those kinds of services," she laughed. "I want to help with your hotel."

"Thanks, but we already have an overlord helping us," Vaggie said, eyeing her up and down. 

"The Radio Demon, yes I know," she said, crossing her arms. "I still want to help,"

As Vaggie was about to close the door, Charlie popped up beside her. 

"Wait Vaggie, we could use her help," she said, smiling. "With two overlords helping us, we can get a lot more done!" 

"You have a point," Vaggie grumbled. "But I'm keeping my eye on you," 

Charlie beckoned you to come in. "Thank you, Princess Morningstar," Y/N said, stepping inside.

"Oh please, just call me Charlie," she waved off. "This is Vaggie," she gestured to the girl with the X.

"It's a pleasure to meet you both,"

"Thank you!" Charlie gushed. "Welcome to the Hazbin Hotel-er-"

"Y/N," she said. "My name is Y/N."

"Right! Welcome to the Hazbin Hotel Y/N! Would you like a tour?"

"Of course,"

"Why does the bar look like that?" Y/N asked after the tour was over. 

"Someone blew it up a few days ago," Charlie said simply. "Our facility manager fixed it up so it's nothing to worry about!" 

"Oh-uh-" Y/N didn't know was to say. "I'm glad it's all fixed."

"Oh my gosh!" she exclaimed. "I have to introduce you to everyone! C'mon!" Charlie grabbed her arm and dragged her away. 

"This is Nifty, our maid," she said gesturing to the small demon, cleaning the floor. "Nifty, this is Y/N, she'll be staying with us 

Nifty turned around and her eye widened and she smiled in a scary way. 

"Ooooo! I've never seen a bad girl before!" she said menacingly as she crawled up on you. "Do you want to punish some bad boys with me?"

"Just give me the time and place, sweetie," Y/N said, putting Nifty down. Nifty quicky ran off.

"She's mostly harmless," Charlie said nervously. "Just don't let her bite you."

"I'll keep that in mind," she laughed. 

"This is Husk, our bartender," she said gleefully. 

Husk was drinking from a bottle, he nodded at Y/N but didn't say anything. 

"It's nice to meet you, Husk," she said politely. 

Husk recognized her at second glance, almost spitting out his booze, he decided not to say anything about it, though. 

"Oooooo heya Y/N~" said a voice. 

Y/N turned around and grinned. "It's nice to see you again Angel Dust,"

"Ohhh it's nice to see you too baby~" he said seductively. 

"Oh that's wonderful!" Charlie exclaimed, her eyes sparkilng. "You two know each other!"

"Yeah, we met at a party a while back," Y/N explained. "He kept wantin' to look at a sword that I had just got."

"Y'know babycakes," Angel said, walking over to her. "I could show you my sword, if you want~"

"Another time, Angel," Y/N laughed, Charlie laughed awkwardly with her. 

"Well, I think that's it!" Charlie said, clapping her hands together. "I'll show you to your room and if there's anything you need, just-"

"Oh, we have a new guest?  Heavens, why didn't anyone tell me?" said a staticky voice. 

Y/N turned and saw the infamous Radio Demon standing right behind her. Upon closer inspection, there was a look in his eyes that seemed familiar. 

Too familiar. 

Y/N had loved looking into those eyes, it had brought comfort to her. 

"Oh my gosh! How could I forget!" Charlie said. "Y/N is going to be helping us around the hotel just like you!" 

At the mention of her name, something pulled at Alastor's heartstrings. 

"Well, we need all the help we can get, that's for certain," Alastor laughed.

That laugh, Y/N had imagined it every single day when she arrived in Hell.

"Y/N, this is our facility mana-"

"Alastor?"

Her voice, it sounded like an angel. Alastor remembered the first time he heard it. Everything clicked into place for the both of them.

"Y/N?"

Sorry if all the characters are a little ooc. I need to rewatch the show lmao. 

THERES AN ECLIPSE TODAY!!!

stay safe out there you little rascals <33

xoxo, Izzy

[linkspooky]

Art credit: @/charscounterattack reposted with permission.

INVINCIBLE VS. MY HERO ACADEMIA: WHEN HEROES KILL

Whether or not heroes should kill people is a hotly debated topic in comics.

There are people who think heroes should never kill, and others who think heroes should kill more. One of the most famous comic book storylines "Under the Red Hood" has Red Hood / Jason Todd debate whether or not it was ethical for Bruce to keep letting the joker live even after the Joker killed Jaso, especially after the Joker killed Jason. If killing the Joker earlier to prevent all future deaths would have been justified. There are like a hundred DC Aus that are like "What if Batman and Superman just started killing people?"

In order to explore this question I'm going to explore two situations in different comics, Invincible and My Hero Academia when the hero, a very idealistic young hero kills someone for the first time.

LET HORI COOK

Storytelling, especially for serialized storytelling which comes out week by week instead of all at once works on the premise of drawing people in by promising that certain future developments and plot points are going to happen. Stories are all about creating expectations, building them, and then paying them off.

Here's an example: The Dabi is a Todoroki theory has existed pretty much since the training camp arc. Horikoshi wasn't in your face about the hints about Toya, but there was just enough hints to make the theory seem more and more plausible. Toya having the same fire quirk as Shoto / Endeavor. Toya mentioning both of them by name. Shoto's two other siblings getting revealed but not Toya. Toya saying that Hawks should have paid attention to him most of all. All of these little pieces came together until Toya finally revealed his identity on live TV in front of both Shoto and Endeavor.

This worked because not only did it give the audience just enough clues that they felt smart for figuring it out, and get invested in the idea of Toya as a Todoroki, it also was well-paced so it didn't seem like Horikoshi forgot about it unlike the traitor plot which went hundreds of chapters without being mentioned. If Toya was revealed to be a Todoroki at the training camp arc with no buildup, it wouldn't be as effective bcause we didn't have years of waiting and theorizing. If Todoroki was revealed to be some guy named Steve after all the hints, it also wouldn't be an effective reveal because there were hints dropped for Toya Todoroki, but there were no Steve hints so it'd feel like the author lied to us.

Themes are like this too. I tend to explain story themes by oversimplifying it as "Question, and answer." The story asks a question, it provides us an answer, and we can come up with our own answer as well. However, there's a middle part I'm skipping out on which is deliberation. Before you can come up with an answer, you obviously need to deliberate it, either by presenting arguments for or against, hearing outside opinions or just thinking things through.

In other words, you need to "Let things cook."

If Toya calling Shoto by his full name at the Training Camp Arc is when we're first asked "Is Toya a Todoroki?" or when the theories first started, then the long middle period between Training Camp Arc and the First War Arc is the deliberation. This is when the story not only added more hints to the idea that Toya was a Todoroki, but also set up why that reveal mattered. Endeavor wanted to atone for his past sins, but one of his victims was no longer alive. Endeavor begins to move on anyway and think he's finally made himself a good hero, but now Toya appears to flip up the reverse Uno Card.

So let's follow this basic formula, for how ideas get developed in My Hero Academia and just any good story.

Question / Introduction

Deliberation

Answer / Conclusion

My Hero Academia and Invincible explore similar themes in regards to heroism, generational trauma and how to be better than the previous generation in both Mark and Deku. I'm going to streamline their arcs down to one basic question for the sake of time. For both the question is:

Can I be a better hero than my Dad?

Deku and Mark might be two characters who cannot possibly seem to be more different, but you can actually list off a lot of similarities between them right away. Deku and Mark are both people who in a world oversaturated with superheroes spent most of their childhoods with no superpowers at all. Also, they were genetically supposed to inherit a quirk / viltrumite powers, but Deku was born quirkless, and Mark was an extremely late bloomer. They are also people who while being powerless civilians for most of their lives worship heroes. Deku collects so much All Might Merch he even stole some from Nighteye after he died, Mark attends comic conventions even after he becomes a superhero.

They also grew up worshipping one hero in particular who was essentially earth's strongest hero, for Mark it was his dad Omni-Man, for Deku it was All Might. They also both get the opportunity to train directly under their favorite hero immediately after they get their powers. At first this makes it seem like they've been given everything they've ever wanted. All Mark has ever wanted was to be a hero like his dad and make his father proud. Not only did Deku just want one person to tell him he could be a hero too even without a quirk, but his very idea of heroism is built around seeing All Might always save people with a smile.

However, both of them suddenly hit complication just when it seems like they've been given everything they've ever wanted. They are both confronted with the fact that their heroes are not who they expected them to be. They are overly idealistic heroes who have been dreaming of being heroes since childhood only to be hit with a much greyer reality. To the point where there innocence becomes a flaw in and of itself. The way they've been coddled and protected all of their lives leaves them completely unaware and unable to spot the grey areas in the world, or the people around them.

For Deku the moral greys exist in the villains around them. In MHA Society, villains are basically just bad guys in suits for the heroes to punch on television. They're seen as a faceless enemy, and there's very little in way of rehabilitation for villains once they're captured. Deku lived in a very black and white world before this point, and he's suddenly presented with the idea that his villains could be morally grey.

Deku's image of All Might is a hero who saves everyone with a smile, so he could never imagine that there are people who All Might has failed to save. He's never stopped to consider where villains came from, or if any of them might have legitimate reasons for their grievances.

This becomes a pretty central theme in MHA. It's first brought up here when Shigaraki talks about All Might acting as if there's no one he can't save. Twice brings it up again in his first backstory chapter, that the heroes only save the virtuous ones.

This is further enforced in the same overhaul arc with members who are loyal to Overhaul because they are society's trash who would have been thrown out otherwise. There is a group of people fiercley loyal to Overhaul who is a terrible boss, because he is the only person who would accept them.

edits belong to @stillness-in-green from bring it all back a tone poem on returning to staus quo located here on ao3.

In the War Arc this long running theme basically reaches a climax with the Hawks and Twice confrontation, where Hawks decides to try to offer Jin a chance to restart because he's deemed him "good" but he won't extend the same helping hand to the league who Hawks has determined as "bad." He then asks Jin to betray his friends in order to be saved, something that Jin rightfully calls out.

That Hawks only wants to save Jin because he's one of the good ones, and he's written off the rest of the league and left them for dead. Hawks choosing to divide between good and bad victims ad only save the one he personally thought was worthy of redemption, makes it impossible for him to save Twice who would never under any circumstances give up on the rest of the league.

Twice's death is a tragedy, but it also presents us a clear example of the failures of the previous generation. Even a hero who sincerely sympathized with a villain and wanted to help them start over wasn't able to help them because of this attitude of selectively picking and choosing who to save. If the heroes only save the innocent the I guess the lives of the guilty are worth less.

This is the questio Toga poses to Ochako, if the heroes killed Twice then are you going to kill me in order to stop me. This is the central subject of Shigaraki's speech to the heroes. That heroes and villains will never uderstand each other, because the entire hero system perpetuates itself on ignoring the needs of societal outcasts and rejects in form of the "innocent people" and those outcasts who aren't having their needs met eventually turn into villains who get systematically put down by heroes. Heroes and villains are incapable of understanding each other and breaking the cycle, because the entire system isn't built on helping people, but merely maintaining the idea that heroes are perfect, faultless saviors so normal people will feel secure, while the people the heroes have failed get swept under the rug so society can keep "functioning."

"You heroes hurt your own families just to help strangers. You heroes pretend to be society's guardians. For generations, you pretended not to see those you couldn't protect. That means your system's all rotten from the inside with maggots crawling out. It all builds up, little by little, over time. You've got the common trash, all too dependent on being protected, and the brave guardians who created the trash that needed coddling. It's a corrupt, vicious, cycle. Everythig I've witnessed, the whole system you've built has always rejected me. Now I'm ready to reject it. That's why I destroy. That's why I took power for myself. Simple enough, Yeah? I don't care if you don't understand. That's what makes us heroes and villains."

So if the starting question is: Can I be a better hero than my dad?

Then everything I've detailed above is deliberation. Here we have, ever since the training camp arc, this slowly built up idea of why All Might was a flawed hero in the end.

Mark has to face the fact that his father is a more morally grey person than he could ever imagine, whereas Deku has to face the fact that the villains are more morally grey in his world, and that makes the heroes look more flawed in comparison as well. The deliberation is all slowly bringing Deku to think over what Shigaraki asked him all the way in the beginning in there first meeting.

Were there ever people that the heroes couldn't save? If so then what are you supposed to do with the victims you can't save after they grow up? This is when Deku begins to start forming his own answer.

Deku hears the advice of both the other OFA users, and The Stinky Old Man (Gran Torino) that killing Shigaraki is the best option, but wants to explore other options.

Scenes like this clearly telegraph what the answer / conclusion Hori is leading us to to be. The same way that Toya is a Todoroki is foreshadowed long in advance, statements like "All for one is a power meant for saving, not killing" clearly set up Deku's Endgame. Deku's end goal is to find a way use his power to save Shigaraki rather than killing him. Everything else is just a matter of deliberation, Deku knows what his edgoal is but the chapters between then and the end of the manga is Deku having to figure out how exactly to save Shigaraki without killing him.

You Heroes Hurt Your Own Families Just to Help Strangers

Invincible is the story of Mark Grayson, the son of Omni Man / Nolan Grayson. He's been told all of his life that his father is a viltrumite, a race of benevolent aliens who send out people like Nolan to alien civilizations in order to uplift their entire civilization. Which is what led Nolan to come to earth and become Earth's greatest heroes.

This turns out to be a big fat lie when within 12 chapters Nolan not only slaughters the guardian's of the globe, but also has a confrontation with his son.

Mark has wanted to be just like his dad his entire life. Only to be slapped in the face with the realization he's known nothing about his dad his entire life, shown rather brilliantly by these panels where Nolan tries to have a normal father / son conversation with Mark while covered in blood.

Nolan isn't from a futuristic utopia but from a brutal, fascist space empire. He didn't come to earth to help bring it up, but to weaken its defenses and make it prime for conquering. He didn't have Mark out of love, but to produce another soldier for the viltrumite empire.

Mark's entire schtick is that he's invincible, but he's so inexperienced as a hero that he gets beat up constantly despite the fact he has the strongest power set in the series b/c he has viltrumite powers. However, not only does the series introduce moral greys by continually showing how Mark even with the best power set in the series constantly gets his ass kicked, it also challenges Mark's black and white thinking and hero worship of his father by showing him the kind of man his father really is.

Mark has wanted to be exactly like his father his entire life, but now that's suddenly a bad thing. His father is a morally reprehensible person and Mark is now a descendant of an alien race meant to conquer worlds. Not only is Mark confronted by who his father really is, but now everyone in Mark's life judges him by comparing him with his father.

Mark has to work with Cecil and be his on-call Superhero, both to be able to pay for college, and also to prove that he's not his dad. The unspoken part of the agreement is that Cecil gets to keep a leash on Mark and Mark has to prove that he'll never turn out like his father to earn Cecil's trust.

Cecil is automatically suspicious of him because if Mark were to turn evil, the planet would have no defenses against him just like it didn't have any for Omni Man. Mark's mother starts to drink and blames Mark for Omni-Man leaving in a drunken moment of weakness because of how much the information that Omni Man only regarded her as a pet affected her.

The comic even shows us that in most alternate universes, mark actually did make the decision to join his father's conquest, and this universe is one of the few exceptions. This is also where we're introduced to a major reoccuring antagonist in the comics, and also the main antagonist / final antagonist of season 2 of the cartoon Angstrom Levy.

Levy is someone who can jump between dimensions and has traveled to almost all of them collecting his alternate selves. He has witnessed for a fact that in most universes Mark sides with his father instead of fighting against him.

Levy enlists the clone bros to build a device that would combine the knowledge of his alternate selves into one individual. This device ends up breaking tragically (partially mark's fault, but levy himself made the decision to stop the machine in order to stop the clone bros from killing Mark). Levy's memories become confused as a result of the machine malfunctioning, and he can't tell the difference between himself and his alternate universe counterparts. This means that Levy now remembers several alternate universes where Mark did turn evil, and remembers them as if they happened to him.

It's better elaborated upon in this post:

The process by which Invincible has had to condense and consolidate the plot beats of the original comic, coupled with the opportunity it's granted the writers to tighten up and emphasize its themes on a second pass, has resulted in a newfound appreciation for how unbelievably fucking good Angstrom Levy's whole character concept is. What's that, Mark? Your main emotional crisis this season is your fear of turning out like your father? Here, have an archnemesis who's out to kill you because his memories were inadvertently overwritten with the lived experiences of hundreds of alternate versions of himself whose friends and families were slaughtered in worlds where you did, in fact, turn out exactly like your father. Because it turns out that that is in fact the multiversal norm. That you turn out like your father. And now you're left to wonder what set of arbitrary coinflips pulled you back from that abyss in this dimension, and whether your luck is going to continue to hold into the future.

Mark is not only hit with the revelation that his father isn't as good as he thought he was, but also while he's in a crisis about about whether or not he will turn out like his father, he learns the answer is yes, in several dimensions he turns out exactly like his father.

In My Hero Academia there are families like the Todoroki's who balance the difference between a hero's obligations to society, and a hero's obligation to society. However, that's a side plot where I'd argue that the main plot for Invincible and it's main focus is what Mark owes to the world as a hero, and what Mark owes to his family.

It's not just that Omniman is trying to invade earth for the Viltrumite empire. It's not just that he failed as a hero, but that he failed as a father. What makes Mark snap, is hearing Omniman call Debbie a pet. Until that point Mark was in denial and still trying to reason with his father.

Invincible is about two intersecting themes: Is Mark obligated to use his incredible powers to help make the world better? Can Mark be a good hero and a good family man?

While MHA has more far reaching societal implications in its themes and questions, Invincible is more specifically about the Grayson Family. It's generational trauma on a society level, vs generational trauma on an individual level. The way Nolan was raised on Viltrumite effects how he raised Mark causing their conflict, and Mark's conflict with his father effects most of his young adulthood when he's trying to figure out what person he wants to be (read: not his dad), but also the way he parents his daughter with Atom Eve.

Omni-man failed Mark as both a hero, and a father. Mark feels the need to overcompensate for what his father did the world and all those innocent people by acting as Cecil's lapdog and doing whatever Cecil tells him.

However, Mark is much more hurt by the personal betrayal than he lets on. It's not just that his father killed a bunch of innocent people, it's also that Mark's father failed as a father, abandoning both him and mom and choosing to be a viltrumite rather than being Mark's father. Mark's stated reason for wanting to be a hero post the omni-man reveal is to prove he's not like his dad to the world, and also make up for the innocent lives he failed to save. However, his unstated underlying reason is Mark is hurt and betrayed his father didn't put his family first, and this causes Mark to always put his family first.

This leads to two insecurities / narrative flaws. One, Mark is insecure about becoming like his father so he tries to prove he's nothing like him by being the most selfless, perfect hero possible. Two, Mark is hurt by being abandoned by his father and doesn't want to become a deadbeat like Nolan so he gets extremely overprotective of his own family.

These two things are obvious in conflict with one another: A hero has an obligation to the common good which sometimes means sacrificing time with your loved ones. However, being a good family man requires a level of selfishness that directly contradicts the selfless hero that Mark is pushing himself to be. In the comic the way Mark prioritizes his family and loved ones over the common good and justice is made even more obvious. His first instinct on seeing Omni-Man again isn't to call him out for being an awful father, but to hug him and ask him to come home. Mark is a distraught son first, and a hero second.

Mark has two flaws, his fear of being like his father makes him try too hard to be a perfect hero, and his trauma over losing his father makes him prioritize his family over being a hero. It's very much a having your cake and eating it too situation, oftentimes heroes make huge sacrifices for their personal lives in order to be heroes, that's basically a theme discussed in the comic with Nolan being absent for a lot of Mark's childhood, and why Mark's relationship with Amber fails.

The show also introduces us to the idea that Mark is so afraid of becoming like his father that he deliberately holds back his punches. Which is good when he's fighting earth villains, but bad when he's facing viltrumites who can only survive being disemboweled, but will also come to wipe out all life on earth if they're allowed to live. In the show it's directly mentioned that Mark is holding back, in the comic it's implied when we see how helpless Mark is in the fight against other viltrumites. Mark lacks the resolve to kill someone and when fighting a viltrumite, failing to put them down can have consequences because they are galactic conquerors who will not show you any mercy.

This all comes to a head in the Angstrom Levy fight where Mark makes his first kill on-screen when beforehand he'd never fought to kill before, and even held back against galaxy conquering aliens who were out to murder him and his dad.

However. before we begin that.

Should superheroes kill?

People often act like whether or not super heroes should kill their villains is a black and white topic, where it actually depends highly on context.

Batman’s an entire character is written around how he wants to redeem Gotham and save the city, most of his villains aren’t even sent to prison they’re sent to Arkham a facility that’s supposed to rehabilitee the mentally ill so they can rejoin society. Batman has decided it’s his place to stop crime, not his place to decide whether or not people have the right to live or redeem themselves.

Batman is also at risk for being just like his villains, that’s why he’s foils with Harvey Dent, someone who tried to prosecute people under the law who then snapped and went full violent mobster vigilante. Batman actually is at risk for walking the same path as Harvey if he decides murder is an option.

In X-Men 97, there was a character known as Rogue who dropped Simon Bolivar Trask off of a building in an act of vigilante justice. This action makes sense in context for several reasons. One Rogue was raised by Mystique and Destiny, is a former member of the Brotherhood of Evil Mutants, and began as a terrorist in the comics. She's not really a "moral highground" character like Batman. Two, Boliver Trask built a giant killer robot that resulted in the deaths of millions in Genosha which Rogue is a survivor of. Number three, Trask had no sympathetic reasons for building the genocide robot, he built the sentinels out of bigotry to wipe out mutants. He's not a victim in any way, he's an oppressor facing consequences for his actions.

Batman shooting Harvey Dent, his former best friend, a victim of severe mental illness and trauma that still has hope for recovery, and Rogue dropping the guy who made a genocide robot off of a building are both wildly different situations.

So in the context of MHA we have Shigaraki Tomura, a terrorist who's goal is to destroy japan enough that it will dismantle the hero system for good. Shigaraki Tomura is a ten year old child who lost control of his quirk and killed his family for mistake, he wandered for days in crowded city streets but not a single hero stopped to help him, then he was found by the main villain of the story and groomed for ten years into becoming his successor. Shigaraki is also surrounded by a group of societal outcasts who were failed by society in similiar ways, so Shigaraki knows he wasn't the only one failed by hero society and he starts to wage his war for their sake as much as his own.

In Invincible we have Angstrom Levy. Angstrom is not plotting mass murder the way that Shigaraki is. He is specifically only targetting Mark Grayson's family for revenge (at least the first time he showed up, the second time during the invincible war arc was different). Angstrom's revenge against Mark Grayson is misplaced, but to be fair the accident messed with his brain hardcore and he doesn't remember clearly what happened. He doesn't remember that he's the one who decided to stop the machine in order to help Mark. It's tragic. Angstrom also has the memories of like hundreds of different universes of evil Marks. Even though he's the victim of a tragic accident, he's also a victimizer in that he doesn't choose to just go after Mark, he deliberately picks Mark's family, his mother, and his infant little brother as a way of hurting Mark.

So both of these characters blur the line between villain and victim, but neither of them are like Trask in that they have no sympathetic motivation whatsoever. Shigaraki's actions don't come from bigotry, and he's not an oppressor. Trask was actually trying to do something good before his machine broke and his brains got scrambled, and now he wants personal revenge and to blame all his problems on Mark which is petty yes, but not on Trask's level of heartlessness.

So, there's a case that can be made here for both of them that there's room to save them. After all Mark and Deku aren't killers to begin with. Mark especially has an incredibly vested interest in not becoming a killer. Even if they don't explicitly go out of their way to save and redeem these two people, we're still at this point expecting the heroes to at least take down these two sympathetic figures non-lethally. Mark doesn't want to be like his dad and Deku has said explicitly he wants to save Shigaraki, and that OFA is a power for saving and not killing.

Also to sidestep this argument before people comment on my post with it.

What do you expect the heroes to just let a mass murderer live?

YES!

It happens in comics literally all the time.

Magneto, Wolverine, Jean Grey / Phoenix, Emma Scott, heck, OMNIMAN himself, all characters who have killed lots of people and all characters who get to live and even be on the heroes side. Of these three Jean Grey of all people has the highest body count.

Shonen Jump also has Vegeta. Have you ever heard of Vegeta? Most popular Shonen Rival of all time? Omni-man and Viltrumites are basically just Saiyans.

In real life they wouldn't let a mass murderer walk away but comics are not the same as real life. That's why characters are always punching dinosaurs all the time. Fun fact, if you were to try to punch a dinosaur in real life it would probably hurt your hand. I would advise against it. Dinosaurs are for the most part much stronger than human beings.

As I outlined above Shigaraki and Angstrom are different characters than Trask. They might all be murderers, but the first two have sympathetic elements and are humanized, they are victims of oppression (Angstrom's been killed by viltrumites in a whole bunch of worlds) whereas Trask is an oppressor.

So for both of these stories we are not expecting to see Deku and Mark kill their final villains (for the series and for this season). Deku because he's spent the final third of the series trying to work out a way to save the villains, and Mark because he doesn't want to turn out to be a violent murderer like his father so he's trying to be the most selfless, most perfect hero ever.

I THOUGHT YOU WERE STRONGER

So we finally reach the scenes in question and I thought I'd compare them without much commentary, just highlighting what happens without adding much spin.

So the final episode of Invincible Season 2 and Issue #33 of the comic is where Angstrom and Mark have it out. Angstrom appears in Mark's home and threatens his family. he brings up the comparison between Mark and his father right away. This is also something Angstrom has seen first hand by traveling to multiple universes where Mark has sided with his father.

In the cartoon he's a lot more confused because he's constantly remembering other universe's memories as if he were his own so he genuinely thinks he's taking down an evil viltrumite, in the comic he's being more petty and blaming Mark for his deformity (I think he doesn't remember that he was the one to take the helmet off by choice). In both versions he uses Mark's family as hostages to keep him from fighting back as he tries to send Markk to his death in several different realities.

Angstrom then ups the threat of violence from holding them hostage to threatening to kill them. In both the show and comic he brutally breaks Debbie's arm. Mark is sent through several more realities, only to discover that Debbie's arm is broken and lose his temper.

Mark and Angstrom's fist fight comes to an end, and while Mark has him on the ground he keeps hitting and hitting and hitting long after Angstrom stopped fighting back. Which is what prompts the famous "I thought you were stronger..."

Now, in this situation it looks pretty justifiable that Mark attacked Angstrom so aggressively,. it was self defense for one against a man trying to kill him and he only got truly aggressive after he saw his mother's arm get broken. Not only that he didn't intentionally kill Angstrom, you can argue he went too far in a case of clear self defense. Other people even tell Mark that this one isn't on him, including Cecil who compares Mark to his father the most.

Then, why is Mark so disturbed?

It's because this....

Is a deliberate parallel to this...

It's not just that Mark killed a man, it's that he killed a man by pounding on him relentlessly long after he'd stopped fighting back the exact same way his father did to him during their fight.

There's a difference between Mark say, fighting against a viltrumite and making a deliberate decision to kill them because of the danger that viltrumites represent to other people considering they are planet conquerors, and Mark killing this man because he lost his temper and couldn't control his own strength.

Mark spends the entire season trying to not be like his father, only to see first hand that he's capable of the exact same violence that his father is. The last episode of Season 2 summarizes this moment pretty perfectly in a montage of season 1 moments while Mark screams and breaks the sound barrier trying to push his viltrumite powers to their limits.

Mark: I'm strong enough and I can do this. It's all I've ever wanted for as long as I can remember. I want to do what you do. I want to be just like you. Omni-Man: You will be, son. You will. Mark screaming. Omni-Man: You'll outlast every single fragile being on this planet. You'll live to see this world crumble to dust and blow away. Everyone and everything you know will be gone. Mark screaming. Cecil: You know who else said that to me? Mark: I'm not my dad. Mark screaming some more. KRegg: Your father will be execute and you can return to earth. You will assume the mission to prepare earth for our rule.

So not only is Mark hit with the realization that he's just as capable of being violent and angry as his father is. He also is being forced by the situation to become more violent out of pragmatism, because if he doesn't get strong enough to fight viltrumites then they're going to come to his planet and take everything.

Not only has Mark lost some of his innocence, he's also being forced to throw the rest of it away. It's why Mark drops out of college at the end of the season because any pretense of balancing between his human life and his duty as a hero is gone. He is basically forced to be a viltrumite full time now and will abandon any semblance of trying to live his own life for a very, very long time until his relationship with Eve starts to get serious.

Which is why a pretty justifiable murder in this context is presented as so bloody, gruesome and traumatizing an event for both the audience and Mark himself. We both know there's no coming back from this.

As for the death of main series villain Shigaraki Tomura, Deku ends up being forced to kill Shigaraki in a situation similiar to Mark. Though I will highlight one difference right away. Mark was trying to reason with Angstrom, but he was at no point like "I want to save Angstrom, he's a victim I want to find some other way of ending this bloody conflict between us." Mark just didn't intend to go so far as killing him.

Deku entered the fight with the explicit stated desire to save Shigaraki rather than killing him, which would make him different from the previous generation of heroes because he wouldn't turn a blind eye to society's faults and victims like Shigaraki accused him of.

Deku makes a journey into Shigaraki's mental landscape to find Tenko in a recreation of the memory of the day of his worst trauma. As Tenko's quirk activates, Deku attempts to grab the little boy's hands to comfort him.

Deku's "Why I am here" is markedly different from All Might's. Deku says the reason he wants to save others is to take their hands, comfort them and give them peace, whereas All Might as the strongest hero tried to keep peace by beating all the villains down. Deku's way to become the greatest hero once again, focuses heavily on saving others, and offering his hand to everyone without hesitation instead of picking and choosing who to save like previous generations.

Deku even says that he has to extend a helping hand to everyone because he's learning that the world is more complicated than he thought, he was ignorant to a lot of people's suffering, and he can't sweep their pain under the rug anymore.

For a moment Deku unconditionally extending a hand to Shimura Tenko even as his mental body begins to decay away wins over Shimura Tenko. Though Shigaraki also resists because much like Twice he doesn't want to abandon the rest of his friends even if it means he personally will be saved.

However, any attempts to save Shigaraki are interrupted by AFO suddenly appearing out of nowhere and taking control of Shigaraki's body yet again.

At this point Deku does exactly what Mark does, which is relentlessly punch Shigaraki's body to death in order to kill AFO along with Shigaraki. In some small defese Shigaraki was also there too punching AFO in his mental landscape so he was assisting Deku in defeating AFO he wasn't helpless the entire time.

But, basically we see the same scene happen with Mark.

A hero who does not wish to kill is forced by circumstance to kill a villain. In Deku's case it should be even more devastating because they explicitly went into the fight wanting to save Shigaraki and they believed their power was for saving and not killing.

Yet, we don't get nearly as horrified a response from Deku.

However, instead Deku's final words are just about how he couldn't forgive Shigaraki and had to put a stop to him no matter what.

Even the way the scenes are presented to us are entirely different. Mark punches Angstrom in a wasteland a dry, dead place, until he's soaked in Angstrom's blood, and painted everything around him red. Once again, it's a visual callback to Mark's father beating him half to death, which was Mark's own lowest point.

Whereas, when Deku punches Shigaraki until he disintegrates not only is the violence or horror of Shigaraki's death not acknowledged, but it's played as a triumphant moment where the clouds clear from the sky and the stun starts shining.

In the cartoon Mark killing Angstrom leads to a total screaming breakdown where he has traumatic flashbacks of his dad beating him and pushes himself to break the sound barrier multiple times. It also leads him to making big life changes like dropping out of college to become a hero full time and giving up any pretense of having a normal life. As seen in a scene where he watches Amber from the sky, and is tempted to go down and greet her and just flies off, because Amber represents his connection to his humanity.

Also, Angstrom doesn't even die. He comes back way worse and that's how invinicble war arc starts.

In the aftermath of killing Shigaraki, Deku gets melancholy about not being able to save Shigaraki only to be reassured he did save him in the end. Only to be told by All Might that it's okay because he still saved Shigaraki's heart even if he killed him.

DEKU: "I couldn't save Tenko's life." "I reached out to his heart, and even though his hatred was crushed," "to the very end, Tenko" "was the leader of the League of Villains." ALL MIGHT: "Let me tell you this as someone who has had a near-death experience," "I think it's in the expression on his face at the end." "If there wasn't a crying boy there," "I think his heart was saved after all,"

People also try to convince mark that he did nothing wrong and that there was no helping what he did in a situation like that, but he doesn't let himself believe them.

The ending lines about the last episode of Season 2, are this:

Eve: I'm sorry Mark. It's not fair. You don't deserve this. Eve: You don't deserve this.

Which has a double meaning. Eve is just trying to comfort Mark, because arguably he shouldn't have to feel guilty for fighting in self defense. On the other hand what Mark hears is You don't deserve this in the context of Eve's feelings for him. An alternate timeline version of Eve confessed her love for Mark. Mark was about to bring it up but decided not to. At that moment as Eve embraces and comforts him, what Mark hears because of his own self loathing is that he doesn't deserve Eve comforting him, or her love for him.

Just to clarify I don't think that Mark is crying over Angstrom Levy specifically. In fact over time he's painted to be pathetic in his obsession with revenge, and what he amounts to is just wanting to blame everything on invincible when it was partially caused by his own actions.

However, it's inarguable that killing (or rather seemingly killing Angstrom) deeply impacted Mark and how he saw himself as a hero. It's less about Angstrom, and more about the loss of control, and the realization of how powerful his anger and hatred can get and what that means for him personally.

It also shows us where Mark's priorities lie. Mark wants to be a perfect hero and a perfect family man, and Invincible shows us he can't be both, his desire to protect his family leads him to staining his blood when he was trying so hard to be a good, selfless hero. This is all a part of a deliberate arc where Mark chooses more and more to value his family over being a hero. I'm not going to say whether or not it's the right choice, but it's a choice he makes, as a part of his character development where as he grows up and becomes a father his priorities change.

My point is that this moment has an impactful change on Mark, for arguably the rest of the comic.

Now my question is, with My Hero Academia will the death of Shigaraki Tomura, the series greatest villain and it's greatest victim have an equal impact on Deku's character that Levy's death did on Mark's?

[ballinandcantgetup452]

I legitimately hope that BNHA takes from American comics and allows for several people to work on the title. Vigilantes is proof that Horikoshi will allow for legitimate spin-offs and not just "oooo they're chibi" type spin-offs. I honestly think that Horikoshi would be okay with more spin-offs if they were good ideas. Here's some ideas that I would want to see get greenlit in order of what I want the most to least:

------------------------------------------------------------------------------

Boku No Hero Career:

Basically just Deku trying to be an adult, while being a teacher, while being a hero. Basically, I'm asking for J. Michael Strazinski's run on Spider-Man. But I could specifically see somebody having a field day with how this new society works, and how hero-work is moving more towards helping the oppressed rather than fighting sludge monsters. There'd still be sludge monsters, I'm not trying to de-comicify My Hero, but it's a whole lot more of trying to fight the root of the problem. I think a strength of this potential story could be the use of non-violent conflict resolution. There'd obviously be action, but nothing bigger in scale than say the Overhaul fight. If you want to add inherent stakes, you can always have Deku's armor get damaged or something. Gun to my head, I could see the first long running arc about Deku and crew trying to end a prostitution ring. I also wouldn't mind an Izuocha subplot, but that's just my personal preference. I admit that part of this is just me missing JMS' Spider-Man run.

Skycrawler Adventures:

Okay I only had one cool title name; sue me. But I just want more of Koichi, man. Horikoshi has said he's a sucker for Spider-Man and at the very least one cover is literally a direct homage to Ultimate Spider-Man Vs. Venom. If BNHC is JMS' run on Spider-Man, this is Tom DeFalco and JM DeMatteis' runs on Spider-Man. It's that early 20's, post-college and in your first big kid job vibes. Maybe we start with Koichi starting up his own hero agency and struggling to maintain it. Maybe we finally make him canonically autistic? I admit I'm projecting with that one. But I think that Skycrawler Adventures could be like Chainsaw Man Part 2. Not exactly, but in terms of making this into an epic.

Boku No 52

This title requires some light explaining. Back in the day, DC had an event called 52. This came right after the event Infinite Crisis. After Infinite Crisis, the DC universe had a one year time-skip. However, 52 also released at the beginning of said time-skip. The premise of the book being that each issue would cover one week, and by the end of the series (which had 52 issues), you would know everything that happened during the time-skip. The only real caveat with this book being that Batman, Superman, and Wonder Woman were practically off the table. So, you had to use more minor characters. The book had 4 all-star writers and it was an absolute smash hit. It's still beloved to this day. I think that BNHA could use something like this. It can even fit my prior two pitches in there. But you can also have chapters about the new class 1-A, Bakguo yelling at clouds, is Endeavor still trying to be a father, what is Momo up to, literally anything. You can have it showcase a bunch of new mangaka. I'm sure that Horikoshi had drawing assistants, let them have a shot at this. This one is definitely the least likely to get passed. But, I also think it has the highest potential.

I'm willing to bet that Jump DESPERATELY wants to have another Naruto or Bleach or One Piece. Specifically a manga line that lasts for a STUPIDLY long time that's extremely popular that they can ride into the sunset. I think that My Hero has that potential. I just think that they should keep Horikoshi as a consultant, and do brand new things.

[randomthefox]

The guy who made this tweet later said he was joking, but you wouldn't be able to tell since there are a lot of Sonic fans who say this stuff sincerely. They'll turn on a game within days of its release and say they "realized it sucks". So after playing it for a week and loving it, the controls suddenly became terrible? Either way, this "joke" pretty much confirms Sonic "fans" like shitting on Sonic games and making the franchise they claim to love look worse just for the hell of it. I don't know why, as a Sonic fan, you would want to make a game look bad, even though it's not. We all should how people on the internet treat Sonic. If you say a Sonic game is bad and don't clarify that you're joking, most will take your words at face value and just run with it.

There's also the problem of Sonic fans feeling the need to shit on one Sonic game to prop up their favorite. Whenever people compliment a Sonic game, it's never just "This game is awesome, it controls well, I love the story, etc". It's always "This game is awesome and way better than garbage like [insert Sonic game here]! Too bad Sega doesn't make stories and gameplay like this anymore."

I've seen Sonic Unleashed fans on Metacritic give Sonic Colors low scores simply because its story was more comedic and simplistic. Why do Sonic fans feel the need to make Sonic games look bad, especially Sonic Colors, a great game that critics generally liked? Putting down one Sonic game to make your fave look better isn't gonna draw people to the franchise, y'know?

Thank you for sending a screenshot off of anon, instead of sending a url to twitter under anon. Sincerely.

I'm sure the only reason he said he was joking was because he got blowback. He made the mistake of having an actual opinion instead of just following the herd off a cliff.

It's really just the inverse of the way everyone talks about Sonic Forces. People decided before the game even came out that Sonic Forces would be bad. And so after it came out that was the only acceptable opinion to have about it. People decided that Shadow Generations would be the best shit ever and a return to form for Sonic. So now after it's come out that is the only acceptable opinion to have about it.

People make up what their opinion about a Sonic game is before they even fucking play it. If they ever actually play it.

So when someone DOES actually bother playing it themselves, and they realize "hey this isn't like what everyone was saying it is like" they get mobbed and browbeaten into conformity. Which is annoying. I do not agree with unleash_yt's opinion, but it disgusts me that people basically punished him for expressing it and forced him into compliance with the accepted majority consensus.

I think it's perfectly reasonable for someone to get swept up in the hype train for a game, play it themselves, and realize "wait this actually blows ass." It happens all the time. Look at No Mans Sky. Look at Duke Nukem Forever. Look at Daikatana. It is a routine happenstance in the video game industry. And people really should learn by now to NOT get swept up in the hype machine. I was extremely critical of the hype machine around Shadow Generations for this very reason. I was saying at the time that Shadow Gens is just going to be a short little expansion pack for an existing Sonic game that was already short on its own, and while it would sustain ME a hyper Sonic fan, it would NOT sustain people who are more casual.

And. Like. I was right =P but because the majority consensus had already been decided about Shadow Generations before it came out, now nobody is allowed to deviate from it lest they suffer the retribution of Being An Individual. Like, I think his complaints are weird and dumb and wrong. The controls are just exactly the same as Sonic Frontiers. And the level design is no different from the level design of any other Boost era Sonic game. But he's allowed to just not like the game. At least in my book he's allowed. Obviously in the book of the Sonic """""fans""""" he's not allowed to have an independent opinion, he MUST conform to the majority consensus OR ELSE.

>There's also the problem of Sonic fans feeling the need to shit on one Sonic game to prop up their favorite. Whenever people compliment a Sonic game, it's never just "This game is awesome, it controls well, I love the story, etc". It's always "This game is awesome and way better than garbage like [insert Sonic game here]! Too bad Sega doesn't make stories and gameplay like this anymore."

Yeah I can't fucking stand that shit. You can't convince me your wife is beautiful by telling me how ugly every other woman at the bar is. At best it's just going to make me hate YOU, and at worst it's going to make me start thinking your wife is a bloated cow. Sonic fans have an EXTREMELY bad habit of this and it's completely idiotic because it can ONLY possibly appeal to people who already share that opinion. If the basis of your glazing up Sonic Unleashed is "SONIC FORCES SURE DOES SUCK ASS DOESN'T IT LOL" then only people who already like Sonic Unleashed and dislike Sonic Forces are going to agree with it. People who like Sonic Forces and don't like Sonic Unleashed are just going to be alienated. And people who think both games suck are just going to think you're a dumbass for thinking there's a difference when they're both the same garbage.

People need to go to the store and buy some fucking self esteem and figure out how to talk positively about the things they like entirely on their own merits without senselessly bringing up other pieces of media to compare them against for no reason.

[shapelytimber]

Hiii! Obsessed with ur art style and ur character design skills

Do you have any tips or tricks for depicting different body types and also specifically drawing wrinkles bc it never turns out for me (sad) and I need to draw hot older women

Omg thank you sm ! <3 And if you want some tips, I can give you a lot jfifkd I went to art school for way to long and I'm not one for gatekeeping

For different body types, just practice figure drawing (and learn simplified anatomy) ! Here are some great resources to do it online (because finding real life models when your not in school is hard)

Figure drawing :

Timed figure poses (nude) on ytb / line of action / sketch daily

You can also look at the books "Morpho", tho it's not free

Artistic anatomy :

You can look at books from Paul Richier (tho he was a doctor not an artist so a lot of it is way too detailed, but you can find some very useful drawings) -> general stuff (p53 for a full man, the rest is more specific but you can find some zoom on specific muscles in movement) (also oops sorry all in french), specifically woman's anatomy p65 (tho it's practically the same thing but this ones more wordy so less fun to look at)

Anatomy for sculptors (great 3d models)

And now old people ! Wrinkles can happen in a lot of different circumstances : when showing emotion, depending on the angles of the face, on fatigue, on weight, if your skull is more or less visible...ect...

But if you want to learn how to draw specifically wrinkles that appear with age, there is multiple things to know :

(Very long talk about lines on faces below, I'm sparing you all not interested to have to scrolls through all that fjdkdk)

-wrinkles show in the areas of the face where there is repeated movement that create a fold that, with time, makes a permanent mark.

-when drawing, you should more or less mark them depending on their deepness. For the deeper ones draw with a black line, less deep a colored one and very subtle just using shading (at least that's how I do it in my style). Also ! They are certain lines that are normal to see on faces of every age, but tend to make them appear wayyy older in stylized drawing (especially with lines). For example, I have pretty defined lines going from my nose to the corner of my mouth because I have defined cheekbones. But if I where to draw them as marked as they look irl, I would appear way *way* older than I am. So unless you want to go for realism, go a bit lighter on the ones going from nose to mouth or the crow's feet (unless laughing) for someone under the age of ~50

- Not everyone get the same wrinkles, faces can tell a story ! For example if you choose to accentuate more the ones at the edge of the eyes and corner of the lips, that could mean your character spent a lot of his life smiling and laughing. In contrary, if you accentuate the ones between the eyebrows and around the nose, that means he sneered and scowled often.

And tips specially for senior citizens (after like 60)

- The quality of skin in older people is different ! The skin is thinner and drooping down (interesting detail, that you prob won't use in 2d art but, around 80yo the skin becomes once again a bit more taut and smooth (this is very subtle) before once again degrading further ! Source : my old sculpture teacher- he used to teach in med school, but I can't find a source online so take this with a grain of salt).

So learning the zones of the face where fat accumulates, then making them shift downwards can be a way to show age. They are some people who have very peculiar faces or don't have much fat there (ex Peter Cushing), but in *most* people it's the case, even if it's subtle.

- You can also make the skull more visible : sunken eyes, hollow cheeks... Even if your character isn't particularly thin, it will make them appear older. But obviously the more fat there is, the more subtle it is.

But really the best tips of all : look at old people :) in pictures or irl

Oops this is very long fjfknfk

[doshmanziari]

Without a doubt, and by far, the most marginalizing development I've seen within media analysis over the past decade is a shift towards the production of long, flashy videos which tend to require the same for a dialogue to occur. Literally nothing which has been written about Elden Ring, for example, since its release has enjoyed even a fraction of the visibility as a one-hour-and-forty-minutes video by Joseph Smith, or another of similar length by NeverKnowsBest. I don't know when exactly the shift started to happen most obviously -- maybe 2016 or 2017 -- but, today, circumstances are such that pretty much the only way to get real discursive traction on your thoughts about a piece of media is to make a colossus of a video.

Although worried and worrying discourse has complemented the unveiling of newer public A.I. technologies, we've already done a perfectly fine job of out-dating other forms of media communication by way of the aforementioned analytic format; just as, of course, earlier methods of industrial production rendered a whole variety of professions or emphases as outmoded. If you don't have the relevant editing tools at your disposal and/or don't want to spend hundreds of hours cropping footage and making it fit with music and your own narration, well -- too bad! And even then, of course, there's no guarantee that your video will reach your desired scale of an audience. I've found dozens of such videos on YT channels with only a few thousand views, if that; and on each channel it's clear that the people finally gave up after the monumental task of assembling these videos had no equivalent payoff.

Personally, I do still believe in the primacy of the text (or the spoken word, with no competing stimuli); in text as the primary form of critical engagement. More than that -- if I'm going to read a non-fiction work, I want the paged book, and not a digital version. Now, this preference is just that: a preference. And it surely is a preference a good number of people share. I find that a paged book lends itself better to my own retention of the material; and I really enjoy making my notes on the book's paper with a pen. But I don't believe that the construction of multimedia behemoths should be a baseline requirement for discourse.

I wonder if we will, in the near future, start to see some resurgence of the valuation of unembellished textual analysis complementing a more general fatigue with Internet-derived overstimulation. I've already run across numerous channels with fairly sizable communities where there is an appreciation for the "simplicity" of the formats: a person in a room just talking to the camera. I think a lot of people like engaging analysis where the only barrier of significance is devising a good script. To be sure, this is a formidable barrier in itself. I find writing long-form pieces to be the most difficult of any of my creative practices (which include drawing, painting, and music composition). But if writing on media were my main passion or goal in life, I'd feel fairly crushed to know that these projects now required me to put in perhaps quadruple the amount of time to make a blip on the radar of engagement.

EDIT: Thinking on this -- I wonder if there's a parallel to be found in the realm of supplementing one's work with excess-entertainment via social media engagement; e.g., daily Instagram videos. "Excess-entertainment" refers to material that's being made not because everyone who's making it wants to make it, but because each person is now beholden to an abstractly instituted algorithm of engagement -- an algorithm reinforced by audiences who, also under algorithmic influence, will wonder what's going on if a week goes by without something from a Content Creator.

Most artists who I've talked to regarding their Instagram videos say they would be only too happy if they never had to do another upload showing them adding paint or linework to a work-in-progress with lo-fi beats. Similarly, I wonder how many people making these mega-videos actually want to make them, and if we're not rather seeing the production of this material under a mutual, and mutually untrue, assumption of necessity, and the demands of a largely imaginary audience; and how long they'll be able to keep the act up, given the certainly enormous time investments they require (while noting that I am sure the more successful people hire others to do most of the editing for them).

[spotsandsocks]

Title for you:

From Here Til Never

Ok this was tricky… I’ve been thinking and I’m going with amnesia fic. I’ve never done one of those!

Also adding a bit to the title I’ll remember you from here to never

Eddie is missing presumed dead, I think he’s away from LA when it happens, maybe visiting Texas. Buck gets the news and is obviously distraught, already looking after Chris so he just stays at Eddie’s, regretting lost opportunities etc.

Meanwhile Eddie is somewhere else, random small town type place. Don’t ask me how he actually got there. He can’t remember his own name but some things keep catching his attention it make him feel things.

We can have a lightning storm that upsets him, makes him feel like he’s lost something important

Conveniently for me there’s a church in town called St Christopher’s that he just goes and sits outside

He catches the end of an interview of a red headed reporter on a talk show talking about her book… and loathing her on sight

On a checkup at the hospital a girl with crutches walks past and he starts crying

There’s a picture of Scottish highlands with a stag on the wall in the house he’s staying at he and he can’t stop looking at it.

He picks up a carved stag in a thrift store and has to buy it. Keeps it by his bed. Likewise he sees a st Christopher medal and buys it, puts in on straight away.

Finds out he can draw/paint but his art keeps ending up in shades of blue for some reason.

He gets taken hunting by the people who took him in and stops someone shooting a young stag when asked why he can’t explain it

He’s also strangely competent with the guns but can hardly bear to touch them.

Anyways…l time goes in then one day someone comments on his obsession with stags (which has ended up with several pictures, ornaments of stags. Except they say

“That’s a lot of Buck’s ya got there.”

Buck?

Sure male deer, stag or a buck.

Buck?

The word makes him feel strange. A sense of loss and longing.

That night he dreams of blue eyes and blood on a face he doesn’t recognise

The night after he dreams of a boy who should be wearing glasses but isn’t. He looks for those glasses in his dream until a hand covered with blood gives him a small red pair

Then sitting in front of the church again the name and the boy without glasses become one and he knows his son’s name.

He has a son. And after that another name; Buck. Buckley. Blue eyes and a red mark over one eye. A smile and a feeling. The man from his dreams. His name is Buck. The two names are accompanied by the most desperate urge to get back to them. Chris and Buck. He wants to go home. He has a home, a family. Chris and Buck.

Some investing and discussions… brother? No not a brother, definitely not a brother. Husband? That word makes him ache and he knows that he’s not a husband. They look but nothing.

Then another name comes back his own and after that more and more until he has a destination and he leaves to find it.

Probably finds Bobby first so not to give Buck and Chris a fright! Then reunion and we get Eddie explaining his collection of stags to Buck (brought them with him, putting them on shelf carefully Buck asks why and Eddie explains.

I wanted to be close to something that reminded me of what I’d lost, who I’d loved. I expect you know stags can be called bucks too.

Even when I didn’t know my name I knew yours, knew you, because I love you. I knew that even when I didn’t know anything else.

And what’s Buck going to do after that than hold onto the second chance he’s been given and kiss the man that came back to him

🤷🏻‍♀️ that’s what I’ve got … hope you like the idea 💡 and thanks for the ask 💜💜💜

[batsplat]

thoughts on the latest casey interview? it’s so funny because I keep seeing people posting different excerpts of it on here depending on which guy they like lol

well, first off, this is how I found out there IS a new casey interview. I did have a quick dig around whether I could un-paywall the original but. no luck. so I'm basing this on the write up in mowmag - which passes the test in that, unlike certain websites, it actually addresses multiple things casey said on different topics. so hopefully isn't just the most clickbait-y material and is a relatively exhaustive summary of the stuff he said. no cherry picking on THIS blog

anyway, my main takeaway is that it's probably for the best that the casey/valentino relationship doesn't get TOO warm, because if you ever put these two on a podcast together the resulting material could level continents. I still stand by my belief that these two could have co-hosted an all time great conspiracy theorist youtube show in another life. what a pair of guys

my other takeaway is that, despite working for them as a test rider AND a rider coach, casey still very obviously has NOT forgiven ducati. the grudges he's airing by proxy in this interview!! spectacular. with all athletes but ESPECIALLY casey, it's always healthy practise to just keep in mind the actual context of their careers when reading their mouthing off about the current sport. because sometimes they will be fighting yesterday's battles... this is a man who still has enough bones to pick with motogp to disassemble the whole skeleton

I'll follow the order of the interview provided by the mowmag piece:

“I know the company,” says Stoner, referring to Ducati and answering a direct question about the possibility that in Borgo Panigale they might decide to ‘sabotage’ Martin’s eventual victory, “and I know what they are willing to do to win. I’m surprised I haven’t seen it before, or maybe it happened and Jorge was good at overcoming it ” In short, Stoner goes so far as to say that Ducati might have already put a spoke in Martin’s wheels, but that the young Spaniard was still able to be stronger than any obstacles created. With Ianieri pointing out to the Australian, however, how much Dall’Igna insisted that it will be real sport and there will be no games. “That’s what Gigi thinks. But then there’s Ducati and they don’t want to see the number one go. But everyone is watching them very carefully, if they make a mistake like that we’ll see it. If they create a problem it will backfire on them. I hope that everything goes smoothly and that we can see the real world champion.”

do you know what an absolute nightmare it would be if martin has a mechanical dnf in the catalunya ii sunday race. something which can of course HAPPEN, pecco's had more mechanical gremlins than jorge this year. but obviously that wouldn't stop anyone from losing their minds

this is just so extremely casey. I laughed when I read it. of course he's been thinking about how ducati will probably sabotage martin since jorge's exit to aprilia was announced. of course he thinks ducati would pull off something shady to keep the number one plate in house. I love the idea that ducati HAS been sabotaging jorge but they've just been like, extremely shit at it. look at him saying that he KNOWS ducati and thinks they SUCK... an opinion he is completely justified in holding - ducati did not do right by him in 2009, and those wounds also still show in some of his other responses in this interview. but, y'know. if ducati was going to sabotage jorge, quite frankly they would already have done so. it's just a little late for this, isn't it. what are they even going to DO, stick a pin in jorge's tyres?

readers familiar with casey's oeuvre should be drawing a fairly obvious parallel at this stage - given that this is not the first time casey has dabbled in a light dash of conspiracism where title deciders are concerned. here are the two versions of his book concerning what happened at valencia 2006:

will never get over how casey was fighting the good fight for valentino's tenth in 2013 icl. early adopter

back then, casey was blaming the 'commercial interests' of Big America for sabotaging the most popular rider in the history of the sport - until Big Dorna sniped him and forced him to remove the 'commercial interests' line in the paperback version. (to be clear: this is a joke, there's no indication anyone from dorna had a chat with him, it's just funny that his stance ever so slightly softened between versions but then he did also add the wonderful 'welcome to my world' line.) it's perfectly reasonable to believe that valentino had a dud tyre in 2006 valencia and broadly tracks with what he himself says about the race, somewhat less reasonable to believe They were actually out to get him. valentino was very unlucky throughout 2006, yes, but... people are unlucky sometimes

anyway, I don't actually want to relitigate 2006 here, but I DO love his paranoid streak and how like... y'know, there's always the danger he's mellowed in his time away from the sport, he's certainly less tightly strung these days... but yup, he's still got that in him. still that guy

from a longer post about the similarities between valentino/casey, reckon this is one of the things I've written about the pair of them that holds up the best:

it is completely unsurprising that jorge martin's plight has struck a chord with casey, who himself always had a chip on his shoulder and was more than happy to use said chip to motivate himself. both jorge and pecco have a fair bit of casey in their competitive dna, which does show in how casey talks about both of them - martin perhaps with a bit more of lorenzo's brashness mixed in versus pecco having more of valentino's cunning... plus his contrarianism (which casey is no stranger to either). if we're already drawing alien parallels. just always that slight sense that they feel SOMEONE is out to get them, that they're never being given a fair hearing... again. chip on the shoulder

then there's this bit -

Calling it a very powerful attack is almost an understatement, with Stoner not being light on Ducati even when he comments on the decision to entrust the official bike to Marc Marquez for next season. “They could have made sure that he would settle for an official bike in a private team” – he thundered.

- which we're going to circle back to. I do love how casey's switched from going to an italian newspaper to launch an extended attack on valentino rossi to going to an italian newspaper to launch an extended attack on ducati. critical levels of support

So how will it end in Barcelona? Casey Stoner doesn't give his prediction, but limits himself to an icy comment: "I think Jorge deserves the title, and that he is in the position to win it. Pecco will do everything to be champion and Ducati would like to keep the number one. Everything could go smoothly, or there could be great chaos "

given how dud tyres have been a big theme in both 2023 and 2024's title battle, 'slightly odd jorge crash helped along by slightly odd michelin tyre' just feels like. such a plausible scenario. that could easily make everyone lose their minds. honestly, even if jorge crashes on his own and just says his bike felt weird afterwards, whether it's true or not. it'd be chaos, yeah. and casey will be THERE no matter what

If from the point of view of the show everything is more exciting, from the point of view of the rider who has raced, won and suffered in the difficult world of MotoGP, in this 2024 we are also witnessing a great injustice. "For me the World Championship should be as always: on Sunday - adds Stoner, stating himself openly against the Sprint and against the new MotoGP format - If you make a mistake you have lost an opportunity, now you have two. And then it doesn't allow you to really work on the set-up, because the only concern is getting into Q2. The system doesn't work for me, you can see it from the abysmal gaps. It might be there every now and then, like in Formula 1, but every weekend is not necessary. We have seen what Pecco has done in the last three seasons, the growth is constant. Ducati's results are always better, but in comparison with the others he is the one who wins the most. You can't belittle him, they are real victories, not Sprints. What he has done this year is impressive".

this bit I do agree with casey on, not because of what it's doing to this specific title fight and more just my general distaste for sprints. at some point this last year it's become received wisdom that pecco's sunday success is partly reliant on being able to do some trial and error in saturday sprints, so I found it interesting that oxley took a different stance in his sepang column:

I'm not sure I ENTIRELY agree on this (obviously I'm just basing this on vibes not actual expertise). even though obviously all riders do get this sprint data boost, I feel like it's fairly plausible pecco + his team make better use of it - just because there's better data, doesn't mean everyone is taking equal good advantage of it. then again, is there really any evidence that pecco is getting more out of it, beyond doing better in a format he's better at? as casey points out, it does mean you have way less time to faff about with set-ups, which pecco does like to do. there's also intangibles that might make the sprint experience advantageous to pecco on a sunday - for instance, I feel like his banger starts this year (remember when those were a thing) have tended to come on a sunday when he's already kinda figured out where to place himself in the pack. so maybe he does get something substantial out of having an extra race

that being said, I'm increasingly of the opinion that thinking pecco is ACTUALLY helped by the sprints - that the championship picture would be no different without them - is... kind of overthinking things. he's not good at the format. any marginal gains on a sunday he's getting from the sprint data just instinctively feel like they're probably not equal or more to what he's losing out in raw number of points through the sprints. it does feel like pecco's gotten better at sprints specifically in the second half of this year, so it's interesting to see if that carries through to next season... and look, none of this is to say jorge won't be a deserving champion - at the end of the day, you have to win the format you're playing. but yeah, I do reckon pecco would likely be champion without them

I've been curious for a while about casey's thoughts on the sprint format - I thought he'd be against it because of his luddite vibes as much as anything else, though I do also reckon the format wouldn't have been bad for him specifically as a rider. (if nothing else, it would've helped him in 2008, given he was fighting for the title against a rider you feel like would be TERRIBLE terrible terrible at this format. less time for set-up experimentation, softer grippier tyres and shorter races weighted towards qualifying/starting well? yeah say goodbye to that eighth.) anyhow, his reasoning checks out - part tradition, part the feeling that it's too forgiving of mistakes, part fucking up the structure of the weekend, part giving too little weight to 'real' wins... all very casey. casey was the type of rider who was always more about focusing on wins than championships - that you shouldn't settle for results just because your 'rivals' were behind you, for instance, that fighting for race wins comes first and the title will follow. here's a paragraph from a sachsenring 2012 write-up (where casey crashed on the penultimate lap while fighting dani):

obviously in the context of that particular title fight, it didn't end up mattering anyway because of the injuries casey would go onto sustain. but... well, casey's errors in the first half of 2012 would have put him in a tough position anyway - as dani proved, even once honda got on top of his chattering issues, reeling off victory after victory would not be enough to take the championship when jorge could just keep riding home to safe p2's. (and when dani in a disadvantageous points position pushed too hard in the penultimate round and crashed, it was game over, stop if this reminds you of anything.) the point is that pecco this year has played the race-win-or-bust role in a way that is probably instinctively quite appealing to casey - doesn't sit easily to watch the guy on ten wins lose the title. there'll probably always be elements of the slander pecco receives that resonate with casey... pecco's words getting misinterpreted by press and fans, pecco being called boring, pecco being called too crash-prone, unstable, bad at handling pressure... the two of them are plenty similar as characters, which is reflected in the type of criticism that tends to head their way. and pecco's stubborn resilience, a determination to motivate himself as a spite response to the doubt from others - well, that again is probably going to remind casey of himself

moving on.

Impressive, but not enough to win, with Jorge Martin now 24 points ahead, just one weekend away from the big dream, before the painful farewell. Casey Stoner is not easy on the market and Ducati's choices either. "If Ducati loses the world champion it will be a hard blow," he explained. " But I think it will be even harder for Martin, who has spent these years being loyal to Ducati I don't think it's right how it went. Unfortunately, it's the way Ducati works and that's why they've lost so many riders now. Marquez? In many ways I understand the decision, but it doesn't mean it's correct. When you have riders who give their all and stand out among the 22 on the track and someone arrives to take their place, I don't think it's right. I think Marc could have had a factory bike in another team. It wasn't fair for Bastianini and even more so for Martin."

yup, casey all over. of all the aliens, casey had the least hype surrounding him in the lower classes. he's... well technically I suppose valentino started in a satellite team and won his first title with one, but it was very much a ''''''satellite team'''''' - casey was the only alien to start his motogp career in a satellite satellite. a proper one. he KNOWS what it's like to not be the first choice for ducati!! if melandri had gotten out of his gresini contract to ride for factory ducati in 2007 (lol), casey could've been in real trouble even finding a seat. and he's a big believer in loyalty! casey was beyond disillusioned by the shit ducati pulled in 2009 - when they planted stories in the press that casey's diet and exercise routine was responsible for his mystery illness, big names openly criticising him during his absence... as well as of course how they aggressively courted jorge and offered him a way bigger salary than they paid casey, after telling casey they didn't have more money to pay him

it's that last bit that feels uncomfortable, right - like casey, martin threw in his lot with ducati, off the back of quite a contentious split with ktm to even get the pramac seat. like casey, martin has now repeatedly been looked over - and like casey, his ultimate split with ducati is the result of ducati favouring the golden boy. (while lorenzo obviously didn't join ducati at that time, this was ultimately still one of the big reasons why casey walked away after 2010.) unrewarded loyalty... hey, I suppose him and valentino actually agree on this, yeah. ducati has spent so much time cultivating its young talent before showing themselves ready to ditch them all for the big name. and it IS how ducati works, they really AREN'T particularly loyal. all these years later and they're still just the same, as far as casey's concerned

Ducati, therefore, as the central theme of the entire interview, but also as the favorite target of a Stoner who on the one hand seems to make very clear analyses, but on the other also appears to be someone with a decidedly poisoned tooth, given that even when asked about his future in the Team Lenovo garage he lets many doubts shine through on the management that Borgo Panigale will be able to have of two champions like Bagnaia and Marquez. “It depends on how Ducati behaves - he concluded - I think that Pecco, mentally, is strong enough to face the situation, it will be a question of seeing who Ducati wants to protect the most. For sure, the two will try to create chaos in the team to make things go in one direction or the other. We will see how Ducati manages the situation and who they choose. They will have to be as balanced as possible or it will be a problem”.

(incidentally, I love the italian 'poisoned tooth' term for having a grudge, it's so evocative. lots of poisoned teeth in motogp)

casey's confidence that there's going to be pecco/marc drama... he's so real for this. I've been wavering in my own confidence a little bit, wondering whether pecco/marc might not end up massively disappointing me, but casey's coming through for me here. unsurprisingly casey's going to implicitly relate more to pecco in that particular dynamic... in general, it's nice how complimentary casey is of pecco, even while summoning locusts upon ducati. just on a personal note, I never particularly enjoy when retired athletes play into narratives about how much worse the current competitors are... it's mean-spirited, generates dumb discourse and also feels rather undignified. so, y'know. always pro-glazing the current lot

in terms of what casey says specifically... obviously there's the ten wins thing, which casey unlike much of the fanbase does understand isn't something a mid rider can pull off, and then there's the line about pecco being mentally strong enough to go up against marc. I've talked before about the similarities between pecco and casey before, which obviously is also relevant here... casey faced accusations of being unstable and unreliable and too sensitive throughout his career, starting well before his path crossed with valentino's. too crash prone, a choker, too easy to rattle. and then they come up against a rival with a reputation for mind games, who many seem to expect will be able to 'break' them. whatever pecco's on-track success will be next year, there's no real indication that casey's wrong here - for all that the pair of them are high strung and ever so slightly neurotic, both casey and pecco have repeatedly exhibited real resilience and self-belief. idk, again, it's fun how both the current title contenders do have quite a few casey-coded characteristics. love casey-coded characteristics

The reference is clearly to Honda, with the Australian explaining the Japanese's major crisis in this way. "It's hard to get an idea from the outside," he said, "but I think it was convenient to have the three European manufacturers at the top, with the Japanese slipping to the bottom. I don't think that in Japan they suddenly don't know how to build a winning bike anymore. The Europeans are very creative and make everything happen faster, but they're not as refined as the Japanese. And with such fluid rules, everything is easier for the former. With Albesiano, Honda will try to add creativity and speed up operations. It will be interesting."

pretty sure I've said this before, but one of casey's funniest traits is gesturing vaguely in the direction of a substantive accusation without quite spelling it out. does he think dorna is sabotaging japanese manufacturers? is the system rigged against them?? for WHOMST is it convenient, wHO are you accusing of what? I'm not even saying he's WRONG about all of these things, sometimes conspiracies are real, I wouldn't know either! I just think it's great how this is his go-to reaction. always looking for that shadowy influence secretly protecting the anointed and sabotaging the unfavoured. the bit about more fluid rules favouring the europeans is interesting and I'd like to hear more about that theory, but obviously that wouldn't necessarily mean this was the intended consequence of said rules. does feel like casey's implying that though! come on casey, tell me more

anyway. this has been my take on casey's newest contribution to the discourse. I can be accused of many things, but not of lacking casey stoner opinions. that's my little guy

[ambrosiagourmet]

thistle for ask meme!

Thistle :0

First impression

No joke I was convinced early on that Laios & the party were making like a huuuuge leap in assuming that Thistle was the Lunatic Magician TM like guys you can't just go accusing every random person you find in a living painting of being the manager. Alas... he was, in fact, the manager.

Impression now

He's so jester coded👍

I think Thistle is very interesting and a great foil to Marcille, which I looove. They are both magic elf(-ish) advisors, they both get caught up in wanting to help the people around them live longer, they both become dungeon lords in pursuit of that... I think Thistle's story as it is works well for the narrative and I don't necessarily think he was underutilized exactly, but it is a little hard not to want A Bit More sometimes. Even if I do think it would be hard to add that more in without sacrificing some of the pacing overall :')

Favorite moment

I was initially going to say the ending for them, because I do love it, but you know what? I've got a more interesting answer. My favorite Thistle scene is.... this:

This fundamentally changes the trajectory of the story. In trying to find someone to stop the Winged Lion, Thistle launches Marcille into becoming the next lord of the dungeon. The next victim of the Lion. If Thistle hadn't resurrected Marcille, then the plot would have played out totally differently. She wouldn't have been able to finish unsealing the book. Laios would have been on his own when the canaries came. Would they have just cleaned everything up more easily? Would it instead have become something worse? Would Laios somehow have unsealed the book and become the lore of the dungeon right away?

I dunno. But this action reshaped Marcille's life, and Laios', and so many other people's. And it was done out of a desire to keep fighting. To not give in.

Augh idk. It's good. Their connection is good.

Idea for a story

Thistle & Chimera Laios.

But not just a "Laios gets eaten by the dragon instead," I think it would be cool to explore an AU where for some handwavy magic reason, Laios gets his soul bound up w/ the dragon during Falin's resurrection, and he gets poofed into a dragon form.

There's a note somewhere that says that chimeras start popping up the more the lord of the dungeon starts to lose their hold on things, but having met Laios before might help Thistle eventually realize that something is Off about the dragon. From there... well maybe he starts to ask questions and gives Laios more freedom to actually answer, and things could continue from there as Laios gets enough humanity back to start to understand what's happening, and also Thistle takes more time to question the Lion's plans rather than just continue to act. They'd be stuck together, probably with Laios still under Thistle's control, but maybe as they figure out more of the truth, they'd actually work together? Need to rely on each other? I'd like to see how each of them would deal with that situation...

PLUS then on the flip side I think switching Falin into the group part way through the story (rather than at the start) could be really interesting. So the adventures on that side would be fun too.

Unpopular opinion

umm idk. Is Thistle widely regarded as a Marcille foil? Because if not then why. They are so inchresting. funky little mages.

Favorite relationship

Hmmm okay so like obviously Thistle & Marcille, but also as seen in my story idea I want to explore more of Thistle & Laios bc their interactions were fun, soo... I'll just say the Dungeon Lord quartet as a whole. I like when people draw art of them all together. Let them bond through shared trauma. And also all of them have tried to kill at least one other person there at some point. It's great. They should go on brunch dates.

Favorite headcanon

This post about Thistle's goal to eat a meal with Delgal fundamentally rewired my brain

[tonydaddingham]

I love Aziraphale but I DO kind of feel like he was objectively more wrong than Crowley was, bc Aziraphale's plot for most of S2 comes straight out of Terry Pratchett books: he shuts down Crowley and focuses on setting up this storybook romance for them, while ignoring everyone else's distress. Like we see from the start of the season that Crowley is depressed and clearly upset, and it gets worse as it progresses, but Aziraphale doesn't even clock that something is wrong, even when Crowley is outright telling him. Of course this is going to create and nurture a situation where Crowley doesn't communicate. Aziraphale's not listening to him anyway. One of Terry's books features a witch who uses her magic to force fairy tale plots onto the people around her. It's the pinnacle of toxic positivity.

hi anon!!!✨ oooooh i have a feeling that this is going to be a long one, my apologies in advance!!! also, please forgive my ignorance on pratchett's works, im not deliberately ignoring it, but definitely not familiar with it enough to draw on any narrative similarities unfortunately!!!

so on the point of aziraphale not recognising that crowley is depressed, i do think that there are some indicators that if aziraphale paid more attention, he would pick up on it. that being said, i do think that the depth of crowley's not-okayness is largely masked from aziraphale, and is mostly shown only to other characters and obviously to the audience; the scene on the park bench with shax, for example, or any scenes between crowley in/around the bentley. one example that aziraphale could have picked up on:

c: "what i need is for him to be nowhere near me, and the precious, peaceful, fragile existence ive carved out for myself here..."

a: "i thought we carved it out for ourselves?"

c: "so did i!"

so, obviously crowley started in on the fact that gabriel threatened aziraphale in ep6, and quite rightly uses this as a reason to leave well enough alone, get rid of gabriel, and go back to their life as it was before. and crowley's language and delivery is absolutely indicative of how desperate he is to keep the status quo, that he's hanging on practically by a thread. shax and hell are keeping tabs on him, he's living in his car (which i'll come onto later), and he doesn't have much of a Purpose anymore than just existing.

aziraphale should be reading into this, 110%. but, crowley ends up underplaying his own struggle by talking about 'i' and 'me'. that doesn't mean its less true or valid, but to aziraphale's mind, he appears to be thinking only about how gabriel's presence would affect him. it immediately undermines how crowley first went in to trying to convince aziraphale to turn out gabriel, because it reads like crowley is revealing his true issue with the situation. we know that it's because, to crowley, aziraphale is ignoring him and his warning (which he absolutely is).

but crowley hasn't told aziraphale the full story of what happened; what gabriel said. aziraphale doesn't have the context to understand the full scope of crowley's fear and anger. i don't think knowing it would have necessarily changed the ultimate outcome/decision - i do think aziraphale is still kind and forgiving ("it's one of my favourite things!") to a fault - but it might have stopped aziraphale completely closing off and shutting down the continuance of what could have been a communicative and honest discussion. that, despite all of it, crowley is stepping away from aziraphale and planting himself on His (crowley's) Side, not Their Side.

aziraphale attempts to pull the conversation back; he tells crowley he would love for him to help, and that aziraphale is actively asking for help (which, verbally and with full intent, i don't recall aziraphale having done anywhere before this point in canon; he's intimated it, made very strong suggestions that he wants crowley to help/do something for him). this is a big show of vulnerability on aziraphale's part ("i need you!"), to literally put those words into the space between them... and crowley is silent. crowley is absolutely justified in not helping gabriel, but i think aziraphale's reaction is just as understandable.

but then moving on through to ep2, i think the next bit where aziraphale probably should have seen that crowley is Not Okay is the bentley/bookshop discussion, and crowley's reluctance to share it. from crowley's point of view, this car is literally the only tie he has left (will still get to the Sleeping In His Car debacle later) to anything permanent. this car that is literally an extension of him, comforts and shelters him, his complete Ride or Die - even to the end of the world. it is completely understandable that crowley would be jealous of it, want to keep a portion of his world for himself.

from aziraphale's point of view, as suggestive as it can be interpreted, he's opened his doors literally to crowley since at least 1941 - even earlier, if we count the 1800 scene that was cut (where, if gabriel and sandalphon hadn't turned up, i have no doubts that crowley would have been welcomed in straight away). it's definitely believable that crowley, between at least 1800 - 1827, might have been welcome in the shop... possibly even between 1827 - 1862 depending whether or not crowley spent "quite some time" in the pits of hell after edinburgh.

and this is likely to have been an exponential occurrence between 2008 - 2023, possibly even between 1967 - 2008 (depending on whether they had or had not been in continued contact follow the holy water incident). either way, again from aziraphale's perspective, the tie he has to earth and his life on it has been steadily then repeatedly shared with crowley. that's where he feels safe, and is himself, and is an extension of him. it's where they both feel like that in 2023. aziraphale has, presumably, shared that without quibble, has even been - judging by the s2 scene - something he has actively encouraged. it's definitely presumptuous, and possibly even entitled, but i think aziraphale has seen this as crowley being willing to share his life with aziraphale; why wouldn't he share the bentley? he's driven aziraphale everywhere he's wanted to go in it - doesn't crowley trust him enough to let aziraphale drive himself, for once?

ep3 sees a continuation of the above; that aziraphale changes the car, and does so without permission. whilst cute and adorable, and with the best of intentions, there is a major degree of this that is absolutely a violation on crowley, even if he logically would know that it's reversible. potentially, this is even foreshadowing of how he feels in the Final Fifteen with the angel restoration offer (im sure someone else has drawn this parallel somewhere...?).

but i do think it is absolutely a declaration from aziraphale of how wonderful he sees crowley just as he is now (his mf eyes), and how actually he doesn't want to change crowley to something better, but instead to paint the whole world in crowley's image. and its all the more powerful because a) crowley isn't there to see it, and b) he doesn't know that crowley can so viscerally detect changes made to the car.

the fact that crowley doesn't make this connection is surely a reflection of how he sees himself (see: he doesn't), and aziraphale should pick up on that... but if to aziraphale's mind crowley already knows how aziraphale feels about him through other gestures, in aziraphale's mind maybe crowley's just being coy or a bit possessive of his beloved bentley - that's fair, it's practically married behaviour! aziraphale wouldn't necessarily think to infer crowley's objections as anything different.

then we move on to ep4 (and finally talking about crowley living like a nomad), with the last scene of aziraphale helping him take out the plants to the bentley. you know - im still not 100% sure what to make of the whole situation of aziraphale not knowing that crowley is living out of his car. my main two schools of thought are that:

crowley has been spending enough time in the shop that him going out at random intervals is just normal to aziraphale - he's off doing Demon Things! he's just out on a jolly, having some time to himself! but it's okay, he always comes back! that would be possible, but we don't have any narrative to actively support this, and is practically a hc at this point. but there must be something that keeps aziraphale from digging any deeper - he is by all accounts a smart guy, and clocking that crowley has his plants in his car must get him thinking even if only for a moment... (unless he literally just chalks it up to Crowley Being Crowley, which is also feasible lbr)

the alternative thought (and not saying this is right - as i said, i literally do not have a scooby as to why aziraphale doesn't seem, on some level, to realise it) is that aziraphale does realise it, but doesn't want to face the implications of why crowley might have kept it from him, and so he buries it. i parsed this thought out more in a LWA response, full post here, but snippet screenshotted below:

i'll probably leave that bit there, but absolutely; aziraphale should be realising that something is wrong... but equally - as the king of cognitive dissonance, frankly - i don't think he wants to look deeper into something that, to him, would suggest any reason for there to be distrust between them, or a lack of openness. of course, we can see as the audience that this is a very small drop in the ocean where that's concerned, but to aziraphale - there's surely no possibility that crowley would keep something from him, not something this important.

when it comes to the Loving Gaze in ep6 (i'll come back to ep5 in a sec) that he gives when crowley admits that he's been living in his car, again - not entirely sure what to make of it. obviously it is just pure 'i utterly love/adore him', 'yes, it's you i want to be with, yes', but also maybe a measure of 'oh, you silly demon, why didn't you tell me? not that it's a problem now though, because in time we'll be together properly and you'll never have to be without a home again because your home can be with me'. he does gloss over the fact that crowley didn't tell him, and was obviously not in an okay place - but possibly in a, 'we'll talk about it later sometime, but for now - im just happy about what future we could start having from here on out. everything else is immaterial'. it's dismissive, but i also think potentially an indication that aziraphale does see, but they'll have the rest of their existence now to talk about it and heal.

anyway, back to ep5. the ball. oh lord - i honestly don't know if i have the mental acuity to even go into depth on the ball, rn. it's a Problem, and 100% on aziraphale's part. he's overcome with love, god bless him, isn't he? just so hellbent on showing crowley - it's not even about the girls, anymore, not if aziraphale really admitted it to himself - that he loves him. i think the magic spell that aziraphale creates bewitches even him, slightly - maybe not so literally, but this is a moment that has at least been decades in the making. and crowley is running around telling him there's an issue? well, they're safe in the shop (which, in a way, is absolutely true)! don't spoil this, please just hear me, hear what im trying to tell you unequivocally!

i think in aziraphale's mind, crowley tends to have a habit of overreacting (gabriel as a case in point), which is not true - but understandable when you potentially consider that aziraphale never really has all the facts. he's definitely overprotective, a point that is shown in s1 (imo, aziraphale never actively encourages the damsel-in-distress thing, but crowley just happens to show up at the slightest hint of trouble, and instead aziraphale takes this to mean that saving him, when he doesn't need saving, truly does make crowley happy). this is something crowley through his actions has encouraged - i think to assume that crowley is overreacting in this context is understandable, but yet; no, aziraphale should be listening to him. he should. and it once again feeds into the thought process that aziraphale cannot save himself - on and on it goes.

i don't think there is much to discuss in ep6 (im not going to get into the Final Fifteen - it's been analysed so much better by other people and by me too), this answer is already long enough, and i think for the most part it's fairly obvious. i do however have a dedicated FF tag in my masterpost if you do wish to peruse the various ponderings on the subject.

the only thing i guess that's really left for me to parse out is s1; aziraphale does lie to crowley. a lot. most egregious is lying about finding the antichrist but, i will say, in his defence - crowley has repeatedly asserted that they should straight-up murder a child. aziraphale drew his boundary, and crowley kept pushing, even going so far as to try tempting (and then practically demanding) that aziraphale be the one to do it. i don't think it's unjustified in that respect that aziraphale would keep that knowledge, therefore, from him - and instead turn to heaven. obviously that doesn't work out, in that respect crowley is proven right, and aziraphale immediately takes action to remedy it (calls crowley after the 9-1-metatron call).

but, it's an interesting mirror to what goes on in s2 in the theme of mutual trust and openness between them. crowley doesn't trust aziraphale not to dismiss him and run back to heaven when the going gets tough, nor does he trust him to have any sense of self-preservation (despite, yk, being a literal miracle worker and being the one to actual save their bacon in the 40s s2 minisode). but aziraphale similarly doesn't trust crowley not to try making him do something he has expressly said he will not do, and would betray a core tenet of who he is - temptation, which they both know works on aziraphale, and crowley could arguably exploit as he sees fit if aziraphale were to let him be completely vulnerable to crowley. in this respect, the foundations of their relationship, such as it is, is quite demonstrably built on sand of the quick variety.

so in essence, anon (honestly - gold star for you if you've made it to here), i don't disagree with you at all. but i think it's slightly reductive to not see that they are just as bad as each other. each have their trauma and unreconciled issues that directly inform on the action or inaction they take, and both are completely justified in that. i think it's more than possible to be empathetic to both of their perspectives, because ultimately, imo, their relationship as it was where we left it at the end of s2 was practically doomed right from where we first - in 2008 - properly join their story. im all for a huge, screaming row, and the promise of quieter, more delicate conversations thereafter, in s3; boy, do they need it!✨

[venjt]

A form of SH? (Self-harm?)

I wouldn't say it's a form of self-harm. Actually, the opposite! It's a form of self-care! From my experience and from friends' experiences, it's a coping mechanism that helps with our trauma. If antis, think we're making fun of the problematic themes that's far, far from truth, and a very harsh thing to think! If people make fun of problematic situations, then that's a problem, and I wouldn't want to associate myself with such a person.

I hope Antis knows that proships are against harassment in general and respect others with different opinions. (Or they should be. That's the definition, lol.) If a proshipper is threatening you, then they're just a shit person and don't belong in a no harassment zone while harassing. Yet somehow, I often see antis like to use their catchphrase "KYS" all the time. I find such attitude to be awful no matter proship/anti/neutral whatever. Harassment is bad. No one deserves to be called a "good person" if someone says awful things to other human beings.

But like I said, it's a selfcare kind of activity in fiction. It's a safe way to control or explore the dark themes in fiction. It's a healthy way to express the trauma without hurting oneself or others. Some antis don't know this, but when you've experienced trauma, it has to come out somehow one way or another. People don't necessarily HAVE to like dark themes to express or cope with their trauma. Everyone copes differently. Some happen to enjoy / cope with taboo subjects in the fictional space. Which there is no shame. Your fictional taste does not reflect your morals (obviously, lol).

This brings me to another topic, Antis, who believes that if a proship likes the taboo subjects in fiction (ex: incest, age gap, what else? Victim and murder? Lol, there's so much that antis doesn't like.), that it means they like it in real life. That's, again, untrue. Your fictional interest doesn't mean you like it in real life. So that brings the question, "Why do they like it in fiction then?". Well, like I said before, often, it's a coping mechanism. Other times, people just like it in the fictional world. Perhaps there's more or less to it, but it's not anyone's job to understand the why. And if you find it uncomfortable thats complety valid! There are some things I find uncomfortable. That's when we have the power to block and remove ourselves from looking and reading things that we are not okay with. LITERALLY. Like we don't have to intrude a "problematic" artists media if we KNOW what they draw! Or read something that says "non-con warning" or anything WITH a WARNING SIGN THATS THE POINT OF WARNING SIGNS AAAH ⚠️

My thing is, if you're a nice person who respects others and doesn't harm others, then you're good in my book lol I don't understand furries, but if they never hurt a person or never been disrespectful to your surroundings then you're gucci. I have some friends who I don't understand their fictional world, but they've been nothing but sweet to me. Who am I to judge their fictional interest if they as a person treat me better than many other actual human beings lol

Also

Proshippers are aware of what's right and what's wrong in real life. We don't like predators, or incest, or victim x murderers in real life. DUH! Antis, we're on the same page. We don't like those kinds of people! We keep telling them, but somehow, many of them can't differentiate reality and fiction, which to me I find that to be a very, VERY big problem in today's time. If the line of fiction and reality is blurred, then how can people express their creative freedom without having to take a chance of being a "problematic person" or getting accused of harsh things. Also HOW YA GONNA FACE REALITY WHEN RENT IS DUE NEXT WEEK?! If a person is a problem to another human being, then that's valid to stand up and speak out. Uh, with evidence ofc. Don't just spread around "so and so is a Predat0r because they like so and so ship." Fiction isn't evidence. People will look at you weird if you claim a person is a problem and provide a drawing of Plantcest LMAO. People are gonna be confused why you're showing a drawing to them.

Policing others on what's right and wrong in a FICTIONAL SPACE like that's a problem itself! They're fighting ghost problems and threatening REAL PEOPLE for their interests, and that doesn't sound like a healthy space for anyone. Activism is good, but to the fictional space where it doesn't affect people in their day to day life if very concerning. Hence, why people say "touch grass".

Not every proshippers are good people. Just like not every antis are good people. Every group have their problems. This whole black and white view is unrealistic. No one is perfect. No victim is perfect. No "unproblematic" person is perfect. The world is grey or as I like the world is rainbow.

This is very long lol

In conclusion, proshippers aren't self harming for indulging dark themes. It's a self-help (many therapists would recommend it). Self-harm is threatening others and policing others what YOU think is okay or not. Self harm is also avoiding your trauma and avoiding your fictional interest because others pressure you to think how they do. You're a person with your own mind. Allow yourself to express how you do and don't let others tell you how to think, feel, and tell you what to do. You're human. I'm human.

FICTION ≠ REALITY and be kind to each other! There's more to life than to get mad over what others like lol take a chill pill and think about what you want to make of this world!

Okay, have a great day, yall!

[walviemort]

Expecting a Secret [2/3]

Summary: After the events of 3x19, Killian is at his lowest after being rejected by Emma. When Snow’s labor turns out to be a false alarm, Zelena offers Killian a deal: she’ll leave the Charmings alone…if he gives her the baby she needs for her spell instead. There’s just one hitch: he has to keep it a secret. At least it will only take 10 days, right? a/n: Here's the second part of my bday fic for @sancocnutclub !!! This is the full fic from the manip I posted last week. Last chapter should go up on Friday! rated T | AO3 | 3.8k | part 1 |

Based on what Killian was feeling and seeing, the next morning found him roughly at the 23-week mark (as expected, he’d spent most of the night studying his borrowed book—and was feeling thoroughly overwhelmed). His stomach looked yet larger, but his vest still had plenty of room, even if the laces on the side were let out a bit more.

He also found himself resting his hand on his belt to further hide the increasingly obvious curve of his midsection (at least, it appeared so to him, given all the decades that his form had remained unchanged). It seemed to work, thankfully, but he also made an effort to not be too social; he took lunch with Emma and Henry, at their request, but had to pass on their invite to dine at the loft that night. He cited his desire to avoid the extra burden on Snow—who it was implied could go into labor at any moment, though he had (good) reason to believe they had a bit more time, assuming Zelena’s implication that she had control over Snow’s pregnancy was true—but in reality, he knew his ravenous appetite would be nigh impossible to hide in such close quarters. (Granny was far less discerning, especially with with her approving comments about “putting some meat on his bones.”)

“We’ll miss you,” Henry told him as he and Emma left the diner that afternoon; Killian wasn’t sure if what he felt at that was his heart skipping a beat, or yet another kick from the little one, which were happening with increasing frequency and strength. 

He tried his damnedest to swallow his emotions and looked up at Emma, who was giving him a similar gentle look. “I, uh, I’ll miss you too—lad,” he added quickly. “Until next time.”

He was glad he’d left things vague when he yet again felt immediate relief at unclasping his vest once back in his room. The odds of it fitting even later that day were slim to none, which would no doubt draw Emma’s attention. No, he’d do best to avoid her the next several days, until this whole thing was done. 

That was something else he’d noticed—his conscious effort to put distance between him and this child, even if it obviously was more emotional than physical. His paternal side would find it far too easy to start considering names for the wee one, to caress his growing stomach and maybe even serenade the baby, to start preparing for the future. He wasn’t even sure the babe was his—but that had never stopped him before.

Until he knew how to keep them safe from Zelena’s clutches, though, he didn’t dare; that might only lead to heartbreak, and he’d known enough of that for a few lifetimes. 

He did ask Emma, during a moment when Henry stepped away to the restroom, if any progress had been made regarding the witch problem, given that his attempt at research was fruitless. 

“Nothing yet,” she sighed. “Unless we can somehow steal the items back before my mom goes into labor, our only hope is my magic.” Her eyes briefly darted to his lips; he leaned away from her. 

“I’d say both are good plans,” he assured her. “Especially the second one.”

She rolled her eyes, but blushed. “I think you’re the only person confident in that.”

“Well, take some of mine, then. Remember: I have yet to see you fail,” he reminded her, and placed his hand over hers on the diner table. 

The look she gave him was heavy; she still wasn’t used to people having that kind of faith in her, he knew. But if this was his only way of thwarting the witch—of keeping two infants safe—he’d give her as much support as he could.

The moment was simultaneously interrupted by Henry’s return, and a strong kick from his passenger—as if to remind him that at some point here (sooner than he’d care to admit), he’d have to go into hiding. He’d have to figure out a way to offer his support from afar. 

But until there was a definite plan, he was going to keep things as impersonal as possible, merely trying to make sure he complied with Zelena’s rules and did whatever he needed to remain something resembling comfortable. The babe seemed to be growing just fine; his stomach was maybe a touch smaller than average, but that could be attributed to him also being taller than the typical expectant parent, as well as a life at sea demanding denser core muscles. 

Hopefully, that remained the trend; he’d read the section about what happened after birth in more detail and…it wasn’t pretty. And he was still a rather vain man, with a woman to woo, if she’d still have him. 

(He hadn’t given much thought as to how he might explain this to Emma after the fact, if at all; he hoped the simple fact that Zelena was no longer going after the Charmings would be enough that they wouldn’t even need to have the conversation. However, he wasn’t naive enough to count on it.)

—----------------------------------------------

When he woke the next morning, his hand was instinctively resting atop the bare curve of his belly. (That didn’t bode well for his plans of detachment.)

He also found it difficult to sit up in his normal manner; after much rolling around and repositioning, he finally managed to get upright—only to see that his stomach had popped out a fair bit overnight. It most definitely resembled a bump now; after using the lavatory, he traced the curve of it in the mirror, equal parts astounded and horrified. He was also surprised at how firm it was—it wasn’t just softness; there was definitely something there. (Something that was repeatedly kicking at his liver, it felt like.)

His tunic was plenty roomy, but the vest would no longer clasp over his gravid form, no matter how much he let out the laces. He huffed as he cast it aside; he knew it was inevitable, but it was depressing all the same. At least his pants still fit, but barely—and likely not for much longer.  

If no one looked closely, and he didn’t tuck in his shirt, it wasn’t all that noticeable. But there would be no hiding it from those even reasonably close to him. Now he understood why the upper-class women referred to this time as “confinement”—because in order to keep this hidden, he’d have to stay in his room.

Not for the first time, he wished he had his ship; it would have been far easier to hide out there, away from prying eyes. Or if only there were another inn in town, but it would likely draw more attention if he were to relocate.

While he still had a semblance of normalcy to his appearance, he decided he should seek out provisions to get him through the next several days. By his math, he’d only just crossed the halfway mark in the time frame Zelena gave him, but was more than halfway through the pregnancy—so it was likely slowing down in speed, meaning he’d be spending the bulk of it during the most uncomfortable parts. Not only would he need food, he’d need other supplies as well. 

He’d jotted down a list and slipped it into the pocket of his greatcoat, next to the fair amount of gold he’d stashed before leaving the Jolly Roger. His jacket hung loose enough that it hid his belly, but only just.

Cautiously, he poked his head out in the hall before heading out; even if he was reasonably covered up, the more inconspicuous he could be, the better. The coast was clear, so he slipped out and locked up—but then he heard a similar sound from behind him.

“Oh, hey—I was just about to come over,” Emma said from across the way. “I’ve got a magic lesson this afternoon, but do you want to get lunch before it?”

He was still facing the door. Given the state of things, Emma was the last person he’d wanted to run into. Traitorously, the baby chose then to give him a sharp thump in the stomach, as if telling him to get a move on.

So he did his best to suck in a breath—to minimize his bump’s profile—before turning around. He plastered on his best flirtatious look and avoided the urge to place his hand on his belt. “Is that your way of asking me out on a date?” he teased, hoping the obvious come-on would prevent her from suspecting anything was awry.

As predicted, she rolled her eyes. “If I was asking you on a date, it wouldn’t be to Granny’s,” she countered.

“Duly noted,” he quipped back (and saved for future reference). “But unfortunately, I have to decline the invitation; I’m afraid I have some errands to run that I’ve been putting off too long.”

“Oh.” Her face fell, and he tried to make sure his heart didn’t follow it. “Well, I could go with you, if you wanted.”

He did—so much. But then how would he explain the copious amounts of food he was about to buy? “I appreciate the offer, but I don’t know how long it will take—and I know that Her Majesty can’t be kept waiting.”

Emma huffed, but he saw acceptance across her face. “Yeah, you’re right. But I’m absolutely not seeing her on an empty stomach.”

“Nor should you,” he agreed, smiling—though hopefully it didn’t look too pained, because his attempts at holding in his belly were beginning to strain. As such, he started to turn away to leave, but she wasn’t done.

“Hey, where’s your vest? Is that one of your errands?”

Dammit; should have known she’d notice. But her gaze seemed to be focused on his chest and not any lower; normally, he’d comment on her leering but he was just relieved. “Aye; damaged it with my hook last night, and the laces need repair.” (That part was true—some of them had gotten a bit stretched.)

“Darn; I thought maybe you were actually going to join the modern world and get some new clothes,” she teased.

“Not yet,” he countered, but it wasn’t a bad idea—not a total wardrobe change, but perhaps something a bit…roomier, or more forgiving. “I should get to it, though.”

Emma blinked and looked back up at him, having seemingly been lost in a daydream. (Perhaps buying modern clothes did need to be added to his docket at some point; just not today.) “Yeah, and I need to get moving. Have fun.”

“Thanks, and good luck,” he farewelled; Emma headed the opposite way down the hall with a casual wave.

He waited until she was out of sight and then relaxed with a sigh; he could feel his belly press against the laces of his trousers as soon as he did, and indulged in a brief massage of his lower abdominal muscles. At least the ruse had worked—but he was definitely seeking out pants with an elastic waist.

The supermarket was aptly named; it was indeed massive and overwhelming. But it had everything—fresh vegetables and meat, bulk rations, even perishables and fresh-baked goods. It was astounding. He was easily able to gather enough provisions (healthy ones at that) for the next several days. He also grabbed some items at random that simply sounded appealing—mostly sweets, but he’d learned that cravings were a customary part of the process and this little one certainly had a sweet tooth.

(Thankfully, he also found the section with flexible clothing with ease. He purchased a couple pairs of what were labeled “sweatpants” and a few long-sleeved tops in varying sizes and colors; he just hoped he’d selected ones big enough.)

Odds were he overpaid for the lot of goods, given that the lad working the checkout didn’t know the gold conversion rate offhand, but he didn’t rightly care if it also bought the boy’s discretion. Thankfully, he also had his enchanted tote bag with him—the one with the hidden expansion charm he’d picked up…gods, he couldn’t even remember where anymore, it’d been so long—so he wasn’t spotted carrying half a dozen overladen sacks into Granny’s.

He spent the rest of the afternoon unpacking his newfound treasures, grateful to finally have a use for the seemingly magical ice box in his room. He stashed the nonperishables on his small table, and his new clothing in a dresser drawer. 

One last thing remained, and admittedly, he hadn’t paid for it: a tiny outfit intended for a baby, covered with illustrations of sailboats. He’d slipped it into a pocket before paying for everything else, not wanting to draw the raised eyebrows such a purchase would attract, even if he could have passed it off as being for the Charming’s infant. 

He held it up with just his thumb and forefinger; the label on it suggested it was sized for a newborn, but it still seemed impossibly small. At least, until he laid it atop the steadily increasing curve of his belly; then he wondered if it would even be large enough (though the books told him the babe was only yet the size of an aubergine, which he had stared at in the produce section for an extended period of time).

Bloody hell, what was he doing? He couldn’t get attached; if he failed to help Emma and the others defeat Zelena, it would spell doom for this child. And given that he was increasingly running out of ideas, it seemed imminent. He’d already suffered two terrible heartbreaks in his life; he wasn’t sure he could survive another (which would undoubtedly be harsher).

He yanked open an empty drawer and threw the onesie inside, then shoved it shut. Best not to continue that train of thought; only if they actually managed to defeat the witch.

Sighing, he plopped down in the dining chair and tore (literally) into a package of something called Oreos. They were delicious, but did nothing to assuage his fears or guilt. For the umpteenth time, his hand instinctively drifted to his stomach, as if his touch alone could protect the babe.

Hopefully that, and his trust in the heroes, would be enough.

—--------------------------------------------------------------

Killian awoke the next day to something touching him. In his sleep-addled mind, he lashed out towards whatever it was, fully intending to let it (or them) get acquainted with the sharp end of his hook.

However, he’d taken his prosthesis off last night, lest he do anything to injure his ever-expanding midsection, so all he did was hit it away with his brace. An annoyed yelp followed his impact. 

“Bloody hell, I was just checking on the baby,” Zelena scolded. He blinked a few times, urging the sleep away from his eyes, to see the witch standing over him, scowling. 

“What the hell do you want?” he demanded as he tried (and failed) to sit up, eventually settling for propping himself on his elbows.

“I’m simply making sure that my investment is paying off. I’ve kept up my part of the deal—those sickly-sweet Charmings are just fine. But I’ve got to make sure everything is going well here, too; pregnancy is tricky business, you know.” She turned her gaze to his exposed belly; despite the shirt he’d worn to bed, it had ridden up overnight. “Oh, is that a stretch mark I see?” she declared, leaning back towards him.

He yanked the hem of his shirt down, both to cut off her view and at the wound to his vanity.

“You’re no fun,” she pouted. “I thought most expectant parents were basking in the glow of creating life, or whatever?”

“When it’s something they’ve wanted, aye; not when it’s been forced on them,” he spat. He hadn’t truly understood the concept of glowing until his time spent with Snow lately; however, he felt more washed out than anything incandescent.

But speaking of glowing—as she stood upright and folded her arms, light from the window glinted off the jewel at her neck. He remembered what the Charmings had been told about it being the source of her power, and without any further thought (moving faster than he thought he could), he lunged for the pendant, hoping that it might be just that simple to defeat her.

No sooner had his fingers brushed the surface of the gem than he was thrown back forcefully against the headboard; he groaned in pain. Bollocks.

“Ah-ah-ah,” she chastised. “Did you really think it’d be that easy? Especially when you’ve been touched not once, but twice by my own magic?”

“Had to try,” he panted out as he tried to catch his breath. His hand flew to his stomach as its inhabitant also protested the blow.

“You really ought to be more careful; a fall like that isn’t good for the little one,” she warned.

“Why do I give a shit what happens to your demon offspring?” he countered.

She scoffed. “Oh, it’s not mine. The spell would never work with my own blood. But,” she started, coming closer and leaning over him again. “It is yours.”

“What?” he gasped. He’d certainly wondered, but hadn’t expected that it was actually his child. How could she expect him to hand over his own flesh and blood? What he did to Bae all those years ago still haunted him; this would be even worse.

“Indeed. All the more reason for you to be careful, hm?” The way she caressed his bump again felt more like a threat than any sort of endearment. “If this child doesn’t survive, our deal is off. And maybe you should read the part of that book over there on just what that will do to you.”

(He swallowed, because he already had, of course; he couldn’t imagine anything more traumatic than carrying a child that didn’t survive—especially now knowing this one was truly his.)

“Then who’s the mum?” he asked, trying to distract himself. He needed to know that, too, especially if it wasn’t Zelena. “Is there one?” (Biologically, he knew there should be…but, biologically, she would be the one with child.)

“There is. Magic can’t circumvent that,” she confirmed as she set herself to rights. “But as for who…I’ll tell you when it’s all said and done.”

“You’re a bastard,” he growled.

“Something me and that baby will have in common,” she laughed.

She abruptly moved away and turned around, so he closed his eyes and took another deep breath to recover, at least physically, while she was distracted. He hadn’t realized how much the babe was pressing on his lungs until now.

“Oh, isn’t this sweet?” Zelena cooed. He opened his eyes to see her holding up the onesie. “Not my color scheme, but it certainly suits your aesthetic. Too bad they won’t get to wear it.”

Angrily, he stood from his bed to rush at her—he didn’t know why, exactly, just that he was suddenly filled with rage—but it was for nought, as she merely threw the garment at him before disappearing in her signature green smoke.

He caught it against his chest and sighed. He’d failed, hadn’t he? There was no way he could do anything to keep this child from Zelena’s clutches now, unless Emma managed to defeat her in the next few days. He sniffled, suddenly overcome by emotion—because wasn’t this so typical for him? To lose the things he loved?

(Because, much as he had tried not to, he did love the babe—even before he knew it was his; that was just his nature. But as with all things he loved, it was going to be taken from him—and their mum likely had no clue. Shit.)

His gaze was still on the outfit, vision blurring with tears, when a knock rapped at his door. He froze, hoping whoever it was would go away, but it sounded again. “Hook? Are you there?”

Of course it was Emma. Despite everything, he couldn’t say no to her. “Coming,” he called out, and quickly tossed the onesie aside, wiped his eyes, and strode to the door.

But then he glanced down; there was no hiding his belly, especially while wearing just the shirt and sweatpants he’d changed into (which, while exceedingly comfortable, did nothing to disguise the curve of his waistline). So he awkwardly angled himself, and opened the door just enough to peek his upper body around.

“Morning, Swan,” he greeted, though it was nowhere near as smooth as he usually was. “To what do I owe the pleasure?”

Her brow furrowed as she looked him over, then tried to look past him into his room. “I thought I heard something weird; is everything okay?”

“Right as rain,” he lied. “I did have a run-in with my bed frame, though,” he said, hoping she would believe him if he at least partially told the truth.

“What, stub your toe?” she teased.

“Aye, something like that,” he agreed.

She briefly narrowed her gaze, but seemed to accept his answer. “Well, do you want to get breakfast? Henry was asking if you wanted to spar again, too; I think he’s gunning to be your first mate.”

He had to smile at that, but it didn’t hold. “Ah, I’m dealing with a fair bit of fatigue at the moment; can I take a rain bill?”

Emma tilted her head. “You mean a rain check?”

“That, yes.”

“I suppose, but that’s only going to mean he’ll want more later.”

“I endeavor to make it up to him in full.”

She grinned, but hers too didn’t last. “Are you sure you’re okay?”

“I just haven’t been sleeping well,” he told her—which was true, given that the babe was treating his internal organs as playthings.

“Alright, well, rest up; you’ve been missed around here.” There was a steadiness in her gaze that suggested she was speaking personally rather than generally.

“I’ll try,” he said, though his voice was almost a whisper.

“See you,” she farewelled; he repeated it and shut the door, perhaps a bit too forcefully.

The next few days were going to be interminable, weren’t they?

The lone blessing was that Belle had lent him a few books from the library, so he had the means of entertainment, and obviously had bought more than enough food. (Those Pop-Tart pastries that Emma seemed to favor were indeed delicious.)

He felt like an arse when he had to feign sleep during Emma’s next attempt to drag him from his room, around dinner time. The woman was bloody stubborn. But, as he was being reminded by the insistent little foot digging into his ribs, there was truly nothing to be done until they were out. He’d extend his apologies then—once they’d defeated the witch.

-----------------------------------

thanks for reading! tagging a few: @wyntereyez @jennjenn615 @superadam54 @ashley-knightingale @justsomewhump @teamhook @mathiaskejseren @88infinity88

[mostlyghostie]

hi, I really love looking at your art and the commissions people make! it's so satisfying to look at piles of books that people have loved.

this might be out of the blue, and only peripherally relevant, if at all (and please ignore if it is), but I was wondering what your thoughts, if any, on the differences between UK and north american paperbacks? it's the age old debate of, 'should you break the spine or not'; but I've noticed that in that UK paperbacks (and mass market paperbacks) are often much stiffer, and often will not open fully /unless/ the spine is cracked, as opposed to NA trade paperbacks (that are floppy and lie open by themselves), which renders this debate moot, almost, as some books do not require spine cracking at all.

[it has to do with the direction of paper grain in books, whether the grain runs parallel (floppy) or perpendicular (stiff) to the spine of the book]

I'm not sure where I wanted to go with this but I just wanted discuss it. thanks for your time, and I love your art!

Thanks for the explanation about the grain- I have wondered about this and thought it was a paper quality thing.

As I'm sure is obvious from my drawings, I actively enjoy breaking the spines as I read, I find you only have to do it once or twice in a book to access all the pages, then it stands up to lots more reads without further breakage. The issue I have with the US ones is that the covers themselves tend to be floppier and curl up if you bend the books in half, which doesn't happen with UK ones.

I do find that I often like North American literary fiction covers more than the UK ones, so I have a few on the shelves I've bought while on holiday. I am always a bit amazed how different fantasy/horror covers are between the regions though, I am not as keen on the very literal fantasy art and all the 'Number 1 bestseller!' bumf on US covers.

I'm obviously biased to what I'm used to, above all else I prefer secondhand books and below all else I hate dust jackets and often lose them on purpose. Also I like that books aren't subject to VAT in the UK, which makes them cheaper- buying books in Canada especially is much too pricey for me to do it too much, but I did lug home a very heavy 'Ducks' by Kate Beaton last time I went because I wanted to buy it from Nova Scotia.

[barryhotter]

what are your thoughts on draco in your barrycanon? can we get some musings on harry's childhood too? love ur brain btw x

barrycanon... kiss me anon.

putting a cut because i have a LOT of thoughts

HMM... i'm more of a harry potter supremacist, but draco malfoy is mostly like himself in canon but without much of the assholery. heavy on MUCH, because he is an asshole at heart, and harry's a closeted asshole so honestly

extremely dramatic, loves bitching to harry about milk subsitutes in the super market ("Have these people ever heard of almond milk without an aftertaste?"), and i think he grew his hair out a teeeeensy bit. just about to his neck, keeping it that way so harry can play with it. adorable.

i know you didn't ask about this, but i can never shut up so here we go! draco's childhood wasn't necessarily abusive, but neglectfully enabling, if you understand me?

his parents cared about him, persay, but in the way that they would just throw whatever he wanted at him if he had a tantrum. Young Draco was very very used to getting his way, and Lucius was very prone to giving it to him just to be done with it, so he isn't used to hearing no.

Him and his pureblood friends had childhoods consisting of running about manor houses, kicking house elves around and tutoring sessions in a library or a drawing room. Children are sponges, so the derogatory language Draco heard at the dinner table from his father had sunk into his mind as the right thing to say, and he didn't realise the contrary until it was too late.

I feel like lucius didn't OUTRIGHT say "muggleborns suck" but draco could use context clues from the nauseated scrunch of his nose and the offhand racist comments made at Sunday lunch while he read the Daily Prophet, you get the idea.

That's why he tries to sugarcoat it when he first meets Harry in Madam Rosmertas - "I don't think they should let the other sort in, do you?" he's not OUTWARDLY racist but the idea's still there. But Harry obviously doesn't get wizard racism, and friends him anyway.

In his Hogwarts years (in my mind) he doesn't shout slurs out like he did in canon but he just can't treat Hermione the same. He compliments Hermione's obvious academic overcompensation and thirst to succeed with a "You're good for a muggleborn" and even harrys like dude what the hell man

i don't have much to comment on adult draco because even my fingers get tired of typing about imaginary gay wizards but i WILL get back to you!!!

Harry's childhood was clearly abusive, even in canon. Any attempts at being anything than a helping hand around the house was responded to by him being shut up in a cupboard for god knows how long. He spent a lot of his time making friends with spiders and any bugs that managed to wriggle into his cupboard.

He spent crucial development years in isolation or extreme abuse or bullying. He doesn't warm up to people very easily and isn't the best trained on how to interact with them. He often mimicks the speech patterns of people around him to fit in for subconscious fear of being casted out for any abnormalities in the way he behaves.

Obviously with his extreme isolation he doesn't understand that the way he grew up wasn't normal. He had the clear idea that this wasn't "love" in his head, but even as a teenager he can't grasp the concept of just... living. Chilling around your house and NOT having to be doing some menial hard labour for simply relaxing.

He doesn't get bought anything, so he has a lot of "overdue" library books sitting on his shelf which never have and never will be returned. Absolute criminal.

When he's given his first proper christmas present by ron, he doesn't understand that it's HIS. i think that the way he just absorbed it was kinda unrealistic but i will touch on that later!

Also! Not asked but, after all the shebang with voldemort happens, Harry is a professional quidditch player. I don't make the rules i fear....

Bye bye now hug hug kiss kiss

[jessidogg]

WELCOME TO MY BLOG

My name is Jessi and I'm here to spread the LOVEEE😘🥳 WOOO!!

I have been a humongous fan of trolls since 2016 (except for the two month break that I took when I was a HUGE HTTYD fan- don't ask) and I mostly just post little silly trolls scenarios!

Here are the things that I can do:

Answer Questions- I love to answer questions about Trolls and other movies I love to watch, so don't be shy to ask my opinions!

Blab about Branch for about a bajillion hours- he's my favorite character OF ALL TIME and I was so happy when TBT was centered around him 😭🥹

Write fanfictions, though I would prefer to do that on my new blog, @jessi4fanfics (i just made it about ten seconds ago, so there's nothing there yet, lol)

I will take suggestions on stuff, and if you beg me to show you my handmade drawings of Human Broppy AU, I MIGHT show you, but it's not digital or anything, and I'm more of a writer than artist, so maybe that's not something you should do 😘🤣

WRITE ANYTHING BROPPY OR BROZONE I LOVE THEM SO MUCH EEEEE I am also a huge Cliva fan too, so if y'all come up with any ideas, I'm here to share them with

MESSAGING Y'ALL IS TOTALLY SOMETHING I'D LOVE TO DO, so if you wanna ask me something personal, for a suggestion, or just wanna say hi and blab about DreamWorks and Disney, I'm here to do so, as long as you don't talk inappropriately or anything.

Don't worry, ofc I'll think of more stuff as soon as I publish this lol. :D

Here are the things I CANNOT do:

I am a Christian, so if you ask me to write anything that is against what I believe, I will kindly tell you I cannot do that, but don't worry I won't bite ur head off or anything XD, I'm def not that kind of person.

I am absolutely not writing any LGBTQ+ content. I am not homophobic or transphobic and I know majority of people support all of it, but I do want to respect the small bit of people who don't, so I am not writing so I can respect what others say and think. ♥️♥️♥️

I won't talk about war or any of that kind of stuff also for the reasons of people having different opinions. I don't want to ruin friendships with anyone, and I hate it when that happens just because you don't agree on something. For both this and LGBTQ I also want younger viewers to be able to read my stuff, and sometimes when it comes to that stuff, they may be exposed to stuff they shouldn't be at a young age.

I am not writing anything too mature or inappropriate for younger readers- that includes smut, swearing, and make outs (tho I do write butt jokes WAHAHA U CAN'T STOP ME FROM DOING THAT)

I am not AT ALL putting ANY hate on anyone. I believe that everyone should be who they truly are without shame, and that our main goal as people should be to spread love. Which is why I LOVE ALL OF YOU!!

I LOVE these movies and shows TONS

Trolls Band Together (and the whole series duhhh)

Rio and Rio 2

Boss Baby & Boss Baby Family Business

Mickey Mouse Shorts

The Looney Toones Show

Lab Rats

The Lego Batman Movie

Bunk'd

Geek Charming

& More!!!

These are my (main) ships!

Branch x Poppy

Clay x Viva

Blu x Jewel

Mickey x Minnie (duh)

Bugs x Lola

Daffy x Tina

& Obviously SO MUCH MORE

I am a very silly person, HUGE BROZONIE, and I love to joke around! My account on Wattpad is JessiDelanett if you want to read my books/follow me!

I don't have YouTube- YET. Working on it 😜

I love all people, even those who may not like me. That doesn't matter to me, I will only just love you more.

HEARTS AND BLESSINGS. ❤️❤️❤️❤️❤️❤️