#also no idea whether this is accurate

[starry-bi-sky]

more clone^2 memes because i think they're funny

[nattikay]

OC lineup! All the characters that currently exist in this "story"

[therandomartmaker]

ngl throwing danny phantom, a facsimile of the hero genre and practically a mockery of a coming of age story, at dc, one of the paragons of superhero stories that, while admittedly could be better written at times and is constantly retconning due to it’s dated past, is still a highly complex and admirable story, is goddamn hilarious. I’ll be the first to admit that i haven’t seen canon for either of them, but may the Fool help me, it is fucking hilarious that these two sides of the same coin are actually just a coin mint error where both sides are actually just the same person different portrait.

[cosmossystem]

so this post may be controversial but i will no longer be silenced. i need people to start being accepting of bears/fat men in general that don't fit into the "dad" vibe or aren't conventionally attractive. quit acting like they've all gotta be incels/mladys/neckbeards/racist weebs etc. because first off, fat hairy nerdy men with patchy beards and glasses or acne or bald spots or whatever are HOT and i'm tired of pretending they're not!!!!!! and more importantly!!! even if you aren't attracted to them (or even if you are) i need you to start being fucking normal about them. because if you keep treating every fat hairy guy with glasses as if he's this rampant bigot, you're just gonna create more divides, and also you're a fucking asshole who equates looks with morality. something something alt-right pipeline, someone's worth is not determined by how attractive you find them, etc. please stop being fatphobic to ppl you don't like lol

[aeolids-zenith]

i hate posts that are supposed to be positivity for people who lack friends or that say that social connections are like unexpectedly inevitable/straightforward to make or something, but then like. don't elaborate on how that is possible. it always just makes me feel more hopeless

[lifehacksthatwork]

Just a bunch of Useful websites - Updated for 2023

Removed/checked all links to make sure everything is working (03/03/23). Hope they help!

Sejda - Free online PDF editor.

Supercook - Have ingredients but no idea what to make? Put them in here and it'll give you recipe ideas.

Still Tasty - Trying the above but unsure about whether that sauce in the fridge is still edible? Check here first.

Archive.ph - Paywall bypass. Like 12ft below but appears to work far better and across more sites in my testing. I'd recommend trying this one first as I had more success with it.

12ft – Hate paywalls? Try this site out.

Where Is This - Want to know where a picture was taken, this site can help.

TOS/DR - Terms of service, didn't read. Gives you a summary of terms of service plus gives each site a privacy rating.

OneLook - Reverse dictionary for when you know the description of the word but can't for the life of you remember the actual word.

My Abandonware - Brilliant site for free, legal games. Has games from 1978 up to present day across pc and console. You'll be surprised by some of the games on there, some absolute gems.

Project Gutenberg – Always ends up on these type of lists and for very good reason. All works that are copyright free in one place.

Ninite – New PC? Install all of your programs in one go with no bloat or unnecessary crap.

PatchMyPC - Alternative to ninite with over 300 app options to keep upto date. Free for home users.

Unchecky – Tired of software trying to install additional unwanted programs? This will stop it completely by unchecking the necessary boxes when you install.

Sci-Hub – Research papers galore! Check here before shelling out money. And if it’s not here, try the next link in our list.

LibGen – Lots of free PDFs relate primarily to the sciences.

Zotero – A free and easy to use program to collect, organize, cite and share research.

Car Complaints – Buying a used car? Check out what other owners of the same model have to say about it first.

CamelCamelCamel – Check the historical prices of items on Amazon and set alerts for when prices drop.

Have I Been Pawned – Still the king when it comes to checking if your online accounts have been released in a data breach. Also able to sign up for email alerts if you’ve ever a victim of a breach.

I Have No TV - A collection of documentaries for you to while away the time. Completely free.

Radio Garden – Think Google Earth but wherever you zoom, you get the radio station of that place.

Just The Recipe – Paste in the url and get just the recipe as a result. No life story or adverts.

Tineye – An Amazing reverse image search tool.

My 90s TV – Simulates 90’s TV using YouTube videos. Also has My80sTV, My70sTV, My60sTV and for the younger ones out there, My00sTV. Lose yourself in nostalgia.

Foto Forensics – Free image analysis tools.

Old Games Download – A repository of games from the 90’s and early 2000’s. Get your fix of nostalgia here.

Online OCR – Convert pictures of text into actual text and output it in the format you need.

Remove Background – An amazingly quick and accurate way to remove backgrounds from your pictures.

Twoseven – Allows you to sync videos from providers such as Netflix, Youtube, Disney+ etc and watch them with your friends. Ad free and also has the ability to do real time video and text chat.

Terms of Service, Didn’t Read – Get a quick summary of Terms of service plus a privacy rating.

Coolors – Struggling to get a good combination of colors? This site will generate color palettes for you.

This To That – Need to glue two things together? This’ll help.

Photopea – A free online alternative to Adobe Photoshop. Does everything in your browser.

BitWarden – Free open source password manager.

Just Beam It - Peer to peer file transfer. Drop the file in on one end, click create link and send to whoever. Leave your pc on that page while they download. Because of how it works there are no file limits. It's genuinely amazing. Best file transfer system I have ever used.

Atlas Obscura – Travelling to a new place? Find out the hidden treasures you should go to with Atlas Obscura.

ID Ransomware – Ever get ransomware on your computer? Use this to see if the virus infecting your pc has been cracked yet or not. Potentially saving you money. You can also sign up for email notifications if your particular problem hasn’t been cracked yet.

Way Back Machine – The Internet Archive is a non-profit library of millions of free books, movies, software, music, websites and loads more.

Rome2Rio – Directions from anywhere to anywhere by bus, train, plane, car and ferry.

Splitter – Seperate different audio tracks audio. Allowing you to split out music from the words for example.

myNoise – Gives you beautiful noises to match your mood. Increase your productivity, calm down and need help sleeping? All here for you.

DeepL – Best language translation tool on the web.

Forvo – Alternatively, if you need to hear a local speaking a word, this is the site for you.

For even more useful sites, there is an expanded list that can be found here.

[pipermca]

New AO3 Tag Wrangling Policy and the Transformers Fandom

Edit in the event people come back to the original post: Please do not email AO3 about this issue. See their response about this issue!

(This is a long one, folks, but I think it's important.)

A new tag-wrangling policy on AO3 has the potential to create some massive confusion and chaos in the Transformers fanfic community, with regards to fandom tags. There is a Reddit post about it here with a focus on anime fandoms, but I want to give some concrete examples for the Transformers fandom on why we DO NOT WANT this, and why I think it's a horrible idea.

The Problem

Basically, AO3 is looking to get rid of the "All Media Types" fandom tag across the board, either by dismantling them or just not maintaining them. The Transformers - All Media Types tag has been an all-purpose tag that you could select when your story doesn't fall into any one specific continuity. Additionally, all most (see below) TF continuities on AO3 are considered a subtag of the Transformers - All Media Types tag. For example, if you look at the link above for all works in the All Media Types tag, you will see fics that are also tagged ONLY with Transformers: Animated, because it falls under the All Media Types tag.

One exception: With the upcoming Transformers: One movie coming out imminently, there will likely be a big influx of stories tagged with Transformers: One. In fact, there are several already. However, it hasn't been linked to the larger Transformers - All Media Types tag yet. I wasn't worrying about it though, because I know these things can take time.

With information about this new tagging policy, however, I'm now wondering whether it'll EVER get linked to the All Media Types tag. If that happens, and when more continuities are developed in the coming years (since you know Hasbro loves creating new universes) this has the potential to cause massive confusion when looking for stories to read.

Searching for Stories with the New Tagging System

So let's say the All Media Types fandom tag isn't accurate anymore, because it no longer includes ALL of the continuities (such as TF:One). You will need to include ALL the Transformers continuities when browsing for TF fics.

How many tags is that? Well, here are all of the tags currently listed under the Transformers - All Media Types tag:

Note that this doesn't include Transformers: One since it hasn't been categorized yet.

You will potentially have to have 40 or more different fandom tags in your search, just in case the author tagged their story with something you weren't expecting.

This massively decreases the findability of a story.

Tagging with the New System

The email response from the Tag Wrangling group (see the linked Reddit post above) seems to be a bit flip in the response to the user's concern. "...encourages creators to tag with the media they intend."

While I appreciate what they are attempting to do, this policy change feels like a solution in search of a problem, especially in larger fandoms with multiple continuities, versions, and media types that are all cross-pollinated in both canon and fanon. While I'm focusing on Transformers fandom, imagine a creator in the DC comic universe writing a story that incorporates bits and pieces from a dozen different reboots.

For example, let's say that I am writing a fic about Ratchet. I am using the setting of the original G1 episodes, but I also am using the characterization of him as a bit of an old man grump. That characterization originated in the Animated continuity, but I want to incorporate bits of pieces of his other characterizations as well (old friend of Optimus from TFP, Ratchet ran a faction-free clinic like he did in the War for Cybertron series, he's got a Decepticon boyfriend like in IDW1 - or maybe even Cyberverse, etc.)

With this new tagging structure, I might potentially have to tag the story with ALL of those continuities. So instead of just slapping down the "All Media Types" tag (and maybe one other fandom tag that matches the characters as best I can), I'll have to analyze my story and try to figure out how best to tag for the characters I used.

And what if you're doing a completely AU version of the story? For example, a humanformers story, or merformers? Using the All Media Types tag along with a Alternate Universe - Human or Alternate Universe - Mermaid tag worked perfectly, since you weren't writing the story to fit into one specific continuity. But now, that might not be an option.

What To Do??

The first thing I would suggest is to contact AO3 (using the Feedback and Support page) and let them know (nicely) that you think this is a horrible idea. Give them some examples on how you use the All Media Types tag to find stories to read, or to help you tag a story. People outside of the Transformers fandom don't always appreciate how absolutely tangled the continuities can be with each other, and providing examples might help them see why this would be a really messy change.

Readers: Be aware that when you are looking in the All Media Types tag, it will no longer show newer continuities. And if AO3 starts dismantling that tag like they suggested they are doing, be aware that some stories won't show up in that tag like they used to. You can also create and then bookmark a custom search page that includes all 40+ continuities. REALLY annoying, but it's a workaround.

Writers: Until they start dismantling the All Media Types tag, ALWAYS ALWAYS tag your stories using Transformers - All Media Types... Especially for newer continuities. This will be especially important if you are writing a Transformers: One story. Right now, anyone who is only browsing the All Media Types tag will not see a story tagged only with Transformers: One. Make sure you're aware of how tags work and how they can affect the visibility and findability of your story.

Epilogue

Ugh. That's a lot of words for a long-weekend Saturday. And maybe I'm overreacting a tiny bit. But my work involves information architecture, and this change just absolutely baffles me. It's almost as though they want to make it harder to find stories. Considering that AO3 won a Hugo partially because of its fantastic tagging system, this change seems like AO3 is doing its best to shoot itself in the foot.

When you have a square hole, a round hole, and a rectangular hole… Yeah, you DO want each peg to go in the "right" hole. But if all of the pegs fit in the square hole, who cares? You got the job done.

I love you @ao3org, but please reconsider this change... Especially for IPs that are as old and are as varied as Transformers.

[ljf613]

Alright, Chanukah starts tonight, which means it's time for me to finally make a post about different kinds of menorahs.

This right here? This is the Temple Menorah:

There's some debate over whether the branches were straight or curved, but here's a few things we do know:

It had seven branches of equal length.

It was made of one solid piece of gold

It was at least five feet tall.

It used pure olive oil.

The Temple Menorah is what people mean when they talk about The Menorah. It's what you'll see on historical or commemorative artifacts such as the Arch of Titus in Rome or Israeli currency:

During the time when the Temple stood in Jerusalem, the High Priest lit all seven flames on this Menorah every day (using the aforementioned pure olive oil):

No one lights this on Chanukah.

This is a Chanukah menorah:

There are countless variations, but here are the important things:

It has eight branches of equal length, plus a ninth "helper" branch, known as the shamash, which is set apart from the rest of the branches and used to light the others.

It can be made of any material.

It is usually used with wax candles or oil, but, if necessary, one can use anything that burns.

In Hebrew, this kind of menorah is called a chanukiah.

Some Chanukah menorahs, like the one shown above, have the shamash in the middle. Others have it on the side:

Regardless, this kind of menorah is the one that has been lit by Jews on Chanukah for thousands of years. It's the menorah you'll seen in photographs of Jewish households, including this famous picture taken in Germany in 1931:

(The message written on the back of the photo reads: "Death to Judah"/ So the flag says/ "Judah will live forever"/ So the light answers)

On Chanukah, whoever is lighting the menorah will first light the shamash, then the number of candles corresponding to whichever night of Chanukah it is. The first night, only the rightmost candle is lit, the second night the two rightmost, etc. (The newest candle is always lit first):

Again, a valid Chanukah menorah has eight branches of equal length, along with a shamash. There is no such thing as a Chanukah menorah with six branches of equal length and a longer seventh branch, and no valid Chanukah menorah has eight branches of completely different lengths.

If you see either of the above designs (or anything similar) on Chanukah-themed decor, it tells you the creator has absolutely no idea what they're doing and couldn't be bothered to do more than two seconds of research to make sure their product was accurate. Anyone who knows anything about the holiday will laugh at these. (They may buy them anyway, especially if that's all that's available-- my new Chanukah sweater has an invalid menorah pattern, but it's adorable, so I'm still going to wear it. But I am also laughing about it and invite you all to do the same.)

Anyway, have a happy Chanukah, everyone!

[treasure-mimic]

So, let me try and put everything together here, because I really do think it needs to be talked about.

Today, Unity announced that it intends to apply a fee to use its software. Then it got worse.

For those not in the know, Unity is the most popular free to use video game development tool, offering a basic version for individuals who want to learn how to create games or create independently alongside paid versions for corporations or people who want more features. It's decent enough at this job, has issues but for the price point I can't complain, and is the idea entry point into creating in this medium, it's a very important piece of software.

But speaking of tools, the CEO is a massive one. When he was the COO of EA, he advocated for using, what out and out sounds like emotional manipulation to coerce players into microtransactions.

"A consumer gets engaged in a property, they might spend 10, 20, 30, 50 hours on the game and then when they're deep into the game they're well invested in it. We're not gouging, but we're charging and at that point in time the commitment can be pretty high."

He also called game developers who don't discuss monetization early in the planning stages of development, quote, "fucking idiots".

So that sets the stage for what might be one of the most bald-faced greediest moves I've seen from a corporation in a minute. Most at least have the sense of self-preservation to hide it.

A few hours ago, Unity posted this announcement on the official blog.

Effective January 1, 2024, we will introduce a new Unity Runtime Fee that’s based on game installs. We will also add cloud-based asset storage, Unity DevOps tools, and AI at runtime at no extra cost to Unity subscription plans this November. We are introducing a Unity Runtime Fee that is based upon each time a qualifying game is downloaded by an end user. We chose this because each time a game is downloaded, the Unity Runtime is also installed. Also we believe that an initial install-based fee allows creators to keep the ongoing financial gains from player engagement, unlike a revenue share.

Now there are a few red flags to note in this pitch immediately.

Unity is planning on charging a fee on all games which use its engine.

This is a flat fee per number of installs.

They are using an always online runtime function to determine whether a game is downloaded.

There is just so many things wrong with this that it's hard to know where to start, not helped by this FAQ which doubled down on a lot of the major issues people had.

I guess let's start with what people noticed first. Because it's using a system baked into the software itself, Unity would not be differentiating between a "purchase" and a "download". If someone uninstalls and reinstalls a game, that's two downloads. If someone gets a new computer or a new console and downloads a game already purchased from their account, that's two download. If someone pirates the game, the studio will be asked to pay for that download.

Q: How are you going to collect installs? A: We leverage our own proprietary data model. We believe it gives an accurate determination of the number of times the runtime is distributed for a given project. Q: Is software made in unity going to be calling home to unity whenever it's ran, even for enterprice licenses? A: We use a composite model for counting runtime installs that collects data from numerous sources. The Unity Runtime Fee will use data in compliance with GDPR and CCPA. The data being requested is aggregated and is being used for billing purposes. Q: If a user reinstalls/redownloads a game / changes their hardware, will that count as multiple installs? A: Yes. The creator will need to pay for all future installs. The reason is that Unity doesn’t receive end-player information, just aggregate data. Q: What's going to stop us being charged for pirated copies of our games? A: We do already have fraud detection practices in our Ads technology which is solving a similar problem, so we will leverage that know-how as a starting point. We recognize that users will have concerns about this and we will make available a process for them to submit their concerns to our fraud compliance team.

This is potentially related to a new system that will require Unity Personal developers to go online at least once every three days.

Starting in November, Unity Personal users will get a new sign-in and online user experience. Users will need to be signed into the Hub with their Unity ID and connect to the internet to use Unity. If the internet connection is lost, users can continue using Unity for up to 3 days while offline. More details to come, when this change takes effect.

It's unclear whether this requirement will be attached to any and all Unity games, though it would explain how they're theoretically able to track "the number of installs", and why the methodology for tracking these installs is so shit, as we'll discuss later.

Unity claims that it will only leverage this fee to games which surpass a certain threshold of downloads and yearly revenue.

Only games that meet the following thresholds qualify for the Unity Runtime Fee: Unity Personal and Unity Plus: Those that have made $200,000 USD or more in the last 12 months AND have at least 200,000 lifetime game installs. Unity Pro and Unity Enterprise: Those that have made $1,000,000 USD or more in the last 12 months AND have at least 1,000,000 lifetime game installs.

They don't say how they're going to collect information on a game's revenue, likely this is just to say that they're only interested in squeezing larger products (games like Genshin Impact and Honkai: Star Rail, Fate Grand Order, Among Us, and Fall Guys) and not every 2 dollar puzzle platformer that drops on Steam. But also, these larger products have the easiest time porting off of Unity and the most incentives to, meaning realistically those heaviest impacted are going to be the ones who just barely meet this threshold, most of them indie developers.

Aggro Crab Games, one of the first to properly break this story, points out that systems like the Xbox Game Pass, which is already pretty predatory towards smaller developers, will quickly inflate their "lifetime game installs" meaning even skimming the threshold of that 200k revenue, will be asked to pay a fee per install, not a percentage on said revenue.

[IMAGE DESCRIPTION: Hey Gamers!

Today, Unity (the engine we use to make our games) announced that they'll soon be taking a fee from developers for every copy of the game installed over a certain threshold - regardless of how that copy was obtained.

Guess who has a somewhat highly anticipated game coming to Xbox Game Pass in 2024? That's right, it's us and a lot of other developers.

That means Another Crab's Treasure will be free to install for the 25 million Game Pass subscribers. If a fraction of those users download our game, Unity could take a fee that puts an enormous dent in our income and threatens the sustainability of our business.

And that's before we even think about sales on other platforms, or pirated installs of our game, or even multiple installs by the same user!!!

This decision puts us and countless other studios in a position where we might not be able to justify using Unity for our future titles. If these changes aren't rolled back, we'll be heavily considering abandoning our wealth of Unity expertise we've accumulated over the years and starting from scratch in a new engine. Which is really something we'd rather not do.

On behalf of the dev community, we're calling on Unity to reverse the latest in a string of shortsighted decisions that seem to prioritize shareholders over their product's actual users.

I fucking hate it here.

-Aggro Crab - END DESCRIPTION]

That fee, by the way, is a flat fee. Not a percentage, not a royalty. This means that any games made in Unity expecting any kind of success are heavily incentivized to cost as much as possible.

[IMAGE DESCRIPTION: A table listing the various fees by number of Installs over the Install Threshold vs. version of Unity used, ranging from $0.01 to $0.20 per install. END DESCRIPTION]

Basic elementary school math tells us that if a game comes out for $1.99, they will be paying, at maximum, 10% of their revenue to Unity, whereas jacking the price up to $59.99 lowers that percentage to something closer to 0.3%. Obviously any company, especially any company in financial desperation, which a sudden anchor on all your revenue is going to create, is going to choose the latter.

Furthermore, and following the trend of "fuck anyone who doesn't ask for money", Unity helpfully defines what an install is on their main site.

While I'm looking at this page as it exists now, it currently says

The installation and initialization of a game or app on an end user’s device as well as distribution via streaming is considered an “install.” Games or apps with substantially similar content may be counted as one project, with installs then aggregated to calculate the Unity Runtime Fee.

However, I saw a screenshot saying something different, and utilizing the Wayback Machine we can see that this phrasing was changed at some point in the few hours since this announcement went up. Instead, it reads:

The installation and initialization of a game or app on an end user’s device as well as distribution via streaming or web browser is considered an “install.” Games or apps with substantially similar content may be counted as one project, with installs then aggregated to calculate the Unity Runtime Fee.

Screenshot for posterity:

That would mean web browser games made in Unity would count towards this install threshold. You could legitimately drive the count up simply by continuously refreshing the page. The FAQ, again, doubles down.

Q: Does this affect WebGL and streamed games? A: Games on all platforms are eligible for the fee but will only incur costs if both the install and revenue thresholds are crossed. Installs - which involves initialization of the runtime on a client device - are counted on all platforms the same way (WebGL and streaming included).

And, what I personally consider to be the most suspect claim in this entire debacle, they claim that "lifetime installs" includes installs prior to this change going into effect.

Will this fee apply to games using Unity Runtime that are already on the market on January 1, 2024? Yes, the fee applies to eligible games currently in market that continue to distribute the runtime. We look at a game's lifetime installs to determine eligibility for the runtime fee. Then we bill the runtime fee based on all new installs that occur after January 1, 2024.

Again, again, doubled down in the FAQ.

Q: Are these fees going to apply to games which have been out for years already? If you met the threshold 2 years ago, you'll start owing for any installs monthly from January, no? (in theory). It says they'll use previous installs to determine threshold eligibility & then you'll start owing them for the new ones. A: Yes, assuming the game is eligible and distributing the Unity Runtime then runtime fees will apply. We look at a game's lifetime installs to determine eligibility for the runtime fee. Then we bill the runtime fee based on all new installs that occur after January 1, 2024.

That would involve billing companies for using their software before telling them of the existence of a bill. Holding their actions to a contract that they performed before the contract existed!

Okay. I think that's everything. So far.

There is one thing that I want to mention before ending this post, unfortunately it's a little conspiratorial, but it's so hard to believe that anyone genuinely thought this was a good idea that it's stuck in my brain as a significant possibility.

A few days ago it was reported that Unity's CEO sold 2,000 shares of his own company.

On September 6, 2023, John Riccitiello, President and CEO of Unity Software Inc (NYSE:U), sold 2,000 shares of the company. This move is part of a larger trend for the insider, who over the past year has sold a total of 50,610 shares and purchased none.

I would not be surprised if this decision gets reversed tomorrow, that it was literally only made for the CEO to short his own goddamn company, because I would sooner believe that this whole thing is some idiotic attempt at committing fraud than a real monetization strategy, even knowing how unfathomably greedy these people can be.

So, with all that said, what do we do now?

Well, in all likelihood you won't need to do anything. As I said, some of the biggest names in the industry would be directly affected by this change, and you can bet your bottom dollar that they're not just going to take it lying down. After all, the only way to stop a greedy CEO is with a greedier CEO, right?

(I fucking hate it here.)

And that's not mentioning the indie devs who are already talking about abandoning the engine.

[Links display tweets from the lead developer of Among Us saying it'd be less costly to hire people to move the game off of Unity and Cult of the Lamb's official twitter saying the game won't be available after January 1st in response to the news.]

That being said, I'm still shaken by all this. The fact that Unity is openly willing to go back and punish its developers for ever having used the engine in the past makes me question my relationship to it.

The news has given rise to the visibility of free, open source alternative Godot, which, if you're interested, is likely a better option than Unity at this point. Mostly, though, I just hope we can get out of this whole, fucking, environment where creatives are treated as an endless mill of free profits that's going to be continuously ratcheted up and up to drive unsustainable infinite corporate growth that our entire economy is based on for some fuckin reason.

Anyways, that's that, I find having these big posts that break everything down to be helpful.

[itaipava]

— little hints f1 boys would give that they have a crush on you.

˒ ⌕ LANDO NORRIS

he is interested in all your passions and hobbies: even if it is something he knows little about, he’ll ask you about your passions or things you like to do to have more to talk about with you and to get to know you even better. he also likes to research on the internet and send you videos that he finds about your favorite topics and, when you least expect it, he will start conversations about it, leaving you surprised but happy to know that he puts a lot of effort into connecting with your world.

˒ ⌕ GEORSE RUSSELL

he always includes you in his plans: whenever he travels, he talks as if you’re going too, without even inviting you directly. when you ask him about it, he usually says, “well, you’re going with me, aren’t you?” and when you can’t go because of work, he gets really frustrated, but he makes sure to keep you updated. he’s also always saying “we should check out that new place together… when are you free?” or “wouldn’t it be fun if you go with me for the next race?” he loves planting the idea of ​​future moments with you, and he loves it when they actually come true.

˒ ⌕ SEBASTIAN VETTEL

he loves teasing you: he always looks for a way to tease you, but always with a touch of flirting, which leaves you wondering if it's really just a joke or if he means something with it. he also hates it when someone else does this and he doesn’t hide his anger, and it’s at this moment that you also don't miss the opportunity to tease him; and the look in his eyes tells you that in fact, he doesn’t tease you just for fun.

˒ ⌕ CARLOS SAINZ

he always offers to help you with whatever you need: no matter what you need, he will do whatever it takes for you and to make your life easier. he will get you a coffee (and a sweet treat) in minutes when you say you want it. he will buy you something you said you needed but couldn't because you were too busy. he will come to your house to fix that broken drawer. he will always be there for you, even when you don't ask him directly, he will be there.

˒ ⌕ CHARLES LECLERC

he always remembers little details about you: sometimes he'll casually mention something small that you've said in the past, like your favorite snack or a specific memory. and sometimes you're delightfully surprised by how accurately he tells you these things because you could swear he'd forgotten or didn't really care, but he's always paying extra attention to you and everything you say is important to him.

˒ ⌕ LEWIS HAMILTON

he always compliments you a lot: but they’re not generic compliments that you always hear, he focuses on unique characteristics of yours that he really admires, like “you always have a way of making everything more fun and cool” or “you always seem to know the right things to say”, he’s always complimenting you, and he always means it.

˒ ⌕ OSCAR PIASTRI

he always looks for reasons to text you: he likes to send you news about your favorite singers, bands, authors or something he knows you’ll like. it’s things like “you popped into my head when i saw this, and i had to share” or “doesn’t this remind you of that joke you made?” and he always tries to keep the conversation going, no matter what.

˒ ⌕ LIAM LAWSON

he is always your biggest fan: whatever you do, he gives you all the support and help in the world. he is always the first one to show up when you need encouragement, whether it’s to wish you good luck at an event or send you a bouquet of flowers with a little note, or a brief message saying that he believes in you, and that he knows everything will turn out fine. he also loves talking about you to people like “did you see what y/n did? she’s amazing, right?” he is your biggest fan, and he doesn’t hide it from anyone.

˒ ⌕ MAX VERSTAPPEN

he looks at you a lot: when you two make eye contact, you have to look at something else first because he can’t get enough of you - and he loves it when you get embarrassed about it. he also loves to admire you when you’re distracted and don’t realize he’s looking at you; he loves looking at you and learning your mannerisms. to him, you’re the most beautiful person he’s ever seen, and even though sometimes you catch him staring at you and ask him with a smile what he’s looking at, he doesn’t stop or give you a serious answer, which creates a spark of curiosity in you.

[inazuma-fulgur]

I like the scent of people but I hate the scent of sex

Like all participants can have showered until just five minutes before, done a deep clean doesn't matter

""Not all odors are bad," Sherry Ross, MD, an OB-GYN" yeah but what if I don't like them

Kids [endearing, joking] it's time to learn about your body and stis

Here's the source for the quote:

[8hsaturn]

astro observations #4

- The idea that your north node = fate and destined path doesn’t feel accurate. After all, north node aka rahu is literally illusion and material obsessions and is also considered a malefic in multiple astrological circles. I find it to be more of an indicator of what our fantasies and guilty pleasures may be.

- People with prominent Leo/Aquarius axis tend to focus their astrological study on their personal placements from what I noticed. As they get deeper however, they start to venture into what other placements might be like. But for most part, the focus tends to be on their placements first.

- 7th/8th house placements tend to be the opposite, being very curious to know why people around them, their role models, and others in general act the way they do and therefore using astrology to understand that

- 9th house placements are the ones who study every placement just for the sake of it or out of curiosity, some 3h placements might also

- Taurus + Leo = curly hair

- Taurus placements, especially if aspecting Lilith or mars or coupled with mars ruled placements, tend to be into vampires bc throat (Taurus) and blood and injury (Mars) as well as the seductive/taboo nature of vampires (Lilith)

- 3h Saturn/ 3h in Capricorn might take quite a while to get their drivers license

- What others tend to say about u : 3h from 7h : aka the 9h.

e.g. 9h in Aquarius : people talk about how you’re unique, popular or friends with a lot of people, humanitarian. They might also discuss how you’re eccentric, disconnected or apathetic.

- Whatever houses are ruled by Venus in your chart can give you an idea of how your relationships impact you as well as how you behave when in a relationship.

e.g. Libra risings have Venus ruling their first and eighth house, they tend to have very transformative relationships that end up changing them completely. They might also benefit from personal glow-ups during certain relationships thanks to their partner’s resources. Opposite can be true with weak Venus or malefic influence on the houses of Venus.

- 8h is underrated as an intelligence indicator. That’s the house of research, uncovering mysteries, and finding out the hidden. If one of the most common intelligent tropes -detectives and mad scientists- work within 8h themes, that is for a reason

- 6th house Lilith could indicate suffering from eating disorders.

- I noticed that even people who don’t know anything about astrology (sometimes especially them lol) tend to have markers of their signs all over their online presence. my ardra stellium bf has pearl as his username (ardra is symbolized by the diamonds and jewelry), a lot of shatabisha (especially the men) like wearing bracelets and rings (reminiscent of the empty circle that symbolizes shatabisha) etc.

- 10th house could signify what traits do you have that are different or stand out from ur family. For example, Jupiter in the tenth house could mean different beliefs, maybe a taller build compared to your parents, I also see it as which members of your family do you resemble the most. 10th house Jupiter might look like their grandparents while 10th house sun their dad, and moon their mom etc.

- Saturnian tend to be gatekeepers because Saturn = scarcity and limitations.

- 4h mars/sun could indicate having more close male friends n vice versa for 4h Venus/moon.

- Sun nakshatras and ashwinis look really good when the sun is shining on them. They might be particularly fond of golden hour selfies.

- 11h synastry can indicate starting a business together, whether it’s benefics or malefics will indicate if the business will succeed or not.

- Lacking aspects to the luminaries can mean feeling disconnected from your parents, as if there’s a certain distance between you and them that can’t be bridged. An empty 3h + unaspected 3h lord can also indicate feeling that way towards your siblings.

- A strong Mars + Venus = good dancer. Also prominent dhanista and snake yoni Nakshatras (Rohini, mrigashira).

- Anna Popplewell and Nancy ajram look similar and I found they have quite the similar placements besides both having nodal (Ardra/Mula) and Saturnian (Uttara Bhadra/Anuradha) influence.

Nancy Ajram (Top) : Jupiter in Anuradha, Sun DK in the first Degree, Sun and Mars in Krittika, Ketu in Mula.

Anna Popplewell (Bottom): Venus in Anuradha, Sun DK in the first degree, Jupiter in Krittika, Sun, Mercury, and Saturn in Mula.

this is it for today <3 please don’t hesitate to share if any of this resonates!

[keisobe]

: 𝐩𝐥𝐚𝐲𝐢𝐧𝐠 𝐰𝐢𝐭𝐡 𝐭𝐡𝐞𝐢𝐫 𝐡𝐚𝐧𝐝𝐬 — (𝐧𝐞𝐭𝐞𝐲𝐚𝐦 + 𝐥𝐨’𝐚𝐤 𝐬𝐮𝐥𝐥𝐲)

— from avatar 2 : way of the water (spoiler free!!)

contents. gn! reader, reader is a omoticayan on the shorter side, full on fluff, flirting + teasing, just teenagers in love, implied size difference, hints of mutual pining, mild profanity, reader is around 7ft + wc. 1.3k

notes. i got this idea from that one scene with tsireya and lo’ak then noticed how humongous na’vi hands are and the cogwheels started turning in my head. i had to look up their heights and do a comparison chart to make it accurate lolol. so i hope you guys enjoy this one ^^

NETEYAM・✶ ｡ﾟ

he was visibly confused when you asked to compare hand sizes, eyes flicking back and forth between his hands to yours. when it came to neteyam, he was a little more cautious, especially growing up around three troublesome siblings. there always has to be a catch when it comes to silly requests like these.

but after a few moments of awkward silence, he ends up obediently holding up his hand to you, earning a pleased smile from you.

“are you playing tricks on me right now?” neteyam had to make sure in case the situation calls for any medical attention. kiri and his grandmother weren’t that far off from you guys.

“no i’m not, swear,” you laughed, raising your own hand towards him.

the air felt weirdly tense as he felt your soft palms brush against his, a strange warmth enveloping inside his chest. for all the times you guys have physically touched each other, whether it be to tend each other’s wounds or when he mindlessly latched onto your waist whenever he feels like there’s a threat approaching, he has never felt that intimate towards your touches.

neteyam watched the pads of your fingers drag itself into the calluses of his palm, it made him slightly jolt from the ticklish sensation and you couldn’t help but quietly giggle at his reaction. he gave you a playful glare that silenced you, but there was still a smile on your face. finally, you laid your hand flat over his— mirroring his outstretched fingers. neteyam realized how much your hands were completely different from his.

he noticed how your fingers were a lot shorter compared to his. if he could close his hands into a fist right now, your hand would be completely engulfed by his slim fingers. this shouldn’t be a surprise to him, you were a lot more shorter than him by a whole foot— always having to crane your neck whenever the two of you talked or when he always teases you for being short. but somehow, neteyam felt like he just learned the secret to pandora. it made him melt inside a bit.

he couldn’t help but think your hands are adorable.

“you have baby hands,” neteyam teases, his fangs flashing in his smirk. “tiny and soft.”

there was blush that appeared on your cheeks, your eyebrows crinkled at his teasing, “they're not that small!” 

your mind couldn’t quite register the fact he also called your hands soft. it made you feel even more flustered.

his long fingers smoothly wrapped around your entire hand, restraining your hand completely. you tried to wiggle your fingers out of his firm grasp, but there was no use. you nodded in a defeated agreement, he was right— your hands are completely tiny. but with someone like neteyam, he needed to hear it from you verbally.

“say it,” neteyam can be such an ass sometimes. 

you rolled your eyes, tongue suddenly feeling heavy with denial. but you knew neteyam wouldn’t let go of your hand until you admitted it. childishly, you stomped your feet a couple of times before you spoke again.

“i have baby hands,” your voice slurred with anger.

neteyam smiled in satisfaction and slowly released your hand. you quickly snatched away and petted the delicate skin of your hand— comforting it after being restrained by his rough touch.

after that, neteyam would always hold onto your hand whenever you went anywhere together. it could be when you guys hunted in the depths of the forest or just out of comfort, but there was always one sly comment about the softness of your skin or how tiny your hands are. your hands are so cute, he would whisper teasing remarks until your ears grew red. the other sully’s caught on and started to tease you as well. now you have to deal with even more relentless teasing whenever you come to visit them. as a result, your new nickname became “baby hands.”

although he could tease you about your small hands, you could always get him back for liking them.

LO’AK ・✶ ｡ﾟ

he quietly watched you mindlessly trace circles on his blue palms, his other hand supporting his leaning form. you guys had ventured out into the lush forest, resting in a secluded area that you found together that one night lo’ak ran off to train by himself. lo’ak always had a swell of adoration towards you, there was no denying that.

whenever he got injured from flying his banshee too close to the floating mountains, he would come straight to you. sometimes he would even fake his own injuries, repeatedly slamming himself into a random tree— brash and completely mindless. at the end he would be groaning on the ground and clutching himself in pain. witnessing his weak form nearly gave you a heart attack, you quickly aided him back to health after that.

one thing he noticed from each interaction was how soft your hands were. they felt feathery to the touch, it was like you didn’t even touch him at all. the brush of your fingertips could put him under a permanent trance. kiri was always so rough with him when it came to healing, pressing so hard on him that it could add more bruises to his already-beaten body. but lo’ak came to the conclusion that kiri was purposely bad at healing him. lo’ak wasn’t really surprised.

“lo’ak, i need you to answer me honestly,” your gentle voice sent him back to reality, he had to blink a few times to focus on you again. 

you still traced your fingertips on his palm, but this time he felt you drawing little hearts and some words he couldn’t form together— maybe he could figure out what it means later.

he nodded at you.

“are you purposely hurting yourself?” 

oh shit he was caught.

lo’ak fidgeted a bit but didn’t dare to move, not wanting to disrupt your comforting traces on his palm. he knew that he shouldn’t lie to you, it would only make you worry even more. so lo’ak inhaled a deep breath and looked into your eyes.

“yes i have,” lo’ak sighed when he remembered how he would beat wooden sticks onto his calves and shoulders. “i just…wanted to be closer with you.”

your eyes flicked in worry as you stopped tracing his palm, instead you held his hand tightly, “you should’ve just asked lo’ak, you didn’t have to hurt yourself.”

lo’ak looked away in guilt, the images of your eyes prickling with tears and the worried cries from his own mother filled his thoughts. once again, lo’ak felt like a burden to the people he loved.

the chirps of the wild animals and the rustle of leaves played in the background, your sad gaze slowly moved onto his fourth finger— something lo’ak felt slightly insecure about. he was about to pull his hand away out of embarrassment but your three fingers slowly latched around his pinkie, they wrapped perfectly around it.

so small, he thought.

lo’ak stuttered a bit, none of his words could form cohesively. his heart was pumping faster at the foreign contact, but he tried to keep it cool.

“you better ‘pinkie’ promise me this lo’ak,” your voice was stern and powerful. “that you’ll never hurt yourself again.”

“i promise,” lo’ak gave you a reassuring smile, earning a relieved grin from you.

you guys both stood together, silently agreeing that it was time to retire for the night. your smaller hand was still latched onto his pinkie, the softness of your fingertips sent blood rushing to his face. there was also something that he really wanted to ask you.

“how do you know what a ‘pinkie’ is?” he wiggled his pinkie in your grasp, he saw you look away for a moment until you sighed softly.

“i asked your dad what it was,” you looked at your own hands, wiggling your three fingers in the humid air to avoid his gaze. “i was just curious.”

lo’ak couldn’t help but laugh out loud at your cuteness. he leans in closer to give you a heavy kiss on the cheek— rendering you completely flustered. he’s going to be teasing you for a while.

© 2022 keisobe – please do not copy any of my writing and repost or translate to other sites.

[nokkiart]

As a long time httyd fan who has been heavily involved in the fandom since the first movie and who has spent years working in the animation industry, I’d like to share my thoughts on the new httyd movie. Keep in mind, this is just my personal opinion and it's completely fine if you disagree with me. I just want to say a little something about all this that really bothers me.

The core reason that Dreamworks and Universal made this film is that it’s a quick and easy cash grab for them. Thats it. They don’t care about telling a good story or making a “better” version of the original movie for fans or even having an accurate portrayal of the characters/story. It’s purely about money. They know that fans of the original film will go see this movie, whether it’s good or bad. And those guaranteed ticket sales are all that matter to the studios. And with Universal, it has the added bonus of being a cheap promotional and merchandising opportunity for the new HTTYD land in Orlando that opens around the same time that the film is premiering in theaters.

And to help the studios make even more money out of this, they are using non-unionized VFX companies around the world to make this film, so that they can get cheaper labor and push the artists to do more that would be against American union standards. The same thing has probably happened with the costuming and fabrication for the filming, hence why the costumes look un-weathered and the sets look cheap. They don’t want to pay for the extra time and effort that it would take to make the practical bits of the production look good.

On top of all this, Dreamworks has already announced that they’re shutting down all their in-house animation projects in favor of using AI and outsourcing projects to cheaper international non-union studios.

With all this in mind, I just can’t support this film and I will not be seeing it in theaters. And I hope that others will do the same.

The only way to stop all these horrible “live action” remakes (which are actually just realistically animated remakes) is to not buy tickets to see them. Money is all that matters to these studios, and if they don’t make any money off of it, then they will stop and try something different. Maybe they'll even go back to focusing on original stories!

That’s the power that we hold as audiences. Our wallets help drive the decisions that the executives make. So support unique storytelling and gorgeous cinematography in movies. Support indie films. Support animators as they're fighting for fair pay and better contracts. But don't support a mediocre shot-for-shot remake riding on the coattails of an already successful film.

And I just want to wrap all this up by saying I have absolutely no hate towards anyone that has worked on the new film. Toothless looks incredible and I know the artists and creatives involved in this project did the best they could with what they were given.

But I also know that those same artists have so many more brilliant ideas that they would’ve loved to be given the creative freedom to do. I just wish hollywood would be willing to take a chance and let them do it.

[max1461]

I think that the average internet Marxist is actually not much of a materialist at all, in fact in their behavior and rhetoric they seem very concerned with moral purity, the redemptive power of suffering, and the ability of narrative to shape the actual world. As myriad as the senses of the word "materialist" have come to be, none of this would seem to comport well with any of them. This all feels very Christian.

In some cases I really do think there is a latent Christianity in it, but I think the stronger source of this trend is simply the leftist emphasis on sloganeering. Somewhere along the line, maybe with the Bolshevik policy of democratic centralism or maybe somewhere else, the importance of the slogan, the party line, the supreme power of the speech act seems to have been elevated for many leftists above all other concerns. From this follows the kind of disingenuous, obviously fallacious argument you so often see from the online ML left. The point is to say the magic words that have been carefully agreed upon, the magic incantation that will defeat all opposition.

Whether it's "I don't want to vote for a candidate who supports any amount of genocide" or "The Is-not-rael Zionist entity is on the edge of collapse!" or whatever else, a rational person can recognize the impotence of these words. They don't do anything. They're just words. But the feeling seems to be that once the perfect incantation is crafted—the incantation that makes your opponent sound maximally like a Nazi without engaging with their position in good faith, or the incantation which brushes aside all thoughts of defeat, or whatever else—once the perfect incantation is crafted, all that is left to do is say it and say it and say it, and make sure everyone else is saying it too.

This is not a materialist way of approaching politics. This is a mystical way of approaching politics.

I think it's also worth saying that this tendency in Marxism seems old, it certainly predates the internet. Lots of Marxists today are vocal critics of identity politics, of what they see as the liberal, insubstantive, and idealist Diversity, Equity, and Inclusion framework. I share this criticism to a significant degree, but I'm not very eager to let Marxists off the hook here. The modern DEI framework evolved directly out of a liberal/capitalist appropriation of earlier academic ideas about social justice from such sources as Queer Studies, Black Studies, academic Feminism and so on. I say this as a neutral, factual description of its history which I believe to be essentially accurate. In turn, disciplines like Queer Studies, Black Studies, and academic Feminism each owe a great intellectual dept to academic Marxism, and likewise to the social movements of the 1960s (here in the Anglosphere), which themselves were strongly influenced by Marxism.

Obviously as the place of these fields in the academy was cemented, they lost much (most) of their radical character in practice. To a significant degree however, I think their rhetorical or performative radicalism was retained, and was further fostered by the cloistered environment of academia. In this environment the already-extant Marxist tendency to sloganeering seems in my impression to have metastasized greatly. And so I think the political right is not actually wrong, or not wholly wrong, when they attribute the speech-act-centrism of modern American (and therefore, online) politics, its obsession with saying things right above doing things right and its constantly shifting maze of appropriate forms of expression, at least in part to Marxism.

Now I should say that I don't think the right is correct about much else in this critique, and I also don't think this is wholly attributable to Marxism. But I think there's plainly an intellectual dept there.

More than anything else, this is my genuine frustration with both Marxism as it exists today and with its intellectual legacy as a whole. I fundamentally do not believe in the great transformative power of speech acts, I do not believe in the importance of holding the correct line, I do not believe that the specifics of what you say or how you say it matter nearly as much as what you do. I do not think there is much to be gained from playing the kind of language games that Marxists often like to play, and I do not think that playing language games and calling it "materialist analysis" is a very compelling means of argument.

[tealvenetianmask]

I want to think a little about Blitz's self-perception with regard to his lack of education/sophistication. In my opinion, HB gives us a very accurate portrayal of what it feels like to navigate relationships when you're a person with a long history of feeling like you're never good enough ("I can always do better").

Let's start with his friendship with Moxxie, though like a lot of my posts, it will find its way back to stolitz.

Moxxie doesn't necessarily have more formal education than Blitz. I mean . . . he likely had the economic resources growing up, but I don't think Crimson seems like the kind of parent to prioritize education. Besides an education in violence. I assume that both Blitz and Moxxie had some basic education as kids, but the difference is that Moxxie likes "high culture(ish)" things like musicals and bow ties, enjoys knowing details about history, and probably reads for fun. He's also the kind of ". . . um actually . . ." friend who can make even a secure person feel a little stupid. Not that Blitz doesn't sometimes need to be called out, but Moxxie does seem to take some joy in correcting him.

And yes, Blitz bullies Moxx and calls his junk tiny and tells him to eat a salad, but like . . . it's pretty obvious that to some extent, Blitz is covering up for feeling inferior to Moxxie on some level.

We see how Blitz really feels about this in Truth Seekers.

Borrowed observation from excellent reaction youtuber Omn1media: When Blitz hallucinates Moxxie lecturing him, Moxxie goes really hard specifically on the insults to Blitz's intelligence. Moxxie's speech is also much more rambly/laced with figurative language than it is in their real (non-imagined) interactions.

We can see from Blitz's face in these scenes that these comments really get to him. Of course they do- he's making them up in his own nightmare.

"Foolish flights of fancy" is the rest of the caption there . . ."

He's very upset by the idea that he's really inferior to Moxxie- under all of the bravado, he's deeply insecure. It probably doesn't help that the truth gas made him admit that he didn't like the musical that Moxx recommended. Yes, I know that was a Cats joke, but also, Blitz bothered to lie, and he doesn't seem allergic to hurting Moxxie's feelings, so I think he wanted to pretend to "get" the "higher art" that Moxxie likes.

Okay so if Moxxie (with an essentially equivalent status and education) manages to unintentionally make Blitz feel stupid and uncultured, how does this translate when Blitz falls in love with Stolas, who IS objectively very high status and very well educated and DOES speak in "fancy rich people" language?

Oh. Right. The pedestal, the impossibility, and all of that.

I'm not saying that Hell's strict hierarchy doesn't have a lot to do with how Blitz perceives a real relationship between himself and Stolas as impossible- it absolutely does. And so does his history of failed relationships and heaping backpack of trauma. But also, the education/sophistication piece is there, and it's major.

I'm on the fence about whether Blitz actually sees himself as stupid or is just worried about being perceived that way by others. He obviously knows he's very good at the work he does, and that takes both a certain level of strategic thinking AND some very brilliant improvisation. I think he knows this. But he also knows he'll never . . . let's say, be the best read person in the room (if you want to know my thoughts on Blitz and literacy, click here- but short answer, I think he's quite literate but also dyslexic).

I think that like many real people who are kind of out of the box in this way (disrupted education and/or neurodivergence) he's simultaneously aware that he's very intelligent AND deeply insecure about being stupid or having others devalue his kind of intelligence.