#also maybe I struggle with design changes
Explore tagged Tumblr posts
Text
controversial opinion. I am dreading bald luthor.
#I Know max mittelman will manage to pull it off#but the thought of That Voice coming out of That Bald Head is terrifying to me#also maybe I struggle with design changes#still excited for whatever we get from s3! even if it takes getting used to!#my adventures with superman#maws lex luthor#please bring back leslie and rory tho if I dont see them Im rioting
37 notes
·
View notes
Text
monthly calypsoworld tag ramble :]
#it’s actually incredibly tragic . but that does not mean the prototypes cannot be fun#like ohhh every second i think about them i know they are destined for frankly horrible deaths . just due to the nature of their existence#i’ve been approaching pvp2003 by mostly just . fleshing out the things that i need to as they come up . Mostly#the the anesidora prototypes have been horribly neglected . on the account of not really being important to calypso’s development LOL#but that does need to change . and maybe that Will change if i play around with them some more#always feel like such a freak when i kill my own characters sorry like yea … i made a guy … AND THEYRE DEAD BTW. but what can i sayyyyy .#calypso’s Whole Thing is abt death and rebirth . somewhat literally and somewhat figuratively#ten dies and becomes anesidora (real actual literal death. less literal transformation)#anesidora dies and becomes calypso (purely metaphorical)#calypso dies and … stays the same? she should be someone else but she doesn’t really have it in her anymore to become someone new#<- (not literal? but not Entirely hypothetical. she got blown up and was dead but she got better)#the anesidora prototypes that came before her Also struggled heavily with identity . Most of their downfalls boil down to a very violent ego#death . ego death#anesidora 1-8 dealt with identity as clones . identity as robots . dysmorphia as robots . also just generally poorly thought out designs#how fucked would it be to wake up in your cool new robot body built for fighting and it just Doesn’t work off the bat . <- A-2#they figured That out by A-3 but A-10 (calypso) was the only prototype to make it into field testing#i love A-9 . 9 is really exciting to me bc she is a question i’ll never answer . what happened to her ? wouldn’t you like to know.#all i’ll tell you is that she never made it into a robot . maybe she’s still out there . (going ooooo ooooo and waggling my fingers)
3 notes
·
View notes
Text
I was trying to make a design of Red Alert, since he’s partially been on my mind today and I was like “eh, might as well”, and I am realizing I do not know what to do with the g1 helms
Red Alert doesn’t seem to have many depictions outside of Animated in which she’s completely different looking, and also the Unicron trilogy which I still have not seen yet, so I was thinking I’d work off of g1 and go from there
But I don’t really know what to do with his helmet outside of make his horns into sirens, so I’m kind of left failing to recreate his g1 design
Like this is what I have so far, and I ain’t using it because it’s not great. But like, I’m trying to show you my struggle here
He apparently does have a design in Transformers One, but I was struggling to work with that too, though I’m not entirely sure why now that I’m looking at it
I do think it looks pretty good though
I think in part I don’t want it to look exactly like g1, like I want to branch out more, but I don’t know how
I was kind of able to figure it out with the female Autobots in g1 before, but I think there it’s different because they had way more elaborate helms, and I mostly stuck to what they already had with some changes
Red Alert meanwhile has a very basic looking helm that again, I really don’t know what to do with
I don’t know, I’m probably going to scrap this drawing idea for now. Or I guess shelve would be the better term. This isn’t like the protoform thing where I plan to complete this today. I just wanted to complain. Hell I don’t even know if I did that, I’m well aware I’m pretty incoherent
I have no idea how people change and rework these designs, it is a power I do not possess
#I’ve also had the occasional time where I’m like “how about I try to make my own Megatron design?”#but then it never gets far because I don’t actually know what I want and what to change and keep#you know maybe this isn’t entirely a problem of me not knowing what to do past the g1 designs#well I mean it kind of is#but more that I don’t know how to change designs to my own#I suppose that makes sense actually#I tend to stick as close to canon as possible instead of doing my own thing#my lack of creativity strikes again#*sigh* I don’t know#transformers#transformers g1#tf red alert#art struggles#wip#random stuff
2 notes
·
View notes
Text
i do think, aside from mercury bias, if bg had been in all season she would have been all wnba, first or at least second. i think people undervalue her because of the rebounding but she is 1000% the worst officiated player in the league, on both sides of the court. so the fact that she's been able to have the performance that she had is incredible, and that she didn't get the acknowledgment really just underscores how much people take what she does for granted.
#i saw something interesting that kim milky basically has her players specialize and so they come out of college less well rounded#exhibit a angel's shooting vs rebounding#and i didn't watch bg in college so maybe i'm totally wrong on this but maybe rebounding just wasn't he job#and then i saw on reddit or something that maybe because she is so poorly officiated she'd get called for too many fouls on rebounding#for it to be worth it#and while i understand the value of rebounding really i do the mercy's problem wasn't that they weren't trying#well sometimes it was but it was that their whole system wasn't designed for it#if you have 4 players on the perimeter to space and shoot 3#you're going to hope they go in and run the floor instead#teams that rebound well dedicate bodies and time to rebounding#and i believe that it was a conscious choice the merc made to not do that#and if you look at old merc games they struggled with rebounding then too#i actually will have more to say about this in the future but the mercury's style of play has lived and died with dt's style for 20 years#the mercury have the most 100 point games of any franchise#and they are responsible for most of the 200 point total scores across the league#ie their fast break and bad defense lol#and while it's not entirely true - she is not responsible for every result they've ever had - i don't think you get westhead's style of pla#to work without her talent and the penny cappie dt trio in 2006#or at least it isn't successful and maybe doesn't change the pace of play in the league the way it did#it's also interesting that if the lottery draw goes differently in 2006 and merc have the first pick do they get seimone or do they stick#cappie? i think they stick with cappie bc they needed a true pg and from what i've seen seimone is a 2/3#and i don't think dt becomes the player the league knows without having a true pg [vs her playing point]#the thing is dt can play point better than most people but i think she plays better when she has someone else there to help#and her talking about oh i should've won mvp in 2006 [when i dropped 40] [lisa leslie won that year]#and in 2014 [best team ever] [maya moore won that year]#you look at the stats and there is for sure an argument to be made there#but it all comes back to post players#and i know wikipedia says maya is a power forward but she seems like more of a 3 sometimes? i haven't watched her enough#but i don't think dt can win mvp in 2009 without that team specifically#which means [and this is my theory of life] that everything happens the way it has to happen for you to end up where you are today
3 notes
·
View notes
Text
Every time I think I've finally settled on a Pimpernel design there's always this little voice in the back of my head going "wow it took you three years to come up with that? Lame lol"
#its the devil talking i know but like can we chill please#but like for real though ive been fairly settled on some of his designs and then boom self doubt#at some point im gonna have to just stick with one#the latest one is finally scratching that it looks like a persona itch though#we'll see what happens though#hes very much airing on the side of “you cant tell who tf its supposed to be”#but it's also not wildly off either#the struggles of a character designer to a series/au that is so personal to me and is enjoyed by maybe 6/7 other people#who cares though im loving it even if it is causing horrors#maybe me being on holiday rn will help my creativity#you know change of scenery and all that#and yeah 3 years is not an exaggeration i checked the file date of his very first design and its 3 years old 🚶#good lord this au has occupied my brain for so long i gotta get going with it 🚶
6 notes
·
View notes
Text
Relativity Falls!
Design Concepts (and my unnecessary thoughts):
Excuse the the colors, ig my apps are fighting.
I see Mabel finding success no matter what happens to her, but I really like the thought of her running an insane arts and crafts business in GF. Alternatively, if she fell in the portal, she'd come out acting confident as always, but she probably wouldn't realize how much the constant change and lack of family/stability wore her out until she settled back in. In either case, she's a bit cracked.
Dipper is investigative, but cracks easiest under stress and is not as inherently adventurous as Mabel or Ford- so the portal wouldn't treat him well. If he's not the one in the portal, he'd be into stargazing and real magic to share with people, while also warding tourists away from the dangerous stuff. In general, he'd be an unhappy adult if left to his own devices, lol.
Between Dipper and Mabel, I like Dipper being in the portal more. He's a great protagonist, but as a supporting cast member, he needs to be more insane to match the draw that is 'Mabel taking care of children,' ha. I also love the idea of there being no portal / some other looming threat for these two to struggle with (at least because Hirsche has made it clear that Dipper and Mabel are equally smart, and to me it seems like the portal would reopen way quicker with them), but I didn't plan on posting these and I don't know how my followers feel about me posting lore.
Stanford and Stanley:
Pretty much how they are in canon, but now they're in a setting where they can get over themselves, ha. They aren't quite as mature as Dipper and Mabel were at their age, but after coming to GF, they finally found other people to look out for them. Dipper could be a more emotionally available and level-headed role model (I think having people to take care of is calming for him in turn), and they'd both look up to Mabel as the peak of somebody who knows how to socialize.
Fiddleford:
He's a sweet, southern, farm-raised mechanical engineer just like in canon.
Idk why Fiddleford is in GF (visiting an unnamed grandparent?), but I really like his relationship with Ford in the journal. Following that thought, in this AU, he starts out more of Ford's friend than Stan's, and it's kind of a big deal. Unlike Dipper's arc on learning to be a kid, Stan and Ford clearly struggled a lot with interpersonal relationships / finding security outside of eachother, and that's what I think this AU could be about (it's great they realized they need each other in canon, but the part where they had no one else to turn to is also kinda crazy if you ask me).
Ford gets to meet another smart kid in a weird town, which helps him feel more normal. He has a better idea of what friendship is because of it, but also, since I can't imagine Dipper wanting an apprentice so young/vulnerable/impressionable or Mabel asking only one of the twins to stay- he'd have to come to terms with the fact that he can't live in his dream world forever. (Or maybe the apprenticeship comes from somewhere else, just because the conflict around going back to Glass Shard Beach at all, or sending Stan alone could be pretty good.)
On the flipside, I think Stan's initial jealousy of Ford and Fiddleford's friendship would force him to try finding his own friends / hobbies. I like the idea that he fails at first- and a lot- but Mabel notices his mounting frustration (which he is very keen on hiding), and her consistent and unorthodox support makes him realize he wasn't alone to begin with. He can be more open around her, which makes it easier to open up to others, and then he can make friends without having to pull any tricks. He probably starts with some animals, and then at least gets closer to Fiddleford anyways (I feel like they're both more practical than Ford and value human company more, so they'd bond easier once Stan gets over his personal hurdle).
Anyways- because that was way too much- Mabel's exes are a constant source of antagonists and Dipper is stressed about setting a good example.
(I was more of a Monster Falls fan back in the day, but I can't draw animals, lol)
#fanart#gravity falls#relativity falls#relativity au#mabel pines#dipper pines#stanford pines#stanley pines#fiddleford mcgucket#fiddauthor#(if you wish)#I wasn't planning on doing any AU fanart#but designing mabel was way too fun#damn i didn't even draw bill#oh well#i have mixed feelings and ideas for how he'd fit in anyways
3K notes
·
View notes
Text
Hi gamers guess who's thinking abt unit swap stuff again. Shiho and Saki discussing who would be best fit to play the cast in their musicals knowing full well they're going to assign Honami to the main character like they always do and the Saki will insist on playing the main villain like she always does and then Ichika gets stuck playing every other character while also playing the trumpet like he always does
#rat rambles#sekai posting#unit swap au#shiho initially only does backstage work when it comes to their actual shows but eventually they get talked into taking some on stage roles#also yeah Ive been fleshing them out a bit more but mostly in the concept department as unfortunately there rly isnt much more I can do#without fleshing out wxs too and Im too scared to and also have too few ideas#most of what I've said in the past of each of their general roles in production still holds true but Ive musicalified them#one thing I do want to do with them is have them make more and more connections with the other units as time goes on#so eventually what was initially going to be a 2 person project turns into a whole hord of ppl helping shiho and the gang#this is mostly because of my current vison of unit swap shiho and I think itd be cute to see them be surrounded by so much support#they still mostly insist on only having the 4 of them perform on stage but occasionally rui pops in to help with backstage stuff in shows#shiho is an actual actor in and plenty of folks will show up to help with set design#also fun honami struggling rly hard with acting until eventually it starts to click and suddenly the others keep asking her for advice and#she has absolutely no idea what to tell them because she doesnt even know how she started being able to stand on stage without trembling#let alone how she got to a point where others look up to her acting she just walks on stage blacks out and then wins#the secret is that in the dance club she joined to try to get better endurance minori pushed her into the deep end on accident#you see minori made the club along side airi to basically try to get a better grasp on dancing by teaching it since she had spent most of#her time just learning and practicing by herself and airi was like well maybe a good way to wrap your head around it better would be to#stop bashing your head into the same wall and try changing your perspective with it a bit#or smth like that again still in development stuff#and since minori basically threw herself in the deep end when she was first learning she tried to start similarly with the others#which had mixed results as it meant that they spent a lot longer on parkour than dancing during the first year dvskdhjd#all while minori continued to give everyone else heart attacks every meeting with her messed up cartoon luck#but hey all of this did absolute wonders for honami's physical capabilities and also for her confidence to a degree at least#bad news now saki always tries to write in unecesary action in every scene and shiho has to be like we are not making honami do a backflip#everytime she has a line#also Im sure you could put two and two together by now but yeah saki and shiho write most of the scripts together#ichika usually helps with the music composition and all of them work together to brainstorm and create the set pieces and costumes#they may have like zero budget but they have the power of ✨friendship✨ and also eventually rui#oh yeah and honami plans out most of the choreography with some imput from the others
1 note
·
View note
Text
Destiny Matrix
(predicting some events of your life and characteristics of your fs)
• For entertainment purposes only, enjoy •
•☞ Masterlist
Guys, destiny matrix chart is So gorgeous 😭 , I fell in love. I am new to this, but it's so fascinating, so I am sharing with you guys. Obviously I learnt a lot from ann_matrix_destiny insta page. I explained some of her work here, rest is mine.
✨What is Destiny matrix chart?
-A spiritual and metaphysical chart that reveals a person's life path, soul purpose, and potential.
✨How is it calculated?
-Based on a person's birth date, using a complex system of numerology and astrological correspondences.
💫 How to see some important events of your life?
see this area(perimeter line)of your chart , this will explain many important events of your life.
💚Age of getting married/ meeting with your significant other/ spouse:
- look at your age in your chart, if you see 3,5,6,19,20 at the top of your age then at that age you will get married/ meet your significant other/ start a family. Like in this chart I have shown above '5' is top of the age of 23.5- 24, so this individual will meet their spouse at that age/ get married.
• Going through Transformation in your life :
- if you see 13 or 16 at the top of your age , then at that age your life will drastically change/ you will go through a huge transformation of your life. You will change your location/ your career/ will shift to another country or city.
⚡Moving abroad/ travelling:
If you see 7,10,21,22 above your age then this is the best age for travelling or going abroad.
if you find 21 in your love line(circled part)then most probably you will marry a foreigner.
And if you find 7, 10 , 21 or 22 in this positions then most probably you will go abroad/ find your partner there .
Now , the future spouse part : -
💖 Hints about your future partner :
Look at the number below the heart symbol to know about your future partner. In this chart it's 21.
So, let's explain each numbers -
•Number 1: The magician
- creative and innovative
- skilled and talented
- confident and charismatic
- however they may also struggled with over - confidence and arrogance.
- gemini / Virgo zodiac sign placements
- profession : musicians, writer, public speaker, coaches and mentors , scientist, entrepreneur, marketing and advertising professionals.
- meeting: conference or seminar, art galleries, meuseum, workshop or studio, networking events or industry conference, class or training session.
• Number 2 : High Priestess
- intuitive and wise
- mysterious and enigmatic
- maybe quiet and reserved.
- soft spoken and considerate.
- cancer zodiac sign placements.
- profession: councillors, therapists, psychologist, Nurse or healthcare professionals, social workers, spiritual leaders, energy workers.
- meeting: secret or private settings, libraries, coaching, weddings , meeting in the context of any spiritual retreats.
• Number 3 : Empress
- Full of life , energy and vitality.
- encouraging others to grow and flourish.
- committed, dedicated and faithful.
- Taurus and Libra zodiac sign placements.
- profession: fashion designer , sculptors, teachers and educators,event planer, environmentalists, musicians, healthcare.
- meeting through : parties, gatherings, festival, fair, creative workshops, artistic projects ,meuseum, concerts.
• Number 4 : Emperor
- Natural born leader, authoritative, commanding.
- makes tough decisions with clarity and conviction.
- commited to family and responsibilities.
- zodiac sign: Aries placements.
- profession: executive, CEO, leader or manager, military officer, architect, Engineer, government officials, buisness owner.
- meeting : buisness meeting, job interviews, formal events , official ceremonies.
• Number 5 : Hierophant
- values established customs, rituals, and institutions.
- upholds ethical standards and moral principles.
- prioritise stability and security over change and uncertainty.
- Taurus zodiac sign placements
- profession: spiritual leaders and mentors, councellor , advisor or consultants, traditional healers or healthcare professionals.
- meeting: spiritual or religious gatherings, traditional ceremonies or rituals, educational and training sessions , counciling or therapy sessions, church,temples , mosques.
• Number 6 : The lovers
- collaborative, work well others.
- empathetic and aware of others feelings.
- true to themselves and their values.
- zodiac sign: Gemini placements.
- profession: counselors, coaches , writer , journalist, artist, musicians, public speaker, philosophers , scientist, researchers.
- meeting : social getherings or parties , creative or artistic collaboration, Beauty or fashion events , community or networking meeting.
• Number 7 : The chariot
- Determined, self disciplined.
- ability to overcome any obstacles and setbacks
- has clear direction
- zodiac : cancer placements
- profession: nurses , social worker, military, architect, psychologist, chefs , nutritionist, hospitality professionals.
- Meeting: family gatherings, home or domestic settings, caregiving or helping professions.
• Number 8 : strength
- courageous, brave , have inner strength.
- has capacity to forgive and let go.
- has self discipline and self control.
- zodiac sign: leo placements
- profession: artist , designer, performers , public speaker, motivator, executives, philanthropist, teacher, councellor, athletes, trainers.
- meeting: park or garden, fitness or wellness center, creative studio or art space, festivals, social gatherings.
• Number 9 : Hermit
- quiet, reflective, and introspective often preferring to spend time alone
- serves as guide or mentor
- discerning and concious about every step they take.
- zodiac sign: Virgo placements.
- profession: therapist, counselors,teachers , coaches , writers, editors, healthcare industry, social worker.
- meeting: therapists or counselor office, library , spiritual or religious sanctuary, coffee shop , book store.
• Number 10 : wheel of fortune
- flexible, able to adjust to changing circumstances.
- believes in destiny
- have philosophical outlook on life.
- zodiac sign: Taurus, leo, scorpio, Aquarius placements.
- profession: life coach, astrologer, environmentalists, entrepreneur, investors, historians.
- meeting: a farm , airport, bus station, temple, monastery, party,park , near mountain or river.
• Number 11 : Justice
- impartial and balanced
- they make descision based on reason and logics.
- have strong sense of morality and ethics.
- zodiac sign: Libra placements
- profession: lawyer, judge, counselors, social worker, activists, advocate, journalist, analyst , or spiritual leader.
- meeting: courthouse, law office, government building, council chamber, community centre, places of worship, philosophical organization.
• Number 12 : Hanged Man
- they are reflective , look inward for answers.
- they are open to new settings.
- courageous, deep understanding of themselves.
- zodiac sign: Pisces placements
- profession : spiritual leaders, therapist, counselor , artist, writer, healthcare industry, motivator, life coach.
- meeting : temples , church , meditation room , yoga class , hospital, library, therapy office,art studio, gym.
• Number 13 : Death
- they are like phoenix from the ashes.
- they can navigate difficult situations and come out stronger.
- constantly growing and evolving.
- zodiac sign: scorpio placements
- profession: therapist, estate lawyers, spiritual leaders, scientist, healthcare professionals.
- meeting: counselling centre, place of worship, innovation hub or entrepreneurship centres, hospital, wellness center.
• Number 14 : Temperance
- they strive for equilibrium in all aspects of life .
- they prioritise physical, mental and emotional well-being.
- have creative sides.
- zodiac sign: Sagittarius placements .
- profession: doctor or nurse , therapist or counselor, artist or musicians, spiritual leader, international relation specialist , life coach , designer .
- meeting : art galleries or museums, embassies or international conference centres , community centres, clubs , parks , garden , spiritual center , yoga class.
• Number 15 : The devil
- they thinks outside the box and brings fresh ideas .
- magnetic personality, can attract others.
- unconventional, transformative.
- zodiac sign: Capricorn placements.
- profession: politician, CEO, artist, law enforcement, military, detective , investigators, activists, occultist.
- meeting: historic mansion or estate, a secret rooftop, art galleries, studio , book store, library , cafe.
• Number 16 : Tower
- they seek honesty and transparency even if it's uncomfortable.
- rebellious, resilient, revolutionary.
- they are open to new ideas.
- zodiac sign: Aries placements.
- profession : scientist, inventor, engineer, architect, military officer, crisis manager, technologist.
- meeting: transformation hub, a unique event space or art studio, bookstore, library, co-working space.
• Number 17 : Star
- they have a optimistic outlook of life and believe in a bright future.
- inspiring, peaceful, compassionate.
- creative and imaginative mind.
- zodiac sign: Aquarius placements.
- profession: creative expression, artist , industry related to healing and wellness, science and technology, humanitarian work, counselors.
- meeting: yoga studio or wellness center, botanical garden or peaceful outdoor setting, co-working space, concerts? , innovation hub.
• Number 18 : The Moon
- they trust their instincts and have a strong connection to their subconscious mind.
- deeply in touch with their emotions.
- unpredictable, may surprise other with their actions.
- zodiac sign : Pisces placements.
- profession : psychic or medium, artist or writer, musician, poet , spiritual teacher, healer, counselors.
- meeting: mystical or esoteric shop, secluded beach, art studio, a spiritual or metaphysical bookstore, coffee shop.
• Number 19 : Sun
- they exude self assurance and positivity.
- optimistic, enthusiastic, charismatic.
- warm hearted , willing to share blessings with others.
- zodiac sign: leo placements.
- profession: actor or performer, artist, CEO , teacher or mentor, event planner, musicians, life coach, designer.
- meeting: cafe / restaurant/ hotel , studio , gathering hall, auditorium, music festival.
• Number 20: Judgement
- they are introspective and willing to confront their past and inner self.
- self aware, have deep understanding of their strengths and weaknesses.
- awakened, courageous, honest.
- zodiac sign: scorpio placements
- profession : spiritual teacher or guide , therapist or counselor, life coach, researcher, artist or creative expression.
- meeting: spiritual center or temple, yoga class, a writer's workshop, park , garden , therapy or councilling office.
• Number 21: The world
- they have achieved their goals and fullfill their potential.
- compassions, wise, confident
- adventurous and global minded.( Most likely a foreigner)
- zodiac sign: Taurus, Capricorn, leo , placements.
- profession : global diplomat, artist ( global or universal theme) , cultural ambassador, world traveler, humanitarian work.
- meeting: while traveling, international conference centres , airport, spiritual retreat, international art or music venues.
• Number 22 : The fool
- they are willing to take risks and embark on new journeys.
- spontaneous, carefree , open minded.
- have faith in themselves and universe.
- zodiac sign: Aquarius placements.
- profession: entrepreneur or startup founder, activist, humanitarian work,coach or consultants, designer, scientist,teacher, journalist.
- meeting: spontaneous meet-up or pop up events, inspirational seminars, creative workshops,cafe or coffee shop, outdoor adventure location.
----------------✨✨----------------
END .....( I am tired af 😭)
☞ Healing through marriage
Thanks for reading 💓
-Piko ✨
#astro community#astro notes#astro observations#astrology#astro placements#composite#composite chart#synastry aspects#synastry#synastry observations#synastry overlays#future spouse#destiny matrix#future husband#birth chart#natal chart
3K notes
·
View notes
Text
An analysis on how Sir Pentious' character design represents his personality and development perfectly (beware of Hazbin Hotel spoilers)
Let's get this out of the way: Sir Pentious is a snake, an animal mostly known for generally believed negative traits such as poison, deceit and betrayal. We don't know WHY he's in Hell, maybe he was a "snake oil salesman" considering he comes from the Victorian times and he's into hyping up what he does, or maybe he was into war. Thing is, he's a Sinner whose design just scream "Evil".
(BTW, a snake could also represent "fertility": looking at you, Egg Boiz!)
He always had eyes all around him not just because of a stylistic choice.
Sir Pentious always felt like he was watched, and had to watch out for any danger.
"Everyone here is too nice: obviously it must be a lie! I can sense they are planning to kill me, but when?! HOW?! I must be PREPARED!"
Sadly, he's been constantly berated by other demons, far more effective in destruction, status, cruelty and charisma. Alastor won't ever bother to remember him, Cherri always ones up him, and the Vs, the ones he admires to most, won't care less about him.
To the point that Vox sent him as a spy without the intention to save him if things were going to fail. Heck, he even openly tells him to die while calling him a failure.
So of course he's got reasons to have trust issues, or taking everything so seriously, being constantly reminded of what he can't accomplish. So he puts an air of grandure that may be very flamboyant, but is VERY frail.
But, if we have to be frank here, his biggest source of insecurities... is himself.
He has eyes on his tail (his softer, more vulnerable side, which is ironically made even MORE lieable to getting hurt because of how sensitive those organs are), and inside his hood, so he could look out better for danger when on alert mode.
Heck, even the mark on his hood kinda resembles one eye.
Problem is, when you see his hood folded, when he's at ease, neutral or sad, those are not looking at outside sources.
They're looking at him, at his back. A constant stare that happens everytime he lets his guard down and shows how vulnerable he is. A gaze that can sense all of his weakness, his struggles, his insecurities.
And it's all him.
Pentious constantly believes that his inferiority complex will fade away once he'll accomplish something grand that will make others accept him. But he is his biggest critic, his worst enemy: HE is the one who believes he's a failure, that he'll never gain approval from others.
This show takes place in Hell, but this is Sir Pentious' personal Hell: insecurity born out of self hatred. Doomed to feel everyone's gaze upon him, including his own. Believing the danger to his self esteem is from others, when it's really from him.
But then he's accepted at the Hazbin Hotel: Charlie forgives him, he bonds with Angel, Husk and Niffty who don't care a bit about what he's accomplished or not, or what he's done in the past.
He feels more comfortable in showing his vulnerable side, and no one judges him for how easy it is for him to get emotional.
Of course he's still very insecure, considering how he struggles to confess to Cherri, but notice how he stops building machines or planning to attack others as soon as he starts bonding with the others: he doesn't have a reason to destroy or attack, now that he knows he's loved.
And his final design, when he goes to Heaven, shows how much he's changed, yet stayed the same. He may have died a hero, but he's still the same awkward snake we've come to love.
Speaking of love, let's talk about that!
No more eyes on his tail, now it's just on his chest (showing he's opened his heart), his glasses are now heart shaped, and even the markings inside his hood resemble kiss marks more than anything else.
And look: the mark on his hood is now heart shaped!
Why all these hearts? Why did all the eyes disappeared from his body? Even his eyes that were looking at his back?
Simple: love. Love defeated his insecurities and self hatred. He died for love.
He died protecting his friends, his new family, his new home.
He confessed and kissed Cherri knowing full well he wouldn't have made it, and yet he went anyway.
The usually cowardly and timid Pentious actually faced a great danger with courage and determination: he acted selflessly by putting himself in harm's way, he didn't steal (naturally) and by going against Adam he did indeed "stick it to the man"!
He used his weaponry knowhow and battle experience not to conquer, but to save his loved ones.
His only thought up until his demise was: "I'll go down protecting them".
And he's been rewarded not only by becoming an angel, but also being spawned directly in front of Emily and Sera, two Seraphim, the highest rank for an angel to have, who have also been depicted as snakes of fire throughout history! Sir Pentious, the lowly demon considered a failure by everyone, actually has been noticed by the Seraphim! He's come so far!
He's now come to represent the REAL symbolism of a snake: the duality of death and rebirth, transformation and immortality (ironically a reference to the fact he's been around since 1888 without ever dying from any Extermination or blessed weapons).
And isn't so poetic that a snake, the "source of the original evil", was the first sinner to ascend to Heaven? Or that this episode was released on February 1st, or National Serpent Day?
And of course, as the Bible itself says:
"Greater love has no one than this: to lay down one’s life for one’s friends."
(John 15:13)
And knowing him, I'm confident in saying he'll keep helping his friends even in his new position, like the soft hearted noodle he's always been, but was to afraid to show it up until now.
#Vivziepop#Hazbin Hotel#Hazbin Hotel Spoilers#Hazbin Spoilers#Sir Pentious#Fave Character#Comfort Character#Personal Rambles#What a wonderful lovable character he turned out to be 🥲#Character Analysis
3K notes
·
View notes
Text
Fashion designer Bakugou who sees you at his favorite cafe one morning. Your clothes are comfortable and colorful, but they obscure the beauty of your body he tells himself. So he marches over to you, wearing all black and a skull tshirt with heavy combat boots. It doesn't help that he's also drop dead gorgeous, so when he hovers over you and breathes out. "Let me undress you." Your brain short circuits. "I can dress you much better, let me." He doesn't so much ask as he commands, so you find yourself nodding along, unsure why he's interested in you in the first place.
When you get back to his studio he's measuring your figure, his large hot hands skimming over your breasts, your hips, your waist. The more he discovers, your waist would fit perfectly in his hands, and your tits are begging him to taste, the more he struggles to keep professional. He just wanted to have you as a model, he swears to himself. But when he's measuring your ass, he starts to lose it.
"Who the fuck let you out of the house in those grandma clothes when your body is this fucking amazing?"
The words slip out of him in a huff, and you blush bright red. "I-I don't wear grandma clothes." You try to defend yourself, but looking around his studio at the slinky tight fit dresses with corsets and plunging necklines, you realize that yeah- maybe you do wear grandma clothes.
"Just wait until I design something for you, you're going to look even more beautiful. Especially as my date." He's never been nervous asking someone out before, but damnit your curves and sweet, shy personality were a combination he was loathe to let go.
"Your date?" You felt like you were struggling to breathe. The super hot designer wanted to go on a date with you? You knew you were bigger, its not like you're oblivious. But never once did he make you feel lesser for being fat, he just seemed upset that you tried to hide yourself.
"If you'll have me." His voice was suddenly softer, his red eyes gentle as he looks up at you from where he's on his knees, the measuring bunched in his fist.
"Yes." You breathe out, knowing this chance encounter would change your life.
#katsuki x reader#katsuki bakugou#bakugou katsuki#bakugou x reader#jasmina writes 🌸#kacchan#thick dick boys#happy belated birthday#happy birthday bakugou#fashion designer au
2K notes
·
View notes
Text
Cleaning Up
Pairing: Mingi x f reader
Genre: angst, eventual fluff and smut
Word count: 7.7k
Summary: Months after being convinced to join Mingi on tour, you can't help but ruminate on the events of the last year of your life. Despondent, you start making choices and saying things that just aren't like you. In the heat of the moment everything comes out, not in the way you wanted; but maybe, it was just the way things were meant to unfold all along.
Warnings: MDNI, smut, reader is depressed, Mingi and reader argue, unprotected sex
A/n: I don't usually write things this angsty but the idea came to me after finishing Making a Mess and I just couldn't stop writing it. I hope you enjoy! <3
This is a part 2/expansion of Making a Mess, which is linked here so you can read it for some context if you'd like. This can also be read as a stand alone fic just fine! (I think, lmk if this isn't true)
Read it on ao3
<^><^><^><^><^><^>
You walk down the hallway of the hotel, the florescent lights making you squint to the ground. Another night of tour, another pounding headache. And here you were trudging to your room, sure to find a mountain of texts and emails in need of responses, another random hotel room bed waiting to embrace you. You're sure this one has pillows that will leave your neck a knotted mess in the morning, just like all the others. You're tired of this, tired of your body feeling like it has one use and one use only, tired of feeling like it's falling apart on you. This was supposed to be a break from monotony, an exciting new change. A chance to both rest and do exciting things.
Pulling out your key card you slot it through the lock, the light on the handle lighting up green. You push it open, almost dropping your bag as it slides off your shoulder and catches painfully on your upper arm.
"Ow," you mutter, crumpling to the floor in lieu of setting it down. The room is mostly dark, illuminated only by the city lights outside. You see through the window that next door is another hotel. Another hotel. You'd truly had enough. It was time to switch up the routine, at least a little. You couldn't bare to spend another night struggling to fall asleep in a hotel you didn't deserve to be in.
Leaving your bag behind you make your way back to the elevator, back to the lobby. The front door swings open and a chilly breeze hits you, making you shiver instantly. Your shorts and t-shirt might not be the most comfortably at this hour, but in your mentally exhausted state the shiver feels good. Any sort of feeling, really, was good. Anything new, anything different.
You bust through the doors, greeted by the cool night air, gripping your phone and key card tightly as you snake past a group of obviously tipsy businessmen. One says something to you but you don't even make out the words, trembling as you stalk by them without looking up. Harsh, fierce anxiety lances through you and suddenly you feel scared, like something terrible is about to happen. You know you're in the nicest part of the city, the streets well lit and a team of security always present outside the hotel. It isn't a rational feeling, the impending doom that's hitting you. But it's there and it's crushing, making your breath shaky as you walk down the street towards nothing in particular.
It was nearly five months ago that the two of you met, at a party thrown after the biggest fashion show you'd ever worked. It was supposed to be the highlight of your career as a makeup artist and up-and-coming designer, but truthfully you were so burnt out by the time it happened, so completely exhausted by your boss, that the whole event had passed you in a blur. You couldn't remember a single thing about that day but the dread you felt at the sound of your alarm, the panic staying with you all day even as you sipped a sweet cocktail, mingling in a way you really didn't want to but knew you should. For the betterment of your career, which you thought you so cared about.
And in the middle of the terrible day turned terrible night, there Mingi was. The group of designers he had come with were fretting around him, making their way to the bar to order their drinks. You hadn't moved far from the bar after grabbing yours, unable to actually make yourself go and introduce yourself to people like you said you would. Like you'd promised your boss you would. Your mind was so blank you weren't sure you'd even be able to form a sentence. But then he spoke to you, this striking stranger with the deepest eyes you'd ever seen, eyes that made you want to dive in and explore the entirety of his head.
Sure, the sex that night was amazing. It truly was, you shouldn't undersell it; but really the thing that stuck with you was what he said afterwards, while you both were tangled up in the sheets of your bed. Why are you doing it if you hate it? he'd asked you. And you'd explained that really you didn't hate it, you just hated your boss, your fashion company. You loved fashion and makeup and everything about that world, but you couldn't take another day of watching every one of your coworkers go home crying, your cruel boss tearing everyone down in front of you constantly. Except you, for some reason. I don't deserve her kindness, I don't know why she likes me, you'd said. No, she doesn't deserve your talent, he'd replied.
And then when he was leaving, his final parting words; You deserve so much more than that woman. Oh, it was simple platitudes. An easy thing for him to say to a girl he'd just been fucking, a girl he might want to still be able to fuck in the future. You knew that was probably the case, that he just wanted to play nice. It's no fun when your hookup starts telling you how fucking depressed she is, how beaten down by her job she is. Immediately upon him leaving you spent the night bashing yourself, screaming into the void that you never should have brought it up. Why am I always such a blabbermouth after sex? you thought. You spent days feeling regret, which finally turned to just embarrassment. But then he texted you, and you'd gone and had a late dinner, you both completely exhausted from your inhumanely long work days. In your delirious state you laughed together, grabbing desert on the way to your place, where again he fucked you senseless, his eyes boring into yours afterwards in the complete silence. You'd never had someone look at you so much during sex, or after, and it was exposing. He saw you. He saw in. And finally you had the courage to say fuck it, fuck her, and emailed your boss that you weren't coming back. He celebrated with you that day. Such an intensely intimate moment for two strangers; but really, he didn't feel like a stranger at all.
So the friendship grew. You picked up some freelance makeup work to keep yourself afloat, finally working with a friend on a project he'd begged you to join for months. That was fun until it wasn't, just like every little job was, and you were thankful that you didn't have to stay at any of them for long. You made it work for a little while, your rendezvous with Mingi the true highlight of most of your weeks. Your mind was still elsewhere, still swimming in the clouds as your body went about your life, as you felt like a shell, like someone pretending to be you. Only maybe when you were with him, when he was deep inside you, did you feel present. You could feel like yourself again, if only for a few moments. And god did you need that.
Come with me on tour, he'd said one night, his impending months of travel hanging in the air between you. You laughed, you laughed hard. What a ridiculous notion. But he didn't let it go, not for a second. It was late at night, your post coitus talk drifting off into the darkness as you repeatedly made each other yawn. I'm serious, I need you, he'd said. Again you laughed, how could you not? You weren't dating; this thing between you was very casual, and though you knew you might be dipping into dangerous waters by not defining anything you really couldn't be bothered to care in that moment. It's not possible, though, you'd replied. And then he'd vehemently explained to you how it absolutely, definitely was. It'd taken another week of thinking it over, but then you'd said okay. The opportunity called to you, the chance to get out of the place you'd been grinding in for the last few years and travel the world a bit, with this new friend, or whatever he was. In the end it wasn't that hard of a choice, as the life you were leaving behind wasn't really holding you anymore, wasn't really much of anything. And that did make you sad when you thought about it for too long, so you pushed the feeling down and surrendered instead to the excitement of the new opportunity. You'd lied to your mom, saying you were employed as a makeup artist for the tour; it made you a little sick to lie to her, but you didn't know what else to say. The guy I've been fucking wants me to come? I hate my life so I agreed to? You didn't want to break her heart or make her worry. Even with some of your friends you skirted around the truth, not wanting them to worry either.
And now as you walk down the street, as your legs shake in the night, you really wish someone knew just how awful it all felt. Just what a dumb situation you'd gotten yourself into. Day in and day out he'd fuck you, often in the completely exposed hallways of the arenas, making you come repeatedly while looking into your eyes deeply, making your stomach clench with feelings you really, really didn't want to admit you were having. Though you got along well and could talk for hours, it was clear to you that it really was just sex to him. Since tour started you'd barely spend a day together that didn't involve him inside of you, and you'd begun to resent the time you spent with the actual makeup team for the tour. You'd been grateful for their company at first, especially one woman you'd clicked with immediately, but slowly you couldn't avoid feeling jealous at how well they were all treated by their boss, jealous that they could pursue their dreams and it wasn't crushing them. And then there were the members of staff that had stumbled upon you and Mingi in the act, who looked at you completely differently now, like you were sick or disturbed. It all began to eat at you, especially that you found the humiliation and the intensity of it desirable, that even though it pained you, you couldn't stop craving the public sex, already horny for him before his break in the show was even close. You felt so fucking shameful for doing what you had done. Touring with a band, just so that one of the members could fuck you when he pleased? How had you ended up here? A quick thought of childhood you, of her hopes and her dreams of success in the industry, made tears instantly form in your eyes and begin falling. Stop it, stop crying, you begged yourself. The lights from the corner store blurred between your tears, and suddenly you realized you'd walked further than intended, and you didn't know where you were.
Opening your phone to pull up a map, you saw the text.
Mingi: I'm coming over, be there in like 10
Sent almost ten minutes ago. You held your breath for a moment, waiting for another text. But it didn't come. And then the anger came, boiling up inside you. How fucking presumptuous, you thought. Sure, it wasn't that strange. He'd sent almost identical texts about a dozen times throughout tour. But now it smacked you so plainly, that he just expected you to always be there. Just waiting for him, whenever he wanted you. Like it couldn't be possible you maybe didn't want to see him.
y/n: Don't bother, I'm not even there
It only took a few seconds for his text to appear.
Mingi: Are you okay?
I'm fucking great, actually, you wanted to say. You rolled your eyes, feet stuck to the sidewalk, the line of trees you were under feeling like good protection.
y/n: yes
That was all you had, even though you knew it was betraying everything you felt. It was way too weird of a response, too short. Somehing was obvious wrong. You groaned as you saw his call coming through, your phone lighting up like a beacon in the dark night.
"Hi," you say, not even trying to make your voice sound bright or normal.
"Y/n, where are you?" Mingi asks.
"Why do you care?" you respond, already feeling embarrassed by your behavior.
"You don't need to be nasty with me, I'm just checking on you," he replies, keeping his voice steady.
"I told you I'm okay," you respond, sighing heavily.
"You obviously aren't, you're not acting like yourself," he says, his tone hard to read. All you can think is that he's disappointed, mad that you're not where he expected you to be.
"You say that like you know me well," you respond, huffing.
"I do..." he trails off, voice low. Like he's contemplating how to respond to you, how to continue this conversation.
"Fucking me doesn't really equate to getting to know me," you say, your tone laced with anger. "I just felt like going for a walk tonight, I've spent so many evenings in hotel rooms recently and a midnight walk just sounded nice. Like I said, I'm fine."
"You're walking outside?" he asks.
"Mm-hmm," you respond, your tone unkind.
"By yourself?"
"Mm-hmm."
"You shouldn't be out there, you promised me," he says, sighing deeply.
"Mingi, I really don't get why it matters. I'm a fucking adult, I can go for a walk when I fucking feel like it," you retort, even angrier. How dare he tell you what you should or shouldn't be doing.
"I'm coming with Yubin to get you," he says, and you hear the elevator opening for him through the phone.
"Can you just let me do what I want, for once?" you groan, crouching down to put your head in your hands, unsure what to do with all of the frustration you're feeling.
"You're being a real asshole right now, and I don't know why, but I'm not letting you get lost in a fucking foreign country. Tell me where you are," he spits, finally losing control of the even tone he'd kept so far.
"I. Don't. Know. Mingi," you say slowly, like he's stupid. God it's embarrassing, the way you're being so uncharacteristically nasty, but you just can't help it. You feel so genuinely out of control, your entire body shaking with anger and dread. He had been there with you to help you finally quit your horrible job, been there during the tumultuous time afterwards while you jumped from job to job, trying every day to assure yourself and everyone else that you were doing fine. The money might be less, but you were actually eating and sleeping enough most days, and that had to count for something. You'd been connected to him then, had those little moments of support. And that was why you'd come on tour, or at least part of the reason. Now he'd been much more distant, not a conversation between you that remotely resembled your old talks. After sex he'd be running back to stage, or passing out in your hotel bed instantly, the exhaustion from tour clearly affecting him. You could understand it from an intellectual point of view, but it didn't mean your feelings weren't hurt.
"I could fucking kill you right now," he sighs through the phone, the sound of the elevator arriving on the eighth floor coming through too. "Look for some street signs, find the cross streets," he demands, softly. "Y/n please," he begs, your quiet resolve breaking, the tears threatening to come again.
"Fine," you say, squinting out towards the intersection ahead of you, the street names hard to read from so far. "Um, one is Rolling.. Heels? Or no, Hills, I think. And the other must be, fuck, whatever street our hotel is on. I can't remember."
"Thank you," he says, the words clearly painful coming out of his mouth. "Promise me you won't move," he sighs, his hand knocking on the door of his manager's room.
"I promise," you sigh, your tone sounding sarcastic.
"Y/n, I swear to god..." Mingi groans.
"I promise, I mean it," you respond, your tone more solid. You really do mean it, you really will be here waiting. Because even if you're pissed at him you're thankful someone is coming to your rescue as you shiver, your body feeling so weak you're not even sure you could make it back to the hotel. As you trudged down the street you hadn't noticed how exhausted you were, your head full of every memory of the last year. It wasn't until you were on the phone with him that it hit you.
"Okay, we'll be there in a few minutes, don't move an inch. And call me if anything weird happens," he says before saying goodbye, hanging up as you hear him start to tell his manager Yubin what's happening.
It takes mere minutes for them to reach you, and you climb into the back seat behind Mingi, behind the passenger side. Neither of you say a word as you climb in, the click of your buckle loud in the tense silence of the car. Slowly Yubin presses on the gas again, gliding back down the road towards the hotel. Mingi reaches his left hand back around his seat to grab your angle gently, sighing at the contact proving that you're fine, that you're here with him. Even if you're not saying a word and clearly pissed at him, the dominating emotion he's feeling still is fear, worry that something's terribly wrong. And at least now he knows you're physically okay, that no one's taken you. When you exit the car, having finally parked in the underground garage, Mingi unzips his hoodie and wraps it around you, hating the way your body subtly fights his every movement even though you're clearly so cold.
In the elevator you still didn't speak a word to either of them, your eyes glued to the floor. When the doors open to your floor you step out quickly, relieved that you'd finally be able to be by yourself again, to bury yourself in one of your books or just bury your face in the pillows, to just be. For a few steps the relief washes over you, until you realize that Mingi is following close behind, his whole being looking ragged with exhaustion and anger.
"Why are you following me?" you spit, not bothering to even look back at him. You unlock your door and he slips inside behind you, closing it gently. With a long sigh he turns to you, your arms crossed as you stare at him, petulant.
"I'm staying here with you tonight so you don't run off again," he states, like it's plain as day.
"But I don't want that," you snap, the anger boiling over now. "Do you ever consider what I fucking want?! Does the thought ever cross your mind that maybe I have feelings?!"
"I get that you don't want me here right now, I'm getting that loud and clear, but you just went walking off in a foreign country in the middle of the night without telling me. And I'm the reason you're fucking here, so I kind of feel responsible for your wellbeing. We can book you a flight home tomorrow, or I can give you space for the rest of tour, or whatever it is that you want, but I will not let you go walking off like that again. You don't know this city, you don't know anyone who lives in this city. That was fucking stupid, what you just did," he says, his own arms coming to cross over his chest. Now yours fall, in defeat. It pains you because he's right, but the idea of admitting that makes you feel edgy, like you'll fall to pieces in an instant.
You groan into your hands, sitting down at the breakfast table in the corner of your room, on one of the grossly fancy chairs. The wood armrests feel cold against the side of your thighs, your elbows resting against the table as you run your hands through your hair in frustration, your head coming to rest on the table too. Already your anger is morphing into just exhaustion, just upset. Tears are coming again, and you try to sob silently, try not to make a big scene in front of him. But your sniffles give you away, the way you're wiping your cheeks with the sleeve of his hoodie, burying your head in your arms.
"Y/n, what's wrong?" he asks, standing against the wall as far from you as he can be in this room. His arms are still crossed over his chest but you're not even looking; from the sound of his voice, though, you can tell he's far away. Suddenly you feel like a bomb about to go off, like he's avoiding you for fear of triggering the explosion. It makes you even more ashamed, that you're acting out, that you aren't holding yourself together like you usually do. That you're so obviously falling apart in front of him.
"I'm exhausted," you manage, between sobs.
"Then why don't you lay down and get some sleep?" he asks gently.
"I can't fucking sleep!" you snap, finally looking up at him with red eyes and tear-stained cheeks. "I can't sleep, that's the fucking problem, I'm so fucking anxious every night," you spit, your breaths shaky as you let the tears keep falling.
"Y/n..." Mingi replies, sighing hard as he stares into your eyes, your head clearly full of worry and pain and every other bad feeling. He doesn't know what to do or say to make it better, but he feels his body pulled towards yours, like coming closer must be the correct thing to do. You stare him down as he walks closer, as he sits down to the side of the chair you're in, grabbing one of your hands and putting it between his own. He stares at it for a moment, seeing how rough and battered your nail beds look, and the healing cut on your pointer finger that you got two weeks ago when one of his rings slid past it in just the wrong way. When he looks up at you to meet your gaze you see the glint of possible tears forming, his head swimming with worry too. It makes you feel things too deep in your chest, too painful for you to bear it.
"Stop," you say, but it's so soft and lacking in strength that you clearly don't mean it, at least not entirely. You bury your head in your hands again, as Mingi keeps staring up at you, his chest pained at how you just reeled away from him.
"Do you want to go home tomorrow?" he asks, to no response. You're silently dealing with your rapid heart beat, dealing with the way that his look made you teeter on the edge of emotional collapse. Not even a grunt escapes your lips, as you mull over what he had just asked you. Why the hell could he read your mind so easily?
"Y/n, please talk to me. Please tell me what's going on," he pleads, a hand on your ankle like it was in the car, anchoring him again with the knowledge that at least you're here in front of him.
"You don't want to hear it, I promise you," you respond, sharply inhaling and slowly letting it out.
"Why is that?" he asks.
"Cause it's gonna piss you off, probably," you say, a few tears running down your cheeks again.
"I figured this was about me," he says, still looking up. Your head snaps to him again, your face stony.
"Um, yeah," you say, proud of yourself for not also adding a duh.
"So tell me what I did," he says, his grip on your ankle tightening slightly.
"No, stop," you squeak out, the tears turning to sobs in a moment as you crumple in on yourself again. Your shoulders heave and you breathe deeply as you try to not start full-on wailing. You're in no state to talk, no state to answer him, and with your head spinning the way it is you have no idea what nasty, vitriolic language might spill out of you if you do. As embarrassing as it feels you hope your tears will make him at least stop pressing you, maybe even totally step away and leave you be, finally.
"No," he replies sternly, much to your surprise. "I need to know what's going on. I- I told y- you promised me, that we would talk if you weren't feeling well on tour or if you were mad at me. I told you that would have to happen, cause it always does on tour, everyone is so exhausted and the highs are high so the lows are low, and people always fight. It happens every fucking tour, I told you it would. But you promised me you'd talk to me, and, I don't know if you remember, but you also literally promised not to do exactly what you did tonight. You promised not to go out by yourself anywhere at night." Your sobs haven't ceased, but you feel momentarily some clarity about everything, thinking back to the very conversation Mingi just brought up, and how happy you felt when you finally agreed to come with him. How thoughtful he'd seemed then, how mature your conversation was. And now everything felt stilted and passive aggressive, you totally unable to be honest with him in the way you thought you could be.
"I- I didn't realize it would be like this," you sob, pulling your knees into your chest.
"Like what?" he asks.
"I didn't realize I'd start to feel so used," you manage through shaky breaths.
"Why do you feel used?" Mingi asks you, a look of what seems to be genuine confusion on his face. It makes you so angry.
"Mingi, oh my god," you mutter, your sobs giving way now to angry breaths.
"What?" he asks again.
"Oh my god, is it not fucking obvious?! You fuck me night after night in the middle of fucking arenas! And then I have to hobble down to the closest bathroom and clean myself up with shitty one-ply toilet paper, cover up the smell of your fucking cum with perfume that I fucking hate, and walk back to the greenroom like everyone doesn't know what just happened. And then after the concert just, wait around in another fucking hotel room so you can come and have me again before passing out, your five alarms waking me up so that I can't even get a full night of sleep, and then I have to get myself up, get ready for a plane ride, arrive in a new city and do it all fucking over again. How the fuck do you think that makes me feel??" you scream, completely unaware of just how loud you're being. Now that it's finally coming out it's surging, the anger that had been building for weeks (and honestly your whole damn life) finally breaking free.
"I-" Mingi stops himself, feeling like he was just smacked in the face with the force of your words. "I thought you liked doing semi-public stuff," he says, speaking slowly and clearly trying to choose his words carefully.
"Yeah, well, the novelty of that has worn off now," you sob, staring down at him. "It doesn't exactly feel good having everyone look at me like I'm fucking crazy," you continue, wiping the snot and tears form your face with your bare hand.
"I knew it was- god- I knew it was a lot for you. I could tell, the look in your eye..." Mingi trails off, himself curling into a ball. "I- you know I'd never make you do something you didn't want to, right? I thought, I really thought you liked it like that..." he trails off again, failing at trying to find the perfect words for the situation. "I don't know what to say, I'm just so sorry I hurt you. I'm sorry- god, I- never should have asked you to come with me, I should have known it would be hard on you. I- I should have known that I'm not fun to be around while I'm touring. I'm fucking exhausted myself. I'm sorry, I'm so fucking sorry." His apologies make your chest ache, that feeling deep within you beating on the walls of your heart to finally be let free. But you still suppress it, still you push it down. Just because he's apologizing doesn't mean he feels the same, and you spiral with the knowledge that in your burnt out state you got yourself into a situation that's almost surely about to blow up in your face.
He looks up to meet your eyes, your entire face flush with red and your eyes and nose puffy. Some snot is falling out of one of your nostrils, your bottom lip stuck between your teeth as you try to control your breaths, your body still shaking and your tears still falling fast. Your mind is obviously running a mile a minute still, and behind your eyes he can see just how truly exhausted you are.
"Listen, I'm gonna talk to whoever is giving you weird looks and making you feel crazy, cause that's not fucking cool. I-" A yawn hits him, his whole body shaking momentarily with fatigue. It makes you yawn too, your head feeling so heavy that you might pass out right there in the chair. "We need to talk more about this, but right now you need to get some rest," he says, slowly standing and putting out his hands in an offering of help. "Come on, what would help you sleep?" he asks, leaning down to just pick you up out of the chair when you don't move to grab his hands. Slowly he places you down on the bed, untying your shoes and gently removing them, then removing your socks and placing them on the small pile of dirty clothes already gathered to the side of your suitcase.
"Do you want different shorts to sleep in?" he asks, knowing your activities earlier already ruined this pair. You just whine and take them off yourself, flinging them to the side, your center on full display to him, an obvious line of dried cum snaking down your leg from the small nest of hair. It's so fucking hot, he can't lie, but knowing now how you felt earlier he feels sick inside for liking it. He takes off his own shoes too, removing his shirt and pants before climbing into the bed beside you, turning off the light and lying on his side a good two feet away, gazing intently at your face.
"Hey, get under the covers," he says, tugging on the duvet and forcing you to lift your hips so he can pull it down and then over you.
"Can I hold you, would that help?" he asks, pulling it up over himself as well. You just roll to face him, snuggling your face into his bare chest instead of answering him. He comes to wrap his arms around you, his embrace tight and full of care, and it makes the tears start flowing softly again. He feels them on the skin of his chest, holding you even closer as he kisses the top of your head, wrapping his legs up around yours.
"Have I told you lately how much I appreciate that you came with me?" he asks in to the darkness of the room. You shake your head, sniffling as more tears fall. "I'm- I'm sorry, I should have said it more. I think it every day," he says, his voice shaky. "I think about you every day. I- don't know what my life would look like right now if I hadn't met you. I care about you, so much, seriously. The last thing I want is for you to feel like I'm just using you for your body, or for a release. I just want to- I want you to have fun, with me, to forget about the serious things. You think too much, you exhaust yourself, and I want to distract you from that. So that you can just live. That's why I asked you to come on tour with me, that's why I've been fucking you backstage, not just because I need it but because I thought you did too. But now I see I wasn't thinking about everything else. I didn't think about just how busy I'd be and how distracted I'd get and how you might feel like I'm not even thinking of you..."
He lets the silence envelop you both, as he holds onto you tight, feeling you still shake.
"You being here has made things so much better, I could never thank you enough for it. I-" he pauses, and you feel his body tense up. "I really care about you, I care so much. I want you to feel that, to know that," he says, sighing softly when he's finished.
You can't help but wonder if he really meant to say another four letter word, that it was there on his tongue but he chickened out, and the thought makes your insides melt. Because that's the four letter word that you've continually buried deep within yourself, the word you've associated with him for several months now, if you were honest. You really didn't think it was likely that he felt the same, even if he did seem to care about you as a person. You just couldn't be sure; maybe it was the mental state you were in, the way everything was filtered through your foggy thoughts, the way nothing felt concrete or knowable. You'd been swimming in confusing feelings ever since you quit your old job, the feelings about him feeling unimportant compared to everything else that was so serious. But now, curled up in his arms and finally letting out all the pent up anger and sadness, your feelings towards him felt like maybe the most important. The way you could just break down, the way you had yelled earlier and he hadn't panicked with you, that he'd stayed grounded and helped you come back down to earth, that seemed like the thing you should be paying attention to. The way you were so comfortable with him, that you'd let him have you in public. Because even today in that all too familiar hallway, as you entered the bathroom to finally clean up, he'd made you feel better in an instant, just by simply kissing your nose. And maybe it was brief, the relief you felt in that moment, but it was there. It was real. That, you could be sure of, despite the fogginess of almost everything else.
Finally your tears had ceased, your body no longer shaking. You felt like a total rag doll, your energy so completely spent. You pulled back your face from Mingi's chest, wiping away the tears and snot from your cheeks, looking up at his barely visible face. He leans forward and places a gentle kiss on your lips, tasting the saltiness of your tears that had been falling for the last little while.
"Do you feel any better?" he asks you, stroking a hand across your cheek, wiping the remaining tears away.
"Mm-hmm," you murmur, but the look in your eye is still not completely void of pain.
"You still mad at me?" he asks, smiling.
"Mm-hmm," you pout, staring up at him with your big beautiful eyes, his body reacting involuntarily to just how adorable you look. And you know exactly the affect it has on him, when you look at him that way. You just didn't know that it's elevated now with your nose red from crying, the way you look like you so desperately need his care.
"Y/n..." he murmurs, fixing you with a soft gaze. "Don't look at me like that..."
You giggle, your head swimming with complicated feelings. Because even now, even after all of that, you can't deny how good his strong thigh feels between your legs, or how much you like it when you feel his eyes on you so attentively.
"What can I do to make it up to you?" he asks, and you giggle again, turning your face into the pillow. "Aren't you, um, exhausted?" he asks, chuckling himself. He knows exactly what that giggle means, he's known you long enough to pick up on that.
"Well..." you respond, looking at him again with that expectant look. Even in your haze of exhaustion you want him, especially after all of those sweet things he'd just said.
"Y/n..." he trails off. The room is dark, so he can't make out everything about you, only the way you giggled and the look in your eye. "You really want that right now?"
He could take you at any time, at the drop of a hat, honestly. But if you felt used earlier, how would it feel now? He'd come to your room tonight to fuck you again, you both knew that. He would be getting what he'd wanted all again, and this time he felt unsure if you really wanted it too, or even if it was a good idea.
"Mingi, please," you whispered, his resolve crumbling in an instant. Those two words were all you had to say and he'd do anything for you, anything at all. He kissed you deeply, your bodies still entangled in a tight embrace, the kiss feeling more full of emotion than any previous one you'd shared. You felt his heart beating against you, like it was the first time all over again, like he was nervous and unsure of what he'd do next.
Suddenly he pulled back with a deep sigh. "Before we do that, just, I need to say one more thing. I chickened out earlier, I wanted to say it, and I didn't, I don't know why. I fucking love you, if that wasn't already clear. You need to know that."
Oh how good it felt to be right. Your heart clenched in your chest, your heart rate picking up the moment he began talking. You could feel it coming, but you weren't prepared for how good it would feel to hear those words from him. It was like flowers were blossoming in your body, like the whole world was made of rainbows and butterflies. You felt something release deep inside you, like a kink in your neck had finally relaxed, and the relief was all-consuming.
"I love you too," you say, tears brimming in your eyes again, this time from the pure unadulterated joy you were feeling. Mingi's lips were back on yours, his kiss firm and possessive, slow and deliberate. It took your breath away, the way he was holding you close to him so tightly, the way his mouth roamed over yours like he owned you. You could feel his hips pressing into yours, his obviously hard length putting pressure on your core, and it added to the feeling of possession, like his was the only cock meant for you.
"I want you to be mine," he murmurs, pulling away momentarily to climb on top of you, his lips crashing down on your neck in mere moments. You sigh at the feeling, a quiet moan coming from deep within you.
"I am," you whisper, your hot breath fanning past his ear and making him shiver. His hand comes down to push down his boxers, pulling his cock free desperately, rubbing the tip along your slit and circling your clit gently, loving the breathy noises coming from your lips.
"You're so wet, god, you're always so fucking wet for me," he groans in your ear, making your whole body jitter with pleasure. This time it feels so different, like you're truly about to make love, even if it's in your own freaky way. Sex could never be just sweet and calm between you, you knew that. And you liked that, cause sweet wasn't exactly what you needed when it came to sexual pleasure. The things he whispered in your ear always had you coming so fast, and it had never been like that with any previous partners. As he slowly rubbed himself against you, your clit electric with pleasure, the feeling enveloped you; you were made for each other, lock and key.
"Fuck, I love you," he moans as he enters you, his words fanning over your face, making your heart sing. "I love your pussy, god, it's so fucking perfect," he continues, the words spilling out of him in his exhausted and delirious state. You have nothing in you to respond; you never usually do when he's fucking you, because the way his huge cock stretches you open makes it impossible to think straight.
"No one's ever fucking you again, you're mine forever," he says, his thrusts picking up speed, his arms around you holding you tight. "No one else," he mutters, and you pull his face to yours to kiss him again, your tongues sloppily licking each other's faces as his movements become more erratic, the whole moment feeling alluringly primal. Already you're coming, from the way he's talking to you, your body shuddering in its fatigue and pleasure. "Fuck, baby, god you're so fucking perfect. I love when you come so fast like that," he groans into your ear, his breaths ragged.
"Mingi, mingi...." you whimper, coming down from your peak and already feeling like another is building. Your words barely come out, they're almost incoherent with how warbled they sound, but he can read everything about how you feel from the sounds.
"I know you love it, when I talk you through it," he says, one hand moving to your hip as he thrusts his hips even harder. "You love that I can tell when you're coming, when you're about to come. Fuck, your pussy is made for me baby, it's so fucking perfect. And you love taking it so hard, don't you?"
Another orgasm blooms in your core, your tight walls squeezing down on him again, your legs shaking as you grip onto him desperately. His pace is just perfect, despite how wild it is, and you feel the pleasure through your entire abdomen, intense warmth also emanating from your chest and making you feel entirely complete. Your eyes are completely closed as you take in the feeling, your head drifting farther and farther from the anxiety and anger of earlier and moving towards that palpable warmth. Soft moans leave your lips at every thrust, the sparkly pleasure growing each time, your body taking him in so easily.
"Fuck you're gonna make me come," he groans in your ear, and somehow again, even in your exhausted state, you feel yourself racing towards your own peak yet again. "God I love how you come so much," he whispers, your orgasm hitting you hard. The sounds you make are whiny, pathetic, and it makes his hold body lurch, his movements stuttering as he finally starts hitting his own climax. "No one's ever made you come like this, have they baby?" he says as he comes undone, your head shaking side to side as the last of the tears left in your eyes leak onto your cheeks. He kisses you deeply, as you feel him cum fill you up, your body racked with exhaustion, your energy completely spent. With heavy breaths he falls to the side of you, grabbing you to hold you tight once again, your own breaths uneven as you recover from everything that's just happened. The whole day washes over you; the morning, the way your head pounded and your neck ached when you woke, the way your stomach churned as you sat waiting for him backstage, the way you walked out of the hotel, your head spinning uncontrollably, and the way he came to you, saying everything you'd hoped he one day would. It was all too much to process, and you continued to shake in his arms as you tried to calm down, still feeling your heartbeat in your clit.
"Let me clean you up," he gently says, a hand running down your back in slow stokes.
"Okay," you whisper, your eyes still closed as he gets up, the bed sagging momentarily when he sits on the edge. Quickly he is back with a wet washcloth, his hands working deliberately to wipe down your core and thighs. Suddenly your eyes feel so heavy, your body turned to the side exactly how you always sleep, and then you're out. After cleaning himself up Mingi heads back to the bed, wrapping himself around you, your soft even breaths calming the part of his heart that still felt shattered at everything he found out today. Gently he pulls the covers over you both, his body wracked from the day and from his release, and soon his breaths are steady like yours, the two of you lulled to sleep in the perfect haze that your proximity always brings you.
It was all said in anger or in lust tonight, but you both know that things have changed between you, that the words said tonight were completely true regardless of the circumstances. Finally your feelings were out in the open, and finally you could move forward without any doubt. The gentle dawn of the morning brought both of you out of your deep slumber, the exhaustion hitting hard after the previous day's fight. But the parts of you that had been confused were settled now, and the relief that gave you won out in the competition for your attention. It was a brand new day, a good day with the man you loved by your side, and you couldn't be more excited for the rest of tour, and for whatever the future had in store.
418 notes
·
View notes
Note
hi! what do you wish we saw more of in Jayvik fics?
and are there any tropes you’re tired of?
PLEASE WRITE MORE HERALD VIKTOR STUFF.
PLEAAAAAAAAAASE. IM DYING. IM FADING AWAY. I will look at the tags on a thing and say "are you sure this is herald viktor sir?" and they will laugh "yeah its herald viktor" and then i click on it and its human viktor and he's not even hexcorized. This is a joke based on real anguish. You have to understand how serious this is to me.
I think the arcane herald form can be used so interestingly in post-canon (or in timefuckery stuff, or in AU stuff where he can be a creature/monster/god of another sort) we are the fastest growing league ship tag of all time but i RARELY see him. Jayce’s ending vows were to /that/ guy its not conditional on the way Viktor looks. That's kind of the whole appeal! Jayce is telling him that no matter how much he's changed his feelings will stay the same!!!!!!!!!!!!!!!!!
I love bodymod stuff and i love monster romance so I'm the usual suspect here but from the bottom of my heart i mourn every time people just make viktor fully vanilla human and able-bodied at the end of arcane. It doesn't feel right. It feels like throwing out his entire arc and Rewarding the idea that he "SHOULD just want to be NORMAL," when really its so much more interesting to explore jayvik as two guys who are irreversibly changed by their choices and by each other and they have to learn how to deal with that together, and maybe even have complex feelings about it.
I really really miss the machine herald flavor of viktor being proud of his augmentations and actively seeking them out when it comes to arcane herald stuff. That is a body he designed for himself. It's so interesting to explore what that means, why his mobility aids are firmly embedded into his skin and still showing, why he might have contradictory feelings after the show ("yeah sure i fucked up but i also chose this and 1000% believed i was right and lowkey, i still like this, I'd much rather be imposing than easily ignored,")
Herald viktor is such a good materialization of his class struggles / gender issues / how viktor is alienated because of his disability. It's him taking everything he's ever been self-conscious about and twisting it into part of his armor. please write more herald viktor stuff. I'm dying here
#hexposts#meta tag#viktor arcane#jayvik#vikjayce#viktor league of legends#arcane#league of legends#jayce talis#viktor lol
278 notes
·
View notes
Text
Minish cap my beloved
I really wasn’t expecting just how much I’d be enjoying mc but s it’s so good omg,,, it’s so whimsical and the world building is top notch!!! Mc Link is also such a sweetheart wahhh
Im not very far into the game since I’ve been mostly doing nothing but drawing, but when I do sit down and play it’s great
My design for this Link might change while I play but I like this one so far (I was thinking about maybe giving him blond eyelashes)
Also, im fairly certain I might be dyslexic, the amount of struggling is getting out of hand
#art#drawing#legend of zelda#link#zelda fanart#digital art#fanart#zelda#link fanart#minish cap#loz mc#loz minish cap#zelda minish cap#kinstone#ezlo#ezlo minish cap#loz ezlo#minish#link minish cap#link minish#my art#tmc#the minish cap#Sprout
350 notes
·
View notes
Text
sex therapy :: 32. uno reverse
chapter tags/warnings: aftercare. mentions of cum and creampies. other sexual content. nicknames. extremely strong language. corruption. family drama.
word count: 3.9k
notes: the last chapter was 97% smut. oops. plot? literally, what plot? well, here is the plot. also, happy new year's eve and new years! likes, comments, and reblogs are much appreciated. xoxo
fic masterlist | 01. 02. 03. 04. 05. 06. 07. 08. 09. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19. 20. 21. 22. 23. 24. 25. 26. 27. 28. 29. 30. 31. 32. 33.
With sweat stuck onto your forehead and spit plastered across your chin, you panted like an overheated dog. Such were the consequences of dealing with too many hands, cocks, and men.
After the sinful fiasco with your sex therapists, your body quivered from exhaustion.
Not to mention, you had been stuffed.
Holding in a potent cum concoction within your womb, you did your best to keep the fluids in, but the sheer volume forced a slow dribble to slide down your plush inner thighs.
You winced from the unwelcome cool against your warm skin, feeling flustered, frazzled, and disheveled.
Sukuna thumbed the dried tears that streaked your cheeks, Geto carded his hand through your hair, and Choso massaged the sore spots on your soft ass, all cooing about how you’ve been an angel for them and that maybe…you all should find time to do this again.
When the three dressed themselves and stepped out eventually for a cigarette, they left you looking at your window reflection, in which you noticed how makeup smudged across your cheeks and how fluids coated your neck and chest.
Never had you felt this...deranged.
Yet, absolutely nothing could be compared to the hot mess that was the Toji Fushiguro whom you straddled.
The man lolled his head back with a low groan and ran his thick fingers through his scalp. His dark strands had become drenched in perspiration and clung to his face's rugged planes. Blistering in his formal attire, he tossed his charcoal blazer aside, undid his knotted tie, and stripped off his button-down. His chest, dusted in a healthy pink shade, heaved. After his pleasure, he still looked like a Greek god in his shame.
Despite all your egregious encounters with him, you still flushed when seeing his bare-chested body. His formalwear might be different from his usual black T-shirt and white lab coat, but he hadn't really changed. He was still fit and subtly edgy with the designs that swirled around his chiseled upper body.
Amid the tattooed tapestry, your gaze once again became drawn by the inked phoenix that rose victoriously from ashes, a symbol that seemed like a parallel to Toji himself. Resilient. Indestructible. Enduring. Both confronting and overcoming challenges, standing stronger and more determined despite their struggles. Each feather branded across his torso held wordless stories about not only his triumphs but also his scars.
“Princess likes what she sees?”
Toji's sudden interjection surprised you. Fuck, he's caught me staring.
After you ogled at his body for too long, the man had naturally taken note, and—with you, of course—he simply had to tease.
"Your tattoos suit you," you had been forced to admit. Not that you lied.
In response, his green eyes held a gentle glister that contrasted with his animalistic actions mere moments ago. "That’s cute. Thank you."
He reached over your shoulder for a tissue and dabbed at your collarbone.
"What are you doing?"
"Cleaning you up," answered Toji promptly. With the napkin, he soaked up sins, wiping away at the unholy mixture between sweat, spit, and semen as though they never tainted your perfect body in the first place. "That's the least I can do."
He worked in silence, slightly hunched in his seat, the scattered light from the above chandelier casting sharp shadows over his angular face. Wisps of jet-black hair framed his temples as he hung his head in focus, his breathing turning steady. Toji looked so normal, like he wasn't some sex therapist or some important corporate executive or an heir to a multi-billion fortune.
In this one, singular moment, Toji was just...Toji.
"Why are you doing this?" you asked suddenly.
"Doing what?" Mistakenly, he assumed you referred to how he sought another napkin, this time to wipe at the trickle that ran like white lava down your thighs. “We made a mess."
"No, not that. Why did you become my therapist?" Of course, you did not forget your first encounter with Dr. Fushiguro, particularly how Toji ripped your new patient form to literal shreds the moment he noticed your last name. “You could've kicked me out of your office that day and left me miserable, but you didn't. Why?"
He slowed in his motions and his hot breath skimmed over your upper lip.
Then, he smiled faintly. "Can I abstain?"
This was his hint that the answer wouldn’t be something you liked.
"No." You still wanted to know. "Tell me, please."
Despite your reassurance, he seemed reluctant, his jaw working as he trapped his tongue piercing between his teeth.
"Because you were too…innocent," Toji eventually admitted. He sounded earnest, but he gave you a cautious glance like he wanted to gauge your reaction. "A pretty lady coming to see Toji Fushiguro because his little cousin Naoya Zenin couldn't please you properly? Clearly, you've never had a proper fuck. I wanted to completely ruin you, baby. I wanted to use you. And, shit, that pussy made me want to keep you for myself forever. Sure, I also had a two-timing ex, but who cares about my little cousin's mistress when I had his wife in front of me?"
Even though you braced for a brutally honest response, hearing his words firsthand stung.
Yes, you were naïve back then. However, to hear your closest confidant admit his initial, manipulative motives jabbed at your sensitive heart.
From your husband to your therapist, you were constantly a pawn on another person's chessboard. Yet, the worst part was that you didn't notice the game until much later.
"I am sorry," Toji started again. Perceptive as usual, he noticed how your mood suddenly soured. "I had all these shitty intentions because Naoya fucked me over, so I wanted to take my anger out on you. But, when I realized that you’re just an oblivious puppet in his play, I wanted him to realize that he was mistreating you, and," one long exhale, "most importantly, I truly did want to help you."
Mulling over his words carefully, you sank your face into his shoulder. "Are you just saying that to make me feel better?"
“No, I am being honest," and the dark green in his eyes reflected that. "I didn't expect to ever see you again after our first session. Thought you got scared off for good until you called me to book another appointment. Honestly, at that point, people suspected you to be Naoya’s lap-bitch and spy. Hope that explains the shitty attitudes from the other therapists and my son." Toji flicked the dirty tissue into the wastebasket. "I defended you, though, if that means anything. I thought you were nice and entertaining and, as I've pointed out numerous times, that you deserved better. What I didn't think was how I would end up bringing you into," and he motioned around with his head, "all of this.”
Breathing in slowly, you took in the man's heavy bergamot scent and allowed his warmth to anchor you.
“So, how do you plan to use me now?”
Among your incessant inquiries, this question must be the most pointed.
Toji, realizing this, gazed ahead. Momentarily, you wondered where his thoughts had wandered off to this time, his focus on the ceiling sharpening for a moment before he reverted his attention back.
"There is no plan to ‘use’ you, sweetheart. Because you mean a lot to me," he still responded with great conviction. "You are cherished."
Beneath the rough edges in his features laid a softness—a softness that you started to become familiar with—as he brought his hands to your hip.
“Live a happy life without Naoya," he added eventually. "You don't need me and the other therapists anymore. Only brokenhearted and anguished people are our clients, so forgetting about us should be easy."
Was it wrong to feel even more hurt when you heard that?
Literally one moment ago, Toji was telling you how much you meant to him. Now, he was telling you to go?
"Client or not, I thought we were friends. You even told me once that I'm somebody special."
“You are," he responded matter-of-factly. "You are very special. Which is why I am not going to force you to hang around or anything. That way you don’t think anyone is ‘using’ you. You're young and capable, and I want you to live your life as you wish.” Then, his voice became uncharacteristically soft. “Because I care about you.”
As nonchalant as he tried to come off, Toji also sounded so...broken.
Plenty of people—plenty of women—came in and out of Toji's life. Megumi had said so himself, admitting that his father used to 'sleep around a bunch' after his biological mother passed.
Since then, Toji had probably gotten used to how the women he encountered only wanted him for his name, his wallet, or—yes, to put things bluntly—his dick. Tsumiki's mom would be the best and most recent example.
But, you wanted to heal Toji as much as Toji had healed you.
"There's something Megumi told me the first time I stayed over at your apartment," you began suddenly.
Toji arched a brow, the tendons by his neck taut. "Is that so?" Knowing his angsty son, he sounded curious but moreso concerned. "Like what?"
'Are you going to marry my dad?'
No, you would die from embarrassment before you could admit that.
"Megumi told me about what happened to his mom, your first wife."
"Ah." Beneath you, Toji tensed up. His tongue darted over his scar like he wanted to continue, but no words came out.
So, he stopped and waited for you to continue.
"I...am really sorry to hear about what happened to her."
In the end, Toji tilted his head, a small but obviously sad smile playing on his lips.
"That's years ago." He tried to sound like losing his first wife in a freak accident didn't haunt him anymore, but you knew that the catastrophe still did.
"Well, Megumi also told me about what your relationships with other women were like since then," you resumed. "Particularly about your second wife."
This time, you truly stumped him. "I see."
"Unlike her, I am not going anywhere," you asserted and tightened your hold around him. "No one is forcing that decision upon me, either. Since you want me to 'live my life as I wish,' my wish is for us to be friends for a long time...and for the same reasons friends want to be friends."
"Is that genuinely what you want?"
"Yes. Truly."
Whether due to your common backgrounds in the Japanese aristocracy or the juxtaposition he offered to your ex-husband, Toji had become your haven. He grounded you after your emotional tumbles and uplifted you with compliments and praise—like an anchor, an unyielding outlet with whom you could share your pains and transform your frustrations into something lesser.
Whenever you had needed him most, Toji had been there.
Always there.
Consequently, you hoped to be the same for him.
When Toji cupped your jaw with a large hand, you slowly pressed your cheek into his palm.
“You care a lot about others but forget to think about yourself,” you went on, criticizing him in a light tone. There was also a question that you had been meaning to ask. “Like, why did you agree to take on the CEO position again after experiencing the Zenin family and your past?”
His fingers flexed slightly into your skin.
“My decision is not about the people who wronged me, but rather the people who depend on me,” he clarified after a beat, his voice lowered like he confided in himself as much as in you. “I look at Mai and Maki, who’ve been treated like garbage their entire lives. I think about Megumi and Tsumiki, who deserve a world with the best opportunities. For them and for others, I want to create a future with something better. ”
Which reminds you.
For the therapists, taking on renewed roles within the Zenin Corporation would be concerning given that they have previously faced accusations of neglecting the business in favor of their own pursuits.
“What will happen to sex therapy?”
Naoya Zenin returned to his apartment lobby tossed (yes, tossed) following a blindfolded car ride home.
To some degree, he wished he hadn’t come back at all since—after retrieving his phone and searching the Internet—he discovered a new reality where media spokespeople, online netizens, and business leaders welcomed his cousin’s return to leadership while denouncing his own.
It was like the universe had been waiting to have Naoya reckon with his misconducts all at once, for he never fully understood the consequences of his sins until his face appeared over news websites, tabloid front pages, and social media feeds.
Even when he had business to attend to the following day, he could hardly push past his apartment entrance without being swarmed by meddlers who somehow had gotten intel on his address. Naturally, many people wanted to hear directly from the businessman who had fallen from grace, especially when the company he once led was one of the largest market players in the Asia-Pacific region. First came the paparazzi, the blinding white flashes from their cameras all seeking to capture his face. Then came the other onlookers, jeering with many insults his way.
‘A scumbag is what you are. A disgusting cheater!’ ‘You don't even deserve a penny of your net worth!” ‘Your company, colleagues, and family deserved better!’ 'Someone like Toji Fushiguro!'
The moment Naoya reached the backseat of his sedan, he smashed his phone in one savage blow, startling the chauffeur as the gadget's screen shattered. Didn’t matter. He had the money to replace that by noon anyway.
Meanwhile, with white-gloved hands on the wheel, the driver tried to hide his tremor.
"A-Are you o—"
"To the corporate headquarters," Naoya ordered. "Put your fucking foot on the pedal or the next thing I'll be blowing up is you."
"Yes."
Well, that shut him up.
Thanks to that, Naoya arrived at the Zenin Corporation headquarters in record-breaking time, but he encountered yet another human barrage. People shouted over one another, some even pushing microphones toward his face, as the crowd followed him like a gaggle of geese while he walked into the lobby.
He frowned when his ID badge failed at the security turnstiles, his access removed from the building's security system already. Just two days ago, he held hours-long meetings in the offices above. Now, two days later, he had been deemed an outsider without access to even the company café on the first floor.
He kicked the turnstile (as if that would change anything), and a steely voice interrupted his anger.
"Naoya Zenin, sir," a woman in a security uniform began, "you are no longer with the corporation and are causing a disturbance. Please, leave."
The blonde snapped his badge back into his palm before tucking both hands into the front pockets of his pressed pants. He sauntered forward slowly, making sure that the woman noticed the difference in their height. "No, I won't. I have an appointment."
"Please," she barged in again, unintimidated by his taller frame. Her voice this time was more stern as she glanced over at the nearby swarm. "You're creating a commotion on private property.”
Did he look like he cared? "My family's private property."
"Sir, I—"
"He’s with me." With a third voice joining the conversation, both turned around as no one other than Toji Fushiguro himself walked over. "I invited him for a private meeting. Allow me to escort him."
The antagonism that the security woman had with Naoya vanished completely as she apologized profusely to the older man, and the blonde found her switch in character fucking deplorable and insulting.
After a brief exchange, Toji looked over. “Thank you for arriving on time. I was worried you missed my text since I sent the message very early in the morning. Let me bring you upstairs.”
Despite receiving a smile, Naoya didn’t like the belittling and patronizing tone that made him feel like a child who needed a chaperone or a beggar who needed a savior.
Nonetheless, he followed in tense silence.
When he walked into the designated conference room, Naoya tried to not look surprised to also see his father and your father in the same vicinity as well (although, given that they were the Board Director and the Chief Operating Officer, respectively, that should’ve been expected).
He had to look away from their cold gazes and instead took the seat closest to the door. “Why do you want to talk to me?”
Toji, on the other hand, settled at the head of the table and crossed one leg over his knee. “This meeting is a courtesy. One you don’t deserve but here we are. We’ll be brief.” He leaned across the table, sliding over a sleek black folder. “Later today, the Zenin Corporation will hold a press conference to address our organizational and management changes. In this binder are terms for your settlement. We would like you to accept the proposal, leave, and never associate yourself with the Zenin name again.”
When Naoya saw the documents inside, he wanted to laugh right then and there. “This is a shitty offer that practically gives me nothing.”
What else did you expect? Toji’s unwavering expression seemed to say.
He even opened his mouth to speak, but a much coarser voice spoke first.
"Because you did that to yourself,” Naobito explained. “As of now, your actions have stripped you of everything and you’re still scoffing at someone else’s generosity? You’re a selfish manipulator who has jeopardized our stakeholders’ trust. Our family name will not tolerate your presence moving forward!"
"Listen, Father—"
"Mr. Zenin to you!"
Naoya could not believe he was related to the much older man in front of him. Except for their common features, the duo shared absolutely nothing including warmth for each other.
Which, to the blonde, was ridiculous. Because how could his parent not view the situation from his lens? No one understood the struggles that tormented him since his childhood and the reasons his anguish turned into greed.
"This isn’t fair.” Naoya’s voice rose, trembling with barely contained anger as he shoved the folder away. “I can’t understand you, Fa—Mr. Zenin. Why? Why does everything that Toji touches turn to gold in your eyes? The world welcomes him back like he’s a prodigy, and you hand him everything on a silver platter. But then, why can’t you defend your one and only son in a situation like this? Anything…anything I do, to you, is not enough.”
With his chest heaving, Naoya had to pause and catch his breath. He didn’t want to admit that he was on the verge of another outburst, only to be met with no sympathy in return.
"You and Toji have never been in the same position. Not now, not before, and not ever.” As the Chairman made himself clear, his voice cut through his son’s rant like a blade. “While no one is perfect, Toji—in the past and present—earns respect by owning his failures and proving his worth. Due to his team’s work in the last twenty-four hours, he stabilized the company, helping us avoid an immense drop in our market value and cancellations from our business partners.” In addition to his utter disregard for his son’s feelings, Naobito even mocked him with a scoff. “Meanwhile, you don’t play by the rules, boy. You exploit them to suit your needs, and when something backfires, you blame everyone but yourself. Toji didn’t come back because I handed him anything. He came back because he knows how to make amends.”
Stop.
Naoya wanted this mental torture to come to a fucking stop.
His father’s scorn was bad enough, but the comparison to Toji—always Toji—was like salt ground into an open wound. What made the situation a hundred times more humiliating was how his older cousin sat across the table with a nearly indiscernible smirk on his face.
Yet, what could he realistically do when the Chairman went on?
“In my entire life, I only requested from you one thing,” Naobito added. ‘Power and money did not interest him when compared to his daughter, so the one promise I made is that you would love her.’ “And what did you do?”
Precisely not that.
The pointed change in topic made Daisuke L/N sit forward uncomfortably.
"Be honest with us, Naoya," he said. "Aside from marrying my daughter to legitimize your position in your family and company, what other intentions did you have?"
The man stared ahead with a solemn expression because, in that moment, he wasn’t the Zenin Corporation’s Chief Operating Officer but merely a father.
A father who had been promised a dependable and loving son-in-law, not a cruel and ruthless deceiver.
Naoya shrugged.
"My original plan was to have your daughter for as long as I deemed her useful. Maybe until my old man kicked the bucket and I became the head of the Zenin household? Or, if I liked her enough, maybe longer? I don't know, not that I really cared." Naoya didn't give a shit that he sounded like a total sociopath. As a grown man, he could make his choices in speech. "But, what I did care about is how people only noticed me when I had that…that—"
At that, Toji had to cut him off. “You’ve said enough. We’re done here.”
“I’m not finished.”
“Yes, you are. As I mentioned earlier, this meeting is only a courtesy.”
Toji rose from his seat and adjusted his blazer, the other executives doing the same but with pursed frowns. When the Chairman and the COO left quickly in silent rage, Toji followed them and gestured toward the black folder again on his way out.
"Anyway, all the legal documents are in there. Can read through them, if you care. You have the next hour to inform my secretary of your decision. My advice is to accept our offer since no legitimate company in the Asia-Pacific—or anywhere else in the world—will want you now. You ensured that for yourself."
Toji walked to the exit in precise and confident strides, but just before disappearing into the halls, he paused.
"Oh, but one last request.” Except what he said next wasn’t a request, but a demand. “Never show yourself to us or anyone we care about again. Take this as a warning."
Then, the door clicked shut.
Breathe in. Breathe out.
Naoya stood up.
“God fucking damnnit!” he hollered at the top of his lungs like a mad maniac. His hand shot out, sweeping the papers off the table violently, sending them scattering across the floor.
He hissed and seethed. How he hated this feeling. His current ordeal had been his wake-up call to realize that merely being born into status didn't mean he would be invincible.
If only he hadn’t let his unchecked arrogance blind him, then his life trajectory would have played out differently!
…Or maybe nothing would’ve changed at all.
Because perhaps, all these years, Naoya Zenin had been trying to grasp onto something that was never meant to be his.
last chapter || next chapter
end notes: This is my final update for the year, and the next chapter will be the final chapter for this entire fic. I'll save my sentimental notes for later because I don't want to get sappy, but I wish everyone love, hugs, and good health forever and ever! Side note: I am very bad at updating the below taglist, sorry!
taglist: @dissociatingdiva @httpsplanetmarsdotcom @nemoyr @huangfairy @sakuraryomen01 @shadowarchon @203steph @agentdedf1sh @cloudybabes @lynn-writes-things @illicitwriter @7oji @kikuchimi @chaoticjojofan @musicisme333 @kumocchin @s-guru @mwahilovemylife @hey-gurls69 @cloudsinthecosmos @moon-mumu-moon @kazscara @skilerfrostfairy @funicidals @nico707 @proteovaldez @tsukiyohanayome @marimoares @qirbys @puffaloxx @sakanoshitaa @arizzuruu @kissditrio @lewd-bunny14 @mistyheart @szired @supsii @yvy1s @lazyassfinals @katkbc @tokyometronetwork @downtown-roponggi @the-cosmos-network
#jujutsu kaisen#jjk#jjk x reader#jjk x you#jjk x y/n#jjk smut#jjk angst#jjk fluff#toji x reader#toji x you#toji x y/n#toji#sukuna#choso#geto#fanfiction#anime fanfic#anime#jamms.sextherapy
190 notes
·
View notes
Text
Okay, I think I’m FINALLY done with these designs. Well okay, I said Megatron might need some reworking, but shush, I’ll do that another time
I was not expecting this to take as long as it did. Apparently I started making this at 9 in the morning, and it is now 9:30 at night. Optimus, I am almost certain this is your fault
Anyways, as mentioned prior, the idea here was to give the Earthspark Cybertronians protoform designs like the Terrans, what they might look like when they were in this stage, because I haven’t seen anything to claim Cybertronians in this series don’t also have this stage, unless I’m wrong
I mean theoretically, Cybertronian protoforms could look entirely different from Terran protoforms, but we don’t know at this juncture, so I used the Terrans as my main references
Pretty much the main thing was trying to turn their blocky features smooth, while also taking out a bunch of their little details, like their antenna and horns
Honestly I still think Elita turned out the best, which is maybe a bit sad considering she was the first one I finished, but oh well. I don’t think everyone else was horrible, but I think she just looks best
I think Bee’s design is fine, and it was honestly refreshing after struggling so much with Optimus, but I can’t help but feel like his eyes are still wonky
Like I’ve said, by the end of things I think Megatron came out the worst. He was the second one I did, so I wasn’t sure, but by now I think he is. The real struggle with him is that his entire helmet is comprised of angles, when I need curves. And then there’s his side things, which I still do not know how to translate here. The idea I was trying to go for here is the top half goes around his head, while the bottom half is attached at the ends, but it’s the bottom half that looks weird. But ah well, hopefully I can fix it later
And then there’s Optimus. The majority of the time I’ve spent on this was him. It was mostly the struggle of his vents and trying to make them un-blocky. It was getting really frustrating particularly because I couldn’t think of anything new to do with them to change them, drawing the same thing over and over
But then I remembered, this Optimus was once Orion Pax, a fact I was planning to omit. But that meant I had something else to draw on
And it’s what finally got my brain to make his side things into the curves you see now. It’s also why his middle thing is solid black, like how it seems to be in the picture above
But yeah, I wouldn’t rate his design as the absolute best, but it’s serviceable and I’ll take what I can get
But aside from trying to change their designs, I think I had fun. I noticed by the end of it that they all have different face and eye shapes, and that’s pretty fun
Speaking of which, I notice with this how small Optimus’ eyes are here. They may not look it in my drawing but they’re a lot smaller than the others in the show. Is that one of the reasons his design looks so off? Like I know it looks weird, I just can’t place how exactly
But yeah, take these designs, the culmination of my drawing abilities for the day. I’d like to do more with them, I just don’t know what. Best I can think of is like, a fic premise where the Cybertronians somehow get reverted back to these protoform stages, and the Terrans now have to help them out
#yeah the more I look at Megatron the more I want to rework him#but I should probably stop for the day#I accomplished what I set out to do today#and my loan situation I think is mostly sorted out so that’s cool too#also if you notice Elita and Megs look a bit smaller than OP and Bee#that’s because the former two were made when the canvas was 500x500#while the latter two were made when I changed it to 600x600 and I could upscale their sketches more#I tried to keep it more consistent with Bee but I didn’t care much when I got to Optimus#anyways I think that’s about it for miscellaneous comments#transformers#transformers earthspark#protoform#optimus prime#Megatron#elita one#bumblebee#my art
185 notes
·
View notes
Text
Wicked Gelphie fans, i need you guys so badly to know how well Elphaba/Glinda are "good timeline"d "history doesnt repeat, it rhymes"-ified by Dorothy/Princess Ozma in Baum's original Oz book series. like. Dorothy/Ozma get everything; theyre the sweet, intimate friends-to-"??? are they a couple?"-ified political power-sapphic-duo that Gelphie would have wanted to be. like??
if you merge canons, fam... Wicked-Glinda must be struggling, seeing Dorothy/Ozma be everything she and Elphaba could have been.... omfg... the angst potential, the envy of watching a couple of sapphic childhood sweethearts get everything they were denied, fulfill Glinda and Elphie's dreams, and seemingly so easily too...
(also!! they even CAN look like a kid-Glinda and kid-Elphaba! there's canon to justify that kind of appearance paralleling!!)
faq below if you want more context
edit, psa: i did read these books from like.. the ages of 10 to like 14 or so, maybe as young as 8? idk, i dont remember. anyway. its been a decade since i picked them back up. and i didnt think this would gain as much traction as it has been after 100+ notes in less than 24 hours. uh. so. take my chronic memory loss-addled summarization with a grain of salt?? like? i just wrote this post so i didnt have to re-vent (agAIN) to my friends about how much i fucking love Dorothy/Ozma, period, much less in parallel to Gelphie. so. enjoy, carry on, and whatnot lmao
1️⃣: there's Oz books? plural???
yes, Baum wrote 14 books about Oz, actually. also, he wrote them under the appointment of "the royal historian of Oz" instead of "author", so there's other "official" Oz books by other "royal historians of Oz"
Baum wrote so much bc (he needed money, yes, but also:) kids would send him questions in fan-mail, and he would proceed to answer them via new novels. so he never planned to make more Oz books, he just (wasnt good with money and also) was routinely inspired by the kids who wrote to him and would write the stuff they wanted to learn about Oz and whatnot
2️⃣: does Dorothy go back to Oz? wasn't it all a dream for her??
yeah, Dorothy returns to Oz a lot in the books, she eventually even moves to live there permanently. bc, in the book series, it's a real place
only in the 1939 film was Oz ever a dream
3️⃣: how does Dorothy look like Glinda OR Elphaba?? what are you talking about?
okay so, "The Wizard of Oz" has an illustrator, W. W. Denslow. in the book, Dorothy is confirmed to be wearing a blue-white gingham dress (she changes outfits tho, she doesnt always wear the same dress all 14 books like she's some cartoon character); but im pretty sure her hair was all Denslow(? i could be remembering wrong. p sure im not tho??). this is what the 1939 movie based her appearance off of. so i can see why youd go "she doesnt look like Glinda or Elphaba"
BUT Denslow and Baum started feuding. so for the rest of the Oz books that Baum wrote, he had a different illustrator by the name of John R. Neil
and Neil decided to give Dorothy for every one of the books he illustrated (so, 13 of Baum's books to Denslow's 1 book of Baum's) a cute lil blonde bob, making her look like what i assume blonde-Glinda looked like as a child. i think she'd approve lol
so!! Dorothy very much looks like a trendy little Glinda, with her cute blonde bob, her fashionable drop-waist dress, and bows for most of the Baum series, actually!
(also, Neil had a preference for dressing Dorothy in this red and polka-dot number, but, again, she does wear other outfits)
(lmao also look at Tin-Man and Scarecrow with blonde-Dorothy, they look like her two gay dads encouraging her to just go be herself at school?? i love them)
(also, if you see "Eloise At The Plaza"-energy in this Dorothy design, im right there with you lol)
4️⃣: who is Ozma??
she's the Princess of Oz. she eventually appears in the second book of the series. she rules Oz after the Wizard
she's actually a really interesting transwoman allegory too. (spoilers for a book from the early 1900s?) she was born a little girl named Ozma, but has a spell put on her as a baby to be genderbent and was socially raised as a little boy under a different name, and she later realizes who she truly is: a girl. she finds the transformation scary, as she returns to her girl-form she always truly was, but she feels better and more herself now that she is Ozma again. i dont think L. Frank Baum intentionally wrote her to be a trans allegory, but you can very obviously see why our trans elders fucking LOVED Ozma back in the early 1900s
also, she has a similar "sir, you fucked up" relationship with the Wizard as Elphaba*. and, also like Elphaba, Ozma politically tries to make things in Oz better (just.. unlike Elphaba, Ozma has the power and support to do just that p much asap)
* (edit for contextual clarification on how the Wizard fucked up: the Wizard fucked up with Ozma because he is ultimately and p directly the reason why she was genderbent/hidden. he deposed of her family and sent her away. Baum decided later on to backtrack a little bit on this(?) because he wanted to bring back the Wizard and, in order for Baum to do that, has to try to not make him SO terribly horrible??? so like. Ozma does end up forgiving him and tolerates him amd he's nicer, later on, within the books. but i doubt any modern adaptation of the books would follow that, personally. even as a kid, i went "bullshit" and headcanoned that Ozma fucking hated the guy and, at best, MAYBE tolerated him for Dorothy, but overall did not like him for justifiable reasons! i think the direction society seems to have taken the Wizard is interesting, and i wouldnt be surprised if there was at least one future adaptation that made him The Bad Guy in a very Rumplestiltskin in the Once Upon A Time TV show kind of way. but like. in the books, they do END UP getting along. i just forever disagree with Baum on that lol i think the Wizard fucked up, and in book 2 of the series (the one where Ozma is, y'know, introduced), it is obvious the Wizard FUCKED UP. but yeah. also, Ozma does get her dad back. her mom was kind of never in the picture to begin with, specifically in a Ponyo's Mom kind of way, like, she made Oz and then left it for her husband and kid to rule, so. yeah. im getting off track. my point is the Wizard did a full-on coup on her family and then banished her and genderbent her so no one would recognize that she had claim to the throne he was sitting on!! he fucked up! so, like, i personally hc that Elphaba founded the "i hate the Wizard" club to which everyone slowly joined, like Fieyro and etc, and Ozma is their youngest member. the Wizard did both Elphie and Ozma so dirty, omfg)
it also should be mentioned, Ozma in NBC's "Emerald City" was casted as Black (her actress being Jordan Loughran). so, though Ozma does not have green skin (but also? neither did the Wicked Witch of the West in the books, she wasn't green there. that was a 1939 film decision to make her green. so! Ozma could be green!! why not!), but she does have Black features to theoretically remind Glinda of Cynthia Eviro's Elphaba when you consider that casting. or, if you prefer a Jewish!Elphaba casting, a'la Idina Menzel's Elphaba, i think Ozma's book design works well to interpretively parallel those features too. or both, if you like the sound of a Black-Jewish Elphaba and Ozma paralleling lol
(edit, because i thought i mentioned this but? no?? i didnt?? i must have misclicked or something to have deleted the paragraph. im so sorry, here you go:) also, when Ozma was a boy, she was basically enslaved to her jailor of a caretaker. which one could interpret as "oh, a Cinderella story!", sure. but, with a Black Ozma, it does read as an intergenerational grief-formed power-fantasy that is both empowering and poignant for Ozma to have ran away from her enslavement and gone on to become a princess afterwards. to any Black folks who may be going "is this going to trigger me?" about Ozma having been a child-slave, i remind you that Baum wrote this intentionally for children, so, no, the books do not sit in the trauma and horror of enslavement, but whether or not it would trigger you yourself is up to your discretion. i will say, Baum did NOT write the American Girls' Addy of his time (context: a children's book about a child-slave that does go into the horrors, some, though in a kid-friendly way) or Louis Sachar's Holes (i asssume i dont have explain Holes since its movie was such a hit), i remember it as even more kid-friendly than either of those also-children's books, so i would assume most people would be fine? but you are responsible for your own mental well-being, i urge you to confirm if it is fine for yourself however you need to do that. but, yes, you can use this backstory as further evidence for your Ozma being Black, of course! you can have Ozma be Black regardless, but if you want this as further evidence, go ahead! and also, it does parallel Ozma to Elphaba in the sense that Elphaba's family mistreats Elphaba! (i will, regardless of if you prefer a Jewish and/or Black Elphaba, add that doing so is also a nice "fuck you" to Baum in how, being a white man of the late 1800s and early 1900s, did end up throwing in racist and/or antisemitic caricatures here and there within his 14 books, unfortunately. i, an Indigenous American, remember as a child still immensely enjoying Oz despite Baum being racist towards Native Americans. if youre curious on the egregious level of it all and if the story could still be enjoyable, id say it's in the realm of Peter Pan, Willy Wonka, and Matilda of "wow. that is shitty. im going to pretend this thing i love is good instead via cognitive dissonance")
regardless, in John R Neil's illustrations, Ozma does have black hair, so that too coincides with modern understandings of Elphaba
(there is also her appearance in Disney's "Return to Oz", performed by Emma Ridley, where she is blonde. but, though i love that spooky movie, that's neither here nor there. as far as im aware, only in that movie has Ozma not had black hair)
anyway, she rules Oz; and by book 3, becomes really close friends with Dorothy. they're not a canon couple, not anymore than Gelphie is, but they are such close and affectionate friends that they are so easy to ship as childhood sweethearts (so, no, there is no moment of 🎶loathing🎶, but i find that sweetness makes them an angstier parallel for Glinda to watch over, personally lol)
like here's some illustrations from the books of them just being two "gal pals". no wonder our queer elders shipped them lmao and this isn't even all of their illustrations together, this is just the first spurts that google shot out at me lmao
also??? this is them with book-Glinda. not only do they look absolutely darling, also, yes, Dorothy becomes a princess, because Ozma said so. they co-rule Oz together. they are just too sweet, fam, i love these two little childhood sweethearts, i choose to see Dorothy's princess-ship as the same as two kids promising to marry one another when they grow up. this is so cute
and can you imagine Wicked-Glinda? looking down at these two, seeing what could have between herself and Elphaba had things turned out different??? im making myself sad
(also "Book of Glinda" is so wild. both in terms of "...Baum, how do you not see this as queer?" like with one example being like "Baum, you put that Glinda has 100s of single women at her beck and call in her palace, this is so easy to see as sapphic, sir"... and then, over here, we have John R Neil repeatedly reading "gave a platonic, innocent kiss" and going "okay, so, uh, making out? i dont do platonic kissing" lmao anYWAAAAYYYY, THAT'S NOT RELEVANT HERE)
🌟5️⃣ bonus:
so, you might have a few follow-up questions. like, what is "Elphaba" like in the books? what does she look like?
well, she's really only in the first book. she's one-note, evil, dies. she's not green-skinned, and she isn't given any sort of name. she is only called "the Wicked Witch of the West", that's it, she is not Elphaba
however, i will mention the Wicked Witch of the West, in the books, is a fashion disaster and i want to see her look used as evidence that "yes, goth-Elphaba and dark-academia-Elphaba are 10/10, but also?? kitschy grandma-core knitwear-Elphaba × her fashionably Barbie pink girlfriend". i'd love to see art of that. i'm just saying
also?? this isn't related to her at all but guess what
Scarecrow/Tin-Man was like THE ship for our queer elders. they are so emotionally intimate, they live together, it's great, look at these pictures of them being absolute bros (can you see why they were shipped so hard)
i bring this up, bc you could argue Fieyro/Boq if you merge canons to make your own narrative and whatnot. guess Fieryo and Boq kinda had their own mirrored 🎶loathing🎶 period under that framing lmao
or, if you hate Boq, youll probably love the Tin-Man's angsty "ship of Theseus"-like backstory as the once-Nick Chopper(: his human name, pre-tin-ification) that is in the books
so! enjoy that knowledge!! theyre super cute in the books, i love them. again, not a canon ship, but still beloved by our elder queers, just like Ozma and Dorothy
i hope it makes even more sense now why our queer elders used the phrase "Are you a friend of Dorothy?" as code to see if someone else was queer, not even taking into account the 1939 movie or Judy Garland's relationship with the queer community
anyway, albeit this is all the basics generalized, that should be everything
but yeah!! Ozma and Dorothy reminding Glinda of what could have been, of what she lost, being the sweeter "next generation" version of Gelphie?? tugs so hard at my heartstrings
but yeah, do whatever you want with Gelphie, Fieryo, and Part 2. im just saying. the angst potential of being envious and living vicariously through someone and seeing other people get the happy ending you were denied?? is right there lol
(edit: this awesome video by Kaz Rowe JUST came out if you want to hear more about the Oz book series, its queerness, its author, its GLARING PROBLEMS including but not limited to instances of racism, and so on and so forth. Kaz Rowe is a fantastic video-essayist, so i hope you watch the video and enjoy their hard-polished craftsmanship)
#wicked#gelphie#glinda#Elphaba#glinda x elphaba#wicked glinda#ariana grande glinda#glinda the good witch#glinda upland#elphaba thropp#wicked elphaba#cynthia eviro elphaba#the wicked witch of the west#wicked witch of the west#wicked witch#dorothy gale#the wizard of oz#wizard of oz#princess ozma#ozma
263 notes
·
View notes