#also love that i’ve glowed up from long analysis posts to putting the extra analysis in the tags

[hillerskaroyals]

i hate how quickly august rebounds from panicking when wille has a gun to his neck to spewing some bullshit about “i have a responsibility now”

[beautifulterriblequeen]

What if moonshadow elves lost knowledge about themselves?

Hello, hope you have a nice day ! :D

(wait, is it day, for you?) hem! Anyway.

I was analylzing Moonshadow elves again and now I’m asking myself something, wonder what you would think about it:

Remember my “epiphany about the moon arcanum”?, when I said there’s maybe another side of their arcanum Moonshadow elves don’t know about? Something more life-light related:hope.

At first I said “they don’t know about” without really thinking about it. But, what if it’s true? I mean, what if there truly is a part they don’t know about their arcanum, or maybe forgot along the years? What if the war made Moonshadow elves focus so much on death-kill and all they kinda…. lost some of their knowledge about themselves? 

(I think I remember one of your old analysis (I think it was you, I can’t find it anymore), where you compared “young ethari” in the endcredits to the actual one. Where we saw him first doing jewelry, full of hope about life, and the actual one who let that aside to focus on the war) 

Add to this their community is described as “really close-knit”, which means more or less isolationism and so a stagnant, unable to evolve society. A society where the same rules were applied for centuries and so inevitably lost their deep meaning with time. 

I thought it was maybe exaggerated to think this way, but then I remembered the creators said there is 5000years of history in TDP. Even with longer lifespan, there’s no way elves didn’t forget some things with time. (I compare this situation to another one: some discoveries were recently made in egypt, and we learned that a few thousands years ago egyptian themselves re-discovered things they had discovered several centuries prior and forgot)

So I tried to find proof in the show and the novelization, and guess what? We have some! (or, well, it’s more my HC, but as I said, it’ just a theory)

I think this way especially because of Runaan, who was so sure there was “only one way to release”. But then, Zym came and cut Rayla’s ribbon. My personal HC on this is that only the life who was supposed to be avenged can release the assassin from the binding. It would make sense when you know Moonshadow elves “take life but they do not take it lightly”. But even if I’m mistaking, the central fact is that there is more than one way and, clearly, Moonshadow elves don’t know it (if the leader of the assassins doesn’t, then who could?)

What I find interesting here, is that Runaan recites this ritual at the beginning, about how precious life is, like a litany but the way he insists (especially in the novel) about killing Ezran even after he saw the egg, could be the proof it’s just that, a ritual. A ritual whose words lost all their sense, their deep meaning for his people.

Ok, it’s not much, but I think the combination of isolationism, stucking to rules without understanding them deeply and time, is the perfect recipe to lose your way, no? 

Oh, and a crazy other point in between these two theories about “hope” and “lost knowledge” woud be: If there is another aspect of the moon, other elves more hope-related (like Ethari or Rayla), why not another form?

Like sunfire elves have heat and light-being mode, Moonshadow elves could have something else too?. It’s probably stupid, I’m only thinking this way because of how Rayla feels while in moonshadow form in the novelization. It’s not that she hates it or something, but it makes her feel dizzy, as if she wasn’t suited for this. And if not, maybe it’s because she’s suited for another form? 

(sorry, I hope I’m coherent on this one, I’m a little exhausted and my thoughts are a little messy ^^’)

______________

Okay, @lily-lilou​, just let me catch my breath, this whole thing is a ride and I loved it. We definitely vibing here, fam.

whew

Okay, from the top, because I’ve had a lot of these thoughts myself and I’m so stoked to see someone else independently coming up with them!

Yes 100% to Moonshadows losing a part of their own history. (And yeah, I do have a post somewhere on Ethari’s evolution. Probably called it that iirc) If we’re right about Moonshadows having lived in Katolis before the lands were divided, living right near their own Nexus as the Sunfires still do, then when they packed up and left, it’s very possible they literally couldn’t bring everything with them.

I have a quirky little hc that there are still, to this day, Moonshadow villages hiding behind ancient protection spells in Katolis, and that people wander past them every day and have no idea. But it’s one thing not to be able to pack up your actual village. It’s another to leave behind records of your people’s past, their accomplishments and dealings and discoveries.

*eyes Lujanne’s truly massive library, with its huge walls covered in runes and books* This is where the full history of the Moonshadow people probably is kept. And no one has access to it but her.

Those who headed east would only know what they carried with them, and what was handed down orally through the generations. But see, if my headcanon about the Moonshadow assassins being created at that time ends up being true, then that’s probably bad news for history and truth. When you create a whole new class within your culture, you need to bolster it with ideology. You use myth, cultural norms, and current events to make it seem important.

You tell everyone that being an assassin is the most honorable job there is. And then it’s suddenly cool to be an assassin. 

If there were no Moonshadow assassins before the humans were booted out west, then everything Runaan says to Rayla, everything he believes, is pretty young compared to his people’s full history, which he may not know, at least in its true and undistorted form. It’s an illusion. Rhetoric. Propaganda meant to hold soft elves who deeply value life to the hardest task they’ll ever undertake: taking that life from another, for a cause they cannot turn away from, a purpose they are culturally indebted to. Because their people, their princess (?), was the one who asked for the humans to be spared, and so every mistake the humans make from that point on is the Moonshadow elves’ duty to handle.

Runaan was wrong about how many ways there are to release. Has Zym truly been the only victim who wasn’t actually dead, in a whole thousand years? Honestly, probably not, knowing how politics works. But see, if you have an elite squad devoted to serving Xadia, and you tell them that their hands will literally fall off and they will die if they don’t do their jobs because there is only one way to release the ribbon they’re honor-bound to wear, they will take their target or die trying. And if you maybe exaggerated reports of the victim’s death for political purposes and actually have them in a dungeon, or they fled to the human lands as a refugee, or any number of other squirrelly options that Moonshadows aren’t naturally inclined to consider, then you can literally get away with murder-by-proxy. Or containment. Or intimidation. Or whatever your purpose is in taking out a human target who may or may not even be guilty of the crime you allege against them. It might not even be Zubeia and Avizandum’s fault. Unless they can detect truth and lies, they can be deceived by someone unscrupulous with an agenda of their own.

Long paragraph long, there are a lot of problems with the existence and practical duties of Moonshadow assassins. They’re kind of like the War Doctor: born form conflict, and thus only able to serve it, instead of peace. Yes, we all want Runaan to get his happy ending, retire, go home to his soft husband. But really, the whole institution of the assassins needs to go. It was born of war, and if Xadia and the human lands make peace, truly, then the assassins should be dissolved. As I said in one of my fics, Moonshadow assassins are Xadia’s dark magic, turning death into power. It’s gotta stop on both sides.

One of my oneshots for January’s Ruthari Week played with the idea of Ethari having a moonform instead of a shadowform, because yes to elves having two kinds of forms in each culture! I would love to see that for all the elves. And if we use Sunfire elves as a kind of roadmap, with “sun” and “fire” being the heat- and light-beings, then maybe the other elves get their two forms from their names as well. Or so my headcanon went for that fic: a moon form to balance the shadow form, where the elf’s body can glow like the full moon. I didn’t really touch on what that form’s ability would be, but I suppose, logically, it would serve as a portable full moon, powering other nearby Moonshadows even when the moon was down, or new, or a small crescent.

Okay, that’s just fun. I like that idea a lot. The only time “just stand there and look pretty” can be used as a battle tactic!

I can see Rayla getting to have the rare Moonshadow power. That would make her a good balance for Callum and his unusual arcanum as a human. Part misfit, part superpower. It would also probably be a power that puts her closer to Ethari’s soft and protective attitude, no matter what the power really is, since the assassins in Moonshadow culture have clearly adopted their natural shadowy form as a mission tactic, attacking specifically on full moon nights. Literally any other kind of power is probably going to be softer, lighter, more lively and bright, in concept if not literally so. Maybe the other power kicks in on new moons? or is available at any time? I really hope we get a second Moonshadow power of some kind. I am down for all the extra worldbuilding!

Thanks once again for your thoughts! *fist bump* Moonshadow elves. You get it.

[yikes-xander]

000:00:00:00

PLAYLIST ANALYSIS

This is actually me just rambling about my thoughts on each song and why I chose them for this specific playlist rather than like.. an actually good and smart sounding in-depth analysis sorry :/

When I Met You - Ethan Nestor

There are many reasons I chose this one! Mostly the lyrics, but Ethan also sings it so it’s extra fitting for the playlist, especially as the opener.

“When I met you my life was blue, I was so lonely / You took me by surprise” The channel came into my life at the perfect time. I was feeling low, in my last year of high school, struggling with thoughts about the future. It especially helped me through quarantine. Every day I felt like quitting, giving up on putting effort into school/not graduating, but I had something to look forward to every day too, so I pushed through.

“Now you're gone from my life / I'm adrift on the sea” Once the stream ended and the channel was gone, I didn’t know how I felt. I felt sad, but also something I’ve never felt before. After watching Ethan’s video yesterday, hearing him explain he felt the same way, I felt so relieved. I think this lyric kind of describes how I feel now honestly, just kinda numb? Like I’m lost. I’m working on it.

Another Night - Story Untold

More of a light-hearted one now! To me, this song made me think about how good it felt to be a part of the audience.

“Here we go for another night / Another night goofing all around” Everyone (the audience, Mark, Ethan, etc.) having fun every single day? *chefs kiss*

“Laughing 'til our stomachs hurt / And I can't let this moment pass me by” Once again, made me think of all the good times that were a part of the channel, and all the good feelings they gave me.

“So here’s to a night we’ll remember / This is a time we never wanna forget” I think this is kind of self-explanatory? I don’t think any of us want to forget Unus Annus. Personally, it’s literally the best thing I’ve ever had the chance to see happen and be a part of.

100 Bad Days - AJR

This song just gives me good vibes, UA gave me good vibes, it had to be on the playlist. I don’t have much else to say about it.

History - One Direction

This song kind of reminds me of Ethan and Mark separately and UA as a whole. Because like,, they make a great team, they have a lot of history (friends for a long time, Ethan was a fan of Mark before that, etc.)

“You and me got a whole lot of history / So don't let it go, we can make some more, we can live forever” A year is a long time but also feels like no time at all. Sometimes I wish we had more time for UA, but I’m glad I was here for what we got.

“This is not the end” Unus Annus is something I’ll never forget.

Dopamine - With Confidence

Maybe also kind of self-explanatory? Dopamine makes you feel good!! UA also makes me feel good. And the song talks about losing it too so.. yeah

This Is Home - Cavetown

I’m not exactly sure why I felt so drawn to this? But the vibes are immaculate.

“Are you dead? / Sometimes I think I'm dead / 'Cause I can feel ghosts and ghouls wrapping my head / But I don't wanna fall asleep just yet” after the stream vibes anyone? Or is it just me? I stayed up way too long after it was over. Too many thoughts head full

“Time is / Slowly / Tracing his face / But strangely he feels at home in this place” Unus and Annus,, the Boys of Time babey!!

Ghost Of You - 5 Seconds of Summer

Again.. The VIBES are IMMACULATE. It’s just a sad song for a sad time.

“Too young, too dumb / To know things like love” I’m just a stupid boy who got emotionally attached to a channel whose whole purpose was to DIE and I’m sensitive about it.

All I Wanted - Paramore

Lyrics make me do a Think

“Wake up early to black and white re-runs” colors of the channel,, thinking about all the vids,, the memories :(

“I could follow you to the beginning / And just to relive the start / And maybe then we'll remember to slow down / At all of our favorite parts” this entire verse?? Oh my god. Absolutely *chefs kiss* I think we all know what I mean and like,, why it gives me UA vibes

The Kids from Yesterday - My Chemical Romance

This song just gives me like sad nostalgic vibes so I thought it fit well.

“... you only hear the music when your heart begins to break” the timer reaches the end and the ticking stops? Heartbreaking, that’s all

I Will Follow You into the Dark - Death Cab for Cutie

Another song thats just,, sad so it fits

“Love of mine, someday you will die” we knew from the start the the channel would literally die when the clock stopped,,

“It's nothing to cry about 'cause we'll hold each other soon / In the blackest of rooms” shut up I’m mourning someone hold my hand

“I got my knuckles bruised by a lady in black” death goddess Amy vibes

I’ll Always Be Around - Waterparks

“If you died I'd hope you'd haunt me / Because you know I'd miss you bad” we all love UA so much!! And miss it a ton already

“I'd never I'd never I'd never get you off my mind” it’s always thinking about Unus Annus hours

Before You Go - Lewis Capaldi

There are multiple lyrics in this song that just make me remember we only have our memories of the channel left

“Our every moment, I start to replace / 'Cause now that they're gone, all I hear are the words that I needed to say” the vids are replaced with only memories, replayed over and over

“Well, time can heal but this won't” I’ll be sad about this forever mind ur business

“But all I can think about is seeing that look on your face” the very last moment of the stream? Amy and Mark looking at the camera, Mark’s lil smile, Ethan looking back at the clock as the last few seconds tick by? AAAAH

Scarlet Cross - Black Veil Brides

Heard this and immediately reverted back to my middle school self but that’s beside the point.

“... you can't deny / The end is coming, the end is coming” we knew from the start that the channel would die

“Will we live? / Will we die? / Just keep on saving our goodbyes” There were points where people were theorizing that the channel wouldn’t actually end, there were clips near the end where the clock reversed by a few seconds, etc. need I say more?

“Hold onto me, and I can't let go” we’re all mourning, we didn’t want to say goodbye I know I’m not the only sad one

Body - Mother Mother

This song just SCREAMS Unus and Annus vibes I think we can all agree

“I've grown tired of this body / Fall apart without me, body” Unus and Annus are just entities using Ethan and Mark’s bodies,, they know their time is up so they have to leave,, the LORE it makes sense okay leave me alone

Here Comes the End - Gerard Way (ft Judith Hill)

At this point I’m just listing lyrics that I vibe with that remind me of UA and also make me sad but that’s because I’m dumb and I don’t know how to express myself or explain my thoughts oops

“The time is running out / The days are moving fast” literally every day after each video,, seeing the clock tick down? My HEART she hurt

“The clock is moving / Hands to midnight / Can we get through this?” For me, the stream ended right at midnight so THE VIBES I was sobbing

When Can I See You Again? - Owl City

“Switch on the sky and the stars glow for you / Go see the world 'cause it’s all so brand new” this lyric remind me of the vid where they were in the desert and they just looked at the stars and had a nice talk it was so wholesome I love them

“It's been fun but now I've got to go / Life is way too short to take it slow” Unus Annus is gone but we all have to remember to live, do what you want with no regrets.

(Don’t Fear) The Reaper - Blue Oyster Cult

This one is another pretty self explanatory one honestly

It’s also just a vibe like a lot of the other songs that’s all I have to say about it

Safe and Sound - Capital Cities

This song just radiates such good feelings man oof

Unus Annus felt like such a safe lil bubble for me?? Like,, Mark and Ethan did dumb shit because they WANTED TO I felt so validated like,, I also would do dumb shit if I could that probably makes no sense but I love them so it doesn’t matter

Happiest Year - Jaymes Young

This one absolutely BREAKS MY HEART

“I'm here to admit / That you were my medicine” yall,, UA was the only thing that kept me going and I'm not afraid to admit it

“Thank you for the happiest year of my life” literally the only thing that gave me serotonin oops :/

“So wake me up when they build that time machine / I want to go back” do I need to explain? Even though this year has been shitty irl, I would relive it in a heartbeat

The 3ND - Story Untold

I know this is a breakup song,, but hear me out

Some of the lyrics FIT and it’s my playlist I can do what I want shut up

“I never wanted what we had to end / But now it's over” once again,, no need to explain

“I know we had our dreams and we had plans… / That now it's time to let go” this just makes me think of the video where they talk about the video ideas they had but never filmed or just didn't post,, the CONTENT WE COULD'VE GOTTEN i'm sad

Still Remembering - AS IT IS

These boys.. My fave band of all time but also literally all their songs have immaculate vibes

“My heart's as heavy / As these nights are long” this gives me after the stream feels,, I stayed up way too long after it ended I couldn't sleep because I was sad :/

“Can you tell me what hurts more / Is it remembering or forgetting?” The whole chorus just hits me so hard man I'm so scared that I'm gonna forget unus annus because my brain is shitty even though I know I won't? I’m deadass getting a tattoo as soon as I can

Take Me Away - With Confidence

This song just makes me think about how UA was kind of an escape for me? And a lot of people yknow sometimes you just need to get your mind off of this happening around you and UA was really good for that in my opinion

The Night We Met - Lord Huron

Once again saying I would relive this year if I had the chance

Unus Annus was one of a kind, no one will ever be able to recreate it

Where’d All the Time Go? - Dr. Dog

A year sounds like such a long time but it goes by way too fast

Also I think Amy had this on her instagram story after the stream? I don't remember but THE VIBES

This December - Ricky Montgomery

Why do so many ricky montgomery songs have UA vibes? Idk

“Well, this December, I'll remember / Want you to see it when I do” UA ended in november,, we’ll remember in december and forever it FITS

“It’s just a little bit, It’s just a little bit / Lonely in this home / It’s always colder on your own'' honestly now that UA is gone there's like,, a void and I'm sad (I keep saying that but it's true so..)

When You Die - MGMT

Maybe this is the song Amy had in her story after the stream? Again,, I don’t remember

I think this one is also pretty self explanatory

Except I was feeling A LOT when the channel died but I’m glad the team was also kinda in their feels a bit yknow? It made me feel better about it

Good Times - All Time Low

“Underneath the stars we came alive / And singing to the sky just felt right / I won't forget the good times” once again,, that stargazing vid? IM CRYING all the vids gave me so much serotonin I loved them all and each day was such a good day

“I'll hate the goodbye” I don't need to explain..

“Middle fingers up, ego trip / Devil may care but we didn't mind” the chaotic vibes of the channel is what sucked me in I live for chaos that's what this lyric makes me think of

Goodnight, Travel Well - The Killers

I don't think I really need to explain this one because,, just listen to the song and you'll get it but I'll just list some fave lyrics of mine

“There's nothing I can say / There's nothing we can do now” end of the stream vibes for sure

“And all that stands between the souls release / This temporary flesh and bone / We know that it's over now” Unus and Annus vibes

Line Without a Hook - Ricky Montgomery

This is one of the songs that I hear a lot in like edits I see on twitter and stuff associated with UA and I Get It the vibes are so good the song is so good I love it

“Oh, baby, I am a wreck when I'm without you / I need you here to stay” one of my fave lyrics and also just,, makes sense I miss UA

As the World Caves In - Matt Maltese

Another song that's in a lot of edits and stuff that's also,, amazing and MAKES SENSE the vibes!!

“And here it is, our final night alive” the STREAM

“You put your finest suit on / I paint my fingernails / Oh we're going out in style babe” Our boys,, Unus and Annus in the suits and eths painted nails? An absolute LOOK

I just love this song so much its so good and makes me so sad

The End. - My Chemical Romance

This song is just So Sad

And the heart monitor beeping in the beginning?? Reminds me of the clock ticking my heart is BROKEN

If you actually read all of this? I love you!! This was 6 pages so thank you for sticking through and listening to all of my dumb thoughts

[shenlongshao]

GGS Redesign Analysis: Faust

The Frosty Faustings event has recently passed with memorable and intense matches. At the end, it reveals the gameplay trailer for the character the event is named after; Faust. This is a continuation of my in-depth analysis of the characters' redesigns(original post can be found here https://shenlongshao.tumblr.com/post/189263935197/gg-strive-thoughts-part-3 ). This will be a lengthy post that'll follow the same format like I did the others. I hope you enjoy reading!~

FAUST ---------

After unveiling the full title of the new Guilty Gear game, Faust was briefly shown. Many people, including myself, was surprised at huge change to his design. The latest trailer gave everyone a clearer look at his gameplay and how he seemingly conveying a darker essence in comparison to the usually bright, wacky, and compassionate persona he's known for. I'll begin by examining his past design as Dr.Baldhead.

Prior to his battle attire, Dr.Baldhead wears the uniform of his profession with a long, white doctor's coat. The buttons in front and two medical crosses on his upper sleeves is black. Underneath is a black dress-shirt with a red tie, though the design of his gloves and shoes are unique. His layered gloves concealing his palms is teal green while the finger part is black. His socks and shoes share the same color scheme with black straps around the ankles. Round-shaped glasses conceal his eyes and fitting to his name, he's also bald.

In his battle attire, Dr.Baldhead a.k.a Faust's very lean, yet somewhat athletic build can be seen on his legs and arms. A wide, white thick collar of the teal green tunic is worn on his body accented with soldier padded sleeves. There's multiple straps in the belt around his waist with a silver buckle in the center. Another interesting part of his design is he's the tallest Guilty Gear character(he's 9 FT. 3in' tall). It fits well with how initially he's a caring doctor who genuinely wants to help and save people, but the guilt of a young girl patient dying in his care spurs him into insanity and bloodlust. I think this design is very reminiscent of classic cartoon doctors or mad scientists being bald, skinny, and wearing round glasses. Which is fitting for his story at the time, but it didn't last for it was the beginning on the path of atonement; leading to the iconic look and name we know him as; Dr.Faust.

I love the creativity put into Faust's iconic look because it's something never seen before. His face is covered by a light brown paper bag with a bullet hole on his left "eye"(it's a mystery whether it's his actual eyes or his eyes are covered by glasses or a special eye gadget that makes it glow). He wears a tailored, white doctor's jacket with broad shoulder pads. Large black buttons is seen on the edges of his shoulders and the helms of his sleeves. On his upper sleeves is a singular belt while two belt straps is in the front to secure it in place. Underneath is blue dress-shirt with a black tie and wears green pants on his lower body. On his feet is brown penny loafers with two large black buttons in the front. White, blue, green, and brown has been Faust main colors throughout, conveying not only his profession as a doctor, but also his personality. White Personality(https://www.empower-yourself-with-color-psychology.com/personality-color-white.html): Having a personality color white means you are neat and immaculate in your appearance, in the presentation of your home and in your car, almost to the point of being fanatical. You have impeccable standards of cleanliness and hygiene and you expect others to adhere to your high standards. You are well-balanced, sensible, discreet and wise. You may be wishing to create simplicity in your life - perhaps a wish to re-create your childhood, lost youth and happier times in your past life.White is totally reflective, awakening openness, growth and creativity. You can't hide behind it as it amplifies everything in its way. White is a color of protection and encouragement, offering a sense of peace and calm, comfort and hope, helping alleviate emotional upsets. It creates a sense of order and efficiency, a great help if you need to declutter your life. Blue Personality(https://www.empower-yourself-with-color-psychology.com/personality-color-blue.html): You are genuine and sincere, and you take your responsibilities seriously. Having a personality color blue means you have a deep need for peace and harmony in your everyday life - you don't like having your feathers ruffled. You would benefit from daily meditation and quiet time for reflection, introspection and self-discovery. You appear to be confident and self-controlled, but may be hiding your vulnerable side. You are a rescuer and love to be needed but one of your lessons is to learn to love yourself first - you live from your heart and are always busy putting the needs of others first. You don't like to draw attention to yourself - you prefer to be in the background. You have a thirst for knowledge in order to gain wisdom and appear knowledgeable in whatever area interests you. Green Personality(https://www.empower-yourself-with-color-psychology.com/personality-color-green.html): Having a personality color green means you are kind, generous and compassionate - good to have around during a crisis as you remain calm and take control of the situation until it is resolved. You are intelligent and love to learn - you are quick to understand new concepts. You like to be accepted, appreciated and admired for the good you do in the community as well as in your family life. Brown Personality(https://www.empower-yourself-with-color-psychology.com/personality-color-brown.html): You are friendly and approachable, genuine and sincere. You feel uncomfortable about losing control but will work hard to change a situation that seems unjust or unfair. You are hard-working, industrious and reliable. The only thing missing is the description of Faust's cheerful and humorous side. But if you think about how green is the mix of yellow(the cheerful color) and blue, then it conveys this side of him. There is some tweaks to his design in GG Xrd SIGN and onwards to add extra color and detail.

All of the buttons that were black are changed to gray while his tie is colored yellow. Attached to the leather straps on his upper sleeves is red medical crosses along with a black one. His green pants has thin stripes, which gives a 1960s gentleman style to him. His primary colors are still the same, but let's look at the meaning of the extra colors added to him. Yellow Personality(https://www.empower-yourself-with-color-psychology.com/personality-color-yellow.html): You have a happy disposition and are cheerful and fun to be with. You are creative, often being the one who comes up with new ideas - an ideas person who needs others to bring the ideas into reality - you tend to have your head in the clouds much of the time. You analyze everything, all the time, and are methodical in your thinking. You are spontaneous - you are able to think quickly on your feet and make instant decisions. You have a modern outlook. New technology doesn't faze you. You communicate well on a mental level with like-minded people, but can become bitter and sharp-tongued if crossed. Being the lightest hue of the spectrum, the color psychology of yellow is uplifting and illuminating, offering hope, happiness, cheerfulness and fun. Red Personality(https://www.empower-yourself-with-color-psychology.com/personality-color-red.html): As a personality color red, you are stimulating to be with and you radiate a great deal of energy. Lovers of red are the explorers and pioneers of the world, the entrepreneurs and builders who like to be first in discovering new physical realms. If you favor the personality color red you have a passion and enthusiasm for life and are not afraid to pursue your dreams and goals. You are a hard worker when you have a personality color red, and you specifically enjoy physical labor and working with your hands. All of these colors match Faust perfectly and love the little tweaks to his look. I think this is the best design for him and adds a special, unique essence to the world of Guilty Gear. In the story, Faust finally discovers the truth about the young patient that died is actually caused by the Conclave and is on the path of discovering the cure for the Japanese's illness. He continues to dig deeper and deeper into these, which likely leads to a redesign since these are huge story developments for him. 

Design-wise, the only thing kept from his previous look is the brown paper bag over his head. This shows that he hasn't reverted to being Dr.Baldhead(cause the bag is conveying shame of his past while also wanting to atone for it). It obviously isn't the same bag because in the previous game, it says "Wandering Doctor Faust". But in Strive, it has something different written on it, which you can see when viewed upside down. (Note: From now on, I’ll just link to the pictures since Tumblr is weird, XD). https://i.imgur.com/fL6ECm9.png It says "Blackhole Donuts & Cafe". There is also a sentence written under it, but due to the shadows, it's hard to see. I've tried to brighten and enlarge it abit. It's still somewhat hard to see, but I'm 70% sure it says "Our donuts are not whole...without the hole." This relates to Faust liking donuts(also one of his moves he randomly tosses out a donut). Let's look at the rest of him. https://i.imgur.com/ooBZQKR.png Faust is wearing the teal colored scrubs typical for surgeons and nurses to wear. In front of the shirt is a grunge type splatter with the white medical cross and the word "Good" written in lowercase. The 'd' if examined closely, has the hand sign for "Okay", hinting of Faust's quirkiness is still there. There's also something written on the upper back part of his shirt seen here, which I think most likely is "Stimulation". https://i.imgur.com/0Ivbpcn.png On his upper arms is double leather straps and white gloves with black medical crosses, which is derived from his coat as Dr.Baldhead.  Underneath his shirt is what looks like medical utility belt with yellow straps attached to the large syringe. But I believe this belt is actually a medical tourniquet belt due to the design and how it's slightly above the waistline. A tourniquet generally is a special belt used to stop blood overflow from a terrible wound. Here's a picture of Faust's medical belt. https://i.imgur.com/YhpBrZy.png https://i.imgur.com/EaqoeLC.png Below is the tourniquet belt. https://i.imgur.com/mjka2pJ.png He still has his other medical supplies like the giant scalpel used as a weapon, a stethoscope, etc. The most striking and troubling aspect is how his body looks. It's true Faust has always been the skinniest character, but he never looked like he was anorexic. If you look at the Dr.Baldhead pictures, you can see some very lean muscle and even how his clothes fit him prior to GG Strive. There's also the dry skin patches around his chest and arm that likely caused from either a surgery or some type of injury. Lastly, on his feet is a pair of what some assume to be Nike type sneakers instead of penny loafers. It's mainly white with yellow trim and teal colored shoes laces. This time, his main color is Teal, so let's see what this means for Faust. Teal Personality(https://colorpsychologymeaning.com/color-teal/): Teal is reserved, intuitive and perhaps an introverted color, teal is different, yet it doesn’t look for attention. Teal is also unconventional, someone who likes teal appreciates those things that are a little bit different. They value their uniqueness and they don’t wish to just fit in with the crowd.Teal is also a cautious color, not impulsive and doesn’t take unnecessary risks. Teal personality is to think before acting.Those who like or wear teal are also probably open minded people, they like to keep their options open and they don’t judge situations and people quickly. They are also very likely to have creative, perhaps artist tendencies. Influences of Teal: Teal encourages objective and analytical thinking. Teal is calming and encourages introversion and reserved character traits. Teal can promote repression of emotions, can reduce feelings of empathy. Teal can discourage erratic and spontaneous thinking. You're probably thinking, "How can he be calming when he looks so creepy?!"  Lol! I totally understand that feeling from watching the trailer. But there are 2 things in keep in mind that'll help ease the creepiness. Anyone in the medical department purposely wear colors that not only represent cleanliness, but also calm and friendly so their patients feel safe and cared for. Faust has always worn colors to reflect this along with his personality; he truly cares about other people and tries to help through medicine. Teal is one of these colors, but there is another side to it you probably notice; the part where it says "promote repression of emotions". Repression means to hold something or someone back by force, and since Faust isn't acting his usual expressive self, it hints of something caused him to be "repressed", disoriented, etc. What happened to poor Faust??? Obviously, the best answer would be "wait until the game is released to find out". But this doesn't mean we can't theorize based on what happened in his story! GG Theory Time: Faust has possibly found a cure for the illness plaguing the Japanese, but he's paying a heavy price for it. Do you remember when Faust was researching in the Royal Library? If not, please watch this video(You'll have to skip to 13:37 to see).

Notice there's a pile of books he has thoroughly read, including 3 called "The Black Sunrise", "Rise to Power", and Eripmavs's Memoir".

"Eripmavs's Memoir= Eripmavs's D Yraid": This has a weird name, but look at it in reverse, it's really "Vampire D's Diary". If you didn't know, this is Slayer's memoir about what happened before, during, and after The Crusades.

"The Black Sunrise": In the GG Library, it's from how a travelling author described the destruction of Japan caused by Justice was like; the sunrise upon the jet-black ocean.

"Rise to Power": This one isn't mention in the GG library, or probably not directly. But if watching everything that happened in the story, it's likely about Gear Cells. Particularly, how Japanese were converted into anti-matter Gears through Information Flares that rewrites their DNA. And how Ki Overlow Syndrome is a side effect of massive amount of Mana and data from The Backyard. My theory is Faust has got the same disease as the Japanese. We currently don't see him have migraines or fevers, but do see he's suffering the severe symptoms like being listless(lacking energy) and feeble(lacking physical strength, especially from illness or age). There's also how his reality-warping powers, etc. has been enhanced alot from looking at the trailer of his gameplay(example how he has Chipp appear from the dimensional wormhole he opened).  When you think about the legend beyond the name "Faust", he could have also gained massive amount of Mana(Magic) and Information(Knowledge) from The Backyard. This probably somehow helped him find out the cure for Japanese and created the medicine. What I mean by this is NOT him going into The Backyard itself, but it’s how the side effects of the Ki Overflow Syndrome has a double-edge sword result for him.  The skin patches around his chest and arm could be surgeries he performed on himself as part of testing, or either the P.W.A.B, The Conclave, or whatever the new threat will be did it. I think for his story in Guilty Gear Strive, it's going to highlight the dilemma similar to the Faust legend of "Can Faust become a true super-human, be resolute and redeemed? Or will he prove his human weakness and unsuitability and be doomed?"

Link to information about the legend of "Faust"(not the GG character, but the tale the character's based from): https://www.faust.com/ It's time to give my opinion and rating on his new design. After getting over the shock of how different(but beautifully) he animates and the dark vibe mixed with his silliness, it suffers the same issue I have with May's. Instead of it being equal or better than the iconic look, it's a huge downgrade. The scrubs doesn't have any style except for the words in front and back of his shirt, which that can easily be printed on. His gloves are okay, but I think it could've been better like adding some trim or even take inspiration from his Dr.Baldhead look. His sneakers also isn't very unique or stylish either, just very generic. It's probably why they have him in shadows so much cause of how basic he looks, XD. Rating: E(Epic Fail!)

[thepucegoose]

Starsky is Canonically Jewish - A Moodboard & Analysis

A detailed exploration of all the Many Many aspects in the canon that point to Starsky being Jewish can be seen under the cut + bonus headcanons! 

So I was looking at Starsky’s fanlore page and the discussion there talks about hints within the canon that Starsky may be Jewish. As one commentator notes, “There is plenty of mild justification for Starsky being Jewish”. Tbh, I’d say that, whilst subtle and never explicitly addressed, there is far more than just mild justification to suggest that Starsky is Jewish, and that he is in fact canonically so (and also I found the menorah they were talking about and I felt like I was on Myth-busters, which I’ve never seen but I imagine they mainly investigate fandom hearsay regarding background menorahs and other such suggestions. I’m insanely proud for having found it please appreciate because it took me a Very long time to, although I’ve found in researching this that there was at least one screenshot of it online here from 2011 :D). 

TV Tropes has Starsky down for the Ambiguously Jewish trope and whilst I definitely agree that Starsky fits this trope description, I would say that there really is nothing ambiguous about it. There are just so so many aspects that come together. This boy is just canonically Jewish! 

(Disclaimer: I’m not Jewish. Although I am very much considering converting and I’ve been studying everything I can about Judaism for well well over a year or so now, as well as attending services through whatever means I’ve been able to, I am by No Means even remotely close to being knowledgeable on the topic. Still, I figured there were some things I’d noticed whilst watching that hadn’t been mentioned that I wanted to bring up, and I also wanted to pull together observations by others into one place because I’m always hyped for canon representation and creating coherent resources. Extensive Research Is My Jam. If I’ve got anything wrong; said something in an uncomfortable way; talked where it wasn’t my place to talk; made assumptions I shouldn’t have; or like, said/done literally anything else that feels even slightly off then Please Please say and I’ll do everything I can to sort it!!)

Reasons why I reckon Starsky is canonically Jewish: 

For one, Paul Michael Glaser is Jewish and if William Shatner being Jewish is good enough for my Jewish!Kirk headcanons then it’s sure as heck good enough for my Jewish!Starksy headcanons. Furthermore, according to Wikipedia, both Leonard Goldberg and Aaron Spelling are Jewish, and a good many of the writers have Jewish surnames too, though I can’t find out much about them specifically. Due to their fame, and therefore extended biographies, Wikipedia does specify that writers Michael Mann, and Fred Freiberger are Jewish. Joe Naar, who produced the show, was also Jewish, and used to joke that his style “was born out of being a short Jew with a huge chip on his shoulder.” Rick Edelstein was hugely involved in the writing of the later series and you can really see the influence Judaism has on his work, as is evident in his more recent short story, Bodega. He also ended his short video supporting Obama in '08 with "l'chaim, to life".

Essentially, I think Jewish people were involved in all levels of production within the show - from the writing, to the acting, to the direction, to the production - and this can be seen in the varied means by which it’s suggested that Starsky is Jewish himself. As such, suggestions that may have been seen as accidental otherwise can then take on greater significance, whilst the more explicit examples take on more emotional weight. 

Why, then, would it not be more explicitly stated that Starsky is, and was always considered to be, Jewish? I read a really interesting post the other day about how Jewish people in Hollywood often felt unable to include Jewish characters/actors/themes in their work out of fear of seeming too “tribalistic, or insular, or that Hollywood was (as it was in the antisemitic imagination) a ‘Jewish’ front”. Obviously, I can’t comment from a Jewish perspective, but when I was younger I felt similar pressure in regards to including queer characters. As such, I think it’s really exciting to see the very explicit references to Starsky being Jewish, even if they aren’t clearly obvious to a wider audience not actively looking for such references.

Paul Michael Glaser also played Perchik in Fiddler on the Roof (1971) - which I mention not only because it shows Glaser playing other Jewish roles, but also as a recommendation because I Love My Hyped Wee Jewish Communist Revolutionary Boy. Glaser talked about how Starsky was a culmination of other characters he’d played prior to Starsky (DVD extras) and I think this is quite evident in Starsky and Perchik’s respective behaviours. As a nod to this, the middle top picture is (apparently) from a Jewish Labour Bund publication. This is something you can learn more about on its Wikipedia article here, and there’s more interesting things about The Bund here and here as well!

As we all know, Starsky calls Hutch the Blond Blintz (to his Puce Goose) :D Here’s a recipe for blintzes from myjewishlearning.com - they’re like pancakes and it’s an Ashkenazim custom to eat them on Shavuot. Also I love the scene in The Set-Up: part 1 where he first calls Hutch the Blond Blintz and Hutch is like???? and Starsky just says Blintz very definitively and with no further explanation and Hutch is just like,,, u kno what,, I’m just going to roll with this.) 

I basically just really love this because it’s an example of Starsky being very openly and explicitly involved in Jewish culture, not just when he says it in The Set-Up, but also in Starsky’s Lady, when playing with the kids, especially as there aren’t a lot of references to things that carry on across multiple episodes.

I also like the way he pulls everyone else into his reference of it very un-apologetically; it feels very in character. There’s a picture of a blintz in the left column of the middle row! (Also, I feel like,,,, there might be some,,,, Freudian Implications to naming your partner after a rolled pancake filled with cream cheese that gets released when eaten?? @jimmyandthegiraffes fite me.)

Whilst Hutch looks at a glow in the dark cross being sold by Huggy in Jojo (written by Mann), Starsky picks up a mezuzah, which are put up at gateposts and door frames in Jewish homes - here’s a video about it :D The picture in the left-most bottom corner is Starsky inspecting this mezuzah. I really like this scene because he goes straight to it and seems to be considering it with very real interest. This is interestingly contrasted with Hutch picking up the cross, which isn’t the only time the show appears to draw a distinction between their respective cultural and religious heritages. 

I think that really responds to some of the stuff William Blinn has said about their casting and how thrilled they were to have two actors playing characters from such different backgrounds whilst having such great chemistry, and how that really helps form the magic of the show even (DVD extras). I think their respective choices really help to demonstrate how assumed it was that Starsky Would naturally pick up a mezuzah, in contrast to Hutch’s cross. 

The menorah (or actually Chanukkiah if we’re going to be really specific about it) in the background of Starsky’s apartment in Foxy Lady and in Blindfold. For so long I thought this was a myth but!! it’s not!!!! You can see it in the right hand column, middle row :D With the greatest thanks to the canon compendium for pointing out the episodes it appears in and also for like, literally everything else - it’s genuinely just the best fandom resource I’ve seen. I love this because I think, asides from a Magen David (Star of David), I think a menorah is one of the most well known symbols of Judaism and I think it’s really rad that it’s something the crew thought consciously to include, even if it is a largely not shown background detail. Again, it’s subtle but explicit which is why I would argue that Starsky is canonically Jewish.

It’s also worth remembering that even though it’s in an area in his apartment that doesn’t get shot by the cameras except on a few occasions, it Is a part of the apartment that’s Really visible from like, every direction and is right across from the front door. I’ve got another screenshot below from Blindfold that puts it more in context of where it is. I think this is really cool!! It’s obviously something he considers a big enough part of his life to keep on display year round and it’s something instantly recognisable and visible for anyone coming into his house (Foxy Lady came out on March 1st and Blindfold on October 21st, neither of which are around Chanukkah, if you’re going by episode air dates).

Speaking of the Magen David :D As can be seen in the episode Little Girl Lost, Starsky has a couple of blue six pointed stars on his dash under his Christmas decoration, as you can see in the top left hand corner of the mood board. I think this is really cool because Starsky is obviously very hyped for Christmas in this episode, hanging reindeer from his mirror and singing Christmas songs and being really hyped for presents, and this could be used to suggest that Oh No He Can’t Be Jewish He Likes Christmas, but not only does he only engage in secularised aspects of Christmas (in contrast to the nativity scene at Kiko’s house), there’s the very conscious inclusion of these stars. All the scenes in the car are set during Chanukkah, which ran from 16-24th December in 1976, and the stars are blue, which, along with white or silver, is often used for Chanukkah decorations and is traditionally associated with Judaism. Basically this remains in keeping with the subtle yet very conscious inclusion of Jewish symbolism, easily missed by those not thinking to look for it. 

Also I know heaps of Jewish people that enjoy the secular aspects of Christmas, particularly if the holiday has meaning for their friends. In Starsky’s case this might be more because he wants to annoy Hutch and he likes bickering or perhaps because he’s upset by Hutch’s increasing cynicism and wants Hutch to feel happier. Or because he wants a new caboose for his train set. Probably that.

In the bottom left hand corner you’ll see a picture of Paul Muni, born   Frederich Meshilem Meier Weisenfreund, Meshilem being his Hebrew name. I just like that Hutch suggests Starsky’s mother called him Rudolph Valentino and Starsky corrects him saying she “said I was more of the Paul Muni type”, suggesting the actor she compared him to was actually a notably Jewish one (Paul Muni references can be found in Lady Blue, as written by Mann, and Silence). Again, I think the contrast between Hutch suggesting a gentile actor, and Starsky raising a Jewish one instead is interesting, as well as highlighting Starsky’s mother’s engagement with, and perhaps predisposition towards, Jewish culture.

On it’s own this is perhaps more of a curiosity, maybe too much opportunity for coincidence to really warrant too much attention, but Dobey also chooses a Jewish comparison in The Velvet Jungle when he says, “who do you think you are, Starsky, Milton Berle?” So here we have two instances wherein the comparisons drawn with Starsky are with other Jewish personalities.

In Terror On The Docks (written by Freiberger), Huggy apologises for not bringing an ill Starsky chicken soup, instead bringing mustard green broth which, “where I come from is just as effective”. This might not have much significance in and of itself, except that literally just 2 episodes later, in Shootout, Sammy Grovner makes a joke about chicken soup being Jewish penicillin. In addition, Huggy’s reference to his own culture’s cure-all suggests that chicken soup would have been the culturally appropriate first-choice for Starsky. As such, I’ve included a picture of matzo-ball chicken soup in the top left hand corner. 

Also, in The Game, Hutch says in regards to their soup related upbringings that, “we obviously had different mothers” and Starsky says, “yeah, mine was chicken soup, yours was,, clam chowder”, which isn’t really that important except that the show likes to highlight their different cultural upbringings and once again they’re doing so by referencing something that is widely culturally understood to be Jewish, having already explicitly stated it within the show to be so. (I could write a whole dissertation about cultural soup references in Starsky and Hutch, but I’m not going to. Just note that there are a weird amount of them.)

We see in Running that Starsky calls his mother every Friday evening. I think this is really interesting because, if they were both observant orthodox, they wouldn’t be using electricity on Shabbat. I mean, duh, Starsky is Not observantly orthodox but this scene shows that neither is his mother. Any yet, the time they’ve picked to talk each week is on Friday evenings, when many Jewish families come together for Shabbat dinner. As such, I think this shows how Starsky’s Judaism holds a place within his life and his routines, as well as suggesting what tradition he may have been brought up in. I personally headcanon conservative, but Reform works too!

As the fanlore page says, “Starsky looked stunned when Nancy's mother asked him if he were Catholic in 'Terror on the Docks,' to which he replied he was not.” This scene is a really interesting one to watch for this (and, again, was written by Freiberger), and whilst this merely shows that he’s not Catholic, his confusion and bafflement suggests just how surprising this question is to him, and his discomfort is evident as he laughs awkwardly. I think this is an experience many minorities can attest to, and he’s feeling the unease that comes when you’re put under pressure to reveal a part of your identity that may well be not received well. 

In terms of the canon, I think the way in which this is played is so in line with the concept that Starsky is Jewish that it really suggests that this was something in clearly in mind in regards to his characterisation, at least by a number of the people working on the show. 

In terms of headcanons, I like Starsky’s bewilderment here because it seems like he straight up just thought it was obvious that he was Jewish, and so it offers an in-universe explanation for why he never says “I’m Jewish”, rather than the external explanation regarding the fears surrounding creating explicitly clear Jewish characters in the 1970s. 

It is interesting, in universe, that he doesn’t then say, “No, Mrs. Blake, I’m afraid I’m Jewish”, but I think this shows Starsky’s reticence to talk about his background with strangers, despite his comfort proudly talking about blintzes with Hutch and Terry. This is frankly just understandable, given the existence of antisemitism and Mrs Blake’s evangelical Catholicism, and again offers another explanation for why he never says I’m Jewish, wherein everyone he feels comfortable knowing already know, so there’s no need for him to say that. 

(This said, @jimmyandthegiraffes and I headcanon that he just explains everything he doesn’t know with the fact he’s Jewish, even when it’s totally unrelated, *queue Starsky’s sage voice* “Ah see, I wouldn’t know whether those out of date eggs are safe to eat because I’m Jewish.” - Hutch is going to throw something. Also saying he can’t eat something healthy Hutch has made because it’s not kosher, whilst eating something obviously treif, which I made a post about here.)

We also see Starsky’s reticence to talk about his background with antagonistic strangers/suspects in The Committee, “Starsky? What is it, Polish?” “Something like that.” And yet, in Starsky And Hutch Are Guilty we see Starsky talk with Sharon, with whom he obviously feels comfortable with, about his home cooked goulash, “My mother gave me a recipe straight from the old country.” Again, this shows an in universe explanation for why we never see Starsky talk about his background explicitly, as those who he feels comfortable knowing already know.

This line is also interesting as it suggests information about Starsky’s heritage that pretty clearly implies a family with an immigrant background;  this again would be in line with the experience of many Jewish people in the US, particularly when considering Starsky’s roots in New York as many families settled there fleeing pogroms and persecution. I headcanon that Starsky’s father was killed just after his 13th birthday (and his Bar Mitzvah) and moved to Bay City the summer after (this is taking Glaser’s birthday as Starsky’s for consistency).

This would mean Starsky lived in New York 1943-1956. The Jewish population of New York was at its peak in 1950 at 2 million. Still today, New York City is the largest community of Jews in the world within a city proper, including Tel Aviv. I think it perhaps goes without saying that this was and is particularly true in Brooklyn. I’ve seen lots of fics argue about where about in New York Starsky is from (with one claiming New Jersey which was pretty left field). The closest connection to New York that I have is that I grew up on the outskirts of the city it was named after. If you ever want to visit York, it has a lot of chocolate museums and a nice Gothic cathedral and a bad connection with Jewish history. I’m on a tangent. My point is, although I can figure Yorkshire accents, I’m not especially good at figuring out the nuances of New York accents so I leave it up to you lot, and on the whole people tend to suggest that he has a Brooklyn accent. We also know he has swum at Coney Island, and that the sea there tastes better than on the playboy island (Murder on Voodoo Island: part 2).

What we do know is that Starsky grew up on 84th Street (Targets Without A Badge: part 2) although there do seem to be a Lot of 84th streets in New York. We also know that if we are agreeing on Brooklyn then 84th street runs through Bay Ridge, Dyker Heights, and Bensonhurt. I figure Bensonhurst works best because, even though it’s a very Italian neighbourhood now, until the 50s it was a Jewish/Italian neighbourhood, which works with Starsky’s grandmother’s flat above the Italian restaurant (Shootout). It also works with the implications surrounding Starsky’s family and the mob (The Set-Up: part 1) as the Bath Avenue Crew operated in Bensonhurst. The mob thing is also interesting when considering Starsky’s Jewish heritage. There’s a painted Bensonhurst shop front in the bottom middle of the mood board which has been kept the same since the 1950s when Starsky could have been living there!

This has all been largely (or wholly) tangential, but essentially my point is that what we know of Starsky’s heritage chimes pretty neatly with the experience of many Jewish Americans, which again ties in with the argument that Starsky’s Judaism was something held in mind by those involved in the creation of the show. 

Another thing I found interesting was in an article I was reading about Paul Simon, born less than two years before Glaser. In regard to Simon, Donald Fagen says, “There’s a certain kind of New York Jew, [...] almost a stereotype, really, to whom music and baseball are very important. I think it has to do with the parents. The parents are either immigrants or first-generation Americans who felt like outsiders, and assimilation was the key thought — they gravitated to black music and baseball looking for an alternative culture.” Simon responded to say that this wasn't too far from the truth. Obviously, Starsky enjoying baseball does not at all mean anything about him being Jewish, but it does fit in with his Jewish New York upbringing, from his father taking him to see the Yankees and him collecting baseball cards (Vendetta), to his enthusiasm with Pete (Little Girl Lost). 

It is worth noting how this enthusiasm for baseball seems to be something that Starsky engages in far more than Hutch, which is interesting given Soul's history with the sport. (I feel like they definitely could have done more with the fact that David Soul was a good enough player to be offered a contract with the Chicago White Sox). Perhaps this wasn't pursued because a passion for baseball was thought to be more in line with Starsky's upbringing, versus Hutch's Sea Scouts. Again, this maybe suggests a certain narrative held in mind regarding Starsky’s background and how it influenced his characterisation.

Curiously, any Yiddish on the show is typically said by Hutch rather than by Starsky. In Vendetta, Hutch says to Artie Sorkin, “Fagin, faigeleh. What’s the differences? You’re vermin.” Faigeleh meaning homosexual. Also, as the canon compendium notes, “Hutch calls his houseplant ‘Meschugah Mantherlus.’” ‘Meschugah’ means crazy in Yiddish.  “‘Mantherlus’ doesn’t translate as anything but is probably an inside joke and supposed to sound Latin.” (Ballad for a Blue Lady, co-written by Glaser.) 

Largely I just found this interesting, but I did read a really cool study talking about the use of Yiddish in the American vernacular and one of its many findings was that gentiles with close Jewish friends were, unsurprisingly, more likely to use more Yiddish terminology. Also, unrelated but super fascinating, LGBT+ people were more likely to use Yiddish too.

On the Jewish immigrant experience, in Partners Starsky tries to get Hutch to play Pinochle with him, claiming "you love Pinochle", suggesting this is a game they frequently play together. Pinochle used to be a favourite card game of Jewish and Irish immigrants. I get that at this point I'm probably clasping at straws but I'm going for as comprehensive as possible, and I think it creates a good story about Starsky playing it with his family and later teaching it to Hutch.

It is interesting how Hutch is possibly shown to be engaging with Jewish culture in regard to both his use of Yiddish and his love of Pinochle. This may well be because Jewish culture permeates American society, after all it's Soul we see say the Yiddish "putz" in the bloopers. But it is slightly interesting that these were lines given to Hutch, perhaps for plot purposes, or because the writers were choosing to include their own culture and ways of speaking in a way that is safer through the evidently gentile Soul rather than the conspicuously Jewish Glaser. 

There are other instances of Judaism in Starsky and Hutch that aren’t necessarily pointing to Starsky being Jewish but that are notable. Huggy Bear and the Turkey starts with Starsky and Hutch undercover in Caplan Laundry, where Hutch seems to be undercover as an orthodox Jewish man (and Starsky his wife? Seemingly? They certainly uh, go for it in the bloopers). 

Caplan/Kaplan is a surname found in a number of cultures but it is a common Ashkenazim surname which also makes me headcanon Officer Minnie Kaplan as Jewish because we all want more Jewish headcanons in our lives and I think it puts her friendship with Starsky in an interesting context. (Marki Bey more like Marki Bae)

Again, it's Hutch we see taking on the more visibly Jewish role, although this does not go to negate Starsky's own Jewishness, as this may well be understood to be his influence on the friend he spends significantly more than 75% of his time with. Also, it can be assumed that Starsky is undercover as a Jewish woman as he appears to work at the launderette. 

Obviously A Body Worth Guarding is the episode that deals most with Judaism as the Jewish protesters are a central plot feature. It’s interesting that Starsky’s involvement with them is largely hostile, however, I think this is more to do with the circumstances. At first he believes they’ve hired muscle to hurt Anna so he goes in hard which means the Jewish Organisation for Action respond with a more hostile approach. And yet, he’s completely on-board with dropping the JOA lead and following the fascist one as a result of Kauffman’s logic that attacking Anna would only lead to more antisemitism, which despite being a sound argument had no actual evidence to support it. From this point Kauffman is still resistant to working with Starsky which means Starsky maybe is more heavy handed in his approach, but it is on order to get Kauffman to help him follow the fascist lead. Once the job has been done he seems a lot softer towards the JOA and genuinely thankful for their help.

Essentially, the episode is noteworthy but Starsky’s reaction to the JOA tells us not so much about his own personal beliefs and upbringing and more about how he approaches his job. I do think it interesting that he believes Kauffman’s logic and subsequently drops all suspicion of the JOA and instead trusts him enough to bring him in as help.

Also Huggy calls the JOA the “desert people” which might just be Huggy’s turn of phrase but I think it feels more comfortable if Starsky is Jewish as it’s more like banter between friends then.

In spite of all these very purposeful allusions and references to Starsky’s Judaism, in Savage Sunday he complains about having to work on a Sunday, the Christian sabbath instead of Judaism’s Shabbat. And yet, I don’t believe this undermines Starsky’s Jewish presentation as it seems that his complaints are more that he expects to have Sunday off because he is in a Christian society which usually allows him a break on a Sunday to which he can look forward to. When he’s complaining about working on a Saturday in Jojo (written by Mann), Hutch says, “Could be worse, could be Sunday”, to which Starsky replies, “Come on, Saturday’s bad enough”, bemoaning all the sports that he could be watching instead. 

This is interesting too as you could easily use this to headcanon him using sport as an excuse to express his frustrations at having to work on Shabbat, especially as it’s Hutch who says, “Could be worse, could be Sunday.”

Note: It was mentioned on the fanlore page that Huggy gives Starsky a wreath of garlic ‘for those of other persuasions’, but, as far as I can tell, the garlic is to ward off vampires of “all the rest of the denominations” when the cross for “any vampire of Christian persuasion” won’t be of help, rather than the garlic being for non-Christian vampire hunters. As always, I’m loving Huggy’s enterprising approach to religion, making sure he covers all bases, but it’s not really a suggestion that Starsky is Jewish, just that he needs to protect himself from non-Christian vampires.

In the same vein, Huggy does say “Shalom” to Starksy (and to Hutch) in Dandruff, though this seems to be more as an aspect of his undercover role as Prince Nairobi.

Essentially, Starsky is frequently presented as engaging with Jewish culture, practices, and traditions, often very visibly so. Aside from the very explicitly Jewish references, Starsky is very frequently characterised in a way that suggests his being Jewish was held in mind, on a writing level, an acting level, a direction level, and a production level. As I mentioned earlier, American society in imbued with Jewish culture and so many of these things may have been purely incidental. However, coupled with the more explicit examples of Starsky's Judaism they may be said to take on greater purpose and subsequent significance. Pretty much across the board, he is understood to be Jewish and whilst these references maybe subtle enough to pass by those not engaged with Judaism or considering it a possibility, this does not preclude Starsky’s Judaism from being a very knowing and explicit inclusion, and therefore canon.

Given all this, I have some headcanons about to what extent Starsky is practising! 

We canonically know he doesn’t keep kosher – I mean this boy eats linguine with clams. I have read a fic where Hutch is forbidden from telling Starsky’s ma that he eats bacon or meat with dairy and I really like this as a headcanon. I definitely think she Knows but she lets Starsky pretend he doesn’t because it keeps him happy.

We also know neither he nor his mother have qualms about not being shomer Shabbos, but as I mentioned earlier, we Do see them using Friday evenings as the time they choose to call one another.

We know he doesn’t wear a kippah on the regular, too. And he never says the Sh’ma out loud if he thinks he’s about to die, although I do think he probably says it to himself. Again, I think I’ve read a fic about that. As I reread the ones I have bookmarked I’ll add them in if I can find them.

Other than these examples, pretty much everything else as far as I can tell is fair game, particularly if you’re considering along the lines of Reform, or even conservative, depending on the community. I know a lot of Jewish people who would consider themselves to be actively practicing who don’t keep kosher or who work on a Saturday etc.

About that, as I mentioned above, we know he does sometimes work on a Saturday (and he complains about it). This suggests that he doesn’t necessarily frequent synagogue regularly, particularly as he was frustrated about missing the sport he likes to watch on a Saturday.

However, for one thing, this doesn’t mean he Never goes to temple, and for another, we do know that Starsky very likely celebrates Chanukkah, due to his Chanukkiah. Chanukkah is a relatively minor Jewish holiday and so if he celebrates this it’s likely he also celebrates other, more significant holidays, and high holy days. Maybe he doesn’t go to shul every week, but a synagogue on Yom Kippur is generally full of people who are not regular attenders.

Please imagine this boy trying to fast I bet Hutch would be glad as hell that Starsky isn’t at work lol.

Personally, I tend to headcanon that Starsky moves to greater observance post Sweet Revenge. I think the hospital rabbi is good at playing Pinochle and the two become friends and they have good philosophical debates and Hutch joins in and after Starsky is discharged they want to see the rabbi so they start regularly attending shul and they both find something they can get out of it, especially as I headcanon that they retire from the force I think it gives them a community. For Starsky, I think it gives him a connection to his heritage and his family and maybe his father in particular, as well as a focus on social justice work through the synagogue so that he and Hutch can still feel like they’re making a difference. Tbh, I think that Hutch might find a lot to connect to in Judaism, maybe in the way it’s focused on making a difference in the here and now and not in order to access some afterlife. To be clear, I don’t think that’s necessarily the angle Christianity takes but I think it is how Hutch might perceive it and I think he might find Judaism more grounding in that respect. Also, if he converts then Starsky’s ma would be thrilled that if he hasn’t found a nice Jewish girl then at least he’s found a nice Jewish boy and Starsky will tease that Hutch’s hair is so long he might as well be a girl. I think it would create a really interesting relationship between Starsky’s ma and Hutch where they talk about Judaism and she introduces him to recipes and books and stuff and later Hutch is showing Starsky and he’s like, how come Ma never showed me?! And Hutch is like, she tried to idiot you just got distracted. And they can just, explore stuff together. It’s really soft.

Also, I think they host Shabbat dinners every Friday and it’s really cool because it’s a way that they can stay in touch with the Dobeys after they’ve left the force, and how they can stay close with Huggy when they’re not visiting for tips every other day. Also Kiko and Pete can come and then stay the night and spend Saturday with them maybe to give Mrs. Ramos a break. Minnie can come too and say the prayers!! Plus Paco Ortega and Joey and tbh any number of the other kids they’ve accidentally adopted over the years.

Pesach at theirs is just, the fullest house you can possibly imagine I love it. @jimmyandthegiraffes came up with the idea that there isn’t space for Dobey and the boys are like, oh you’re sat on the counter and he’s like? But there’s an empty chair and place set out here?? And he goes to sit down and everyone is like, nOOoO that’s for Elijah!! You cAnt sIT in Elijah’S plaCe?!

Gosh I love them

Starsky high key calls the new year “secular Rosh Hashanah”

Even though I personally headcanon a greater observance after sweet revenge, there really is nothing at all to say he isn’t at least somewhat practising over the course of the series and even that he is, given the Chanukkiah and what that means about holidays. I like how he keeps it up year round to maybe keep in mind his faith/upbringing/background.

I think it’s interesting that many of the fics that engage with Starsky as Jewish often suggest that he’s not religious, which is of course completely possible. However, just because he doesn’t ever talk about a faith in God doesn’t mean it isn’t present, especially when faith is often something so private and proselytising isn’t a part of Judaism. Personally I think that Starsky does have faith in God throughout the series and after, and this does impact his relationship with Judaism prior to Sweet Revenge as he considers things like the mezuzah and engages with Jewish culture, but that it’s after Sweet Revenge that he starts engaging with his faith more as connected to Judaism and religious traditions, rather than I’m going to celebrate my culture and upbringing and also I have a faith in God. He sees the two as more connected perhaps? and his faith as having a more direct impact on his life.

I really like how Huggy says the thing about the chicken soup too, and the “desert people” line is made a lot sweeter by thinking of him as a cool supportive friend who Starsky has known for a long time and who typically engages with Judaism specifically because it means something to Starsky.

I seemingly have a lot of thoughts on this.

Also, I really like how he calls him blintz, weird Freudian implications aside, especially because blintzes can be eaten at any time but are typically associated with Shavuot and I like the idea that Starsky has really a really fond association with his religion but also with Hutch. I really like the idea that if Hutch converts then the two can stay up all night together, eating blintzes and cheese and Hutch can maybe read aloud for my dyslexic boy.

Essentially, I just really love thinking about this and I think there’s more space for an actively practising Starsky than there’s generally understood to be, religious or not, even over the course of the show. Especially if you consider Reform Judaism. But tbh just give me Jewish!Starsky fics and I’m happy whatever they’re like.

I’ve worked really hard to find each scene I’ve mentioned on my DVDs (this post has taken me literally So Long to write (9 months-ish? it’s my Child) and I’ve researched it far Far more than I do my uni assignments whoops), so you can be sure I’ve checked to make sure each reference is legitimate. If you want to see screenshots of these quotations, or you want to know whereabouts in the episodes they occur, then message me! If you have additional examples or you disagree with me or if you’ve spotted a mistake then share that too!

With all my thanks to my partner Chester who’s put up with me banging on about this and spending Hours and Hours being ridiculously pedantic in the hopes of creating as coherent a resource as I can. They’ve also contributed so much and just they’re rad. I also cannot thank enough the canon compendium for helping me fill in all the blanks and pointing me in all the directions I needed to go in, I Genuinely cannot think of a better fandom resource. Also the first 3 seasons scripts are available here which is a huge help.

tldr; Starsky is irrefutably, canonically Jewish and also I love him 

[marshmallowgoop]

Rushed to the post office today to pick up some Kill la Kill books I’d ordered! Now maybe my Kill la Kill book collection is starting to get somewhere...

Anyway, I talked some about the manga a while back, but with even more books now, I’d just like to ramble briefly (lol) about the two Talking About Composite books, The Complete Script Book, and (kinda) The Art of KLK Volume 3.

Lots of images under the cut.

Talking About Composite

I’m not sure I’ve ever seen any western Kill la Kill discussion on these books, but basically, they’re short little volumes that go over some of the special effects and design choices in the series. At the end of each volume, there’s a segment dedicated to “Talking About Composition” with Toyonori Yamada, Kill la Kill’s photography director, and two others from the industry (the first volume I believe has Yamada with Ryosuke Tsuda and Tomonari Katou, but I can’t quite identify the others in Volume 2).

Both books run pretty cheap for this market ($10 - $15), and I’d heartily recommend them to any Kill la Kill fan if they were available in English. The visual aspects of storytelling are often overlooked even in such a crafted, artistic medium like animation, and I love that these books are all about giving this absolutely crucial element of anime more attention (as it deserves!) Making a good-looking show takes a lot of thought and work---and, as someone who has taken too many film classes---cinematography is more Serious Business than most people realize.

But that said...

The books are almost impossible to glean much of anything from if you don’t speak Japanese. So, in practice, they’re unfortunately just about impossible to recommend to anyone outside of Japan.

Still, there are some fun things in the composition books that you don’t need to know Japanese to enjoy. I find those back covers really neat, for example!

On top of that, though:

Kill la Kill uses what it calls “J.J. Abrams’s style lighting” a lot. There are multiple pages dedicated to talking about this lighting style in both volumes. And that name is great.

Lighting was evidently super considered in the series. Not only does “J.J. Abrams’s style lighting” get multiple pages devoted to discussing it; there are also pages for “cross back lighting” and, of course, pages about Satsuki’s and Ragyo’s lighting. (When the two are first seen together in episode 13, the cut is described as a “Battle of light.”)

Even “Dark Satsuki” has her own lighting page dedicated to her.

One example of “cross back lighting” is this cut from episode 3, where Ryuko and Senketsu glow with power. I found this inclusion a bit curious because in the final version of the episode, a lot of the effect is removed for not fitting with the narrative: Ryuko and Senketsu are only supposed to glow for an extended period like that when they are in perfection synchronization, which is a feat not reached until episode 18.

It’s not the first time I’ve seen the effect removed; a similar situation happened in episode 15, where the TV version erroneously included a glow and the Blu-ray/DVD release amended the issue. Still, I find it a bit funny just how much the artists wanted that glow in there. They had to wait ‘til Ryuko and Senketsu were ready for the full effect.

And then there’s just some naming stuff that’s interesting. Both volumes include a page for the “ocean of light” that bursts out of Ryuko in the series; Volume 2 (pictured above) features Mako swimming through the “ocean” to save Ryuko and Senketsu from their berserker state, while Volume 1 features Senketsu in the "ocean” after he helps free Ryuko from Junketsu in episode 21.

On that note, Ryuko getting drenched in her own blood at the end of episode 21 from tearing Junketsu off is referred to as a “rain of blood.”

I feel like this is symbolic or something but I don’t know.

Aikuro’s, erm, glow is called a “sexual flare.” (There are multiple pages for this in both volumes.)

The translation of 神衣変身 (“Kamui Henshin,” or “Kamui Transformation,” or “God Clothes/God Robe/etc. Transformation”) to “change in clothes of god” I find really amusing. 

Ryuko is God. (And so is Satsuki because she has a page like this, too.)

So, overall? The composition books are super hard to recommend if you don’t know Japanese, but I love the idea behind the books and hope I can parse out more stuff from them with my extremely limited Japanese because they seem really, really interesting.

If you would look into getting one, though, I would recommend Volume 2 over Volume 1, as it is much longer and has more content.

The Complete Script Book

Okay, I’ve had my eyes on this book for years, and I finally took the plunge and got it.

And, gotta say: it is really nice in person. For a book with practically nothing but pages and pages of text, what a pretty package?

And boy is it thick! I guess that’s expected when the thing has scripts for every episode of Kill la Kill, every Drama CD, and all the episode previews (as well as additional commentary), but it really is big! I never realized how big it was from pictures; it’s over 450 pages long, and the font is pretty teeny-tiny!

Unfortunately, the script book is another one of those books that I would love in English and would absolutely not recommend it at all if you don’t know a lick of Japanese because there ain’t even really pictures in this one, but gosh does it have so much good stuff in it. The scripts put in the book aren’t exactly the final episode scripts; there are minor changes here and there and even entire removed scenes. 

@h0saki discussed this more here, but for another example, pictured above is a scene from episode 5 that isn’t quite the same in the final episode. In the final episode, Ryuko breaks down her giant Scissor into something that will fit into her pocket, Senketsu notes she’s getting cocky, and then the two bicker when Senketsu reveals that through being worn by Ryuko, he has access to a lot of information she might not want him to know. Mako applauds Ryuko for having such a “funny comedy act” of what looks like having an argument with herself. 

In the script, Ryuko bickers with Senketsu before she breaks down her Scissor, and Mako’s dialogue is slightly changed. Something I found amusing is how there’s an extra line of “thank you” when she interrupts Ryuko and Senketsu’s squabble, as though she’s thanking Ryuko for “entertaining” her.

Are these big changes? Of course not. But it’s interesting to see the little differences that come up in the process of making a show.

On top of that, since the script is a script, you get more than just dialogue; you also get description, and more insight into the character’s emotions at the moment, and all that good stuff.  And that’s just really fun to me as someone who looooves character analysis to death.

Probably what excites me the most about the script book, though, is that it has all the scripts for the Drama CDs! I am so pumped to dive in deep and really try to parse out more of what’s going on at some key moments with the help of the script.

I cry every time at this moment. I cry even more at the mention that Ryuko is “delirious” here, in plain text.

The Complete Script Book is probably one of my favorite Kill la Kill purchases I’ve ever made because it just has so much great content in it! I just wish there were a viable market to have this kind of thing localized...

The Art of KLK Volume 3

I think I’ve been exposed to every image in this book before buying it, but like the script book, it’s really nice to have this in person. The drawings look so good on a real page in your hands.

I really do think these title pages are the only ones I haven’t seen, though.

Just having this book all in one place in person brought a lot of stuff to my mind to talk about, but this post is long enough as it is, so I should probably save that for another time. 

Still, I will say that I really find the cover design for this volume sweet. The three covers for these “Art of” books are in a sequence, and there’s something nice about how they started in Volume 1 with the sisters raging and then ended with them smiling in Volume 3.

I guess I’ll wrap up this long post by saying that buying stuff from Japan when you don’t live anywhere near there can be a hassle, a lesson in patience, and expensive, but it also has its quirks? My books are always categorized as “gifts”---even though I never specify they are---and then I get cute stuff like this.

Also I guess they are gifts because they are gifts for me.

[lovelyradkoala-blog]

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