#also love how they get married first episode

[captaincrusher]

A thought on a queer Star Trek timeline

Watching Star Trek from the original series to modern times is to fast forward through the evolution of queer rights through the 20th and early 21st century.

In the original series queerness must be imagined in the close relationship between Kirk and Spock. We can only see ourselves in what we hope and dream about for the future. We get Amok Time.

In the 80's queer people start to materialize in the background. TNG takes tentative steps towards telling our stories, still cloaked in the allegory. We get Outcast.

In the 90's Ds9 gives us Rejoined. Still cloaked in allegory, but the lines get sharper, the mist starts to lift. A character has a monologue about how two people that love each other should be able to be together. Hidden winks has turned into words.

Voyager, while a good show in other respects, does not give us a single crumb of queerness. Aside from the relationships we ourselves imagine.

In the 2000's we are on the cusp of actually having queer people on screen. Enterprise tries to tell stories of gender (Cogenitor) and the AIDS crisis (Stigma), two episodes that are still filtered through a limited understanding of both. When Enterprise ends in 2005 and this Star Trek era ends with it, queer representation in film and tv is still scarce.

The AOS era instead is where queer people, for the first time, stepped out of subtext. Sulu is married to a man - a nod to George Takei, the original series actor. Star Trek Beyond comes out in 2016, the year after same sex marriage is legalized in the US.

It isn't until 2017 that a Star Trek show officially, without subtext or allegory, gets queer characters, when Paul Stamets and Hugh Culber are married on Discovery. Discovery also adds further queer characters down the line, finally saying that yes - queer humans do exist in the future.

I know you all will have opinions on what is queer or not. But when tracking the evolution of queer representation it's important to separate subtext from text and to separate when something is allegoric verses not.

I interpret Jadzia Dax as queer - but she is not human. She is an alien wrapped inside a gender non confirming shroud of gray areas. That is the strength of her character - that it allows the writers to explore themes that otherwise would have been taboo. But the fact that they could only pursue queer storylines with non human characters tells you something about the times.

it really feels like Star Trek was late to the party with queer representation. I think there's multiple reasons for that. One is that when Enterprise was created, it still carried the legacy of shows created in the 80's and 90's. Enterprise itself is also literally a prequel - there seemed to be little desire to be bold and innovative.

Timing is I think the main reason why Star Trek trailed behind. Between Enterprise ending in 2005 and Star Trek Discovery starting in 2017 there's a whole era of representation. If Enterprise had dared make an actual queer character, like Malcolm Reed, it would have been just ahead of the wave of representation that started popping up in the late 00's - but instead it closed on a similar note as DS9 did 10 years earlier.

Feel free to add your favorite queer episodes. There are some "official" queer episodes - but there's a bunch more that meant a lot for us as queer people, for one reason or another.

[rootspiral]

hi, hello!! i absolutely adore your deep dive series into the aaa episodes, and i was wondering if you could/would feel like expanding further into agatha’s guilt towards wanda and all the emotion she shows in the first episode, when she sees wanda’s corpse? the way agnes seems to value human life is especially interesting to me, considering how much agatha has killed (and i understand agnes is a character in what’s supposed to be a very stereotypical detective series, but i remember how you said agnes is in some ways agatha at her most transparent). anyways, i thought i’d try to pick your brain a little more on the subject, because your takes are very interesting to me!

Hi hello to you, thank you for stopping by! And also thank you for your interesting question, consider my brain officially picked. I'm gonna ramble QUITE a bit because I want to talk about Agatha and misogyny first (as requested by @leoleolovesdc ) but hold in there, I'll get to wanda too.

To get to the point directly, I think that Agatha's actions are steeped in internalized misogyny, and I think it's something she inherited from her mother and the salemites. It's actually pretty common for marginalized communities or individuals to turn against their own and replicate the patterns of the oppressor, looking to ease their self-hatred or for outside acceptance or a sense of control. Think for example about super conservative wives voting against their best interests, think about all the homophobia and biphobia and transphobia and acephobia (etcetera etcetera ad infinitum) in the queer community.

The persecution of witches was essentially a war on a kind of womanhood that went against imposed gender norms. Witches (in the marvel universe and in real life) were more often than not women who lived independently, who knew herbs, who didn't marry, who worked as midwives etc. And talking about the salemites specifically and the way they treated Agatha: they did to Agatha what the external world did to them, they replicated a pattern. They targeted the odd one out, the woman in their group who was the most different, and called her evil and essentially tried to burn her at the stake.

We don't know a thing about evanora, but I would BET that a lot of her hatred stems from her own internalized misogyny / agatha being born female, and I honestly wonder if Agatha would have found it harder to love a daughter the same way she does Nicky or Billy, without any of her internalized bias kicking in. Since she was a kid Agatha had been hurt and persecuted by other witches, she's pretty much wired to mistrust and hate them. And it gets even more muddled and complicated because she hates witches but loves witchcraft, she hates women but is sexually and romantically attracted to them. She yearns to belong, but she ends up torturing and killing her own community. She allies with people like that disgusting prick who violated Jen.

Enter Wanda, who is essentially Agatha 2.0: she was born doomed by the narrative or, to say it like evanora, she was born evil. Evanora would have had a FIELD DAY with Wanda. The Scarlet Witch? The destroyer of universes? She would have tried to kill her on the spot. There is A LOT Agatha instinctively hates in Wanda, she's a woman, she's a witch, she's dangerous. Agatha does what the salemites did to her and what men did to witches: she replicates a pattern. She punishes Wanda for being too alone and too different and complicated and scary. And yes Agatha is doing it to get her hands on chaos magic and all that comes with that, but this is all the baggage she brings in.

There's the other side of the coin: Agatha hates women and witches, Agatha loves women and witches, and Agatha hates and loves Wanda. She's been essentially killing and running away for the past two centuries, refusing to dwell on the consequences of her actions, but we know that she is no unfeeling psychopath, that's just a role she plays. We know all her actions weigh on her. With Wanda that sense of guilt is even stronger because Wanda is not a random witch she kills and abandons in the woods, she has to live with her and witness all of Wanda's pain up close, how lonely she is, how scared she is, the grief of losing Pietro and Vision, it's all there to torment Agatha. She cannot be a child about it, she can't close her eyes and cover her ears and go lalala until it's over, she has to take it all in order to get what she wants. And what's worse, Wanda is so similar to her that Agatha can picture exactly what she's feeling down to her bones, that's empathy to the max. And she goes through with her plan and does horrible things to Wanda anyway.

Knowing Agatha like we know her now, I'm convinced that her guilt about Wanda is especially hard to deal with, but Agatha has always refused to deal with any of her inner struggles, so Wanda just goes on the pile together with all the painful and complicated feelings she's pointedly ignoring, and which are not haunting her at all, thank you very much!

Except when she's Agnes, because all the feeling are still there but she doesn't know where they come from. I'd say that more than transparent Agnes is unfiltered, she doesn't know she should censor her struggles like Agatha does. Based on Agnes, we can plainly see what the biggest issues on her Inner Pile of Shit and Sorrow are: grief over Nicky's loss, anger and yearning for Rio, extreme loneliness, and guilt over those she hurt, with a particular emphasis on Wanda.

[odo-apologist]

Me enjoying a rewatch of a Red Dwarf episode, having a good time: 🙂

My traitorous brain: Hey, this scene takes place away from Red Dwarf and Starbug, Lister probably doesn't remember it after M-Corp

Me: 😧

[aq2003]

i saw a post saying boom was good bc it feels like it could be done with any doctor/companion duo and honestly that was one of the things i felt was wrong with it

[miametropolis]

the fact that david tennant married the woman who played his daughter on the TV still haunts me occasionally (this is nothing against georgia, we love georgia) but the thing that makes me sit up at night in a cold sweat is the fact that his FATHER IN LAW is the fifth doctor. imagine your fucking father-in-law is Doctor Who. anyways.

[drysauce]

i really liked the ending of the buddy daddies anime, i think it fits the story and what annoys me now are people who are trashing this ending because of that line about kazuki meeting with a girl and that he's not gay for rei, well they were never said to be gay it's just a headcanon. not dating doesn't equal not caring about each other, romantic love is not a necessity and a qpr is not inferior to a romantic relationship. they were shown to be a real happy family in the end, that's what is important here

[gregoftom]

where do i even start

[cheswirls]

hhhhhhhhhhhh saboace royalty au. ace was crown prince but can’t use magic which is necessary to become king, so he renounces his title and becomes infamous for his eccentric tendencies to play up the illusion that he’s truly not meant for the throne and that his younger sibling has full rights to the title of heir.

sabo is born to a family serving in the royal court, has been a genius magician since he was a child, and is the perfect example of a young man fully educated to serve at the king’s side. which is why he’s allowed himself to be tied down into a loveless political engagement with the king’s heir, putting the whims of his family before his own and resigning himself to become the future ruler’s consort/spouse to legitimize his role as an advisory right-hand man.

but then the heir grows rebellious and denounces the engagement with sabo in public and ace swoops in to save the day (and sabo’s reputation), demanding his father give sabo to him instead. he steals sabo away and challenges his sibling’s right to the throne, intent on earning back the title not for himself, but so he can make sabo (who is heavily qualified to rule) the king - and since they’ll be wed, no one will be able to undermine sabo’s position as he will technically be part of the monarchy that governs the kingdom.

[musical-chick-13]

Me: What a nice day, I'm going to be calm and normal for a few hours.

My brain: hey. :) do you. remember. :) The Ship :) :) :)

[maximus-gluteus]

nothing to see here

[usuallydyinginside]

TLDR: Francesca Bridgerton is Autistic. Fight me.

Okay so I did not go into Season 3 of Bridgerton expecting to have any feelings about Francesca Bridgerton. We have seen her only in glimpses in the show and I have not read the books, so I knew basically nothing about her before binging the first four episodes.

But guys. GUYS. I will die for this autistic queen.

Okay, so starting with first impressions. We know that on her big day, Francesca went out of her way to avoid her nosy, loud family by having a very early, quiet breakfast by herself and then calming down via playing the piano (clearly a special interest of hers).

In her first balls, we see Francesca light up any time she talks about music (clearly her current or forever special interest) but as soon as men try to take it to a flirting place she IMMEDIATELY shuts down. It's clear that even as she states very matter-of-factly that she plans to marry this season, she also is baffled and uncomfortable any time someone tries to actually, ya know, court her.

At one of her first shindigs, she got attention and then went up to her brother and (while making almost no eye contact) told him (rather than asked him) that she needed a sec.

She then sat by herself in the side of the ballroom.

Later on, she left a ball in search of quiet and solitude to fix her sensory overload, so she went outside this time. (A thing that we know from pervious seasons is a HUGE no-no, particularly unchaperoned. But she was very respectfully near the door so maybe that's fine?) The point is that she cares very much about staying respectable so she can get this marriage thing over with and get people to stop perceiving her, yet she risks some scandal by going outside just so she can be somewhere quiet alone.

Enter: this absolute (also autistic) Prince Charming.

He says hello (so she knows he's not like trying to sneak up on her in the dark like a creep) and then just stands there. 10/10, no notes, best way to flirt I have ever seen in my life.

Seriously just look at this. I'm in love. Never before has there been a greater sign of love at first sight than in this "standing politely five feet apart in total silence in the middle of a ball and enjoying each other's company."

I need to go watch these first four episodes about a hundred more times, but I THINK this might be the first sincere smile we see from Francesca??!? I at least got the impression immediately that this is the first time she's felt genuinely comfortable and happy while not entirely alone this season.

Like, these nerds did not even exchange names. They barely exchanged a word. Yet you can see them falling head over heels in love right there in that moment. I don't even LIKE love at first sight tropes and they have my whole heart. They are the only exception.

Then, of course, you have this second absolutely iconic Scene of Silence where the entire Bridgerton family stares in neurotypical confusion a these two amazing weirdos. The way these two do not know each other but they DO know each other. The way they are both so happy and so comfortable but also still playing the whole society game the way they were told they had to?? I just don't have words right now.

LOOK AT HER SMILE, GUYSSSSSSSS.

Look how happy this tiny, silent moment is making her. How she understands immediately what he's doing and is absolutely delighted to participate too even knowing her entire family is hardcore judging them from not that far away.

And then you get this smug little look from him and it's like you can see his autistic ass thinking, "Yes. I calculated correctly. This was the correct romance option. Gold star to me." (Okay, maybe that's just how my brain works but shhhhh)

Which, of course, brings us to this absolutely hilariously awkward ND attempt at flirting. We start off with some fairly normal "whoops, I'm flustered cause you make me nervous" sort of moments, but notice how little eye contact she makes. How she only looks in his eyes very briefly and it seems like she almost has to remind herself to do so when she's doing the "polite" answers (OR later when she's genuinely interested in a topic).

So as soon as Francesca is like "oh shit, I ruined it. I forgot how to neurotypical. It's over" then she loses patience with the practiced social niceties.

I spent like 30 minutes trying to find a GIF and I should already be asleep so I'm not going to go learn how to make one BUT I needed to look up exactly what happens next cause it's basically the most autistic thing I've ever seen.

WHICH IS that in response to the second awkward silence after Francesca shares all of this, John's response is, "That is helpful. If you'll excuse me."

Then dude bro just WALKS AWAY WITHOUT ANOTHER WORD.

Like it would be awkward anyway but now Francesca thinks she misread a social cue so she's feeling sad, and meanwhile this absolute king is over here on a romantic mission no one asked him to do because he is that set on showing her he's listening and cares.

The man shows up at the ball and as soon as he had a paper we were all screaming "he wrote her a song!!!"

Again, notice the eye contact (or lack thereof). I think with period dramas and women, it's easy to just go "oh she's just shy" or "she's just being demure like she's supposed to" but like NO. This girl does not want to meet anyone's eyes.

Until she does. Because in moments where she's talking about music or enjoying quiet, it's worth it to purposefully meet his eyes and see how he's feeling too. To make sure he can see she's happy.

ANYWAY, it was so much better than him writing a song for her.

SO. MUCH. BETTER.

Because he didn't just give her any ol' music. He sought out the music they'd specifically heard in the street, and he took her exact specifications on what was "wrong" with the music, and he FIXED IT. He then put the whole thing on sheet music and handed her a copy with no further explanation than this.

Our autistic lass was so excited she basically sprinted out of that ball so she could find a piano. (Which, the fact that she does this rather than try to stay and flirt/dance with the man who just gave her this incredible gift ALSO says a lot, just saying. Daphne could never.)

So our girl finds a piano and GUYS. LOOK AT HOW HAPPY SHE IS.

I'm pretty sure this woman would accept a proposal right this second. Maybe make one herself. She is so head over heels in love with this man that it's absurd. We have watched her mask in these first four episodes, but the last two where she's interacting with John are the first times she seems genuinely happy and like the real her is shining through.

Like, does she enjoy her family? Sure. But it's obvious (and she even tells us) that she finds them overwhelming and generally to be A Lot. But these scenes? This gesture?

You can just get how seen she feels. How weird and wild and amazing it is to her that this man can see who she actually is and wants to join her there instead of making her play some part of the perfect Bridgerton who likes to be the center of attention.

(And even here - the EYE CONTACT. She glances at people when she's talking to them, but the way she looks at the sheet music is so much more intense and intimate and personal than anytime she's looking at the average person in the show. She still even in places she's most comfortable, such as sitting at the piano, makes very little eye contact and only at very specific moments.)

Anyway I'm going to sleep now but I'm sure I'll add more thoughts as they come to me. Feel free to add your own case for why Francesca is autistic and/or otherwise neurodivergent. I want to hear allllllll the thoughts.

[exhuastedpigeon]

Personally, I hope Eddie gets a whole Eddie Begins Again episode that starts with him in confession/at the church talking to The Hot Priest™ about his childhood and we get a flashback to little preteen Eddie and his best friend and Eddie clearly has a crush but doesn't understand it.

Back in present day we see Eddie talking with the team about crushes because Denny has one and Hen talks about her first crush being on her best friend in middle school. Bobby's was on a girl from camp. Chim's was on a celebrity. Buck's was on his kindergarten teacher. Eddie hesitates and says his was on his best friend too and everyone looks at him sympathetically because Eddie has said Shannon was his best friend before.

Then we get a flashback of him meeting Shannon and being smitten with her, but we also see him and Best Friend having a sleepover and we see Eddie's face get a little pinched (you know the look) when best friend talks about his crush on a girl and then Eddie puts on that mask we see him wear all the time and starts talking about Shannon because he is infatuated with her and it's easier to focus on that than on how he feels for Best Friend.

Then we get more talk with the priest and maybe with Bobby and maybe even a call with Chris where Chris asks who best friend was because he found Eddie's old yearbook and they looked really close in the baseball team candid pictures.

We get a flashback to Eddie at Church and the priest talking about how gay people go to hell because it's a sin. Then after church in the basement eating donuts Eddie overhears his mom and another mom talking about how sad it is that Donna Lopez's son is a queer.

Another call, this one at an engagement party for two women. Eddie is again extremely competent and Buck slaps him on the shoulder with a laugh and says something about Eddie not having to worry about being hit on at a lesbian engagement party.

Eddie flashes back again this time to enlisting and telling best friend before he tells Shannon. Then we get a moment where Eddie is really close with a few guys in the Army. Then we get him and Shannon fighting between tours and Eddie going to best friends house to find that he's there with his new fiance and Eddie laughs and says he's there to congratulate them. He cries in the car outside his house and it's clear he doesn't understand why he's so upset - is it that he's overwhelmed with life? Is it that he and Shannon are fighting? Is it that he feels like a failure? Is it because best friend is engaged? Is it all of it?

We get a call at a gay wedding them (because it's all very on the nose) and Eddie is competent as always. He gets a guys number and then we flash back to Eddie's first time out in L.A. where a guy hit on him and Eddie turned him down by saying he was married.

Back in present day he and Buck are drinking beers at Buck's loft and Eddie has the same soft look he always has when he looks at Buck, but then we see him tense for a moment like he's realized something. When he leaves he goes back to the church and finally tells Hot Priest™ the thing that Eddie buried so deep that it took decades to uncover - He thinks God hates him and bad things happen to him because he's had thoughts about men. He's loved men. He loved Shannon, he always will love Shannon, but she's the only woman he ever loved, but he's loved more than one man.

Hot Priest (who is still catholic) says that God doesn't hate anyone and God doesn't punish people for thoughts and that having those thoughts isn't a sin, but acting on them would be.

Eddie shuts down for a second and then we see a flashback to Eddie meeting Karen and wine nights with Hen and Karen. We see him bitching at Josh but fondly. We see Buck Buck Buck everywhere, bathed in golden light. Eddie stands up and thanks the priest, but says he doesn't think he'll be back.

As he walks out of the church it's Eddie's turn to be bathed in golden light of the setting sun. His phone rings and it's Chris telling him he wants to come home. Eddie smiles and the episode ends with him shaving off the moustache and booking a flight to Texas. He's got a kid to reunite with and then he's got some stuff to talk to Buck and Bobby and Hen and maybe even Chim about.

[piratecaptainscaptainpirates]

Seen some posts about how it's a good idea to watch OFMD with non-fandom people and see what they think. Watched the first three eps with my parents and they had some great takes

My mom was righteously upset that Stede isn't wearing any fun outfits. "He must be so sad!"

She was also really sad that Ed crashed a wedding. "It didn't even look like a fun wedding," I said. "Yeah," she goes, "but what if that happened at my wedding? :((("

My dad said he didn't like the first episode and seemed really anxious the whole time. Upon prompting, it's because he's the biggest Lucius/Pete fan on earth and he was just upset Lucius wasn't there. "No wonder Pete was so grumpy!"

The wedding cake toppers actually made my mom cry. We had to pause the episode.

When Lucius showed up my dad literally jumped out of his chair like he was watching a sports game. I had to spoil them getting married because he would not stop asking me if they get married this season.

The biggest and most surprising thing is how much they, two old straight people, really loved the reunion mermaid scene. I'd been prepared for them to think it was too weird since it is so unapologetically sweet and camp and just queer. They fucking loved it and wouldn't stop talking about it. Just proves that forcing queer content to be sanitized "for the straights" is a pure nonsense.

[suntoru]

─ ✰ COUNTDOWN TO YOUR LOVE!!

✧˚ · . 𝐆𝐎𝐉𝐎 𝐒𝐀𝐓𝐎𝐑𝐔 most definitely does not have a crush on his best friend. so what’s this feeling when somebody else is planning on confessing to you?

— warnings: oblivious gojo af, fluff, mild violence, might be ooc, please be nice i have only watched like the first episode of jjk, idk what else

— author’s note: is it shittily written? yes. but is it finished? also yes. HAPPY NEW YEAR MY LOVES <;33

“guys, guys, brace yourself for the tea i have!! nanamin is gonna confess to y/n tonight at the new years party!!”

“huh?! seriously?” nobara gasps theatrically, her eyes widening in interest. she springs up from the couch, tail -imaginary or not-wagging in anticipation as she eagerly leans in for the juicy gossip.

*chokes* "...what?" gojo gags on his tea, coughing violently. he's surely joking. there's no way. "y/n, as in like, my best friend, y/n?"

“i know, right? i was surprised too!! after all, i was sure mister nanami was more interested in marrying his paperwork than finding real love, but that’s what i heard!” yuji spills, enthusiasm radiating from every word.

"that's... great." gojo manages to mutter, and for once, he has nothing ese to say.

“it’s about time, he’s pushing thirty, and he’s still single… as the youngsters say, he has… L rizz.” nobara laughs boisterously with her hands on her hips, thoroughly entertained by her own joke. meanwhile, yuji cocks his head in confusion at his friend's delusions. …is she going senile?

“well, aren’t you also single…?”

'hush, yuji! the point is, there's gonna be some spicy drama!" nobara squeals, her eyes sparkling with mischief. "we're talking romance unraveling like a well-scripted k-drama!! get ready for some flashy love confessions, and hopefully, a heart-fluttering kiss scene!!"

11: 56 PM

fuck, why can't i focus? gojo groans as he loses yet another round of mario kart to nobara. the image of you lingers in his mind from earlier that day, engaged in conversation with the blonde. he can't ignore the subtle indications; your flustered demeanor, a slight tint of pink on your cheeks, your refusal to make eye contact. clear signs of a crush. you surely like him back, there's no denying it.

and he should be happy for his friend— should be, but all he can feel is an unexplainable tightness that grips his chest, like a weight he can't shake off. he can't quite put a pin on it, it's an unknown emotion, but it all feels ugly nonetheless. it must have been something he ate earlier. ...yeah, that's it.

as he tries to ignore the overwhemling feeling of dispair, his attention flickers to the lively scene, and there you are, donning one of those goofy 2024 glasses that make your whole demeanor even more endearing. a lopsided smile graces your face as you engage in cheerful banter with megumi, and just like that, a fuzzy feeling envelops him, coaxing a smile to creep up on his face involuntarily. but before he can revel in the moment, a sudden flick on his forehead disrupts his thoughts.

"hey— ow, what was that for?" he whines, rubbing his forehead and directing a puzzled gaze towards utahime.

"you're so dense." she huffs in annoyance, crossing her arms and rolling her eyes at his apparent obliviousness. he looks up at her, confusion etched across his features.

"i- huh? whaddya mean by that?" he stares at her in confusion. utahime sighs in exasperation, irritation visible. "how stupid are you? do i have to spell it out for you? you. like. y/n." the words hang in the air. ...i ... like... y/n...?

and then it hits him like a brick wall. the reason behind stinging feeling in his chest. you being with nanami meant no more midnight snack runs, no more drunken gossip sessions, no more attempts to fluster you. those simple pleasures, the serotonin rush sparked by your mere smile, threaten to slip away.

the thought of losing you; his best friend, his one and only, shakes him to the bottom of his core. his heart, like a drum, pounds in his chest, a resounding beat of denial and awakening. ...no way... he couldn't... does he...?

could he truly say that the way he always seems to gravitate towards you in group gatherings, the way his eyes subconsciously find their way towards yours, the sudden surge of warmth he gets when you praise him was all truly platonic? perhaps he didn't acknowledge it before, but his heart has long declared what he only now comprehends: he loves you. he loves you.

he's loved you ever since you were five and he was seven, when you announced proudly to everyone that you were now his best friend for life. he's loved you when you were eleven and he was thirteen, when you sought refuge in his arms, tears streaming down your face because of a bully. he's loved you when you were eighteen and he was twenty, hung up on some random jerk who didn't even treat you right.

his eyes dart over to where nanami is, pacing closer towards you— he's going to lose everything if he doesn't move.

he can't lose you.

so he runs across the large room, dashing towards you, heaving and huffing. "FIVE!" everybody begins to chant. "gojo?" you good? need something?" "FOUR!" your voice is soft and sweet, like a honeyed daydream, etched with concern. how could he not have realized, it was you all along? it was always going to be you. "THREE!" "hey." he says breathlessly. "yeah?" you mumble, curious as to what he was about to say next. "TWO!" "slap me if you hate it." "hate what?" "ONE! HAPPY NEW YEAR!!"

he pulls you towards him, using both hands to grab your face, planting a passionate on your plush lips, your eyes widening as everybody else cheers knowingly.

bonus!! earlier:

"you like him. gojo."

nanami simply states, a ghost of a smile on his lips. you feel your face heat up. how did he know? was it that obvious? that's so embarrassing... oh my god. you can't look him in the eye, you just want to shrivel up and disappear in the ground... "you're both so stupidly oblivious." he mutters under his breath.

©kaeffeinee 2023. do not copy, repost, or translate any of my works on any platform.

[sudenlyanime]

Taigen’s love confession NEEDS to come before he finds out Mizu is a woman.

Listen. I have given this a lot of thought and the more I think about it, the more I’m sure. When looking at Mizu and Mikio’s marriage, we can see how Mikio was in to the idea of a strong woman only so far as he was still stronger than her. This is clear when Mikio insists that he wants to “see all of [mizu]” and insists that they spar; Mikio doesn’t unsheath his blade even though Mizu tell him not to hold back. He assumes he is stronger than her and when this is proven false, like the beta bitch he is, he bails.

But with Taigen it’s different. Mizu and Taigen’s relationship has been a power struggle from the start. Taigen wasn’t introduced to Mizu as a woman or a wife. Taigen has always seen Mizu as a swordsman first. And when the hostility between the two starts to cool, it is because of their mutual admiration of the other’s skill. Mizu’s strength and boldness are what win Taigen over in the first place.

We also see a very important juxtapose between when Mizu pins Mikio to the ground and when she pins Taigen to the ground. In the first instance, Mikio pushes Mizu off him and calls her a monster. He feels put off and emasculated by being overpowered. In the Mizu/Taigen scene, however, once Mizu has Taigen pinned, he stares, awestruck, into Mizu’s eyes and gets a raging hard on. Instead of feeling emasculated, Taigen get so aroused that he has a full blown bi awakening.

So we know that Taigen is different to Mikio in that he is attracted to Mizu BECAUSE she can kick his ass, not in spite of it. But Mizu has been burned before. Badly. So if Taigen were to confess his feelings and tell Mizu that her strength is what he adores most about her, she’d be like, “right, sure, heard that one before.” And that’s why Taigen needs to confess his feelings BEFORE he finds out what’s in Mizu’s pants.

In my daydreaming about a Migen love confession, I find myself reminded of this quote. How Mikio was like the exotic bird collector. He only liked the idea of Mizu knowing her way around a sword so long as at the end of the day, he can still put her back into the caged-in roll of the house wife.

Taigen is also guilty of this with Akemi. I sure there is still no small amount of attraction and love between them, but I think Taigen pursues Akemi mostly out of the personal fable he has written about himself; the poor fisherman’s son who raises himself up to be the star of his Dojo and then marries a princess. He might not have wanted to cage Akemi as much as other men would have, but he still sees her as the exotic bird. The prize. And thats why I can’t ship them.

But with Mizu it’s different. Taigen even admits that Mizu is a better fighter than him. He KNOWS he could never cage her and by the end on the first season he strops trying, opting to stand beside her instead of against her (“it’s your fight, so it’s mine” 😭) So when he does confess his feelings, he has to do is as one man to another and make it clear to Mizu that her strength is what he loves most and that he would never want her to be anything less then the superior swordsman she is.

Only then will Mizu have a chance of believing that Taigen wants to be with her, not to subdue her into a wifely role, but to stand beside her in all her greatness. If Taigen’s confession were to come after he finds out she’s a woman, Mizu might just think, “oh, NOW you want to be with me, cause you think just because I’m a woman I’ll eventually submit to you.” Mizu needs to know she is loved AS SHE IS.

Also, I just think it would be HILLARIOUS if Taigen confesses, and Mizu is like, “ well then….. I guess I should let you know…” and then Taigen spends the rest of the episode with his mind fucking BLOWN and complaining that he has spent the last several months coming to terms with the fact that he is attracted to another man only to find out the man he is attracted to is a woman! He goes through a whole bi awakening for nothing!

[aeternallis]

Colin's "entrapment" line was hard to listen to, but it was most definitely a sign of how unhinged he really is for Penelope.

Ok but for reals, I'm not sure how everyone else reacted when Colin said his now infamous "entrapment" line, but I just love how if one looks at this line a little more closely, it was definitely some semblance of an underhanded (and also a bit silly, lol) attempt to actually keep Penelope entrapped. Haha, the irony of it all. Idk, at least that was my read on it!

Like, it was definitely said in anger as well; he's hurting, and he’s hurting badly, so of course he wants to hit back in some way, however he can. Luke Newton absolutely meant it when he said that Colin reacts to the reveal in the worst way possible, alas.

My very first reaction to that scene: //pauses the screen to yell at Colin at 4am in the morning, “Entrapment????! If you feel trapped, then why the hell are you still going along with it, ya dumb ass!!!

Because really, think about it: Colin was definitely within his rights to call off the wedding, especially when he'd mentioned that Violet had noticed that he and Penelope had not seen each other for some time. It would have been the perfect time to reveal Penelope's secret to his mother, if indeed he felt entrapped by the LW of it all. Violet is family; if he wanted to still protect Penelope but no longer wanted to marry her, he would have been able to count on Violet's discretion. I'm sure she and Lady Danbury would have come up with some sort of plan to deal with the aftermath regarding the Bridgertons’ reputation, as we'd seen with Anthony and Edwina's botched wedding.

Furthermore, it would have probably been the better option to reveal it to her, since the existence of LW does put his family in danger; Penelope herself knows this. Every decision she makes post-LW reveal to Colin is due to the Bridgertons being in danger. Lady Danbury makes a point of this when she said in the last episode, “There is only one other person who loves the Bridgertons more than I.”

Eloise was able to keep the secret with no real consequences because although Penelope was her ex-bff, El still loves her, and besides that, nothing legal binds them as Colin's marriage to Penelope would.

Even when he was getting ready to talk to Benedict about getting funds to fulfill Cressida’s demands, he insisted on making up a lie to shield Penelope’s identity as LW. He knows more than anything that fulfilling a demand like this, all for the sake of his wife and at the cost of using a substantial amount of Bridgertons’ financial assets, may not put his marriage in the best light within his family. He doesn’t want to be forced to have to choose between his wife and his family, so he’s keen on keeping the lie going.

So for all intents and purposes, he doesn't tell his mother, or any of his other siblings (besides Eloise, who already knew); this in and of itself is hella fucking risky. The fact that Colin is willing to take this risk of withholding Penelope's secret identity from his family, the fact that he doesn't think to jeopardize this potentially risky betrothal—already goes to show the measure in regards to how much he wants Pen for his wife. We the audience know this because he waits until the very last minute to tell Violet, and even then, it's not Colin who chose to reveal it to her, but Penelope herself.

Another point: arguably, we can also say that Colin has a lot more wiggle room with his engagement to Penelope to call off the wedding, much more than he ever did with his engagement to Marina.

"A man of honor"? Exactly what "honor" are we talking about here? Colin claimed that he would have married Marina had she just told him the truth, yet when push came to shove and the truth of her pregnancy was revealed for all the world to know, he still chose to take the out Penelope gave him through LW. It’s easier to make a declaration like that when it’s all said and done. Lol Sure, he regretted it and apologized for his behavior later on, but he had made his choice regardless. Y’all can just feel Marina and Lady Danbury judging this dumb ass (affectionate) for dwelling in the past. Silly young man! XD What's stopping him this time around?

"We had been...intimate." Are you talking about the mirror scene, sir? Because let me assure you, you and Penelope have long been "intimate" way before you decided to buy a love nest and take her V-card the very next day you proposed to her. In fact, this is where the significance of their first kiss in 3.02 rings so, SO importantly and WHY it was vital that it was Penelope who asked and said that it would not have to mean anything. Colin knows Penelope would never use their first time together and/or the heated moment in the carriage as a way to entrap him. That first kiss alone should have already warranted that they get married, but Penelope makes it clear that it’s simply a favor, nothing more.

Oddly enough, I’m surprised Colin doesn’t bring up the idea of a long engagement (yknow, as he initially wanted with Marina, but who’s keeping track at this point), considering that would have potentially benefitted their situation. 🤔 His dumb ass (affectionate) was more than willing to stick to the wedding schedule…huh.

Besides all that, I don’t think it’s the showrunners’ intent to “taint” those special moments between them by changing the context through Colin’s (very biased) POV; to believe that to be the case would be, imo, just a bad faith argument. The genre is romance, y’all; these intimacy scenes are on an entirely different pedestal.

Because remember, that “entrapment” line of Colin’s only came about due to Penelope starting the conversation with, “Are you going to call off the wedding?”

Didn’t it almost seem like an afterthought, that he just came up with it on the spot? Hahaha.

I can bet y’all Cressida’s fake ass €20,000 blackmail money that before they’d met up to discuss wedding breakfast plans with their mamas, it had probably never even occurred to Colin to cancel their wedding. Angry and furious as he was, it was never a question of whether or not he still wanted Penelope for a wife.

The fact that it’s Penelope who begins that conversation and opens that Pandora’s box possibility is so, so damn important. Because not only does it show how much Penelope truly loves him in that she would never trap him, it also shows her maturity, in that she’s willing to face the consequences of her actions. She’s willing to give Colin the choice to back out, heartbreaking as it would be to face it, even if she herself would not be the one to pursue that choice.

She gives him the choice a good number of times: the wedding breakfast plan scene, the wedding day itself when she hesitates on the aisle, and the annulment offer after the butterfly scene.

Penelope defends herself softly, but truthfully: she never meant to entrap him, because she really didn’t. And Colin knows this; he would not still love her and want her if he honestly believed she wanted to entrap him. Hell, even if she did, the audience knows it’s a desire that comes from a good place: she loves him, so of course she doesn’t want to lose him. She wants to marry him, because she loves him. That’s all there is to it.

But despite knowing this (imo, anyway), we can also say that this conversation may have contributed to Colin’s downward spiral during the majority of episode 7 and 8, and why he becomes hella fucking desperate to be “useful” to her.

Because unlike himself, Penelope has now begun to entertain the idea of living a life that doesn’t include him—at least, not as her husband. Penelope is brave and strong enough to let him go due to the pain she caused him for her lies and her actions as LW, and as for Colin…well…

(I love it, it’s the same conundrum that Anthony faced in S2: Kate is strong enough to leave him behind and return to India, but Anthony…well…)

TL;DR, Colin’s entrapment line was literally an excuse he gave himself to keep his betrothal to Penelope intact. It’s a line that works in two ways simultaneously: it’s a painful, childish, underhanded thing to say in order to hurt Penelope’s feelings, to get back at her for the anguish he’s suffered. Yet at the same time, it’s also another excuse he gives himself in order to push through with the marriage, to tie Penelope to himself forever.

Because unlike Penelope, the very idea of living without her as his wife, of not having her in his life, is and always will be an impossible notion for Colin to ever entertain.