#also it's just me obsessing over all drake's role

[thebvbbletea]

"You know, I used to be a bully. I picked on people, so I had no friends. But now, for the friends that I have, I'll protect them"

— Drake Laedeke as Jack in UMG ep. 12

[necrotic-nephilim]

jealousy really is the driving force of DamiTim as a ship. love that for them. love how Tim has the Robin mantle ripped away from him and he has to suffer the jealousy of watching Dick and Damian bond. how possessive over Dick Tim can be, to have him stolen by Dick.

even more so though, is the jealousy from Damian. how on earth do you cope when you finally get to be Robin, a role you've convinced is your birthright, and no one really likes you? every prefers the Robin who came before you? Dick regularly reminds you that he can always go and call Tim back when you act out? like the complex Damian has over Tim is unreal. Tim, who was born with a silver spoon in his mouth and had everything handed to him his whole life. he never had to struggle or fight for his place like Damian did. Damian has spent his whole life fighting and proving himself, and yet he can't ever seem to truly claw the mantle of Robin away from Tim. even when Tim lets it go, becomes Red Robin, they seem to share it. Tim can slip back into the role of Robin whenever someone like Dick or Bruce need him to, because *he's* the Robin who they need. he's the Robin who was able to find Bruce. he's the Robin that Ra's wants an heir out of. he's the Robin who even Jason respects. in Damian's eyes, everything Damian has fought tooth and nail for, was handed to Tim.

so of course he's going to react to Tim with violence and aggression, especially after finding out Tim has contingency plans for him. no matter how much Damian proves himself, he's never going to be enough, especially not to Tim. and so his deep refusal to see Tim as family, to acknowledge Tim's legacy is all driven by such an angry jealousy. Tim understands aspects of Bruce's legacy that Damian doesn't, like the need to sweet talk and play nice with the elites of Gotham, even if they're corrupt. they exemplify different aspects of Robin, and the aspects that Tim exemplifies are the aspects that Damian knows he'll never fully understand and therefore holds such a deep contempt for. he wants to fight criminals, not play nice with politicians. Tim understands the side of Gotham that's utterly foreign to Damian. if anything, he represents that side of Gotham, to Damian. a pretty little rich boy who's nothing but a know-it-all and not a real son of Bruce. he can't be a Wayne. he can't be Damian's family.

and all of that angry jealousy leading to unhealthy obsession turned a weird, angry crush from Damian is just my bread and butter. that is how DamiTim should be. to me. Damian obsessed over hating Tim Drake so much he accidentally ends up sort of in love with him and that only makes Damian angrier. because he can't prove everyone right by *also* liking Tim. he can't let Ra's win like that, because frankly why wouldn't Ra's be delighted by Damian and Tim getting together. and it builds and builds with angry passive aggression towards Tim that culminates in angry hate-fucking-that's-not-just-driven-by-hate. love and hate are always viewed as opposites in shipping and i think they're the same intense passion just in different directions. and for the best ships, they're very intertwined. what is DamiTim is not the peak of that. "i put so much of myself into hating you i had no choice but to fall in love with you somewhere along the way" core. love that bleeds into hate and hate that bleeds into love. "you make me so angry i regularly passively try to kill you but not with any real effort because who would i obsess over if you were actually gone" core. murder attempts as a form of courting. contingency plans to take each other out as a love language. they're unwell.

[72-votes]

No Birds Allowed: Batman without Robin

The usual claim is that Jason Todd was singularly hated by audiences. Dick Grayson, Carrie Kelley, and Tim Drake are proper, beloved Robins—and Jason Todd is the one and only outlier so unlikable that audiences killed him off by popular vote.

But this claim ignores a massive piece of the puzzle—the Robin role has long been treated as an outdated remnant of a childish era, not only by a significant share of Batman fans, but also by Batman creative teams. While there were definitely fans who hated Jason Todd, he was at least partly chosen to be killed as a scapegoat for some long-standing complaints about the Robin role in Batman stories.

The 1988 poll to kill Jason Todd wasn't just a poll to kill Jason Todd—the poll to kill Robin was a poll to kill Robin.

Fan letters columns from Batman #221 and Detective Comics #398, reacting to Dick leaving for Hudson University in Batman #217 (1969):

Denny O'Neil Batman/Detective Comics writer (1970-1980) Batman group editor (1986-2000) on sending Robin away to Hudson University:

Dan Greenfield: Actually, last night I went back through my comics and the one thing that always strikes me is that before you came onto the character, they’d already made the decision to have Robin leave. Robin was up at Hudson University and was used sparingly from that point forward. Denny O’Neil: Well, that was a conscious decision of mine. Greenfield: Oh! O’Neil: Yeah, I mean … I had been offered Batman a year before I did it. Greenfield: No kidding? I wanna hear this. O’Neil: Because that was in the (Batman TV show) camp thing. The comics were very half-heartedly following in the footsteps of the camp because it was having a palpable effect on circulation. That’s not always true but it was in that case. Camp as in the sense — as opposed to the more erudite sense — this one-line joke about: “I loved this stuff when I was 6 and now that I’m 28 and I have a bi-weekly appointment with a therapist and a little, mild drug habit and two divorces, ‘Look how silly it is.'” I would go into the most literary bar in Greenwich Village on (Wednesday) or Thursday evenings and there would be writers and poets and college professors, all looking at Batman! But when that was over, it was over. It was like somebody turned a switch. And that’s when (editor) Julie (Schwartz) said, in his avuncular way, did I have any ideas for Batman? And at that point, I wasn’t going to be asked to do camp. I was going to be asked to do anything within the bounds of good taste, etc., that I wanted to.

O'Neil, quoted from “Notes from the Batcave: An Interview with Dennis O’Neil” in The Many Lives of The Batman: Critical Approaches to a Superhero and His Media:

There was a time right before I took over as Batman editor when he seemed to be much closer to a family man, much closer to a nice guy. He seemed to have a love life and he seemed to be very paternal towards Robin. My version is a lot nastier than that. He has a lot more edge to him.

O'Neil in 2015:

Modern Batman does not do camp. He has to evolve but to stay true to the concept he has to stay lonely. The kids, there shouldn't be many. Keep him the lone, obsessed crusader and the stories will be better. We did a story called Son of the Demon. It told a story where he had a kid, a baby. It wasn't in continuity. These days, the kid came back and became the new Robin, and I hear that Batman's got a few more running around.

Jim Starlin, Batman writer (1987-1988), writer of A Death in the Family:

I tried to avoid using [Robin] as much as I could. In most of my early Batman stories, he doesn’t appear. Eventually Denny asked me to do a specific Robin story, which I did, and I guess it went over fairly well from what I understand. But I wasn’t crazy about Robin.

I thought that going out and fighting crime in a grey and black outfit while you send out a kid in primary colors was kind of like child abuse. So when I started working on Batman, I was always leaving Robin out of the stories, and Denny O’Neil who is the editor finally said, "You gotta put [Robin] in."

In the one Batman issue I wrote with Robin featured, I had him do something underhanded, as I recall. Denny had told me that the character was very unpopular with fans, so I decided to play on that dislike. [...] At that time, DC had this idea that they were gonna do an AIDS education book, and so they put a box out and wanted everybody to put in suggestions of who should contract AIDS and perish in the comics. I stuffed it with Robin. They realized it was all my handwriting so they ended up throwing all my things out. About six months later, Denny came up with this idea of the call-in thing. [...] I didn’t find out about it until I came back [from Mexico] and found out that, just as I expected, my ghoulish little fans voted him dead. But by a much smaller margin than I’d imagined. It was only like 72 votes out of 10,000, so statistically it was next to nothing.

Dan Raspler, assistant editor/associate editor to Denny O’Neil (1988-1990):

Denny wasn’t really interested in comics continuity, and he didn’t like superheroes. And if you read his work, you see his influence was really a pushing away from the conventions at the time—it was growing old, that sort of Golden Age-y, Silver Age-y stuff, and Denny sort of modernized it, and he never stopped feeling that way. Jim Starlin’s Batman appealed to Denny. It was a little more ‘down to Earth. Nobody liked Robin at the time. For a while Robin was not—it didn’t make sense in comics. Comics were darkening, and so having the kid was just, it was silly, and even at the time I kind of didn’t. Now Robin is my favorite all-time character, but at the time when I was twenty-whatever, I accepted kicking Robin out, the short pants and all the rest of it.

Comic shop owner Phil Beracha on A Death in the Family, quoted in The Sun Sentinel (October 22, 1988):

"I got 100 copies, and I don't expect them to last past the weekend," said Phil Beracha, owner of Phil's Comic Shoppe in Margate. "I usually get 50 copies of Batman. I doubled my order, and I still expect to sell out." The readers voted right, Beracha said. "Robin is an outdated concept. He was created in the `40s, and back then in a comic book you could have a kid beating up grown men. I don't think that works today."

Writer Steve Englehart, quoted in "Batman, the Gamble; Warner Bros. is betting big money that a 50-year-old comic book vigilante will be a `hero for our times'" in the Los Angeles Times (June 18, 1989):

Writer Steven Englehart, who did a series of Batman stories in Detective Comics, also worked up some movie treatments. In a letter to Comics Buyer's Guide, he revealed the approach he had in mind, which would have pleased Batfanatics: "My first treatment had Robin getting blown away in the first 90 seconds, so that every reviewer in the country would begin his review with, `This sure isn't the TV show.' "

Michael Uslan, producer and film rights holder for the 1989 Batman film:

I only let Tim [Burton] see the original year of the Bob Kane/Bill Finger run, up until the time that Robin was introduced. I showed him the Steve Englehart/Marshall Rogers and the Neal Adams/Denny O'Neil stories. My biggest fear was that somehow Tim would get hold of the campiest Batman comics and then where would we be?

"Death Knell for the Campy Crusader" in the Orlando Sentinel (23 June 1989):

For most people, the name Batman summons up a picture of a clown in long johns, a Campy Crusader who - with the young punster Robin - ZAPed and POWed his way into our lives. That's the Batman that appeared on TV in the mid-'60s, and that's the Batman that the world at large knows. Such is the power of television. But this ludicrous image may become obsolete now that the new, $40 million Batman movie has opened. Robin is absent from the film, as are the perky Batgirl and the utterly superfluous Aunt Harriet of the TV series. And though the movie has plenty of sound effects, they don't appear on the screen as words, spelled out in neo-Brechtian absurdity.

Sam Hamm, writer for Batman (1989 live-action film):

The Case of the Disappearing Robin is high comedy. Tim (Burton) and I had worked out a plotline that did not include the Boy Wonder, whom we both regarded as an unnecessary intrusion. Really: Our hero was crazy to begin with. Did he have to prove it by enlisting a pimply adolescent to help him fight crime? Was Bat-Baby unavailable? But the studio was insistent: There was no such thing as solo Batman, there was only Batman and Robin. So, after holding off the executives for as long as we could, Tim and I realized we had better try to accommodate them. He flew up to my house in San Francisco and we walked around in circles for two days, finally deciding that there was no way to shoehorn Robin into our story. [...] We figured that if we managed to squeeze him in, the lame hacks who were making the sequel could worry about what to do with him next. When the film went into production in London, and ran seriously over budget, WB started looking for a sequence that could be cut to save money. And there was one obvious candidate: Intro Robin! So Robin was cut from the movie and shoved back to Batman Returns— from which he was cut yet again and shoved back to Batman Forever.

Grant Morrison on creating Arkham Asylum: A Serious House on Serious Earth (written 1987-1988, published 1989) with Dave McKean (see the annotated script's fourth page):

The original first draft of the script included Robin. Robin appeared in a few scenes at the beginning then remained at Police Headquarters for the bulk of the book, where he spent his time studying plans and histories of the house, in order to find a way in to help his mentor. Dave McKean, however, felt that he had already compromised his artistic integrity sufficiently by drawing Batman and refused point blank over for the Boy Wonder — so after one brave but ridiculous attempt to put him in a trench coat, I wisely removed him from the script.

Paul Dini on Batman: The Animated Series (1992), as told in the 1998 book Batman Animated:

The Fox Network, on the assumption that kids won't watch a kid’s show unless kids are in it, soon began insisting that Robin be prominently featured in every episode. When Fox changed the title from Batman: The Animated Series to The Adventures of Batman & Robin, they laid down the law-no story premise was to be considered unless it was either a Robin story or one in which the Boy Wonder played a key role. Out were underworld character studies like “It's Never Too Late"; in were traditional Batman and Robin escapades like “The Lion and the Unicorn.” A potentially intriguing Catwoman/Black Canary team-up was interrupted in midpitch to the network by their demand, “Where's Robin?” When the writers asked if they could omit Robin from just this one episode, Fox obliged by omitting the entire story. Looking back, there was nothing drastically wrong with Robin's full-time insertion into the series—after all, kids do love him. Our major gripe at the time was that it started turning the series into the predictable Batman and Robin show people had initially expected it would be. For the first season, Batman had been an experiment we weren't sure would work. We were trying out different ways of telling all kinds of stories with Batman as our only constant. For better or worse, having a kid forced him, and the series, to settle down.

Christian Bale, star of Christopher Nolan's The Dark Knight trilogy (2008):

If Robin crops up in one of the new Batman films, I'll be chaining myself up somewhere and refusing to go to work.

Summed up

Among the keepers of Batman, there has been a vocal contingent arguing against the inclusion of Robin. They argue that Robin damages Batman's brooding, solitary persona. They argue that the concept of Robin is too ridiculous and fantastic for the grounded, gritty ideal of Batman. They argue that a respectable version of Batman shouldn't allow, encourage, or train "child soldiers" to endanger their lives fighting against violent evil-doers.

The original and most iconic Robin, Dick Grayson, has definitely benefited from his deep roots in DC lore and his consistent popularity among fans—and yet even he has been shunned from various Batman projects over the decades. When even he struggles to get his foot in the door, his successors face stiffer opposition.

So it's not quite correct to say that Jim Starlin hated Jason Todd. In his own words, Starlin wasn't fond of Robin, and his storytelling (most obviously A Death in the Family) set out to argue against Batman having any kind of "partner" at all. This, following the wildly successful comic that treated Barbara Gordon as a disposable prop. A growing audience welcomed the Dark Age, and the gruesome spectacles made of kid-friendly elements like Batgirl and Robin.

This trend could be broken by the upcoming sequel to The Batman and by the planned slate of upcoming DCU films. But most Robin fans will tell you that many movie-going Batman fans still have their doubts about Robin sharing Batman's spotlight.

[they-stare-i-ship]

I finished reading the atlas paradox

and now you're subjected to my SPOILERY thoughts.

Parisa Kamali: I love Parisa, I have loved her since the first book. I LIKE HER SO MUCH she's funny she's mean she's cool she's kind. She's incredibly powerful. She's so interesting and I really enjoyed how she slowly became "her royal softness". Whenever we have her pov it's so fun. I love how she's not scared of Atlas and how she challenged him. I can't wait to see what she does in the next book. I'm actually excited to see how Dalton has changed and how she reacts to them in the next book. Her relationship with Nico makes me so feel so nice. I also need her to be kiss Reina sometime in the next book.

Nico de Varona: he's been my annoying lil baby since the first book. I loved how he became more fleshed out in this book. I loved how lonely he got, his relationship with Reina and Tristan really intrigues me. HE'S SUCH A CHILD sometimes and I love him for it. Obviously I have spent the two books insane bc I knew he was in love with Gideon, I just knew it and they're just *chef's kiss* also speaking of his relationship with people, I think him and Libby will be stunning as besties, I truly cannot perceive them as romantic. They act so sibling like or even just asshole bestie like.

Reina Mori: when we started with this series I actually had more hopes from her. I feel like she didn't do much (especially in book 2) and my girl really doesn't understand communication. If she just talked to people sigh. But honestly her God thing, I am down. Go off, I'm excited to see her go off the rails bc people didn't talk to her the way she could have understood. I am low-key in love with how funny the duo of Reina and Callum is, tbh. I also get major ace vibes from her.

Libby Rhodes: honestly she was my second least favourite amount the six when we started. She desperately needed the corruption arc we got in the later half of the book. I think I will like her a lot more now. Her crush on belen was stunning to read. I can't wait for Libby to fuck shit up, literally fuck everyone up. And I genuinely truly deeply want her relationship with Nico to just be friendship. Friendships are equally as important and the fact that the universe made them parallel to eachother is my favourite thing.

Callum Nova: honestly I didn't really like him much during the first book, he was fine but we had more interesting characters. BUT DAMN CALLUM NOVA POST HEARTBREAK?? ~~ exquisite ~~ he's so fucking funny and hopeless and sad and pathetic. he is so desperate for love and so upset that he was denied it. He's my pathetic lil meow meow. Also I would LOVE to see him use his powers more in the future. As we keep learning about it, I keep loving him. Also I need Tristan to beg Callum to take him back.

Tristan Caine: actually I didn't enjoy his povs at all in the first book, I couldn't wait for them to be over. He is still my least favourite among the six but in the second book he was more interesting and fun. I'm a lil anxious of how Atlas is gonna use him and his powers. I don't care much of him but I want him to beg Callum or regret it for the rest of his existence. Also I hate LibbyTristan as a romantic permanent thing, they can fuck around and have fun but pls end at that.

Gideon Drake: I have loved him since day 1. He was the softer kinder balance to Nico's aggressive and abrasiveness. He is so interesting, his origin and his powers. I spent both the book wishing we had more of him. Now that we are out of the library maybe he'll get to play a more active role in the book. I am obsessed with Gideon (bc Nico is obsessed with Gideon) I love the tidbits we learn about Gideon like how Libby always liked him more or how max travelled with him for the rescue of the "prince". I want Gideon to have everything he wants, that's all.

Atlas Blakeley: I have been thinking of Giancarlo Esposito as Atlas the entire time. There's no explanation it's just vibes

Ezra: I'm glad he's dead 💖

[your-old-sins-tournament]

12 YEAR OLD OCS; SIDE B

Drake Blue [@silveredcircuitry] (she/her)

I was OBSESSED with Drake for like. several years. I drew her so much. Funnily enough though she was never the main protagonist, generally serving the role of "the narrator's best/first friend who knows magic in this urban fantasy setting". She was the extroverted, knowledgeable, tomboyish foil to my various introverted, new-to-this, vaguely feminine self-inserty protagonists I wrote. Her full first name is Dracanea or something but no iteration of her is terribly fond of it. She also for some reason used an abbreviation of her last name in early versions (I guess to either sound less pretentious or blend in) but eventually i just made Blue her actual last name upon understanding nobody does that.

She's half dragon on her mother's side, giving her an array of abilities that shifted a bit depending on whether I felt like including them. These almost always included superhuman strength and resilience, flight, and some flavor of pyrokinesis. She has wings that she could shapeshift away in some iterations but her flight is more magic channeled through having her wings out than actually using them properly. Also sometimes fangs which I rarely drew on her. Generally not great at the magic in the setting but not so much catastrophically terrible so much as she just. doesn't use magic that often.

She fucking hated dresses and preferred to wear whatever was comfortable and easy to climb/run/fly/fight/do whatever else in. I have one drawing of her burning a bunch of dresses and other girly accessories and I genuinely cannot tell if this was me characterizing her as a TomboyTM, just part of my "let's be feminist in the most cliche ways possible because i have unresolved issues and all the boys in my class bully me" phase, or Indicative of Something TM. Or like. All three.

She was a whole bunch of things kid-me thought was cool, but not in what seems to be the usual way. She wasn't someone I wanted to BE so much as someone I wanted to be friends with. Strong in a lot of ways that I was weak in, and I think having more distance between her and myself than the aforementioned dozens of self-inserts helped get me more obsessed with her. ALSO one of my earliest developed non-insterting-an-existing-person-or-character-into-the-story OCs.

she also made it into my very dead webcomic that i will not share a title or too too much information about besides the fact that i made her slightly terrible at hiding her powers and also in a lopsided rivalry with a sorceror who keeps trying to beat her in a fight just to prove he can. He doesn't actually succeed ever and she is increasingly annoyed with him especially once he dragged someone else into it. She could shove him in a locker and he would not be able to stop her.

Jenn Adreana [@apotheoseity] (she/her)

Despite her being made when I was literally NINE YEARS OLD (and I just turned 20), Jenn is still a character I regularly use and draw. Originally made for rp on the children’s coding website Scratch, and at one point used as an avenue to —at different points in time— selfship with multiple characters including Dipper Pines and Monika from DDLC, she’s changed drastically over the years. But she never stopped being an overpowered, shapeshifting mary sue 😌

[casketears]

edits that i would have made to riverdale if they'd known to hire me

more explicit hiram/archie/veronica. now i know what you must be thinking: how the fuck could it get more explicit than what was already shown, especially since archie is the flavor of oblivious gay that would mean he'd likely shirk any form of homosexual contact with a confused smile and an aha, whoa, did you– did i– no, im straight. yeah. but all the same i'd have liked some more sensual solo scenes with him and hiram. his deteriorated half disinterest in his relationship with veronica in favor of his growing obsession with her dad is good but not perfect. i want them to get touchier and weirder about it. and i want veronica to also get in on it

cheryl as an insane quasi incestuous straight woman. i have never seen a less convincing dyke than as portrayed by madelaine petsch, and i have never seen her have more chemistry with anyone than when she was either a) obsessing over jason, b) using archie as a romantic projection of jason or c) straight up romancing archie in season 7. it's actually absurd. also cheryl is fucking crazy in a commandeering action seeking sort of manner and archie is the ultimate orders boy so you can imagine what a red-haired power couple the two of them could have been. archie go die in my mines yes honey <3

if cheryl had to be a lesbian then at least let her be involved with donna sweett from season 3. no meaningful thoughts here i just think they could have enjoyed each other's weird mind games, writing/painting foils, and overall gothic aesthetics. and i bet donna wouldn't have been so lame about the whole taxidermied twin in the basement thing

more explicit hiram/reggie/veronica. here i do actually mean explicit. i want that boy passed between the two of them like a rebound blunt. i want him spitroasted by the narrative.

speaking of which reggie and archie should have at least made out in season 7 and it's actually preposterous they didn't. i never knew a gay man (the show creator) within a cast of gay characters could queerbait like that.

in the jughead paradox i would have loved to see a taste of the flavor of insanity that would have befallen jason if the roles were reversed and cheryl had been the one to die way back in episode 1. i think about this roleswap a normal amount

more ethel. thank fucking god season 7 gave her justice by letting her escape the narrative but i still wanted to know more about this dnd-obsessive horror artist weird girl (+ betty's arguable half sister)

i would have had reggie actually be groomed by that driving instructor (miss bella) in season 7 rather than have it be a red herring. more horrible parallels to archie etc. also i want him and veronica to stay in that awful toxic rebound-adjacent business partnership forever but that's just me

more on the season 7 mini jughead squad (dilton doiley, ben button, ethel muggs). they hinted at it and never delivered and it makes me lose my mind to think about

REMOVE THE PALLADIUM PLOTLINE. I HAVE NEVER CARED LESS ABOUT ANYTHING IN MY LIFE THAN THAT ROCK.

more detective drake from season 5. she showed up told betty to leave her man and experiment with women and left without even kissing her. also her name sounds like dyke. i miss her so much and also every day.

musical episode ideas: dear evan hansen (smth related to covering a murder and jughead is evan and archie is jared and a gun is in my mouth), bare: a pop opera (featuring gay kevin), in trousers or hadestown (they could never pull either off but i'd love to see them try).

actually fuck it also more on eric jackson from season 5. preferably dating archie but i'm not picky.

ARCHIE SHOULD HAVE ABSOLUTELY STAYED IN RIVERDALE IN THE EPILOGUE? WHAT DO YOU MEAN HE LEFT HE LIVES AND BREATHES AND BLEEDS RIVERDALE HE WOULD HAVE ABSOLUTELY NEVER LEFT BY CHOICE OR FREE WILL HE HAS A WIFE AND TWO BEAUTIFUL CHILDREN AND IS BURIED OUTSIDE OF POP'S.

kevin worse quality life. yes i just don't think he goes through enough. i think he should have been in an unhealthy sexual relationship with the devil after he turned him into a cop (percival pickens) (i know percival is technically not the devil but he's english anyway)

cheryl should have had a cannibalism moment that post on tumblr was right

i don't think i emphasized enough earlier how badly i want explicit hiram/reggie/veronica. specifically of a flavor where both the former and the latter are using him to fill an archie shaped hole in their heart while also as a weird incest divorce cope to get back at their respective daughter/father. if you think i had established my point well enough just remember it again with me because it could have been beautiful. i'd have dragged this out for half a season at minimum

more on peaches the background character peaches (she is very attractive).

a proper time loop episode

was about to say 'canonically bisexual betty' (<- has been a vocal supporter since day 1 when she kissed veronica) but then remembered this is actually true and now i'm so happy i forgot most of the other qualms i was going to add on this list

non-sike deaf jughead

non-sike dead jughead

a jughead that kills himself and makes it everyone else's problem

[backtothefuturefan88]

What are your thoughts on the DuckTales reboot of the DWD characters?

I didn’t really like Launchpad’s characterization in the DT reboot, but he was alright when he was with Drake.

And I do like how the show made sure to make LP and Drake friends first and not have LP be a huge fan of DW. That was something I definitely liked over the original DW show.

I actually love how Drake Mallard was portrayed in the reboot. He still had a bit of an ego but it wasn’t super over the top like in the original show, and I think having Drake take on the persona of a tv show character was an interesting twist on the character that I liked. They kept his hatred for Gizmoduck but made him friends with Fenton, which was hilarious.

I also liked how Drake and Gosalyn didn’t necessarily get along at first. It was a slow process of trust between the two of them, but still kept the family bond between the both of them.

I thought Taurus Bulba was alright. I mean, he served his purpose as a character but I didn’t think he was as intimidating as the the original character. His voice definitely was not as great as the original.

How they changed the ramrod (the machine built by Professor Waddlemeyer) in “Let’s Get Dangerous” ended up being so much better than in the original show. In the original DW show, the ramrod was basically just a giant magnet. But when they changed the device to be a portal to other dimensions? That’s so much cooler!

The Fearsome Four were amazing! Especially Bushroot’s zombie-like redesign. I don’t really have any complaints with how they were handled. Although I did miss Liquidator’s slogans.

Now Negaduck/Jim Starling? The only complaint I have with him is that he was never brought back after his debut episode. I think he was supposed to be in “Let’s Get Dangerous” but they couldn’t find a place for him in the episode that would do him justice. Which I understand, but he never showed up again in the series and I don’t know if the new DW reboot (if that ever comes out) is supposed to follow the DT reboot versions of the characters or just a whole new thing.

I think that having Jim Cummings voice Jim Starling and have him turn into Negaduck was brilliant. Negaduck wasn’t an alternate dimension version of DW that popped out nowhere, he was a forgotten actor from a forgotten tv show that only saw himself as the character he played. He was so obsessed in preserving his identity in this made up character that he literally went insane and became the evil mirrored version of that character when someone else assumed the role. That is brilliant. But like I said unless they actually make a DW reboot and put that version of Negaduck then we’ll never see him again. Which is highly disappointing because (call me crazy) but I like this version of Negaduck over the original.

Oh right, Steelbeak. Um….I hate him in the reboot. I don’t like his voice in the DT reboot and they made his characterization: “*insulted voice*: “I’m not stupid!”. Which got annoying real quick and he was no where near as clever as he was in DWD. Which is a real shame because Steelbeak was such a good character and they did him such a disservice in the DT reboot.

I think that’s all they put in the reboot? If there’s anyone I missed let me know.

[thehandwixard]

all your tim drake posting lately reminded me of a line from a review of 90s/2000s batman i read a long time ago. "tim drake is the only time batman needed robin more than robin needed batman". do you agree with that take, or have any nuance to add to it?

oh i absolutely agree with that take, though im not sure robin.. ever needed batman more than batman needed robin? i think they definitely needed eachother equally, but tim is an.. hes a case

i was gonna say a lot about the robin mythos i havent quite synthesized yet but ill send a couple pages with commentary instead

A Lonely Place of Dying

the thing about tim is that he becomes robin with shit to lose, unlike known orphans dick and jason who are literally dependant on bruce legally (ward and adopted son) and he isn't really.. bruce's problem cause of this but tim knows that batman needs him. i do generally see tim as being cognizant of the metatextual in some way but the important thing is is that he has been having knight terrors and visions of batman and dick grayson his entire life and knows everything about them. he didnt even initially want to be robin, he basically has no stake in this venture but steps in anyways because he does emotionally. he knows bruce will die of 30 gunshot wounds because of the grief over his lost son was making him not think about what was happening. bruce has an obsession with family the same he does with (gestures vaguely) and even if tim is plainly saying like. im not your surrogate son i will be this symbol though it. well. fate has a funny trick in place for him (mother is killed and father is indefinitely hospitalized)

its why he and alfred click so instantly and so well tbh, they both have this role of being definitely *dependant* on batman to exist and emotionally in the way batman can even be.. indirect emotional support. spiritual support? but they know he relies on them deeply to keep going at any rate.

i think tim feels he owes batman and robin, hes deathly afraid to disappoint bruce to the point that in life or death situations hes afraid not of his own demise but of disappointing him. like.. he knows bruce would probably blame himself deeply if tim died 'under his watch' and treats that as failing him. which is.. a LOT but very different than just dependancy

but batman and robin always needed eachother, and thats gonna happen to tim the hard way eventually

and obvi this isnt even getting into the robins post-tim which are

steph: not a son figure to bruce

damian: actual son

we are robin: a youth movement that were deliberately defined by batman's absence

not to mention that bruce starts getting a lot more people to pick up the slack over time and keep him in line because he cares about keeping himself safe for all their sakes. and also his awesome daughter cass

[jesslockwood]

Photo Opportunities

Word Count: 2.7k

Pairing(s): Tom Holland x Actress!Reader

Warnings: FLUFF with a slightly (barely) suggestive sentence towards the end 

A/n: damn I can't write anything except actress reader? smh but this is for @londonspidey ‘s sit-com Writing challenge (ik I'm early lol) but I was so excited I wrote the whole thing in one go lmao the prompt is bolded!

Calling yourself a fan was an understatement. You were obsessed with anything and everything marvel. And oddly enough, you could after today say you were in the club. It wasn’t a public fact yet, until later that day actually, at the Marvel panel at comic con that you were being announced as the actress for the character, Felica Hardy and no one else knew except for the people who cast you and your best friend who signed an NDA. You were technically still a known actress for your roles on television mainly as Thalia on the PJO Disney + series and a couple of still decently sized films. 

You were currently wrapping up signing autographs for fans of yours for today. Your team had planned it out so it wasn’t suspicious that you were at the con with a few of your castmates scattered doing other junkets and press so people wouldn’t guess who they were acting as the cast for new marvel projects. 

You had been planning to go meet your best friend, who wasn’t in the industry before getting a text that she bought you both a photo-op with someone and she wouldn’t tell you who. You couldn’t only assume it was a marvel actor that you would indeed, freak out. 

Y/b/n: btw I brought you a mask. I get the wig lol.

You: please tell me it doesn’t cover my full face. Also, how are we posing?

Y/b/n: I bought as many photo ops as I could so a lot of different ones, And if I tell you the poses it’ll spoil it.

You: is this with the money I pay you to be my assistant with? Lol fine I’m omw with security

Y/b/n: maybe… 

Y/b/n: and they’ll need more backup security for who we’re getting a photo op with than you do for your hellfire.

You roll your eyes before taking your stuff and exiting the booth, before heading out the backways with staff security and your detailed security for the day. You only had security because you wanted to explore the con when you weren’t needed.

Your best friend had also been your assistant for the con weekend, but you didn’t want her to be confined to you the whole three days so when she could, you would let her explore it, at least she could experience it as a fan, right?

When you made it to that part of the building, you wanted to wait in line with her, which your security didn’t agree to so she texted you when there were about five people ahead of her. She was one of the last in line, with you asking her to be kind, so others would get their chance to be first with whomever it was. 

When she texted you and your detailed exit, getting a few stares and others taking their phones out to either take photos or tweet, you wave at them before joining your best friend in line.

“Here,” she says before handing you none other than a black cat mask before she puts on a red wig. 

You glare at her slightly trying to not make a scene, before putting it on. 

“I’m assuming you're Mary Jane?” you laugh figuring out that it had to be someone from Spider-Man.

“How’d you- never mind.” She laughs with you.

She then explains how she’s going to pose for your five photo ops, joking in between how she should “get a raise for this”.

You catch sight of him before sucking in your breath. This was either going to go down amazingly or terribly, there was no in-between with you. 

“Excuse Me, are you Y/n Y/l/n?”

You turn around and are met by some fans who were standing in line behind you.

“I am! How’s your con going?” you ask politely to the two of them.

“It's going amazing! We love you as Thalia! Could we maybe get a picture? Only if it’s okay?”

“Of course! Thank you for supporting me!” your best friend grabs their phone to take the photo, before you take off the mask, and stand between the two fans, and your best friend snaps a few photos. 

“Thank you so much! And Are you fans of Tom?”

You start slowly walking back to catch up to the line. 

“Yeah, I love him as Spiderman, but I also enjoy his other roles. He's very talented, I'd love to work with him one day!” 

“Have you seen him in Uncharted?  We love Him as Nathan drake!”

“I have, he was amazing per usual! How are you two posing with him?”

They show you their innovative pose. You laugh and tell them it's great before you have to wish them goodbye before heading up for your turn for the photo op. 

“How do we want to pose- hang on, I recognize you!”

You freeze slightly before your friend mouths for you to flirt. You look down at the mask in your hand before getting into character and saying “Of course you do Spidey, I'm always causing you trouble.” you put on the mask and wink. 

He seems slightly stunned, laughing, feeling like he’s seen you somewhere, not only because he found you extremely gorgeous, while in his peripheral vision he sees his brother/ assistant, Harry waving like a madman on the side. 

Your friend directs you both through the poses, first, one both him putting “webs” onto you as she looks over his shoulder, the second one, both of you kissing his cheeks, the third, all jumping in the air in your best superhero poses, the fourth one she gets a photo op alone and the last one she gives to you,

“Seriously, who are you?”

“Your Wildest dreams, baby,” you say, taking off the mask. 

Your best friend yells “freestyle” from the sidelines before Tom dips you, gently, with you shocked, holding the mask out with your free arm and the photo captures that moment. 

 He gently helps you stand back up fully, not before you drop the mask.

“Nice moves Spider-Man.”

“Not so bad yourself, Black Cat.”

You laugh before, taking off with your best friend, well more her dragging you to the printing station leaving the mask behind. Tom picks it up before shoving it in his back pocket to hopefully give back if he could find you. 

-

`You were sitting in the green room, trending on Twitter before you were actually supposed to be trending on Twitter, and god knows where else.  

Someone had snuck a video of you and Tom, up till him dipping you, and a video of you interacting with the fans in the line.

Your Y/b/n was currently reading off some tweets out loud

“‘A kind queen we stan.’  I agree, I also agree with ‘Date her if you can't date me tom!!!’.

‘THALIA AND PETER PARKER??? My two fandoms have collided.’ same, same. Oo this one says, ‘if she ain’t playing black cat I will sue marvel.’ I'm dying at the reply ‘She needs to post the photos or I'll sue her!’. This one’s funny, ‘she could squash him like a bug in heels but he liked his queen like that.’.”

She pauses watching you texting.

“Y/n? Y/n?”

“What? Sorry I was only half listening. I was texting my publicist. She said to stay on the DL until tonight. 

“Well we should get food, you haven't eaten since this morning.”

“By the way, your show has shot to number one on Disney +. Also, you have like three times the followers you had before, probably cause you're trending on every platform, even Tumblr!”

“Wow you should just become my social media manager now.” you joke trying to ease the joy yet weirded out feeling in your stomach.

“Does that come with a raise? Because after today I've spent way too much of what I'm paid.” she jokes back.

-

After finishing his photo ops Tom asked Harry who she was and to find out. By the time he finished autographs for the day, Tom and Harry walked to the panel room in the back for announcements, one that included him for the new Avengers movie, while Harry gave him the rundown.

“So she’s an actress, she plays Thalia on Disney plus’ Percy Jackson series, and that's her most known project. The other girl with her is her assistant best friend, and now she's trending everywhere. People dug up some old photos of her being a marvel/Spider-Man fan, so there's that. And she's here at the con for the rest of the weekend. She's doing photo ops tomorrow at one, and yes she's single from what I gather since you were looking at her like this.” he makes a weird face before tom smacks him.

“And plus you have time in your schedule to get a photo op with her, that is if you eat lunch quickly.”

That gave Tom an idea. 

“Harry I’m going to need you to book me one, oh and help me find a Spider-Man costume!” He says, before leaving harry to do ‘assistant’ work. entering the green room for the announcements, watching them announce a new movie.

“We are so excited to announce to the Marvel Universe, and spider-verse-” that perked tom’s ears, “-directed by Gina Prince-Bythewood, and today we are announcing our amazing Miss Felicia Hardy, please give a warm welcome to the stage, Your Black Cat!”

You suddenly emerged in an aisle way, dressed in all black with a leather jacket, black ankle boots, and of course black sunglasses indoors.

The music is marvel music until it suddenly changes after a recorded laugh from you into “I can’t be tamed by Miley Cyrus”.

You start owning the music while saying hi and touching fans’ hands. You decide to take off your sunglasses and throwing them to a fan, for them to keep, before getting on stage.

“What a Performance from the one the only Y/n Y/l/n!”

You laugh, being met with the loudest applause you had heard all con before being handed a Mic. 

“Thank you but I'm a terrible dancer.” You Joke.

Tom was staring at the screen stunned. You had been the black cat all along. You were in the marvel universe and spidey one,  so he'd definitely be seeing more of you. The hard part is that you seemed so genuine when you talked, interacted with fans and was no doubt, stunning. 

“Better close your mouth or the flies will get in.” Tom turns around to find the voice of none other than his friend slash bully, Sebastian Stan, along with Anthony Mackie.

“Looks like the kid has a crush!” Anthony laughs, pointing to the screen you were on.

“I-I don’t! I don’t even know her!” Tom tries to come to his own defense, hopelessly.

“She’s got you whipped already don’t even deny it.” Harry comes in, joining the teasing of one, Tom Holland.

“Maybe we can invite her out for drinks tonight, then fanboy over here can meet her, and then probably scare her off!” Anthony mentions.

“You haven’t looked on the internet? They’ve already met.” Seb says, before showing Anthony twitter. 

Anthony stands there slightly shocked before bursting into laughter.

“Well, she’s damn well a keeper for Tom since she obviously likes him.”

A staff member peaks their head in the green room to tell Tom he’s up next.

“Well, that’s my cue to leave you two!”

On the other hand, you were on an adrenaline high from being on stage, and seeing all the fans. You knew tomorrow was going to be crazy, as you expected people to book your photo op left and right since the announcement. 

You had decided to decline an offer from your fellow marvel universe castmates, Sebastian Stan and Anthony Mackie, which they so graciously told you that whenever you’re free, the offer still stood. 

You had gotten to your hotel room seeing your phone blowing up on the social media apps for the second time that day. 

You responded to the important stuff, before heading to bed, knowing it was going to be hectic.

-

You had been right, it was absolutely insane, the number of people who showed up. You had fully booked all your time slots for photo ops. You had seen so many people dressed up in marvel cosplay, ranging from Loki to Ironman, even some people dressed up as your character, which was wildly insane to see.

You had been nearing the end of the line and had enjoyed every moment with the fans, and you couldn’t wait for your autographing session later that day, to truly get a chance to talk to the fans and connect with them and how they felt about you being their beloved Black Cat. 

After a few more photos, posing how they wanted, you see a fully dressed, head to toe, mask and all, Spider-Man. You had seen some spider-mans but most took off their masks to snap a picture. The person was the last in line. 

“Hey Black Cat.” The southern American accented voice tells you, seeming very familiar. 

“Hey, Spider, what poses do you have up your sleeve?” you ask kindly.

“I bought a few, Cat.” they laugh.

“Okay, You can do whatever a spider can right?” you pull out a line out of the comics jokingly.

“I can do flips if that’s what you’re asking.”

“Is that some kind of nerd pick-up line? Because it’s only kind of working.” you laugh. 

“I really can, but this is one.”

He gets down on one knee, holding a black cat mask instead of a ring. The photographer captures the shocked expression on your face.

“I- Don’t- What- Spider I-” 

“Ow My feelings…” Suddenly their voice changes into a British accent before they pull off the mask to reveal-

“Tom?”

“I guess you don’t have a spidey sense darling?” The photographer captures the moment without warning eating the moment up. 

You laugh at that. 

“I guess you found out my true identity Spider. And it’s nice to officially meet you, Tom.”

He laughs, just as nervous as you, he notices he has gotten closer to you and a strand of hair loosely is blowing in your face, so naturally, he pushes it behind your ear. Another snap of the camera can be heard. 

“NOW KISS!” a voice belonging to your best friend yells from the side, mid-eating a churro.

You both laugh really hard at that.

The both of you calm down, slowly leaning lost in the moment. The camera snaps again. You both look at the photographer weirded out, and they just shrug.

“Wait can you actually do a flip?” you ask, pulling away, not wanting prying eyes aka the photographer, to pry in your business. 

“I can, though I’d show you later, maybe in the greenroom?”

“That sounds naughty, but, sure.” you joke around. 

He laughs before, you both take off from the area going to grab the photos.

-

After spending most of the day together when you could, you get Tom’s number, before heading back to your hotel room. He texts you as soon as you get back. 

Spider: I had fun today, minus finding our assistants making out.

You: we should ‘snog’ too, it’ll gross them out ;)

You: I had fun too btw. Are you leaving tomorrow?

Spider: lol we should. And yeah an early flight, 6 am to be exact. Hbu?

You: Yeah me too... another day another dollar lol

Spider: ill miss you, Cat.

You: stop talking like we’ll never see each other again lol. As a matter of fact, come to my room, we’re watching a movie!

Spider: alright, I’ll order snacks. 

  You sigh smiling at your phone. You haven’t felt this giddy in a long time.

Your phone pings with a few Instagram notifications.

Tomholland2013 has started following you.

Tomholland2013 has tagged you in a photo.

You open Instagram to find the photo of him “proposing” to you posted.

“Ow, my leg, my- feelings...Welcome to the Universe, Cat.” the photo is captioned. You decide to post, the photo of him dipping you.

“So what do you say, Spider? Wanna help me pull off the Heist of the Heist of the Century?” you caption it, Before getting comfortable to watch a movie. 

What an opportunity ;)

Tags:

@lolooo22 @webmeupspiderdaddy @harryhollandsgirlfriend @spideyspeaches @greenorangevioletgrass @queenofthepouges @sheranatic111 @keithseabrook27

[w00wzerz]

🚃Ticket back to Life🚃

(All that matters in Titans s3 ep 9)

There is so much to talk about, so without further ado, lets get into it!

The episode begins with a seemingly defeated Bruce scanning over his will for a few seconds - hinting at the fact that he will harm himself or is planning to soon move on to the “other side.”

At this moment I had crinkled my bag of Doritos, placed them in the crack of my lap and sat in silence for a few seconds. My mind was working overtime to try and piece together just what the hell was going on. These were my initial thoughts: I would like to sincerely apologize to Dick Grayson and Jason Todd for ever having to put up with Bruce Wayne’s crazy ass. The man is coo coo, he’s unhinged! He’s deranged!

However, upon further evaluation of the scene, I came to the realization that this was simply Bruce’s call for help. He had lived his entire life by attempting to mask his pain, using anything in the book to deter his emotions. Until one day, he ultimately settled on taking in kids who he presumed had developed under similar circumstances.

What Bruce failed to realize is that playing the role of a parent is an upmost emotionally draining task - just ask my mother… By raising his own kids with a shit ton of baggage he would also be signing up to mountain theirs atop his own, crafting an incredibly unstable terrain that would inevitably come crashing down.

Now we know where Dick and Jason get their compartmentalism from.

Moving on to my girl Rachel in Themiscyra! You know things are pretty bad when Rachel starts to complain about training too much, seeing as that was all she ever did over at Titans tower.

However, it seems that her hard work has paid off as she has awakened a heightened sense of urgency in her movements - her coordination skills have also improved significantly, as shown below.

Such a badass scene! ☀️

Upon their very first introduction, it is safe to say that Donna establishes an instant connection with the terrified kid who jumped from the train - Tim Drake. It could be the gravitational pull and familiarity with his fear that peaked her interest because of how similar it was to her own, or she could’ve just wanted to make sure that he was okay. And I am willing to bet on ALL OF IT.

Secondly can we all just take a minute to celebrate Donna’s long awaited return! I have never been more excited for the revival of a character. Now Kory can finally have some grown up friends 🥂

After Tim and Donna linger for a-bit in the woods, they meet up with none other than Hank himself. Of course he would be the one to appear out in the middle of nowhere, in an old fashioned car after his death. I wouldn’t have accepted it any other way.

I also have to admit that I was pretty psyched to see Hank again. Do not quote me on this, but a tiny piece of me had missed his annoyingly snarky ass.

Was anyone else feeling some serious 21 jump street vibes from this lttle road trip scene? No… just me? Okay.

Once they’re all familiar with one another Hank begins to take a subtle interest in Tim. As my senses began tingling once more, the pieces had somehow found their way together. Despite the tough ass persona he displayed for the other members of the Titans, Hank has always had a soft spot for kids. Which would also explain why he was killed by Jason in the first place - because he thought he could save Jason from himself. A part of him still feels like an idiot for falling for the false vulnerability that was expressed by Jason on the phone that day.

And no I wasn’t crying at Hank’s farewell, you were 🥲

I was disappointed at first after treading on the idea that they would all return back together. But after viewing Hank’s reunion with his brother, I think it’s safe to say that I’m pretty glad that he decided not to miss out on that drastic part in his journey. Plus who knows, maybe another portal will open again after a few years and they’ll both be back to kick some ass. 🤷🏽‍♀️

Below is another example of Donna’s rocky, yet emotional connection between herself and Tim. And I say rocky because it doesn’t seem that she even realizes it herself, but she loves my little Tim baby!

Tim just has a way of interacting with folks that evokes a sense of urgency to protect him. I also believe that it must be fate that is drawing them all towards each other, especially when taking into account that Tim has practically met almost every member of the Titans dead or alive - by accident.

As you can see below, a teary eyed Donna watches as young Tim fades away into obscurity from her very own finger tips.

And as his body slowly disintegrates she makes it her mission to assure him that he is fact not a coward and that above everything else, he is a hero in her eyes. Now if that doesn’t get the waterworks flowing, I don’t know what will.

————————————

A recurring theme that I’ve noticed throughout the past three episodes is the current writers obsession with fire.

Fire = destruction. 🔥

Even as Bruce set a flame to Wayne’s manor he intended to destroy not only his home, but as well as himself along with it. Could fire represent what is to come in the near future for the Titans? Or am I sipping too much gatorade? I guess we’ll have to wait and see folks. Until next time! ✨😙💜

[goneseriesanalysis]

Drake Merwin

I am soo sorry, this is super late but I got incredibly distracted with reading and forgot that literally anything else existed. Drake was a really hard character for me to analyse because his characterisation was just so disappointing to me - but luckily my intrinsic desire to have everyone hear my opinions prevailed, and so here it is. I hope you enjoy!!

Spoiler Warning: Major spoilers for Gone, Minor spoilers for the rest of the series and the monster trilogy 

Old Opinion: I had a sort of morbid obsession with Drake and thought he was a top-tier villain

New Opinion: So far Drake is tied with Astrid for most-changed opinion. His character has almost no-depth and could be placed in almost any story without changing a single thing about him - and it would make sense. I found myself desperately trying to make him more interesting than he is in an attempt to justify younger me’s obsession - but alas I was unsuccessful. He had a lot of potential, but instead he ended up as a copy-paste villain with no realistic motivations and no real intrigue. 

1.) DRAKE’S APPEARANCE:

Drake is, I think, the character who is best (as in most thoroughly) described in the first book. Not only do we get an idea of his actual appearance beyond the vaguest possible descriptions (sorry to Sam, Caine, Diana and every minor character) but we also get some idea as to the effect his appearance has on other people.  

In Chapter 14, when we are first introduced to the Coates kids, Drake is described as, “a smiling, playful, mean-eyed kid with shaggy, sandy-coloured hair.” I actually really like this description. Contrasting “smiling” and “playful” with “mean” really brilliantly sets Drake up to be a complex villain – the kind of villain we all love to hate, who cracks a joke while slitting your throat. It has the implication of a layered personality but sadly, this is not the villain we get. In fact his character in the first chapter compared to the character we get as the book continues is so drastically different that it almost seems like mg did a complete 180 on his character. An original description is supposed to give us some indication as to what a character is like – their personality and role in the story, and we know that mg can do this really well. (Sam’s non-descript description setting him up to be the underdog, Quinn’s mismatched attire hinting at his inability to fit in, Astrid’s colour scheme reflecting her innocence and religiosity), and so it seems particularly odd, not to mention disappointing, that Drake’s description gives us…nothing. No real indication as to who he is or his purpose other than to hint to him being an antagonist (which we already guessed from his affiliation with Caine.) I could go on and on about what a waste Drake’s character was, but I’ll save it for a later paragraph.

We will then skip ahead to Chapter 37 where both Howard and Lana describe a similarity between Drake and Pack Leader:

“The one time she had seen Drake Merwin. He had made her think of Pack Leader: strong, hyper alert, dangerous. Now, the lean physique looked gaunt, the shark’s grin was a tight grimace, his eyes were red-rimmed. His stare, once languidly menacing, was now intense, burning hot. He looked like someone who had been tortured beyond endurance.”

“The two of them, two of a kind, it seemed to Howard, stared holes into each other.”

This is a much better example of mg using descriptions to establish the purpose of a character. By drawing a comparison between these two, mg sets up Drake’s later role in the books, where he replaces Pack Leader as the gaiphage’s right-hand man. This almost leads me to believe that mg had decided very early on that Drake was going to desert Caine and this is possibly why he seems so out of place and underdeveloped as Caine’s underling in the first two books. Mg had already moved on from this side of his character…and it shows. Lana’s description of Drake also works as a basis for showing the reader how he has changed since losing his arm (before gaining his whip) and acts as an insight into his current mental state – which is important as we don’t get much introspection during Drake’s POV’s. But, I still have a few issues with this. First of all, his “lean physique”. Now this isn’t really a problem all by itself, but unless I have forgotten what 14 year olds looks like (which is a possibility though I doubt it) I don’t think that they should be muscly with minimal body fat. And Drake is not the only character he does this with. Quinn gets extremely muscly later on in the books (I’ll admit that there is a plausible reason behind this so this example isn’t terrible but it’s mentioned like every 5 sentences) and in Fear Caine is described as having wash-board abs. Why are we sexualising children?? Children should be pudgy and awkward and still growing into their bodies, not lean and muscly!! The attractive, damaged man who hates women for no reason at all is also a really really really common trope and tbh I’m just so bored of it. It’s not relatable (at least it shouldn’t be) and it’s just really unimaginative – although it does help us to understand Drake’s character as we’ve seen him before so many times in all types of media. My second issue with this description is the way it really really highlights how much of a waste of character Drake was. The potential of a high-school bully with a skewed world-view due to the death of his father and the later abuse of his mother at the hands of his replacement father figure trying hard to impress the charming “leader” with unimaginable power (that he so desperately wants) only to be undermined at every turn by a girl who teases him by pointing out his flaws and insecurities taking his anger out on everyone around him (especially women) as a way to cope with his childhood traumas then turning into a heartless monster who not only enjoys others pain but lives for it after being “tortured beyond endurance”, was astronomical. But we don’t get that. Instead we get a cheesy, one-dimensional cartoon villain. The change that his body and mind go through after his maiming should have been pivotal to his character, but that just doesn’t come across in the writing. :/ But more on this later.

And last but not least, the whip-hand, which is very important to Drake’s character. It turns his actual body into a weapon and his excitement over this is indicative of his sadistic nature. Again, I think this is an example of a wasted opportunity. I would have liked mg to have gone in to depth about how Drake’s body undergoing this change affected his psyche (and I’m not counting his one-off line in the monster trilogy). I think it could be argued that Drake’s “change” is a metaphor for him going through puberty. Him gaining the whip that ultimately turned him into his very own weapon shows his transition from a child [a little messed up but still just a kid] into a monster, someone who is capable of committing atrocities without a second thought. It would have been particularly interesting for Drake and Orc’s final battle to put some focus on the fact that they both suffer through monstrous physical changes that can be used to represent their shift from children to young adults but whereas one relishes in this, one is completely disgusted. The whip-hand is described as being an “impossible blood-red snake” and then that “It was stretched. Like it had been turned into dark, blood-red taffy. It wrapped twice around his body.” – Both of these occurring in Chapter 39. I don’t have much to comment about this – other than that I think red is great colour choice for Drake, thematically at least.

I know this point was mostly about what Drake could have been as opposed to an actual analysis of his appearance, but I’m just so tired of the attractive misogynistic villain that seems to appear in every single piece of media. His characterisation really bummed me out and put me into a slump so instead of analysing his appearance I decided to roast him instead. But, onto actual analysis now (I am going to further expand on some of the points I made here I promise).

2.) DRAKE’S PERSONALITY AND CHARACTER

I mentioned in the previous point that a lot of Drake’s characterisation seems like an afterthought at best and one of the things that made me think this, is the inconsistencies with his character and the most obvious example of this is the discrepancies with his birthday. In chapter 20, Diana says that his birthday is “April twelfth, just one minute after midnight.” But, in Chapter 33 we get the line “Sooner would be better,’ Drake drawled, ‘what with me having a month.” This is a really small nit-pick, I know, but it just really bugs me that mg overlooked something as simple as a birthday – especially when birthdays are such an important plot point in this book. But anyway, moving on. I promise this whole review isn’t going to be negative.

Backtracking now to Chapter 14. Drake’s character here seems to differ quite drastically from his later characterisation. He seems here to be an example of the laughably evil trope, he has a kind of dry sarcastic humour that is quite fun and seems to lighten the tone of the story a little bit. Rather than showing us the boringly disgusting misogynistic villain that Drake turns out to be, we instead see a funny, charismatic character who seems to prefer picking on those who already have power – as is seen here:

“Drake paused halfway, turned back, and spoke for the first time. In an amused voice he said, ‘Oh, um, Captain Orc? Have your people – the ones who aren’t injured- line up outside. We’ll work out your… um, duties.’                                  With a grin that was almost a snarl, Drake added a cheerful, ‘Later’.” – Chapter 33

Now I understand that the reason we don’t see the real Drake here is because Sam is obviously not yet aware of his true personality – my issue lies in the fact that based on just this small excerpt here, I expected so much more from his character. We get hints of his sadistic nature here, with him joking about Cookie’s horrific injury and clearly taking joy in exerting power over Orc, but it is evenly balanced by the fact that he’s kind of amusing and we don’t really like Orc at this point anyway. Can we see that something isn’t quite right with him?? Yes. But do we kind of like him anyway?? Well I did. At this point. I would have really loved it if mg had carried on this idea of Drake abusing those who already have power – him enjoying to take down bully after bully so he can be King bully, instead of him picking on people who he perceives as weak and vulnerable. Mg relying on misogyny as a motivator is just really disappointing to me because there is no depth to it, and it’s pretty lazy. He hates Diana because she is a woman and he sees women as beneath him?? Weak. Over-used. Dull. He hates Diana because she has  power over Caine in a way that he never can, which makes him feel insecure in himself and the fragile sense of stability and power that he has struggled to cultivate within his damaged psyche?? Yes pls. Not only would this have made Drake a much more engaging character, but it would also have made his desertion of Caine in hunger much more impactful. And while I think there are aspects of this within his character, which I will go into later, I wish there had been more of it. Again, I’m sorry that this has become more of a “what could have been” rather than an analysis but there really is just so little to analyse without just pointing out obvious facts and statements. There’s no spice here :/

Moving on now to Chapter 16, where we as an audience, as well as the characters within the book, begin to realise what Drake truly is – an unhinged madman. We are told by Sam that Drake has been abusing his power as Sheriff – which particularly stands out as, so far at least, Drake is the only member of Coates who has shown this kind of behaviour (Caine is actually a pretty sound leader until he loses his shit and attacks Sam). And this is the first major distinction that we get between Caine and Drake and their capacity as villains in the story. Caine is a bad person who will do bad things to achieve his goals, he is power-hungry and ambitious but he is not needlessly violent. Everything he does he (in his own mind) is able to justify as it helps him to achieve his vision. Drake, on the other hand, doesn’t really seem to have an end goal. He is violent for the sake of being violent – he is a sadist who enjoys the suffering of other people as we see here, “Drake was more than a little scary. Kids who defied Drake or any of his so-called sheriff’s had been slapped, punched, pushed, knocked down or, in one case, dragged into a bathroom and given a swirlie. Fear of Drake was replacing fear of the unknown.” Now, we still don’t get to see the full extent of Drake’s madness here. Most of the crimes listed are pretty mundane bully things – they’re still wrong, but they aren’t life-threatening. He hasn’t bashed anyone’s head in with a baseball bat. While Caine is playing with politics, Drake seems unable to move past his role of high school bully. If he had played it right, the role of Sheriff would have been perfect for him. I mean, how many actual police officers get away with literal murder in the name of “upholding the law”?? But he is unable of seeing the bigger picture, unable to grow and fit the new world order as Caine does so naturally, and so, instead of properly taking on the role of Sheriff and building up his own authority in this way, he turns back to his tried and tested method – hurt them and they’ll fall in line.

I particularly enjoy this as I think it explains, a little bit more, why he hates Diana and Astrid so much. Now I know the bottom line is simply that he is a violent misogynist – but that doesn’t explain why he hates Diana and Astrid specifically. Is it because they’re both attractive women and he is unable to distinguish sex and violence in his head?? Partly yes, but then Taylor is also described as attractive (and most people find her annoying) and yet he doesn’t seem to hate her to this extent. I think the real reason he hates these two specifically, more than anyone else, is because he simply cannot understand them – and that scares him (although he is unwilling to admit it). Drake only knows how to gain power through violence – he sees this work at home, he used it on Holden, he used it to gain his reputation at Coates and, although he has the ability to gain authority in other ways, he continues to use this method even now in the FAYZ. Diana and Astrid cannot do this, they are not fit to fight, they are not able to use violence to assert their status – and yet they both have more power in the FAYZ than he does. They make him question his whole world view and, as he cannot or will not adapt to the new hierarchy of the FAYZ, he resorts to trying to destroy them, in order to return the world to what it was before. His hatred of others gaining power through (what he sees as) unconventional means is then further established with his dislike of actual powers and the people who have them:

“I’m sick of all this powers crap. You saw what we did to freaks at Coates?? Who do you think it was that took care of that?? All these kids with their stupid so-called powers. Starting fires and moving stuff around and reading your mind and all?? Who do you think it was grabbed them one by one in their sleep and beat them down and when they woke up their hands were setting in a block of cement??

[…]

That’s right. And I didn’t even have a gun then. It’s not about who’s got powers, morons. It’s about who’s not afraid. And who’s going to do what has to be done.”

We get told by Diana that it was Drake’s idea to cement the kids in the first place (and a bad one at that) and I really think that is all the evidence you need to see that Drake’s hatred and fear all stem from his complete inability to adapt. He is trapped in a cycle of abuse that started with his father, a police officer who teaches him how to shoot people (however unwillingly) and is then continued by his step-father (an actual abuser) rendering him incapable of recognising any kind of authority if it is not gained from violent means. And so of course he hates the powers – none of the kids gained their powers through suffering or through causing suffering. They didn’t earn their authority in any valid way, according to him. (This is also another reason why I think Drake was so ecstatic at gaining his whip-hand. He suffered for it and therefore, in his twisted mind, he earned it. It is physical proof of his supposed power over these kids.) It’s tragic really – but mg then goes on to make him so disgustingly unsympathetic that his story loses its meaning. I love mg’s writing but Drake’s character truly was butchered for shock value and plot convenience and it makes me so sad.

Ok back to Chapter 16. Here, not only do we hear about some of the things that Drake is capable of, but we see them as well. His beat-down of Orc is the first indicator we get that Drake is someone we should really be afraid of. Heads up, this is a long quote:

“Nobody move,’ Drake said.                                                                                    Orc pushed Edilio off and jumped to his feet. He started kicking Edilio, landing size-eleven Nike blows into Edilio’s defensive arms. Sam jumped in to help his friend, but Drake was quicker. He stepped behind Orc, grabbed him by the hair, yanked his head back, and smashed his elbow into Orc’s face. Blood poured from Orc’s nose, and he howled in rage. Drake hit him again and released Orc to fall to the concrete.                                                                                                ‘Which part of “nobody move” did you not understand, Orc?’ Drake demanded. Orc rose to his knees and went for Drake like a linebacker, Drake stepped aside, nimble as a matador. He stuck his hand out and said to Chaz, ‘Give me that.’    Chaz handed him the bat.                                                                                        Drake hit Orc in the ribs with a short, sharp forwards thrust of the bat. Then again in the kidneys and again in the side of the head. Each blow was measured, accurate, effective. Orc rolled over on to his back, helpless, exposed. Drake pushed the thick end of the bat against Orc’s throat.                                  ‘Dude. You really need to learn to listen when I talk.’                                              Then Drake laughed, stepped back, twirled the bat in the air, caught it and rested it on his shoulder. He grinned at Sam.”

“Sam had gone up against bullies before. But he’d never seen anything like Drake Merwin. Orc outweighed Drake by at least fifty pounds, but Drake had handled him like a little toy action figure.”

Orc has already been established as the top bully in Perdido beach – we’ve already seen that our main character is afraid of him – and for good reason. And so for Orc to be defeated so casually and so easily is shocking. It lets us know that the old world order has collapsed and old fears are fading away with it, with new, much more threatening adversaries taking their place. I actually think that this scene was exceptionally clever of mg. Drake is attacking someone who has already been set up as an antagonist, at the same time rescuing Edilio, who the reader has been conditioned to like. But, through context clues, we know that this is not a good thing. It sets up the villainous nature of the Coates kids, Orc’s redemption, Drake and Orc’s rivalry and Sam’s fear of Drake. And it feels natural, even after re-reading the book multiple times. It’s scenes like these that really remind me how great of a writer mg is.

Another thing I really wanted to talk about here IS Drake and Orc’s rivalry because, yet again, I think mg missed a huge opportunity with this. Drake and Orc are very similar before, and in the early days of the FAYZ. Both have abusive fathers (a step-father in Drake’s case but still), both enjoy asserting their power over people through violent means and both are put in positions of power that they are unable to fully take advantage of – Sheriff and Sheriff Deputy. And even as the books continue, similarities can still be found. They both suffer mutations that turn their bodies into grotesque weapons, dehumanising them and alienating them from their peers and That Scene in Plague tells us that Orc and Drake sometimes have similar “desires”. Their stories are constantly intertwined, with them being played off of each other from the start and Orc becoming Drake’s jailor later on (and in turn Drake sort of becoming his). Their differences come from their reactions to the horrific acts of violence they have committed – and of course why they do them. I’m going to make a whole separate post on this because it’s long enough to be a standalone, but my I just wish mg had played up both their similarities and differences more. It would have made Drake so much more interesting.

We also get more hints at his sadism in this scene. He is later unbothered that Betty has been hurt and it seems that the only reason he attacked Orc was because it gave him an opportunity to assert his dominance over him. All in all, this is one of my personal favourite scenes in the book as it establishes characters, themes and relationships very well. I just wish some of these had been developed further – but mg dropping certain aspects of the story does seem to be a common problem.

The final thing I wanted to talk about in regards to Drake’s personality and character is this line we get in Chapter 23, “It was small, just two bedrooms, very neat, very organised, the way Drake liked things.” This was another thing that irked me slightly. It’s such a small aspect of his characterisation but it reinforced the idea that drake is just another cookie-cutter villain with no real personality, nothing that makes him stand out in the sea of white male psychopaths with a hatred for women. His whole character could be replaced with any other misogynistic psychopath at no detriment to the story. My immediate though when reading this was that even the smallest aspects of his character can be seen in other, more developed villains – this line in particular is hugely reminiscent of Patrick Bateman. Nothing seems to be his own. No aspect of his character is even remotely unique. (I think this may also be why some young fans develop an obsession with him. His character is comfortable because we’ve seen it so many times before.) He is so entirely replaceable and replicable - only reason he isn’t completely forgettable is because you are constantly plagued by the horrific things he has done. Mg sacrificed depth and development for shock value and it’s so disappointing

3.) DRAKE’S PAST

Onto Drake’s life before the FAYZ. Not only does Drake receive some of the longest and most POV time in this book, he is also the character whose life before the FAYZ we learn the most about (with the possible exception of Sam). This is especially shocking to think about seen as Drake is arguably one of the most underdeveloped characters in the whole book, but anyway. There are two scenes I’m going to talk about here, both occurring in Chapter 23, with the first being his dad teaching him how to shoot. I apologise in advance for the long quote:

“His father had taught him how to shoot, using his service pistol. Drake still remembered the first time.

[…]

He remembered the way his father had taught him to grip the butt firmly but not too tight. To rest his right hand in the palm of his left and sight carefully, to turn his body sideways to present a smaller target if someone was shooting back. His father had had to yell because they were both wearing ear protection.                  ‘If you’re target shooting, you centre the front sight in the notch of the rear sights. Raise it till your sights are sitting right under your target. Let your breath out slowly and squeeze.’                                                                                          That first bang, the recoil, the way the gun jumped six inches, the smell of the powder – it was all as clear in Drake’s mind as any memory he had.                                                                                                                                                   […]

‘What if I’m not shooting if I’m not shooting at a target?’ He’d asked his father. ‘What if I’m shooting at a person?’                                                                          ‘Don’t shoot a person,’ his father had said. But then he relented, relieved no doubt to find something he could share with his disturbing son. ‘Different people will tell you different techniques. But if it’s me, say I’m doing a traffic stop and I think I see he citizen reaching for a weapon, and I’m thinking I may have to take a quick shot? I just point. Point like the barrel is a sixth finger. You point and if you have to fire, you shoot half the clip, bang, bang, bang, bang.’                    ‘Why do you shoot so many times?’                                                                    ‘Because if you have to shoot, you shoot to kill. Situation like that, you’re not aiming carefully for his head or his heart, you’re pointing at the centre of mass and you’re hoping you get a lucky shot., but if you don’t, if all you’re hitting is shoulder or belly, the sheer velocity of the rounds will knock him down.”

Ok so the first thing I want to analyse here, is how important this memory clearly is to Drake. He remembers it fondly, in immense detail and seems to call back on it when he needs to clear his head (notice how this memory is placed while Drake is trying to figure out what to do, not while he is doing it.) It seems that rather than just using this memory as a source of useful information, it is also a source of comfort to him. Now there are some things that I really wish mg had told us that would help to analyse this scene better, like: How old was Drake when this memory took place?? How old was Drake when his father died?? How did his father die?? But alas, we don’t know these things (at least not that I’m aware of, and not within this book) so I’m going to try and do the best I can with the information that we have. Now, in Light, Drake makes it seem like his step-fathers behaviour has been significant in forming his worldview – which makes sense, trauma does that. But he spends half of his time away at Coates, which says to me that for this behaviour to have had such a profound effect on him, his step-father must have been around for a while. Right?? I’m gonna take a guess at 3-4 years at the least. Give Drake’s mother about a year to meet and start dating this man after the passing of her husband – this means that Drake would have been around 9/10 at the latest when this scene took place. That’s pretty young. Like, this is a formative memory and from the way it’s written, it seems like this may be some of the only bonding that Drake and his father ever did together. No wonder Drake has such an unhealthy obsession with guns as is seen with these quotes:

“He started from Astrid’s house, which was already beginning to smoke. He worked his way methodically, a hunter, looking for any movement. Each time he spotted someone walking or running or biking, he would take a look at them through the rifle scope, line them up in the crosshairs.                                        He felt like God. All he had to do was squeeze the trigger.” – Chapter 23

“Drake kept all three guns loaded all the time. They were set out on the dining room table, a display, something to be gazed at lovingly.” – Chapter 23

“Drake could not leave the gun alone. He kept thumbing the safety on and off. He rolled down the window and aimed it at stop signs as they passed, but did not fire.” – Chapter 31

Drake shooting Sam and his gleeful reaction – Chapter 34

For him, guns are the ultimate symbol of power and authority. He was introduced to these weapons of incredible power at such a young age – of course he loves them. That being said, it seems that Drake has always been “disturbed” so I suppose we can’t fully blame his father and step-father for his mind-set – and I have to say I don’t really like this. Drake’s issue as a character is that he is completely de-humanised by all the horrific things he does. By having it seem like Drake was irredeemable from the off-set, it just adds to this idea and again removes any possible depth or character development. Imo it would have been much better to present Drake as becoming the way he is AFTER his father’s death. It would bring a sense of tragedy to his character – the way he uses his father’s advice to hunt down Astrid would seem less like a by-product of his sadism and more like a misguided attempt to feel connected to his deceased father.

However, flawed though it is, this scene does give us some insight as to why Drake is the way he is – through the characterisation of his father. Admittedly we don’t get much, but one line really stood out to me, “Because if you have to shoot, you shoot to kill.” Ummm..sir?? I don’t think that’s how police officers work. Isn’t your goal to incapacitate – not to just kill on sight?? The fact that he not only stands by this rule himself, but also gives this advice to his CHILD is disconcerting. Drake is not only receiving this harmful rhetoric from his father figure but also a police officer. Someone who is meant to uphold the law. I think this links back to my earlier point on how Drake only recognises authority if it is gained by violent means. While we get no indication that his real father was ever violent to Drake or his mother, he openly tells Drake that when he is upholding the law (in this hypothetical situation) he does it by using force. That is a dangerous thing to tell a child, especially a child who you already think is disturbed. This twisted-take on a father-son relationship nicely sets the precedent for Drake’s warped perceptions, I just wish it had been developed further. And this leads us nicely into the next scene – the shooting of Holden:

“He remembered with vivid, slow-motion detail the time he had shot Holden, the neighbour’s kid who liked to come over and annoy him. That had been a bullet to the thigh, with a low-level calibre gun, and still the kid had nearly died. That ‘accident’ had landed Drake at Coates.”

Again, first and foremost I just wish we had a little bit more information. It is not clear whether this situation occurred before or after his father’s death – which seems like a pretty important detail to me. Although, we don’t actually find out that Drake’s father is dead within this book, and this omission again makes me feel like mg adding that detail was little more than an after-thought. It feels like in Light he wanted to quickly try and make Drake more of a sympathetic character and so he added in an abusive step-dad to try and tone down or at least explain Drake’s violence and misogyny. It seems like Drake is a plot-point first and a character second and the lack of detail here really highlights that for me. What purpose did these scenes really have in the story?? They did very little to flesh out his character, they introduced no new themes or relationships. It seems like mg just wanted to let us know – “Hey! Drake knows how to use a gun. That’s gonna be important later.” That being said, there are a couple of other things I would like to quickly mention. Firstly, I think the fact that Drake did not aim to kill Holden, even though he could have, is meant to be indicative of his change between then and now. It’s done to tell us that Drake wasn’t always this bad – there was at one point some hope. For this to have the desired effect though, I really think mg should have waited until after Drake lost his arm to straight up try and murder Astrid and Little Pete. Like, you can’t tell us that Drake was a little messed up but still redeemable before his maiming and then go and have him try to kill a random girl and her five year old brother. Because that’s more than a little messed up (and that’s not even mentioning the cementing). And it also contrasts the idea that Drake has always been disturbed. An idea that was introduced to us not even a page ago!! The other thing I wanted to pick up on, which I actually quite liked, is the ambiguous “who liked to come over and annoy him.” Because this is Drake’s point of view – so “annoy” could mean anything. Was Holden actually just an annoying kid?? Was he just trying to be Drake’s friend?? Or was he actually a bully and Drake doesn’t want to admit it?? I guess we’ll never know.

4.) DRAK’ES MOTIVATIONS

For this point, I wanted to focus on three particular motivators: Caine, Diana and Astrid. These are the three people, I believe, who provide, either consciously or unconsciously, the motivation for his actions within the FAYZ. I’ll start first with Astrid and Diana, the two people who Drake hates the most. Throughout this book it is clear that Drake has no real goals – he has no desire to be in control like Caine, no desire to re-invent the world like Albert. All he wants is to cause pain, with his preferred targets being these two. And, as I’ve said before, I think this is partly because he hates the authority that they have within the FAYZ – which stems from manipulation and intelligence rather than violence.

In Chapter 20, Drake explains his hatred for Diana, “Drake had made the time to check out Diana’s psych file the day after the FAYZ came. But her file had been missing by then. In its place she had left Drake’s file lying open on the doc’s desk and drawn a little smiley face beside the word ‘sadist’.                                Drake had already hated her. But after that, hating Diana had become a full-time occupation.” What I take from this scene, is that Drake’s loathing stems from Diana’s ability to get under his skin, to make him feel inferior – to annoy him. (Perhaps Holden had a similar talent). I’m going to assume that his prior hatred of her can be boiled down to his misogyny and his disgust at Caine’s weakness for her, both of which have been explicitly stated in the text. His hatred after this though, comes from a pretty mundane incident. I mean all she did was get there quicker, and do exactly what he was going to do to her. And so I think this loathing is less about what she did and more about his own personal reaction to it. Diana was able to weaponise Drake’s own anger against him – to make him feel inferior and powerless. She challenges Drake’s fragile perception of authority and takes a diagnosis that he seems to not only be ok with, but is actually proud of, and makes him feel embarrassed. His whole perception of power is rooted in the idea that his ability to inflict pain on others with no guilt or remorse is what makes him better, it is what gives him his power. But she takes this idea and belittles him for it and so his initial reaction is to attack. This is an idea that is again seen with Astrid. Astrid intentionally tries to make Drake feel inferior by bringing up his biggest insecurity, Diana’s treatment of him “Doesn’t it bother you that Diana treats you like some wild animal she keeps on a leash?” And she does escape him – twice. Her and her autistic brother (and we already know how Drake feels about autistic people). She also proves herself to be more intelligent than him, in their little argument over the r-slur. Drake only gets violent after he realises that, in an intellectual sense, she has more power than him. It seems to be his defence mechanism just as much as his pleasure – and therefore Astrid and Diana’s power over him motivates him to use it.

Now onto Caine. Caine and Drake’s relationship is, for me, one of the most interesting aspects of Drake’s character and while I’ll only be mentioning it in its capacity as a motivator here, I have a whole post planed out for it. Drake seems to simultaneously hate Caine and admire him. He is constantly looking to impress him and the only time we ever see Drake think about betraying him in this book is when Caine gives his attention to Diana rather than Drake. And, because of this, I can kind of understand why people ship them (although I personally dislike the idea of Drake being gay). A lot of the time this motivation is completely unprompted by Caine himself, like in these quotes:

“Drake cursed and, again, for just a moment, felt the almost desperate fear of failing Caine. He wasn’t worried about what Caine would do to him – after all, Caine needed him – but he knew if he failed to carry out Caine’s orders, Diana would laugh.” – Chapter 23

“I got him’ Drake announced. ‘I got them all.’                                                    ‘Yes, you did,’ Caine said. ‘Good work, Drake.” – Chapter 34

In Chapter 23, it seems that both Drake’s need to impress Caine and his need to prove to himself that he is better than Diana are his main motivators for his extreme attack on Astrid. I think it’s important to note that he only planned on trying to catch her, until Caine told him to kill her. His sadistic nature is brought out in full because he needs to prove himself to Caine. But why does he?? If he is planning on taking over from Caine in the end, why does he have a “desperate fear of failing Caine”?? Sure, part of it is his desire to prove himself to be better than Diana. But even this has roots in his absolute need for Caine to take notice of him. Drake is drawn to Caine because of his power and authority over people. Caine seems to be the closest thing that Drake can get to an equal, someone who shares the same motivations, ambitions and worldview (of course Caine and Drake do not share these things, but Drake doesn’t realise this…yet.) He seeks validation from Caine because he wants to have these things in common with someone – yet another motivation for his hatred of Diana as she constantly gets in the way of this.

We also know that Caine is, at least, partly aware of his effect on Drake. He is paranoid that Drake will turn on him (because Caine sees being equal to someone as relinquishing power) and he is able to manipulate Drake’s misguided feelings when he wants to – most notably in Chapter 36:

“It’s not Diana or Chunk or even me,’ Caine said. ‘It’s none of us, Drake. It’s Sam. It’s Sam who did this to you, Drake. You want him to get away with it? Or do you want to live long enough to make him suffer?”

This is such a clever moments as it sets up Drake’s whole character in Hunger, and it’s false. Because yes, Sam is the one who burned Drake’s arm and Drake has every right and reason to hate him. But it was Caine who abandoned him to save himself. And it was Caine who refused to let Drake die, even though he was begging for it (and let’s face it, he didn’t refuse to kill him out of any affection – it was a selfish decision.) But Drake is so desperate for that equal, for that validation that his worldview is correct and is shared by another person, that he just idk forgets?? He never brings up this conversation again and just accepts Caine’s word as gospel. I have so much more to say about their relationship but, as I said, I’ll save it for a later post.

5.) DRAKE’S MENTAL STATE

And finally, we have Drake’s mental state. Now I’m not going to try and give him an official diagnosis or anything, but I wanted to make a small point specifically about his mental state after his maiming. I think we can all agree that what Drake went through was pretty horrific, and while I personally struggle to feel any amount of sympathy for him due his own list of horrific crimes, the change he goes through after this is extremely significant, or at least it’s supposed to be. I think mg wants us to believe that Drake’s descent into madness was directly cause by the loss of his arm, and that before that he did have the chance to be redeemed. I think whether you buy into this depends on how forgiving you are, but I want to focus more on the actual proof of change that we see.

I’ve already talked about the physical changes he goes through, and the implications of this so I’m going to focus solely on his mental state during and partly after the whole ordeal. I think the first and most important thing to talk about is the fact that Drake didn’t actually want to survive:

“Don’t cut off my arm,’ Drake cried. ‘Let me die. Just let me die. Shoot me.” – Chapter 36

He would rather die than lose his arm (his gun arm to be specific). Now, while I don’t doubt that the burning was indescribably painful, I’m still not sure that the majority of people would beg for death. Especially when an alternative (in this case losing his arm) is presented. Not to mention, he doesn’t actually talk about the pain when begging for his death – what he talks about is the loss of his arm. Of course it could be argued that the reason he didn’t want his arm to be cut off is because he knew it would mean more pain, but I don’t think that this is the case. Rather, I think that Drake is so scared of losing the power that he has, that he would genuinely rather die. This 14 year old boy is so messed up that his own death is preferable to the idea of no longer being able to hurt people. And so when he gets his power back, he doubles down. He has realised by this point what he truly wants, that he would rather die than be rendered powerless, so he begins committing more heinous acts (like attacking the prees). Pair this with the amount of pain that he went through, which most definitely will have had an effect on his already damaged brain, and you can see how a high-school bully became what he did. The groundwork for an interesting and though-provoking character was right here. I think yet again the problem with his character is the execution. Interesting aspects of his personality are dropped in favour of plot convenience and shock value and it cheapens his character as a whole until all the intended nuances are lost and over-shadowed.

I’m really sorry if this is a bit all over the place and not quite as polished as my other posts. I found Drake so difficult to write about and so my thoughts kept going haywire. Thank you so much for reading (and being patient with my brain). I hope you enjoy!!

[nightwingmyboi]

what do you think about nightwing in the batman animated movies (bad blood etc) personally i found it lacking but would be great to hear your thoughts on it!

Oh boy do I have thoughts lol. I’ve kind of talked about it a bit in the past, and there are aspects of these movies I enjoy, but I do find the batman animated movies a little lacking myself! I’ll just lay it on all on the table; there’s like three big issues that I have with these movies (warning: some movie spoilers ahead). 

1) The Damian Wayne focus

I love Damian, he is one of my favorite characters in the Batfam, but honestly I’ve had enough of him in movies. He was the main character in both Son of Batman and Batman vs. Robin, and he was also a major player in Batman: Bad Blood, Justice League vs. Teen Titans, Teen Titans: The Judas Contract, Batman: Hush, and even the most recent Apokolips War movie...that’s a ton of screen time fam! And most of it’s wasted in my opinion lol, because we don’t actually see Damian learn important lessons in these movies...in the comics, there was growth. Damian was initially an annoying, prideful brat. He had no respect for anyone, and he would always go off on his own and do things his way, because he thought he was better than everyone else. But he was eventually humbled. He changed; Damian grew to respect Dick, and gradually learned to work as a team and follow his Batman’s lead. And his skill set improved over time as well--Dick trained him, both in combat and particularly in detective skills, which the League didn’t bother to coach him in. 

Batman (1940) #713

The Damian in the movies doesn’t need any training; he’s already overpowered as hell. He takes Deathstroke down in the very first movie he makes an appearance in!! Which is insane. Not even going to talk about the stuff with Nightwing lol. He literally has nowhere to go skill wise. And he never truly loses his condescending attitude or learns to be a team player. In the first movie, he sneaks out of Wayne manor despite Bruce’s instructions to stay. In the second movie, he sneaks out of Wayne manor multiple times despite Bruce’s instructions to stay. In the Judas Contract, he...you guessed it...sneaks out of Titans tower to investigate things on his own. So on and so forth. He’s constantly doing things his own way. And the big way of improving this...is to send Damian away to the Himalayas instead of actually letting him form a meaningful bond with anyone in his family lol. He’s been a very static character in the movies--let him grow if he’s going to have so much screen time!

I’m also really disappointed that DC has gutted Dick and Damian’s relationship. Dick was a huge positive influence on Damian’s life in the comics; he was the first one to reach out to Damian and believe that he could be good. Their bond was an essential relationship for Damian to have. I really do think that the erasure of their mentorship/brotherhood is a big reason we have seen so little growth from Damian in these movies. 

2) The treatment of Dick Grayson 

Dick looks like this: 

DC hates him, enough said.  

...but I’ll still complain some more, because I am also not a fan of how DC makes Dick lose fights and get injured constantly. Anybody else hate his freaking SHOULDER right now??? I could point out an instance of him being nerfed in literally every single movie he has been in, but I’m not going to bother because it’s exhausting honestly. Cannot even think of a time he’s won a one-on-one fight rn. It also stinks that DC uses arcs where Dick is supposed to play a big role, and then delegates him to the sidelines, usually in order to elevate other characters. His origin story as Nightwing was the Judas Contract...and they very nearly cut him from that story (also really missed Jericho in that one, not going to lie...would have killed to see Dick and Joey interact). And in Batman vs. Robin as well, DC has the Court of Owls be the antagonists, and didn’t even bother to mention how Dick was supposed to be a Talon himself, or that his great grandfather was a Talon...which seems like a pretty big detail to me! Instead, Talon tries to recruit Damian, which is honestly just typical at this point lol. 

3) The erasure of Tim Drake and Oracle

DC should give Tim some love. He’s barely in anything lol. I actually think it’d be really cool to see Tim’s origin story play out in movie form; DC could milk the Jason-died angst for Bruce as they love to do, and seeing that NTT #55 scene with Dick and Bruce’s falling out on the big screen would be heart wrenching!! And then we would really be rooting for Tim to help fix things. I also think seeing Tim’s origins could help people connect with him. I think a big reason DC rarely puts Tim in movies is that people without intense comic book knowledge just don’t know about him or understand how he fits into things...so that would really help his character out I think. 

We also really need Oracle frankly. Why would you just erase a disabled superhero from your roster? There are few enough as it is! Barbara is so capable, her intel and computer skills are invaluable to Batman...she could really make a difference in some of these animated movies! Honestly, we just need some good Barbara Gordon in general, because the few movies she has been in as Batgirl you could cut her out and it would have zero effect on the larger plot. The one movie where she was a central character, her characterization unfortunately sucked ass. Barbara spent 75% of The Killing Joke obsessed with Batman (the other 25% she spent in the hospital), which is a disservice to her character. And every scene with her and Bruce in it made me want to tear my hair out because of how much Batman talked down to her. Especially...that one scene...was sooo yikes for me. And Babs still didn’t seem to know Batman’s secret identity afterwards, did Bruce not even take the cowl off for sex? God, I don’t even want to think about it, why did I even go there.

Anyway, there are a couple of other little beefs I have with the movies, but these are the main things that have me rolling my eyes. There are things I like about the movies as well. The fight scenes are usually pretty fun as long as they don’t involve Dick lol. The last part of the Killing Joke with Mark Hamill’s voice acting literally gave me chills, it was so good. Love Under the Red Hood, and, as long as I ignore the Nightwing erasure, the fact that DC let Kory lead the Teen Titans is stellar honestly. They seemed to take Starfire seriously for the most part, and at least they didn’t let Damian lead lol, there’s that. Honestly, sometimes I feel like the only character that is pretty consistently nailed in these movies is Alfred!

[bigskydreaming]

I’m annoyed with myself because I’m thinking of who M<U could cast as Johnny Storm and I’d be happy, and I came to the conclusion that Justice Smith might be perfect? Am I off the mark here? No he’s not ‘himbo’ Johnny, but I can feel the queer Johnny vibes? Explain my feelings to me, please!

LOL I get what you're going for and I do understand and even agree to a degree. I'm not sure I can explain your feelings to you though because while I can see Justice Smith and would be more than happy with a Justice Smith as Johnny casting, like......he is still a bit younger than I'd prefer for the role, as I personally am just like....super over movies where Spider-Man and the X-Men and the Fantastic Four are all teens. Not because I don't like them as teens, but just because we've had literally ALL those movies already. In some cases multiple times. And multiple timelines. Its just like......I do also really like the adult versions of those characters and would like to see them someday maybe. And then AFTER that, they can always reboot again anyway and do more teen versions of them again after THAT, y'know? But for now like, I would really really really just like to see some of my faves as adults just for like....comparison's sake. LOL.

And on that note, if you know me and my Human Torch - Iceman - SpiderMan trifecta obsession at all, like, lemme just be real here and say that the above sentiment was pretty much entirely based on these three. Everyone else can still be teens if they want, I just want these three in a movie because I have had my dream casting for them forever and its Rome Flynn as Johnny Storm and Manny Jacinto as Bobby Drake and James Wolk as Peter Parker.

And like, I can not see past the scintillating luminescence of those three dream castings shining brightly in my imagination, all like. Incandescent like and such.

[scandalsavagefanfic]

DC Kink Meme Prompts List

Since the kink meme is getting a lot of attention and growing daily, I thought I’d post a convenient place where I can keep track of the prompts that I’d like to see filled again. I figure you’re all here because we share similar interests and this way, if you’re a writer with looking for a prompt, you don’t have to scroll through the almost 400 prompts that are currently posted. 

So here we go. Beware, this is a kink meme. These are nsfw and some may be triggering. 

JayDick Watersports -  Filled HERE

sub!Jason & Dom!Dick are in a consensual D/s relationship that has a heavy Master/slave dynamic (whether 24/7 or primarily during sex is up to you!). They're on a stakeout one night, and it's really cold, and, aw, fuck, Dick needs to piss, but he doesn't want his dick to freeze. Good thing he's got his bitch there with him, right? Dick pissing in Jay's ass preferred just to show the level of not caring about Jay's comfort [it's still cold!], but totally not gonna complain about piss drinking, either, if Dick's feeling a little more charitable. Is Jay surprised because it's the first time Dick has done this? Is this a normal, expected duty that he performs regularly? That's up to you!

Tim/Jason A/B/O - Filled

In an A/B/O world where omegas are in charge and alphas are treated like animals, or kept as pets, CEO Tim decides to treat himself to a new toy and buys Jason. Feel free to go as wild as you like with the kinks, I'm pretty unsquickable

Tim/Jason Stalker!Tim - Filled on the Meme by anon and HERE (by me)

Older Tim, younger Jason, where Tim's stalking gets a little obsessive once Jason takes over as Robin, and he starts stalking Jason out of costume as well as at night. A little judicious hacking later and he's able to keep an eye on Jason's internet activity too. Once he finds Jason looking at gay porn he knows he's got an in. And he starts blackmailing Jason, online at first, but escalating every time he gets Jason to go a little further, until he gets him to submit in person.

Slade/Dick/Jason - Filled amazingly HERE

Dick's been with Slade for a while, and now that he's stopped fighting and given into his training, Slade thinks he deserves a reward. Every good boy deserves a puppy, and Batman's new Robin looks like he could fit the role perfectly.

Jason Todd - Object Insertion - Filled on the meme (art)

Honestly, that's all I've got for you. I just want someone making Jason take things up his ass that have no business being there. Consensual or not are both fine! Any ship, though definitely a strong preference for Roy, Slade, Tim, Kyle, Dick, Roman or Ra's. Preferably not underage, but I'm not entirely opposed.

Ra's/Jason - Filled HERE

Ra's test drives an undunked Jason. The boy must be useful for something, after all, and he looks so pretty in chains. ABO welcome. 

Prompt- Pegging (Jason) - Filled HERE

Jason gets pegged by one (or more ;)) of the lovely ladies of the DC universe. And enjoys it thoroughly Pairing is dealer's choice. <3

Bruce/Jason 

Bruce takes in Jason off the streets, but more for use as a personal whore than to be Robin. Bonuses for Bruce still adopting Jason and getting off on fucking his son. EXTRA bonus points for Alfred's unfazed acceptance/support of it and perhaps even his participation.

Jason Todd Intercrural Sex - Filled on meme

This man deserves more thigh fucking and so do we! All ships welcome!

No Title - Bruce/Jason, Dick finds out Bruce has been sexually abusing Jason

One of the other prompts made me realize that while there are a lot of fics where Jason discovers Bruce has been abusing Dick, there are none the other way around and suddenly I have a craving. So I would like for Dick to find out (maybe right after Jason returns, Dick catches them and overhears Bruce say something to indicate it used to happen regularly) that Bruce had been sexually abusing Jason since the moment he found him and try to save him. And like, because of his background as a child prostitute, Jason kind of thinks it's normal or that it's the only way he could earn love? Maybe Bruce implies that Jason is useless otherwise and he'd end up back on the streets if he's not useful. Maybe Bruce is even happy to point out that the reason he never even considered touching the others is because they were too good for it, pure and wholesome, while Jason was ruined goods.

Dick/Jason fuck-or-die bottom!Jay 

I would absolutely kill to see a fic where Dick is forced to fuck Jason (for whatever reason but preferably not due to sex pollen/aphrodisiacs/drugs - I would prefer if they were both in their right minds please) Preferably they wouldn't be in a relationship or have secret feelings for each other and this would be mutual noncon/rape with a focus on how horrified they are that they're having to do this to each other. I would really, really like if it was bottom!Jason for this, but that there is acknowledgement that Dick is being raped here too!

Skeezy Ric Grayson

One specific fic I read has completely coloured my perception of Ric, and now I'm just desperate to see him being a total creep. Perving on his siblings and former friends. Would love to see him not take no for an answer, especially with someone who doesn't want to fight back because "it's still Dick in there somewhere, I can't hurt him" or something like that. Preference for Wally (HiC who?) or Jason, but Tim, Roy, Babs or Donna would be okay, too! A/B/O with Alpha!Ric would be a bonus but isn't necessary.

Cassie/Rose bondage spanking and D/s, semi-dubious consent

Cassie has had enough of Rose mouthing off and causing trouble, so she ties her up with her lasso and lectures her. Rose mockingly asks her if she’s going to spank her for being a bad girl, and much to her surprise, Cassie does. They both enjoy it much more than expected

Nyssa/Talia

Nyssa/Talia, set post-Death and the Maidens, Talia restrained while Nyssa gets her off, begging to be allowed to reciprocate. Bonus points for twisty fucked up Nyssa POV with all kinds of big global megalomaniacal justifications for what she's doing and how important it is to the greater good. (Reposted from old DC kinkmeme)

Jason Todd/Dick Grayson/Roy Harper/Koriand’r

Kori loves watching her subs play with each other and rewards them well for good behavior

JayTim hatesex

Jason and Tim having incestuous-sibling-rivalry-hate-sex against the memorial

Any Bats/???, Alfred has to clean up

Poor Alfred often gets stuck cleaning up the mess when any of the family bring partners over. The crackier the circumstances the better!

Slade/Jason identity porn

Slade and Jason fuck while in costume as and pretending to be Batman and Nightwing respectively

Kyle Rayner/any

Kyle winds up working as a stripper somehow. Some other heroes find out and pay him a visit

Batfam/Jason; non con or resigned-to-his-fate cumdumpster!Jason

Could also be Earth-3 Owlfam/Jason. A/B/O welcome but it doesn't have to be. Would appreciate any one or combination of the following: dehumanization/objectification, humiliation, public sex, breeding kink, restraints, fucking machines, cum enemas, lots of cum in general, size kink... I just want something unapologetically filthy. I'm pretty much good with everything but scat.

Dick/Tim non/dub-con, universe hopping

Dark Dick from a dark universe ends up in the main universe, where he is delighted to find a brand new Timmy to play with, who unconditionally trusts his brother and doesn't know he's been replaced. Cue Dick slowly luring him in so he can have his fun. Tim doesn't realize until it's too late, or doesn't realize at all and has no idea how his beloved older brother could do this to him. Main universe has fully platonic, familial relationships within in the batfam. Feel free to imply/state anything you like about the dark universe. Grooming/slowly warming Tim up to more and more touches, crying, overstimulation, bondage, or any combination thereof are all bonuses

Young Justice S3 Dick/Jason omegaverse

Alpha!Dick Grayson is stuck on a mission and somehow has to help the mysterious Red-Hooded omega through his heat. But they have to stay quiet in order to not wake the pup Damian sleeping right next to them. Preferably there's an identity reveal in there where Dick finds out the omega is Jason Todd under the mask.

Addict!Roy Harper Noncon

Noncon (or possibly dubcon, if the manipulation is clear enough to readers) with Snowbirds Don't Fly era!Roy Harper as the victim. Could be an OC, another Titan, a Leaguer, a canon villain... Dealer's choice! Looking for something that really focuses on how he's being taken advantage of, rather than just "can't technically consent because he's high, but is totally into it."

Woder Woman/Batman, Rough Sex

Bruce loves it when Diana is rough with him

Bane/Bruce, violent noncon

Something set during Knightfall, where Bane decides to take “breaking the Bat” even further by raping Bruce and possibly also his precious little Robin

Jay/Tim bdsm AU, sub Jay

What it says on the tin. Was thinking maybe also an arranged marriage of sub Jason to dom Tim Drake, to cement a business union but also because subs aren’t full citizens.

Robin!Jason/Bruce Somnophilia

Bruce drugs his new little Robin and slips into his room. He takes his time with him, enjoying Jason before carefully opening and fucking him. Would be great if Jason wakes up towards the end but can't do anything but take it- maybe because of the drugs, maybe because of the way Bruce is holding him down, or even because he likes it.

Sidekicks/Villains noncon glory wall

Any sidekicks you want—Speedy, the Robins and Batgirls, Kid Flash and Impulse, the Wonder girls, etc.—being displayed in a glory wall, leaving their holes open for fucking. Interested villains can pay to fuck any hole they desire, and they enjoy wrecking the sidekicks and filling them with come

Robin!Jason/Villains & Henchmen?

Robin Jason gets captured and tied up by the villain of the week, who decides to take advantage of the situation. Robin is blindfolded and groped/fucked by the villain and maybe some henchmen while waiting for Batman to rescue him. Batman finding a bound and blind Jay too tempting to resist is a bonus.

Dickjay daddy kink

Older! Dick and bottom! Jason. Jason came back years later and Dick is around 40.

OmegaJason/Batfam first heat, lactation

It's Jason's first heat and the alphas of the pack know that his milk is on its way soon. All it needs is a little encouragement. A few knots and some nipple play should do it. His milk tastes perfect as it starts to flow.

Jason/Dick, Jason/RomanSionis, Hooker!Jason & Officer Grayson

So this is based off a discussion from AGES ago in the jayroman discord server that I still think about to this day XD A no capes au in which Jason never gets picked up by Bruce and ends up a crime alley prostitute who somehow along the way caught the eye of Black Mask and winds up working for him. And Black Mask has basically the whole city in his pocket, including the police force, which is why it’s so annoying when this little upstart, Officer Dick Grayson, starts to try to challenge his hold on the city, the little goody two-shoes denying any and all bribes and refusing to back down in the face of threats. And it should be easy to squash one annoying little bug, but somehow all attempts have failed and he can’t openly go after him without risking his reputation as a clean, law-abiding businessman, a reputation that’s slowly starting to unravel thanks to the dogged efforts of Officer Grayson, because the little shit is annoyingly not as stupid as his attempts to go after Roman would make him seem and despite all of Roman’s power and having basically the entire police force and the various other government officials Roman has in his pocket against him, he has made far too much headway in his endeavors So Roman gives Jason the job of seducing Dick, because if bribery and threats don’t work, video evidence of an officer fucking an underage hooker makes excellent blackmail material, and should be enough to take him down for good if he ever steps a toe out of line again Except no matter how Jason tries to seduce him, Dick is just too decent a guy to take advantage (Ex: Jason: *shows up wearing even more revealing clothes than the night before.* Dick: “You must be cold, here, take my jacket.” etc.) And before he knows it, Jason finds himself growing weirdly fond of the infuriating idiot with his stupid puns and painful sincerity

Roman Sionis/Jason Todd, AOB noncon impregnation gang rape

Intersex AOB verse. Roman wants to punish and claim the upstart omega, so he plugs Jason’s cunt and lets his men anally rape Jason until the omega begs Roman to breed his pussy

TimKon, a/b/o, alpha!Tim, bottom Conner

Humans have a/b/o. Kryptonians do not. Alpha!Tim thinks that he shouldn't bother Kon about Tim's rut. Kon thinks otherwise. Whether Kon can keep up with Tim (superpowers got to be good for something, right?) or is overwhelmed is up to anon :) I am absolutely unsquickable so whatever extra kinks are fine with me. Just please top!Tim only. Please, my crops are dying.

past romanjay now mobJay, gangbang

After getting tired with his new toy, Roman decided to just give his subordinates a chance to have fun with it. But mostly he just want to see the red hood to get more humiliated after destroying his empire.

Damian Wayne/Jason Todd, bestiality

It's time for Damian to introduce his new acquired pet to the pack, Titus and Ace.

Tim gags and spanks Damian

Red Robin has to take Robin out on patrol because Batman is away, Damian is reckless and keeps disobeying orders so Tim punishes him while having him gagged for being mouthy. can progress to something more sexual but doesn't have to be. Damian secretly enjoying it is a bonus.

Deathstroke/All the Robins

Slade really has a thing for fighting and chasing after Batbrats…

Rose/Jason mommy kink edging and pegging

Jason wants to be a good boy for mommy, Rose rewards his good behavior

Jason Todd/Kyle Rayner hatesex - Filled

I’d love some rough, angry, violent hatesex between these two. Bonus points for snarky asshole bottom!jason and kyle using his ring to make restraints/other kinky constructs ;)

Flashpoint!Father Todd/Incubus!Dick

Incubus!Dick seduces Father Todd. Jason holds out longer than most but Dick prides himself on being irresistible. He’s never failed before and he doesn’t plan to start now. But maybe, instead of his usual dine-and-ditch MO, Dick think’s he might like to savor this meal for long. Jason falls so beautifully. (bottom Jason please) Catholic aesthetics, blasphemy as kink, church sex (altar, confessional, pews, etc)

Flashpoint Thomas Wayne/Father Todd

Thomas Wayne as Batman bends Father Todd over the altar. In uniform. (At least for Thomas. It would be super hot if he strips Father Todd out of his robes first. Maybe everything except his rosary?)

Jason/Tim rape

Tim ties down Jason and rides(rapes) him. Pls let Tim use Jason as nothing but a mere meat dildo.

Titans/Dick, Titans/Jason, Titans/Tim consensual gangbang - Filled

The not-so-secret tradition of team bonding by fucking the current Bat on the Teen Titans is well-adhered to, especially given the enthusiastic consent of all participants Feel free to include any or all: garden sex, pool sex, power use, DP, riding, pegging, toy use, CBT, nipple play, cockwarming, CFNM/CMNM, and consensual somno All other kinks welcome excluding scat, watersports, emeto, ageplay, vore, and anything else bloody

Thomas Elliot/Bruce Wayne (Rape/Non-con)

Bruce doesn't realise how obsessed Thomas really is with him. Leads to Hush raping Bruce. Can be when Bruce knows who Hush is or when he still doesn't know.

Evil!Dick and Jason, noncon or dubcon

Jason comes back to his safehouse and is surprised to find Dick already there. After the initial surprise, Jason is quick to find out that there's something... off, about this Dick. He's not acting like his usual self. It turns out this isn't the usual Dick that Jason is familiar with, instead, he is a darker version of him (drugged? Talon from Earth-3 that somehow ends up in the main universe? other possibilities? all welcome options!), and this Dark!Dick is obsessed with Jason and wants to fuck him... and he doesn't take no for an answer. So there's a setup for a non-con or dub-con(in case Jason also has a crush on main Dick) for you. Restraints (gags, ropes, tapes etc.) are also welcome but doesn't have to be present.

Kon-El/Lex Luthor Daddy Kink DubCon

Lex genetically programmed Kon to need his daddy to fill him up when he created him. Lex made Kon to check all his boxes (ie Superman, something he made, a gifted teenager). Kon can’t actually consent because of programming, and he doesn’t want it until he’s getting it. Can be simple daddy kink or full of abdl. Bonus points for trans!Kon

Guy Gardner/Bunch of Aliens possible Dubcon/Noncon

Macho, hotheaded, shit-talking Guy is the embodiment of hyper-masculinity, and that arrogance of his gets him into a lot more than just a bar fight. All of Guy's enemies seem to be of the huge, muscular variety, so let's see the most stocky lantern get put in his place. Does he secretly love it? Does he outright hate it? Maybe all that shit-talking was just a ploy to finally get someone to "punish" him right. The choice is up to you. Maybe it's a bunch of random aliens Guy's ticked off in a bar. Maybe all that showboating's pissed off Kilowog or Arkillo. Maybe Lobo's still put out after being tricked one too many times by Guy. Perhaps, Atrocitus's still kinda harboring a grudge for Guy kicking him out of the Red Lanterns. Then there's always the way too touchy Dementor with his Vuldarian kin. I'm all for any other kinks or situations, I just would prefer no bathroom stuff. Go absolutely wild.

Black Mask/anyone, bathroom control, omorashi - Filled on meme

I'm a simple person with simple needs: Roman controlling whether or not someone's allowed to piss. can be consensual or noncon torture, the victim can end up pissing themselves or make it to the bathroom safely. just as long as Roman's in total control of the situation, and smug about it. bonus points: tears, begging, banter, degradation, embarrassment, additional torture, anything else along those lines. watersports only, please, no scat!

Roy Clones/Dick gangbang omegaverse

YJ season 3 episode 4 has excellent gangbang material just so you know Add omegaverse to it and its perfect Noncon/dubcon is accepted also

Titans/Jason Gangbang

Prefer comics based more than the show but either is fine. Dick and his friends welcome the new Robin the Titans way, by breaking in that hole. New kid is always the team toy, and it's even more fun now that it's Nightwing's bratty kid brother. Consensual or non con, dealer's choice. Double (or triple) penetration, dirty talk, and powers used for sex are favorite kinks but I'm good with pretty much anything.

Willis Todd/Jason Todd, Mob/Jason; Incest and forced underage prostitution

Willis pimps out his kid for cash and drugs. Catherine either pretends she doesn't know or knows and helps/doesn't care. And like any good salesman, he makes sure to test out his product to make sure it's up to snuff. 

Make it cruel and awful and hopeless. Dehumanizing and degrading. Jason is just a hole to sell and use. belting in sensitive areas, beatings, violent sex, cum play, blood play... I just want something dark and nasty. 

____________________________________________________

Woo! Ok. I’ll try to keep this up the best I can. I’ll link/mark when prompts are filled so that you guys can check it out if you want (all filled prompts can be reached by the link in the title, but some have ao3 links that I put on the “Filled” note). 

I’ll also reblog this with any new prompts that come up or if I find I’ve forgotten one. 

[camillemontespan]

camille’s scrapbook [1: olivia’s speech]

I thought I would start this mini series about Camille’s scrapbook! This is really a way for me to put all Drake x Camille edits together and pair them with fics. The edits I’ve made are not very good, while the amazing edits are by @mskaneko​  - you will be able to spot the difference instantly. 

In my head canon, Camille loves to take photos of her family and puts them into a scrapbook which will be passed to her children when they’re older. These edits are the ‘photos’ she has collected over the years while there will be fics to pair with them. 

I’ll admit I’ve not enjoyed being part of this fandom for a long time due to negativity and seeing so many arguments on my dashboard. I needed to write some fluff so I’m on a mission to make my blog as positive and nice as possible, for myself and for my followers. This scrapbook series is a way to provide some fluff and sunshine within my little corner of tumblr. 

I will give credit to mskaneko when I use one of her edits - she is so talented and I recommend you check out her master list when you can!

Also, I’m not sure if this sort of idea has been done before. It probably has been and I can only apologise if you have done something similar. Feel free to message me if you have, I’m always open to chatting :)

Taggin’ those who like Drake x Camille. Tell me if you want on or off, I won’t mind!

@moonlightgem7 @emichelle @jovialyouthmusic @ibldw-main @saivilo @burnsoslow @dcbbw @sirbeepsalot @notoriouscs @marshmallowsaremyfavorite @pedudley @msjr0119 @loveellamae @kingliam2019 @drakesensworld  @rainbowsinthestorm @pug-bitch @katedrakeohd​ 

**********************************************

Camille sat cross legged on the floor in front of the coffee table. She was hunched over a scrapbook and the coffee table surface was covered with photographs she had taken and collected over the years. 

Scrapbooking had become a favourite hobby of hers. After Drake had bought her a Canon camera for her birthday, Camille had become gradually obsessed with taking pictures of her family, determined to collect memories to pass along to her two daughters. To Camille, it was family first before her role as the Duchess of Valtoria. Nothing was more important than Drake, Lily and Luna.

‘Hi mommy.’

Camille looked up to see Lily skipping into the living room. She was wearing her fluffy pink bathrobe and unicorn slippers, fresh from her bath. She barrelled into Camille’s open arms, hugging her mother tight.  She then settled down on Camille’s lap, snuggling into her soft white sweater. She breathed in Camille’s Chanel perfume, smiling as she did so.  

‘What are you doing?’ Lily asked, reaching out to stroke a picture of her father, Drake.

‘I’m making a scrapbook of photos,’ Camille told her. ‘Wanna help?’

‘Yeah!’

Camille pressed a kiss on top of Lily’s head. ‘You can be in charge of glue.’

She handed her daughter a stick of glue. Lily looked up at her with a glint in her eye. ‘Can I use glitter?’

‘Glitter’s a little messy, baby,’ Camille said gently. ‘But I would love your help with the glue. Not too much now, just enough so the photos stick to the paper.’

Lily took a photo and turned it over so she could glue the back. Her tongue stuck out as she concentrated on applying the right amount of glue; she was a perfectionist. As she worked on gluing the photo to the scrapbook paper, Camille scanned the photographs she had collected, trying to settle on the next one to put in the book. 

Drake came into the room with Luna in his arms. His eyes widened in mock surprise and he gasped, ‘Look, Luna, there they are!’

Luna nuzzled her face into Drake’s neck as he carried her across to Camille and Lily. Drake ruffled Lily’s hair and leaned down to kiss Camille on the cheek. ‘You guys scrapbooking?’ he asked, settling down on the sofa. Luna clambered over him, warbling to herself. 

‘I’m helping with the glue!’ Lily said with a burst of pride.

‘That’s great, honey. You’re so helpful,’ Drake told her, giving her a warm smile. Lily grinned and bounced up and down on her heels, pleased to receive praise from Drake. She idolised her father; everything he did was met with wonder by Lily. Their bond was a deep one and everyone knew it. 

‘You look stunning in this photo,’ Drake said to Camille, picking up a photograph of them on their wedding day. His eyes crinkled in the corners as he smiled down on the image. ‘God, I felt so lucky. I still am.’

Camille leaned against Drake’s legs and let her head fall back so she could look up at him. Drake was still smiling at the photo, studying the details. 

‘I’ll put that in next then,’ Camille murmured. Drake grinned and handed her the photograph. Camille passed it to Lily who applied just the right amount of glue, while Camille wrote a caption in her loopy handwriting. 

‘Our wedding day. I think we are listening to Olivia’s speech?’

Olivia’s Speech

Olivia made her way up to the stage and shook her shoulders out, adopting a haughty pose. She cleared her throat down the microphone, not wanting to beg for attention. These people could just stop their laughing and merriment right now and listen to her speak. 

She looked out at Drake and Camille who were sitting together, practically glowing. It was their wedding day; the happiest day of their life together so far. Camille had taken her veil off so she could relax a little, while Drake had taken off his suit jacket. His hand was clasped around hers as they spoke to each other, smiling and laughing. 

Olivia’s heart tugged. She didn’t believe in love, not really. She viewed being in love as a negative trait, comparing it to willingly volunteering yourself to stand in front of the firing squad. Why would you want to give your heart to someone who could break it if they wished?

But Drake and Camille were slowly changing Olivia’s mind. As she had watched their relationship blossom, she could see that Drake and Camille had an epic love. A love that would echo through the ages; they only had eyes for each other. 

Olivia wondered what that felt like. 

Camille caught her eye and nodded, standing up so she could address the wedding guests. ‘Everyone, Olivia is going to make a speech!’ she called out. Everyone shut up and turned to look at Olivia, who was looking down at them all with her lip curled.

‘Jesus, you’re all so rude..’ she muttered.

They laughed.

Olivia sighed. Of course they would think she was joking. Imbeciles. 

She cleared her throat. ‘Alright, so as everyone knows, I am the maid of honour. I was asked to write a speech to commemorate today’s event so you all have the pleasure to hear my dulcet tones for the next five minutes.’

More tinkly laughter. 

Olivia opened her piece of paper that had her speech written. She exhaled. ‘So, I don’t know if any of you are aware but for a long time, Drake and I hated each other.’

More laughter.

‘No no,’ Olivia interrupted. ‘Not funny. Seriously, we genuinely hated each other.’

The room went silent. Drake was turning pale with wide eyes; clearly, he hadn’t expected Olivia to be so bold. 

‘We grew up together but the glue that kept us from really killing each other was our friend, Liam. He was a buffer. We grew up together in the palace, attending lessons; while Liam studied hard, Drake would fall asleep at his desk. I would aim spit balls at him, trying my best to annoy him. As we grew older, we became more hostile.. My fault. I’ll admit that I have said some truly terrible things to Drake in the past, things I’m not proud of..’

Olivia cast a glance at Drake. He gave her a nod, silently willing her to go on. Camille had her arm around his shoulders, her fingers stroking his neck. 

‘When Camille came to court, my attention focused on her instead. I don’t know why, I suppose it was because she was American and new blood. I didn’t understand why a waitress from New York was in the palace in the first place. So I tried my best to undermine her. And because my attention was focused on her, I started to see Camille and Drake grow closer.’

She paused and willed her hands to stop shaking; for some reason, recounting her past thoughts made her feel sick. She had changed in the past few years; she was less of a bitch now, more open to having friends. Talking about the past made her wish that she had been nicer, more kind. Especially now that Drake and Camille were her friends. She was the maid of honour at their wedding, for God’s sake.

‘I saw Drake smiling more,’ she said. ‘He would take part in court events, which was new. Often he stayed in the background, looking like a grumpy loser, but something seemed to change within him. Camille would ask him to dance and he would do it. He was terrible, mind you, but he still tried.’

Drake smiled. Encouraged, Olivia went on, her hands ceasing to shake and her voice grew steadier. 

‘Camille was inching away from the crown, unknowingly finding her way towards a future that was entirely different,’ she said. ‘I could see that she would look at Drake when she thought he wasn’t watching; she would blush when he joked with her; she would smile differently, more genuinely. I found that I stopped bullying her and I started to get to know her. I soon realised that she was in love with Drake Walker, the boy who never danced and who I would aim spit balls at.’

The room laughed again. Olivia smiled now. 

‘I don’t believe in love,’ she admitted. ‘Never have, never will. I find it weak - and I know that is an unpopular opinion. But when I look at you both.. Drake, Camille.. I find that I am starting to change my mind. If Drake Walker, the man who was actually like me; who was cynical and viewed the world through harsh eyes, could find love, and actually be happy.. Then why can’t I? I see how much they love each other, how they are always on the same team. And isn’t that what we all need? We need a team mate, someone who always has your back, who can defend you against harsh words and sharp daggers-’

‘Liv, we’re not going into battle,’ Liam called out, teasing her.  The room giggled and Olivia rolled her eyes. She looked at Camille, who gestured for her to ignore the teasing and continue with the speech. 

‘Drake and Camille are a team,’ she said. ‘A partnership. I’m so looking forward to watching your next chapter unfold, guys. It’s been an honour to be the maid of honour at your wedding and I can only hope that I’ll get the chance to adopt more roles as your life together goes on.. Ahem, like cool Aunt Olivia for your future babies.’ 

Camille blushed, looking down at her hands. Drake chuckled and squeezed her hand.

Olivia raised her champagne glass, prompting everyone else to follow. Drake and Camille held theirs up too; a camera flashed, capturing the couple. Olivia looked at them with warm eyes.

‘To Mr and Mrs Walker,’ she said softly. ‘Thanks to you both, I’m starting to see love as something that is all encompassing and good, nothing to be afraid of. I wish you a lifetime of happiness.’

‘To Mr and Mrs Walker!’ the room chorused. 

Olivia cleared her throat and fixed Drake with a steady stare, making him lean back in his chair.  ‘Drake, if you hurt her, I swear to God, I am coming after you.’

The room laughed, as did the newlyweds, and Olivia gave them both a cheeky wink. She raised her glass in the air. 

‘Cheers everyone!’ 

[mochuelovelli]

ASOUE AU? ASOUE AU. Pt 1 (Characters)

Okay so I just posted a little doodle I did for an A Series of Unfortunate Events AU that I had been thinking about ever since I realized that Esmé was obviously Magica's VA (which was 3 days ago so oop). I don't have all the characters figured out right now (mostly bc quite frankly there aren't really enough adults that act so... neglectful towards the kids in ducktales). I'll list the ones I am pretty concrete on VS the ones I'm unsure or ones that I "reimagined" due to not everyone fitting perfectly in this world.

Characters that are Definite:

Glomgold as Count Olaf: Think about it, horrible actor/cosplayer (yes thats what he is). Both obsessed about riches, revenge and are generally incompetent. Really, Olaf is much more wicked in the ASOUE series imo (bc even tho Glomgold wants to kill Scrooge and steal his money. This anger only extends his wards if he wishes to use them against Scrooge and is less keen on the murdering of kids. Notice I said LESS). Not 100% if I want him to be as...well explicit as Olaf can be at times. Especially his characterization in the Bad Beginning if you know what I mean (pst it's child marriage)

Magicia DeSpell as Esmé Squalor: Like I said, this is a no brainer. She has the stage performance of Magicia with a bit of Mark Beaks Mom (forget her name) mixed in. Probably would downplay her love for fashion and replace it with an obsession with the occult. I would also not have her be obsessed with Glomgold, its more in character for Glomgold to be obsessed with her anyhow. It is also possible bc I tend to believe she is a more compelling villian in canon that she might take the place of Glomgold on the Island in "The End". But I also plan for Scrooges Number One Dime to replace the Sugar bowl so, maybe not.

Doofus Drake as Calmanita Splats: Duh, spoiled brat who is very creepy and probably has parents that want them dead? Instead of wanting to sing all the time he mainly wants to wreak things/people. He still definitely dresses up tho into a hodgepodge of things. It always changes and Glomgold is always annoyed by this but he likes him more than Magicia. She definitely wants him dead just like Olaf in the series (she really hates kids).

Duckworth as Larry your waiter: Yeah not much competition for this role. It was either him or Launchpad. Duckworth is too perfect for this role and he honestly will play a better spy than canon Larry. If I ever write it out a lot of the "fight scenes" and anime-esque "explaining how I fooled you" dialogue will definitely be reworked but still present. I will however not keep out the main theme of neglect or ignorance with the adults, they will still fail in that regard as always but will just not literally stand there and tell Olaf "We finally caught you, now let me explain why we are so smart oh no you set something on fire again". I mean...maybe for a Mr. Poe but not the VFD. Or...SHUSH I should say but more on that later (or in another post who knows?)

Scrooge McDuck as Lemony Snicket (sorta): Okay so OBVIOUSLY we can't have our "Lemony" have the hots for the McDuck siblings mom (yes another thing I must explain oh boy). Scrooge will still be gilted in love by, of course Goldie though I am still not 100% if she should play part of the the role of Kit Snicket (again NOT related to Scrooge) or should she be someone else entirely. Scrooge is basically the reason everything is happening in this AU just like the canon Lemony but writes sad letters to Donald and Della as well as Goldie. As you might of well guessed, Scrooge's Fortune is also the riches the McDuck's have.

Fethry Duck as Dr. Monty: Of course a snake lover will become a marine lover in this AU! Also of COURSE Mitzy will play the roles of the incredibly deadly viper AND the great unknown! Fethry and Dr. Monty not being mentioned by their family but also too enthralled with their studies to care all that much (but seriously thats fucked up ducktales). Totally made for this role. As far as setting goes this will be where the siblings will be underwater first but since the series already has plently of aquatic locals I will probably swap out the Lake Lacamose story with Peru or the Galapagos. Speaking of...

Ms. Quackfaster as Aunt Josephine: For narrative purposes it would make sense that Ms. Quackfaster would lose her edge as a brave and bold woman. For what exact reason I am still trying to figure out. Not sure if I still want to keep the "Ike" storyline, maybe she just got really spooked by FOWL. Maybe some creature from the Galapagos ate her leg or something.

Ma Beagle as Dr. Orwell: This particular role was sort of hard for me to cast due to the fact that Dr. Orwell is older and romantically involved with Olaf (at least its sorta there). I really didn't want to give this role to Owlson bc other than she isn't a bad person, she is also way too young. Ma Beagle already has a similar motivation im canon to want to reclaim Duckburg as Beagleburg so the Terrible Mills plot to frame the B for causing a fire in order to have control over the mill is very in line with Ma. I originally wanted the Beagle Boys be working in the Mill but since I am changing the setting to Egypt, I decided to use the people stuck in the pyrimid (idk what they are actually called) and will either use Amulet, Launchpad or Dijin as Cookie

Characters that are Mixed with others:

Huey Duck as the Narrative Role of Violet B.: I mostly imagined(?) the kid characters in a approximation of set characters from the books/series. For this reason, Huey plays the ROLE of Violet Baudelaire so that he can take the "inventor" occupation. I went back and forth on finding who would have Violet's quirk of using an object to help her think. My mind originally went to Webby since she has a bow and I wanted Huey's obsession with the Incomplete History of Secret Organizations to take the place of his JWG. However I reworked it so that Huey's JWG would act as Violet's ribbon with him having to flip through his beat up (and slightly burnt) journal to find a quick solution or just to calm his nerves. Something that applies to all the triplets and twins is that their last names are changed to "McDuck" mostly bc it sounds better that they are later called the "McDuck Murders" instead of the "Duck Murders" as well as Scrooges edited role in the kids lives. He has a mix of Klaus' social awkwardness and habit of talking at length about his special interests to whoever will listen. Huey is also the one who gets hypnotized in the Miserable Mill ep.

Louie Duck as the Narrative Role of Sunny B.: Pretty sure I swapped Louie and Webby for this role in my first post but whatever. I wanted to confusingly change Klaus' role into a "Charmer" or "smooth talker" (obviously still a work in progress) since I felt that Huey in DuckTales canon was always well researched as well a good mechanic and having two characters who pretty much fit the same role was... redundant. I also wanted to really make Webby's Sunny much more inline with her notorious/abnormal fighting abilities. However, I realized that instead of changing Klaus' role I should just change Sunny's characterization since I would have to rework it anyways since she was a baby. I also got the idea from recently rewatching the series and saw Sunny basically trick her way out of being trapped with the Hook handed man (i.e. Fernald). I will instead make Louie's role as what he functionally is in DuckTales (the guy who can talk his way out of anything). He would probably also say his occupation is "Defense Attorney" or something along those lines. He is also the one who gets captured the most but not by much. However while he still has Sunny's sarcasm, he also has Klaus' inherit skeptism and distrust of adults.

Webby Vanderquack as the Narrative Role of Klaus B.: Like I said in Louie's segment, Webby is changed to Klaus or more accurately the "Researcher" of the group. She is often the one who stays up late, researching ways to get out of Glomgold's schemes. Unlike Klaus though, she has more of the optimism of Violet but might not put as much belief into all authority as Huey might. She still has role models that she looks up to but isn't against bending the rules. She also unfortunately takes Violet's role of becoming "Olaf's bride" in the Bad Beginning. In the story she has always lived with the McDucks but didn't take their name and still had Mrs. B (until she was around 10, she was 12ish when the fire happened). However, she is still in the McDuck Will and therefore Glomgold hatches a plan to use her to get the fortune. She also tricks him by signing her name "Vanderduck" or "McDuck" instead of Vanderquack to make the marriage null in void. She is also a mix of Sunny since she is generally the most physically capable out of the children.

Dewey Duck as the Narrative Role as Quigley Quagmire: Okay honestly after a rewatch, I don't exactly know what makes Duncan and Quigley that different from each other. I'm pretty sure Duncan is the Klaus of his siblings but whatever. Dewey mostly just 1/2 of the reveal that two people survived the fire during the Carnival segment (which is changed to an underground wrestling theme for reasons to be explained). I am fairly certain that during the last part of the Village of Fowl Devotees I want Dewey be the one left behind with Webby and Lena that way we can have more time spent with him and Weblena/ Magicia v Lena drama. Dewey's occupation would be "Comedian/Host/Actor" . He also is the one the adults ignore during the first half and will be the subject of Triplet/only child jokes that the Quagmires face.

Gosalyn Mallard as the Narrative Role of Duncan Quagmire: Okay so like, no she isn't related or adopted by the Quagmires

Lena Saberwing as the Narrative Role of Isadora Quagmire: c'mon both these kids like poetry. Literally I can think of no other DuckTales kid that likes that (other than Webby but that was more of her liking Lena's stuff). She will still have her background as Magica's niece and might take some of the role of Fernald where he gets redeemed by betraying Olaf/saving Sunny. I am unsure by what extent though as she isn't going to be a henchperson of Glomgold or Magica. It might be that she is uses morally questionable ways to get what she wants/needs. Maybe she is "good" but has to commit a terrible act similar to how the Baudelaires have to burn down the carnival.

Characters that I am uncertain about or straight up don't have someone in that role:

Violet Saberwing as the Narrative Role of Fiona Widdershins: Like Fiona, Violet was also originally distrusted by a part of the cast (in this AU, it probably be Webby and/or Louie as Huey catches feelings lol). She is also obsessed with the occult not fungus and has to save probably Louie from losing his soul or something (wip). Violet more than any of the main cast of kids will probably act more like her canon self since she is naturally straight forward and booksmart. She probably gets forced to stay with Glomgold until her and Lena can escape again. Also since I didn't want it to be another underwater local and wanted it to relate to DuckTales17 a bit more closely I thought it be better if they were in the sky. Maybe Violet got the Sun chaser or maybe even the Spear of Selene. Maybe instead of going to look for their dads (since they are dead oof) they come back at The End to tell the McDuck Siblings et all that they might of found something...or someone important.

Boyd as the Narrative Role of Friday: This is definitely more of a stretch as really he is only Friday because in role only because I want him at the Island at The End so that he can save the siblings from whatever organic incident happens since he is still an android. I previously thought he could also fit the role of Fernald since he could go through a redemption arc easier due to him sorta going through one in the show. Its not out of the realm of possibility that Glomgold could have reprogrammed him to obey him (he might still do something similar I haven't figured it out 100%).

Fenton Crackshell-Cabrera as the narrative role of Hector: He probably won't faint as much as Hector but he will have to be pushed by the kids to be confident in himself during the Vile Village (which will probably change to a Capital city since I plan to rework FOWL into this). Maybe its similar to a military academy which makes having a set of rules make sense. Its also possible that Fenton escapes with some of the kids in the Sunchaser by the end of this.

Steelbeak as the Narrative Role of Fernald Widdershins: I mainly chose him because Steelbeak and Hookhanded man both most clearly are shown to be sympathic antagonists. They are still functionally villians, much more so than any of the children like Boyd or Lena who, yeah, have done bad things but in one case wasn't given the freewill to decide for himself or was but when she decided to stand up for herself she was literally tortured and had her freedom taken away (more so than in the beginning since. Steelbeak would, like Fernald, be making a choice as an adult man to be apart of a mad man's troop and was harden enough to commit murder if it meant he could impress his boss. But because he is not related to (by blood or otherwise) any protagonist I struggle to know where to put him. I might still have him defect during the end of what would have been the Grim Grotto ep and comes back with the Saberwings at The End. Maybe he brings Gosalyn back after finding her at some point, maybe he dies somewhere towards The End. Not sure.

Gladstone/Ghost of Christmas Past/News Reporter Lady as the Narrative Role of Mr. Poe/Mr. Poes Wife: wow this one is really confusing. My reasoning behind these picks is because The News lady would be a great pick for Mr. Poe's wife or at least a substitute as she has similar motivations in DT17. The biggest set back for her tho is that she has no reason to be on the Baudelaire case (or McDuck case anyways). Ghost of Christmas past is a bit of a stretch since why the fuck would he be in charge of making sure the kids had guardians? I mainly want him just bc of his motivation (or lack thereof) to do his job and being incompetent at it. Gladstone while making some sense that he also would be uncaring about where the kids go is also a stretch given he is a relative and he while he might not care 100% about their whereabouts he wouldn't lose them like Mr. Poe would simply bc he is so damn Lucky. Its possible to work that against him, maybe in a scenerios like where he drops off the kids but gets whisked away because some rando gifts him a boat. Still unsure.

Mrs. Beakley as either the Narrative Role of Jaclyn S (Mr. Poes Secretary/VFD spy)., Olivia C. (Librarian): I want Mrs. B to have a role which fits her being experienced and competent but also met a tragic demise. I might mix the experience of JS with the fate of OC. Poor Webby.

Justice Strauss as ???: I'll be honest, I am stumped with this one. This is a very important role to fill and I can't quite find an adult character that fits the bill of Justice Strauss. Mrs. B is too smart, Launchpad studying law while ridiculous, is something inline with the show but he doesn't have a DT17 motivation similar enough to Strauss where he's desires can be exploited nor has he really want kids in the same sense as Strauss. Drake Mallard is close since he is an actor but having him work with law is a bit of a stretch, I also think that making him somewhat bumbling is an insult to his character but Strauss is tragic since she WANTS to very much be the Baudelaires guardian but fails so much. Maybe in a safer world she could have been, maybe if they were luckier. She loves them so much, but they run away where she can't find them to at least try to be there for them and is left heart broken by the end. Whoever becomes JS is in for a world of hurt and I'm sorry. Goofy could also be a replacement, maybe Max died for more angst 😬.

Goldie or Daisy as the narrative role of Kit Snicket: This kinda gets really fanfic-y as neither of these characters really fit nicely into this role. Goldie definitely has the skill of Kit and her disregard for the rules but the pregnancy thing is... something. Not entirely sure if I actually want her to be pregnant but I also want a Beatrice II type character (of course she would be named Della II) but again very fanfic-y. Daisy I am more comfortable being the one who gets pregnant, she might take Olivias role as the new VFD recruit instead of Kits more seasoned one. All I know is that if either or both outcomes exist they will die also a Dewey Deanumont(?) Character wouldn't be the father it would of course be Donald or Scrooge depending who gets pregnant.

Jacques Snicket as ???: Another mystery for me. Functionally? Maybe Manny could play this role or even Launchpad (he really is just my go to for any character idk about huh?) Whoever it is will die but wont have a romance with the Olivia character(s). Maybe its Goofy lmao.

This is quite long enough, let me know if y'all got any more ideas. I'll edit this when I can since I am tired of writing. Please comment or reblog for suggestions and the like thx u. And please...Look Away while you still can.