#also it’s VERY funny to me that one of the other family connections is Matthew and Brady’s second cousin

[jiminy-crickets]

Okay so I’m scrolling though Instagram on my break, and I see a post from the NHL all about the ‘familial connections’ between this years draftees and other players in the league, and I saw this…

and I think….huh? I could’ve sworn Mack was the older brother (don’t know WHY I thought that considering it make literally no sense [its because I assign my blorbos either eldest daughter or only child, and Mack does NOT have only child energy {trust me I am one}]))…. So I go to google hit up db and what do I see????

Yep, YEEEEEP, poor Aiden getting out played by his younger brother in college, after being drafted 171st when your kid brother is gonna go 1st…. Finally someone who comes close to the pain of Jack Hughes (no not that Jack Hughes) who was in USNTDP the year after Jack Hughes (yes THAT Jack Hughes) left along side Luke Hughes…. And SPEAKING OF THE OTHER JACK HUGHES…..

Poor poor Jack Hughes (no not THAT Jack Hughes) little brother is getting drafted this year (though Callum is ranked at 99, and Jack was drafted at 51 so…. Probably won’t be as brutal as it’s gonna be for Aiden)

[heavenlymorals]

Biblical References in the RDR Games: Part 2

You guys seemed to LOVE my original biblical references post for Red Dead so I am here to post some more because there are SO MANY. And like before, I am aware that some of these may be complete reaches, but it's my blog and I do what I want 🙃

Enjoy babes ❤️

@headersandheelers @secretcheesecakenacho Since you guys wanted to get tagged ❤️🤭

Arthur and Dutch mirror Moses and Pharaoh in chapter six. Arthur begs Dutch to let his "chosen" go, who are the people who he believes have a chance in living without the baggage of the gang (the women and John and his family). Dutch refuses to let them go, which creates the biggest conflict in chapter 6.

Arthur kicking out Strauss gives me heavy Matthew 21:12-14. Basically, Jesus kicks out loan sharks and sellers from a temple designated as a house of worship where people can be helped. Their presence destroyed the sanctity and the purity of the temple. Both the gang and the temple existed originally to help folks, but the presence of people like loan sharks destroy that original mission. So yes, Arthur kicking out Strauss is a parallel to Jesus kicking out the loan sharks from the temple.

The color for high honor is blue while the color for low honor is red. Blue in the bible is very often associated with heaven and God. Red in the bible represents the flesh that humans are trapped in during their time on earth, which can then correlate back to sin and violent.

Micah was a prophet in the bible who is most known for predicting the fall Jerusalem. Micah in the game also predicts the fall of the gang in the sense that he was the one who caused it. The name Micah also means he who is like God, so the irony is kinda funny.

John being able to see the cracks in the gang before many of the other characters could very well be a reference to this passage: "For you will know the Truth and the Truth will set you Free" - John 8:32. Abigail in RDR also says this which is a reference to this passage: "You knew the truth, John. And they hated you for it."

Just another passage that reminds of Arthur's redemption and the whole searching for peace thing: "Turn away from evil and do good. Search for peace, and work to maintain it" Psalm 34:14

The mission "A Fisher of Men" is a reference to Matthew 4:18-20. "While walking by the Sea of Galilee, he saw two brothers, Simon (who is called Peter) and Andrew his brother, casting a net into the sea, for they were fishermen. And he said to them, “Follow me, and I will make you fishers of men.” Immediately they left their nets and followed him." Of course, beyond just the action of fishing with Jack, this is also a parallel to Arthur's empathetic yet still firm style of talking to Jack. "It's about time you earned your keep." "You got to stick at things, Jack."

The mission "The Sheep and the Goats." In Matthew 25:31-46, it describes how God will separate people in two groups. The "sheep" will inherit heaven and the "goats" will be damned. You can connect that to the gang as well. The sheep are the ones who leave Dutch while the goats stay with him and become damned or a shameful version of who they once were.

Also note in the epilogue how John says he doesn't like goats and chooses sheep as the first animals to raise on his ranch. That could also connect to Matthew 25:31-46.

The mission name "Do Not Seek Absolution" is really interesting to me because it's the first biblical mission name that could either be a reference to scripture, which I'm thinking Deuteronomy 12:13 in the sense that one shouldn't offer their praise or worship to false gods who won't answer prayers (think Arthur and Dutch and how Arthur was still following Dutch after the gang lost it's original image) or a rejection ofa the Christian mindset of the time. Absolution is the idea of the promise of having your sins forgiven by God. It might be saying that Arthur should try to redeem himself by his action towards the person rather than his guilt towards a higher power.

Molly getting burnt rather than having a funeral is less a biblical detail but more a cultural detail. Though cremation wasn't really condemned in the Bible, the passages about being buried in the ground or in tombs was the people's standards in how they wanted their dead body to be handled due to religious reasoning. Whether or not Molly is Protestant or culturally Catholic (I lean the latter), the fact that Grimshaw asks for her body to be burnt just adds so much more weight to how cruelly traitors of the gang were dealt with

Love this stuff sm

[joshriku]

What are your favorite fics you've read in the past year?

hi thank you for asking i love to talk about fics i read. im so sorry you didn't specify a fandom so i'm going to talk about everything i favorited this year so far lol. i am currently reading this cherik fic called exit wounds by lemonadegarden and i cannot stress enough how good it is. the worldbuilding, the politics, the characters, the storytelling, the emotions, just so so good. please read it if you are a cherik liker. i love it. i haven't finished it yet but omg. not in any particular order

the patch of sand where we buried the dog by shroomyystar: this fic is about luna and erik running into each other and getting ice cream. it should be normal but it's magneto family you know it's fucking insane. you don't even understand the luna and erik brainrot i gained from reading this i was like oh my god his granddaughter.. magnificent character work. to me the magneto family in comics have such a special specific dynamic and it's so well nailed here. it's crazy

make the fire rise by frozencinders: alright i don't go to baldur's gate 3 but i know enough about wyll and astarion and i really like this author so i might as well read their wyllstarion do you feel me. it's about yearning and romance novels and vampires and everything u could ever ask for. i loved it sm. one of my favorite things about this is the narration, like the way the thoughts flow so easily while keeping in beat with the character voice and making u feel so earnest..... gorgeous.......

what's the point in playin' a game you're gonna lose by shroomyystar: raven/irene in regard to the x-men blue origins revelation. raven being so fucking mad at irene but also so deeply in love with her to the point it's the same thing. when i say toxic yuri this is exactly what i mean it's exactly raven trying to kill her and thinking it's like having sex. that's EXACTLY what i mean.

gravity felled the apple (but the spiders stuck around) by maroonmusings: insomniac spider-man 2, peter gets to keep the teaching job and everyone thinks he has a favorite student (miles) which creates some drama until they figure it out a little too well. it's so fucking good. when i read peter parker, i want him to sound exactly like this. the character voices.. the non-canon characters perfectly fitting in this... the entire spider-man cast playing very well in this fic.. THE DIALOGUE! writing peter is such an art but this person GETS it.

taste the way that you bleed by maroonmusings: peter parker/astarion based on that one time they made a joke about it. again i don't go to bg3 but fantastic character work, it's literally so in character it totally sold me on this pairing - not that i need much convincing for crackships. that's just who i am brother.i fucking loved this so much.

Some Catching Up to Do by magicasen: jean/wanda! jean/wanda set in x-men first class. it's so fucking good and funny, it feels incredibly in character to the xmfc versions of them. it's such a feel-good fic about them in that period of time too, and pietro's cameos were too fucking funny. i love girls being girls and being in love :(

lech lecha by ferriswheelsdayoff: hosea matthews character analysis it will blow your tits off. i'm still floored by the amount of work into each line and how it's connected to real world teachings and how it manages to weave all of hosea's important relationships while analyzing him too. saur good

take what you give me by magentateam_bplot: storm/magneto. THIS is the sub erik type of shit i enjoy. magnificent characterization of both of them i could easily read 9k of it 1k was too little!!!

Girls' Nights by EmilyArmadillo: gabby bonding with vault laura!!!!!!! I THOUGHT THIS WAS SUCH A GOOD IDEA like i wish we actually had gabby's reaction to talon? i mean ofc that's asking too much from duggan, or for duggan to care, but this person delivered so well. everything was so well implemented, even the bit where the other laura kinney sees her and leaves the room. ahhh so good

Graveside by NotesFromSarah: the aftermath of erik burying anya after the fire, and then him and the twins coming together to visit her burial place. i thought this was amazing and heartbreaking and also a very groundbreaking magneto fam style for me..... not a lot of fics focused on them during the 80s, which is a good place for them to be somewhat normal around each other, and this fic does such a good job of using tragedy to join them without disregarding their past. gorgeoussss

Last Chance by Lefaym: my notes on this says 'old man sex heart hands' and it's exactly that. doomed timeline cherik from dofp have such a special heart to me even if i don't go much to moviesparts as i did before and oh my god... it's about that longing that regret that they're running out of time and also your hip being sore so you can't really hold a sex position. i love it.

Speed of Silence, Sound of Silence by neverminetohold: x-men evolution pietro & erik. something goes wrong and pietro thinks he's going to be scolded, but erik doesn't scold him. 'His quickening stride screams of his wish to escape this moment that is as far removed from a lecture as it can get.

That defines their relationship in a nutshell. Will they never be able to move beyond this?' you don't even get it im insane. im insane. im insane

chatoyant by unsungillumination: this fic is the best use of the fake dating trope that's ever existed, probably because the main protagonists of this are light and L death note. L and Light get in a relationship for strategic reasons until light gives up the death note, forgetting it is strategic, and believes it's actually real. it's so fucking good. also devastating

Drive. by MissAmyShay: the bear fic. insane. carmy and richie reconciliation, nat and richie flashback to when mikey was first declared dead, nat richie bonding, nat giving birth, donna mentions. what else could i even ask for. it's amazing. i don't even need to read any other fics

telltale by unsungillumination: L haunts light after his death. it's literally ruining light's life. this is my favorite thing in the world i love a good fic about grief and about fucked up soulmates who are not soulmates in a traditional way. i recently finished death note after leaving it on standby for a decade and i'm thriving

This Is How I Disappear by TzviaAriella: kira gets found out. he gets sentenced to death row. he asks the task force to shoot him. it's literally the most haunting fic in the world and i'm so so so so obsessed with it i kinda wanna reread it but it's like devastating and most of all GOOD

they both die at the end by unsungillumination: when i say i love fics that make me feel at odds with my own mortality and how i am spending my life and also grief for the future and grief for things past and grief, in the actual sense of death, ohhh. oh my god. what kills me is that this fic is just so grounded as well. you know the ending is coming. you just hang onto the little moments hoping MAYBE it won't happen, but you know. i loved it so bad. also this is a death note fic again

Connect the Dots by GrayJay: SCOTT SUMMERS ASKS MATT MURDOCK OF DAREDEVIL FAME TO BE A TEACHER AT THE SCHOOL AND THEY BOND OVER HOW SIMILAR THEIR DISABILITIES ARE it's ltierally so godo it's insane i love my favorite characters talking so much :(

the thirty-second hour by unsungillumination: this fic is about light yagami not being able to lie for 4 hours in each day, but it happens at random times, as a consequence of regaining his memories of the death note. it's inspired by i found you in the fire by yosgay which is ALSO one of my favorite fics even if it's not from my current 2024 reads but it IS TO ME. anyway. point is a character like light being forced to tell the truth is amazing. the layers of performance and what truth even means being analyzed through light's own eyes... mmmwah..

Tough Love by UmbrellaMartialGod: haikyuu fic. suga/tsukki. i was like no one in this world understands my fucked up haikyuu dynamic ship in which tsukki has a life-ruining unrequited crush on suga that no one else knows about except yamaguchi EXCEPT THIS PERSON!!!!!!!! THIS PERSON WROTE IT!!!!!!! IMAGINE THAT. HAVING A FIC ABOUT A RAREPAIR THAT IS EXACTLY WHAT YOU NEEDED. THIS HAS NEVER HAPPENED TO ME BEFORE. I GENUINELY DONT KNOW HOW TO ACT

anyway, thank you for asking. i love fanfic and i love talking about it. hope you enjoy either of these

[augusteofarles]

WIP WEDNESDAY

Tagged by: astrosxnthesis (literally ages ago i'm sorry I'm such a sporadic writer and also life has been kicking my ass back into the stratosphere :D)

I caught the IWTV flu and it's fatal I fear, so here's a something I've been working on inspired by fanart that I saw on twitter that I am still looking to find again to credit 😭

oh also its not Wednesday! SUE ME!

Loustat childhood friends/neighbors AU!

TW: implied child abuse

Louis and Lestat are both about 6 years old here and I’ve made myself both melt and tear up writing it😭

“Why are you here?” the boy says slowly, in English instead. Louis sighs. This boy must either be stupid or rude. “This is my fortress,” he says, chin raised high.  “Forest?” Lestat repeats in that funny way that he speaks, looking confused.  Louis rolls his eyes. He doesn’t know the word in French and doesn’t really care to remember. “This,” he says instead, making a wide motion with his arm at the room around them, “is mine.” Lestat pouts and folds his arms in front of him too. “I didn’t see your name on it,” he says in French.  This boy is both stupid and rude, Louis decides.  “That’s my house, right there,” Louis points towards the connecting door leading to his bedroom and further to the house.  Well, it’s his parents’ house, technically, but it’s where he lives! “And this,” Louis points around again, putting a firm foot down, “is mine.”  Lestat frowns and then points at the window to the opposite side, “ma maison.”  Louis is confused for a moment until he thinks, Oh, this boy must be with the new family that had moved into the next door neighbor’s guest house who had “an ostentatious amount of furniture for people who were renters.”  Or so mama had said, peeking out the window with a dissatisfied eyebrow raised. Daddy had tsked and said, “Now, now, Florence, remember Matthews 7:1.” Louis isn’t sure what ‘ostentatious’ means, but he thinks maybe Lestat is ostentatious for breaking into his secret playroom without permission.  “That’s rude,” he says instead because he doesn’t think Lestat is smart enough to know what ‘ostentatious’ is and Louis’ not sure if he’ll pronounce it right. “You have to ask permission before entering.” Lestat frowns, eyes roaming around the room as though properly seeing it for the first time—the big tent that daddy had moved here once Gracie had stopped using it—it was stupidly pink, but Louis had allowed it in place of having no tent at all—the little green toy soldiers lining the bookshelves holding his and Paul’s books, the small storage containers packed to the brim with the family ski equipment. “C'est vraiment tout à toi?” Lestat mumbles.  “Oui,” says Louis, “see there,” he points at the wall by the flat mattress, “those are my initials. Mine and my lil’ brother and sister’s.” “Oh.” Lestat looks down at his shoes and blushes. “D’accord,” he mumbles, “I did not know it was your…fortes.” Louis can’t help the giggle that bursts out of him at the way he says the word. “For-tress,” he corrects. Lestat’s blush deepens and with a huff he makes for the window. Except when he takes a step, he suddenly winces and kneels down on the floor. “What’s wrong?” Louis asks, watching Lestat rub his hand on his knee. “Are you hurt?”  Lestat doesn’t answer, just sits with his head bowed down. His hair is so long and messy that it’s covering his face, so Louis kneels down and peeks his head in under the cascade to take a look at him upside down. “What’s wrong?” he asks again, Lestat’s hair tickling his nose.  Tears are streaming down his cheeks but Lestat doesn’t answer, still. Louis decides that maybe Lestat doesn’t like talking very much at all and so he inspects himself. Lestat’s legs are skinny and pale like the rest of him except that one of his knees looks bigger and redder than the other. “Did you fall?” Louis asks. He pokes a finger at the knee where it's red and then feels bad when Lestat’s head shoots up and he winces. “Sorry,” Louis quickly says, “does it hurt very much?” Lestat just frowns so Louis tries in French,“Es tu tombe?” but that just seems to make him even more upset. More tears slip down his cheeks and Lestat angrily wipes at them and hides his face behind his hair again.  Now that Louis is really seeing—and not so mad anymore at Lestat’s rude intrusion of his fortress—he thinks his eyes had been red from the start and that his face had been stricken with dry tear tracks like Gracie’s gets after a very loud meltdown at the zoo. He must be embarrassed about falling then, Louis decides.

Tagging astrosxnthesis back because it's been so long since this 😂 (and anyone else who'd like to participate)

PS: I'm sure the french is abhorrent (thanks google translate) in this so feel free to correct me if you please.

[fayestardust]

for bob tours: was there a moment (or more than one) at a place where you felt ~connected to a scene from bob/the real events?

All the tours I’ve been on have special moments, though some more than others. Thank you for asking me about this, as I love recounting these memories. Some of this is actually what you asked for; the rest is just me being sappy.

Okay, ready? Behind the read more because it's SUPER long.

Eindhoven tour, April 2022

This was the first WW2 tour I’ve ever been on and the first of We Happy Few 506’s Band of Brothers tours. Special for that reason alone. It was a one-day tour with a Q&A the day before, and only four out of six actors who were supposed to join actually made it over to Eindhoven. First up: Matthew Leitch (Floyd ‘Tab’ Talbert), our fierce leader on all of the tours so I won’t mention him every time. He co-founded WHF506. He’s kind of a very annoying older brother to me now. Also there were Tim Matthews (Alex Penkala), Doug Allen (Alton More) and Mark Lawrence (William H. Dukeman).

I enjoyed the Q&A, though at that point was far too insecure to ask anything about Band because the room was filled with much bigger WW2 nerds (at the time, I’ve now caught up) who all seemed to ask very profound questions. I also shied away from taking any photos with the actors because people pretty much swarmed them, and I’m slightly claustrophobic.

I was making art already at that point, and for this trip had managed to draw Matt and Mark. See here a moment of joy for me.

The next day was the day of the tour, and I was pretty nervous about it because I’d never done a bus tour before, but in my experience, buses aren’t particularly wheelchair-friendly. Such was the case here, too, but the moment I approached the daunting steps of the Megabus, guests (special and not) flocked over to help me up them. All doubt evaporated. I got appointed the spacious back-of-the-bus seat, with my cousin on one side and Mark Lawrence on the other.

I’ll single Mark out for this tour because our conversations on the bus were very real and important to me. But also because one of the most moving moments on the tour happened when we visited the Crossroads. This is where Mark’s character and the real Dukeman died. If you ever get to visit... the Crossroads in the show looks exactly like the real location. Easily one of the most true-to-life set locations. And Mark had never been to the Netherlands. It tore him up. We all sniffled, watching him cry. The thing you have to realise is that he feels like he owes his entire life to the show. He met his lovely wife because she saw him on tv, and they fell in love. He has Dukeman’s service number tattooed on his body. And he’s the kindest, sweetest soul.

Later, months after the tour, he called me up to sing me happy birthday at six in the morning.

Both Doug and Tim remain my friends to this day. I’m perhaps most grateful for the connections made on these tours. Some of the other guests are now also like family.

Bastogne tour - part 1, November 2022

Bastogne is a magical place for me. I took one of my geekiest friends on this second tour. Special guests were Freddie Joe Farnsworth (military advisor on both BoB and the Pacific) and Phil McKee (Strayer). Not the most well-known people in this fandom I think. But interesting. And funny. 

This tour was led by Reg Jans, and he’s THE guide who knows everything you could ever want to know about the Battle of the Bulge. So, during this tour, I feel like I learned a lot more about that, beyond what we see in Band.

Of course, we also visited Easy Company’s foxholes in the Bois Jacques. There was no snow (stay tuned for that on a later tour), so it’s not like it is in the show. But the woods are eerily quiet. I don’t know if I believe in anything supernatural beyond things like intuition, but if I were to start anywhere, it’d be there. Freddie Joe explained the consequences of sleep deprivation for your brain to us, to help us understand the soldiers better. Sometimes, they were their own worst enemies. They were freezing, underfed, underdressed and barraged by artillery, and most of the time, could not even see the Germans.

We also visited where John Julian was pinned down by Germans for hours. It’s still unclear what exactly happened to him, or when or how he died. We only see seconds of it in the show. It's like that with many things in the show actually. All the battles took a long, long time.

This tour isn’t my favourite - there’s a better one right after this, but this did solidify the idea that I would go on these tours just to see the people I’ve met while there. 

Bastogne tour - part 2, January 2023

Here it is, my favourite tour. Barely two months after the last one. Bastogne in the very dead of winter. Let me tell you: it was COLD. But it would have been, for the soldiers of Easy.

The special guests on the second day of the tour were Shane Taylor (Eugene ‘Doc’ Roe), and Lucie Jeanne (Renee Lemaire). Doug (Alton More) was also there, and it was lovely to see him again. But as you can guess, having Doc Roe and Renee on the tour in Bastogne is pretty amazing. Eugene and Renee never actually met each other, one of the few dramatisations of the show. It serves a purpose, though, so it’s mostly seen as acceptable. Renee’s story is quite tragic, and she died very close to where she had lived with her parents and her body was wrapped in the fine silk of parachutes and brought back to them. 

There were also some good hugs at the 'Nuts' bar! But the absolutely most amazing part of the tour happened without them. Our second day started really, really early. We got up at 5 am, got on the bus, and drove to the Bois Jacques. It was still pitch black when we got out, freezing cold and fresh snow crunched underneath our sleepy feet. 

Reg Jans was on this tour again, and he had something truly haunting in store for us. We all stood in a circle around him with our (mostly just purchased for this trip) head torches on as he recited a prayer by Lt. Col. Robert L. Wolverton, commanding officer of 3rd battalion, 506th PIR. 

Here it is.

Men, I am not a religious man and I don't know your feelings in this matter, but I am going to ask you to pray with me for the success of the mission before us. And while we pray, let us get on our knees and not look down but up with faces raised to the sky so that we can see God and ask His blessing in what we are about to do: God almighty, in a few short hours we will be in battle with the enemy. We do not join battle afraid. We do not ask favors or indulgence but ask that, if You will, use us as Your instrument for the right and an aid in returning peace to the world. We do not know or seek what our fate will be. We ask only this, that if die we must, that we die as men would die, without complaining, without pleading and safe in the feeling that we have done our best for what we believed was right. O Lord, protect our loved ones and be near us in the fire ahead and with us now as we pray to you.

And into the woods, we went. You have to remember, there are no cars at this hour. It’s dark. It’s quiet. We were told to be quiet. We were told to sit in the foxholes in the snow. We switched off our lights. No one was shooting at us, but we felt, in part, what the men of Easy Company would have felt. And then we watched the sun come up. It’s the closest thing to a religious experience I’ve ever felt.

I met one of my favourite people in the world on this tour, too. He took these wonderful photos of me and inspired me to take up photography again, myself.

Normandy tour, June 2023

This tour was a bit of an odd one out. It felt chaotic because it was scheduled around D-Day, which made Normandy really poorly accessible. It’s so busy, so our tour was mostly improvised around areas with the least amount of traffic jams. 

It did have its moments, though. Normandy is a cool place. And we had the amazing Pete McCabe (Donald Hoobler) with us. 

The day before the tour, I actually got to meet three Normandy veterans. Humbling, to say the least. I also met several more Band actors (Peter Youngblood Hills, Alex Sagba-Brady, Christian Black, Nolan Hemmings) and Scott Gibson, who played Captain Haldane in the Pacific. We still keep in touch. Christian Black is now a Still Photographer, and mostly shoots Tom Cruise’s movie stills. He also took this photo of Nolan Hemmings, this painting of him and little old me. 

I was really glad to see many friends again. And I brought my own camera and took amazing pictures (teehee). We saw most of Easy’s known landing spots in Sainte Mère Eglise, like Winters’ and Lipton’s, to name a few.  

Our guide here was Paul ‘Woody’ Woodadge, an English guy married to a French woman. He’s nice, but critical of Easy’s fame, not so much on account of Easy, but mostly because Easy was just one of the many companies that did incredible things. We visited the area around Brécourt Manor, where we learned that other company Paratroopers cleared the way for Easy’s famous mission.  It doesn’t make it less impressive, but it adds loads of context.

Another thing that I found incredibly moving was the reading of Lt. Meehan’s last letter home. It’s easy to forget how young these men were. And how wise. Meehan’s plane crashed in a field, and nearly 80 years later, you can still see where it landed because while the field is fully planted, there’s a part near a hedgerow that remains barren to this day. Haunting. 

We also visited Marmion Farm, where many famous Easy Company photos were taken (it’s where they more or less come back together after the jump).

One of my favourite stories, though, is that of medics Robert Wright and Ken Moore of the 101st Airborne. They treated 80 injured American and German soldiers and a child in a church in Angoville-au-Plain. There are still bloodstains on the pews. 

So, as you can tell, not everything had to do with Easy, because we also went to Omaha Beach, where I got out of my chair and walked. Just to walk where these brave men had walked and really feel the history.

Eindhoven/Arnhem Market Garden Tour, October 2023

My second favourite tour after Bastogne in winter. Our guest here was Mark Huberman (Lester Hashey) who was meant to come on the original Eindhoven tour but couldn’t. He’s delightfully Irish, and had the best anecdotes from the set. Also absolutely hilarious.

Many of my friends weren’t on this tour, so going on to it, I couldn’t have guessed it would rank among my favourites.

It was split between two things. Some Easy Company sites and stories (some repeats from the first tour, but often with a slightly different angle or experience), and the British side of Operation Market Garden!

By the way, did you know that Hoobler picks up the Luger that ends up killing him in Bastogne, at the Crossroads? I think they changed it in the show to let the story flow better.

Anyway. I loved this tour. We visited Schoonderlogt and the Crossroads again. This time I sat in the grassy field while everyone else did the famous run across. It’s such a long way!

But the stories of the British troops were perhaps even cooler to me. Because that all happened right on my doorstep. I knew the bigger picture, but we had Reg Jans on this tour again, which is synonymous with really personal stories. So for our British troops day, we followed in the footsteps of leaders and soldiers alike, until we met them again in their final resting place in the military cemetery. A really rewarding journey. Mark also read a letter by Ivar Rowberry, which I posted about here. There’s an audio recording of it too, which is well worth a listen. 

If you want to read more about any of these tours (I’m a bit tired of writing so much, check out my actual - non tumblr - blog over here. There is an entry for each one, there.

[dobercorgis]

I did say before that I didn’t really want a dlc prequel and after playing fr I still do kind of think that. Even just thematically an epilogue seemed more fitting, but I guess not.

It did have some good parts! I think I understand N some more now (tbh I didn’t care for him in the main game) and family angst/drama is always spicy. Loved seeing Shulk and Rex again and I loved the interactions with them and their kids. Esp Shulk and Nikol just nerding out together. Also did not expect Rex to have that kind of parenting style haha. They really did go all out on the fanservice which I adored and found funny at the same time. And some of them were references to side quests or just lore which I appreciated so it wasn’t just all surface level references. Also they mentioned how Melia has been captured several times and Shulk never comments on it which is an interesting choice.

But I feel like overall it didn’t answer a lot of my questions about the main game and left me with more questions instead. Also it was much shorter than I expected. Even with the forced community padding in torna… it still feels like fr was much shorter. When I was fighting Alpha I was like this feels like a final boss but it feels like I haven’t been even playing for that long. Pacing was fine don’t get me wrong, it just felt… lacking. Also with how xc3 and to an extent fr was supposed to be the ending for the klaus trilogy, it doesn’t really feel like one? It’s not that there’s loose ends, I don’t really think there are any, it’s just that it doesn’t really feel “complete” ig and just leaves a lot of things unanswered. And while I don’t rlly like info dumps, xc does a decent job at them and is sometimes crucial for understanding the lore, and we just don’t really get one in xc3. I was kind of expecting a few scenes or maybe just a glimpse of the post-merge world of the xc3 or fr cast but didn’t get that. Which I get, but I still would’ve liked to see it.

I’m not really sure how to feel about how they handled Alvis. Man really did lose his melanin when he split but you never really see him in proper lighting so it’s not as obvious as in the art ig… Honestly with all the xc1 fanservice I expected more interactions with Shulk and A but uh nothing much happened other than Shulk calling A Alvis at the end. I get that he’s a computer and the logic behind how he became that way makes sense but it just seems so contradictory towards xc1 Alvis where he understood yes humanity shapes future with their own will, etc. Ik that part of Alvis became A but idk it’s complicated.

I saw ppl saying how Shulk and Rex overshadowed the rest of the cast when they were introduced, and I think I’m the only one that didn’t feel that way. I think the narrative just shifted course to focusing on those characters to focusing on the lore and world. And a lot of those were references to xc1 and xc2 which did give those two some more screen time since they’re one of the very few that remember those worlds. That being said, I do think Matthew is the weakest protag in the series. He just didn’t have a lot of time to shine and the story’s focus isn’t really on him. Glimmer and esp Nikol also felt lacking in the character department. They weren’t bad characters but they didn’t have much presence. At least they had connections to Rex and Shulk to work with.

The exploration was great though. Have a fully connected open world was cool, and I loved the little things you could look for like the ether, containers, relics, etc. Didn’t play X, but I think fr had the best exploration so far.

OH and the xc1 parallels! Like the zoom in on A’s eye at the end! And how you warped to the final boss similar to how you went to memory space after beating Dickson. And apparently it was intentional??? Like Alvis Alpha what are you cooking???

While the credits song isn’t my favorite, seeing scenes from all 3 games just made me feel stuff esp after seeing older Shulk and Rex. Like yes look at how they used to be, look at how they and we have come. And it was just AGH

Maybe I just need some time to sit on it, but I think it’s my least favorite dlc story so far. I think my expectations for both xc3 and fr were a bit too high which might be why I feel this way. Overall, I think I could’ve been satisfied which just watching the cutscenes or a let’s play.

[edwinspaynes]

Tell us how you feel about each main TLH character.

Oh man! This is gonna be a lot of typing. But sure! Why not. I'll just listen to Fall Out Boy while I type.

Matthew Fairchild -> This man means the world to me. Like, he and I are intrinsically extremely similar Disaster Bis. We have a lot of the same quirks (extreme pettiness, obsession with a specific author's works, overdramatic demeanors, emotional volatility/instability, sensitivity). More than anything something I see in him that I have is what I call "Happy Armor". He acts so happy and bright to mask the fact that he's really struggling because he doesnt want to be a burden, he wants others to be happy, and he is scared of being rejected like I am. So we have this similarity. But in any case, Matthew is such a complex and interesting character, but he's also kind of my best friend too LOL. I'm so excited for his bindup. Like, SO excited. I manifested this for years.

Alastair Carstairs -> Deadass one of the most interesting and complex characters I have ever seen. Ever. He's so interesting to engage with and write about because he feels so real. He's compelling, and you just have to know everything that makes him tick and why. I love his storyline about learning to love yourself even after making mistakes and hurting people because I think it's something we can all relate to. And I DEEPLY respect his strength and resilience as well as his selflessness. He's a good man and one I am so proud of.

Thomas Lightwood -> Honestly probably the TSC character I'd wind up being good friends with if we met. We share a lot of similar interests like languages and travel, and it's cool to see my interests mirrored in him. But I also just really love how kind and good he is, which must be really challenging after losing two (2) loved ones in a 6-month span. I just want him to get a 10-hour-long hug. But I also love the quiet fortitude he always carries himself with. Like, he's gentle, but he's not afraid to speak his mind and will stand up for himself and his loved ones. Love that! I hate how most of the fandom just sees the "nice one" or thinks his personality is just "big,"

Grace Blackthorn -> An amazing, well-crafted morally gray character. I'm so interested in her, and I also feel really attached to her and protective of her. She was in a SHIT situation and literally there wasn't anything else she could have done. You can't convince me she's a monster. She's the one character whose ending I am so ridiculously unsatisfied with. She deserved better, not just as a person but also as the character Cassie crafted.

Christopher Lightwood -> SO pure. SO good. I love how he thinks about the world in ways unique to a Shadowhunter. I really with we'd gotten more scenes with him and Henry. And his death was SO sad. I feel very bad about it. I wish we'd gotten a funeral or something.

Cordelia Carstairs -> I get into her in depth here. But, in the end, I really do like her and admire her bravery. She's clever and strong, which I like. I just wish she'd been a more dynamic character and would like to shake some of the naivete out of her.

James Herondale -> I really do like him, but he's also a very static character. Not a lot of growth happens, but he's a good person. Still, I more enjoy him for his dynamics with those around him, specifically Matthew.

Ari Bridgestock -> She's so cool. I just wish she had some storylines independently of Anna. I'd be interested to see more of her with other characters like Grace or Alastair. I'd also like to see some moments with her family or where she connects with her culture. It's just annoying that we only really get her for ship reasons because I think she could do better than Anna. That's why she's so far down on the list. It's not her fault.

Lucie Herondale -> I'm super indifferent to Lucie at this point. She's nice and has her funny moments, but I don't find her super three-dimensional or compelling.

Anna Lightwood -> I don't like her at all, sorry. I DO like her dynamic with Matthew and enjoy seeing them together, mainly because I think of her as an interesting person for Matthew to talk with. But I'm just... disappointed? Because Anna was a character I looked forward to a lot and she turned out to kinda be the lesbian equivelant of a fuckboy. I'd have liked her better if she'd actually had some growth in ChoT or buried the ledger, but she "likes everything she has and approves of everything she's done," so. She's only above Jesse because she has some interesting interactions with Matthew.

Jesse Blackthorn -> He's down here because I don't think I enjoyed a single scene with him in ChoT. The way he treated Grace really soured me to him, and he fell really flat and one-dimensional anyway. Not a fan at this point :/

Bonus:

Charles Fairchild -> I'm having the exact reaction Cassie wanted me to and I simultaneously love that for her and hate that for me. She did a really good job of writing him. This character has 0 redeeming qualities and also has the added shittiness of having seriously mistreated one of my all-time fave characters. Like, I hate this man as a human being. And YET. Yet. I still manage to sympathize with him in ChoT. He was put in a really tight spot for something that he shouldn't have been targeted for and got a bad lot. No one deserves that.

[themosleyreview]

The Mosley Review: Dream Scenario

If there's a concept that can be explored in an almost infinite amount of ways, its a dream. Some have taken the route of exploring the subconscious theories of how your mind works while we sleep. Others have explored their deeper meanings and how they may inform you of your mental state or reflection of daily life. Aside from the the fun notion of what Christopher Nolan's Inception introduced about the invasion and control of dreams, I haven't really seen anyone tackle the idea of a shared dream experience. That feeling of deja vu is real and sometimes a few of my friends have had the same dream or variation of it. This film explores that concept in an interesting, twisted and twilight zone style that is both sad and hilarious. I loved that it really didn't focus on the why, but more on the effects of the world around the central character. What I really dug was how the character's life effected the dreams of others in a variety of ways that are expected and unexpected. Its that creativity that made for a good reveal each time and the performances really sell the more macabre nature of the dreams.

Nicolas Cage delivers his trademark charm as Paul Matthews. He was very relatable and I liked the small scale of his story. His life quickly goes from the looming mid life crisis to super stardom to nightmare in a rapid pace and it was fun to watch his reactions to it all and sometimes disturbing. Once the sequences of him appearing in others dreams, the film explores just about every scenario with being too graphic. Cage's performance in them and his reactions to what people describe were all great, funny and heartbreaking. Julianne Nicholson was excellent as his wife and their chemistry was fanastic. The amount of micro-reactions to certain conversations where Paul was the center of attention were excellent. The amount of heartbreak in her eyes as things become crazier around her family was fascinating and tense. Tim Meadows as Brett, the dean of Paul’s college, was really good and straight with Paul. He probably was his only friend that he could go to for advice and it made for some tough scenes. Michael Cera was perfect as the lead of a viral marketing, Trent. He has his moment of quirk, but it doesn't over power the scene. His scenes were so cold as it was another reminder of how Paul became a product instead of being treated like a human being. Dylan Gelula was also great as Molly, Trent's assistant. The scenes with her and Paul let you know where these dreams could go, but I'm glad it wasn't gratuitous. Their climatic scene actually made for one of the more awkward and sad scenes in the film.

The score by Owen Pallett was good and the perfect amount of light and dreamlike when it was present. The film was really well shot and the different dreams that happen all have their own since of flair or distinct sense of comedy and horror. Its a small and personal film that has the standard social commentary about the way society has gotten so sensitive and the lack of human connection is waning and how everything can becomes monetized. Over all, I enjoyed it and I do recommend for a fun take on dreams. Let me know what you thought of the film or my review in comments below. Thanks for reading!

[gunterfan1992]

Episode Review: ‘Together Again’ (Distant Lands, Ep. 3)

Airdate: May 20, 2021

Story by: Jack Pendarvis, Kate Tsang, Hanna K. Nyström, Christina Catucci, Jesse Moynihan, Adam Muto

Storyboarded by: Hanna K. Nyström, Anna Syvertsson, Iggy Craig, Maya Petersen, Serena Wu

Directed by: Miki Brewster (supervising), Sandra Lee (art)

Across Adventure Time’s ten season run, the show explored a bevy of “mature” themes and story ideas—topics, like love, sexuality, depression, and grieving. The show also touched upon death, but the emphasis was usually placed on the emotional toll of a loved one dying, not really what happens when you die. We knew there were Dead Worlds and Death. We knew that there was reincarnation. But how does it all fit together? What does it mean? How does it work?

With “Together Again,” we finally have many of the answers.

This special opens with a marvelous fake-out episode simply called “Finn & Jake,” that sees the two steal a magical cartoon of 50-flavor ice cream before rescuing Turtle Princess and LSP from the clutches of the villainous Ice King. This is all deliberately anachronistic and over the top. Ice King is back to his season one ways, Finn has both arms, and he is still wielding his golden sword that he lost in season two’s “The Real You.” There’s lolrandom dialogue and silly monsters; it’s like a parody of seasons 1-2. But then, this adventure starts to get all wonky, and in time Finn realizes that he is in a some sort of trance or illusion: one that ends with Jake being buried in the ground. Suddenly, Finn awakens from his reverie. He’s an old man. And he’s dead. We’re then presented with a new title card that lets us know the episode is actually called “Finn & Jake Are Dead.”

Holy Glob! They actually went there.

Turns out Jake died years before Finn, so naturally Finn is super excited to see his best bud. But something’s wrong—he cannot find Jake!! They planned to spend eternity together. But all that Finn can find is his very own psychopomp, Mr. Fox (voiced by Tom Herpich, whose purposefully stilted line readings are the epitome of delightful). Finn rightfully assumes that Jake is in a different Dead World, and so, being the ball of spunk and energy that he is, he demands to meet with Death, only to discover that there’s a New Death in town (voiced by Chris Fleming). The episode eventually explains that New Death was the son of Death and Life, and after New Death killed his father, he became the sovereign of the afterlife. New Death hates his job and decides to just blow up all the Dead Worlds so he doesn’t have to deal with it all. (I won’t get too much into the details here, because there would be a lot of story to parse out.)

Finn soon learns that Jake has reached nirvana in the 50th Dead World, where there is nothing but peace and serenity. Finn nevertheless tracks down Jake, pulls him from paradise, but in doing so, accidentally lets New Death in, who promptly obliterates Elysium, sending all the enlightened souls—including those from different levels of the afterlife—to the 1st Dead World. This gronks up the afterlife, temporarily halting the reincarnation process.

Well, Finn and Jake are rightfully ticked, and so they haunt the material plane looking for Princess Bubblegum. She’s not home (more on that later), but Peppermint Butler is! After Ghost Finn and Ghost Jake explain the situation, Peppermint Butler tells them what to do: They need to find Life and explain the situation. The duo manage just that, and Life is rightfully angry that her kid has stopped the transmigration of souls. After Life gives Finn a McGuffin sword that can hurt Death, Finn and Jake return to his abode. A brawl ensues wherein we learn that New Death has been possessed… by none other than that spirit of the Lich.

That’s right, it’s the Lich! He’s back, and boy is he evil.

The Lich explains that by possessing Death, he can destroy the afterlife, thereby destroying a key aspect of reality. Naturally, Finn and Jake are not cool with this, and they engage in combat. After Mr. Fox grabs the McGuffin sword and uses it to annihilate the Lich and New Death, he is proclaimed the New New Death and sets everything right. Finn is slated to be reincarnated, and Jake is slated to return to the 50th Dead World where he and Finn will one day be reunited. As Finn is pulled into the wheel of souls, Jake suddenly decides to go back with Finn, too, “Just for fun.” The episode ends with a card letting us know that the episode is neither called “Finn & Jake” nor “Finn & Jake Are Dead.” Instead, it is “Finn and Jake Are Together Again.”

As they say, “And there wasn’t a dry eye in the place.”

If you were to tell me several years ago that the last episode to star Finn and Jake would revolve around them dying, I think I would’ve been upset. Not simply sad, but rather frustrated because “they all died” can feel like a cheap ending. But with “Together Again,” it all works. And a large reason that it works is because the show goes all in with their ideas. Finn and Jake don’t magically leap back into their old life (no, no, they very much do bite the dust). Instead, the special emphasizes the cyclical nature of life through the transmigration of souls. The episode ends with a beautiful scene of Finn and Jake, bound together as soul-brothers, being reborn into a new, mysterious (possibly Ooo 1000+?) world. It’s both aesthetically and emotionally pleasing; it doesn’t feel off the way over finales might. This is right. This is the way life works. “Round and round as nature goes,” and all that jazz.

I loved the series explanation of how death works. It seems that souls land in a specific Dead World, where they ‘marinate’ for a bit, presumably being rewarded or punished based on their life in our meat reality. After a time, they are then reborn. This process repeats, with each soul reaching higher and higher levels of enlightenment until they hit nirvana, which is the 50th Dead World. So in a sense, Adventure Time has a roughly Buddhist cosmology with a dash of Greco-Roman mythos thrown in for flavor. (As to what happens after a soul stays in the 50th Dead World for a long period is anyone’s guess, but I’d speculate that when all the souls in the multiverse have been purified and land in the 50th Dead World, they will all collapse into one another and form one perfect Monad. Perhaps this is the sphere of perfection that the beings who merged into Matthew thought they were connecting to? Who knows! It’s anyone’s guess!) I was a little disappointed that we didn’t get to see who Death, Prismo, Life, etc.’s boss was, but perhaps that’s a mystery better left up to the imagination!

One minor thing that I loved about this special was the number of characters who made cameos as well as all the callbacks that were made to previous episodes. Regarding the former: Finn and Jake’s canine family show up (including the oft-forgotten Jermaine!), as do Tree Trunks and her myriad husbands. Tiffany plays a major role in all these shenanigans as a “death cop” of all things. There is a delightful rogues gallery stuck in the 1st Dead World (including, among others, Maja, Sharon from “The Gut Grinder,” and Wyatt). In the 50th we find Ghost Princess and Clarence happily at peace next to Booshy, the weird spirit mentioned in the Pen Ward classic “High Strangeness.” As far as callbacks go, perhaps my favorite is the clap (from “James Baxter the Horse”) that Jake taught to Finn in case they ever do get separated in the afterlife. And of course, there are myriad references made to “Death in Bloom,” the episode that planted the seed for what this would grow into.

Going into the special suspecting that it would involve Death, I was curious how they were going to handle Miguel Ferrer’s character. (In case a reader is not aware, Ferrer played Death in episodes like “Death in Bloom” and “Betty,” but he sadly passed away a few years ago). The producers’ choice to feature him in a non-speaking cameo—despite playing a relatively significant role in the story—was wise; I’m not sure if I can articulate the exact reasons, but something about his role felt appropriate and not gross, as some post-mortem memorials can be. Speaking of which, the wonderful, lovely Polly Lou Livingston was featured for the last time in this episode as Tree Trunks, happily in heaven with her literal harem of husbands. It was funny, it really was, and I’m sure that Polly Lou would’ve gotten a kick out of seeing it on screen. (Also, this is a pro-Tree Trunks safe space. Any Tree Trunks haters will be chucked into the 1st Dead World with Wyatt.)

The biggest mystery in this whole thing, for me at least, is the question of Princess Bubblegum and Marceline. Several years ago, I wrote an essay about what could’ve happened to them in the Ooo 1000+ universe. I speculated that they peaced out and left Ooo behind. In this special, neither Bubblegum nor Marceline are to be found in the Candy Kingdom—Peppermint Butler seems to be the one in charge, given that he is now wearing Bubblegum’s crown. Likewise, the duo aren’t anywhere in the Dead Worlds either. Maybe the two of them skipped town and got a duplex in the Nightosphere? Who knows… I just want my favorite gals to be OK!

All things considered, “Together Again” was a marvel: An episode that managed to feel like a series finale even more than “Come Along with Me” already did without taking away from the series itself. An episode that managed to make the idea of dying funny. An episode that brought back the Lich in a way that wasn’t forced. An episode that made Mr. Fox the New New Death. An episode that gave us a beautiful ending to Finn and Jake’s story… as well as the beautiful beginning to a new one. I said it on Twitter, and I’ll say it again here: “Together Again” was the end of a sentence in a book with infinite pages. Truly, the fun will never end.

Mushroom War evidence: Everything takes place in the Dead Worlds, so not really. Perhaps a more eagle-eyed viewer can inform us...

Final Grade: That’s right, I’m gonna do it...

Post-script, I actually messaged Jesse Moynihan to ask about his writing credit. He told me that it was for an unused story idea that he had developed. I’m not certain, but I’ll bet it was a part of the cancelled TV movie they were trying to make during season 5, since that would’ve seen Finn and Orgalorg journey to the various Dead Worlds.

[typical-simplelove]

I Tried (M. Tkachuk)

A/n: Just a funny little blurb I thought of!

In the ten years that you’ve known the Tkachuks, you’ve always been closest to Brady. When you were in middle school, your mother got a new job which resulted in your family moving to St. Louis. As a result, you ended up across the street from the Tkachuks. You remember the first time you met them, you only met Chantal, Brady, and Taryn. Keith and Matthew were at a hockey tournament. Brady took you under his wing, and the two of you became close friends. That didn’t mean, however, that you didn’t have a connection with Taryn or Matthew. You and Taryn had sleepovers almost every other weekend and did things that girls did. Your connection with Matthew was complicated. The only words that you could use to describe it was that Matthew was a pesky older brother who could be the worst to you but also the best. It was safe to say that you went to different Tkachuks for different reasons. When you wanted someone to laugh with and enjoy the day with, you went to Brady. If you wanted someone to gossip with, you went to Taryn. You and Matthew weren’t that close; however, whenever you were around him, he always made your heart flutter, and he made you giggle like a maniac.

When you came to the age to be looking for schools, Matthew and Brady gave their best pitches for their hockey cities. Brady told you that in Ottawa, your best friend, him, would always be there. Matthew told you that because he was older, he was more mature. (he knew that wasn’t true) Therefore, he could take care of you better. You ended up applying to schools in both cities and touring schools in both cities. You wouldn’t admit this to anyone, but you like the Calgary school better. So, when you got your acceptance letter from the University of Calgary, there was no hesitation as to where you would go. Matthew insisted that you moved in with him; however, you wanted the whole university experience and opted to stay in a dorm. However, that didn’t mean you didn’t spend lots of time with Matthew.

Now, ten years later after meeting Brady and Taryn, it was safe to say that you were closest to Matthew out of all the Tkachuks. You were sitting on the couch in Matthew’s apartment getting ready for a movie night with him and some of his teammates. Matthew came and sat next to you and offered you the bowl of popcorn in his hand. You reached to grab some, but Matthew moved the bowl out of your grasp.

“If I give you some popcorn, will you go on a date with me?” Matthew asks. For the past six months, Matthew has been trying to get you to go on a date with him, and you said no every time. It wasn’t because you didn’t like Matthew; it was because you didn’t want to ruin your friendship with Matthew and his siblings. You’ll admit, Matthew was a very attractive being, and you might have had the smallest crush on him in high school. However, nothing big enough for you to want to act upon it. Matthew, it seems, was in the same boat and felt that now was a perfect time to act upon those feelings.

You look at Matthew with a small smile gracing your face. “I think you know my answer. It’s been the same for the past six months.”

Matthew puts a pout on his face. “Come on, please? I really like you. I’ll do anything.”

“Anything?” you ask with a raised eyebrow.

“Anything for just one date,” Matthew says. “Please? I’m not going to stop until you give me some kind of chance.”

“Give me a bit to think about what this ‘something’ you can do for me is, and then maybe you’ll have yourself a date.”

Matthew nods like a child. “I can go with that.”

“Is that the farthest you’ve ever gotten with asking Yn out?” Johnny asks from where he’s sitting. In your interaction with Matthew, you almost forgot that there were other people in the room. Actually, that happened anytime you were in the general vicinity with Matthew.

“It is, and I’ll take it,” Matthew says and starts the movie.

What could you do to get Matthew to do that you knew he couldn’t do? You wanted to go on a date with Matthew, but you didn’t want to ruin the good you already had. The WAGs have been telling you that it could only get better. You guess they could be right, but you also thought of the millions of possibilities that everything went wrong. You weren’t sure you were ready for the possibility of it going awry.

You knew that you had to pick something that annoyed you. What did Matthew do that annoyed you? The weird racing stripes in his hair. The inability to take care of his curls. The fact that he always chews his mouth guard instead of wearing it. That’s it!

You look at Matthew and grin widely. “I know what I want you to do,” you whisper into Matthew’s ear.

Matthew looks at you with a smirk and hopes you can’t tell that your whisper sent shivers down his spine. “Yeah?” he whispers back. “What is it?”

“You have to go an entire game wearing your mouthguard instead of chewing on it.”

“What?” Matthew says audibly that gets everyone looking at the two of you. “I can’t do that.”

You shrug. “Then I guess no date.”

Matthew sighs. “How about whenever I’m on the ice then?”

“You’re compromising?” you tease.

“Yes or no?”

“Sure, whenever you’re on the ice, you must have your mouthguard in your mouth and no chewing on it. If you can do that, then I’ll go on a date with you.”

Matthew could do this, right? Simple, no chewing on his mouthguard while on the ice.

. . .

“Do you think you’ll be able to do it?” Sam asks. “She gave you the hardest possible challenge, and you went along with it. Dude, you’re so whipped for her.”

Matthew looks at his teammate and shakes his head. “Don’t I know it.”

. . .

Matthew lasted all the way through the first ten minutes of the first. It felt unnatural, but he knew what was at stake. Ten minutes into the first, the Flames were up by two, and Matthew completely forgot. As he was skating to chase the puck on a breakaway, his mouthguard, out of habit, escaped his mouth, and he began to chew on it. After his shift was finished and he was back on the bench, Sam gave Matthew a sly grin.

“What?” Matthew asks annoyed.

“I guess you’re not getting that date now,” Sam replies.

Matthew was about to ask what but realizes what Sam’s referencing. Fuck, Matthew couldn’t keep the mouthguard in his mouth. He looks up to the Friends and Family box to see if you were looking at him or noticed it. You were currently talking to Lauren. So, maybe you didn’t notice? However, sensing Matthew’s eyes on you, you look down at the bench and catch Matthew’s eyes. His face instantly goes red, and the heat can probably be felt all across the Saddledome. You gave Matthew an innocent shrug and smile. Yeah, you noticed.

. . .

Thankfully, Matthew didn’t let the status of his dating life affect his play, and the Flames won. He exited the locker room and saw you standing there in your Tkachuk jersey.

“Hey, look, I’m sorry, I really tried, but I coul--” Matthew begins but is interrupted by you cupping his face and kissing him. It takes a few moments for Matthew to realize what was happening. When he finally came to, Matthew wrapped his arms around your waist and began to kiss you back. When you both pulled away, Matthew had a giant smile on his face. “I’m really confused because I failed, but I’m totally okay with you kissing me.” And he leans in for another kiss.

You laugh pulling away slightly. “I was talking to Brady earlier, and he was telling me how you were really nervous about whether or not you could keep the mouthguard in your mouth. That’s when I realized, you really did care about me.”

“Did you not know that before?” Matthew asks puzzled.

“No, I did, but, don’t be mad, you have a certain reputation. I didn’t want to be one of those girls, and I didn’t want to ruin my friendship with you, Brady, and Taryn. You all mean too much to me except you mean much to me in a different way.”

“So, this means that I can take you on a date?”

“Yes, Matthew, you can take me on a date,” you say, and Matthew kisses you again.

Matthew pulls back and looks at you. “Do you want to come over for dinner?”

“I mean, you did drive me here, so sure,” you tell Matthew, and you both walk hand in hand to Matthew’s car.

“I can’t believe you’re finally letting me take you on a date, and you’re letting me kiss you,” Matthew says excitedly. “I never thought you’d let me do anything with you other than be your friend.”

“I mean, you can do anything you want to me now,” you say.

Matthew looks at you with his jaw dropped. “I think you’re going to regret that,” Matthew says and picks you up bridal style. The only sounds in the parking garage are of your giggles as Matthew places kisses around your face and neck as you both walk to his car. All those worst-case scenarios? Yeah, you 100% could ignore them.

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[matthewgiggles]

About Matthew: 🥰💥🤣

PALMER: It’s funny, the very first day we met was at the audition for A Discovery of Witches. He had been cast already and he was reading with his Dianas. Three different girls came in to read with him, and I was one of them. And actually, from the moment we met, we just had this incredible banter, back and forth, laughing and chatting. I now have four kids, but at the time, we both had three kids. We were deep in parenting jokes, connecting and having fun, and that was just the audition. In fact, the casting director was like, “Hey, guys, I love that you’re connecting and having laughs, but we should probably put something down on tape.” We were like, “Oh, my gosh, I’m sorry.” And that really set the tone for the whole show.

He was my partner in laughter. He’s so cheeky and funny and brilliant. He really advocated for the story and these characters, as did I, so we became a team. It was him and I, working through the script and coming up with ideas together for scenes and how we wanted to play things. I always felt really safe in his hands, as a performer, in general, and we had each other’s backs. We always did. It was him and I together, as partners. It was wonderful because it mirrored their journey in the show. They really just have each other and they have their amazing little gang of people around them who are supporting them, and that’s how we felt.

It was him and I, every day. From the moment we got to the set to the end of the day when it wrapped, it was him and I, in most of the scenes. We had this beautiful little family of cast around us, but if he and I didn’t function, then the show wouldn’t work. It was lovely to have that kind of camaraderie with him. Sometimes it got us into trouble because we were giggling too much, in front of the camera. He would give me the giggles, and then I couldn’t stop. He would start it, but then I’m the one that can’t stop giggling, so they’d be like, “Come on, guys!” There’s tons of footage out there of us in a scene and we’re both losing it and really trying hard to keep a straight face. That just made it so fun. It was a wonderful experience working with him

[pleasereadmeok]

This ‘Wonderland’ Interview to promote A Single Man is a gem.  Matthew Goode is a bit of a handful and swears his way through this interview with his mate Nic Hoult.  It’s very funny.  It’s often quoted (including his description of Colin Firth’s kissing technique!) but it’s difficult to find a clean scan of the whole interview.  This scan (from Natalie/ Fairchilds on ohnotheydidnt) isn’t very clear to read so I did a transcript several years ago - here:-

Wonderland Interview

Based on the 1964 novel by Christopher Isherwood, A Single Man marks the screenwriting and directing debut of fashion icon, Tom Ford.  Having debuted earlier this year at the Venice Film Festival to a standing ovation, the film has continued to impress audiences during screening at the Toronto and London Film Festivals.

Joining lead actor, Colin Firth, on screen are fellow Brits Matthew Goode and Nicholas Hoult who discuss the film, Tom Ford and being British in LA.

ON A SINGLE MAN

Nicholas Hoult: The only time I saw Matthew was when we were getting our spray tans.

Matthew Goode: Which were more regular than we were expecting.  I got on a plane with Colin [Firth] and then literally the moment we arrived, got in the car together, went to the hotel and suddenly – it’s like ten thirty at night – we have to go to Colin’s room where we’re having our spray tans .  Colin Firth is in his pants, I’m in my pants and it stays that way for an hour whilst we wait for this stuff to set.  He’s fucking great.  I love Colin.

We [Nic’ and he] never had a scene together but we were there the whole time.  I was only really fitting in around these guys.  Nic had a damn sight more to do than I did.

NH: No I just did more.

MG: [Laughs] It was a really fun shoot. I mean, maybe I’m looking back with rose tinted spectacles, but …

NH: It was a good fun shoot. Everyone enjoyed it.  I remember the night in Venice after seeing it in front of all those people and just lying in bed thinking ‘that’s something I’m proud of’.

MG: It’s seriously impressive. You watch it and you care and, it doesn’t happen to me a lot, but I watched it and thought ‘I’m in something that doesn’t stink!’.  I’m proud of that.

NH:  That’s a nice feeling when you’ve done something and you can say ‘yeah, proud of that’.

MG:  Fucking hell – sorry to interrupt – but I was reading a magazine or a paper or something the other day and it said “A Single Man obviously being screened and whenever Nic Hoult was on screen there were gasps over his beauty” [laughs]. And I was thinking, fucking Hoult is going to LA and get so laid! [Laughs]. He is going to be turning bush away left right and centre!

NH:  It’s all down to the fake tan again.  That’s where the performance stems for me.

MG:  That is a review!

NH:  Nothing about the acting, right?

MG:  They didn’t review the film.  It just said “I saw it.  I’m going to be reviewing it at some point, but let me tell you there were gasps over Nick Hoult’s beauty!”

ON TOM FORD

MG:  Tom is immediately interesting. If it’s all about someone’s cannon of work then most of the time you wouldn’t work with a first ime director, but if the script is good and you have a chat with them and they know which end is up and which is down, then great.

NH: I didn’t know who Tom was when I met him.

MG: Nick “fashion forward” Hoult!

NH:  I’d gone over to LA got off a plane and had dinner with him.  And I asked him how he’d got into directing and why he was doing this!

MG:  I love that.  Isn’t that great?  And that’s also like Tom.  He’s not the sort of person who is like, ‘well fuck you!’.

NH: He explained very humbly what he had done and I thought OK.  And then I looked him up after dinner and was ‘oh jesus!  He’s actually accomplished quite a lot’ so probably quite a stupid question, but he was very honest and modest and made a great director.

MG: It’s so good.  And so good for Colin.  And Julianne [Moore] is bloody great in it as well.  But the real star of it, it has to be said, is Tom. It silences immediately the people who were going ‘you self indulgent cunt.’  It’s like two massive fingers up to them as it is very, very accomplished.

NH:  It’s very personal to him as well.

MG:  Hugely personal as the main story sort of mirror images the relationship between him and Richard.  There’s a similar age gap.

NH:  He would always say my character is him when he was 18.  He’s connected to every character and he knows them.

MG:  And he wrote the screenplay and it’s starkly different from the book.

NH:  Matthew’s read the book, so –

MG:  That’s right!  I have. It is different.  I am always about the script, really.  But one of the really nice things about being involved is that it is a love poem to Tom’s partner, Richard.

NH:  Tom is very good in the sense that he is an actor’s director and knows what he wants you to do but is very giving to let you go off and explore things and try stuff out.  And you don’t feel too much pressure of failure.

MG:  That’s very true.

NH: ‘Cause the second you’re on set – especially when there’s only 20 days to shoot – to not feel the pressure, that’s a good atmosphere he created.  Something his assistant was saying the other day was that he’s very good at holding his hands up and would admit when he wasn’t sure what he was doing and kept everyone on side and made it a really great team effort.

MG:   I love it when someone’s like that.  It’s so far away from self indulgent as well when someone’s shooting into the 19th hour of the day and the ship isn’t sinking, but there’s a leak and it’s far better to say we do have a leak and I’m trying to sort it out rather than leaning on one side and saying everything is fine.  He is fucking great.

ON COLIN FIRTH

MG:  Colin was great.  I knew he was going to be good.  The moment I read the script, I was like, ‘this is something you haven’t done in a long time’ – just something he could really get his teeth into.   He’s such a subtle actor and it’s been a long time since I can remember him having something that central and serious.

NH:  It was a great moment when we went to the Venice Film Festival and got the message Colin was winning the best actor award.

MG:  I know.  The previous evening we had sat there and we knew it had gone down well because there was a NINE minute standing ovation.  And particularly when you’re not in the film as much as I am, then I feel like a fucking charlatan.  I stood there and am looking down and smiling and embarrassed.  Colin’s quite emotional and I tell you what – four minutes of a standing ovation gets a bit uncomfortable, but NINE?  ‘OK, Colin… fucking move. Let’s go. Let’s leave.’ And he couldn’t tell us that he had won and so he was being shy about it.

NH:  Yeah, he kept it very quiet.

MG:  The moment we found out and we were on the boat we were like ‘What the fuck?  You’ve won and you didn’t tell us!?  And he was like ‘ I know, I didn’t wanna.’  He was humble.

NH:  It was great.  It was a bit of an odd first day like you had in the sense that I had to strip off in front of Colin on my first day.  It sounds a bit seedy when I say ‘strip off in front of him’.

MG:  It does!

NH:  It’s part of the film, I swear!  And it’s handled a lot more tastefully that that might seem, but yeah it was a bit of an odd first day.

MG:  Everyone is going to say ‘oh it’s a gay movie’ which we then counteract with ‘no it’s not, it’s a film about love.’  But there is nudity and a bit of man kissing.  Frankly Colin kisses like a nymphomaniac on death row, but it was a real pleasure!

NH:  He’s got a lot of love!

ON JULIANNE MOORE

MG:  She’s a fucking hero.  She’s lovely. I didn’t have any scenes with her. I mean I’m only in flashback, so all my stuff was with Colin.

NH:  All my stuff is with Colin as well.   The first time I met Julianne was in Venice.

MG:  Yeah, she was probably in the middle of juggling six projects or something, you know, she never stops working.  She came in and shot two scenes, which were about 20 odd minutes of the film, and they did that in two evenings so she was in and out.  I never got a chance to meet her until I was at some party in LA and she is just fantastic.  And she’s married to a guy called Bart Freadlich who is a director in his own right.

NH:  He’s a hero.

MG:  He is actually fabulous!  My girlfriend spent the whole evening calling him Bert instead of Bart and he was like ‘you know, actually I prefer Bert!  Don’t worry about it’.  He’s lovely. They could throw their weight around, but they are actually family people and live in New York – they’re kind of anti Hollywood.

ON THE LIFE OF AN ACTOR

MG: There are a lot of Brits and Aussies at the moment who are working.  I don’t know what that means.  But we never think of ourselves.  When you get off the plane and you’re in America they ask ‘what’s the best thing about being a movie star?’ I am a jobbing actor, they have no idea! They make it sound like I get 500 scripts and am sitting there going through them all. If something comes up and they are stupid enough to give it to us or you love the script and audition but someone of a huge stature can come in and take it like Brad Pitt. Or Judi [Dench] – we’ve been up against each other a couple of times.

NH: I’ve never lost out to Judi yet.

MG: Only in a drinking contest! The vicious alcoholic that she is!

NH: Sam Worthington was telling me when he was in LA someone asked him why there were so many Aussies over there doing so well and his response was that it’s an awful long way to go to fail and not give it your best shot, basically.

MG: Oh. I was expecting some sort of knob gag in there, but yeah.

NH: It’s very true. I just got back from LA and every TV series has an English guy in the lead. Joseph Fiennes, Matthew Reece [RHYS]

MG: We’re good. We’re quite good…

N H: I can’t say it’s the training, because I don’t have any.

MG: You’re doing well! You make people gasp! You complete cunt. I hate that!

NH: You’re coming across very eloquent.

MG: That’s very nice of you.  OK, who used to live with Ewan McGregor and Jude Law and he has a TV show? You’re right about that. Though it makes it sound like ‘Oh you’re English.  Have a TV show’.  I’m sure they all have about ten auditions.

NH: I had an interesting day recently when I was at a BBQ and Jimmy Page and Roger Daltrey were there.

MG: Wow!

NH: I sat there and was very quiet because I thought if I speak to them I’ll make a fool of myself so it’s best to keep out of the way and then they can’t have any bad thoughts although they probably didn’t know I was there.  But I knew they were there so it was a good BBQ for me.

MG: I’d love to learn guitar. It’s one of those things I’d love to do. Though it’s not like I don’t have the time…

NH: [Laughs]

MG: I’d like to know all the chords.

NH: It’s difficult to get the fingering right… That’s what she said.

MG: And back to Dame Judi!

NH: [Laughs]

MG: It depends if you have a high action or a low action in terms of the strings.  It hurts. You’ve got to build up the calluses. If you get a low action one that would be easier.

NH:  Are we still talking about women?

MG:  Yes! [Laughs] I remember Billy Crudup got the part in Almost Famous and he had lessons with Peter Frampton but had to have lessons on the side because Peter was like ‘you are fucking terrible’. But that’s one of the nice accidents of the job is you can get training in things. And random travel.

NH: I got to do archery.

MG: You did! That was The Weatherman!

NH: No, for Clash of the Titans. I didn’t use it once.

MG: Oh yes, it was the daughter in The Weatherman.

NH: Yeah man, keep up.

MG: Sorry mate. That’s how pretty you are. I confused you with the female lead.

NH: He’s seen all my work.

MG: I have! I’ve got to learn how to do it. You are a master.  I did a Spanish film and it was all in Spanish [!] – I learnt it phonetically. Jesus, that’s my only skill.  The major skill I picked up is I can pay my rent. The older you get the more you realize there are a lot of people who hate their jobs.  I’m so glad I’m not – ha!  Famous last words! – it does seem to be going OK for now.  But bringing it back to what do you like about acting – to be honest, everything.

ON BRITISH TALENT

MG:  I think there is an element that we’re just so happy to work.  Certainly as for getting into film it was such an accident because I hadn’t worked in front of a camera.  For a while it was like what is the secret code to working on screen?  I have no idea what it is… but even ten films in I’m still sitting here renting and not owning a house.  I think that keeps you grounded.  As opposed to some American actors who are on a hundred thousand dollars doing some TV.

NH:  You don’t get comfortable so you feel you’ve got to keep on striving.

MG: I think we’re overrated. [Laughs].  There is an element over there if you walk into a room of Americans that they’re suddenly like ‘oh fuck they’re British and we’re steeped in tradition.

NH:  It’s odd that Tom got so many English actors for the film – we’re both playing American.

MG:  And Julianne is playing English.

NH:  it’s good he trusts in us to pull of the American accents.

MG:  Yeah, I mean – idiot!  In fairness you’ve done it before and I have done it a couple of times.  But it is odd.   If you think who he probably could have had –

NH:  He probably could have done better than us!

MG:  I’m sure he could have convinced someone with a much higher stature.  I think it was just we were willing to work for free, effectively.  And that’s also what makes Britain great.  We want to work and we want to please the director and often at times, yes we might have strong thoughts on character and script, but we turn up and are like, this is your vision and you are the director and we know where we fit in. Certainly the Brits, I find, we want to be told what to do or how it’s going to work rather than, ‘I’m the fucking star!’ I tend to find we leave our ego at the door. We tend not to pussyfoot around. We all like a drink. We’re steeped in that tradition as well. There’s a certain forbidden thing in America if you drink you’re an alcoholic. No I’m not, and I generally wait until at least half past one.

NH: On weekends. Weekdays, 11.

MG: There is a reason pubs are opened at 11 and it’s because you are allowed to start drinking at that time. Otherwise, they wouldn’t do it! Christ, can you remember back to when – you might not remember, actually. I gasp at your beauty as I try to remember!

NH:[laughs] I’m never going to live this down!

MG:Do you remember when pubs shut on Sundays at, like, 1 for two or three hours? Maybe I’m showing my age now. That is fucking madness. There would be a riot now.

NH:  So basically, we haven’t found a conclusion to what makes Britain great…  You’re a big X Factor fan though, aren’t you?

MG:  My girlfriend loves it.  She’s got me into it.  I mean it’s fucking hilarious.  You literally sit there and you don’t know any of these people but the music comes up and they get selected and you can be in tears and so happy that these people have been selected for the live shows.  I really like the over 25’s this year.  They’re fucking great.

NH:  Matthew Goode on The X Factor!

MG:  ‘He’s very much into the over 25s and what is funny is they are all male’.  But it is great.  But then it’s such a machine.  There is such a turn around.  Sometimes the winner gets completely forgotten and they have no career and then, obviously, sometimes they go shooting up.  But it is great telly!  Saturday night, a couple of beers and The X Factor.

[Pics - My edit of Ben Rayner photos/scan by Natalie Fairchild.] 

[downtonabbeyrevisited]

Season Two Episode Two

Following a typically chaotic opener, Episode Two of Season Two strikes a far more sombre tone. The arrival of Henry Lang as Robert’s valet brings the first of this episode’s three plot points that address the impact of WW1 on the mental health of its soldiers. There is nothing funny to say about either shell-shock or suicidal ideation both of which are vast, complex issues that, for my money, Downton Abbey isn’t the vehicle explore in (because they require more time and depth than the pace of the plot in Season Two affords) and it certainly isn’t my place to make light of them in this rather irreverent corner of the internet. So I’m going to have a go at treading a fine line here. Forgive me if I stumble. 

Lang is clearly in the grips of something awful and yet in an attempt to avoid the indignity of having maids in the dining room, he is bumped up to footman duty. He struggles throughout, culminating in him depositing his cargo on Edith’s dress. Mrs O’Brein has firmly taken Lang under her wing, recognising that he is struggling and offers him assurance and comfort that she has never gifted to Thomas. 

Across the Village, Lieutenant Edward Courtenay is in the hospital having been blinded by gas. The use of gas (both chlorine and mustard) had a devastating impact on soldiers in WW1 but was also the root of the development of Zyklon B. Frtiz Haber, a German Jewish chemist, enabled chlorine gas to be used a weapon in WW1 and his research was later developed into the Zyklon process which was used by the Nazis to murder millions, including his own family. This is only one of a dizzying number of appalling ironies to be found in the World Wars but as I said last episode, I’m not a military historian so I’m going to leave it there. Edward had plans to return to the country after his graduation from Oxford to pursue the simple life (although one gets the feeling that his idea of the pursuit of a simple life will still be one that is very well upholstered). Thomas has taken it upon himself to read Edward’s letters to him and  together with Sybil is helping him to adjust to living life with a different set of parameters. But growing pressure on the hospital’s limited capacity means that he is to be transferred elsewhere. All three voice their dissent at varying volumes to Major Clarkson who falls back on the very real backlog of wounded men. After Edward has died, Major Clarkson, Isobel and Sybil talk about a renewed need for the Abbey to become a convalescent home, an idea that has been bubbling under the surface for a while now. Meanwhile, Thomas has been left on his own to process both Edward’s death and the implications of witnessing a lack of support given by his own physician to those with depression.  

The usually reliably jovial Mrs Patmore also has a more somber episode with her pursuit for the truth about the death of her nephew Archie. Robert finds that he has been shot for cowardice. Not only does this mean that her family is in mourning but they will now have to navigate the stigma and undue shame that came with having a relative die in this way. So entrenched in British life was the derision levelled at those who were shot for cowardice or desertion that it was only in 2006 that pardons were offered by Britain for 309 of those that were executed by firing squad during WW1. I know I said I’d leave it there with the military history, but that felt like an important bit of context. 

We are now in 1917 and Matthew is still in the same trench that he was in 1916 (a detail I hadn’t actually noticed until I got the screen cap for this) so it looks like his strategy of downing tools mid-fight and continuously popping back to Blighty for important plot developments isn’t really paying dividends. Perhaps the addition of William to the ranks will help him? William certainly seems to think so and if the speed at which he moves through the various stages of his ‘relationship’ with Daisy is any indication of his tactical prowess, the British Front will not only be well within Germany’s borders but will be breathing down Russia’s neck in a fortnight. In any other episode, this would certainly get the award for oddest relationship dynamic but Sir Richard Carlisle exists. 

Sir Richard makes his debut at Downton, having been introduced in name only in the previous episode. He and Mary met at Cliveden which is a regular haunt of mine, giving me hope that one day I too will from a strategic alliance with a newspaper magnate. He may know how to talk his way around a boardroom but he is lacking in the sartorial department. Whilst Sir Richard manages to avoid catching fire in his tweed, Lavinia is not free from the heat as he threatens her with his connection to her uncle. He may not know much about navigating the niceties of Downton, but at least he has cottoned on to the fact that any major disagreement should occur under a specific tree. Whilst Mary’s signature move is weeping into her gloves, Sir Richard’s is grabbing women by the forearm. A female friend of mine told me that one of her favourite things about the pandemic and the compulsion to keep 2m away from anyone (and not just emotionally) is that she has not been ’steered’ by a male hand on her lower back since 2019. It turns out that she can enter and exit rooms just fine on her own and I get the impression that Lavinia could get the gist of Sir Richard’s rage without the vice like grip of a man probably about twice her age. 

Twinned with the ’tree of emotional conflict’, the ‘platform of romantic uncertainty’ provides the backdrop for Sir Richard’s proposal of marriage to Mary which is a declaration that really feels like it should come with a series of well-formatted charts. Mary’s heart, however, is still very much with Cousin Matthew. After being counselled by Carson in a type of conversation I cannot imagine her ever having with her father, she is on the verge of coming clean with Matthew. But in the second round of Lavinia vs. Mary, Lavinia declares that she ‘could not go on living’ without Matthew and Mary winds her neck in. 

Also having a romantic entanglement this episode is Edith. Drake, previously of dropsy fame, has lost his farm hands and Edith turns up to offer her help in a wildly unsuitable trouser and heeled boot combo. But she soon gets down to it by pulling up a tree stump and flirting in a barn whilst a rather lovely border collie looks on (I’m currently trying to talk myself out of getting a border collie and this incident has done nothing to help things). After showing Drake that she can drink from a bottle like literally every single other human on the planet, the two share a kiss and some highly awkward dialogue that only slightly resembles ‘Carry on Downton’. 

Whilst Edith is more than happy to crack on in a barn, Mr Molesley is much more backwards about coming forwards. Apparently having predicted the creation of ‘The Guernsey Literary and Potato Peel Pie Society’, he figures that a book is the perfect kindling for romance when you exist in a glossy depiction of the past. Sadly neither Elizabeth nor her German garden can lure Anna from Bates who is fast shaping up to be schrodinger’s boyfriend. Anna proceeds to make some odd analogy where she compares Mr Bates to her moon-based child, revealing a rather unhealthy amount of codependency in that particular relationship. 

Romantic declaration of the moment 

Again, it feels like anyone but Sybil and Branson should get this but I am an agent of chaos and here we are. Branson defends Sybil’s will to work and has ample opportunity to see her shine in her chosen field. The admission that she will not be returning to her old life is a little chink of light that Branson basks in. 

Expressive eyebrow of the week 

I nominate Carson’s entire face when he realises that he has taken on too much and goes an impressive shade of red. As Carson frets about spoons, sauce, and something I can’t quite fathom, he starts to resemble a man who is re-arranging the deckchairs on the Titanic. Carson’s battle to get a cork out of a bottle and knocking into chairs is a warm up to his rather dramatic collapse which is accompanied by a pretty disturbing groan. Sybil springs to action and he is soon efficiently ensconced in his own quarters. 

Wait, what? 

“I got a lot done on the train” Clearly Richard was on a train that was unencumbered with the wifi issues that plague the Pendolino.  

“It takes a good deal more than that to shock me.” Mary’s shock-o-meter is a pretty odd instrument. It is unresponsive to corpses of diplomats but goes into absolute meltdown at the notion that she might have to live in a cottage. 

“Let's hope my reputation will survive it.” I’ve not checked (and I categorically never will) but I would put money on the fact that someone has created a rarepair out of this. 

“How can Matthew have chosen that little blonde piece?” Is Lavinia blonde? Women’s hair is not really my forte but I would have thought she was more akin to Tim Minchin than 1998 Justin Timberlake. 

“I believe in this war. I believe in what we are fighting for.” William seems to have a better grip on what all of this is about than I ever did in high school history. The ‘A’ that eluded me is heading his way. 

“I thought he might've died for love of you.” How I love snipey Thomas. It’s good to have him back. To borrow a quote from Bottas (another man who is currently living a life in which his destiny is his own demise) ‘traditions’. 

“Fold it in, don’t slap it” The more season two goes on, the more I think that Moira is just an amalgamation of some choice elements of Julian’s kingdom. 

[merry-thieves]

Possible meanings of Chain of Iron snippets

Yes, this is going to be a long post. 

I didn’t put all teasers here only those where I could actually come up with something.

Alastair looked amused. “Never before have I heard such a concise statement of the ludicrous philosophy with which you and your school friends go through the world.”

So, Alastair is definitely speaking to one of the Merry Thieves

probably James, since Al and Matthew aren’t on the best terms and conversations between Thomas and Al would go in another direction (either fighting or with way more feelings)

it seems like James and Alastair are on quite good terms here if Alastair isn’t snappish and shows his true (happy) emotions

Anna was fortress-surrounded by her friends: tall, handsome Thomas; Christopher, who shared his sister’s stern delicacy of feature, peacock Matthew, who always looked as if he’d just rolled out of an unmade bed piled with silks and velvet. And Eugenia Lightwood, who hadn’t bothered to take off her canary-yellow gloves or hat, as if she were ready to run out the door any moment.

They all eyed Ariadne suspiciously as she approached Anna. Anna didn’t seem to see her at all; she was leaning back with one booted foot braced on the wall behind her. She was all lean black and white lines, her close-fitting jacket following the outline of her slim curves, her head thrown back as she laughed. Her ruby pendant glimmered in the hollow of her throat.

Keep your head up, Ariadne, she told herself. You can do this.

“Hello, Anna,” Ariadne said.

First of all, Eugenia is in this group which is interesting regarding the main characters in Chain of Iron

Is Eugenia part of the main group? Has she an important role to play? (we are supposed to find out the reason why she is disgraced)

We have Ariadne’s pov here, so she might play a big role too in Choi, at least we will have more of her and Anna’s relationship

Also, she calls Matthew “peacock” which is so accurate and funny!

Alastair’s gaze flicked to Matthew. “Why,” he said, “are you not even wearing a hat?”

“And cover up this hair?” Matthew indicated his golden locks with a flourish. “Would you blot out the sun?”

Okay, Matthew and Alastair aren’t brawling which is a good sign

Also, where are they? There has to be a good reason if both of them are attending and standing next to each other

I’m guessing they’re outside since they’re supposed to wear hats 

The brave princess Lucretia raced through the marble halls of the palace. "I must find Cordelia," she gasped. "I must save her."

"I believe the Prince holds her even now, captive in his throne room!" Sir Jerrod exclaimed. "But Princess Lucretia, even though you are the most beautiful and wise lady that I have ever met, surely you cannot fight your way through a hundred of his stoutest palace guard!" The knight’s green eyes flashed. His straight black hair was disarranged, and his white shirt was entirely undone.

"But I must!" Lucretia cried.

So, the main thing I want to point out here is that Lucie is crushing so hard on Jesse!

and does she picture him with an open shirt or am I reading too much into this?

James spoke at last, and there was real kindness in his voice. “You must give people time, Alastair,” he said. “We are none of us perfect, and no one expects perfection. But when you have hurt people you must allow them their anger. Otherwise it will only become another thing you have tried to take away.”

Alastair seemed to hesitate. “James,” he said. “Does he think —“

Soooo, James and Alastair are friendly now? (please, please, please)

And who does Alastair have to give time? Matthew or more likely Thomas?

Also, James is one eloquent babe

“I know that you’ve been doing something — something you’re keeping secret. I’m not angry,” Cordelia hastened to add. “I  just wish you’d tell me what it is.”

Lucie tried to cover her surprise.

it was about time that those two speak about all their secrets! They want to become Parabatai for Raziel’s sake!

but I have the sneaking suspicion that Lucie is going to deflect the question or is going to make something up to avoid telling the truth

(please let me be wrong)

“Alastair! Cordelia!” A familiar voice bellowed up from downstairs.

Sona went white and laid a hand against the wall to steady herself. “Elias?”

I’m not sure about you guys but going white and bracing oneself against a wall doesn’t seem like someone is happy

So, I guess Sona isn’t really happy that Elias is back

is there another reason besides the drinking why she isn’t

and is Elias mad at his children? I mean he is bellowing

also why is Elias mad at all? All his charges were dropped and he is a free man once more

Cordelia shivered a little, though it was not cold in the room. “There is something weighing on you, Matthew,” she said gently. “A secret. Will you tell me what it is?”

She saw his hand go to his breast pocket, where he often kept his flask. Then he lowered it stiffly to his side and took a deep breath. “You do not know what you are asking.”

“Yes, I do,” she said. “I am asking for the truth. Your truth. You know mine, and I do not even know what makes you so unhappy.”

Cordelia told Matthew everything about her father and maybe about her feelings for James

if we’re lucky Matthew tells Cordelia about the poisoning and someone can finally help him (I think CC said that Matthew would tell Cordelia everything in Chain of Iron, hopefully that’s true)

also, Matthew doesn’t want to drink after Cordelia told him the story about her father

Matthew also found out why Alastair had been so mean in school and that Matthew can't really partially blame him for what happened with Charlotte

Jesse glanced out the window. They were passing through Piccadilly Circus, nearly deserted at such a late hour. The statue of Eros in the center was lightly dusted with snow; a lone tramp slept upon the steps below it. “Don’t have too much hope, Lucie. Sometimes hope is dangerous.”

“Have you said that to Grace?”

Jesse shook his head. “She won’t listen.”

is there a possibility that Lucie won’t try to raise Jesse from the dead and instead tries to stop Grace from doing so? (the parallels between this and qoaad are uncanny)

I don’t think that there is anything that will stop grace from trying to perform necromancy other than force

“I’ve been trying to hate you,” Thomas said quietly, “for what you did to Matthew. You richly deserve to be hated for what you have done.”

Alastair’s dark eyes glittered. “It wasn’t just his mother I slandered. It was your father, too. You know it. So you don’t have to—to act all high-minded about this. Stop pretending you are only upset on behalf of Matthew. Hate me on your own behalf, Thomas.”

he is calling him Thomas!!! Ahhhh! (so they’re probably alone)

Thomas doesn’t really hate Alastair at this point but also hasn’t fully forgiven him

at least he hasn’t thrown Alastair into the themes 

maybe Thomas is trying to suppress the fact that Alastair also wronged Thomas’s own family and it’s easier for him to direct his attention to Matthew’s family?

His golden eyes were fixed on her, fierce as a hawk’s gaze. She said, "It doesn’t matter what I said. I wanted them to leave you alone —"

"I don’t believe you," he said. She could feel the slight tremors running through his body — tremors of stress, that meant he was holding himself very still. Holding himself back. "You don’t say things you don’t mean, Daisy —"

Okay now, what did she say? I’m guessing something quite flattering or that she loved him maybe?

also, who didn’t want to leave James alone? Some bigoted Enclave members?

is James trying to fight against the bracelet’s spell? Or is he breaking Cordelia’s heart yet again?

James closed his eyes. Against the back of his eyelids, he could see the city take shape—the minarets flung darkly against a blue sky, the silver river. Cordelia’s voice, low and familiar, rose above the clamor of his nightmare. He followed it out of the darkness, like Theseus following the length of thread out of the Minotaur’s labyrinth. And it was not the first time. Her voice had lifted him out of fever, once, had been his light in shadows. . . . A sharp pain spiked through his temples. He blinked his eyes open: he was firmly back in the present, his friends all looking at him worriedly. Cordelia had already moved away from him, leaving behind the lingering scent of jasmine. He could still feel where her fingers had rested against his shoulder.

JORDELIA! (Sorry; I just had to get that out)

What city is this? One in a demon dimension?

And does James have some kind of visions now? Interesting...

I love the connection between James and Cordelia

Apparently, the gracelet is trying to suppress James's feelings and memories of Cordelia...but please tell me he notices here that he is in love with her?

Also, Cordelia is trying to stay away from James :(

Hands caught his wrists; he was hauled up roughly, an arm around his back. he smelled brandy and cologne.

“Matthew,” he said, in a dry voice. “James needs water,” Christopher said. “Do we have any water?” “Never touch the stuff,” said Matthew, settling James onto the long sofa. He sat down next to him, staring so intently into James’s face that, despite everything, James had to stifle a laugh. “I’m fine, Matthew,” said James. “Also, I don’t know what you expect to discover by looking into my eyeball.”

Okay WHAT IS UP with James in the latest snippets?!? I NEED answers!

Is James follwing in his father's footsteps? Regarding drugs you know...

Also, Matthew has a tendency to stare into Jame's face (not that I blame him)

Christopher!

Okay, I'm devestated that James knows it's Matthew because he smells of alcohol. I'm NOT okay!

Also, what kind of stuff is this?

“You should have told us,” said Thomas. “We would have helped you move your things. I’m exceptionally good at carrying large objects.” “And think of all those hairbrushes you would have had to relocate,” Lucie said. “Haven’t you got six or seven?” Matthew glowered at her affectionately. “I try to be at least as stylish as our local ghosts.”

I think it's clear that Matthew just moved and didn't tell any of his friends of his plans...Why Matthew, why?

Also, Thomas and Lucie are just so wholesome how they try to brighten the situation with their comments

Sooooo, is Thomas also good at carrying people *cough*Alastair*cough*, just asking...?

How many Hairbrushes does one need? Seriously, what kind of purpose do seven hairbrushes serve?

Don't worry Matthew, only Magnus can beat your stylishness

That’s all for now! Should I add anything else in your opinion?

[jocia92]

(Google translated)

Dan Stevens, who grew up in Wales and south-east England, spent his summer holidays at the National Youth Theater at the age of 15, and he was drawn to the stage while studying English in Cambridge. Since his big breakthrough as Matthew Crawley in the hit series “Downton Abbey”, he has also repeatedly appeared in films such as “Inside Wikileaks - The Fifth Force”, “At Night in the Museum: The Secret Tomb” or “Beauty and the Beast” . Most recently, Stevens played the Russian Schnösel singer Lemtov in the Oscar-nominated comedy “Eurovision Song Contest: The Story of Fire Saga” from Netflix. At the beginning of June, the German film “Ich bin dein Mensch” by Maria Schrader celebrated at the Summer Berlinale Premiere, which starts on 1.7. comes to German cinemas regularly. Stevens plays the role of a love robot in it. Unlike on the screen, however, the 38-year-old prefers to speak English in the zoom-conducted interview. He chose a brick wall with a lion motif as the digital background. No allusion to the song “Lion of Love” from “Eurovision Song Contest”, but a photo of the famous Ishtar Gate in Berlin’s Pergamon Museum, where “I am your human” was filmed last summer.

Mr. Stevens, in your new film “I am your human” you play a humanoid robot that is entirely geared towards fulfilling the romantic needs of a skeptical scientist. You yourself recently described the film as “delightfully German”. How did you mean that?

I wanted to say that here pretty big questions - such as what actually makes a person or how much perfection love can take - are negotiated in a very light-footed, elegant and sometimes humorous way. In my experience that is a very German quality. At least I have often seen with many of my German colleagues and friends that they are very good at not discussing difficult issues exclusively deadly serious and melancholy.

Where does your personal connection to Germany and the German language come from?

My parents had friends who lived in Bielefeld and we used to visit them in North Rhine-Westphalia during the school holidays. Traveled from England by car! That’s how I learned a little German as a child, and later I learned it as a subject at school. I even did a short internship there through our friends in Bielefeld. I really love the language. Funnily enough, I was later able to use my knowledge of German professionally, because my first film was “Hilde”, in which I was next to Heike Makatsch played the British actor and director David Cameron, who was married to Hildegard Knef. After that, I always hoped that there might be another chance to speak German in front of the camera, because playing in a foreign language is an exciting challenge. When the chance arose to shoot “I am your person”, I could hardly believe my luck.

Did you know the director Maria Schrader who gave you this chance?

Funnily enough, when the script for the film landed on my table, I had just watched the Netflix series “Unorthodox”, which she directed. I had also watched a few episodes of “Deutschland 89”. In general, I knew that she was a great German actress, not least because friends who knew their way around the German theater scene often raved about her. Working with her was a joy now. Her understanding of actors is quite instinctive and brilliant. I have seldom seen someone who can help an actor who is having difficulties with a scene with such simple means.

The fact that you had already seen “Unorthodox” shows, of course, how quickly “I am your person” must have been implemented in the past year …

Oh yes, that was really quick. In March I was still in New York and was about to premiere a new play on Broadway. But then the pandemic came, everything was canceled and I flew back to my family in Los Angeles. A few weeks later, Maria and I met each other via Zoom - and shortly afterwards I was sitting outside in a café in the Berlin June sun for the first time in months to discuss the upcoming shoot with her. That was pretty surreal because I hadn’t actually left the house since March.

Is it correct that you oriented yourself to Cary Grant and Jimmy Stewart to portray the romantically programmed robot Tom?

In any case, these were role models that Maria and I spoke about. When you think of the game between the two of them, you always see an enormous clarity and directness. Cary Grant, for example, was always quite funny, especially in his romantic roles, but also flawless in an almost artificial way from today’s perspective. I found that very suitable for a robot. Apart from the fact that the ideas that Tom and his algorithm have of romance and love are certainly also shaped by the classic romantic comedies from Hollywood. Oh, the woman is sad, so I’ll bring her flowers! Such automatisms from the stories from back then were very appropriate for Tom now.

Keyword role models: Who shaped you in your career as an actor?

There were of course many. Jimmy Stewart was certainly something of a role model. My mom and I watched a lot of his films when I was little and I was always impressed by the kind of sweet tragedy that went into all of his roles. But maybe Robin Williams’ work influenced me even more. I always found the incredible variety of his films remarkable. He could make his audience laugh hysterically like no other, but also move them to tears in other roles. I always wanted to emulate this range.

In fact, the range of your roles is enormous and ranges from the Disney blockbuster “Beauty and the Beast” to a comic adaptation in series format such as “Legion” to bulky independent films such as “Her Smell” or the horror thriller “The Rental “, Which we just released on DVD. Is there a method behind this diversity?

Not in principle. I like variety, but I’m not just looking for roles that are as different as possible from one another. Rather, there are always similar factors that I use to select my projects. Sometimes there is a certain director that I really want to work with. Or the role itself is irresistible because it presents me with acting challenges. And sometimes a script is just fantastically written and I am interested in the topics it is about. With “I am your person” it was definitely the latter, especially since the timing was just right. In 2020 there were so many societal questions that ultimately touched the core of human existence. Such a script, which deals with something very similar in a light-footed way, was just fitting.

A few years ago you said in a questionnaire from the British Guardians that your greatest weakness was not being able to make up your mind. So every time you are offered a role, do you ponder whether you should accept?

No, no, when a script appeals to me, it actually does it very quickly. It’s such a gut feeling. If I’m unsure and skeptical, that’s a good indicator that this is not the right thing for me. That with the difficulty in making decisions related rather to something else. For example, it takes me forever to order in a restaurant because I can never decide what on the menu appeals to me the most.

You became famous with the role of Matthew Crawley in the series "Downton Abbey”. Did you immediately suspect at the time that something big was going on?

At first we were all pretty clueless. There are really many British history series, and we were one of them. When the first season aired in the US and was a huge success there, it was pretty unexpected. I never expected the impact the series would have on my career.

Barely ten years later, are you still being asked about the role?

Oh yes, regularly. Probably nothing will change about that either. I got out after three seasons!

In the meantime, however, the flamboyant Russian singer Alexander Lemtov from “Eurovision Song Contest: The Story of Fire Saga” should also be a character with whom you will be immediately associated, right?

Right, it has been mentioned more and more recently when people recognize me on the street. This charming, silly film obviously had a nerve with the audience last year in the middle of the corona pandemic. Especially since the real Eurovision Song Contest had been canceled.

The film was the number one topic of conversation on the Internet for a while - and Lemtov GIFs and memes were everywhere. Did you follow that?

It was really hard to avoid it. I wasn’t looking specifically for what people were posting. But of course my friends passed a lot on to me, and there were already some very funny Lemtov things. But he’s also a figure made for GIFs.

Another question every British actor under 40 has to put up with these days: Would you like to become the next James Bond?

Oh, of course, everyone gets to hear this question again and again who meets certain criteria. But it is completely hypothetical. Although a few years ago I read in an audio book by Ian Fleming’s “Casino Royale”.

You mentioned earlier that you and your family have lived in the United States for a long time. How big is your homesickness?

I actually feel very comfortable in Los Angeles. But every now and then I miss the sidewalk culture of European cities. People on foot, street cafes, things like that. Last year the longing for it was particularly great, although it was of course clear to me that there was a state of emergency in Europe too. In any case, I found myself reading books that were set in Europe and made me homesick. Which is why the unexpected trip to Berlin was really a boon.

You are also an avid cricketer. That’s certainly difficult in Los Angeles, isn’t it?

There are quite a few cricket clubs here. The only problem is that the few people who do the sport here are so good at it that I have problems keeping up. That’s why I always lose sight of the matter here a little. Even as a pure TV viewer, it is not easy to stay on the ball, because of course there is no cricket broadcast here at prime time. But as soon as I’m home in England in the summer, I really want to play again!

[bluesockets]

HUGO WEIDERMANN ( HE/HIM ) is a CIS MALE, THIRTY-SEVEN year old THERAPIST & PSYCHIATRIST who has been living in Moorbrooke for TWO YEARS. They were born on MARCH 5 and right now, they are currently residing in REDGRAVE GROVE. It has been said that they look suspiciously like MATTHEW GRAY GUBLER and if they had to choose a song to describe themselves, they would choose HEAVY BALLOON by FIONA APPLE. ( ox, 21+, cst, he/him )

❮ it grows relentless like the teeth of a rat it's just got to keep on gnawing at me !! ❯ TW : ILLNESS, DRINKING MENT. !

full name : hugo weidermann. nicknames : he actually hates most derivatives of his name. calling him ‘huey’ is a one way ticket to getting your number blocked. pronouns : he/him. age : thirty-seven. date of birth : march 5, 1984. zodiac : pisces. gender : cis male. sexuality : gay. hometown : munich, germany. current residence : redgrave grove. languages spoken : german + english.

BIO !

—— hugo was born into a moderately wealthy family right in the middle of munich, germany. his parents pushed a lot of their #grindset on him and his baby sister. unfortunately for him, this meant a future of perfectionism and unrelenting gifted kid syndrome. he sacrificed a lot of his social needs for grades early in his life and after a while, it all became second nature. once in a blue moon he’d talk to his peers in scouting but he’d stutter, stumble over his words, and never quite found the right things to say. figuring himself a lost cause, he studied. he helped his mom with the garden. maybe occasionally played half life or duke nukem on the family computer. all of this dedication to perfection made him a shoe-in for harvard university, all the way over in the united states. his parents, father especially, encouraged the idea. that was all he needed to get himself on a plane to massachusetts. he was just glad his family could afford frequent flights back home, in case everything went to shit. —— when he first landed, hugo thought he’d only be in the states for school, but he ended up liking it a lot more than he thought he would. after finishing school and taking up a residency in downtown boston, he moved to new york. he made a good amount of money, was able to keep in touch with the few friends he met in college, and even secured a few long term relationships along the way. he hit his thirties and finally felt that he reached a point of contentment. this ... didn’t last long. —— right before he was able to buy his first house in the city he fell ill and, after seeing more doctors than he could count on both hands and feet, was diagnosed with lupus and rheumatoid arthritis. this wasn’t something he thought he was going to be able to handle by himself, so his sister came down from her home in germany to assist him with his daily needs. the two of them definitely couldn’t afford new york and medical bills on hugo’s salary alone, which led them to pack their bags and head to ( what his sister considered ) the next best option. moorbrooke, maine !! he wasn’t too stoked about this. he’d be leaving most of his support system behind and he knew absolutely nothing about the area, but his sister found a job there and it was a good place for him to start a private practice of his own. he’s still struggling over the loss of independence and the complete change from where he was in life before, but he’s coping ! after spending a lot of time inside and away from the people of moorbroke, he finally thinks he might be ready to actually make a life here. even if he wasn’t, his sister isn’t gonna move the two of them any time soon.

TIDBITS !

he’s a very nice dude and will totally engage with people, he just cannot bring himself to let his walls down. you really gotta know hugo well if you wanna have a conversation about anything serious without him deflecting the whole damn time.

his accent .... god rest his soul. he’s been living here for 20 years and sometimes people still need to take a second to understand him. especially when he drinks. two beers in and the man needs a translator.

speaking of drinking, he doesn’t do it often, and he can’t hold his liquor. i’d actually advise people to never give him alcohol. like, ever.

was on the rowing team in college. please don’t ask him about it. he’ll talk about it forever.

if it weren’t for his dog and his bees he’d be at rock bottom. outside of writing ( which i will get to in a jiffy ), beekeeping is his favorite hobby. ask him nicely and he might give you a jar of honey.

before coming down with lupus and RA he wrote two very boring books for psychiatrists and psychiatrists only. now that his focus has shifted away from his career a little bit, he’s in the middle of writing a poetry collection.

you will find this man at every bookstore in a 10 mile radius. he can’t be in the sun for too long so instead he likes to look at stuff he promises himself he won’t buy and then buys it anyway.

CONNECTIONS !

clients

he’s got fifteen clients on his caseload just to keep himself from losing his mind. he specializes in family, grief, trauma, and stress but doesn’t limit himself too much because of how small the town is. what i’m saying is : let hugo prescribe your characters drugs.

fellow beekeepers

he’s kept to himself a lot during his time in moorbrooke but his sister used to force him out at least some of the time. she drives him to beekeepers association events and conventions often enough, i would imagine it’d be a lot easier for him to talk to someone who shares the same niche hobby !! if your muse doesn’t keep bees, i’m always down for him to talk to some of the people who buy his honey at farmer’s markets.

former close friends

hugo met a lot of people ( particularly on harvard’s rowing team ) in college and during his stint in new york. i’m sure it’d be great for him to meet someone he knew up here because he’s honestly so tired of having to get used to new situations by himself.

flirtationship but hugo is oblivious the entire time

this guy is definitely the type to flirt with people on accident. i think it’d be really fuckin funny if he was flirting back and forth w someone he wasn’t consciously flirting with in the first place.

😏

listen the only thing i love playing out more slow burn self improvement and found family is romance. he’s been single since he was in new york and i think he deserves a little smooch. please dm me if your muse is also deserving of a little smooch.

etc, etc, etc !

there’s definitely more i want. i want everything you have to give me. however, if you’re in need of specifics, i would love to see : his doctors, people he can become friends with + let his walls down around, people he can teach german to, other authors, beta readers, and neighbors !

what am i missing. ah, yes.

pinterest / spotify [coming soon!]