#also incidentally this is why I don't post a whole lot about my current reads here. none of your business
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The number one most important thing about my personal reading journey is that I am Accountable to No One. This is why I do not have a Goodreads
#also I'm just lazy#i made a StoryGraph w my sis the other day but I just finished a book and I determinedly do not want to update it#idk man#pontifications and creations#also incidentally this is why I don't post a whole lot about my current reads here. none of your business
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On wastes of time
There's this recurring thing where people can't tell me what's so cool or important about this show they want me to watch or book they want me to read or podcast they want me to listen to and I know summarising is a skill, but it's also really important if you want to get people into things.
Because currently? Currently what we have drives me nuts. We get "Oh, it's gay!" or some obfuscating description that tells us nothing, or "it's so good i promise" and that isn't enough!
Okay, it's gay. I can go to AO3 for queer fic, I have queer books I know are good, podcasts, shows, etc.. I've been rereading a series where most of the main cast are from a non-human culture where queerness is normal and gender roles are flipped around. Tell me why I should care about this one. Gay is not a genre - is it horror, mystery, romance, fantasy, sci-fi? Is the queerness the whole plot or is it incidental? (Because, and I'll be honest, if the queerness is the whole plot, I will not be interested - some may! But not me.)
"read about this perfectly normal thing!" - well, obviously there's something not normal about it or else you wouldn't be writing about it. Is it an SCP kind of obsessively Normal thing in a way that's eerie and unnerving? A horror story? That could be cool. Is the weird coming from people investigating it, or around it? Does something strange happen to it? Is the thing entirely normal but it's just the setting and the story is about people around it or involved in it? I don't fucking know. You haven't told me.
Okay, so it's good. It makes you yell and feel emotions. What emotions. Why? What invokes the emotions? Why do you enjoy it? What bits stood out, what made it interesting to you? What might draw someone else in?
Back when everyone went feral over the Locked Tomb, I didn't get it. Goth Space Lesbians, okay. That's a cool art piece, maybe a stained glass window, but it's not a story.
You know what got me to read it? A post talking about the swimming pool confession.
That? That cut to the heart of messy interpersonal dynamics that indicated a lot of tension between the characters, a lot of nuance to the dynamics and things which, done right, I could find compelling. It showed history, it showed thought, it showed messy, flawed characters who still had morals and guilt and lines even they wouldn't cross within their rivalry, it showed a trust within their rivalry that they knew where they stood with each other even if that was at knifepoint. It made me curious.
I ultimately didn't really care for Locked Tomb, but that's fine. Sometimes you bounce off something, and it just wasn't my kind of jam. But that one post? That gave me a glimpse. That made me curious enough to try.
But a lot of summaries and attempts to make people start something new I've seen lately? Skip that step. Skip making people curious. Just say "HEY LOOK AT THIS" without ever giving a reason. And I get you may want to avoid spoilers, or go in blind, or avoid giving the plot away but...
What counts as spoilers? How blind should you go in? And does this give away the whole plot, or just that there is one? The kind of genre and tropes that might be in play?
If you tell people nothing, then you've given them a blank wall. It could be thin as paper - easy to step through and see what's on the other side, but if it looks like a blank wall, why would they bother? You have to provide a doorway - something they can look through, and catch a glimpse of what's on the other side. Something that makes them want to step through and see more.
You want people curious. You want people interested. You need to answer just enough questions to make them want to discover more for themselves.
If you want me to spend my time reading/watching/listening to something, then I have to know it's worth my time.
#vagueblogging#about a BUNCH of things honestly#over several years#but really poked at by one thing recently#fandom things#me myself and i
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20 questions for fic writers meme, tagged by @chubsthehamster -- thank you, friend! :D
1. How many works do you have on ao3?
42 at the moment
2. What’s your total ao3 word count?
269,795. Almost half of that is one fic though, lol
3. What fandoms do you write for?
Currently most active in Trigun, perennially/intermittently active in Nirvana in Fire, currently dormant in CritRole, and hiatus in Sandman. Interests wax and wane! And who knows what I'll discover next? Not me, that's for sure.
4. What are your top five fics by kudos?
Mate, I write mostly gen fic. I'm not here for the numbers. A kudos means that a whole human being with thoughts of their own spent some of their precious moments on God's green earth reading my thoughts and kinda liked 'em.
5. Do you respond to comments? Why or why not?
I do! ...........eventually. sometimes several years later. And why? I dunno, it just feels polite? Also human connection, even digital. That's a thing.
6. What is the fic you wrote with the angstiest ending?
Probably Inference, but that's just because of the canonical main character death. Visitation Hours is bleak in implication, not in actual ending. My definition of "angst" does not always align with readers' definitions of "angst," which can be hilarious for me when I get weepy reactions on something I thought was relatively lighthearted.
7. What’s the fic you wrote with the happiest ending?
I do 'equivocal' better than 'happy,' I think? The goal is emotional resolution or emotional discordance. Happy's incidental, which almost certainly means I don't write a lot of happy endings by the standard measure.
8. Do you get hate on fic?
Not hate so much as people who are belligerently confused? I get some bonkers fucking comments and anons sometimes, which I delete, a smattering of entitled weirdos, and a sprinkle of (typically unintentionally) back-handed compliments.
9. Do you write smut?
Nope! Suggestive, sure. Dirty language, if relevant. Implication, when called-for. Smut? Nope.
10. Do you write crossovers?
I have written a short series of crossovers between Machineries of Empire and Nirvana in Fire. Haven't written any since, but they're not off the table.
11. Have you ever had a fic stolen?
Yup! More plagiarism than theft in entirety, though. At least once had someone lift a whole scene, dialogue, phrasing and all, and claim it as their own with obvious intent to get mileage without credit. And I have happened upon recognizable lines from my fics in other fics enough times to have several nickles. I get miffed about the latter, but the charitable assumption is just that it was a phrase fresh in their minds/recalled without association.
12. Have you ever had a fic translated?
Into Russian, I think? Godspeed, fanfic translators, the strongest of us all.
13. Have you ever co-written a fic before?
I've co-written original stuff before, but I don't think I could ever do it again, original or fanfic. Not that it wasn't a pleasant experience at the time!
14. What’s your all-time favourite ship?
I don't have a favorite ship, but I do have a favorite dynamic, which is the mutual "you're the only motherfucker in this club who can handle me" a la that one Lorde tweet. The buckwildness has to be compatible, preferably complimentary. We're not talking enabling, though that can be part of it. It doesn't even have to be a ship. That grok/trust combination.
15. What’s a WIP you want to finish but probably won’t?
Look, I don't know what WIPs are going to get finished until I post them, okay?
16. What are your writing strengths?
I like character studies! And I feel like I am getting better at limited points of view, though they keep wanting to slide omniscient.
17. What are your writing weaknesses?
Same-hatting with @chubsthehamster here: plot. What the characters are doing in any given story is largely just to break up the dialogue and introspection. Things happening? They don't, sorry. Gotta work on this.
18. Thoughts on writing dialogue in another language in fic?
For straight dialogue in another language, it's still dialogue, and it still has to serve the story, so if it makes more sense to drop it untranslated, drop it untranslated. If the reader needs to know what's being said, italics or paraphrase.
For mixed languages, it's totally situational and depends on the character, too. Did they just get back from an exchange program in France and they're insufferable about it? Are they a very new second language speaker? Are they an expat? A bilingual parent who wants their child to grow up speaking one language preferentially? An academic, or someone who learned their whole vocabulary based on a single vocation (ie: a doctor who can get by using Spanish in a medical scenario but not outside the clinic)? All of that is going to influence their speech pattern.
19. First fandom you wrote for?
Nirvana in Fire!
20. Favourite fic you’ve written?
Just as interests wax and wane, I like some fics more and some less, and today's favorite could be tomorrow's cringe.
Please consider yourself tagged if you see this and would like to play! @ me, if you like!
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Twenty (Fic) Questions
nabbed from @kidlightnings
1. How many works do you have on AO3? Total, 110 (they are not all on main).
2. What's your total AO3 word count? 881,798
What fandoms do you write for?
Largely Genshin Impact, some Voltron, and then occasional other fandoms now and then.
What are your top 5 fics by kudos?
Storm Shelter, Child Soldiers, All of Our Secrets, A Study of Love, and A Convenient Facade
Do you respond to comments? Why or why not?
On main, I almost always do! I hope it encourages people to comment more (on other peoples' fics as well as mine) and I'm always excited when people tell me they like things I wrote and like to thank them for the compliment! I also secretly always hope it is going to lead to a conversation and/or eventual Friends. :>
On the porn alt... well, I made it a policy when I first created it that I was not required to reply to every comment there, in part because it's not what I'm usually logged in to, and since I have also gotten comments there that make me grateful for that policy.
What is a fic you wrote with the angstiest ending?
There is a whole series on the porn alt that is just like 'what if everything was terrible, actually,' in which most of the fics would qualify, especially the second one.
What's the fic you wrote with the happiest ending?
Kind of hard to say! I think most of my fics end more happily than not? Even going for 'particularly mushy' I can't narrow it down to less than five, which is more than I want to link, so. XD
Do you get hate on fics?
I have not had any on main! See the question about the comment-response policy in regards to the porn alt (where I also allow myself to delete comments if necessary). In the awkward space in between, I have a series on-main-but-posted-on-anon that has gotten some... interesting responses.
Do you write smut? If so, what kind?
I refer you here to the existence of the porn alt. XD It's pretty much all either kinky or... IDK, I am apparently too ace to write sex for sex's sake, and I'm not sure 'kinky' covers 'there are complex emotional situations here to which the sex is important and yet also incidental,' but, yeah. Kinky mostly covers it, and even if it's in a series so far it's all PWPs.
Do you write crossovers? What's the craziest one you've written?
I haven't written crossovers themselves since my early 2000's fic days, but I do a lot of fusions--all of them are currently isolated on Tumblr, in one place or another. I like to mash any universe I particularly like together with the Sekirei 'winging' system (one group of people can kiss another group of people to give them magic powers and also symbolic but non-functional wings, oh, and also there's an empathic connection and subtle mind control), which I guess could count as 'craziest' but honestly feels to me like what everyone was doing with Loveless when Loveless was big. I just happened to read Sekirei instead of Loveless. XD
Have you ever had a fic stolen?
I don't know but, likewise, have never looked!
Have you ever had a fic translated?
Someone in the Genshin fandom translated Filial Assistance and Lost and Found into Russian once, and I'm still pretty thrilled about it! :D
What's your all-time favorite ship?
Honestly, I don't even know where to start narrowing that down, though TBH it would definitely be for a fandom I haven't written for (since the early 2000s, anyway, if I tried I might end up back on Livejournal). Joke answer: the Normandy. :P
What's a wip you want to finish, but doubt you ever will?
There is some D&D OC fic that I refuse to list for this, because someday I will finish them. I swear. I still love them and I want to go back....
In lieu, a style experiment/cumulative writing exercise (in the Genshin Impact fandom) in which, pre-canon, Jean has a sexuality crisis and hooks up with Lisa and Eula, while un-hooking-up with Kaeya, written in 'layers' with everything written from Jean's POV first, then scenes added in from Eula's, then Lisa's, then possibly Kaeya's (though I think if I ever did try to finish it to "publishable" status it honestly might work better with his left out, and another follow-up written later that starts with his POV and layers in reverse, which is a moot point as I genuinely do not expect to "finish" this). It's currently still in the "Jean's POV" stage and as stands can be, and has been, described as "technically this is a Jean/Kaeya breakup story except that the breakup is the least important thing happening here." I keep determinedly having to detach Background Political/Mystery Plot.
What are your writing strengths?
I likewise consider myself good at worldbuilding when I don't get too tedious about it! I've had positive comments on my prose and pacing, which is funny because I know and lean into deep purple with the prose and pacing is one of my biggest struggles, so. XD I can't really say accurately from within!
What are your writing weaknesses?
Pacing is hell and the worst part of revisions and second drafts. I often stuff a whole bunch of stuff I just don't want to write into an eliding paragraph or a hole between scenes and don't always fix that in revision. I'm infinitely distractable and everything takes so much longer than I expect. I struggle very badly to stay concise. I'm sure readers could list others, but those are the ones that ping internally!
Thoughts on writing dialogue in another language for a fic?
Honestly, only something I will do with conlangs. A narrative "[Character] said something in [language]" or an italicized translation both suit me better.
First fandom you wrote for?
Also Pokemon! And I likewise wish I still had the stories. :( The first place where I encountered the concept of fanfiction (instead of writing OCs and situations very similar to whatever books I was reading at the time) was on a Pokemon site, it's also where I published my first fic, and I really badly miss my first fandom friend, who drew me fanart and whom I meant to give a cameo (except that I never wrote past chapter 7 and then the site went down and we lost touch).
Favorite fic you've written?
You make me choose between my 110 (+ the Livejournal-era dozens) children? ;o; But okay, fine. I could pick any of several I'm very pleased with, for various reasons, and the Genshin ones are the most recent and thus probably technically the best, but (leaving out the Livejournal-era fic that I am not going through tonight XD but might contain something), it's Dressed to Suit.
Tagging... anyone who would like to do this! I should've gone to bed half an hour ago and certainly don't have the brainpower to remember who on my dash writes and likes memes about it, but if that includes you, please feel free. :>
#i archived most of the lj-era stuff on a third separate ao3 account recently#but i'm not counting any of it in any of this stuff because like. it's old. it's bad. i archived it for nostalgia's sake#and also i really don't want to go through all of it for the sake of this XD#meme#fanfiction#long post
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Kaguya-sama Blind Reaction/Analysis: S1E1
Hello everyone, this is my blog which I am currently using to react to and analyze Kaguya-sama: Love Is War much more seriously than I should analyze any romcom.
I have only seen the first episode of the anime, which this post shall explore using far too many words. If I'm feeling particularly motivated, I may read the manga as well.
My analysis will contain spoilers. If you're thinking of watching this show and haven't seen it yet, I recommend you at least go check out the first episode yourself before reading any further. I don't know what the rest of the show is like, but what I've seen so far has been both entertaining and thought-provoking.
I'm going in mostly blind, but not entirely blind. There are a few images of the anime and manga that I have been exposed to, although without the attached context. Due to cultural osmosis and the sheer popularity of this work, perhaps that was almost inevitable.
Figure 1.1.1: Why did this guy write an essay about a single episode of an ongoing romcom?
Kaguya-sama: Love Is War
Season 1 Episode 1
I Will Make You Invite Me to a Movie / Kaguya Wants to Be Stopped / Kaguya Wants It
Power dynamics in relationships
Figure 1.1.2: Immediately, the mangaka's tastes become clear.
I heard a saying once that really stuck with me: "The partner who cares the least has all of the power."
In the world of dating, I often sincerely believed this saying. You may yearn for someone's affection, but the other person need not give it to you until they are willing and ready. No matter how much you want it, you can't make someone more interested in you, unless you resort to being roundabout, such as adding some mystery and intrigue to your courtship. But is that excessive?
I once felt a potential lover slipping through my grasp, and before I knew it, I found myself chasing after them. As I was yearning for their attention, I felt as if I'd lost my dignity. It was humiliating. Painful. Was it just that they weren't the right person for me? Or was I not funny enough? Not charismatic enough? Not interesting enough? Too clingy? Too talkative? Should I have been more distant and given them more space? Did I seem too weak? Too eager? How should I have maximized my desirability? Regardless, I had surely lost. Perhaps they wanted the satisfaction and validation of conquering me. Playing me for a fool and asserting their superiority by being so distant. Isn't that right? Or is that just insecurity speaking? At what point is it ideal to cut one's losses and walk away?
If someone desperately wants the object of their affection to desire them, does that make them pathetic? Does it make them a loser? If you show more vulnerability and desire than the other person, does that truly make you the weak one in a relationship?
These questions plague our two protagonists and seem to be a driving force behind the main conflict. Since I have also grappled with how much to reveal my own feelings of desire, I find Kaguya-sama: Love Is War to be a particularly fascinating show.
Desire without action
Figure 1.1.3: Our protagonists are gifted with impressively high academic intelligence paired with impressively low emotional intelligence.
The show wastes no time in introducing us to our two main protagonists. Kaguya was born into a family of high stature (and says "ara ara" frequently enough to power a small country of weebs), whereas Shirogane is a "commoner" (Kaguya's word, not mine) who worked hard to reach the pinnacle of the student body. Like timid schoolchildren, they're crushing on each other, and yet they refuse to admit it due to their pride. Instead, they focus on getting their "opponent" to confess their love first.
What stuck out to me immediately is how they both have different ideas of what their relationship would be like. Shirogane envisions Kaguya as blushing, shy, and conventionally cute, whereas Kaguya (thankfully) envisions herself taking absolute dominance over Shirogane (which plenty of people should see coming as a character trait after the anime's very first scene). The bad news about this is that their two fantasies are at odds. The good news about this is that the mangaka has fantastic taste -- you can learn a lot about a storyteller based on the characterization of a love interest or lead character of the author's preferred gender.
In the event that the two of them become an actual couple, I wonder how on Earth they'll reach a compromise as to how they'll treat each other. Perhaps they will have to figure that out before they can even get that intimate.
I appreciate that we get to see both of their perspectives. It hammers home how everyone has a different truth in regards to what they desire and what they experience, and the show does not hold back when it comes to showing just how different these truths can be -- such as a certain lunch-themed sequence that I will talk about later. This works to great dramatic and comedic effect.
That said, when you spend your time fantasizing about what could happen instead of actually taking action, time is not so friendly to you.
Half a year passes.
Figure 1.1.4: Two geniuses dedicate their pride to wasting their life and energy.
Immediately, I got the impression that whoever wrote this segment of the story knows what they're doing. This is too real. And by "too real", I mean I very much appreciate the realism. How many of us have waited for ages (or for eternity) to confess our feelings to a specific someone?
This is the curse of having a crush and being incapable of acting on it. It's also why I hate having crushes.
Manufacturing affection in others, AKA the extraction of vulnerability
Figure 1.1.5: A plan is devised to weaponize jealousy in the name of affection.
To express your truest feelings means being vulnerable. That implies taking a risk and feeling responsible for any potential consequences of rejection, as well as putting our dignity on the line. It would be so much easier for the object of our affection to make themselves vulnerable instead. So instead of being direct and honest, we act indirect. We drop hints. We act suggestively, but not explicitly. We may even place them in situations where we think they are more likely to confess. If they don't pick up on it, we can pretend we didn't mean anything by it. That way, we don't have to risk our dignity. We can just wait for them to make the move.
It sucks.
Incidentally, it sucks even more when both you and your love interest are thinking that way.
It sucks infinitely more when both you and your love interest are COMMITTED to thinking that way.
Someone has to break the deadlock, whether that's immediately or eventually.
If this show isn't one of those romcoms where the status quo never changes ever (judging by the quality of writing, I have faith that it isn't), then at some point, either Shirogane or Kaguya is going to have to be explicit about how they really feel. And it's going to feel scarier to them than anything else they've ever done.
It's gonna be great.
If we could all grow up and live in environments where it's safe and encouraged for all of us to be honest about how we feel and what we want, surely love would be much less painful for so many people.
Chaos theory
Figure 1.1.6: If your prospective lover won't protect you, then your friend definitely will.
Chika is the ideal wild card and agent of chaos in this arena of love.
From a writing perspective, Chika is immensely useful. The mangaka probably could have gotten by without a third character in the mix, but she serves as a catalyst and an unknown element, able to create unpredictability and subversion of expectations. For a comedy-oriented story, this is invaluable.
Blissfully unaware of the mental turmoil that plagues our two lovesick dorks, she is able to unintentionally invalidate whatever schemes that Kaguya or Shirogane spent so much mental energy on, which adds extra comedy and tension for the audience. She is also an effective vehicle for Kaguya's jealousy and projection, as seen in the lunchbox scene which I have so graciously foreshadowed.
Figure 1.1.7: We have confirmed visual on an unidentified fourth person. Chekhov would love this. From their posture, I wonder if they'll be a gloomy character?
Misunderstandings and assumptions
I've heard that most interpersonal conflicts in life emerge from misunderstandings. In the absence of communication, assumptions are born and give rise to misunderstandings.
You may know where I'm going with this. Let's talk about the lunchbox sequence.
Figure 1.1.8 (not pictured because tumblr wishes to deny me of my image spam): Kaguya is too prideful to admit she thinks that a couple is doing something cute.
Figure 1.1.9: Pride is considered a sin for a reason.
From a writing perspective, I was impressed by the lack of romantic intentions in Shirogane in this whole sequence. Not once did he try to get Kaguya to show vulnerability to him. Instead, Kaguya is the only one spinning the situation in a romantic way, while Shirogane's driving force is the misunderstanding that Kaguya is looking down on him for what he eats. Because of this misunderstanding, Shirogane doubles down and makes his food even better, making the situation even more complicated and more stressful for Kaguya. This was definitely my favorite comedy sequence from the first episode.
I appreciate that the show has demonstrated the ability to create these scenarios where one of the characters doesn't even have love on their mind, but there are still romantic thoughts coming from the other character which drives the drama. It gives me a lot of faith in the variety this show will have to offer, and makes me excited to watch more.
When it comes to comedy rooted in misunderstandings, it is important to have miscommunication or lack of communication. In order to resolve a misunderstanding, you need to talk about it. For a pairing as dysfunctional as Kaguya and Shirogane, expecting healthy communication sounds highly unreasonable, which makes them prime material for a whole world of misunderstandings.
Misunderstandings are rooted in assumptions about what the other person meant when they said something or made a certain gesture or expression. When Kaguya glared at Shirogane and his food, he didn't even think to ask "What's the matter?" He just made an assumption about how she felt. I wonder if trying to understand Kaguya's feelings would be considered a sign of weakness by Shirogane?
A prerequisite to initiating an emotional conversation is the desire to understand or be understood by the other person -- assuming that your assumptions haven't already built a narrative for you. It is far easier to make assumptions than it is to attempt any sort of understanding.
In the end, Shirogane fled, unwilling to confront or attempt to understand the intense and passive-aggressive Kaguya. Kaguya feels that she cannot directly ask to try his lunch, so perhaps this is the closest she can get to initiating such a conversation with him at this time. Despite their mind games where they imagine the reactions of their opponent, they still have a lot of difficulty understanding each other.
I am curious to see if this prospective couple's communication skills and emotional intelligence will improve over the course of the story.
The burden of potential romance
Figure 1.1.10: Even the infallible genius Kaguya succumbs to superficial jealousy. It's "mind over matter" versus "matter over mind". That's how the saying goes, right?
Chika is a free spirit, able to ask Shirogane for whatever she wants without being neurotic. That is the power of not being bounded by a crush. Kaguya, who lacks that degree of freedom, briefly loathes her for experiencing something that Kaguya cannot ask for. It's amazing how much someone's feelings for a friend can change without a single word being spoken between them. All it takes is an action, unintentional or not, combined with the raw strength of insecurity. Just as quickly, the status quo can return back to normal too, with the act of properly making up.
To Chika, asking for food from someone doesn't mean anything at all, whereas with Kaguya, it is an admission of defeat. In that sense, a relationship that will only ever be platonic brings peace of mind, whereas a relationship that can be potentially romantic brings leagues upon leagues of anxiety if the outcome is of great concern.
Love is neurotic.
Is love worth the pain? For some people, it is not. For others, the reward is immense -- but only if you can make sure your relationship with this person doesn't end up being a nightmare for your emotional health.
Love and self-identity
The final scene of the episode surprised me in a good way. It's a brief departure from the comedy, and reveals a more heartfelt side of the show.
Kaguya's servant asks her an insightful question. It is substantially more insightful than I would expect from any romcom: "If you fell in love some day, would you wait for that person to confess their love, like now? Or would you confess your love?" I found myself immediately curious to hear Kaguya's answer, since I knew it would be highly informative about her character.
"If that time comes, I would consider the risk of someone stealing him first and come to the one rational conclusion." Even in the realm of love, Kaguya seems precise and calculating. It's as if she hesitates to give a straight answer, but then she confirms: "Of course I would go."
Figure 1.1.11: "Please understand."
It is not embarrassment or rejection that Kaguya fears; it is the absolute destruction of her identity and sense of self. Kaguya is the daughter of a family that practically runs the country. In her mind, everyone yearns for her and wishes to serve her. Turning that around and reaching out to another person to express her own desire would be a direct contradiction of that. It is probably a similar situation for Shirogane, where the infallible self-image he has built up is being put at risk during his romantic duels against Kaguya.
Kaguya clearly feels trapped. She and Shirogane see each other as threats to be conquered, but in reality, they both share a mutual enemy that is much more imposing and insidious: their own simultaneous disgust at the idea of vulnerability.
Their freedom is dominated by their insecurities, and so, even despite their impressive stature, they are still very human. Their upbringing that has lead them to become so accomplished may be more of a curse than a blessing, due to the resulting pride and self-image they likely feel pressured to uphold.
It is hard to cast aside a lie that you have bought into for your whole life.
If our two protagonists wish to have a chance of establishing a healthy romantic relationship, they have a lot of their own demons to overcome first. If they cannot set aside their pride and reach mutual understanding, they have no hope.
Until then, they will both remain trapped in a hell of their own design, however tragically comedic it may be.
My hopes for this story's future
I can tell that the mangaka, unlike far too many writers all over the world, actually seems to have a solid understanding of romance and the conflict that arises within. I've watched too many anime that place huge focus on the "will they or won't they" crap which never runs any deeper than one or both of the characters being too embarrassed to just say what they're thinking, without any sort of convincing mental blocker. In that case, it's clearly just manufactured drama which is designed to pad out the story and waste your time rather than pose interesting questions and themes. In the case of Kaguya and Shirogane, the two of them have substantial communication issues which are depicted in a comedic yet mature way, which I have found engaging.
I very much hope that the show will more deeply explore the themes and questions surrounding the ideas of vulnerability, emotional intelligence, and superiority within relationships. Kaguya and Shirogane have been set up to be great vehicles for such exploration, and I hope the mangaka can capitalize on that, especially if our protagonists can confront these issues directly.
My impression is that the ending will make or break this story. If the mangaka can pull it off well, I can already believe the payoff will be hugely satisfying.
Of course, in order to get to that point, we'll have to see a certain something. It has to do with the most sacred word amongst romcom enthusiasts: "progress". Indeed, after spending chapters upon chapters watching two characters bumble around amidst the same exact status quo, those little signs of advancements in a relationship are highly rewarding.
Underneath all of their aggression, if we can see Kaguya and Shirogane slowly open up to each other and realize the benefits of vulnerability, I think we could witness something really beautiful and really emotionally cathartic.
I've still only seen one episode, but I believe the mangaka has laid a fantastic groundwork for a series and can do a great job developing upon what I've seen so far. On that note, I will surpass our prideful protagonists by opening my heart to this story and entrusting it with my vulnerability, believing it can deliver satisfying development and resolution. You can do it!
Closing thoughts
I did not expect to write so much about a single episode of an ANIME of all things, but here we are. If only I could conjure this kind of power back when I actually needed it in high school English class!
The first episode alone is already so rich with characterization and themes that I managed to find quite a lot to talk about. Given how much I found myself relating to the characters and some of their situations, it's clear to me how this show became so popular. Not only are the animation, direction, and writing excellent, but also many people can probably relate to love feeling like a battlefield.
I do not want to believe in the idea of winners and losers in relationships. That idea creeps into my head whenever I'm having trouble keeping the interest of a new date, and I find myself wondering where those thoughts even come from. Lately, I have been reflecting on the way I relate to other people. Perhaps I've started experiencing this show at a time in my life when I most needed it, and that's why I felt driven to write such a large analysis.
This show poses some very interesting questions about romance that I do not actually know the answer to at the time of writing. I do not know yet how much the show is actually going to explore these themes. Regardless, I appreciate how this show is helping me reflect, and I am curious to see if and how the mangaka will answer some of the questions brought about by the story's themes.
This is a show that I'll most likely have to pace myself with. There was so much to process in this first episode alone. If I went any faster, I'm not sure if I'd even catch all of the details and character moments. I'm excited to move onto the second episode soon.
A highly subjective footnote about my cultured tastes
I'm glad that Kaguya is a sadistic dom with a gentle and vulnerable side, solely on the basis of that being my favorite personality type in a love interest. It also helps that it makes Kaguya's fantasies that much funnier with Shirogane acting so out of character. I feel like this show was made for me.
What was I writing about again? Oh yeah, writing a gigantic wall of text about an anime romcom. Somehow, I spent an entire day on this essay. Hopefully someone got a kick out of it.
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Part 2 of the response to this ask:
Part 1 was about where I think Geten’s story is going, and if I think it’s likely that Dabi will kill him; it dealt mainly with how those characters are set up in canon. Part 2 is far more about the fandom, and the assumptions people make that lead them to theories like the one above--specifically, the assumption that the League was always planning on bailing on the PLF. Hit the jump below with me and I'll go over why I think the common arguments for that are misguided at best, and willfully misreading the text at worst.
WARNING: Contains some generalizations about parts of the fandom that I have mostly taken steps to avoid seeing on my dash, so some of my characterizations may be out of date. I’ve tried to desalinate this post as much as possible, but as an unapologetic fan of the MLA and of Spinner (who I do not bring up incidentally), this is a topic I feel particularly strongly about. Apologies, but I Have Seen Things.
DISCLAIMER: I like Geten better than Dabi. I don't think he's better developed; I don't think he's a better character--I just like him better. This is largely down to the fact that I find the MLA fascinating from a worldbuilding perspective and its members compelling personally, whereas I’m less interested in Dabi personally than I am the Todoroki Drama on the whole, and have been tired of Fanon Dabi for approximately 83 years. I’ll also be the first to admit that my take on Dabi is pretty mercenary--hardly the irredeemable psychopath the Hero Stans on Twitter see, but nothing close to Secretly Soft Big Brother Touya, either. If that’s not your bag, you may want to skip this one.
So, here's a bullet point list of the reasons I have personally seen on why the League was always planning to turn on the MLA:
Dabi and Toga mention "getting started early," and Shigaraki mentions a plan, suggesting that the League had a plan in place independent of the one they arranged as the PLF.
Shigaraki says he won't forgive the Liberation Army for messing with peoples' feelings, so he would never really mean it when he forges an alliance with them.
The MLA is quirk supremacist, like Endeavor, so Dabi would never work with them.
Dabi is just using Skeptic against Skeptic's will; it’s not a willing partnership.
Mr. Compress rejects the PLF moniker for Shigaraki, ergo Mr. Compress didn’t genuinely associate Shigaraki and the League with the PLF.
Toga hated Curious, so she wouldn't want to work with the MLA either.
Twice would never forgive them for what they did to Giran.
[Error: argument about Spinner's opinion on the PLF not found.]
So, let's go over those, shall we? Note that a lot of what I'm going to lay out below isn't conclusive. What I want to establish is simply that the canonical evidence isn't conclusive, certainly not as much so as the people who support this view espouse.
|| Dabi and Toga mention "getting started early," and Shigaraki mentions a plan, suggesting that the League had a plan in place independent of the one they arranged as the PLF.
In responses to my recent Overhaul post, I defended Viz’s official translation as an accurate rendering of the dialogue in question. In general, I feel like Caleb Cook is pretty reliable in his translations, if sometimes kind of stiff or dry in localization. However, there are times he makes assumptions about lines--as indeed a translator for a currently-running series will sometimes have to--and sometimes, those assumptions don’t pan out. This is one of those times.
Dabi's line, "Shall we get started early?" is based on an assumption Cook made about a line that doesn't have an actual subject. In the original dialogue--Hayame ni hajimaru ka--there is no “we,” not even in the form of some implicit collective in Dabi’s grammatical inflection, nor is there a question of "should." All Dabi’s doing is musing that the start (again, there’s no subject, and so no indication of the start of what, or the start as initiated by who) is happening early.
Toga's line communicates much the same, save that she does specify that the schedule/plan/arrangement is happening earlier than expected--which is totally true, since her line is in response to Dabi observing that Machia moving must mean Shigaraki's awake, and Shigaraki was supposed to be down for another month.
Shigaraki's line, like Dabi's, lacks a subject to describe what exactly is supposed to start as soon as Shigaraki wakes. He's saying something that would, in a more stilted way, be, "I wake up and then it's the start, right?"
None of these lines suggest that the characters are necessarily talking about any plan other than the one the PLF laid out. Yes, it looks somewhat damning that Shigaraki's first action (after getting himself a cape, anyway) is to have Machia bring him the League, but heck, maybe that was always the plan. Just because Shigaraki wants to rejoin his comrades doesn't mean the rest of the PLF didn't already have machinations that they were supposed to set into motion the moment Machia left. After all, the plan as Hawks understood it did involve simultaneous attacks on major cities--maybe the League was going to be spearheading one of those attacks. Further, Shigaraki knew something was wrong from the moment he regained consciousness, and we don’t know how that knowledge affected the call he made. Hell, maybe the original plan was for the League to be brought to meet him somewhere in a chartered limo; we don’t know.
It's telling that this idea that the League had a Secret Plan to screw over the MLA rarely seems to account for Mr. Compress and Spinner being confused over the suddenness of events. The response to questions about this seems to be that the "villain trio" knew about it, so the ignorance of the rest of the League can just be handwaved--the important members knew, and that's enough. This is ungenerous towards both Twice and Mr. Compress, but I have got particularly little time for Spinner, the narrator of MVA and guy who decided to devote his all to Shigaraki, being disrespected in this fashion. More on that later.
|| Shigaraki says he won't forgive the Liberation Army for messing with peoples' feelings, so he would never really mean it when he forges an alliance with them.
Shigaraki does say he won't forgive the MLA, but consider what he did to the MLA and its leader. He destroyed most of their stronghold, killed scores of them, is directly responsible for Re-Destro losing his legs, and saw that vaunted descendant of Destro about six inches shy of full forehead-on-the-ground dogeza. The League Shigaraki commands killed a great many more of them, including one of their inner circle. He commandeered the Liberation Army, its resources, and its grand cause. I think it’s safe to say he’s more than responded in kind!
I'm not saying Shigaraki feels for the MLA the same way he does about the League, far from it, but I do think he's practical enough after two hundred chapters of character development not to throw them away out of spite. In Chapter 246, he tells Ujiko explicitly, "When someone offers me something, I take it," and, "I'm done taking the heroes lightly. I'll use everything I've got to obliterate the dregs All Might left behind." From a purely practical standpoint, if he intends to throw everything he has at the heroes, he has no reason to throw the MLA under the bus, and 116,000 reasons to keep them around. I'm altogether sure that, so long as they stood to be useful to his plans, he would have kept them around.
|| The MLA is quirk supremacist, like Endeavor, so Dabi would never work with them. + || Dabi is just using Skeptic against Skeptic's will; it’s not a willing partnership.
I hadn’t seen the second point in the wild, but I suppose it must be how the “The League will betray the MLA” theorists are getting around Dabi and Skeptic’s clear collaboration and how that collaboration totally scuttles the first point, huh? Hilarious.
Anyway, setting aside the fact that Dabi showed up to the one planning session we were shown when even Geten didn’t, there’s evidence in the canon that Dabi was working with Skeptic since even before the raid. Consider that Dabi’s video was filmed at the villa (the wall paneling and the style of the couch both match) and ask yourself where the camera he used came from. Once the filming was complete, where was the video stored such that Skeptic could access it from his laptop? If Dabi’d had it on an SD card and Skeptic was seeing it for the first time, why didn’t Spinner, Compress and Toga watch it alongside him? Surely Skeptic would need to watch it through at least once to know when to splice in the footage of Jin’s death for maximum dramatic impact? On that note, by far the most telling piece of evidence is this: if Dabi wasn't already working with Skeptic, then why was he wearing one of Skeptic's body cameras during his confrontation with Hawks?
Further, Skeptic's protest when he’s pulled onto Machia isn't that he doesn’t want to be with the League; it’s that he doesn’t want to leave Re-Destro behind. Once he's resigned that it's going to happen, though, he's cocky about his talents and complimentary of Dabi's big reveal, even if he is exasperated about the League's antics. It's ambiguous, I admit, but given that Dabi's wearing his cameras, he had to have known Dabi had a reason for them--and given that he is both abrasive and mouthy, I can’t imagine he wouldn’t have demanded to know what that reason was.
Hell, Dabi even thanks Skeptic for his editing work, which is more direct positive approval than he's ever shown anyone in the League (give or take the high-five with Twice, which, genuine or not, he would have known he was doing on camera). That much-vaunted panel of Spinner telling Toga to come back to the League? Dabi's grinning, which in isolation you could read as a certain rueful affection, but with the full context of the chapter, it becomes apparent that Dabi is grinning at Skeptic's laptop, seconds after telling Skeptic to "hurry up." Skeptic is, at that moment, probably gearing up the video to project nationwide, and Dabi’s more focused on that than he is Toga’s crisis, even when Compress directly appeals to him for aid. He tells Compress he doesn’t care, the same way he told Hawks he doesn't give a damn about the League.
Let me be clear here: I'm inclined to take Dabi at his word. I think Dabi hangs around the League because, for all that he says one man's conviction can shake the world, he also knows his own limits, and the League offers safety in numbers and an avenue to pursue his revenge. Maybe he finds them acceptable enough company, maybe he even does like them a bit despite himself, but I think any affection he might have for them is entirely incidental to his views on their usefulness. In the same way, while he's willing to bail on the MLA when the heroes attack, I don't think it was his plan to do so, especially not given his apparent immediate regard for Skeptic, as seen in the deleted scene here. Sure, he dislikes Geten, but ultimately, Geten is a stupid kid too tied up in his care for Re-Destro--who's now worshipping the ground Shigaraki walks on--to really be getting in Dabi's way.
Maybe if the MLA really were as quirk supremacist as Geten makes them out to be, Dabi would be actively looking for a way to see ‘em burn, but as I’ve said countless times before, Geten is not a reliable narrator vis a vis the MLA's doctrine. Now, obviously I don't expect Dabi to give them an unearned benefit of the doubt,(1) not after what he heard Geten say, but if Dabi has been working with Skeptic, it doesn't take a genius to realize that while Anthropomorph is a perfectly good quirk, it is categorically not what primarily defines Skeptic’s "worth" in the MLA societal microcosm.
Nothing that Skeptic does reflects the way Geten talks about "elevating one's ability" or "sheer strength" in the way that HeroAca fandom tends to understand as referring to flashy and offensive quirks. And yet, Skeptic is a ranked advisor warranting an introductory panel with RD's inner circle and Geten is not. Perhaps, just perhaps, this might have led Dabi to reevaluating his initial assessment just slightly?
|| Mr. Compress rejects the PLF moniker for Shigaraki, ergo Mr. Compress didn’t genuinely associate Shigaraki and the League with the PLF.
So, this one's pretty wild, because, in the same chapter that had people crowing about Mr. Compress's dialogue, Mr. Compress's actions show the exact opposite of the conclusion this theory would demand. Specifically, if it was always the League's plan to ditch the MLA, Mr. Compress would have darted right past Skeptic, ignoring the man's cries for help. He doesn't--he picks Skeptic up on the way past and (at least in the volume corrections) deposits him safe with Dabi in Spinner's scarf. Of course, Skeptic still stands to be useful, but if one acknowledges that Skeptic's usefulness is reason enough not to abandon him, then what exactly is the argument for leaving 116,000 perfectly useful warm bodies behind?
But let's set aside Compress rescuing Skeptic and focus on the actual point, because that point in itself is still flawed. Mr. Compress's thoughts on the PLF in the specific talk bubble in question are somewhat ambiguous. It's another case of the Viz translation making a couple of assumptions that are just that--assumptions.
Compress's words in the Japanese are as follows:
Chōjō Kaihō Sensen.… Viran rengo no Shigaraki Tomura ga…
Viz then renders the line like so:
The Paranormal Liberation Front's… No, the League of Villain's Shigaraki…
Note that in the Japanese, the possessive no is only included once, to indicate Shigaraki's association with the League. Further, the original doesn't indicate any negation in Compress's thoughts. Yes, he could be rejecting the PLF association for Shigaraki, but he could as easily be narrowing his scope to Shigaraki as the figure he represents to the League, rather than the figure he represents to the PLF--not rejecting wholesale, but rather becoming more specific. Compress might also be thinking first of the PLF as a general organization, then narrowing down to Shigaraki specifically.
Rather than reading this line as an indication that Compress regards the PLF as temporary, I was heartened by the fact that Compress thought about the PLF at all! If the League really had been planning to discard them this entire time, then there's no reason for Compress to have ever taken the Front seriously enough to have thought about them in that moment of crisis. You can carry this back further, too. In Chapter 258, when Twice is asking Hawks for help, he says that Spinner and Compress have been in meetings for days. Coupled with Compress's first thought about the entity that will carry out Harima's desired reformation being the Liberation Front (or possibly "the Liberation Front's Shigaraki"), this indicates to me that Compress was taking it seriously, not just gorging himself on sushi on the MLA's dime.
Indeed, back in Ujiko's lab, when it was just Shigaraki talking about his backstory and his dreams of destruction, Compress looks the opposite of impressed; we know from his narration in 294 that he liked the League because they didn't place any importance on one another’s pasts. Yet, at some point, his view shifted to believing that fulfilling his ancestor's ambition, his bloodline’s duty, really might be back on the table. We as readers don't quite know when that shift happened, but given, again, his initial mental invocation of the PLF, I think we can assume that it's tied to that alliance, those resources. And sure, when the moment of crisis happens and he's really defining who and what Shigaraki is to him, and where his values and priorities lie, it's with the League and Shigaraki as the leader of the League. But that doesn't mean he never had his hopes for the PLF at all, or was partaking in plans to ditch them.
Also too, this is a man who was lamenting the loss of their partnership with Overhaul, a man who personally maimed him, on top of killing a comrade. You're telling me the guy who shrugged off his animosity towards Overhaul would willingly allow the League to plot sabotage against even wealthier collaborators against whom he has even less reason to hold a grudge? Come on, guys.
|| Toga hated Curious, so she wouldn't want to work with the MLA either.
This one's easy: Toga pretty explicitly hated Curious, but she's even more explicit that she likes the MLA because she thinks the world they want to create is wonderful. She says this verbatim at the end of 225, after Curious has spent the entire chapter hounding her with explosions and intrusive questions. What turns her animosity on Curious is not some reveal that the MLA's world would be terrible after all, but Curious calling Toga's "normal" miserable and tragic. Essentially, she doesn't object to the world the MLA wants to bring about; she objects to being turned into a martyr for that world, especially when that martyrdom requires that the things that make Toga happy be characterized as horrific misfortunes.
Toga doesn't like Curious; she kills Curious. And then she comes into a position of leadership, and we don't know a lot about how that position takes her, but she seems delighted to be walking out onto the stage to be announced as such, and she makes active contributions to the discussion of the PLF's plans in Chapter 245. We are, again, given no indication that her lethal response to Curious means that she's planning to ditch the MLA on the whole.
Incidentally, Curious asserts what she does about Toga only in the context of the world as it stands. The world's rejection of Toga's normal, and the extremes that rejection drove Toga to, are what Curious considers tragic and miserable, not Toga's fascination with blood in and of itself. She clearly believes that, in the world the MLA envisions, Toga's life would not be so miserable because she would never have been oppressed to the degree that she snapped. And frankly, Curious isn't wrong. The only reason she is a villain in that scene is that she's willing to murder Toga to project that tragedy to the world. If she'd been willing to sit down and have a civil interview with Toga to print it in a relevant magazine, she would have been fine.
|| Twice would never forgive them for what they did to Giran.
You know, this is a totally fair point. It is, however, somewhat complicated by the fact that Giran himself never left the PLF. Now, there’s almost certainly something to be said about Giran’s whole information broker shtick being terminally compromised by his capture, his maiming, his client list being hacked, etc. He had a bunch of identifying items strewn all over the country that were covered in the national news, items that people who associated with him closely certainly would have recognized. Maybe he’s laying low for a while?
I don’t know why Giran was still around by the time of the raid. I can theorize about his pragmatism or what have you, but the canon really doesn’t give us anything to go on. Still, if he really hated the MLA all that much, as he would be totally justified in doing, it’s pretty bizarre that Horikoshi showed him twice in PLF crowd scenes post-Deika looking nothing worse than kind of confused and uneasy. Heck, you’d think he would at least have merited a better seat in the crowd for the big merger announcement.
Giran aside, the fact that Twice never does hit it off with anyone in his regiment is, I think, telling. If there’s anyone in the League that intentionally kept himself at a distance from the MLA because of hard feelings, it’s likely Twice. After all, if he had befriended anyone, he presumably wouldn’t have needed to go to Hawks for tutoring almost an entire month after Deika. That said, the fact that Twice does go running to Hawks for tutoring shows that he’s at least doing his best to act in accordance with what he thinks Shigaraki and the rest want. That doesn’t preclude the League having a secret plan that he’s either in on and playing along with, or hasn’t been told about because he might not be able to stop himself from vocalizing about it. Still, while absence of evidence is not evidence of absence, obviously absence of evidence is not evidence of presence. So, lacking any sign that the rest of the League is planning treachery, I’m not inclined to assume Twice’s lack of forgiveness is indicative of anything other than his own feelings.
|| [Error: argument about Spinner's opinion on the PLF not found.]
:: INCOMING SALT WARNING :: INCOMING SALT WARNING ::
This is the one that really gets to me. I have never seen an argument that the League is planning to betray the PLF that convincingly explains the fact that Spinner, to all available evidence, threw himself wholeheartedly into trying to make the PLF succeed. To be more precise, I have seen one explanation, and that explanation is that the plan to ditch the MLA was a secret that only Shigaraki, Dabi and sometimes Toga knew about, and to reiterate, that is bullshit.
In my experience, this is an explanation proposed by people who care about Spinner only insofar as he can be a Soft Gaymer Boyfriend or score them rhetorical points, but have little to no interest in his ongoing--and, indeed, increasing--importance to the League generally and Shigaraki’s arc specifically. The dude who talked about how Twice’s home was the League, who got through to Toga while still respecting her choice when no one else could, the guy who recognized the hollowness within Shigaraki but also bonded with him over video games, the man who Mr. Compress said was Shigaraki’s most devoted follower(2)--this man did not do all of that for people in this fandom to say, “Oh, well, the others probably just kept it a secret from him because they thought he’d be bad at lying.”
Really? “Bad at lying?” And that’s an adequate justification, is it, for Shigaraki letting Spinner toil for months under false pretenses? For lying to the man who adores him the most? Of course it isn’t, but the people who theorize this don’t really care about Spinner’s adoration for Shigaraki, or the fact that Shigaraki rewarding Spinner’s feelings by allowing him to dedicate himself unstintingly to something Shigaraki was planning to discard from the beginning would be a blatant abuse of Spinner’s trust.
I have never seen anyone try to argue that Spinner was in on a plan to betray the MLA all along. That’s because it’s patently obvious that Spinner--forthright, direct Spinner, who named the merged organization with Re-Destro, spends all his time in meetings, has a direct exchange with Re-Destro about the state of their plans, and is probably the reason RD started wearing polka dots--went all-in on the PLF. But for the people who propose the “the League was always going to bail” theory, Spinner and his labors are an afterthought.
Spinner is not an afterthought. Where Mr. Compress has been captured, Toga could hypothetically be peeled away from the League via Uraraka, and Dabi almost certainly will be peeled away via the Todoroki plot, Spinner’s driving motivation at this point is Shigaraki himself. He connected to Shigaraki’s nihilism, his hatred, but also his humanity--the humanity in Shigaraki Tomura, not in Shimura Tenko. His empathy didn’t spring from contrived psychic glimpses of crying 5-year-olds, but from long months of observation, doubt, and gradually deepening wonder. He’s the only person currently with Shigaraki that I can see caring enough about Shigaraki’s welfare that he might sacrifice his own goals and desires to help Deku save him.
Spinner is not an afterthought, and I refuse to build or entertain theories that treat him that way. So as to his opinions on the MLA? Despite having his own reasons to be leery of them based on how shabbily Trumpet treated him, he was obviously trying to make the Paranormal Liberation Front succeed, which means he must have believed that Shigaraki wanted it to succeed. Therefore, unless you’re prepared to assert that Shigaraki (and everyone else who was in on it!) was cruel enough to lie to Spinner about something he was devoting so much time and energy to, the inescapable conclusion is that Shigaraki also wanted the Front to succeed.
(Note: After letting a friend pre-read this, I have been informed that there is, in fact, one explanation offered for Spinner knowing the League was going to abandon the PLF but working his ass off on the venture anyway, and that explanation is, “Something something wants to prove himself because low self-esteem.” This is so ridiculous I can’t even bring myself to edit this post accordingly. Low self-esteem! Because nothing would alleviate Spinner's low self-esteem like toiling for months over something that holds no worth to the people he actually cares about, right? Right?? Bah. Humbug!)
And but so, to wrap all that up: I fundamentally disagree that the League viewed the Paranormal Liberation Front as a temporary arrangement, at least to the extent that they were actively planning to betray their newfound--new won--allies. The fact that I don't think the League intended to discard the MLA out of hand does, thus, influence my opinion that, whatever Geten's fate will be, I'm pretty sure it's not going to be, "He gets murdered in a way that resembles nothing so much as a sick revenge fantasy dozens of chapters after the last point when such a death would have been remotely tonally appropriate."
Thanks for the ask, anon! Sorry about-- *waves at all of this*
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(1) Not that Mr. “Burns Random Delinquents Alive For Not Measuring Up To His Standards For Villainy” has any moral standing to criticize others for how they determine the value of peoples’ lives, mind.
(2) Other translations for the verb in Mr. Compress’s Japanese line of, “You are the one who ____s Shigaraki the most,” include yearn for, long for, pine for, miss, love dearly, adore, idolize, and revere. “Most devoted follower” is accurate enough, but considerably less homo than some of the things we could have gotten there.
#bnha#stillness answers#paranormal liberation front#league of villains#stillness has salt#spinner defense squad
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Thoughts about the Christmas special
This will be a long, long, long post...
First, I write about ZhanYi and then about Tianshan.
ZhanYi:
Jian Yi's comment about his strength:
— Jian Yi mentions that he is so strong that he could pull trees out. This is pretty interesting information. Because this could indicate the time during the kidnapping, depending on how seriously you can interpret the statements. Did he continue to train or drill? Is it the result of training with He Cheng?
- In addition, this drunk talking could also refer to earlier chapters. Jian Yi has a desire to become stronger because he felt helpless against Mo. Incidentally, it is the first appearance of Mo.
The apartment:
— Whose apartment is this? Probably Zhen Xis, since Jian Yi is only at Xi's apartment in the future chapters. In contrast to earlier insights, the apartment is also pretty tidy.
– However, the interior differs massively from the previous chapters. I don't expect Zhen Xi and Jian Yi to be living together at this point. Old Xian just may not have used the previous references.
— So the connection between the two seems to be as strong as ever since Xi possibly brings him home to his flat instead to Jian Yi's.
- And another proof of how much Xi's character has changed. Because in the beginning, he didn't want anything more than kicking out Yi as soon as he showed up.
- He also apparently abandoned the violent nature. Instead of beating him up, he sits down on the couch with him in an embrace and falls asleep. He doesn't even take off his jacket, but lets Jian Yi willingly hug him.
- Somehow cute. Nevertheless, I hope that he will soon no longer keep Jian Yi friendzoned and return his feelings.
- Just as home furnishings have changed, Zheng Xi's character has changed.
— But maybe that's Jian Yi's apartment after all. No one knows about his living condition.
- Does he live alone? Or with his mother? Maybe he's back in He Cheng's care? Does Zheng Xi even know Jian Yi's address?
I hope we can find out more soon.
Tianshan
I think there are a lot of inconsistencies and you don't really get their behavior.
First of all a few trivial comments.
Rings:
- He Tian wears the ring he took himself as a gift. Coincidentally, it also fits like a glove. Either it would be too big for Mo anyway, or you can adjust the ring.
- In the first panel, it seems that Mo is also wearing a ring.
He Tian flirting:
- He Tian goes straight to the attack and leaves no unnecessary time and doubts about his intentions: After flirting, he just takes off his jacket and throws himself and Mo on the bed.
- He is hopelessly in love and love everything about Mo.
- That Mo has a newfound interest on studying turns he even more on.
- I think despite the fact that the room is too small for him, he will develop a secret preference for the bed. Because it's narrow and there is no place to escape and to keep a certain distance. So perfectly made for cuddling and sticking close together.
The apartment, Room, whatever you can call it:
- I immediately noticed the rule with books (if they were books).
- The guitar on his bed plus other books.
- At first I thought that the "apartment" consists of only one room, but the kitchen and at least the bathroom are missing.
- it's quite empty and reminds of He Tian's empty apartment.
- Still, it's pretty run down and seems so cold. I hope Mo doesn't freeze.
Living condition:
- The question, of course, would be why Mo lives under this condition, although he would have it better in his mother's old apartment.
- Did he want to become independent as quickly as possible and therefore moved out so as not to further burden his mother?
- However, I hardly think that his mother would have been satisfied with the condition of the apartment, because the condition is worrying. I don't think he invites his mother over to his house.
-I don't know if that is standard in China when you don't have money. In addition, 19 is still quite young. Many people still live with their parents at this age.
- Did something happen to the mother? Hopefully not.
But maybe Mo is just rebellious and proud that he could afford something of his own.
Indications of Mos' current activity.
- As I said, I immediately noticed the rule with books (if they were books). Which of course is totally untypical for Mo, since he was never interested in books and learning.
- Are these cook and music books?
- Can someone tell me what's written on this book?
- The book in He Tian's hand has an unusual book form. So I suspect that this is a music book with notes or tabs. It seems to be at least a book for studying.
- So does Mo study anything with music and do his part-time jobs to finance it?
- Does he study anything else?
- Does he go to university at all?
- Or does he really earn his money only with part-time jobs? Obviously he won't make much money with it, so they could only be an interim solution if Mo didn't want to keep this lifestyle for life.
- For the university in China you need a lot of money, which you couldn't pay on your own. But there is the possibility of scholarships (I just assume that there is also something like that in China). Maybe he got a music scholarship?
- Mo doesn't seem to have many things. Of course, the books and the guitar are striking.
The guitar
- At first glance, the guitar is reminiscent of He Tian's guitar, which he would like to give to Mo.
- If you take a closer look, they are identical in shape and color, but they are two completely different guitars.
- He Tian's guitar is an acoustic (or concert) guitar and Mo's is an electric guitar.
- Could it be a little mistake from Old Xian?
- Perhaps this is also a later gift from He Tian after Mo learned to play guitar with the acoustic guitar and get advanced. A lot of people start with an acoustic guitar before playing electric guitar.
- Maybe the guitar is from the same serial production.
- Maybe He Tian owns the acoustic guitar and buys an electric guitar for Mo from the same series after Mo's interest for learning guitar has been completely awakened.
- By the way, you need a guitar amplifier for full fun with an electric guitar. I didn't see it in his room.
- Unless this could be an amp. Does anyone know what this thing could be? For me this could be organizers.
- It's s also extremely inconvenient in an apartment to turn it up fully. (Do more people actually live there? The apartment looks more like an old rehearsal room or a garage. My rehearsal room looked something like this, that's why the associations).
- You can also play the electric guitar on headphones, but that's pretty impractical because of the sound (it differs, if you use headphones ir not) and you still need an amp.
- By the way, music it's a costly pleasure. So, it is all the more interesting what exactly Mo does and how he finances everything.
- But I think those are little things that Old Xian probably doesn't think about (something that you easily can forget) .
- I wonder if Mo is in a band. Maybe with Zhen Xi together.
So now to the most complicated point:
Hey Tian, his disappearance and the relationship with Mo.
- One learns that He Tian was not in China for a while.
Many questions arise from this:
- When was he gone?
- How long was he gone?
- Has he been away for a long period of time or is it a coming and going? A lot of it is pretty unclear, so you could guess both.
- The fact that He Tian was away for a long time speaks for the fact that he has never been to Mo's apartment. Has Mo just recently moved there?
- What is also new for him is that Mo reads books or even studies. You should actually know that if you were in regular contact. So is this a recent Mo hobby? That is rather unlikely. So how much did they really have to do with each other in the 4 years?
— However, there are some arguments against staying longer:
- He Tian knows where Mo works. If He Tian had been away for years, how would he know where Mo works? From Jian Yi or Zahn Xi? Maybe from Mo himself? Mo would most likely not give it away. So He Tian should at least stop by for visits.
- The second thing that speaks against it, is that Mo knows where He Tian lives. He Tian probably didn't change his apartment, but could have been if you weren't in the country for a long period of time. At least that doesn't indicate radio silence.
The relationship with Mo:
- After the chapters and all the hints, it was thought that the penny had finally fallen between the two, but no.
- Their relationship to each other has not really changed.
- Mo is still dismissive to He Tian.
There are several reasons about this matter:
— 1. Mo feels hurt and probably betrayed too.
- He Tian asked Mo in middle school not to abandom him. Now HE was the one who left and left Mo behind. Depending on the point in time at which this occurred, it is logical to first react in a negative manner.
— Nevertheless, He Tian seems to be a part of Mo's life, which he does not really want to give up and maybe also gives evidence that he might misses him.
The following aspect indicate
- He lit a cigarette, reminiscent of He Tian.
- He is still wearing his earrings.
- In addition, the design of his electric guitar is similar to He Tian's.
— 2. Mo couldn't build a closer bond with He Tian because He Tian left the country right after middle school.
- How can you build a relationship if you hardly see or not see each other?
- Mo has problems with trust. So I can imagine, that this could be extremely bitter for him and he is angry. Especially if he had open up to He Tian and then his gone.
— 3. Mo is just too stubborn to admit his feelings and get involved with He Tian and is a tsundere, so he have to act this way.
- Definition of a tsundere: "A tsundere is a character, most often female and in anime, who switches from being tough and cold towards a love interest into being soft and sweet"
- Well, I'm not so keen on these whole tsundere explanations. Of course his character is like a tsundere but it would be to simple to explain his character so one sided.
- Even tsundere characters can make progress and that's what I missing. The reationship between those two is going back and forth mostly two steps back and one forth. It's like they are stuck in this, just like ZhanYi are stuck in their relationship. But in this matter you know that Jian was gone for three years. Still I hoped Zhan Xi would finally admit his feelings, but he rather go with the safety zone. The case of Tianshan is way more complicated: You don't know what happened between them in these years. But He Tian seems to be in love more than ever and Mo seems to that he still hasn't figured out his feelings and doesn’t give the attention that He Tian wants. Mo is 18 or 19, not 15 anymore and I wish he would act more mature. But on the other hand, He Tian is really pushy again and is testing his limits. It's understandable that Mo acts irritated.
- So I think they are still don't there where you can call this a mutual relationship.
- They will eventually in the future, but this will take a lot more time obviously and they have a long road ahead.
Of course there is progress:
- Mo seems to have grown used to He Tian's approach.
- He is less aggressive, can even be touched, and he doesn't immediately panic. In the other special he even voluntarily shares a room with He Tian.
- On the other hand, He Tian seems to have become more courageous, so you thought, they really started out with a physical relationship.
- He gives away condoms, hugs him profusely, and tries to get to his butt (other special).
- Maybe they really did have an on-off thing.
- Old Xian indicated that He Tian was allowed to stay the night. So Mo doesn't throw him out. The only question is whether he is allowed to sleep in bed or whether the floor has to suffice.
- So yeah, for me this is really confusing.
Other abnormalities:
- Where's the dog?
- Did Xi stays true to the music? So far there has not been a hint of a musical instrument at his flat.
- What about Yi? Does he continue to play the guitar?
- And He Tian?
- When and why did Mo get his second piercing?
- He Tian doesn't seem to wear the chain with ring. Maybe he get it later?
#19 days#oldxian#zhan zheng xi#Jian Yi#mo guan shan#he tian#tianshan#zhanyi#Analysis#I should rather deal with university#19days
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