#also in the sense that do those two even like each other it doesn't really even matter

[thankskenpenders]

IDW's Knuckles 30th Anniversary special

I'm still working on finishing Shadow Generations and writing up a big thing about it (yes, yes, it's taken me a month to finish a four hour game, I know), but in the meantime we've got another new Classic era comic out from IDW! Let's talk about that.

The last Classic era release we got was the Fang miniseries earlier this year, which I mostly enjoyed but also found a bit underwhelming. It felt like we were getting diminishing returns with the Classic comics. Ian seemed to be struggling to make the Classic era feel fresh within Sega's current restrictions for that branch of the brand, a branch that by its very nature discourages experimentation and new ideas in a way that the ever-evolving Modern era doesn't. He was mostly just playing the hits, sticking the currently permitted Classic era characters next to each other in straightforward one-off adventures and letting the art team do their thing. We were getting the Ian who was happy to simply be able to take these toys out of the toy box. Again, these comics have been fine, and the art's always a treat, but the novelty of simply seeing a comic with the old character designs was wearing off for me when the stories didn't have as much meat as Ian's (or Evan's) excellent Modern era work.

And then along comes this Knuckles 30th Anniversary special, which is by far my favorite Classic Sonic comic Ian's written for IDW.

...I can't really talk about why it's so good without getting into spoilers, though. The short version is that it's a really nice little story about Knuckles and another character from the games, who's used as a great foil for him... except the solicit didn't even say which character it is, so I'm hesitant to say here. But if you're a fan of Knuckles, you should definitely just go read this. It's great. This one's mandatory reading to me.

And with that out of the way, let's dig deeper and get into the spoilers.

The spoiler zone

After an opening that very blatantly homages Tyson Hesse's old Knuckles comic (yes, the very same one that helped inspire the name of this blog), Knuckles realizes that Angel Island has drifted near the Northstar Islands from Sonic Superstars, and decides that the Master Emerald must be giving him a mission to train the archipelago's own resident guardian.

Yes, this isn't just a Knuckles comic. It's a Knuckles and Trip comic!

I was really delighted by this. I like Trip a lot, and it's nice to get this chance to expand upon her as a character. I think this is her first speaking role, even? I'm glad to see her stick around, and I'm glad to see her appear in the comics so soon, especially since we're still waiting for the mainline comics to incorporate Sage. She's still clumsy and fairly timid, like in the game, but without the looming thread of Eggman she gets to let loose a little. She's very exuberant and expressive and playful, especially thanks to Aaron Hammerstrom's fantastic art throughout the issue (complemented with inks by Rik Mack and colors by Valentina Pinto). It makes sense why she gets along so well with Amy. I hope we get to see those two interact more in the future!

Anyway, so Knuckles shows up on the Northstar Islands after contemplating his lot in life, and realizes that he and Trip have a lot in common. She's not as strong or confident as him, but they're both the last of their kind, these lone guardians of these ancient magical gemstones. He's showing up under the pretense of training her, but you can tell it's nice for him to have a kindred spirit, someone who might be able to really get him.

And then Trip's like... wait, you think I'm the last of my kind?

Yes, the Northstar Islands have actually been inhabited by a whole civilization of sungazers like Trip the whole time! We just didn't see them in the game because, y'know. Eggman was attacking. So Trip told everyone to find shelter and hide from the Badniks. (This actually makes a lot of sense, since you pass by this very village in Speed Jungle Zone. Somebody's gotta maintain those straw roofs and light those torches, and I can't imagine Trip managing all that upkeep herself.)

This also includes a grandfather for Trip, who's been training her as the archipelago's new guardian. Naturally, this has led to some speculation from fans about the old "mandates." In the wake of the Penders lawsuits and Archie's reboot, Sega declared that the comics could no longer create comic-original relatives for the game characters. Has that changed now?

Well, I'm hesitant to read too much into this. For one, as Ian has tried to drill into peoples' heads for years now, the so-called "mandates" aren't a set of concrete commandments from Sega, they just have some general guidelines for the brand, some of which have more wiggle room than others and some of which have changed over time. There's also the simple fact that Sega is working way more closely with the team at IDW, and that people like Ian and Evan are literally on the official Sonic lore team now. Ian can presumably work with the lore team and Sega to figure out Trip's family, and then go and work what they've decided on into a comic, so it's entirely possible Trip's grandpa isn't considered a comic-original character so much as he's a character conceptualized at Sega who just happens to have appeared in an IDW comic before anything else. The lines are a lot blurrier now with all this cross-pollination, compared to the Archie days when it was a separate creative team and a separate canon.

But, again, I don't want to speculate too heavily about what goes on behind the scenes. Regardless, Ian was able to use this comic to expand upon the world of the games and the characters that inhabit it, and I love it for that. It's the first of these Classic comics that feels like truly mandatory reading for the way it builds upon the games. These days we so rarely get to see communities like this in the Sonic world with their own cultures. It's not like we know anything about "hedgehog culture" or whatever. So this is a nice change of pace. The Northstar Islands feel totally different now that I know they've actually been inhabited the whole time, and knowing that Trip is part of an active community with their own history and customs puts a whole new spin on her as a character.

It also makes her a great foil for Knuckles here. He showed up on the island thinking he'd have a lot to teach Trip as someone who's got more life experience as a lone guardian, only to realize his assumptions about her life were completely wrong. Trip brags to her grandpa that Knuckles is gonna train her, but he quickly realizes he doesn't have much to teach her. She may be kind of cowardly, but she knows her way around the island, she can think on her feet, and she can handle herself well enough in a fight, in her own slapstick way.

He doesn't say as much, but you can tell Knuckles is embarrassed about all this. This clumsy kid is showing him up, even though she won't even really listen to his advice! He's also, perhaps, a bit jealous. It's not like he had a grandfather to train him in the ways of being a guardian. (Not in this continuity, anyway.) He doesn't get a whole village of echidnas to teach him about his heritage. He doesn't get fancy ceremonial armor. It's just him, a big green rock, and his two fists. He thought he had this whole guardian thing figured out, and he'd be able to give a kindred spirit like Trip some advice, but it turns out she's lived a whole different life, making him question if he even knows what he's doing. He quickly gets fed up with both Trip and himself, blowing up at her a little.

After reflecting a bit, Knuckles goes back to Trip and comes clean. He doesn't really know how to train her, because no one ever trained him. He figured things out on his own. If he had anyone there to raise him, they've been gone since he was too young to remember. He just knows he has to protect the Master Emerald. That's it. It's a pretty vulnerable moment for Knuckles, one where his dissatisfaction with his life comes to the surface.

Still, Trip sees things differently. He may be used to the fact that he lives on a giant floating island powered by a giant magic emerald, but she thinks that's, like, the coolest thing in the world. HER islands don't fly! And while Knuckles might wish he had someone to train him, Trip thinks that Knuckles becoming such a fearsome fighter all on his own, without even armor to protect him, makes him super awesome and admirable. With both of them feeling better, Trip takes Knuckles to Golden Capital to talk about her heritage as a guardian of the Northstar Islands a bit more, and Knuckles tells her that he thinks she'll be a great guardian before he heads home, once again feeling pretty good about himself.

While this is a pretty straightforward little story about how the grass is always greener on the other side, it's a very effective and sweet one that I enjoyed reading a ton. Aside from the fun of learning more about Trip and the Northstar Islands, it's just a great showcase for Knuckles. (It's definitely a way better showcase for him than his Paramount+ show, as much as I took sick pleasure in that show's baffling creative decisions.) There are also some fun details about his life in here, such as the fact that Sonic, Tails, and Amy have taken camping trips to hang out with him on Angel Island, and the fact that he trained Amy in using her hammer better.

It's just real good, and it feels like the most meaningful addition to The Canon out of any of these Classic era comics Ian's written. We're still gonna be getting more in the future, so hopefully this is a sign that Ian and the lore team have found that happy middle ground where they can keep the Classic comics familiar and nostalgic while also being able to branch out and expand upon things.

Speaking of future comics!

Coming attractions

The end of this issue confirms some things that are in the works for IDW Sonic. For one, we're getting a Chaotix 30th Anniversary special next year. Neat! They also mention some kind of Shadow one-shot dropping following the movie, however fans seem split on whether this is referring to a new story or just the "Best of Shadow" compilation one-shot that's coming out next month. So don't get your hopes up about that in case it's the latter, I guess.

And while we're still waiting for issue #75 of the main series, the IDW team is already thinking all the way ahead to #100, which should drop sometime during the 35th anniversary of the franchise in 2026. Clearly the team's still confident about the longevity of IDW Sonic and excited for the future. And I am, too! Bring on #75!

[vaya-is-dead]

Welcome to hour one of my delusional city

SO ABOUT JINX.... we have plenty to discuss. :))

*act three arcane spoilers under the cut don't read if you haven't watched it especially the last episode!!*

I have a theory.

Now many of you will point at me and call me delusional but I'm sorry. I think I might be right on this one for a change. (or at least it might be implied.)

OK, if you watch the final episode, you know that jinx made the sacrifice taking Warwick with her while Vi screams for her. This scene absolutely broke my heart and for about a good 15 minutes I thought she was dead.

Until I went back and watched the last couple of scenes.

Something that I found interesting is that Caitlyn was looking at the blueprint of the vent system, more specifically where Jinx made her ultimate sacrifice. We all know that arcane is not a show that would just throw in details all without reason. Everything has a point everything is calculated to either imply something or show something.

Why would Caitlyn be looking at the blueprint and why would the show creators specifically zoom in on certain airways? Well, of course, then none other to imply that Jinx could've escaped through one of these, therefore possibly surviving.

Now with that alone, it probably doesn't mean anything. It is nothing but a skeleton of what possibly could be, it needs flesh and muscle for it to actually be a Working theory.

But then, as I watched the final scene before the credits, tell me why an airship from Piltover airship very similar to the ones that we saw in episode one where powder said that she would be flying one of those one day. Why was it flying away into the distant sky, then followed by the classic Jinx glitches with the words the end?

Tell me why a show that is so focused on each, and every small detail, from micro expression to touches that linger just a second too long for it to be nothing, Even the drawings and graffiti around Zaun. why would a show so focused on those types of details do something like that if Jinx was not alive? It does not make any sense. It would not make any sense for the show.

Need more proof?

if you pay attention when Caitlyn and Vi are talking, specifically towards the end where Vi leans into Caitlyn, the expression on her face is not one of relief, but rather one of knowing something. She was the one looking at the blueprint, and she was the one who noticed the potential escape route that jinx would know better than anyone because it wasn't her sort of Home in the vent system? How could she not know how to escape?

it's also very satisfactory to her character arc, it was only in season two where we started to see her perception of death start to shift, it was only when Isha came into her life that she really started to understand her own mortality and not completely disregard her life like she used. the prison scene with Vi, where she's sort of regresses back to the mentality of everyone around me will get hurt because of me. while in act three she did begin to disregard her life again, I would like to think that her talk with Ekko might've snapped her back into place. So instead of losing jinx's character development in its entirety, she continues on the same path where she was while still keeping her goal of letting VI be happy the same.

Plus the pink streak coming up the side of the hex gate tower, it's similar to the way that Jinx charges at Vi in their fighting scene.

Now, this is the part where you go into the comments and call me delusional and make fun of my theory but thank you for comming to my Ted's talk

[beanghostprincess]

Luffy not knowing about Zoro promising Sanji to kill him if he ever ends up losing himself makes me go feral because that's something they can only know about. Because Zoro's respect for life and death goes beyond anything, and Sanji knows he understands. Sanji knows that if somebody has to kill him, it's him.

And I don't even think it's because Sanji assumes Zoro's opinion of him is hatred and it would hurt less for him to do this, but because Sanji knows only Zoro would be able to treat the promise as it is. Because he would put Sanji's wishes before any feelings he has for him. It's not that Zoro doesn't care, but I think he respects people's ideals and decisions to the extent of being able to kill Sanji if he so desires.

That being said, he'd do it if there's no other way to fix it. If it's either dying or living as an emotionless machine, which is the same as dying for Sanji, Zoro would fulfill his promise. And there is just... Something about Luffy not knowing. Their captain. The man they're devoted to the most as if he were their God. Luffy doesn't know. It's something only the captain's wings are aware of and the thought of these two keeping this from Luffy until the end is just insane. Not even trying to make it romantic here, but the bond and respect these two have for each other is crazy.

Maybe it's the poetry of it all, too. Somebody like Zoro, who has looked at Death in her face multiple times and said "no", ending Sanji's life, who wants to give in to death to not experience a fate worse than death for him.

[silenab]

rocking back and forth thinking about luke and annabeth and the very fine line between devotion and obligation

[anonymityisfunwriter]

Every Part of You

Pairing - Grumpy!Bucky Barnes x Sunshine!Reader A.N. - Alright, I've been asked to write about Bucky and Sunshine's first time many, many times. And the thing is, like sure, I could write that, but also I want us to take a moment to consider trying to build up to that. There's so many firsts buried in there that I think need to be navigated through before they even get there. This is one of those firsts. Like the first time you see Bucky's shoulder.

Bucky Barnes Masterlist | Grumpy Sunshine Series

"You're just- " You stop speaking, searching for his lips again. Though you're breathless, you can't bring yourself to pull away from him, "You're so pretty."

You shudder as you feel his hand slip under your sweater. The occasional graze of the cool metal on your skin enough to send shivers down your spine.

His lips trail down, nipping at your jaw, "I'm not pretty."

Your hands, winded in the hair at the nape of his neck, glide down his neck, to clutch the fabric of his henley. The moment he feels your fingers toy with the collar of his shirt, his heart hammers against his ribcage. Not in the sort of way that he usually feels in these moments with you. He feels a sense of dread, of panic. It wraps around his spine like a python. It feels like he can't breathe.

"You're so -"

He wrenches away from you, his chest heaving, "Stop, stop, stop."

You freeze, immediately dropping your hands. Panic starts creeping up your throat, coating your words. "Did I - did I do something wrong?"

He gulps, silently shaking his head. It takes him a moment to regain his composure, to regain the ability to speak clearly, "No, no, you're - you're perfect."

Guilt starts to eat at him. He can see you doing your very best to keep your own feelings off your face. He can see the sting of his rejection in the way your lips press together in a tight line. The embarrassment in the pallor of your once flushed cheeks.

You two have worked so hard to overcome your own personal issues and traumas, to build trust in each other, moments like these hadn't come easy. And he so callously pushed you away, it makes him feel worse. And what makes his heart ache even more, he sees nothing but concern for him shining in your eyes. You just look so worried for him.

Your hands rest in your lap. You twist and untwist your fingers. "If you don't want to, we don't - we don't have to do anything. I'm really sorry -"

"No, no, please don't be sorry." He reaches for you, gently squeezing your hand. It soothes him as much as it does you. "I want to. You don't know how much I want to."

"But?"

His eyes squeeze shut. He can't bring himself to meet your eyes. "You haven't seen it before - my arm, my shoulder."

"Oh."

He drops your hand. That feeling takes over him again. It feels like there's not enough air in the room. He slides away from you, closer to the edge of the tiny couch in your apartment. "It's - I am not pretty."

It breaks your heart, watching him pull away from you. You can only imagine how many people have turned away from him before. "James..."

He fervently shakes his head, refusing to open his eyes, "No, no, I know what you're gonna say, but it's bad. A lot worse than you're thinking."

"How do you know what I'm thinking?"

"It's bad," he insists. "I see it every day and I can barely - it's just bad, okay?"

You take his hand, squeezing it tightly. "It's okay if you don't want me to see it. I understand."

He finally opens his eyes again as his eyebrows pull together. He still doesn't meet your eye. "No, no, I want to - I trust you with this, I do. I just - I want you to be prepared."

In that moment, you realize that it's not really about preparing you. Not at all.

He thinks you're going to react badly. He thinks that this will make you turn away from him for the first time ever. He's worried that the love and adoration in your eyes will turn to disgust and repulsion.

It's less about preparing you for the scarred flesh, and more about warning you that he couldn't take a bad reaction. He's not sure he could take it if you turned away from him too.

"I love you," you promise him. "There's nothing that you could show me that would change that. I hope you know that."

There is no response to that. And you know that he won't believe it until he sees it. It takes him a moment. His hand toys with the hem of his shirt. His hand grips the hem, only to let it go.

"I love you," you remind him.

He takes a large gulp of air, pulling off his shirt with one quick movement.

You weren't really sure what you were expecting. You knew the story. You knew how Bucky lost his arm. He even confided the bits and pieces he remembered from getting his vibranium arm.

Your eyes trail over his skin. The shoulder is scarred, scars jut in every direction. Each scar is etched into his skin. It's clear it was a painful, violent experience for him. The metal plate protrudes from the scar tissue in a way that you're sure was painful when first placed. You look on with curiosity, you're not really sure how this, a sign of survival, a badge of resilience, could ever make anyone turn away from him.

He's as breathtaking as you could ever imagine.

Your eyes flicker up at him. He looks at the blank wall of your apartment, scared to watch your facial expressions as you take it in. "Can I?"

He nods, barely able to look you in the eyes. He sucks in a breath when your fingers make contact with the scar tissue surrounding the metal plate.

You immediately pull your fingers back, worried you've accidentally hurt him. "Does it hurt?"

"No," he answers reflexively.

You know he's lying. "I've seen you holding your shoulder before - holding it like it hurts."

"Sometimes," he amends. "The doctor said there's a lot of nerve damage. Things they can't fix."

"Does it hurt now?"

"No."

You run your hand over the plate, over his scars, down to his shoulder blade.

"Still think I'm pretty?" he sarcastically remarks.

You press a gentle kiss to his bare shoulder. "I'll always think you're pretty. Every part of you."

Bucky Barnes Masterlist AnonymityIsFun Masterlist

Reblogs and comments are always appreciated! 💛

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[eff-plays]

Ok so I watched the interview with Stephen Rooney, Astarion's writer, and here are some highlights. (I'm an aspiring writer and current game design student who wants to write for games so I'm sorry if some of these insights aren't as interesting to you as they are to me <3)

He calls Astarion his "horrible little vampire boy"

He loves seeing the fandom around Astarion<3

He did write other characters in the game, but mostly NPCs surrounding Astarion or his storyline, so it mostly revolved around Astarion

Astarion is not as connected to other companions/Origins as, for example, Lae'zel and Shadowheart, or Wyll and Karlach are to each other, but he is still reactive to their stories, even if it's just to stand off to the side and laugh when something terrible happens

He had a clear sense of where Astarion's story would start and end, but it got "muddy in the middle", but those are also moments where the best ideas come from

They write from the general idea that every character has one "good" and one "evil" ending, in order to give the player choice. RIP Ascendant apologists :(

According to Stephen, two of the most important aspects of Astarion's character (to keep consistent when bringing him to Idle Champions, at least) is that he enjoys violence, but is also fun about it

"He has a certain appreciation for violence, I guess? A bit of a murdery streak. [...] He's a vampire, he's all about blood, and he's all about, kind of, those darker sides of humanity. [..] But at the same time, he is ... He is really fun, he's really fun to write, he's really fun to have in your party, and it's very important for me that that is also represented."

"He's gonna stab you, but will have a smile on his face as he does it? I mean, I dunno. That's kind of him in a nutshell."

Larian would not have allowed for Astarion to be a typical brooding Dracula type, and there were scenes that were shot down for not being original enough

The main thing about Astarion was trying to get a "sense of fun." It would be easy to write a character that was very unlikable, and they absolutely did not want to do that

Rooney says Astarion is consistently terrible throughout the game and awful in a whole lot of ways, but he also needed to be charming enough that you could tolerate his presence and wanted him around

Rooney also had a lot of input on Astarion's stats (meaning the 10 Charisma is probalby 100% intentional)

He also had input on how certain lines should be delivered, even though the writers didn't directly work with voice actors

The way Astarion moves and poses is "all Neil"

Apparently, Neil Newbon worked on the character for years and Rooney did not speak to him once, though his voice work did influence how Astarion's lines were written and it became a "feedback loop" (Possible context for "ONLY SLIGHTLY, NEIL")

There were no points where a line delivery drastically changed Astarion's writing; rather it was a constant, slow evolution

However, there was one very spoilery moment where Neil gave such emotion to some "basic" lines that it fundamentally changed the scene (WHAT IS IT OMG)

It's difficult to balance approval, as you don't want to straight up write a monster. Every character needs to have some humanity in them. So if it comes to leaving the party, it needed to be the result of something central to said character. They wanted to be mindful of situations that would cause actual rifts between characters. (I assume this is why most generic disapprovals/approvals are +/- 1 or 2, while character-related ones give +/-5 or more)

However, as they don't write straight up horrible people/monsters, it doesn't come up as often as one might think.

The interviewer makes a point about how characters like Astarion and Lae'zel are good examples of how to play "evil" characters, as they are maybe not the best people but are still eager and willing to stick around the other party members

They worked to make sure the characters would work as a group, no matter the configuration of the group. The characters needed to be on the same path, even if they don't always agree or walk that path the same way.

Stephen Rooney is very proud of the "climactic" scene of Astarion's story. (AS HE SHOULD BE.) He even had to step away from the computer and have an emotional moment. Me too, man.

He's also "extremely pleased" that there's a point where you can punch Astarion in the face. "Actually, that one might be my favorite part" A MAN OF THE PEOPLE!!

Stephen Rooney's tip on what specific thing you should try out with Astarion: When he's trying to get a "sneaky nibble" at night, you should "probably" let him bite you. Way ahead of you there, sir.

No discussion about Astarion's romance unfortunately, but that's that!

[velvetvexations]

Antigonism

ANTIGONE: I'll do my duty to my brother - and yours as well, if you're not prepared to. I won't be caught betraying him.

What is antigonism?

Antigonism is a transfeminist mode of thought specifically for transfems that embrace solidarity with other trans people, as well as those who are intersex and the queer community in general, under the belief that it's vital to recognize we're all equally oppressed and capable of doing lateral harm to one another

Beliefs of antigonistic transfems include but are not limited to:

accepting that transandrophobia exists

being mindful of exorsexism

not policing the terms that intersex people use for themselves

awareness that other AMAB people can present as feminine without being some kinna insult to us

recognizing that racial hegemony and the cishetpatriarchy are radically different systems of oppression and any comparison between the two, while possible, must be made with exceptional care

rejecting the "reclamation" of radical feminism

finding it appalling to demand that other trans people define themselves as privileged for not experiencing the same things as us - especially when they do in fact experience much of what is commonly, inexplicably cited as unique to transfems.

Isn't that just trans unity?

Trans unity is also great! But I feel like transfems who explicitly reject trans radical feminism could do with a word that is more forceful and specific. Some would prefer that this just be considered the default, and the vocal minority of people who think transfems are oppressed by other trans people should simply be treated as weirdos out of step with the rest of us, but I think there's value in making a strong statement with a term like this.

I've seen a lot of people who legitimately feel like shit because the vocal minority has been so loudly terrible that it's affecting how comfortable they are with random transfems whose opinions they don't know. I understand the temptation to just say they need to touch grass or whatever, but even aside from the fact that things like anti-transmasculinity within the community isn't purely limited to discourse on a dying social media website, I feel like that's blaming them for their reaction to being treated cruelly. I think antigonism could help drill in that there are tons of transfems who back them up, and that they don't need to search for keywords to know that person is safe.

Because, like, that happens to me, too. So many times I've seen a post I really liked and thought was insightful, only to have my distrustful nature lead me to doing such a search before reblogging and being gravely disappointed with the results. That fucking sucks, yall.

Why "antigonism"?

In the legends of Ancient Greece, Oedipus had two sons. One of them, Polynices, would eventually go on to wage war upon his brother, Eteocles, the king of Thebes. There were many telling of the story, some in which Polynices had a very good reason for doing so and some where he didn't.

Polynices and Eteocles both killed each other in the war, but Creon, who took power after, unilaterally declared that Polynices was a traitor. Antigone, the daughter of Oedipus, however, simply does not give a fuck what Polynices did or did not do. When Creon orders that any who try to bury Polynices will be put to death, she proudly does so anyway.

The most famous teller of Oedipus's family history, Sophocles, wrote a play about the war, but it's lost to time and so we know nothing definite about what version of events is canon to Sophocles' play starring the titular Antigone. Considering that the whole point of Creon's character is his dogmatic clinging to law over sense, his assessment of Polynices as being in the wrong for going against authority doesn't clear things up.

I emphasize this because I don't want to seem like I'm framing other trans people - transmascs especially - as requiring forgiveness for some vague past sin. Quite the opposite, just as they treat us as their sisters in spite of that minority of transfems who are awful to them, we must recognize that they're often the first to shut down transmisogynists amongst themselves. Ultimately the point of Antigone's actions in defying the law to honor her brother is that things like that are entirely irrelevant. The fact that the person accusing Polynices of being evil is a jackass, and we know there were versions of the story where Eteocles had it coming, is even more reason to look past his "crime."

ANTIGONE: I owed it to him. CREON: I had forbidden it. ANTIGONE: I owed it to him. CREON: Polynices was a rebel and a traitor, and you know it. ANTIGONE: He was my brother.

Does that mean we should not call out other trans people who are transmisogynistic or otherwise treat trans women badly? Of course not. But we have no more right to abandon or spit on them than they do us, which so many of them refuse to do in spite of the hostility they've often faced. To be an antigonist is to believe that we can do no less for those who do so much for us, and the creation of the term is intended not to spur more to do that so much as to give a name to those who've already been doing that.

Finally, I understand that the plot of Antigone revolving around Polynice's burial might feel grim. Critically, however, Antigone ultimately dies as well.

ISMENE: I must yield to those in authority. I think it is dangerous business to be always meddling. ANTIGONE: You have made your choice, you can be what you want to be. But I will bury him, and if I must die, I say that this crime is holy. I shall lie down with him in death, and I shall be as dear to him as he to me.

We are oppressed by the same forces. We are allies in the same fight. We are friends, lovers, and family. An antigonist is a transfem who believes that all trans people will live together and die together. We are committed to sharing the same fate with our siblings, one way or another. Antigonists see us all as bound together, headed for the same destination, and we would not for a second ever want it to be otherwise no matter where that road leads.

One more thing!

Even if this terminology doesn't catch on, I hope this effort means something to anyone who sees this. <3 Your sisters do love you, I promise.

[cheapshrimpysheep]

Meaningful Kiss 2

SUMMARY: Would they make Public Displays of Affection? If not, are they protective instead? And how do they show you how much they truly love you through their kisses? 💋

CHARACTERS: Freshmen (Ace, Deuce, Jack, Epel, Sebek)

TAGS: Fluff; GN Reader; Romantic Relationship; Kissing; Flirting

WARNING: Spoilers from Ace Suitor Suit Card Vignettes

WORD COUNT: An average of 330 words per character.

COMMENTS: The first Meaningful Kiss with the Overblot Students went so well and so many people liked it that I thought about doing another one with the next most popular group, the Freshmen. And according to a poll more than 80% of the votes were for "OMG! YES PLEASE!" So here it is.

I hope you all enjoy 😘

Meaningful Kiss 3 (Ruggie, Jade, Kalim, Silver, Lilia)

Meaningful Kiss 4 (Cater, Trey, Floyd, Rook)

CONTEXT: For some of them I needed to think first about what the beginning of the relationship would be like. But this would already be how they would act in an established relationship.

Ace is kinda into PDA, but more to tease you and mess with you. He is very comfortable with you. He has no problem putting his arm around your shoulders or waist with a playful smile. Often to try to convince you not to be the voice of reason and join him in trouble.

In public he may hug you a lot, but the only kisses he gives you are on the forehead or cheek. Because on the lips, those are the special ones! And those are reserved for your private moments.

You two are usually alone in Ramshackle Dorm, mainly in the Lounge. You would have many movie sessions where you would make popcorn and snacks together. And it is in these moments, where there is a high chance of you messing with each other, like throwing flour at each other or smearing each other's noses with chocolate, that his most meaningful kisses can happen. In a fun atmosphere.

His most meaningful kisses are playful and grateful. He hugs you like he never wants to lose you. His kisses are passionate, not in a sense of desire, but in a sense of gratitude. You know those moments when something happens that makes a person remember why they love someone else? These are those moments and those kisses. These kisses mean "thank you for being in my life".

However, there are also certain other times when kisses like this can happen. Imagine him getting into trouble and you ending up in trouble too. But of course, instead of handing Ace over, you protect him, help him hide or even hide with him. It is in these moments that you can also receive a passionate kiss from him. “Thank you for being my partner in crime” kisses.

Deuce is very new to these things, so he's not a fan of PDA. But even when he's gotten used to your relationship, he doesn't see PDA as something necessary. You love each other and you only need to prove that to each other.

BUT if you really like it when he hugs you or gives you a kiss on the cheek, he might do it for you. On the lips, those are the special ones and he is very embarrassed to give them to you in public because he needs to be comfortable to kiss you properly.

At first, he will still get flustered easily and probably blush a lot. It's all very new to him. So, even holding your hand will take a little while for him to get used to it. But once enough time has passed, he won't have any problems even linking his arm with you. And also given enough time, he will start to be that boyfriend who gives you a kiss on the cheek every time he greets you and every time he says goodbye.

For his most meaningful kisses there will be special places. Places where he will take you on his Blastcycle (Magical Wheel). If he takes you on a date. These kisses can also happen in sporadic moments where he feels so happy to have you that he forgets everything else.

His kisses are passionate, urgent, like it's something he needs to give you. You know when he gets so angry that his ex-delinquent self shows up? Now think about that intensity and lack of control, but with love and affection. He is more sentimental than rational, so I believe he is the type of person who is not ashamed to tell the people closest to him how important they are. And he won't think twice to decide whether to show you how much he loves you or not in a romantic moment.

Jack tries not to do PDA, or at least he tried more in the beginning. It's all still very new to him and he knows that you are his partner for life, so there is plenty of time to get used to the relationship.

Wolf beastmen only have one special someone, ever. They choose a single partner to care for. He chose you, the same way you chose him and now he is committed to you for life. And both he and you expect this to be a long time, so there's no need to rush anything.

He's not much into PDA, but eventually he'll feel more comfortable holding hands with you or letting you link your arm through his. At first, any kiss was still awkward in public, but after a while he ended up having no problem giving you a quick kiss on the cheek if you asked, or if he was very happy. And only some time after this phase, he will feel more comfortable giving you a quick kiss on the lips, usually to say goodbye.

Why are all his kisses in public quick? Because the slow ones are the private ones. Despite his tough wolf exterior, with you, especially in private, he can be a puppy. Rare are the times when he isn’t wagging his tail when he's with you. Or smiling, even if it's just a little. He likes to cuddle! The best moments alone with you are when you can rest in each other's arms. You can pet him. Please do.

He gives you sweet, light and lingering kisses on your cheeks and lips, but the most meaningful ones are a mix of gentleness and excitement. Do you know when dogs are so happy that they get excited? Think of that excitement, but gentler, more caring, more careful. He wants to show you how much he loves you, but he is also aware of his strength and that you are a human, less strong than a beastman/woman.

Being faithful to the character and his complexes, I don't believe Epel would have a relationship with someone more masculine than himself. So I believe his significant other would be more feminine than him or a girl.

If you're not a girl, it might take longer for him to get to this stage. But if you are, at first he may see you as a bit of a trophy, just a little. You will find him more cocky than usual and he won't have any problems with PDA, quite the opposite, he wants to show everyone your relationship. He'll put his arm around you a lot, whether it's around your shoulders or your waist. He'll try to get over the fact that you're taller than him if you are, but if you're shorter, he might feel like the protective boyfriend he so wants to be.

It will be a rocky start. And you will have to have a talk with him about the sudden change in attitude towards you. He will apologize a lot and reveal that yes, he is proud of himself for being in a relationship with you, because he is proud to be someone you can trust and fall in love with. The last thing he wants is to be disrespectful to you. This is still new for him, so can you help him be better?

After this beginning of learning, you will discover that yes, he genuinely likes PDA. He is a prideful person. Proud of himself for the person he is becoming with you and proud of you for... everything. And he wants to show everyone how much you deserve his affection.

He can hold your hand, hug you, and give you kisses on the cheek, but kisses on the lips are special, and less confident, at least at first. He has no experience and he doesn't want to ruin the moment. But once he gets used to it, you'll find that his kisses are just as sweet, cute and delicate as the appearance he's learning to embrace.

Good Luck! Sebek is... intense, but slow. Especially because he follows Lilia's “advices” too much. According to Lilia, once he falls in love with someone, he must pen them a letter. With a fountain pen since that and stationery are the true weapons in matters of love. He shall pen his feelings, slip a photo of his smiling visage into every third missive, and repeat this until the twenty-fifth full moon.

Of course you won't be able to bear this for long and you'll have to have a talk with him and Lilia. He’ll ask Lilia what to do from now on, and seeing that things are real now, he'll probably just reply: "Whatever you feel you should do. Trust your heart, but never overlapping yours with (Y/N)’s. That's it! Good luck."

Just like he does with Malleus, Sebek's way of showing that he likes someone is by admiring and protecting them. So, at first it will be just that, he will be close to you and you will receive many words of affirmation.

However, even after he becomes more comfortable with you, you will find that he is indifferent to PDA. At least PDA initiated by him. But if you say you want to hold hands, a hug, a kiss, whatever it is, your wishes are orders! Literally!

In that case, he will never have any problem doing any of the things you ask. Do you want to walk hand in hand? He will extend his hand like a gentleman asking his date to dance. Do you want a hug? He'll open his arms and let you in, maybe even give you a kiss on the forehead if you're feeling down.

Do you want a kiss? What kind of kiss? On the forehead? Granted! On the cheek? For sure! On the lips? Then you have to be careful. Remember that he never hides how much he likes and admires someone. He doesn't exactly have one kiss more special than the other. he will give you any kind of kiss you wish. Like I said, your wishes are orders and you will feel it in his kisses. His most meaningful kisses are all, because they are all to make you happy.

If you would like to read more from me, you can find it in my pinned post: INDEX

[oxymorayuri]

❞𝑊𝘩𝑎𝑡 𝑡𝘩𝑒 𝑏𝑜𝑦𝑠 𝑙𝑜𝑣𝑒 𝑎𝑏𝑜𝑢𝑡 𝑡𝘩𝑒𝑖𝑟 𝑔𝑖𝑟𝑙.❝

𝐀𝐑𝐓𝐈𝐒𝐓: Law/Ace/Doffy: pol | Kid: ダイコン

Headcanons » Law ✧ Ace ✧ Kid ✧ Doflamingo Wordcount » 1873 Info » Fem reader, mature/kinky things but also fluffy and cute

ᴍɪɴᴏʀꜱ ᴅᴏ ɴᴏᴛ ɪɴᴛᴇʀᴀᴄᴛ

𝑇𝑟𝑎𝑓𝑎𝑙𝑔𝑎𝑟 𝐷. 𝑊𝑎𝑡𝑒𝑟 𝐿𝑎𝑤

» When you read something to him: Usually you're with Law in his study, even when the two of you are doing separate things. He's mostly working on some plans or studying medical books while you're quietly reading a book on the sofa, simply enjoying each other's presence. Some days, however, you decide to read in the library. There is a big and cozy reading corner with lots of cushions and blankets, as it is always cold in the Polar Tang. The reason why you love reading there is because of the large bull's eye that reveals the secrets of the sea. Sometimes you sink into your thoughts and dream of the future as you gaze out into the blue, not even realizing how Law quietly sneaks under your blanket. Only when he takes you in his arms and presses you against him, you come back to yourself and drop your book. You talk briefly about the day so far, what you've done and then he lays his head on your lap. You brush his hair out of his face, he looks a little tired and has come to you to relax. You are his safe place, just as he is yours. You know immediately what to do and turn a few pages in another book.... "I assume we're having our little reading session again today, darling?" It's become like an unwritten rule for you, that when he lies down on your lap, you read to him and then take a nap together. Law looks at you with one eye open and grins, as you turn to the page where you left off last time. He likes the way you change your voice depending on what is happening in the story and after a while he is so relaxed that he falls asleep. When you hear his light snoring, you smile at him lovingly and put the bookmark on the current page before putting the book aside. You snuggle up to him and enjoy the peacefulness.

» Your fragrance: The perfume you wear and your own scent have a better effect on him than lavender and directly soothes his senses. You smell like home to him. When you are together with the others and you lean on his shoulder, he always tries to discreetly place a kiss on your head. Your hair always smells like fresh lemon, but rather light and refreshing. You don't like classy and expensive fragrances and prefer things to be natural and simple. Your scent is like aromatherapy for Law and that's a secret you'll never discover.

» Your hips: Law is pretty good at keeping his face under control, but when you're wearing a crop top and showing your hips, you can see the blush on his cheeks. He really has a fetish for your curves and your belly. He places a thousand kisses on your tender skin as he goes down further towards your private parts. His lips fly so softly over your skin that you can barely feel them. When he's on top of you he loves to grab you by the hips to pull you towards him. Skillful hands caress your sides, giving you goosebumps and making you arch your back because of all those tender touches. The squeezing sensation builds up in your lower middle and you literally beg him to release you. Law is someone who likes to try out lots of positions, preferably ones where he can grab you by the hips to guide you. While he is still on top of you, he pulls you towards him and turns so that he is now underneath you and you are sitting on his dick. You are visibly surprised by the sudden change of position and need a moment before you start riding him. However, Law doesn't give you a second, moves along your thigh to your hips and moves you up and down. The forthcoming penetration makes you see stars and after you both reach your peak, you let yourself fall exhausted onto his chest. He kisses your forehead tenderly and caresses your hips as you both calm your breathing.

𝑃𝑜𝑟𝑡𝑔𝑎𝑠 𝐷. 𝐴𝑐𝑒

» The wrinkles around your eyes when you laugh: Your laugh alone makes him turn around as soon as he hears it, but the little wrinkles on your face are another level. He also shows no shame and stares into your face lovingly. Of course, you don't miss his stares and his answer to why he's staring at you so intensely was simple: "Your wrinkles are so adorable when you laugh.". He then had to convince you that he finds them charming, as you don't exactly find your wrinkles cute. In your eyes, they're more of a sign that you're ageing. His reaction afterwards was almost funny, because now it was him who was offended. In his eyes, the wrinkles only mean what a cheerful person you are.

» Your skin: Your skin is so soft and gives off a warmth that he doesn't even have, even though he's pure heat himself. lol. If the guy doesn't feel your skin on his, he feels like he's hypothermic. Nevertheless, he would never get on your nerves, he rather keeps it to himself how much he longs for your skin. That means he'll take every chance he gets to touch you. You're cooking? He will of course help you by hugging you from behind, putting his hand over yours and you two stir together :D He loves it when you sunbathe. Not only is it a nice sight for him to ogle you while you sizzle in the sun, it's also the perfect opportunity to touch you intimately in public. (Ace is definitely the type to have sex in public. Nicely on the beach while the sun goes down *-*) He definitely has a lot sunscreen in stock, even if he doesn't need it for himself, but it gives him one more reason to feel your skin without being intrusive. He applies the cream very thoroughly and definitely every 2 hours. At first you thought he was very sweet and attentive because you couldn't reach all the spots, then you realized that he just wanted a opportunity to grope you… But you won't say anything against it because you enjoy how thoroughly he massages the suncream into your skin.

𝐸𝑢𝑠𝑡𝑎𝑠𝑠 𝐾𝑖𝑑

» How you dance: No matter how full the pub is, his eyes are always on you and follow your rhythmical movements. His breathing slows down while your hips move seductively. You are a passionate woman but you dance just for yourself and simply enjoy the music as it moves through your body. Kid sometimes doesn't even notice when one of his crew members is talking to him… mostly it takes him a moment or two to react. He also finds it very satisfying to watch you reject other men. He feels proud. However, if someone touches you, he doesn't hesitate and intervenes aggressively. Just look and don't touch is the motto. You also like the way he gets angry and intervenes, so you happily snuggle up to him while you make a face at the other guy. Kid doesn't seem like it, but it takes a while before he forgives you for being such a hottie that other men keep coming crawling up to you. You enjoy it though, because it's almost cute how a tough guy like him pouts. However, he will forgive you... at the latest when you dance for him in your shared bedroom, in private ;)

» Your quick wit: Well, you do not only bark, you also bite. The Crew knows that and those who don't know you will find out soon enough! Kid never has to get involved when you're arguing with others. You're eloquent and if necessary you'll hit them! But don't worry, he's always keeping an eye on you and if you show him that you need his help, he won't hesitate and will happily take over the beating.

» Your relationship with his crew: Even if you are the captain's lover, it doesn't mean that you have automatically earned the respect of his crew... But it didn't take long for everyone to consider you one of them. For Heat, for example, you're like a little sister and you're probably the only one he's okay with when she cries (He hates crybabys, lol). The first person you really became friends with was Killer, and not just because Kid told him to look after you when he couldn't himself. It's actually because you both like spaghetti, while the others are already sick of it and you're an insane cook. The first time you cooked spaghetti, he liked it so much that he ate all the leftovers at night. This is especially important for Kid, because if his people don't love you, why should he?

𝐷𝑜𝑛𝑞𝑢𝑖𝑥𝑜𝑡𝑒 𝐷𝑜𝑓𝑙𝑎𝑚𝑖𝑛𝑔𝑜

» Your appearance: Doflamingo is an obsessive narcissist. He may love you in his own twisted way but he always says he owns you. He proudly displays you by his side and that's why your looks are important. In Doffy's eyes, you wouldn't be his queen if you weren't the most beautiful woman in the world. People who disagree with him will lose their lives faster than they would like… Because how dare they think that a man like him doesn't have the most beautiful wife. Not because you are incredibly beautiful (which is definitely true) but because Donquixote Doflamingo will only have the most beautiful woman by his side. (Know the difference..)

» How you moan his name: Doffy loves to get the softest sounds out of you while he fucks you into madness. "Say my name, my angel." You look up at him hesitantly. You can't think straight as he hammers into you, his movements are vigorous but so skillful that it doesn't hurt. It just feels so good when his tip triggers your G spot. Since Doflamingo isn't even waiting for you, he casually wraps a hand around your slender neck, forcing you to keep your gaze upright. You feel so intimidated when you look into his eyes… When you are intimate with each other, you have the honor of looking into his eyes. His gaze burns itself into your brain and if you're honest, you feel powerless. When you finally let yourself be overtaken by all your feelings, you can't help but release them through your voice. You are incredibly turned on by the way his elegant hand slowly takes your breath away and you arch your back. "Oh Doffy…" With these two words, you let the last bit of air out of your lungs and let your head fall back. "Fufufufu… My beautiful angel, don't stop singing for me." You completely let go of your embarrassment and give yourself completely to him. Your sweet sounds have an electrifying effect on him, feelings are released in his body that he can't identify, he only knows that he won't leave you to anyone. Your voice belongs to him alone and he decides to let the whole castle hear how he ruins you.

Masterlist

Hope you like it, I'm off to the land of dreams, good night :3

𝑾𝒊𝒕𝒉 𝒍𝒐𝒗𝒆, 𝒚𝒐𝒖𝒓 𝒚𝒖𝒓𝒊 ♡

[cherrydbear]

Since y'all seemed to like this I'll keep rambling on the subject, I can do this all day. Here are some of those examples where I think their friendship really shines through:

From Sanji's perspective, this guy just showed up outside his restaurant one day, dueled the legendary swordsman who slashed Don Krieg's fleet to pieces, willingly got cut almost in two, nearly bled to death, was tied up by his own crew and then captured by the Arlong pirates, still singlehandedly escaped and came back to join the fight and defeated one of Arlong's best fighters, then nearly bled to death again and woke up just in time to drink himself silly at the afterparty. I've heard people say they "match each other's freak" and that's the truth. Sanji watches this absolute wackadoodle of a man and knows he's found someone who matches his freak. From Zoro's point of view, some cook at a floating restaurant just fed all of their enemies out of principle before kicking their butts. How could he not respect that sort of unconditional adherence to a sense of honor and justice? Especially considering he himself experienced starvation not too long ago in Shells Town. Now this cook, the newest stray in Luffy's collection, immediately proves himself to be immensely capable both in the kitchen and on the battlefield, incurs injury to himself without complaint to protect these people he barely knows, and still is the only person to come sit by Zoro and check up on him. So Zoro knows that Sanji has a heart of pure gold, and I think that's a big part of why he gets frustrated when Sanji tries to cover it up with bravado and perviness.

This scene was really interesting to me because usually when someone demands that Zoro does something, he grouches and grumbles about it, so in this case it seems he just spontaneously started helping out himself. And if there was ever a man whose love language is acts of service, it's Roronoa Zoro. He seems to be more of a "companionable silence" kind of guy, while Sanji's a talker and will say anything to keep feeling connected. Now, I don't know if this is just a me thing, but I like to say my friends' names a lot, even just because the association with them brings me joy, but I rarely use the names of people I'm not close with except to refer to them in third person or to get their attention. In this scene, it seems to me that Sanji keeps repeating Zoro's name as a way to show he's thinking about him and appreciates him being there, though I might just be projecting.

Now, I know shippers go crazy over this one, but I think it's honestly really solid platonic evidence and I'll tell you why (not to dissuade shipping, I think you have to be friends before you can be more than friends so all of this can be fuel for the ship too if you want it to be). Firstly, they're comfortable enough to sleep this close together. Sanji's resting his sleepy head right on Zoro's shoulder (it should have been me, not him) and Zoro just lets him. Also note real quick, only a short distance away Luffy is using Usopp as a pillow, so they're all a cuddly cozy little family. When Zoro notices Sanji mistakenly trying to kiss him, he doesn't even move away, he just makes a face and waits for Sanji to wake up so he can make fun of him. Sanji, for his part, doesn't act embarrassed or disgusted that it turned out to be Zoro there, only playfully mad about his expression. They squabble for a few moments before Luffy pushes past them and they turn their attention to the next thing, argument forgotten, proving that neither was actually angry about anything and they were merely enjoying the opportunity to bicker.

This is from the hunting competition in Little Garden that I mentioned before. I just wanted to point out that both of them are grinning and clearly having a grand time.

(I love how Sanji's hands are just massive sometimes.) They have the entire forest clearing, and Sanji chooses to sit his little booty down right next to Zoro and toss his food at him. They're just like those kids in elementary who had beef over who has a more impressive Pokémon collection and would always sit next to each other at lunch to compare cards and play together at recess but claim they're archnemeses. And for as much as Sanji implied to Usopp (though oblivious) that the heart shaped vegetables were just for the ladies, he did choose to make it and serve it to the whole crew. Speaking of the ladies, Sanji is always adamant about protecting them, but he was perfectly fine with leaving Nami and Robin in Zoro's care, just as Zoro trusted Sanji to take care of Luffy and Usopp.

I also loved how Sanji packed Zoro a cute little lunchbox for exploring and he was NOT going to let no stupid south bird take it from him.

Alright that's all for today folks I gotta wake up in like 5 hours for work lol

Continuation from this post

[weird-is-life]

hey lovie! what about a remus x reader where he sees her asleep in the back of the library one evening on his prefect rounds and he wakes her up. he is more concerned on how long she’s been studying/asleep since it’s so late…on their walk she just walks with him during his rounds because they are just chatty

they both fancy each other but neither of them think the other thinks the same. he walks her back to gryf tower snd he finally says what he’s wanted to say for years

(i hope that makes sense and if ya hate the idea, no problemo lol)

xoxo

Hii lovely🥰 ty for the request. I tried my best, hope this is okay. Warnings: fluff, use of y/n, like one swear word, (0.9k)

Remus has seen you many times before. Either in the common room, halls, dining room, and the most in the library.

Remus always sees you in the library. Sitting quietly more at the back of the room. Either reading some book or doing the assignments for the classes.

So it's no surprise to see you here even now. But it definitely catches him off guard seeing you here so so late. Remus was on the last one of his prefect rounds before heading to bed himself, and he wasn't expecting to see you in the library.

Remus, from a shorter distance, notices that you are asleep. Softly exhaling one breath after another. Something stirs in Remus's heart at the sight of you, but he ignores it.

Remus approaches you, and tries to wake you up as nicely as he can. He doesn't want to scare you. He gently shakes you by your shoulder, and whispers your name a few times.

You rouse from sleep, blinking,  completely baffled by Remus's handsome face.

Remus thinks you are even more cute when you are half asleep. It's not doing any favors to his feelings for you. But he wills those thoughts away, and says, "sorry, y/n. You fell asleep in the library, and it's getting pretty late."

The sleep haze quickly dissappears when you realise where you are. You are up on your feet in a matter of seconds, packing your things away.

"Shit. I'm sorry. I was reading, and-and I must have fallen asleep," you explain in a mild panic. You would be in a lot of trouble if it was anybody else other than Remus that had found you here. Students aren't allowed out of their dorms this late at night.

"It's alright," Remus reassures you with a warm smile," I've done that so many times. I can't even count how many times James or Sirius had to walk down here to retrieve me."

"Really?" you giggle quietly, still very much sleepy and a little stressed.

"Yeah, really," Remus chuckles, too. "Now c'mon, let's get you to your dorm. I'll walk you there. Well, that is if you don't mind."

You shake your head. Indicating that you don't mind at all. Your cheeks go pretty pink as Remus and you start to walk towards the dorms.

You've always thought that Remus was so handsome, and so so smart. You'd never done anything about your crush, of course. Too scared to say anything. But that doesn't mean you haven't been admiring him. You have just-........from afar.

"Why were you in the library so late?" Remus asks to fill in the awkward quiet between you. And also he's a bit worried about you staying there until so late.

"Just studying, I couldn't figure out one assignment," you sigh. You still haven't figured it out, even if you stayed in the library for so many hours.

"The one for the potions?"

"Yeah," you admit in defeat," I've read everything I possibly could, but still i didn't find the answer."

Remus gives you a hesitant smile. You two are just a few steps from the dorms. You were walking too long in the awkward silence, and now the flowing conversation is about to end.

"I can give you the answer. I'll give it to you right away if you give me a second to look for it in my room," Remus instantly offers.

He's spent good few hours trying to find the answer too, so he understands how frustrating it can get. So he's very willing to give you the answer just so you don't go to bed with that on your mind. And also because he likes you, like a lot, and he would give you literally anything if you'd asked for it. He's down that bad for you.

"Really? I would really appreciate it, Remus," you say, happy about his help. You can't even think of how you could possibly thank him for it.

"Just give me a second," he turns towards his dorm, but he suddenly freezes halfway to the door.

Remus abruptly gets a better idea or well it depends on how well it goes. He just can't help his feelings for you any longer, and he needs to know what you feel, too. Even if he may get rejected, and end up with a broken heart.

Remus slowly turns around to face you again, a shy smile on his face.

"Or-r," he starts," we could go to Hogsmeade during the weekend, and I could explain it to you there. With something nice to eat and drink." Remus blurts it out in one breath.

Your eyes go very wide. Is Remus Lupin asking you out on a date or are you still very much asleep in the library, dreaming of this moment?

"L-like a date?" you sheepishly ask, blushing, and looking everywhere but him after your question.

"Yes. Exactly like a date." Remus states, looking nervous and hopeful at the same time.

You look up at him with a smile, you can't really believe that this is happening, " I think, I'd love that."

"Really?" Remus questions happily.

"Yes, really," you nod your head, sending a reassuring smile his way.

"Great. I can't wait," he tells you with a visible excitement.

"Me too," you admit bashfully.

"Well, I'll see you tomorrow. We can sort out the time then. Goodnight, y/n," Remus says, giving you one more soft smile of his.

"Yes, tomorrow then. Goodnight to you too, Remus," you wave him goodbye, and quickly dissappear into your dorm before you can collapse on the spot from the way your legs have turned to jello.

You think you can hear pretty loud cheers of the Marauders as you head to change into your pyjamas. A shy giggle escapes your mouth when you think about Remus telling his best mates about your date, and them being so happy about it.

[infiniteglitterfall]

I do realize this is a real niche post but I cannot tell you how many damn times over the past 10 months I've seen gentiles tell Jews some version of, "Your own holy book SAYS God doesn't want you to have a country yet!"

And it's such an incredibly blatant and weirdly specific tell that they're not part of something that grew from progressive grassroots, but something based on right-wing astroturfing.

1. Staying in your own lane is a pretty huge progressive principle.

Telling people in another group that their deity said they couldn't do X is, I think, as far as you can get from your own lane.

2. It's also very clearly Not In Your Own Lane because I've never seen anyone actually be able to EITHER quote the passage they're thinking of, OR cite where it is.

It's purely, "I saw somebody else say this, and it seemed like it would make me win the debate I wasn't invited to."

3. It betrays a complete ignorance of Jewish culture and history.

Seriously? You don't know what you're referencing, its context, or even what it specifically says, but you're... coming to a community that reads and often discusses the entire Torah together each year, at weekly services... who have massive books holding generations of debate about it that it takes 7 years to read, at one page per day....

And saying, "YOUR book told you not to!"

I've been to services where we discussed just one word from the reading the whole time. The etymology. The connotations. The use of it in this passage versus in other passages.

And then there is the famous saying, "Ask two Jews, get three opinions." There is a culture of questioning and discussion and debate throughout Judaism.

You think maybe, in the decades and decades of public discussion about whether to buy land in Eretz Yisrael and move back there; whether it should keep being an individual thing, or keep shifting to intentional community projects; what the risks were; whether it should really be in Argentina or Canada or someplace instead; how this would be received by the Jews and gentiles already there, how to respect their boundaries, how to work with them before and during; and whether ending up with a fuckton of Jews in one place might not be exactly as dangerous for them as it had always been everywhere else....

You think NOBODY brought up anything scriptural? Nobody looked through the Torah, the Nevi'im, the Ketuvim, or the Talmud for any thoughts about any of this?? It took 200 years and some rando in the comments to blow everyone's minds???

4. It relies on an unspoken assumption that people can and should take very literal readings of religious texts and use them to control others.

And a sense of ownership and power over those texts, even without any accompanying knowledge about what they say.

It's kind of a supercessionist know-it-all vibe. It reads like, "I know what you should be doing. Because even if I'm not personally part of a fundamentalist branch of a related religion, the culture I'm rooted in is."

Bonus version I found when I was looking for an example. NOBODY should do this:

There are a lot of people who pull weird historical claims like "It SAYS Abraham came from Chaldea! That's Iraq!"

Like, first of all, a group is indigenous to a land if it arose as a people and culture there, before (not because of) colonization.

People aren't spontaneously spawning in groups, like "Boom! A new indigenous people just spawned!!"

People come from places. They go places. Sometimes, they gel as a new community and culture. Sometimes, they bop around for a while and eventually assimilate into another group.

Second: THE TORAH IS NOT A HISTORY TEXTBOOK OMFG.

It's an oral history, largely written centuries after the fact.

There is a TON of historical and archaeological research on when and where the Jewish culture originated, how it developed over time, etc. It's extremely well-established.

Nobody has to try to pull what they remember from Sunday school for this argument.

[daintylovers]

imagine moving to beacon hills around season one. right around the same time, allison moves in. it's nice not being the only new girl, so you two quickly become friends.

imagine meeting lydia for the first time. it happens in your fourth class of the day, you two are assigned to be partners for the semester. albeit, at first she isn't thrilled, but once she gives you a chance, everything changes. she's found someone like-minded for once in this small town. someone as intelligent, yet fashionable as her. she thinks for a quick second, if she liked girls, she would love you.

imagine seeing stiles for the first time. seeing- not meeting, because the boy can only gawk at you from across the hall. it's definitely weird and a little unsettling at first, but it's nice to be admired? right?

imagine finally talking to the poor boy for the first time. it had to be you who spoke first, his brain going a mile a minute. it happens a few days later, when lab partners are assigned. stiles almost faints when he hears your names paired together. scott has to be the one to push him out of his seat. it feels kind of how you imagine bella felt when edward and her first meet, awkward and stiff. does he not like you? maybe that's why he was always staring, it wasn't in fantasy, but with disgust. not being one to dwell on whether someone likes you or not, you push through, introducing yourself with a raised out hand. stiles is quick to latch on, spewing out his full government name. then once he catches the confusion on your face, he tells you that you could call him stiles.

imagine going to lydias house party, that very night. running into all your newfound friends, dancing and drinking a little. then seeing your shy new lab partner chasing after his drunk friend. but also allison chasing after the drunk friend. whats his name again? shawn? smith? stiles? no- wait stiles is yours. scott! its scott. but by the time you have that revelation, the three are already outside. so you watch as allison gets into some random car and stiles stands are dumbfounded. scott has seemingly disappeared, and there's an unease building in your chest. who was that guy with allison? stiles, sensing someone behind him, turns around to face the one person he doesn't want to see at the moment. not because he doesn't like you, but because he is pretty sure his best friend is a freaking werewolf.

imagine asking him if he knew who allison got in the car with, and getting an unsavory response. great, your new friend might get murdered and tossed into the woods tonight. the alcohol is catching up to you rather quickly, and the worry is only increasing. stiles starts to make a move to his car, eager to see if scott went back home when you wrap a hand around his upper arm. it's not harsh or anything, so he doesn't flinch, but he is confused. you ask him if he will give you a ride to allisons, because you guys live close together and you want to make sure she gets home safe. stiles immediately says yes, but tells you he has to make a quick stop at scotts. something about possible alcohol poisoning or something, which makes your head spin. oh fuck, what if you have that?

imagine being told to wait in the car as stiles goes into scotts house. the boy is very persistent as you try to help him out. he offers to get you fries from the local drive-through if you just please stay in the car. that gets you to comply, so you're left staring out the window. it doesn't take long for stiles to come running out of the house and speeding down the street. you don't even have to ask because he tells you that allison went home with this guy derek who is very very evil. you never get those fries. but the good news is that allison is alive!

imagine stiles walking you to your door because you and allison really do live right next to each other. you guys don't say much, the adrenaline rush already crashing. you guys are about to part ways when you stop him and ask for his number. he seems like a nice guy and you joke about how you'll harass him until he gets you those fries. his heart does cartwheels as you exchange digits, and makes a mental note to kill scott. in a perfect world, you two would have managed to spend the whole night together, but scotts newfound supernatural abilities are already infiltrating stiles life.

imagine waking up the next morning with a pounding headache and a text from stiles telling you to get dressed cause he is coming over in fifteen minutes. it has you smiling like a child and it feels so goddamn good. maybe this kid will be cooler than you imagined. he pulls into your driveway and you open the door to see him with iced vanilla lattes and Mcdonald's french fries. this guy might just be an angel. you let him in and for the rest of the morning, you guys eat and talk about nothing while lounging around your room.

[strangersteddierthings]

Shovel Talk(s) Part One

Part One 🦇Part Two🦇Part Three🦇Part Four

Steve and Eddie aren't even together when Steve gets the Shovel Talk from Eddie's uncle, but it is what tips Steve into talking to Eddie about his feelings, so he's not upset by it.

They aren't dating, not because he doesn't want Eddie, because he absolutely does. It's just that he wants to be sure Eddie wants him back. There are times when he's sure, when Eddie gets into his space a bit too close, or more often, than he does with anyone else. Eddie calls him a thousand and one nicknames, ranging from sweet to irritating but just when Steve thinks that's a perk left just for him, Eddie hands someone else a new nickname (just the one, a voice in Steve's head that sounds suspiciously like Robin says).

Not that any of that is the point. Wayne wouldn't bother to give Steve a shovel talk at all unless he knew how Eddie felt. Wayne is a man of action, and he's never done anything unless it mattered. Meant something. Steve and Wayne have sat in plenty of (what Steve considers to be) awkward silences because Wayne doesn't talk to fill the void of silence.

The point is, Steve drops Eddie off at the house the government so graciously bought for the Munsons, walks Eddie to the door and giving Eddie a hug goodbye. He stays on the porch until Eddie shuts the door and then nearly jumps out of his skin when he hears Wayne call out his name.

"Harrington," Wayne says from the shadows of the wrap around porch.

So, Steve jumps and it's only then he notices that Wayne is sitting at the table and chairs set up on the porch. "Mr. Munson, sir, hi. Hello."

Wayne lets out a chuckle, but it doesn't really sound amused. "I have come to accept that you are nothing like your father, boy, but I do want to make it clear to you, that Eddie means more to me than anything else on this Earth."

"I know, sir."

"I know you do. And while I will forever be grateful that you helped return him to me alive, know that I will not hesitate to make you disappear if you hurt my boy in a way he can't bounce back from."

Steve's not afraid of Wayne, not really, but that doesn't stop him from feeling the need to flee. He doesn't, though, because he'd gotten enough shovel talks from concerned parents in high school, and he knows they can sense weakness. "I can't promise I'd never hurt him, sir, but I can promise it'll never be intentional."

He can't actually see Wayne's face in the darkness but he feels sized up all the same.

"I believe that, Steve," Wayne says, and it's the first time Steve's ever heard his name leave the man's mouth, "now go home."

-

Wayne's shovel talk was expected. Robin's is not.

"You took Eddie on a date date?" She whispers it as though they aren't alone in Steve's living room. They're laying on the floor in a line, heads next to each other so if they turn slightly to the side they can make eye contact. Steve's not sure why they always end up on the floor for Serious Talk Time.

"Yeah," Steve says, looking away from Robin's face to stare up to the ceiling, "I mean, sorta? We can't like... be open that it was a date, but we went to dinner and a movie and it was nice. Shared a popcorn and played footsie under the diner table."

"Whoa," Robin says. "I never thought you'd- didn't think you'd be brave enough to ask him."

"Me either."

"Steve," Robin sounds serious, so Steve turns to look at her. She studies his face for a moment before she's the one to look away, speaks to the ceiling, "be careful with Eddie, yeah?"

"What? Careful how?"

"I just think you could really fuck him up," Robin says. "You're his first boyfriend, right? That's going to set a precedent for relationships that might happen if you two don't work out. And I hate to say this, because I know you've changed, but like, I saw how a lot of those girls you dated in high school ended up when you broke up with them."

Steve's a little hurt, because Robin's his best friend. She should be giving this talk to Eddie, not him. But, also, he understands. He knows that Robin knew about Eddie's sexuality before he did, knows they bonded over being queer while Steve was still figuring himself out.

Steve also knows that Eddie's never been in a relationship before, Eddie'd told him at much when Steve asked him out. Steve doesn't like that Robin implied that he and Eddie will eventually break up, but no matter how much that thought makes Steve's heart ache, he won't know if it'll happen unless it does.

He just doesn't understand why she seems to think he'll be the one breaking Eddie's heart. It could go the other way.

"Did you OD over there?" Robin asks, trying to lighten the mood.

"No," Steve answers, "I'll be careful."

-

They've been on four more dates before Nancy knocks on his door. She doesn't accept his invitation to come inside. Just starts speaking on his doorstep.

"As Eddie's Capital P Soulmate," is how she starts that sentence, and it makes something hurt deep inside Steve as he tries not to think about Robin, "I am obligated to remind you that I do own several guns now. And I don't miss."

"Jesus Christ," Steve says, because even Wayne was more subtle, "I got it."

"Good. I do know you'd never hurt him on purpose," Nancy says but Steve doesn't feel reassured.

He thinks that, if she really didn't think he's going to end up hurting Eddie she wouldn't have said anything at all. "Right."

"Well, good talk Steve," and then she's walking down the driveway and climbing into her car.

He closes the door and goes to the kitchen to get himself a beer, mostly so he has something to do besides stew in his emotions. He wonders if Eddie has been given the shovel talk, too? Maybe Robin did the same thing Nancy just did. Showed up unprompted, threatened Eddie with some sort of bodily harm, and then just left.

Steve grabs the phone and dials Eddie's number.

"Hello?" Eddie's voice greets him, albeit questioningly.

"Eddie, it's Steve."

"Oh, hello sweetheart," Eddie says, "are you calling for business or pleasure?"

Steve laughs, "business."

"Boo!"

"Listen, uh, I had a question. I just wanted to know if anyone's said anything to you. About us. Or, y'know, specifically about us and our relationship?"

"Uh, not really? A few congratulations, I guess. Why? Did someone say something?" Eddie's voice is level, almost too level, so Steve knows he's trying to keep cool.

"Oh, no! No! I mean, aside from the scary shovel talk from- Wayne, everyone's been surprisingly cool about it. Very supportive," Steve says and even though it's true, everyone they've told has been cool about it, it feels a little bit like a lie.

Eddie laughs, "I can't believe my uncle gave you a shovel talk! You know, I keep expecting to get one from Robin but so far nothing. She must think you're safe in my capable hands."

Steve is safe in Eddie's hand, he thinks, but that doesn't stop the sting that goes through him. "Of course, she does. You've been a perfect boyfriend."

There's a pause before Eddie's voice comes through the phone, soft and quiet, "I'm glad you said so. I want to be. For you."

"You're not allowed to say those kinds of things when you aren't within kissing distance, babe," Steve says, because if he doesn't add humor to this conversation, he's going to tell Eddie he loves him instead, and even Steve knows that saying that a month into dating is too soon, especially over the phone where he can't see Eddie's reaction.

Eddie laughs and makes kissing sounds at him before the conversation shifts to chatting about the day and making plans for the weekend.

-

Steve is trying really hard to not be the person he was in high school but every time he gets to the point where he's being a better person, someone brings up how he used to be. Shoves it back into his face that no matter what Steve does he can't outrun his past.

One such time is shortly after Steve and Eddie accidentally come out as a couple to all of Hellfire. Steve was just dropping off the boys and had stepped inside to chat a bit. Once game time had arrived it had and Steve made to leave, they'd (he and Eddie) had been on autopilot. Eddie'd whined 'where's my goodbye kiss?' and Steve had stepped over, kissed him goodbye, and was out the door before it had actually computed.

Steve had burst back through the door, rushing back to Eddie, because no way in Hell was he going to leave his boyfriend to deal with whatever the consequences would be alone.

It had been absolute chaos at the table with people shouting over each other.

"Of all the people you could be with, you picked Steve!? You could do better!" Mike had whined, and Steve had thought for sure he was the only one who had heard Mike until he saw Will punch his arm and hiss his own 'don't be a dick' at Mike.

It took almost half an hour to calm everyone down. It was a relief to know that Eddie had come out to his bandmates/the older Hellfire members already. The kids took it in stride, in the end, and Eddie had shoo'd Steve away.

Jeff had excused himself, too, and Steve thought he was just going to use the bathroom but instead he followed Steve outside.

Ah. Steve knows what's coming.

"Harrington," Jeff says, "can't say I'm excited that you're the secret boyfriend Eddie's constantly sighing wistfully about. I'm sure Wayne's already threatened you," And Robin, and Nancy, and Mike doesn't think he's good enough, "but if you hurt Eddie-"

"I get it! There will be dire consequences if I hurt Eddie," Steve snaps, not down for hearing it anymore. He stomps to his car and peels away from the curb without bothering to look back.

-

If he's being honest, Steve didn't even know he had a breaking point with shovel talks until he gets his fifth one from Dustin.

It's not even a shovel talk. It's just a single sentence, said almost a month after Dustin learned about their relationship. He's dropping Dustin off after their DnD game. Normally Claudia picks him up, but she's busy tonight and asked Steve to do it.

"Alright, Henderson, safely delivered."

"Thanks, Steve," Dustin says, unbuckles his seatbelt, and opens the door, before turning back to Steve. He just looks at him for a moment.

"What?"

"I'm happy for you and Eddie. Just, don't hurt him, ok?"

He nods his head but can't say anything. Dustin grabs his backpack, shoots him a smile, and climbs out. Steve does wait until Dustin closes the front door behind him before putting the car back in gear.

He manages to get home, somehow, because Steve doesn't fully remember the drive. It's not that his mind was so focused on something else that made him fail to take in his surroundings, but rather that his mind wasn't even a part of his body anymore.

One moment he was pulling away from the Henderson residence, and the next, he was home, just standing in his kitchen in the dark. And now that his thoughts are back, or easier to process, he finds himself wondering why everyone thinks that he's going to be the one to hurt Eddie.

How many people has he hurt that this is his reputation? Is it inevitable that he will hurt Eddie? Is it truly just a matter of time until he breaks Eddies heart? Why is everyone so convinced that he will?

Briefly the thought occurs to him that maybe he should call up Eddie and break up with him right now, before Eddie has a chance to get in deep enough that Steve could break his heart, but just the thought of it breaks Steve's heart, so he's not going to do that. Doesn't want to do that. That would just be punishing Eddie for something he didn't do.

None of this is Eddie's fault, and Steve's an asshole for even thinking of breaking up with him because of it. Which feeds him back into the loop of thinking that maybe everyone is right about him. He is an asshole and will someday hurt Eddie, perhaps even on purpose.

He loves Eddie. He's in love with Eddie. But does loving him mean proving his friends wrong? Or does it mean leaving him before they're proven right?

He wants to ask everyone why they think he'll hurt Eddie.

He wants to ask everyone why they don't care if he's the one that gets hurt.

[nobodyfamousposts]

Scarlet Lady Essay: Frightningale

Yet another essay for @zoe-oneesama. Because you deserve it.

I’m not going to bother with a compare/contrast of canon vs Scarlet Lady Frightningale because Frightningale in canon was a pretty forgettable episode. Akuma was lame. Setup was wasted. And it’s removal from the series would lose nothing of value.

So instead, I'm going to focus primarily on the Scarlet Lady version of Frightningale and what it does that makes it memorable.

I guess to start with, I should make it clear that I’m not a fan of shows being lazy, especially when they display a lack of planning or consideration of their story and characters. And perhaps one of the greater indicators of this issue is when a series suddenly realizes they they neglected multiple plot points until it’s too late to give them all the focus they warrant so they end up shoving all of those points into one episode and try to present it like it’s supposed to be an adequate resolution of all that buildup or in any way intentional.

Penalteam was that episode for Miraculous. They had the “temporary heroes” setup going for them but then wasted so much time on filler like Frightningale that it seems like they honestly forgot about it until they were reaching a designated end point and they realized they still had four more heroes they were supposed to introduce. Whoops? Ah well, just introduce them all at once. Not like anyone will care!

And when you treat most of the cast like they’re all as shallow as a puddle, I guess that’s true.

The thing is, when you have a setup where there is a running theme of every person in a specific group getting their own episode/chapter to detail their issues and how they get a power up, it’s going to stand out whenever one of them doesn’t. Especially when that one or more are forced to share their limelight episode. 

That’s not to say you can’t do it, but it’s bound to get attention if you do. It reflects poorly on the writing. It shows whom the “favored” and “unfavored” characters are. And it displays the issue with pacing—namely that it’s next to nonexistent until it hits you with the force of a freight train.

But can it be done and be done well? Is it possible to pull off such a thing and have it make sense and fit in lines with the characters?

Well, yes. Off the top of my head, I can think of two different ways to do it to make it work.

And Zoe did both of them.

If you look at Scarlet Lady as a whole, you’ll see a conglomeration of characters—each with stories and arcs attached. They have personalities. They have goals and problems and their own highs and lows. One sign of good writing is that some focus is given to highlight these other characters as people. Individuals in their own right with lives outside of the main characters or situation.

Miraculous doesn't really do this.

Scarlet Lady, however, does. Because contrary to the title, Scarlet Lady isn’t just about Chloe.

It isn’t even just about the heroes.

It isn’t just about Chloe being horrible. Or Marinette being in love. Or Adrien being in desperate need of a hug and a nap. Because while the story is centered around them, it isn’t solely about them. Other characters get focus and growth and their own arcs throughout the comics.

But the big two—the BIGGEST two with arguably the most depth and most growth and quite frankly the best storylines out of everyone in the entire series?

It’s Sabrina and Lila. And their individual stories have led up to this.

As such, this episode—which was mostly filler and all around forgettable in canon, matters here.

It’s where Sabrina and Lila reach the culmination of their respective character arcs. 

Yes, it’s when they both get to become Miraculous Heroes and meet their own kwamis, but it’s more than just that! They both hang out with the girls group as full members of the crew, getting to take part in a music video together. It’s also where they both get to stand up for themselves and the city at large while calling out Chloe and Scarlet Lady. This is what their storylines have been building up to and where their growth really shows.

Sabrina started out as Chloe’s minion same as canon—albeit with more attention to her feelings and her responses, no matter how seemingly small, allowing her to feel more like her own person. And through this focus, we got to see her open up more, pull and eventually break away from Chloe and her influence, and over time stand up for herself and try to establish herself both with the class and as an individual.

Lila started off as a liar and manipulator, selfish and self centered, much like canon. Unlike canon, her lies are tied to her issues, noted to be poorly thought through, and give her more introspection as a person. After the lies are revealed, she’s not “redeemed” so much as she is “accountable”, and it doesn’t change who she is. She remains selfish and certainly far from being considered “good”, but she’s letting people in past her walls and masks in a way she hadn’t been able to before.

Both of these things? Figuring out who you are and letting people know you for who you are? They’re incredibly hard. And a lot of time was devoted to both of their journeys along the course of the comic.

Sabrina’s arc was about her figuring out who she is on her own. Outside of Chloe and her previous role of being a follower and lackey. And sometimes it feels less scary to stay with someone toxic than to be alone and facing the unknown. We see it in the way she tries to put herself out there afterwards, reaching out and risking rejection and just figuring herself out. Even or perhaps especially with those she already knows and has a less than positive history with.

And we still see the struggle of her view of herself in this episode. It was in the way she was upset that she legitimately tried to help and it still resulted in bad things happening. And it was also clear when she calls herself a “sidekick” to Marigold after the day was saved, as if it’s a role she still sees herself as and one she struggles not to fall in to. Over time, we’re seeing Sabrina learning that she doesn’t have to be attached or subservient to someone else to have an identity or be accepted. 

Lila’s arc involved her figuring out who she is with people. Outside of the lies and manipulations she creates, the masks she wears, and the identities she crafts to make people like her. The “real Lila” is far from the best person and arguably not even a good person, but she also doesn’t have to be for the others to accept her as the still somewhat bad influence she is. She’s still very much selfish and flawed, but she’s less inclined to hide it or treat it like something that needs to be hidden. And isn’t that a common lesson? That it’s better to be liked for who you are than to force yourself to be someone else to be liked?

And at the same time, even with being less than a fully good person, she’s showing that she can still find better ways of acting that allow her to help others rather than hurt them or serve herself. She still hates Scar, but rather than working with Hawk Moth to kill her and risk dooming Paris and the world, she’s instead working with Alya through more legitimate (and legal) means…and hitting Scar where it hurts most. She and Adrien may not be friends, but rather than try to punish him for not going along with her, she’s instead rescued him, putting herself on the line—something that the former Lila wouldn’t have considered doing and one that canon Lila wouldn’t be capable of. Even if she’s motivated by pettiness or self-interest, what would have been straight up revenge on someone who upset her has grown to be something that is working in everyone’s better interests.

Both Lila and Sabrina hid themselves in different ways and for different reasons. So having them both assert themselves and call out both Chloe and Scarlet Lady is a show of their growth and overall a huge deal. It’s not something either of them would have done at the start of the series. Sabrina, because she was a “yes man” who wouldn’t dare to argue with Chloe and Lila because she wouldn’t risk openly doing something to make herself a target. 

And now boom! Look at them both! Lila stepped up to openly and publicly denounce Scarlet Lady as not being a hero for real reasons that aren’t just about herself or her feelings—complete with receipts! The girl did her research, noting incidents from before she even came into the picture. Then follow up with Sabrina standing up against Chloe’s machinations and dismantling Chloe’s main source of power: her father. Even better, she’s using logic and knowledge she would have as a former ally of Chloe’s who would know her tricks, taking her former friendship with Chloe and using it against her.

And on top of that, each of them are given the Miraculous by the person they wronged in the past. Marinette to Sabrina and Adrien to Lila. Especially in Lila’s case, it says a lot that they’re trusted. That shows narratively that even with their mistakes and bad choices and continued struggles, they still can move forward—not necessarily to find redemption, but to find themselves and be their best selves.

This is why it makes sense for them to share this episode. It’s also why both of them speaking up matters. They are both publicly confronting their greatest foe, and the fact that their foes are really two faces of the same person further highlights this. 

So they both have issues with the same person, are dealing with forming their identities without catering to others, are working out how to have/be friends, were formerly not the best of people, and have a fear of rejection. As such, this isn’t just their obligatory hero episode, this is what their individual stories have been leading up to. Almost like they’re two sides of the same coin. And the comparison between the two helps them both shine.

And speaking of shining, does anyone remember how the all girls team up didn’t get a chance to shine in canon? Zoe sure did.

I have a whole list of problems I have regarding Party Crasher, but perhaps number seven on that list is that the boys got to have an all male temp hero team up episode while the girls didn’t.

In fact, by this episode in canon, only Alya, Chloe, and Kagami actually got to be temp heroes.

To be fair, only four of the guys out of seven in canon got to be part of their particular event in Party Crasher, leaving out Ivan (who often tends to get overlooked) and Nathaniel (who has had a precedent of just literally disappearing from the episode). But originally, part of the appeal of Party Crasher was that the focus was supposed to be on the male classmates and getting to see at least some of them being part of a team against the akuma.

Why then didn’t we get an episode like this with the girls? Or at least something LIKE this?

Frightningale became that episode. And if any of the episodes were to do it, it makes the most sense for Frightningale to be the one.

All of the girls were together to take part in this event. So Zag would have had the perfect excuse to include them all in the fight or just have the girls do something to help even as civilians. I mean, we’ve had episodes do this before. Max in Robustus. Nathaniel and Alix in Reverser. Luka in Captain Hardrock. Let the civilians show their heroic traits even before they become heroes. It’s not a Miraculous, but it’s still giving them focus and expanding on them as individuals.

Instead, canon Frightningale was a filler episode. And not even a good one. For an akuma who forces people to sing or dance, it’s a waste that they just had the heroes spend the whole time rhyming. A waste of writing and talent. I mean, have you heard Christina Vee sing? If there needed to be a musical episode, I would think that the akuma who forces people to sing would certainly warrant it! At least more than it’s Christmas and they sing just cuz.

So this is yet another thing that Zoe improves with the Scarlet Lady version of this episode. Giving us the all girl team up episode so many of us have long wanted and getting to see all the female heroes together at last. 

And with this, we get the full roster of friends-turned heroes.

Except for Alix. Poor, poor Alix.  ;_;

Your day will come.

In this way, the end where Clara goes a different direction with her music video feels less like a half-assed fix to a half-forgotten plot point and more like something that was built by everyone involved. I don’t know about the rest of you, but given Clara’s excitement over the all girl band playing and Pigella’s gift showing Clara an idea for her video, it highlights the focus on EVERYONE being part of this—both the video and the episode itself. It kind of comes off as a lesson of its own about teamwork and giving everyone a shot rather than focusing specifically only on one or two specific individuals.

And isn’t that what separates the heroes from Scarlet Lady?

But there’s a third important aspect of this episode.

This is the episode where Chloe is smacked in the face with Scarlet Lady’s falling popularity. 

Let’s remember that at the start of the comic, Scarlet Lady was fully and widely considered THE Hero of Paris. She was beloved for doing nothing and it was a point of frustration for Chat, who actually was having to pick up her slack. Initially, there was nothing he could do because him being the only real hero among the duo meant he often couldn't stick around after akuma fights to prevent Scar from telling "our story". In addition, he didn’t know who she was or who chose her and why. Then even when it was clear her getting the Earrings was a mistake, for a lot of the first couple seasons, she was so popular that they couldn’t just take the Earrings away from her lest they risk backlash from the rest of the city. It’s a backlash that seems increasingly unlikely as more and more people get to see her behavior and callousness firsthand.

We’ve seen hints of it in other episodes, but none of them were so blatant to Chloe that she couldn’t ignore it or shrug it off or otherwise make excuses to protect her ego.

Prime Queen wanted to focus on Marigold and Chat Noir for their “romance” to try and boost ratings. Alya and Lila made some snarky comments, but Chloe could easily dismiss them both. Nadja also made a comment that nobody cared about Scarlet’s love life, but a lack of interest in her love life isn’t a lack of interest in herself and Chloe despises both of her “sidekicks” and wouldn’t want anyone trying to pair her with them anyway. And Nadja reassures her that they’ll focus on her after they’re done with Chat and Marigold. So yes, she can dismiss that as well.

Reverser has Chloe faced with both of her identities are made as villains in art and a story. However, she clearly looks down on Nathaniel and Marc barely registers to her. So she can dismiss them.

Look at Despair Bear, the Intermission, the interactions with the various other heroes, and the fact that only Chat Noir and Marigold are privy to the Guardian’s secret existence and allowed to pass out other Miraculous. Much has been shown of the other characters being less than impressed with her, snarky towards her, or showing the process of how they discover the truth about her and how she actually handles akuma attacks…namely in that she doesn’t. And Chloe can dismiss all of that because to her, none of them really matter to her.

But Chloe can’t dismiss the fact that a renown celebrity dedicating a music video to the “Heroes of Paris” isn’t including her. Bad enough her sidekicks are taking center stage but she’s not even in the music video at all?

And when someone she despises calls out the reasons why she’s not a hero in an openly public setting surrounded by a multitude of people who all agree with her? You could say it’s insult to injury. But some would say it was a long time coming.

Some Rando: Scarlet Lady sucks! Alya: Marigold and Chat Noir do all the work, not her! Kagami: She’s barely even necessary at this point. Clara: This video and song are to celebrate hope and love. And Scarlet Lady lacks both when push comes to shove. Chloe: ARGHHH! WHATEVER!

It further shows the turning tide of public opinion against Scar. What was once a trickle has grown into a wave, and now Chloe is forced to acknowledge her image and status aren’t as ironclad as she thought. Sure, she could denounce Lila as a liar like she’s done before, but Lila is bringing up instances that Chloe can’t deny: being late (as she’s just plain been a no show to several fights), endangering civilians, and being caught live on camera being willing to let someone die in a particularly horrible way because it’s easier.

This is the episode where it’s not just people seeing Scar is horrible, but acting on it and letting Chloe know they know she’s horrible. It’s reached the point where Chloe can’t just disregard the claims or discount and ignore her critics. And we’re seeing Chloe starting to lose control as a result. To the point she has to force her dad to ruin a previously sanctioned event in what has to be one of his most flagrant displays of abuse of power to date just to shut down her detractors.

And even that would come with more consequences for Chloe if it had been allowed to continue. Sabrina herself points it out that Clara is very popular with a lot of fans—people who would be aware she’s making a music video and whom would be very disappointed if word got out that it was cancelled due to an issue with the Mayor. And given all the very unhappy people we see in the comic in question where she points that out, it stands to reason that the word would get out. Heck, I’d be surprised if someone wasn’t recording it.

Then there’s the love square/hero shenanigans.

Remember how in canon, the whole “playing themselves/risking identities” bit kinda just dropped out halfway in? The kwamis were the only authority figures involved to call out on the risk and of the two, Plagg didn’t care and Tikki gave one knowing stare at Marinette before turning around to gush about the suit. Even though Marinette offers the alternative idea to the music video by the end, there’s no further comment or notice of how she and Adrien nearly blew their identities….or alternatively a comedic take where nobody recognizes them regardless and they worried for nothing. Honestly, I would have taken either setup.

Having Fu present to call them both out shows there is a responsible authority figure watching, makes it clear there are rules they are expected to follow, and reinforces that this was, in fact, a horrible idea. Sure, Marinette and Adrien worried enough to hide their masks, but it should have been obvious that wouldn’t work long term. They are risking their identities, not just to Paris but to each other. And he calls them out for doing it on purpose.

Then there’s the beautiful crescendo of the love square dance in that the two both pretty much have figured out the other’s identity and just want an identity reveal to make it official—which Fu won’t allow. We see it in their playful banter that gets mistaken for “getting into character” and in Adrien in particular pushing Marinette to take part.

This is a point where we are seeing them be teenagers. Foolish of them? Yes. Should they have known better and not done it? Yes. But is it in character and the sort of teenage shenanigans we would expect of teenage superheroes? Definitely. And that’s part of the point. Because they are teenagers. Teenagers in love, no less. Teenagers in love with secret identities to dance around. Which is half the fun of secret identities!

It’s just another aspect to this episode that makes it enjoyable.

So overall, the episode matters in ways that the canon version didn’t and was fun in ways that the canon version wasn’t, making it stand out not just as an episode or a remake of the canon episode, but as its own standalone episode AND a noteworthy point in the overall story.

[who-knew-a-sheep-can-write]

hey there! you’re like the one of few blogs that still write for bigby! you’re single handedly keeping my obsession alive with him. do you have just any random head cannons about him that you can share!

I'm doing it just for you pookies >:) Ima give you some romance headcanons

If Telltale won't give me more Bigby, I will always deliver

Also FUCK i missed doing headcanons, please send in some ideas

🌙This man is fucking dedicated to you and only you. As much as he hates the jokes about being a loyal dog or even a lap dog, it's kind of true when you both get serious.

🌙He cuts down on his smoking as much as he can. Bigby often smokes to dull his supernatural senses just to avoid sensory overload. However, when you both got together, Bigby noticed something worked even better than Huff n' Puffs: Your scent. What's the point of smoking upwards of almost two packs a day when he can inhale that sweet sweet scent of yours?

🌙Bigby tries to make himself more presentable at first. He feels like he has to make a good impression despite you both knowing each other for centuries. He shaves more to keep his ever-growing stubble at bay, he keeps himself groomed and washed, he starts to use his cologne more, he even puts more effort into his laundry to get the ash and whiskey stains out of his shirts and pants.

🌙He is a sucker for kisses on his cheek. Whether you have to stand on your toes or bend down, you can find him faintly blushing and looking away sheepishly from the act of romance. If you kiss him on the cheek while he's smoking, the poor cigarette would burn up fast and Bigby would almost choke on the smoke.

🌙Bigby's love language is definitely acts of service. Bigby loves doing things for you, especially the little things that really drive it into him how much he craves a domestic life. Unfortunately, Bigby is sometimes too busy to be there for it to be quality time - but fuck if he doesn't absolutely love every minute he spends with you. He isn't good with words at times which has lead to very awkward moments and even funnier ones. Bigby never had an eye for gifts and has little experience with them, but he fucking loves whatever you get him even if it's a new tie.

🌙Bigby loves dates where it takes place in nature, especially at night when there are less people out and about. Walks through Central Park, night treks through botanical gardens, going down the boardwalks in Staten Island, resting on the cold sand of the beaches. There was one date you both went on at the beach at night where it was just the two of you along the balmly coast. You and Bigby were messing around near the waves when you both somehow ended up knee-deep in the waves. Bigby had you in his strong arms, holding you close as you both laughed and kissed before you playfully splashed water on him. It was safe to say you both ended up at his apartment soggy.

🌙If you ever wanna make this man blush heavily: Compliment him. And do not let up. Bigby likes the act annoyed at first, hiding his face by turning away and playfully scoffing only for him to break and flush at your sweet words. He loves it especially if you compliment him on the things that normally make people uneasy. His gaze, his strength, his wolf.

🌙Bigby, at first, was uneasy turning with you around. He was worried that you would be terrified of him, and that was something he couldn't handle at the time. Despite the fact that you knew what he was before and now after the Homelands and even seeing all of him, he still wasn't excited to show them at first.

🌙You're the only one who can say things that someone would say to their pet pooch, but only to a limit. Saying stuff like 'Good boy' however is a good way to rile him up, especially if you say it all sultry.

🌙When you hang around his office, he likes it when you put on a true crime podcast for Mundies. He had somehow crammed a couch into his office for you to lounge on as you both listened to how fucking crazy those Mundies could be, especially from the state of Florida. Some of the stories you both listened to were so outrageous, that Bigby stopped what he was doing and completely forgot about it because he couldn't believe what he heard as you cackled at his expression.

🌙Ever since you two started dating, Bigby finally started to use his bed again. His poor chair was left abandoned at night when you both would go to bed unless Colin passed out on it. There were times where you would pop in and see Bigby passed the fuck out on it still. He definitely sleeps like a victorian boy with the plague.

🌙Bigby loves going over to your apartment just to drown in your scent. He often doesn't want to leave your bed at times just so he can bury his head in your neck or in your pillow if you had gotten up. If he could, he would want to spend all day in the sheets just lying with you.

🌙Another one of your favorite dates to do if the weather is shitty out is snuggling up together on your couch and watch Mundy cop shows, especially the ones with bad acting and writing. You like to ask him what he would do in the cases shown and Bigby's usual answers have to do with punching the crook or sarcasm.

🌙If Bigby wolfmans out, he loves it when you stroke his fur and scratch at the raw skin beneath, especially around his neck. He can't really speak like this but he's sure to groan and growl in pleasure. He loves how your hands roam freely, without a trace of fear, around his hulking body. He loves it when you compare the size of your hand to his clawed one.

🌙When it's a full moon, Bigby gets a little weird. He's not forced to turn thanks to whatever spells the witches on the thirteenth floor put on him, but he does act differently. He needs to be around you, needs to have you in his sights and he needs to smell you or else he feels the beast inside of him go crazy. Don't be surprised if Bigby gets excited that night.

🌙He loves it when you look into his eyes when they're all wolfy and yellow. He can see the faint glow reflecting off of your eyes and it makes his chest feel so warm and fuzzy inside.

🌙If you're a fable that can change forms, you both often turn behind closed doors and drawn curtains for both fun and comfort. Sometimes keeping the beast pent up for too long can drive Bigby crazy and he knows it's the same for you. There have been times where you both would wrestle for fun.

🌙There have been times where Bigby would come home bloodied and bruised. He hates seeing you so worried for him and he hates it even more that you always clean and patch him up. You shouldn't have to do this, you shouldn't have to take care of him like this but you do. Bigby would sit on the toilet seat silently and watched as you worried over him. He hates making you worry.

🌙Bigby sometimes gets into these moods where he feels like you could do so much better than him. He doesn't even tell you at first when you gently ask him if he was alright, but he eventually breaks. He feels like you shouldn't be with a monster like him. You get shit for being with him and he hates that. His thoughts get shut down quickly by you pressing a firm kiss to his cheek and tell him how much you love him and how you'll always love him.

🌙Bigby loves it when you compliment his strength. He never thought about it before until he had to hoist up a truck to help Flycatcher with no problem. Just hearing you compliment his strength made him almost drop the truck on the poor frog prince below. Ever since then, Bigby likes to show off here and there just for you to coo and oogle over him.

🌙When you both sit together on the couch, he loves it when you either sit in his lap or have your legs stretch over his own with his hands stroking them. If you're in his chair, he loves it when you straddle him, pinning him back against his chair with the tv forgotten about behind you.

🌙Play with his hair. Play with his hair. Just do it, trust me. He will be putty in your hands if you play with his hair, especially as you're kissing. Scratch your nails gently against his scalp, twist his thick locks between your fingers, tug on it. You won't be sorry.

🌙Bigby loves it when you wear his clothing, especially his button-ups even if they don't close up. It started one fall when the temperature dipped below what was originally forecasted. Bigby saw you shiver once from a gust of wind and off came his coat. And that's when it started. He claims it's another scent thing, but just seeing you wearing his clothes really stirs something inside of him.

🌙When you two kiss, he loves it when your hands paw at his body. He loves it when they travel along his brawny limbs and dance across his broad chest and shoulders and crawling down his trim stomach. It drives him crazy as he snarls into the kiss. Oh, and if you sink your nails into his skin? Nip at his bottom lip? You're tipping him over the edge.

🌙He rests so much easier now with you by his side. He's never felt like this before with anyone, his little crush on Snow doesn't even come close to the love this man feels for you. The ring hidden away in his desk was proof of that.