#also iceland story....

[boonesfarmsangria]

At the end of the month, Yannis & The Yaw will release the EP Lagos Paris London, a collection of songs that sees Foals frontman Yannis Philippakis team up with late Afrobeat legend Tony Allen. Sessions began back in 2016 but were uncompleted when Allen died in 2020, Philippakis getting the tracks to the finish line with Allen’s trusted team of collaborators in Paris over the past couple of years. It makes for an excellent melding of sounds, a union of Allen’s restless, toppling grooves and Philippakis’ knack for dexterous rock riffs and yearning vocals. Last week, Niall spoke to Yannis over Zoom about how rehearsals for Yannis & The Yaw’s live shows are coming along (see here for ticket and date details), his favourite memories of working with Allen, where the Yannis & The Yaw project could go next and more…

Hello Yannis, how’s it going?

Yeah, good. I got back last night after being away for two weeks, so it’s one of those where the hot water isn’t working, the internet doesn’t work, the house smells like bins…

Haha.  I saw some videos you put up from rehearsals. How are they going?

It was loosely rehearsing, it wasn’t full band. I’ve been going over to Paris semi-regularly now for a few years, obviously to finish the record and since then to explore how to do the live show because without Tony being around, we have to be thoughtful about how to do it. We’ve also got to create more material for the show, because the EP is only about 20 minutes long.

Like an early Foals show!

Yeah, exactly. It’s like when we first headlined Brixton and we played for 40 minutes, the shortest ever headline set at Brixton Academy.

I was at that gig. It wasn’t just that you didn’t have loads of material, it was that you played the songs you had really quickly too.

The nerves controlled the tempo that day.

So have you cracked that nut in terms of what you’re going to do for the Yannis & The Yaw live shows?

We jammed a bit with this Malian guitarist so we’ve got some extra material. We’re going to do some improvised sections, extend certain sections, jam out bits of the songs that people know, and then we might do a couple of Tony Allen covers as well.

We’ve got an amazing band. We’ve got Dave Okumu on guitar. We’ve got Seye Adelekan, who plays bass for lots of people and is the live bass player for Gorillaz and who’s really awesome. I’ve wanted to play with him for a long time. Then the Vincents, Vincent Taurelle and Vincent Taeger, who were the producers and musicians on the EP so I’m quite familiar with playing with those two. And Kit [Monteith, a member of Foals’ live band] on percussion. As a collective, we’ve never played together so there’s definitely a big question mark about how it’s going to come together. But it’s exciting because I have absolute faith that the other guys are going to come and elevate all of the music. There’s some nerves, I want it to do justice to the EP and to Tony and for it not to suck.

Who’s playing drums?

Vincent Taeger. He’s perfect for it. Tony really admired a couple of younger drummers. One of them is Femi from Ezra Collective and the other one was Vincent. Vincent had worked on other Tony Allen records and had been in Tony’s orbit for a long time and knew him intimately to the point where when we were mixing the record, both the Vincents could tell me exactly the frequency that Tony would want his kick drum mixed at and things like that, they know it so intimately that they almost can translate what Tony would have wanted. Because Vincent was in on the sessions, it just felt right.

I love the EP. What’s the full timeframe from when you started it to release?

How many years? I mean, do I have to say?

Yeah.

It’s probably like six or seven years, or maybe the better part of a decade. I think we first got together in 2017, I’m not that good with dates.

I read 2016.

It might well have been 2016.

What’s it like living with a piece of music like that for so long?

For a while, it was OK, because I quite liked to pull out this little trump card late at night at parties when everyone’s playing their own music and I’d be like, ‘Oh, have you heard this stuff I did with Tony Allen?’ and whack it on at three in the morning. It would most often be heard in that kind of setting.

I didn’t want that chapter to close, so part of the reason why I think we didn’t hurry to finish the tracks was that we enjoyed the collaboration with each other. And also, it wasn’t something that was driven by a record label or by an idea of completion. It was an exploration with Tony and we enjoyed jamming with each other. I think that we would have probably done a whole album had things turned out differently. We were enjoying each other’s company, we enjoyed playing so there was a part of it which was pleasant that there was this material bubbling away on the back hob for a long time while he also made other records and I was focusing on Foals. The problem with that obviously was that we didn’t get to complete it while he was alive so that’s the bit that’s the bit where now there’s a feeling of slight remorse that we just didn’t finish it.

But in terms of like having the songs living alongside you unfinished, it wasn’t something that was aggravating to me. I quite enjoyed the fact that they were just there in the ether but it does now feel awesome to have it done and have it out. I think that that needed to happen once Tony passed away. They needed to be completed.

Thinking back to when you first went to Paris to meet Tony in the studio, how did it go in terms of what you were expecting versus what actually happened?

I didn’t really know what to expect, it was all quite French in terms of the communication! Genuinely, when I got to Paris that morning, I didn’t know whether I was playing on a written piece of music that I was going to be slotting into, or if it was one tune or many. In terms of expectation, it was quite loose. All I knew was that I was going to go into a studio with Tony Allen and I was excited. I guess I was a bit anxious about how it was gonna go. I didn’t want to get there and be like, ‘Oh, this isn’t clicking’ or ‘I’m a letdown’ or something.

The not-knowing what I’m walking into would freak me out.

It didn’t freak me out but I just didn’t know. I had a guitar and a loop pedal. I knew if I needed anything, I could find it on that loop pedal. It’s quite a Luddite way of working but I had about 80 loops in this little box that I’d go around with. I went in there and it wasn’t necessarily frosty, but it was kind of quiet. It was a cold morning, pretty early, it was December, it was a bit grim outside. And Tony was sat there in this basement studio and it was already pretty smoky in there.

What was incredible about it was the realisation that we were going to build something from scratch, them saying, ‘Oh no, there’s nothing written, you’re not playing on something that’s pre-written, we’re gonna go in and we’re gonna jam and you’re gonna play with Tony’. That moment was like, ‘Alright, OK’. Once we started playing and just how natural it felt, it’s been one of the peaks of my musical life, the fact that it flowed so well with Tony and there was this innate understanding and appreciation that felt like it was a two way street.

What your favourite memory of hanging out with Tony?

Probably Café OTO because it was the first time that I hung out with him fully socially in London. He came to play a small show at Café OTO in Dalston. It was amazing to watch him onstage, post having played with him, in this intimate venue. He was beckoning me over into his roped-off area, we were drinking whiskey together all night. To see him for the first time in a social context and to remember how much of a legend he is but then also to just be hanging out drinking Chivas Regal with a single cube of ice and a plastic cup well into the night, it was good fun.

Tell me about how some of the songs on the EP came to life. What about the opening track, Walk Through Fire?

Walk Through Fire was super quick. It’s basically the riff that I was checking my set-up in the studio with, it almost felt a bit like ‘Whoa, steady there’ because Tony was already playing along to it and and the producers were recording already. One aspect of the EP was things would happen very quickly in the studio, and then there’d be long lunches. I’d always be like, ‘Guys, can we just get back into the studio now?!’ I had to slow my rhythm down to conform with that way of working. It was Tony’s way of working as well, not to force stuff. He didn’t do many takes. There’s actually audio of me asking him to play something again and him refusing, saying, ‘No!’ and leaving the room.

My voice was feeling really strong at that point as well. I’d come straight off a tour and my voice felt elastic, like the range was kind of at its best. I remember that moment of singing some vocal takes and kind of seeing Tony not expecting that to come out of me. He seemed to be more into my voice than than the guitar stuff.

That must have given you confidence.

Yeah, even though he collaborated widely, I think that’s a point of newness, where it’s a kind of rock energy meeting with his style. We had some discussions about the lyrics, I wanted to make sure that he was included in it, and also to find a point of difference with Foals, so they are less introverted and more outward looking. He wanted the songs to be engaging with the streets or society more.

How did Rain Can’t Reach Us come about? I love that tune.

I do too. It’s one of my favourite pieces of music I’ve been part of. I was basically scrolling through my loops and when we were on that one, people got interested, Tony was like, ‘Let’s try that one’. There was probably five layers of guitars, so one went to the marimba, one went to a keyboard, one went to one guitar and another guitar and there was four of us playing that those parts in the room. And then Tony came in, and then I sang over it. There was definitely work done to it afterwards in terms of all the strings and the keys and stuff, but the first time we played it with Tony, that was it.

Is part of you sad it’s completed now?

Yeah, definitely. I’m really pleased to be releasing it, but there’s also a corner of it in which there’s sadness that we’re not doing it together, even the interviews and stuff. It would’ve been fun to have done them together. I’m looking forward to people hearing the EP in full and playing the shows to celebrate it. The idea of the Yaw means that there is a possibility in the future to collaborate with other people or do a record, some sort of continuation of it. It’s not necessarily a full stop or a dead end, but obviously the material with Tony, this is it, there’s no more.

Is this somewhere you could maybe find a home for the stuff you did with Karl Hyde that’s never seen the light of day? You also once told me you wanted to make a Greek folk record…

I need to figure it out. The Karl Hyde stuff would be awesome, I don’t know where he’s at with that. I’m feeling a pull to wanting to do more with Greek music. I’m not sure where that sits, it might be with this or it might be something different. I need to think it through a bit more. I like the idea that this record is postcards from different locations from different cultures, so maybe a future record could be like that. But this pull towards Greek music is definitely happening and I need to deal with that. That’s the big thing I’ve learned from this project with Tony, it is important to throw yourself into wherever you’re being pulled and finish it as well.

What about Foals, what’s the plans for that at the moment?

It’s at the stage where I think we’re enjoying having a bit of time off, all of us individually. We’re chatting quite a lot. It’s [Foals guitarist] Jimmy’s 40th today, we’re jumping on a call later to virtually wish him happy birthday because he’s on the other side of the world right now. We’re probably going to go to Iceland to hang out towards the end of the year to and we’ll know more about what we’re doing after that. We’re going to go to a remote house in Iceland and see what happens

[szsariii19]

Welcome back to Trench!

In honor of the new tøp era have my pictures of Trench from this summer

(📍Stakkholtsgjá, Iceland)

[hygienic-soap-dispenser]

HWS Nordics as DnD Characters - Part 1

So uuh I've been thinking about the best boys as DnD characters for a while now soooo I drew them and did a character sheet for each of them!! (Den and Swe will be coming in part 2 pinky promise 🙏)

Part 2 (Den, Swe)

For simplicity, I started them off on Level 1, hence no subclasses here. Also, there are def some things I need to work around, especially with the whole DnD Beyond thing, but I still hope y'all get the vibe I'm going for with these

✨ Their backstories, subclasses, and combat styles can be found under the cut ✨

Norway

Race: High Elf Class: Druid Subclass: Circle of the Land Background: Outlander

Having lived a good portion of his childhood among the fjords, mountains, and trolls, Nor has always had a deep connection with the land around him. His friends would help him survive, connect to the land, and learn to harness the power within it. He let it power and inspire him throughout his life. When Nor was part of his unions, he would often escape to the land to feel connected to himself again, and this is where he drew his power and magic which he still uses today. He is a free spirit within his land, and he will never let anyone take that away from him again.

In combat, Nor mainly focuses on spells and has a preference for ice magic and thorns, and he is excellent at taking advantage of the terrain around him. He is also one of the designated healers for the Nordics, along with Swe. At close range can fight with clubs, maces, light swords, or axes.

Finland

Race: Half-Wood Elf Class: Ranger and Rogue multiclass Subclasses: Gloomstalker / Assassin Background: Soldier

Fin has trained most of his life to be a warrior. Since his earliest days, he was tasked to defend the land and prevent any would-be invaders; it was his duty. But how could he with neighbours like these? He is small, and they are big, they are strong, and he is weak... but he is persistent. He will not let them win. For you see, Fin has some advantages: he is nimble and he lives in a land shrouded in forests and bogs. Thus, Fin became something else: not the strongest or the fastest or mightiest defender, but the most efficient, using his stealth and quick thinking to get any advantage he can.

In combat, Fin is focused on archery but is flexible and can jump into the front with dual-wielding weapons when needed. Is effective at any range: physically strong but even more nimble. He hides in the dark, ever watchful, striking at his enemies. He often forgets to cast Hunter's Mark.

Iceland

Race: Half-High Elf Class: Sorcerer Subclass: Storm Sorcerer Background: Hermit

Raised on a lonely island far from those he loves, surrounded by the raging oceans crashing upon his shores, the wind and rain shaping the docking and crashing of ships to his land, Ice has always been familiar with the winds and tides. Some even say that he came to being during a mighty storm, giving power to the tempest within that powers his natural abilities. Now, with his mastery over his inner storm, he tries to use his powers to safely guide ships, change the winds, and maybe even see more of the family and friends he longs to hold close.

In combat, Ice focused on lighting and ice spells, and still has some trouble controlling his fire-based spellcasting, but is working on it. Fights at a distance and can use Flight to maneuver around the battlefield for the best advantage. God help you if he attacks you from above.

[glitterghost]

Belle (2023) 🌹

[mer-se]

I could cry

[thewinedarksea]

we went to iceland! (pt 2, colorful version)

[sinni-ok-sessi]

I don't know where Bjarna-Dísa ranks on my own personal weirdness scale of Things I Will Die If I Don't Talk About, but it's definitely up there

[cappurrccino]

love it when a long book starts with 60 pages of skippable forewords and notes, it's like realizing a 50 page paper is all footnotes and references

[jathun]

Uh-oh

I'm getting really engrossed in one of my old wip stories

[nicegaai]

I WANTTO WRITE ABOUT THE MICRONATIONSSSSS I WANT TO AMKE EVERYONE SEE WHY THE MICRO ARE SO COOOOOOOOOOOOOOLLLLLL I NEED TO GET WEIRD AND SPECIFC WITH THEM AND BORDER ON RPF AND DO CHARACTER STUDIES ON FUCKING NIKO NJKO AND MOLO/SSIA AND

[asatroende]

I’m working hard on the modern edda and while thinking about how some things would have to change because the culture behind certain actions isn’t the same anymore (re: rape as revenge in any form, no matter what the revenge was for; the revenger doing the raping would in modern times be seen as the villain instantly even if that wasn’t what was intended)

The people actions of this is hard in its own right but then I remember what the culture used to be (cattle farmers) and what we are now (not that) and realising that we have absolutely no reason to demonise wolves anymore, meanwhile the mythos hinges on civilisation being okay with and eager to kill wolves to protect cattle

[goryhorroor]

at least I don’t think there’s any horror movies on these (and I mean like directly inspired by these and less like movies kinda with that concept). I love historical horror and there needs to be more.

I encourage to read these stories cause they’re so interesting (first one is kinda not real but the myth sounds terrifying; also yes accidentally put alligators instead crocodiles) + any idea can be a horror movie (there’s literally a horror movie about a rubber tire)

[sso-maev]

PUTTING JORVIK ON THE MAP: SIZE AND LOCATION

WHERE IS JORVIK?

Finding Jorvik’s exact location is actually pretty easy.

”Jorvik, located somewhere between Norway, Iceland, and the British Isles, of which it was once part, is a nexus of worlds.” - Jorvik Calling, Prologue.

This is still a pretty large area, but one that’s significantly narrowed down by reading Four Stories from Jorvik. Anne’s segment Midnight Sun establishes that Jorvik is at the very least partly above the arctic circle, to the point where Anne can see it while riding by Jorvik Stables in the middle of the night. This also puts Jorvik pretty close to the tectonic rift between the European and American continental plates, which handily explains why Jorvik is a volcanic Island.

HOW BIG IS JORVIK?

Jorvik’s size requires a bit more speculation, and I’m relying on two book sources.

1: Jorvik stables is a bus trip from Jorvik city.

Anne lives in Jorvik City but goes to school with the other soul riders in Jarlaheim, and has her horse at Jorvik stables. We know that she goes there by bus, so the distance between Jarlaheim and Jorvik City shouldn’t be too large; I’m capping the max length of the bus ride to about an hour.

2: Valedale is less than a day’s ride from the wineyard.

In The Legend Awakens, Elizabeth and the soul riders are heading to Pi’s Swamp and sleep over at the Wineyard. The soul riders wake up late and leave after having eaten breakfast and lunch. The sun is ”at its highest point in the sky” when they leave, so probably around 1-2PM. It’s twilight when they arrive, and the Baroness comments that they showed up in time for the evening feeding of the horses. Since the days are shorter in late October/early November, which is when this chapter takes place, we can guess that they arrived at around 5-6 PM.

Mapping out the most likely routes for these two trips, the route to the Wineyard is about a third of the bus route from Jorvik City to Jarlaheim. Additionally, the bus would drive on average ~70 km/h because of Jorvik’s smaller roads. The average walking speed of a horse is 6 km/h.

Now, the Valedale-Wineyard trip could take anywhere between 3-5 hours, but I’m inclined to believe that it’s on the lower end of that scale to keep Anne’s commute as short as possible. That leaves us with a 18 km long ride, and a 54 km long bus tour that takes 46 minutes. Pretty reasonable!

RESULTS

With these new measurements, we can figure out the actual distance between different places on Jorvik. Most importantly, we can measure the absolute width from Jorviks westernmost to easternmost point: 92 km, or ~57 miles!

Having figured out an estimate of the island’s size and location, we can now put Jorvik on the map!

[martyrlamb]

✶ when the clock strikes / leon kennedy

pairing: leon kennedy x gn!reader

summary: you’re starting to think a certain agent might be faking his injuries to see you.

tags: sfw, pure fluff, a bit of angst as a treat, love at first sight basically, silly workplace love story, nurse!reader, 1 year post re4r!leon, no use of y/n, extremely mildly passively suggestive, leon takes his shirt off twice (woohoo!), kissing, swearing, leon is awkward as hell, you are too though so it’s okay, description of bruises, cuts and a muscle knot (not detailed), medical talk, slight mention of gore and blood, reader has a backstory, reader has a mother.

note: i blinked and suddenly there were 8k words in my doc idek how that happened. im actually so nervous to post because this is my first one shot ever!! my cherry has been popped… but also apologies if things are kind of all over the place bc im still trying to get the swing of it all. trying to write in the present tense was like being beat over the head repeatedly so im sure theres many grammatical mistakes in that department

word count: 8.5k (got possessed sorry)

Everyone thought you were crazy when you accepted the offer. 

It is crazy—but you aren’t stupid. You knew what you were getting into a long time ago as a nurse; people get hurt, and then you save them. Clockwork.

Years ago, you started studying to be a nurse in some middle of nowhere midwestern school. You remembered the rolling hills and the ungodly heavy blankets of snow that fell during the winter months, the fallen leaves that the snow covered. It was all so peaceful for a while… until the outbreak.

You never saw it coming, no one did, really. At least, you hope no one predicted the atrocities that were about to be witnessed by thousands of innocents without warning.

Gnashing teeth and hands with dried blood that streaked down arms like veins plagued the memory of that point in your life. It was surreal to believe that you got up that morning and made your breakfast like any other day, you slid your shoes on and grabbed your keys, and then your foot hit the front porch and the trajectory of your life changed permanently. 

The virus started as a woman with red-ringed eyes and pallid skin that reflected off of the blinding overhead lights—she looked visibly ill. That’s all that mattered at the time. You were actually the one who situated her and her husband in their room, he smiled at you and thanked you for your time and you scribbled down notes before hanging the clipboard and leaving the room for the doctor. The screeching horror music plays when you get to this part of the memory.

A type of calm before the storm. You hold your breath every time.

A few hours later people started screaming, and someone—something ran out of that room and wrenched its grip on the first person it saw. Blue scrubs dyed a nasty crimson, like crushed raspberries on cloth. The next part is a blur of running, watching your coworkers die, and using your medical expertise to help anyone who needed it. People were hurt. You saved them.

Like you said, clockwork. You try not to think about it too hard.

By the time help came, you had cramped a large handful of survivors—albeit, injured survivors—into a small house that was a mile or two from the hospital. Your quick thinking protected many people that day, and your skills were recognized.

A week prior, you were a simple nursing student who was lucky enough to be placed in a hospital, and by the next Sunday, you were being offered a position as a medic with the Anti-Umbrella Pursuit and Investigation Team. You finished your schooling, you got your specialized training, and now you’re on your way to your first assignment out of the country.

So, granted, maybe you are a little crazy for accepting such a prestigious and dangerous position after your humble beginnings. Your mother never ceases to remind you of this, with what little information you were allowed to tell her.

Iceland? she said, pulling her lips into a line. Are you crazy?

You begin to think that you are now that you stand in front of the base, arms tucked around yourself and teeth chattering as a sergeant points you around like one of his troops. Between the hustle and bustle of agents hurrying around and the amount of civilians sitting beneath the large, brown medical tent, you understand why they needed all the help they could get.

Things in Iceland were bad apparently; Umbrella thought the remote location would protect what little was left of them, and their research, from being exposed. Unfortunately for them, (and fortunately for everyone else) the AUPIT caught wind of what was happening and vowed to put a stop to it. You, freshly out of training, were sent to help with the sudden influx of displaced non-combatants and wounded agents.

Within the hour of the helicopter landing, you settle in and pull your cold weather scrubs on. 

There aren’t many other nurses—only two—and neither of them seem to be very fond of you. The head nurse is older and straight-laced, following procedure, not mingling with you unless she has to. You don’t think you’re ever going to be put on a shift with the other nurse, but they spare you a few ireful glances. It’s  like they could smell the fresh blood, and the scent made them turn their noses.

Nonetheless, you weren’t there to socialize, so you rolled up your sleeves and did your job, trying to ignore the passive aggressive looks being thrown at you from left and right. This kind of mutual ignorance worked for about three days, until you were placed on the night shift… every single night. 

Before you came along, it was determined that the night shift could be manned by one person, as injured civilians were sent to the safehouses by nightfall and nearly all of the agents were either out on work or taking a much needed rest. There was no reason for both nurses to be awake when one could conserve their energy and rest while the other worked. So, most nights you spent alone, sitting by the fire in the back of the tent as you waited for the sun to come up.

One of those nights crept up on you again. You bounce your foot against the ground until your ankle aches, sitting in a lawn chair next to the fire with a wool blanket draped over your shoulders. Nothing chirps in the distance like the environment you’re used to, the only noises that float through the air are the wind rustling bare-armed bushes and your own breathing. There was a rip in the tent whistling, too, but you’d be damned if you let the incessant noise drive you insane. You were scared of the eerie silence for the first few days, but that quickly became replaced by the complete boredom that followed it.

You blow a raspberry as you spin a pen in your ungloved hand, fingers numb and stretched stiff with cold. I’ve ought to ask someone for a book, you thought to yourself, or a new job. You immediately push the second contemplation out of your head like it was something dirty and sat up a little straighter; your annoyance made sense, but this is what you wanted to do with your life. You want to help people in need.

Not that there were many people around.

In the distance, like divine intervention, you hear the crackle of wheels against snow, and a black mini-van rolls to a stop in front of the tent. A scuffle inside ensues for a moment, then the doors open and a man comes hobbling into the shelter with his arm over another man’s shoulder. 

You nearly fall out of your seat with how fast you stand up and stride over to the men, assisting the injured one onto a cot. 

“What happened?” you ask, pushing a cart of equipment to his bedside.

The uninjured one remarks from beside you, “Some snow gave way and he went down this hill with some pretty nasty bushes at the bottom.” His voice is quick and clicky. He looks young.

Clearly, they’re two agents, judging by the leather holsters strapped around their waists and shoulders. You purse your lips and place a lantern on the cart, gently inspecting the injured agent. There’s thorns lodged along the entirety of his left side, looking a bit like a child’s crude attempt at art with toothpicks and styrofoam.

He grunts when you gently lift his arm to check underneath, and you mutter an apology before you turn to the other agent. “I can take this from here.”

The agent nods and spins on his heel, disappearing into the darkness once he stepped out into the open air. 

You turn your attention towards the man in front of you and pull on a pair of gloves, the latex makes a sharp snapping noise when you let go. His intense gaze follows your movements with great intrigue—or suspicion… you couldn’t really tell. You pick up a pair of tweezers and set them on the cart. You also finally got a good look at the wounded agent.

Blue eyes that strike down what little defenses you have and brows that spend their time permanently creased, almost erasing the space between them while he inspects you. His ability to make you feel thoroughly grilled with a simple fixated stare would have made you squirm years prior, but now you merely stare back with your eyebrows lifted. The blonde—possibly light brown haired, the darkness didn’t give much way in the form of colour—man averts his eyes first, as if he is caught with his hand in the cookie jar.

You’d be lying if you said he wasn’t attractive, but that’s not your focus right now.

“How are you feeling?” you ask, flicking on a flashlight to check his pupils. Healthy, good. He squints at you through the beam.

“Like I fell into a thorn bush.”

Looks like someone feels funny. You deadpan at him, unamused with the sarcasm while you try to help. Your expression beckons a better answer and he backpedals.

The man’s head bobs subtly, like a scale in his mind is weighing his thoughts on either side, and then he says, “I’m just fine.”

“Are you dizzy? Nauseous?”

“Fine.”

“Okay,” you reply, blowing out a not-so-inconspicuous huff of annoyed air that swirls above you in the cold. The agent raises his brow at your reaction but doesn’t seem too keen on speaking on it. “I’ll try to be as gentle as I can, but it’s going to be a lot of poking and prodding.”

He lets out another grunt that could have possibly been an Mhm… but you aren’t sure. You hold the tweezers between your fingers and begin to pluck them out, placing them on the metal pan on your cart. Clink, clink, clink. They fall from the tweezers with tiny noises.

To your surprise, he doesn’t writhe or make much noise, only occasional grunts and sighs and Shit’s under his breath when you pull at particularly deep thorns lodged in his arm. 

Even for an agent, his arms are an impressive size, which means a lot more surface area to extract from. Not that you really mind, as you would have helped him either way, but surely you would feel differently if you were in his shoes.

However, the silence is… awkward; sitting there with your face inches from his huge arms—he could definitely feel your breath fan across the surface with how his skin dances with warmth and goosebumps and you do not want the attractive agent to focus on that. So, you break it with a question.

“You weren’t wearing a jacket?” A valid query, all things considered.

He blinks at you like it was obvious. “It came off.”

“Oh,” is all you say until you extract the last thorn from his arm and begin to slide the leather shoulder holster off of him. “I just need to take this off.”

He frowns slightly, and you realize his brows had been furrowed this whole time because that was all his face seemed to know how to do. When his expression changes, you stop.

“What are you doing?” he asks.

“Taking it off so I can look under your sleeve.”

“Why?”

“You could’ve pulled something and I need to bandage you,” you pause. “Is that okay?”

Maybe you wrongly assumed that he had done this a million times. Don’t get you wrong, you know how resilient agents had to be and how good they were at their jobs, so it isn’t like you thought he got hurt often… But with a short glance into his eyes, you could tell he’s a hardened delegate with years of experience under his belt. Wasn’t he bound to need help occasionally?

The man gives you a slight nod and shrugs off the holster; it falls to the bed with a soft thud from the weight of the knife tucked into the leather. 

His muscles tense under your fingers when you roll the black sleeve over his shoulder. The feathered, pale edge of a bullet scar peeks out from beneath the dark clothing and it makes you wonder how he managed to get it. A mission? Probably. It looks old. You’ve seen scars of all kinds at that point, and each of them held a story that ended in pierced flesh. 

They remind you that they will never not be where they came from—your own scars will never not be where they came from. You shake the thought out like a stubborn rock in your shoe.

“Lucky you, it doesn’t look like you pulled anything in your shoulder,” you comment under your breath.

“If this is luck, I’d like to see what happens when I get unlucky.” For the first time, there’s humor in his tone—so faint you nearly miss it, but it makes you chuckle. When he isn’t huffing out responses, his voice almost sounds kind.

You rotate his shoulder slowly and inspect the length of his side, finding fewer thorns than the amount anchored in his arm. Still, your lips press into a line, pitying the fact that his bare skin will be exposed to the frigid, below-freezing air so you could remove them.

“Well, you should’ve knocked on wood,” you reply, “I’ll need you to take your shirt off so I can get the rest of the thorns out and check your ribs.”

Silently, the man hikes his shirt up and over his ribs for you, snaking his arm out of his sleeve and then laying on his side. 

As he comes down, stretching, he groans. You see his muscles tense under his skin when he inhales, the dips and divots of his torso flex involuntarily when the squall of air nips at his newly exposed skin. The surface holds blossoms of red and deep purple that litter themselves across his ribs like splotches of messy watercolor dripped onto paper. Scarlet scratches bleed pebbles that drip onto the fabric of the cot. 

You suck in through your teeth as you inspect the area. Even without the damage from the thorns, it doesn’t look good.

“Not good?” the agent questions as if he could read your mind. From over his shoulder, he turna his head to look at you.

“Not good. You bruised your ribs, I’d be surprised if one of them wasn’t broken.”

“I didn’t hear a crack.”

“It should be monitored for a day or two, at the very least.”

“I have to get back to work.”

“Look, I understand—“

“I’ll be fine.”

You sigh softly and remove one of your gloves to rub your face in exasperation. Unfortunately, this wasn’t your first rodeo with stubborn patients, so you slide on another glove and begin to pluck at the thorns in his torso. “You won’t be doing much work if you permanently damage them.”

He twists his head away from you again and grunts softly, muttering a short, “Okay.”

How articulate. You guess he doesn’t get paid to talk to people.

“Okay? As in…?”

“As in, fine,” he replies, then pauses for a moment as if to prove a point. “But I’m sure you have better things to do.”

You laugh at this, then stifle it into your elbow so he didn’t think you were laughing at him. He still rolls over a little to look at you, confusion laces his eyes that dart around as they go from your face to the rows of empty cots behind you. Busy? You begin to laugh again.

He can’t be serious, you think as you fan your face. You let your laughter dissipate like it was being dissolved into water. “Sorry… no, you’re right,” you snort, “I was drowning in work before you arrived, agent.”

“I’m sure,” he chirps back, the ghost of a smile haunts his lips.

“I think I can squeeze you in, though. Might have to clear some of my schedule, but… I’ll make it work.”

The pleased look that graces your face is involuntary. You find it endearing how worried he is about becoming too much extra work for you and the other nurses, despite the fact that there isn’t any reason to gather that he would and—believe it or not—it’s your job. 

The agent lets out an amused breath through his nose. “Should I be flattered?”

“Oh, of course.”

You place the last of the thorns onto the metal pan and tend to his wounds with gauze and bandages and nimble fingers that have done this hundreds of times before. Sometime along the way his body relaxed—just a little—and you think he fell asleep until he sits up like a puppet that had his strings yanked and puts his shirt on properly.

The sudden movement makes you blink, and he stares at you for a long pause filled with dead air and an expectant look in his eyes. That damn rip in the tent whistles. 

Finally, his eyes flicker down to your badge, then back to your face. “I’ve never seen you before.”

“I started here not too long ago,” you inform him honestly, a little embarrassed to admit your newbie title to a seasoned employee of the organization.

He doesn’t say anything else, so you take the reins.

“Well, I think we’re set,” you say, rolling the latex gloves off of your hands. “Let me know if you need anything, Agent…”

You never asked him his name?

“Leon Kennedy,” the agent, now with the name Leon Kennedy pinned to his face, finishes for you. 

His name twirls around your head and makes you dizzy to think about. I should have known, you think to yourself once he bids you farewell to report to his superiors. 

From what little time you spent at the base prior to meeting Leon, you had heard whispers during dinner drift from mouth to ear of the elusive agent. That he was a man of few words (immense understatement, you consider it more socially awkward, but true); that he had half of the base swooning every time he walked by (you don’t want to comment on this); and that he was immensely attractive (that is also true). You have to admit… you see why he had such an air of intrigue around him. To be so quiet after such successes he’s accomplished—people were on the edge of their seats trying to figure him out.

You also had to admit that you weren’t immune to it either. 

During your meals and breaks you found yourself playing Where’s Waldo? with Leon, attempting to catch glimpses of him in his natural state to confirm or deny these claims. Which was impressively difficult for absolutely no reason other than that he did it for his own benefit… the motive for this was lost, and still is, on you.

The few times you did spot him, he had the same clenched jaw and furrowed eyebrows. He never stayed in the same place for very long and frequently you only spotted him—or rather, his broad shoulders and white-knuckled fists as they turned corners and disappeared to do whatever he did all day. Important agent things.

Regarding your coworkers… it hadn’t improved much, either. The head nurse, who you later learned was named Winona, loosened up on you a bit—which was practically nothing when both she and the other nurse had been so cold to begin with. However, your determination to help those around you seemed to impress her… most days.

(Peeks of Leon’s ashy blonde hair stolen from cracks in the tent. His fur-lined coat hangs off of his sizable frame, enveloping his arms in the thick fabric—it makes them look even bigger. Not that you care, per say, but—

“You aren’t getting paid to stalk agents,” Winona jeers, jolting you back to Earth from your subject of stolen attention. You swear she smiles at you wryly. “Should’ve tried for one of their jobs if you wanted to do that.”

She turns on her heel and goes over to a trio of injured civilians with her cart, the knot of hair tied taut at the base of her neck stares you in the face. You’re left hot faced and embarrassed for the entirety of the next check-up with your patient.)

The endless night shifts never seem to cease rolling in and you’re afraid it’s begun to catch up on you. By the end of breakfast, when you could finally drag your corpse-like body to your quarters and into your bed, your head drooped comically into your bowl of oatmeal and some of the newer agents had a blast laughing at you. Whatever, assholes.

(You were deeply embarrassed.)

So, you opted for allowing a short nap in here and there during your shift—ten minutes at most—whenever your eyelids began to feel itchy and weighted and you couldn’t help but close them. You really couldn’t. Being sat by the fire with a hot drink made you so warm and the sounds of blowing wind lulled you to sleep in the darkness under the moon.

Truly, a terrible work performance from you, but no one was around to see and surely you’d be awoken by even a hint of an emergency. 

Tonight, you count sheep with your wool blanket tucked up to your chin and your head lolls against your shoulder like it’s about to fall off its hinges. One, two, three. They mock you as they hop into their pasture and curl up into white, fluffy spheres, falling asleep within the warmth of their home. 

From a distance, your ears almost register the sound of footsteps that approach the tent, crushing the crunchy top layer of snow under their feet as they stop in the entrance. It isn’t enough to completely wake you until they clear their throat and say, “Hello?”

Your eyes snap open and you turn your head so fast you think it might go flying across the room. Really smooth of you, considering Leon is the one to get your attention. By the smug look on his face and slight chuckle that wracks his frame, you know he isn’t fooled with your act awake performance.

He stands there, towering and rigid, unlike the night you first met him, with his palm outstretched flat like he’s trying to show the world something. 

“Oh, hey, what do you need?” you reply quickly, standing from your chair as you let your blanket fall off of you.

Leon glances at his hand and then at you. “I, uh, got a papercut.”

“A paper cut,” you repeat, just to make sure you heard him right.

“Yeah.”

You stare at him for a moment, mouth agape as his words register as something he was actually saying to you.

“Well, get comfortable, then. I’ll patch you up.”

In reality, you’re terribly confused about a special forces agent needing first aid for a paper cut, but how could you complain? He needs help and you’re there to offer it. 

The blonde sits on a cot near the fire—not before picking up your blanket from the ground and placing it back on the chair, though—and you situate yourself on a stool facing him. 

You take Leon’s hand in yours gently and inspect the wound. It’s fairly shallow, but placed in the center of the webbed skin between his index finger and thumb. Tough spot. When your digits graze his rough knuckles he inhales sharply and you glance at him due to the sudden motion.

He doesn’t expect a reaction from you because he pauses for a second then asks, “You think I’ll live?”

“I dunno,” you answer, sucking your teeth. “Could be a close call.”

“Yeesh.”

“I know. My condolences.”

“For myself?”

“Uh-huh.” You turn his hand over so his palm faced the sky. “This’ll sting.”

When you disinfect the injury, Leon’s face twitches into itself but he keeps quiet, opting to focus his gaze on your face while you patch him up. You try not to shift under the intensity.

“What made you want to do this?” he queries, his voice cuts through the silence and startles you a bit. Leon looks pleased with himself and you roll your eyes.

“You’ll laugh.”

“Why would I do that?”

“It’s corny.”

Admittedly, it was—the original story as to why you wanted to be a nurse. You’ve had people laugh at it before and you mostly don’t want to repeat history with someone you find rather charming, but something in Leon’s face softens and he shakes his head briefly. 

“Try me,” he challenges.

“Oh, fine.” Like there was a fight put up when you relent, smoothing a bandaid over his cut. “You know those things you’d fill out as a kid? Where it’s like, what do you want to be when you grow up?”

Leon nods.

“Every single time, I would write superhero,” you laugh sourly because you got used to other people laughing when you said this, but he listens as if you’re the only sound he’s ever heard. “I’d draw myself with a little cape and all that. Then at a certain age the teachers start telling you, pick a real job, pick something that exists. And, I dunno, I thought: there are real superheroes. They save people every day because they want to.”

“I mean, I always knew I didn’t have all the right assets to be the one rescuing people from burning buildings and punching the bad guys. I wanted to help people when they couldn’t help themselves, you know? I can't carry the weight of the situation—it’s just not in my nature—but I can carry them. That’s why I started doing this, I guess.”

The look he gives you when you finish speaking is indescribable. He gazes deeply into your face like he’s trying to find a new feature he missed the first time. Something akin to pulling apart your mind with his eyes as if it’s clay made for the shaping and a load of a melancholy that’s too heavy for him; like he’s asking you, how do I carry it? Tell me how to carry something like that. 

Your hand still lingers in his, over the bandaid you placed on him; you slide yours so the curves of your thumbs interlock and you grip the hilt of his palm. A hidden embrace.

Leon’s eyes dart toward your hands and he makes no effort to remove you from his grasp, his fingers relax against your wrist. He feels your heartbeat. You feel his. When he looks up again, all he sees are your eyes. 

You don’t know why you went on that anecdote in the first place, not really. Only that you were finished patching him up and wanted—needed—him to linger for a bit longer.

“What about you?” you ask, voice hushed close to nothing.

“I wanted to help people, too.” He sounds uncharacteristic—sheepish? “That’s it… I can’t follow up with something as articulate as you.”

“It matters just as much even if you can’t express it,” you assure him, your head tilts. 

Leon clears his throat and nods, slipping his hand from yours and looking anywhere that isn’t you. You created a shadow in front of his face, back facing the fire, but you can see the subtle dark tinge of his cheeks when he avoids your eyes. He chooses to look at his feet. There he goes, being endearing again, you think.

The harsh edges of his face are lit up with an orange glow, darkness shoots somewhere in between in a soft gradient, and he looks positively ethereal. If you reached out and cupped his face, you know it would be warm to the touch like laundry right out of the dryer. It makes him look all the more delicate and this feels more natural than the pointed looks and pinched expressions he usually wears.

You look back down at his hands. You’re trying to memorize the way they felt against yours (coarse and hot to the touch) and you get the picture of how hopeless you are—even an idiot could see you have a crush on him. 

That doesn’t stop you from protecting your pride and you keep it to yourself. You stand up to put the disinfectant supplies and box of bandaids away without a word. 

Leon stares at his hand like it’s missing a piece.

You have your head buried too deep into the cabinet to think much about that. Screaming at yourself was an understatement for what you’re doing in your head… a better description would be begging the floor to swallow you entirely with one gulp.

Surely, Leon has someone at home. He’s an attractive, intelligent man with an arguably stable job that pays him oodles more than he would ever need; not to mention how well-built he is, but again, for what seems like the millionth time you push this thought to the back of your mind. You could not focus on that.

“Are you okay?” his voice carries from the cot.

You take a moment’s breather and shut the cabinet door. “I’m good. How are your ribs?”

“They’re good.” Leon pauses, then adds. “Thanks.”

The shake of your head comes faster than your words; muscle memory. “It’s what I’m here for.”

“You do a good job.”

“I’m just a medic.”

“A good one.”

As you utter your gratitude for his comment, you hope he couldn’t feel the heat radiating off of your face from so far away. You weren’t one to get shy from such simple words, but you find your eyes glued to your boots because of his gentle bonniness. Damn you, you curse at him in your head—it held no weight.

The blonde stands from the cot and walks over to you. He bends slightly to catch your eyes in his. “I have to go now, but... yeah. Thank you.”

“Of course, Agent Kennedy.”

“Don’t start using formalities now,” he half-laughs, half-breathes. His face contorts when he stretches back, and his hand came up to massage his right shoulder—you even go to comment on this movement, being a medic and all, but he beats you to it with a smirk. “Stick with Leon.”

And then, in a few strides, he’s gone as fast as he came. 

Your entire body deflates when you let out a guttural sigh. How come every time you watched his back, you were left reeling?

Unfortunately for you, that blasted man had ingrained himself into your head, sitting pretty in your thoughts as snug as a bug in a rug while you tried to do your job, or attempted to focus on anything other than your feelings for him. On the contrary, he returned to clearing out Umbrella facilities for the time being, which meant he was out of the base for days, or even weeks, considering he was one of, if not, the best agent they had. This saved you from the embarrassment of being caught trying to catch glances of him from inside the tent or during meals. 

This, however, did not stop you from daydreaming when work got slow. 

You wondered how someone like Leon behaved domestically, if he was completely different outside of the AUPIT, or if he was still just the sweet, reserved man who needed your aid often. Did he have any pets? What music did he listen to? You guess you’d have to ask him later, but you imagined that the pieces would fall into place and suit him. They’d be so perfectly Leon that when he told you, you would think to yourself, huh, why didn’t I think of that?

The amount of daydreaming you did was not lost on Winona, and occasionally she snapped her fingers in front of your face and grumbled under her breath, “I’ll kill that boy.” With no real threat to her tone. 

Please, you can’t help it. He has arms with the muscle definition of a god and he told you-you were a good medic; you were a goner before you even realized it.

On the other hand, your family never let up with their pleas for you to return home, despite the fact that it simply wasn’t possible unless you had a very good reason for it. Which you didn’t, and you didn’t want to—people just didn’t get it through their heads that, yes, your job was difficult, and yes, patients got on your nerves sometimes, but no, you wouldn’t trade it for the world. This meant more to you than anything else you could fathom. You knew the fear these people felt first-hand, and you knew they needed a saving grace; just like you had.

(“Just come home,” your mother coos into the phone, her voice static-y and chopped from the poor signal. You could imagine her face right now, all worried and exhausted like you’re a child balancing on a wet playground. “There’s a hospital not too far from here… I’m sure they’d take you.

You promptly spend the next hour explaining to her that it isn’t that simple, even if you wanted to, and you remind her every few minutes that you aren’t going to leave, either. You’re happy, all things considered; which is why you make the executive decision to leave out all of the bad parts of your work so far.)

As for the efforts against Umbrella, you hear whispers of successes during dinners and fewer agents appeared at the medical tent’s door in need of assistance than when you arrived. So, you think things are going rather well for your organization. Less tired eyes and solemn faces; the fight wasn’t over, but everyone could rest a little easier with every night that passed. 

And yet, those damned night shifts. You swear Winona and that other medic were scheming against you for no reason other than pure spite, on the basis of simply because they didn’t feel like doing it. It has to be funny to them by now, seeing you half-asleep at breakfast and looking all mussed at dinner because you woke up ten minutes prior. You let them laugh all they wanted because frankly, you began to enjoy the night shifts. The world went to sleep, and you enjoyed some peace and quiet.

You kick your feet up onto a stool and drape a blanket over your legs, book in hand. The soft sounds of Icelandic pop music crackles out of the radio and floats throughout the tent. You mouth the noises of the songs, unsure of the lyrics, but you’ve heard it so often by now, you could recognize the tune from the first few beats. You scat a few of the instruments, tapping your foot along. You don't notice the figure that stopped in the doorframe. 

“Enjoying yourself?” Leon. You shut your book and turn to look at him, embarrassed. “I always feel like I’m coming at a bad time.”

“Never,” you reply with a haste that humbles you further. Worried about his sudden appearance in the medical tent after being gone on agent duties for nearly two weeks, you ask, “Are you okay?”

The corners of his mouth upturn and you barely see a flash of uneven teeth between the slit it creates, cute. This distracts you from how smug his face is. “I think I have a fever.”

“A fever this time?”

“Yep.”

“Make yourself comfortable, Leon.” 

A paper cut, then a fever. You begin to think of his inability to soothe his minor maladies as an excuse to visit the tent. Your stomach flutters at the thought, but you have to make sure… just in case he’d fallen ill out there in the cold. 

You find the thermometer and placed it in his mouth gingerly. It hangs crooked from the corner and he watches you with a certain keenness that makes you smile. After a few minutes, you check his temperature: 98.7. An amused hum escapes your lips without meaning to.

“Dying?” 

“I don’t think you have a fever,” you answer, using the back of your hand to press against his forehead and cheeks. The first cheek is cold, then the left cheek warms under your skin—Leon’s expression falls bashful. “But if I didn’t know any better, I’d think you were looking for reasons to come see me.”

It’s his turn to hum in thought. “Maybe.”

“You could just come talk to me.”

“You’re on the clock,” the blonde reminds you, grunting. In a swift movement, his hand presses into the curve of his neck and he rotates his right shoulder, face straining.

You see an opening. “That I am. What was that?”

“What?”

“Your shoulder.”

“I was stretching.”

“Does it hurt?”

Leon grumbles a response under his breath, unimpressed that you might have found something you could actually treat him for. You raise your brows. “I’ll take that as a yes. Let me see.”

“It’s fine.”

“Agent Kennedy.”

He pretends not to hear you.

“Leon.”

“Fine,” he gripes like a child being forced to get a shot and maneuvers to lay his stomach flat on the cot, his back faces toward the ceiling. He takes off his brown, fur-lined jacket and discards it onto the next cot over. You get a whiff of musk and cinnamon from the breeze it makes.

The shirt that clings to him left nothing to the imagination—a tight, black compression shirt stretches snugly over his muscles. You spread your fingers like fans to warm them up, then begin to run them over his shoulder and along the meat of his back. 

You tsk, full of knots. This man needs a masseuse. You make a mental note to refer him to a good one you knew. 

With the issue at hand, though, you find an impressive knot in his shoulder, which is likely the cause of his discomfort. 

You huff, your work cut out for you. “There’s a big knot in your shoulder, Leon. How are you living like this?”

“I wake up and roll out of bed.”

“I need to get this out.”

Leon turns his head, his cheek presses to the cot. He gives you a look that says nothing short of, are you serious?  You smile as sweetly as you can at him, an attempt to coax him. To your surprise, he averts his gaze fast and relents. The blonde agent sits up and shrugs his shirt off. It’s tossed next to his jacket.

Under the fire light and the dim glow of lanterns that hang in a line down the center of the tent, strings attached to the ceiling, you see the way chills prickle over the surface of his skin. Goosebumps, like rolled carpets being kicked open, unfurl down his arms rapidly and he lays down on his stomach once again. 

Your face burns in the dark—you’d be surprised if you aren’t glowing like one of those lanterns from the amount of heat it exudes.

You use a dollop of skin cream to keep the area relaxed and pliable as you work out the knot with your fingers. You push it in the right direction until you got it in a better spot, then you knead it firmly. It crackles within his body.

“Fuck…” he groans in relief, nestling his head into the fabric of the cot as he sighs. “They teach you massages in nursing school?”

“That might be just a learned from life thing,” you state in total honesty. You wipe the excess lotion from your hands on a rag. 

Curiously, he peers at you from the corner of his eye. “You have someone back home you do that to?”

A laugh falls from your lips, though your face feels even hotter than before (if that is even possible). “No—not at all.”

Leon lets out a pleasant hum and sit up from the cot. Good, he says without saying it. 

He snatches his shirt and tugs it over his head; you pretend to make yourself busy so you have somewhere other to look than at him. You hear him sigh with great reprieve as he rolls his shoulder back and forth, it must’ve felt like a freshly oiled hinge.

He comes up behind you, his shoulder skims the back of your neck when he peers down at what you were doing on the counter. Which is a whole lot of nothing; moving cotton swabs from one container to the other, counting how many rolls of gauze you had left for the hundredth time. Mindless hand ministrations to distract you from the heart that pounds in your chest.

“Is this what you do all night?” he questions, mildly amused.

“Sometimes.”

“Must be glad I showed up.”

“Something like that,” you tease, glancing up at him with a coy smile.

You watch his withstraint break a little inside of him. He inhales sharply, losing the words you said somewhere between your eyes and your lips—he couldn’t focus with your faces so close to each other and neither could you. Leon reaches for the hand that rested on the other side of you and drags you in between him and the counter, twirling you to face him. Then he pauses and appears lost, like he doesn’t know which way is left and right.

Maybe he doesn’t know what to do, you think. You don’t really know either, so you go on about what you do know.

“You should probably use kinesiology tape on your shoulder,” you comment, suddenly becoming hyper-aware of all of your limbs. His eyes don’t leave your lips. You’d be a liar if you say yours left his.

“Yeah?” 

“Yeah.”

The man’s body heat radiates off of him and it’s magnetic, pulling you closer, away from the bitter cold. Your breath hitches. His hand hovers over the curve of your neck, then it decides to rest on the side of your jaw, thumb pressed against your flushed cheek. You remember the texture of his warm palm, coarse and calloused from years of wear.

You try to memorize every fine line and crease that scuffs your face as he beckons you to close the gap with the slight tilt of his head. I’d make a terrible agent, my resilience is slim to none, you theorize when your body moves before your mind does. His mouth hovers over yours, his breath traces your cupid’s bow. You close the distance enough that your lips graze each other until someone clears their throat from a few feet away.

Winona stands like a judgmental statue, thin brows raise expectantly. You, and Leon, jump away from each other. It rocks the counter with a loud clatter that echoes. 

“Agent Kennedy,” she acknowledges him first as a sign of respect. He nods back awkwardly. “You two look like you’re  enjoying yourselves.”

Neither of you talk for a moment and you find  yourself desperate to create any word that could explain what that was. Leon’s eyes dart around the room.

Finally, something solid comes to your tongue. “I’m sorry.”

And then she laughs in both of your faces. Her hand waves like it’s fanning your words away from getting inhaled. You and Leon glance at each other, brows knit in honest confusion.

“Kids,” she exhales. “Stop distracting my medic, Kennedy.”

Then he speaks, but it sounds more like a nervous cough. “Yes, ma’am.”

Winona shoos him with a gesture of her wrinkled hand and he musters a sheepish, apologetic smile for you as he hurries away from the tent. You don’t make much of an effort to move as you prepare your ego for the chew out it’s about to receive.

“And you. Try to keep the fraternization out of the tent.” With that, she continues past you to search through some files, snickering to herself and shaking her head.

You aren’t about to push your luck. You get to keep your job and ego intact, and that’s enough for you. So, you whisper a quiet, “Yes, ma’am.” And go on with your day.

The encounter with Leon left you feverish and all tingly in every limb whenever it crossed your mind over the following days. You saw him out and about around the base, and during meals he offered you frail waves that faded in a breath. 

Truth was, you’re too afraid of rejection to ask him about that night—go figure. Maybe you’re a cliche. Maybe you’re both cliches. Who cares? Well, you do, and you thought the ruffled, pink-tinted expressions on Leon’s face whenever you crossed paths meant that he did, too, but neither of you made a move to approach the other. You questioned if you would rather be told that his only plans for you was a short work fling with no strings attached, or if he felt the connection that you did. A terrible predicament, really, and soon your desire for a straight answer outweighed the fear of hearing something you didn’t like. 

When you went to find him in the meal tent, sitting alone in one of the back corners, he wasn’t there. Okay. You waited, then decided to check the nooks and crannies of the base where you knew he hung around, and nothing. Leon vanished into thin air the moment you gathered enough courage to speak to him. Somehow you thought he read your mind and planned for this to happen, just to be able to tease you without being present. But that was simply ridiculous. He had to go to work, just like you had to do yours.

A week went by, then two; no sign of Leon’s reappearance cropped up and you began to worry you wouldn’t get the chance to speak to him at all. The only reminder that soothed you was the fact that you knew the organization was on the home stretch for completely wiping Umbrella’s power in Iceland. This reassured you for many reasons. Mainly, that you’d be able to sleep in your bed again at a proper time that didn’t leave you exhausted; but you also found comfort in the idea of finally getting a word with the blonde agent that clung to your brain like a disease once everything was over. 

Of course, you had fleeting thoughts that he died and you’d forever be left wondering about what could have been. But, that was just ridiculous—he’s Leon Kennedy, the agent that saved the president’s daughter from certain death. So, you chalked it up to your anxiety being built up as doubt about the succession of the mission began to be put to an end. That yes, you would all return home soon, and no nothing terrible and tragic would happen just as you were about to win.

Eventually, you all received the verdict of the mission. Success. The sun shone through the clouds brighter that day, in ribbons of gold that elevated all of your senses to something dreamlike. Another catastrophe prevented. More people saved—clockwork. To say you were pleased with the conclusion of your first ever out of country operation would be an understatement; you were ecstatic. 

Still, you find yourself fretting over that thing with Leon as you help pack up the equipment in the medical tent.

Winona, who has grown increasingly engrossed in your love life, gives you a knowing look when your lips tug downward and you send a pointed glance toward the entrance of the tent for the tenth time in the last hour. She tsks and shakes her head. It gains your attention. 

“Just talk to him,” she insists, shoving a couple boxes of bandaids into the case. She’s unimpressed with your antics and just wants you to get a move on. 

You sigh and preen your hair like he’ll walk in at any moment. “I haven’t seen him.”

“Hopeless,” she grumbles in response. “Hopeless. If you won’t do something about it, stop looking at the door like a kicked dog and help me.” Winona retreats further into the tent and you succumb enough to follow her.

You must glower the whole time because she won’t stop sending you dirty looks while she tapes the cardboard boxes with a tape gun. Her movements are threatening. You try to fix your expression when the line of spokes reflects off of the bright horizon outside the tent as it slices the tape.

After the innards of the tent are packed into a dozen or so boxes, you’re the person left to pick them up one by one and drop them off with the rest of the cargo that needs to be shipped. Your back is sore from the sorry excuses of beds you have and your arms ache from hours of cramming things. Kicking snow with each shuffled step, you heave out a lengthy sigh and pause to breathe. There’s a reason I’m not an agent.

“Need a hand?” Leon asks from behind you. You’re wondering how he’s always sneaking up on you.

Still, you nod and can’t help but be relieved. “Please.”

Like it’s filled with air, he takes the box from your hands and cocks a barely-there grin at your awed expression. Smug and content, he marches ahead with you in tow. You don’t really know what to say to him, if anything at all. 

You walk alongside him for the first time in the daylight, and you take in his features now that they aren’t muddled in the darkened firelight or blurred by distance. He’s chiseled, sunken cheeks and high cheekbones with that intense look on in his eyes—but there’s something else—boyish, is what you think. Soft jaw. Moles and freckles litter themselves across his face. 

Leon is beautiful and you would like to kiss him right now.

He stops at the drop off point, places the box next to the others and turns to you. Suddenly, he looks nervous and you feel some resolve escape your mind. He’s about to ask you something. He opens his mouth, rosy lips parting and you break—you pull him behind a tall stack of boxes and kiss him.

The collar of his jacket is clutched between your fingers in a moment and your lips are on his; the fur tickles your skin. His lips are chapped and cold but you create warmth within him, you could be a summer’s day in this frigid air. His hands come to your waist, then your hips and his fingertips make indents when he holds you tight like this was always supposed to happen. When you part, you’re both breathless.

He searches for his words again, the question he was going to ask. “Would you—dinner? On me.”

You hum in faux thought and peck him on the lips again, then again, and a third time for good measure. He smiles into the last one.

“I’ll take that as a yes.”

“I’m surprised you didn’t start that by saying you stubbed your toe and needed my help.”

Leon chuckles. “I thought about it.”

He pulls you in again, tongue grazing your bottom lip. You lean in further, desperate for connection until you both go slipping like baby deer. The thin layer of snow on the ground left everything icy. He tumbles into some supplies and you land on top of him. You’re both laughing into each other’s mouths. You’re both happy.

You chime together, like clockwork.

[heljar-heimur]

Most people do, or should have. But I have encountered people who didn't believe Iceland was real. We barely exist on some maps.

Airport peeps are often interested in the Icelandic passport because its very pretty. But I've also heard of border control guards who had to check if the pass was real because they hadn't heard of the country thought it was a fake pass from a fake country.

I kinda have to agree with this anon. Saying just what country I'm from tends to be the "safest" option. Especially since when I tell people what country I'm from, their response is "is that a state of Mexico?"

Another story is of here in Berlin, when I went to open a bank account, the person that has my passport to add me into the system or smth asked me where I'm from (meaning country) so I answered. Then she said," No, what country are you from" I motioned to my passport and answered verbally again. She then said," I have never heard of that country. I don't think it'll be in the system." It was

--

Jesus. Don't people have geography class when they're kids?

[astronicht]

Hi I hope this isn't presumptuous, but so, that post you made about Tolkien making the lads leave their weapons outside the hall and CS Lewis thinking the hall was gonna get burned down by a lady who also wanted to kill herself... what's the historical precedent for that? Is there a trope in medieval lit where people like... do that? I ask because uh. I am obsessed with Children of Hurin and there's a scene where that like, happens. And I'm obsessed with that scene, and would love to know if there's like, cultural/mythic context that would enrich my knowledge!

OH BOY, sorry I'm getting to this late, it's been uhhh a summer, but one, this is a very good question!! And two, yes there is absolutely precedent, particularly in early medieval literature, and high medieval literature set in the early medieval (circa 500-1100 AD) past. I'll let someone else debate how often people actually historically locked their enemies into a hall and burned them, but especially in Old Norse literature (and if Fellowship felt like it leaned a little more on Old English literature, Two Towers, where Eowyn appears, felt a little more Old Norse) this is common. Off the top of my head, you've got many Icelandic family feuds ending in burning the whole family in their hall, like Njal's Saga (Old Norse), Attila the Hun dramas (yeah he's a big guy in the burning halls circuit, but actually not in the way you might expect) like his cameos in Volsung Saga (Old Norse) and Nibelungelied (Middle High German), and my vague recollection of a few Irish and Welsh versions that no search engine is giving up for me right now.

This, predictably, got long and slightly off topic.

Disclaimer: As usual, I should say I come from an Old English-centric background, and Old English literature is actually notable among all its neighbors for not burning down too many halls. Second disclaimer, all links are not proper citations, they just go to wiki.

Hall-burning in literature is, to my understanding, part of the concerns of a few early medieval cultures in which revenge is not only expected but in many cases legally reinforced and codified, and one in which conflicts could spiral to engulf -- figuratively, or literally and in flames -- entire families. Many medieval Icelandic sagas are focused on this exact type of destruction of whole families or friendship/community units. Most relevant of these to Eowyn, Two Towers, and the vibes of Edoras (since alas I am only partway into RotK and can't speak to Children of Hurin yet!) is Volsung Saga, which is set on the Continent, not Iceland, and actually has to do with Attila the Hun. As mentioned before, an incredible amount of stuff turns out to have to do with Attila. We will come back to him!

So, on the particular post you're talking about, a few people iirc have replied pointing out that the hall in TT is clearly supposed to be based on a hall from Old English literature, namely the hall in Beowulf, which famously did not actually get burnt down. And that's all true! I was not posting with much nuance; I was mostly having a joke at the expense of CS Lewis. However, I was also referencing a very very common trope in Old Norse/early medieval stories, and I personally think JRR was as well (AND I think Beowulf was also very consciously referencing the exact same motif anyway) (no one has to agree with me, a tumblr blog, on any of these points).

The thing about the hall when our heroes approach is that the scariest damn thing in that hall is Eowyn. Certainly not every hall-burning story requires a woman with no other recourse to set the fire (in fact, the "warrior band approaches unknown hall which might have a grudge against them" is a trope that can get you killed in a pretty homosocial environment, as I guess Aragorn at least was aware, being a big reader). Still, the presence of a woman who is swiftly running out of options does fit what I'd consider one of the or perhaps The best known version of the early medieval burning hall trope: Gudrun, who shows up in at least a dozen different texts in both the Scandinavian and the German language traditions, including Volsung Saga, a text which itself often gets paraded around as the basis of lotr (which I'm sure it is, in that JRR appears to have simply and very fairly based lotr on every piece of early medieval vernacular literature I can think of).

In a portion of Gudrun's story (which of course changes a bit in each retelling), after her first marriage she is unhappily married to Atli, who is none other than our main man Attila the Hun. After Attila kills her brothers for reasons (in one version, her father), seeing no other way to take the necessary revenge and no other way out, she kills the two sons she had by him, serves them to Attila for dinner, has Attila killed, and then sets fire to the hall with everyone in it. After this, she attempts to drown herself.

The self-destruction of this act is a really important beat, and has only gotten more-so as a comparison to Eowyn the further I've read into RotK (currently, I'm at the houses of healing after merry and eowyn take on the witch king). It's a lot clearer in the book than the films, for me, that Eowyn going off to battle was not so a straightforward empowering and/or freeing move, despite allowing her some agency, but more the one path she saw as available to her with which to die with honor (which was pretty much exactly what Gudrun was facing as well). Like Gudrun, whose first husband was a great hero but has died, Eowyn's romantic choice is a hero who is presumed dead (sorry Aragorn they did Not believe in your ghost skills). In fact, in some versions Gudrun does put on armor and fight with her brothers before they're killed. She kills Attila with her own hand, with the help of another man who needs to avenge a blood feud against Attila.

So while Eowyn didn't get forced into marriage to Attila Wormtongue (with apologies to both historical Attila and that one historical skald also called Wormtongue who was reportedly hot) and burn the whole place down, she's still trapped, and like Gudrun chooses destruction alongside her household.

Reading her arc feels so much like watching Tolkien write a fix-it for Gudrun. What if she got this one little chance, and this one other little chance, and this one more -- tiny little shifts in the narrative that allow her to get out, and not through fire, and not through death.

Anyway, this got away from me. I hope it added some context to the Children of Hurin arson case! Thanks for the ask