#also i couldn't even sign in because i have my old library card from like 1999/2000 and it says invalid card number pfff

[kirsctein]

found out that my library has libby and that they're discontinuing it in the autumn at the same time so yea that's great

[scrapheapchallenge]

"Just Neil Gaiman being wholesome again" but also Rob Wilkins being extra wholesome too! On Tuesday evening I went to this talk https://living-knowledge-network.co.uk/library/the-worlds-of-terry-pratchett By Rob Wilkins and Neil Gaiman.

Neil was co-author of "Good Omens" with Sir Terry Pratchett, and they collaborrated on many other books together here and there, just not sharing co-author status too - read this article for more info: http://www.elizabethcallaway.net/good-omens-stylometry?fbclid=IwAR2hVnd8aTYFBZqphk8SzYt8j1NucBl5mUxbDscF3kljQ9Bpuq2leUW2S6I Confirmed by Neil yet again on Tuesday.

Rob Wilkins was Terry's PA, and now manages his estate, as his representative. He also wrote "A life in footnotes" - the official biography of Terry.

On Tuesday evening, I arrived at the British Library very early, and was guided up to the Piggot Theatre lobby to wait by a security person, so I was there before anyone else, including Rob. All the staff were absolutely lovely. When they noticed there weren't any gaps for wheelchair spaces in the audotorium, facilities engineers were summoned and made short work of unbolting a set of 3 seats to make a wheelchair space for myself and another wheelchair user who turned up later.

Then Rob turned up, carrying a mannequin, Terry's leather jacket, scarf, hat, and other stuff.

Now the email we recieved before the event said that Neil wouldn't have time to do any signings that evening, although they didn't mention Rob, so I asked him if he might be able to sign my copy of "a life in footnotes".

He happily said yes, and once he'd sorted his things out, he came back out to chat to me for a while and OMG he was the loveliest person EVER!

I gave him a print I'd signed of my ink portrait of the Bentley, and some stickers of my other Bentley illustrations, and he said "WAIT! I have presents for you too! I'll be right back!" Then rushed off to the green room. (Below are the ink portrait, then I gave him small stickers of the "this is fine" flaming Bentley - which I was also wearing on my t-shirt that day - and my most recent digital portrait of Crowley and the Bentley - and yes it is all hand drawn, not a photo manipulation, feel free to zoom in. A couple of years separate these 3 drawings and I'd been working hard on learning photorealism.)

He came back and gave me Terry and Neil badges, which he explained you only get if you meet them in person. I had met Terry (and incidentally Rob as well) years ago at a book signing, plus I met Neil, albeit briefly, on Tuesday as he came through the lobby and said hello.

He was happy to chat and especially about cars, which he also loves. He confirmed that I was 100% correct about the "2 whole cars and a cab for CGI" between seasons 1 and 2, and that the interior colour change is nothing to do with plot it legitimately is just continuity errors if they forgot to cover the new Bentley's new seats with covers matching the old Bentley's orange ones. (The cab only also has orange leather seats).

When I told him about this year's RREC (Rolls Royce Enthusiast's Club - also for Bentleys) Christmas card design, he was delighted, and asked to take a photo of the image I had of one on my phone because he wants to order some as well.

I showed him my re-usable coffee cup from "give me coffee or give me death" which we were given on the set tour, and which I had Sir Derek Jacobi sign at a comic con the other week. Rob thought that was wonderful, and then did something extra sweet...

He asked me "if you're ok trusting me with this for a little while, would you like me to sneak it back to the green room to ask Neil to sign it for you as well? Then I'll come and find you afterwards to give it back again."

HELL YES! I couldn't believe it! I hadn't wanted to ask because we'd been told that Neil wouldn't be signing things due to lack of time, so for Rob to spontaneously make the offer was not something I was expecting. He did also take my Occult Edition of Good Omens to ask if Neil would sign that as well.

I didn't fully expect that he would, and was prepared for him to come back later and say "sorry he was too busy", and that would have been fine, but no: Neil DID sign them both!

Neil writing "burn this (big fancy) book!" was a spin on how Terry used to sign copies of Good Omens: "burn this book" - which is actually embossed on the rear cover of this edition.

Later, Rob also signed it for me, as did Colin Smythe, who was Terry's publisher and lifelong friend.

We were sitting at the front, only about 7 or 8 feet from Neil, the talk was wonderful, we laughed, we cried a little, and Terry was with us in the form of the mannequin with his jacket, scarf, and hat (which are also on set of Good Omens at all times while filming, and also even during rehersals/table reads - so he's always present.)

Rob is honestly so bloody wholesome, he was hugging a lot of people, and ever so sweet, taking time to chat to other people as the venue filled up, and stayed behind to sign things and talk to other folks as well.

I also got to chat to Dr Pat Harkin and Dr Jan Clarke, who were the researchers who spent months of hard work tracking down Terry's lost short stories in the national archives in Boston Spa, which were released in a compliation book "A stroke of the pen." If I'd known that they'd be there as well, I'd have taken that book and asked them to sign it too. They were in the audience and sitting next to us with Colin Smythe. I was truly surrounded by Pratchett royalty, and everyone, without exception, was SO friendly and lovely.

I had done two prints of the Bentley drawing and stickers, for Rob and for Neil, in case I got chance to give them to them, and when I gave Rob his, I said I had some for Neil as well, and again, he OFFERED to take them to give them to Neil for me.

Although I didn't get chance to thank Neil in person, I wanted to reach out to let him know I was very grateful for his kindness as well, so sent him a message via his "ask" channel, although not with an expectaction of reply - just for him to see privately and know that I was appreciative. But he chose to actually publish it as a public reply, which was lovely of him. I hadn't wanted to thank him publicly just in case he didn't want others to know that he had signed some items after all. I'd been expecting to have to wait until he did a proper public appearance with signing at a comic con or something - although with him living in the USA, not the UK, I may have had to wait a long time.

So I guess the answer is to getting an autograph - turn up 2 hours early, and be very VERY nice and polite to Rob Wilkins 😅 (but also don't expect results - I didn't, it just sort of happened).

[moonlit-orchid]

I have so much respect for Michael Arclight. Out of all the Yugioh Zexal characters I would want to fight, this guy is at the bottom of the list.

Not just because he's an adorable sweetheart, despite the no doubt horrible life he's had- being taken away at a young age to god knows where with only his brother (who's about two years older than him) and having only him for who even knows how long, then taken out by their oldest brother only to realize now they have to fight for their insane father's extremely convoluted revenge plot.

But also, uh... this guy went to STAB Heartland BEFORE dueling him. Just "huh, that didn't work. Card games it is, then." It's both hilarious and terrifying.

Can only imagine Michael went "I know exactly how to deal with the Barians. First we-" "Play card games and buy time for Yuma." Chris is nodding sagely. Michael just puts away whatever weapon he's got. "Or we could do that."

I AM SO SORRY THIS HAS BEEN HERE THIS LONG 😭😭😭 IT WENT TO DRAFTS AND DIDNT POST

The good thing though is that today couldn't be a more appropriate day to answer this /hj

I genuinely adore Michael so much. He's genuinely sweet and I love that in any situation he's the protective one. He just gives incredibly wholesome vibes, like old libraries and cafes, being the kid who always helps others with homework and will study with you if you ask nicely, but at the same time he is no pushover and he will stand up for others and then himself. He's just a little unhinged, but I wouldn't even call him unhinged, just so protective that he's gonna do whatever it takes to protect someone he loves. I too would never wanna fight Michael, dear god if I had to fight him I would cry /.

And also, he was never out to hurt anyone to begin with. Even though he was involved in some pretty messed up stuff, his goal wasn't to hurt or take his pain out on others, it was just to help his family. It was only after Yuma accidentally triggered him that he snapped, and honestly who can blame him? I'd snap too in his position. Actually now I'm thinking of it, that situation right now hits close to home- my family situation is less than ideal right now and I always feel like I'm going to cry whenever I hear about loving families, so I can only imagine what that poor boy was feeling. But the important part is, he never wanted to hurt anyone. Quattro/Thomas outright found pleasure in hurting others (considering his trauma I'm not surprised, I will acknowledge that even though he is my least favourite arclight brother because he's too much like my sister), and I'm not sure if I fully remember correctly but Quinton/Christopher was apathetic at least (I do not fault him at all he's the eldest and as an eldest child I believe he has all the right to go batshit insane). Michael? Michael remained sweet and caring, and his heart remained good. He was always a good person at heart, even more so than his brothers. Of course, the fact that he always behaved himself is a sign of trauma itself (being the good kid to try bring everyone together vibes are strong from him) but even so there was something so genuine about it, and it seemed he was actually becoming friends with Yuma, had he not been understandably been triggered by remembering what he didn't have.

Either way, Michael is just one of the sweetest characters in Zexal, and one of my favourites overall. He genuinely isn't out to hurt anyone, and if he is it's to protect someone, and he's just so damn cute. Also I firmly believe he fences (mostly because I fence)

[elizabethplaid]

daily notes for Feb 1 and 2, 2024

Got the library keys to LL-K on Thursday. She's opening solo today (Sat, Feb 3rd), as I'm taking February off for mental health.

The 1st was spent revisiting my past-self. The 2nd was starting the new friendship bracelet. Discussion below the cut:

I spent that evening going over some of my old writing and old photos. I talked with my friend about how those stories are like a time capsule - a slice of our psyche, our mindset at the time. I cried as I read an affectionate scene. Not happy or sad tears, just reflective. I was really hurting at the time (senior year of high school, through college).

Reading that paired well with my recent discussions of my behavior at that time. It eased some of my regret and guilt, allowed me to forgive myself a bit more.

----------

As shown in the previous post, I started a new friendship bracelet on Feb 2nd. I like sharing these happy memories with these friends. I had to hide away my Alaska-childhood-self in order to survive adolescence in NC, so letting "her" out again, rejoicing in that past-self, means a lot to me.

That evening, we had another long phone call. Discussed writing techniques, how to develop styles and just get the words out, different work styles. My friend's more advanced in methods than I am, as my stories live in my head more than in text.

We discussed tarot/oracle cards again, revisiting my Grail Oracle spread from Tuesday and seeing the cards he recently drew. On a card he thought symbolized me, I saw a pair of fish with the Pisces sign next to them. I'm like, "You know my cats were born under Pisces, right? They're my fishy-cats." There were also shed deer antlers on that card, which felt like a sign. Both images appeared on other cards in the draw, too. But there were more symbols that didn't speak to either of us.

Both our draws discussed the need/quest for playfulness, amid other themes. I mentioned how I felt drawn to the Hermit card in the past, on the self-reflection in isolation. After all, that's how I lived in recent years, and it was the key to my development/growth/healing.

I like using tarot for reflection. I can analyze the heck out of stuff, but I need a starting point, eg a card or prompt.

========

When I woke up this morning, Feb 3rd, I decided to wear my henna choker right away. Then I added the bell-necklace AND my glasses? This is even more significant than wearing heavy earrings on a public-day! When I'm at home, I rarely wear my glasses, because of the weight on my face. I'm staying home for the next month, so really didn't have to wear my usual jewelry or glasses. The bridge of my nose is starting to hurt a tiny bit, but the necklaces still feel okay.

I plan to work on the bracelet more, maybe try some knitting if I need a break.

Oh, and I forgot to mention that I had painted my nails again before last night's call. I couldn't find my old nail polish remover, and the one tiny jar I found wasn't working, so I just painted over the old chips. It's a neat effect, though it's a little silly on principal. So yeah, more nail polish, more jewelry, even heavy glasses. It feels good. :D

[caranfindel]

Recap/review 14.11: “Damaged Goods”

THEN: Oh, good, we're going to have a Nick episode. I was hoping for that. (NOT.) Michael is trapped in Dean's internal walk-in. Billie has bad news related to that.

NOW: Nick interrogates a demon about another demon named Abraxis. The name sounds a little familiar and I waste a few seconds wondering where I've heard it before, but then I realize it's the demon who killed Nick's family and this has been Nick's entire focus and that's how little I care about Nick and his quest, that I couldn't even bother to remember who he was after. Anyway, he learns that the hunter who last dealt with Abraxis is in Hibbing. Oooh, who else do we know in Hibbing?

Title card!

Dean is packing. Books about angels. Tools. Work gloves. I was a little afraid we were going to ignore last week's horrifying revelation, and Dean would just sit on that information for a while. But he's wearing his Red Shirt of Bad Decisions, so we know the shit is going down tonight! \o/

He leaves the storeroom and kind of looks down the hallway, which is really insignificant the first time you watch this episode, but on rewatch you realize what he's thinking right here, and that he doesn't ever expect to see this hallway again... but I'm getting ahead of myself. He goes into the library, where Sam is quietly studying in the darkness (is that a new shirt? I like it). He ignores it when Sam asks how he's feeling. Dean tells Sam he appreciates that he's trying to help him, and Sam's all, yeah, what else would I do? He asks if Dean wants to join him, and they have this conversation.

Actually, I thought I'd go for a drive, you know, just me and Baby, long stretch of road. And figured I'd make it a two-fer, go see Mom at Donna's cabin.

Yeah, yeah, that sounds great. Be good to see them. Just let me find a stopping point and get packed up.

Actually, I was, uh, I was kind of hoping for some one-on-one time with Mom, if that's cool.

Yeah. Sure, yeah. Whatever you need.

And I thought this conversation was going to break my heart, because Sam clearly does NOT think this trip sounds great, but he's going to go anyway because it's what Dean wants/needs to do, and then Dean rejects that, and Sam's little face is going to do me in. And on rewatch, it kind of seems like Dean is stalling here, like he can't bring himself to leave (but again, I'm getting ahead of myself) AND THEN THIS HAPPENS.

Dean comes around behind Sam and HUGS HIM and says "take care, Sammy" and I'm just WHAAAAT. NO THIS IS NOT RIGHT. THIS IS SUCH A BAD, BAD SIGN, SAM WINCHESTER, AND YOU KNOW IT.

And also, there goes the rest of my heart.

Cut to Mary at the aforementioned cabin, talking to Sam on the phone. She says the cabin's been quiet since Bobby took off for a few days. The old "I need a little space after killing the ghoul version of my dead son" thing. Happens to the best of us. Sam tells her he's worried because Dean's acting so weird, and mentions the hug. Mary says "that's sweet," proving that she doesn't know her sons at all. Really, Mary, you've witnessed ONE hug between them. ONE. Sam points out that they don't hug unless it's "literally the end of the world," which isn't quite true. It would be more accurate to say "unless one of us is dying or just came back from the dead," which is slightly more frequent than the end of the world Either way, Mary assures him that everything will be fine. But as Sam's talking to her, he's walking through the storerooms in the bunker and he sees some books are missing.

(Sidebar: Why are these books kept in the storeroom and not the library? And why are regular tools apparently kept with supernatural paraphernalia? Couldn't that cause problems? What if a MoL novice was sent to Storeroom 2 for a reciprocating saw and he couldn't figure out why a saw would reciprocate or what that would look like and he came back with something he dug out of a curse box instead? I'm seeing all kinds of potential OSHA violations here.)

Now we see Dean enjoying a messy burger. Oh, he's with Donna! I love Dean and Donna, y'all. She tries to ask him about himself, but he keeps deflecting. Which doesn't fool her at all, and she finally says "just wondering if you've run out of ways to ask me how I'm doing, so as to avoid me repaying the favor." She knows about Michael, because of Sam. "What, has he got a freaking newsletter," Dean grumps. But I'm glad to see Sam's been talking to his support system, because in the past, he's not done that as often as he should.

Dean ends the conversation with the typical "I'm fine" nonsense and gives Donna one of those big hugs where he looks absolutely stricken while she can't see him and then plasters on a smile when they pull apart, and you KNOW how I love when he does that. He pulls away and says "I'll see ya." But it's pretty obvious Dean is on his farewell tour and never intends to see Donna again. It's also pretty obvious that Donna can tell something is up.

Dean pulls up to the cabin, which is seriously in need of some work on the roof, and immediately hears gunshots. It turns out to be Mary murdering some pumpkins for target practice. (SHE'S STILL GOT THAT LOCK OF TOO-LONG HAIR.) He tells her he wants to stick around for a couple of days, which surprises her. She suggests they call Sam to join them, but he says he wants to be "a little greedy with my Mom time." No, Dean, that's not suspicious at all. Jesus. (Or, as someone pointed out, Sorry Sam, but Mom was MY gift.)

Mary pushes it, and Dean comes right out and says "I don't want Sam here," and again, Dean, that's not suspicious at all. How is someone who lies professionally such a BAD liar? He explains his mood away by claiming to be hangry, even though he just finished the best burger in all of Minnesota, and tells Mary he wants the one thing she can cook, something called Winchester Surprise. She heads out to the grocery store, and doesn't suggest that the son who drove all this way to see her would want to ride along. Or maybe she does, and he refuses, and they just didn't show us that part. Anyway, the important thing is, Dean's alone and he has work to do.

He gets his bag out of the Impala and strides purposely into a large shed decorated with pictures of topless guys with 70s porn 'staches. The first one reminds me a LOT of Doug 2.0, so I laugh when Dean says "Well, Donna certainly has a type." Yes she does. He finds an 8-track player, of all things, but is interrupted by a sudden burst of Michael banging on his door. The tape he chooses is the Guess Who, and the song is "No Time Left For You," which I've never liked (lots of experience with 70s music here, kiddos) but it seems appropriate. And then he gets to work, and if you thought Sam soldering last week was hot, you're in for a treat. Let's forget our annoyance with the soundtrack and concentrate on how much we appreciate Metalworking!Dean, complete with welding helmet and safety goggles, under the watchful eyes of several shirtless moustachioed cowboys.

Mmmm, yes, we do appreciate it.

(Sidebar: Where did all this metal come from?)

Meanwhile, at the grocery store, we get a fake-out where we think someone threatening is accosting Mary, but it's only a friendly employee. And we also see that Mary puts her grocery bags in the bed of her truck? So not only does she not know how to cook, but she doesn't even know where to PUT FOOD? I.e., IN THE CAB?

He says buying food is new for her, because she usually buys whiskey, pumpkins, and crossword puzzles. Damn, Mary, it really seems like things aren't going well out there at the Love Shack if you're spending all day drinking, shooting pumpkins, and doing crossword puzzles. I'm gonna go ahead and call it - Mobby is doomed. She tells him she has family in town, which I expect to turn into the inevitable oh no, this guy is a demon and now he knows Dean is there.

But I'm exactly wrong. Nick pulls up in the creepiest windowless van possible and asks the guy if he knows where Mary Winchester is. Because why wouldn't he? Why wouldn't Random Grocery Store Guy know where everyone in Hibbing Minnesota, population 16,361, resident or guest, lives? Random Grocery Store Guy pretends he doesn't know who she is. Good for him.

(BTW, the fastest route from Lebanon to Hibbing is about 12.5 hours. But it's all interstate and I suspect either Winchester would take the route that uses more state highways and is 13.5 hours.)

(Sidebar: Yes, when I open Mapquest, Lebanon is always in my Recents. Is that not normal?)

Apparently Nick decides he'll just cruise the greater Hibbing area and try to find her, because we seem him after nightfall driving his creepy van. A police car drives by, and then turns around and pulls him over. He makes sure his stolen angel blade is in place and hides a paperclip somewhere on his person before the officer gets to him. Oooh, it's Donna!

She cuffs him and tells him the van's been reported stolen, but she also reveals she knows he's looking for Mary, and don't like the way she lays all her cards on the table like that. Let him think you're just arresting him for a stolen car, Donna. Don't let him know you're onto his Grand Scheme. He says his name is "Nunya" and then "Eat Me" (oooh, is he related to the Eat Me Sam met a few seasons ago?), but she's got some kind of mobile fingerprint scanner. Does this thing exist? She discovers who he is, but while her back is turned, he uses his paperclip to get out of the cuffs. They fight, and she seems to have the upper hand, but he gets her taser and that's the end of that.

Love Shack. When Mary pulls up, Dean is outside by the door to the Shed of Mysterious Building. He lies about what he's doing out there and carries the groceries inside, to where the table is set and he wants to help her cook (THIS IS NOT OKAY) and she FINALLY realizes something is up. (Also, Dean, we know you're not a terrible cook. Don't lie just to make your mom feel better.) She quietly talks to Sam from upstairs (though not quietly enough, Dean totally would have heard her in the real world) and agrees that something is going on. Sam tells her about the missing items and says he thinks he should come up, but she says to give her more time. WHY, MARY. WHY DO YOU THINK YOU ARE THE PERSON TO ADDRESS THIS AND NOT SAM. WHY DO YOU INSIST ON KEEPING HIM 13.5 HOURS AWAY. WHY. It doesn't matter, because when Sam hangs up, we see he's already on his way. YES. THAT'S MY BOY.

Dinner. Dean tells a funny/tragic story about their childhood and Mary gets a case of The Sads, realizing how much she's missed and "how much the two of you just..." Just everything, Mary. They just EVERYTHING. Together. Without John, without you. AND STILL YOU THINK SAM SHOULD SIT IN THE BUNKER AND LET YOU HANDLE THIS. DAMMIT, MARY.

Anyway. Dean says her being alive has meant "everything to me, and everything to Sam." He claims to appreciate this wonderful time they're having, but he falters when he says "there's no clouds on the horizon." Because it's a LIE. She tells him he can talk to her about whatever he's going through, and he says "Everybody keeps asking me how I am. And how I am, is I don't want to talk about it. Please."

Oh lord, his face.

Later, as he snores gently on the couch, we see Mary tiptoe downstairs and outside, to check out what's happening in the Shed of Mysterious Building. (Sidebar: Dean sleeps with one arm flung behind his back, which I think we first saw in No Escape, and I always thought it was an odd and fake-looking way to sleep until I realized I actually do that sometimes myself.) She looks through the books and things and figures out what he's doing and it must be bad because she says "no, no, no." Meanwhile, Donna is waking up inside her own cruiser. I wonder why Nick left her alive?

Dean wakes up to the sound of a ringing phone. It's not his, it's Mary's. Donna is calling to warn him about Nick. But it's too late, because when Dean goes outside, Mary isn't there. But Sam is. "Hey, whoa, easy!" he says, facing down Dean's gun, and that tickles me for some reason.

Creepy van. Nick whines to Mary. He found email from Mary in Donna's phone, giving the address of the Love Shack. He thinks Mary knows where Abraxis is. She does - the demon is trapped inside an Enochian puzzle box in a storage locker, locately conveniently in or near Hibbing. I don't care about any of this.

At the Love Shack, Sam blames himself for Nick running around like a free madman, because of course he does. Donna's APB gets a result - the creepy van has been spotted outside Grand Rapids. Donna says that's 30-40 minutes away, but Grand Rapids is actually 11.5 hours away from Hibbing. Maybe there's a little town called Grand Rapids near Hibbing. A town so small that Mapquest doesn't even know about it.

(I KNOW. NO ONE CARES. MOVING ON.)

Nick gets the Enochian puzzle box (yeah, this scene goes on FOREVER and I'm skipping a lot here, is anyone complaining? nope didn't think so) and wants to release the demon so they can talk. Mary points out that the demon needs a host to talk, and it can't be Nick and it can't be her, and she flashes an anti-possession tattoo as explanation. So drills the box open and Nick forces the storage locker employee to be the host. Abraxis says he'll tell Nick why they killed his family if he kills Mary slow and bloody.

While this is happening, we see Sam and Dean on that 30 minute/11.5 hour drive to Grand Rapids. Sam looks despondent, and they have this conversation:

Say it. I can see you want to. Might as well go ahead and say it.

All right. Nick is not a project. He's not a freaking puppy. He was Lucifer's vessel for years.

I know that, Dean, I thought -

You thought he'd what, just walk it off? Come on, man, you're not that dumb.

It's not about being dumb, Dean, it's called compassion. Look, what happened to Nick could have happened to me. It almost happened to me. You change one little thing in our past and that WAS me! Lucifer wearing ME to the prom. Besides, since when do we give up on people? Since when do we just cut people loose?

Well, maybe you need to learn, okay? Because when people are past the point of saving, maybe you need to learn to walk away.

Ouch. I hurt for both of them. Poor Sam, seeing himself in Nick and wanting to save that guy the way he wishes someone had wanted to save him. Having faith in Nick's potential the way he wanted someone, anyone, to have faith in his own. And Dean obviously isn't talking about Nick, at least not there at the end, because we've heard it from Dean before, talking about himself. I can't be saved; walk away.

The guys arrive at the storage locker just in time to stop Nick from killing Mary slow and bloody. Nick scratches out the devil's trap that's holding the demon, and Abraxis immediately tosses them around and tells Nick he was chosen completely at random. Damn, Nick is as whiny as Lucifer was. (I wonder who influenced who? Discuss.)

Dean tries to quietly exorcise the demon, but Abraxis flings him against a shelf and we get a flash of skin. But before he can start killing anyone, Nick stabs him with the stolen angel blade. Then Nick acts like he's going to stab the others if they don't let him escape, so Donna shoots him in the leg. Dammit, Donna, this was the perfect opportunity to kill him. He already killed one person, and he was threatening to kill the rest of you. It would have been a clean shoot. Instead, Mary punches the wounded whiny baby and Sam does a wee little version of his glorious post-exertion huff.

Outside, Sam gives Nick a sad, confused look.

Why?

I needed the truth, Sam. I needed revenge for my family. You would have done the same thing.

I'm sorry. I'm sorry I couldn't help you, I'm sorry I didn't know how.

It's not about you, Sam. It was never about you. You couldn't fix me because I didn't want to be fixed. I was never broken.

Yeah, Nick, you are. I don't feel sorry for you, Nick. I feel sorry for the people you hurt, the people you murdered. The people whose faces will haunt you every night for the rest of your life. You can burn.

FUUUUUCK. That's cold as hell and it's not like Sam Winchester at all and I love it to pieces. He's finally given up on this asshole. But it's finally time to move away from the B plot, and Mary tells Dean she saw what he was building in the shed. She knows what he's building, she knows what he's planning, and the three of them ARE going to talk about it. And if he doesn't tell Sam, she will. So, you finally think Sam's input is important, Mary? Good to know.

When the sun rises, we're back at the Shed of Mysterious Building. Dean is showing Sam what he's done. He calls it something like a "maloch box," which I'm sure is spelled wrong. It looks like a giant coffin (yeah, about that...) Nothing can escape it, not even an archangel. Sam knows what they are but says they're impossible to build, and Dean's all, "not so much." And then they have this conversation and I'm sorry (no I'm not), but I had to transcribe the whole thing.

That's your plan? You want to be buried alive?

Buried's not safe enough. Plan is, pay a little hush money, charter a boat to take me out to the Pacific. Splash.

You and Michael, trapped, together, for eternity.

Yeah.

You do realize how insane this is, right?

It's the only sane play I've got. Michael gets out, that's it for this world. And he will get out.

How do you know that for sure?

Because I do. Because I can feel him, in my head. That door is giving. I can feel it giving.

There has to be another way.

There's not, okay? There's... Sam, you've tried. Cas has tried. Jack. And I love you for trying, but none of it's going to work.

But we don't know that!

Yeah, we do.

What?

Billie. She paid me a little visit. She said that there's only one way that this ends right. And this is it. This, right here. This box. So she gave up the special recipe and all I had to do was the work. It's fate.

Since when do we believe in fate?

Now, Sam. Since now.

So, you came out here, to see Donna, to see Mom, on some what, some sick secret farewell tour? You were gonna leave, and you weren't even gonna tell me. Me. Do you realize how messed up that is? How unfair that is?

I didn't have a choice! Sam, you're the last person I could tell, the last person I could be around, cause you're the only one that could have talked me out of it! And I won't be talked out of it. I won't. I'm doing this. Now you can either let me do it alone, or you could help me. But I'm doing this.

...

All right.

Oh, guys.

Well, I've got to admit, Dean's prophesied horrifying death was a letdown. First, because it wasn't even new - it was basically the same fate Death offered him when he had the MoC. Worse, sure. Being locked in a box with an angry archangel rather than floating in space and having some kind of dream life, never a good option. (ASK SAM. HE KNOWS.) But mostly because it didn't live up to his reaction when he first read Billie's book. I was sure (and I wasn't alone) that his tearful reaction meant it was going to involve something horrible for someone he loves (SAM). But this? The Dean we know would have reacted the way he did when Rowena told him he had to "be the bomb" in order to destroy Amara. Yeah, this sucks, but I always knew it was gonna end ugly, so, whaddya gonna do?

(Sidebar: This brings up an interesting question. I know an angel's vessel is immortal, but would Dean still be immortal even though Michael was trapped inside his head? Would the fact that Michael wasn't in the driver's seat stop him from keeping his vessel alive? Or would the angel's grace do that all on its own?)

But oh, guys. This scene. THIS SCENE. These two. Dean saying I love you for trying. Dean at the beginning, chin up, so defiant, so defensive because this is exactly what he was afraid of - telling Sam, and having to stick to his plan. (He's probably remembering the last time Sam talked him out of this very thing, kneeling on the floor in front of him, agreeing to support the plan for Dean to lock himself up with the Mark of Cain forever, looking up at him with the puppy dog eyes and nodding to accept that Dean has to cut his head off in order to prevent him from undoing that act; or maybe he's not actually remembering that but now I am, goddammit guys, I need a minute.) And Sam realizing that last little hug was Dean's last planned goodbye, and being so angry and so hurt, and the way he looks so young there at the end, when he stops and finally says "all right." I know we've seen this before but IT STILL GETS ME. EVERY DAMN TIME.

(Sidebar: Did Dean leave Sam a note? Is it in the bunker somewhere? Because Sam's last conversation with his father was the old man saying I don't know why we always fight, now go away and his last conversation with his brother would have been I want to go visit Mom without you. Discuss. Fanfic it. Come wail with me about it.)

(Also... Dean's farewell tour didn't include Cas? Jack? Jody?)

Well. Happy 40th birthday, Dean Winchester.

Worst. Birthday. Ever.

So, this episode? Too much Nick. Not enough Sam. Things that did not live up to expectations. But also, things that were wonderfully unexpected. I've seen worse, my friends. What did you think? And please help me stay unspoiled, thanks!

[babaleshy]

Something I May Need to Stop Doing...

I'll be venting in this post, but this is about the desire to move out of a desperate want for change right now even though such a move is not meant to be.

On occasion, I go onto zillow's website and check out houses around Pittsburgh out of curiosity just to see what houses are going for what price in what kind of condition. I've noticed something incredibly enticing: there are some houses going for under $100,000 and are technically livable. It's just got flaking/chipping paint, may need new rugs, and other general clean-ups. The only "major" thing I wanna do to any of these houses falling under this criteria is the fact that I feel more comfortable with a tin roof.

These houses that I find are within city limits, most of these houses I've shown an interest in are close to sidewalks. This means if I were to move into one of these houses, then I'd have a chance to properly commute!

Ah, but why exactly am I making this post? What is it that I'm venting about? And what did I mean earlier when I said "not meant to be?"

Back in 2014 (autumn, specifically), my husband and I had to move out of our apartment in downtown Pittsburgh to my parents' farm in Ohio. Two reasons made us do this: one was the skyrocketing rent prices when HUD sold our building, causing rent to go from $539/mo to $720/mo. My husband worked at a casino, and was making $10/hr, so when rent prices went up like mad, we really began to struggle to survive. The other thing was bedbugs. The building manager laughed at our discomfort and said, "What do you expect me to do about it? Where would everyone go for the building to be treated?" Like, you're a shit manager if you haven't come up with those contingency plans.

Paying $720/mo for a bedbug-infested apartment (bedbugs are fucking hard to get rid of) and living in a constant state of itchy breakout made us decide it was time to move in with my parents. Because we literally could not afford to live anywhere else, and our student loan debt fucked up our credit scores, so we couldn't even get a house (and we were looking for one at the time!).

We used to think living on this farm was temporary until reality set in, that there is absolutely no possible way for us to make it on our own now. My husband has ADHD and anxiety and is still struggling to practice to get his driver's license (it's hard when my dad is a major source of my husband's stress; my dad's an asshole and gets worse by the year), and I'm Autistic, so I can't hold down a regular job, and nothing else is hiring.

In terms of getting a job for me at all, either I'd have to go to school for my special interest for the job (ecology, entomology, and/or paleontology) or I'd rather work in a library.

Welp, college is far too expensive for me to pay out of pocket, and my already existing student loan debt is barring me from getting any sort of financial aid to go back to school at all. As far as the library is concerned? Remember when I said my husband is currently struggling to practice for his license? (He doesn't get much practice because my dad is a stressful asshole that makes my husband have a horrible headache and anxiety after he drives). We have 2 vehicles, one my mom uses to get to work, and the other my dad uses to take my husband to work as well as do errands in like grocery shopping and shit like that.

I can't get a ride.

Can't ride a bicycle, either. It's definitely not safe (I live in America, if you couldn't tell). My parents' farm is deep within one of the back roads with one of the properties on this road being an oil rig. The oil workers drive like assholes, not caring what animal they hit, speeding through here. There are dirtbikes and four-wheelers that speed through here, too. There's no room for 2 vehicles to pass one another, and nothing but pure fucking hill the moment you step off the side of the road. I literally cannot bike here.

But let's pretend I got onto one of the main roads on either end of our road. It's even worse! And STILL no room for bicyclists! This goes for fucking miles until you reach a residential area! Except for a nearby little village-town that has the closest library branch. It's the village my husband grew up in, but there's a lot of sketchy turns, corners, and again, no room for bicycles. This includes main roads.

With all this in mind, I actually considered the possibility of moving to that village, because the village itself is actually safe enough to bike ride in. The problem is: I'm not guaranteed to get a job at the library at all. I tried getting a job as a library clerk at the Carnegie Library in Pittsburgh, got interviewed and everything, and didn't get the job for whatever reason. In fact, I'm not guaranteed a job at all at any library branch, regardless of the neighborhood. So moving to such an area depending on the chance of being hired there is not worth it.

Such a village is actually rather unfriendly, and that goes for a lot of communities here on this side of Ohio. You'd think this was one of the southern states from its people and what flags they fly.

So why not Pittsburgh? Why not move there if we could?

Well, I thought about it. It has all the perks I could expect such as public transportation, somewhat safer bicycling areas to commute to school and work, and more importantly: THINGS TO DO.

Living in the middle of nowhere blows when you want to, on your own without relying on someone to drive you, go and do something, such as buying fabric or art supplies for future projects, or going to the library, or anything, really! Yeah, I do want to garden, but I don't have the means to do that on a damn farm (long, frustrating story that made me stop believing my parents' promises).

Not to mention, I still have friends in Pittsburgh, If I wanna see them, they don't have to drive an hour and 45 minutes (and that's if they have a car) to visit. I got 2 friends here in the area, and they're busy with their work's demanding schedules. When we do hang out, Cards Against Humanity, Uno, and D&D can only do so much until it gets old and boring and you wanna do something else that isn't hanging out at a dead mall. There is truly nothing to do here. Pittsburgh has the museums, libraries, parks, and far more interesting establishments to lurk in.

So again: why not Pittsburgh?

Because that city has changed and is still changing compared to when I was last there. My regular watering hole (The Beehive) is no more. There are neighborhoods being gentrified (meaning I'm not guaranteed to keep my home even if I pay it off). Businesses are closing, meaning people will be losing their jobs, and some of the other places hiring (like libraries) are not guaranteed to hire me, especially when I haven't had a job since 2010.

There's also my cat to consider; she gets stressed at the sound of a lawn-mower (I don't blame her). She wouldn't be able to handle the sounds of the city. Unless we found a place not too close to downtown, such a move is a no-go.

I've daydreamed about living in Pittsburgh again. I'm homesick for Pittsburgh. I've realized only recently that that city was my home. Not this farm, not even the house I grew up in. I felt like a person who didn't have to rely on people for rides and such. It's the only place where I've truly lived on my own and enjoyed it.

I've actually considered moving out of this country and found that even more impossible. No matter which country you pick, no matter what language you learn, not only do you have to pay for your things to be shipped, for your plane ticket for a one-way trip, or whatever you need to become a citizen there, you still have to pay at least $2,000 to revoke your American citizenship or else you will be forced to pay American taxes despite never setting foot on American soil ever again.

Thanks to capitalism, America has made it fucking impossible for the average person to leave for good. If you are born here, you are financially enslaved here unless you're wealthy enough to leave.

So... What's the plan?

Well, for now: not much. The pandemic has set plans back a bit, but my parents have a lien on the house thanks to my private student loans my mom was bullied and forced into co-signing for. She... I guess?... is almost done paying them off? I don't know. My parents don't like communicating need-to-know info with me and then get mad when I don't absorb it through osmosis. Once the lien is taken off the house, mom wants to move north to be near her sister, and she said she'll try finding a farm for sale near Kent State so it'll be an easier commute (be it by bicycle or by car). My intention is to enroll there to be able to get a job as an ecologist (focus in entomology, specializing in arachnology) with a minor in paleontology.

Once I've gotten that all taken care of (as well as my husband going back to school for what he wants), we move to the pacific northwest, mainly just north of Seattle somewhere.

I hate Ohio. I hate running into people I've gone to school with that I try to avoid (more like I see them, but they don't recognize me? At least I hope not?). I hate this place so much. I hate this climate, being near people I don't want just randomly showing the fuck up. And what's the use of living near family when they don't want to bother visiting you? I hate hearing my mom tell me so-and-so that I obviously want nothing to do with told her to tell me they said hi. I'm tired of fearing I'll run into someone that abused me in the past because now they're back in the fucking area again apparently.

I've got my fingers crossed that something is gonna give and college to some level (community college?) will be free for residents or something. It'll give me a chance to go back to school for something close to what I wanna do so I can maybe get a job? Completing something at a community college would at least make it easier for me to get enrolled at a university.

My husband and I picked Seattle (or close to Seattle) for its climate. It's (usually) not blistering hot every goddamn year, and it's not horribly cold thanks to the mountain range (I'm quite cold-intolerant). We both enjoy overcast weather and rain. We'd rather take our chances with volcanoes than earthquakes or hurricanes in areas where these things are guaranteed to happen yet nobody ruling these areas wants to invest in infrastructure that helps stand a chance against them. Seattle also has a nice combination of city and wilderness side-by-side. Not much of that with Pittsburgh.

If I was forced to only move to Pittsburgh and no other city, I wouldn't mind, especially since I'm more familiar with Pittsburgh than I am with anything in my current local area (because I had to travel on foot instead of relying on a car to get to places!). Fuck, my mom wouldn't even let me do anything by myself out of the yard when we lived in the village I grew up in because she was a paranoid fuck and by the time I JUST STARTED gaining independence for having a bike and bicycling to the post office everyday, we moved to this farm.

Oh, this isn't a roof over my head I should be thankful for. My parents got screwed. Our water is full of iron and calcium that no filter can fix, so we constantly have plumbing problems, the post and internet connections are questionable at best, we get ant infestations from 2 species EVERY YEAR, all for a farm my mom wanted for horses she always wanted and eventually got but has little next to no energy to spend the time she wants with them and she refuses to admit her age has a lot to do with it on top of her working so she sits in the living room on THREE DIFFERENT DEVICES sucking up bandwidth to religiously watch every fucking livestream of a country singer she likes (and complains if she's missing it for any reason!), scroll through Facebook, and play a fucking shitty app game!

Our internet out here? The physical equipment is outdated (copper wires instead of fiber-optic cables) because the fucking company doesn't wanna spend the money to upgrade it.

So instead, we're stuck here, with my husband losing his sanity bit by bit by the day at his shitty retail job (every other available job offering would be worse in this area) and I sit here and hope that maybe, JUST MAYBE, I could start gardening soon.

I miss Pittsburgh. I really do. But despite all of its benefits it would give me and my husband if we moved back, I don't think it will happen.

In the off-chance that we don't move north, that my dad's assholery intensifies and he decides to remain here (he has to legally agree to sell this house in order for my mom to move north; dad's reasons keep fucking changing), Pittsburgh is a nice back-up plan. Pitt University actually has the major I'd want to go back to school for, as well as what my husband wants to go back to school for, and we'd already be familiar with the city and what to expect of it. However, we're aiming higher, and hoping to move to the pacific northwest, instead.

But I think to avoid losing my sanity, I should stop daydreaming about a future that may never be.

Fingers crossed!