#also have character postcards!

[sandflakedraws]

continuing thoughts from This Dream AU

re : why it might have taken the gang a while to find Bruce & Floyd

how about i erase just a little bit of the plot convenience from TBT

what if, bruce's postcard didn't survive unscathed, and they had to go off of john dory's foggy memory of the thing.

so like. they're stumbling their way through a bunch of could-be-heres before they hit on the correct one.

and what if, the Vacay Resort section was legit hard to find.

like, the entire island chain is still at Vacaytioner scale, right? so even if the search party's idea to eventually look there was right, it could still take a long time to navigate thru the tropical jungle on any individual island, let alone many of them.

.... aaaaand what if i drew way too much for a potential reunion anyways because i'm a sap

[aurorangen]

The following day, Bryce decided to go boxing at the gym with Robbie and release all the pent up frustration at his former company. He didn't expect to meet his good old friend Leif Pollock there!

[asinglesock]

send help. it's supposed to be 91 degrees tomorrow. on my day off :(

[moinsbienquekaworu]

RAM MY BELOVED hello hi happy Valentines (if you celebrate) hi

I just drove home while listening to my tomarry playlist and i need to tell you, i love themb so much and this song (Carnivore by Bear Attack! If the link doesnt work) is such a themb song and omg. I need to go reread love is touching souls. I need to finish typesetting it. I need to stop procrastinating buying printing materials and just bind it into a physical book. Themb.

But also, i was thinking about this fic thats currently sitting partially done in my google docs, thats endgame tomarry but currently drarry. And basic context: Harry becomes the DADA prof after a few years of being a failure of an auror and he and Ginny just finalized their divorce (nothing was Wrong Per Se, Ginny just realised shes a lesbian), and Hermione sets him up with Draco but theyre not really Great together theyre more just meh as a couple, but then Harry accidentally time travels back to 1945 (give ir take a few years) and teaches DADA during Tom's seventh year, and they get together and Harry knits Tom a Weasley sweater and etc etc etc BUT i couldnt figure out how to get them both back to The Present Day while not breaking up Harry and Draco BUT BUT BUT i realized i can just make it hella poly and itd still be cute!

Im telling you all of this as the person who got me into tomarry plus the first person i thought of when i put this playlist on, i hope this hinged-ness finds you well i love you <3

Love the idea of introducing someone else to the Tomarry relationship because we've all seen Tom and how he feels about sharing. Like I feel like any work with Tomarry + another character is like, 40% getting Tomarry together (all the Hurdles and Problems and such with those two) and then 60% Harry slowly making Tom stop hissing at whoever else because he has to share Harry with them and that's his soulmate. Yes even if he likes them too he's just Like That. He's so very not suited to polyamory, it would be extremely entertaining reading a fic trying to make it work.

I remember reading a fic back in Ye Olden Days that was a Drarry snippet with Severus looking in from the outside wishing he could be with Harry but Knowing Deep in his Soul that he was Wrong for him. I'd link it but I'm like 90% sure it was in french and I don't want to go looking through FFnet for it right now haha. Drarry just made me think of it. Oh and there was One good Drarry fic I loved, still in french, by and author who wrote banger after banger (all in french, yeah) on FFnet that introduced baby me to Supermassive Black Hole and the fact that you don't put two condoms on. It's Nothing Else Matters by Rose Malefoy if you want to look at the page and not understand the text haha (yes Malefoy with an e that's how it's spelt in french) Oh and my first Snarry was amnesiac Harry who was with Severus and forgets it so he gets into a relationship with Draco but then remembers and leaves him I think? It's been a while. I used to be into Drarry more but it's been years since I read some, since I discovered Snarry and all.

I think we should combine our poly Tomarry AUs to inflict the maximum amount of Situations on theses guys. Like throw in Draco throw in Severus and then let them take years and a lot of therapy to disentangle that mess and make a working polycule out of it. A bit like when you plop Sims in a house with full autonomy and wait for them to do something cool like starving themselves or making out with their brother's wife, except here I hope they'd figure it out and get a good ending at some point. Anyway.

Oh and in Tomarry news if you haven't tackled Draw me after you (let us run) by Toastranger you should go for it because now after about 200k words and 44 chapters Things have been Happening 👀 (I'm not subtle, they finally kissed is what happened) extremely fun fic, highly recommend once again. That said it is a time investment because I love long works

Your song rec is actually making me realise I don't have Tomarry songs? I have Obikin songs I have plenty of Snarry songs I have Johnlock songs and Kylux songs but nothing for these two. Ah well. I mean I guess The bog in the valley by the Irish Rovers is kind of a Harrymort song because it's a part of Dark Livestream but that's not very Tomarry specific. OH WAIT NO I do!! In the Daylight Again by Duplicity is named after a line from Salt and the Sea by the Lumineers so. One (1) Tomarry song. Good fic too, I can't make myself rereading it because it hurts my feelings :(( but it's really good

Cool song you got though! I've added it to my current playlist, love finding songs through other people and associating them to random stuff like that.

Anyway love you hope you have a good evening come back whenever you want <3

[gongenzaka]

Haven’t heard any news about Amakuni figures for Yuya and/or Yuzu. I think the Yuma figure is still preorder? So I’m hopeful it’ll happen.

[wolfythewitch]

Sorry if this is an odd question but I am also a Christian and I personally could never draw Jesus the way you do (as a Hades character, with minecraft sheep, etc) cause I personally would see that as disrespectful.

I do not mean offense by this and I genuinely don't know how to better word this question, but why are you okay with portraying Jesus this way?

Again, I don't mean any harm, I am just genuinely super duper curious

I don't really see anything inherently disrespectful about drawing Jesus in the hades art style, since it's an art style I really like. Most people who draw characters in the art style don't do it with the intent to fully integrate him into the hades canon/lore (though christianity and the hellenistic world do have very interesting ties, but that's a discussion for someone more well versed in that) and jesus with a minecraft sheep doesn't really incite any negative connotations either. It's a minecraft sheep. Because I used to come from mcyt and minecraft is still one of my favorite games.

Not fully sure what you mean by portraying him that way since the only link I guess is the more light hearted tone, and the video games inspos? Which I personally think is fine. His imagery is more normalized where I'm from so that might be why. I constantly see Jesus painted on jeeps next to marvel heroes and lebron, I see Jesus on a little postcard in a tricycle, I see him on murals painted on walls outside, he's on a cross in every classroom I enter. I guess where I'm from seeing him everywhere is just another form of worship. He's familiar to me. That's my friend Jesus Christ

[nataliescatorccioapologist]

Each Yellowjackets character’s role in the wilderness and how these roles overlap into the adult timeline

Natalie - The Hunter

Nat’s role as The Hunter aligns with her independent spirit and her familiarity with hardship, stemming from her difficult childhood. Natalie’s hunting skills give her a sense of purpose and power that she never experienced before. Living under her father’s thumb for most of her childhood, she was repeatedly told she was useless and was forced to comply with her father’s abusive control and humiliation of her. At school, she was frequently slut-shamed and referred to as a “burnout,” reinforcing her sense of worthlessness and lack of direction. Wielding the gun gives her power, protection, motivation, and appreciation from others that she never received before. Nat’s ability to provide for the group and keep them alive proves her father’s words about her wrong, and you can see her relishing in that.

Nat’s role as The Hunter also reflects her propensity for isolation. Nat has always been a bit of an outsider, trusting very few people and outcasting herself intentionally through the abrasive front she puts on. Nat’s hunting mirrors this as it isolates her from the rest of the group. She spends most of each day trekking through the wilderness looking for game while the rest of the group stays back at the cabin. This isolation creates an even stronger codependency with Travis, as he is the only person she interacts with and relies on for most of the day.

As an adult, Natalie still embodies The Hunter role, though her objectives have transformed from hunting for food to hunting for answers, truth, and meaning in her life. She relentlessly pursues elusive leads on the postcards, the blackmailers, and the circumstances of Travis’ death (all with a gun in her hand). Her role as a hunter ties into her need for control in the midst of chaos. In the wilderness, her hunting skills provided a measure of stability; as an adult, this manifests in her obsessive pursuit of answers and in her determination to confront the past head-on

Natalie also maintains the isolation and outsider status she had in the wilderness. Just as she was apart from the other girls in the wilderness, hunting alone, her adulthood is marked by pushing people away before they can get close to her and living a transient lifestyle similar to her treks through the woods on hunting trips.

Shauna - The Butcher

Shauna’s willingness to step into arguably the most emotionally taxing and gruesome role in the wilderness speaks to both her toughness and her aggressive, adrenaline-seeking tendencies. Shauna’s role as The Butcher gives her a sense of importance, contrasting how invisible she felt before the crash living in Jackie’s shadow. It also evokes a sense of intensity, thrill, and heightened emotions; something very absent from the mundanity of her life before and after the wilderness.

Shauna’s capacity to take on such a role reveals her ability to detach and perform the task with a cool-headedness that hints at a unique adaptability. However, it also hints at something deeper, a capability for darkness and violence that she suppresses. She doesn't panic under pressure but rather appears oddly at home in these extreme moments.

Like the others, this role follows Shauna into the adult timeline. In a more obvious sense, she kills rabbits in her backyard and butchers them to feed to her family, and she cuts up Adam’s body after she murders him. But in a more subtle sense, Shauna is clearly still seeking the adrenaline that butchering in the wilderness provided her. She enters a risky affair with Adam, jumps off of bridges, sleeps with Adam in her home when Jeff could come in at any moment, tracks down the people who stole her minivan and clearly has to hold herself back from killing them, and she stabs Adam. Her (terrifying) monologue to the minivan thief about peeling human skin shows the rush that Shauna gets from these moments that remind her of the raw survival instincts she experienced in the wilderness.

Just as she was sick of being invisible behind Jackie as a teen, she is sick of the normalcy of being a suburban mom as an adult and craves what she had in the wilderness. In many ways, Shauna’s life is shaped by a tension between her past and present, where The Butcher’s ferocity lurks beneath her gentle, unassuming exterior. Her role in the wilderness forever alters her ability to experience life without craving intensity; it’s almost as if the ordinary doesn’t fulfill her, leaving her compelled to seek out higher stakes and indulge in morally dubious behavior.

Misty - The Caretaker

Misty’s role as a medic in the wilderness is an obvious sign of her need for validation and worship from others. Misty needs to be needed, and she manifests this by making people rely on her to survive in the wilderness. Her medical knowledge grants her the role of The Caretaker, a role that is especially important in the aftermath of an injurious plane crash and during Shauna’s pregnancy. Before the plane crash, Misty was ridiculed and ignored. But after the crash, she realizes she’s in a situation where the unique skills she was previously mocked and outcasted for are suddenly indispensable and praised. Misty delights in the fact that the group relies on her, and she ensures they will continue to value her by breaking the flight recorder, tripping and poisoning Coach Ben, and emphasizing her ability to deliver Shauna’s baby when the time comes. Her desire for power over others stems from a deep insecurity, and she will do anything to maintain this power.

As an adult, Misty still holds her role as The Caretaker. She works as a nurse for the elderly, a position that allows her to remain needed and in control over vulnerable people. We see Misty looking far too satisfied when she withholds pain medications from one of her patients after she disrespects Misty. We also see Misty relishing in her control over Jessica Roberts after she kidnaps her. She makes Jessica need by literally keeping her captive and at her mercy, chaining her to a bed and caring for her. In these scenes, she thrives on her (forced) emotional connection to Jessica.

Her obsessive need to be valued is also seen in her relationship with Nat. She desperately wants Nat to admit she needs her help and support. She goes to great lengths to make Nat rely on her (tampering with Nat’s car so she has to hitch a ride with Misty, spying on her so that she can leap into action and rescue her when needed, snorting Nat’s coke before she can, investigating Nat’s disappearance and infiltrating Lottie’s compound to “save” her).

Similar to Nat and Shauna, Misty is attempting to recreate the feelings of importance and purpose she had in the wilderness, and she does so by obsessively providing care to those around her, even if they don’t want it and even if it eventually ends up harming the very people she’s attempting to help.

Lottie - The Prophet

Lottie's role as The Prophet reveals her complex and often contradictory psyche. She’s modest but confident, empathetic but manipulative, gentle but dangerous, afraid of her power but also inclined to wield it. Lottie is trapped in her own mental health struggles and the pressure of others’ expectations. She is highly intuitive, both emotionally and psychologically, and her visions and interpretations suggest she has an acute awareness of others’ fears and needs, even if filtered through her delusions. This makes her a natural figure for people to gravitate toward in times of uncertainty. Her peers’ reliance on her prophecies builds her confidence and identity as a leader, though it also places her in a role where she becomes responsible for the group’s downward spiral. Her authority in the wilderness often vacillates between comforting her teammates and manipulating them, blurring her true intentions and leaving room for her power to turn darker.

Lottie’s role as The Prophet remains with her long after the rescue. We see her spiritually guiding other patients during her time in the psychiatric ward. And after she gets out of the hospital, we know that she eventually starts a full-on cult (wellness community). The wellness center is a modern extension of the community she led in the woods, blending healing practices with a lingering undercurrent of fear and control as she continues to influence others while grappling with the guilt of the disastrous consequences her influence has caused in the past. When the rest of the survivors arrive at the compound, Lottie slips right back into that familiar Prophet role. Within the span of a few hours, Lottie has the group engaging in her spiritual treatments and making a ritualistic sacrifice to the Wilderness. It remains unclear whether Lottie's prophetic abilities are rooted in genuine intuition, trauma-induced delusions, or supernatural forces, but her impact on those around her is still as powerful and dangerous as it was in the wilderness.

Travis - The Gatherer/Follower

Travis’s role is often more supportive, as he frequently follows Natalie’s lead in hunting and survival tasks and Lottie’s lead regarding spiritual beliefs and the welfare of the group. He’s not the one holding the gun on most hunting trips, but he’ll be the one behind Nat coaching her through it and reminding her to breathe. He’s devoted to Lottie’s leadership and contributes to her prayer circles in his own small ways. This role reflects his position in the group as someone searching for acceptance and stability, still grappling with the trauma of his father’s death. His willingness to contribute in more secondary ways showcases his loyalty and his struggle to find his own identity amidst the group’s chaos.

We don’t get to see a lot of adult Travis, but echoes of his role in the wilderness are still evident. He desperately seeks out Lottie’s guidance and direction, even though it leads to his death. He also continues to fall into his old patterns with Nat, following her around and supporting her through her addiction, making her promise not to commit suicide, and saving her life when she overdoses.

Van - The Storyteller

Even before the crash, Van is a cinephile and pop culture obsessive. Her proclivity towards fiction and narratives translates to the wilderness as she becomes the group’s storyteller. During Tai’s expedition, she lightens the group’s mood with her iconic “our girl Sandy” retelling. She recaps Wiskayok High's gossip during the attic seance. In a darker moment, she begins to tell the story of the cabin and the Wilderness after the group eats Javi. Van's storytelling is her way of coping with the dark reality she has been presented with, as well as making sense of her trauma through the narrative format she is comfortable with. She begins by retelling the fictional stories she loved before the crash, and then shifts to fictionalizing the world she is actually living in. Van's stories and her happy-go-lucky, humorous demeanor serve as a distraction from the traumas of the wilderness for both the group and herself.

Van’s storytelling role continues after she is rescued from the wilderness as she opens her own video store, collecting stories and sharing them with her customers. She becomes a curator of nostalgia. Van is obsessed with the pop culture of the past, which shows her strong connection to stories and narratives, albeit in a way that allows her to maintain distance from her own. As an adult, Van appears to cope by living in the past, immersing herself in a realm of curated stories that are not her own, which speaks to her avoidance of the unresolved trauma of the wilderness. Her humor, a key part of her storytelling as a teenager, becomes a defense mechanism, masking her pain and reluctance to fully engage with what she did in the wilderness.

Taissa - The Protector/Warrior

Taissa's strength and endurance cast her in the role of The Warrior and Protector. She is ambitious, decisive, and often takes charge when the group needs direction. She leads the charge on leaving the crash site and hiking to the lake, a decision which likely ended up saving many of their lives. Tai is also the first to decide to seek out civilization, forming an expedition to find help for the rest of the group. When Van is gravely injured, Tai risks her own life to stay behind and care for her, refusing to leave her side. Similarly, when Shauna goes into labor during a blizzard, Tai supports her, physically and emotionally, leading them back to safety. Beneath her tough exterior lies a deep well of care and selflessness; Tai will go to great lengths to protect the people she loves.

However, her role also highlights her internal conflict and her propensity for self-destruction as she wrestles with a dual nature that makes her both a protector and a potential threat to the group. The dark side of Tai goes against everything she stands for; it puts Van and other members of the group in danger, and it presents a complete lack of control that she is unaccustomed to. The wilderness brings out her survival instincts but also forces her to confront her more dangerous side.

As an adult, Taissa is still a fierce, protective force for her family and the remaining survivors. She pays for Nat’s multiple stints in rehab, chases down and fully tackles the blackmailer, helps Shauna cover up Adam's murder to save her from incarceration, and runs a cutthroat political campaign hoping to create change. Her pursuit of becoming a state senator symbolizes her fight to protect and improve her community. This can be seen as an extension of her drive to ensure survival in the wilderness—fighting for stability, control, and order in a chaotic world. Her willingness to do whatever it takes to succeed, even resorting to morally gray actions (e.g., sabotaging her own family to protect her political image), reflects her wilderness-era ruthlessness. When the “Other Tai” emerges again, Taissa is determined to protect her family by distancing herself from them. The Other Tai’s actions can be seen as an extreme form of her protectiveness, as well, as she kills Biscuit as a sacrifice to the Wilderness to ensure her and her family's safety and power.

[kairamuwu]

!!! yippee I can post the postcard of Gems base that I did for @hermitpostzine finally!!

preorders for the postcards are available here!! Any profits go to gamers outreach so you should totally check it out if you can!!

I also made a Gem stamp to go with it where I tried to mesh my own style with the character art from Dredge!!

... I have now discovered that the polyline lasso is very fun to use...

[catzncoffee]

A little FiddleStan AU I cooked up, more information about the AU below the cut!

I'll probably post a few more characters from this AU later!

Aren't they just the cutest couple? (* ´ ▽ ` *)

BADEND FiddleStan Au

> Welcome to BLIND EYE CO. : Unsee It All!

-To Start us off, Ford sends his postcard over to Stanley a lá Canon, and Stanley immediately drops everything to rush up to Gravity Falls all the way from New Mexico, spending his last dime on gas and driving with as little breaks as possible. At this point in time, Fiddleford has left Stanford and is actively going through a divorce and the process of loosing his mind via mind gun overexposure. Stanford is not doing well, paranoid and extremely sleep deprived, watching for Bill in any eye sockets or triangles that flash in the corner of his eyes. None of them are doing well to sum it up.

- Stanley arrives fresh off a no breaks drive to meet with his estranged brother of 10 years, and while not exactly expecting a warm welcome, a crossbow pointed at his head and a flashlight shone in his eyes certainly didn't help set the tone of the meeting. Or help the spinning in his head. Or the Nausea. Frankly he only caught the tail end of Fords very concerning speech, but at least he knew to follow him down the stairs.

-naturally things devolve from there, Ford demanding Stanley take his research and flee while Stanley grapples with the fact that it's all Ford wanted of him. Spiraling into a physical fight once old grudges are dug up from their graves. A Fight that brands Stanley with a symbol he can't even understand, turning something on he didn't even know the danger of. A singular shove that absolutely wrecked Stanley's world, and the last words "Do Something Stanley!" Haunting the room as the portal that his brother built ate him and imploded.

- Fiddleford notices the gravitational anomalies and panics, going into hiding but terrified for Fords safety against his better judgment.

- Stanley spends the next week desperately trying to peice together both the portal and the journals contents, and his mental health takes an even steeper decline. He sits in the same lab going over whatever books he can find and that stupid journal over and over and over until he works on the portal till the next injury or road block, surviving off of whatever canned food both he and Ford combined had left

- Enter Fiddleford, who couldn't bear not to check on Ford after the gravitational anomalies and continued radio silence. Just a confirmation that he wasn't dead, Fiddleford told himself. Nothing more. Stanford deserved no more from him, after all Fiddleford had given. Just a quick safety check in for the sake of an old friend. A knock on the door, however, brought a slow shuffle towards it and opened to reveal a very tired, very devastated..... not Ford? But also Ford? At least he certainly looked like Ford. But Ford had less muscle mass last time Fiddleford saw him. Less hair too, because Stanford? Have a mullet? What sealed it was the normal, five fingered hands that the Not-Ford rubbed his eyes with when Fiddleford demanded, as politely as possible, to know who he was and where Stanford went.

- Fiddleford is invited in and the two sit on a couch Not-Ford cleared off in this waste zone of a house and explains that his name is Stanley, and he's the estranged brother of Ford. Who also happens to be his identical twin. Ford had called him up to help him by taking his stupid journal and running, the two got in a fight, and Ford got sucked in. Fiddleford felt cold panic settle in his gut, thoughts scattered and memories of what was on the other side coming back in nauseating waves, lapping at his consciousness.

- At first Stanely succeeds in getting Fiddleford to help him with the portal, and he's extatic while Fiddleford is decidedly not. However much to Fiddlefords surprise, he isn't forced into the basement, or working on that devil machine, or even couped up in the study to work nonstop. Instead, Stanley gives him a notebook and pen, and gives a description or photo of the exact thing he needs help with, explains to the best of his, admittedly limited, knowledge what the problem is, and has Fiddleford help. Then, Stanley thanks him profusely and dissapears by himself down to the depths of the lab, laving Fiddleford with the glow of the TV and a warm drink.

And it confuses him.

Greatly.

Because there were very few times Ford mention having a twin; Fiddleford could count them on one hand. But Ford had been angry most of those times, other than the one or two when crying and drunk, saying that Stanley had been 'ruled by emotion' and was 'brash with no tact'. But where Ford had been accusatory and sharp, Stanley had been understanding and toned down. There had been very few times over the last few days Stanley had raised his voice, and it was more out of frustration or picking at a touchy subject than anything. And more than that was the way he would shrink just a bit and apologize with enough self loathing that Fiddleford could taste it, sticky and bitter in the back of his throat. Stanford ignored everything when in a project. Stanley only seemed to ignore himself. Stanley was nothing like Stanford had been, and Fiddleford found himself craving those differences more and more, craving more time spent with Stanley, more conversation, more memories, just more Stanley. A pleasant but confusing change, especially when Stanley's features where so similar to Fords.

- Fiddleford would blame the fact that he didn't notice Stanley's condition until much later into staying back at Fords place on the way his mind was still shifting itself into something usable again, however once he noticed he would never stop cursing himself for how he didn't before. Stanley had collapsed in the kitchen, and it had taken nearly all of Fiddlefords mental power to drag the information on his injuries out of Stanley so he could treat them. The poor man had been walking around with that nasty burn treated the best Stanley could, but improperly the whole time, and infection had begun to set in like a bastard. That wasn't even beginning to speak of the malnutrition, dehydration and multiple other bruises and cuts, some yellowed, faded, crusted over, some fresh, purpled and bloodied all on too pale skin. Scars told of a life that was harder than Fiddleford had ever originally thought to think of, questions popping in his mind as he treated the increasingly more worrying Stanley.

And in this Time, Fiddleford was alone with his thoughts.

Fiddleford was here. Again. In Fords house, trying to save him from himself. Again. And frankly he was tired. He'd pushed past his family in favor of Fords shiny promises and stayed far past when he should have, gave more of his knowledge, more of his friendship, hell, more of his heart than he'd ever thought possible. And Ford still always wanted, Needed, more. Fiddleford had felt all that rage for himself and his life over and over, but feeling it for someone else was new. Yet here he was.

Here Stanley was.

Because really, what kind of man gets a call from a man he hasn't seen in 10 years, basically a stranger, one who never talks about him, and drops absolutely everything to help them? New Mexico was a 20 hour drive from Gravity Falls, and Stanley had driven that with the absolute last of his money, no sleep, just driving. Only for Ford to completely dismiss him for the survival of his research over the world. Fiddleford had no idea what Stanley supposedly 'did' when they were younger, like Stanford had vaguely mentioned and Stanely kept saying in a heartbreakingly familiar tone dripping with guilt and self hatred, but Fiddleford could tell from a mile away it was bullshit. Stanford had no reason to hate Stanley so badly. Stanley had no reason he should have helped Ford after God knows what he went through, but he did anyways. Ford? Fiddleford would bet the last of his sanity just to say that Ford wouldn't return the favour. He never had before.

- Fiddleford spirals deeper and deeper as he treats a heavily feverish Stanley, his hatred for Ford growing into a tangible thing the more he thought. And oh, how much simpler this would have all been if he'd simply met Stanley first. Rougher around the edges but kinder. Sweeter. God the way he was so gentle with Fiddleford even though he had no reason to be. The way he'd taken the existence of the memory gun in stride and stated he'd be here if Fiddleford needed support with it. It would be so much easier if Stanley just agreed to shut the portal down forever. Then they could just live. Together, of course, Fiddleford didn't think he could live without Stanley's gruff support now that he'd had it, but just. Simply live. Without the threat of the world, or demons, or weirdness over top of them.

Without the threat of Ford.

Oh how tempting it was, Fiddleford thought, in the days were Stanley was becoming more lucid while still soft and warm due to his sickness, to just simply erase Ford from Stanley's mind. But that would leave too much of a gap, and as he regains his mind bit by bit, Fiddleford begins to come to the conclusion that the memory gun needed a bit of work, yes, but as long as it wasn't over used then it's intended purpose would be served. Over using included, however, memories that were too big to simply pluck out completely. Its where he'd went wrong with his own treatment, and like hell he would leave Stanley to deal with the consequences of that.

Then, in the last few days where Stanley was beginning to move about in small increments as he shook away the last clawing hands of illness away, Fiddleford realized it. He didn't need to erase Ford completely from Stanley's mind.

Fiddleford just had to erase Stanley's love for Ford.

- So, he was patient. Fiddleford waited until Stanley was well, until he walked with full strength and his laugh was full again, until he was sure that the grown affection Stanley had for him after his illness allowed him close enough.

Fiddleford even made sure his memory gun was freshly updated and tuned to the most perfect he'd ever gotten it, making sure the shot would be clean and accurate for his Stanley's sake. Only the best for that man from now on, Fiddleford swore it.

Then he waited until he'd made sure Stanley was relaxed. Had gone out for the day and convinced him to go out to Greasys with Fiddleford. Had taken Stanley for a walk through the woods and laughed as his eyes sparked in excitement even as he cussed out a gnome. Had curled up together, warm and safe on the couch, watching movies and drinking a couple beers. Fiddleford even managed to persuade Stanley away from another long night in the portal room, asking him to stay to sleep for Fiddlefords sake, which Stanley relented to nearly immediately. It was all just such a perfect day. It all just confirmed to Fiddleford that he was absolutely doing the right thing. He'd be happier. Stanley would be happier. And Ford could stay having his horrific adventures on the other side, just like he had seemed to want so badly.

In the dead quiet of that night, Fiddleford pulled the memory gun silently from underneath his pillow, and smiled at Stanley, sleeping soundly on his chest, and fired it directly at Stanley's temple. The only sound Stanley made was a soft exhale, one that Fiddleford chose to believe was relief.

- In the following years, Fiddleford never regretted that choice. Stanley woke up and immediately broke down to Fiddleford, initially panicking him at first thinking he'd broken Stanley, them realized the man was talking about desperately not wanting to bring Ford back, asking Fiddleford if he thought he was horrible for saying so. After that it had been Fiddlefords pleasure to inform his sweet Stanley that not only did he not hate him, but shared his thoughts and truthfully didn't want to open that portal ever again. Things had moved quicker with Stanley dismantling the cursed thing than building it, and Fiddleford hadn't ever been happier. Clearing out Fords house of anything not safe to research or just plain garbage had been so satisfying too, convincing Stanley with little effort to replace any symbol of Bill with quite literally anything else. The Society of the Blind Eye had been a surprise, after all Fiddleford had never expected a group of people to find his scrapped plans or suggest he ever start them, but it was sweet, professional conman Stanley who had suggested making something more out of it. Afterall, Fidds had wanted his own company once, why not start with this?

- With that, BLIND EYE CO. was born, originally starting as a cover for the Society to do their work, growing into a more legitimate business with Fiddlefords inventions and Stanley's charisma faster than they'd thought possible. Fiddleford even continued the Gravity Falls anomaly research to better understand what could cause what, and which things were better of forgotten. Stanley, however, wanted nothing to do with the research of the journal to help with these findings, stating that nothing Ford had made he would ever want to touch, which suited Fiddleford just fine, in fact it delighted him. With Fiddleford and Stanley as both the owners and CEOs of the company( and the Society not that the town knew) it was no wonder the town quickly came to love them and know them, this large company that gave back to the community and was started right here in sleepy little Gravity Falls! How novel.

- Fiddlefords son, Tate, (now allowed to visit since Fiddleford was 'mentally stable') had taken the change badly at first, seeing his father turn from fine to broken to better than ever before, but warmed up once Stanley showed his soft side to him. Tate seemed to like Stanley better than he ever had Ford, which made Fiddlefords heart absolutely soar with happiness. Stanley and Fiddleford, while it wasn't legal to be married just yet, didn't have a solid relationship with the law anyhow and happily wore matching rings with pride. The memory gun is still in use and is consistently upgraded, with Fiddleford being the main figurehead to use it while Stanley happily sat next to him and did whatever he needed.

- Meanwhile in the nightmare realm, things are absolutely not going how Bill Cipher thought. Seriously how the hell was he to know the hillbilly would come back and steal Mackerel away from fixing the portal?! Stanley should have been getting that portal open to get Fordsy not forgetting he ever even liked sixer! Once again that stupid Specs, always messing up Bills progress. He does, however, get a new idea on how to screw with Ford while he's trapped here.

- Ford is greeted randomly, via Bill, with mirrors into his home dimension, taunting him with what's happening just to screw with him as he survives.

And screw with him it does.

Ford watches helplessly as his closest friend and former partner cuddles up to his frantically overworked brother finally at rest, and puts the memory gun to his head, and sees pure Red.

Ford is now hopping though dimensions with a purpose; subdue Bill, get home, cure Stanley, and Kill Fiddleford. And he won't stop until he does.

- Enter Mabel and Mason(Dipper) Pines, sent to their Grunkle 'Stanford' and his husband for the summer, when Dipper finds a journal that seems to have a page of a diffrent kind of paper hes never seen sticking out. The note holds an incantation written in the same cursive as the journal, and details preforming a spell on a mirror, labelled simply as EMERGENCY CONTACT NEEDED. Upon doing the incantation, the children are met with a shadow in the mirror telling them he's their trapped uncle, he's trying to get back to someone named 'Stanley' Pines, dont make deals with yellow triangles and above all else:

Do NOT Trust FIDDLEFORD

Do NOT Trust 'STANFORD'

TRUST NO ONE

Welcome to Gravity Falls!~☆

[tinfoil-jones]

Tate Pines AU 

(aka Tater McGucket is an oops baby Fiddlestan kid)

Note: LONG POST. This is me hyper fixating on a brain worm because the Gravity Falls Fandom roared back to life. This is probably misspelled in a lot of areas, and not the clearest or most concise post because this is me rambling at 2 in the morning. Also the characters are maybe OOC. Also, this is written without accents because I'm not from the Midwest or southern United States.

In this AU/Scenario, Stan is a transgender man, and 'encountered' Fiddleford during his vagabond years. It was a heavily drunk/high one-night-stand, so they never properly met or even knew each others names. This happens after Ford graduating Backupsmore University, and for this scenario to work let’s say that Fiddleford went to BMU for his undergraduate program, but then went to the local university in Palo Alto for his graduate studies.

Years later, just like in the OG show Fiddleford is Stanford's research partner in Gravity Falls, and married to Emma-May Dixon; but they don't have any children together at this time, and they got together *after* his encounter with Stan. So this isn't an affair baby scenario.

Tatum "Tate" Pines is 5 years old, living on the road with his dad, currently staying in a motel but they're about to move into a real apartment for the first time ever because Tate needs to start school soon. Stan is still a drifter and a con man, but he recently came upon a large sum of money because Tate accurately guessed the lottery number for the state they were currently in.

Stan still receives a postcard from Gravity Falls that says "Please Come", and is allegedly sent from his estranged Twin who he hasn't seen in almost 12 years. But this is roughly a few months before it would have happened in-canon.

Given Stan's disownment, no one knows that he even has a son, not even Ma Pines. Not like he'd want them to know. Having his own son and loving him unconditionally made him realize that his own dad Filbrick was a monster, who he didn't need to prove himself to. But he still wants to reconcile with Ford, so he decides to go just like in canon.

This post card, however, wasn't sent by Ford. It was sent by Fiddleford, who was watching Ford spiral in real time and hoped that if anyone could convince Ford that he was acting crazy and unstable, it was his twin brother.

While Stanford doesn't greet Stanley with a crossbow like in the original because this is before the portal test with Fiddleford, he's definitely shocked to not just see Stanley there, but Stanley with a tiny gap-toothed child in tow.

Stan doesn't know that Ford wasn't expecting them, and excitedly introduces Ford to his nephew.

Ford: Stanley, are you sure this child is yours? Stan: ...Ford, did you forget we're not identical twins?  Ford: ...Oh! Oh my, Stanley... Stan: *thinking* 'I don't know if I'm touched that you don't see me as anything other than a man... or insulted that you forgot something so fundamental about me'

Flabbergasted, Ford lets them both in; Fiddleford is welding something downstairs so he doesn't see or hear any of this. Ford plants Tate on the couch in front of the TV and practically drags Stan to the kitchen to talk to him privately; he's too surprised by Stan having a child to question why they were there in the first place.

Ford: Is there a... another parent..? Stan: ...It's just me and Tate. Always has been. Ford: How did...? Stan: I didn't plan a pregnancy... but I had no money for T-shots for months on end, and without the T, everything down stairs went to factory default.  Ford: Do you know who it is? The father- I mean, the other father? Stan: Not exactly, some southern guy, don't think I ever got his name. Ford: What happened? Stan: Funny you should ask. (FLASHBACK) Fiddleford, high out of his mind: -and that's how I won a golden fiddle. Stan, drunk out of his mind: That's crazy, dude. *grabs him aggressively by the shirt collar to pull him close* Now shut up and fuck me until I can't walk. Fiddleford, horny out of his mind: Hoo-whee, well don't you diddly-darn mind if'n I do. (END) Ford: Stanley? Stan: Hmm? Ford: Are you okay? You just said 'its funny that you ask', and then stared off into space for 10 seconds. Stan: Let's just say I never touched tequila ever again.

Eventually, Fiddleford does come upstairs when he notices Ford didn't come back downstairs, and see's the brothers in the kitchen just as Ford asks Stan why he even came here.

Fiddleford admits it was him who sent the postcard, that someone needed to 'talk some sense' into Ford, and then introduces himself to Stan.

While Stan isn't perplexed by Fiddleford because he was too drunk to remember a face- Fiddleford, who has very good memory, immediately knows he met Stan somewhere, he just can't quite place where, when, or why.

Ford does show Stan the portal, saying it's his life's work and he'll need to test it soon, and casually asks Stan if he wants to stay and help. Before Fiddleford can protest that's a bad idea and Ford should just stop, Stan agrees because he wants to reconnect (and also keep a roof over Tate's head, what were the chances they'd win another lottery?), it did hurt his feelings that Stanford hadn't reached out out to him after all, but maybe they could work on that.

While Ford hasn't exactly forgiven Stanley for the science fair incident, he can't just let his brother, a single father be homeless with a five-year-old (Stan had to drop the lease with their intended apartment to come to Gravity Falls). And... well, Ford gets attached to Tate quite early:

Tate: ... *staring at him* Ford: Can I help you with something, Tatum? Tate: Uncle, is your name "Stanford"?  Ford: Yes, but if you prefer you can call me Uncle Ford. Tate: Oh. Okay. It's funny, Stanford is my middle name. *later* Stan: Kiddo, why has your uncle been sobbing in his room for the past thirty minutes? Tate: *shrugs*

Not realizing the gravity (hehe) of the situation, Stan gets settled in the house and helps Ford and Fiddleford where he can (usually just moving heavy objects or punching paranormal creatures, or forcing Ford to shower). He does notice that Ford seems a bit... unhinged, and weirdly obsessed with some new geometry based religion, but people change after college right?

He does get unnerved by Fords weird episodes where his personality seems to shift and he goes into town to act like an absolute menace. Stan can't help but think that isn't Ford; its been years since he saw him but damnit he knew his brother and whatever entity possessed him just to slap a cops belly, *that* was not Ford. But Ford always brushed him off when he tried to bring it up, and one time 'Ford' even coldly reminded Stan that he could remove Stanley and his son from the home at any time if he wasn't going to be useful.

During this time, Stan and Fiddleford get to know each other, they get along quite well actually; Fiddleford is fond of little Tatum, who along with Stan enjoys listening to him play the banjo. One could say, given Fords obsession with his current passion project and prioritizing work over his relationships, that Stan and Fiddleford become close. 

Fiddleford picks up, however... that little Tate is a genius. Although he's a quiet kid, he has an advanced vocabulary for his age. He's able to read and write at what must be a 2nd or 3rd grade level despite not even starting kindergarten yet, and... one time Fiddleford left an 8x8 cubiks cube unattended, and came back no more than five minutes later to see that Tate had already solved it. And Stan had told him that Tate has actively predicted lottery numbers before.

He brings it up with Stan, who admits that he already knows Tate is a genius, but he also knows what academic pressure and high expectations can do to someone (referring to Ford), and he just wants Tate to live life by his own terms, not let other people dictate that for him based on his IQ.

Fiddleford... also see's resemblances between himself and Tate. Sure, Tate has browner hair like Stan, but the wavier texture is just like his own. And while Stanley does have a prominent nose, it's not as prominent as Tates, which is much more similar to Fiddlefords. 

Fiddleford begins to ask Stan about his past, specifically bringing up that he believes they may have met before.

Fiddleford: Say, Stan, did we meet before you moved here? You're so familiar to me. Stan: I wonder where you could have possibly seen my face before? *glances at the lab* Fiddleford: No. I feel like we've met before - you ever been to Palo Alto? Stan: That city in Cali? Yeah. I'd say about six years ago. I was just passing by, resupplying, and selling weed to college students. Fiddleford: You were a weed dealer? Stan: Among other things, yeah. California's *the* place to go to for weed. I don't do it anymore. Fiddleford: Did you... ever visit the university there? Stan: A couple times. Hated going there because it reminded me of... well, I think you know. Why? Fiddleford: I did my graduate studies there, maybe I met you there? Stan: You think so? I only saw buyers, did you buy weed from me? Fiddleford: No... I had a dealer, but it wasn't you. Stan: Other than that, I did get invited to a frat party once. Think they were called "SigEp" or something. Fiddleford: That's 'Sigma Phi Epsilon'. That was the fraternity I belonged to. Did I see you at that party? Stan: Probably - oh man that party was crazy. I made so many bad decisions that night. Fiddleford: Stanley... how old did you say your son was? Stan: Five, why? Fiddleford: ... Fiddleford: Stanley... *reaches out* Stan: *jerks back, before pointing away* Hey look over there, a distraction! Fiddleford: What- *looks away* Stan: *jumps out the window and makes a run for it*

Stan does not entertain any further discussions with Fiddleford about his past, and goes out of his way to keep Tate with him and away from Fiddleford. Given his criminal past, he's afraid that if Fiddleford is correct, he could make legal actions to take Tate away from him.

Fiddleford eventually goes to Ford about his suspicions.

Fiddleford: Stanford I'm going to tell you something, and I need you to promise you'll stay calm. Stanford: *doesn't look up from microscope* Are you going to tell me you suspect you're Tatum's father because you slept with my brother around the time he would have been concieved? Fiddleford: ... Stanford: Because you are. Fiddleford: What in tar- Stanford: *tosses a file folder towards Fiddleford* I have all of our DNA on file - Fiddleford: You do???? Stanford: Of course I do! I store the DNA profile of everyone who's entered my residence, just in case there's a shifter afoot. Comparing yours and Stanley's DNA to Tatum's, there is only a 0.001% chance that he isn't your biological child. Fiddleford: ... *speechless* Stanford: Congratulations, according to science you're a father.

Fiddleford does eventually manage to talk to Stan about it, and clear the air between them. Stan is apprehensive because Fiddleford is married, but he's at least relieved that Tate happened before Fiddleford was in a relationship with Emma-May. Stan allows Fiddleford to spend more time with Tate (supervised), but they agree Tate doesn't need to know just yet what Fiddleford is to him.

Fiddleford also holds back on telling his wife about Tate, he'd prefer to tell her face-to-face.

But then the portal test happens and Fiddleford gets a glimpse of the horrors beyond the portal, which traumatizes him just like in the original. This doesn't convince him to leave, because Ford is becoming dangerous and Fiddleford is worried about what would happen if Stan and Tate were left alone with him. He invents the memory gun, but holds up on using it on himself.

The relationship Ford has with both Stan and Fiddleford  becomes more explosive. Stan and Fiddleford are both telling Ford that he's messing with forces beyond his control.

To get Fiddleford off of his back about the portals, Ford instead lashes out at him about something else.

Stanford: Fiddleford... you know you're my best friend right? Fiddleford: ...Of course. Stanford: Stanley and I don't have a good relationship... we haven't in a long time. *puts a hand on his shoulder* But don't you dare hurt my brother, or nephew. I don't care how strained things are between Stanley and myself, or how close you and I are... He's my brother, and I'll always protect him, even if it's from you. Fiddleford: Do you think I would try to steal Tatum, Stanford?! *Pushes him away* Also, if you're going to threaten me, you could at least not be such a hypocrite. Stanford: How dare- Fiddleford: You say you care about Stanley? That you'd protect him? He's been homeless for over a decade! You SAW him get kicked out of home when he was still a minor! He escaped three different prisons, had extremely shady black-market top-surgery, chewed his way out of the trunk of a car, and gave birth by himself in an alleyway! He had walking pneumonia for nearly a year straight and almost died from it because he had to choose between himself and Tate over who needed treatment more!  But you didn't know any of that, did you? Because you don't talk to him or try to reach out. You still avoid him. You still treat him like he's your enemy. You're still resentful about that damn science project.  You don't know him or what he went through. You didn't even want him here, I called him up here so maybe somebody could set you straight!  Working with this portal, messing with these forces beyond comprehension and control- the only threat to Stan and our son is you! Ford: Get the hell out of my lab- and stay the hell away from my twin.

But this 'Mystery Trio'-esque era of their lives has a Bad End:

After Ford gets sucked into the portal the same way as he did in the original, Stanley decides to take over his identity; Fiddleford helps him with everything up until Stan fakes his own death.

As Tate's biological (other) father, and Stan having recently altered Tate's birth certificate to add Fiddleford, the boy is given to Fiddleford right away following Stan's 'death' and not put into foster care or an orphanage. This window of time is also when Fiddleford establishes the Society of The Blind Eye, but he chooses a leader after he founds it rather than leading it himself.

When Stan makes it clear he's going to dedicate himself to fixing the portal and bringing Ford back, Fiddleford makes a drastic decision. 

Knowing what the portal obsession did to Stanford, Fiddleford doesn't want Tate to be around if- no, when, the same thing happens to Stan. 

He uses the memory gun on Stan to make him forget about their son entirely. He does the same thing to Tate to make him forget about Stanley, legally changes his name to Tater McGucket, and takes him back to California with him.

He makes this decision because in this scenario he never used the memory gun on himself, so the memory of what's on the other side of the portal still haunts him, making him more desperate and callous, especially with a child involved.

It breaks his heart that he did this, but he doesn't want Tate to be dragged into Pines drama. He takes the boy home and tells his wife that he was conceived before they were together (looking at Tate's age, he was born at least a year before they started dating), and uses the news clipping about Stan's death to explain how he got custody without any trouble, and Emma-May adopts Tate. Tates memory gaps are excused by his young age, and the trauma of losing a parent at such a young age, so Fiddleford and Emma-May decide not to tell him about Stanley.

Stan forgets about both Tate and Fiddleford, but he has this deep sense of loss and betrayal that he can't place. He figures over the years that maybe it's just some of his feelings about Ford having gone through the portal...

Decades later, and after a divorce, Fiddleford moves back to Gravity Falls, bringing Tate with him so Tate can start his Bait and Tackle Shop somewhere quiet. Fiddleford is there to check up on the Society of the Blind Eye, and also to check on Stanley because he feels guilty about what he did. Although he knows that this is Stanley pretending to be Stanford, he says nothing to anybody about it, it's the least he could do.

When Stan see's Fiddleford again - he doesn't know why, because he's 'never met the guy', but just looking at his face pisses him off. And every time Stan see's Fiddleford from then on, whether its across the street or at the shops or what have you, he is openly hostile towards him even if he can't adequately explain why he feels this way about Fiddleford. Also strangely attracted to him, particularly his banjo playing, but its overshadowed by his hostility.

Stan meets Tate shortly after the Tate and Backles Bait and Tackle shop is opened... and he doesn't know why, but this young man he's never met makes him feel sad. But also... Relieved? Elated? Proud?? He comes by often, sometimes not even buying (or stealing) anything, he just chats with Tate (and Backle to a lesser degree).

Tate himself feels strangely fond of this frequent flier customer. Like he's met a dear old friend. He is awfully confused why Stan will sometimes call him 'Tatum', seemingly without noticing, and why he never feels like correcting him. 

Fiddleford knows why, because he never erased his own memory, and he feels so guilty. But it's been 30 years, he can't say anything without ruining his relationship with Tate (which became strained after the divorce, which in this timeline happened maybe around Tate's late teen/early adult years). 

One way that this whole thing can be revealed is when Dipper and Mabel deal with The Blind Eye society, they find two memory tubes, one labelled "Tatum S. Pines" and another labeled "Stan Pines" take it with them because it has their last name, and Grunkle Stans name, on them.

They play the one labeled Stan Pines at first, and realize it's Tates early childhood memories of Stan.

When they play the one labeled "Tatum S. Pines" they see it's all of Grunkle Stans memories of Tate, leading up to his confrontation with Fiddleford.

(MEMORY) Stan, backing up: Wait, what is that thing? Fiddleford, what are you doing with that?! Fiddleford, pointing the memory gun at him: I'm sorry Stan, I truly am. But I can't let you drag our son into this... I do care for you, and I wish things could have been different. But you're just like him!  **BLAST** (END OF MEMORY)

This horrifies them, and they have a real moral conundrum of if they tell Stan and Tate, or if they keep it to themselves to keep the peace. 

They deserve to know... but it'd be so painful. And this would take place before "The Tale of Two Stans" so they don't even know what Fiddleford was talking about to justify stealing Tate, or who 'him' is.

Eventually, it's Wendy and Soos who confront McGucket and tell him that he better be honest with Stan and Tate, or they're going to do it for him. That he's a selfish coward who ripped someone's young child from their arms.

Or, an alternative scenario; Fiddleford never stored those memories in the first place, or at least didn't store them with the Society of the Blind Eye, and it's Ford who brings this all up to Stan. Ford was already through the portal when Fiddleford decided that parental abduction was totally okay if there was amnesia involved.

Ford: Are these Tatum's children? *motioning to Dipper and Mabel*. Stan: They're Shermie's grandkids, and - who? Ford: ...Tatum? Tatum Stanford Pines? Your son. Stan: ...I don't- I don't have a son. *tears gathers in the corner of his eyes, but he either doesn't notice, or chooses to not react* And if I did, I wouldn't give him your name as a middle. Ford: Yes you do, and yes you did. You introduced us right before the portal incident. I even DNA-sequenced him to confirm that his other father was Fiddleford. Stan: WHAT? And- who?? Ford: Here, look *pulls up his DNA files from ones of his secret safes in the lab and shows it to Stanley, which not only has the DNA results but also pictures of Stanley, Fiddleford, and Tate from the time* Honestly Stanley, how could you forget a child you car-.

Ford realizes something is wrong when it's clear that Stanley is distressed, but also confused, like having a son is legitimately a surprise to him. He's so shocked he has to lie down for a bit. His eyes keep leaking tears but he doesn't know why 'Fords cruel and oddly elaborate joke' is making him so upset, because 'clearly it's not true'.

When Ford hears Fiddleford lives in Gravity Falls, he seeks him out and demands answers.

At first, Fiddleford tries to play it off like maybe Ford was remembering things wrong - but with enough pressure, and a ray gun pointed at his chest, Fiddleford finally comes clean. About what he did. Why he did it.

Ford is still angry at Stan for getting him trapped in the Nightmare Realm Multiverse for 30 years; and then stealing his name, identity, and house, but that's still his twin brother. And what Fiddleford did was to him was horrendous, especially after Stanford had already warned him years ago to not to hurt Stan or Tate. This was a crime against the whole Pines family. 

So Ford beats him up. No, he doesn't kill or maim him, but he beats the living dog shit out of him until Fiddleford promises the glass tubes of Stan and Tate's memories in exchange for mercy.

Mabel, Dipper (and Soos/Wendy) are clearly confused (because they wouldn't have seen the memories in the "The Hall of the Forgotten"). Although, this whole revelation does bring Dipper closer to Stan, because Dipper had no idea he wasn't the only transgender person in the family.

Ford shows these memories to Stan first, who is going through all kinds of emotions especially after getting Ford back and their bitter reunion. This allows Ford and Stan to somewhat reconcile early; just like how Ford lost 30 years of his life to the portal, Stanley lost 30 years with his own son because of his conviction to fix it.

Ford also has to physically stop Stan from hunting down and murdering Fiddleford (who Stan only knew as McGucket up to this point) with his bare hands. Reminding him that it's more important that he reaches out to Tate.

But Stan is conflicted. He wants to be Tate's dad again but... Tate is in his mid-thirties, he doesn't need him like he did when he was 5. And Tate already has two loving parents, both of which don't have an extensive criminal record, and who provided him with a stable home, which Stan never did because they were homeless the whole time.

Does he really want to uproot Tate's life and/or peace of mind with a revelation this big?  

This goes all the way to Weirdmageddon, where everyone gathers in the Mystery Shack for security; faced with a possible end of the world, Stan takes Tate to the side, dragging Fiddleford with them, and tells him the truth. Fiddleford confirms it all, ashamed and apologetic. Finally, they give Tate his memory tube, which he watches.

For a moment Stan and Fiddleford have a moment of solidarity; Stan can see that Fiddleford really did want to spare Tate from whatever unknown-at-the-time fate had befallen Stanford because of the portal.

Fiddleford finally faces his past mistakes, and apologizes for what he did. That what he did was wrong, and he can never make it up to them, but if they survive this maybe he could try to make things right.

This is their last family moment between the three of them pre memory-wipe.

The mind wipe thing still happens. Gravity Falls is saved. Mabel and Dipper manage to jog Stan's memory but there's no way to make him remember Tate - the glass memory tubes have already been used, and Stan didn't keep any photos from his homeless era because he couldn't afford it most of the time, and when he could he always managed to get kicked out of whatever state they were in before the photos were done developing.

Once again, Ford comes in clutch. Throughout his last journal, just like how he made entries about Fiddleford, he also made entries about Stan and Tate, including detailed sketches. How Tate liked to get into high places, exasperating Stanley who was afraid of heights. How Stan would take him to the woods to follow the creeks because Tate was intrigued by waterways. How Tate said so few words but Stan always seemed to know exactly what he wanted or needed at any given time. How Tate only liked eating the green M&M's but Stan was fine with it because he got to eat the rest. 

Now while Stan's heartwarming memories of his son come back, so does his desire to break Fiddlefords neck. 

Fiddleford still buys the Northwest Mansion and converts it to "McGucket's Hootenanny Hut", but because the Pines families are the heroes of Gravity Falls, they (Ford) manage to convince the local government to put Fiddleford on house arrest for an indeterminate amount of time as punishment for 30-something years of parental abduction and alienation (also the whole starting a Cult thing). Fiddleford accepts this, and Tate still lives with him.

Post memory-wipe Stan still reconciles with both of them, and his relationship with Fiddleford is... weird, but not entirely bad. It's like they're dating, but with a lot of emotional distance. Like, Stan still tells Ford he wants to murder him... but also tells him to never, ever, check their texting history. 

Stan still goes to sail the world with Ford on the Stan O'War II. They do invite Tate, who declines because "He'd rather just live the simple life in Gravity Falls, and not get involved in whatever supernatural gobbledygook his dad and uncle are sure to get into".

And Stan is so proud of him... because just like he said thirty years, there's nothing he wanted more for Tate than to live his life by his own terms. He video chat's with him as often as he does with Dipper and Mabel. 

Tate ends up keeping McGucket as his last name, but he changes his first and middle back to what it was originally.

And that's the end of this tale, thanks for sticking with me. Here's a passage where Ford teases Stan while they're on their sea adventure;

Ford: It was so sweet of you to give your son my name. Stan: Poindexter, I swear to Moses. Ford: Even after a decade apart. Admit it, you missed me so much. Stan: *rolls his eyes* Of course I did. Stan: Stan: But the real reason that's his middle name is because he was conceived at Stanford University. Ford: I- Ford: I really didn't want to know or think about that.

The End... Go home.

[whenanafallsinlove]

BNHA CHARACTERS X GN! READER; - how they would act with a foreign s/o headcanons﹗

﹗warnings: none, pure fluff! :D

a/n: not proof read! Sorry if it's a little repetitive! Requests are open if you want pt 2 with other characters or fandoms :D

includes: Katsuki Bakugou, Shoto Todoroki, Hanta Sero, Denki Kaminari

Katsuki Bakugou:

definitely learns how to cook typical foods from your country

calls you dumbass if you mess up a sentence in japanese

likes to correct your pronunciation and grammar

if you typically eat a lot of spicy foods in your country, you two will challenge each other on who eats the most spice

he likes when you speak in your language

he told you he wanted to learn your language with the excuse that it would make him a better hero

but he wants to learn it because he is just nosy

specially after hearing you saying his name during a call with your family, and not understanding what you told them about him

you told him that if he wanted to know, he would have to learn your language

he obviously takes that as a challenge and learns a lot very quickly (and he's unsurprisingly good too)

Shoto Todoroki:

would be eager to help you learn japanese

he would surprise you by learning your language too

asks you to cook your favorite typical meals for him to try

if you were feeling homesick, he would search online and buy you a bunch of your country’s typical candy

gets embarassed when you catch him listening to podcasts to learn your language

he's like super proud of having a foreign s/o

he will bring the fact that you're from another country every chance he gets

when he brings you to meet his family, he's mortified when his father asks something stupid/stereotypical about your country

when you started dating, one of the first things he asked you was the cultural differences when dating in your country

just to make sure you were on the same page, and also to take into account important gestures that would be meaningful for you

Sero Hanta:

he would compliment you and use pet names in your language

he watched a tik tok of “trying typical candy from my s/o’s country!” and immediately asked you to do it

starts to listen to music in your language!

often asks you to teach him some phrases in your language, but gets frustrated when he just can’t get a grasp on the pronunciation

duolingo is secretly his best friend

admires you for knowing more than one language

would buy anything related to your country and gift it to you,

he sees a postcard at the store with a photo from your country? he buys it; he sees a fridge magnet from your contry? he gets it; he sees a turism magazine with 'top 10 places to visit this year' and your country's name on it, he's already checking out with it

he just wants to make you feel at home with him too

constantly checks on you to make sure you're not homesick

Denki Kaminari:

asks you A LOT about your country, specially the differences between where you are from and where you live now

he’s like a kid, always grabbing random stuff and asking “how do call… in your country?”

begs you to teach him how to curse in you language

probably tries to learn how to dance to music from your country

when you facetime your family he likes to greet them with the three words you have taught him

celebrates your important national festivities with you

he starts to follow and watch entertainment content in your language, claiming he starts to understand it (he does not)

everytime you cook something from your country, he asks you to make some for him too

claims that your voice and personality change when you speak in your language

[a-scary-lack-of-common-sense]

Hi, hello, I can't stop thinking about the Ford Kook AU. I NEED to know more. Like, if this is Ford, then where is Fiddleford? Did Fiddleford go through the portal? Is Stan desperately trying to reverse engineer the science bullshit that scrambled Ford's brain to make something that can unscramble it? If Fidds isn't in the portal, is he helping Stan try to unscramble Ford? Did Ford even send the postcard?! Is Stan even there at all!?! I am HOOKED. I will take any scraps or crumbs you have to give I am on my hands and knees begging

Hello hello!! I'm so glad you're liking my Au already :] I love all your suggestions! So far the lore is a bit rickety since I'm still on the fence as to how I want to incorporate Stanley and Fiddleford into the AU, since they'll be taking pretty major roles in the lore.

I'm hesitating between prioritizing a fun dynamic between characters and a fun story. I have some options that I'm going through though! Mostly just spitballing, nothing concrete :D

----------

Fiddleford's potential fates in this AU:

Option 1. He was sucked into the portal during a testing trial accident and is part of the reason why Ford went mad with Project Mentem. He becomes something similar to Portal Ford, but he is later brought back (idk how yet)

Option 2. He is fine and still in his dimension, just not with Ford. He will still play a larger role later in the AU, just in other ways.

----------

Stan's potential fates in this AU:

Option 1. He faked his death and chose to stay low (also inadvertently becoming part of the reasons to Ford's meltdown and madness when the latter learns of the news). He will accidentally cross paths with Ford, maybe. Or he will be brought to Gravity Falls by some other way.

Option 2. He is dead. (I may make Stanford interact instead with perhaps another version of Stan from another dimension, maybe a reverse portal / drifter Stan, just for a fun dynamic. But this idea might overlap with Fiddleford's option 1 fate, and also overcomplicate things a lot, so I'm a little opposed to it.)

Option 3. MAFIA BOSS.

[mysteryshoptls]

Do you have a list of the gifts you can give the characters to level up their friendship? Also is the only way to obtain those items through randomly getting them while cleaning your room?

Yes, the only way to get them is for them to be randomly dropped after cleaning the guest room. Here's a list of the character gifts:

Riddle: Book on the Queen of Hearts' Laws

Ace: Deck of Cards

Deuce: Blastcycle Key

Cater: Fancy Guitar Pick

Trey: Travel Toothbrush Set

Leona: Brand-name Wallet

Jack: Protein Bar

Ruggie: Empty Food Storage Container

Azul: Antique Coin

Jade: Encyclopedia on Tea

Floyd: Grey Scarf

Kalim: Embroidered Bandanna

Jamil: Red Feather Hair Accessory

Vil: Mauve Nil Polish

Epel: Apple Juice

Rook: Hat Feather

Idia: Tablet

Ortho: Power Cable

Malleus: Gao Gao Dracon-kun

Silver: Alarm Clock

Sebek: Postcard-sized Photo of Malleus

Lilia: Electric Bass Strings

Grim: High-Quality Can of Tuna

[604to647]

✨Anniversary and Follower Milestone Celebration and Giveaway!✨

A little over a year ago, I returned to my old photography blog and repurposed it to what you see today - purging all my old followers (including the sex bots 🥹) and started from scratch and now... OMIGOD?! 😭😭😭 I've recently passed a follower milestone that seems unbelievable to 1 year ago Emily who screenshot when her post got 11 notes and sent it to Mr. 604 so excited (oblivious that one of those likes was me liking on accident 😂). I love you all so dearly for visiting me and reading my silly stories - every interaction and follow has been treasured. Sometimes I still can’t believe y’alls kindness towards me 🫣🥰

At this time last year, I also started writing my first fic, which has turned into my longest running series: Safest with You. Some of you have been with me and this series since the very beginning and I couldn’t be more grateful - the first one shot, Carnival Fright Night, was posted Oct. 13/2023 and Ch. 1 followed on Nov. 10/2023. Now one full year later, we've wrapped it up with the Epilogue😭😭😭

To celebrate, I would love to do two things:

1) A Giveaway! Everything in the first pic (full description below the cut) will be sent to one lucky winner! You don’t have to follow me or have read any of my fics - all you have to do to enter is say something nice about someone in our community. You can leave it in a comment or a reblog of this post, or send me an ask (with 🎁) - BAM! You’re entered 😁. No one needs to follow me - I just love it when people hype each other up and spread positivity 💕

2) Nonsense Outros. The first piece of writing I ever posted wasn’t actually a fic but song lyrics 😂🤭 specifically, Sabrina Carpenter Nonsense Outros inspired by Pedro characters 😂 They are silly and challenging to write and I want to do some more! If you want, please send me an Ask with 🎶 for a character or a link to a fic (it can be yours, someone else’s if they’re ok with it, or you can request one of mine even!) - I will read it (if I haven’t already!) and write you an Outro for the PBoi in the fic/character (or try, anyways! 😁)

You can do both if you want! And as many times as you want 🥰 until Monday, December 2, 2024.

Thank you thank you all again! 💋

It’s been a great year here with you all 🥹🥂🥂

Giveaway prize includes: Din Djarin magnet, postcard and washi tape, Barón Tovar Takes a Wife holographic keychain, Safest with You washi tape, one (1) copy of Pedro fan magazine, one (1) copy of Vanity Fair 30th Hollywood Issue, one (1) customized Pedro photocard holder (I will make you one based on your fave colours/themes and I also have a bunch of photocards for you to choose from or I can make you one from a photo you send!).

I am happy to pay for shipping and will ship internationally from Canada (when the strike is over), but yes it means you have to provide me an address. I am active in a collectibles trading community on IG and can provide references if it makes you feel more comfortable in doing so👍🏻.

Winner will be selected randomly via the Excel random number generator in the first week of December 2024. This giveaway isn't administered, sponsored, endorsed by, or associated with Tumblr.

Tagging a few lovely people to help spread the word and/or may be interested 🥰😘:

@aurorawritestoescape @milla-frenchy @yopossum @almostfoxglove @sawymredfox

@inept-the-magnificent @jeewrites @jessthebaker @nerdieforpedro @joelalorian

@magpiepills @secretelephanttattoo @joelmillerisapunk @holacia3 @galaxyedging

@tuquoquebrute @whirlwindrider29 @pedroswife69 @pedges-world @ghotifishreads

@penvisions @jobean12-blog @auteurdelabre @angiewatson @morallyinept

@mermaidgirl30 @arcanefox207 @baronessvonglitter @grogusmum @ace-turned-confused

@furiousmushroom @cheekychaos28 @72scsuze @toobsessedsstuff @mellymbee

@that1nerd-20 @alltheotps @evolnoomym @greenwitchfromthewoods @maievdenoir

@hipabbster23 @bitccchmood @bigbutchenergee @rainbowcat164 @the-strawberrythief

@johnssherlock221 @misstokyo7love @vivian-pascal @florxdexcerezo @fanficlover1414

@rarachelchel @heartbrokenlilbitch-nef @sunnytuliptime @kulekehe @guelyury

@rav3n-pascal22 @sjc7542 @kilamonster @mandoshoney @syd-djarin

@moonlessnight14 @lucienofthelakes @heareball @lillaydee @yorksgirl

@sheepdogchick3 @desert-fern

[ravenstargames]

✦ Lost in Limbo Devlog #13 | 11.11.24

Feels good to be back! This is our first post-Kickstarter devlog and I'm so excited to be writing it.

First of all— Lost in Limbo was successfully funded on September 20th, 2024! 🎉🎇

Yep, it has been almost two months, but it's still something to celebrate! Thanks to every single one of you for making this possible! We didn't meet all our stretch goals (there were a lot and taxes are a pain) but that doesn't mean we are giving up on those. More on that another time.

There's a lot of things we want to show y'all, so let's jump into it!

A sneak peak of Envy's postcard!

Raquel has been working hard on getting the "special postcards from your favorite LI" ready to send them to print ASAP! Initially we were going to use art we already had of the LIs, but we thought it was more exciting to offer y'all exclusive art pieces. After this, Raquel will focus exclusively on the rework of the sprites!

We hosted a few polls and got a lot of feedback. If you missed it, you can check it here!

Astro says hello :^)

As you know, the Extended Demo will feature more locations, including a glimpse of the MC's city, Faybourne! Astro is getting the main street ready for you and your bestie as you go on about your day. I've calculated around three / four different and new locations to properly pace the demo as we imagined it in the first place!

The writing deparment (me. i'm the department) has been focusing on the Extended Demo script. I have a lot of things to play with, like the flavor choices, the personality choices, and more. I want to create a proper balance because one of the things y'all asked for was more choices, and the pacing needed a bit of fixing, as we already knew!

The Extended Demo will actually introduce characters you've heard about, like your mom, your ominous grandmother, and your bestie. So no more talking about them, you'll actually get to meet them like we wanted to!

There will also be more time with the LIs, and hopefully the amount of time you spend with each one of them will feel more balanced, too.

Programming has been an adventure! Huge shoutout to Feniks for helping me figure out how to properly make a toggle for the timed choices as well as helping me polish the personality system. What a lifesaver!

So the timed choices toggle now works perfectly. That means you'll be able to turn them off if you'd like to play the game without being jumpscared by a timer—that doesn't mean you won't be able to mess up, though, on purpose or not :^) This is a dark game, after all!

The personality choice system lets you decide how the MC reacts to things including the nature of your romance with the LI. That means dialogue will automatically change in certain parts of the game to reflect the personality of your MC, some options will be locked, some unlocked, etc. There's three different personalities available.

For colorblind folks, the choices will have a different icon when you hover over them for you to know they're different!

Also, I've started coding some extra mini cgs Kayden's been working on! There'll be more in the Extended Demo to enhance the experience, so we hope you enjoy them! :^)

All the packaging stuff has arrived to our provisional headquarters (Raquel's home), and our business cards have been secured! Every backer with physical goodies will receive one for free :^) This month has been all about managing Backerkit, orders and merch, as well as preparing the Extended Demo. We hope we can receive everything very very soon and start shipping packages starting December!

For now, that's it! There's a lot of stuff going behind the scenes, a lot of things that need attention, and a lot of planning happening. Also the catastrophe the DANA has been on our cities is keeping me a bit on edge, but I'm trying to focus on work. This Saturday I'm going on a trip to Greece with my family, so I'll disconnect then! It's our first time traveling to a different country since I was like...seven years old? And we have been saving up and preparing a lot for the trip, so we are excited :^)

I hope everyone has been taking care and doing alright! Have a huge hug from the Ravenstar Team, and see you around!

[ravisconverse]

While I can appreciate both the mphfpc film and the books in their own separate sense, I just can’t help but criticise the film for some of the changes they made.

The aging down of Bronwyn and the aging up of Olive got rid of Bronwyn’s protective trait of the two younger girls.

The peculiarity switch between Emma and Olive was also so pointless. I mean I guess that it kind of makes sense with Emma being like the main “love interest” and her being the zephyr kind of fits more with Burton’s aesthetic, but it’s still very annoying, we deserved firey Emma.

The loop day. What was the purpose of changing the year to 1943 instead of 1940? It makes no sense, just keep it at 1940.

The postcard from Alma. In the books it was 15 years ago, which allowed for more doubt as to whether she would be alive or not. Reducing it to 2 years takes that away.

Every time I rewatch the film and I see the Olive/Enoch relationship I feel sick to my stomach. Enough said

Fiona’s entire character was ripped away and rewritten. Yes her backstory may have been considered too dark for the film, but come on you didn’t have to age her down, reduce her peculiarity and take away her selective mutism.

The aging down of Hugh, Millard and Horace really annoy me. Why are they children? I wanted sassy 17 year old Millard who is angsty and studious and sarcastic, Hugh who both loves and hates being peculiar and is devoted to Fiona, Horace being SCARED of his peculiarity.

I also feel robbed that we didn’t get Emma and Millard kidnapping and interrogating Jake when they first meet him. Or the whole thing with Martin and them having to fight the hollowgast. “Will you quit shouting and let me bleed in peace” you will always be famous.

Even though Alma Peregrine wasn’t accurate in the film, I am in love with how Eva Green portrays her, and how clearly her study of peregrine falcons comes into her acting.