#also btw if its not to much to ask

[dorothywonderland]

BRO LITERALLY DOXXED HIMSELF TO THE CYCLOPS. he was asking to get jumped come on

[cubbihue]

Question ...if fairies rely on desire to feed,would Dev be a GOOD food source or a terrible food source? Does desire come from wishing or wanting more, essentially. Because dev like.. Has all he can want except his dad's approval ,so how does that work?

Fairies' food comes from the innate emotion a person has while Wishes are just the only way Fairies can pull the emotions (food) out!!!

The more the desire is out of reach, the more delicious it is, and the longer the fairy can go without needing another meal. It's simply easier to harvest from children because they have big emotions, and weak minds and impulses. A child can say "I wish" more openly than an adult does, making it easier for Fairies to cultivate.

Dev's one of the best food sources there is. In fact, he's able to feed a family of 5 for at least 8 months! However, he's also one of the worse sources to collect from because his desire is noncollectable by magic.

Which means you'll need an expert high-class, high-ranking Fairy Godparent who can siphon out his Desires into smaller parts via multiple smaller wishes!

Bitties Series: [Start] > [Previous] > [Next]

[bluerosefox]

Dinner?

Feeling a bit Spirit Halloweenish.

Danny blinked, stared blankly, blinked again before slowly very slowly closed his front door.

A few seconds later Danny opened the door again and once again meet a certain tallish young man, around his age if maybe a few years older, in front of him...

Who was it?

Bruce Wayne....

Bruce freaking Wayne, someone according to what he heard from Sam telling him from what she heard from her parents had apparently just dropped out of med school and was 'in the wind' according to rich elite gossip talks, was at his front door.

........

Why?

Wait... Did he just ask Danny out on a date?

-x-x-

Bruce Wayne has just dropped out of med school and is beginning his training into becoming the person his city needs him to become. While looking into where he can he remembers how in his teen years the planet was almost destroyed but was saved by a ghost teen hero and looks into it. He digs deep to uncover what happened, uncovering impressive firewalls Amity Park has, etc and finds out about Danny Fenton/Phantom.

He decides to go visit the younger man, who is just about to start college himself, and ask a few questions.

He uhhh... Bruce just wasn't expecting to find Danny very cute (even though he was pretty certain Phantom had been his first male crush when he saw a photo of the teen years ago), and adorable with his owlish stare, and well the first words out of his mouth was

"Would you mind joining me for dinner?"

-x-x-

[al-luviec]

something simple to try to get out of art block (it didn't work)

[mohntilyet]

Personal headcanon about the "you picked the wrong dellamorte" line, I don't think illario actually likes rook outside the context of them being someone close to lucanis. Like rook on their own isn't much to him, but when they meet it's yet another person talking about his cousin (why isn't he good enough for whatever job they're hiring for?) and on top of that they somehow bring him back from the dead (another whole can of worms for illario). Now he starts turning on the charm, but whether he's actually interested or this is just one more thing his cousin has that he doesn't and it gets under his skin, who knows. Either way, rook ignores illario, the guy who lives off his charm, and is instead interested in the guy who's never even dated before and thinks giving someone a knife is how to flirt. Infuriating

NO THANK YOU !! i am genuinely sorry if i have ever implied illario is into rook like i see some takes about it and unless it like ties into your rook's personal backstory i don't seriously think he's romantically jealous. at all. my enjoyment of that line stems from illario's pathological need to make it about himself and not see his strengths but what lucanis has, and therefore what he doesn't. he's annoyed enough to try and goad you in the middle of a fight about the 'wrong' dellamorte and completely blind to the fact that the venatori are at best, a stupid fucking alliance, and at worst, a cult that will devour the crows from the inside out and illario would have been the one to give them the keys. he sees lucanis make allies, needs his own, and instead of charming the other talons/houses as he should, he (probably spitefully) picks the venatori. or maybe he just thought it would be easier. ugh he makes me want to telekenetically throw him around

[askinsufferableprick]

is this thing working?

oh shit it is this is officially happening lets fuckin go

ok so uh welcome ladies, gents n such to the offical ask blog for the world renowned creator of SBHJ and various other cool blogs i know yall got a billion questions such as whos that super cool dude on camera there's no way that's the one and only dave strider himself i knew he was a epic dude but this is way beyond anything i could have imagined how does such a famous and busy guy got the time for yet another dope as hell blog or like hey doesnt putting your name and face up online go against like basic internet safety protocol all valid questions guess you gotta go throw some asks in that empty as fuck ask box if you want any of the answers

[nydescynt]

Thematic Analysis of Hades II: Why You Can Never Go Home

(At some point I might make a video on this, but for now sharing my thoughts via textpost. Spoilers ahead!)

So the text of the story of Hades and Hades 2 are Zagreus breaking out of the House, and Melinoë breaking in.

But the wild thing (and the reason Hades 2 is much more interesting to me) is that both games actually have almost inverted themes from that text. Zagreus is intent on uniting a household; Melinoë is discovering the home she's fought to return to is rotten to the core.

Zagreus, despite his entire textual goal being to leave his home and family, is narratively & thematically working to bring the family and household together. His mother comes back and is reunited not just with him but her husband, mother, and entire extended family. Achilles and Patrocles, Orpheus and Eurydice, Asterion and Theseus: Hades is a story of people metaphorically coming home and making peace with where they are (Sisyphus, Thanatos, Orpheus). Everyone basically gets a happy ending, credits roll, problems all resolved or en route to be solved. Everyone is home.

(Important to note: we never see a human in the first game. We see shades, and gods, and monsters, and the closest you get to a mortal living thing is the satyrs. This is a story concerned with the realm of the gods.)

In contrast, Melinoë has no home - besides being estranged from her childhood home, she literally lives in a tent. In case the theme was too subtle, presumably.

Now, she has been fighting her entire life to become powerful enough to return home and reclaim her family - that seems Zagreus-adjacent on its face. However, there isn't a home to return to- Hades is in shackles, the rest of her family trapped in time. At this point in Early Access, on both a metatextual & diegetic level she quite literally can neither make it to Mt Olympus or into Zagreus' room - she cannot go home, she cannot meet her family.

Consider the others: Odysseus' presence seems to tie into the idea of a long journey home, but this is an Odysseus who lived and died and now has other (inhuman) priorities. He loves them, but has no interest in reuniting with Penelope and Telemachus at this point. Nemesis dislikes her siblings, and is more concerned with the equal application of "justice" than whether it has any reforming effect. Narcissus and Echo eventually talk and part more amicably, but that's the best that can be said about their relationship.

Hecate refuses to be called Melinoë's mother: she will not distract from the "true" family that Melinoë has no memory of ever meeting.

Instead of Ares and Dionysus (enjoyers of chaos and least affected by the toxicity of the family in Hades 1) we have Hestia and Hephaestaus- a goddess who helped murder her father and a god constantly belittled by his own family. Their tense and frequently bitter interactions with the other Olympians are evocative of the central theme being explored: what if there isn't a home to go back to? What if your family is unforgivable? (What if you want to forgive them anyways? What if you need to?)

This theme is why Arachne is in the game, and Athena is not: likeable, first-helper-of-Zagreus Athena turned Arachne into a spider out of petty anger. How do you reconcile that?

Moros (lovely, kind Moros, who gushes at Odysseus like a fanboy) and his sisters the Fates did horrible things to mortals out of boredom. The same mortals whose bodies you can see stacked up like cordwood in Ephyra, who you repeatedly claim you are fighting to protect from Chronos. Moros can neither confirm nor deny that the current events could have been set in motion by the Fates. How do you reconcile that?

Polyphemus raises sheep. He genuinely loves and cares for them, is protective of them. He also eats them, and is confused when Melinoë implies a contradiction.

How can you love someone and be willing to kill them? For survival? For fleeting satisfaction? For vengeance?

Is Chronos' willingness to eat his children so morally heinous that it makes him worse than every cruelty the gods have wrought? Worse for who?

[poorly-drawn-mdzs]

These FFS inner demons are very “disco elysium skills” reminiscent. I NEED to meet that cast! Also freaking awesome work to you and your buddy :]

May it be an open secret that one of my inspirations was Disco Elysium. I think they could party together.

[skunkes]

I might be stupid but is Al, Smunker, and Talon togetherrrr. Like a polycule or are they having a secret 3rd thing? Sorry if the answer is obvious jdjdj

theyre together! au (?) for cheye's survival

(general info doodle i made a few months ago) (i say au but idk it could become permanent in my daydream zone, Talon is meant to have his own canon but I like him too much and am bad at writing plots)

This is still a fairly recent development so the current needed-SOME-foundation lore is:

talon and al were as together as talon would allow at the time (so not really) but he liked Al most even amidst his anxieties about men. He leaves for a long while with no contact once he realizes he's getting toooooo comfortable with al, comes back for another round of comfort and gets attached again to both the guy he knew AND the guy's boyfriend

I dont think Talon actually likes being referred to as boyfriend by either of them, nor would he refer to them as his boyfriends, but the attachment and "role" is still there and that's what they loosely consider him (i have to explore this further, theres still a lot i dont know abt him) while also knowing he could just decide to leave again if he so wishes

[starry-bi-sky]

I am of the DPxDC belief/headcanon that any variation of Danny who grew up poor in Gotham during his formative years before moving to Amity Park would not be friends with Sam without friction at first. It makes things more interesting and imo allows for more exploration of different themes plus character growth for Sam that she doesn't really go through in canon.

(this doesn't only apply to a DPDC au where Danny grew up in Gotham poor, but it was the first thing that I thought of where this might happen considering my Childhood Friends au.)

Now Sam's a compassionate girl, it's one of her defining character traits, but so is her hypocrisy and judgy-ness. She's the Not Like Other Girls' girl. This is in part of the show's narrative framing that makes her out like this, unfortunately though its still showing how she is as a character since its consistent enough to be part of her character description. There are also times where the show's depiction of her activism makes it look like she's performative about it. All of this makes her dynamic with a Danny who grew up poor in Gotham very interesting.

Anyways, Sam is aware of her privilege to an extent, but still has her blindspots - glaring ones, in some cases. Her self-righteous attitude would not go over well with a crime alley kid Danny. He'd like her, at first, but then she'd do something to make him mad - personally I think her judging people for not being vegan would annoy him the most, or at least would be the breaking point for him, because it was only recently that his family started actually being able to consistently put food on the table at all, good food nonetheless. And being vegan is expensive.

Any other behavior he noticed from her he'd slowly stop tolerating - her judging conventionally attractive girls and automatically assuming they're vapid and shallow for being feminine. Her anti-capitalist beliefs start coming off as superficial at worst, and Danny would eventually figure out that Sam either came from a family that was well off, or that she wasn't aware if her family was experiencing financial struggle.

He would still be friends with Tucker, but since Tucker imo is still friends with Sam, they'd still run into each other often enough to butt heads. Sam's got a nasty habit of refusing to take responsibility when she's wrong, but when Danny is arguing with her, and counterpointing her with stuff she can't retort back at without compromising her own beliefs, then forces her to start reflecting on herself. Especially when Tucker eventually starts siding with Danny and agreeing with him.

Does sam genuinely care about her beliefs and philosophies? Survey says yes. However that doesn't mean she's not ignorant, and she definitely is at times throughout the show (like when she released the purpleback gorilla thinking it 'wanted out of its enclosure' despite the fact that it was endangered and in an urban area) and I think it'd be a real fascinating dynamic between Danny and Sam to explore.

This isn't Sam hate btw, nor am I trying to make her out like "the worst person ever" bc she's not, i wanna make that explicitly clear. Sam Manson has a lot of positive traits about her but she also has an equal amount of negative traits that I think should be explored, she is not immune to the character development.

[junkissed]

need to ride jun's abs so bad this isn't funny anymore . 💤

i soooo get you but also... what if you were riding jun's cock and right before you're about to cum he lifts your hips off of him and ruins your orgasm and instead makes you ride his abs and you have to cum from that before he'll let you have his cock again. honestly i think he would be just as into ab riding as you are, if not more (and trust me i am very into ab riding). it gives him a rush knowing you can easily get off merely by grinding against his stomach. he would hold onto your hips so tightly and drag your pussy back and forth, making sure your clit touches every single ridge of his toned abs. he would tense the muscles so it would give you something nice and hard to grind against and the entire time he would be praising you at how well you ride him (but also at the same time lowkey bragging about how good his abs are; we've seen his lives lolol and we know he loves to tease us about his abs). "does that feel good, sweetheart? which do you like more, riding my abs or riding my cock? silly question- i know it's a tough choice, baby. you want both. and i'll let you have both, if you keep being such a good girl and cum all over my abs. then you can have my cock, hm?" and then when you do finally cum, he'd make you move so you can see the trail of wetness you've left all over his body and he'd coo about how you're always so wet and beautiful and desperate for him. and only then he would let you ride his cock again

[ask-misconduct]

WONKUS YOURE CRUELLL /lh

previous - next

(first)

[justaz]

thinkinnn bout arthur pendragon. my baby boy. he's such a bitch but also such a baby girl.

he never felt the love of a mother and relied on his father for all of the love and validation he needed growing up but uther never gave it to him unless he succeeded in battle - probably against druids/sorcerers. arthur never feeling like he was enough, that he was never worthy of love unless he did something for them or won a battle because that was the only time his father looked at him with a modicum of warmth.

being a prince raised to one day be king and being taught to never trust anyone, that as king he can only trust himself, and then watching his father fuck over the people of camelot and going "a king must make hard choices" but arthur never agrees with any of that!! he puts on the aloof asshole act to keep people away so he doesn't get hurt but baby boy wears his damn heart on his sleeve. he cares. SO much. he trusts everyone, no matter how many times he's been betrayed. he does everything he can for his people

he strives for their love and pride because he never got it growing up. he works his ass off to be the best king for his people that he can be, so he can be the best heir for his father that he can be, so he can be the best son for his mother that he can be - all so he can prove that he's good enough and worthy enough of love. yet time and time again, he's betrayed by those he has done nothing but be there for. time and time again, the people he's loved and trusted most have betrayed him and left him like he was nothing. proving to him time and time again that he wasn't enough, that he'll never be enough for their love or loyalty.

[baconcolacan]

//////////

AAAAAAAAAAND THATS IT!! EVENT OVER!!! THANK YOU SO SO MUCH TO EVERYBODY WHO INTERACTED AND HAD A LITTLE BIT OF FUN WITH ME!!!!!

Im really sorry to those who sent in asks a bit too late though, I can see that some of you wanted to have longer conversations with Tom buuuuut this event IS on a time constraint and ask limit so I had to cut it short. [Though who knows?? Maybe Tom can come over and answer your questions again one day :3c]

AGAIN THANKS SO SO MUCH FOR PARTICIPATING IN MY SILLY LITTLE EVENT!! I had a lot of fun puppeteering Tom and interacting with yall!! Love you guys <3 mwah mwah!! <3 <3 <3

[rayveneyed]

that cowboy au was really good 🥹 would you consider doing a part 2?

cw: mentions of death, violence, objectively amoral decisions; mentions of marriage, alcohol

the presence of gojo satoru can only mean trouble.

red sky in the morning — shepherd’s warning. nanami kento tries not to take the sight of it personally, tries not to take simple wonders of nature as omen — but it sits like a lump of coal in his stomach all through the morning and well into the afternoon. he doesn’t know why this particular day seems to be the harbinger of something terrible, but sure enough, just after he finishes milking the cows and putting them out to graze, one of the village kids runs up on him. flushed with excitement and hair windswept, the little one calls his name — mister kento! mister kento! hey, over here, mister kento! strange white-haired fella’s lookin’ for you, skulkin’ ‘round the saloon!

it’s a small-town child’s excitement — a stranger in such a quiet place, one where the closest train station is a town or two over, and the most exciting thing to happen is a travelling merchant every few months. kento’s dread, then, is ice-water over the head in comparison. white-haired. gojo, the bastard. and loitering around the saloon, where you’re working — before he can even think twice, he’s running off to mount his closest horse, and taking the dirt road at a frantic gallop.

not many words in any spoken language could describe exactly how nanami kento feels about gojo satoru. there’s a fondness there — they had, after all, fought and lived side-by-side for years, since they were boys. there was admiration for gojo’s tenacity and drive, no doubt, but there was hatred in equal measure. hatred for the man gojo had urged nanami to become — hatred for the shit he’d been told to do. hatred for the simple fact that, at the end of the day, gojo’s brashness had only ever gotten other people killed.

(and fear. fear that, like he had done a hundred times before, gojo would worm his way into nanami’s head, and convince him to return before he knew what he was agreeing to.)

through the dust kicked up by his mare’s cantering hooves, the humble saloon comes into sight; only a single floor, nothing like the multi-story pleasure houses of san francisco. then again, kento’s never much cared for them, or the beckoning women of the night, or the violent brawls that would break out every few minutes. somewhere quiet to drink in peace, suits him just fine, and that’s here. though with gojo satoru around, peace never lingers long.

he takes the stairs two at a time, pushing through the doors, and—

“always been a city boy, myself,” comes that familiar voice. instantly, kento’s eyes shoot towards it — towards you. “towns like this never did quite suit me — y’know, a man needs a bit of noise in his life!”

oh, noise had been the least of what gojo had gotten himself. blood and guts and bullet wounds, wanted posters with his name and mug plastered all over it.

he shouldn’t be here. it’s almost unnatural for him to be here, sitting in old man tom's favourite seat, lounging like he owned the place.

“now, pretty thing like you,” he hears gojo croon, low and smooth like always, the type of voice that weakened women’s knees, “you shoot me a look, sweetheart, i reckon i’d stay in this sleepy little town a lot longer.”

something like panic sits itself in kento’s chest, and he can’t put one damned finger on what it is. the clashing of two lives — gojo, with his hat drawn low over bright blue eyes, his jacket as dark and fitting as always; this dusty little saloon, with its untuned piano and cheap swill; you, with your hair tied up and your neckline low, with those eyes he knows gojo likes—

“charming,” he hears you say, dry, completely unimpressed. the tightness in his chest eases, a little, and then you seem to realise he’s approaching — your gaze lifts over gojo’s head, and your eyes brighten, and golly — ain’t that something? your smile, at his simple presence? like he was something to look forward to? “mister kento, you’re a man desired — this gentleman’s been looking all over for you, apparently.”

gojo turns those baby blues on him, expectant, and kento sighs as he takes the seat next to him — gently accepts your offer of a drink with a thank you kindly. gojo thanks you, too — calls you sweetness, and kento pretends that it doesn’t unsettle his soul. you resign yourself to the end of the bar to give them some semblance of privacy, wiping at glasses with a cloth to rid them of water-stains and dust.

they sit in silence for a moment, listening to the cicadas calling outside and the distant squeals of playing children. gojo, as usual, is the first to break it.

“been a while, ain’t it? gotta say, wasn’t expectin’ you to go all out on this country life thing, old friend.”

kento pretends not to see the spectre of you in the corner of his eye — pretends that he’s not vastly aware of how he has to balance two personas right now. he keeps his irritation low and tempered, cupping his glass between his hands; still, he knows his voice is frosty when he says: “what are you doing here?”

“oh, so cold, kento! and after all we’ve been through together…”

he restrains a frustrated sigh. dancing around it — that’s gojo. deceptively childish but incredibly intelligent — can’t just come out and say something. and kento could be doing something else right about now, something far more important — in fact, he should already be thinking of how to explain gojo’s abrupt appearance here to you. cousin twice removed? long estranged brother? childhood friend with a troubled streak? “doubt you came to see me outta the goodness of your heart. i’ve got no interest in whatever it is you’re peddling. you wanna drink, let’s drink. nothing else.”

“oh, come now. i gotta be after somethin’ to visit you?”

nanami shoots him an unimpressed look — gojo at least has the shame to wince. he takes another sip of his drink, and they both stare at the dusty shelves of booze, until finally, he shrugs.

“listen: this place is gonna drive you mad, kento,” he says, underhandedly casual, sipping on moonshine and syrup. he always did have a sweet tooth. “the silence’ll do you in.”

a thread of irritation tugs itself through kento’s brow. “silence drives you mad. suits me just fine.”

kento doesn’t know what’s more hurtful — the idea that gojo doesn’t know him at all, or that he does, and just doesn’t care to speak to him like it. he knows exactly what game gojo is playing at — badgering him out of his life of peace to join the gang again, fill the empty space left by geto and haibara and god knows who else that’s gone. he could do him the courtesy of being a little more believable, though. less patronising.

this doesn’t suit you. you don’t deserve something good like this, not after what you’ve done. stick to what you know, kento — and what do you know? violence. greed.

“c’mon, kento. you’re better than this, y’know.”

kento fingers tighten on the handle of his cup. his gums feel bruised where his teeth grit together — his anger like a reddening metal on the verge of turning white-hot. “you don’t know what the hell you’re talking about.”

“you’ve been up and down this goddamned country—” gojo, at least, has the mind to lower his voice, then, glancing over his shoulder— “tyin’ sheriffs up in knots, laying your pockets with gold, and you think this shithole will satisfy you any?”

that’s enough to send kento’s temper skyrocketing — and he, by no means, is an angry man, but shithole is not how he’d describe it in any capacity — this place that had accepted him with little wariness, treated him with kindness, asked very little questions—

“you’re steppin’ way outta line, gojo—”

but his white-haired companion has always been willing to push the bounds of just about anything — and, leaning closer, devilish smile tugging at his lips, says: “hopin’ that, uh, busty barmaid over there’s gonna make you an honest man? huh? i mean, hell, i wouldn’t blame you, but—”

nanami’s glass hits the countertop with such force it rings throughout the saloon — he can feel it draw the gaze of most everyone around. you, the few daytime drinkers. the low murmurs of conversation drew to an abrupt stop. when he glances in your direction, he sees you almost caught mid-action, brows drawn tight as you make to intervene.

maybe it’s the look in his eye that makes you stop; the serious, humourless glint he’s let himself lose the past few months. maybe it’s the tense set of his jaw. either way, you nod a little, and step back to what you were doing — but your gaze remains, ever-watchful.

nanami levels gojo with a glare so horrid he’s sure he’s never used it on him before; and, sure enough, blue-eyed gojo glares right back.

for a moment — for a short, traitorous moment, he regrets leaving his handy pistol back home. he hasn’t had to carry it in months. he hasn’t ever had to carry it for gojo, of all people, but he saw just how quickly the gang had turned on themselves — how quickly trust was lost. and after the loss of haibara, and geto’s betrayal, who knew what state of mind gojo was in?

kento’s fingers flex.

a beat passes.

and then — gojo’s face breaks out in a gleaming, cheeky smile, and his shoulders jump with loud, sonorous laughter. relief is near palpable in kento’s chest, the tension that had suctioned itself to his bones easing just slightly. “hah, you’re just a riot, ken!”

then, slapping a hand on kento’s shoulder and leaning forward, gojo calms a little. nanami gets the sudden feeling that it was all a rouse, right from the start. is he so out of practice he can’t tell what’s real and what’s fake anymore? once upon a time gojo’s jokes and fancies wouldn’t have made him blink an eye.

“just pullin’ your leg,” gojo says.

“you piss me off.”

“can’t lie—” gojo continues— “i was hopin’ to bring you back with me. but this shit really does suit you, y’know.” his smile takes a saddened edge — nostalgic, no doubt, for the life they once led. the stupidity and rashness of it all. sometimes the same feeling hit kento — and then he remembered the bad of it all, and he tucked it back deep inside himself. “country air, quiet life. settle down with a nice woman.”

his eyes trail over to the right — and this time, when his eyes settle on you, nanami feels no overwhelming protectiveness, no urge to drag gojo out by his silver locks or shoo him out. he feels a fool for doubting gojo in the first place. “things out here make the cities look like hell by comparison.”

“it’s a simple life,” kento agrees plainly. his heart still thrums heavy in his chest. he finally takes a proper gulp of his drink — actually tastes it instead of just letting it pass down his throat. “you should try it sometime.”

“wasn’t lying earlier. think the quiet would have me seein’—” he chokes on a bark-like laugh— “ghosts, and the like.”

haibara. riko. yaga.

“mm.”

they go back to staring at the shelves in silence. kento doesn’t know what to say. he’s never been a man of many words, but what does one say in this situation, anyways? i’m sorry geto left. i’m sorry haibara died. i hate that it was your fault, and i hate that it wasn’t. i don’t like the man i am when i’m around you, but it’s really all i know. you’re my brother, and i hate and love you in equal measure.

a trickling sound interrupts his thoughts. his cup is being refilled — and then gojo’s. extra syrup, despite the fact that sugar is expensive as all hell.

“looks like y’all could use it,” you say by way of explanation, a sorry little smile on your face. when you meet his eyes, it spreads, just a little — an extra nudge, just for him. “i’ll get outta your hair now.”

“thank you for the drink,” kento says quietly.

“thanks,” gojo echoes. he watches you go, and swirls his drink idly around in his cup. “y’know, you got somethin’ good here, ken. hate to say it.”

“mm. the farm, it — it, uh, keeps me busy.”

“wasn’t talkin’ about the farm,” says gojo, shooting him a knowing look. kento’s ears burn, and he tries to ignore it — in vain, he’s sure, if his companion’s snicker is anything to go by.

“there’s nothing there.” he wouldn’t allow there to be, after all. a life of solitude is exactly the punishment he deserved for what he’s done. he wouldn’t rope you into his madness.

“right, right. you make googly eyes at every woman y’come across?”

“just drink your damn drink.”

by the time the sun is setting, gojo sets off on his horse. he ignores all offers to stay the night, to wait until morning; he's got business to attend to, apparently, business that couldn't wait — but could, apparently, wait for an hours-long drinking session. he doesn’t hug kento, doesn’t make any claim to sentimentality — that hasn't changed, kento supposes — he only leans down to shake his hand, firm and sure like yaga had taught them as boys, and says:

“don’t be a fool, kento. you got a chance at a normal life right here." then, grinning, like the idea of being serious had turned his stomach, gojo calls: "you don’t take that chance, i'll steal it from right under you!"

kento only shakes his head, and turns to enter the saloon again.

when he looks over his shoulder — just once, all he can bear — gojo’s already gone, no more than a speck riding into the sunset.

[scentofpines]

have you ever considered...that identifying out of woman/girlhood because you don't relate to the societal implications, expectations, etc... contributes to making womanhood (feel) even more restrictive? maybe you feel better when thinking of yourself as anything but a girl/woman because you do not feel like a woman (what does that even mean?) but in my opinion you just added another brick into the prisonwall that is gender.