#also apparently cait also died in the au when vi did?

[moonshxdows]

okok I'm finally rewatching act 3 and what do you MEAN they all have red and pink in their outfits in the AU. Powder obviously, but the detailing/stitching on Ekkos jacket, mylo has a reddish pink scarf, claggors little pocket square thing 😭😭😭😭

[yoshi-disney]

I wanted to write a Arcane CaitVi "The Wolverine (2013)" style au/S2 rewrite, what do you think??

(For context, in that scene where Caitlyn shoots at Isha and Jinx, she accidently shoots Vi in the shoulder, Jinx shimmer dashes Vi away, Caitlyn starts screaming because she thought she'd just murdered Vi, and leaves Piltover. Vi is alive tho lol. Also this is a first draft so this will be edited if/when I decide to publish)

How could she have let this happen? How could she have let herself fall so far, she thought as she watched her bullet pierce the shoulder of Vi, her sweet Vi. Vi's yell of pain seeped its way into Caitlyn's mind as Vi fell to her knees, blood gushing from the wound. Jinx looked at Caitlyn, then to Vi, Caitlyn was too stunned to speak, so Jinx took the opportunity and took Vi in her arms, and shimmer dashed herself, Vi, and the child away. Vi was gone now, and Caitlyn, in her anger, frustration, and vengeance, killed her. What could she say to that? She promised Vi she wouldn't change, Caitlyn had broken that promise, and now, it got her killed. Memories of Vi came flooding back to her, all the memories she thought one day they could've made together. All Caitlyn could do at this point was fall to her knees, and scream. Caitlyn was inconsolable after that. She cried as she met up with the others to end the mission, cried as she dragged herself home, cried as her father held her throughout the night, cried as she laid in bed, waiting till morning to see if all of this was just a bad dream, and she once again cried when reality hit her. Caitlyn stayed in bed for the rest of the week, barely touching any food given to her. She held a violet in her hand, caressing it and kissing it on her worst days, those days where guilt would take over and cause her to fall apart. One day she heard Ambessa Medara addressing her father, saying something about her becoming a commander, but then she heard her father belt out, "FOR GLORYS SAKE GIVE HER SOME TIME!!" He yelled. Caitlyn had never heard her father yell that loud before but she was glad he did, the last thing she needed right now was even more responsibilities. Just as soon Tobias entered her room with a saddened look on his face. "What was that about?" Caitlyn asked. "Ambessa's been adamant about you becoming the Commander of the Enforcers." Tobias said. Cait, still not looking at her father, sighed deeply. "What did you say?" She asked. "I told her that, well, you're not ready, and to piss off for good measure." Cait cracked a smirk at that. Tobias smirked as well and patted his daughter on the shoulder. "How are you feeling?" Tobias asked. "I miss Vi," Caitlyn said. Tobias nodded, understanding. "I'm sorry I was so, harsh to her when she was here." Tobias said, sitting on the edge of the bed. Caitlyn had yet to tell him all that had happened that day, all Tobias knew was that Vi had died on their mission to kill Jinx, the murderer of his wife, and his daughter's mother, and the deaths of her mom and apparent best friend broke Caitlyn to the core. He remembers the night Caitlyn came home, without Vi. She wouldn't stop crying, gods that sound was haunting to his mind, all he could do was hug her, and make her comfortable in her time of grief, keeping the world away until his daughter was ready to face it again, which could be a long time, but he'll wait for as long as his daughter needs. "Would you like anything?" Tobias asked. Caitlyn remained silent for a few moments until saying, "I could use some soup," she said. Tobias nodded and kissed his daughters forehead. Little did he know that this would be the last time he saw his daughter for 7 months, because when he returned, Caitlyn was no longer in bed, in fact, she was nowhere to be found in Piltover.

Caitlyn was gathering violets from the garden, creating a bouquet to remind herself of her frie, no, love's name. She had come to love Vi, and without her, the color in her life was gone, there was nothing left but black and white, except for the color of violets, her favorite color and flower. And every now and then a certain tint of red would pierce through her dark thoughts. As the scent of violets wafted up to her, she remembers that day before they spoke to the council, the way Vi looked at her, the joy in her expression, the calm. And it almost made her fall to her knees, but she had to keep going, to the airships, she needed to leave. She needed to find someplace new, start over, she had taken a large amount of her inheritance with her, enough to start a life in a new land. She put on a black cloak and snuck into Piltover Station, and bought a ticket out, she doesn't care where, just out. And as she entered the airship and it took off, Caitlyn took a deep breath, and for the first time in a while, had a dreamless sleep.

Cait awoke in her bed, an odd pain in her shoulder but nothing that some ice in the morning couldn't fix, she looked around, it was almost like she had never left, like her mother was never dead, "like I never shot Vi" she thought. Speaking of which, Vi had entered the room as quick as a flash, she was holding a water glass and seemed worried. "Cait, is everything okay?" Vi asked. "Yeah, I'm okay" Caitlyn said, astonishingly out of breath. "Cupcake I heard you screaming from the kitchen, what happened?" Vi asks setting down the water next to Caitlyn's side of the bed and laying next to Caitlyn. Caitlyn sighed, "I was thinking about that, day in the sewers." Caitlyn said. Vi's face turned into a frown, "oh, I, I see." Vi said, holding her own shoulder, right where Cait had shot her. "Oh, my sweet, sweet Violet" Caitlyn said caressing Vi's cheek, Vi closed her eyes, "listen, it's, it's okay." She said. Cait threw her arms around Vi, "I promise, I won't hurt you, or anyone else, ever again." Caitlyn said. Vi hugged her back and kissed Cait's cheek. "Don't make promises you can't keep." Vi said. Then Caitlyn awoke with a start, she was on the edge of a cliff, the campfire long went out, the air was cold, and the radio was playing orchestral music. Caitlyn got out of her sleeping bag and took a sip of water as she looked at the scenery down below, a large plain with a river, a perfect place for someone who doesn't want to be found. "Good morning Violet." Caitlyn whispered, feeling the ground beneath her, staring into the sky. Suddenly the radio went out, she shook the radio, the batteries were dead. Caitlyn got up, took an axe and began her trek into town. She began marking her path by striking an X into evrey tree in her path, many of them already have X's, but it became a force of habit at some point. Speaking of habits, a bear had growled as she crossed her path. Caitlyn had seen this bear before, and it was like the two had an unspoken respect, Caitlyn never bothered her, the Bear never bothered Caitlyn, they simply acknowledged each other's existence, and went about their day. As she made her way into the small village, she noticed a truck full of hunters with guns, beer, and really, STUPIDLY LOUD music. The hunters already seemed drunk, throwing slurs at each other and banning on their truck. Caitlyn entered a store and picked up some batteries, when she overheard one of the hunters talking with the cashier. The hunter was a man around her age, beard, looked like....Jayce, almost, but with a lighter skin tone. And the cashier was a woman, also around her age, straight blonde hair with a light skin tone. The hunter was obviously flirting with the cashier. "That'll be 135," the cashier said. "135" the hunter said, "cmon, can't get me a little discount." The cashier looked at him sternly, "cmon, at least a number?" He said, "I'd rather go out with the bait," she said pointing to the worms. Caitlyn snorted under her breath. The hunter looked at Caitlyn and then looked at the cashier, grumbled, and slammed the money on the counter and took his stuff. The hunter went to his truck full of rowdy hunters. The cashier sighed as Caitlyn went to the counter with her batteries, the cashier seemed to take a liking to Caitlyn, she smiled at her, Cait smiled back. Then one of the hunters shot a gun into the air, causing them both to jump. Caitlyn sighed and shook her head. "You're not a hunter are you?" the cashier asked her, with a seductive tone almost, but Cait wasn't having any of it. "Not anymore," she simply replied and took her batteries and left.

LET ME KNOW WHAT YOU THINK AND IF YOU THINK I SHOULD TURN THIS INTO A FANFICTION!!!

[fatebreaking-a]

Tagged by : I am a thief. ( Stolen from @starthieve​ ) Tagging : steal it from me.

THE POSITIVE & NEGATIVE; Mun & Muse - Meme.

fill out & repost ♥ This meme definitely favors canons more, but I hope OC’s still can make it somehow work with their own lore, and lil’ fandom of friends & mutuals. Multi-Muses pick the muse you are the most invested in atm.

( I will not, I will pick all my muses, how dare- I’ll leave everything except this blog + my other Sona blog out, for length’s sake.) long post, so it’s under the cut.

My muse is:   canon / oc / au / canon-divergent / fandomless /

Is your character popular in the fandom?  YES-ish / NO. ( people who like her like her, and people who don’t... really don’t. )

Is your character considered hot™ in the fandom?  YES / NO / IDK.

Is your character considered strong in the fandom?  YES / NO / IDK.

Are they underrated?  YES / NO.

Were they relevant for the main story?  YES / NO / MAYBE ?

Were they relevant for the main character?  YES / NO / THEY’RE THE PROTAG.

Are they widely known in their world?  YES / NO / MAYBE ?

How’s their reputation?  GOOD / BAD / NEUTRAL.

How strictly do you follow canon?  — lol. I take inspiration from canon, let’s put it that way.

SELL YOUR MUSE! Aka try to list everything, which makes your muse interesting in your opinion to make them spicy for your mutuals.  —  Your local patron saint of lost causes, a heroic entity who has overcome betrayal and judgement to become an existence that can save the world. Also she’s tall and strong and hot and nice, what more could you want? Huh? You want more than being hugged by a 6′4″ lady??? Sona can also be in various countries, and can participate very easily in fluff, angst, and all sorts of other types of threads.

Now the OPPOSITE, list everything why your muse could not be so interesting (even if you may not agree, what does the fandom perhaps think?).  —  Lots of angst and drama, a bit of a loner with a distant vibe. Having no etwahl and not playing music kills the interest and ‘usual interactions’ for a lot of people, and being mute & not jumping to telepathy can make threads dry and slow. Being a ‘sexy boob lady’ ( u g h ) also has painted her in a certain light - I’ll never forget that someone said that ‘ofc everyone ships with Sona, she’s the village bicycle.’ I’ve made her exceptionally strong ( almost overpowered ), and that doesn’t jive with people sometimes - shoving in all these themes that I personally like and crafting an interesting story of a divine / demonic seer witch who doesn’t know what to do with herself, is finally ‘too strong’, and finds power distasteful... The themes can be a little depressing and cold, even when she acts nice. And seeing “Even though she feels nothing, she still acts nice” in character can feel... tiring. A mute is not an easy person to write with, and I don’t shy away from trying to give the impression that ‘waiting for Sona to communicate can be tiring’ - because I want my readers and mutuals to feel the kinds of things she goes through everyday. While I try to make the blog accessible, Sona has a speech disability, and that can be tiring.

Also that she doesn’t act like a fancy noble... I don’t know. I feel like the way that I write her is very, very different to the fandom’s impression of her, and that leaves people disillusioned. “This isn’t what I expected or signed up for.” She’s just not that person... And because she doesn’t speak, a lot of prompts are off limits. I’ve also recently reset because I wanted to emphasize that she is patient, grim, and secretive while still being kind. I’ve toned down her tendency for mischief a lot, she used to be an absolute gremlin.

A lot of these things also apply to my other Sona blog ( @virtuous-dignity​ ), where she is extremely structured and self-confident and a bit of a recluse, so while she’s much much nicer, she’s also a complete hardass. It’s rough stuff, especially since I make sure to point out, “hey this Sona practices music over 8 hours every day.” “Hey this Sona finds it morally wrong to play music for small audiences.” There are certain traits that just cut ideas in the bud.

What inspired you to rp your muse?  —  I played Sona a lot in bot lane. Multiple years of sexist remarks, shitty writing, and bad characterization made me frustrated. A lot of things were left unexplained and the etwahl felt like too much of a focus that I could not answer, “who is Sona besides a musician with a fancy instrument”. She has to be someone, right? But we never get to that in the story ( nor in the apparent upcoming lore rework either... ). She has to be someone, her being a famous musician is not everything. So I forcibly tossed aside the music part, especially to also prevent accidentally being pulled into ‘your music is so pretty’ plots. Plus: I wanted to write a character with an internal conflict who was going through some things but wanted to be nice anyway - I believe in that idea a lot. And I wanted to write a character that, tbh, could ship and flirt and just... be flirty and easy going more ( hah! didn’t work out so great now! ). My first canon characters were a ‘left by the void Malz’ dealing with his sins and Ori, who I talk about below, and neither were really great for getting that flirty vibe out. I also really wanted to emphasize that... Well, to be blunt, that if I wrote Sona as sexually promiscuous, that wasn’t a bad thing. That ‘being sexy’ and ‘sex positive’ did not equal ‘objectified tiddy witch’ and ‘perfect candidate for oppai mouse pad’ and other things I’ve heard directed at me in my league experience. Many, many things. Ugh. It kind of did end up turning into a thing where Sona herself draws an interesting line between ‘haha I can tell everyone’s looking at me with those eyes and it’s the fucking worst’ and ‘ok but I trust you and am in bed with you, so I want you to grab me’ - but that’s getting more into ns/fw topics so I’ll leave it there. 

What keeps your inspiration going?  —  All my characters tend to be expressions of myself, as well as answering important thematic questions, like “What does it mean to be rejected by your home and no longer have a place”, and some other stuff. I usually go back to that. Plus, exploring concepts around abandonment and loneliness is something I do a lot with her - feelings of neglect and disillusionment, and ideas surrounding “do I need to like someone or be liked by someone to treat them with dignity”. ( virtuous-dignity, on the other hand, was created because I wanted to write something as soft and uwu as possible, and then it turned into something about ‘balancing dignity for oneself with duty to others’ and handling those kinds of conflicts. )

I also really do enjoy, on some level, turning people around on these characters. “You made me care about character x” is such high praise.

My muse is:   canon / oc / au / canon-divergent / fandomless /

Is your character popular in the fandom?  YES / NO.

Is your character considered hot™ in the fandom?  YES / NO / IDK. ( idk, how many of you think robots are hot- )

Is your character considered strong in the fandom?  YES / NO / IDK. ( I think people downplay Ori’s intelligence a lot, but Riot also casually implied she did open heart surgery on herself so??? )

Are they underrated?  YES / NO.

Were they relevant for the main story?  YES / NO / MAYBE ?

Were they relevant for the main character?  YES / NO / THEY’RE THE PROTAG.

Are they widely known in their world?  YES / NO / MAYBE ?

How’s their reputation?  GOOD / BAD / NEUTRAL.

How strictly do you follow canon?  — hahahahahahaha. hah. hah. Sorry. Everything I write is divergent by default.

SELL YOUR MUSE! Aka try to list everything, which makes your muse interesting in your opinion to make them spicy for your mutuals.  —  A genius inventor and cute spherical robot duo who speak to other robots and shoot lightning, run around acting cute, and try to save their city one step at a time - all while dealing with deep existential dread and fighting off a fate that decrees Ori’s death. Between ‘pancake bot’ and Ori being an accidental flirt, there’s plenty of variety and development here as my oldest canon muse. Not to mention that the blog ‘grows’ and ‘changes’, and in the last year, Ori has taken to dying her hair pink ( because Vi is cool is why, just don’t let her near a rifle or she’ll try to imitate Cait ). I also regularly think about / draw different hairstyles and clothing styles. Ori is very much ‘alive’, the most so out of the three muses on this blog. A human that has the memories of being a robot, trying to live on and live a good life. Also, there are bird, angel, and time themes. So many clocks. Mega clocks!

Now the OPPOSITE, list everything why your muse could not be so interesting (even if you may not agree, what does the fandom perhaps think?).  —  Deep angst and existential dread, because she knows her fate is to die and she’s cheated time. Themes of dysphoria and other troubling topics abound. Being stuck in time loops, thinking she’s an aberration, needing crutches because her legs stop working, etc.

Also, removing the fact that she is a robotic automaton is a bunch of the appeal of Ori. Or well, it’s what makes her character ‘interesting and unique’ to many. Without that, she is ‘yet another Zaunite’, as the thing that made her most interesting was her death and rebirth. ( Nevermind that her entire story is that she’s a selfless person but- I’m supposed  to act like she’s bad, right? )

What inspired you to rp your muse?  —  Hey remember when institute of war was a thing? And then when it wasn’t? And Ori’s lore was “died to a turret shot trying to be a champion”... and then it was up in the air for two years?

That’s why. If no one else will love her, I will. She deserves better. And then the lore became close to my lore so I rewrote everything a second time trying to stick to the themes I had.

Ori’s thematic question is, “What do you do when you don’t recognize yourself anymore? How do you get back to ‘okay’ and what do you do from there?” It’s a pretty dim question that has a lot to do with body image, but also to do with abandonment and neglect, and  just dropping out of people’s lives. I think that’s something that people can really relate to. I originally wrote her on a multi with a ‘post void Malz’, who was dealing with the trauma of being puppeted around for years and all the things he had done, trying to get back to ‘okay’ without getting killed. More below:

What keeps your inspiration going?  —  Themes as noted above, Ori is super cute, and a lot of my art & general ideas. I’ve kind of turned these three characters in borderline OCs and keep developing them as they grow... Sometimes I think the stories and concepts I’ve written have outgrown the fandom. And thinking about her, and how she would live, and what her story is... mmm.

Also, the themes I write... I think they matter. Maybe it’s not obvious to anyone but myself, but writing a character who feels dysphoria and hates their body for ‘betraying them’... is relatable. It’s not nice. It’s not simple. But it’s relatable and it matters. Ori’s theme on this blog has a lot to do with “fighting a fate that says you’re going to lose and defying expectations” as well as “coming back from something wicked and rotten in your psyche/body”. And I do write some other skin verses for her but they’re all adapted to meet that theme. ( For example, in SG, she rises to guardian after finding out she’s fated to become a dark star and fights that fight alone, because ‘hell no she’s not going to go dark’. This was 5+ years ago back when there were theories SG and DS were same universe. )

Mostly it’s writing about these themes of expectation and reality. Overprotective parent, absentee parent, dealing with trauma... All my writing is like that. It can make my characters seem overly tragic, yes, but these ideas are not so far gone that they’re completely irrelevant and beyond belief. I’m sure many people have experienced emotional exhaustion and problems with body image. Even though I do write ‘polite but ready to fight’ characters only... Well, I believe in exploring and expressing these kinds of problems. Inner conflict and all. But also fluff! Fluff is really nice! Talk to her about pancake robot.

I also really do enjoy, on some level, turning people around on these characters. “You made me care about character x” is such high praise.

My muse is:   canon / oc / au / canon-divergent / fandomless /

Is your character popular in the fandom?  YES / NO. ( post rework??? oh my god )

Is your character considered hot™ in the fandom?  YES / NO / IDK.

Is your character considered strong in the fandom?  YES / NO / IDK. ( hard to consider ‘martial’ characters strong when Xer/ath and Syn/dra exist )

Are they underrated?  YES / NO. ( she’s a little overrated, isn’t she?  )

Were they relevant for the main story?  YES / NO / MAYBE ?

Were they relevant for the main character?  YES / NO / THEY’RE THE PROTAG.

Are they widely known in their world?  YES / NO / MAYBE ?

How’s their reputation?  GOOD / BAD / NEUTRAL.

How strictly do you follow canon?  — I still draw from old lore with her big four blades of doom and ‘reviving’ with the help of Raka ( though I leave it vague / easy to gloss over ). I also had a lot of ideas about music and rhythm and tradition before the update ( drums were a big thing for her, so strong percussive beats and motions reign over the more silk and ribbon dances that flow more, drawing on things like Zelos existing, Lito’s lessons & harsh behavior, and her own internalized habits of trying to calm herself ), so I draw on those a ton. For me, the progression is ‘classic’ -> ‘infiltrator / nightblade ‘ -> ‘aviator’ all as one timeline. Also wrote her as being ‘missing in action’, which makes the awaken cinematic weird. I also really try to emphasize that she’s an emotionally stunted wardog with scars and not ultra pretty, so.

SELL YOUR MUSE! Aka try to list everything, which makes your muse interesting in your opinion to make them spicy for your mutuals.  —  A world traveler and a wardog, you can find her anywhere, any time, ready to kick some butt and enjoy the local food. Her simmering fury is a counterpoint to her relatively muted demeanor and adventurous spirit. However you may find her, there’s a definite charm to being flown up above the clouds to watch a sunset and talk. She will fly you where you need to be.

Now the OPPOSITE, list everything why your muse could not be so interesting (even if you may not agree, what does the fandom perhaps think?).  —  I’m a little stuck on old lore and writing Lia as a character that has “left behind” her past and is pretending to be dead does make certain interactions tough. She’s also a deeply stunted character, emotionally, and I write her ten years of experience as having chilled her to a cold, ever burning ember rather than a passionate flame. Also, ‘aviator’ is kind of weird to handle for a lot of people.

What inspired you to rp your muse?  —  This one is really simple. When this blog started, the only splash where Irelia was smiling was the aviator splash. That’s it. That as the whole reason. “I want her to be happy and have found her happiness.”

What keeps your inspiration going?  —  I will admit that Lia is the character that I give the least attention to out of these three, and part of it is because I don’t really do flirting or shipping with her as much. She’s not one to reach out to others, and there are a lot of popular Lia blogs to the point that when I, as a multi, write with someone... She probably isn’t the first pick.

But I just... want her to be happy. That’s it. As I mentioned with the Ori section, what I’ve worked out for her has kind of outgrown the fandom itself, she’s become a different entity. Her themes largely involve recovery and finding oneself anew, and writing a character that is passionate about others while still being cool-headed is some of the variety I need. Because Lia is ace/homosexual, she sits out on a lot of the flirty content, but the chances I get to write her being romantic and caring... my god. Just a few posts back and forth with @unholyshe​ ‘s Akali and a So/na I used to write with....... Unforgettable. ( On that note go follow @unholyshe​ what a good writer, gosh dang. ) It’s these small interactions I find intensely compelling, and having a ‘quiet intensity’ and really thinking about her body language...

Also it’s nice to write a character with little secret agenda, who is just straightforward. “Will I enjoy kissing you? Only one way to find out. ‘It was okay.’ “ A ‘the only way forward is through, just do it’ attitude is refreshing.

------------------

Learning to write all three characters helps me write the others: The little things I think about that are specific to each person really help me out for the others. The depth of using body language from Sona bleeds into how Lia uses body language, and how Ori doesn’t ( even common ticks ), etc etc. Ori’s blunt, observational style of speaking ( telling you that you look good like it’s an observational fact ) helps me understand how to be straightforward with Lia.

Some more personal questions for the mun.

Give your mutuals some insight about the way you are in some matters, which could lead them to get more comfortable with you or perhaps not.

Do you think you give your character justice?  YES …? / NO. ( sometimes I do get very anxious abt it, esp. since I’m so divergent and do things like ‘so/na is one part succubus lol’ )

Do you frequently write headcanons? YES / NO. ( do excerpts count? less headcanons and more musings, since I’m on like 5+ years with 2/3 of these. )

Do you sometimes write drabbles?  YES / NO. ( time is not a thing but I used to write a ton, my drabble energy goes to novels now )

Do you think a lot about your Muse during the day?  YES / NO. ( this is why you see mobile posts from me constantly, and so many excerpts / musings ).

Are you confident in your portrayal?   YES / NO. ( It’s what I want but it can also be disillusioning / disappointing to people so. Dunno. Anxiety. =/  )

Are you confident in your writing?  YES / NO. ( It takes me a bit to warm up to a character again, but yes. I know my writing is not bad but I can be a little insecure about it. )

Are you a sensitive person?  YES / NO. ( Very. I cry a lot and I get upset pretty easily. Sometimes I end up being really cold instead but idk. )

Do you accept criticism well about your portrayal?  — To a point. Sometimes criticism is irrelevant or meaningless, or is just personal taste. “Sona shouldn’t be that strong” isn’t helpful ( but thinking about ways to pare down the complexity is good! ) Sometimes I get criticism that is the equivalent of tasting a chocolate cake and going, “It should have been vanilla, I like vanilla better.” That’s cool, but that has nothing to do with the taste of the chocolate cake I made. ( Ori as a human isn’t interesting, talk more about Sona & the etwahl even though it’s broken, Lia flying doesn’t make sense, etc - these are foundational flavors, so what can I do? ).

Also sometimes people make comments that make me feel they’re just being petty / catty and not sincere. I’ve seen quite a few hypocritical comments and it’s hard to take them seriously. So, yes, but ‘to a point’... Mostly I take suggestions, which I then talk about for the muse. Exploring those ideas. Unsolicited criticism is... hmm. In my experience, about half of it isn’t constructive. And from the wrong person, it can sound judgemental. 

Do you like questions, which help you explore your character?  — Of course? I love asks. Always. Great. Awesome. If I have a chance to draw to answer these asks, even better.

If someone disagrees to a headcanon of yours, do you want to know why?  —  Not really. I’m divergent, they probably disagree because they have a different vision for the character. I’ll be honest here and say I’ve had enough people tell me that “my portrayals are not what they expected” that this can be... disheartening. I usually have a good reason for 80% of my hcs. If we’re talking in IMs though or just conversing, I’m totally fine with it. This comes back to unsolicited criticism - to be a little blunt, some people just straight up don’t know what they’re talking about. And given that I put a bunch of effort in trying to make sure most of my headcanons can be glossed over, so it doesn’t cause conflict and my ‘ultra grim take’ doesn’t cause the end times... I dunno. I’d rather that someone tell me “the kind of interactions they want”, so I can lean into that direction. If you just want fluff, I can leave most of my darker hcs for So/na at the door... But you need to tell me that, so I can work with you. 

If someone disagrees with your portrayal, how would you take it?  — just leave? huh? I mean, I already know people disagree. If you’re not rude, then we’ll just move on and be chill. Otherwise... well, we won’t be chill and you can still go, but I’ll consider you a dick. I don’t expect everyone to agree with “Ori is a human”, but why bring that up to me?

This is why a lot of the time, when people talk about characters and my muses, my brain defaults to “Well that has nothing to do with me.” Why should I invest any time being upset that people are disappointed with my portrayal or I’m not what they expected. It’s exhausting. People have some really strong opinions about Lia and Sona sometimes, but... ‘that has nothing to do with me.’ There’s no point in trying to convince someone to try your flavor of ice cream when they’ve already decided what flavor and toppings they want. It just leads to tremendous insecurity. I should not have to argue that ‘my portrayal is worth paying attention to’. 

Ugh. I might be too sensitive about this. There was a point where people really got in the habit of saying, “this is how character x is” ( not their muse ), and it felt like someone trying to enter my kitchen. It did not feel like a suggestion or an idea. It was an assertive, “this is how Irelia is” by, say... a Ry/ze or Ken/nen blog or something. That felt extremely isolating and alienating to me, because it felt like I could not participate in that conversation at all. Or stuff after. I had to sideline myself, because... that has nothing to do with me or my interpretations. Ofc griping at them is wrong because I know they mean, ‘this is how I see it’, but ye. I’m short tempered and easily upset. Working on it.

If someone really hates your character, how do you take it?  — um? bye? hello?

god I used to go “ ok that’s cool you don’t like my portrayal, here are some other great So/na blogs that I love” but I realized that I was directing someone who felt the need to tell me my portrayal or character is bad to those people... and no. no no no. I still feel a little guilty about it, because thinking I directed a toxic person to my duplicates...  yuck.

If you don’t like the characters, or you don’t like my divergent takes, that’s fine. I get it’s not for everyone. Just unfollow me. You’re not paying me. You’re not under any obligation. To an extent, i don’t mind being critical of the character, but there’s a difference between being critical and being hateful to someone’s muse? And it depends a lot on how close I am with a person. For example, I think Sy/las is a complete scumbag and I hate him, but I don’t go yelling that to every Sy/las blog I see. C’mon.

Another bit of salt but it’s... kind of a sad topic, really. There are some characters people love to hate, whereas other ones get the ‘protection squad’. And in general it’s really disheartening to see someone shittalk Lux every two weeks, but go ‘these other champs are off limits’. If you have that attitude, it makes me think you’ll shittalk my characters the moment they get popular ( COUGHIRELIACOUGH ) and that’s kind of sad. And mean. So general advice on this is: Probably just don’t tell someone you hate their muse, you know? Idk. Everyone has their own tolerance level too so. meh.

Are you okay with people pointing out your grammatical errors?  —  Somewhat.  Not much to say here, sometimes I am very tired, sometimes I comma splice like a madman, sometimes I overuse hyphen dashes to avoid deciding whether to use a comma, period, or semicolon - like this. I don’t need an editor. English is my first language. But if there’s something egregious or you have tips, let me know? I’m someone who looks up grammar rules regularly, and breaks teh rules just as regularly. Knowing when and how to break grammar rules is useful. Though I do tend to... overuse something once I’ve learned it. Hyphen dash, I’m looking at you.

Do you think you are easy going as a mun?   — Yes and no. I’m chill, I can be a little overly passionate, and I’m pretty quick to apologize... But I have certain moral standards and if you break those, you’re done. Also I can be a vengeful bastard. I try to give as much benefit of the doubt as I can and many chances, but I’ve noticed that I really... have a sour attitude towards a lot more people than I expect. Sometimes people who are very well liked, just because they said or did something that ticked me off. Luckily, I have the special skill of not being a jerk even if I don’t like you, and overall trying to be nice to most people, so it usually won’t matter. 

Ah and I can be a little selective in who I talk to / play favorites a bit. I’m a busy person with an adult life and a stressful job, I only have so much patience. I skip from “tolerating it” to “leaving”, and that can seem like I ghosted, but that’s not always the case. Just better to leave than to pick fights. I have some pretty strict standards and harsh opinions. Short temper. Vengeful. Alas.

Somehow people think I am very nice and baby, so take that for what you will. Pft. I just want people to be happy and feel comfortable and okay. Wrong is wrong, blah blah blah ok I stop now.

That’s about it, congrats for filling out!

( If you managed to read all this, with 3 full muses... Let me know, I want to hug you??? )