#also a really beautiful new worldview

[indigo-starcatcher]

I figured it out. Greta Van Fleet makes my soul feel held. ✨

[youraveragemushroom]

♡

[tropicalcryptid]

Ok so She-Ra pulled such a great hat trick with Hordak's characterization, and I LOVE it

One of my favorite things about 2018 She-Ra is Hordak's story and development (and Entrapdak cough but that's not the point of this particular post), and the cleverest thing is that so much of it is actually being set up and told to us in seasons 1 and 2 before we even realize that that's what's happening.

When we first see Hordak in the show, he's giving "generic evil overlord" vibes. Garden-variety baddie. Maybe a little more reasonable than some and clearly capable of long-term thinking, but that just serves to make him intimidating. Everything about him--the way he runs his empire, his armor, his color scheme, his minion, his Villainous Eye Makeup(TM), even his name--are all projecting to the audience "yup, Acme Bad Guy here. Move right along."

But then, backstory. And everything snaps into focus. Not only is it one of the first big oh SHIT moments of the show, where we suddenly zoom out and realize that there is SO much more going on than we realized--it's also the start of the audience seeing Hordak as a character rather than an archetype. Suddenly we realize that he's not conquering Etheria because he wants power, or hates happiness and sparkles, or whatever--he's doing it out of a desperate attempt to prove his worth to his brother/creator/god. This moment where Hordak lets Entrapta in is also the moment the show lets us in on what makes our favorite spacebat tick.

On top of that, we've also seen him bonding with Entrapta and opening up to this person that he respects and trusts...probably the only person he's ever respected or trusted apart from Prime. And she's Etherian--someone of a lower species, someone he's supposed to subjugate, someone who he has been raised and trained and programmed and mind-controlled into believing is below him in every way.

But instead she's brilliant and creative and mesmerizing. She's not afraid of him, and she's fascinated with his work. For the first time since being abandoned by Prime, Hordak finally has someone that he can talk to, who is on his level and both understands and cares about the science! (because he is a giant nerd). She's kind to him, a mere defect. And it just sends his whole worldview into a spin, and that's all before--

Bam, mans is a goner. Entrapta's "Imperfections are beautiful" comment punches right through all the toxic bs that Hordak has been steeped in his entire life. You can see on his face here--I think it's the moment Hordak fell in love with Entrapta, but this is also the face of a spacebat reevaluating his entire worldview. If Entrapta, who is amazing, believes something different from Prime...what does that mean? If Entrapta, who is brilliant, believes that he is worth something, and that she herself is a failure...

Well. We know what happens after that, and how Hordak begins to doubt, and eventually fights back against Prime (and remembers his love for Entrapta after TWO mind wipes help my heart ack). But we also get to see what life in the Galactic Horde looks like: the only life Hordak ever knew before coming to Etheria.

It's not nice.

It's really not nice.

Prime operates in a very specific way, and we learn a lot about it in season 5. Prime expects complete obedience, devotion and worship from his clones. He allows no individuality from his subjects, not even a name. Failure or deviations are punished, mind-wiped, or destroyed. We even learn from Wrong Hordak that facial expressions are considered a privilege reserved for Prime (apart from, presumably, expressions of rapture caused by being around Prime).

And once we learn all of this, suddenly thinking about season 1 Hordak becomes very interesting indeed. The time we spend with the Galactic Horde and Prime throws absolutely everything that we know about Hordak into a whole new context. Now all those traits that made him a generic villain are actually hugely effective characterization! And what that characterization is telling us is that Hordak had already moved much farther away from Prime than we (or, probably, he) had realized, even long before he met Entrapta.

Horde Prime does not allow his underlings to have names, personalities, or any differences of appearance. Not only does Hordak allow this among his own troops, he chose a name for himself as well! Season 5 tells us that his very name is an act of blasphemy against his god. And yet Hordak took one for himself, and that name is part of the core identity he is able to hold on to when rebelling against Prime.

Horde Prime cast Hordak out when he showed signs of physical imperfections. Hordak not only keeps Imp (who is by all appearances a failed clone or similar experiment) around, he treats Imp more gently than we see him treat anybody or anything before Entrapta. Imp is not simply "generic evil guy's minion," he is proof of Hordak's capacity for compassion, and evidence that Hordak cannot bring himself to cast aside "defects" as easily as Prime. Considering where Hordak came from, Imp's existence is a huge, flashing neon sign telling the audience this guy here is better than the hell that molded him, and we don't even realize it until 4 seasons after it's been shown to us!

Very cool, ND.

There's more, though. Hordak's red and black color scheme? His dark eye makeup and lipstick? Very Evil Overlord chic. But nope! Actually these are actually expressions of individuality on a level that Hordak knows would be abhorrent to Prime!

Reading between the lines, I see this as Hordak desperately trying to reconcile two diametrically opposed beliefs in his head: (1) devotion to Prime, whose approval he desperately craves, and (2) maintaining some degree of unique personhood, of Hordak, from which to draw strength. Because a failed, defective clone cannot survive on a hostile world, cut off from the hivemind and from Prime's light. A failed clone cannot create an empire to offer Prime as tribute, nor build a spacetime portal from scraps and memory to call Prime back. A failed clone cannot create cybernetic armor to keep his hurting, weakened body alive; to force himself to keep going no matter what, to fight through the pain and the doubt by sheer force of will.

But maybe Hordak can.

And so there it is. Hordak had plenty of time to gain and explore his individuality while separated from Prime, but I think the reason he did it so effectively (while still deluding himself that Prime would forgive him for these little sins, if only Hordak could prove his value) is because he had to.

Wrong Hordak gained his individuality surrounded by kind, quirky people who took care of him; Hordak was ripped from the hivemind by Prime himself and had to fight for his survival against all odds. And that produced a dangerous and damaging foe for Etheria. But it also produced the one clone with the strength of will to defy Prime himself.

This is long and rambling, but ultimately my point is that 1) I love Hordak, and 2) I love love love love that the show was so clever about his characterization. We learn so much about him and how much progress he's already made in breaking from his psycho abusive cult upbringing, and we don't even recognize it until the show wants us to. Hordak had come so far, all on his own, before he met Entrapta. She just helped push him over the edge and finally realize (at least consciously) that Prime's worldview might not be the correct one.

Idk, I just don't know if I've ever seen all the trappings of Basic 80's Villain(TM) so successfully subverted, where looking back 4 seasons later is actually a smack in the face with the "effective character building" stick. Amazing.

[astrologydayz]

PLUTO IN HOUSES - SYNASTRY🔒💜

PLUTO IN PARTNERS 1ST HOUSE = house person can get a better view/actually a whole damn script by the Pluto person of why they move the way they do in this world - PLUTO SEES, & NOTICES EVERYTHING👁️. House person can get more calculative/cunning, more intense, more ruthless, more powerful, or very much more fearless in life bc of the Pluto person! Pluto person can also help the house person with transforming their worldview/or help them become better at controlling themselves before they make a move in this world!🤌🏼 House person can feel REALLY special here, bc Pluto can be really into them, & it's really obvious/or Pluto makes it very obvious here❤️‍🔥. House person can be very attracted 2 the Pluto person - they can find them sexy, & magnetic<33. Also very very intense sometimes - but that's usually also one of the reasons they can feel really attracted2em, actually. Conflicting aspects can show problems/issues bc Pluto can get obsessed with/or2fixated on the house person/issues bc house person can feel like Pluto is trying 2 overpower them - get them under their control.

PLUTO IN PARTNERS 2ND HOUSE = house person can feel an incredible support from Pluto person here - Pluto is the one always giving power 2 house persons confidence, & self worth😻<33 - Their self worth/values/material possessions/even their income could have transformed a lot when Pluto came into the picture. Pluto's way of showing power, fearlessness, intensity, cunningness, & their way of transforming/facing their shadows is something the house person is really attracted2/secured by, & they value the shit out of it2🔒<33. Pluto can also be really into supporting the house persons financial goals2 - sometimes they can even give the house person a "push forward in the line” here🫶🏼. Conflicting aspects can show issues bc Pluto can try 2 dominate the house persons spending habits, material possessions, or self worth/issues bc house person can feel like Pluto is trying 2 take away their personal security.

PLUTO IN PARTNERS 3RD HOUSE = house persons mentality/mindset can go through a transformation here, bc of the Pluto person. house person can feel heard, & listened 2 on a whole other level here💞<33 - Pluto can go insanely deep, when it comes2 their conversations with the house person. Pluto can also be really interested in the house persons relationships with their siblings/cousins - if they have any ofc/they can also be really interested in figuring out the house persons thought patterns. House person can be attracted 2 Pluto persons powerful/fearless way of communicating🫰🏼/attracted 2 Pluto persons potent ways of getting their points across❤️‍🔥<33. Conflicting aspects can show issues because the Pluto person can try 2 dominate the house persons mind/or always try2 dominate their conversations together/or try 2 dominate house persons relationships with siblings/cousins.

PLUTO IN PARTNERS 4TH HOUSE = house person can get a clear view of their upbringing/childhood/of their family here because of the Pluto person🤌🏼 - Pluto person goes deep here bc they want 2 know the house persons core - why they are who they are, & how they became like that. Pluto can also want 2 know everything about the house persons past in general🤔 - always being two steps ahead<33. House person can feel very very secured, & loved by Pluto, because Pluto knows every "beautiful, & ugly" thing about them, & they choose 2 love, & accept every single thing❤️‍🔥🫶🏼 - house person can be very loyal 2 Pluto bc of this<33. Pluto can also transform the house persons family life/homelife<33. Conflicting aspects can show issues bc Pluto can try2 control the house persons home life/home, contact with family/issues bc house person can feel like Pluto is always watching over them/Pluto can be 2 probing. PLUTO IN PARTNERS 5TH HOUSE = house persons views on dating, & fun can really get transformed here🌪️ - Pluto can show them new ways of doing things<33. Pluto can be very focused when it comes 2 courting the house person in the beginning, & they always go all in when they have 2 plan out dates🌹 - they're deep, & meaningful. House person can find the Pluto person mysterious, magnetic, & very intense🫦. Sex between these two can feel/be very deep, passionate, & intense<33. Pluto can also be a powerful supporter/investor when it comes 2 house persons creativity/art<33. There can also be a deep focus on raising kids together here - Pluto can be the one who's all about "micromanaging"/over protecting their kids at times🔒. Conflicting aspects can show issues bc Pluto person can be/feel way 2 intense for the house person when it comes 2 dating/fun/creativity/kids.

PLUTO IN PARTNERS 6TH HOUSE = Pluto can transform the house persons daily routines/transform the way the house person live their daily life here - Pluto can go all in on helping the house person with getting fit💪🏽/or help them take care of themselves in general here. Eating habits can also be focused on🥗🍜🥞 - Pluto can be the one making their food/or deciding on what 2eat<33. Pluto can also help the house person with seeing things clearer/help them with always being 2 steps ahead when it comes 2 their work/or coworkers here👥 - if house person has issues with giving their power away, Pluto can teach them how take it back<33. House person can be really grateful 4 Pluto in their life, as Pluto can help them with doing things they never thought they would have the power to do💪🏽. Conflicting aspects can show issues because Pluto can be too fixated on house persons daily routines eating habits/their health/on how, & how much they workout - issues bc house person can feel micromanaged here.

PLUTO IN PARTNERS 7TH HOUSE = Pluto can transform the way the house person sees/views partnerships/marriage/relationships in general here👥<33. House person can find the Pluto person crazy sexy, & attractive bc of how they showcase their power/bc of how fearless/brave they can be when interacting with others🤌🏼 - Pluto can also be very very focused on their connection, & on protecting it❤️🔒 - which also can cause major attraction from house persons side. Pluto can help the house person become more fearless when it comes 2 how they deal with others/help them be more "on top" when it comes 2 how they go about their "businesses" - teaching them 2 really think about their moves, before they move when it comes 2 other people. Conflicting aspects can show issues bc Pluto can be 2 dominating/or 2 into deciding things 4 the house person - especially who they talk2/surrounds themselves with. PLUTO IN PARTNERS 8TH HOUSE = Pluto can be really into knowing the house person on a very special, & intimate level here❤️‍🔥 - they want 2 know what kind of intimacy they really seek in life/what really turns them on/what fetishes they have/what kind of secrets they keep/what transformations they've been through/what traumas they got in their bag<33. House person can become very attached 2 Pluto, because Pluto knows all their truly vulnerable points. Sex here can feel/be very very intense, powerful, & transformative, & it can bring a liking 2 darker stuff, or they can be into some kind of bdsm shit together👋⛓️ - Pluto is typically the one dominating. "Transforming through/or because of a deep intimate connection/sexual connection". Conflicting aspects can show issues because one can manipulate the other 4 own benefit/issues bc Pluto person can violate the house persons boundaries.

PLUTO IN PARTNERS 9TH HOUSE = Pluto can be very fixed here on showing house person the way when it comes really "living life, & really being free"🕊️. Pluto can be intense when it comes 2 showcasing their belief system/or their higher thoughts 2 the house person here. Pluto can be a very big supporter when it comes 2 house person experiencing life all around🛩️🌍 - with, or without them<33. Pluto can also help further the house persons education level📚 - Pluto can be fixed on helping the house person with achieving a higher education📓. Conflicting aspects can show issues because Pluto can be 2 dominating when it comes 2 house persons beliefs, or education level/issues because Pluto can be/feel 2 confining 4 the house person. PLUTO IN PARTNERS 10TH HOUSE = Pluto can be fixed on helping the house person with furthering their achievements/work/image/reputation/social status here⭐️🥇. House persons social standing can also go through a transformation bc of Pluto❤️. Pluto can be a powerful public supporter 2 house person - Pluto's connections can also come in handy 4 the house person<33. House person can become more secretive, more calculative, but also more fearless in public, & when it comes 2 how they make moves 4themselves in regard 2 their worldly goals here, because of the Pluto person✨<33. People can see these two as a powerful duo! Conflicting aspects can show issues because Pluto can be 2 involved/or 2 decided on deciding things 4 house person, when it comes 2 their career/social image - how they're seen in public/issues because house person can feel like they have no power/or voice. PLUTO IN PARTNERS 11TH HOUSE = Pluto can be a very big supporter/investor when it comes 2 house person achieving their dreams/their humanitarian goals here💋<33. House persons friends can see the Pluto person as elusive, intense, & mysterious - Pluto can also make a big impact in house persons friend group here/or make a big impact on house persons social life🫰🏼<33. They can make big changes in their community/or in communities all around together, & be very dedicated 2 it<33. conflicting aspects can show issues because Pluto can be 2 dominating when it comes 2 house persons social life, dreams/issues because house person can feel like Pluto is holding them back in life😤.

PLUTO IN PARTNERS 12TH HOUSE = Pluto can transform the house persons sleeping pattern/views on spirituality, & isolation here. Pluto can also make the house person become more powerful in themselves, when it comes2 their hidden sides - the sides they hide away from the world/or when it comes 2 the things they don't want showcased🫣<33. These two got a very profound psychic connection💜, & house person usually feels it right from the start - House person can also feel that the Pluto person is gonna be someone really special 2 them/or feel that they're someone pretty important, when it comes2 their journey here on earth, in some way, shape, or form😘<33. Pluto sees right through the house persons hidden fears2, & can either help them with em, or make em worse😮‍💨. Conflicting aspects can show issues because the house person can feel like they can't ever hide here - Pluto always sees, knows/issues bc Pluto can effect the house persons psyche in a bad manner.

THANKS4READING LOVE💜 APPRECIATE U, ALWAYS🫶🏼

MASTERLIST✨

[readerstories]

When You Touch Me - Wolverine x male reader x Deadpool 6/?

Some light word-building, and a try at explaining a little with reader's thinking/worldview. And of course, a soulmate :3 Next chapter in about a week(+/- a day)! (AO3) (Part 1) (Part 2) (Part 3) (Part 4) (Part 5) (Part 7) (Part 8)

Warnings/tags: male reader, canon-typical violence, enemies to friends to lovers, slow burn

Wordcount: 2506

Summary: You’ve heard many stories about how people met their soulmates. Everyone crazier than the last, ranging from typical meet cutes, meeting with one of them at death's door, in war, meeting at your soulmate's wedding to another, and everything in between and outside of that. You had just never expected to add yours to the crazy list, meeting yours in a fight, only realizing after trying to kill each other for at least half an hour. And you certainly don’t expect to have another.

It’s been a week since you saw either of them. 

Your soulmates. 

You don’t like them being that, you could call them something else you suppose. But calling them their names all the time is more of a mouthful, and though you gave them nicknames before you learned their names, giving them new ones seems worse than just calling them what they are. (Even as much as you hate it.)

The ache in your shoulders and upper back has settled to a near permanent thing now, only fleeting relief for the for the briefest of moments if you massage the area. 

You know why it doesn’t fade, but you don’t want to admit that to anyone, especially not Evelyn when you visit her for a check up, this time at home in her and Olivia’s apartment.

You wonder how many other people have to bring brownies to their doctor appointments as you ring Evelyn’s and Olivia’s doorbell outside the building. To be fair, not everyone else’s doctor works as a veterinarian and has a wife that would kill you if you didn’t bring them (not really, but sometimes you think Olivia is certainly capable of doing so). 

Said wife is the one who buzzes you in, and greets you in the hallway just outside their front door with an enthusiastic yell of your name, and a hug that makes you let out a small grunt of pain that you try to hide in favor of hugging her back with the arm not currently holding onto the strap of your backpack.

“Oh, I’m sorry, you’re a wounded man, come in, come in, Evelyn is just setting up.” Her beautiful dark and curled hair bounces as she heads to the kitchen, and you follow her after making sure the front door is closed behind you.

The kitchen table is covered in towels, towels you know are specifically for this purpose, since none of them are the cute patterns Olivia loves. You also know that underneath there’s cling wrap covering the table, for cleanliness and just in case. It hadn’t been often you had been on this kitchen table instead of the clinic table, but the procedure Evelyn has around it isn’t unknown to you. A lot more organized than what Wade’s and Logan’s had been. 

You banish the thought of them from your mind as you put your backpack down, dipping your hand inside to fish out the box of carefully wrapped brownies out, and present them to Olivia. She gasps at you, almost yanking the box out of your hand with how fast she takes it.

“Sometimes I swear it’s like you are my second soulmate.” Your stomach swoops at her words, and you make a face. She knows and disagrees with your view on soulmates, so you know it’s a friendly jab, and normally you wouldn’t have cared, but this time it hits something you don’t like.

“Yeah, yeah.” You roll your eyes at her, focusing on Evelyn instead as Olivia goes to put her treasure away. “Ready for me doc?” Seems to be the perfect time to ask that question as Evelyn puts gloves on and pats the table. 

“Up you go.” You do as asked, hoisting yourself up. You take your shirt off, balling it up, putting it under your head as you lay down, getting comfortable. “Feeling fine?” Evelyn starts to peel your bandages off, slowly and carefully.

“Yeah. They seem to be doing fine, in my non-medical opinion.” She hums, and you know she’s taking your words into consideration, but it won’t really matter much before she has had a look herself. You let your eyes stay open, watching the ceiling as you hear Olivia putter around the kitchen, and feel Evelyn poke around your wounds.

Nasty couple of things. Well, they had been. You have been surprised nothing had gotten infected, you had no idea how well Wade took care of his swords, how nasty or not they were. But well, to be fair to him, if you had gotten an infection, your makeshift bandages would have been just as likely a culprit.

“Looks like you won’t die anytime soon, but they’ll still leave some nasty scars behind.” Evelyn offers, seeming to be done with her inspection of you, as she changes gloves, and starts applying new bandages. You shrug, you figured out much. Nothing cuts that deep without leaving behind a mark.

Well, unless you are a super healing mutant. Even after you had tried multiple times. Both with a katana and a gun.

Should you even feel bad for hurting your soulmates like that when it was done when in panic but with the knowledge it would heal? And you got more permanently hurt?

And to be fair, Wade had knocked you out before you ever hurt them after realizing they were your soulmates, so it wasn’t like you hadn’t been hurt, but you shot them both. Caused them more pain.

So maybe you are all a little beyond messed up. 

Made for each other, like that soulmate shit implies.

You shake your head at that thought, dispelling it into the ether, which gets you a weird look from Evelyn as she finishes with your bandage.

“You alright?”

“Yeah, I just haven’t been sleeping right.”

“Chest pain?” Her hands hover near your chest, but move away as you shake your head.

“No, shoulder and upper back, think I’ve accidentally pulled something.” She frowns.

“I thought I told you to not work out or put unnecessary strain on your body as you heal.” You know what it’s from, and it’s definitely not that.

“I haven’t been working out or lifting anything heavy, I promise. I’m just an old man.” You joke, she rolls your eyes at you as you sit up, taking the glass of water Olivia offers you.

“Let me know if it keeps up, and I’ll see if I can’t figure out what it is, and get you something for it.” She can’t know and won’t be able to get you anything, but still you nod.

“Am I allowed to put my shirt back on Doc, or do you just want to ogle me some more?” You joke, this earns you a slap on the shoulder by a now gloveless hand just after Olivia hands you a chocolate chip cookie. 

“Thought you were making pasta?” You get off the table and take a bite out of your cookie as Olivia smiles at you, and Evelyn starts cleaning up.

“I am, but good patients get rewards.” 

“What am I, five?” You joke, Olivia reaches out as if to take the cookie out of your hand, you take a step back. “I prefer your cookies over any stupid little toy.” Olivia’s smile is bright, and if you weren’t gay and she didn’t have a soulmate, she could have been your type. She turns around, planting a kiss on Evenlyn’s cheek as she passes her on her way to grab ingredients for the dinner she is going to make for you all.

You lean on the kitchen counter and munch on your cookie, mindful to stay in the background and out of the way for them both as they move around each other with ease. Evelyn cleaning up medical supplies and the makeshift sickbed, Olivia starting to cook dinner.

You don’t want to bring up your soulmates with either of them, since you know their stance on it all is opposite of yours, since they are themselves soulmates. You’ve had plenty of arguments about this both drunk and mostly sober. You think soulmates make one vulnerable and just bring misery in the end, they think it brings strength and that you should enjoy what good you can have in life.

So you know they would just tell you to go to your soulmates, and be with them. 

For the rest of your life. 

Ugh.

You’re fine on (mostly) your own, thanks.

—---

This time, when the universe decides it’s time for some light fuckery, it’s Logan. On his own. And it’s not while you are working. 

Not that it makes it any better.

You are taking it slow, the bar you find yourself in isn’t the fanciest thing, which suits you perfectly. The tables are mostly clean and the floor has seen better days, but they have several types of beer on tap and in bottles, a pool table, and even two shuffleboards. All in all, very casual, somewhere you could sit alone, or join a random group playing one of the games. If money sometimes exchanged hands, both between players and spectators, nobody gave a shit.

You had been a few times before, always enjoying yourself. You’re not even drinking this time, sticking to soda as much as you want to have a proper drink. You had just needed to get out of your apartment, and though you long to feel the burn of alcohol pass over them, you know it won’t heal any faster, so if you can just keep from drinking for a little longer, you can get back to the normal state of things quicker.

Well, as normal as they can get after the universe decided to change the core of your life. You were not one for company, at least not permanently.

Currently you are sitting at a table, watching two long bearded and bald men play pool, making snide comments back and forth. You had made a bet on the man with the scarred ear, but he is losing, pretty badly.

Oh well, 20 bucks isn’t the end of the world.

What kind of feels like it though, is when you spot Logan walking into the bar. He’s wearing normal clothes this time, just some jeans, boots, and a green flannel. He glances around the bar, you duck your head in the hope that he doesn’t see you.

You don’t hope for long though, as a very full glass of what looks like whiskey is sat down next to your soda, and the chair on the other side of the table becomes occupied.

“Logan.” Your uttering of his name in greeting is icy, your name falling from his lips are decidedly less so.

“What are you doing here?” You ask him, feeling your shoulders ease up. Which annoys you so much, he’s just arrived, and he’s already making you feel better. You want to go, to leave, even as your loosening muscles reminds you that staying for a little bit will stave off side effects of your unfortunately shared bond. 

“Drinking.” He grunts, taking a sip of his glass. You roll your eyes and look at him for a few moments, head swirling with thoughts. You settle on one, just to have something to say as you stall and try to figure out how much time you need to feel more than just a little less shitty, though you can’t help but be actually curious as you ask.

“Can you even get drunk with your healing shit?” Logan frowns, and you wonder if that’s his default. You don’t ask about that though.

“With some effort.”

“Why the fuck even be in a bar then?” Your tone is still not kind, even as you  feel your shoulders ache just a little bit less, like you had just massaged over a good spot. He shrugs.

“Company I guess.” It’s your turn to frown.

“I have no interest in being company. Get away from me Logan, or I will make you go away.” You know you should stay close longer so you can also stay away longer, but you are still stubborn, not wanting the fuckery that is soulmates. 

At least if you just stay in the same room, it should help, you think. 

You hope. No need to stay close in the slightest. 

He takes you in, quickly glancing at you from top to toe.

“I -“ You don’t let him speak.

“What did I just say Logan?” He scowls at you, you glare back at him, but let him speak when he opens his mouth this time.

“I don’t like it.” Logan reluctantly admits as the scowl stays on his face. “This being the way we are going about things.” He clarifies.

“Though shit.” He tilts his head at you, scowl turning into more of a squint.

“Are you always this combative?” You feel like a street dog on high alert, barking in warning. 

“Fuck off.” 

“Look-” And when barks don’t work……

“You had your warning.” You say as you grab your knife from your left leg. You stab it into his hand, aiming for the skin between where the claws go through his hand, hitting the jackpot as red seeps around the knife and the tip of it burrows into the table. Seconds later there is warm and sharp metal pushing your chin up. You grin and waggle a finger at him.

“Nah ah, mortal, remember?” You twist the knife around once for good measure, making him grunt in pain, and then pull it out of his hand. You already know you are banned from this bar for life, but you don’t care. His claws retract, this time you realize it actually makes a sound. Huh.

“So you are always this combative.” Logan grits out between his clenched teeth, as his hand heals itself, leaving behind nothing but the blood that spilled out where you stabbed him.

“Fellas, time to go.” A bouncer suddenly stands in front of your table now, a t-shirt with security over his chest in big white letters. He’s huge, towering over both you and Logan, arms ready at his sides, eyes flicking between the two of you. You see Logan seize him up, and for a moment you wonder if he is going to fight the man, but his eyes go to you as you get off your chair.

“Yeah, yeah, I’m going.” You put your knife away. “Again, fuck off Logan.” You show him the finger as you walk out. He’s just steps behind you, clearly no longer welcome in the bar either, but he keeps his distance as you both go out of the door. 

You have no idea where he's going, and you have no plans now, so you start walking in the direction of home.

After gaining some distance, you look over your shoulder. You don’t want to be followed. Logan is standing just outside of the bar, looking at your retreating back, but he takes a step forward as your eyes connect with his. You show him the finger again as you disappear around a corner.

You rub your forehead as you are out of sight, annoyance cursing through you. You think some of it might be his.

Fuck, you wish you could get drunk right now. Well, you could, but it wouldn’t be good for your healing. And you have no idea how bad or good your control over your bonds are when you’re drunk.

Just another thing for future you to figure out, you guess.

(Part 7)

[ghostgirl101]

Hi! I saw you did a obsessed oliver quick, would you consider doing the same for felix catton?

Dating Felix Catton Would Be Like This...

A/N: I would absolutely consider it, and here you are 😎 also if anyone has any oneshot ideas for Oliver or any of the other Saltburn guys then drop them in my inbox, I wouldn't mind writing a proper imagine scenario for them too 📩 next up is more Oliver Quick stuff anyways, so go crazy. Also, why did I find this kind of hard to write? Maybe I'm just used to Oliver's craziness and not this pretty little aristocrat's 🙃

🍾• Contrary to Oliver, Felix's type of obsession would be less murderous and delusional, more realistic, kind of vain... he's a Catton, a rich boy everyone knows and loves, who wants to be him or be with him. He's used to getting his way, learning new things about people until they get boring or get on his nerves, and then life goes on.

🍾• Not this time.

🍾• You'd meet at Oxford, either by coincidence, or by getting in with his clique of friends somehow. Chances are you helped him out on a test or covered for him in a class, and so he calls you over in recognition next time he sees you, to hang out with him and Farleigh and the rest.

🍾• There's something about you that gets the pretty aristocrat interested. Maybe it's just your charisma, your beauty, some definition that makes up you. You're different from his other friends, don't follow the crowd, have a different mind, a worldview he doesn't get. And he likes it.

🍾• So prepared to be hounded with questions over a drink at the pub after classes, all curious but friendly eyes following yours as you summarise yourself, your background, your ambitions. And what are his? Well, he lives in a beautiful estate with his high-class family, goes to Oxford because he can... I never really saw that he made any plans for himself in the film, so my guess is that he's not all that bothered about it. He's got money, he's got connections, he'll do what he wants, like always... so long as it meets the Catton expectations.

🍾• Assuming you don't have the same outrageous luxuries as Felix does, he wouldn't see the need to impress you or get your attention at first, because his status is a given around school and everyone's after him. But if you're not the same as the other girls who crowd around him when they're given a good enough chance, he'll find himself keeping on calling you over, wanting you around for your input on things they do.

🍾• Probably shows off his wealth - unknowingly or not - by buying you something for an unnecessarily high price, like a designer fountain pen when yours runs out in English, and he'll shrug and smirk softly, because it's nothing, don't worry about it.

🍾• Farleigh will undoubtedly be interested in you, but I see him warming up to you instead of being mocking and sceptical like he was with Oliver. Probably because you give off a lot better vibes than Ollie, and treat his friends like normal people, not tiptoeing and aweing of them because they're all rich and popular, but getting on as well as you can. There's something special about you that Felix saw to try pulling you into his circle, so you don't have to do anything but be yourself.

🍾• And when the summer break does come by, you're invited to Saltburn with his closest; a dazzling, rare invitation from the young Catton himself, probably away from others in a nice spot around campus. He'll give you his charming smile and warm eyes as he tells you to come along with them, that his mum will like you because you're beautiful, and that he really wants you there.

🍾• Expecting you to go all squealy and eager with a dozen yeses - if you can manage it, hold that all down to give him a nod and a shrug with a light smile as you agree calmly and casually instead, because that's a whole new response he'd never expect from any lucky person he shows an interest in. How come you're not falling all over him like the whole of Oxford does just by him being there?

🍾• You'll definitely be showered with attention at Saltburn. Elspeth will marvel over your complexion or your eyes or your hair or your outfit (or all of the above). Venetia will probably be grateful to have someone around who has a proper personality that she can talk to and will make friends with you fairly easily.

🍾• You'll catch onto Felix's jealousy over the attention you get pretty quickly, because he doesn't even try to be subtle about it. He'll just shamelessly approach you and complain in his own way that you're his guest, and he brought you here so you two could hang out. His sister's annoying, Farleigh's a troublemaker, so you should probably just stick around him, right? Makes sense, doesn't it?

🍾• Sure it does, Felix.

🍾• He's a nice guy really, kindhearted and sweet enough, but at the end of the day, the world is his to play with, and so are its people. He just needs to understand that you're not a toy... you're an individual, and so if it's going to be anything like his other "relationships" where he gets bored and leaves them to it without a second thought, you're not interested.

🍾• Which is all shock and horror for Felix Catton, because is this really what a proper relationship means? Proper thought and feeling 24/7, staying with that one person instead of having flings with whoever whenever he feels like it?

🍾• So just give him a hot minute to sulk about it over there while you have a good time with his other friends and Venetia, because the more he sees you hanging around with others and being true to yourself, adjusting to Saltburn's black-tie standards but not letting it shape or belittle you, Felix has to actually realise that he hasn't got a whole lot of depth or meaning to his life if it doesn't involve you somehow, in the closeness that he wants and needs it.

🍾• Okay. Convinced. He'll give it a shot.

🍾• I think that Felix would expect it to be difficult for him, because he's used to his carefree, no-strings-attached game of life instead of anything serious. But it'd come easier than he'd think. Other people just don't interest him as much as you, simply because they're not you. They don't have the same little... thing. Girls trip over his feet and cling to him, everyone wants to be his mate, to try to fit into his rich lifestyle, but you do it all effortlessly, and it's puzzling.

🍾• And so hot

🍾• Felix would be casual and open with PDA, since everyone will come to grips with the two of you being an item after you've been dating for over the span of a few solid days. An arm slung around your shoulder, messing with your hair with a fond, teasing look, linked fingers under the table. Nine out of ten times, he'll beat you to it and reach out to you first, because whatever he says, there's a needy boy in him somewhere 😏

🍾• This guy was a complete playboy before you, so needless to say, when you're getting real close, Felix has a pretty good grasp of what he's doing, and he'll do it right. Petnames too, of course, Surprisingly - but unsurprisingly - things like darling and beautiful, but he'd probably try to make a nickname out of your name and shorten it to give you one, finding it funny if you give him a mildly annoyed and amused look because it sounds weird.

🍾• He'll be all bright eyes and grinning proudly as he takes you to his parties, to have dinner with his parents, who get on with you wonderfully, because you're polite but not a suck-up like everyone else, and can hold a good conversation with them while looking over their shallow spins on things.

🍾• Honestly though, from what I saw of Elspeth, she made me laugh out loud a good couple of times from watching, so being friends with his mum wouldn't be a bad thing at all. And Felix would like to see you getting along with his family, because it just proves that you're a perfect fit, like he knew you were.

🍾• You'd make a friend for life in Venetia if you tried to comfort and genuinely help her with her insecurities and problems, not play her like the rest... I felt so bad for her tbh

🍾• You'll never want any material thing ever again, because his money can buy pretty much anything you want. I'm pretty sure his family would give you some kind of allowance when you're serious with Felix anyway, since they can see it in him that he's serious about you too, and the whole relationship is a great step he's made in his life. Any financial support you need, you've got it. Don't even mention liking the look of something in a shop window, because chances are you won't get the item, you'll part-own the store 😭

🍾• So, basically, you don't just get a gorgeous young aristocrat who finds every little unique, original thing about you fascinating and attractive, you get the whole of Saltburn as your second home. Just try to make friends with Duncan, and you'll probably get all the dirt on them too lmao- he'd get on better with you than he did with Oliver anyway, since he apparently was the first and only one in the household to realise that there was something off about Oliver.

🍾• Ohhh, and if we're getting to the twisted-up subject of Oliver Quick...

🍾• Let's just say that it could go two ways. Either he'll be obsessed with the both of you, and treat you the same way he treats Felix, looking up to him with intense, wide ocean green eyes, shadows after him in the hallways after dark. Or, once he's done destroying Felix... his obsessive, delusion-spiked gaze will flick straight over to you.

🍾• Either way, steer clear, that's all I can tell you.

[mortalfaerie]

hi here's a little series on what i think the gravity falls kids grew up to do since they're 25 now

Pacifica "Paz" Northwest

after weirdmagedden, she became increasingly disenchanted with her parent's and their worldview, which led her to start questioning the structures around her

though they sold the mansion, her parents had a lot of money in real estate and they live in a condo building they own in town

she took a job at greasy's diner initially as an act of rebellion but stuck around throughout high school because it gave her a refreshing taste of the real world

she got really into politics, also initially as an act of rebellion, but did eventually become a really staunch take-no-shit feminist and went to protests in portland

she reconnected with the twins one summer during their teen years once she had "been cured of her rich girl mentality" (-mabel) and she and mabel became pretty close. things remained a little awkward with dipper when they were teens, but they relaxed once he realized she did actually care about mabel and wasn't going to hurt her

she's actually very analytical and level headed, which makes her a good foil to dipper - who continues seeking out mysteries to solve in gravity falls

she continued competitive golf and even won some local and regional titles in the women's junior division, which gets her an offer to go play golf at UCLA (conveniently, also where dipper goes)

she got access to her trust fund when she turned eighteen, and relies a lot less on her parents after that. she continues to try to have a relationship with them but it very aware of the toll they take on her, leading her to go low-contact with them in university.

she joins a sorority (i think kkg, she feels like a kappa) and probably ends up as treasurer or some other leadership position

she majors in political science, makes the dean's list, and gets an honors degree. she considers becoming a lawyer, but decides she's more interested in public policy & decides to go into policy analysis & international relations

she and dipper have a prolonged will-they-won't-they throughout college, finally getting together in the summer before their senior year. this borrowed from rockslide on ao3 but hilariously, she doesn't realize he's trans until she sees his too surgery scars for the first time because 1) she only ever knew him as a guy and 2) she only saw him in the summers growing up.

her parents disapprove of their relationship and generally the pines family, which is the straw that breaks the camel's back for her to go fully no contact. after that point, she's embraced by the pines family as one of their own.

she graduates magnum cum laude and dipper is her biggest supporter. he gets an offer to do his doctorate in archeology at king's college london, which ends up working perfectly because she gets a job at the us embassy in london.

they move to england together and rent a flat in a new building because even though the historic ones are beautiful, she can't deal with more ghosts.

i think by this point they've been there for two and a half years and they've gotten a cat (named tyrone, or ty for short) and dipper's just made the transition from phd student to phd candidate and started his dissertation.

[anemoiashifts]

how to enjoy shifting again & recover from burn out.

its always about the process & never the outcome.

⋅˚₊‧ ୨୧ ‧₊˚.

♡ mindset.

so what you didn’t shift ? shifting isn’t going away. you have an infinite amount of chances to shift & the greatest part is you only have to do it once “right”. you only have to get to your dr once & show yourself that you’re capable. prove the existence of shifting to yourself.

if you didn’t shift & say something like “i hate that im still in this reality”, try flipping it to “the universe has more to show me in this reality so that i can have the tools to cope & enter my desired reality with more knowledge & insight”. every time you open an app like tiktok or tumblr you’re being exposed to new information which can be draining at times (all in moderation) but knowledge is power. knowing & exposure to information — different perspectives — can be eye opening. you’re also getting time. time to think about where you’re shifting to, to learn to put trust into yourself.

for those of you who have been trying to shift since 2020, what parts of life & lessons would you have missed out on if you had shifted on the first time trying ? the universe has more to show you & is teaching you patience.

the universe or god or even yourself — whatever you believe in — is “preventing” you from shifting for a reason. & guess what ? you’ll come out of it a more fulfilled & experienced person. the universe knows what’s best for you. when you don’t get what you want it’s because the universe has something better for you coming.

⋅˚₊‧ ୨୧ ‧₊˚.

♡ reflect.

would it have been good or healthy for you if you shifted to your first dr. think about the things you’ve scripted. would you really want that life or do you like the just thinking about it ?

reflect on your journey. look at your scripts & knowledge & everything you have come to know since discovering shifting. compare your mindset & journey & your knowledge from then to now.

are you in a better place mentally ? yes ? no ? if not, how can you get there.

⋅˚₊‧ ୨୧ ‧₊˚.

♡ routine & self.

create the routine your desired reality self has. what would she wake up & think everyday ? would she go to the gym & workout or shower ? what would her day to day look like ?

we must become out dr self internally before we can see things begin to materialize in the physical.

fall in love with the process. get excited about falling into those same patterns & routines & aligning with your higher, desired reality self. become her. expect what she expects.

⋅˚₊‧ ୨୧ ‧₊˚.

♡ find the beauty in life.

if you shift, you shift. if you don’t, you don’t. im not saying that you cannot care but be okay with waking up where you fell asleep. don’t put all your eggs in one basket & care about life here. why don’t you care about yourself here but worship your dr self ? it’s still you. it’s still your life. both are you. what’s the difference between the two of you ? nothing because your dr self is you. give yourself room for error & don’t beat yourself up over it. learn how to speak kindly to yourself. go outside on a walk & pick out three beautiful things in nature.

♡ balance.

find balance in life. create a healthy mindset & positive patterns. there is no need to obsess over shifting because everything will work out for you in the end. if you truly believe you will shift one day, then there’s no need to stress because you know the outcome already. you don’t need to think about how you get from a to b. what you need to think about is your worldview & how your thoughts & system of beliefs shape you & ask yourself “are they serving me”? you have time in this reality , how can you not be miserable ? how can you make life here more enjoyable ?

⋅˚₊‧ ୨୧ ‧₊˚.

♡ cutting out things that don’t serve you.

somethings demotivating ? block or mute it. don’t like a method you’ve tried ? you aren’t tied to it. how about a piece of 2020 shiftok advice ? why are you letting someone’s expense have such a chokehold on you. just because it helped them at the time doesn’t mean it will help you. everyone learns differently.

there is no reason to be torturing yourself & putting your valuable time into holding onto things that don’t help you. there is no reason you should be so hellbent on shifting being this & not that. who cares what other people think shifting is ? all that matters is what you believe in to be because it benefits you. fighting someone in a comment section benefits nobody. stop disturbing other people’s journeys & putting unnecessary strain on the community. we all believe in shifting. we all should be supportive of each other, no matter what they believe shifting to be. you could be learning a lot from one another. knowledge is power. learn to appreciate other perspectives & outlooks & their insight. don’t be so quick to dismiss.

⋅˚₊‧ ୨୧ ‧₊˚.

♡ get excited.

start watching new shows so you can find new places to shift to. make playlists based on your dr. make scripts. make those paper mâché wands people made in 2020 if you’re shifting to harry potter. you’re allowed to get excited. you’re allowed to make it new & fun again. you can make a change for the better anytime. it’s never to late to start over & if restarting your journey from square one will help you then do it. literally adapt the mindset that this is the first time you’ve ever seen shifting on your feed right now. if this was the first video or post you’ve seen in shifting , how would that have shaped your perception of it ?

⋅˚₊‧ ୨୧ ‧₊˚.

[rosesutherlandwrites]

Struggling a little bit with picking up my pen (opening my laptop) and getting back to work on the wip today after *gestures vaguely* everything. Like, it was always going to be rough getting back down to it after a week off to move halfway across a continent on little more than sheer willpower and hope for a better future, but the way things have fallen out politically in the States is really weighing on a lot of us, no matter where we are and what we have going on.

Anyway I spent some time navel gazing this morning trying to get my head in the game again and ended up coming around to the thing a lot of us creatives have been returning to: All art is political. So, I took a long hard look at what I've written so far, and what it's saying about the world— both "the one we dream about and the one we live in now", to borrow from Anaïs Mitchell—and me, as the person putting it out there.

I wrote A Sweet Sting Of Salt, for fun—as escapism, really, during a period of intense upheaval and loneliness...which also happened to coincide with the first Trump administration. It ended up being a story about freedom, consent, women helping women, defiant queer hope & joy in a difficult time and place, finding beauty and love and community in a harsh world—and a misogynist abuser getting exactly what he richly deserves.

Today, I'm finding comfort knowing that even in what was written as a "simple" historical fairy tale, with no agenda beyond giving lesbians a happy ending in a period drama, there is no denying the queerness and feminism of a worldview that values that happiness.

Anyway, that's me musing on the nature of what I do, and where it fits in the world right in this moment. I'm glad that right now it's making me feel proud and energizing me to go on doing it as long as I possibly can: I'm sufficiently unpacked in my new place to function, so as soon as I send out some day job applications this morning, I'm getting straight back to work on my next queer book which feels like the thing I'm good at that I *should* be doing in this moment. The new one includes a whole through line about solidarity, the inherent violence of throwing others under the bus in an effort to improve one's own lot, and the slippery slope from doing what seems easy and painless and "not that bad" to true evil—I dunno, but that feels real apt at the moment.

All this to say: the work may feel hard but by damn it's my work and I'll keep on doing it until the moss grows over me.

[dawn-sunlight]

A New Way To Go Analysis

I believe A New Way To Go is the best Lion Guard song because absolutely everyone brought their A game while making it. The visuals are amazing, the tune is catchy, but I think the best thing about the song is how well it illustrates exactly what's going through Janja's head. There's so much character work you can glean from the song and that's what's so good about it.

“Why am I so confused?  It all used to be so simple.” - Jasiri has completely upset the status quo for Janja; she doesn’t fit in his worldview because she’s a strong, capable hyena who follows the Circle of Life, is friends with a lion(the leader of the Lion Guard no less), and has saved him from death twice now despite being on the opposite side as him, and he can’t ignore his growing feeling that maybe everything he’s known all his life is actually wrong. He didn’t know there was another way, he genuinely thought he had to act like this, but now that Jasiri has offered him another way, he can’t get himself to just forget about it and carry on like normal.

“What changed?  Think!” - He didn’t used to have these doubts, and he’s trying to figure out what’s different now.  He’s trying to figure out and understand what has changed significantly enough to make him question his life and his beliefs like this.

“Jasiri doesn’t fear me she’s been saving my hide!” - He wants to be seen as this tough and intimidating figure, and at first it bugs him that Jasiri isn’t intimidated by him as seen in Never Judge a Hyena by It’s Spots, but now it just confuses him.  And on top of that, she saves him, not just once but twice, despite being on the opposite side as him.

“I know she buys the whole ‘Circle of Life’” - The choice of words here(he says Jasiri “buys” the concept rather than she follows it or respects it or something like that) implies that Janja thought the concept was literally made up and not real, which I do believe is a different case than someone who knows the concept is real and still decides they want more than their fair share.

“I mean, Si Si Ni Sawa’s kinda catchy all right.” - He’s trying to justify to himself why he’s been thinking about what Jasiri said so much.  Also, this song confirms he saw at least the last verse of Si Si Ni Sawa because 1. He knows the chorus to the song despite having never having been sung it, 2. He knows Jasiri sung it to Kion, and 3. He imitates the thing Kion and Jasiri did at the end of the song in his last verse of the chorus.

“He’d never give me something a hyena couldn’t handle, would he?” - Janja's trying really hard to rationalize Scar's behavior and treatment of him and his clan, but his faith in Scar is starting to waver. In the visuals, we see Scar with his master plan, and then we see Janja, Cheezi, and Chungu holding the ground up for him because they’re doing the heavy lifting for Scar.  But when Janja asks “would he?” indicating that he no longer has complete and total faith in Scar, the whole thing crashes down.

This shot right here is beautiful, it really just sums up the whole song in one singular frame.

“‘Si si ni sawa’ means ‘we’re the same’” “Oh no!  It set something off inside my brain!” - Janja hates that Jasiri’s words make sense to him, and he hates that they’re resonating with him even more.

“She says I can trust her but I don’t know, could there really be a new way to go?” - Janja genuinely doesn’t know any better and that’s why he acts the way he does.

“It’s like I’d rather be happy then scrapping for food or respect ugh what’s happening?” - I think this is the line that gets me the most because it shows that Janja never considered his own feelings on things to be more important or even of equal importance than living up to expectations, and when he finally considers “maybe I’d be happier on the other side” he goes “this is ridiculous why am I thinking like this?”  To Janja, it didn’t matter what he actually wanted, because the way others saw him and getting food were more important than silly things like happiness.

“Maybe the stuff I thought was wrong was right! I think I like it but I’m still undecided how to choose, what to do!” - He’s torn between what he’s known all his life as the truth and what he’s “supposed” to do vs what his feelings are saying on the matter.

Since Jasiri told Kion they’re the same, if Janja accepts that what Jasiri says is true and Jasiri and him are the same, that means he also accepts that Kion and him are the same, and Janja knows this.  During the first chorus of A New Way to Go, Jasiri sings Si Si Ni Sawa to Janja, while in the second, she sings it to Kion.  While in the first instance Janja seems more worried about the fact that it resonated, in the second instance Janja seems more annoyed about this.  This and the fact that he crushes them with his paw during the second time indicates that he knows accepting what Jasiri said also means accepting that Kion and him are the same, and that’s something he really does not want to acknowledge.

One of the things the visuals of this song really show is that Janja clearly feels separated from the other side, even Jasiri, and doesn’t know if he really could switch sides because of the divide he feels.

The ending shot is very interesting because of this; while Janja still has his Outlander coloring, the Outlander spotlight is gone, making him still stick out but putting him in the same world as Jasiri and her hyenas, indicating that Janja has accepted what Jasiri is saying, even if only subconsciously.

Jasiri’s portrayal here vs The Worst Hyena We Know is pretty interesting, because in that song Jasiri is much more closed off to Janja.  She’s playful and somewhat flirty towards him, but still has a dismissive and “haha losers” attitude towards him and his hyenas.  Here however, she is a lot more sympathetic and open towards him.  She’s lost the snarky and dismissive attitude she had in The Worst Hyena We Know and is just playful now.  This is because before, Janja only had those kinds of experiences with Jasiri and probably thought Jasiri would push him off a cliff if given the chance(given the fact that he was surprised that she saved him from a horrible death via falling into lava I don’t think this is a crazy conclusion to come to), but now, he knows that’s very not true.

There's even this neat part here where you can parallel the two songs and see the difference

[thebloodykarte]

the general circumstances of gregory house and the apparent dimension it stands in; on the surface level at least in my worldview, while i was thinking of its role as an escape from a harsher reality and a break from the guests' current life problems, it almost felt as if i couldn't find a downside to going and even staying in such a place. this has been lingering on me a few days -- even if gregory house is very much a Nightmare Realm of freaks in any way, there's definetly some life situations in which one would be even propelled to absolutely stay;

the truth to that is that by entering the realm of gregory for good, you're also giving up on whatever future that perserving that current, harsh reality might've given you, as well as the real-life world as a whole, the beauty of a greener nature, and the people you had known; from the wife and kids of the haniwa salaryman...imagine how they must feel if the entrance and transmutation of being in the hotel is literal, their house's moneyearner mysteriously disappearing. much less if one remained and struggled and prevailed through, the future is uncertain in the best way possible; you really never know what great things could await you compared to gregory house. even if it is so, so strange on the outside, it does seem to remain in some form of stagnation that most people after at least a certain level of their new eternity would grow tired of. see; charlotte gilman's *the yellow wallpaper* and the grand downspiral the protagonist goes on for being stuck in the same surroundings of a sickly room for so long, and how much gregory encourages the guests to stay in the room, just rest, just relax...

[aois-amaterasu-painting]

Black B- PASS- Special Issue - The GazettE - NINTH Reference book - (part 3 - Members interview translation)

■ Interviewer: Finally... after three years, a new original album!!

Aoi: Why are you trying to force the excitement? (laughs)

■ Interviewer: Please don’t tease me (laughs). Since this band interview will introduce the magazine, can you tell us your first thoughts upon completion?

Ruki: First thoughts? All I could think of was "death." There was nothing but death (laughs).

Uruha: (Laughs)

■ Interviewer: Death, you say (laughs). So you felt utterly spent.

Ruki: It felt like a posthumous work.

Reita: (Laughs) When it was done, it felt like, “Ah, we made it through.” When you’re extremely sleepy, it’s like…

Ruki: Turned to "nil" (laughs).

Reita: Yeah. And it’s amazing we finished in time.

Ruki: Anyway, I was thinking, "We have to make it in time!" But even when we did, it didn't feel like we could take a breather.

Kai: That's true. There was a sense of relief, but also a feeling of, “Did we really do everything we could?” (laughs). Now that some time has passed and I’ve listened to it repeatedly, I feel like we made a good piece of work. Of course, there were no issues (laughs).

Uruha: For me, after the mastering was finished and I listened to the final version, my first word was, “Fast.”

■ Interviewer: What do you mean?

Uruha: It’s about 45 minutes long, but it felt shorter. Like, “That was quick.” Even though we spent so much time on it, I thought, “Is that all?” (laughs). There was a sense of ephemerality in those 45 minutes.

Ruki: Your words just summed it all up... Thank you very much.

■ Interviewer: No, we’re not done yet (laughs). What about you, Aoi?

Aoi: If I only talk about the moment we finished... it was like I passed out, and then it was over (laughs).

Reita: That’s right (laughs).

Aoi: But everyone really did their best. By the end, everyone was working purely on willpower. The mixing took a long time, working from noon to morning, and then starting again at noon. But those behind-the-scenes stories don’t really matter to the listeners.

■ Interviewer: Since you’re all saying it was that tough, does that mean this was the hardest production process ever?

Aoi: The production process seems to get harder each year. Not just the music, but everything we release takes a considerable amount of time.

■ Interviewer: In recent years, it’s not just about judging the music but also doing more hands-on work yourselves, right?

Aoi: We want to release something we think is cool... because we are people who want to show everyone something we find cool. It’s a natural flow for it to take time. It’s not about how others evaluate it, but about showing everyone what we think is good. We want people to listen and feel it, so we get particular about it regardless of the time it takes. Of course, the workload varies, and we hardly saw each other towards the end, but being together for 16 years made it possible... Is it okay if we wrap up here?

■ Interviewer: Hahaha! So, we're still in we're still in the introduction part (laughs).

Ruki: Please structure it with bold letters like this.

Reita: Shall we move on to the personal interviews then? (laughs).

■ Interviewer: No, no (laughs). Let's go back to the topic. the GazettE is often seen as a band that emphasizes its worldview, but you are also a band that follows what you want to do at the time, making you quite free. From "TOXIC" to "DIVISION. BEAUTIFUL DEFORMITY," and "DOGMA," what direction were your desires headed in with "NINTH"?

Ruki: "DOGMA" was a conceptually strong album, so the songs had a certain direction. This time, we wanted to show that this is our ninth album, something that reflects our journey from the first album to now. Rather than focusing on a musical genre, it’s more about showing our life perspective—something that reveals the history of the GazettE.

■ Interviewer: So it’s a condensation of the GazettE’s trajectory.

Ruki: Yes. We’ve done many things to get to this point, and now we’re straightforwardly showing that. Without aiming for a particular image or how we want to be seen, we wanted to say, “This is the GazettE now.”

■ Interviewer: When this kind of guiding principle—being both a theme and not a theme—was presented, what did you all think?

Kai: It fit perfectly with being a theme yet not a theme. However, we didn’t specifically discuss it like we did with the "DOGMA" concept.

Ruki: Yeah.

Kai: It wasn’t something that could be understood simply. I kept wondering if there was something more to it. Of course, I knew it was our ninth album, but I initially thought the title “NINTH” was temporary. But when it was officially decided that the title would be “NINTH,” my thinking shifted to what RUKI mentioned.

Ruki: Regarding each song, I think we were talking about their positioning in live performances, whether they were fun, intense, or whatever.

■ Interviewer: I see. So, while it's full of aggression, there are also ballad-like, melodic, and melancholic songs.

Uruha: Yeah. At the initial stage, it was like deciding a setlist, keeping live performances in mind. That was always the foundation. Since the previous work "DOGMA" was such a strong image-driven project, we knew we weren’t going in that direction again. We thought it would be natural to go in a more straightforward direction this time. So, we naturally came up with songs while considering live performances. As the songs gradually came together, we sometimes felt a certain atmosphere was missing and created new songs to fill those gaps. But the basic approach was natural.

Aoi: So, while we were mindful of live performances, there wasn’t a clear overall vision. It was more about putting out songs and adjusting as we went along. Even when you talk about a “live feeling,” there are many different forms that can take.

■ Interviewer: So, as time passed, "NINTH" gradually took shape, and everyone started to share a concrete overall vision at the same time?

Uruha: Well, we might not have had a clear overall vision until the very end (laughs).

Aoi: Yeah, I think we didn't have one this time.

■ Interviewer: That’s surprising. Didn’t that make it more challenging?

Ruki: There was the difficulty of creating songs that fit, but we weren’t particularly aiming for a unified world view throughout the album. When you listen from start to finish, the flow was already good. It’s because we had “DOGMA” that we ended up this way. Instead of a single story like “DOGMA,” this album is more purely about the current the GazettE.

Aoi: That's right. It's different from saying we have no concept.

Ruki: Exactly. If you ask if there's no concept, it's more like, "Hmm..."

■ Interviewer: So, because you have 16 years of experience, you can naturally express what’s inside and shape it into an album?

Ruki: Yes… So, it was like making a typical album. Creating a piece with a beginning, middle, and end. The title reflects this too. It's not about having some big overarching theme, like the title suggests, but rather each song has its own world, expressing what "the GazettE of 2018" is about, I suppose.

■ Interviewer: I wonder if there's a deep meaning behind the word "NINTH" here.

Ruki: Well, that might have been typical for us in recent years. But honestly, I can't really say anything much about it this time (laughs).

Reita: Haha, yeah, that's true (laughs). Also, we've always been conscious of making something that shines in live performances, but I feel like that standard keeps getting higher each year. So, this album might just be a collection of things that meet that standard.

■ Interviewer: When the songs started coming together, did you all naturally understand and play them in sync with each other?

Ruki: How was it?

Reita: In terms of being in sync... This time, we really only gathered for pre-production at the very beginning (laughs).

Uruha: Well, there were parts that went smoothly and parts that were challenging. But we introduced a system for smoother data exchange this time, which made interactions between members less stressful than ever before.

Reita: Yes, we’re fully modern kids (laughs). It was very convenient.

Uruha: In the past, we’d email files, and if you missed the email, it could be a problem. This time, we had a place where the latest data was always available, so we just had to check there.

Ruki: Certainly, when the members gathered, there was always the task of taking something home with you, so the process of finalizing things was probably less than usual.

Reita: And (with emails), sometimes when you tried to download the data, it would already have expired.

Ruki: That happened a lot.

Reita: But that doesn’t happen anymore.

Uruha: It's hard to ask for a resend, so sometimes you just had to wait for the next one (laughs).

All: Hahaha!

■ Interviewer: You wouldn’t have to say, “Send it again,” which can delay things (laughs).

Aoi: Haha. But, it's really convenient, huh? Especially because corrections could be made quickly.

■ Interviewer: It seems like this approach really suits the current state of the GazettE. Just from this segment, it sounds like everything went incredibly smoothly, but...

Ruki: Actually, it was quite difficult (laughs). Especially the process of producing the songs. It’s like harvesting vegetables.

■ Interviewer: I see, starting from planting the seeds.

Ruki: Yes. And the cooking after harvesting is quite challenging too, waiting for the final product to be good.

■ Interviewer: So here we have 12 carefully selected masterpieces.

Ruki: Yes. There were some songs that weren't completed until the very last moment to ensure they were satisfactory. It's like that song from “Kiteretsu Daihyakka” - “What happened to the cabbage?” (laughs).

■ Interviewer: Which song was completed at the very last moment?

Ruki: ……………… Oh, it just smoothly went by. (laughs).

Reita: Ahahaha!

■ Interviewer: Oops, I should have reacted more! (The interviewer was not familiar with the opening theme of “Kiteretsu Daihyakka” called "Cooking March")

Ruki: It's okay. The 11th song, "ABHOR GOD."

Reita: That one was tough.

Ruki: It's the crucial part that leads towards the very end.

■ Interviewer: I heard that the whole band composed this song together, which is rare for the GazettE.

Ruki: Yes. Because I was working on the lyrics, I wasn’t able to join the band for that part.

Reita: Well, he was kind of like remote control (laughs).

Uruha: There were about three different versions... no, maybe more.

Kai: Yeah, there were more.

Reita: And in the end, it mutated suddenly.

All: Hahaha!

■ Interviewer: I see (laughs). The sing-along chorus “Wow - Wow” is also fresh for the GazettE.

Ruki: I recorded that part after everyone had already heard it. I didn't have time to let them hear the demo, so I presented it after recording it, saying, "Here it is." On the contrary, I was curious about how the four of them had created it together. When I asked Uruha, he said, "REITA jumped around..." and "We made it so that it would be jumpable."

Reita: Well, I just jumped around. And the next day, I had muscle pain.

All: Hahaha!

Aoi: I watched the process closely without getting too involved.

Ruki: This part was handled by Kai, this was what REITA mentioned, parts where members were involved are well reflected, I think.

Reita: When I sent the data and asked, “How is it?” RUKI responded with, “How do you all feel about it?” (laughs). He wrote something like, "Are you guys having doubts?"

Uruha: Well, we were (laughs).

Reita: RUKI probably had a different idea in mind. It wasn’t quite that… more like…

Ruki: Well, rather than different…

Kai: It was more like I received directions from RUKI saying, "I want it to feel like this," so I gathered up those keywords and started thinking from there.

Ruki: I thought it should be fun and intense, but the first sounds that came were quite maniacal. I thought, “Oh, maybe they’re struggling with it.”

All: Ahahaha!

Aoi: Especially these two (URUHA and KAI), they really felt responsible (laughs).

Uruha: We felt it, we felt it.

Kai: Yeah, yeah, yeah (laughs).

Ruki: When the song started to come together, it was quite dark at first, which made me feel a bit down.

Reita: (laughs) Sorry about that.

Ruki: There was just one phrase, an intro part in the original song. I personally thought, "Oh, that's good." So, I called and asked if it would be okay to use that as the intro.

Aoi: The rest was no good (laughs).

Ruki: No, no (laughs). We kept that part and just made the tempo a bit faster.

Uruha: Speeding up the tempo was tough.

■ Interviewer: That’s really a collaborative process for a song.

Ruki: If you say so (laughs). It might look like we flipped the table.

Reita: It felt like someone just ate the strawberries off the shortcake.

All: Ahahaha!

■ Interviewer: I see (laughs). That fun atmosphere can be felt in the sing-along parts.

Ruki: I thought it would be good to have that kind of vibe.

Aoi: So, it’s not us but the audience singing that part?

Ruki: I didn't think about it that far. Do you think they’ll sing it? In our case, even if we include such parts, our fans don’t usually sing along.

Reita: That’s true.

Ruki: It's like with "Maximum Impulse.” The members' faces just get redder and redder.

Reita: Yeah, especially me (laughs).

Aoi: Oh, I need to listen to the new chorus parts.

■ Interviewer: Yes, the new work seems to have a lot of chorus parts.

Ruki: We’ll verify it during rehearsal.

Aoi: Are there any parts that seem too difficult?

Ruki: I don’t think there were any.

Reita: Well, you say that every time (laughs).

Aoi: Sometimes, if the rhythm is completely different while playing, it’s the most tricky part.

■ Interviewer: I see. The new album also features melodious and emotionally charged songs with a straight beat, like "UNFINISHED," which might not have been possible in the previous album. Were you concerned that such impactful songs might overshadow others?

Ruki: No, not at all.

Aoi: Oh, we have a new perspective here.

■ Interviewer: Oh, really? (laughs) Did you also have the intention of showcasing the original coolness of visual kei, which is your forte?

Ruki: No, we didn’t have any intention of appealing outwardly. We just did what we thought was cool at the time. Things that might have seemed unconvincing or outdated before now feel better. We’ve always thought it’s better to be a band capable of various types of songs. After “DOGMA,” people might have assumed we’d continue in a certain direction, perhaps towards a more metal sound, but we didn’t think that way at all.

■ Interviewer: So, it wasn't intentional.

Ruki: Even if we’re good at something, it’s not intentional. On the contrary, sometimes we intentionally avoid certain things. During “DOGMA,” we purposely didn’t include audience singing parts. So, this time, it's more standard, I suppose.

■ Interviewer: Understood. And this time, you released the music video for "Falling," the practical opening track, ahead of the album. This is unusual for the GazettE, but it seems to show your unwavering confidence in the band now.

Kai: We weren’t particularly conscious of confidence in the band, but when RUKI created “Falling,” we all recognized it as the prologue of "NINTH." We felt it was the beginning.

■ Interviewer: Ah, so it's similar to the fans' perspective.

Kai: So for me, during the process of creating the song, I listened to "Falling" with the mindset that this is the prologue.

Uruha: And by not selling it, but instead choosing to release it for free, I think it definitely increased awareness. I think "Falling" was good because I heard that the evaluation of the song was high, which raised expectations for "NINTH." So, that song became a very good introduction, and I hope the album will continue to surprise with different approaches from "Falling" to "UNFINISHED." It feels like it was well-calculated, so it's ultimately alright.

■ Interviewer: Showing a glimpse of the album in advance didn’t have any negative impact; it made it more effective.

Uruha: Exactly. The album doesn’t continue with the same type of songs, so there’s no disappointment.

■ Interviewer: Aoi, how do you feel about the songs lined up in the album?

Aoi: There were parts where it was difficult to grasp the overall picture until it was completed, but the final result is very satisfying. Honestly, I didn’t expect it to fit together so well, but it turned out to be an album with a solid story.

Reita: Yes, it’s easy to listen to and has everything. We will perform other songs on the tour, but there won’t be any sense of discord when they’re combined, and I think this is the current ideal form of the GazettE.

Kai: As for me, the process was unusual and we were pressed for time, so I had mixed feelings. There were moments of anxiety, but also relief when it was finished. This album is packed with those feelings, and it’s different from anything we’ve done before. The process felt simultaneous with our emotions, rather than trying to catch up with them. The songs felt like they progressed alongside us, and I felt that strongly this time. It’s quite refreshing.

■ Interviewer: I see. How about you, Ruki?

Ruki: I poured a lot into each song, so I can’t look at them objectively yet. I have strong feelings for each song. But I can say that I put everything into it. Even though we were pressed for time, there was no compromise. It was a situation where we either compromised or didn’t sleep, and I think we managed to push through to the end. This applies to the staff and engineers as well. If I were in their shoes, I would have definitely quit. Normally, engineers don't stay overnight.

Kai: Haha, they might have felt like we were punishing them.

Ruki: So, I think what we've done up to this point won't happen again, and I feel like this album embodies that dedication.

All scans are from The Archive (rad-is-more) Interview translation is ChatGPT.

[daily-singularity]

Hello. I am here to ask you about their paralells and how insane they make you. Pretty please... you're the only one feeding us the good food...

Going insane. white knuckling my pen and paper. I will do my best to make this coherent, apologies in advance if its a mess!!

In the simplest terms both Gabriel and Hux are carbon copy assembly line units created by Huxlee industries for the purpose of colonizing planets and prolonging the human race.

Gabriel is a tool just as much as the Huxlee units are.

"Each individual was manufactured for a different societal function... The idea was to create a functional society that would operate flawlessly." - Gabriel Soma BIO

"Unlike human clones, the HUX-A7 required no food, no water, no sleep, and no life support system. It was created specifically for outer space exploration and the construction of colonization hubs." - HUX-A7-13 BIO

Gabriel was specifically designed by Huxlee for planet colonization. Outside of his time on Dvarka, I gather that Gabriel was in a permanent deep sleep/cryostatis. All of his memories of his family and childhood are fabrications- he has no real life or directives or experiences outside of his work on Dvarka.

---

Both were under the threat of termination, or reprogramming should they fall out of line.

"Dmitri’s not trying to help… he’s trying to get me to stop asking questions. What does he know? What’s he hiding?" - Tome 16, Memory 2998 (Gabriel Soma)

"It remembers its objective. It must assist the crew in terraforming Dvarka. Failure to do so will result in termination."- Tome 16, Memory 2665 (Hux-a7-13)

When Gabriel first starts noticing discrepancies in his memories, his crew's medic writes off his issues as "problems that dont exist", and gives him a drug that fogs up his senses. Its a clear attempt to force him back into subservience, a message of "Stop digging or else".

We're never able to find out what would happen to Gabriel if it became known that he found out about the fact hes a clone, but I gather he would be removed from the project. Terminated so he wouldn't spread panic.

--

After Gabriel finds out about the fact he's a clone, it's a lot harder to get more direct info on his mentality, since thats where his Memory archives end.

Neither of them have much experience with free will.

Due to the fact that both Gabriel and Hux were taken by the entity near immediately after learning they were a clone/gained sentience, it isnt much of a stretch to say that neither of them have experience with a sense of individuality.

Gabriel learns that his entire life has been a fabricated lie and then is immeidately shoved into a killing game. He doesn't really get that chance to come to terms with who and what he is before having to fight for his life.

Hux on the other hand, had more time to digest his new worldview. He was able to start forming his own desires and wants even if they were as simple as "Kill the inferior human worms who created me", or abstract as wanting to "the remake the universe in my image over infinate lifetimes"- whatever the fuck that means Hux. Its really unfortunate that he barely begins to form these desires before theyre all stripped away from him and he is once again forced into subservience.

---

I was gonna put like idk an insightful little footnote here, but i spent absolutely way to long writing this post. Anyways. Gabriel and hux are both tools struggling with a sense of self while being forced to kill or be killed.

Also. can Behavior please fucking explain to me why Gabriel was waxing poetic about the beauty and godliness of the machine that he watched slowly kill his entire crew, like goddamn ogling that machine, then he exploded it. and then like. went "ok damn still godlike."

I just wanna talk with whoever wrote this please. what was. what does this mean. i need to know.

"It had fabricated a new body for itself. Part flesh. Part silicon. Part human. Part machine. Massive. Powerful. Beautiful and majestic like—

An ancient God."

"Gabe raced across the meadow and into the forest. When he looked back, he saw the HUX emerge from the flames and smoke. Burning. Melting. Shrieking. Deformed. Terrible and wrathful like—

An ancient God"

[revenantghost]

Kenji Muto's Twitter Posts: Part 1

Before and while Tristamp was airing, Kenji Muto made some amazing Twitter posts giving us lore and production tidbits along the way. And while I don't speak Japanese (so I'm going to have to use Google Translate for this, so take everything you read here with a grain of salt because it may be skewed by mistranslation), there was some fantastic art and really cool concepts shared, and I want to archive anything Trigun-related. If I miss anything, let me know!) It starts a little slow with stuff we already know, but there are some interesting tidbits! If anyone who knows Japanese wants to correct anything, please feel free! Now, without further ado...

Part 1 [here]

Part 2

?

12:23 AM · Jul 4, 2022

Twitter始めました。 TRIGUN STAMPEDE監督の武藤です。

I started Twitter. This is Muto, director of TRIGUN STAMPEDE.

1:41 AM · Jul 7, 2022

シリーズ長編初監督です。田島光二さんによる美しいコンセプトアートとキャラクター原案をベースに、壮大な世界観を作っています。順次、新しい情報が解禁されるはず。お楽しみに。 #TRIGUN

This is my first time directing a feature-length series. We have created a magnificent worldview based on the beautiful concept art and character designs by Koji Tajima. New information should be released one after another. looking forward to. #TRIGUN

7:27 AM · Aug 3, 2022

公式HPにある花守さんの「依存と執着」という表現は的確だと思った。最も行動原理を組み立てるのに時間のかかったキャラクター、少年ナイ。服に浮かぶ不思議な模様も田島光二氏によるデザイン。果たして、どんな意味が込められているのか。 写真は、追加で届いたロサンゼルス土産。 #TRIGUN

I thought that Mr. Hanamori's expression of ``dependence and attachment'' on the official website was accurate. Shonen Nai is the character that took the most time to formulate his behavioral principles. The mysterious patterns that appear on the clothes are also designed by Koji Tajima. What kind of meaning does it really contain? The photo shows an additional souvenir from Los Angeles. #TRIGUN

12:15 AM · Aug 23, 2022

公式のコンセプトアート公開、なぜか少年時代編が多いなぁ。原作漫画で、ナイが奏でている、オルガンのような、ピアノのような楽器。どうゆう感情で弾いているのか、誰を想って弾いているのか。 そういえばあのコンセプトアートはいつ公開なのだろう。 いつ解禁になるのだろう。 #TRIGUN

For some reason, most of the official concept art released is from the boyhood version. In the original manga, Nai plays an organ-like or piano-like instrument. How do you feel when you play, and who do you have in mind when you play? Come to think of it, when will that concept art be released? When will it be lifted? #TRIGUN

3:42 AM · Aug 31, 2022

出社したら壁にTRIGUN STAMPEDEのポスターが貼られていた。ちなみにお隣のポスターは、初演出デビュー時代からお世話になっている松見真一監督のTVアニメBEASTARS。 第二弾ポスターも鋭意製作中。 #TRIGUN

When I arrived at work, there was a TRIGUN STAMPEDE poster on the wall. By the way, the poster next to me is of the TV anime BEASTARS, directed by Shinichi Matsumi, which I have been supporting since its debut. The second poster is also in the works. #TRIGUN

5:43 AM · Sep 4, 2022

演出用に作ってもらったマザーシップの立体造形。絶妙に捻れていて、左右対称でデザインされてるわけではないので、３面図起こしがとにかく難しい。 レム・セイブレムは五番艦。 大墜落を免れたのは三番艦。 日曜出社の私は現在、音響ブース。 #TRIGUN

A three-dimensional model of the mothership made for the performance. It's exquisitely twisted and not designed with left and right symmetry, so it's difficult to draw it from three sides. Rem Saverem is the fifth ship. The third ship survived the crash. I come to work on Sunday and am currently working in the sound booth. #TRIGUN

11:10 PM · Sep 13, 2022

相手に説明することで、アタマの中が整理されてゆく。 感覚を理屈に落とし込む、言語化って大切。 雑誌の対談取材、刺激になるので今後も積極的に行いたい。 でも、想定外の質問やアドリブ対応は苦手だったりする。 #TRIGUN

By explaining things to the other person, your mind will be organized. It is important to translate feelings into logic and verbalize them. I would like to continue doing interview interviews for magazines, as they are very stimulating. However, I am not good at handling unexpected questions and improvisation. #TRIGUN

12:25 AM · Oct 17, 2022

ようやくお披露目です。 セルルックのCGで作ったポスター第二弾、見た目以上に手間かかってます。まだ名前を公表できない敏腕スタッフたちが、陰ながら活躍してくれました。よく見ると本編内容のヒントが隠されているので、宝探しのように楽しんでほしい。 予告編第２弾も解禁です。 #TRIGUN

It's finally unveiled. The second poster made with cell-look CG takes more time than it looks. The talented staff, whose names cannot yet be made public, have been working behind the scenes. If you look closely, there are hidden hints about the main story, so please enjoy it like a treasure hunt. The second trailer has also been released. #TRIGUN

11:01 PM · Nov 8, 2022

ダビングも鋭意進行中。 この臨場感、音響効果、ミキシング、そして素晴らしい劇伴音楽。映画館の音響環境で聴いてほしいと思っていたら、なんと先行上映会が開催決定。 勝俣さん的に言うと「グルーヴ感がたまらない！」って事なんだと思う。音の力、恐るべし。 #TRIGUN

Dubbing is also in progress. The sense of realism, the sound effects, the mixing, and the wonderful accompaniment music. I wanted to listen to it in the acoustic environment of a movie theater, but it was decided that an advance screening would be held. In Katsumata-san's words, I think it means "the feeling of groove is irresistible!" The power of sound is terrifying. #TRIGUN

4:35 AM · Nov 28, 2022

同じ内容を繰り返し話すことが苦手で、できるだけテーマや内容を掲載誌ごとに変えるようにしている。多角度から見つめると、作品が立体的に見えてくる。 今後も順次、裏情報満載の対談記事が発表されるはず。 ポスター第三弾も、そろそろ完成予定。 #TRIGUN

I'm not good at repeating the same content over and over again, so I try to vary the themes and content from magazine to magazine as much as possible. When viewed from multiple angles, the work appears three-dimensional. We are sure to continue to publish interview articles full of behind-the-scenes information in the future. The third poster will be completed soon. #TRIGUN

12:02 AM · Dec 5, 2022

不慣れなトークを辛抱強く聴いてくれた、優しいお客様に感謝。優しくも暖かい拍手に救われました。役者さんのように笑いを取りつつ、上手く会話を回せないものか。スタンピードチーム陣からは「場数ですよ」とアドバイスを貰う。 場数とやらを踏むためにも、ネクストステージ頑張らねば。 #TRIGUN

Thank you to the kind customers who patiently listened to the unfamiliar talk. I was saved by the gentle and warm applause. Are you unable to carry a conversation while making people laugh like an actor? The Stampede team members advised us, ``It depends on the number of places.'' We have to work hard on the next stage in order to make it to the number of places. #TRIGUN

10:54 PM · Dec 5, 2022

最近、宣伝チームの熱量に圧倒される。 現場スタッフとは違う、これまで接点のなかった役職の人々。こうゆう縁の下の力持ちがいるから作品が広まるんだなぁ。 彼らと飲みに行ったりすると、その人柄にも触れる事ができる。集団戦、集団作業、集団芸術。つくづく学びの多いプロジェクトだ。 #TRIGUN

Lately, I've been overwhelmed by the enthusiasm of the advertising team. People in positions that are different from the field staff and with whom I had no previous contact. It's because of these unsung heroes that my work spreads. When you go out for drinks with them, you can get a feel for their personalities. Group warfare, group work, group art. It's a project with a lot to learn. #TRIGUN

12:30 AM · Dec 22, 2022

新宿アドストリートなどにTRIGUN STAMPEDE看板が多数あるらしい。今後も何やら宣伝チームが面白い事を計画中らしいが、なんだろう、とても楽しみ。何気ない風景の裏にも、陰ながら頑張っている人たちがいる。そうやって作品は更に広がってゆくのだ。ブラボー。 https://youtu.be/oolZJKslJcU #TRIGUN

There seem to be many TRIGUN STAMPEDE signboards on Shinjuku Ad Street and elsewhere. It seems like the advertising team is planning some interesting things in the future, but I'm really looking forward to it. Behind the scenes, there are people working hard behind the scenes. In this way, the work will continue to expand. Bravo. https://youtu.be/oolZJKslJcU #TRIGUN

[Boo, dead Youtube link ):< If anyone knows what it was, let me know and I'll insert that info here]

3:21 AM · Dec 28, 2022

いつの間に、誰かが作ってくれたTRIGUN STAMPEDE年賀状を受け取る。カメラ目線で素朴に座るスタンピード。真摯に作品と向き合っている、そんな現場スタッフの姿勢を感じる一枚。 物語終盤のダビング（ファイナルミックス）に追われている、ラストスパートの2022。 #TRIGUN

Before I knew it, I received a TRIGUN STAMPEDE New Year's card that someone had made for me. Stampede simply sits looking at the camera. This photo shows the attitude of the on-site staff as they approach the work with sincerity. 2022 is the last spurt of dubbing (final mix) at the end of the story. #TRIGUN

6:37 AM · Jan 4, 2023

喫茶店で水出しコーヒーを眺めているとTRIGUN STAMPEDEを連想する。見た目は変化すれど、ちゃんと豆の成分と香りが活きている。内藤先生という豆を炒って、挽いて、一滴一滴丁寧に抽出する。 とびきり今風のコーヒーカップに注いで、さあ召し上がれ。 2023年もどうぞ宜しくお願いします。 #TRIGUN

When I look at cold brew coffee at a coffee shop, I think of TRIGUN STAMPEDE. Although the appearance may change, the ingredients and aroma of the beans are still present. The beans called Naito Sensei are roasted, ground, and carefully extracted drop by drop. Pour into a super modern coffee cup and enjoy. We look forward to your continued support in 2023. #TRIGUN

9:13 AM · Jan 7, 2023

本日からTRIGUN STAMPEDE放映スタートです。 第1話「NOMAN'S LAND」 いろんな思いを、ガツンと込めました。 どうぞ、よろしくお願いします！ #TRIGUN

TRIGUN STAMPEDE will start airing from today. Episode 1 "NOMAN'S LAND" I put all my thoughts into it. Nice to meet you! #TRIGUN

12:37 AM · Jan 9, 2023

シリーズ脚本の第一話、第二話、 第三話は、 ホップ・ステップ・ジャンプだと思う。 まるで、週刊誌の連載ネーム。 #TRIGUN

The first, second and third episodes of the series script are I think it's hop step jump. It's like the name of a weekly magazine serial. #TRIGUN

12:49 AM · Jan 9, 2023

ただのモブからサブキャラへ異例の昇格を果たした愛すべき悪役、チャック・リー隊長。 コンテ描いてると、キャラが勝手に動き出す。 シナリオに無い台詞を話し始めたり、暴れたり。 杉田智和さんの怪演が光る。 #TRIGUN

Captain Chuck Lee is a lovable villain who has achieved an unusual promotion from just a mob to a side character. As I draw the storyboards, the characters start moving on their own. He starts speaking lines that aren't in the scenario, or gets violent. Tomokazu Sugita's mysterious performance shines. #TRIGUN

10:56 PM · Jan 10, 2023

最初期の頃、内藤先生と飲みながら、 「手触り感を大切にしたい」 「実存感を大切にしたい」 ひたすらそんな事を話していた。 惑星の空気感と生活感を見事に再現。 宝石の国の頃からのタッグ、 金子雄司の美術世界。 #TRIGUN

In the early days, while drinking with Mr. Naito, “I want to value the feel of touch.” “I want to value a sense of existence.” That's what I was talking about all the time. The atmosphere and lifestyle of the planet are beautifully reproduced. A tag team from the days of Land of the Lustrous, Yuji Kaneko's art world. #TRIGUN

7:06 AM · Jan 11, 2023

生まれも育ちも第三都市ジュライ。 親の七光りで憲兵隊士官学校に裏口入学。 金ピカの銃は両親からの入学祝い。 画面の外にも彼らの世界は広がり、本編では描かれない彼らの物語もある。 チャック・リー再登場に乞うご期待。 #TRIGUN #杉田智和

Born and raised in the third city of July. With the help of his parents, he entered the military police academy through the back door. The golden gun was a gift from his parents for entering school. Their world expands beyond the screen, and there are also stories about them that are not depicted in the main story. Look forward to Chuck Lee's reappearance. #TRIGUN #杉田智和

9:12 PM · Jan 13, 2023

親子の絆に、善も悪もないんだよね。 どストレート、どシンプルなテーマで挑む、第二話。 ポップ（？）キュート（？）な悪役たちにも注目。 本日23:00〜、よろしくお願いします！ #TRIGUN #トライガン

There is no good or bad in the bond between parent and child. The second episode takes on the challenge of a straight, simple theme. Also pay attention to the pop (?) cute (?) villains. Thank you for your support today from 23:00! #TRIGUN #トライガン

9:12 PM · Jan 14, 2023

二話の絵コンテの修正していたら、 ふと声が聞こえた… 『ゴフセフ』 「え？いま喋った？」 『ゴフセフ…(頷き)』 「そうか、ゴフセフって言いたいんだね？」 『ゴフセフ。(ニッコリと)』 「ゴフセフ！(ニッコリ)」 キャラと対話しながらコンテを描いてゆく。 #TRIGUN #トライガン

When I was revising the storyboard for episode 2, Suddenly I heard a voice... "Gofsef" "Huh? Did you just talk?" “Gofsef…(nods)” “I see, you want to call me Gofsef, right?” “Gofsef. (smiling)” "Gofsef! (smiling)" Draw the storyboard while interacting with the characters. #TRIGUN #トライガン

12:51 AM · Jan 17, 2023

数年ぶりにオキシタケヒコさんに会った。 毎回、東京まで呼びつけていた事に気づく。 次は僕が大阪へ行きたい、行くべき。 大阪でもSTAMPEDEイベントやりたい。 大阪で食い倒れしたい。 #TRIGUN

I met Mr. Oxytakehiko for the first time in several years. Every time, I realized that he had called me all the way to Tokyo. Next I want to go to Osaka, I should go. I want to hold a STAMPEDE event in Osaka too. I want to eat all I can in Osaka. #TRIGUN

7:36 AM · Jan 17, 2023

無口で気弱な青年は、やがて過酷な環境に適応し、 サイボーグとしての「力」を得る。 凶悪犯の仲間入りを果たした青年の名は、ゴフセフ。 語られないバックグラウンドを想像すると、 世界は更に広がる。 #TRIGUN

The taciturn and timid young man eventually adapts to the harsh environment, Obtain "power" as a cyborg. The name of the young man who has joined the ranks of violent criminals is Gofsef. When you imagine the untold background, The world will expand further. #TRIGUN

8:47 PM · Jan 20, 2023

親子の絆？ そんな常識をぶち壊す。 血は水よりも濃い、第三話。 本日、23:00-テレビ東京他にて放送。 是非ご覧ください！ #TRIGUN #トライガン

Parent-child bond? Breaking down that common sense. Blood is thicker than water, episode 3. Broadcast today at 23:00 on TV Tokyo and other channels. Please take a look! #TRIGUN #トライガン

10:53 PM · Jan 23, 2023

ナイというキャラクター性は、 一枚のラフスケッチが語ってくれた。 渋谷で開催された「内藤泰弘の世界」展。 常に優しく微笑む彼。 自身に憑依させて、描きだす。 #TRIGUN

The character of Nai is A rough sketch tells the story. "The World of Yasuhiro Naito" exhibition held in Shibuya. He always smiles kindly. Let yourself be possessed and start drawing. #TRIGUN

11:19 PM · Jan 24, 2023

「人間」という種族を一括りに捉える。 物事を巨視的にみる。 俯瞰した視野で考え、躊躇なく行動する。 コンテを描いていると、僕の中に彼が宿る。 一度宿ると、抜けるまでに時間がかかるところが難点。 #TRIGUN #トライガン

The race of "humans" is lumped together. See things macroscopically. Think from a bird's-eye view and act without hesitation. When I draw storyboards, he lives inside me. The problem is that once you get into it, it takes a while to get out. #TRIGUN #トライガン

9:49 PM · Jan 26, 2023

でも、大丈夫。 きっと逞しく彼も生き抜いていくのだろう。 過酷な環境で、現実を受け入れ、 歪な義手を手に入れ、 青年に成長した彼を想像してみてほしい。 もしかしたらワムズ使いになっているかも。 物語世界は、作り手を離れ、更に広がってゆく。 #TRIGUN

But it's okay. I'm sure he will be strong enough to survive. Accepting reality in a harsh environment, Obtaining a distorted prosthetic arm, Imagine him growing into a young man. Maybe he's using Wams. The story world leaves the creator and expands further. #TRIGUN

[Note that this was shared around episode three and the freckles this guy has--a lot of people theorize this is about Tonis]

8:52 PM · Jan 27, 2023

数年ぶりに田島光二さんと食事。 シャコやカニやエビを注文。 「これは何？」 『シャコワムズ！』 「これは？」 『カニワムズ！』 「これ…」 『エビワムズ！！』 まるで中学生のようなノリ、 同窓会のような時間。 本日23:00-は4話放映ですね。 #TRIGUN

I had dinner with Koji Tajima for the first time in several years. Ordered mantis shrimp, crab, and shrimp. "what is this?" “Shakowams! ” "this is?" “Caniwams! ” "this…" “Ebiwams! ! ” Feeling like a junior high school student, A time like a class reunion. Episode 4 will be aired today from 23:00. #TRIGUN

12:17 AM · Jan 29, 2023

見覚えのあるシルエット。 モーションキャプチャーには重くて使えなかったが、ポージング参考で大活躍した模造品。実際はもっと重いんだろうなぁ、と想像しながら演出する。 外装はロストテクノロジィ、内部は機関銃という合成兵器。 ”パニッシュメント”とは”処罰”の意味。 #TRIGUN #トライガン

A familiar silhouette. Although it was too heavy to use for motion capture, this imitation was very useful as a pose reference. I imagine it's probably heavier in reality when I direct it. The exterior is lost technology, and the interior is a synthetic weapon called a machine gun. "Punishment" means "punishment". #TRIGUN #トライガン

[harukapologist]

a cute detail in haruka's room

This turned into a half-ramble half-headcanon post so I apologize for how messy it is lol

While watching undercover for the first time I noticed that there seems to be a sketchbook in Haruka's room, in which a colorful tree is drawn

Haruka seems to be hyperempathetic, and usually hyperempathetic people are quite artistic in their worldview and their hobbies, so I have a headcanon that Haruka likes to draw and/or paint, as a hobby and coping mechanism, a little escapism (especially since Haruka's no.1 coping mechanism with traumatic/stressful events seems to be denial—I'm going to elaborate on that in a different post because I've thought about that very, VERY often, and it partially explains why he acted the way he did in T2, to me) (I'm projecting a little bit because I kin Haruka and I'm a (hobbyist) artist myself but teehee)

When he was asked about his hobbies in his T1 interrogation, he just said he liked to talk to the other prisoners, but I think that's because he's insecure about his art being bad or unconventional (it looks like he used crayons or simple markers for the tree drawing. And also, the leaves are all different colors... perhaps I'm overanalyzing a simple scene, but it seemed to me that it's kinda symbolizing how he views & interacts with the world differently because of his neurodivergence. Still, the drawing is quite pretty imo, and he used the colors very well, so even though it's a tree with unusual colors, it still looks beautiful; even though he's different, it doesn't mean he's inferior, and there's still beauty despite how much he struggles to fit in. You know?)

Also also the way a lot of frames in weakness have hyper-realistic, vibrant backgrounds, as well as the blood being colorful (though that appears elsewhere too, like in Muu's MV) it really convinced me that Haruka sees the world through the lens of an artist, a passionate person who feels things very intensely.

Since the prisoners can request anything, I like to think Haruka secretly requested a sketchbook and some crayons to continue his hobby (I'm not sure if he can do that since it's unclear how the prisoners request & receive stuff (I'm a relatively new Milgram fan so I might've forgotten/not have seen an explanation if there's any ueueu))

I like to think he keeps his sketchbook to himself at first, but slowly opens up to the other prisoners about his hobby. First Fuuta and Mu, then maybe Mikoto, then the others (and they're all very nice to him & praise his art!!! Especially Mikoto I think. he would be very excited to see all of Haruka's art!!! Supportive big brother figure) :3c

[colorisbyshe]

i actually really do think atheism is an extremely beautiful way to view the world, the universe, humankind and i'm sad that view of atheism isn't expressed much.

the belief that beauty finds a way on its own to exist in the world, in spite of the vast swaths of nothingness and the billions of years of nothingness, brings tears to my eyes. kindness is something not built into the soul, is not something with a reward at the end, but it is a choice billions of people make every single day.

there was a one billionth of a billionth chance that even a single flower would come into existence and we are in a world full of them, blooming and becoming new and vibrant things over time.

it's beautiful that the world, planet earth, has died and been brought back anew through multiple ages, with and without humanity or any guiding hand. there are planets that no intelligent being has ever witnessed that look like thousands of glittering diamonds... not to be enjoyed or judged but just to exist.

everything exists not for someone else's gratification but just for its own sake. and humanity has found ways to tie things together and weave them into supportive nets, baskets of joy, just for happiness' sake.

that in all the ugliness, the emptiness, and the black holes, literal but also the events and people and oppressors that exist just to suck everything up, the universe persists. not because it has to, not because it has been willed to, but because survival and existence is innate. we exist. not in spite of or because of. we just exist.

and can give it all value. but those things we don't qualify or quantify still exist. judgment and perception ultimately do not define existence. because everything, everyone will still exist.

this worldview extends inwards. i can shrug off judgment because it does not keep me from existence. even death i can shrug off because the idea of me will exist to everyone who matters to me until they no longer exist and then there's no one left to prescribe value to my existence, so it won't matter. i mattered when i needed to.

i think that's beautiful and defies the need for a god or supernatural force. and that, in fact, applying intention to any bit of the universe, in its large scale, would make it less beautiful to me.