#also a major plot point in this game involves making it less fucking hot and we wish we could do that irl

[mantisgodsdomain]

We have also just finished a replay of Pokemon Super Mystery Dungeon. We highly recommend playing this game! We are being attacked by a game that we last beat several years ago when it first came out, where we went in knowing nothing of the story and went out having been dealt a physical blow to our heart. Very fun game. For legal reasons how to obtain it is A Mystery For Sure but you should play it.

[davids-cartoon-corkboard]

Here’s the final part of the “Raph is a system” theory compilation post! It’s the last of what I can scrape up from canon; while I still have ideas on how it might loop back into character interactions and plot and so on, they’re much more speculative in nature. (Part 1 is here) (Part 2 is here) (You’re reading Part 3)

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"Red” is the alter with the least screen time, so it took a while for me to connect the dots on when and why he formed.

His shadowed face, the dramatic background music when he speaks, and his seriousness are reminiscent of the “brooding on rooftops in the rain while gloomily staring off into the distance” thing that Raphs throughout the franchise will do sometimes. That’s easy to poke fun at on a superficial level because most of us look back on our edgy phases with self-deprecation, but it’s a lot less funny in the context of the life he lives. Being a normal human teenager in normal human society is a fucking nightmare; being a mutant teenager who has no idea what to expect in terms of development or lifespan, only five people he can safely interact with ever, and a very limited future hiding from everyone else for as long as he lives has got to be just awful.

RR’s few lines in “Pizza Puffs” tell us a lot. “It’s the only way they’ll learn” and “this is for their own good” suggest that he formed when the turtles started exploring more of the sewers and going aboveground, and Being The Leader became more of a responsibility. A thousand new ways for them to get in trouble meant a thousand new ways Raph would have to bail them out, and that got old fast- especially since they didn’t have April’s knowledge to help them in the beginning. I doubt they met her the very first time they left the sewers. The wiki says April knew the boys for five years as of “Mystic Mayhem”, so they would have been nearly eight at the time, perhaps the mental equivalent of a ten- or eleven-year-old human.

A while back I sifted through all the eps with Raph in them in the vague hopes that “Pizza Puffs” wasn’t the only episode featuring RR... and lo and behold, I found something! The shadowed face and dramatic background music are also present in “Minotaur Maze”!

“I can’t do it. I got no mystic mojo. I’m useless.”

“Hey, that’s not true, brother. You just gotta believe in yourself, and know this: If I die in this maze, I will haunt you for the rest of your life.”

(I know that’s only two data points, but y’all canonically cannot scoff at me.) RR shows up when HR is no longer able to tolerate the bullshit at hand. “I’m not going to baby you Leo, get your shit together before your ego kills us all” was a reasonable response to nearly being shish-kebab’d.

“Pizza Puffs”, on the other hand... LDM pulled through in the end, but that RR got HR to stay behind added an unnecessary level of risk. Getting his brothers to learn a lesson should have waited until after the giant mutant cannibal had been dealt with and they were no longer poisoned.

This hands-off “figure it out on your own” approach probably came from Splinter. I swear to Pizza Supreme In The Sky I’m not trying to shit-talk him, but his lack of involvement with his sons was a major flaw. Before all that character development he was terrible at things like “emotional support” and “life lessons��, leaving Raph without the blueprints to deal with a lot of problems. HR would respond by rushing in and figuring things out as he went, but sometimes RR would have to say “No, we’re maxed out and can’t deal with this, we’ve gotta step back”. As we’ve seen in other iterations, when Raph is maxed out and doesn’t step back...

...he goes too far. Plenty of folks have commented on how rarely the Rise turtles smack each other around compared to other versions; it’s telling that RR spoke up just a moment after HR smacked Mikey in “Pizza Puffs”.

Raph is much bigger and stronger than his brothers this time around, meaning such an outburst would have a much higher risk of Genuine Grievous Injury. And while his size and strength also mean a measure of gentleness has been baked into him since day one, there would still be times HR would feel himself boiling over and RR would head off somewhere quiet for fear of the above situation; which was potentially alluded to in “Hot Soup: The Game”.

“You went out on your own when you were his age.”

The context of “Man vs. Sewer” suggests Raph isn’t going to go off on his own without very good reason- such as cooling down before he does something he regrets. That this detail shows up in Casey’s debut episode suggests it is how they will properly meet and bond, since befriending Casey and doing vigilante shit with him is what usually gives Raph a way to blow off steam while having someone nearby to keep him in check. But that probably won’t happen until partway through season 3, since I doubt we can cram the rest of Casey’s redemption arc into the movie alongside the invasion and time travel trauma shenanigans and leader drama. So in the meantime RR will continue to brood on rooftops in bad weather and listen to Ephemerality songs and monologue to himself because he knows nobody’s going to hear him over the incessant background noise that makes up the cities above and below.

I was a bit stumped about how that meeting would take place- the events of the finale (and possibly also the movie) would no doubt have both the human and yokai populations on high alert, making it dangerous for RR to slip away for some peace and quiet. But the events of the finale also gave us some insight on Raph’s powers; he has a way to leave without actually leaving!

Hardlight Clone Jutsu, baby!

So whenever HR finds himself in a particularly sour mood, a wisp of power winds its way up through the open-air portion of the lair and forms into a clone aboveground. HR doesn’t have to leave for a while to cool down before coming back and dealing with the situation calmly, because RR is already on a rooftop somewhere dissipating those bad feelings by listening to the rain and/or yeeting trash cans.

But mutants can’t freely walk the streets of New York, and the Hidden City Police probably still have it out for Raph. And someone, hero or villain, will eventually realize that Raph has a gloomy stray clone running around and ask questions that can’t be answered without cracking open the can of worms that is This Whole Situation. RR needs to get creative. That we’ve seen clones have both full color and the basic red/white palette suggests their color could be altered in other ways; and that the holo-form grew extra arms in the lair fight vs. the Shredder suggests their shape could also be changed further.

So what will he choose to look like, if not his body?

Obviously he’ll use a red and black color palette because it slaps, leaning more towards black since I compared him to Batman back in Part 1. A low-detail design makes it hard to identify him, giving onlookers the impression that they just couldn't see him well in the dark. Mentally filing down his spikes and decreasing the curve of his shell are easy enough, but it takes him a while to figure out five fingers instead of three, and there’s not much he can do about his voice other than lowering the pitch so he just opts to not talk much within earshot of others. A cape further disguises his silhouette and again, it slaps. The impression of a mask means he doesn’t need a face and it lets peoples’ assumptions work for him. Humans are more likely to think he’s human than a Very Human-Shaped Mutant, and yokai come in so many shapes as is that he could be anything from a witch to a dehydrated googlyschmootz.

(You know how it is with franchises. Old patterns repeating in new ways.)

New York City never sleeps, and I doubt the Hidden City does either. He’ll run into Casey eventually, but in the interim he stumbles across and intervenes in some attempted purse-snatchings and kidnappings and the like. Most of the would-be victims use his arrival as their chance to escape, but one of them is too frozen with fear to move until their attackers are chased off into the dark. He escorts them home, and it’s only once they’re at their doorstep that they work up the courage to ask him who he is.

It’s... a difficult question, in more ways than one. “Raph” is out of the question. “Red” isn’t quite right, and neither is “Angel”- they’re a tad too identifying still, and the R.A.P.H. thing was HR’s idea anyway. So he shrugs, and melts away into the shadows.

“Don’t worry about it. I’m Nobody.”

[ladyandtheghost]

How “The Dany-Show” ruined GoT at the core: 3-point system

1. Sansa vs. Cersei: 

How is it possible that we had a million reunions - many of them involving secondary characters for fluff and fan service with zero impact on the plot - but these two women who had so much drama, so much unresolved business, never saw each other again? This is where you would have found the good story to tell and a major plot strand to resolve: the conflict between the Starks and the Lannisters. This is what started it all, this is where it should have ended. This is the story they should have focused on. 

So why didn’t they? 

Because Game of Thrones was already dead and gone and the series had become The Dany-Show and nothing but The Dany-Show. 

Every character, every story arc, everything had to be directed towards Dragon Barbie and her drama. So of course there was no time or space for anything that was not related to the The Dany-Show. Basically a black hole that sucked all the great storylines and characters into its dark void. 

Massive loose plot strands like the Stark-Lannister showdown were left to rot, because it was far more important to show off that CGI budget for gratuitous dragon shots and inane conversations between secondary character including sex jokes on the main. 

There was literally more screen time allotted to the dragons than to Cersei...

After four seasons of Sansa and Cersei constantly referring to each other and the day they would meet again (willingly or not), it’s scandalous that they shoved so many characters back together for pointless reunions that were more or less blatant fan service (Bronn and the Lannister boys, really?!) but the big conflict, the personal drama that was playing out between Sansa and Cersei - that had actually taken on political dimensions now - did not even get a single scene? 

Wrong choice. 

I mean can you even imagine how Lena and Sophie would have acted the shit out of their reunion, because I can and it makes me furious that we were robbed of it. When two characters have so much unfinished business, so much foreshadowing and so much history that still isn’t resolved, the least you can expect is to give them at least a half-assed resolution - but we did not even get that, because it had nothing to do with The Dany-Show. Because all the characters have to only think about Dany and relate to Dany and if there is to be a conflict between female characters, it has to involve Dany and no one else. 

Poor Lena deserved better than to be reduced to playing a two-dimensional shadow of Cersei Lannister who was little more than a prompt giver to The Euron Greyjoy Side-Show (because sex jokes!) 

Also Bonus fuck-up: the prophecy of the YMBQ? Cersei died in the arms of Jaime, if anything Dany’s attack had given her back the one person/thing she cares about. So how exactly did Dany rob her of “all you hold dear” when Dany’s attack caused Jaime to literally drop Brienne like a hot potato, declare his undying love for Cersei and run back into her arms for his final moment? 

Before that, Sansa had already “taken” Jaime into her services together with Brienne. He’d actually switched sides to serve “another queen” (just not Dany) and at least this prophecy made sense for two seconds but of course the YMBQ had to be Dany because it’s The Dany Show, whether it makes sense or not...

They just didn’t care anymore, did they? 

2. Little...who?: 

So we have half a dozen characters rolling up to Winterfell who knew Littlefinger and his dirty business, and Arya, Sansa and Bran are about to go: 

Only for some reason: NO ONE asks. 

There is not a single reference to the fact that the Stark kids found out that Littlefinger is the mastermind behind 90% of everything that has happened since S1 and that he was executed for this. It’s like it never happened and he never existed and neither did all the important plot points before S8. 

Did Jon ever find out that Littlefinger betrayed Ned and conspired with the Lannisters to bring down the Starks? 

Did Tyrion ever find out that Littlefinger framed him at the Purple Wedding?

Did Varys ever find out that his nemesis was outsmarted and defeated by three teenagers?

Nope. Nope. And nope.  

Ain’t we all?

A character who’s been hailed as MVP by a huge part of the fandom because he knew how to network and play the game™ that is advertised in the title like no other, isn’t even mentioned again. One of the most popular theories re: S8 was (ridiculous as I found it myself) “Littlefinger isn’t dead” because many people felt he was still important to the story and there was also a lot of unfinished business with other characters he was connected to...Jon, Varys, Tyrion, Cersei, Sansa...

Instead, Littlefinger himself, his death and every plot point he was ever involved in was simply erased -  because Littlefinger and his relation to these characters had nothing to do with, i.e. did not contribute to...you guessed it...The Dany-Show and therefore POUF, he never existed...

3. R+L = who gives a f***

But you know, these are minor grievances compared to the fact that Jon’s character was not only dumbled down and turned into a complicit in genocide...

Jon’s parentage story arc - you know, THE big revelation and PLOT TWIST  - was turned into a side note, a five-minute mini drama that was more about how this will affect poor little Dany and her feelings. 

They gave us scenes of Dany waxing on about how Jon’s being the one true king stresses her out because she wants the throne and what she expects him to do about it - but they ROBBED us of the moment Jon tells the Stark siblings that he is not truly their brother, but their cousin. 

Because who cares about how Jon feels about this and his “siblings” coming to terms with the fact that:

their father Ned Stark had kept Jon a secret from everyone 

that he had not fathered a bastard and betrayed their mother

but saved the one true heir, at cost of his honour, 

they lived with the Targaryen crown prince and raised him under everyone’s nose...

No, no, the important thing is how Dany feels about it all and how it affects her. 

After the huge build-up, the theories, the overt foreshadowing,  even more infuriating - after throwing poor Elia and her children under the bus and making Jon legitimate...

After literally EVERYTHING in this series leading up to the moment when everyone would know who Jon Snow truly is...it had no effect on the story whatsoever, besides contributing to Dany finally revealing the full extent of her insanity (which was only a matter of time anyways)

Heir to the Iron Throne? Targaryen Prince? Rhaegar’s son? PTWP?

The point is: Drama for poor little Dany because her nephew doesn’t want to fuck her anymore is the actual heir. 

You can’t even say that it led to her advisors finding out and betraying her because that is something they should have done ages ago, at the latest when she burned the Tarlys. It gave them a legitimate alternative option, yes, but it was not the first time they thought she needs to go...

At least R+L=J served one good purpose: it rubbed Dany’s nose in it that she is not special at all. She is NOT the last Targ, nor the “princess that was promised” - and it was never her destiny to rule, she was only ever the “aunt” of the prince. 

Sadly, this is again ALL about Dany and her feelings and how everyone else reacts to her in light of the news that Jon is Aegon. 

So R+L=J is not even about Jon in the end, it’s just another element of The Dany-Show. And once Dany is gone, it’s like R+L=J also got erased (just like Littlefinger and the Stark-Lannister-conflict) 

...because let’s just send the Head of House Targaryen and last of his line beyond the wall again just because the murderous army of the mad tyrant, whom he heroically freed us from, demands it...and of course we have to wrap up the last five minutes of this shitty episode. 

Conclusion: 

D&D just REALLY didn’t care anymore once The Dany-Show was over and it’s painfully obvious to see. The good news is that all of these plot points that got erased/dumbled down/ignored^^ are things that are important to GRRM, which gives me hope for the last books at least...

[snkpolls]

SnK Episode 70 Poll Results (for Manga Readers)

The poll closed with 170 responses. Thank you to everyone who participated!

Please note that these are the results for the Manga Readers’ poll. If you wish to see the results for the Anime Only Watchers’ poll, click here.

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RATE THE EPISODE 167 responses

This episode received good ratings, though it wasn’t as hype as previous episodes have been. We presume this is likely due to the primary focus on Gabi and Falco over the Survey Corps/Warriors. Overall, though, the episode was solid for most respondents. 

Beautiful😍✨

MAPPAGOAT 

Its pretty good

Alright for what it was.

WHICH OF THE FOLLOWING GABI AND FALCO MOMENTS WAS YOUR FAVORITE? 167 responses

The majority of the most favored Gabi/Falco moments from the episode were in the second half, starting with Gabi’s unfortunate encounter with the horse with 29.9% of the vote. Behind that is Kaya and Gabi’s argument about why Kaya’s mom had to die with 27.5% of the vote. At 21.6%, Kaya remembering Sasha was favored and at 13.2% was Kaya taking Gabi and Falco to her old home. 

Gabi's character is so real. LOVED her and Kaya's argument; the va's went all out & it made me cry

Why do ask us what our favorite Gabi/Falco moment was without the option "I don't have one?" Falco's cool and all but Gabi's story has literally been nothing but a drag to me from start to finish

Would have chosen the horse thing for my favorite moment but went with Kaya remembering Sasha instead. At this point so close to the end of the manga I'd rather focus more on moments with characters I enjoy than obsessing with a character I utterly despise having some misfortune (to put it mildly)

WHICH OF THE FOLLOWING MOMENTS FOCUSING ON OTHER CHARACTERS WAS YOUR FAVORITE? 168 responses

This pie chart was a bit more colorful than the previous one, with the largest piece going to Mikasa’s headache with her flashback to the night Eren saved her (26.2%). Behind that moment, 16.7% most enjoyed Hange confronting Floch and Co. about their involvement in leaking information about Eren, 16.1% favored seeing Hange remembering Sannes’ warning. 14.9% liked seeing Mikasa and Louise’s brief conversation in the dungeon and 13.1% liked the moment with Magath and the Warriors discussing their retaliation. 

GIVE HANGE A BREAK </3

WHICH FLASHBACK HAD THE MOST EMOTIONAL IMPACT FOR YOU? 169 responses

Nearly half of respondents were most touched by the moment at the end of the episode where Kaya talks about Sasha saving her and says she wishes to become a person like her. 29.6% got most emotional over seeing the flashback to the night Eren saved Mikasa, and 18.3% were most impacted by Hange remembering Sannes’ warning.

RATE JEAN’S OUTFIT 169 responses

Jean doesn’t do anything in this episode really, but he sure did come dressed in, erm, a unique outfit. Overall most people were neutral or felt that he needs to up his fashion game. Although 34.3% altogether ranked on the higher end, feeling he’s a total fashion icon. We’re questioning the legitimacy of these claims or whether they were just being sarcastic for the fun of it. lol

WHO WERE YOU MORE EXCITED ABOUT TO SEE SHIRTLESS? 159 responses

Eren thirst won out on this question, with 70.4% being most excited to see his half naked body in the previous episode. Though Reiner stans came through for him in their support of his shirtless moment this week with nearly 30% of the vote (and commentary).

Poundtown

More half naked Reiner thx

My only disappointment is that the shirtless reiner scene wasn't longer.

WOULD YOU LIKE TO HAVE AN EXCUSE TO TALK TO YELENA? 169 responses

When asked if respondents would like an excuse to have a conversation with our chaotic bae Yelena, 40.2% said they would absolutely love a reason to talk to her. 29% aren’t sure if they would want to or not, while 16.6% were a solid “no.” 14.2% didn’t care about this question. 

Yelena is hot

AS ALWAYS, WE’RE GONNA ABOUT CUTS. MAPPA LEFT OUT FALCO’S THOUGHTS ABOUT IT NOT BEING THE RIGHT TIME TO TELL GABI HE DELIVERED EREN’S LETTERS. THOUGHTS? 165 responses

There was a brief moment in the manga after Gabi’s misfortune with the horse where Falco thinks to himself about how he’s not yet ready to tell Gabi about his involvement in Eren’s attack on Liberio. 35.8% had completely forgotten this was a thing at all, while 24.2% felt it would have been a nice thing to keep, although ultimately unneeded. 20.6% feel it wasn’t a big deal since he tells her later anyway, and 9.7% feel that this thought of his will come up at a later time. 

I honestly forgot about it but it would have been really cool to see his thoughts in a better way, if that makes sense.

MAPPA ALSO CUT THE BEGINNING OF PIXIS AND YELENA’S CONVERSATION WHERE HE ASKS HER ABOUT HER CELL, TO WHICH SHE RESPONDS IT WOULD HAVE A BETTER VIEW WITHOUT THE BARS. THOUGHTS? 165 responses

Though a small detail, a few lines were cut from Pixis and Yelena’s conversation as well. 42.4% feel that it was unneeded and feel ok with the cut. 23% thought it wasn’t necessary to begin with, and 20.6% had completely forgotten about this as well. A handful didn’t care or feel saddened by less Yelena content. 

Maybe the actress wouldn’t come in to say one line l idk

I knew something was missing

HOW DOES IT FEEL GETTING TO RELIVE GABI’S EARLY CHARACTER DEVELOPMENT AGAIN? 167 responses

We get to reexperience Gabi’s evolution from a perpetuator of Marleyan propaganda to someone who learns to “understand Reiner’s feelings” and see that those she was taught to hate are just like her. 25.1% of respondents feel unbothered by her initial resistance to see things any other way as they know where her arc is headed. 22.2% were never annoyed by this facet of her character to begin with and are totally enjoying the ride. 15% love her but can’t help but feel frustrated by these early moments of her development. 13.8% have always felt annoyed by her character and so their feelings remain unchanged, and 10.8% simply stated that they had forgotten just how annoyed they felt by her at all in the early portion of this arc. 

It's annoying AF but looking back/knowing what I know now makes me more empathetic to her storyline. She still annoying AF rn, though.

Back then I was just antsy to get back to the other plot lines. But I’m enjoying this a LOT more this time around.

It's a mix of painful and Gabi I love you but you need sense knocked into you, ya know?

Always hated her, always will, nothing the anime does changes my hatred of her

To quote Eren, "I always hated you".

I feel bad for her, she doesn't deserve this

She’s so annoying but I found Eren just as annoying in the beginning and I grew into loving the character. The get the reasons for her character but boy yams really made her so fucking annoying

Gabi Braun Must Die

HOW DO YOU THINK GABI’S BELIEFS WOULD HAVE DEVELOPED HAD SHE BEEN THE ONE TO MEET EREN INSTEAD OF FALCO? 168 responses

The majority has spoken. 54.8% feel that if Gabi had been the one to encounter Eren at the hospital, her views would have mostly remained the same, as opposed to Falco who was probably a better person to put into that role narratively speaking. 24.4% don’t want to say for sure as there is no way we will ever know, and 14.3% feel that she would have had her views altered to a slight degree, but would still not have been as empathetic to Eren as Falco was.

DID KAYA TALKING ABOUT WANTING TO BE LIKE SASHA HAVE MORE EMOTIONAL IMPACT ON YOU WHEN INITIALLY READING IT IN THE MANGA, OR IN THE ANIME? 168 responses

Overall, the anime had a profound effect on the emotions of the audience. 36.9% state that they were equally impacted in both mediums, though if a side was chosen, 32.7% felt that the anime made the scene more impactful, versus only 19% who thought that Isayama nailed it better in the manga. Only 11.3% were unaffected by this scene in either medium.

PORCO AND PIECK GOT ADDED DIALOGUE IN THE ENDING SCENE, ARGUING THAT THEY MUST RETRIEVE GABI AND FALCO DUE TO THEM BEING VALUABLE WARRIOR CANDIDATES, AND THAT IT WOULD TAKE YEARS TO RETRAIN A NEW BATCH. WHAT DID YOU THINK OF THIS INCLUSION? 167 responses

MAPPA included dialogue of Porco and Pieck vouching for saving Gabi and Falco ASAP, arguing that they should get them for the sake of the warrior program and that losing their talent would be a blow, and it would take ages to train up new warrior candidates. This is most likely just their excuse to appeal to Magath while wanting to save Gabi and Falco because they care about them. 41.9% felt that their commentary added more depth to the situation and the urgency to retaliate against Paradis and get Gabi and Falco back. 28.1% were simply content to get more content of them. 18% weren’t super excited about it, just stating that it was alright, while 9.6% just felt “meh” about the addition. 

I like how they all piled on about the need to take immediate action

I want to say I enjoyed it and it added depth but thinking about it longer makes it sound like they only care about rescuing them only because their valuable warrior candidates. Like, it makes it seem like they don't actually care that much about them, even if I know that's not the case. LOL 

Any extra scene with Pieck is much appreciated!!

made me sad that they only see them as soldiers and not kids that need saving.

WHICH MOMENT FROM THE PREVIEW ARE YOU MOST LOOKING FORWARD TO? 165 responses

The vast majority (65.5%) of manga readers are most excited to see Zackley blowing up in the anime (bye bye, poop machine!). At a distant second was seeing Eren his cell at 22.4%. Only 7.3% are looking forward to seeing Mikasa and Armin pleading with Zackley to see Eren, and Yelena and Pixis got minimal love. 

My memory is not working well, did Wit showed Zackleys poop machine or was it supposed to be shown in the next episode?

WE GOT CONFIRMATION THAT EPISODE 16 OF THIS SEASON IS GOING TO END ON CHAPTER 116. THOUGHTS? 159 responses

The plurality of respondents (42.8%) seemed a bit disappointed, but had no problem accepting this cliffhanger. 27% seemed rather displeased, but nonetheless were also understanding of MAPPA’s decision. In contrast, 10.7% looked back to the Promotional Video (which had content from up 122) and expressed their PAIN. 8.2% actually wanted the season to end on this cliffhanger, so they were rather pleased instead. We also received a lot of write-ins.  

There absolutely needs to be season part 2, i don't accept any early endings

I am... not sure yet.

As long as it means less cut content lmao

Don't really care much where it's gonna end. I just hope the pacing is good.

i read it ages ago idek which chapter 116 is

I want people to stop complaining about the trailer “lying to them”.  Also my anime only gf is going to be very frustrated with where episode 16 ends.

I thought it would end with 122 according to the preview and it would have been, IMO one of the best cliff hanger ever since all the logic of the plot turns around with revelation about Eren path shenangians. However, I think it's really fine since it allowed MAPPA to take its time to show us the story without making to much choices or compromise. It also means longer s4 part2 if there's one.

I dare you to stop at chapter 114 and fluster up all Levi fans

I am going to die waiting for Paths. 

I need to recheck chapter 116 I forgot about almost everything happened after ema encounter in 112 :D

I don't care as long as they all cover it eventually.

Chapter 119 would have been a better end, but well, I'm gradually learning to lower my expectations for this season

I just roll with whatever they give me xD only fearing Hange's farewell </3

:((((

both 122 and 116 are okay for me tbh

It's all fine to me

Someone explain this whole "ending on chapter 116" thing please

It should've been 117 :/

I was hoping for 119, but I get why they picked 116

WHAT ARE YOU MOST HOPING FOR AS A CONTINUATION? 169 responses

In a nearly unanimous vote, the large majority of respondents feel that the series is best wrapped up with a “part 2” of the final season over the potential for MAPPA to conclude things as a movie (or as movies). Hopefully we’ll have an answer from MAPPA on this front at the end of this run. :)

Another season or movie series works as long as they keep to the source material

I’m happy with either. 

I really really reeeeeeally hope it's not movies. I do not want movies! It would take literal years for fans outside of Japan to get a proper conclusion to the series. Last time people waited years for a season so many people stopped caring, moved on and the popularity took a huge hit it never recovered from. I'm worried that due to Demon Slayer's success they're gonna get greedy but SNK movies wouldn't even make a fraction of what Demon Slayer made. That series is a behemoth over there, it's insane. And I love SNK but Evangelion it is not, and people aren't going to wait and will lose interest. Just please, NO MOVIES!

Final Season Part 2 BUT with lots of time to adapt it

part two but don't call it part two XD.... let's stay in a hiatus for an anime season or 2. or more i don't care , i hope they have enough time to make the amazing job they are doing right now :) 

Series Spin-Off after Final Season Part 2 !!

A movie would be super sick but unrealistic

Whatever MAPPA decides is best

ADDITIONAL THOUGHTS ON THE EPISODE?

The scenery is a 10/10

gabi braun and the terrible, horrible, no good, very bad island vacation. 

Gabi sucks

All hail the Eldian Empire

I thought it was overall really good and funny because of the scenes where falco and gabi were just arguing,, it didn’t have much blood and all but I still really liked it!

I never noticed this in the manga, but seeing gabi constantly almost give them away and falco anxiously making up excuses felt like watching reiner and bert again 😂 

Gabbbiiiiiiiiiiiiiiii!!!!!! Kaya MVP btw.

Bless MAPPA for delivering on the shirtless scenes after we got robbed in Season 3. lol :p But seriously, this episode's scenery was gorgeous.

It was like the calm before the storm that's about to come with the next episode. Episode 71 will be when everything starts to violently turn

people should understand Gabi's character even more

I think Falco was very cute the whole time

Gabi beating that guard was way more brutal in the anime, but the scene of her slapping Lisa's hand away was badly done here.

It was a bit boring, but it was needed for character development

One thing I noticed about this episode is how heavily it featured female characters being influenced by other female characters/female characters in general (Louise and Mikasa; Kaya and Sasha; Kaya and Gabi; arguably Hange depending on how you identify them) which was a nice reminder that of the fact that AOT isn't one of those shows that falls heavily in the 'one token girl' dynamic. Isayama worked to include a wide variety of female characters with very differing outlooks, which clash occasionally, without it ever being about romance. 

Like most of this season (except episodes 1 and 7 maybe), I appreciate Mappa's work but that's all. I'm sad, disappointed, and I guess it's a good thing this season will end on chapter 116. Let's hope they will have enough time to adapt Part 2 and make it legendary, because this first part is good at best. Also, I totally forgot how annoying Gabi was back then. I really like her now, but geez, she was awful this episode.

Felt good to see Gabi get horsebite all over again. Can't wait to see how MAPPA extends Nicolo punching her lol

cool episode, i’m looking forward to seeing more of gabi’s development in the future episodes :))

The horror of mikasa's newly resignified memory... PERFECT. i was fearing they would use wit's romanticized scene... which worked just fine in the first season BUT NOT NOW! because the whole connotation of the memory is different. ALSO! the scenery was insane! 

Horse for President!

Damn, MAPPA's killing it on the scenery this episode. I really enjoyed the animation as well as the plot and voice acting.

In spite of the animation quality I had to give it an obligatory 1 because it was a Gabi episode, and anything involving Gabi automatically decreases the overall quality of the story

WHERE DO YOU PRIMARILY DISCUSS THE SERIES? 156 responses

Thank you again to everyone who participated!

[popwasabi]

“The Other Guys” wants cops to go after the real criminals

Before director/writer Adam McKay pivoted into populist screed’s against capitalism and political corruption in films like “Vice” and “The Big Short” he was largely known as one of the many “dumb comedy” directors working in Hollywood.

In fact, with major productions such as “Anchorman,” “Talladega Nights,” and “Step Brothers” he could almost be billed as THE dumb comedy director or certainly THE Will Ferrell director at least.

(To a certain extent, THE John C. Reilly director too.)

Those movies are certainly divisive amongst some filmgoers, as you either fall into the “turn your brain off and laugh” category or the “this is pure nonsense” crowd. I’m somewhat in the middle on all of it but one McKay/Ferrell vehicle provided a bridge between the “dumb comedy” years and his more serious satires of American politics and that movie was 2010’s “The Other Guys.”

Billed as just another parody of buddy cop flicks, “The Other Guys” is a comedy that still holds up pretty well by today’s standards. Mark Wahlberg in many ways plays an unhinged caricature of every tough guy persona he has ever played in detective Hoitz and perhaps more brilliantly Ferrell, as detective Gamble, is allowed to be the straight man of the duo for change, finding humor in a more subdued performance. Together they form a kinetic duo that play hilariously well off each other in a film that is rarely dull from start to finish.

(Flawless logic here in the famous Tuna vs Lion debate)

“The Other Guys” takes some decent shots at the violent nature of cop culture from excessive police overreach in the film’s hilarious opening scene to cops’ shoot first ask questions later approach with detective Hoitz backstory involving shooting Dereck Jeter during game 7 of the World Series. In between more typical Ferrell comedy flare involving hot wives and ex-wives, hobo sexy orgies, and TLC references there’s a lot of pointed, tongue-in-cheek humor at the police that one can find great humor in.

It’s a descent satire of the cop movie and the culture around law enforcement on this alone but McKay’s real target isn’t the police so much as it is who the police aren’t going after.

(For the record, peacocks and cops, for that matter, don’t fly.)

2008 probably feels like eons ago to many of you at this point but it was the year I personally came of age. I had graduated high school, The Lakers were good again, “The Dark Knight” and “Iron Man” had just come out, I had hopes and dreams as I entered college at San Jose State and oh…the Great Recession had just started!

I’m not going to go into extreme detail here but our economy had it’s worse collapse since the Great Depression caused by the subprime mortgage crisis due to vast widespread failures in financial regulation, breakdowns in corporate governance, vast trading and over borrowing, housing bubbles bursting, and heads of businesses just vastly ill-equipped to handle their hubris in that moment.

Major businesses and banks were on the verge of collapsing and then at the last minute the US government passed a $700 billion, with a capital B, bailout to put them all back in the green.

Corporations like Bank of America, Citi Group, Morgan Stanley etc received between $10-$25 billion each for their struggles and were able to stay alive in the country’s ever worsening state. This was great, except 2.6 million average working-class people lost their jobs during this period, including my father.

By the way, a guy like Joseph Casano, an executive at AIG, got a $34 million bonus for helping lead companies such as his into the recession.

This is McKay’s real target in “The Other Guys.” The satirical cop humor is largely window dressing to draw audiences in to the theaters so that he can show all of them who the real criminals of this country are.

As the plot of the story starts to kick into full gear the more obvious culprits of a typical Hollywood cop movie are dismissed. Though Hoitz is convinced it’s more the usual cop movie style villains of “sex and drug traffickers” at first, Gamble slowly pieces together a plot of dastardly insider trading. What it ends up being is that the bad guy is really just a doofus hedge fund manager named David Ershon played comically by Steve Coogan who made one too many bad investments to bad people.

Ershon has put his people and the people he owes money to deeper into the red, not at all unlike the wealthy CEOs and bankers who messed up the country during the 2008 recession, and it has led him to take desperate action to get everyone’s money back. Ershon, of course, tries to get Hoitz and Gamble off his tale by bribing them in a variety of hilarious ways (one of the funnier sequences of the film) but eventually gets caught up with the SEC and those who prosecute white collar crime (who are unsurprisingly also in bed with the people he owes money to).

(Somehow, I don’t think this is far off from reality...)

Hoitz and Gamble continue on the case but find that taking on white collar crime is…complicated to say the least but most importantly ineffectual as detailed in this scene.

(Again, probably not far off from reality...)

The 2008 recession, wiped out millions of jobs, with rural parts of the country getting hit the hardest and in many ways still feeling the effects today. If you were a POC you were even more unlikely to not recover from the crash. Property values plummeted, student high education success rates dropped, opiod overdoses from “unemployment deaths” and many more awful things happened during this period of great economic distress.

And what happened to the folks largely responsible for causing this mess? They got a fat fucking payday and a dismissive finger wag largely by our own government.

“The Other Guys,” more or less, ends the same way. Despite putting away Ershon, the company he was swindling, who gambled their people’s money, was still bailed out by the US government. A real “happy ending” that is played as a dark, matter of fact, joke before the credits roll.

(Again, we laugh but how far off from reality is this really?...)

I graduated from college in 2013, tens of thousands in debt from student loans and trying to navigate a largely bereft job market where wages had largely not changed in as many years. In 2008 average rent cost about $850 a month, by 2013 it was $953, today in 2020 it’s $1,097. The average entry level salary (for a clerical/ office professional) between 2008 and 2018 went from $46,886 to $45,882 showing a decrease in value.

In 2008 the richest man in the world, Warren Buffet, was worth $64 billion. The richest man in 2020, Jeff Bezos, is worth $200 billion.

If the fact that Jeff Bezos is worth more than some countries on this planet doesn’t make you infuriated alone I don’t know what will.

Btw Buffet’s net worth increased as well to $79 billion himself, in case you think it’s “unfair” to compare him to Bezos.

Sometimes I think the reason people aren’t angrier about this worldwide is 1) a bunch of us think we are all one hard working day away from being filthy fucking rich ourselves, one of the many great lies of capitalism and 2) many of us don’t actually know just how big a BILLION dollars is, so here let me help you all out:

With COVID in 2020 we’re seeing it all happen again, just as it did in 2008. Record unemployment rates, small businesses closing, evictions skyrocketing because no one can pay rent and all we got for it was a $1,200 band-aid (assuming you did get yours). Meanwhile billionaire slugs like Bezos and Elon Musk saw their net worth rise sharply during this period, hell even the fucking Lakers got a $4.6 million dollar “small business” loan (though they did return it…only after getting caught…).

The highest sum of cash ever stolen from a bank was $18.1 million (equivalent to roughly $30.1 million now) in 1997. These are the people cops and other “loose cannons” in popular actions movies are usually running up against. If you think stealing $30.1 million is a lot of money worth sending the cops over then $700 billion of our own tax dollars given to people who ruined the lives of millions of Americans should make you fucking furious. The only real difference here is one was made legal by our own elected government.

Adam McKay’s “The Other Guys” may be on its surface just another “dumb comedy” that mostly satirizes cops, but its villains are very real and unfortunately as American as apple pie. Under capitalism our labor only continues to get devalued every year (even the skilled positions), while the richest 1% of the human race only get fatter with their wealth. Things are only getting more expensive and the working man is getting priced out of more and more daily luxuries and even essentials. This way of life is not sustainable, especially for our environment which these dragons continue to plunder, and eventually we will need to actually hold our overlords accountable for letting it get this far.

If we don’t, they will continue to steal every penny in our pocket and bleed us dry until the next disposable drone can fill our place. If law enforcement won’t take this on, sooner or later we might have to…

Remember, pimps don’t cry...

[whumpster-fire]

Man, I’ve paid like zero attention to the Five Nights At Freddy’s fandom since, like, FNAF 4 or 5 came out, and today I tried to look up the full lore and timeline, and like... what the fuck is all this shit?

So I guess nothing’s changed in that despite there being multiple books now apparently, nobody actually knows what’s going on, but apparently there’s crazy shit like at least one murderer who’s running the company making the animatronics and designing them specifically to kill people, the killer’s Mike’s Dad or something but Mike may or may not be an actually robot or something.

So I’ve got some really hot spicy takes here that’ll probably get me put into a Cringe Compilation(TM), but w/e.

Hot Take #1: FNAF 1′s lore was actually really fucking good, because (a) while it was vague, it was simple, and both of those things are your friend in a horror franchise, and (b) while it had supernatural / sci-fi elements it was, on a basic level, grounded in reality enough to be genuinely scary.

Seriously: a serial killer using child-friendly mascot costumes at a Chuck E Cheese type restaurant to disguise himself as an employee, and/or an actual employee wearing these things, to lure children away, is scary because it feels like something that could actually happen, like you could turn on the news and there’s this story about this crime happening in some city a couple states away that you’ve only heard of like twice in your life but you know exists. Serial killer hiding victims’ corpses inside the animatronics? More of a stretch. It’s not something that feels like it would actually happen IRL, but that’s exactly the kind of shit that there are real urban legends about.

“Someone murdered some kids in a Chuck E Cheese like twenty years ago and stuffed the bodies inside the robotic mascots and nobody noticed until the customers complained about the smell” is something I would not bat an eyebrow and hearing while watching a “Top 10 Creepiest Rumors About Beloved Kids’ Franchises” video at 2 AM on YouTube or something. Add in the robots coming to life at night and attacking the security guards, and like... FNAF 1 is basically a creepypasta - i.e. classic folklore ghost stories but they’re on the internet now - as a video game. Somebody telling this story as a “I swear this actually happened to me!” first person account, claiming they worked the night shift for a week a while back in college and they saw crazy shit and they were afraid from their lives and it seemed like they got hired because the guy who had their job before them was killed? That fits in perfectly.

Hot Take #2: Every game after that made FNAF’s lore worse - and rarely for sequels it actually retroactively fucked with the original too.

2 and 3 weren’t that bad because they added a kinda interesting backstory and a satisfying ending that tied it all together, but the fact that both of the major events of the original game’s plot - the murders and the Bite of 87 - almost certainly involved an animatronic that didn’t even appear at all in the first game actually retroactively makes the lore introduced in the original game less satisfying by throwing a red herring on obvious leads like: “Foxy has been shut down for years and his jaw seems to be fucked up HMMMMMM...” and “What even is Golden Freddy he’s just a suit HMMMMMM...”

But when you get to the point of having to go... wait a minute, were there two separate incidents where a robot bit someone’s head off? Were there two separate incidents where five children were murdered? That’s a massive red flag that your lore has become a convoluted train wreck and you’ve passed the point where it was time to stop. Not every horror franchise should try to be Dark Souls or Bloodborne with its lore. I’m admittedly not a huge horror fan but I can’t think of a single horror franchise that has been improved by having a massive expanded universe with a ton of lore.

Hot Take #3: Mangle is the scariest animatronic in the entire series. Not because of the fucked-up-ness or because of the static or even because of the probably biting Jeremy’s face off. Mangle is the scariest because they had this piece of extremely powerful, mobile machinery sitting around, with the power on, with all of the safety covers preventing someone from touching something dangerous removed, and they were literally letting small children physically interact with it with no apparent supervision. Yes, let the toddlers play “take apart and put back together” with the exposed wiring on an electrical system that is probably capable of pushing hundreds if not thousands of amps through a conductive object, that’s smart.

Hot Take #4: Mangle is adorable and sad and somebody should give that sketchy death-machine a hug despite what I just said. An abused probably-sentient robot that’s falling apart from being abused by douchebag bratty kids and the maintenance techs just stopped giving a shit and were like “fuck it I hate her anyway, kids do your worst?” This character is perfect for this blog! Also in SL the guard gets to abuse sentient robots with a taser, so more Just Gold robot whump content.

Hot Take #5: IDGAF what this says about how immature my sense of humor is: Five Nights At Fuckboy’s is still a masterpiece and one of the seminal artistic works of the 2010s. I N H A L E.

[impalementation]

I think your take on Doublemeat Palace is interesting because to me it's emblematic of all the things that make Season 6 (particularly the back half after "Tabula Rasa") not work for me. It's relentlessly grim and unpleasant and I can feel the writers twisting the plot to make sure every character is as miserable as possible. I'm not opposed to seeing protagonists in a low point or even outright failing. Season 3 of Game of Thrones is some of my favorite TV ever. (1/2)

(2/2) But at a certain point the grim and gritty, if it's not well written, and broken up with some moments of lightness (like Buffy was previously known for) the audience gets numb. It also doesn't help that no one has any agency. (Magicrack, the not!wedding, Dawn doing zip) Again, I'm not opposed to dark plotlines. I'm opposed to incompetent writing.I don't think you can call an episode or an arc "objectively" good if it doesn't work for the majority of the audience it's been written for. 

 you know, i’m going to disagree about the “grim and gritty” thing. doublemeat palace actually stands out to me as being really funny. and for having a lowkey positive ending. true, the episode is about the soul-sucking prospect of having to do the same dreary work every day. it’s about how much it sometimes sucks to work, which is why you have willow dealing with the fact that recovery is a difficult thing that you have to decide to commit to every day, xander and anya facing the fact that marriage is also a lifelong daily commitment, and buffy taking an unpleasant and mechanical job in order to put food on the table (and the episode plays up that the managers have been doing it for five or ten years). but like, names like “manny the manager”? the weirdo robotic people? the exaggerated camera angles? the swirling cow and chicken? buffy’s constant attempts at jokes? “hot delicious human flesh”? a little old lady with penis monster on her head? this stuff is totally absurdist. i think of doublemeat palace as almost the opposite of episodes like once more with feeling and tabula rasa, where things superficially seem fun but are actually quite dark. doublemeat palace seems superficially unpleasant but actually has a wicked sense of humor. and i say that the ending is positive because it involves both willow and buffy committing to doing work. they’re faced with the opportunity to “cheat” at life like the trio, who steal money instead of having jobs, but ultimately decide to do the right thing. willow doesn’t accept amy’s magic and buffy doesn’t blackmail the company. 

that goes for a lot of season six, in my opinion. even late season six. people say there was less humor, and i think that’s true to an extent, but honestly i think it’s more that the tone of the humor changed. it got more sardonic and absurd, but was definitely still there. eg people think of seeing red as the episode where the two Very Bad Things happened, but outside of those scenes a lot of the episode is like, fascinatingly (to me) slapstick (the whole jetpack bonanza? “say goodnight bitch” “goodnight, bitch”). and has that really lovely conversation between buffy and xander at the end. in general, i think a lot more season six episodes have positive endings than it gets a reputation for. i already mentioned the ending of doublemeat palace. but the end of gone has buffy saying she doesn’t want to die, the end of older and far away has buffy deciding to stay home with dawn, the end of as you were has buffy deciding to break up with spike, and the end of grave has buffy, willow, and spike all making important changes for the better. as in, season six can be very dark, yes. but i would not call it a hopeless or cynical kind of dark. it’s about the characters clawing their way out of that dark place. not just a statement that “adulthood sucks.” you can argue that the season didn’t pull off its attempts at lightness, but i very much think they’re there. 

at any rate, i agree to an extent that if a work of art isn’t working on most people, that’s probably a sign it’s doing something wrong. but i’d offer the counterpoint that you might also say that if a work of art really works on some people, even if not everyone, it’s probably doing something right. as far as the season as a whole goes, i’d actually take issue, on a basic factual level, with the claim that it didn’t work on the majority of people. not to validate IMDB’s ratings for buffy’s episodes, but it does have an n=~2000 sample size and if you average out the ratings by season, season six doesn’t rank starkly lower than any other season. it’s on the less popular side, but it still hovers around an 8.0 average like most of the other seasons. moreover if you go by the big r/buffy polls (n=~120-310), season six ranks in the top three favorite seasons every year they did one (2011: 3 > 6 > 2, 2012: 6 = 3 > 5, 2013: 6 > 3 > 5, 2014: 3 > 6 > 5, 2017: 5 > 3 > 6). you can see the data for yourself if you scroll down to where it says “surveys”. perfectly possible that there’s data that paints a totally different picture. this is just what i had on hand. that ranking also doesn’t mean the majority of people liked the season, but it does act as evidence that there are a lot of people whom it really worked on. basically, i wouldn’t say that season six is disliked so much as it’s divisive. people seem to either love it or hate it. with a smaller percentage that likes it, but for whom it isn’t a favorite. or who appreciate what it was trying to do but don’t think that it succeeded. 

as far as doublemeat palace goes i notice a similar phenomenon. people either really hate it or they really relate to it. either they think the style is bizarre and annoying or they think it’s delightfully surreal. so it really seems like it’s up to the individual whether they want to lend more credence to one audience reaction or another in order to assess quality. 

which is why i tend to use my own rubric. when i ask myself whether something is good or bad, i pay a lot of attention to (1) is the work trying to do or say something specific? (2) how unusual or challenging or astute is the thing the work is saying? (3) how coherently is it doing that, and on how many different levels? (4) on a formal level—dialogue, cinematography, costuming, acting, pacing—how fluently was it executed, and how well did the formal choices contribute to the ideas in (1)? 

for the record, i don’t think that doublemeat palace is the best episode ever. i just think it’s solid, and fits nicely into what i think the season as a whole was doing. but the reason i say that it’s “objectively” solid according to my personal rubric—which granted, you’re more than welcome to not share—is that (1) it has a pretty clear idea that it’s exploring. the drudgery of work stuff that i mentioned in the first paragraph. moreover i think that idea is really relevant to the season-long topic of “what makes it feel like adulthood sucks”. buffy having to take a menial food job fits into the season’s food motif that i talked about once, which in turn fits character-wise with buffy’s ambivalence about being alive. a somewhat grotesque/humiliating job fits with the mood of material existence being unpleasant. (also, xander impulsively chowing down on food speaks to him probably not being ready for commitment) (2) i think this whole subject was just hella daring for the show to do. having been a poor and suicidally depressed 22 year old in a fucked up sexual relationship while working a menial job, season six and episodes like doublemeat palace just ring true to me as something for a show about growing up to depict. sometimes real life really is a grind, and sometimes it really does feel profane, absurd, surreal, etc. (3) i really like the way that buffy, willow, and xander and anya’s stories all fit the theme of episode but in different ways. i wouldn’t say the episode is a super nuanced take on drudgery, but it does have layers thanks to the three different storylines, and it comes off as clearly conscious and oriented around its theme. there are other parallels like amy, spike, and halfrek each being influences, too. (4) there’s some cool formal execution. not all of it. willow’s story, like a lot of her mid-season-six arc, is kind of tediously on-the-nose. but i enjoy pretty much every second of buffy’s part of the episode, because the direction is so in control of it. and i like the absurdist and genre-conscious playfulness. the soylent green riff, etc. 

i also disagree on your assessment of agency in the season but this post is long enough as it is. regardless, i certainly don’t begrudge you your opinion. it’s an often clumsy season. it also sounds like we enjoy things in different ways--i genuinely don’t care too much about writers contorting things in the interest of theme. i’m mainly trying to push against the implications (1) that the season was obviously just trying to be dark and grim, and just for it’s own sake or something. instead of for deliberate and interconnected artistic reasons that one could analyze and talk about, and (2) that there is some monolithic opinion on and response to it.

[forestwater87]

A moment to chat about “The Butterfinger Effect” (obv spoilers for S4e17)

Wow, so a lot of people fucking haaaaaated this episode. And since I’m addicted to That Discourse, I had to say something because I think they’re super wrong. (And this isn’t me just being a total Camp Camp fangirl here; like, the pee episode was bad. That was bad tv and bad for all the senses. There have been mediocre and even shitty episodes of this show; this just wasn’t one of them.)

There are a couple different points of criticism aimed at this episode, and while there’s one I’d like to take a deep dive into in particular I might as well take some shots at the others real fast:

The moral was too obvious: god, you guys whine all day and night that you wanna see Max show character growth and whenever he displays it you hate how it’s done. This show has never been one for subtlety. I mean, the climate change ep? This is how the show works; it’s part of its twisted-Saturday-morning-cartoons charm, it’s the most efficient way to get a point across in a short runtime, and it was the set up for the joke at the end of the episode.

It didn’t advance the plot: bitch what plot are you talking about???

Not enough dad//vid: listen I’ve made my thoughts about the fandom’s idea of dad//vid incredibly clear at this point, so let’s just:

The most common argument, though, is that it’s all so very “unrealistic” and “out of character.”

Considering the show’s concept of “realistic” involves squirrel armies (hey, another mediocre episode! See, I can call them when I see them) and a universe-destroying space octopus, I’m not sure how to rebut that without another Bianca del Rio gif. So, the out-of-character accusation. 

Listen, characterization is hard as balls. Everyone fucks it up sometimes, and not every characterization in every episode is gonna work for you. 

But you know who nailed it this time? Eddy Goddamn Rivas, the writer for this episode, that’s who.

In fact, I’d argue that the entire point of the episode is that it’s not Space/Race Kid’s new interest that caused the majority of the changes, or some sort of mystical “butterfly/finger effect,” but Nurf’s attempt to put things back to “normal.” He caused the thing he was trying to prevent -- which happens to dovetail perfectly with the moral of accepting change and not letting it freak you out.

This episode is brilliant, and plays with the canon characterizations of all our campers while staying true to them, and I’m gonna show you how.

Under a cut, because not everyone has time for that shit. But first, a juicy preview of the sexy discourse to come:

Space Kid

This one is the easiest to defend, because Space Kid is just . . . Race Kid. Aside from maybe having an idea that he’s cooler than he used to believe he was -- which makes sense, because why do people buy fancy sports cars except that they think it makes them look cool? -- we’ve seen his tendency to latch onto an interest and go 110%. 

Reasonable, hilarious, and adorable. I actually don’t think anyone has any problem with Race Kid, so this is a quickie. 

As for why he dropped it so fast: I mean, hasn’t everyone gotten really into something before deciding it wasn’t as fun as an old hyperfixation? I’ve been coming back to the Camp Camp well since 2016 because it’s just so much fun.

Nurf

Nurf is the one I think people are sleeping on. All the time, always, but especially in this episode. The summary hints that Max is the one unable to handle the idea of change -- something this entire season has been working towards, and I literally just realized change has been a thematic thread throughout several of the episodes and that’s really cool -- but it’s actually Nurf who can’t stand the thought of things being different.

And, in trying to prevent the “butterfinger effect,” he sets it in motion. The irony is delicious, and his head in a fishbowl makes me laugh every goddamn time.

(Also, “A battle of wits is not my strong suit” was just hysterical. Nurf is full of great lines and y’all need to stop ignoring what a comedic goldmine this kid is.)

Preston

Oh, I’m sorry, are we shocked that Preston would jump at the chance to be admired by people, even if it means doing something he doesn’t particularly enjoy?

Were we all in comas during the episode this very season that was literally only about this exact thing?

As to why he’d pick football: he’s a theater kid addicted to the corniest, most cliche tropes. When he got a taste of power by bullying Nurf -- which was also totally in character, because honestly, Preston is not a very nice kid -- of course he went to the thing that in every 80s teen movie meant “cool bully who’s super popular”: the sports jock.

Add to that getting positive recognition from Campbell -- who we’ll get to -- and this swap is totally in-character, and entirely kicked off by the power rush he got from finally getting to be the one who bullies instead of being bullied. 

Nurf created his own worst nightmare by being afraid of change. This episode is fucking brilliant.

Harrison

To nobody’s surprise, Harrison is a sadist who thinks he’s hot shit.

He’s emotionally traumatized Neil to win an argument, he’s made Max vomit up, just, like, so many things and shown zero remorse, and got an unflappable sense of self-worth that skates right off the edge into total egotism.

These are the things we love about him. (And yes, obviously his arrogance comes from a deep well of insecurity, but that only exacerbates why he’d absolutely refuse to help Nurf, because it gives him a chance to be better than someone.)

As for why he’d choose to model himself after goth!Max . . . 

Honestly, this one doesn’t entirely make sense to me. He’s never shown any particular interest in Max. The only thing I can assume is that . . . well, actually Max was right, and at least in Harrison’s eyes, he is at the top of the social hierarchy. And he got there by giving zero fucks about what anyone thinks of him.

Which is what Harrison did, by refusing to help Nurf. We come full circle!

(WAIT: When Max asks why he’s acting like . . . you know, him, Harrison’s response is, “Why? It’s not making you insecure, is it?” While we could take this as “I’m coming for your shtick,” it could also imply that Max’s general Maxyness makes Harrison feel insecure about who he is. Which explains why, as soon as he’s offered a chance to emulate someone who makes him feel insecure, he chooses Max.)

Ered

Nerris and Ered have established themselves as friends, and she at least has expressed a token interest in playing DnD before. She’s listened to Nerris talk about this stuff enough to repeat it at times -- albeit incorrectly -- and so, when there’s “nothing better to do,” she tries something her friend is super into and finds it really fun and embraces it.

I can attest that DnD totally turns you into a massive, shameless nerd. It’s just that awesome.

Plus, she’s too cool to give a shit if people think she’s being nerdy, so of course she’s not embarrassed about being seen dressed like a Viking; in “Ered Loses Her Cool,” she had that moment of growth where she decided that her coolness comes from her happily choosing to be herself. 

Also, she gets to carry an axe around. So like, extra cool points for that.

Nerris

Nerris is gonna grow up to be a band geek, and she’ll especially enjoy the theatricality of marching around in parades while dressed like a Christmas Nutcracker. It’s like being a real-life bard.

This is the only one that really has a “supernatural” level to its change, except maybe the counselors (yes, I’ve come around on Neil; I’ll defend him at the end). While everyone else can be explained by psychological and in-character reasons, I have no idea what caused her to suddenly have this whole getup. I’d chalk it down to her seeing everyone else trying something new and being interested in upping her LARPing game, except she explicitly says she doesn’t know where it came from.

It’s one of the few that doesn’t make perfect sense, but I don’t really mind it because it’s such a top-tier episode otherwise.

Dolph

This is another one with questionable backing in the rest of the canon. However, I think it works less on a characterization basis than on an archetypical one. 

Hear me out: how many artists actually make it professionally? And how many of them end up falling back on something solid and lucrative and artistically unfulfilling to pay the bills? Some people are of course lucky enough to land their dream job, and others are lucky enough to find something close enough to that dream job to make money while still doing something creative and adjacent to their interests (becoming an art teacher, for example).

But in Hollywood, at least, the idea is that you’re either a professional artist who Makes It, a starving artist who’s sacrificing for their dream, or a total corporate sellout who abandons their soul for the sake of profit. A child, especially one with a father so unsupportive of his artistic interests, would only have the Hollywood idea of success to fall back on, which means if Dolph was tying to think of a way to “grow up” and stop wasting his time on being an artist, of course he’d jump straight into the most famously corrupt, artistically soulless type of job possible.

The problem here, of course, is that I don’t know what triggered it; like Nerris, I don’t really see a clear line from motivation to new hobby. However, it works really well at poking fun of the “artist to sellout” pipeline portrayed in popular media, so I certainly can’t be mad at it.

Also, look at these credit scores:

David’s score is either astoundingly good -- 825 out of 850 -- or astoundingly bad -- 325 out of 850 -- depending on what that first number is. Gwen’s credit is pretty bad, which isn’t surprising considering she’s working at Camp Campbell, but I’m still proud of her for being either the second- or third-highest person at the camp.

None of the campers should have credit, so these numbers are just goofy, but I’m as shocked by Nikki’s “exceptional” credit as I am by Nurf’s “literally not on the chart by 298 numbers” rating. Assuming Dolph made at least the campers’ scores up, and we know he’s pretty good friends with Nikki, I assume he gave her a higher score because he likes her, Max’s is trash because their relationship is rocky at best, and Nurf’s is just petty and spiteful because he bullies Dolph, and I just love it. 

(I assume Mr. Campbell’s credit is in negative numbers, and QM doesn’t exist on any official records.)

Counselors & Campbell

Campbell, I’m going to argue, makes sense.

This? Not so much.

I have no idea what Gwen’s talking about -- “I need her showing. We all agreed to it”???? -- and literally none of this makes sense in any understanding of characterization or anything, but my counterpoint would be:

Look how cute Gwen looks dressed up like David.

“Mumble, grumble, aliens!” and something about Mormons in David’s cheery voice adds 5 years to my life.

David’s floof is now beard.

David is wearing plaid.

QM. Just . . . QM.

Did I mention that Gwen looks so fucking good here? I swoon. So hot. Babe. Step on me, mommy.

Anyway. Campbell. 

He’s not what you’d call . . . nurturing, by any means, so at first this weird dad!swap is totally out of left field. However, he has proven himself to be . . . well, not a great caretaker, but someone who does put in the effort when he has to, and is surprisingly good at dealing with the kiddos when forced.

He’s also proven himself to be remarkably introspective, starting back in Season 3. He does to an extent feel bad about what he’s done, and to varying extents wants to make amends for it. So when he starts talking about legacy, and what a man leaves behind -- 

-- I can’t say I’d be all that surprised if he stumbled upon Preston trying to be “cool” with sports camp and decided (probably with the help of whatever supernatural strangeness came over the other counselors) that he wants to have a better impact on this camp than a bunch of broken-down equipment, a pile of debts, and a “son” who’s disappointed in him. 

Listen, what I’m trying to say is that I will die defending my Trash Grandpa and there’s nothing you can do to stop me. There’s good in him!!!! I CAN SEE IT!!!!!!!!!!

On a less “Campbell is my dad” note, as a rather stereotypical Manly Man(TM), he’d be best served helping some weedy little brat become more traditionally masculine. i’m saying Campbell was great at football in high school and is in part reliving his glory days, okay?

Nikki

Oh, come on. Nikki’s always shown an interest in science, and particularly in the mayhem it causes. When Neil is out of commission, and she sees that everyone else is doing major hobby swaps -- including Ered, who I believe she still sees as her idol -- why wouldn’t she want to join in on the fun in the most destructive way possible?

The show didn’t say she was a good scientist, after all. 

Neil

Remember when I said I couldn’t defend Neil? WELL SURPRISE BITCHES, TURNS OUT I CAN! 

(I didn’t realize it until halfway through writing this post, to be fair.)

But think about it: the boy does not respond well to his mind being freaked. We have observed this.

This is not a good reaction to an unsolvable logical problem.

I’m just saying, there’s not a huge difference between these pictures. Neil doesn’t do well when his brain is overloaded with things he doesn’t understand, and everyone around him turning into different people -- which is how it must look from their perspective, even if I can sit here and explain it in ways that make sense at least to me -- broke the poor boy’s brain.

He’s a very fragile ecosystem, our little Neil. You must protect him from thinking too many thinks and getting overheated.

So . . . yeah. This episode is rad, way more of it makes sense in terms of the characters’ motivations than people are giving it credit for, and the ones that don’t make a ton of sense are at least funny and clever enough to be overlooked, at least in this broad’s humble opinion.

[yoshi-p]

everyone and their dog is doing it and everyone is absolutely allowed to share their opinions so i want a turn but first let me clarify:

hello im yase, been around since 1.0. I am of turkish and nogai descent and i can speak fluently in tatar, turkish but my english doesn’t hold 100% so i will be all over the place.

Unfortunately this will all be word of mouth and may be taken as vague posting, but I have experienced issues since the release of 4.0 and would like to give my opinions. I want to let this all off my chest this is just a huge vent basically so i guarantee my english will be terrible.

the most important point: NEVER EVER SPEAK FOR ANOTHER CULTURE. NEVER EVER SPEAK ABOUT A CULTURE YOU DON’T KNOW. YOU HAVE SPREAD FALSE INFORMATION AND I AM SO HURT.

another point is ITS A VIDEO GAME GUYS (does not apply to everything but some people really need to take a step back because people are concerned.)

Here’s the hot topic I’ll talk of first: garleans. I personally do not play one as I prefer to play characters that would never be involved in a sense with the political agenda because in real life im too stupid to comprehend anything like that so i wouldn’t even know how my character would behave with the hot topics. I really do think people need to take a step back and see that everyone who is putting in their input is making solid points but personally I would never compare them to nazi germany though I see why people are generalising. I always saw it as tsardom of russia with the use of roman influence as well, something obvious in naming conventions and the way the ranks/monarchy(?) works but it’s not so clear what the main influences of most places in this game if you have a look at the bigger picture. Without like full on spoiling, its weird to have this view to me with the knowledge that ascians are behind this. Are you implying anyone who plays or was influenced by ascians is also under this umbrella? 

Also why THE HELL WOULD YOU TAG SOMETHING KNOWING IT WOULD GET A LOT OF TRACTION AND RESPONSE THEN BE LIKE “you guys misunderstood, I was expressing my feelings” lol no. “ I don’t understand where this is coming from, and at this point, I don’t really want to.” then why did you even fucking bother do it in private dont tag it.

You are COMPLETELY valid to feeling uncomfortable, it is fine because with how much of this world we have there will be aspects some of us don’t like. You are not inclined to involve yourself with someone if they roleplay as a garlean but you do not need to start publicising it in a way that will paint the community in black and white when its truly a wider spectrum.

YOU CHOOSE WHO YOU INVOLVE YOURSELF WITH AND WHO YOU PLAY WITH, PLEASE GET AWAY FROM PEOPLE WHO GIVE YOU NEGATIVE FEELINGS OR YOU’LL SPREAD IT TO OTHERS.

from that initial and very brief tagged post there popped up many others and new discourse is arising, opening discussions about many things which is better then being blind to it all. but if you have personal grievances with someone and you state its over, let it be over. It’s not healthy behaviour. it’s also troubling to see someone complain a lot about the game and continue to play, no one is forcing you or holding a gun to your head. take breaks if you need to and play less frequently. like, real life is so much more important and there are people in this community that prioritise relationships with players etc.

Also, please stop fucking talking about mongolian/turkic/turkish culture like you know things. 99% of the big mouths in this community are americans. like majority are white americans. 

over the course of this expansion i have had many people of varied backgrounds share with me some terrible experiences and i myself have seen some truly stupid shit. 

WE ARE HERE TO HELP YOU LEARN OF OUR CULTURE AND WHERE TO CONTINUE DOING SO. DO NOT INTERPRET MEDIA AS ACCURATE REPRESENTATION OF CULTURE.

it is absolutely not hard to tag a post and ask around, someone will pop up. I’ve been doing my very best to let everyone i know that i can help with learning about my culture or to find someone who would be more then happy to explain and share with other cultures. But when you go off of a documentary you saw of Genghis khan or only know of the tourist white people scenes of istanbul you as a community say some TRULY dumb shit.

I like to try and be patient because i myself when approaching someone of a culture i admire and am curious about i want that in turn. But if you say to me things like “Ainu aren’t real” or “Tatar people have nothing in common with tribes from the Altai mountains” its hard to do so.

FFXIV regions are not just “Germany” “Turkey” “Mongolia”. If you think this, it’s clear to me you don’t know shit and are too lazy to explore, further just google shit its not that hard. I had someone tell me that my people could never be in this game since its “Straight up mongolia” fucks sake NO ITS NOT. The designs vary and i can see the differences in simple things like words because i actually bother to do research even coming from a turkic culture. There were some beautiful little things dropped that linked to not only my people but others like Uyghur and Altai. The only place in FFXIV i think could only have a singular influence is Kugane, because from a foreigner’s perspective that’s already interesting enough. Many people have grievances and real issues with how SE has handled Doma’s influences and no one ever talks about that. Representation for asia in media has turned into this mess of specific east asian countries, the trio that even then gets categorized into China/Japan with brief mentions of Korean culture. 

Its frustrating. There are people who are happy to teach you. Who are willing to show what is wrong with the picture.

I have read several posts about Turkey/istanbul/Antalya. Yall fuckin weird you guys seem to think its in U.A.E or some shit with how you act. It’s in the Mediterranean/Europe/Asia/Middle East and there is no such thing as a specific looking Turkish person. You claim everyone is specifically white/brown, HELL NO. It’s a mixed nation and that’s the history of the land, if you had ever fucking stepped in turkey and spoke to any person on the street they’ll say their heritage that lead them to there. People claim Ala mhigo’s influences are turkey but i have yet to see that. As someone who has lived there and has heritage there and is strongly connected to that culture, i dont see it. sure the ala mhigan gown had patternings but thats also present in my nogai culture too because parts of turkey’s society descended from the line of the Kayi tribe. Just fucking LEARN TO READ GUYS. None of you guys even know what the altai mountains mean and i could sit and explain over and over again if you let people SPEAK.

Look at Thavnairian items. We have outfits that are completely different, a full length dress and then a bustier. you can’t start generalising things in video games to be one culture you have to realise most places in this game have several influences. We don’t know a lot but everything we have been given has been varied enough to pin point it to ONLY one influence.

I don’t want to just keep going about this simply because im growing frustrated.

The thing with Viera complaints. I think some are valid but some are stupid. For one as I make this post it hasn’t even been confirmed so there is no reason for policing Viera to a severe extent. Considering all the Ivalice content in game has been an alternate universe kind of thing its dumb as shit. But feol viera being made without understanding the knowledge that people who have played rw picked up is quite frustrating. As a community, its important to help people when we have information that others may need that they cant understand the context of.

I know people are worried about them being fetishized, that is my legitimate fear too as a huge ivalice fan. But this is a repeated cycle especially when we consider generalizations like miqo’te especially seekers and belly dancing or when au ra arrived and people thought xaela were genghis khan basically. 

The game is not solid, there are so many holes in the lore and the plots and i know people hate that but we fill the gaps with our own opinions and theories. While I understand some people think we need to move forward in 2019 because “japan is xenophobic”, its a very difficult thing to do. THEY DO HIRE PEOPLE FOR CULTURE ADVISING. THEY TRAVEL OFTEN AND DEVELOP WITH THIS. IT’S NOT LIKE THEY WENT ON GOOGLE AND SAID “yeah a japan land would be fun” they literally have people hired specifically for this stuff. however, at the end of the day its a company that has yet to show it can evolve with the times. Its becoming more and more evident with the recent patterns of main titles in FF and side projects having so many issues in story/lore/management. remember 1.0 basically died being absolute garbage and this is salvaged from that.

its really late and i had a terrible evening so i may not be making the most sense but theres more important things to worry about then to make this game a miserable experience when it could be a huge learning opportunity for everyone. There’s no need to generalise people into categories because of characters they choose to develop but its important to note with majority of people standing up higher on the pedestal are those speaking for the minorities groups that have direct influences in the game.

also lol if you fucking say ainu aren’t real to me one more time i will fucking throttle you

[gascon-en-exil]

So Who’s the Queen?: A Chess of Blades Review (Part 2)

Part 1

With the general overview out of the way it’s time to jump into a critique of the real substance of this game: the four men who can fall in love with Rivian and turn him into the champion bottom he was always destined to be. As with last time I’ll be avoiding major plot spoilers but will spare no detail when I turn my discriminating eye toward the game’s scenes of sweet, tender lovemaking...or raw, kinky fucking, whatever floats your boat. Some of them could go either way.

Fun fact: my silly subtitle for the sex scenes comes from a Japanese expression jokingly proposed as an alternative source for the word yaoi. I thought it only appropriate given what I’m judging here.

Arden

It took some effort for me to ignore that this guy shares his name with the least fuckable bachelor of Fire Emblem: Genealogy of the Holy War, but eventually I managed. It helps that the two have nothing else in common, up to and including preference of sexual partners.

Arden is the best friend romance of CoB, the only one with whom Rivian has an established history. Thinking back to the similarly positioned Ian in Coming Out on Top, this is a visual novel character type that presents a unique challenge for the writer(s) in that there has to a be an explanation for why the two of them don’t shack up until the events of the game. I rather like CoB’s reasoning for this, as it’s one that plays into both Arden and Rivian’s insecurities and explains why Rivian is so prickly to a supposed close friend during the shared prologue. Arden is clingy and overly expectant, and the game allows this to feel off-putting even partway through his route (which is shared with the “secret” fourth love interest, in a scenario where Rivian decides that he and Arden have grown into such different people that reconciliation is impossible). This is an unusual but not unwelcome way to lead into what is undoubtedly the fluffiest of the romances, in which Arden has to be open about his self-conscious reservations and Rivian has to be willing to forgive. Arden’s protectiveness of Rivian also becomes less grating as the route goes on and the two start to face genuine danger, and as Rivian points out that kind of dedication is actually quite sweet when it’s wanted. The only really awkward thing about the construction of Arden’s route is that, because most of their relationship drama comes from the fallout of their youthful infatuation, it has very little to do with the main plot of a kidnapped little girl. It is at least the most morally straightforward of the routes, one that brings out both Arden’s loyalty to Rivian and to his kingdom (even though he is a bit dense about it, in the tradition of most lawful good paladin-esque type characters) and Rivian’s buried affection for his family. Like I said, it’s pretty fluffy on the whole.

The “Ow, my ass!” rating: Mild. As might be expected Arden’s sex scene is the most vanilla in the game, which is fitting because 1) it matches the more innocent passion of a childhood romance gone horizontal(ish), and because 2) Arden is also a virgin somehow, despite having spent several years in a military environment in a setting where no one cares if guys hook up with each other. There’s no lube, but I can excuse it because Arden both fingers and rims Rivian beforehand. More significantly, Rivian rides Arden’s cock which is not only the most active he ever is in a sex scene but also a great position for the inexperienced to get accustomed to the feeling of taking a dick. Don’t get the impression that this means that Rivian is taking a dominant role, however; the term “power bottom” is more about attitude than positioning, and Rivian is still very much lacking in that department. Also, they have sex on a chair and I have no idea why, since there’s a perfectly serviceable bed in the same room. I like to be able to hold onto my partner’s shoulders when I’m riding him to help keep my balance, but I don’t think that’s worth having to angle myself around the arms. Kind of a toss-up there.

Franz

According to the developer notes in the artbook Franz was the first of the love interests to be designed, and they had a specific exotic flavor in mind that in practice feels very much like how I think Anglos see Continentals collectively. German first name and French family name aside, I get a more Iberian feeling from him personally. Maybe it’s the thing about his country being known for chocolates, or maybe the (very late in coming) self-flagellation...not literal, mind you.

Even leaving aside his real world cultural inspirations, Franz is very much the aggressive rogue type of love interest, the “perverted foreigner” as Rivian describes him more than once who introduces himself by grabbing Rivian on his balcony and practically dry humping him while dropping some foreshadowing regarding the plot. The above image is a comparatively benign moment early on in Franz’s route proper, but it goes to show just how casually grabby the guy is and how Rivian is essentially forced to get used to it. That may be unsettling for some players, but I happen to like a man assertive enough to go for what he wants - although the fact that Franz is vastly hotter and wealthier than many of the men who’ve groped me certainly plays a role there too. In any case the plot of his route - that of the murder of an ambassador in which Franz is curiously interested -  plays into the idea of him as a man of mystery gradually revealed to be driven by something other than sensual indulgence, and getting his good ending requires that Rivian learn to trust and care about Franz even as he’s not at all forthcoming about his identity or motivations up until the very end. Franz’s route is unique in that his sex scene appears before the determination of whether or not you’ll get his good ending and even before certain major revelations are made regarding his character. This suits his roguish appeal just fine, even though the scene itself is kind of...well, see below. Honestly Franz is probably my favorite of the love interests by a narrow margin; he’s rich, hot, aggressive, and shown to be very open-minded about kinks while also capable of genuinely affectionate moments. That’s a rare combination and prime wish fulfillment fodder.

The “Ow, my ass!” rating: Uncomfortably high, sad to say. Props to the guy for being suave enough to lead Rivian through a masquerade ball one minute and then drag him into a storage closet to fuck his brains out the next, but it’s a massive understatement when he assures Rivian that he won’t be gentle. Franz fucks Rivian’s mouth on a cold stone floor and then only takes the time to briefly finger him with spit before impaling the boy. You really have to be into the controlling top persona to enjoy his scene, particularly as there’s little to no (onscreen) aftercare. I was also left feeling disappointed at how conventional Franz’s sex scene felt, after he’d previously teased Rivian about wanting to collar him - he calls him “kitten” throughout their interactions - and enjoying the sight of a cross-dressing Rivian. I definitely enjoy the idea that Franz is into both pet play and feminization, but it turns out to be a case of telling and not showing. At least Franz retains most of his Dom demeanor up through his epilogue, as I would have really rolled my eyes if his kinky tendencies mysteriously vanished after he and Rivian made their big romantic confessions.

Linnaeus

I’m still not sure how I feel about Linnaeus. Part of this is that I’m missing out on the reference; developer notes make it clear that his appearance and personality were modeled after those of characters in the Ace Attorney series, which I’ve never played. I can at least acknowledge the allusion found in his narrative, which reaches its (non-sexual) climax not with a violent confrontation in a mysterious setting as in the other routes but with a courtroom trial. The Steam achievement for winning the trial is even called “Rivian Wright,” at that.

More than that however Linnaeus is a man whose appeal as a love interest exists (in my opinion) on a less visceral or emotional level than the others’. Archetypically speaking he’s the defrosting tsundere who initially seems to not like Rivian very much at all and only gradually comes to enjoy his company after they’ve been thrown together by apparent coincidence in the case of a foreign duchess’s stolen diamonds. Linnaeus is a haughty intellectual and very much a sadist both in and out of bed, but later explorations of his character add depth to his talents as the king’s inquisitor and zeal for bringing criminals - especially the members of the anarchistic Disciples of Ignatius - to justice. Throw in some friction with an estranged cousin who also wants to woo Rivian and might want Linnaeus’s job as well as some earnestly romantic gestures masked by smart-assery and in one case a literal mask and there’s definitely material here for a satisfying romance. There’s some hiccups - the trial is not difficult at all to win, and there’s an optional tarot card reading scene that adds nothing to the route but unneeded foreshadowing and feels out of place besides - but it’s by no means a bad story. Maybe Linnaeus just likes to screw with Rivian too much for my taste, or maybe I’m just not into tsundere types.

The “Ow, my ass!” rating: Of a reasonable threshold, but that doesn’t mean I really care for it. Linnaeus’s sex scene involves edging, begging, and light bondage, three things that I tend to find more annoying than sexy in my own encounters. I do like that he’s a kinky guy and that the game is more willing to show that than it is with Franz, and I also like that Linnaeus comes prepared not just with rope but with lube (finally!). This is more my personal taste than anything, as objectively there’s nothing illogical or inaccurate about their encounter. No doubt their future liaisons become even more maddening, as in the epilogue Linnaeus remarks that he has “instruments” he enjoys using on Rivian. That’s just...not my preferred type of Dom, I suppose? Additionally, for whatever it’s worth Linnaeus’s naughty bits are not visible in either of his erotic CGs due to angling and his fondness for humiliation, which is kind of a letdown.

And no, Rivian never gets to yell “Objection!” during this route. Another missed opportunity, Chess of Blades.

Sabre

Sabre is the guy on the left. The one on the right is Kieran - keep him in mind for later.

This is the secret love interest. His route branches off from Arden’s and cannot be accessed until you’ve completed Arden’s route once. There’s a good narrative reason for this, and on the surface Sabre seems like a great option for a bonus romance. He’s got tons of raw sex appeal, a unique role in the story, and a social status that separates him from Rivian and the other love interests, such that while the other three are each likened to a chess piece protecting Rivian as the king Sabre’s route is more akin to upending the board entirely. Rivian falls in love with a common brawler, ultimately opting to leave the treacherous games of the court behind him. There are two very large problems with this route though:

1) Sabre has the worst voice acting of any of the characters without question. He’s got the accent problem I brought up last time, in his case doubly so because he affects a thick Scottish brogue for his fighting persona which contrasts against his uncharacteristically refined normal voice, but whether due to the VA or the audio recording equipment his volume modulation is also highly erratic. Most of his lines are either screamed so loudly I was tempted to remove my headphones or are so quiet that they’re barely audible, especially at the end of some lines where he just trails off into near-silence. There is very little middle ground, and the combined effect is extremely distracting. It doesn’t help either that Sabre is lumped in with the supporting cast in the volume settings unlike Rivian and the other love interests whose voices can be adjusted individually, so muting him will mute everyone else.

2) Then there’s Kieran, who represents a more complicated issue with Sabre’s route. The two are introduced as close friends and sparring partners who share a healthy rivalry, and even though the romantic focus of the route remains on the developing relationship between Rivian and Sabre Kieran gets in some flirty banter of his own with Rivian and makes it clear that he wouldn’t turn down the nobleman’s admiration. Somewhat shockingly, this actually does culminate in a threesome, even though it’s staged more like the way some straight guys talk about M/M/F threesomes wherein the two men (tops in this case) have their way with the woman while having minimal interaction with each other. As someone who’s engaged in my fair share of threeways with two tops I don’t necessarily object to this arrangement, and in fact I like that it continues to play up the sense of rivalry between Sabre and Kieran. What I don’t like is that after they’ve had sex and Rivian has bid farewell to both of them the epilogue drops Kieran entirely. He’s not mentioned or referenced at all, and everything comes back to Rivian and Sabre rekindling their relationship a year later under noticeably more conventional circumstances. Perhaps a true poly relationship is beyond the capabilities of a visual novel with romance routes like this, but it would have been a welcome addition to the ending if it was mentioned that the two of them get visits from Kieran from time to time and that they’re all working it out. As it stands Kieran just feels like eye candy and a tool for Sabre’s development, which is a real shame since he’s an affable character in his own right (and more competently voiced, that’s for sure - funnily enough by Franz’s VA, using what sounds more like his natural voice).

Combined these two problems really limit how well this route lives up to its potential, but I found that I could grit my teeth through Sabre’s performance and use some creative license in the ending to get around its shortcomings. It definitely feels less well constructed than the three main routes, but as an alternative to Arden’s storyline it adds a fair bit. But then....

The “Ow, my ass!” rating: Off the charts - Rivian should be dead after this sex scene. True, they use lube and Kieran eats him out first, and spit roasting is a common and reasonable practice in a two tops/one bottom arrangement, but then there’s the double penetration. Allow me to remind you that Rivian is a virgin and has apparently never stretched his hole before this encounter, and yet somehow he’s able to take two well-endowed men simultaneously. I’m not buying it, and even worse the position he’s in - sandwiched between two hulking men twice his size as they drill into him from above and below - makes me wonder that he’s more likely to die of suffocation than rectal hemorrhaging. There’s a moment during the narrative climax where Kieran bear hugs a man almost to unconsciousness, so the writers clearly must have known it was a possibility - but nope, the delicate noble boy somehow survives taking two dicks at once while being smashed between two mountains of muscle. Oh, and did I mention that said mountains of muscle have no refractory periods? They both cum from the spit roasting, and then immediately Sabre is hard again and raring to shove his way into Rivian’s poor overtaxed hole alongside Kieran. Rivian’s inner monologue lampshades this downright inhuman stamina, but that doesn’t excuse it when you take everything else that’s off about this scene. I fully understand that this is a wildly hot fantasy for anyone into beefy guys, but more than anything else in CoB this sex scene is decidedly not something to try at home. 

In conclusion...

Arden is sweet, Franz is hot and surprisingly romantic, Sabre comes with issues (and Kieran) but is undoubtedly sexy, and Linnaeus is...something. Good selection on the whole but too bad about Rivian’s hole.

[toasttz]

How to make games: RPGs

Hey! You like RPGs, right? If you don't I have to wonder how the hell you found FAN, given our two most-active subboards being vidya and tabletop RPGs, but, whatever! Let's, for the sake of argument, assume you like RPGs. If you don't, fuck off, Greg! ... I don't know anyone named Greg, I just wanted to see if I could screw with people named Greg. Anyways, RPGs, like the houses in Harry Potter, come in four distinct flavors: traditionalist, gonzo/comedy, h-game, and "Inspired by EarthBound/The Mother Trilogy". And much akin to Harry Potter, only two of these houses actually fucking matter and the other two are just hangers-on of different genres and ages. If you're going to waste the player's time by making your H-game an RPG, you are going about it entirely wrong. Please stop dumping this unabashed garbage-fire of a subgenre on Steam, the market is beyond saturation point and requires arm floaties to compensate. And for those of you who played/know of EarthBound and want to make a "spiritual successor"... just stop. Please for the love of God, stop. There never really was a demand for this kind of thing and EarthBound was not a commercial success, so just stop if you have any humanity left in you. I don't think I can stomach anymore fucking quirkiness after the last installment - anymore stuffed down my gullet and I'm gonna shit out a My Hero Academia OC next time my bowels move. So, in truth, you have two flavors of RPG: the traditionalist and the comedian routes and both can be equally terrible. Traditionalist RPGs range from the swords-n-sorcery setting found in Ultima, Dragon Quest, and good Final Fantasy installments to the sci-fi, cyberpunk, steampunk, and emo shit found in bad Final Fantasy installments - it's a wide gauntlet. The only prereq is that you take your own storytelling relatively seriously, with some level of gravity involved in the overall major story beats. Since traditionalist RPGs are made by people with crippling insecurities about change, and the game will largely succeed or fail on the quality of its characters, I'll go ahead and make your cast for you. I'll avoid giving them names so you can customize them: I mean, some people like their fantasy heroes to be named something like "Bulk McUlraeoth Sword Arm of Jupiter" and some people like their fantasy protags to be named "Jim". Who am I to judge your self-insert fanfiction? Sword McHero Man - The guy with short brown or black hair and a generic face done by a B-list manga-ka and, depending on if you want to make him a chillaxed everyman or an edgy edgelord, you can add or subtract belts, zippers, pouches, and black clothing items according to need. He'll almost always use a generic one-handed sword and have fairly short hair. If your game strongly favors an element system, he'll be either fire or light-affinity, but not have any actual strong convictions beyond the fact that he hates 'bad guys' and probably gets his head dunked in toilets by at least 3 NPCs in the starting town. Anything else about him is ultimately superfluous and interchangeable with the next Sword McHero Man over. Childhood McBestfriend - Oftentimes a female foil to the above, but not required by law to be so. Sometimes this doubles as Sword McHero Man's Suave Cool McLancer. They will usually fill a supplementary combat role in the party, either the thief or the healbot as the story requires. If they are the love interest, they are required to be Worst Waifu(TM) by law and be replaced as soon as a competent party member fills out the roster. Typically wind or water elemented in nature, they'll either help calm the hero-man down if he is the hotblooded sort, or cheer him up if he's currently got his head dunked in a toilet. Suave Cool McLancer - Either a rival or thematic foil of the hero and maybe a rival for Childhood McBestfriend's affections, depending on story necessity. He will be a more specialized unit, either the rogue, the heavy-armor knight, or the attack mage. If male, this character will be Best Hasbando and be incredibly pretty or horrifically scarred and/or disfigured with no potential in-betweens. If female, uncommon but not unheard-of, she'll be the team's big sis figure and likely the most powerful, physically speaking. Potential for Best Waifu(TM) is high, but can also potentially double as Back McStabberton. Back McStabberton - The dark, angsty, clearly-untrustworthy one who the player will see their betrayal coming from a mile off, but will completely blindside the naive heroes. Usually they'll have stats inconsistent with the party (being either over or under-powered depending on context) and clash with their bright, anime-esque color scheme by wearing blacks or dark purples. Either a thief or attack mage of some flavor. Almost universally a male or a "devilish handsome rogue" if they get redeemed at some point. If female, they will always be DOUBLE AGENTS acting with the hero's own good in mind and will promptly be forgiven. Usually dies before the game is out. Grandpa McTeacherperson - Some plot-pivotal character who exists to either give the party a special tool, weapon, or ability they wouldn't have gotten otherwise, or elsewise transfer their own talents to the party in some fashion. Virtually irrelevant as characters since these exist exclusively as jaded props to die off to make the villains' actions more personal. Please stop using this archetype or at least TRY to subvert it into something interesting, you talentless lazy fucks. Sexy McFaceTurn - Invariably one of the bad guy's hot ladies will see a boyish charm in the hero, even if the hero is supposed to be projected upon and therefore would actually have the social skills of a duck - or worse, me. What? I did that joke already? Fuck you, this joke's still more inspired than the Tales games RPGs. Anyways, upon getting wet for the hero, she will abandon her post and all its luxuries and join the party, clad in tight, black leather and probably using either knives or whips and will be your prereq dark-affinity character. She will be the sex appeal your game sells on, so be sure to slap her on all your promo materials even though she doesn't join until the mid-late game. Male versions of this idea die. I can't explain it - it's some straight-up Mr. Poofers dark magic, they just die. Annoying McMascot - Your game needs something bizarre to round the party out with. A talking dog is common. A fantasy creature with bright neon colors is also acceptable. Just make sure that players hate it with every fiber of their being. If the design alone isn't enough, give it an annoying speech habit - like a verbal tic or a lisp - and have it talk a lot and repeat the obvious a lot. It is by law that this must be implemented. However, unlike any of the above, this, coupled with the hero, cannot be killed off. And that should more or less do ya, unless you're the type who wanted to pour dozens upon dozens of dudes into your game. In which case, congrats, you understand that doing the absolute base minimum to be called a "game" isn't the bar you should be shooting for and therefore are already on your way to being better than Squeenix. Next, you need to get to codin'! So go on Steam and buy the latest RPG Maker software when it goes on sale. You won't need to wait long, between the Summer and Winter sales. Once you have that, you already have built-in art, music, and character makers. Fuck it - creativity is hard, so let the software tend to that itself. Make some characters and name some locations, jot up a map with some landmarks and treasure, then make a bad guy. Bad guy making is easy, they all wear black or dark reds and purples and tend to always call themselves "The [Whatever] Empire". You don't even need to be arsed to make a motivation for their evil schemes. Have you seen how much Fire Emblem Fates raked in just on the goodwill left over from Awakening? I'm surprised JRPGs aren't made by fucking algorithm these days! Anyways, that just about does it for the traditional RPG. Comedy RPGs aren't quite as bound to the above and are, in fact, encouraged to break the mold. If you need some ideas to get the creative juices flowin', there's a game you can try out, you might have heard about it since I haven't stopped fellating the damn thing since I did the LP back in 2013: Hourai High. Your plot doesn't need to make sense and is better off if any causality is merely coincidental. Your characters shouldn't really be trying to 'save the world', per se, but should do so by side-effect of their selfishness and/or incompetence. Your team should have robots, aliens, fucking CheetahMen, I don't fucking know, but take everything I said above this paragraph and throw it into a shredder, make it confetti, and wail on established convention! Sweet fucking mother - BE CREATIVE. I'm gonna temporarily break facade here for just a second and say this: you know how you bitched about Final Fantasy 15? How it's a fucking boyband music video with a fucking car commercial crammed in it?! How you hated the hallway simulator of FF13? How no one bought Bravely Second? How Dragon Quest keeps getting away with remaking the same fucking game?! Here's your chance. Flaunt on the establishment. Fuck what is "popular". Make something new. Don't try to be Shigesato Itoi. Do your own thing. Break the conditioning. Get out there and make a fucking game. Make it so when people say "RPG Maker Title" on Steam, they aren't saying it like it's a four-letter word. Put some God-damn soul into it, people! And now, off the soap box. Bonus points if you add a dating sim. Just saying. Rune Factory 5 just got announced. Now, get to work. Congrats. You now know how to be the most fucking boring milquetoast thing on the planet and how to avoid that ass-cancer and do something that actually expresses your individuality and possible talent. This is the one time I'm allowing these rants to be somewhat uplifting. You're welcome.

[hclles-blog]

hey guys ! this has been sitting in drafts for at least a day now, but trust me when i say i’m as excited as i was when typing this fucking monster of an intro SDKFGJKFD but i’m jules, kard and clc supremacist and a struggling student about to apply to the english faculty of my uni ! like i said, this is a super long intro, so get settled as i introduce asteria’s resident skating brat halle, a bitch who overworks and doesn’t know how to chill long-term !! stats page is HERE for your reading pleasure, extensive plots and an extra list of options are linked accordingly !

jeon somin, cis female, she/her. — have you seen ( hyunmi “halle” chae ) around ( hecate ) ? they’re a ( twenty-two ) year old ( senior ) who’s majoring in ( kinesiology. ) i know they’re busy with ( dance club, women’s volleyball, and kappa delta sorority ), but you should tell them to check their latest starred rating ! ( jules, 21, she/her, gmt-3:30. )

honestly she is.. fucked sgjfsgdkl

this is mostly a carbon copy of an intro i’ve made for her in the past, so while some random points seem a Little dated or repetitive, they’re valid enough to stay here sfdlgkdg

i’ve had inspo for her after the olympics and rly wanted to use her somewhere, so if some things here seem a little.. idk, farfetched for your taste, we’ll pin it on that sfdgkdfj

this is her as popular vines

so chae hyunmi aka halle, ulsan born, raised in seoul and relocated to toronto, canada with her parents, little sis and partner to train bc..

she’s a figure skater, good enough to win ( .. junior ig ) titles when she was in her early teens, so it was only inevitable for her to leave for toronto to train with the Best eventually

she’s competed in international competitions, as part of a pair, and made her olympic debut in sochi by the skin of her teeth; her highest placement was third place ( not at sochi pls sgjkld she prob ranked in the top ten at best ), so she’s got a medal or two to her name

ultimately it was after sochi that she saw her coach and ( ex ) partner intervene with her.. unhealthy practicing habits

she’s a perfectionist through and through, so of course she’d spend hours on the ice at just seventeen/eighteen years old, even younger tbh, to get a routine right. but she pushed herself harder and harder, where small missteps would lead her to fall hard and recover for days on end, even spraining her ankle just before competition season was to begin

so when her coach insisted she take a break, her parents following suit, it was with good reason — one that she didn’t fucking see fsdkgkl

even so, them pushing her to prioritize education for a bit, to get ahead of the skaters who would prob only be able to do so upon retirement in a good few years’ time, and hanging up her skates until she saw it as.. less than something she needed to abuse herself to feel comfortable with, for as long as they would do so led to her resolve shattering and her applying for universities in canada, the us and sk ( the sly brat reasoned that it’d be nice to be reconnect with her roots.. for the sake of having something going for her beyond just competing in pyeongchang ! )

but the latter wound up being a bust bc she opted for asteria u, close to some of the popular yet secluded skate clubs the greats went to during their off-season training.. and before tr*mp got elected bc she would’ve cancelled everything, demanded her money and scholarships back, had she arrived after that LSDFGJFKLD

should be noted that her grades were good, she had a super brief volunteering stint and she’s a rising star ( well, was.. the bitch wouldn’t be competing again anytime soon to keep herself where she was within the skating circuit ) in her favoured sport, so she deemed all of this inevitable sfkljfdgk

though the school didn’t and still doesn’t offer its own skate club so, that was a slight drawback for the invested bitch

the transition wasn’t too hard ofc; she got comfortable with the campus and was back on the ice in no time, joining one of those aforementioned skate clubs under her parents’ noses and making the most of it as comeback/olympics prep

she saw herself as poised to be added to the roster once again, now a singles prospect after a major falling out with her longtime partner for one too many dumb bitch moves, and was desperate for it; however the stars didn’t align back in 2017 during her sophomore year, when she just missed obtaining qualification while now on canada’s roster on a technicality, and nothing could’ve compared to the agony that was missing her chance in something she invested sm practice, time and compliance with the people around her to pull through and get to pyeongchang

she’s still distraught over it, it’s been a couple of years since that happened and she gets emo real quick, misty-eyed if you bring it up ( she uh, has issues with moving on from things if you can’t tell )

suffice to say she resents her coach for his minor contribution in fucking her and himself over, dropped him out of anger ( a move she.. does feels bad abt on a personal level but professionally ?? pft ) and linked up with one back in toronto who she’ll begin seeing when she’s “ prepared ” to give it a shot again

meaning she’s currently on hiatus from the sport, but she knows a good few people think her career is Over now — and it pisses her the Fuck off

studying kinesiology despite wanting to be a skating coach when she retires as a competitor, bc she rly loves being active and thinks she’d be a resource in the field down the line ok ??

anyways, she’s found new things to invest her time in, such as the sorority, dance club and volleyball

dance helps with the choreo for her routines.... or Did, but we all know she’s still doing Some amount of skating on the side so

and it helps in areas where muscle memory and years of flexibility can’t quite do so

volleyball’s a great second option for her as a sport, mostly bc she can exert as much of her frequent frustration as possible into a game and act like it’s just her being into it. though she really can be That competitive, as you can see, rather than bratty

so, moving onto other things —

personality and other shit

she is.. a mess rly

inflexible, independent, charismatic, etc

most of her actual personality is further down oops dsfgjklfg

kinda detached ?? like she doesn’t want too many distractions and she deems relationships as the fucking Worst for it.. she’s had some pals from skating with potential go downhill when they got too deep with certain partners or just with too many side hobbies, social obligations, so she’s trying to be level-headed while not destroying her social life ?

idk it’s hard to explain, she’s an enigma even to me in that area

only dated once or twice. the first time being when she was like nine. with her first pairs partner that she quickly ditched.

not.. super sexually active either ( rip ?? )

but she’s been Involved with people so fdskng

on the ice, or just in whatever she’s applying herself to, she’s domineering and blunt, v strict on herself though she’s slacked off a bit over the years.. so imagine how self-disciplined — in the worst of ways — she was when she was younger

with a rigorous work ethic like hers, her being a leader among those at the local skating club implies that she’d be strict too with what little power she has.. but she’s kinda chill overall ?? tho you still have to get your twizzles right before the end of the day, don’t care that the hockey players will be out in two ! let’s go !

uh.. her attitude carries over with a Lot of things. she especially has no time for people who are Committed to their sport but show poor performances bc of laziness, distractions, etc. so brace your kids for hurricane halle ??

call her ice queen. try it. try it. GKFDJKGDSF she hates that nickname 95% of the time, usually bc she assumes people are basing it off of her initial/professional demeanour first and her passion second

she rly just has a hard shell where it matters, aka her career and stuff, but is a semi-precious gem overall

or, for a better way to describe it though it sounds like i’m just repeating myself: she gives off Proper head bitch vibes ( subtract the Need to feel powerful in being a piece of shit to anyone who walks past you ) but she’s really just a blunt and serious brat with a super dry and at times menacing sense of humour

she won’t hesitate to call you out on your shit or make it clear that she doesn’t like you, though, even if she appears cordial on the surface

as a result, hockey players HATE her !

bc she rips into them the most for frequently poor experiences with her fellow ice people. most of which are them hogging her reserved practice time, and being thirsty and pretentious dicks about it within and outside of the arena

kind of dramatic and a meme ngl, curses quite a bit, whips out korean or her conversational-level french far too often — especially if she’s shit-talking bc you made an ugly choice but is trying to be a Supportive Friend

english name came from halle berry bc hyunmi thought she was rly pretty on all the red carpets her mom would have on growing up sfgdkjflk

unwinds with the usual netflix and wine

oH also prob still hurts herself by overworking, especially after That Lost Opportunity, i hate

she’s pan but..... girls disappoint her far less than guys so she has a preference djfgskgdkf

all of that being said, it clearly plays into how she’s perceived by others, so —

her view and reception on starred

she..... probably doesn’t do too hot tbh

well. maybe she Does if starred's social ladder resembled most high school/college shows, movies.... rps, but it doesn't really so —

in all fairness, she probably does do better than i'm assuming rn bc.. she Is a character of sorts, who knows gskfksl but MOVING ON !

her blunt and kinda snarky attitude is partially Why she hates this point system, bc people tend to kiss ass just so they aren’t given a low rating whereas she can only hold back about 5% of her unfiltered opinion — but that’s IT !

tbh she relies heavily on her involvement in extracurriculars, and especially her public image from her glory days, more so than she herself to keep her head above water

so she looks entitled from that alone

given the way i’ve played her in the past, ik she might come across as a hbic type: thinks she’s the best ( which.. she kinda does sjkfgd ), savours the power she tries to or does in fact exert, doesn’t come across as particularly sympathetic or nice, etc

but she’s just a shit disturber with thick skin and a slight kink for receiving admiration and respect, puts herself first a little too much

in fact, she doesn’t really Care to hold people by a leash, but yeah, it can come across much differently since her tone never really Shifts if she doesn’t know you well, doesn’t trust you, knows you’re naive with such things, doesn’t like you, is just fucking around or in a sour mood.... the list goes on

so if your character focuses on who’s the nicest or most cheerful when giving high ratings, makes a v quick judgment on their character from a first impression, she’s gonna be near the bottom of their list dfsghkfgj

and like i said, she doesn’t care for the system Enough to change any of this, so she gets by

KDFJGSKFL uh, let’s end it there bc this is painfully long — congratulations if you’ve made it to the end of this intro from hell ! if anyone wants to plot, like this or im me !! ( ps, if you prefer d*scord like yours truly, just ask for it or send me yours ! )

[where-his-towel-is]

renge houshakuji is a fucking boss

on the millionth rewatch of ouran that i’m doing right now, i’ve come across something pretty interesting.

in episode 4, Renge puts forward her ‘darker’ versions of all of the hosts (except Kyoya who she falsely thinks is perfect), but while the plot centers around her being able to let go of the perfect persona she has fantasised for Kyoya, her depictions of the hosts’ inner selves are actually pretty spot on.

she presents the twins as being in a world of their own, unable to relate to anyone else and pushing people away. which is basically the truth, as revealed in the next episode - even though Hikaru and Kaoru are social butterflies when together, they function very badly apart, and even normally they’re particularly sharp underneath the ‘twincest’ act. Renge also places Kaoru in the traditional ‘seme’ role (granted, ouran isn’t explicit in this way, and the yaoi roles of seme and uke can sometimes be written as pretty unhealthy and gross but this is kind of interesting). taken with a bunch of yaoi cliches in mind, this would mean that Kaoru is in a position of power over Hikaru in that he knows Hikaru’s emotions better than Hikaru himself, he is more comfortable with romance and physicality than Hikaru and generally far calmer and less hot-headed. which is all true, even if they’re not romantically involved (obviously). in the manga, there’s a long-term plot arc of Kaoru being in love with Haruhi as well but eventually stepping aside to let Hikaru have a chance with her, proving that in a way, he does have the power over his brother through his deep emotional understanding of him that Renge assigned him in the first place. 

Renge gives Tamaki the title ‘the lonely prince’, which is immediately turned into the hilarious melodramatic BS that we all love from Tamaki Suou. actually though, that portrayal is pretty accurate as well - Tamaki started the host club to make friends, even create a kind of surrogate family to replace his own that was torn apart by his parents’ separation and the conflicts over the family business. whilst the real tamaki isn’t exactly the rain-drenched loverboy Renge wants to put in her film, he is deeply sad, and trying to put on a brave face as a popular guy in school in order to do his best to fill the hole in his life.

Hunny is called ‘the baby-faced thug’ long before we find out he has any martial arts skills whatsoever, and the same with Mori - Renge calls it that he’s basically obedient to Hunny’s every need, though not in the dumb school bully way she’s written into her script. 

the entire first episode is dedicated to how Haruhi is bullied by a girl who deems her social class not suitable company for the host club, particularly not for Tamaki, and Renge says Haruhi is the poor honour student bullied by his classmates. Haruhi’s lack of wealth, whilst not particularly important to her personally, is of course a major plot point in the show, since it’s one of the reasons for which she has to slowly convince those associated with Ouran Academy, students and adults, to take her seriously.

even Renge’s perception of Kyoya, whilst on the surface entirely inaccurate because it’s based on the fictional ‘Ichijou Miyabi’ from her favourite video game, even that isn’t entirely false at second glance. she sees his character as kind, caring and loving. of course, she at first believes that Kyoya is like this at face value, which is completely wrong, but as the series progresses, it becomes more likely that Kyoya, beneath the surface, can be all of those things. his darker side stems from his having to learn his own potential as a kind, caring person in the face of his father’s cut-throat business world. 

i’m just sayin guys, Renge fuckin called all of it in episode 4. fucking badass.

[energonbunny]

First of all, LOVE your blog! Secondly, have any recommendations on Sterek Fanfics?!? I feel like I've read them all but I always need more!!!

Thanks! We’ve been mutuals for a while now and it’s always nice to see you pop up :) I actually have a sideblog entirely dedicated to TW so if you’re looking for a blog that focuses on it then maybe take a look at that, too. @wheredidhiseyebrowsgo is probably the best blog I know when it comes to fic recs/finding fics/etc. so you should give them a follow!

As for Sterek recs, oh geez… So, fun fact, on ao3 I actually have over 700 Sterek works bookmarked! And then I know there’s a ton of little ficlets in my likes on here, too, and really my point is just that there are so many great Sterek works and I will list some of my all time favs in case you haven’t seen them. And I do love all of these but my super-duper faves will have a ★ next to them. I started at the back of my ao3 bookmarks and went in about five pages I figured 25 would be good enough for now, especially since some of them are series so that’s actually more.

★★★He Fucks My Best Friend by mydickisthealpha (667 words, rated M)

“I, for one, would like to vote to keep this as part of all the meetings,” Lydia announces and Stiles flushes scarlet basically everywhere. (My comment: short and funny, Stiles&Derek forget the pack is coming by and are having sex. Scott POV)

★★★As the Lights Go Down by standinginanicedress (62,890 words, rated E)

Stiles is standing there looking bizarre – which maybe isn’t a very nice thing or even a convincing thing to say about a person that Derek’s basically invited over to hook up with (whatever that even fucking means to kids these days) – but he…does. He’s wearing dark jeans, a black hoodie with the hood pulled up so Derek can’t even really see his face aside from his mouth and jawline, and he’s got that metal baseball bat in his fingers again.He looks like he’s come here to literally beat Derek to death.Then, he grins, lifts one shoulder up in a half shrug, and says, “I can’t come in until you invite me.”Derek is mystified enough that all he can say is, “really?” He thought that was a vampire thing.(My comment: AU but they’re all still supes. Stiles is a spark and they are powerful things, him even more so because of plot you should read. standinginanicedress has several good ones you might want to peruse.)

★★★The Domestic Series by thepsychicclam (149,239 words, various ratings)

First work’s description: It’s Saturday night, and Derek Hale is at Toys R Us. Shopping for Leapfrog games. If asked, it wasn’t exactly how he pictured his life. Or his Saturday nights. In which Derek and Stiles have been married for ten years, have two kids, and are planning their five year old’s birthday party.

(My comment: The domestic series is just parent Sterek fluff for the most part and it is absolutely wonderful. Realistic, I think, in the fights that happen and how Stiles&Derek fit together. I love the children.

Also @thepsychicclam has a lot of wonderful works besides this series that should be read if you haven’t but this is definitely my favorite.)

Nothing Short Of Perfect by GotTheSilver (27,019 words, rated E)

In which Derek and Stiles are made aware of their potential and have to make a choice about what their relationship will be.“Let me get this straight,” his dad says. “You’re telling me a witch told Derek and yourself that you could be destined to be together and now Derek will be going to college with you?”Stiles shrugs, resting his hands on his legs to stop himself from fidgeting. “That’s about it, yep.”

★★★My Heart Comes Tumbling Down by DevilDoll (5,689 words, rated E)

“This is a casual, adult relationship based on sex, and it is awesome.” In which Stiles and Derek have a great time buddyfucking until a burrito ruins it all. (my comment: devildoll is one of those I see rarely recced outside of SFiYE [below] and they have some really good other stuff, too)

★★★Stand Fast in Your Enchantments by DevilDoll (76,956words, rated E)

“Stiles knew damn well what a pissed-off wolf sounded like, and every hair on the back of his neck was telling him that somewhere in this room was a very pissed-off werewolf.” An AU in which Derek is feral, Stiles is magical, and they eat a lot of fast food.

Won’t Do Me No Good Washing in the River by DevilDoll (5,939 words, rated M)

“Remember, Derek: you never get back what you lost.” Story by Devil Doll, artwork by Rahciach, podfic by Jinxy. This story has a happy ending, but please read the tags. (My comment: Angst with a happy ending. Major character death but they are brought back.)

★★★The One with the Napping by Captain_Loki (4,768 words, rated M)

It is a unique and somewhat unhelpful talent, but Stiles can fall asleep anywhere. 

★★★[Sleep]Walking After You by relenafanel (56,551 words, rated M)

Derek is a sleepwalker who keeps wandering into his downstairs neighbour’s bedroom.Stiles is pretty sure the hot guy from the park is going to kill him in his sleep. He knows he shouldn’t have been so obvious about objectifying the guy’s really fine ass.Too bad it turns out Derek is easier to get along with when he’s sleeping.

★★★Play It Again by metisket (63,206 words, rated T)

In which Stiles goes along with one of Derek’s plans and ends up in an alternate universe as a result. He should’ve known better. He did know better, actually, and that means he has no one to blame but himself.“Laura wants to lure the kid in with food and kindness and make a pet of him, like a feral cat. Derek wants to have him arrested for stalking. They’re at an impasse. (And the rest of the family is staying emphatically out of it in a way that suggests bets have been placed.)”

Hemingway Can Suck It by KuriKuri (10,054 words, rated T)

“For those of you who just transferred into this class or simply decided that day one wasn’t important enough to attend, I’m Professor Hale. Welcome to English 346, The American Novel.”Stiles is pretty sure his mouth is hanging open right now and that his eyes are wide with shock, because holy fuck, he thinks he knows why his students transferred. Hell, if he was still an undergrad, he probably would have transferred, too. (Or: In which Stiles is a Biology professor and Derek thinks he’s a student.)

★★★Baking My Way Into Your Heart by theSilence (178,630 words, rated M)

Derek is an uptight college student, all work and no play. His carefully scheduled life is thrown kilter when his regular barista is replaced with someone new. (My comment: Coffee shop/college AU with slowburn. It’s beautiful.)

★★★The Well of Living Waters by Kalpurna (30,322 words, rated E)

King Derek takes a consort. (My comment: royalty AU. Demisexual Derek although I don’t think it’s explicitly tagged. So good.)

Pretty Human Virgin Boy Comes to the Pond- Feed Him All the Best Heads by Delta_Immortal (49,771 words, rated E)

Stiles knew it was a bad idea to go into the woods, but little did he know his actions would cause the death of everyone around him. Running from the thing that killed Danny, Scott and Stiles stumble upon a pond, which happens to hold a strange man named Derek who floats around in the middle of it. Derek assures them they’re safe now.What appears to be salvation is nothing more than the start of the death of everyone Stiles cares about. The being known as Derek haunts him at every turn, unsatisfied until Stiles succumbs to Derek’s whims. Stiles isn’t sure if that involves sexing him or eating him, and he really doesn’t want to find out.

(My comment: pay attention to the tags! This is not a fluffy Sterek fic; what sex there is in this is basically Derek mind fucking Stiles and possessing him. It’s good, I love it, but definitely heed the tags.)

★★★(Sacred) In the Ordinary by idyll (78,759 words, rated E)

The Pack, after college, graduate school and the starting of careers, comes back to Beacon Hills. Nothing’s gotten less complicated after all this time.Based on a kink meme prompt that grew legs and got serious.Note: This is a whole lot of pack!fic with a very slow build Derek/Stiles. (My comment: I have read this fic like 8 times now. The pack dynamics are wonderful and the gang is all older here, coming back to BH after college. Set after season one)

When the Bough Breaks by The Feels Whale (12,068 words, rated T)

Look, Stiles knows he’s not really part of the pack, but really? He wishes the others aside from Scott and Allison would stay a little more up to date on what’s going on his life beyond how it affects them. (my comment: Stiles adopts a baby. Scott is having a pissing contest w/ Derek over Stiles and Allison so Derek and his pack doesn’t actually know Stiles is adopting a baby. Adorable chaos ensues)

The Time Travelling Werewolf’s Confused Spirit Guide also by The Feels Whale (4,832 words, rated G)

Normally you don’t imagine yourself as living in the dystopian future that hapless time travelers accidentally stumble into.Or: that one where Stiles learns the hard way that reality is not static, time is not a river, and sometimes the way things are is not the way they were supposed to be.

How I Met My Werebunny by Moku (19,873 words, rated T)

“This is going to end in tears,” Scott told Derek while he watched the man easily lifting Stiles’ desk up with one hand and driving nails into the ceiling with the thumb of the other. “Probably mine.”Or:When a Stiles and a Failwolf love each other very much, they’ll engage in a prank war. Basically, it’s a mating ritual for dorks in love.

★★★For better, for worse by Vendelin (13,336 words, rated E)

Derek and Stiles have been married for six years. Derek loves his job as a successful lawyer, loves his financial security and his large house. It isn’t until Stiles gets shot while working that he starts to understand that maybe Stiles isn’t loving their life as much as Derek is.  (My comment: human AU! Stiles is a cop and gets shot in the line of duty. Derek hadn’t noticed they were drifting apart. Realistic with the coming back together & even has couples counseling. Angsty with a fluffy, happy ending.)

★★★the other shoe by stilinskisparkles (4,633 words, rated T)

They’re lounging on Derek’s bed one afternoon, Stiles halfheartedly trying to make headway on an essay, and Derek’s supposedly helping. Instead, Derek’s spent the last eight minutes mouthing lazily at Stiles’ shoulder, and Stiles is five seconds from giving up completely. (My comment: pretty much just fluff.)

★★★Those Are The Days That Bind Us by s_a_m (52,171 words, rated M)

His father wasn’t stupid. He was an officer of the law, trained to look for patterns. He confronted Stiles about werewolves and they shouted and Stiles tried to explain but his father was so, so, so mad, more mad than Stiles had ever seen him, ever in all his life and then his father looked at him and said, “It’s like you’re not my son anymore.”And Stiles broke.(My comment: I love this one. Has some major angst and an unborn baby does die due to a possession kind of thing. But out of all the “Stiles is kicked out of/leaves the pack” things this one is my favorite. I think Stiles’ progression through this is so good. It does have a happy ending but not without a lot of healing on Stiles’ end. Heed the tags.)

Divided We Stand by KouriArashi (156,742 words, rated M)

Derek is being pressured by his family to pick a mate, and somehow stumbles into a choice that they didn’t expect and aren’t sure they approve of….

(My comment: This is the first work in The Searching Ceremonies. All of it is A++ and even has wolfcop (Peter/Sheriff Stilinski). It’s all AU and the world is very well developed, plus every part of it is over 100k words. KouriArashi also has a lot of other wonderful works that should be checked out.)

Stilinski’s Home for Wayward Wolves by owlpostagain (35,197 words, rated T)

“At least your puppies knock first,” Stiles snorts. “Here I thought their alpha raised them to be well-mannered.” “There’s a sign,” Derek responds stiffly. Stiles, whose curiosity outweighs even his hardest of grudges, abandons his chilly façade of nonchalance in a heartbeat. He jumps right up and all but pushes Derek out of the way in his effort to get to the window, and sure enough when he leans outside there’s a laminated strip of cardstock duct taped to the vinyl siding: DON’T FORGET TO KNOCK Stiles gets cranky when we scare him—Or, in which Stiles Stilinski moves to Beacon Hills for his junior year of high school and accidentally adopts a pack of teenage werewolves.(my comment: fairly fluffy and humorous. owlpostagain is one of those that I never see recced and they have some amazing writing.)

here is the deepest secret nobody knows by owlpostagain (22,322 words, rated T)

“Derek,” Stiles groans. “You have me. You’ve always had me, you absolute moron, how many physically impossible feats of life-saving heroics do I have to perform before you get it?” (my comment: post s2 and the pack is just starting to come together. lots of pack feels)

will to follow through by owlpostagain (42,411 words, rated T)

“It depends entirely on how you look at it, I guess,” Stiles shrugs. “On the one hand, instant healing and the apparently inherited ability to pull off leather at all times. On the other, serious attitude problems and a suspicious disappearance of eyebrows.”“Even Derek’s?” Danny snorts, “that’s a lot of eyebrow to lose.”“I know,” Stiles agrees. “You should see, it’s so weird. Every time I want to ask him where they go, except he’d totally eat my face off.”“There are worse ways to die.” (my comment: Danny&Lydia&Stiles ultimate friendship post season 2. So good.)

[scrawnydutchman]

My Top 10 Favorite Cartoons

I’ve said it before and I’ll say it again. Animation is the greatest art form in the world. It’s film making, painting, doodling, caricature, satire, illusion, literature and music all at the same time. Truly poetry in motion. It simply does not get enough credit for just how miraculous the form can really be. Being the innovation in our culture that it is, making this list was difficult; because every time I thought of a worthy candidate for the list another worthwhile one popped up in my memory. As such, expect an honorable mentions before we get to number one. Before we jump in though, some ground rules.

1. If it’s animation, it counts. It doesn’t matter if it’s western animation or Anime, 2d or 3d, traditional or motion tweened, for children or for adults, for television or on the web. If it involves the cycling of drawn pictures to create the illusion of life then it qualifies.

2. This is not in order of objective quality and is strictly opinion based. Overall quality is a factor, but this list is mostly about how much of an impact it’s had on me as an individual.

enough ado, let’s get into it.

10. Being Ian

It’s more then Likely those of you readers who are American or anywhere besides Canada for that matter don’t know about this show, so in order to make sense of this entry let me provide a bit of information about myself. I am Canadian, and thus grew up with an entire library of Canadian produced shows intended for Canadian audiences. While I think the U.S.’s animation game is undeniably stronger then what we’ve got up north, we had some pretty solid entertainment like 6teen, What’s With Andy?, Total Drama Island, stuff like that. While it’s all well and good, the only thing I regret about our history as animators is that we rarely aim for more fantastical premises and almost always make shows about hijinks in mundane Canadian smalltown life. It’s nice every once in a while but we do it a little too often. I’d kill for a Canadian Adventure Time or Gumball. So why is Being Ian here? Well, the simple answer is this is the show that made me want to get into film making. Seeing as the premise is all about a nerdy kid with his camera trying to make an inspiring career out of his mundane life and constantly imagining scenarios that are treated as homages to famous movies like King Kong, Clockwork Orange, Jurassic Park and so on (many references I didn’t get as a kid) it makes sense that this would make me want to take on the same kind of lifestyle. It put me on live action for a while but as I found my talents are more in line with animation I moved onto it shortly after. Quite honestly, that’s it’s only real reason for being here. The animation is passable but nothing to write home about, it’s comedy got a chuckle out of me at times but isn’t really the most clever show ever (in fact sometimes it relies a little too much on grossout humor, as do most Canadian shows in fact), but the show undeniably played a major role in my development as a person. Also, it’s theme song is by Parry Gripp (the “Do You Like Waffles?” guy) so that’s a plus.

9. Wander Over Yonder

Alright, now that some of the country-based sentimentality is out of the way, let’s get into the really high quality stuff. The stuff with the bright colours, the wacky characters, the emotionally driven storylines and just everything great about cartoons. Craig McCracken is among my favorite animated show producers of all time (as previously stated in another article I wrote: Why Craig McCracken is a genius). This show is the perfect example of his talent and skill. Effectively just Road Runner on an intergalactic level with a touch of The Muppets, Wander Over Yonder is the cartoonist cartoon you will ever watch in your cartoon-filled life. It’s got a great sense of humor, intoxicatingly likable characters like the optimistic too-nice-for-his-own-good Wander, the spunky and adventure loving Sylvia and of course the abundantly evil yet adorable Lord Hater and his number one henchmen Commander Peepers, and it’s animation is miles upon miles in quality in comparison to what you may find on the air most of the time. I think objectively it is one of the finer shows on this list. So why only number 9? Well, the truth is . . . I haven’t watched very much of it. I watched the first season and pieces of the second. I intend to watch the rest once I get a bit more spending money but for now I gotta settle with what I bought, and for a show as high quality as this I refuse to pirate it. But this show left a great impact on me and came into my life when I needed somethin this cheery most. I discovered it when I was coming off of a really hard breakup that was way more difficult then it really needed to be and it bent me out of shape real bad, so putting this on felt like turning the lights in my brain back on. For that I’m really grateful.

8. Avatar: The Last Airbender

Ho man. Who knew Nickelodeon of all networks would make a move as artistic, risk-taking, original and highbrow as Avatar: The Last Airbender?? Oozing with eastern culture influence (so much so that there is an ongoing debate as to whether or not it counts as an anime), hours and hours of some of the most fantastic animation and fight choreography ever to hit the waves of television all done in glorious hand drawn frame by frame no less AND being the premiere of some of the most unforgettable characters in pop culture like the lovable Aang, the witty Sokka, The badass Katara and Toph and the honorable (haha) Zuko, this show is something you absolutely can’t miss out on for any reason at all. I would know as much, because I actually binged watched the whole thing as an adult instead of catching it while it was still on the air even though I was totally aware of it’s existence at the time. I was a stupid, stupid kid. It’s too bad Nickelodeon developed a history of terrible decision making that screwed over the follow-up series The Legend of Korra SUPER hard. All well. This show is fantastic and you need to watch it right now.

7. Venture Brothers

Alright, so at this point I feel an obligation to point out a certain bias I have when picking favorite shows. That bias being my love for superheroes. I. LOVE. Superheroes. They are a bigger chunk of my life then they realistically should be. So fair warning; a lot of these entries are superhero themed, this being one of them. But Venture Bros isn’t just that: it’s one giant satirical love letter to every kind of adventure show you can imagine. It homages everything from James Bond to Indiana Jones to Scooby Doo to Johnny Quest to Superfriends to Marvel Comics. It’s got fast witty dialogue that seamlessly alternates between high and lowbrow in seconds and has an ever expanding cast of great celebrity voices like Stephen Colbert, Clancy Brown, Seth Green and of course the manliest man who ever manned in the history of mankind, Patrick Warburton as Brock Sampson. Testosterone incarnate. The show has great appealing character design and so many memorably hammy characters that all comes together for a great slick style that’s every bit as badass as it is hilarious. You can totally get enraptured in the gut wrenching dialogue while still being invested in the plot full of conspiracy and espionage.

favorite line from this show: “If that were a woman, I’d marry it!” “Yeah, and then I’d jeopardize our friendship by bangin’ yer hot wife!”

6. Cowboy Bebop

Anime fans rejoice; I put the most cliché basic answer for favorite anime on my list! In all seriousness though, Cowboy Bebop is often regarded as the gateway anime for an American audience and rightfully so. It’s heavily influenced by American culture, it’s got a soundtrack comprised almost entirely of Jazz, Blues and Bebop as is it’s namesake, every episode homages some sort of American genre of film like Noir, Sci-fi horror and even Blacksploitation flicks and it’s American dubbing is considered one of the few on par with the original if not better, with Steve Blum giving a cool as ice raspy take on Spike as the lead character as well as the rough but fatherly Jet, the seductive but sensitive Faye and the optimistic child prodigy Edward (who is a girl, in case you don’t know). But none of that would matter if the anime wasn’t good . . . . so it’s a relief that this show KICKS SO MUCH FUCKING ASS THAT IT DOES OH MY GOD!! If I could sum this show up in one word, it’s “cool”. You will never find a show cooler then this. That is a challenge. It’s got great Bruce Lee inspired martial arts action as well as Reservoir Dogs esque shootouts, and most importantly it’s got a lot of heart and dripping emotional tension enraptured in mystery that insists the viewer keep watching to peel back the layers of every character. Through nuance storytelling choices, heavy atmosphere and carefully chosen dialogue this show has a style and edge that will never be known again. Let’s just hope the live action adaptation doesn’t fuck it all up (it’s got Sunrise Pictures backing it though so that’s reassuring).

5. The Simpsons

This gif is just the tiniest taste of the timeless wit behind the golden age of this show. What can I say about the Simpsons that hasn’t already been said before? It’s one of the most culture revolutionizing pieces of all time, let alone the 20th century. It perfected the archetype of the family sitcom, is the longest running American television show in history, was once so ahead of it’s time to predicted the future eerily frequently and has even had some of it’s original dialect like “D’oh!” make it into the dictionary. This show is no doubt one of the largest reasons for our cultures current sensibilities and outlook. Most importantly though, it was just something me and my whole family could watch and bond over. Some of my fondest memories as a kid was getting so excited whenever this show would come on because it was a time where me and all the siblings and our folks would huddle around the couch and all laugh together at some great slapstick, clever one liners and just straight up bizarre jokes at times where the only way you can logically respond is to laugh. It’s too bad this delicious fruit has rotted quite a bit and Fox won’t just send it to compost already. I already wrote up an entire article about why the current Simpsons sucks now so if you’re interested, go check it out. For now, I’m just going to look fondly on it’s golden age through clips, old episodes and internet shitposts.

“Don’t cry for me. I’m already dead.” - Barney.

4. Homestar Runner

Oh, Homestar Runner. Ye ancient relic of the early days of the Internet before youtube. A simpler time when Flash cartoons were all the rage and you can tune into the surreal misadventures of a star spangled armless oblivious dolt and his more popular counterpart, the boxing glove wearing e-mail answering Luchador Strong Bad. When I was very little I was obsessed . . . OBSESSED . . . with Homestar. I think the great appeal of Homestar was that while it was clearly popular enough for references to pop up here and there purely by word of mouth and for the series to eventually get a videogame developed by Telltales and for the creators Matt and Mike Chapman to eventually move on to working for Disney, it was JUST obscure and surreal enough to make its fans feel like they were in a unique and secret club where they could really bond over references to the show and not have it ruined by having the brand just pop up everywhere and anywhere. As hipstery as that sounds, my point is that Homestar felt like a Niche where problems were simple, everything was up for ridicule and old Atari and computer games were always cool. They went on a hiatus for a few years and only recently came back with a little cartoon every once in a while (nothing regularly scheduled though) but if you want to dabble in a little bit of early 2000s lighthearted weirdness then I highly suggest checking out their website. I’ll link to it down below.

http://www.homestarrunner.com/

3. Foster’s Home for Imaginary Friends

When I first came up with the idea to do this list this was the first show to immediately pop in my head. I just get into a good mood whenever I think about this show. It’s colour scheme, it’s wildly imaginative characters, it’s silly yet offbeat sense of humor, it’s great pacing. Mostly it’s premise is just so ingenious you have to wonder how nobody ever thought of it before. This show is the sole reason why Craig McCracken is among my absolute favorite Animation Directors. Everytime I heard the intro to this show come on as a kid I had to immediately stop whatever it is I was doing and catch a hilarious episode. This was a show my sister really liked too, so much so she learned how to play the theme on the piano. Whether it was letting awkward tension build or immediately escalating to a high speed chase, this show would always keep me giggling the entire way through. Not to mention some of it’s episodes were really heart wrenching and actually made me choke up a bit. I know leave you with one of it’s funnier bits.

2. Teen Titans

That superhero bias I was talking about is coming back with a vengeance. This show is great for a lot of the reasons I really like previous entries in this list actually. It’s got a great art style that’s heavily anime influenced, a cast of diverse and unforgettable characters (with my childhood favorite being the quirky and wise cracking Beast Boy and my adulthood favorite being the hilarious, innocent and lovable Starfire), a hell of a lot of heart that makes me tear up in some of it’s most emotional moments, FANTASTICALLY fluid and suspenseful action (once again done in glorious classical animation), a great soundtrack with a hype as hell opening number that’s so good I have it on Spotify, all sorts of homages to action show tropes as well as nods to the larger DC universe and takes itself the right amount of seriously to let some of it’s sillier aspects shine. I distinctly remember seeing the first episode when it came on for the first time and getting instantly hooked. Every main character in this show is cast spot on and give some of the most memorable performances I’ve ever heard. Plus it’s a show that only gets better with time . . . especially in comparison to . . . that other show.

Before we get into number one, here are some honorable mentions: Rick and Morty, Disney’s Recess, One Piece, The Grim Adventures of Billy & Mandy, Batman: The Brave and the Bold, Clone High, Samurai Jack, The Legend of Korra, The Amazing World of Gumball, Steven Universe, Fairly Odd Parents, Danny Phantom, Young Justice, Spectacular Spider-Man, 6teen.

1. Justice League Unlimited

Let’s take a moment to appreciate just how Amazing Bruce Timm’s take on the DC universe is, because . . . oh man . . . it is masterful. The stupendously likable characters, the intense action and suspense, the drama, the fast paced and impactful action and animation, the simple yet effective character design, the ever engrossing storylines. These are just some of the reasons why Bruce Timm is my favorite animated show developer of all time. There have been many great DC shows to come after this like Batman: Brave and the Bold or Young Justice, but none of them come close to the majesty of Justice League: Unlimited. When it comes to Bruce Timm shows most people would put Batman: The Animated Series higher up there, and while I without a doubt respect it’s legacy the fact that it’s Bruce Timm’s earliest show as director for the DC universe is pretty prominent in it’s pacing, action and to an extent it’s line delivery. The show moves rather sluggish and has more then a few issues in it’s animation, especially in it’s first season. I don’t hold that against the show in any way as it’s still very impressive for what it is, but you can tell Timm and his crew were just beginning to hone their style and would go through some growth pains further down the road. Justice League had some remnants of these problems here and there but they were beginning to shake these issues off. JLU is where Timm’s style got perfected. Perfect pacing, perfect line delivery, perfect animation, perfect action sequences where you can feel the impact of every punch and blow, perfect storytelling, and most impressively perfect juggling between the largest cast of characters Bruce Timm has tackled in his run. While Justice League would keep it between the original 7 in terms of juggling, JLU would take on characters like Green Arrow, Captain Marvel, Huntress, Black Canary, The Atom, Vigilante and so many more and make them all just as likable as the main cast if not more at times. And of course, there is the number one reason to watch the show . . . The Question.

God, do I love the Question. This show is the sole reason he is my second favorite DC character (first being the Flash). But anyway, to wrap it up, Bruce Timm once said in an interview that JLU was his favorite work because it was the only show he could keep going back to and continue to enjoy. I wholeheartedly agree.

So that’s my list. I hope you saw some of your favorites on there, and if not just enjoy what you enjoy and keep this medium alive dammit!

[spicynbachili1]

Review: Mid90s

A fairly good coming-of-age film that you have most likely seen earlier than

I’ve very distinct reminiscences of my twelve years attending an all-boys college within the Philadelphia suburban space and although it is a radically totally different state of affairs than what’s introduced in Jonah Hill’s directorial debut Mid90s, I could not assist however suppose again to that have. For that lengthy chunk of my life, I used to be surrounded by younger boys aspiring to be masculine in a fairly short-sighted method. That’s one in every of a number of themes and throughlines in Mid90s, which acts as Hill’s ode to 1990’s Los Angeles, skate tradition, hip-hop, and the struggles of adolescence.

It is a acquainted story, and anybody who’s ever adopted the indie film scene for nonetheless lengthy has undoubtedly seen movies of its ilk earlier than. Regardless of its familiarity, and what I felt was an abrupt ending, I discovered myself drawn to the way it depicted dynamics between youths, familial dysfunction, and abusive relationships. Mid90s can also be a wonderful showcase for 13-year outdated lead actor Sunny Suljic, who the gaming neighborhood will acknowledge as Atreus from God of Struggle. The boy’s obtained a vibrant future forward.

Mid90s Director: Jonah Hill Launch Date: October 19, 2018 (Restricted) Score: R

Stevie (Suljic) is not in one of the best household surroundings. Whereas he has an affectionate relationship along with his single mom Dabney (Katherine Waterston), he’s continuously subjected to bodily and verbal abuse from his hot-headed older brother Ian (Lucas Hedges). It is not till he observes a bunch of skater children that Stevie is impressed to go a distinct course, away from his unsatisfactory home life.

Regardless of the prominence of 90s L.A. skating tradition within the movie’s plot, it is not the first focus of the story. It is a car for Stevie’s coming of age story and an incredible and handy visible method to monitor his progress as he weaves his means deeper into the social circles of this sub-culture. Hill shot the movie in 16mm, with the picture having a grainy high quality to it and the facet ration being a boxy four:three, which at first looks as if a way-too-obvious technique to make the movie look “classic,” however is justified by the ultimate scene.

Lengthy story quick, Jonah Hill proves that he is aware of direct a movie with Mid90s. The visuals and modifying have been deliberate punchy, and complimented decently with a well-curated soundtrack and a musical rating composed by Trent Reznor and Atticus Ross; it is a brighter and optimistic rating from their typical darker David Fincher fare. Regardless of the story itself delving into some acquainted tropes, the performing, dialogue, and general characterization as written and directed by Hill is what gave this movie some added texture.

I am prepared to guess that the majority People, no matter East Coast or West Coast, will discover no less than a number of the loosest and fundamental parallels with their childhood buddy teams and the group of skater boys in Mid90s. Stevie is introduced on by Ruben (Gio Galicia), who comes throughout as probably the most guarded and insecure one of many group. “I smoke, I fuck bitches,” this little child tells Stevie. We see his exterior start to peel off when Stevie goes towards a few of his items of recommendation and wins the approval of his friends, just like the timid filmmaker “Fourth Grade” (Ryder McLaughlin), the impulsive (and infrequently self-destructive) “Fuckshit” (Olan Prenatt), and Ray (Na-kel Smith), the de facto chief, who just isn’t solely probably the most expert skater of all of them, however probably the most mature of the group.

We liken adolescence to a time the place “issues have been easier” with fewer cares on the earth, however this movie actually goes into the center of advanced social dynamics between youthful people. I felt like each mixture of the characters amongst the skater group had a definite relationship to trace via the movie, and Hill crafts them with a subtlety that enables them to organically evolve. It felt extra restrained than one thing you’d see from a Concord Korine movie, however the unfastened, pure dialogue did have shades of Youngsters and Gummo. I did not understand this till studying up on the movie after watching it, however Korine did certainly make a cameo as a one-night stand for Stevie’s mom.

Talking of, my touch upon each mixture having their very own little arc additionally applies to Stevie’s household. Waterston comparatively would not have an excessive amount of display time as Dabney, however there was nonetheless a lot to extrapolate from our time together with her. We see Stevie mendacity down on his flooring, his mom on his mattress, as the 2 are proven to have common, presumably satisfying and profound conversations; she seems to be the opposite means although she is unsure of her son’s new crowd, which is all principally silently conveyed, and he or she solely intervenes when a sure threshold is crossed. With Hedges as Ian, there may be all the time a storytelling issue in portray abusive characters as too sympathetic, however the best way Ian is dealt with feels sensible, and the character is extra multi-faceted than I anticipated.

Below the layer of the coming-of-age story is one other throughline of a cycle of abuse. It is not precisely stated per se, however Dabney was not all the time the motherly determine she presents herself now, in response to Ian—there’s an implied abuse, or on the very least, dangerous negligence in direction of Ian by Dabney earlier than Stevie was born. It is evident that Ian’s aggressiveness in direction of his youthful brother stems from each the harm introduced on by their mom and a resentment for the higher remedy that Stevie is receiving. However regardless of his powerful exterior and his shows of machismo, there’s a temporary and stunning second of vulnerability, the place verbal jabs from Stevie have a significant impact. I am somebody who thinks that we have seen an excessive amount of Lucas Hedges recently, however I used to be welcoming in direction of this very totally different efficiency.

Mid90s depicted abusive relationships fairly realistically—regardless of some stunning photos (to not point out the sound results each time Ian might beat his brother), you see that their relationship nonetheless forces a co-dependency on one another. Stevie continues to be obligated to present a birthday present to his older brother, he nonetheless asks him for assist (although the recommendation is commonly questionable), and also you watch the 2 play PlayStation and Tremendous Nintendo video games collectively. Going with my earlier declare that the ending felt too abrupt, likewise, I additionally felt that this story thread wrapped up too cleanly.

On the heart, the movie is in regards to the want for acceptance, and Sunny Suljic shows a lot maturity in his efficiency as a child maneuvering his means into this skate group—it begins off as remark, then nervousness and uncertainty when he makes it into the circle. There are an entire lot of close-ups of his face, and I do not bear in mind the final time I noticed a younger performer specific glee, confusion, strife, and generally a sure darkness as effortlessly as Suljic. He undoubtedly has much less to say than he does in God of Struggle, and it’s clear from the get-go simply how helpful a software his facial expressions are for conveying emotion. It helps that the remainder of the performers for this skater group, who I discovered later have been principally composed of real-life skaters and non-professional actors, add a particular sort of authenticity and genuineness.

Regardless of my reward, I am not sure precisely rating this movie. Having gone to some unbiased movie festivals, notably Sundance two years in a row, there was some extent the place I felt like I used to be watching too-similar movies repeatedly, and the inner reviewer in my head ended up frizzled as a result of I had a tough time distinguishing totally different indies with overlapping themes. Though I am unable to spout too many titles off the highest of my head that provoke this sense of deja vu (the one ones I can consider is one known as As You Are, and possibly even Dope) I felt like I would seen such a film earlier than.

Heck, I really feel like I’ve even seen 90s nostalgia like this too. The aforementioned Dope, whereas it had a distinct vitality and did not truly happen within the 90s, was stuffed with 90s-ness. This movie is stuffed with acquainted posters, classic recreation consoles, CD circumstances and covers, and a scene the place Ian is straight-up sporting a Invoice Clinton rubber masks, in case you by some means forgot what decade you have been in. Should you’re already affected by 1980s fatigue, no less than the last decade after is ripe for the choosing. Fairly quickly, we’ll have a resurgence of mainstream movies like The To-Do Checklist.

However that is an excessive amount of of a tangent, I suppose. I hesitate to present the movie too excessive a rating as a result of I do not suppose it should relate to everybody who will see it—I discovered it very particular and relatable primarily primarily based by myself experiences grappling and battling ideas involving masculinity, abuse, and social acceptance. It is a male-dominated movie, and whereas there are characters who really feel very actual, their relatability will fluctuate in several levels relying on who you ask and what experiences that they had. I’ll say, nonetheless, that the film is entertaining and humorous at occasions, and even so, Jonah Hill exhibits promise as a storyteller—he is undoubtedly matured from Superbad.

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      Mid90s reviewed by Chris Compendio

7.5

GOOD

Strong and undoubtedly has an viewers. There may very well be some hard-to-ignore faults, however the expertise is enjoyable. How we rating:  The destructoid opinions information

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