#already said it but imo being in love with popular characters is a pain

[dunetevenn]

It's so funny how I'm both so delighted and pissed that I fell in love with Cedric lol

I love him so much. He makes me so happy. I'm so glad I met him.

But also FOR FUCK'S SAKE I FELL AGAIN FOR A POPULAR CHARACTER THAT WOULDN'T EVEN LOOK AT ME IF WE MET.

I am equally happy and mad about it

[mischiefprincess]

Loki's not stuck in pain and suffering while sitting on his throne

This may be controversial but I have some opinions on Loki's sacrifice and the way most people reacted to it

Like, I get people being sad bc he's techically alone but at the same time I think there was a bit of a overreaction in general about his situation, I think this has to do with the fact that I don't see Loki as a regular person anymore but as a omniscient powerfull ancient being who is beyond our understanding and who experiences time in a very diferrent way than the rest of the mortals of the timelines

People say that he's trapped there forever alone and I'm like... no he isn't...

The finale made us think that that was a very final and definitive moment but imo there's no way in hell he's not coming back to us, especially with marvel struggling with their new stories in this saga, he's not only one of the most popular characters ever but his show is literally one of the - if not the most - marvel show, they know he's popular as fuck and that people would lose their minds seeing him in the movies again and I'm so sure he's coming back, and to whomever doubts it bc in the finale he was shown holding everything together so he can leave that tree:

Literally everything is possible in fictional stories lol, it's so easy for them to create an escape, a loophole, a way to free him without threatening the safety of the multiverse, that's not a worry for me, not in the slightest

Coming back to what this post was originally supposed to be:

Don't feel so bad for Loki and his loneliness bc he literally has the whole multiverse on his hands, Tom already talked about how he's watching and taking care of the ones he loves so I think he just doesn't project himself and talks to them bc he simply doesn't want to

He doesn't want to interfere with the lives of the people living in the multiverse bc his purpose is to give them their freedom and that's what he's doing, he choses to stay isolated and he has no problem with it bc he's on another level spiritually and mentally, Isaac Bauman said it himself:

Loki's not longer a regular being, he's an ancient force giving life to everything in existence and he's not crying or getting desperate or anything, ofc I think he's sad bc he just wanted to be with his friends in the first place, but he understands that this is for the better, honestly I think he just keeps wacth, seeing millions of lives unfolding in front of him, seeing all the paths his variants take across the multiverse, epic stories, epic adventures and literally everything in existence, when he leaves the tree eventually (I'm convinced this will happen) he'll have so many stories to share, so many wisdom to offer (Eric Martin said he's basically the wisest being in existence now and I love that so much), everything will be so exciting for us and for him

But ofc there's people that are desperate bc they know that their ship is likely not coming back (And I say this about both ships), I can see Mobius returning but that doesn't mean they'll be canon, even if Loki ends up this saga with his found family like I want him to (the same applies for sylvie)

Anyway, I just think there's no need for hysteria, Loki is not going insane bc of his loneliness (HWR spent god knows how long isolated in the citadel and he seemed fine when we saw him for the first time and yes ik Loki's mobility is way more reduced than his but I still think he's fine, he's a god, not some ordinary desperate human, he's fine)

He's taking care of his loved ones and when he comes back to us it will be so fucking exciting!!!

[georg-prime]

Some good anime recs

With magic and/or queer characters, that are fun, thoughtful, emotionally satisfying, beautiful.

Natsume's Book of Friends

One of the best manga/anime out there. Has some serious angst but also light comedy, issues about the fleeting life of fragile human beings from long-lived/immortal beings' POV, found families, sweet friendship, and a bit of unexpected horror. If you love Ghibli stuff especially Spirited Away, this should be for you. No queer characters in this, not really (except one minor female character), but the vibes of some characters can be debatedly genderqueer friendly for some (especially the youkai) and mlm lining for others, and the fandom delivers as usual. The 7th season is currently airing, and it's never disappointing, please come gush to/with me about how good it is!

Bodacious Space Pirates

Fun hard sci-fi. Mostly young women being cool, smart, funny, and a bit sapphic. Corsair girls in their awesome spaceship, doing light crimes, racing, and saving the galaxy. Super underrated, was slept on when it aired back then and that's just a damn shame.

Flying Witch

The nice daily life of a good apprentice witch, her witches friend and her magical and non-magical relatives, and the many strange and fun creatures she meets. Way too short, manga is still running and could easily be adapted to at least two other seasons (I recommend reading it too), worldbuilding is super creative and it's fascinating how the supernatural is usually just part of nature and the characters dealing with in simple tranquil ways. Side note: I wish some of these witches were as gay they seem.

Witchcraft Works

Underrated too, fun, weirdly feminist imo, creative with great animation, too short and deserve at least a second season to finish to story as the manga is complete. Childhood friends to lovers, boy's one of the sweetest male characters I know and his love for penguins deserves more appreciation, tall witch girl is badass as hell and also somehow a himbo. Catchy funny ending song is iconic.

Yuri!! On Ice

Do I really need to say something, pretty sure it should be popular enough, but maybe teens out here weren't old enough to have been on the internet/Tumblr etc when it was released? It's been some years after all. It's a good sport anime, with one hell of a hilarious twist around episode 7, which completely changed my opinion on the two main characters and their relationship, and makes this such a re-watchable season. Still waiting for a following, though and it's getting worrisome (hopeless?) since the prequel move got cancelled this year... But worth it anyway.

Tales of Zestiria

Famous game franchise with many unrelated games and their animated adaptation, I have a particular love for this instalment for how surprisingly queer friendly the ending was (wlw 🤝mlm solidarity). Good animation and lovable characters, cool fights, it makes you want to play the game(s), and that wouldn't be a bad thing as it is a good gateway to JRPGs in general imho. Quite active fandom still to this day and for shippers that's really nice.

Frieren

There's a lot of things to be said about this amazing manga/anime, it's funny, touching, melancholy, romantic, has some awesome animation and cool fights and is satisfying to dungeon RPG fans... It's really one of the best anime ever and I really recommend getting on the bandwagon now to follow it while release because imo it's one of those stories that benefits the best in weekly release (anime and manga) to let the feelings simmer and the fandom talks flourish (like without spoiling much, currently in the manga, a certain character is back and seriously tense situations are happening and some painful dilemma should be coming, better to live it than hear about everything later I'd say, especially because of how culte the anime already is). Much like Natsume's Book of Friends the way it touch on the pain but worth of knowing and caring for someone even if your lifespans are wildly different, is at the heart of the story and the characters's development and it's so well written. You know the end of the journey will leave you with lasting effects.

[cosmicjoke]

Hi Cosmic! I’m not sure if you talked about this already or not, but I really want to hear your thoughts on this because I still see so many takes regarding this topic it makes my head hurt, it’s exhausting.

What do you think about Gege’s comment about Gojo not committing to women / his inability to be loyal to a woman.

I still see Gojo getting dragged and simplified, reduced to stereotypes to hell and back because of what Gege said. I’m just wondering what you think, I trust your theories and insights the most.

You know, I really don't know what to make of it. I used to think Gege was just trolling when he talked shit about Gojo, or put him down, but given the way he handled his death against Sukana, I'm not so sure anymore. I think the dude really might hate Gojo, which is totally bizarre, given what a great character he is. But it almost seems like Gege hates how popular Gojo is and was, and so he lashed out against that by saying shit like that, like Gojo is a womanizer, Gojo would make a terrible boyfriend, etc... Saying girls should be more into Nanami. It's just strange. Why would he even care that Gojo was popular with women? You would think he would be happy that he created a character that so many people loved.

What Gege did with Gojo's character after he died, his conversation with Nanami in the airport, also seems to confirm his dislike of him, with him more or less solidifying the take on Gojo of being a shallow, selfish idiot, in defiance of the more nuanced and complex takes on him, of his seemingly dimwitted and blase attitude toward things being nothing but an act to cover up his own, emotional trauma and pain, a coping and defense mechanism to protect himself from ever experiencing again what he did when he lost Geto.

Part of what upset me so much about Gege's handling of Gojo's death was that he seemed to nuke all of that, all of that characterization and all of that depth in some petty act of revenge for Gojo being so popular. Much like how Gege's writing over the last, several years, and particularly in Gojo's fight with Sukana, has done away with all sense of logic and narrative coherence or cohesiveness, the sudden declaration that Gojo really was just a selfish asshole this whole time made zero sense in the context of what we've seen of him and what his stated motivations were since the start of this story. It felt to me like Gege was willing to undo all of his own, hard work simply because he got mad that Gojo connected with so many people, and so he decided to stick it to them by telling them they were wrong to like him at all in the first place. I'm just speculating, of course. I have no idea if that's what Gege was actually doing. But his writing has been so bad, and really noticeably has taken a dive in quality over the last few years, and when you couple that with his comments about Gojo, it seems possible to me that he purposefully wrecked his own characterization of Gojo out of pettiness.

It's either that, or Gege really is just a shit writer who can't maintain any kind of consistency in his work, and who simply ignores his own earlier writing when it proves inconvenient to what he wants to do now. Whatever the case may be, he fucked it all up, imo, and now the Gojo haters have plenty of ammo to use in their criticisms of him.

So, I blame Gege for all the Gojo haters having grounds to stand on. It's hard to defend Gojo from haters when his own creator hates him too.

[narrativelysignificantturtleduck]

songs for the cycle-breaker

i also think i've taken a different approach to this playlist in that i've focused on just late s3 zuko breaking free from his family. this playlist has much less of an arc than he does.

the thing about putting together a zuko playlist for me is that i am not emo and i don't believe in putting showtunes on character playlists bc they are already About characters. so this playlist is not super reflective of what i think zuko would listen to and is also pretty different from most of the zuko playlists out there which ARE full of emo bands/popular tiktok music. nothing wrong with that but it's not me.

1. dynasty - rina sawayama

i'm a dynasty / the pain in my veins is hereditary / and if that's all i'm gonna be /would you break the chain with me?

perfect song for the cycle-breaker of a royal family. i've seen this song on azula playlists and like. what chain do you think she's breaking exactly. the whole tragedy of her character is that she doesn't get free.

2. walk this way - mø

there is a light for you, burning for you / oh my mama said "it is burning for you"

zuko is, of course, a mama's boy.

3. take the journey - molly tuttle

take the journey / someday you'll make it back home again

pretty straightforward tbh. i like to imagine the lines "take the hand of the one beside you / let the fire guide you" as being about him & aang meeting the dragons.

4. relay - fiona apple

evil is a relay sport when the one who's burned turns to pass the torch

if this lyric were shorter i'd have made it the title. if this song had a more conventional song structure i'd have made a full fanvid instead just a little snippet. there is no better summary of zuko than this line.

5. altar wine - david keenan

there was once a man who loved me / he was older, he left this scar / and a book about an angel / that made her way back home to god / i still think about him sometimes / running my finger up its spine / may he fall into a well / he left me old before my time

yeah this song is heavily christian, but the characters in this song - the sighing mother the narrator identifies with, the older man who left a scar, the girl who sets fire to the curtains - feel very fire nation royal family. the fact that the older man gives him a book about an angel who made her way back home to god also feels similar to how zuko was expected to redeem himself and find his way home.

also, the singer just sounds fucking anguished, and literally screams near the end, which is pretty zuko imo.

6. black sun - irma

hold back, hold back, can't you see / how harmful all this can be / this ain't no place to call a home

amazingly, a perfect song for zuko's speech to ozai on the day of black sun.

7. shivers - JOSEPH

i strike my own light / even if it's not quite as bright

zuko decides to leave and strike out on his own.

8. grave digger - matt maeson

goddammit, i cannot bend / i'm all shriveled inside

a recommendation from the write-in question on this uquiz i made, one that i got a LOT, and okay yeah sometimes the majority opinion is correct. it's about deciding to leave behind your toxic family, and it's also easy to read "bend" in this line to refer to firebending. you win this one, zuko fans.

9. fear and loathing - marina

don't wanna live in fear and loathing / i want to feel like i'm floating / instead of constantly exploding

about how he had to find a new drive for his bending after he left, find something besides anger and fear to fuel him.

10. white teeth teens - lorde

and everything works out so good / i wear the robe like no one could

zuko being crowned fire lord at the end despite never thinking he was one of the cool kids worthy of status and power.

12. heirloom - sleeping at last

you are so much more than your father's son / you are so much more than what i've become

iroh to zuko <3

13. a burning hill - mitski

the title track. like all our angsty firebenders, he's been a perpetrator of the fire nation's brutality, its victim, and a witness to it. zuko 🤝 azula 🤝 jeong jeong - this song.

[fourangers]

Hi Fourangers,

First of all, I love your blog so much. It's like going through a history back when Naruto Manga chapters were released weekly and your reviews were so Golden, Hilarious and spot-on. Am a new fan though (especially an SNS fan), I just got into this fandom only this year. I don't know if you'll answer my ask, but I just wanted to try and ask you few questions and I pray that you might answer me....

1. Since you've written in a post that you were active in the eastern part of the fandom, How was chapter 698 received in Japan? Because this is the chapter I inherently realized they both love each other. Yeah, I was too late but somehow whenever they interact with each other in previous chapters I always find them to be 'Weird' for just to be friends. Chapter 698 is just blatantly obvious that they love each other. Considering Homophobia and Shounen genre, I have no idea how it was perceived over there back then in 2014.

2. Which scene made you to ship SNS?

3. As an SNS'er how do you feel about the ending, where everyone was married off when they were just 19 just to make some shitty sequel??? As a new fan, I felt betrayed and It would've been perfect if they had stopped at chapter 699, leaving an open ending.

4. How do you face with the accusation about Naruto and Sasuke as brothers and we, SNS'ers are Incest shippers??? I don't care about that Indra and Ashura thing. But Naruto himself told he considers Sasuke as his Brother couple of times. And in Chapter 699, Sasuke acknowledged, 'He finally understood what it meant'.... It's the only thing that confuses me and I don't even have an answer!!! Plus, Kishi himself gave an interview that he based Sasuke on his Brother... I really wonder how he gave such an interview when he literally made them wear necklaces with each other's faces.

5. How was Naruto and Sasuke's sexuality perceived in the fandom back then??? Man!! Kishimoto just made lot of comic reliefs on their sexuality by making Sasuke on Sai jutsu, Naruto not interested in Icha Icha but making Reverse Harem no Jutsu, Naruto was angry when Konohamaru made Boy on Boy jutsu whereas he had no problem with him doing it. LOL. And all those homoerotic posters. What do you think about their sexuality, personally??

6. Why did Kishi had to develop their bond as Soulmates with some unintentional or intentional romantic undertones, if he was eventually going to pair them up with girls??? He easily could've gave many such romantic tropes to other girls and keep the bond between N and S as purely friendship or brothers. It still would've made sense.

7. Final one, Was Naruto really Nosebleeding when Kurama made a joke about Sasuke's kiss in Chapter 572???? We had a lot of heated discussion with other shippers where they claim that it was just a splotch of snot.

Sorry for the lengthy ask....... I am so eager to know your answers and I don't want to spam your ask box by sending multiple asks.

Thanks 😊😊😊

Hey yo! Welcome new SNS fan! I'm so glad that you joined us and I'll try to answer as best as I can. I'm not very active here on tumblr (except browsing lol) but your ask was such a delight to read.

1. I honestly don't remember. I think I didn't follow the japanese boards until the eventual 699-700 disaster. People were craving for reactions and I was curious about it too lol. And well...it's been years, I doubt I'll be able to find the reactions from that time. Imo, most readers don't care much about pairings, they just wanted to read about power-ups and abilities and the basic Naruto Vs Sasuke. Though there are some backhanded jokes about how gay Naruto is for Sasuke.

2. Hah. It's going to be very anti-climatic but it was when Naruto and Sakura were eating in Ichiraku Ramen. Naruto just used Rasenshuriken against Kakuzu and he busted his arm. Sakura was healing his arm and her attention was focused on Naruto. I used to be a NaruSaku shipper so I thought "Oh hey! This is the moment that Naruto would have a candid romantic moment!" But nope. He talked about Sasuke. And I was already getting suspicious about Sasuke's feelings towards Naruto ya know? And the whole "SASUKE IS MIINEEEEEE" in Orochimaru's lair. It was that moment I thought "you only have Sasuke in your head don't you, Naruto?" and started shipping SNS.

3. Hooo boy was I surprised when it was suddenly revealed that they had the basic heteronormative, boring marriage with bunch of clones of themselves. Everyone thought that it was almost like a bad fanfiction come true and some thought that it was fake. It was a pandemonium lolololol. I also thought that it was too lame to be true and lo and behold, when it came true I was floored. And then whenever Kishimoto threw new material, I got insanely pissed off because S*arada and B*ruto becoming pairing material is ok because they are a girl and a boy, and then they paralleled with Naruto and Sasuke which are only FRIENDS because they are both men. ARGH. Open ending was what Kishimoto planned from the very beginning but wrote a sequel to earn more money.

In that aspect, I made peace with it because of the whole anime/manga industry. I learned that, as a mangaka, you don't earn a lot of money with selling books, but rather with merchandise and profiting with sales right. And that guy have a family to raise, have two kids (which is hilarious about how B*ruto movie is his self-insert story), he needs a steady income. Also, I read reports about how anime studios are so poor and animators don't receive a decent income not to mention they are overstaffed and tired, and B*ruto is a good money cow for them to earn money so they can invest later on other anime they have more passion about it. So even though I hate this story with a strength of thousands suns, they are putting meal on people's tables and making them pay rents. I'm ok.

4. Lemme roll my eyes because in the Last movie they said that Hinata is related to Kaguya and so is the Uzumaki and Uchiha clan so they are all related woo hoo. But in the aspect of brothers because reincarnations bla bla bla, didn't Naruto himself said that he's no longer that brother, he's himself? Hmm...I gotta re-read it. One day. Maybe. lol. But I'm sure that he said "Sasuke is not my brother but I'm sure we'll understand well as friends" so there. Honestly, there are a lot of interviews out there and a lot of them are fake, so I'd always take the interviews with a grain of salt lololol. I do know from artbooks that Kishimoto wanted to create Sasuke as a rival-esque character and that was it. As he was developing Sasuke and Naruto's relationship, since he liked the whole yin-yang concept, whenever he wrote Naruto's story, Sasuke's was developed at the same time as his shadow.

5. I can tell from Naruto Forums (I used to participate back in that day) MOST of the non-shippers thought it was gay as hell, but you know...it was a relic of that time. While they thought it was gay, they didn't put too much thought about you know? Because it was shounen, and we knew that it was a joke that it couldn't be taken seriously. Of course, in the SNS fandom, we did make more analysis and there were a lot of instance when Naruto and Sasuke's sexuality was questioned. Some other non-shippers also thought that Naruto was totes gay for Sasuke (including a IRL friend).

Imo, Naruto is definitely bisexual in my view. Sasuke I think he's asexual or gay. He's attracted to Naruto, but mostly because of his connection to him, not because of his physical attributes, so yeah...asexual. Or Pansexual. Sasuke is more complicated lmao. Imo, Naruto could be pansexual too, come to think about it. Yeah, I guess both being pansexual can be valid.

6. He developed Naruto and Sasuke being soulmates from the very beginning, that was proven in his comments in artbooks and in the manga. He probably created with the intention of making it purely platonic, going beyond physical ties. Then he shot himself on the foot by drawing Naruto thinking about Sasuke on bed, talking about how Sasuke is cool, meanwhile Sasuke waxing poetic about how Naruto saved him. What gives? Lol. Yeah, I think he got too enamored writing their relationship that he didn't have time to write romantic ones. What I noticed that Sakura's popularity never was really high, so I could see some editors putting their fingers all over it and making her less relevant. Also, Kishimoto didn't know how to handle her, so when she got her time to shine was the whole fake confession disaster. Coupled with Kishimoto sexism and, in his words (Kurenai's flashback), women are useful to spout more babies, women was never really relevant in his story, unfortunately. Even Kaguya who was technically the big bad boss, was never really fleshed out in comparison to Madara. So the null het romantic moments it's not because he wanted to elevate SNS moments, it's more about how he's incompetent about it. It's either Hinata slowly elevating to a relevant status because forced interaction (Pain's sacrifice and Neji's death) or Sakura being obligated to be pining over Sasuke because she's a girl. It's even more painful to see that, if we ignore B*ruto, both girls are shown to be just talking with their kids and dusting shelves, basically being housewives, even though thorough the story (especially Sakura) it was implied that both of them have much more potential than being their husband accessories.

7. It was a splotch of snot. I can confirm myself lol. Whenever the chapter is out and fans would scan it to scanlate it, the editor usually would amp up contrast to max. So usually the lines get much more thicker than usual, when you read the official release which gets straight from the source, you can notice how the lines are more delicate.

Oh lol...but then we also have a lot of controversy about translating style. THAT one is a whole new can of worms to open.

Man I had fun answering your questions! Please send more :P

[ouyangzizhensdad]

Hey, feel free to ignore this, but I'd love to hear your grievances against Bridgerton? I saw some of the fashion posts you rbed, but I'm especially intrigued by the "fails on all aspects" parts? Thanks!

Hi there,

There is honestly so much that could be said and analysed in finer points but the short version of it is just that it is a bad story wrapped in the glitz of high production value but surprisingly little good technical execution despite all the money shoveled at it. Bridgerton is the type of show where the petty, mean side of me would delight in a detailed and cutthroat list of all of its flaws but for which I do not care enough to be actually invested in hating it. It’s just a thing to be puzzled and petty about: people think Bridgerton is good. Wild.

Now let me first say that I have no inherent problems with anachronistic creative choices, or the idea of a contemporary take on period dramas. After all, all period dramas are inevitably told through a contemporary lens, to different degrees. It’s also not like they were the first big production to do it either: has everyone just forgot about The Great Gatsby? or tumblr’s favourite Hamilton? I honestly think this kind of mixing already has so many cool outcomes when it comes to music (like this, this or this and this), I do believe we could get something really interesting out of creative anachronism in mainstream visual media. I’m also more forgiving with newer forms of experimentation, because sometimes new ideas need to be worked out before they reach their full potential. But the way Bridgerton does it.... so clearly lacks a clear creative vision and dedication to the concept imo that it makes it harder to excuse the ways it fails since the failures seem to originate from that lack of vision and dedication to storytelling. For instance, there is seemingly no logic as to when the diegetic music will be an instrumental cover of a contemporary song or not--which does not even broach the topic of how bad those ‘classical music’ arrangements for modern songs were? Honestly embarrassing how lazy those arrangements were: hire a good composer (or any at all), you cowards. And then the costumes... once again, a lack of internal logic seems to permeate the choices presented in addition to a lack of care in its execution: so many of the dresses are ill-fitted, the characterisation through the outfits were all over the place (like the mom who wore a silhouette that no one else wore and had no basis in any fashion of the era) and so many of the fabrics/jewellery looked the opposite of expensive (kind of looked like a lot of it was polyester and plastic tbh), which is sort of a problem when you are trying to sell the fantasy of "The lives of the rich and famous but make it regency” imo although I suppose a portion of the audience just doesn’t notice lmao. Honestly I find that a lot of ‘costume historians’ who made video essays on Bridgerton were too nice with the show, perhaps in order not to come off as seeming to hate the costumes on the basis of them not being historically accurate, and as a result were way too forgiving imo. And this lack of real creative vision is also something we see in the cinematography and direction which.... seems often confused about the way it wants to make things feel fantastical and ends up dropping the ball on the execution of these meant-to-be extravagant or over-the-top shots.

But, again, the cinematography is just... middling at best, made only worse by the editing which is just plain bad. I guess you’ll have to just take me on my word on this because I am not willing to do an autopsy of all I find off about it, but lord jesus mary and joseph it was painful to watch at certain moments.

Bridgerton is not the first show to do colourblind casting, although I’d say it deserves recognition for fucking it up for no reason at all. Like, sure there are criticisms to be had about how it remains still a very white story that falls into certain tropes wrt darker skin characters or the glaring lack of south asian representation considering what the contemporary UK looks like, etc. but what I’m gesturing at is the totally unnecessary but mind-boggling “royal love solved racism” twist we get in the, what, fourth episode? (Broey Deschannel covered the topic quite well imo) The audience would have accepted that there were no in-world explanation for the colourblind version of the already-made fantastical regency that had them dancing to Ariana Grande songs. The colourblindness, racism-free society would have just been another aspirational aspect. They literally did not need to do this.

Honestly I don’t feel like I need to get into why the story itself is not very good or well-executed since it feels very obvious. I won’t begrudge on principle the show for using well-worn tropes and common-to-the-point-of-farce character archetypes, but I have to object to the way it uses them and in the service of what story. And not to make myself in a plot-hole-ding kind of person-who-has-thoughts-about-media, but this is not a story that holds up well to scrutiny or logic, let’s say. And any type of social or political commentary it tried to include was dumb to the point of farce: the Feminist Character Who Wants to Read not Go Dance was just.... a masterclass in bad, embarrassing writing. I am surprised at how unlikeable and boring the vast majority of the characters were, but perhaps less surprised at how a series that planned on having multiple seasons already sold the twist of Lady Whistleblow’s identity at the end of the first season, for what seemed to be no narrative reason at all. That being said, I have to give credit where it’s due and acknowledge that there is a skill in being able to produce stories that get extremely popular and well-loved.

(Do I need to mention the performances? So many underwhelming or embarrassing performances. It’s hard to tell sometimes whether it’s the actors themselves or the directing that’s the issue, or a mixture of both, but.... oof).

I guess in the end Bridgerton’s biggest transgression is it sits for me in the uncomfortable middle where it is neither trashy or campy fun nor is it an interesting work of fiction. Differently put, it is simply neither good nor fun.

[rainbuckets8]

Why you should watch RWBY

TL;DR:

Summary: RWBY is an epic fantasy with themes like found family, the struggle to remain hopeful, the younger generation growing up, villain redemption, and systemic evils.

Strengths: RWBY has unique and memorable characters. The show is smart. It has excellent cinematography and animation. It has representation. It tackles hard topics. It’s got incredible music and it’s free on RT’s website.

Weaknesses: RWBY has some early growing pains, specifically volume 2’s finale, as well as budget and polish. Later on, volume 4 is weaker than the rest. Volume 8's finale is extremely distressing for a lot of viewers (and we haven't seen the follow up to those events yet). The fandom can be bad at times.

Misinformation: The early volumes being bad, the racism plot line, and the animation (not the same as “budget and polish”) are not as bad as you may have heard from YouTube.

Suggested viewing order

Red Trailer, White Trailer, Black Trailer, Yellow Trailer

Volume 1

Volume 2

Volume 3

Volume 4 Character Short

Volume 4

Volume 5 Weiss Character Short, Volume 5 Blake Character Short, Volume 5 Yang Character Short

Volume 5

Volume 6 Adam Character Short

Volume 6

Volume 7

Volume 8

(I did my best to make this spoiler-free. When there are spoilers, they’re worded ambiguously enough that someone new to the show would never guess what’s going to happen just by reading this.)

What to expect

The world of Remnant is filled with monsters called the creatures of Grimm. Warriors called Huntsmen and Huntresses defend humanity. Ruby, Weiss, Blake, and Yang go to school to become the next generation of heroes. Together they make Team RWBY (pronounced, “Ruby”)! Joining them is team JNPR (“Juniper”), made up of Jaune, Nora, Pyrrha, and Ren. But evils even more dangerous than the Grimm are ready to make their move, and school quickly becomes an afterthought…

(I mention these next two topics specifically bc they can immediately turn someone away based on bad expectations.) There is a fantasy school setting, but RWBY is not a show about school. School topics are not a dominant idea: it seems to resemble a setting like Harry Potter, but the actual focus of the show rarely touches on things like classes or homework or tests, and we quickly move on. There is romance and it has a role in the plot, but RWBY is not a romance show. On the scale of romance in FMAB to She-Ra, RWBY falls somewhere in the middle.

What is RWBY about, then? RWBY is like an epic fantasy or high fantasy, despite first appearances. Perhaps not every genre convention is followed, but at its core, RWBY is about an epic struggle of good and evil.

RWBY contains themes such as found family, the struggle to remain hopeful, the younger generation growing up, villain redemption, and systemic evils.

Strengths of the show

The characters are unique and memorable. One of the cool things is that they all draw inspiration from a real life fairy tale, myth, or something else. They designs are all top notch. One character who died with extremely little screen time even got so much fandom love, they included the character in a mid-hiatus short later. The characters have unique weapons, too; in the world of Remnant, a weapon is an extension of ones’ soul, and they reflect the variety of their owners. They’re also just plain cool; Monty was famous for following the “Rule of Cool.” And their individual stories are all compelling and interesting.

The show is smart. As a fandom, we generally pick up on the narrative hints the creators are dropping. And our predictions usually come true, but not in a way that makes the show predictable and boring. We very rarely guess exactly what will happen, but we have some similar idea of it. It’s just excellent foreshadowing.

RWBY also likes to play with tropes, as an extension of this. Often it will challenge them, or subvert expectations. In other cases, RWBY uses tropes to avoid showing us what we already know will happen. This occurs in both characters and plot. For example…

SLIGHT SPOILERS FOR VOLUME ONE FOR THE REST OF THIS PARAGRAPH: Jaune’s entire character arc is about trying to be the anime protagonist, and learning that he doesn’t have to do things alone, and it’s ok to be a support main. The show sets up the narrative in a way that looks like, oh of course the direction it will go is him becoming the main character, but then it destroys toxic masculinity instead.

Our characters are smart, too. Plot-induced stupidity generally doesn’t happen. (A few big mistakes or errors in this regard aren’t actually the fault of the narrative, either, but animation and miscommunication and failure to execute. And those aren’t common.) It goes beyond just “not being dumb,” however. The villains’ plans are incredibly clever, and our heroes sometimes even guess at the usual “plot twists.”

The cinematography is just incredible. There are numerous freeze frames with extreme attention to detail that reveal character motivations or arcs or foreshadowing, there are many effective cuts and moving parts, there are soooo many parallels and callbacks, and visual cues such as lighting and color all are used appropriately to convey emotion and assist the narrative. It is one of the biggest overlooked strengths of the show, imo, simply because a lot of people in the fandom don’t notice these things as much for whatever reason, or else don’t give as much praise about them.

The animation is extremely good as well. Budget issues and technology issues aside (which means a lack of polish), the actual animation? The fight choreography, and all the other parts of animation that aren’t just “expensive CGI” are all wonderful. You can have very shiny, polished turds after all, and RWBY is like the opposite: not very polished, especially early on, but very well animated. All the trailers, volume 1 episode 8, the volume 1 finale, the volume 2 penultimate episode, and basically everything else hold up extremely well even today. If anything, the worst fight animation was in volumes 4 and 5 because of Maya growing pains, and those are an example of being more polished, but not necessarily better animated. Animation of faces has always been good, animation of characters has always felt lively. Aside from a few small actual hiccups (that one person running across rooftops for instance), it’s well done.

There are LGBTQ+ characters. The treatment of one of the recent trans characters, in volume 8, was nothing short of amazing. They worked with a VA who was trans. The moment of canon confirmation was important to the character for backstory, because of course that affects the character’s life, but not the only important thing about the character. The representation is not in-your-face or pandering. And there is a split of representation among the main cast and the minor characters, with promises of more to come (notably they’ve said they’re working on more mlm for future volumes, too).

RWBY is not afraid to tackle hard topics. It deals with things like mental illness, systematic racism, and cycles of abuse. It’s not because the show is trying to earn “gritty and dark” points, it’s because those are some of the topics that real people have to struggle with as well. And the show handles most or all of them very well, in a way that shows respect and an honest attempt to depict these things as best they can. (NOTE ABOUT VOLUME 8: THERE IS A VERY DIFFUCLT CONVERSATION CURRENTLY HAPPENING. I am on the side of, let’s wait and see what happens next because the story isn’t over, so we haven’t really seen the fall out. But I understand why this paragraph feels really difficult to agree with if you've seen the volume 8 finale. I trust the track record of the rest of the show, personally.)

As an example, the show has a theme that villains are rarely evil just because. A lot of villains choose to do bad things because they were hurt in some way. Some lived in poverty; some were hurt by racism; many of them are victims of abuse. But the show doesn’t make excuses for them. It’s possible to be both sympathetic and still choose evil over and over again (that’s called tragic). The ones who eventually do try to do good again are not always forgiven, either.

The music is amazing. I can probably count on my hands the number of times I’ve heard someone say otherwise, which is astonishing when you consider this fandom.

It’s also free on RT’s website. (A paid, “FIRST” subscription removes ads and lets you see new episodes one week early, but they all eventually release for free.)

Weaknesses of the show

Early volumes’ growing pains exist, much like most or all other shows. (Even some of the greatest were not immune to this, like ATLA.) In this case, however, it’s a little bit rougher. A large reason why is that this was kind of the first big thing from RT to ever come out. If you remember back almost a decade ago, their only other big thing at the time was RvB, which was machinima. They pretty much started from scratch with everything, from assets to VAs to animation to writing. Imagine if a random twitch streamer, like Ninja (idk who’s popular these days) said one day, “OK let me just direct something that’s intended to be the next great movie series of all time, like Star Wars, with a $4 bill and an iPhone camera.” Then went out and actually made something. Of course it would be rough…but then it turns out the movie is actually really good. And then you get to watch over the next several years as everything gets better and better until it’s honest-to-god comparable to the MCU. That’s kind of what happened with RWBY.

One specific growing pain was the volume 2 finale. Pretty much everything else up until that point, I love about the show. But the finale just fails to deliver on the build up of tension from other episodes. Some of it is because of later plot developments that we didn’t know at the time; some of it is because of just not great writing; some of it is because of just not great animation; and yes, some of it is budget. Regardless, it’s a low point for the show.

Speaking of, the budget for the early volumes is super small. The infamous volume one shadow people, the infamous person jumping across the rooftops in volume two, and just production quality isn’t high compared to a major release from some established studio. These are real weaknesses of the show that for some people, make it unwatchable, and if that’s you, that’s ok.

One last weakness of the show, the screen time per episode, especially early on, is NOT a full 20 minutes like you may expect of an anime (or anime-inspired-western-media, for those of you who will die on the “RWBY is not an anime” hill). This is a trend that has stuck with the show, a shorter run time per episode, for generally the entire lifetime. On one hand, it means it’s a little less daunting to catch up or rewatch than the number of episodes might imply. On the other, early on, some episodes have a little weird pacing. It also means the writing had to adjust for this, so while RWBY got really good at telling a story within a shorter amount of time, there’s also challenges with that too. Perhaps one of the notable ones is the pacing, with slower moments sometimes feeling like it takes up too much screen time, or not enough. Volume 4 was a particular struggle for the crew, both because they switched animation engines and also for the story.

Common complaints that I don’t agree with

I don’t agree that the early volumes were actually bad overall. Growing pains, yes, but not bad. I attribute that complaint to overly focusing on one character’s storyline, back when it wasn’t clear there was so much more to come and before people realized the show would challenge the tropes instead of falling into them. It’s pretty much just volume 1 when people say this anyway, most of them I’ve heard admit that volume 2 was a lot better (except the finale) and almost everyone loves volume 3. And looking back on it, I do think volume 1 holds up.

Tying into this, the racism plot line is another common complaint. I don’t think it’s actually executed quite that badly. I think it makes sense for there to be regional differences in the amount of racism we see, it just so happened that we only saw a very small and isolated environment, Beacon, for much of the early volumes. (Incidentally, that’s actually similar the environment I myself grew up in.) It’s not perfect, though. But there’s no doubt that the later volumes do a better job portraying this. Again, I attribute it mostly to people not knowing how long the show would run for at the time, so of course if that’s all we saw, it would’ve been bad. But it’s not. I have a lot of respect for Miles and Kerry for even attempting to handle the racism topic in the first place. And for the faults that DO exist in this plot line, I credit them for learning and growing past that too, and doing better in later volumes.

The animation is not bad. I’ve already touched on that earlier, but people confuse “budget and polish” with “animation.” Give me RWBY any day over Michael Bay’s Transformers: no matter how much polish those robots have, they’re still a confusing mess to try and follow. And the polish isn’t even an issue once we get past the growing pains of Maya and get a bigger budget, because wow does this show look good now.

Between these three complaints I hear about often, I think those are the biggest ones. And they’re all generally done in bad faith, based not on just those but on other more provocative statements people also make with them. That’s part of my issue with the fandom, specifically the vocal but small parts of the fandom, because they’re just repeating these things from early days that aren’t true. But YouTubers gotta get those rage and hate clicks somehow, right? Unfortunately it discredits the show a lot and influences other people’s opinions into not giving it a fair chance, because it’s become a narrative of “RWBY IS BAD” when they all won’t shut up about it. So yeah, fandom can be bad, join at your own discretion. (Of course, all fandoms have annoying parts, and my interactions with the fandom have been good overall, otherwise.)

Onto other complaints, some say the cast is bloated. I don’t agree, but I don’t think this one is in bad faith. I think we get the important characters as much screen time as we can, and the minor characters don’t actually detract from that; one of the differences between good minor characters and bad ones, is that bad ones take up too much time. RWBY has a ton of characters but many of the minor ones don’t actually take up too much time. So it appears bloated, but actually I don’t think it is.

Finally, a small word on the no-no topics. Adam, and Monty. Adam is like the champion of the Monty topic. Which essentially boils down to “Miles and Kerry are ruining Monty’s vision for the show.” Toxic fandom is truly awful and I have no respect for anyone who says anything like that. Shame on all of you. This isn’t really anything negative about the show, but the fandom, and tbf all fandoms have toxic parts. But toxic fandom can be a real and valid reason to not watch a show. Thankfully they seem fewer in number these days, but I think they’ve evolved into hiding behind other characters or topics, so you know. Beware. Again, it's not too hard to avoid them or block them, and my interactions otherwise with most fans have been good.

[arcticrxt]

Some dream smp mbtis and enneagrams bc I love it!!!

@dreamsclock here it is!!

Characters:

Wilbur

Ghostbur

Tommy

Dream

Tubbo

Quackity

Karl

Under the cut bc they’re kinda long. Keep in mind this is the characters and not the content creators :]

WILBUR

Personally for me I’d type c!wilbur as ENFJ which is interesting for a villainous character. When he spirals into madness, you can see his dominant function (Fe) become more unhealthy, leading to him being very manipulative. He shows Ti-grip when his Fe is left to burn out, becoming critical of others and their methods, preferring he do it instead (seen with tommy during their exile). Ni auxiliary is shown in his ambition and drive for his goal of L’manburg.

For his enneagram, i know wilbur said he based c!wilbur off of the song eight by sleeping at last, but hear me out,,, I was thinking maybe a 3w4. The 8 characteristics could be seen in a tritype of 368. Type three is named the achiever which in itself stands for his vision and ambition of L’manburg. 3w4s are often working towards personal growth and professional success. When unhealthy, 3s can get extremely competitive and prone to one-upping others. May reject their sense of self and develop intense mood swings. At worst they can backstab ruthlessly (tommy and the whole of L’manburg and pogtopia) and destroy others reputations solely for their benefit (“if i can’t have this no one can”). The tritype Im a bit if-y on but I’ll say 368 because it focuses on working hard, achieving personal best and developing a winning image. They will want to protect others from those they perceive as a target (dream, Schlatt), they will warn and caution others and seek “worthy” authorities they can respect.

GHOSTBUR His Si is incredibly high so imma say ISFJ. His main motive (id say) is wanting to collect stories of his past and the history of the nation he built, his “unfinished symphony”. Fe auxiliary is very strong as well as he shows a lot of compassion to others, offering them some blue in times of need and also not wanting anyone to feel sadness like he feels it. Ghostbur ignores his own feelings in order for others to feel safe. His Ti is shown through his need for gathering knowledge to understand alivebur and i could also see it through his internalised logic that the blue will help people. Not sure on inferior Ne, maybe through not wanting to see other possibilities in regards to his resurrection, however he was under a lot of stress since his home just got blown up, and friend died, so I can’t blame him.

He clearly doesn’t want conflict so I’ll say type 9. Needs peace and harmony (he gives out blue to help people). Soothing voice, and collected (except when Phil blew up L’manburg but that’s reasonable). He’s complacent, and humble, and will go the extra mile so long as to not rock the boat. Appreciative of the small things in life and enjoy simple pleasures.

TOMMY For Tommy I think ESFP which is probably one of the ones I’m up for more opinions on bc I’m not completely sure of his type. Se as dominant as he thrives on living in the moment but in an unhealthy way (unnecessary conflicts) He’s got a strong Fi auxiliary and you can see that through his personal morals and the way he usually makes decisions based off of emotions rather than objective facts and logical reasoning. He’s good at planning, but not at thinking out the longevity of it. Eg when heady exile and found technos house and lived under there, thinking techno would find him, this all shows Se-Te loop. He gradually develops an unhealthy Fi which leads to him disregarding external relationships (his friendship with tubbo) and commitments to maintain his internal love of the discs.

Enneagram wise, I’m definitely leaning towards 7w6. 7s are usually jumping from one thing to another and are constantly getting bored. The wing 6 brings loyalty and protectiveness. When unhealthy, sevens become narcissistic in their actions and presentation (see his confrontation with tubbo after tubbo thought he was dead, and the “the discs are worth more than you ever were” granted he quickly realises what he said but the mentality was still there).

DREAM I think he’s a fairly obvious stereotype unhealthy ENTJ. He has a very low Fi. When we see him driven by emotion (usually anger) it’s terrifying and we have no context about it at all except that it’s for a need of control. He knows how to manipulate people through his charisma and power in an ENTJ fashion. He lost attachment to his things very quickly (using Te and Ni to go forward logically while also showcasing his inferior Fi)

Dream is a very painfully obvious 8, probably an 8w7, but he is defined an 8. The eight has fiery passions and is usually stubborn and headstrong, they are serious about control over their environment. They are goal-oriented and self-competent. Eights are direct and aren’t shy when taking the lead and making tough decisions. They are often seen in leadership positions. The eight type is part of the “body based” triad and they often act impulsively. They crave respect and enjoy being likes by the group. When unhealthy, eights can become tyrannical and intimidating, scaring off others at first glance. They become addicted to the pursuit of power and will destroy anything blocking their path. Feelings and emotions become insignificant (spirit :’)) challengers become stone-cold and take an antagonist stand to anyone who questions them or their motives. This is the one I’m most most sure of out of every typing I’ve done bc it seems painfully obvious.

TUBBO I’d say probably an Fe dom so maybe ENFJ/ESFP but I’m leaning more to the ENFJ side. Tubbo realised after he thought tommy had died that, without tommy he was himself. Something Fe doms struggle with the most is self worth and personal identity. They’re caught up in wanting to help others that they don’t tend to their own needs. He’s careless and self sacrificing when it comes to the needs of others (him giving up his life so that tommy could have the discs and be happy) and bc he has such low self esteem he doesn’t realise that that’s not what tommy wants. The reason I’m more leaning to ENFJ is because of his inferior Ti. Though he didn’t want to due to dominant Fe, he was lead to believe exiling tommy was the best possible solution. You can see he regrets it after tommy and dream had left. When he was working under schlatt we saw his remorse and guilt even though he knew it had to be done. We see his dominant Fe during his time as president when others push him to do things and he usually agrees. He was manipulated through guilt by dream which is very unhealthy ENFJ.

(I wrote this before the ghostbur one so sorry for any repetitive language) For enneagram, type nine: the peacemaker. Type 9s are motivated by their need for peace and harmony (tubbo was manipulated into believing that getting rid of tommy would achieve this). They have a calm demeanour and are agreeable. They’re hardworking, friendly, and modest but also more serious and diligent than expected. (I’m not too sure on his enneagram which is why this is so short)

QUACKITY Estj imo. Like dream, he’s unhealthily obsessed with power, (unhealthy dominant Te). He abandoned L’manburg because schlatt wouldn’t let him have any say, and he was shoved to the side, despite it being a coalition government. He is very logical and controls others. He makes sure he comes out as the hero and that his hands are clean, learning it from past experiences (Si). He quickly finds ways to get out of situations through the use of tertiary Ne. Doesnt show a lot of Fi and he usually underestimates his opponents abilities and/or strength due to his overconfidence. He’s willing to kill anyone who goes against what he thinks and is stubborn and argumentative. He doesn’t like it when people are lazy and don’t contribute.

Also, similarly to dream, I’d type his enneagram as 8w7. The same with his obsession of power, and his strong/weak mindset where he thinks the world is made up of protectors and those who need to be protected (see him taking it upon himself to execute technoblade for the better of L’manburg) which is all very textbook 8. The opinions of others don’t have much effect on him. Eights are concerned with justice, combating oppression, and protecting the weak. He takes the lead in making tough decisions (he’s the butcher army leader). He becomes more antagonist and villainous with his actions against technoblade, believing he’s in the right. (I didn’t want to just copy out what I said for dream so this is a shortened version)

KARL Torn between ENFP and ESFP but leaning toward ENFP. He’s time travelling because he believes it’s the right the to do which is more so Fi, but could be Fe wanting to help others at his personal cost. But also the Fi-Te pair keeps him going and he won’t stop until it’s fulfilled (which is pretty Te imo). He is creative and good with imagination and ideas (Ne) (at the masquerade, although it was a comical excuse, he came up with minecraft streamer quickly, he was also able to answer billiams questions pretty quickly).

Even though it’s now canon he doesn’t choose when and where he travels to, which would have been a stronger argument for a type seven, he’s still enthusiastic at the times he travels to. He’s optimistic (with the mentality everything will go right for him because he believes it has to, even though he’s loosing a lot of memories atm). He’s got childlike energy and curious eyes. He wants to bounce from one place to another, he created two towns already, although one technically no one knows about gogtopia except for the founders and tommy who travelled through it. He’s well like and popular, which is often a 7 trait. The type 7 is part of the “heart-based” triad, and we can see him act through this with the way he seeks excitement as a means to distract himself from the darker, and more painful things in life. He ignores his fears in favour of positive experiences. For a wing, probably a 7w6 in favour of 7w8, the same as tommy. He’s loyal and a strong leader over being tough and more career-driven. If he was to turn unhealthy in the future, we might see him loose his groundedness, and start to live in a perpetual fantasy instead of reality.

Sorry for any typos or bad grammar :]

[basedsakura]

I loved your reply to me. ❤️ Thank you. It was amazing.

“do you feel like [Sakura not being able to stand up to Sasuke] also happen because Kishimoto tends to treat Sakura as Sasuke’s love interest instead of treat her as a separated character from him?” i think you hit the nail on the head with this! in fact, i think it’s the reason sakura seems so uncharacteristically wimpy when it comes to sasuke.

Going even deeper in this, I see a lot of the core problems in the way Kishimoto wrote her tied to the fact that she was treated as his love interest. Ofc Sakura has her own goals/story/message/symbolism and these things aren't necessarily tied to Sasuke but still, he's a big part of her character and sometimes, he's the main character of her life, which to me, contributed greatly for her character not have been fully explored.

Starting from the beginning, despite being an underdog who embodies many philosophies of the manga (even better than the MC lol), she was primarily showed as Sasuke’s love interest(one of his "fangirls", who prefers love instead of training). Some people can argue that it was because she was created for to be a normal girl... I used to use this argument as a shield, mainly bc genin!Skr receives too much flack when she never did something inherently bad. She receives an unfair hate for acting her age and not being physically strong, so I automatically adopted a very defensive approach to all that but I started to see the problems when I realized that she would have never been put in that position if she wasn't a girl in the first place.

What these kind of defenses don't talk about, is how Sakura as a character and as a ninja was harmed by this narrow view of the mere existence of a female character imply romance. Besides being one of the smartest in her generation, she was gifted with high level of chakra control and a natural talent to genjutsu that surpassed even Sasuke's(her 1st databook even says that depending on her future growth she could be a threat for him, like? That's cool! If it was put in practice, this would have made a positive impact on their dynamic). She had Kakashi FUCKING Hatake as her sensei! But when did we see her talents/potential being explored? We just never saw it because she was restricted by the plot. She became Sasuke's emotional support. Sakura was absorbed by Sasuke's pain to the point that she didn't even had time to TRAIN. It's insane! I'm not saying that she shouldn't have helped and took care of him, but the way it happened was awful bc Sakura was threw in a passive suffering where she blamed herself for everything and it just feeded her low self-esteem.

Which lead me for another point... Do you remember that Kishimoto said that he wanted to explore more of her story but he was prevented by his editors bc of her popularity? So, imo he didn't even cared to expand her character to better her popularity (despite she being the heroine and the 3rd main character) bc he sees her mainly as a love interest. If he cared about her character as a whole and if the popularity is a such sensitive point to him, he would invest on her, like any other author does in a similar situation. He made the biggest turnaround of her character away too late and it didn't survived more than one arc in the p2. [1/...]

i always thought it would’ve been very interesting if sakura’s crush on sasuke represented more than was instantly obvious.

for example, it could’ve been used to explore her sense of identity as a civilian in what is essentially a glorified army base. sasuke was from a powerful clan, naruto (who was also from a powerful clan but young sak didn’t know it yet ((although his last name was literally UZUMAKI)) was also weirdly strong, while sakura was just a regular girl. that was sure to bring about some more insecurities for an already insecure young girl.

sasuke could’ve been more than just a cool guy to have a crush on, but rather a symbol of status, prestige, power - sasuke embodied everything sakura wanted for herself, and the more unreachable he was, the more she wanted it. she would have to peel off that layer of idealization as she started to see sasuke as a human being. her starting to love sasuke for what he was instead of what he represented could’ve been symbolic for her starting to love herself for what she was and to make the best of her circumstances as she found her own strength

[thattimdrakeguy]

I couldn’t finish Batman and Robin 2009. It was just... mentally exhausting and I stopped shortly after Bat Dick put fake Bruce in the Lazarus pit. Based on his appearances in Teen Titans, Bruce Wayne: Road Home, as well as his big fan base, I assumed Damian’s character development was executed nicely in his own series. But then again in Gates of Gotham (literally read it just for Cass) he’s impulsive, arrogant and rude to Cass both to her face and behind her back-even after she saved his life 1

Don’t get me started on the sexist things he’s said to Steph. I want to like Damian, but writers don’t make it easy. I got into comics because of batfam fanfics and he was a fave of mine. Dude was extra violent and displayed borderline sociopathic tendencies in his first appearances, cool beans. There’s a lot they can do with a character like that. I just felt like his bad behaviour was never properly dealt with before B&R, and I couldn’t muster the energy to see him through his own series. 2/2

IMO, Damian felt like a Gary Stu at times.

I don’t know if that last one was from the same person or not, but I just got the feeling it is, and if it’s not, then well it blends well enough and don’t feel the need to answer it separately.

Like all I can really say is that I don’t really like Damian. A lot of people confuse that for me thinking he’s an evil monster. I imagine cause I have a Tim icon and other Tims do rage on about that every now and again. As well as just plain taking things I say the wrong way (though I have probably said things in the moment I imagine). But I just plain don’t really like his writing, and if I can’t really read a comic he’s in that I actually like. Idk, I just find it weird to say I like him, when all I really like is what he could be. I don’t feel like that really equals me liking him, cause when I think about it, I kinda realized that meant the opposite, and didn’t wanna project the wrong idea.

But I wanna say this about Damian. He is insanely inconsistent as a personality and character. To this very day. So, as I do with every character, I start from the beginning, figure out what was meant to be by the writers that helped develop them, and figure out what’s in-character and out of character from there. I just feel like it’s the most objective way I can look at anything if I want to review things with standards that are more than just “I like this” or “I don’t like that”.

And in the case of Damian he’s never not been inconsistent. Like one of the main reasons I reread Batman and Robin (or at least Morrison’s run) was for plans of a post about flanderization in the Bat-Family, cause it was pretty rampant in the 00s and still continues often to this very day, and I think is the cause of a lot of lost sales and unhappiness and overall fandom diminishment.

However also to say it, I liked to see a lot of what Damian could be within B&R 09.

But anyways, basically just because I can’t really do a part of the post on Damian without trying to figure out what he was like to begin with, and what he was supposed to be per his creator.

Cause you can’t really tell in fandom. Cause his most popular comics are from stuff that isn’t in the main universe and was purposely a lot lighter, or in the main universe from writers that really surprisingly didn’t get the character despite the popularity--which continues my thinking on it was less about the quality of the writing and more about the lazy fan service. They honestly really flanderized him in a similar yet opposite way then what they did with Tim in the 00s.

And while I can’t act like the sexism and homophobia wasn’t an actual part of the character of Damian at the time--he shows both of those traits in the series (at least the homophobia, cause I’m now realizing that I might be thinking of another series for the sexism). He was flanderized even then by other writers from the different series.

Like how he’s written in Red Robin, is not freaking Damian. It’s not Damian to me. I don’t accept it as Damian. Even a lot of the content of him in Batgirl I even less feel like is Damian--besides unfortunately some of the sexist comments, but they never really proper developed him on that as far as like--actively showing that, at least that I can recall. So all I can really say is it’s uncomfortable, and how they don’t delve into it is the only real reason I say “That actually sadly does fit in with him”. But it’s not like it doesn’t make sense, he was raised to fight, not to handle emotions or feelings, he probably would do and say really creepy things when he has a crush--I just wish they’d actually acknowledge that what was going on rather than sacrificing a good story for more fan service.

The other writers make him too much of a bratty, snotty, kid. And I found that, that is an absolutely terrible interpretation of Damian, because beyond his origin, he isn’t a typical brat, and he doesn’t really act like a kid (in some ways yes, but general mannerisms and personality no). And even then he was a different kind of brat. He was entitled and bitchy in his origin, not immature (at least in the same way) and snotty. They have him act more like some spoiled brat from next door rather than a kid that was abused into being obedient to be what his abusive mother wanted (Talia shouldn’t be abusive, but like I said before, I think the series sucked overall for reasons like that and more).

(I also find that stupid line cutting scene in RR where I presume he was trying to kill Tim to be even stupider, cause Damian wouldn’t freaking do that at that point. They make Damian come off as so stupid in that issue, I hate it. Cause it was all just a cheap way to force sympathy for him, but it doesn’t even make sense when you think about it and is a huge stretch.)

Damian doesn’t make jokes when he’s written better--it’s like his thing. He’s got quite the temper, and understandably why of course. He’s violent with criminals, but he’s also mostly just stoic as his base state when not in a stressed situation, and even shows remorse (which is a big stretch from his origin, but I blame that on the writing which could be very rushed and lazy). He was treated like just another adult for the most part, and it had a weirdly endearing quality despite the maturity of it, and general edge of the series. It was Damian’s place and it worked really well. It just felt right for their dynamics. Damian’s a unique kid, and they respected him for who he was. He just needed help on his morals and stability.

But other series didn’t really get that. He would still be really rude like his origin, and not really the same tone of rudeness (I’m not sure if I can really explain what I mean by that), he’s aggressive, but putting him in Teen Titans never made sense to me, because I don’t see Dick doing that. Dick had a lot more respect than to force Damian to do something like that. Dick was more patient, and while he did lightly smack (not any kind to hurt him any. literally to demonstrate without pain. more taps really) him to teach him a point about aesthetical weaknesses in his costume like the hood, it was mostly done out of finding a way to teach him that would speak to him. So just forcing him to do something he didn’t want to do--which would clearly not work on him--was just contrived and plain bad writing wise. Something they did more as a stunt so they can say “TITANS NOW HAS THE SON OF BATMAN” than to use him well or continue his story in a natural way.

With Cass I can’t say anything, because that’s like the one time he talks to her, and that basically shows their dynamic. So that’s just them, I can’t really say anything on it. If he felt challenged by her I could see him being a total jerk. It really depends on the scenes themselves. I never read the series myself cause I genuinely really don’t like that Batman Reborn era of Bat-Family. Too much of it was just done for publicity and random changes, and for the most part didn’t work much to me.

But overall, at the same time, despite me singing the praises of what Damian could be, and was for a little while. The overall writing for the character arc was super lazy. Stuff just kind of happens, and way too quick to fit in with what they introduced. He just kind of goes “this is right, now”, which makes his whole brainwashing thing feel a bit--useless, and makes how he went from chopping heads off to that in very little time sort of cuts out depth that could’ve really made the series more rereadable. Damian actually comes off surprisingly as a very flat character for stretches of time in the issues because his character arc is never focused on as much as you’d think until they need to be like “Oh yeah...uh, here’s an emotional moment”. Which just felt really cheap to me.

So the series to me isn’t worth it if you want a good story. None of the stories were good to me, I think I was questioning each one cause it was either schlocky, out of character, or both. I know people like Grant Morrison, but they aren’t for me, I’m not a fan of their writing. Damian was a Gary Stu a lot, which they try to explain with the League thing--but having the League give him experimental surgery so he could walk the same day (or next) after being legitimately paralyzed was just way too freaking much to me. But he does make mistakes, so he’s not at base a Gary Stu really--the writing just really stunk badly sometimes.

This isn’t me putting in a bid to say “OH YOU JUST NEED TO READ THIS, AND YOU’LL FREAKING LOVE HIM”, because to be freaking honest, when you already have a bad taste in your mouth, it’s best to just wait a bit till trying again. I read the fandom recommended comics and felt there was so many problems that I couldn’t read Damian for literal months. And he still has a lot of the problems you said. I’m just saying Damian is surprisingly different when written by his creator than others, cause honestly nearly every single other writer for him has gotten him wrong. Like mind-blowingly wrong. He does not feel like the same character anywhere else. It’s nuts.

To put it another way, it’s a generally speaking bad series, but if you want to see what Damian was meant to be like before they kept regressing him, and diminishing him, and turning him into more a joke, and see what his dynamic with Dick and Alfred was meant to be like, it’s a brilliant and perfect series to read it for.

It’s better for learning about them--then it actually is to enjoy it. Because it’s most likely not a series I’m going to be returning too often unless to research something again.

[aerltarg]

2, 5, 6, 7, 8, 9, 10, 11, 12, 13, 26, 27 from ask game

2. Are there any popular fandom OTPs you only BroTP?

oh, it's actually hard to answer bc pretty often my otps can work as brotps for me as well. it also means that when i can't ship some characters they don't work for me as friends either. not to mention that in asoiaf i'm open to many ships, and if i'm not very passionate about some it's not a sign i can't see them in romantic light.

5. Has fandom ever ruined a pairing for you?

may i say any sansa ship? 😭 as well as sansa herself lmao. idk generally i can't ship characters i don't like because i'm just not interested. and it's not to say i don't like book!sansa (show!sansa is another case 💀), i just don't find her arc as intriguing and epic as arcs of some other characters. however, it's absolutely her obnoxious fandom's fault that i don't want to touch anything about her now, pairings including. sansaery? pass. sansan? i used to have a soft spot for them in my heart but now? nah. sansa x anyone? pls have mercy, she's already a fandom bicycle.

and jonsa ofc. i would never mind some crack ship as i do this one if not for their obnoxious stans that did way too much to list there right now. but this burning desire to persuade every rock on the street that your crack ship is canon will never stop being ridiculous lmao

also braime. tbh i used to low-key like them but some of their stans weirded my away lol. i get that not all of them are like that but still. it's generally my great pain when i see braime/brienne/jaime stans who are also dany/targ antis. every time i see them i cackle and run away as fast as i can crying from disappointment lmao. it's really a pity because i'm either very neutral or like in my own way all three of them.

6. Has fandom ever made you enjoy a pairing you previously hated?

jonrya it is! i never hated them, you know, but they never were more than siblings and brotp to me. however, later i encountered the deluded crack ship fandom that shall not be named and understood that if there is any possible romance for jon with any of his sisters-cousins we all know which one it will be lmao. also their stans are very sweet and i really like many of their takes on arya and jon! i generally love relationships of jon and arya very much so it wasn't that difficult in practice to see them in a quite different light.

7. Is there anything you used to like but can't stand now?

meta culture lmao. reading different analysis and interpretations of the text used to be very interesting to me (and still is tbh but in other fandoms) though asoiaf is a different case. imo many people aren't honest in their so called theories and analyses. i get that all of us are biased but some "meta writers'" denial of their own biases influence fandom in a bad way. it looks like too many people run to them to get answers to their questions about any minor detail as if they were grrm himself. yk instead of using their own reading comprehension lmao. you see how this meta culture ruined fandom just looking at the most delusional stans and shippers who spread their agenda by writing endless text posts full of nonsense and bullshit but styled as oh so intellectual and thoughtful analysis. it's insane how many people actually buy it and don't check canon accuracy of such claims themselves. it got to the ridiculous point when random people try to argue with you with some far-fetched embarrassing "theories" as if they were canon facts or quotes straight up from a fanfic because they read somewhere some other confused soul's post and got from a context that this quote is canon (despite the fact that it wasn't written in grrm's style at all but some people can't use their brains even if their lives depended on it it seems).

anyway it's become too long and rambly already so tldr. because of such "neutral unbiased" analyses i got the habit of fact checking almost everything i see in such posts. there's only a small amount of meta writers from targ/dany/jon/arya stans that i trust because i know by practice and following them for some time that they don't pull anything out of nowhere, back up everything they say with canon quotes, don't decontextualize anything and (that is the most important thing to me) are reasonable and open to discussion unlike so many bnfs nowadays.

8. Have you received anon hate? What about?

ah, not in this fandom yet, god bless! i think i'm not loud enough for the needed amount of time to deserve it lol. but since i'm not going anywhere soon maybe one day i will 😂

9. Most disliked character(s)? Why?

robert baratheon and tywin lannister, obviously. tbh it's pretty hard for me to hate any characters because you know. they're fictional lmao. just lines on paper, they can't hurt you. and even such dudes as tywin or robert don't get real distaste from me if they're written well enough. my problem with them lies not only in their canon crimes and shitty consequences of those but in fandom's (or at least some parts of it) unwillingness to acknowledge that they're canonically written as shitty, not as stan/pity/worship material. tywin isn't as clever as some think and robert is a coward outside of battlefield, not to mention some absolutely disgusting denial of his nature from targ antis only because the man happened to be the most vocal targ hater in-universe so these folks feel like he is their main book representative and whitewash him completely lmao

10. Most disliked arc? Why?

uugh idk even. i'm either low-key interested (or used to be at least so i can stay pretty neutral for the sake of nostalgia lol) or too indifferent to really care.

11. Is there an unpopular character you like that the fandom doesn't? Why?

all my faves have their own crowd of haters i'm afraid 😭 but let me say rhaegar. even among some dany/targ stans my man is so misunderstood lmao. it's not even his fault i dare say it's fanon about his half-imagined crimes that somehow got widespread to the unbelievable degree. and when i say they're half-imagined i'm being very generous actually. ofc he isn't perfect, no one in asoiaf is. and yes, he's a pre-series dead minor character but almost all little information about him is actually positive, not to mention the narrative itself that doesn't paint him as a villain or just a shitty dude. on the contrary, he's an idealized to some degree dead prince who could've been a good king (like some other historical targaryens, jacaerys, baelor breakspear, aemon son of jaehaerys, etc.), a mysterious yet tragic figure. i have much to say about why it's so popular to shit on him in fandom but yeah. his haters should send their complaints to grrm instead, no one forced the man to write him like that lol. and i mean that no one has to like him ofc. but it's misinterpretation of the text to claim he was intentionally written as a villain or smth by grrm.

12. Is there an unpopular arc that you like that the fandom doesn't? Why?

i don't know if it counts as unpopular but i would say tyrion's arc as a whole because i enjoy his character and like in my own way. i can get why some people don't like him but this man will always have his own place in my heart i must admit.

13. Unpopular opinion about XXX character?

is this unpopular tho?.. ok but renly wouldn't make a terrible king. i dare say he would be better than both robert and stannis. yes, he wasn't shown as perfect and i don't claim this. he wouldn't be the best or the most brilliant or the most just or noble. yet still better than his brothers. his flaws weren't anything other high lords didn't have, his mistakes weren't anything other lords and kings didn't do. in many ways he would make a better job than robert or stannis, too bad he died so early, even though i get why it was important for the narrative.

26. Most shippable character?

well generally for me it's the ones i love the most lol. jonerys/snowstorm is my never dying otp but i admit my sins, sometimes i just see dany with other characters (often from other fandoms pls don't @ me). however, since dany is THE fave of mine it means i would rather twist the other guy or girl to fit into the good match for her than twist her for another character in my new born crack ship lol. and i never stay for too long with the ships with which i feel they don't really fit and don't do justice for each other lol. maybe that's the reason i'm not much of a rare shipper / crack shipper afshdjdb

27. Least shippable character?

everyone i don't like? 😭 as i've said sansa for the reasons above lol. you can insert many others in her place lmao

[radramblog]

Every Boros Commander, Part 2

Where we last left off, I was shitting on Adriana, Captain of the Guard, who gives ACAB a pretty different meaning. Fortunately, most of the pickings this time aren’t quite as dire.

Depala, Pilot Exemplar (3rd most played as of writing)

Holy shit, a Boros commander with card advantage? It’s niche, but it was a first. Being limited to Dwarves and Vehicles does leave her with a problem a lot of commanders and tribes tend to have, which is being just a smidge under critical mass- but with the upcoming Kaldheim appearing to support Dwarves, and vehicles appearing to be a deciduous mechanic, I feel like it won’t be long before Depala is as powerful as her placement suggests. She is niche and mana-hungry, but basically the only Vehicle commander (and definitely the only Dwarf commander at the moment), so I suspect she’s here to stay for a while.

Tiana, Ship’s Caretaker (15th most played as of writing)

Tiana is possibly my favourite character lorewise in all of magic, frankly. She’s cool and cute and a massive dork and also someone who found her purpose in life, and frankly I love that for her. 

She’s also a really interesting commander to build around, seeing as she has a unique brand of card advantage that leads to the addition of old and weird cards, which I’m always a fan of. I should really get around to building a Tiana deck, to be honest, though I already have 10 commander decks with an 11th in progress, sooooo…

Firesong and Sunspeaker (4th most played as of writing)

I’m surprised to see F&S this high, but the first unique Buy-a-Box card did expand into an archetype previously unseen in the combination in the form of Boros Spellslinger (Dalakos would later return the favour as an Izzet Equipment commander). Previously, you had to go into Pauper EDH and play fellow Minotaur Blaze Commando for this kinda deck. Like Depala, F&S are heavily played despite being niche, though the also have the benefit of being a RW minotaur commander, if you want to play White instead of Black in that deck for…some reason? The siren moo of Boros Reckoner speaks to us all, I suppose.

Sylvia Brightspear and Khorvath Brightflame (17th most played as of writing)

The only partner pair I’m discussing today on account of their monogamy. Knights and Dragons make a weird combination, seeing as there are basically no other cards that help them work together rather than apart. You could almost run them as a goodstuff deck if you wanted, seeing as many of Boros’s best creatures are Knights or Dragons, but largely I think sticking to one or the other is probably for the best. With that in mind, the pair are actually the only real commanders for either tribe within Boros- the only other Dragon is something we’ll get to, and the only knight is…Adriana…so…. The buffs given by either pair are excellent, and not something that either tribe gets easy access to typically, so I can see the appeal of them in that slot. At that point, the extra commander is just a bonus.

Aurelia, Exemplar of Justice (21st most played as of writing)

Oh, another Aurelia, and she’s worse this time. In seriousness, her ability looks like its likely to be targeting herself most of the time, and Mentor just doesn’t do enough in this format. She has enough keywords and power to Voltron, but I’m not expecting much interesting from her outside of that.

Tajic, Legion’s Edge (18th most played as of writing)

Tajic has 4 separate lines of text for some reason, and only one (ok fine two haste is nice) actually matters. Having a damage prevention effect is nice in the zone, but it doesn’t apply to himself, so if you’re planning on turning mass damage one-sided you’re going to need to protect him still. And like, what else does he do? He’s not a good aggro commander at all, his last ability is a joke, why are people playing this card? If I was in a mass damage deck I’d just play Gisela, at least she does something on the off chance she survives. Probably no-one is gonna go out of the way to kill Tajic, at least. Beats out Aurelia for biggest downgrade, imo, even if Aurelia fell from higher.

Feather, the Redeemed (Number 1 most played at time of writing)

Feather is the most popular Boros commander, by over triple the next most popular. It’s not hard to see why: she’s a cheap commander that turns any targeted cantrip into a draw engine, she synergises with so many random powerful cards that you can build her a fair few different ways, and she’s a cool story character getting a card 12ish years after her appearance in the Ravnica novels. She does so much and is so interesting that it’s completely understandable that she’s as huge as she is. I’m still never going to build her though, even with my funky Japanese copies, if only because I’m too much of a hipster.

Gerrard, Weatherlight Hero (13th most played as of writing)

Kinda funny that Gerrard’s little text that made him work in the command zone until recent rules changes is now a strict downside. Gerrard has his niche, with a Second Sunrise in the zone unsurprisingly supporting Eggs decks rather nicely, and synergising with a lot of just random bullshit. I’d probably never build him, and it seems pretty easy to make it degenerate, but I’m glad he’s here and he’s certainly better than the first iteration of the character.

Haktos, the Unscarred (12th most played as of writing)

I’m kinda surprised to see Achilles this high, considering how recent he is. He reminds me a lot of Progenitus, oddly enough, as a commander that would be good at Voltron but can’t get buffed easily by traditional means. I think adding equipment on the off-chance that it fits his heel is a complete mistake, but things like Silverblade Paladin and Exalted cards do exist, so fair play. He’s pretty hard to kill unless you’re boardwiping, and even then damage-based ones probably miss, so I can see the value in that. But that mana cost hurts to look at- hitting 2 mana of 2 different colours on turn 4 was a pain back when I played Trostani, and that was a green deck.

Stet, Draconic Proofreader (No data available)

Okay look, I tried so hard to find a way to abuse this dork’s ability but there’s just no good way to do it. Stet sucks hard enough that even if you are playing with Silver-Bordered cards legal I just don’t know why you’d ever run it. His art is pretty funny, I’ll give it that. We got Alexander bloody Clamilton and Surgeon Commander in the same cycle, keep in mind.

Winota, Joiner of Forces (2nd most played as of writing)

Having menaced standard, Winota is still pretty decent as a commander, even without access to her 7-mana blue payload.  There actually aren’t that many beefy humans to cheat out in general, but considering how easy it is to enable her ability and the fact that she digs *6 cards deep* on trigger, I think you just kinda end up swarming the board distressingly easy with her deck. It’s shocking to see a card from 2020 in the top 5 like this, considering how the year has gone for the format in general, but like. 6 cards.

Zirda, the Dawnwaker (8th most played as of writing)

Look it combos with Basalt/Grim monolith in the command zone isn’t that neat. Zirda is pretty open-ended, but not especially powerful outside of the aforementioned combo. I find them much more appealing in the Companion slot, frankly. With that said, I do like that Boros is the colour pair getting access to Training Grounds in the zone, seeing as it works well with its other themes (Equipment mostly) and opens new archetypes (Cycling, etc.) up as possibilities.

Akiri, Fearless Voyager (7th most played as of writing)

Haha, Brion has more decks than Akiri. That’s probably since it only released a few months ago. Of course, I’m not including the other Akiri, so this is the first time we’ve seen her on the list. But apart from that, Akiri was somehow the first of these commanders to actually say “draw” on it. Her synergies with Living Weapon (and the recent equipment cards that do the same) are pretty sick, though her second ability will end up costing a lot of mana over time if you have to use it. I think its hilarious how much more value this gives you than Adriana for doing the thing Adriana wants you to do, at 2 less mana.

Also, she’s probably the best general for Kor tribal? I guess you could go Akiri/Black partner so you can play Orah in the deck. Someone build this! Kor like equipment, Akiri likes equipment, lets go.

It’s only just occurred to me that Akiri gives you more for attacking other players than Adriana does. Fuckin hell, man.

Bell Borca, Spectral Sergeant (25th most played as of writing)

Bell finally getting a card 15 years after his fictional death was a welcome treat, but the exile-related ability is frankly awkward and abusing it to 1 or 2 hit commander damage is pretty difficult. Still, having impulse draw in the zone makes him probably just the best generic #goodstuff commander. I’m surprised he’s as low as he is, but he only released a month ago (at time of writing) and we got an absolute stack of legends (including 2 other Boros ones and the partners) in the same set.

Reyav, Master Smith (28th most played as of writing)

Reyav is neat since he combines 2 of Boros’s more traditional archetypes, being Aggro and Voltron, into one damage doubling dwarf. I suspect his lack of play is again due to the other legends in the same set and that it only dropped a month ago, because there’s no way he deserves to be below Munda. Also, he’s 2 mana! The only other 2CMC Boros Legend is partner Akiri! How did that happen? I think he deserves better. You can suit him up and get dunking real quick.

Wyleth, Soul of Steel (16th most played as of writing)

Our final general is Boros’s second ever Precon commander, and the only one with flavour text. He’s got the space for it, considering how much work that second line is doing. I appreciate that Wyleth, despite being superficially similar to Akiri, plays pretty differently, as he prefers Voltron while she prefers spreading equipment out. I assume Wyleth would be a lot higher if the precon itself was included, but there’s no way of knowing how many people are playing just the base deck, so who knows.

A CHALLENGER APPROACHES!!!

Koll, the Forgemaster (no data available) This bloke got spoiled between me writing most of this and going to publish it. I can see a few easy combos with his first ability, especially seeing as Grafted Wargear is a card. Playing fairly though, his first ability feels kinda slow, and not being able to protect himself is a huge drag. The second ability feels kinda stapled on, as its a way of giving you a bonus since the first one doesn’t do shit for tokens. But like, just don’t equip them, lmao. Awkward, but has potential.

And that’s the lot of them! Uhhhh yeah that’s all I’ve got, stan Tiana kthnxbai

[malepresentingleg]

is it 2013 again? cause i have a rant about teen wolf coming and i feel 16 y/o.

so due to dome heavy procrastination I've consumed a lot of teen wolf content, i skipped a bunch of episodes and a lot of scenes in the ones i haven't but i still have some Thoughts TM

it's good??? i had a Good Time watching, it was funny but intense and dark and i felt Feelings watching, some of the plotlines were meh (or maybe i just skipped them heh) but a lot were interesting and i loved the characters and their interaction

scott. my sweetheart. my baby. such a cutiepie, such a great protagonist 10/10 i love him and would die for him. he's so pure and cute and his little smile melts my heart. i love how he's fundamentally Human no matter how non human he is. he's a great character all around and i kinda wish they didn't do that shit to him at the end (imma get there) or treated him like he ISN'T the protagonist for such big parts of the shows

people KNOW. Stiles knows from day one, allison finds out soon, his mom finds out in season 2! the sheriff in 3, and they just become part of the gang and can help them with stuff bc they UNDERSTAND. shows like that get really tiring when the teens constantly lie to everyone around them and it was very refreshing. the running gag with the coach ruining things tho was funny and I'm ok with it.

Ok this is mellisa appreciation time. she's SUCH a great, complex and unusual mom-of-hero character. i absolutely love her and her attitude, i love how she's not simply being used as a tool to cause scott pain (just.. sometimes) and their relationship is parenting goals.

also isn't it fucking hilarious how she's a nurse but she just knows everything medical. she's also a surgeon and a mortician and a doctor. ik it's for plot reasons but it funny af.

in general women on the show.. had a lot of potential, i love them, but i hate how they were treated.

allison was all around great imo, her and scott's relationship was built very well and was two sided from the start (unlike... yeah), she has emotions, she's smart and brave, but also human and scared, she kicks ass and, again, exists outside of Scott's GF status (mostly). andddd they killed her. idk if the actress had to/wanted to leave or it was a pure writers decision bc they needed to keep just her father or something, but that would have been ok if not for all the other things

we have 3 main kickass ladies with powers- lydia, kira and malia. lydia spent close to FIVE whole seasons not knowing anything about her abilities/not knowing how to control them. cmon, it gets old. scott masters his powers after a season or two (and had control a lot sooner), parrish finds out what he is like half a season after it becomes relevant etc.

malia- do i need to explain? she was CONSTANTLY struggling controlling her abilities, no matter how badass she supposedly was. and kira oh boy, they did her dirty, didn't they?

kira was such a cute adorable character. i loved her and her little crush on scott and wanting to make friends and being freaked out about relationships, i love her discovering her past and heritage and learning to fight and gaining control and becoming a badass. but. what? they just undid all this? oh no the fox is taking over she has no control no agency of her own she needs to disappear for years now bye :( again, idk if the actress needed to leave but it was so unsatisfying and was insulting to the character. she wasn't even mentioned later a bunch like allison was, just they needed her mom for a plot tool and didn't even acknowledge it was her sword they were breaking. uhm rude?

LET WOMEN HAVE POWERS AND BE AWESOME WITH THEM. and not just minor/bad characters thanks.

i love the concept of a pack on the show and how you don't have to be a werewolf to be a part of it, how scott becomes a true alpha and how he cares about his friends. i kinda feel like in later seasons him being an alpha was more talk than show which like /: meh. like i said, he stopped BEING the main character, just talked about as if he was.

i love how friendship is valued, but i think it could be more.. i mean the scene in the motel, all season 3b, scott and lydia, all the girls with each other.. i love it. too many times tho it "wasn't enough" and only romantic love worked which SUCKS. in 6a i was so happy scott went in to try and remember stiles and the memories hit me right in the heart. then when it "wasn't enough" i was SO pissed and frustrated goddammit. i guess that leads me to the next point-

ships, should i talk about ships? i don't want hate in my asks but oh well it's been a few years maybe there's no fandom to care. I'll start with the end

malia and scott. what. the. fuck. when, out of fucking no where, they had like a lingering look or something i was just "nope. no thanks". and then every scene they had together i had to cover my eyes bc it felt so wrong and bad and awkward. jesus. no build up at ALL, they're like family, i just. ew. no. it felt way too much like "oh we gotta pair off the leftovers" or "the main character can't end up single" well guess what, he fucking can. it was. god. i can't even explain the disgust. when he needed to heal and all she had to do was kiss him ugh. it felt so fake and empty of meaning. i would 100% prefer for it to be stiles (I'll get there) or his mom who snapped him out of it.

melissa and chris, i could get aboard with that. def cute, def weird af since his dead daughter was dating her son but, well.

stiles and lydia is a ship i have conflicting feelings about. i absolutely hate the concept of "the nerd" is in love with the popular girl since freshman year and he's borderline being a creep ("oh but it's stiles! he's a dork and he's harmless" no.), completely obsessed with her and she ignores him but then they end up getting together.. i mean, it sends a bad msg to obsessed boys about how it's worth it in the end, and it makes the whole relationship feel unbalanced from the start, makes her reciprocation feel unatural. BUT, i have to admit the show did kinda make me warm up to this ship by the end, curse them. it was kinda cute. i wish there was more mutualness before it became such an important part in 6a tho.

just gonna put it out there: malia/kira and lydia/allison. i wish we saw more girl on girl interactions in general but the ones we had were very good, great dynamics.

i won't get too much into it but i.. i don't ship st*rek. i understand why they're the biggest ship (two white hot boys that interact with each other, i mean.), and i see the couple of fan service-y moments the show throws at us but just. they don't have my heart, i don't really care about them. not the characters, the characters i absolutely love! (tho this watch i skipped most of season 1 and 2 and 3a and i think that's where derek is the most asshole.. didn't he do really bad things? idr) idk if you want a bad character on the way to redemption with someone you should ship liam and theo who had way better shippy chemistry imo, even tho their ship probably wouldn't be healthy given their dynamic history, huh.

the ship that does owns my heart? scilies. I'm a softy when it comes to best friends to lovers, and their bond and relationship is just. so. pure. don't get me wrong, i love me a good platonic relationship, but there was just one to many homoerotic interactions between them for me not to ship it, hard. (not to be that person but my guess is that if Scott was white it would have been a way bigger ship, but who knows?) i love their love, i love they would do anything for each other, and i feel like there were a bunch of very missed opportunities for them in later seasons :(

so representation. this feels like a show that is trying to be Woke TM but it's not going so well. the main character is supposedly latino but it's never ever addressed. idc about "oh we want a world without prejudice" you can still fucking address it. i mean they went to Mexico a couple of times, stiles keeps saying "Mexican cousin" i mean. god. give us something. did i mention scott was told he'd make a great "nazi youth" ..

and you don't need to be a genius to see the most characters are very white or at least very white passing. and when you don't address their non whiteness they might as well be..

i already mentioned how poorly i feel kira was treated, but also mason, who is a wonderful character, gets no depth? we know nothing about him other than being gay and smart pretty much.

i also spoke about the women already but, they were really really great women characters, but not enough of them, not enough that lasted.

there's not much to talk about disability bc it just wasn't on the show. the only blind character was healed which. /: same with epilepsy and asthma..

i think the show is probably very proud (ha) with their LGBTQ+ rep bc they're like "oh let's make this insignificant couple gay bc hey nbg". examples are lydia's grandma, La Bete and marcel, i think nolan and jiang were exes and then nolan and gabe were a thing? idr if it was explicit. the couple of girls in the tent.. probably a couple more. it's nice, def better than all random couples being straight but that's not satisfying as rep.

Danny was great. i think he and ethan were.. cute? i think he was awesome, i loved danny so much and was very excited to learn he KNOWS at the end of season 3 and was waiting to see him join the pack. instead he fucking disappeared?! wtf. #WhereDidDannyGo

brett was cute rep, especially being bi but i feel like it could go into the insignificant pool which, again, is better than nothing.

mason and corey i just don't have strong feelings about. they were definitely cute and I'm glad they were together, i love mason A Lot. i think this relationship could be explored more, or at least the characters could be explored more to give this relationship more depth.

very interesting how there's no wlw canon couple, not even hinted. just fan servicey hot malia kira dance which /:

not to mention transgenderness. god can you imagine the interesting plotline of transitioning while being a werewolf 0:

i think the rep i was most happy about was ethan and Jackson. even tho i don't think there was build up or clues in the first couple of seasons, I'm happy for the actor who i know was struggling with coming out publicly, and it was very fun and refreshing for the ending. even if we got very few scenes with them the dynamic was 10/10

the biggest problem is obviously stiles. i just don't understand why, if they're so supposedly progressive, they went to that length to queerbait without following through. the whole gag of wanting to be attractive to danny and to gay guys, the whole "aww danny want to have sex with me that's so nice", the whole "do you like guys too?". it's a gag. his alleged bisexuality is the butt of a joke, and it pisses me the fuck off. they don't have to make it a big deal or have him get a bf for it to be official. it wasn't subtle subtext. it was a CHOICE. to put a spotlight on his sexuality but not deliver. -100/10 would not recommend.

also they could talk about his mental health more.

and about Scott's, please and thank you.

and everyone's.

i had some more feelings, like villains changing sides without getting a proper redemption and having no consequences, the wholesomeness of the sherriff and mellisa being each other's kids second parent eichen house (wtf??), and more, but i think i wrote enough for now.

tl;dr- good show with A Lot of problems, will always have a place in my heart bc I'm a nostalgic gal.

[dazais-guardian-angel]

☕️+ what things do you wish they did with descole (because I am weak and he’s my fave)

Apologies for the late reply to this; tbh I almost didn’t want to answer it, cause I feel like nothing I’ll say will be something others haven’t already discussed (especially since I just saw you asked someone else this same question), and also I’ve only ever played the prequels once back when they first came out and I haven’t reached them again in my replay yet, so I’m not fresh on everything done with his character and all the Azran/Targent stuff. But nonetheless:

In general, obviously, I wish Desmole’s character “arc” if you can even call it that as it is now + plot twists/identity had been much more fleshed out from the get-go and consistent with who they ultimately made him be, that is, Hershel’s brother and someone who never should have legitimately wanted to hurt him or people close to him. While I think the worst of this really only comes out in Eternal Diva, where he literally tries to swordfight Hershel to death and kill Luke on one occasion cause he goes insane once Hershel out-puzzles him, there really just should have been more nuance to him in the first two entries especially (and in Miracle Mask too of course, but he’s barely in that game so) where he shows some level of frustration and hesitance to go up against Hershel and his crew, even if he still does so because he absolutely has to carry out his revenge plan. Just SIGNS that there’s more to this guy than just a walking one-dimensional mysterious deadly flamboyant badass, beyond just Hershel going “hm he feels familiar”, like no of course that’s not near enough. Even if Desmole’s true identity still wasn’t going to be revealed until Azran Legacy, there still needed to be hints, breaks in his facade/character, hesitation, signs of remorse, even if some of these hints are not outright foreshadowing to a familial relationship/desire for revenge. He could still lose it in Eternal Diva, but just make it seem more desperate and broken, and less kill-crazy. Give him moments of humanization, show that Descole can be kind, such as around Melina or Nina; what I honestly wanted to see was him having interactions around girls other than Aurora where his fatherly nature might show (not that him and Aurora aren’t great, I just wanted more); he had to have spent a lot of time around Melina while making the Detragan, and the potential for their relationship while she was dying is so much. Hershel should have had more moments of familiarity, and thinking about him when he’s not around, trying to figure him out, demanding to know who he is because he feels like he needs to know for some reason he can’t describe, and Descole’s answers/non-answers are extremely telling/bitter/curious/thought-provoking. And Descole should imo have had a scene to himself at the end of every entry pre-Azran Legacy where it’s increasingly obvious this guy has Angst(tm) and some beef with Hershel that seems personal and not just to do with getting in the way of his plots, along with all the earlier hints obviously (iirc he had a final scene at the end of Last Spector but it was nothing more than showing “hey we’re not done with this guy!!”, so that definitely should have had more to it; at the end of Eternal Diva I REALLY wanted to see how he survived his fall, probably with Raymond saving him, cue more ~mysterious reactions to Hershel~ as he thinks on how Hershel cried out his name as he was falling despite the fact that they were enemies, etc; and then the one at the end of Miracle Mask is okay I guess, but I still wanted more to it, more, idk signs of regret or remorse or sadness from him before he goes after Bronev, and not just “grrrrrr finally my revenge is close I’mma take you down all I have is angerrRRRRR” also for him to not look so damn stupid when all Bronev has to do is knee him to take him down, like this is DESCOLE, THE KING OF BADASS, THAT ENDING IS SO PITIFUL; WE DIDN’T NEED THAT FOR A FAKEOUT UNMASKING SCENE THAT LEADS NOWHERE).

tl;dr, Desmole’s story being planned from the very beginning would have made it possible for the writers to foreshadow and develop him properly before you finally see him as Desmond, and make you attached to and interested in him much more than just as a cool badass you kinda wonder the identity of but mostly just enjoy watching be badass and evil. The PL series had never had an overarching villain in the main trilogy aside from Don Paolo, who was more of a comic relief villain who they could afford to not make up his beef with/connection to Hershel until the final game because it was a very insignificant reason in the grand scheme of things, and Don Paolo just..... wasn’t that integral to the plots of that trilogy, he was more of a bonus background villain not meant to be taken seriously or have any true emotional impact. But then you have Descole introduced as the key threat over the majority of the prequel series (you think it’s the Masked Gentleman this time, but no lol, it’s still Descole!!), and needless to say, “actually the protagonist’s long-lost brother trying to get revenge on their corrupt father, both of which are involved in an ancient civilization that ruined all their lives in multiple ways” is a biiiiiiit more important than... “jealous dead girlfriend rival” lol. And so there’s a jarring disconnect between pre-Miracle Mask Descole and post-Miracle Mask Descole, because the Azran aren’t even a thing until Miracle Mask at ALL, and so in Last Spector and Eternal Diva Descole just seems like this mad scientist with a dramatic flair and nothing more, who mayyyyyyyy be searching for eternal life? Since that seems to be the running theme with the golden garden and ambrosia? But even then literally nothing is revealed about him in that game and movie so who knows (and unrelated but it seems like those two places have literally no connection to the Azran aside from an offhanded mention of them in Miracle Mask? idk man); the point I’m taking way too long to make here is that it’s very clear the writers had no endgame plan for him until Miracle Mask at the earliest, and even then I wonder how much of it was completely hashed out (considering the... sort of mess that Azran Legacy is, I almost wonder if most of it was literally not decided on until then). My guess is that Descole was super popular after Last Spector so they decided to bring him back (his final scene in that game could have just been to show that he survived and was still “out there somewhere”, whether or not he came back next entry), but then realized they didn’t have a backstory or identity for him so they had to think up something way too late; I can’t confirm this though of course.

Then you get to Azran Legacy, and honestly, despite how bizarre and weirdly unimportant and filler-ish 90% of this game’s plot feels, I love the inherent idea of Descole finally coming to Hershel as himself. Hershel always shows up and gets in his way? Fine, he’ll come to him. He always sees through his disguises? Fine, he’ll come to him in the best disguise he has: himself. Ask him for his help in a mission his curiosity won’t let him refuse. Because then, of course, even though Desmond is doing this to further and finish his plot, and use them as tools, essentially, there’s the wonderfully painful obvious second reason for why he chooses to do things this way, and that is he wants to spend time with his brother, whether or not he consciously realizes this. This way, Desmond can be himself, he doesn’t have to hide his appearance or (most) intentions and can freely express a lot of his regular personality while still working towards his ultimate goal, but at the exact same time there’s so much he can’t show, that he can’t reveal or let himself do, and this has to be a hundred times harder than when he’s posing as Descole because now he’s friends with Hershel and the others, and a part of him must want so desperately to just stay with them forever as he spends more and more time with them and grows more attached to them, (again, no matter how much he may realize this). But this is where his “arc” continues to fall flat in that aside from one or two hints towards his daughter and having a brother, there is literally no depth in Desmond’s behavior in Azran Legacy pre-Descole/brother reveal, just like in all the entries before it. He should have shown small signs here and there of something being “off” with him, of sadness, of hesitation, of trauma and mental instability; strange things said to Hershel alone that makes him and the player start wondering things, just like with Descole. Everyone immediately goes, upon seeing Desmond for more than five minutes, “oh that’s Descole obviously” (plus Raymond is just... there lol), but it’s not for the right reasons; there’s nothing wrong with a predictable plot twist, but there needs to be some kind of hints towards it to make you emotionally invested in what you realize is coming, because you’re waiting for it and you know it will hurt but you just don’t know when and how it will happen; not that you guess it for no other reason than “well there’s this new character who isn’t an existing friend of Layton’s and everything is suspiciously calm and we’re 90% of the way through this and Descole has yet to show himself; it’s probably him”. For the record, I actually think Miracle Mask does its predictable plot twist a lot better, even if that game still has issues; I see a lot of people complain about how predictable Randall being the masked gentleman is, and it is, but honestly? The flashback plot mechanic in that game is EXTREMELY effective in 1) making it VERY clear who the masked gentleman is very early on, like they’re not trying to hide it in any way, but also 2) punching you in the gut to maximum effect when you get to the end of the flashbacks and pair it with the present-day plot. Like, they could have just told the player in dialogue/infodumps throughout the game who Randall was and what his connection to Hershel, Angela and Henry was, like Desmond does to Hershel near the end of Azran Legacy, but that would have been tedious and boring and the player wouldn’t care near as much, and the game wouldn’t have been long enough. Instead, you see it firsthand, you experience it with Hershel, and although I’m frustrated at how little is done with masked gentleman!Randall and showing connections/hints to who he used to be (look, my exact problems with Descole) and making Hershel more involved with him at the end, which would have been the icing on the angst cake, the entire flashback half of that game honestly left a huge impact on me and I think that’s why I spend so much time talking about/getting emotional about Miracle Mask despite always saying that Diabolical Box is my favorite, because getting to know Randall and see that friendship and see how it ended just makes it all hit so much harder, as flashbacks should do. The writers knew it would be obvious who the masked gentleman is and they leaned into that, it was a very deliberate choice, what the entire game revolved around, because the point wasn’t that it was unpredictable, but that you would feel for that character and it would hurt so much more. And while I don’t necessarily think Azran Legacy needed full-on flashback gameplay segments for Desmond like Miracle Mask had, I think having vague flashbacks every once in a while throughout that game, vague enough to not directly tell you it’s him or naming/showing Hershel/Theodore much but clear enough that you can reasonably guess it is Desmond, would have done a world of difference, along with all the little behavioral/dialogue hints I mentioned. Similar to the diary entries in Diabolical Box, or if anyone’s ever played Super Paper Mario, the flashbacks in that game after every chapter about an unknown person that it becomes increasingly obvious as you play through the game is the main villain. I just.... really, really wish, out of all the prequel entries, Azran Legacy gave Desmond so much more emotional depth and resonance once we finally see him as Desmond instead of Descole, so many more scenes with Hershel, and to a lesser extent the others, so much more development of his character, so much more of an emphasis put on his prior family and how much he’s hurting and caring and yet at the same time refuses to give up his revenge; all of this, no matter how obvious it made his identity as both Descole and as Hershel’s brother. The brother plot twist, too, feels slightly lame and overdone and out of nowhere, but honest to god I wouldn’t fucking care at all if they just foreshadowed it properly and made it so painfully obvious how much Descole/Desmond wants to be with Hershel and this family and how much it kills him to turn on them all again at the end of Azran Legacy even if he still goes through with it, and how much he regrets everything as he lays dying in Hershel’s arms, but we get none of that goddammitLevel5whydoyoudeprivemeofsomuch-

*ahem* apparently I still had a lot to say. i just wanted so much more for him; he’s SUCH a tragic character... the stupid wannabe phantom of the opera bread man still makes me cry, despite everything, because i am trash. Oh yeah and he should have held Aurora in his arms as she died. And Azran Legacy should have ended post-credits with Hershel opening his door with his hat off (to show that this is after Unwound Future), his eyes widening, then it shows the bottom half of the person’s face, just enough to see the bread hair tips, and the slight sad smile, and then cut to black. level-5 just hire the PL fandom to make the Desmond spinoff game pls

[calliecat93]

Seriously though, the thing that annoyed me most about the Kelvin Timeline films is how is really did not understand Kirk, McCoy, or the Triumvirate dynamic. I don’t want to rant on the AOS films too much, they’re perfectly fine movies and being a newbie fan maybe I just don’t have the understanding of things tat I thought. But after spending two months watching all of TOS and loving it so much because of that dynamic... it just irks me. I know that reboots have to do things differently. Things have to change or you get an urban copy with no identity for value on it’s own. But at the same time, you have to understand that original property and put in the time and effort to make it work. Reboots like Ducktales 2017 worked because that effort was make. Reboots like The Powerpuff Girls 2016 failed because no effort was made at all. The AOS films made an effort, don’t get me wrong. But aside form Beyond, it just feel like they either didn’t understand how The Triumvirate and their respecitve dynamics worked and hwy it was so essential (and even then Beyond ain’t perfect int hat area) or decided that it was better to stick to pop culture interpretations despite those almost ALWAYS being exaggerations.

Kirk is a risk-taker and could be reckless and arrogant at times. But he was also perfectly level-headed and responsible as well, and no him being younger (if anything TOS said he was kind of a serious, overly studious person int he Academy so shouldn’t his arc be int he opposite direction?) or this being an alternate timeline (with the films doing NOTHING to explain/justify the changes the event that triggered it made) is NOT a valid excuse. This was the film going by the pop culture interpretaiton of Kirk. A reckless, arrogant, rebellious, womanizing idiot who has a heroic soul, but is a pain int he ass. Which sure it’s fun to joke about, but that is a shallow reaidg of James T Kirk. He was brave, responsible, charming, and VERY dedicated to his duty. Sure he’d go against Starflee’s orders sometimes, but he knew when to judge whenw as the time, hece hwy he needs Spock AND McCoy with him. He needs the logical half (Spock) and the emotional half (McCoy) to find the balance. To make the right choice. Sometimes it may be best to be logical. other times it’s best to be emotional. Sometimes it’s a combo of the two. But Kirk had the ability to take those options and make the right choice and f he makes the wrong one, find a way to make it right. Sometimes it meant going against Starfleet’s orders, sometimes he abided by it. Sometimes he could be rational, other times his emotions or circumstances got the better of him. But regardless, this was a man who proved over and over why he is a Starfleet Captain and one of the best. AOS Kirk got there eventually, but... let’s just say that he never should have gotten that captain chair in 2009.

McCoy has always pretty much ben given the shaft compared to Kirk and Spock since the former is the main character and the latter is the breakout character. Event he TOS movies are guilty fo sidelining him, though at least those tried to keep him involved. TOS is guilty of it too, but they also put a lot into his character even if not everything made it onto the screen. My point is... what is McCoy’s role aside from Chief Medical Officer? He is the one who gets Jim to took at the emotional/human aspect of situations. He is the who challenges Spock and his repressed emotions. If Spock is concerned about the needs of the many, McCoy is the one concerned with the few or the one left behind. He’s a doctor. A psychologist. A caretaker. It’s his JOB to look after the well-being of everyone especially Kirk physically, mentally, and emotionally. Essentially, he is the opposite of Spock. Spock is the logical one. The big picture person. The one whose roll is to keep Kirk on task and remind him of what’s truly at stake depending on their success or failure. He’s not emotionless, but logic will be what he leans towards first unless certain circumstances forces him otherwise. They are the opposite ends of the spectrum. Because AOS made Kirk the opposite end of the spectrum compared to Spock, McCoy loses his roll nor does he take up being the balance between the two ends. Essentially Kirk and Spock have to sort it out on their own, which... well if you read my watchthrough post you know I didn’t care for how it was done. McCoy’s part was sorely missing. He was just...t here. he filled the sarcastic best friend spot well, don’t get me wrong and he DID feel like McCoy because Karl Urban is a great actor who cared about what he was doing. But the narrative clearly didn’t feel the same way.

Here’s what I think, and again as a newbie fan maybe I just don’t have the proper understanding. I apologize for that. But TOS was at it’ best, imo, when these three were together. They were great on their own. Their respective broken up dynamics (Kirk and Spock, Spock and McCoy, McCoy and Kirk) were all also great. But went they were together? Even during the show’s lowest points, they were at their best. heck Final Frontier, while NOT a good movie, was enjoyable because of these three being together and doing their thing. Sure TOS might not gave given McCoy the attention he deserved and maybe Kirk and Spock hogged too much of the attention due to their main character (and Shatner’s ego) and being the most popular character respectively which affected EVERYONE else, not just Bones. But you can tell when the writers realized what they had with The Triumvirate, and they took advantage of that. I can only speak for myself but while I was liking ST TOS alright, it was near the end of S1 when they began focusing more on these three with the finale seeming to be when it truly clicked into place that I went from liking it to becoming a fan. Because the dynamic was just that good.

AOS just... didn’t seem to get it. Beyond did, but even then they spend most of the movie part so it can’t really shine fully. Now they are films. They get two hours a piece at most. TOS had an hour runtime, but got over 20 episodes a season and six films. It had PLENTY of hours to form and showcase the respective characters, relationship dynamics, and the three together. But tbf again, the films were made when TOS was about 40 years old. But they ultimately decided to go how they did, and it just... missed the mark. Kirk wasn’t Kirk and given McCoy’s most emotional traits without his common sense. McCoy lost hi importance and relegated to side character. Spock... honestly he got it the best of the three, through given a LOT more unnecessary angst when his TOS story already gave him everything he needed to be sympathetic and relatable. Seriously, Amanda dying still pisses me off especially HOW she died. But he at least maintained his role and played it mostly well. The dynamic that made TOS so great was broken, and I highly doubt that was the big change that was supposed to signal how this timeline is broken. Which, sorry to say this, but it is just an easy excuse for whatever changes are made without having to put the work in to justify it. Which when it comes to reboot, is one of my biggest issues.

Again, I don’t mean to bash the AOS films. I don’t hate them. I liked watching them. It took a bit but the characters did grow on me. Whether it continues or not, there is potential in it and I can see fanon getting very creative with it especially because there’s so much that allows so much creative freedom. Plus they DID bring this era of Star Trek back to popular conscious, hence why Spock has likely been brought back in Discovery and soon Strange New Worlds. But I just feel so... annoyed by it because it took the thing I loved most about TOS, and cowered away from it. I was so excited to see these three together again after being so sad when I finished TOS, and it just... wasn’t there. I expected it to be different, not essentially non-existent. But ah well, guess I have fanon at least. I can only hope that if this reboot continues or a new one emerges, they will do better there. Because I want to see them again and it’s okay fi they’re different form TOS. I just want those differences to come with the understanding and respect of what came before. And AOS, at least int his area, did not until it was arguably too late. It’s not even close tot he worst reboot I’ve ever seen though and like I said, Beyond showed signs of hope. But only time will tell if they lead to anything.