#all rise s3

[w00wzerz]

*Lolacoaster* s3 ep 12

~ All Rise (2019 - ) ~

[jalluzas-ferney]

So like…there’s gonna be a storm in season 3?

[oso-mirm]

the game room throughout the seasons

they have so much stuff now!!

[nyaskitten]

I wonder how Cinder and Ras are even gonna be killed off this season... and before you ask WHY I think this, you must look within and ponder, is Ras truly a villain who would get the "spared and just locked in prison" treatment? I mean they gotta write him out of the story SOMEHOW I feel to make way for his master, and Cinder is like collateral along the way.

[hollowflight-propaganda]

I think it's time I change my bio to say it's been 11 years since I started to watch Ninjago.....

Gosh. Where's my senior discount on the lego sets, huh?

[sketchnskribbles]

Some more Dad!Leo and baby!Casey. This is what happens when I browse Pinterest.

[julyzaa]

mustafa and halime are so good that i am rooting for them instead of kosem fsjklshdf

[morninkim]

Rise of the Mighty Morphin Power Rangers - Angel Grove High Students

A couple more students that attend Angel Grove High School with the Rangers, meet Angela; as well as some freshman who've just moved up from Stone Canyon Middle, Aisha, Rocky and Adam!

Angela Campbell is an older sister by instinct, but no push over. Since the beginning of their Sophmore Year, she's been enjoying a romantic cat-and-mouse game with one Zack Taylor, always interested in what scheme he'll come up with to earn her affections. Of course, he already has them, but the game's a bit too fun to let him win just yet.

Angela's younger sister Aisha, as well as her two best friends - Rocco "Rocky" De Santos and Adam Park - moved to Angel Grove from Stone Canyon to be closer to the Power Rangers, after seeing the reports on their exploits through the R4ngerN3T ClikClak account. The three of them eventually get recruited by Bulk & Skull to help collect eye witness reports and film fights when possible, getting themselves into more trouble those two already do for a good story. Though impulsive, the trio do have great potential that will not go unnoticed.

[zarnzarn]

i don't really think you can reinstate the demons without consequences

[w00wzerz]

*Hangover* s3 ep 13

~ All Rise (2019) ~

[shittywriterbrain]

can't believe that all of babylon berlin season three's themes are absolutley devastating, gereon's and lotte's personal life falling apart, the rising power of the conservatives and the nazis and the inevitable crash of the stock market waiting to happen. meanwhile the overarching crime plot is motivated by the dumbest criminal rivalry and some annoying little guy with comic book villain attitudes. what

[saurile]

@theearnestonion

How do people perceive you?

Post your favourite person/character anything that you're obsessed over right now and do this quiz :)

Tagging: @chaoticspeedrun @honeysleepy @varcic @blankcreator @n0vatsu @bednbunfast

[avephelis]

RISE TWITTER QNA! no major news or announcements, but here's a list of new information and confirmations:

S3 could be brought back as a retro show in the future, but it probably wouldn't happen anytime soon (focus is on mutant mayhem at the moment)

it was never decided whether capril would be friends or girlfriends (due to rise's focus on platonic relationships)

council of heads! they're in power, but a lot of influential yokai (like big mama) aren't easily controlled, and "game the system"

despite not having his dual katana, supposedly f!leo DOES still have mystic powers

ron corcillo would love to see a spin-off focused on the caseys (if rise were ever continued), and likes the potential of a raph + casey vigilante duo

the turtles got their names after splinter's love for renaissance art

big mama's henchman WAS planned to be the missing sister, and rather than venus de milo, she would've been named after a female artist (possibly frida kahlo)

for halloween: raph dressed up as a kitten, mikey as a lion, leo as a rockstar, and donnie as j. robert oppenheimer

the mystic weapons stolen from draxum acted as a conduit to help the boys unlock their innate mystic powers with a "little boost"

they didn't realise mayhem's potential as a character/force until too late, but it could've been fun to do some stories of him being an operative (a la perry the platypus)

there weren't any planned stories for side villains (aside from the foot's cupcake shop), most focus was on the turtles

not much on casey jr's backstory, just that cass and the turtles were fighting the krang and leo raised him as a warrior. casey jr only has brief memories of cass from when he was very young, and was mostly raised by leo

there were definitely six baby turtles (two sisters)! and the turtles were gonna split up to rescue the one with big mama and the one in "the dimension", but they never planned much of it out

there's most likely a time gap between the rescuing leo and the ending scene of the movie, as "after a fight like that, [everyone] would definitely crash and need some recovery time"

there would've been more big mama in future episodes, and stinkbomb was planned to return

since the turtles became known to the public at the end of the movie, they'd have to fight to retain their reputation. this and their reception to criticism/backlash would've become a major arc.

on brother rankings: mikey is definitely raph's favourite, and they all look up to raph

the stronger someone's ninpo is, the greater the drain on their energy is (as seen with f!mikey and karai)

there wouldn't be much threat on villains going after casey jr's future intel, because most of it would've been rendered obsolete

nickelodeon would never give up the rights to rise, but they could license it to a partner company (such as IDW for a comic!)

as previously mentioned, the 2nd sister would've been trapped in "another dimension" and venus/frida would have to be won over by "helping her see that she had been brainwashed [by big mama] as a child" (and redeemed)

given more time, the show would've fleshed out: the hamato story, the hidden city's origins (krang spaceship that crashed into the crying titan being the source of the ooze, its fuel being what gave the yokai mystic powers), and would've used the rat king (who ron corcillo would've liked to be a powerful yokai with rat-like abilities and some form of mind control, who could've threatened the council of heads for power in the hidden city)

as far as we know, the turtles (aside from leo's spanish) only speak english (and even their english is sometimes a bit off)

rise probably wouldn't have ever "gone dark", but after the turtles were publicly known and full-time heroes, it might've had more of an extended plotline

the turtle's casual clothes somewhat reflect their music tastes (r&b for raph, glam rock for leo, techno (and 80s) for donnie and boy band for mikey)

future heights: mikey grew a bit and then shrunk under mystic strain, leo was at least 6ft, donnie a little taller than leo, and raph at least 6'6

mikey's powers could get pretty intense, which could've resulted in some multiverse episodes (ron corcillo would be most inclined to do a 12 crossover, but any could work). while leo portals short distances, mikey's cross space and time (with great effort)

given more time, how the turtles met april would've been fleshed out

in terms of how they take after splinter: donnie and leo have a lot of his cockiness, raph his courage and sense of duty, and mikey senses him missing his family (which is part of the reason of why he tries to hold everyone together)

given more time they would've done more with the transfer of leadership from raph to leo (and originally the plan was to draw that out over S3, rather than the abrupt S2 ending). they would've been co-leaders for a while, and at times mikey or donnie would lead (they aren't really a group with just one leader archetype)

there were plans for april to have more time with the specific turtles other than donnie (like how the gumbus was focused on her mikey and leo)

the cast's mystic abilities would've increased over time, and splinter has a lot of power that hasn't been revealed (as he spent a lot of time in the hidden city in his past)

venus/frida would've been very disciplined and so serious that's she's funny, and the dimension sister would've been "a little kooky"

there weren't really any plans on how the turtles would look in cloaked human forms, just that they'd resemble lou jitsu and may be inspired by their VAs

mikey is the only brother who can fully pull all his limbs and head into his shell (being a box turtle)

any usagi appearances would be a rights matter, and depend on collaboration

on timelines: april is 16 at the start of the series and 18 in the movie, but exactly how much time passes isn't confirmed

ron corcillo would've liked to do more donnie + raph episodes, like one where despite how donnie considers himself smarter, raph ends up beating him in common sense and emotional intelligence

f!leo didn't go with casey jr to the past due to being mortally wounded in his bleeding side

given more time there would've been more flashback episodes with the turtles at various ages

though he'd never admit it, hueso has a close relationship with leo

in early S3 there would've been an episode of setting up the new lair

mystic warrior f!mikey is pretty old (maybe in his 70s), and is strong enough to use basically any mystic power, but at great cost to him physically

no major plans with bishop, but once the turtles became more well-known he could be a bit of a thorn in their sides (like j. jonah jameson to spiderman)

there might've been some redemption from big mama, but also some relapses into her "villainous ways"

given a full season, karai would've been alive for longer, and would've trained the boys for a number of episodes

confirmation that some of early s1 aired in the wrong order (which the writers weren't happy about)

in rise, there's always an unpredictability as to how sentient a mutant will turn out to be

raph probably wouldn't be super uptight about swearing, provided the boys weren't offending anyone

there weren't any plans for romantic relationships (and DEFINITELY never an april-turtles love interest), but if they had ever tried something eventually it would've been with the same species

there were no specific plans for alopex, rita, or rennet, but anything's a possibility

in terms of the 1000 years ago krang/mystic timeline, the spaceship crashed first (possibly spawning the yokai), and other krang followed it, drawing in the invasion

that seems to be about it but if there's any more i'll do a reblog with additions

[thesiltverses]

A very big thank you

I posted this on Patreon, but really wanted to share it here as well:

Post-show life begins

For a long while now I’ve been getting up at 4.30 or 5am, grabbing myself the first coffee of four, and then coming to sit at my desk.

I open up the assembly cut of the newest TSV episode.

I listen to it, I try and pin down which scenes I need to be going back over today. I try and push through the entire morning without a break because when the momentum stalls, that’s what kills your release schedule. (I also worry endlessly about just how much of my hair is falling out, and how spending 12 hours a day wearing headphones could be contributing to that.)

Today was different. I still woke up early - it’s a hard habit to shake off, and probably a useful one going forward. But I didn’t go to my desk, and I didn’t put my headphones on.

I went to the rocking chair we bought for our son when he comes, and I sat there - gently swaying and trying not to spill my coffee all over it, because for some reason it’s fucking beige - and looked out over the city skyline. 

I slugged back my coffee surrounded by all the stuff we’ve panic-bought for the baby, and I got to take all of it in - washcloths and the changing table and romper suits - with a sudden focus and a clarity and a rising excitement that I really hadn’t allowed myself to feel until today, because until today the work was still unfinished and there was still much left to be done.

All at once I felt very free, and fully sated, and happy and proud for everything that’s coming next.

There’s so much to feel grateful for from the past three years of working on this show. But what’s probably going to sit with me the most is being able to arrive at that moment and those feelings today, - and we have all of you incredible people to thank for that.

Not just in terms of listenership or financial support, although that’s been truly invaluable and a lifeline for us that’s enabled us to actually make the show - but also your enthusiasm, your passion, your jokes and comments and everything that’s helped to keep us motivated and working on it.

So - with as much feeling as words can convey, thank you so, so much for everything.

What’s coming next, in rough order

#1: Parentdom is going to take over our lives for a while! I also want to write the final Patreon episode commentaries in the next few days, while I have the time and the clear memories. #2: The next thing we’ll organise will be the post-season Q&A (we’d also like to do some kind of off-camera cast party if we can make schedules work, just to say thank you to our amazing VAs and celebrate with them). Please do ask us questions! #3: We have long-unfinished commitments to the Patreon which I need to complete: the last two episodes of So Long, Good Luck, and rounding off Sid Wright’s story. As ever, huge thank-yous for your patience with these; they’ve just been impossible to polish off while also working on the main show so much. #4: Something I’ve been thinking about for a long time is the possibility of going back to Season 1 and redesigning it from scratch to try and bring it closer in style to S2 and S3. We have the raw audio files - some of the mic quality will just be rough no matter what, but we can certainly try.  This is something I want to be conscientious and careful about; I very much want to respect the sound design work that’s already taken place, and ensure we’re not overriding anything. But I do know that the initial quality still sometimes puts new listeners off; we were learning a lot about direction and mastering from scratch, and our designers were working with limited budget and a total lack of plugins, so there’s simply a lot more we can achieve now. (This would also be a good opportunity for me to finally rework the transcripts, another fallen hurdle). #5: A few months back, we were contacted by a literary agent in NYC who was interested in us adapting the show into a series of novels. There’s a long road ahead to actually get published, but I'm thrilled to say that I have signed with them and I’m really excited to hopefully start work on the first book once I’ve settled into dad-dom. I’ll need to check what’s possible, but if it doesn’t interfere with any contract condition I’d obviously love to share excerpts on here as it’s written. #6: Then there’ll also be another larger audiodrama project - we’ve spoken about the different possibilities before! Excited to get started on our final choice.

Just one last word about endings

God, endings are scary. Because endings are impossible.

How many serialised stories actually end in a way that’s received unequivocally well?  People yelled at The Sopranos for its ambiguity and open-endedness. People criticised Breaking Bad for treating Walt too sympathetically at the end and relying on a generic mob of snarling Nazis to act as his final foe.

Endings are either too pat and neat, or too inconclusive to be satisfying, or too surreal and dreamlike, or they simply make what feels like the wrong choices for the characters we care about. We’re all caught in that barbed wire, creators and audience alike, weighed down by the baggage of what’s come before and we've already spent so much time anticipating the infinite possibilities of how it could all turn out - it’s like we can’t get free of the story that’s trying to end. 

And the beautiful thing about these longform, iterative works is that they insist upon becoming completely ungovernable. No matter how much of a planner the creator claims to be, how much prepwork they carry out - they were never really in control. There’s spontaneity and surprises and dead ends and beautiful distractions that come spilling out along the way (I was baffled and delighted to learn that people really - at the end of the show, with such limited time to spare - wanted to find out what had happened to Eddie*). 

So they can’t end. Not really. There’s too much wonderful mess in them to ever be reasonably disentangled.

And, of course, for every ending people remember with frustration or dissatisfaction, there’s another hundred endings that nobody remembers at all, because we lost our enthusiasm along the way and it feels better to keep going back to the start and avoiding the slow decline. (Who the fuck remembers how the umpteenth X-Files reboot ended? What increasingly tired post-modern antics was Alan Moore getting up to in the final League of Extraordinary Gentlemen books?). I really just didn’t want the show to end up in that latter category.

All of that probably sounds like I’m warding off criticism about the show's ending, but for me it’s actually been the opposite. 

For an ending which is all about narrative dissatisfaction, and failed potential and missed opportunities, and how we need to come to terms with the lack of existential fairness and certainty and narrative control in our lives and keep ploughing forward all the same for as long as we possibly can, I’m massively stunned at just how positive the reception has been on here and elsewhere, and that’s something I’m actively having to process, because I think I was fearfully anticipating much more pushback.

But, look - the Eskew finale was originally quite poorly-received and then people came back around to it over time. So I’m not going to pat myself on the back too hard, because maybe it’ll ultimately be the opposite with this show, and that’s OK. For 200 years everyone was convinced King Lear was improved by having everyone survive at the end and get married. Endings take time to settle into their final condition.

For now, I am incredibly relieved that the ending we chose seems to have landed for most people, and I’m incredibly grateful for the lovely messages we’ve got about it and for the trust in us that you’ve all shown throughout the story.

So, yeah, let’s end with another thank you, because that’s what I feel so deeply and so forcefully at this point.

Thank you so much again, and speak soon.

Jon

*My take? We’ve established that the guy is in some kind of blue-collar job and has been pushed into constant overtime due to the reduced workforce. We’ve seen that the so-called ‘national holiday’ doesn’t actually rescue workers from their commitments. So I personally imagine that Eddie was working during the parade somewhere on the city outskirts, and is alive and well.

[helaintoloki]

can you do a five x reader where in the season finale of s3 you don’t come out of the elevator and five is devastated so he does anything in his power to found you again but when he does you’ve clearly moved on

a/n: so i couldn’t come up with an explanation for why reader would just move on instead of looking for five so i added an extra layer to this request

warnings: angst

summary: after being separated in the new timeline, Five does everything in his power to find you only to realize he’s too late

He couldn’t believe he’d finally done it.

After three years of searching, three years of following false leads and dead ends, three years of tearing himself apart trying to fix the mess his father and Allison had created, he’d found you.

Five could never put into words how much he loved you and how much of an effect you had on his entire being. You were the girl from his childhood, his first and only love that he fought tirelessly to get back to when stranded in the apocalypse, the girl who’s photo from an old magazine article he kept on him at all times.

Little about you had changed when he made his way back to the past to stop the impending apocalypse. You still had the same smile, the same laugh, the same appearance- your powers kept you forever young, a gift that was both a blessing and a curse depending on the day- and the same love for him in your heart that had blossomed when you were thirteen and naive about where the future would lead you. Falling back into your old routine together had been as easy as breathing, and from then on you both were inseparable. Five knew he could always count on you no matter what new challenge was thrown your way or what new problem you had to face. He vowed never to let you go ever again, but fate had other plans.

After arriving in this new timeline, Five had been quick to notice the fact that you were no longer by his side. Despite holding your hand in that elevator, you were nowhere to be seen when he’d stepped out with the rest of his siblings. Not only were his powers gone, but you were as well, and he had no idea where you could possibly be. He could feel the panic in his chest rising as if a fist was gripping his heart and slowly squeezing with each passing second, and the lack of control he felt in that moment was torturous. However, he only let himself spiral for a moment before immediately beginning to devise a search and rescue. Five would not stop until you were found and back safe in his arms.

And now here he was, standing dumbfounded in front of the entrance to a quiet cafe where you were waiting tables and completely oblivious to the pair of eyes watching you through the windows.

Your smile is still as warm as ever as you greet patrons and serve them their meals, asking about their days and laughing at their jokes even if they aren’t all that funny. Despite being on your own for three years, you seem to be doing quite well for yourself. But then Five notices something that makes his heart skip a beat and his palms perspire with nerves.

Your features have changed and in the time that’s passed it looks as though you’ve actually aged, something that was once thought to be impossible. Without your powers in this timeline, it makes sense that you would begin to grow into the looks of an older adult instead of permanently being stuck in a teenage girl’s body. He knows it’s something you’ve always wanted, and it’s a comforting thought to at least know that in this new setting you can have the life you’ve always wanted to have.

The bell above the door jingles loudly as Five bursts into the cafe and meets your gaze. Your eyes connect from across the room, Five’s breath hitching in his throat as you begin to walk towards him with an unwavering smile. He’s finally found you, and now he can rest easily knowing this whole mess is finally over.

“Y/n,” he utters through a trembling breath, fingers twitching at his sides in eager anticipation at being able to hold you once again. “I can’t believe it’s really you.”

“Hi,” you greet with a polite smile, “dining in or ordering to-go?”

“W-What?” Five breathes out as his brows begin to furl in confusion. He takes a hesitant step back when you step forward, unsure of himself and of your behavior.

“Dining in or ordering to-go?” You repeat before glancing over your shoulder in search of an available table. “If you’re dining in it’s going to be about a five minute wait.”

“Y/n, don’t- don’t you recognize me? It’s Five,” He says almost desperately, his chest beginning to tighten in panic at your uncharacteristic behavior. The girl he knew would have been ecstatic to see him; she would have dropped everything to express how grateful she was to see him again before scolding him for getting her into another time travel related mess. Why weren’t you happy to see him?

“I’m sorry, I think you might have me mistaken for someone else,” you correct him with a sheepish smile, completely oblivious to the fact that you’ve just completely crushed his heart in your hands and taken away the one thing in this world he cherishes most. “I’ll go see if there’s a table available for you, okay?”

You leave him there completely heartbroken and disoriented as he’s left to wonder what went wrong. You’re alive in this timeline, able to age and live a normal life, but it comes at the cost of the memories from your past life. You have no idea who he is here, what you’ve been through together, how much he loves you and would do anything for you.

In every life, every timeline, you are everything to Five. But in this life, he’s nothing more to you than a man coming into your cafe for a bite to eat.

And it destroys him.

[rafecameronssl4t]

All for her || Rafe Cameron x fem!reader

Summary: canon fic based of s3 ep4

Warnings: swearing other than that, nothing really

Word count: 665

A/n: this actually concerning how much canon fics I’ve written/abt to write but if anyone has any request for anymore canon fics I’m more than happy to do them :)

MASTERLIST

divider by @yoonitos

As you close the front door to Tannyhill, Rafe is on the phone, pacing slightly. "Yeah, they said, um, two days on the transfer," he says," his voice strained with barely concealed tension. "it's in the works though, no worries," he assures Ward, trying to keep his tone steady as he leads you upstairs.

"Yeah, I'm upstairs, why? You said you wanted to talk about something. What's up?" Rafe questions, sitting on the edge of the bed while you settle into an armchair, your eyes on him, concerned. Rafe's expression shifts from curiosity to apprehension as he listens intently to Ward.

A heavy silence fills the room as Rafe's face drops, the weight of Ward's words hitting him hard. "Everything okay?" you ask softly, your concern growing. "Wait, wait, are you being serious?" Rafe's tone hardens, his confusion mirroring your own as you raise an eyebrow.

Pulling his phone away from his ear, Rafe looks at you with a mix of disbelief and anger. "He's giving away the fucking cross," he states, his voice filled with frustration and disbelief. Your lips part in shock. "I was just with you. What changed since then? What are you talking about?" Rafe returns back to the call, trying to piece together the sudden shift.

Rafe's struggle to maintain his composure is evident. You rise from your seat and rub his back gently, hoping to calm him. "Dad, no, no. Dad," Rafe pleads into the phone. "This cross is mine. You're taking it from me," he exclaims, his voice breaking slightly as he places a hand on your thigh for comfort.

"Listen, this is something that I got through my work, and now you're trying to make yourself feel better by giving away my shit?" Rafe's anger bubbles to the surface as he switches to speakerphone so you can hear. "And you didn't even tell me?"

"This is me telling you right now, son," Ward responds, his voice calm and steady, a stark contrast to Rafe's agitation. Rafe throws his head back in disbelief, his hand coming up to his forehead. "We've done some things, Rafe, you and I, all right?" Ward continues, and Rafe lets out a scoff. "Oh my god."

"Things that we need to atone for, and donating this cross, it's a good first step in the right direction," Ward explains, his tone calm. Rafe shakes his head at you, as you sigh knowing he won't understand his dad's reasoning. "I know that in my heart. Okay?" Ward adds. "I don't know. Maybe if Sarah finds out—"

"Sarah? Sarah!" Rafe interrupts furiously, standing up abruptly. "There it is! That's it!" he exclaims, slamming his hand on the dresser repeatedly, causing you to flinch. "There it is, Dad!" he yells into the phone. "Any more of my shit you wanna steal from me to impress Sarah?" he spits out in annoyance. "Who doesn't even give a shit about you?"

"It's Wilmington. It's tomorrow night. Get a pen. I'll give you the cargo information," Ward's voice is stern, leaving no room for argument. Rafe breathes heavily, his frustration evident. "Calm down, Rafe," you say quietly, coming up behind him and hugging him. At your touch and voice, Rafe begins to calm down.

You pull him onto the couch as he lets out a shaky breath, your thumb rubbing circles on his forearm to soothe him. "For the record, this is bullshit. Okay?" Rafe splutters. "This is my thing."

After a few seconds of silence, Rafe's features shift, and he forces a calm demeanor. "But of course, you can count on me," he says, though you can tell he feels betrayed.

Ward sighs in relief on the other end. "Okay, so listen," he begins. Rafe gets up, finding a pen and paper. "One second. Okay, Wilmington. Tomorrow night. Car 750X. Got it," he repeats, scribbling down the information.

A sudden creak from the floorboard makes both of you look toward the door. You and Rafe exchange a knowing look. "Hey, hang on—hang on. One second," Rafe says as you follow him out the room.

"Hello?" you call out as Rafe looks down the stairs. Another creak comes from the room you were just in. Rafe raises an eyebrow at you before heading back to retrieve his phone and continue the call.

"Yeah, from the wharf to the train yard," Rafe continues, his voice fading as he heads downstairs. You remain in the room, sinking back into the armchair and scrolling through your phone, trying to distract yourself.

Suddenly, another creak catches your attention, making you whip your head around. You find yourself face to face with Sarah, her eyes wide with panic. "Sarah..." you gasp, your eyes widening slightly as you take in her distressed appearance. Realization hitting you that she must have overheard the conversation.

"You shouldn't be here. Rafe will go crazy if he finds out you were here—" you begin, your voice urgent. But before you can finish, Sarah lunges forward, grabbing a lamp from the side table and hurling it towards you. Instinctively, you dodge to the side, the lamp crashing against the wall behind you as Sarah bolts from the room.

Heart pounding, you scramble to your feet and chase after her, calling out, "Sarah!" The urgency in your voice is palpable as you race down the stairs, desperately trying to catch up to her before Rafe sees her.

"Sarah!" you call out, your voice echoing through the hallway as you quickly follow her downstairs. Your heart races as you look around, but Rafe is nowhere to be found. Sarah dashes through the parlor, her footsteps quick and frantic, before she sprints out the front door.

You turn the corner sharply, only to collide with a solid form. The impact nearly knocks you off your feet. "Whoa—whoa, babe. What's wrong?" Rafe's concerned voice cuts through the chaos, his hands coming up to steady you, rubbing your arms in an attempt to calm you down.

"Sarah," you manage to gasp, your mind still reeling from the encounter. "What? What about her—" Rafe's eyebrows knit together in confusion, but you cut him off, the urgency clear in your voice. "Sarah was just here. She heard everything."