#all of which is an over analysis but in the fun stupid way rather than the fighty way

[realitys-ex]

One kinda fun/odd bit about Discworld is the place of Jews/Judaism in it (no, this probably won't go where you expect).

So there are the 2 obvious places and one arguably subtle/debatable place:

Feet of Clay/Golems very clearly drawing from Judaism (though in subsequent books that was toned *way* down)

Omnianism is a very clear stand in for/amalgamation of Christianity, Islam, and Judaism (the amount of each is left as an exercise to the reader).

and Lastly / debatably many people find a similarity between the description of the Dwarf religion and Judaism (I am not stating I agree, just I would have been remiss if I didn't bring it up)

Now the one thing that kinda gets forgotten is that: Judaism as a whole independent religion is somewhat confirmed in Discworld leaving arguments about the above somewhat moot! (you can't have a stand in for a religion if you already have the religion itself).

In both Feet of Clay and Fifth Elephant it mentions Vampires working at Kosher Butchers (for those unaware blood is not kosher so it needs to be drained extra well from meat, a perfect job for a vampire).

Now what does that actually imply? Absolutely nothing.

PTerry often had off the cuff jokes, as well as mucked about with continuity (remember how Trolls originally would continue to grow until they died, and could get up to the size of a small mountain, which only came up in one of the early books and was ignored in the rest?) and (I am sure) just liked that joke and did not intend to imply any theological ramifications or serious world building from it.

But dammit, it is (to me) incredibly funny to step into a (semi) serious discussion about Judaism in Discworld and completely derail it with a throw away line.

[klaraslevi]

Levi and the most irrelevant topics about his character

I have been seeing so much discourse in the fandom lately so I wanted to clear a few things up. I think Levi and his great character gets lost in all the pointless discourse.

His sexuality

Oh boy, you people make me irritated with this one. It was never confirmed or brought up simply because it doesn't matter, it is irrelevant as it gets especially for a character like Levi.

One thing I see poeple often bring up a is an "interview" where Isayama supposedly says that Levi like tall people and I would like to make one thing clear, that is an answer with no written down evidence or an actual translation. There is a version where Isayama says "does he like women?" And then there is another version which says "the type of women he likes?" Among 30 other translations and some fans saying that this was never even said, you cannot take this as canon, let alone give someone a screenshot from a random article online to convince people into your headcanons. This interview, be it fake or not, is not canon evidence and shouldn't be taken so seriously. In canon? Levi showed no interest in either genders. Using offical art as evidence that he is straight or gay based on way he is sitting standing or how he dresses is the dumbest thing ever and I don't even think I have to tell you why.

Bottom line: Levi has no confirmed sexuality, he could be straight, bi, gay, pan, ace etc. It is irrelevant to his character and wouldn't change a thing about him. You're free to headcanon Levi as you like just don't push it onto canon when none of us know and quite frankly, shouldn't care that much about it.

Ship wars/ships/Levi's love interest

Again, another topic that people take way too seriously. Ship wars for Levi shouldn't even exist but he is among the most popular anime characters so I suppose naturally they will. Levi doesn't have a canon love interest and no matter how much some push thier ships into canon, it won't change that fact. The shipping fandom is having fun most of the time and you actually going into thier spaces to hate on them is stupid.

Shipping community is huge and most poeple are having fun. You cannot group a whole shipping fandom into the toxic bunch which I see so many poeple do. No Eruri's, Levihan's, Rivetra's, self interests etc. aren't all bad because you saw one toxic fan send hate to people who don't ship or ship a certain pairing. People seem to forget that the person they are attacking over FICTIONAL CHARACTERS is an actual person, with hobbies and emotions. Sending someone death threats or hat over a ship they ship or don't ship makes you an asshole and shouldn't be a thing.

Fun fact: Japanese fandom has a name for poeple discussing Levi and his love life. They call it "landmine" because it's so irrelevant and poeple get so worked up over who he should/shouldn't be with rather than just acknowledging the story and his character for what it is.

Bottom line: Levi has no canon ship or a love interest. Headcanons are fine and having an opinion is too but pushing it onto canon and hating on poeple because of ships is not a way to go.

The sub or dom debate

Do I even have to explain to poeple why this is stupid?

It's mostly discourse around Levi x reader writers on here and other platforms. I am a Levi x reader writer, I have a separate blog for that but as I said many times before, those things are just my little fantasies and I never push those into Levi and his actual character. I see so many get worked up when someone sees Levi as a Dom or a sub and someone doesn't agree. This is fanfiction, it is not an analysis on his character. We don't know how Levi is during sex or if he even had sex in the first place and the fact that people actually get so worked up over it is ridiculous. This is super irrelevant, has zero baring on Levi and his decisions in canon. I have my headcanon, we all do but let's not pretend like we actually know anything about Levi in this context because we don't and it's the last thing we should focus on. None us are right, it is not that deep that someone sees Levi as a sub while you see him a Dom, trust me, this shouldn't be in discussion, it had nothing to do with canon. And who even actually cares? How does this affect Levi?

__________________________________________

Levi is a great and complex character, the fact that people let all his qualities get lost in such discourses is upsetting. We can't decide these things because we emotionally attached ourselves to a headcanon or a ship. Levi is not something because you "feel" he is, remember facts over feelings. Worrying about these irrelevant things makes Levi's character get lost in pointless and never ending debates.

[coraniaid]

I really do think that the least interesting way to approach any longform narrative written over the course of several years by different writers is to act as if it everything that happens in it must somehow be internally consistent. Especially when we're talking about television writers with an (at best) flexible approach to world building and logical consistency; writers with a clear willingness to abandon previously established facts about the setting if it allows for (what they think will be) a more interesting story in the moment. In such a context it is just not sensible to insist that any late season retcons definitively establish some singular Truth about how the show Really Worked in its original seasons.

Specifically (and I'm aware I wasn't being very vague before) the idea that the (often rather bad) writing of Buffy's later seasons establishes definitive Facts about the world of the first few seasons which, if they contradict earlier claims, mean the original world-building lore we were given must actually have been examples of the in-universe characters being wrong or telling deliberate lies is, I'm sorry, almost offensively stupid. We don't "find out more" about the rules of how the world works in later seasons of the show in a way that implies these rules always existed in some fixed and unchanging state. The world of the show has no such rules because it does not, in fact, exist. What happened is that the later writers of the show (who were mostly different people) had different ideas about what would make for an interesting story (and unfortunately these were mostly worse ideas).

There seems to be a bizarrely popular take online that says you can't really understand the first few seasons of Buffy until you've watched the later ones, as if the entirety of Buffy is a single coherent narrative meticulously planned out from the beginning in advance. But you do all get that that is absurd, right? Yes, sometimes the show frequently changes its position on how its worldbuilding is supposed to work, but that's not because the writers are slowly revealing something they had planned out years earlier and knowingly had characters lie to each other about. It's because they are making things up as they go (which, to be clear, is more difficult and significantly more impressive when done well).

The reason Giles claims in Season 1's Witch to have never cast a spell before is that the writers had no inkling of the backstory they were going to give him next season. You obviously can go back and interpret this as a lie Giles is telling Buffy for some reason, but it doesn't meaningfully improve your understanding of the episode to do this. Similarly, the reason that nobody in the show talks about a "Watcher's Council" until Season 3 is that before Season 3 the writers had no conception of such a thing. It's fun to come up with in-universe reasons for why Giles might not mention the Council, even when meetin a second Slayer, but I think we should admit than when we do this we're engaged in something closer to fanfiction than analysis.

We don't "find out" that the character of Anya introduced in The Wish was probably autistic even before becoming a vengeance demon: the writers just changed their mind about how her character worked and why she acted that way (and indeed in The Wish itself she doesn't act that way at all; Anya being "strangely literal" didn't really take hold as a character trait until the show's fourth season). It is not "revealed" that Buffy tried telling her parents about vampires before the show began and they had her locked up: this is just a particularly stupid retcon that doesn't make any sense if you actually remember the first two seasons (woud Buffy joke with her mom about being distracted by thoughts of "saving the world from vampires" in Bad Eggs if the last time she'd mentioned vampires to her mom she'd been institutionalized?). We don't "learn" that Giles and Buffy were always wrong about people not "turning into" vampires (meaning they were specifically wrong about people like Jesse and Ford, and that Buffy herself is some sort of unrepentant mass murderer): the later writers who imply that this is what happens after all just didn't care about continuity (or what this change would mean for the morality of the show's protagonist's entire reason for being).

You have to watch each season of the show as if it were telling you the truth about its world building as the writers understood it at the time, or none of them make any sense. That is, in fact, how you have to watch most television of this form: there was no long term master plan. There is no singular truth about what "really" happened. The rules of the setting are just subtly (or not so subtly) different from season to season. Nobody writing Season 1 of the show had the slightest idea what would happen in Season 7 and anyone who suggests otherwise is full of shit.

[screemnch]

The Pathologic Russian and English analysis: Bachelor Daniil Dankovsky

So uhhh.... Turns out my priorities aren't as messed up as I thought, which is why it took me a whole month just to finish this thing. Let's cover some basics shall we? The approximate structure will, depending on the length of this analysis, go as follows: I’m gonna tackle Patho Classic and the three healers from each other’s perspective, look at shared dialogue options and then talk about all the other important NPCs and how they interact with the playable characters. Since Patho 2 only has the Haruspex run, we’re gonna move through that a lot faster in a similar fashion, and then we’ll look over Marble Nest.

What I’m going to be focusing on: there’s a huge amount of dialogue between all the characters in the story, and I couldn’t possibly note down all the differences at once. I will mainly be trying to relay the “voice” of the character that is present in the original Russian version and noting the biggest differences. If there are also pieces of dialogue that shine a different light on a few story aspects, I will point these out too. Mainly I will talk about how the characters in these interactions seem to treat each other (which will be difficult, since opinions of characters change frequently in this game), note interesting mannerisms and sometimes quote the fun differences and try and fail to explain why the use of this specific idiom is funny in this context. Sooooo yeah.

The Bachelor

The Bachelor in the other characters’ campaigns is, as we all know, a drastically different character. Before I dive nose deep, I’m gonna establish what kind of impression we have of our English Bachelor, so we can compare and contrast things easily.

Daniil in the English version is, as we all know, a prickly prick. He speaks in a usually rather conceited manner, gets irritated with people easily and likes to throw in latin phrases at random points. He sees himself as smarter than everyone else which then in turn leads to him being manipulated by most people that he meets. He’s having a no good, very bad week and he will let people know about it. In the Haruspex campaign the “asshole” part of his character seems to be a bit diminished, and when watching him interact with Artemy, I almost saw something similar to… Respect? He even appeals to Artemy’s knowledge of the kin, as opposed to his own Capital beliefs, when asking him to save the Polyhedron. In the Changeling campaign the Bachelor’s prickly prick factor is ramped up to a hundred. He’s arrogant, talks down to Clara while also being heavily dependent on her and does his best to seem unaffected by all the shit hitting the fan.

Overall, he does give off an impression of a capital dandy that’s in way over his head in both campaigns, and has a very distinct voice and mannerisms. Partially I’d attribute that to the fact that the speech quirk of “randomly starts speaking latin like a pretentious asshole” was a rather easy thing to translate. So, what do we get when we meet the Bachelor in Russian?

As the Haruspex: Before I even discuss the tone, I want to set a little groundwork - although it might be something people already know if they're that deep into learning about an obscure Russian game. And that is - the use of “you” in the Russian language. Similar to German, we have two versions: formal and informal. 

The formal version - “вы” (vy - phonetics are difficult) - is used in Russian when referring to strangers, figures of authority, people older than you, people whom you respect, as well as a group of people.

The informal version - “ты” (ty - once again, phonetics are stupid) - is used when speaking to a friend, someone younger than you (like a child), someone you have no respect for, or someone you’re familiar with. Also family, even if they’re older. This being said, for 90% of the time in the Haruspex campaign, the Bachelor uses the informal “you” when speaking to Artemy. More on that as we get into the nitty gritty.

Dankovsky’s tone throughout this campaign is separated into 2 groups - before and after you receive a letter with his list of Bound, where he decides to dedicate himself to the Kain's cause and to saving the Polyhedron. I’m not sure if that is clearly visible in the English version - reading them side by side has blurred a lot of things for me, but it’s quite apparent in the Russian version. 

In terms of consistent mannerisms, there is one detail that I think doesn’t shine as well in English as it does in Russian. You’d think that our bachelor of medicine would speak in a very formal tone, using big boy words and scientific terms only. You would be wrong.

The Bachelor speaks in very “deliberate” sentences. It’s like he is trying to get all the possible clarifications out of the way, before getting to the point of the sentence. That doesn’t make him sound formal or anything. He uses diminutives and “rough” words every now and then, and doesn’t overcomplicate his sentences too much.When I say rough words, I don’t mean cussing, per se. In fact, other than the equivalent of “damn” (which literally translates into something like “imp”) Daniil doesn’t swear at all. Even when he calls the Haruspex a bastard in English, in Russian it’s a lot softer and more akin to “scoundrel.” Rough words, I guess, would be more like… “Lower-class” slang terms. I say lower-class because for a long time many words in Russia were considered to be unacceptable, since they were, or at least were reminiscent of, prison talk. The closest example I can think of in English is the way one person might say “making love” and another one might say “screwing.” Except in Russian, there are “rough” words for eating, going somewhere, etc. And the Bachelor, even though you’d expect him to be a high-strung formal ass, is very liberal with those words. This goes into contrast with what we get in the English version, where he seems to mostly use very formal language, except for a few moments of frustration.

In the first half of the Haruspex campaign, Daniil speaks in an overall warmer tone, starting out with what seems to be boundless enthusiasm. It’s only slightly mitigated by the frustration towards the townspeople. In English he sounds like he’s only frustrated, but in Russian it sounds like he’s frustrated because of how much he wants to help. He expresses a lot of his frustration by riddling his speech with tiny connector words, as if rushing the other person to respond. It’s like if there were a bunch of different alternatives to the word “then,” and you’d see him being like “Well tell me then, what, then, is this thing?” This creates an appearance of impatience, desperation, and helplessness. Which is what I imagine the player would feel at that time in the Bachelor run. Anyways, now onto the fun little details.

Everyone’s beloved “far be it from me to call myself a person of mystical inclinations...” line is, for the most part, pretty accurate. The biggest difference, from what I found, is in the first sentence itself. In Russian, it’s simply “Yes… Mystical feelings/sensations are alien/foreign to me.” Everything else is pretty much the same. Though, tone wise, the sheer presence of an informal “you” makes it a lot more personal. Instead of someone talking about an odd, otherworldly and foreboding feeling, the tone is more of a person bitterly commenting on an unfortunate and cruel burden that they realise they share with another person.

Day 2 and it’s main quest have a fun little detail that I will talk about later when we discuss formalities a little more, but for now I will simply note that throughout all of Day 2, the Bachelor speaks to Burakh using the formal version of “you” (and being addressed informally right back). But also, in one of the dialogues that happens during that quest Artemy says “I’m beginning to like you, oynon” the Russian version instead has “I’m liking you more and more, oynon” which is a fun detail that I think some people may appreciate.After examining the samples, you can ask the Bachelor what he is working on now. In his reply he says he’s looking for the sources of the outbreak and needs hard evidence. In the Russian text, he specifically says he needs evidence of himself being right. In the rest of his dialogues he seems rather open-minded to unorthodox practices, as much as he sneers at them, but in this particular case he seems focused specifically on being correct, rather than right. Not too empirical of him, smh.

I found this difference absolutely hilarious. I imagine the main reason that this line was translated the way it was is because they wanted to maintain the tone of suspicion coming from the Bachelor. In a more literal translation (and keep in mind, this all has a bunch of little words strewn in to pad out the sentences) Dankovsky says something more like “And what sort of specimen is that?” except it’s not “specimen” it’s “subject” which in Russian can point to a person, and it’s very difficult to convey the absolute snark that comes with this question. Imagine a suburban mother in a polka dot apron and red glasses, as she stares down a dead bird that her child has brought in from the backyard. There’s suspicion, a hint of disgust, and a demand to know why this is being brought to their attention. That being said, I don’t know if there was a better way to translate this. Maybe “Who the hell is that?” is the best way to convey this. I just wanted to point out how starkly different it is in Russian.

Interesting difference here: in the English version the Bachelor says “Your father was a natural.” Here, the specific word used usually refers to a gemstone, something extremely valuable. A literal translation of the word would be “self-born.”

Additionally, Dankovsky seems to speak very fondly of Rubin throughout the campaign. Like, it’s something that’s present in the English version, I guess, but in Russian it genuinely seems that the two share a strong bond. There is a lot more warmth when talking about his expertise, and a lot more concern and sadness, when it's implied that he might be in danger.

Two things about this. 1: The whole “half-dead” thing is absolutely hilarious in Russian. Essentially the word that he uses can be loosely likened to smth like “half-corpselings” with the use of diminutives, as if the bacteria were a bunch of tiny little guys that were about to die. More to my argument that the Bachelor doesn’t sound professional, just very deliberate. Secondly, the whole “Oh yes, I would very much like to have a serious talk with Rubin” makes it sound like he’s an angry parent whose kid is absolutely in trouble. In Russian, he sounds like he’s talking about meeting up with a college buddy, or as if the desire to ask for someone else’s assistance is a sudden urge. That comes specifically from the word he uses - охота (okhóta). The primary meaning of this word is “a hunt.” But it can also mean a desire, or want to do something, often paired with the fact that it’s something that you can’t or won’t do at the moment.

Fucking this. I was so flabbergasted by this line when I came across it, because the entire Haruspex campaign these two get along really well. And then this happens, and it suddenly sounds like the Bachelor is spitefully making fun of Burakh for not finding something that they both believe is impossible to find. Like, it was so mean and petty and out of the blue, it immediately paints an image of someone who lashes out the moment they have to admit defeat - which is not something the Bachelor has been doing so far. In the original Russian dialogue? “Yes, after everything you were unable to find this creature.” Or something to that effect. I’m translating the vibes here to my best ability. Oddly enough, this is one of the instances in which the Bachelor uses the informal version of “you” again. It’s not mockery. This is Daniil drawing the line of all that he could accomplish, but also all the things he tried to help realise, all the people he supported, before he is executed (at least he thinks he will be). He mentions being unable to look in the eye of everyone he failed earlier in the conversation, referring to his colleagues at Thanatica, but at the same time - at this point he’s already insisted that he wants himself and Burakh to collaborate and sees their separate goals as one. Artemy’s unfortunate conclusion is one he feels partially responsible for. The meaning and vibe of the sentence goddamn changes near everything about this interaction! It goes from spiteful gloating of a cornered, near dead man, trying to find solace in another person’s failings, to instead something more akin to… Regret? Pity? Empathy? That’s it, Marble Nest, I’m coming for your “oooh, Bachelor Dankovsky has no heart” bullshit.

That being said, after the Inquisitor’s appearance, the tone that Daniil takes on shifts drastically. I wasn’t able to find or remember when he sends his letter about the Bound, but I’m pretty sure it all happens around the same time. And the main idea of that is - the Bachelor has his own agenda now. He’s found out about what happened to Thanatica and is now dead set on preserving the only other miracle he knows of - the Polyhedron. And, maybe I’m getting a little to interpret-y here, but seeing as the Haruspex can help lead to that goal of his, the Bachelor then starts giving Burakh the same treatment that the Kains have been giving him. 

His tone becomes a lot more familiar, a lot more personal. He constantly brings up the things that he’s done for Artemy and the looming threat of the town getting shelled. Oh, and I’m pretty sure around that time he also starts calling him by his first name. He does his best to act like he really cares about what the “udurgh” can be, while pushing his own idea, and condemning Aglaya for doing the same. He also doesn’t use those little exasperated and rushed filler words in his speech, despite the situation being arguably a lot worse. I remember seeing some of that even in the English version, but I don’t know if it’s the fact that I got to see all the dialogue, or that some Russian words just hit different, but it’s a lot more apparent when looking at it now.

Now here’s a moment where I’m a bit lost as to what translation I prefer. I want all these characters to get along in a universe where they’re nice and kind to each other, but that’s simply not Pathologic. Besides, if I’m sticking to my interpretation, I should really be telling y’all that the Russian version is more effective. Because in Russian, dude literally says “I’m sorry if you thought I was condescending” or something to that extent that would imply that him being an ass is simply Burakh’s own misinterpretation. But hey, this is also the conversation in which he decided to “play unfair” and pressure Artemy into speaking to the Foreman in his stead, so it’s not like this changes much. Maybe being manipulated for what, a whole week now, has finally gotten to him, or he’s just gotten familiar enough to use such tactics - interpret it how you will.

More fun differences - when asking the Bachelor about how to get into the Polyhedron, he will mention Maria and Khan getting into a spat and not being on good terms. In Russian, he refers to her as “my Maria” which he hasn’t done before or since (at least between these two).

That’s all I’ve got about the campaign as it is, but I’ve also promised a little tangent about formality and so here it is. Throughout the entire campaign, there are only a few instances in which the Bachelor addresses the Haruspex using the formal version of “you.” Those instances are: 1 - when asking him about his inheritance. 2 - when talking about chimaeras and how they don’t exist before heading off to face the Inquisitor. And 3 - when you’re speaking to him late at night. Instances in which he’s either asking you to leave him alone, or offering to use his own bed to rest in. My theory is that the Bachelor - as far as I’ve read in his interactions with Burakh - switches to a formal tone (with people who he’d usually speak to informally) if he is uncomfortable. Consider: he uses the formal version of “you” when speaking to Artemy about his inheritance - because that’s a really awkward topic. He needs to get crucial information from Isidor’s notes asap, but the person he has to speak to about them is the man’s grieving son, who’s still being blamed for his death. Awkward as hell. Next instance? He thinks he’s about to be offed by the inquisitor and is (at least in my interpretation) expressing a degree of guilt for the failures of someone who’s at the very least an acquaintance at this point. Very uncomfortable, especially for someone with an ego as big as the Bitchelor’s. And lastly - late at night, tired out of his mind, having to either turn away a guest, or offer them his own bed. Both awkward and uncomfortable things to do, for a city boy. Now, this is, of course just from what I can see of Daniil in the Haruspex route, my conclusions might change drastically when I get through the other interactions, but it's still a fun difference.

And I would say that about wraps it up for the Bachelor in the Haruspex run. The biggest differences have been mainly the fact that he is a lot less formal than his English counterpart, the interesting insights that come with addressing your fellow doctor formally, and the very precise moment where Daniil’s kind and determined attitude turns to that of a manipulative snake.

On a quick tangent here about that, actually - in both the English and Russian version, you can very much engage in a way that allows Burakh to catch on to the Bitchelor’s tricks, and even start lying back to him, when you’re trying to gain access to the Polyhedron. But there is a certain bitterness present in these interactions that I’m not sure is well conveyed. Maybe it’s in the way Artemy himself speaks like an old soul, a fairytale wiseman, that makes these interactions that much more saddening. It’s especially visible in the dialogue where he tells Dankovsky that they’re dolls - it’s sad in the English version, but god if it isn’t absolutely tragic in Russian. And weirdly enough, I feel like a little bit more of that could have been conveyed if people opted for the clunkier but more literal translation? Like what I imagine the old translation was, that everyone complained so much about. Like, if the line “They don’t love us, but they way.” was instead. “We aren’t loved, by the way.” I think it’s a bit more personal, a bit more sad, and doesn’t have the “they” in it, which I feel makes it a little more… Potent. In fact, for most of that dialogue, the “they” is omitted in Russian, because grammar and all, except for the moments where Burakh explicitly mentions the children. And I like that more, I think. It’s not about what the powers that be are doing in the sandbox. It’s about how their dolls feel. How they’ve been stuck into this situation and how they aren’t loved. Even the line of “I hope my side wins” is different, instead it’s more like “I hope I’m won with” as if these characters were a means to an end and they are!! They are a means to an end! They’re dolls!! It’s a lot. This is already long enough and I have the Changeling to deal with. However, as this turned out to be a lot longer than anticipated, I will have to give that it's own post as well. Feedback, question or recommendations on how to format this better are always appreciated)

[zephyrrr101]

OMG OMG OMG!!! HOTD SEASON 2 EPISODE 1: BLOOD AND CHEESE!!!

Okayyyyyy! Boy! I just saw it and I have so much to rant and talk about!!!

But before we go into it, for those who hasn't seen it yet,

this is a spoiler! Below the cut

So don't venture if you don't want to loose your fun.

The first and foremost thing we see is Wolf Woods and Winterfell. And man! Did I not feel nostalgic!

Cregan Stark is carrying a sword through out the journey to top of the wall, probably Ice.

I really like the way they have changed Jace here. The hairstyle, the words, the way of talking to a Lord. This Jace is what I connect to, the one we know about in books.

Emma D'Arcy! You woman! I love you! I love you so so so much. Rhaenyra doesn't has more but one dialogue in the whole episode but through out it all I can see her speak. Every scene made me cry. Rhaenyra stands at the edge of castle, looking to anything she could, I would say to even hold a false hope of Luke being alive. Her desperate climb through the stones when she hears fishermen yell about the Dragon wing (Arrax's), her clutching Luke's clothes, looking at last memories that she has of his. It's lovely.

We finally also see Mysaria. Her interaction with Daemon is brilliant. She is shown as who she is. A woman who works for gold. I have no disappointment here.

Larys, you foxxy bastard, look at you trying to put Otto out of his position. Filling both Aegon and Alicent's ears with poison against him.

Aemond, struts into the council room, you cunty little bastard. I loved Ewan every moment of him. That is exactly how I expect Aemond to be.

Aegon. Loved it too. We see him in more than just a sorry ass drunk. Fine-fucking-ly. I like how he takes control of the throne room the second time Otto tries to tell him what to do. I'm really ready to see Otto get kicked out of his position. But boy. You sweet not to sweet anymore summer child, what are you doing. You can't call your unhinged brother loyal as a dog when he's planning war behind your back, something even your granddad is pointing at.

ALICOLE!!! Woohoo you people! Yes they are fucking! They are fucking right the moment when Blood and Cheese come and kill Jaehaeyrs.

While speaking on the matter, (Please don't attack me, this is only my analysis of show and somethings I compare from the book). Blood and cheese is disappointing. To me atleast. Child murder, of course it's not right, very, very, very bad. But I rather like the book part. We have no Maelor up until this stage in the show so it's basically making Helaena choose between her twins which, I'm sorry, looks stupid. The whole point of it was making a choice between two sons. The Greens basic usurpation is based on the fact that Rhaenyra is a woman. So why the hell would Helaena be forced to chose between her daughter and son. It would have been obvious that she would have chosen Jaehaera to be dead over Jaehaeyrs. She is not an idiot. We know.

And if we talk about the show sow why she did it? My reason, perhaps she doesn't wants her son to see or face what is coming. Or maybe she had seen what he doesn't wants it.

Helaena at the start in the first scene when Aegon comes looking for Jaehaeyrs tells him "What if he doesn't want it?" It feels like a call back to times when Aegon didn't want it. But still, she knows a woman's life is much worse in Westeros specially in time of war, so why save a girl who would lead a bad life instead of the son who actually had a chance to get out of that. Is it a call back to Viserys choosing Rhaenyra over Aegon? Wouldn't know until next scenes.

Rhaena. We see her on the council table and while they are burning Luke's and Arrax's remains. I wanted to cry just seeing her. She looks so distraught.

Daemon wearing his MURDER CLOAKKKKKK!!!

YAYAYAYAYAY!!!

I love how he paid that Gold Cloak to do his bidding and how that man went "Commander" and "Fuck the Hightowers". We see the loyalty of the Gold Cloaks to Daemon that we know from books and the first season. Loved every moment of that.

Well, that's what I think about it.

[orionsangel86]

Sincere question, your response to the like-scolding post doesn't make sense to me. I already reblog often, so I don't need convincing, but I also don't feel the need to convince others to and don't understand when people do.

If a blog was empty, you weren't going to follow them anyway. They have zero impact on your dash.

I don't understand why following the tags, following blogs that make stuff in the tags, using tumblr's orbit thing or blog suggestions wouldn't be anymore sufficient than asking strangers that may not even care who follows them to make your personal dashboard more interesting.

I was hesitant to answer this, because I try not to get too involved in general tumblr discourse and I already have had a few passive aggressive remarks about my response to that post. I don't wanna open myself up to hate here so please know that this is just my opinion at the end of the day. I am one person and I have been on tumblr a long time and my reasonings for all of this is simply that I love this stupid website and want it to thrive.

Let me start by clarifying that I have nothing against likes! Likes are great! Likes are exactly what it says on the tin - a way to tell someone that you like their post. So I didn't have an issue with the sentiment of the original post that likes are not meaningless and are instead a way to tell people that you like their stuff! That's great!

But your reasoning here is flawed because of how tumblr works. No matter how many likes someones post gets, if no one reblogs it it will dissapear into a void. Tumblrs tagging system is not great. Tumblr's "in your orbit" section is something that most people ignore and do not use. The userbase on tumblr finds posts by following blogs and relying on the blogs they follow to reblog posts. The posts that circulate far and wide on tumblr are posts that are reblogged by users. Posts that have plenty of likes do not help a post gain any extra traction or help spread it to those that may be interested in it. Posts that are just liked and not reblogged do not get circulated and will get forgotten about and never find their audience.

This isn't about lurker types who never reblog anything and therefore won't ever get followers (nothing against lurkers!), its about this strange mentality nowadays which tumblr never used to have which is that people seem to be more particular about the kind of posts they'll reblog. People seem more hesitant to reblog long posts, or writing posts, or anything that doesn't immediately grab their attention. There is an expectation that for a post to be reblogged it has to be of a higher quality that a post that you may reward a simple like.

I think it is heavily tied to cringe culture. There is a mentality that your blog should be heavily curated and therefore you should only reblog the highest of quality which you feel is worthy for your own blog - rather than just reblogging anything that you may like or find fun or interesting. It is very much an instagram mentality and its been creeping into tumblr over several years - and because of it, fandoms are dying, its far more difficult to find fandom content, and it is becoming much harder to engage and build community. People are hesitant to add comments onto reblogs nowadays - when back in the day that was kinda how tumblr worked! You reblogged with commentary and thats how legendary tumblr shitposts were born! That's how Supernatural fandom "always has a gif for that" started! Because back in 2014 people didn't care about what others on tumblr thought about their blogs, because their blogs were all about the fun, about committing to the bit, about engaging with each other and adding commentary and additions, and speculating about your favourite shows on long posts where you could have an entire community of meta writers each adding a bit of their own analysis so you ended up with a huge post that was absolutely mind blowing. That's how artists on tumblr could have thousands and thousands of notes and gain huge popularity and be able to make a living based on their fanart.

I miss it so. fucking. much.

This place is a graveyard sometimes. Even among my current fandom. I will post something and ask that people add commentary. I will state quite plainly for people to please engage and add their thoughts, let me know your opinions! There are no wrong answers! Lets joke, make fun of the characters we love, write dumb little thoughts and headcanons and engage with them via reblogs, add reaction gifs and images with speech bubbles and just soak up the joy that can be found in engaging with fandom in this way - and stop being scared that your reblogs will be judged by some external source, that you will somehow lose followers or make OP hate you if you dare to add a comment to their post (in which case OP can go fuck themselves as far as I'm concerned because I ADORE comments and additions on MY posts). Just ENGAGE. Because a like, whilst appreciated, is literally the bare minimum, and if all we are doing on this site is the bare minimum, then what is the fucking point anymore? If there is no real engagement and community, if you aren't interesting in actually talking to each other and sharing posts among each other and just interacting with each other, then tumblr will die. I find that so fucking depressing. So yeah, I had a bit of a moan on that post, because I don't think y'all newbies understand how good it used to be here. Quit with the instagram mentality and start actually engaging. Because if y'all actually listened and started doing that, you'll bring this place to life again, and find so much more joy in it.

[bestworstcase]

I feel like many bad takes or bad analysis from certain crowds ultimately boil down to people being utterly inattentive and basically wanting to FEEL smart over actually BEING smart.

They like the idea of "show don't tell", but scorn the idea of actually putting in any effort to actually understand what they're being shown, especially if it contradicts what they want to believe.

Media only exists in their eyes to reinforce their own biases instead of challenging what they think, and anything that does so is an affront to their image of themselves.

taps the sign. (<- a tangent but i have very strong opinions regarding “show don’t tell,” to wit that as it is utilized memetically as both advice and criticism it is nonsense.)

i think you are ascribing egotism and small-mindedness to a phenomenon better explained by the simple fact that textual analysis is a difficult skill to learn and one that is, outside of specific disciplines to which it is a core function, very poorly taught. i benefitted a great deal from having an exceptional humanities teacher in high school who made it a priority to teach textual analysis and critical thinking skills above everything else, and it absolutely blew me away to get to college and discover that almost all of my peers—incredibly smart, creative, thoughtful people—wrote analytical essays on par with what i had written in middle school. none of them were stupid or arrogant or lazy [frankly many of them worked a hell of a lot harder on every essay than i did, because they were learning new skills while i practiced things i’d already been doing regularly for four years]; but they hadn’t ever been taught how to parse texts analytically, whereas i had, so there was a huge divide when we entered college which shrank as they built those skills. as with anything some people will find it easier to learn textual analysis than others but nobody is born knowing how to do it and short of studying it in college in some capacity you’re unlikely to be taught more than the bare minimum lies-to-children basics.

there’s also the secondary factor that some people enjoy textual analysis and some really don’t, in the same way that some people enjoy mathematics and others do not; people in the latter category are generally not going to be reading or watching stories they enjoy particularly deeply because that would make the experience an unpleasant chore, and that’s, like, fine? the vast majority of people read and watch things to have fun and certainly in the context of fandom the core motivation is enjoyment. there’s no one right way to enjoy a story. (that said, fandom as a whole does tend to be rather analytically lukewarm because the primary approach to the text is transformative rather than analytical and this, in combination with the tendency for fandom to bring non-analytical and analytical audiences into close contact, can cause some friction. in my experience this friction most often occurs along fault lines between fans whose engagement is driven by emotional connection to or identification with certain characters and fans who engage analytically with character as a narrative tool; i think there is a degree of mutual incomprehensibility between the two camps that tends to spark conflict when the two interact.)

all of this is compounded by—(thwacks the dead horse)—christian hegemony, which is the underlying cultural engine driving things like fandom purity culture and the rigidity of good/bad categorization of characters and implicit expectation that all stories are or should be morality plays, and so forth; this is an issue on both sides of the non-analytical/analytical divide and has less to do with individual arrogance than it does the hegemonic moral framework that underlies US culture generally and online fandom culture by extension because online fandom is extremely americanized. although i do think that this is also, if not THE root cause, then at least a significant factor behind the recent-ish rejection of subtext as ‘real’ (so to speak) and the proliferation of the attitude that a story that fails to overtly and clearly explain itself is poorly written; points at evangelical christianity in particular fostering the mindset that individual questioning and interpretation and extrapolation from scripture is suspect on the grounds that there is a singular right answer that you are told by church leadership, which at minimum does nothing to equip the people who grow up in evangelical churches to handle critical analysis or even more-than-superficial comprehension of any other text.

of course some people are disingenuous and arguing in bad faith—that is the bedrock of hatedom specifically and tends to be driven by a variety of factors of which latent or overt bigotry, bitterness over jossed theories, and strong group identification with the hatedom seem to be the most common—but that’s a really small (if vocal) minority compared to the number of people who either lack analytical skill or don’t enjoy analytical engagement or both but form strong opinions anyway (as people tend to do about things they really like, or really don’t like). i don’t think it’s useful or kind to presume that anyone with a staunchly weird or whacky take is treating a story they like as a vehicle for self-aggrandizement.

[freezethebeez]

Not to get all sappy on New Year's Eve, but after replying to a couple Catalyst comments, I've decided to give a public thanks rather than one contained within a comment thread.

-

Catalyst has been just as of much of an experience for me as it has for you, the Catalyst Enjoyers (as I've dubbed you, and as I refer to you to my irl's)— if not more.

Syzygy was my first multi-chapter fic, as well as the longest thing I had ever written before Catalyst. It clocks in at 43k words spanning over the course of 6 chapters, and was written during my summer holiday. There wasn't much engagement with the readers during the Syzygy experience. I would respond to the comments, of course, but that's all I got. No fanart, no world analysis, no asks, nothing (absolute no shade to the Syzygy enjoyers. They are my little guys. My skrimblos. My day 1's).

Comparing it to the Catalyst experience, it feels almost sad. It feels as if I've built a small community with Catalyst— one with talented artists and talented writers— and just having this little community feels so freaking cool. It's everything I ever wanted as a fanfic author and more.

When I started writing fanfic 6 (nearing 7) years ago, interacting with my readers and seeing them create ideas and works of their own based off my writing was always my dream.

You have made that dream a reality, and I thank you all endlessly for it.

The Catalyst experience has genuinely been wild for me in the best ways possible. I was temporarily living with one of my friends when I started writing it— in fact, he even helped me choose the title 'Catalyst'— and to this day, whenever I see him, he asks me how Catalyst is going and reminds me of my humble beginnings— my first comments, my first fanart, all of it.

Catalyst has evolved substantially within its lifetime, starting at a projected finish date of sometime in early September, then late November, and now hopefully sometime within 2023. It's been so interesting to reminisce on the past evolutions and look at it where the story is now— which I can say I'm actually proud of.

Catalyst is more than just my silly little summer writing project now. It's an experience that I've been able to share with all of you, and one that would certainly not be the same without you. Seriously, I can't imagine Catalyst without the enjoyers.

It's just been fun for me, and hopefully fun for you. Seeing the reblogs on the Catalyst link chain tagged with "#catalyst saturday" never fails to make me smile. Every notification I receive telling me that I've been sent an ask makes me jump a little with excitement, and every piece of artwork (whether it be in the form of visual art or writing) sends me over the moon.

You guys are cool, and I appreciate your continuous support throughout this year. Thank you for sticking with me through all these Saturdays, and I look forward to your support in the future.

Also, to anyone who's made it this far, here, take this paragraph from chapter 19 (don't read if you don't want spoilers heehee hoo):

They don’t speak to one another— not with words, at least. There are some shared, knowing looks, sharp exhales through the nose, and fond smiles. And then there’s pinkies linking together in the miniscule gap between them, and Tubbo feels like the dumb teenager he is, fumbling through this weird world of relationships that are more than platonic but less than romantic, trying to find the acceptable middle ground that may or may not exist. He laughs to himself a bit— because this really is kind of stupid, I mean, for all the time Tubbo spends thinking about what it would be like to kiss the guy, you’d think Tubbo would have at least tried to ask. But no, he’s still struggling to hold Ranboo’s hand like they used to, and he thinks that getting back to where they once were might involve a few baby steps, too.

Again, thank you all <3

Sincerely,

freezethebeez

(no bees harmed in the process. beez, not bees. do not freeze bees please)

[cuddyclothes]

Okay, some Thoughts about Good Omens 2 and that ending and stuff

Disclaimer: I’ve never read the book. I’ve never heard the radio show. Beware, there is criticism under the “keep reading” as well as my analysis of the ending. I’m using male pronouns but feel free to substitute the ones you prefer.

I loved “Good Omens 2″. And have rewatched it at least three times, as well as having it on in the background. And watched clips on YouTube, especially of the ending. I’VE CRIED A FUCKING RIVER. The beginning with Angel!Crowley squealing and squeaking with happiness over his new universe is cute and heartbreaking.

And naked Jon Hamm! Who doesn’t love naked Jon Hamm? He is hilarious.

But here were my problems as I was watching it. First: Crowley’s present day hair. Hated it, hated it, hated it. The little curl bobbing around when he moved his head kept distracting me. It was a beautiful red first season, and all of the hairstyles were lovely, especially when it was long!!

What’s with the color and curls? Aziraphale’s hair is still the same. And no full-on serpent eyes!

And no odd little noises. What happened to the odd little noises?

The plot was thin. Hanging the whole thing on something as small as Gabriel’s disappearance after the enormity of S1 left it a tad lacking. The Nazi zombie “minisode” was irritating. If you’re going to have Nazi zombies, don’t let them stumble out and kill more people! Also, it was so SATISFYING when they were killed. (Does that count as retcon?) The zombies were mainly there so we could watch Aziraphale play with the feather boa and be flustered all over the place. It was so unnecessary. It would have been better minus Nazi zombies. But zombies are all the rage these days, so I guess you have to have them.

I’m generally down with the horror side of things, except for those poor graveyard guards, doomed to fall forever. And why did Maggie love Nina so much? Nina was basically a grump who barely smiled and certainly gave her no encouragement. I know they were supposed to mirror the main couple but it was pretty weak tea. The more anvilicous, the less enjoyable. Seriously, I didn’t give a shit. The only part I liked was when they told Crowley to back off.

While I knew when watching that the series was mostly fan service on a silver platter garnished with parsley, I still enjoyed it. I would watch Michael and David talk about coding. (In my day we’d say read the phone book but do phone books even exist any more?) However, again, my toes are broken from all of the anvils. I squirmed at how shameless it was. I knew there would be fan art and fan fiction and GIFs out the wazoo, so who am I to piss on somebody else’s fun? But for me, there were moments when I wanted to say, “tone it down a little! We get it!” 

Especially since Aziraphale was such a prissy little fluff ball through the whole season. Does anyone else think S1 Aziraphale would have been a ferocious warrior when the demons showed up? Rather than “oh dear, here girls, you fight the devil’s army!” He could have yeeted the demons into the holy circle! By the way, who made the holy circle? When he calls, “Anybody there?” who answered?

And, and, AND there was no significant fights between Aziraphale and Crowley! Remember “How can somebody so clever be so stupid!”?  When the conflict between the main characters is insignificant (until the end) it diminishes the whole stakes. Which is why I feel like the ending was hastily slapped on, even if it did rip my heart out of my chest.

But I’ve thought a lot about the ending, and I think Metatron played Aziraphale like a harpsichord. Do you think for one minute Metatron thinks Aziraphale could lead Heaven and a huge project like the Second Coming? Of course not, he thinks Aziraphale is a chump. Azi will think he’s in charge while Michael and Uriel walk all over him.

Aziraphale didn’t want to go to Heaven, but Metatron flattered him AND offered to let Crowley return as bait. That did it, because Azi can be an idiot at times. Remember how he thought he could go have a word with Heaven and straighten everything out in S1? When Crowley says no, Aziraphale has made a promise and I don’t recall him ever being able to break a promise. When they kiss he’s hopelessly confused and crying. 

Metatron comes along, Azi almost protests that he doesn’t want to go, but again, he made a promise. This is just me, but when he’s in Heaven’s elevator, as we watch it go up, we see him slowly being brainwashed

[indomitablekushite]

It's important to realize that any criticism of Black male/female relationships is at the same time and in equal measure a criticism of White society's worldview which has shaped us to fit and function “properly” in it.  Social conditions create both social consciousness and social conduct and failure to recognize this can lead one to see racial defects where social ones are more real and relevant...It is this final contention that serves as a key point of departure for any serious analysis of Black male/female relationships.  For to say we are products of our social conditions is to say the same thing about our relationships.  Analysis of the major defects in Black male/female relationships clearly reveals their social rather than genetic or purely personal basis.  Thus, to understand the negatives of our relationships we must understand the negative characteristics of society that have shaped them. Delores P. Aldridge says "An ideological institution is a codified and long-existing set of social arrangements that forms a basic element of a given society.  It follows that such institutions share the distortions inherent in the rationale for their existence" (Focusing, p.20). What is being done to Africans by commercialism, drugs, religion, and Western psychology, education, urbanization and industrialization by which individuals become detached from their traditional environment. Its not just Chicago, its being done to Afrikans in London, Cape Town, Sydney, Montreal, and Buenos Aires. By embracing the logic that what is normal for one people is normal for all people, because they have come to accept the validity of other people’s words over their own traditions, many Afrikans rush toward a European worldview. They cannot see that following a European cultural worldview opens them up to an alien and self-alienating way. Delores P. Aldridge speaks of sexism as working with racism, capitalism, and Judeo-Christianity as the “ideological institutions” serving to systematically undermine any possibility of stable, positive relationships between Afrikan men and women. Na’im Akbar shares her opinion saying that sexism, materialism, and Christianity, as a force insuring a perception of the inferiority and danger of women, and “an assumption of inevitable conflict between the sexes” are inextricably tied in the assault on peace and purpose for couples.  Maulana Karenga’s four “connections” consist of the more catchy “cash,” “flesh,” “force” and “dependency” “connections” that undermine male/female relationships. Sexism makes sexual exploitation civilized. It makes it normal and, therefore, natural. This is why you have so many brothers and sisters talking about it's natural for a woman to be submissive to a MAN. Or that stupid phrase going around that an alpha female will naturally submit to a dominant male. That alpha whole concept created by white people that they have even deconstructed is still deep in the minds of our people. Why, because it makes us feel good in our zombie-like state. The zombie is moved by the impulses of others, its sees what other sees, and thinks/speaks what others think/speak. Thus the African becomes black, they become Hebrew, they become Christian, they become native American, they become Latino. They love everybody and they make fun of every conscious movement and people trying to figure it out. So it should be no surprise about Kevin Samuels or the way we act on the net. “A cultural paradigms analysis proposes that every individual operates according to some group’s conception of reality, whether they are aware of it or not, and it is a conception which they share with other members of their reference group; the group with which they are identified (in terms of values, beliefs, customs, etc.). The group that we identify with is usually our own indigenous cultural group under normal-natural circumstances. In abnormal-unnatural circumstance, i.e., those in which we identify with a group that is not our indigenous cultural group (such as an alien group, or an acquired alien group identity), then the conception of reality out of which we operate is not naturally our own. This is so even though we may have adjusted to it so intimately that we do not experience it as alien to us.” Kobi K. K. Kambon “African/Black Psychology in the American Context: An African-Centered Approach” Page 119 “… worldview systems provide for the organization, structure, and content of culture. As the ideological-philosophical basis of culture, worldview systems articulate the basic assumptions, values and beliefs undergirding culture and are expressed through its various structural or institutional manifestations. Worldview systems also define the power base of the culture because through it the indigenous group defines their own collective reality, and it is thereby their natural base of empowerment. Finally, worldview systems are resilient and enduring across generations of the cultural group. The worldview system is passed on from one generation to the next and thus defines the consistency and stability of the culture.” Kobi K. K. Kambon “African/Black Psychology in the American Context: An African-Centered Approach” Page 126 “Given the racial pluralism and so-called multicultural nature of American society, it is inevitable that conflict between these oppositional worldview systems would occur. The African and European worldviews have undergone vigorous analysis by African scholars, both on the Continent and in America, in particular over the past three decades…. These analyses have organized the worldview differences between these groups…., these analyses have concluded that the fundamental assumption or ethos defining the European worldview may be categorized as an ‘Humanity versus Nature’ orientation. This basic thrust of the European worldview defines an antagonistic and conflictual theme in human-nature relations. The emphasis is placed on human intervention into nature to achieve mastery and gain control over nature through the power-based (or power-motivated) mechanisms of aggression, domination, oppression, suppression, repression, and the unnatural alteration or reordering of all objects in nature….” “A major theme emanating from this basic assumption of human-nature relations is that of ‘Survival of the Fittest’…. The principle underlying this theme is that those humans (i.e., individuals, races) who achieve the greatest degree of mastery, control, suppression and manipulation over nature represent the fittest among the human community. Fittest, then, represents the lofty position of human achievement attained through competition (i.e., aggression) and is indexed by the amount of psychological and physical distance that one is able to establish between himself (self-consciousness) and nature-phenomenal experience/objects…. This usually occurs in terms of the degree to which one has gained effective manipulative power and/or dominance over nature through the objectification of nature. Therefore, one’s degree of mastery or control over nature establishes the ‘fittest’ level of the individual, race-culture, etc.” “Hence, the European worldview is defined by the basic values of materialism, control, aggression and linear-ordinal ranking, conflict and opposition-dichotomy….” Kobi K. K. Kambon “African/Black Psychology in the American Context: An African-Centered Approach” Page 130 “The African worldview, by contrast, defines human-nature relations as interdependent and inseparable. The fundamental assumption or ethos in African cosmology is that of ‘Human-Nature Unity,’ Oneness or Harmony with Nature, including complementarity, balance and reciprocity in all of existence…. Humanity, or the Self, and Nature, then, are conceptualized as one and the same phenomenon. Thus, positive, affirmative and complementary themes define the character of human-nature relations within the framework of the African worldview. The ‘Maatian’ Principle… defines much of this process beginning at the level of the person and extending to the society and the whole of the universe. The primary emphasis is on the survival of the corporate whole of nature, which includes all living things, rather than simply advancing some special interest group or some segment apart from the corporate whole. Hence, the basic values, beliefs and psychobehavioral modalities characterizing the African worldview relate to the principles of inclusiveness and synthesis, cooperation and collective responsibility, groupness, sameness and commonality, and at the core of it all, of course, is ‘Spirituality.’” Kobi K. K. Kambon “African/Black Psychology in the American Context: An African-Centered Approach” Page 132

[impalementation]

Hey, firstly I really want to thank you for the buffy analysis you're providing. I'm just now emerging into the world of writing and am utterly humbled by your comprehensive media analysis skills. I'm really curious how you got there. My question is related to s5 and its dichotomy of self. If Dawn is supposed to represent Buffy's inner child or human aspect of her personality, then is it fair to say that Glory represents Buffy's slayer identity and consequently her shadow in particular? I recognise that they, for the most part, have a foiling relationship in the narrative, but Glory's interactions with Buffy have always seemed a little "shadowy", obviously not in the same way as Faith and Spike, both of whom actively tried to bring out parts of Buffy she tried to conceal, but more in alluding to Dawn(human side) as Buffy's vulnerability I.e. the thing that stops her from being as strong as Glory way, if that makes any sense. The visual resemblance between the two really drove it home for me as intended mirroring. I could totally be misunderstanding the concept of the shadow, so forgive me if this is a stupid question.

Thank you!! Honestly, and not to be glib, I just got here with the usual combination of time, practice, and passion for the subject. I started reading and writing media analysis at a young age and never stopped. I also don't want to overstate my authority or anything. I'm often wrong or uninformed. I miss things all the time. I appreciate that people respect my arguments and opinions but I also hope that they're taken as interpretations to either be persuaded by or not, rather than as a definitive statement of ultimate truth or anything. While I take my writing seriously, it’s still something that I’m mostly doing for fun (or more like, because I can’t help myself). It’s riffing I’m doing to try to figure out this thing I like so much, and it makes me nervous when stuff I wasn’t making an effort to properly argue for is taken too authoritatively. 

Anyway, not to barf my anxieties all over your ask. Hell yeah the season five dichotomy of self. I actually agree completely that Glory is associated with the shadow side of Buffy, but I also want to be careful about what I mean by that. People often seem to mis-use the concept of the shadow (no doubt I’ve misused it myself, since it’s only in the last year that I’ve actually begun the work to understand Jung properly), when what I think they’re actually looking for is the concept of a foil. You already seem to understand what a foil is, but for anyone else: A foil is a character that has things in common with another character, but then diverges in a way that illuminates the other character's traits. So Kendra in season two is a foil for Buffy, because both of them are Slayers--they have that point of commonality--but they react to being the Slayer in different ways. Which highlights Buffy's traits like rebelliousness and independence. In general, the villains of each season always tend to be foils for Buffy. The Trio in season six are foils for Buffy and the Scoobies for example, because like them, they are young people new to adulthood and struggling to grow up. But while Buffy and the Scoobies ultimately choose to do the hard work of growing up even though it’s painful and relentless, the Trio cheats with things like crime and violence.

So, Glory in season five is a foil for Buffy because she is a superpowered being who feels that her human half, Ben, is a weakness. Ben is similarly a foil for Buffy because he is a human being who feels that his superpowered half controls and has destroyed his life. Together, they represent Buffy’s dichotomy of self that you’ve already pointed out. Throughout season five, Buffy feels weak in the face of human problems like a boyfriend who leaves her or a mom who gets sick. Moreover--as you’ve said--Dawn, who is her human, child, self is Buffy’s point of vulnerability all season. She is seemingly what makes Buffy weak, because Dawn can’t protect herself. On the flipside however, her superpowered half is also what makes Buffy afraid that she is cold and disconnected from her humanity. The two halves are seemingly incompatible, and seemingly destroying the other half.

So one of the reasons I say that Glory is associated with the shadow side of Buffy is that Buffy’s shadow side is frequently associated with the supernatural, especially in season five. In my videos I’ve discussed how the Hellmouth can be seen as metaphor for the unconscious in general. It is this gaping wound beneath the town, that everyone ignores, and which specifically attracts supernatural beings. I also discuss in more depth in episode two how vampires are presented as “other” early on, representing the way that Buffy sees the shadow side of herself as “other” at that point in the show. In other words, vampires and the supernatural are associated with the shadow firstly because they’re associated with the unconscious, and secondly because they are an element of the unconscious that Buffy rejects. Vampires are scary, soulless monsters. How could you be a vampire?

Over the course of the show, Buffy’s primary shadow self becomes steadily more monstrous--first Cordelia, then Faith, then Spike--as she delves deeper and deeper into her unconscious. One of the reasons I think season five is so marked by the dichotomy of self is because it is the season in which Buffy begins to truly address the shadow part of herself, which means that the shadow becomes markedly opposed to her humanity. The fact that it seems villainous and incompatible with her Self becomes explicit, a problem that is now on the surface. I see Glory as linked to Dracula in the first episode, who taunts Buffy with her dark side and tricks her mother and Xander (both associated with Buffy’s humanity), or Harmony in the second episode, who is also blonde and “bitchy” and kidnaps Dawn just as Glory will kidnap her. I think it’s purposeful that Buffy describes Glory as “kinda like Cordelia, actually” and Glory has a bath scene that parallels Faith’s in “Who Are You?” There’s also the fact that Buffy is shown irritated by Glory being a “super-strong little women who [isn’t] me” (the line is in reference to April but clearly includes Glory), and by the suggestion that Glory could be “prettier” than her, which is similar to Buffy’s feelings of rivalry with Faith.

Of course, the point is ultimately that Buffy’s shadow is not incompatible with her humanity, and this is why I see Spike as Buffy’s true shadow-self--instead of merely associated with Buffy’s shadow side, as Glory is. Unlike Glory, who threatens Buffy’s humanity, aka Dawn, Spike actively safeguards it. Like Buffy and Glory/Ben, Spike has a dichotomy between monstrousness and humanity. But unlike Glory/Ben he is eventually able to achieve that same thing that Buffy does: a mix. Like Harmony and Dracula he is a vampire, and therefore aligned with the scary supernatural “other” shadow. But unlike them, and like Buffy, he comes to protect Dawn out of love. In other words, while Glory might represent Buffy’s fear or perception of her shadow, Spike is the character that actually represents Buffy herself. He is her actual, personal shadow, which is why Buffy needs to integrate with him and not with Glory. This won’t happen completely until the end of season seven, but does happen in a partial form in “The Gift” by her choosing to let him into her house. Ie, into her Self, given how Buffy’s house (as I bang on constantly in my videos) is the the recurring symbol of Buffy’s Self.

In general, I’d say that although Buffy’s main antagonists each season may be foils for her, they do also seem to be associated with Buffy’s shadow side too, the way that Glory is. Even if Glory, as you mention, is particularly “shadowy” because of her similarity to Buffy’s previous shadow-selves, and because season five is particularly concerned with Buffy’s inner dichotomy. Buffy’s villains all represent some negative way of solving a problem that Buffy is struggling with. People often use the term “shadow” in a narrative sense rather than Jungian sense to refer to a negative foil this way. But in the Jungian sense, you could also say that they represent a path that Buffy is tempted by, and is afraid she could go down (a side she might go down if she doesn’t confront it, ie if it remains unconscious). Therefore it’s a side that Buffy thinks she has to repress or reject when she encounters it in herself--hence her antagonistic relationship with her more personal shadow self figures.

[violenceenthusiast]

im curious why people are saying supernatural is jewish like idk if jewish writers makes an inherently jewish story especially when things like following out the christian apocalypse from revelations and showing a real physical g-d who is just some guy i think is super jarring since though christians claim to be against idolatry they seem totally fine showing depictions of gd or whatever i dont get jesus honestly but jews are far more strict and the idea of showing gds appearance is pretty wrong

WOOF okay um. Maybe this is one of those Tone Doesn’t Come Thru Well Online things but to me this is soo fucking rude… I’m half way between John Mulaney we don't have time to unpack all of that & Ben Wyatt wait it’s gonna bother me if I don’t explain why you’re wrong. 

This turned into all my thoughts. 

So like. First off, it’s all fun and games. We’re all just joking and joshing and projecting here on destiel dot tumblr dot com and Jupernatural is not an exception in a lot of ways. And so when someone shits on what we’re doing here (yes, even unintentionally) what you get is what happened: oh you think you’re funny well I’m about to be hilarious!!! aka I’m gonna do it even more now out of spite specifically because you said not to. Like it really is all jokes but also you know what’s not a joke? Antisemitism in all its forms, even the casual shit! It’s really draining and it builds up in your veins!! Just. Yeah. You saw a lot of people talking about it today in particular because much like other topics of the day, one thing kicks off a whole other turn of events. So like. one misguided comment that’s playfully antisemitic and then one more little one, and then one big/obvious one launched us (Jewish spn fans) into a whole bigger discussion about antisemitism and erasure of Jews in the spn fandom writ large. It’s one thing to be descriptive, offer a headcanon/what if, or employ a certain mode of analysis. It’s another thing to definitively say This Is The Truth, specifically when to do so overrides something else, especially in this case when what’s being overridden is Jews, an ethnoreligious minority. It’s also another thing to talk over Jews. And mind this has been building for days. Not in a bad way just like, it’s been topical for days and then today one big thing pushed it over the edge to us actually posting abt it (partially bc at that point it’s a pattern, which feels like it needs to be addressed). Like, destiel tumblr is small we pretty much all see all the same posts, and then Jewish spn fans… we’re friends, we chat about life? We joke around together, y’know? If you’re being antisemitic (yes, even unintentionally) we’re all gonna hear abt it. It’s how we stay safe or in this case, curate the online exp.

That being said tho projecting on fiction is like fun and even a good thing at times, and def opens up new modes of analysis. But! the other big thing here is that there IS a LOT of evidence for a Jewish reading of spn, in a lot of ways, and particularly if you know what to look for. Like there’s lots of niche Jewish slang (non-Jews just don’t know these things, and that is a reflection primarily of the writers but once you put it in the script it implies things about the characters too of course), the theology of the early seasons (I’ll get to that in a second), main character motivations (hold on), “Moishe Campbell” implying Mary is (and therefore Sam and Dean are) Jewish, etc. 

It’s not surprising to me or anything that non-Jews don’t catch anything/everything Jewish about spn but that Jews catch both sides of it, because that’s just how being part of a marginalized group works. You learn about your own stuff AND the dominant culture’s stuff because that’s how you survive (socially, psychologically, literally). Members of the dominant culture don’t need to learn the marginalized one, are never confronted with it, and so they just.. don’t. I don’t even mean that in a normative or accusatory way, that’s just an observation on the state of things. Non-Jews who aren’t part of another marginalized religion, aka expressed xtians and cultural xtians, have a ton of misconceptions about Judaism, for example, “Jesus was Jewish” and not, “Jesus was an asshole of an apostate who made life harder for Jews at the time in a myriad of ways and whose movement has had a lasting negative impact on world Jewry (and other peoples) for the ensuing millenia”. I truly Don’t Have Time right now to get into the varied and intense history of antisemitism in all its forms but. the point I’m making here is that I’m not shocked I need to explain that life experience shapes your worldview?? So if you’re Jewish you’re always gonna be living life through that version of the world and it does impact you?? Same as anything else?? As unwell as they may be, spn writers aren’t exempt from that. Jewish people writing about xtianity are doing so thru a primarily Jewish understanding and vice versa. Jews can (and did!) write about xtian lore but in a Jewish way! Some core Jewish themes: wrestling with angels/G-d, questioning G-d, IF there’s a G-d they will have to beg MY forgiveness, the afterlife isn’t really a big thing so all that matters is your time on earth, make amends to others directly and thru your actions rather than seeking absolution with G-d, you are not obligated to complete the work nor may you abandon it, etc… So that’s the other reasoning why we say “spn is Jewish” based solely on it being written by Jews. Rather than Death of The Author, let’s look at what the author has imbued the story with, both intentionally and unintentionally. And re: Chuck and idolatry… I don’t even know where to start with the way you phrased this but. the Jewish Spn Writers of Note are apparently Kripke, Gamble, and Edlund. All of whom stopped writing for the show years before the Chuck Is God plot! 

Like yes it feels very stupid to be writing a thousand words on antisemitism and supernatural but like. this is a spn blog run by a Jew so. This whole thing is also just the same every time. This is very representative of typical casual antisemitism.

[leviiattacks]

hi hi hi i really really really loved your jealous headcanon of levi and your teacher levi!!! i was wondering if i could maybe request something where you kinda mix the two(?) so like theres this event going on in school and the reader is very occupied and busy because shes paying attention to her students and then maybe she talks to some teachers about the event and then levi is just there secretly sulking cause he wants her attention too?? or idk you do you because your works are always soooooooo good thank you<3333

author note :: i did not stick to the prompt which was honestly an accident?/£/):7 but there is jealous levi and reader so i hope it workssss, it’s not that great and isn’t edited...but i hope you enjoy it :-( also thank you for the request you were very kind <3

for this to make more sense you’ll probably have to read my first ever teacher levi post which you can find here !!!!!

requests are always open :-)

word count :: 4.3k ???? longer than i expected ???? 

levi groans at the mention of sports day before turning to look at you dead in the eyes

he knows this is your doing, you’ve always been big on getting the children into sport and other extracurriculars

now see, he has no actual issue with sports day?? he’s pretty fit if he says so himself!!!

it’s just that he frankly does not have the effort to participate.

another part of him also feels frustrated seeing mike flock around you like an annoying bee

he’s asking all sorts of questions

“are we doing the three legged race again this year?”

“how about javelin?”

“HAHA...mike...”

levi takes one look at you and knows you’re trying to let him down softly, it is his favourite event after all.

“since last year’s fiasco and the way you nearly hit one of the sixth graders i think not.” you awkwardly chuckle patting his shoulder as if it’s any consolation

mike loves sports day, he’s competitive in all of the teacher only events and last year he even tripped you and levi up ON PURPOSE might you add

either way he still lost the teacher’s three legged race last year and ever since he’s been out to gain his title back.

levi remembers, he’s unsure if you do but he remembers vividly having to carry you on his back because you had sprained your ankle pretty badly after your collision with mike.

back then you and levi were still in the middle of your little math vs english debate meaning the whole walk to the infirmary was filled with bickering.

and when levi had placed you onto one of the beds you insisted you could treat yourself when you really couldn’t

the way that scenario ended had been with levi forcing you to place your foot onto his knee as he iced and tended to it

this year levi is not having any repeats of that. yes, he quite liked having some alone time with you, in fact it was one of the first times he stopped to wonder if he liked you.

BUT!!!! having you limp around the corridors wasn’t the best either and you were highly irritable until you were fully healed

“why don’t you actually try this year?” hange stifles a laugh, they’re stood to levi’s left and upon hearing their voice his shoulders sag. he knows he’s in for one hell of an earful

“i do try–”

“yeah whatever. anyway, you want a cupcake?” hange’s gesturing to the haphazardly iced buns in the four plastic containers in their hands

“these are for the bake sale!!” they add in enthusiastically.

levi’s about to shake his head, he’s already donated to the bake sale’s charity fund without paying for any of the baked goods. yes it is purely because he doesn’t trust hange to feed him anything edible

“they’re y/n’s batch :-)” hange’s wickedly grinning knowing they’ve hit their colleagues weakness

without another thought levi’s right hand dives into one of his pockets, fishing his wallet out. he places a few spare coins into hange’s palm

“wOAH, you’re pretty eager aren’t ya??”

their remark flies over levi’s head as he tries to pick out two of the most presentable cupcakes

“you’re so fond of y/n, why not try a little harder like i said?” hange’s thrown the bait in the river and levi completely falls for it. he turns ninety degrees completely forgetting about the cupcakes.

“i’m talking about sport’s day if it isn’t obvious.”

he faces hange directly. he scowls twisted in fake disgust and confusion all at once

“and why would i care about that?” he shoots back

“after walking in on the both of you touching each other up in the janitor’s closet i’m really surprised you’re — mMMPH—” levi’s shoved one of the cupcakes into hange’s mouth

“you’re gonna have to pay for that–”

levi smacks some more money into their palm to appease the issue

“when did you see that and have you told anyone else?” he’s seething right now, there’s no way he or you were unable to notice someone as loud as hange prance into the storage cupboard accidentally

“i haven’t told anyone but it has only been three days since i saw so who knowsss...”

“i’ll do anything for you to keep your mouth shut.” levi’s practically begging at this point

“i think you should buy a whole box of cupcakes as compensation. my eyes will never be the same again.”

levi hands over more than enough money, he’s probably handed over enough for two boxes just for extra measure

it’s not that he’s embarrassed of you or anything no, no, not at all. he just, this sounds so stupid but he isn’t sure what the two of you are????

you’ve kissed, A LOT but the only problem is that there’s never actually been confirmation of... something more? than that?

he’s simply horrible at asking, and seeing the way you’re talking to mike it’s almost getting to the stage of borderline flirting

he’s currently flexing one of his muscles and levi’s unsure if you’re actually gawking at them or feigning interest so mike can get bored and leave sooner

his bets are on you pretending for the sake of mike leaving until you reach out to squeeze his arm appreciatively

...

what is this feeling??

insecurity?? a low self esteem??? levi isn’t entirely sure what the emotion that surges through him at that moment is

but hange sure does, grinning at the scene playing out they shove moblit with their elbow

well, well, well levi getting jealous is certainly something new.

when levi knocks on the door of your classroom you assume he’s come to bother you and ask for the spreadsheet with grade averages and all that technical stuff

english and math grades need to be compared side by side and even though it’s your job to help with the data analysis you’re pretty bad at it so levi’s the one who USUALLY picks up the pieces and does it for the two of you

occasionally mike steps in and helps when levi’s got other stuff in the way

“oh levi!! mike told me he’d be doing this month’s spreadsheet?” you’ve poked your head out of the door to talk to him

levi’s eyes narrow at that because he hasn’t asked mike for help at all.

“i didn’t come here for the spreadsheet but i haven’t even told mike to assist me this month... i wonder why he’s so passionate.” he mumbles the last part under his breath

opening the door up you wave for him to come inside “what you here for then?” you ask, oOoh maybe he’s finished reading an inspector calls?? finally you can talk to someone about the twist at the end

“i’m taking part in sports day properly.” the statement is unexpected and ?? levi ?? take anything other than math seriously ??

“woah... i’m proud of you?? i’m glad you’re seeing it’s important to show the children physical activity is fun.” your smile brightens up the entire room and he begins to feel a little more confident

peering up at him your curiosity doesn’t go unnoticed and he clears his throat, he knows you’re expecting him to say something else

ok, ok, ok. he thinks he’s built enough courage up to ask you

“i’ve never got the chance to ask but would you like to go on a date?” on reflex levi screws his eyes shut, suddenly he’s convinced you’ll say no and reject him. why would you accept??

“sure!”

his eyes flutter open and he feels you grip at the sleeve of his shirt.

well? that went better than he expected?

“where do you want to go?” you ask

“doesn’t matter, but let’s go somewhere after sports day finishes up.”

“are you barely going to try like last year?” you’re munching away at a granola bar - it’s rather bland and makes your throat feel kinda scratchy

you’re midway through drinking some water to deal with the dryness but you nearly spit it out when levi responds

“no. i plan on winning every single teacher event.”

HE WANTS TO??? beat???? everyone???

“you’re planning on beating mike too?” you tilt your head to the side incredulously

levi purses his lips at the mention of his name

“why does that sound so absurd to you?”

“he’s um, very good at sport that’s all.”

“i am too.” levi’s adamant to prove his point to you

“fine, here’s a deal. win at least one teacher event and i’ll try and solve one of your funny math problems or whatever.”

“what kind of deal is that??”

“you’ll be able to see me struggle with numbers, for free!!”

“no. i have something better in mind.” levi bites his smile back, he can’t let you know the idea makes him feel

“and that would be?”

he takes a step forward decreasing the space between the two of you.

“how about you kiss me in front of everyone?”

your mouth falls open because oh wow....? you have no actual problem with the task you’re simply surprised that levi is willing to put the both of you out there like that. the spectacle is bound to raise some eyebrows

“deal?” he holds his hand out for you to shake

you nod your head. “it’s a pleasure doing business with you.”

and so your deal is sealed with a firm handshake.

the big day has ARRIVED!!!

all of the students are flooding in through the gates. some carry footballs, other basketballs. you’ve been here for less than ten minutes and had to save a ball from crashing right into an expensive window.

everyone’s wearing active gear, udo walks in with a ski mask on?? which is peculiar but it’s humorous so you don’t tell him off for it

you’ve chosen a comfortable olive green tracksuit, you don’t think you’re in the mood for ski masks like udo is

coincidentally levi happens to show up in the EXACT same type of tracksuit?? everything’s the same to the colour. you both stare at each other for a moment trying to figure out how exactly you managed that but give up, you guess you have similar tastes

the accidental coordinated outfits have a few of your students pointing and chuckling together

gabi and falco are laughing heartily and whispering god knows what about the two of you

“three legged race partner?” levi asks as he fills up some water bottles for the water stand

“oh? mike asked me to be his partner.”

levi doesn’t make it obvious that he’s jealous about it because what adult would be jealous over a three legged race??

but even if you can’t tell levi is pissed mike sure can

he’s walking past the two of you, hands shoved into his pockets when he spots you a few meters away. his eyes sparkle when he sees you. it’s at that moment he senses the dark piercing glare coming from your right.

you’ve yet to notice mike but levi’s seen him approaching from a mile away and he isn’t particularly happy about it.

the good thing about mike is that he knows not to mess with levi.

the two have known each other for years and by now mike knows messing with levi is a death wish in itself.

so when the poor physical ed teacher notices the way levi glowers at him he calls out your name to get your attention - he’s much too afraid to get anywhere near you

“Y/N!!”

whipping your head around you wave at your race partner, why does it look like he’s seen a ghost?? you shove that thought to the back of your mind, he’s probably just tired

“petra doesn’t have a partner and uhh... i think levi’s free. could you work with him instead?”

levi turns away to smile to himself. ah how the tables have turned!!!

“but i want to work with you? it’s always y/n and levi do this. y/n and levi do that!! i wanna try with someone else.”

what you’ve said is a lie. honestly you’d just like to see levi get worked up again

but levi doesn’t get the memo at all. it flies over his head and he huffs thinking if that’s what you want he doesn’t mind. he’ll just show you how he feels.

“it’s okay. i’ll go with petra.” levi nonchalantly salutes at both you and mike as he walks backwards before turning around to locate the ginger in question

WHY DID HE GIVE IN SO EASILY???? YOU WERE JOKING?????

with your mouth open wide mike looks at you once and puts the pieces together

“guessing you wanted him to stick around?” you suddenly hear and god, you feel kinda bad

“oh no!!! i would love to be your partner.” looping your arm with his you smile up at him

whether or not mike believes you isn’t clear but he does return your smile.

there’s a few minutes till the three legged race starts, everyone’s running around. erwin’s knelt down to tie yours and mike’s legs together

as he’s doing so you can’t help but hear a high pitched windshieldy giggle leave petra and you visibly seem annoyed. that’s if your arms crossed over your chest and clenched jaw are anything to go by

levi hasn’t even said anything notably funny ???? what is she laughing at ????

he’s quite literally just standing there making awkward small talk with her

it goes something like this

“have you marked your exams yet?”

levi doesn’t realise she’s said anything till she taps his shoulder and he asks for her to repeat her question

“oh.” he thinks for a while. “no not yet. i’ve got better shit to do. i don’t see them till next week either way.”

and then she just starts laughing so hard that she has to hold her knees and when that isn’t enough she holds onto a nearby pole for support

you see where this is going

when her breathing gets even more uneven she reaches out to grab levi’s upper arm

YUP. you knew it. you can’t be mad at her really. no one knows you and levi are sort of a thing.

a thing? is that the term? well, whatever late night calls discussing books and a few heated kisses in private mean that’s what you are

levi stares at the hold she has on his arm and you expect him to shrug her off. instead he sees you look, smirks a little and waves all the while letting her hand stay there

and the icing on the cake is petra waving at you too and her eyes are much more expressive than she thinks they are

she’s internally laughing at you for sure.

ok, not a big deal, NOT a big deal!!!

this is just him getting back at you for before.

flipping your head back your sad expression probably catches mike’s attention because he seems to cave in

“want to make him jealous back?”

his suggestion is interesting but you catch yourself second guessing

“he’s doing that because he’s jealous.” you mumble shaking your leg to test the strength of erwin’s knot

“and? don’t let him win.” he glances at his shoulder gesturing for you to make the next move

nodding your head vigorously you throw your arm over mike’s shoulder but find he’s too tall to make that work so instead you settle on holding him by the side

it takes you a little to adjust to the close proximity but in the time it takes you to do that mike informs you of levi glaring at the two of you

“mind if i hold onto you here? we can coordinate our moves faster!!!” petra doesn’t even wait for levi to agree to what she says. she just flings one of her arms around his torso

again, he lets her just as last time.

this game of cat and mouse is getting tiring, maybe you should have kept your mouth shut when mike approached you.

“ON YOUR MARKS.”

your senses snap back to where you are. your grip on mike’s torso firms and he turns to nod at you.

you nod back.

you’ll win this.

“GET SET.”

“AND GO!”

okay, SO.

something in your game plan must have gone wrong but mike’s strength is something you’ve clearly underestimated. his first step is so powerful you don’t even have the time to start moving

you assume that’s how you collapse to the ground behind him and scrape your hands onto the cement of the track

so much for winning. all you’re doing is bleeding and hissing trying to cope with the stinging sensation

“mike?!?? not again??” hange groans and jogs over to the two of you untying the ropes at your legs.

“do we have to ban you from another event??? you’re too reckless sometimes.” hange smacks his chest and then hurriedly whispers “levi’s coming this way if you value your life you better bolt and use the first aid kit as an excuse.”

mike doesn’t even debate with himself, that’s his best bet at staying alive and so he dashes away as if he’s left the shower on at home for five hours unattended

some students are murmuring under their breaths and luckily for you the forever reliable gabi and falco have come to your rescue with bandages

“show me your hands.” levi’s hard voice interrupts all discussion. petra’s stood peering over his shoulder and you swear you catch her muffling a laugh

levi frowns. “you good?” he asks. you assume this answer will be the deciding factor regarding whether or not he makes this an issue with mike

“i’m great – trust me!! just a few scrapes.”

levi doesn’t look convinced but he let’s it go.

he helps you get up and takes the bandages from gabi thanking her.

“i’ll patch y/n up.” he tells hange pointedly and they agree. moblit at that moment happens to run over with a megaphone in hand.

“SHOWS OVER FOLKS!! WE’LL MOVE ON TO THE JUMP ROPE EVENT FOR NOW!!!”

“i’ll make him lose the one hundred meter sprint so badly he won’t know what hit him.” levi’s been grumbling the entire time he’s sat down to bandage your hands.

now that you’re both sat close to each other again murmurs of “matching tracksuits??” are back

“you don’t have to it was a mistake levi.”

levi shrugs eyes scanning his handiwork. “i want to. i’ve got to earn my kiss in front of a crowd anyway.”

gently letting go of your hand he looks out onto the track waiting to be called.

you’ve never seen levi give his full effort into sports day but even then you’re unsure if he’ll ever be able to beat mike.

honestly mike sure is fast and you recall one of the children referring to him with the nickname lightening bolt

and speak of the devil. a group of children walk past and are talking about the teacher’s race

“mr bolt’s gonna win for sure. you seen him run?? he could be an olympian!!!!” zofia’s gushing about him, she happens to be a big fan

the only nickname you’ve ever heard for levi is ursula – “ursula sure is evil for giving us that much work >:(” you had heard udo say once during class but after the earful he got from gabi he never used the name again, neither did anyone else

a few more minutes pass in a comfortable silence and levi’s called over to his lane. you’ve accepted the fact that there’s no changing his mind and he’s bound to compete now

“wait for me by the finish line.” he instructs and so you do. you go your separate paths. he to his lane (he’s in the lane two) and you to the finish line

petra’s already standing there waiting. her elbows are propped onto the railing peering out towards the contestants.

making your way to stand with her you see her sigh dreamily at levi in the distance

“hey, i know you don’t like levi a whole lot. you know your fued and all but do you think he’d say yes if i asked him out?”

well.

that sure is unexpected.

you fight the urge to scoff because you know you and levi are starting to drop more hints. is this her way of finding out the truth?

“me and levi don’t hate each other actually.”

“oh, well dislike.”

“we don’t dislike each other.”

“tolerate?” she takes her bottom lip in between her teeth trying to control her frustration

“petra. i like levi.” your confession knocks the wind out of her. you both silently exchange looks. she’s very clearly in disbelief.

the next time she speaks the previous playful lilt in her voice is long gone

“as soon as you noticed i liked him you just had to decide you liked him too. people like you make my skin crawl.”

?????????

why is she so bitter?.)/&£:

you can’t help liking levi and he likes you too,, so what now??

“he likes me back petra. can we be civil about this? i don’t like workplace drama. i had no idea you were into him.” you’re hoping that this will happen to shut her up but NO!!! it doesn’t she’s only more mouthy now

“prove it.” she points one of her manicured fingers into your chest and demands evidence she doesn’t even deserve to see

“what???”

“if he likes you back so much he should be able to show it.”

you know, if it were any day, any other time or any other person asking you this you would have out right refused, but given the circumstances and levi already waiting on you to kiss him in front of the entirety of the school you see no issue with having the last laugh in this argument

“fair enough.” you mutter and lean over to see hange announce the countdown

“ON YOUR MARKS.”

“GET SET.”

“AND GO!!!”

you swear you blink because GOD what on EARTH????? you don’t understand why previous to this levi balked at the thought of participating because he’s made it look so easy.

he’s not bolted he may as well have TELEPORTED to the finish line. mike is breaking out in a sweat far behind him and the boyish grin on levi’s face is enough to tell how he feels

gasps and applause can be heard from the children. zofia and udo are passionately arguing about some bet they’ve made - you make a mental note to tell them that making deals is fun as long as they don’t bet large amounts of money

levi’s jogging up to you completely ignoring petra’s presence

“told you i’d do it. i avenged you didn’t i?” you don’t think you’ve ever seen him smile so confidently in public 

you acknowledge what he’s said with a cartoon like thumbs up and then you’re staring at him unable to locate your courage

oh fuck it

you lean in hurriedly and steal a peck from him. he blinks and then scowls much to petra’s amusement. she has to think he’s about to curse you out but unbeknownst to her she’s read the situation wrong

“is that your idea of a kiss??”

and then he takes matters into his own hands – no literally into his own hands. he cups your face in his palms and captures your lips with his own. as you reciprocate petra can be heard choking on her saliva.

“OH well who would’ve guessed the english and math department had an alliance????? not me???” next is hange, they’re feigning shock even though they’ve known what the two of you have been up to this entire time

the whispers have now become full on shouts

“i KNEW it they were dating?!?!”

“MAN??? I HAD A CRUSH ON MR ACKERMAN WHAT NOW???”

gabi and falco are audibly cheering, you’re quite sure they realised what was up long ago

“DON’T BE UPSET BUT I THINK THIS IS WAYYY BETTER THAN PRIDE AND PREJUDICE!!!!” falco’s comment makes your heart rise in your chest

and you know what? you think so too.

as levi’s hand travels to the back of your neck pressing you further into him you come to the conclusion that maybe just maybe this is far better than pride and prejudice ever will be :-)

[wonderfulworldofmichaelford]

Psycho Analysis: Suicide Squad Team A

(WARNING! This analysis contains SPOILERS! Seriously, as soon as you click that read more, you’re gonna be smacked with SPOILERS! Don’t say I didn’t give you ample warning this time!)

The world’s in danger yet again, and Amanda Waller is in need of some expendable forces to take on some dirty jobs in the name of preserving peace. Last time she did this, it seems like she hired the wrong people. Nice guy Will Smith Deadshot? Bland, boring Killer Croc? El Diablo, who became attached to a bunch of reprobates after spending a couple hours with them? The only one who was useful in that squad was Katana. She had their backs, could cut all of them in half with one sword stroke just like mowing the lawn, and her sword traps the souls of its victims. Unfortunately, she was decidedly not expendable, so what is a girlboss like Waller to do?

Easy: Assemble a brand new squad of criminals to do the dirty work. Harley and Boomerang are the only ones she brought back, because let’s be real, they’re the only ones we give a damn about. Filling out the rest of the squad are the stoic, craggy crackshot Savant; the handsome, German spear-thrower Javelin; the alien warrior Mongal; the frothing, psychotic animal Weasel; the confident and all-powerful TDK; and Blackguard, who is literally just a guy. Together, this team gets deployed to Corto Maltese to do what no one else can do, and with skills like theirs, they are absolutely unstoppable!

They all fucking die before the opening credits.

Motivation/Goals: Considering the goal of the squad is to shave time off their prison sentences by going on the mission, it’s ostensibly the reason every single one of these goons accepted the job. Savant and Weasel are pretty well established in this regard; we get to focus on Savant for much of the opening, so we can get a sense of him, and Weasel is stated to have murdered no less than 27 children. So, yeah, they need to do this mission.

The rest, though? Who knows! Why are Mongal, Javelin, and TDK in prison? How did they even get an alien like Mongal? What did they do to land in the position they’d need to go on a suicide mission? Why doesn’t this movie have flashy, intrusive cards explaining everything to us in a throwaway gag in a montage?!

Blackguard, at least, has some other motivation. He sold out the entire squad to the military of Corto Maltese, which is why they’re ambushed. Now, there’s actually some ambiguity here: Did he do this of his own volition, and was this a complete surprise, or is it, as it is heavily implied, all part of Waller’s plan and she let this happen as a diversion for the other team to get in unnoticed?

Honestly, though, it doesn’t matter what their goals are. They’re all dead within five minutes of the movie starting, with one exception.

Performance: So, the reason these guys are even worth talking about is because, despite their minuscule screentime, all of their actors manage to cram in enough humor and characterization that they’re all pretty fun and likable. Michael Rooker is as stony and stoic as ever as Savant (until he hilariously isn’t), Flula Borg’s Javelin is really sweet and charming in his interactions with Harley, and Pete Davidson’s Blackguard is just amazingly douchey and pathetic. Special mention goes to Nathan Fillion’s TDK, who has an utterly endearing and unwavering faith in his astoundingly crappy ability to… detach his arms. It’s honestly kind of beautiful. Then there’s Weasel as portrayed by Sean Gunn, who is just a hilarious crackhead of an animal man.

Final Fate: Literally every single one of them die horribly thanks to Blackguard’s betrayal. He’s the first to go, because as soon as he walks out saying “Hey guys, it’s me, the one who contacted you!” he literally has his face blasted clean off. The rest go soon after. Mongal, in one of the most astounding moments of idiocy I’ve ever seen, leaps on a helicopter despite Rick Flag telling her specifically not to. Her weight and strength send it careening out of control, which leads to it shredding Captain Boomerang to bits before exploding, burning her alive as she painfully screams and writhes in agony. TDK gets his arms shot into Swiss cheese, leading to him bleeding out since even detached they still are part of him. Javelin is also shot, but gets a dying moment with Harley where he passes her Checkov’s Javelin. Finally, after witnessing all of this carnage, Savant completely loses his shit and tries to swim away, leading to Waller blowing his head up.

You may be wondering what happened to Weasel. He appears to drown as soon as the Squad deploys, because despite being actually smart in this movie, Waller forgot to make sure everyone on the Squad could swim. Thankfully, this lovable child-murdering crackhead rodent was just sleeping, and wakes up in the first credit scene.

Best Scene: Obviously, it’s their one and only scene. It’s a magnificent slaughter that puts the X-Force scene from Deadpool 2 to shame.

Final Thoughts & Score: I’ve gotta hand it to James Gunn. Even though these losers are only onscreen for a few minutes, they all get to cram a lot of charm and personality into that time, to the point it’s actually kind of sad seeing them all die. It’s a beautiful mix of comedy and tragedy. Since their screentime is so limited, though, I’m mostly going to be grading them on style, performance, and so on rather than on villainy like normal. They are all bad guys, as they don’t really get a chance to redeem themselves like the other Squad, so I’m still counting them as villains, which means they could potentially score above an 8 (which is the highest score I’m willing to give heel-face turn villains, because they end up being better as characters in general than as villains).

I’m also not going to talk about Boomerang (I’ll talk about him when I review the original Squad) or Harley (because she not only lives, but deserves her own solo Psycho Analysis). Now here we go, from best to worst:

TDK

If you thought anyone but TDK would get top marks, you’re sadly mistaken. Seeing Nathan Fillion proudly wield the insanely lame power to detach his arms to lightly tap soldiers on the head and gently grab their guns is a sight I never knew I needed to see until this movie. The fact he just seems so darn proud about this power that he doesn’t even bother to use in any way that would be remotely useful is honestly really endearing. Frankly, the sheer fact they adapted Arms-Fall-Off Boy in any way is enough for me to give him a 10/10.

Weasel

Weasel is just disgustingly delightful. He’s just a horrible, nasty, ugly little bastard… But he’s kind of adorable? He clearly has no idea where he is at any given time and is just so goddamn freaky that I can’t help but love him. The fact that, despite being a character who in the comics is noteworthy only for dying on his first mission with the Squad, he manages to survive the entire movie is pretty impressive. Hopefully he comes back in the future, but either way he gets an 8/10 from me.

Javelin

Honestly, aside from Boomerang, his death stung the most. He’s just so cute and charming, and he doesn’t even get to fling his javelin at anyone! Thankfully, he passes it on to Harley, and boy does she ever get to use it! He’s so cute, I have to give him an 8/10. I just wish we got more of him.

Savant

Savant is just an absolutely hilarious bait-and-switch. We follow him through the prologue, with everything seeming to point to him as our main character and the Squad leader. He’s stoic, he’s cranky, and he has impeccable aim… and then we get to the beach and he just freaks the hell out and starts screaming and crying and running away like a little bitch. Seeing Michael Rooker act like he’s shitting his pants after playing a badass like Yondu is just the sort of hilarious subversiveness that James Gunn loves to do when you let him loose. The fact that he looks like, to paraphrase the TVTropes YMMV page for the movie, a “cyberpunk Tommy Wiseau” is the icing on this 7/10 cake.

Blackguard

I was prepared to hate this guy just based on how lame Pete Davidson’s costume was, and you know what? I do hate him. But I love to hate him. He’s just an utterly pathetic scoundrel and a coward, true to his name. The fact he is the first to die, as just about everyone predicted, and is killed absolutely gruesomely makes any annoyance he could provide moot, and his freeakout over being seated next to Weasel on the plane is actually kind of funny. I was originally going to give him a 6, but you know what? He can have a low 7/10. He’s like the only member of this particular Squad to actually do anything evil, so I gotta give him props for that.

Mongal

Let me make this perfectly clear: I do not blame James Gunn or actress Mayling Ng. I’m not actually mad at either of them for what they chose to do, because it is ultimately hilarious and sad. It suited the narrative of the film, and I’m not actually, genuinely mad.

With all that out of the way, Mongal is one hell of a stupid cunt. It is one thing to cause your own death with your stupidity, it is something else entirely to cause the death of a beloved character with your poorly planned attack. The fact she didn’t take into account how her weight and strength would effect an airborne helicopter makes one wonder if she is really supposed to be based on a character who can take on Superman and live to tell about it.

Let’s compare her to two similar characters to really show how bad she is. Like Blackguard, she is directly responsible for a death on the beach, Blackguard being responsible for everyone by selling them out and leading them into an ambush (and yes, I’m including him as well), and Mongal killing Boomerang with the chopper. The difference is, Blackguard’s betrayal was deliberate, he meant to sell the team out, he was actively doing something evil there, while Mongal killed Boomerang out of sheer idiocy.

Now, let’s compare her to Zeitgeist from the similar bloody massacre that occurred during X-Force’s deployment in Deadpool 2. Like Mongal, he accidentally kills a teammate. The difference is, in the case of Zeitgeist, he only accidentally melted Peter, it was a freak accident, and ultimately it does get undone by the end. Meanwhile, Mongal made a conscious, stupid decision and ended up killing her squadmate with her own idiocy. She sucks, hardcore. I don’t do this lightly, but I’m giving her a 1/10. Villains just don’t get much stupider than her.

I will giver her this, though: the makeup work on her is good. She’s lowkey kinda hot if I’m being honest. But being hot and having good makeup does not a good villain make.

[pink-n-spooky]

Teen girls aren’t allowed to enjoy anything

and here’s my long ass essay about it :)

In youth pop culture, as well as pop culture in general, it’s generally a given that music movies, books, clothing, and other things that gain popularity will eventually fall out of style. On face level, this isn’t always a bad thing, but rather more of a function of society: when something is new, many people are interested, and as time passes, that number dwindles. Backlash and criticism is also a normal function of society, which can be very beneficial when done in good faith and with constructive purpose.

However, it’s quite notable that an overwhelming amount of criticism falls on things that generally have a large fan-following of teenage girls. This can cause them to feel embarrassed by wat they’re interested, or feel that being made fun of is inevitable.

In reality, though, things gain traction for a reason, and things widely loved by teenage girls aren’t often given the same analysis and consideration other things in pop culture are given.

While there is certainly media that isn’t beneficial and could negatively affect young girls, the things they like often go ridiculed by society due to a lack of consideration and deep analysis, as well as the constant sexist want of society to bring down young girls.

Older people in general have been known to blow off things popular in youth culture, which can sometimes be attributed to just not knowing or caring about it. On the more intense side, some are infuriated by it—and not always without reason. But when it comes to things that are popularized by teen girls, a deep and proper analysis is often not given. Instead, they focus on the surface-level negatives.

The Hunger Games is a clear example of this. The series, which revolves around a teen girl forced into a game where she has to murder other kids, is widely condemned as being far too violent and a potential threat to the innocence of young girls.

On the first look, it’s clear that this widespread opinion doesn’t stem from nothing; the series is violent, and mainly young girls read it. However, if one goes even a bit beyond the surface level of the series instead of being initially outraged, it actually shows a complex society and story of revolution with themes of corrupt media and propaganda, separation of class by wealth, and way both sides of a political argument or war can be corrupt.

Take the 12 Districts in the series: the Capital is at the top with the most wealth and ability to abuse, and lowest number Districts are under the illusion that they’re the same. Author Suzanne Collins develops this complex idea in her story by showing that while people in the Districts have different levels of wealth and resources, in the end, they’re all still forced to put their children to death.

In the grand scheme of things, they’re all just as powerless against those at the top. It reflects the nuances of Capitalistic societies and class divisions in a thoughtful way. This can actually really benefit girls, especially since the protagonist is someone they can see themselves as.

A much more widespread example of the ridicule young girls endure for the things they like is fashion. Overall, fashion for girls has progressed in a way that over time has become more diverse and accepting. It’s not uncommon to see girls in long jeans and sweaters, but it it’s also not uncommon to see them in more revealing clothes like crop-tops.

The way girls dress is taken issue with by many adults and even school systems, shown by dress codes that often ban shirts—even if they only reveal a girl’s shoulders. These girls are often told they’re being too provocative or dressing for boys, which strips them of their individuality and is certainly not the case. Many girls dress this way because they want to.

Furthermore, the diverse and growing willingness to be experimental with what they wear shows something wildly different than the harmful predetermination: reclamation of their bodies. Throughout history, girls have been shamed this same way—often more intensely. So, by defying these criticisms, teen girls are showing they feel more free and more confident in what they look like and are perceived as, which is something everyone should want for them.

When things like this are torn down by others, it can affect the girls immense negative ways and cause them to lose confidence. When the benefits are ignored by society, this is often what happens. The positives of more experimental and unique media and styles that interest young girls are at best ignored and at worst ridiculed when not given proper analysis and understanding.

While some criticisms of youth girl pop culture can be attributed to ignorance and lack of poper analysis, it would be even more ignorant to ignore the root of these issues: sexism.

When comparing the things young boys take interest in with what girls of the same age do, one clearly causes more outrage than the other. This can be seen by the blind outrage thrown at things like youth romance novels.

When the young adult romance book Twilight came out, real criticisms of the story were often drowned out by people making fun of its fans, which was majorly young girls. They were ridiculed by people often much older for liking something perceived as stupid. This can discourage girls from allowing themselves to enjoy such things, which is harmful because books like these often give girls hope and bring just pure happiness to them, which is immensely important as they grow up.

Furthermore, young girls are often criticized for liking the same things boys do to a much further extent. Video games, which are often violent, are traditionally played by boys. While these games draw a lot of criticism for aspects of violence and shooting, it has nothing to do with the fact that the audience is boys.

Girls, however, are often personally disparaged from playing such games because they’re too “masculine” and just not made for them. This discourages young girls from finding out what they enjoy and forces them to limit what they take part in.

In the end, even with the hate they often undergo, young girls haven’t stopped boldly and unapologetically enjoying what they love, but it is through their perseverance that they’re able to do so.

Final note: If we’re being honest, we all have a bit of internalized sexism and judge without thinking about potential effects on others. Sexism won’t cease to exist easily, but if we only take the time to consider our motives—even subconscious ones—we can help stifle our biases and most importantly, create a healthy environment where girls can express themselves.

TL;DR

Society loves to put girls down and make fun of everything they like, which stems from sexism and lack of analysis. In reality, there’s often real, important purpose to the things they enjoy. I also definitely used The Hunger Games and Twilight as examples :)

p.s. i am also in love w katniss<3

[makeste]

BnHA Chapter 307: The One With Shindou

Previously on BnHA: Endeavor and Hawks (and Jeanist too, although he didn’t really do anything, but BY GOD, WHAT IS UP WITH HIS NECK) held a press conference and were all, “everything you’ve heard is true, so we would just like to say, from the bottom of our hearts... our bad.” U.A. opened its doors to the public as an evacuation shelter. Deku and All Might told basically EVERYBODY about OFA, which is absolutely wild, and yet somehow we hardly paid any attention to this at all. Mostly because the chapter ended with Deku being all “I WALK A LONELY ROAD, THE ONLY ONE THAT I HAVE EVER KNOWN” and peacing out of U.A. to embark on a solo journey of angst. So this is either gonna be the best or the worst thing that ever happened to this series, so TIME TO FIND OUT WHICH IT IS.

Today on BnHA: Horikoshi is all “so who do you guys want to see next? Deku? Bakugou?? Well how about SHINDOU?” Shindou is all “hi :) I’m Shindou :) :) remember me :) :) :)?” Horikoshi is all “I’m so sorry for depriving you guys of Shindou for so fucking long, how about an ENTIRE CHAPTER ALL OF HIM” and then he REALLY FUCKING DOES IT because, I don’t know?? Did we make him mad?? Am I being punished for something I did in a past life?? It really is, honest to god, seventeen whole goddamn pages of Shindou, punctuated by a few pages of Muscular, and topped off with one (1) whole appearance by Deku at THE VERY END. And we don’t even get to see his face. I am beside myself lmao I’m sorry you guys, you can skip this recap if you want. Or just skip straight to the end, because movie 3 promo.

“long time no see” now what could this mean?? can’t think of too many characters this phrase would apply to right now. although I can think of one big one, and I know that fandom has been trying to manifest his deadbeat ass to finally show itself for years now. could it finally be that time? if Hisashi shows up and debunks DFO a big chunk of the fandom is probably going to riot lol

(ETA: why oh why did I get my hopes up like that lmao. I’m pretty sure Hisashi doesn’t actually exist and Deku was either immaculately conceived, or the stork really did bring Inko a lil green baby from the cabbage patch.)

anyway, so the chapter is opening on this random scene of CRIME and DISARRAY

was this all done by that big villain from the previous chapter? utility poles knocked down, random holes in the sides of buildings, and it looks like this one car pulled over in a hurry and the driver just hopped out and ran

who are these people talking

OH NO, OH GOD

I am immediately struck by the urge to push Shindou off of this ledge. is that mean? probably that is mean, but also fuck this guy lmao. every year you cheat someone out of their well-deserved spot in the popularity poll, and every year I want to punch you in your stupid face for it

bah. and how are you doing, Tatami. love that hero name even if you do have arguably the dumbest superpower in the entire series

listen, though. here I am shitting on these Ketsubutsu kids for no good reason, and I’m sorry about that, and truthfully it’s mostly because I just want to see Deku and/or Kacchan and so it’s hard to give a fuck about anything else right now. BUT, I will immediately cease and desist ALL of my complaining if this means we also get to see my best girl Ms. Joke, omg. Horikoshi please

sdlkfjlskalk

FUCK YOU SHINDOU OMG. I’M SORRY GUYS I CAN’T HELP IT, EVERYTHING ABOUT HIM IS SO EMINENTLY PUNCHABLE AND DETESTIBLE. IT’S LIKE SOMEONE COMBINED WESLEY CRUSHER WITH JEAN RALPHIO

but LSKJFLEK at this random reminder that Bakugou refused to shake his fucking hand. like, that’s his “fun fact” apparently lol. it’s what he deserves

also living for this “cringe” here, too. fuck you Shindou. I am so, so sorry to any Shindou fans out there you guys because I’m just going to be like this the entire time he’s here. the hate is flowing through me

how has it been three whole pages and I still have to look at his stupid face

anyway so it seems like the kids are having to pick up the slack for Old Man Samurai and all those other assholes who retired. I’m guessing the U.A. kids will be seeing a lot more action as well

but in the meantime let’s hope no villains attack here all of a sudden, because all Tatami can do is make herself shorter while Shindou creates an earthquake to bring the entire building down around them dflkjslk

these guys don’t particularly want to go with them and I can’t say I blame them

so now Shindou is saying that yeah, they can probably handle the looters and such by themselves, but it’s a different story when it comes to the Noumu and the escaped Tartarus prisoners. Shindou how dare you make a reasonable point that I can’t immediately argue with

he says that one of the escapees was sighted in the area, so that’s why they’re trying to evacuate everyone

and the guy disagrees and says he doesn’t trust the heroes and thinks they’re pompous

fdskljk. fucking...

ME: Horikoshi can we please stop and get Deku HORIKOSHI: we have Deku at home THE DEKU AT HOME: 

Horikoshi. please. we get it, the civilians don’t trust the heroes anymore. I UNDERSTAND. I COMPREHEND THIS. so unless there is some other point to this scene I respectfully ask that you hurry things along because omg

did Tatami always have this habit of speaking in meme language and such? I thought that was Camie’s thing but hey

listen, I’m here for anyone who’s willing to drag this man down into the depths of the earth. I would just also rather not spend the entire fucking chapter on this oh my god. Horikoshi do you have any more of those chapters where things happen in them?? those are good, I like those

YESSSSSS FINALLY

so whoever’s on the other end of the call (ETA: it’s that rock-looking guy who can harden anything that he touches. why does BnHA have so many hardening powers) is telling them to run because there’s apparently a villain heading right for them, oh my

WHO IS HE

depending on who it is I can’t promise I won’t be rooting for them over you, buddy

ohhhhhh shit

huh. well that’s... hmm... but on the other hand...

okay lol no, I know it’s bad. Muscular fucking LOVES murdering kids. not even Shindou deserves that. I’m sure he has a family that loves him and stuff. and Tatami seems like a sweet girl. they don’t deserve to be murdered

that is the question isn’t it? are we really going to spend the entire chapter with Limbs-Retracting-Girl and her boyfriend, Joseph Gordon-Levitt from (500) Days of Summer??

YES OMG

YES PLEASE CALL YOUR SENSEI. my god do you know what I would give to see Ms. Joke take down an S-class villain??

(ETA: all I’ll say is that we were robbed here, you guys.)

now Tatami is running away while Shindou stays behind omg

Horikoshi I know I said I hate the guy, and I do, but my god. seems I don’t hate him half as much as you do you. been nice knowing you Shindou my man

are you serious Tatami really ran all the way back up here to try and evacuate these guys one more time

SHE’S SUCH A GOOD PERSON omg if you assholes don’t listen to her you deserve to get murdered

BRO

HORIKOSHI DID YOU REALLY FUCKING DO IT I CAN’T BELIEVE IT

LOL OKAY NO, SO FAR HE’S ONLY MESSED UP HIS FACE

WHAT A SHAME WHAT A TRAGEDY. THE WORLD MOURNS

okay but seriously, now he has to be dead

r.i.p. Shindou. he died doing what he loved, talking a lot and being utterly useless

then again, damn Shindou are you really gonna come out here and be a badass?? gonna make me eat my words there kiddo?

I have absolutely no idea if I should expect this to work or not. all I know is that this is page 14, and so it would seem we really are going to spend the entire fucking chapter on fucking Shindou. this beautiful chapter had so much potential, Horikoshi. and now look at it. I hope you’re happy

nope it didn’t fucking work at all lmao

IT’S JUST LIKE I SAID. r.i.p. you pretentious handsome lump

OHHHHHH SNAP

DEKU YOU DIDN’T HAVE TO LOL. anyway but it’s good to see you!! it’s good to see ANYONE other than these guys sob but especially you

FINALLY SOMETHING COOL OMG

somehow Horikoshi actually made the bunny mask look badass?? I don’t think this is sustainable, but I am here for it while it lasts

Shindou should by all rights be nothing but A HANDSOME PASTE at this point lol but WHATEVER. it’s BnHA; getting smashed into walls and cliffs has more or less the same consequences as being set on fire. slap a band-aid on it and you’re good to go

we are REALLY ENDING IT HERE huh

well. and that’s it. I just did not care about any of that lmao. a rare dud of a chapter. well, but we’ve had something like ten in a row that ranged from “pretty good” to “amazing”, so I guess that’s fair

anyway I feel like I owe you guys something other than endless bitching and moaning, so! BONUS:

now this is more like it

first of all, I’m absolutely living for this promo’s “YEET THE CHILDREN OUT OF A HELICOPTER” vibes. FUCK YEAH WE’RE HEROES BITCH

is Deku wearing a jetpack/parachute?? let’s hope he is because I’m assuming he doesn’t have Float yet, so if that’s not a jetpack then it is a LONG WAY DOWN kiddo

these maniacs actually got Deku to wear something other than his red shoes holy fuck. I’m speechless. are we sure that’s not an imposter??

Shouto has the funniest falling position I’ve ever seen. I’m assuming his left arm is not in fact tucked under his leg like it appeared to be at first glance?? like, wtf is the outline of your body right now Shouto

this is what I think it is after careful analysis, but at first I thought this kid had some hidden contortionist abilities

and then there’s this guy

I MISSED YOU YOU BIG GOON. loving the new gauntlets!! and he’s changed up his impractical metal neck thingy into arm thingies! but most importantly, ARE THESE WHAT I THINK THEY ARE

ARE THOSE WEENIES. KACCHAN. KACCHAN HAVE YOU GONE NATIVE OMFG

and meanwhile, look who’s with them! Endeavor makes perfect sense of course, but Hawks is a very welcome surprise. does this mean we can expect to see Tokoyami too? because I would fucking love that

lastly, so this confirms the whole “world heroes” thing! which we all pretty much guessed anyway lol. I wonder if this movie will take place in another country (fingers crossed). the city in the background doesn’t look particularly familiar, but this image probably wasn’t meant to be analyzed in that way lol. anyways, looking forward to this so much, PLEASE GIVE US A TRAILER SOON omg